event report - Prudential Eye Programme

Transcription

The Prudential Eye Zone is a curated selection of works
by 17 contemporary artists from Indonesia, Japan,
Korea, Malaysia and Singapore. These South-East Asian
countries all have thriving art scenes and the exhibition
features works that range across video and digital art,
installation, sculpture, painting and photography.
A poetic sensibility runs through many of these
exhibits, from the constantly shifting imagery of
‘Flowers and People – Dark’ by Japanese Collective
teamLab to the towering sculpture of Korean artist
Seokyoung Kang through to the almost abstract
paintings of Indonesian painter Christine Ay Tjoe. In
other works, notably by Singaporean artist Donna Ong
and Indonesian artist Bagus Pandega, lo-fi technology
is harnessed to evocative ends. Social and political
issues are subtly raised in the photographs of
Malaysian artist Sherman Ong and more directly
addressed in the work of Japanese artists Chim↑Pom.
The Prudential Eye Zone, co-curated by Serenella
Ciclitira, Honor Harger, YoungJoo Lee and Korean
musician
T.O.P
highlights
the
diversity
of
contemporary art from Indonesia, Japan, Korea,
Malaysia and Singapore. The exhibition invites
viewers to tease out both links between the works of
artists from these countries as well as different local
inflections and nuances.
WWW.PRUDENTIALEYE.COM
The Prudential Eye Zone exhibition picks up the baton of the exhibition that it
follows on from, the Prudential Eye Awards Finalists Exhibition, in demonstrating the
depth and versatility of contemporary art being produced across Asia at the moment.
Indonesia, Korea, Malaysia and Singapore have already been subjects of exhibitions
organised by the Prudential Eye Programme and both of us have learned more
about the fascinating art scenes in each of those regions through our travels
and subsequently those exhibitions and their accompanying publications. And
adding a focus on Japan to this exhibition, along with those four regions, is most
timely given the success of Japanese artists at the recent Prudential Eye Awards.
The collaborative curatorial approach to the exhibition has provided a great
opportunity to start a very fruitful dialogue with curators who have a new, fresh
vision of art from these five countries. For us, the Prudential Eye Programme is very
much about the conversations that take place in the production of the exhibitions, the
Awards, the fair and the publications that make up the Programme. We fully believe
that such conversations are a vital part of the evolving discourse around contemporary
Asian art, and that the more people are talking about artists from the region, the better.
Bringing a curator on board from outside the visual arts, such as T.O.P, is exactly the type
of cross-disciplinary approach that we also hope will open up the contemporary Asian
art world to the wide audience that it deserves. We very much believe that improving
accessibility to contemporary Asian art is a key tenet to the Prudential Eye Programme.
The fantastic works made by artists across the region are more than just for curators,
collectors and curators – they deserve to be seen by a wide audience across Asia and beyond.
The Prudential Eye Programme is structured so that it has a solid foundation of
survey exhibitions that look at particular Asian countries – such as Prudential
Singapore Eye which runs concurrently with this exhibition at ArtScience Museum. The
Prudential Eye Awards bring together artists from these different regions across Asia
and celebrates their achievements, and the art fair, START, facilitates artists and gallerists
from Asia to exhibit with their peers from across the world. At the same time we recognise
globalisation is creating new conceptual and thematic links across different art scenes
in Asia. The Prudential Eye Zone exhibition reflects this increasing blurring of national
boundaries, by focusing on five countries rather than just one in particular. Whilst we
look forward to more survey shows of national scenes, the Programme will continue
to evolve as the art scene in Asia does, moving from local to national to international.
We want to thank our sponsor, Prudential, for their continued support of the
Programme. Without their support, the Programme would not be able to evolve
in the way that it does, and we are truly grateful. Serenella has greatly enjoyed cocurating the exhibition with the Korean film and music star T.O.P, the Executive
Director of ArtScience Museum, Honor Harger and the independent curator, YoungJoo
Lee. We would like to thank them all. Most importantly, as ever, we want to extend our
sincerest thanks to all the artists whose work has made this exhibition such as success.
David & Serenella Ciclitira
Founders, Parallel Contemporary Art
Welcome to the Prudential Eye Zone, a unique exhibition that brings together
contemporary art works from across Asia, including those from previous Eye
exhibitions held in the region.
Following the exhibition of the shortlisted nominees for the Prudential Eye Awards
held at the Marina Bay Sands in January 2015, this exhibition continues the Asian
theme to showcase some of the most interesting works being created in this
region. We hope visitors to the Prudential Singapore Eye exhibition, which will run
until the end of June, will enjoy an additional perspective on Asian contemporary art.
Prudential has been part of Asia for more than 90 years and over the years, we have
witnessed both economic and social changes in Asia. Contemporary art allows us to gain
a deeper insight into today’s Asia through the skill and unique viewpoints of its artists.
Our business remains committed to serving the needs of Asia’s growing middle-class
families, and we remain committed to growing together with this region that we have
called home for so many decades.
While we join Singapore as it mourns the passing of its founding father Mr Lee Kwan Yew,
it is only befitting to honour his spirit by continuing to celebrate all that Singapore offers
to the world and its status as the contemporary arts hub of the region. We hope this
exhibition will inspire young people in Singapore and beyond to express their thoughts
and feelings through the creative medium of art.
Barry Stowe
Chief Executive, Prudential Coporation Asia
ArtScience Museum is delighted to be a partner of Prudential Eye Zone, a specially
curated exhibition of contemporary emerging art from Asia to run alongside the
Prudential Singapore Eye exhibition.
The Prudential Eye Zone provides a platform for 11 artists from five Asian countries –
Indonesia, Japan, Korea, Malaysia and Singapore enabling them to share their works
with a wide and diverse audience. The project embodies ArtScience Museum’s
commitment to supporting and nurturing artistic talent within the South East Asian
region, through a range of exciting exhibitions, events, educational programmes,
residencies and many other initiatives.
We are fortunate to be in a region that is becoming internationally known for its dynamic
art ecosystem. Singapore itself is in the midst of a cultural renaissance. The city-state
was recently named as one of the world’s top 12 cities to watch for contemporary art.
A combination of investment in excellent infrastructure, including outstanding museums
and galleries, a burgeoning art market, the growing national and international profile of
local artists, a focus on art’s education and increasing audience attendance to exhibitions
and fairs, has resulted in an art scene that is vibrant and thriving. As such, Singapore was
chosen as the perfect location for this exhibition.
Prudential Eye Zone highlights the ingenuity and talent of some of Asia’s most exciting
artists, and ArtScience Museum is proud to share their work with our visitors.
Honor Harger
Executive Director, ArtScience Museum, Marina Bay Sands
My interest in art began from admiring the concepts and visions of world-renowned
contemporary artists. Subsequently traveling around Asia, my interest naturally
expanded towards young and influential Asian contemporary artists. While in Asia,
I had the privilege to learn about the Prudential Eye Programme and decided to
participate in the Program as I felt deeply that it was a great platform to celebrate and
introduce young Asian contemporary artists. Whilst it has been difficult for me to visit many
exhibitions due to various concert and movie related schedules, I have always made it a
point to view different artworks through publications and on the internet. The latter has
recently become one of my most important pastimes. Every time I get to learn about a
new and original artwork, I usually share this with my acquaintances. One of the reasons I
am so interested in contemporary art is because it is quite intriguing to see how different
people have different views and opinions about the same artwork.
Ever since I was young I have been very sensitive about my music as well as my
fashion and design because the nature of my work has always revolved around expressing
myself. I have always observed and studied how to possess a youthful but sophisticated
emotional intelligence whilst being unique and different. These characteristics naturally
led me to spend a lot of time in collecting designer furniture as well as artworks and in
return it has become a great source of inner-energy and diversion from my busy life.
I sometimes have the chance to talk to new talented artists and even visit their studios
to personally see how an artwork is made. Every time I see a completed artwork that the
artist has put his heart and soul into, I get this excitement that I can’t describe in words.
Through viewing art, I got to realize that my job as a musician and actor is very similar to
an artist in the sense that we both create something from nothing. From this realisation
I hope to always find inspiration for my music and how I express myself.
Keisuke Jinba, Yunhee Lee and Kei Imazu are the artists participating in this exhibition
and are artists whom I have met during business trips or when I had schedules overseas.
I first encountered them through images of their works, which developed into the desire
to learn more about the artists and their works by meeting them personally at art fairs
and exhibitions. I wanted to introduce young artists who work with delicate details and
unique concepts that are similar to expressing the beauty of a previously unseen space,
but who still easily communicate with young audiences. I hope everyone who visits the
Prudential Eye Zone exhibition carries home with them the beauty, inspiration and good
energy from the various artworks.
T.O.P
Seung-hyun Choi, Singer & Actor
Seokyeong Kang, Yongseok Oh, and Teppie Kaneugi are artists born in the 1970’s who
have experienced the radical change that has taken place in various cultures, driven by
rapid economic development in Asia. Among these rapid changes, various media and
internet development in the 1990’s allowed them to accept western culture easily and in
doing so, affected the way they expressed themselves in their art in various ways. These
artists show ready-made objects of existing media to the audience, a method which
reflects current society and real life, re-shaped by the artist’s particular sensibilities. This
results in unique works that are very much of the present.
Japanese artist Teppei Kaneuji’s new work is a site specific installation. The artist collects
everyday objects such as toys, plastic containers, coat hangers. After assembling them,
the artist pours white resin on the cluster of objects. By repeating this process, the artist
completes the work on site. The final result seems to offer to the audience a peek into
the future, where current fashion and materials have disappeared.
Yongseok Oh uses existing movie clips for his work “Without Ending”. He compiles a
number of the final scenes from a variety of films and edits them into his work. The
audience might initially feel disorientated in watching the sequenced final scenes in
this video work since the clips are final scenes of classic movies which they might be
familiar with. However, these repeated final scenes are transformed into a creative
artwork where the artist has combined these individual scenes into an ongoing narrative.
By way of contrast, Seokyeong Kang’s work is a display of her delicate
sensibility. She uses industrial dish driers covered with knitting wool by winding
them around braces meticulously. When the audience views her work, the hard metal
interior of dish driers are masked by the knitting wool, expanding the narrative beyond its
physicality. Audiences can sense the warmth of these works and decipher new narratives.
Youngjoo Lee
Independent Curator
INDONESIA
Arin Dwihartanto Sunaryo
Artwork Description
At the time I have been developing a
specific material - (namely resin) and
painting method. I have been trying to
develop and combine the painting method
with a specific material, resin. I have
explored this technique for 7 years now,
and I still find the experiment an interesting
journey.
Artist Bio
Arin Dwihartanto Sunaryo (b. 1978) has been
obsessed with the idea of painting as an
expansion of a human method of freezing
and preserving. Fed up with traditional
material, in early 2000, Sunaryo began
experimenting with resin. He subsequently
settled on resin as his key material, not only
because it has been used in both primeval
and modern culture to preserve anything
valuable in human lives, but also for his
compulsion in incorporating ‘an alchemic’
process in painting. For Arin, resin is a
multi-faceted substance—it is either fluid,
jellied or solid—that requires natural and
unpredictable elements, such as time,
temperature as well as humane
intervention, in its physical transformation
(of colors, shapes, concreteness,
dimensions).
Arin has been experimenting to incorporate,
different materials in his resin works.
Following the eruption of Merapi in 2010, he
began to experiment by using volcanic ashes
he collects from Yogyakarta as the painting
pigment, highlighting monochromatic,
earthy hues that manifest in grainy, rainy
or explosive splashes, in order to convey
his memories of his experience living in the
Southeast Asian ring-of-fire. In other earlier
series, he has also ‘preserved’ some
photographic and digital images in the
resin, showing a self-referential composition
of his painting process and visual structures that are imbued with some painterly
qualities. Arin’s working process reflects a
perpetual exploration of materials, method,
ideas and questions around our common
obsession toward ‘eternality’.
My understanding is that this particular
approach is not merely as a practical choice
but the works can be viewed as an artistic
strategy or statement that is related to a
specific cultural reference. For example If
one relates it to ‘resin culture’ (industrial
objects, preservation) or gestural painting
method or even a narration.
In my early years of using resin, I was driven
by the idea of ‘abstraction’ as my entry
point to turn my resin planes into paintings.
I experimented with abstract techniques,
eg. splattering, drizzling, pouring, creating
painterly strokes etc. As time went by, the
act of preservation became a dominant
motive instead. For my own reference, I
used digital print to record the composition
of my painting process.
I combine ready-made pigment with volcanic
ashes in which I preserve as pigment. It
often comes in a form of grainy, rainy or
explosive splashes.
This experiment on preserving abstraction
has brought me many interesting challenges.
Pint
2009
Pigmented resin on
wooden panel
148.5 x 92 cm
Courtesy of the artist
Christine Ay Tjoe
Artwork Description
There is a lot that happens in our daily lives,
we are constantly doing many things for
others, intensively. Which means one has to
perform as well as we can; diligently, in an
elegant way, continuously, but with much
fun and awareness to keep the emotion still
alive. The results in return, is almost always
unexpected. To me, I want to keep to this
ethos, and even wish to reach a higher
ethos, I am reminded that a balloon can
fly high, it will keep going higher and will
always be free.
Artist Bio
Christine Ay Tjoe is an Indonesian artist
especially known for her intricate layered
paintings full of colorful shapes and strong
linear strokes. With her earlier experiments
in drypoint technique, Ay Tjoe cultivated her
sharp, fluent and vigorous lines. To produce
the same effect on her tableaux she uses
protean oil-bars, melding figuration and
abstraction.
While Indonesia continues to hold fast to
constricting traditional values, Ay Tjoe does
not hesitate to express her inner feelings
such as melancholy, struggle, pain and
happiness through her art, eliminating these
phases of personal life through her rooted
compositions. Unlike earlier generations and
even contemporaries of Indonesian
artists who are drawn towards political
satire, Ay Tjoe’s works tend to be less
political. Instead, her interests have
circulated around the extensive issues of
personal human life. Her works highlight
universal issues in modern society and
human existence, and her art is a modern
allegory creating an opportunity for each
of us to face ourselves.
Born in 1973, Christine Ay Tjoe lives and
works in Bandung, Indonesia. Her works
have been the subject of many international
exhibitions, including Singapore Art Museum
(2012) and Saatchi Gallery (London, 2011).
WINNER OF PRUDENTIAL EYE AWARD FOR:
BEST EMERGING ARTIST USING PAINTING
The Flying Balloon
2013
Oil on canvas
170 x 200 cm
and Ota Fine Arts
Syaiful Aulia Garibaldi
Artwork Description
Interstitial Organism a creature of ‘Terhah’
the imaginary language which means “idea’.
It is based on my observation of a fictitious
world creature on a microscopic scale.
Artist Bio
Micro-macro organism connection came to
my senses as the starting point for making
an artwork, I often spent my time observing
the details of these small tiny being.
Sometimes I even take a visit to a laboratory,
hoping to find something interesting.
The execution has two tendencies: the first
tendency is to engage real living entities to
witness real interaction. The other tendency
is to explore a new world created by
figments of imagination, including creatures
and landscapes.
It is a fact that I had created the first imaginary language in the world — The language
‘Terhah’, the language of ‘ideas’.
Interstitial Organisms #2
2014
Silicon sealant on plywood
200 x 200cm
and ROH Projects
Bagus Pandega
Artist Bio
Bagus is a Bandung based artist who has an
interest in sound and motion functions in a
variety of electronic components. A variety
of used and obsolete electronic equipment
is the main material that he processes and
stand as sources of ideas. Pandega’s work
is a cross between contemporary sculpture
and installation. The interaction with visitors
is on aspect that has always been important
in Pandega’s work. He won the 2nd Bandung
Contemporary Art Awards in 2012.
Artwork Description
The lack of certainty: A state of having
limited knowledge where it is impossible
to exactly describe the existing state, a
future outcome, or more than one possible
outcome.
Uncertainty is a problem we face in a
modern society today. The knowledge
infused and experiences turn our everyday
decisions a deliberate consideration.The
more we know, the more we understand, the
more we understand, the more we doubt.
The world changes everyday, every
second, every minute. We are enveloped by
change and will continue to follow change.
Uncertainty lies everywhere, and one cannot
escape from it.
Uncertainty, ed. 2
2014
Digital print on vinyl,
wood, motor,
electronic system,
40 x 70cm
and ROH Projects
JAPAN
Chim↑Pom
Artwork Description
Artist Bio
Artist collective formed in 2005 in Tokyo
with Ushiro Ryuta, Hayashi Yasutaka,
Ellie, Okada Masataka, Inaoka Motomu and
Mizuno Toshinori and all in their twenties
at the time. Responding instinctively to the
“real” of their times, Chim↑Pom has
continuously released works that fully
intervene in contemporary society with
strong social messages.
This video work films Chim↑Pom members,
together with friends made in Soma city,
Fukushima in May 2011, doing 100
sequential yells of “KIAI,” which is
Japanese for shouts showing a fighting
spirit. As Soma city is one of the affected
areas of the Great East Japan earthquake,
these people lost loved ones, their houses
were washed away, and they spent over two
months in the destroyed city despite fear of
radiation. Unlike other areas intensively
covered by mass media, this area had
suffered from a shortage of volunteers
probably due to it being so close to the
Fukushima Daiichi Nuclear Power Station.
These were real shouts filmed all in one-cut
and ad-libbed, by the young locals who,
although being victims themselves, had
continued to provide relief and help towards
reconstruction.
Using video as a primary discipline, their
expressions freely cross over a range of
media from installation to performance.
While based in Tokyo, they develop their
activities globally in exhibitions and projects
in various countries.
More recently, they have expanded their
activities further to include the direction
of art magazines, and exhibition curation.
Japanese-language publications ‘Naze
Hiroshima No Sora Wo PIKA! To Saseteha
Ikenainoka’ [Why Can’t We Make the Sky
of Hiroshima “PIKA!”?] (co-edited with Abe
Kenichi, Tokyo: MUJIN-TO Production,
2009), Chim↑Pom (Tokyo: Kawade Shobo
Shinsha, 2010), and Geijutsu Jikkohan
[Art as Action] (Tokyo: Asahi Press, 2012)
are now available.
OVERALL WINNER: EMERGING ARTIST OF THE YEAR
BEST EMERGING ARTIST USING DIGITAL/VIDEO
KI-AI 100
2011
Single channel animation
3 min 13 sec
and MUJIN-TO
Production, Tokyo
Kei Imazu
Artwork Description
Once a human shape is turned into an image
under a certain idea, its essential impression
remains unaffected even if its appearance
are changed to some extent. Its presence
even intensifies over time in history. I started
Broken Image from seeking such images
as motifs of painting, and have gathered
images under keywords such as “ancient”,
“nude”, “vandalism”, “attacked art”, “iconoclasm”, “Zankestu” (incomplete remains),
“looted art”, among others.
Artist Bio
An emerging Japanese painter, Kei Imazu
has been working in the media of painting
throughout her career. She developed a
distinct methodology to digitally combine
and alter miscellaneous images she collected
from various sources and then paint the
created image on canvas, which allows her
to decompose “painting” and paradoxically
emphasise the presence of motifs. In recent
years Imazu has been particularly interested
in finding images in art history of different
periods and regions based on a chosen
theme. Kei Imazu was born in Yamaguchi,
Japan in 1980. She currently lives and works
in Kanagawa, south of Tokyo.
Broken Image refers to two things: an image
damaged in reality, and an image shattered
on painting. I intend to capture the state
where broken images with their own
individual histories appear as they are
through material of paint.
Broken Image
2015
Oil on canvas
162 x 227.3 cm
© Kei IMAZU Courtesy
of YAMAMOTO GENDAI
Keisuke Jinba
Artwork Description
The title ‘B.T.P.’ is taken after the line “Body
Touches Painting.” I paint it by ‘touching’
pigment on a medium with my fingers.
The work is similar to the moulding
technique used in sculpture, it is the direct
contact of hand, fingers and fingerprints
that compose the canvas. The painting also
contains words. I consider the painting to
function as a memo or a sketch that
summarises an environment or a situation
that surrounds me.
Artist Bio
I am keen to find the boundary between the
youth culture - our pop and the ordinary and the historical and traditional context.
I also aim to withdraw others’ personal
experiences and their relationships to
myself. It is only when these two
perspectives overlap that I feel I captured
the person in front of me as a target of my
painting.
I paint through observing various elements
withdrawn from a media (i.e. a person), and
this way I seek to extend my thoughts
beyond myself, and the context behind
these persons.
B.T.P. (food)
2014
Acrylic on cotton
160 x 111.8 cm
Courtesy of the artist &
SCAI the Bathhouse
B.T.P. (wood)
2014
Acrylic on cotton
160 x 111.8 cm
Courtesy of the artist &
SCAI the Bathhouse
teamLab
Artwork Description
Neither a pre-recorded animation nor on
loop, the work is being rendered in real time
by a computer programme. The flowers
spring up, grow, bud and blossom before
their petals begin withering, and the flowers
eventually fade away. The cycle of growth
and decay repeats itself in perpetuity.
Artist Bio
In 2001, a handful of creatively minded
young technologists came together around
the leading visionary Toshiyuki Inoko
(b. 1977) in Tokyo to form the collective
teamLab. A self-proclaimed “ultratechnologists group,” teamLab is an
experimental incubation laboratory for new
ideas and expressions. Their work
encompasses animation, performance,
fashion, design, entertainment, and even
medical science.
Implicit in teamLab’s works are new values
to guide individual behavior in the
information era and the proposal of an
alternative model for societal development.
Their work offers insight into the nature and
vitality of contemporary Japanese culture
past and present.
teamLab have had solo exhibitions at
National Taiwan Museum of Fine Arts,
Taichung, Taiwan (2012), Pace Gallery,
New York (2014) and National Museum of
Emerging Science and Innovation, Tokyo,
Japan (2014-2015). teamLab has received
a number awards including Lava Virtual
ReVolution 2012’s Architectural, Art and
Culture Award and Unity Awards 2013.
If the viewer is standing still about 2 meters
from the screen, new flowers are born .
When the viewer approaches very close to
the work, the flowers start shed their petals
all at once, whither and die. The interaction
between the viewer and the artwork causes
continuous change in the artwork; previous
visual states can never be replicated, and
will never reoccur.
Flowers and People - Dark
2014
Interactive digital work,
Dimensions variable
Edition of 10 + 2 APs
Teppei Kaneuji
Artwork Description
I often use white in my work, but I think of
it as a phenomenon. While being the color
of an object, it also simultaneously denotes
a void or blank space as well as a presence
or absence. It also sometimes suggests the
act of resetting or a reversal in values. These
aspects interest me.
Artist Bio
Most of my artworks are created through
a process of collecting, dissecting, and
then reassembling or accumulating existing
objects or images and thereby liberating
them from their original meanings,
functions, names, roles and scales.
It is a process of taking everyday life and
thoughts, setting them against all that
surrounds them - giant or minute amorphous
natural phenomena, artificial natural
environments, the city, history, culture,
economy, trends and fiction - and then
conceiving of all those things as having
physical existence and actually constructing
connections between them. It is my hope
that the artworks bring together
opposing states - good and bad, true and
false, two-dimensional and threedimensional, light and dark, small and large,
near and far, meaningful and meaningless,
existence and absence, known and
unknown, momentary and eternal - in the
same way that a tunnel might connect
different worlds, or adjacent tables different
people, or a blender different things.
In the work Hakuchizu (White Map),
in which I sprinkled plaster powder over
some readymade objects that I had laid out
on a table, an ordinary situation was
temporarily altered in the way that, for
example, a familiar place changes after a
snowfall. I connect these shapes to create a
single new form. My works are intended to
help make connections between individual
lives and thoughts and the amorphous
mass of history, overwhelming systems, and
natural phenomena, and might be seen as
dioramas of these abstract events.
Hakuchizu
2011
Mixed media
installation: plaster,
tables, etc
Dimensions variable
Courtesy of ShugoArts
and the National
Museum of Art, Osaka
KOREA
Seokyoung Kang
Artwork Description
Artist Bio
Suki Seokyeong Kang was born in Seoul,
Korea, live and work in Seoul and London.
Her work exist in a wide variety of media
including, Painting, Installation and
Sculpture. Kang attainted her BFA and MFA
in Oriental Painting at Ewha
Womans Universitiy (Seoul, Korea), followed
by an MA in Painting at Royal College of Art
(London, UK). Her work has been selected
for Bloomberg New Contemporaries 2012,
and as part of the group her work exhibited
in the New Contemporaries 2012 show in
Liverpool Biennale and ICA, London. She
recently finished her sitespecitic solo
exhibition titled ‘GRANDMOTHER TOWER’
at Space Can and the ‘Polite Owl in the
Valley’ at Gallery Factory in Seoul.
The core of Suki Seokyeong Kang’s work is
the role of the artist as a mediator of
tensions and clashes that arise between
objects as they are gathered and arranged
with textdrew it into a complete pictorial
space and maximized the dichotomous
psychology involved. The elements like
strength weakness, robustness and frailty
coexist in Kang’s work with the rules of
towering and threading. Kang’s varied
artistic encompasses painting, installation
and performance. It is use of the
moderate space afforded by engaging the
paintings and sculptural objects in an
interactive game-like dynamic.
The composition in the space is essentially
a celebration of the accumulation and
rhythmic nature of time, whether it is the
time spent in the studio and making work
or the time contained in each thing that it
consists.
Grandmother Tower
2011-2014
Winding thread on found
and reproduced
industrial dish carrier
Dimensions variable
Yunhee Lee
Artwork Description
‘La Divina Commedia’ influenced by Dante
Alighieri’s famous trilogy delivers a
dreamlike and mysterious story. White,
shining ceramic material further intensifies
its mystery.
There once was a girl who received an
oracle, telling her the future. The
knowledge, the predestined desire and
insecurity, left her troubled. In search of
happiness and peace, she embarked on a
journey. Along the way, she encountered
many obstacles. But at the end she
discovered the peace and she had been
striving for.
Artist Bio
Yunhee Lee, a Korean artist born in June 4,
1986. She majored in Ceramic Glass from
Hong-Ik University of Korea.
She makes sculptural ceramic works which
depicts myths. The characteristic of her
works are the mixed identities of East and
West which stems from her keen interest in
museums and the restoration of cultural
assets. Western myths, animation and
figurines collected as objects are reflected
in her work.
The work ‘La Divina Commedia’ was
motivated by a myth. In this narrative of
taking risks while proceeding to a
destination. I placed a female protagonist.
By overcoming anxiety and suppressing
desire. The girl reaches a state of ultimate
peace.
‘La Divina Commedia’
2014
Ceramic
1st set : 120 x 120 x 15 cm
2nd set : 160 x 200 x 15 cm
3rd set : 120 x 120 x 15 cm
Yongseok Oh
Artwork Description
Artist Bio
Yongseok Oh is a Korean-born artist who
emphasises the crossing of the past and the
present, and of the real and the imagined,
by creating a visual collage of stills, moving
images and cinemas. He explores the
structure of the cinema and daily life and
collapses a certain cinematic narrative
through collage techniques.
He has been recognized widely and his
works have been shown at various
international biennales including Seoul
Media City Biennale, 2006; Shanghai
Biennale, 2006; Seville Biennale, 2008;
Biennale of Cuvee, Lintz, 2008 and Moscow
Biennale, 2011. Selected group exhibitions
include: Thermocline of Art, ZKM, Karlsruhe,
2007; Metamorphosis, Espace Louis
Vuitton, Paris, 2008; CINEMA SIM, Itau
Culture, San Paulo, 2008; Trance POP, Yerba
Buena Center for the Arts, San Francisco,
2008; The Imaginary Line, Gallery Hyundai,
Seoul, 2009; Textual Landscapes, Bryce
Wolkowitz Gallery, New York, 2009;
Sporadic positioning, Arario gallery,
Cheonan, 2012 and Plateau, Samsung
Museum of Art, Seoul, 2012. Recently,
he collaborated on a project with
L`OCCITANE, Paris.
To be precise, the looping images are not
from the ending credits of the movies.
They are the very last cuts of those movies,
continually looping. It is frequently the case
that last cuts are show together with ending
credits, such that the two overlap.
Realistically speaking endlessness is
impossible, especially in the field of art.
For example, canvas sizes are limited and
video cameras cannot capture scenes
eternally. Artists thus always arrive at an end
point. Due to the limitations of visual space,
the view of the world captured by an artist
must be downscaled; a set of
extremely compressed extracts. Isn’t this
why artistic creation involves so much
agony? If endlessness were possible, what
would happen? With such thoughts in
mind, this work was created as an attempt
to eliminate limitations to visual spaces; to
avoid placing a full-stop at the end of a view
o the world, and so forth. Regardless of the
type of movie involved, I used the very last
scenes that could be continually connected.
Although this would require filler
examination, it is enough to say that I made
chief use of long-shot final scenes or those
with a zoom, which enabled me to see
landscape images. In addition, the endings
of films are usually accompanied by the
background music, providing the unique
effect of endlessly overlapping lyrical
sounds, which I find very interesting. I thus
plan to investigate background sound in my
future work.
Without Ending
2012
single-channel video,
random play
MALAYSIA
Sherman Ong
Artwork Description
HanoiHaiku Series
I am interested in the idea of transition and
its relationship with the memory of the past,
the changing of values, the passing of
tradition and the aspirations of a
different reality. I am keen to explore this
idea through the social/private spaces within
an evolving urban environment like Hanoi.
Artist Bio
Sherman Ong is a filmmaker, photographer
and visual artist based in Singapore. His
practice centres on the human condition and
our relationship with others within the larger
milieu. Winner of the 2010 ICON de Martell
Cordon Bleu Photography Award, Sherman
Ong has exhibited premiered work in art
biennales,
major
film
festivals
and
museums around the world including Venice,
Singapore and Jakarta Biennales, Mori Art
Museum Tokyo, Fukuoka Asian Art Museum,
Martin-Gropius-Bau Berlin, Musee du Quai
Branly Paris, Centre Pompidou Paris, Institute
of Contemporary Arts London, Noorderlicht
Photo Festival, Rotterdam International Film
Festival, VideoBrasil International Electronic
Art Festival, Singapore Art Museum, Centro
Cultural Banco do Brasil, Queensland Art
Gallery, South Australia Contemporary Art
Centre and Vilnius Contemporary Art Centre,
Lithuania.
Sherman Ong serves on the committee of
the Singapore International Photography
Festival, as an educator at schools and
universities, and was an Associate Artist of
the Substation. More recently Ong was
nominated for the APB-Singapore Art
Museum Signature Art Prize for 2011.
In September 2012, Ong collaborated on
the Little Sun project headed by Olafur
Eliasson which premiered at the Tate
Modern London. Today, his works are in
the collections of the Fukuoka Asian Art
Museum, Singapore Art Museum and the
Seoul Art Centre Korea.
BEST EMERGING ARTIST USING PHOTOGRAPHY
This series is presented like a visual Haiku.
Intentionally left untitled, the juxtaposition
of images produces their own narratives,
temporal connections, and is open to many
interpretations infused with the personal
experiences of individual viewers. Similar to
the Japanese Haiku, they are observations
in its purest form, distilled into a simple
gesture, a moment of reflection, a point
in a continuum, touching on the beauty of
imperfection, in delicate, quiet, nuanced
moments.
HanoiHaiku-Hair
2006
Digital print on archival
paper
75 x 150 cm
and Xavier G. Florenzano
HanoiHaiku-Peacock
2006
Digital print on archival
paper
75 x 150 cm
and Xavier G. Florenzano
Sabri Idrus
Artwork Description
Artist Bio
Sabri Idrus engages in different disciplines
and mediums as language according to his
artistic needs, who is obsessed with
experimental approaches in combining
painting, graphic design and industrial
materials to achieve a liberated
socio-cultural dogma towards reinventing a
new form of symbol in art. His interest lies
in developing works that tries to unfold his
critical notion towards the social condition
and the parody against institutions that
secures that definition between painting and
crafting painting. His belief in art making,
especially paintings as an inherent social
process that submerged him in technical and
material advancement through experiments.
The production of Disruptive Nature series
attempts to demystify the linear picture
making process of Sabri Idrus. This involved
the artist engaging with a variety of
collaborators and respondents through
relative motivation on semiology. The study
of semiology offers a fundamental basis for
understanding Sabri’s paintings, where he
continues his semiotic-reference in art
making by tracing down patterns of nature,
and he introduces other ‘sign systems’ as
signifiers to his paintings. These objects also
try to give context to the primary layers of
the paintings, thus creating conflicting
elements of signs and symbols over the
surfaces of the traces and marks of nature.
Facing West
2014
Mixed media on canvas
127 x 243.5 cm
Haslin Ismail
Artwork Description
‘All I Need is Love’ was my vision I had for
my family back in 2011 when I was expecting
my first child. It gave me huge inspiration
and vision thinking of my role as a father,
living happily in a home. These thoughts
were constructed into a symbolic form of
small houses within a paper box. The books
that I altered was from the world of my
imagination that gave me many adventurous
moments and knowledge.
Artist Bio
Haslin Ismail is a serious young
contemporary artist who graduated with a
BA (Hons) in Fine Art from MARA University
of Technology (UiTM) in 2007. The Johor
native, who is 29, worked round the clock,
creating and exhibiting his fantasy in art
pieces in various exhibitions since 2003
and was awarded the Grand Prize for Bakat
Muda Sezaman 2010 and first prize for In
Print: Contemporary British Art from the
Paragorn Press held at the National Art
Gallery in 2006. He had his first solo
exhibition entitled ‘Exorcismus Persona:
Windows into the fantasy worlds of Haslin
Ismail’ at the RA Fine Arts Gallery in 2009
and second solo show entitled
‘Transfiguration’ at the G13 Gallery in June
2013. Haslin presents us with moody, dark
and sometimes violent pieces that
represent a certain vibrancy, and freshness
in the local artistic and cultural domain.
He gives out that serious vibe; making
viewers often ponder the dark nature of his
works or what goes on in this young artist’s
head as he glides his tools over his artworks.
All I Need is Love
2011
Books, cardboard,
watercolor paper and
masonite
122 x 170 x 287cm
and Rimbun Dahan
Aliya & Farouk Khan
Collection
Choy Chun Wei
Artwork Description
Through disparate urban materials, I explore
mixed mediums surface as the surface
(space) to negotiate its material function and
also to develop my own terms for painting that is relevant to contemporary times
fueled by material culture.
Artist Bio
Choy Chun Wei was born in Sungai Petani,
West Malaysia in 1973. He is trained in
graphic design, and graduated with honours
(second upper) under a full scholarship at
Central St. Martin’s College in London in
1998. Since graduating he has been
practicing art and has lectured at various art
colleges and universities in Malaysia. Along
with his wife Yau Bee Ling, Chun Wei has
been involved in providing art workshops
for children with special needs through the
National Art Gallery in Kuala Lumpur. He has
also participated in various workshops and
conferences in the field of art and design.
In 2003 he received an Honorable Mention
at the Malaysian Phillip Morris Art Awards,
and in 2004 he received the Juror’s Prize
at the Malaysian Young Contemporary Art
Exhibition. In 2005 he was awarded the
Rimbun Dahan Artist-in Residence
placement, where he spent the year
developing a new series of paintings on
cartography and mental maps. In 2007
Chun Wei had his first solo exhibition at
Wei-Ling Gallery in Kuala Lumpur and in
2008, he was awarded the 2007/2008 Asian
Artist Fellowship by the Freeman
Foundation for residency at the Vermont
Studio Center in the United States. At the
end of 2008, two of his unconventional and
challenging mixed media and collage
paintings were collected by National Art
Gallery as part of their permanent collection.
He was the only Malaysian artist to be
accorded a solo exhibition at ART Basel
Hong Kong in 2014 with his Human
Landscape project.
This aerial viewpoint (all-over) encrusted
surface is not just for aesthetic consideration
but reflecting my engagement with urban
materiality and humanity. By the process
of making, I want to reflect and enable for
“materiality” to evoke “meanings” by the
way it is been put together either by
controlled and spontaneous gestural
handlings.
Through this continuous interplay of surface
tension, its inter-woven nature image
construction is made “active” and that by its
cropping, strips of overlapping colour blocks
and sensual layering will hopefully unfolds
many viewpoints of reading (seeing)
collected urban markings in printed
materials reflecting urban dwellers’
obsessive nature with the modern textual
mantras shaped by “advertising industry”
that controls their identities.
Architecture of Desire
2011
Mixed media and
collage on wood
108 x 181 cm
& Weiling Gallery
Private Collection
SINGAPORE
Donna Ong
Artwork Description
Secret, interiors: Chrysalis (19-22) is a
4-room installation installed in Singapore’s
former Supreme Court. Situated in the
chambers of the judges, they explore the
secret lives and fantasies of 4 judges – the
private self behind the implacable public
façade. Grand projects are dreamt up and
an attempt to realise these visions
undertaken; using whatever comes to hand,
be it a broom or a bucket.
Artist Bio
Donna Ong is an installation artist from
Singapore, best known for her evocative and
thought-provoking environments made from
furniture, found objects and original artwork.
She has exhibited her work locally and
internationally in shows such as the Jakarta
Biennale (2009), Kwandu Biennale (2008),
2nd Moscow Biennale (2007) and the
inaugural Singapore Biennale (2007). Her
installations have appeared in prestigious
museums and institutions worldwide, such
as the Singapore Art Museum, National
Museum of Singapore, Hara Museum (Japan)
and the Djanogly Art Gallery in Nottingham
University (England).
Commercially, she has shown her work with
a variety of well-known galleries and art fairs
such as Eslite Gallery (Taiwan), Osage
Gallery (Hong Kong), Primo Marella
Gallery (Milan),the Hong Kong Art Fair and
Art Stage (Singapore). Her artwork is also
placed in several important collections such
as the Deutsche Bank Collection and Tiroche
DeLeon Art Collection. Recent projects
include an exhibition jointly organised by
The Royal Academy (UK) and the Institute of
Contemporary Art (Singapore), as well as a
solo show at Primae Noctis Gallery
(Lugano, Switzerland).
BEST EMERGING ARTIST USING INSTALLATION
Each project is chosen from a game or
dream from childhood, a search to recapture
a remembered past with the tools, skills and
knowledge of the adult one has become. In
this room, the adult occupant plays a child’s
game (playing with dolls) and takes the
innocent desire of a child for her dolls to
come alive, far too seriously, resulting in
the following elaborate and obsessive
installation.
secret, interiors:
chrysalis (19)
2006
Furniture and
readymades
(multi media installation)
250 x 250 x 150 cm
Biographies of the Artists
Arin Dwihartanto Sunaryo (Indonesia)
Born In
1978 in Bandung, Indonesia
Chistine Ay Tjoe (Indonesia)
Born In
1973 in Bandung, Indonesia
Currently Lives and Works in
Bandung, Indonesia
Bandung, Indonesia
Solo Exhibitions
2013 Ashfall, Equator Art Project, Singapore.
2012 frozen | stratum, Nadi Gallery Jakarta Indonesia.
2010 Fluid Friction #2, Sigiarts Jakarta, Indonesia.
2007 Liquid Friction, Artipoli Gallery, Nordeen,
Netherland.
2006 Unstable ground, Toni Heath Gallery, London, UK.
2000 Machine Head, Koong Gallery, Jakarta, Indonesia.
Solo Exhibitions
2013 Myriad of ‘paste’, Ota Fine Arts, Tokyo, Japan
2012 The Path Less Found, Michael Ku Gallery, Taiwan
2011 The Famous One from Lucas, Third Floor-Hermès,
Singapore
2010 Symmetrical Sanctuary, Sigi Art Gallery, Jakarta
Lama Sabakhtani club, Lawangwangi, Bandung
2009 Eating Excess, Singapore Tyler Print Institute,
Singapore Panorama Without Distance,
Hong Kong Art Fair, Hong Kong Convention &
Exhibition Centre
2008 Wall Prison (part two), Scope Miami Art Fair,
Miami Interiority of Hope, Emmitan Gallery,
Surabaya
2007 Silent Supper, Ark Gallery, Jakarta
2006 Eksekusi Ego, Edwin’s Gallery, Jakarta
2003 Reach Me, Cemeti Art House, Yogyakarta
2003 Aku/Kau/Uak, Edwin’s Gallery, Jakarta
2002 At The Day of German Unity, Germany Embassy,
Jakarta
2002 Buka Untuk Melihat, Redpoint Gallery, Bandung
Group Exhibitions
2015 Prudential Eye Awards 2015,
ArtScience Museum, Singapore.
2014 Mooi Indie Samstag Museum, Adelaide, Australia
2014 2nd Annual Collectors’ Contemporary
Collaboration – Passion/Possesion, Hongkong
Arts Centre, Hongkong
2014 No Country: Contemporary Art for South and
South East Asia, Solomon R Guggenheim
Museum, CCA Gillman Baracks, Singapore
2013 SIP! Indonesian Contemporary Art Today,
Arndt Gallery Gillman Baracks, Singapore
2013 No Country: Contemporary Art for South and
South East Asia, Solomon R Guggenheim
Museum, New York, United States of America.
2012 Marcel Duchamp in South east Asia,
Equator Art Project, Gillman Barracks, Singapore.
2012 Gallery Rachel Opening, Jakarta, Indonesia.
2011 1001 Doors to reinvent traditions, Gallery Ciputra,
Jakarta Indonesia.
2010 Momment to abstract, Canna Gallery,
Jakarta Indonesia.
Awards
2002 Indofood Art Award, National Museum,
Indonesia.
2000 Top 25, Asia-Europe Young Artist Painting
Competition, South Korea.
1999 Phillip Morris National Art Award,
National Gallery, Jakarta, Indonesia.
1997 PEKSIMINAS, National Art Student Competition,
Indonesia
Collections
2010 Critical Point, Edwin Gallery, Jakarta Indonesia.
2010 Post-Psychedelia, SSAS, Bandung Indonesia.
2009 EUROART open studios 2009, London UK
2008 10th SSAS Anniversary Exhibition, Bandung,
Indonesia.
2008 Ganti Oli, Vallentine Willie Fine Art, Singapore.
2008 Manifesto, National Gallery Jakarta, Indonesia.
2007 22nd Asian International Art Exibitions, SSAS,
Bandung Indonesia.
2007 Young Masters, Toni Heath Gallery London, UK.
2006 Displaced on arrival, Grace Exhibition Space,
New York, USA.
2006 The 21th Asian International Art Exhibition,
Singapore.
2006 The 5th Euroart Open Studios, London, UK.
2005 The 20th Asian International Art Exhibition,
Ayala Museum, Manila, Philippines.
2005 Leviathan, Candid Gallery, London, UK.
2004 Post-human images, Semarang Gallery,
Semarang, Indonesia.
Group Exhibitions
2014 Where does it all begin? - Contemporary Abstract
Art in Asia and the West, Pearl Lam Galleries,
Singapore
2013 Sip! Indonesian Art Today, ARNDT Berlin, Berlin
2012 Migration, ARNDT Sydney, Sydney
2012 The Asia Pacific Breweries Foundation Signature
Art Prize 2011 Finalists Exhibition, Singapore
Art Museum, Singapore Future Pass, National
Taiwan Museum of Fine Arts
2011 New Address, New Works, Ota Fine Arts, Tokyo
2011 Indonesian Eye: Fantasies and Realities,
Saatchi Gallery, London
2011 Future Pass, Fondazione Claudio Buziol, Venezia
Italy; Wereldmuseum Rotterdam, Netherlands
2011 Art JOG 11, Taman Budaya Jogja, Yogyakarta
2011 Closing the Gap; Indonesian Art Today,
Melbourne International Fine Art, Melbourne,
Victoria, Australia
2009 Indonesia Contemporary Drawing,
National Gallery, Jakarta
2009 Awareness, Canvas International Art, The
Netherlands
2009 Enam Pekan Perempuan, Salihara Gallery, Jakarta
2009 Bandung Art Now, National Gallery, Jakarta
2008 A Decade of Dedication: Ten Years Revisited,
Selasar Sunaryo Art Space, Bandung
2008 Hello Print!, Edwin’s Gallery, Jakarta
2008 180 x 180, One Gallery, Jakarta
2008 E-Motion, National Gallery, Jakarta
2008 Manifesto, National Gallery, Jakarta
2008 Expose#1- A Presentation of Indonesian
Contemporary Art by Deutsche Bank & Nadi
Gallery, Four Seasons Hotel, Jakarta
2008 International Print Talk: From The Dark
Background of Etchings, Ark Gallery, Jakarta
2007 Kuota 2007, National Gallery, Jakarta
2007 Petisi Bandung, Langgeng Gallery, Magelang
2007 The 22nd Asian International Art Exhibition,
Selasar Sunaryo Art Space, Bandung
2007 Conscience Celebrate, Gandaria Heights, Jakarta
2007 Intimate Distance, Indonesian Women Artists,
National Gallery, Jakarta
2007 Anti Aging, Gaya Art Space Gallery, Bali
2007 Indonesian Contemporary Art Now, Nadi Gallery,
Jakarta
2006 Langgeng Contemporary Art Festival 2006,
Langgeng Gallery, Magelang Jejak dalam Jejak,
Goethe House, Goethe Institut, Jakarta
2005 Fragments-KII 13, Edwin’s Gallery, Jakarta
2005 Petisi Bandung, Langgeng Gallery, Magelang
2005 Vision & Resonance, Asian Civilization Museum,
Singapore
2005 21st and Beyond, Edwin’s Gallery, Jakarta
2005 Jejak-Jejak Drawing, Edwin’s Gallery, Jakarta
2005 Tanda Kasih, Edwin’s Gallery, Jakarta
2005 The Beppu Asia Biennale of Contemporary Art,
Beppu Art Museum, Oita Taboo and
Transgression in Contemporary Indonesian Art,
Johnson Museum, Cornell University, New York
Awards
2009 Inaugural South China Morning Post / Art Futures,
ART HK09 Art Fair, Hong Kong
2008 Residency at Singapore Tyler Print Institute
2004 Scholarship in Stiftung Kuenstlerdorf
Schoeppingen, Germany
2001 Top 5 of Philip Morris Indonesia Art Awards
Publications
2014 Myriad of ‘paste’ (ex,cat.), Ota Fine Arts, Tokyo,
2012 The Path Less Found: Ay Tjoe Christine (ex,cat.)
Michael Ku Gallery, Taipei,
2010 lama sabakhtani club: Ay Tjoe Christine in
collaboration with Deden Sambas (ex,cat.),
Artsociates, Bandung,
2009 Christine Ay Tjoe: Eating Excess (ex,cat.),
Singapore Tyler Print Institute, Singapore,
2008 INTERIORITY of HOPE (ex,cat.), EMMITAN FINE
ART GALLERY, Surabaya,
2007 Ay Tjoe Christine’s Silent Supper (ex,cat.),
Ark Gallery, Jakarta,
2011 Ciclitira, Serenella. Indonesian Eye:
Contemporary Indonesian Art (ex,cat.)
Skira Editore S.p.A., Milan, pp.68-71.
2011 Signature Art Prize 2011: Asia Pacific Breweries
Foundation (ex,cat.), Singapore Art Museum,
Singapore,
2011 Lu, Victoria. Future Pass (ex,cat.), Stichting
Wereldmuseum Rotterdam, Rotterdam,
2011 Closing the Gap; Indonesian Contemporary Art
(ex,cat.), MiFA Education, Melbourne,
Residencies
2008 Artist residency, Singapore Tyler Print Institute
Syaiful Aulia Garibaldi (Indonesia)
Born In
1985 in Jakarta, Indonesia
Bandung, West Java
Solo Exhibitions
2014 Interstitial Terhah, Roh Project, Art Basel,
Hong Kong
2014 Abiogenesis : Terhah Landscape,
Pearllam Galleri, Singapore
2012 Regnum Fungi, Padi Artground, Bandung,
Indonesia
Group Exhibitions
2015 Japan New Media Art Festival, Selasar Sunaryo,
Bandung
2015 South East Platform, Art Stage, Singapore
2014 Trienalle Patung 2, Galeri Nasional,Jakarta
2014 Typotopia, The 2nd Korea Indonesia Media
Installation Art Exhibition, Lotte Venue,Jakarta
2014 Recognition System,Kuandu Bienalle,
Taipei,Taiwan
2014 Lumieres ,’L espace Contemporain , La Rochelle,
France
2014 Windows Project , Space Expressions Macif-
SMIP,Niort, France
2013 Pressing, VideoInsight, Turin, Italy
2013 Pameran Finalis BaCAA #3, lawangwangi,
Bandung Indonesia
2012 Trick or Truth, Fang Gallery, Jakarta – Indonesia
2012 Indonesian Contemporay Fiber Art, Art:1
Museum, Jakarta – Indonesia
2012 Design Art Renegotiating Bundaries Lawang
wangi, Bandung
2012 Indonesia Wahana Extranoema, Padi Artground,
Bandung, Indonesia
2012 What do Pictures Want, Art:1, Jakarta, Indonesia
2011 Survey #2.10, Edwin Gallery, Jakarta,Indonesia
2011 Hybrid Project: The Butterfly Effect, Barli
Museum, Bandung, Indonesia
2011 Pameran Ilustrasi Cerpen KOMPAS,
BentaraBudaya, Jakarta, Indonesia
2010 Soedjojono dan kawan kawan, Galeri Kita,
Bandung,Indonesia
2012 Un-segmented, Galeri Kita, Bandung, Indonesia
2010 Manifesto, Percakapan Massa, Galeri Nasional,
Jakarta, Indonesia
2010 Bandung New Emergence 3, Selasar Sunaryo
Artspace, Bandung,Indonesia
2010 Post Historia, Building Enterprise 1, Singapore
2010 Monoprint, Grand Indonesia, Jakarta, Indonesia
2010 lets bounce, Grand Indonesia, Jakarta, Indonesia
2010 Almost White Cube, CG Fine Art, Jakarta,
Indonesia
2009 Post Mortem, Vanesa Artlink, Jakarta, Indonesia
2009 Inhabitant, Galeri Padi, Bandung, Indonesia
2009 Survey#2, Edwin’s Gallery, Jakarta, Indonesia
2009 Going Beyond, CMNK, Bandung, Indonesia
2009 ParbinulaJarkuli, Aarmuh Space, Ciburial,
Bandung, Indonesia
2009 Seni Grafis Indonesia Sekarang, Tembi
Contemporary, Yogyakarta, Indonesia Zoo,
Soemardja Gallery, Bandung,Indonesia
2009 Tanda Kota, Group Exhibition Pocong Dago
&ButonKultur, Jakarta, Indonesia
2007 Scale, 15x15x15 Project, Soemardja Gallery,
Bandung, Indonesia
2007 US/Industry, Galeri Rumah Teh, Bandung,
Indonesia
2006 Triennale Seni Grafis, Bentara Budaya, Jakarta,
Indonesia
2006 Miniprint Contemporer, Iowa, USA
2006 Exhibition and Workshop, Graphic Art, Semar
Awards
2013 Best Artworks, Bandung Contemporary Art
Awards #3
2006 Finalist of Triennale Seni Grafis2, Bentara Budaya
Jakarta, Indonesia
2005 The 2nd Winner of Mural Competition,
Cihampelas Walk, Bandung, Indonesia
Residencies
2014 Centre Intermondes, La Rochelle, France
Bagus Pandega (Indonesia)
Born In
1985 in Jakarta, Indonesia
Jakarta, Indonesia
Group Exhibitions
2015 Cryptobiosis, Seeds of the world, Special
Exhibition from the Japan Media Arts Festival,
Selasar Sunaryo Art Space, Bandung,
2014 Different Things We Talk About, Martell
Contemporary Art Exhibition, Kuningan City,
2014 Versi, Trienal Seni Patung Indonesia,
Galeri Nasional,
2014 Jakarta 3rd Contemporary Ceramic Biennale,
Coefficient of Expansion, Galeri Nasional, Jakarta,
2014 Bazaar Art Jakarta 2014, ROH Projects Booth,
Ritz Carlton Hotel, Jakarta,
2014 Wood and Good, Ciptra Artpreneurship, Jakarta,
2014 Causality, 1335 Mabini, Manila,
2014 Instruments Builders Project #2, iCAN, Jogjakarta,
2014 Wunderkammer Vinyl Vol.X, Oberwelt e.V.
Stuttgart, Germany,
2014 PARX, Ciputra Art Museum,
2014 Di Antara/In Between, Galeri Salihara,
2013 05 Seniman Suara, Galeri Gerilya, Bandung,
2013 New Olds, Goethe Institut, Art:1, Jakarta,
2013 Everyday Is Like Sunday, Langgeng Gallery,
Magelang,
2013 Animalia, Galeri Soemardja, Bandung,
2013 ME.NA.SA, Beirut Art Fair, Lebanon,
2013 Disthing , Gallery Rachel, Jakarta,
2013 Kinetikamekanika, Galeri Soemardja, Bandung,
2013 Running Linchpin, Artsphere, Jakarta,
2012 Jakarta 2nd Contemporary Ceramic Biennale,
Museum Seni Rupa dan Keramik, Jakarta,
2012 MANIS, Le Centre Intermondes, La Rochelle,
France,
2012 Design/Art: Renegotiating Boundaries,
Lawangwangi Creative Space, Bandung,
2012 Bazaar Art Jakarta 2012, Kinetic Art Booth,
Ritz Carlton Hotel Pacific Place, Jakarta,
2012 Prismatic Vibe, Fang Gallery, Jakarta
2012 ART JOG 12, Looking East, A Gaze upon
Indonesian Contemporary Art,
Taman Budaya Jogjakarta,
2012 Pameran Seni Keramik Kontemporer Indonesia:
Progress Report, Museum Seni Rupa dan
Keramik, Jakarta,
2012 Fountain of Lamneth, Gajah Gallery, Singapore,
2012 Bandung Contemporary Art Awards #2 (BaCAA),
Artsociates, Lawangwangi Art and Science Estate,
Bandung
2012 Singapore Art Stage 2012, Edwin’s Gallery Booth,
Marina Bay Sands, Singapore
2011 Biennale Jakarta #14.2011, Maximum City:
Survive or Escape?, Galeri Nasional, Jakarta,
2011 Motion/Sensation, Indonesia first kinetic art
exhibition, Harvey Nicholes, Jakarta Art District,
Edwins Gallery, Grand Indonesia,
2011 Bayang, Contemporary Islamic Art, Galeri
Nasional, Jakarta,
2011 Ekspansi, Indonesia Contemporary Sculpture
Exhibition, SIGIarts, Galeri Nasional, Jakarta,
2011 Homo Ludens #2, Emmitan CA Gallery, Surabaya,
2011 Long Live Milo Sundae, a retrospective exhibition
of Anggi Annisanazhif, Galeri Soemardja,
2011 INTERSECTION, Andi’s Gallery, Atrium 1st Fl.
East Mall Grand Indonesia Shopping Town
Awards
2013 Kompetisi Karya Trimatra Nasional Salihara finalist
2012 Nominated for the Soemardja Awards
2012 Bandung Contemporary Art Awards #2 3rd winner
2011 Nominated for the Soemardja Awards
2011 Bandung Contemporary Art Awards top 25 finalist
2010 Bienalle Indonesian Art Awards Finalist
Residencies
2014 1335 Mabini, Manila,
2014 Instruments Builders Project #2, iCAN, Jogjakarta,
2012 Le Centre Intermondes, La Rochelle, France,
teamLab (Japan)
Established In
2001 in Tokyo, Japan
Tokyo, Japan
Solo Exhibitions
2014 Infinity of flowers, GUCCI SHINJUKU,
Tokyo, Japan
2014 teamLab and Kagawa DIGITAL ART FESTA IN
SUMMER, Sun Port Takamatsu
2014 Seto Sea Pallet / Takamatsu City Museum of
Art / e-topia-kagawa, Kagawa, Japan
2014 teamLab: Ultra Subjective Space, Pace Gallery
New York, New York, America
2014 teamLab and Saga Merry-go-round
Exhibition, Saga Prefectural Art Museum / Saga
Prefectural Kyushu Ceramic Museum / Saga
Prefectural Nagoya Castle Museum / Saga
Prefectural Space & Science Museum, Saga,
Japan
2014 teamLab exhibit at Audi Forum Tokyo, Audi
Forum Tokyo, Omotesando, Tokyo, Japan
2012 teamLab exhibition “We are the Future”,
National Taiwan Museum of Fine Arts,
Taichung, Taiwan
2011 teamLab “Live!”, Kaikai Kiki Gallery Taipei,
Taiwan
Group Exhibitions
2014 We Love Video This Summer, Pace Gallery
Beijing, Beijing
2014 mission [SPACE×ART] – beyond cosmologies,
MUSEUM OF CONTEMPORARY ART TOKYO,
Tokyo, Japan
2014 LEGACIES OF POWER, Taman Budaya
Yogyakarta, Yogyakarta, Indonesia
2014 What We Are Mapping, Pier-2 Art Center,
Kaohsiung, Taiwan
2014 Art Basel – Hong Kong, Hong Kong Convention
and Exhibition Centre, Hong Kong, China
2014 Media Ambition Tokyo2014, Tokyo City View,
Tokyo, Japan
2014 Art Stage Singapore 2014, Marina Bay Sands
Convention and Exhibition Centre, Singapore
2013 Distilling Senses: A Journey through Art and
Technology in Asian Contemporary Art,
Hong Kong Arts Centre, Hong Kong, China
2013 Singapore Biennale 2013, Singapore Art
Museum, Singapore
2013 Kagoshima Art Festa 2013, Kagoshima
Prefectural Citizens Exchange Center,
Kagoshima, Japan
2013 Show Case for 2013 Open Call for“ Da Vinci
Idea” Seoul Art Space Geumcheon, Seoul
2013 Brave New World – Re-Enchanting Utopia,
Aomori Museum of Art, Aomori, Japan
2013 Dojima River Biennale 2013 – Little Water,
Osaka, Japan
2013 Parkett – “220 Artists’ Editions & Collaborations
+5”, Taipei Fine Arts Museum (TFAM), Taiwan
2013 25th Anniversary of the 1988 Seoul Olympic
Games SOMA special exhibition “Where is the
power, the beauty?” Seoul Olympic Museum of
Art, Seoul , Korea
2013 Art Basel – Hong Kong, Hong Kong Convention
and Exhibition Centre, HongKong, China
2013 Towada Art Center 5th Anniversary Exhibition
“Flowers” , Towada Art Center, Aomori, Japan
2013 Zipangu, Takasaki City Museum of Art, Gunma,
Japan
2013 Art Stage Singapore 2013, Marina Bay Sands
Convention and Exhibition Centre, Singapore
2012 Zipangu, The Niigata Bandaijima Art Museum,
Niigata, Japan
2012 The Experience Machine, Ikkan Art Gallery,
Singapore
2012 Hyper Archipelago – Light of Silence, Aomori
Museum of Art, Aomori, Japan
2012 What a Loving, and Beautiful World, Mizuma Art
Gallery, Tokyo, Japan
2012 Future Pass, National Taiwan Museum of Fine
Arts, Taichung, Taiwan
2012 Art Fair Tokyo, Tokyo International Forum,
Tokyo, Japan
2012 Roppongi Art Night 2012, Roppongi Hills, Tokyo,
Japan
2012 Hyper Archipelango, Eye of Gyre, Omotesando,
Tokyo, Japan
2011 Volta 7, Basel, Switzerland
2011 Art HK, Hong Kong Convention and Exhibition
Centre, Hong Kong, China
Awards
2014 Ars Electronica, Interactive Art category,
Honorary Mention (Peace can be Realized
Even without Order)
2013 Unity Awards 2013, Best VizSim Project
(teamLabBody)
2012 Lava Virtual ReVolution 2012, Architectural,
Art and Culture Award (What a loving, and
Beautiful World)
2011 The 14th Japan Media Arts Festival,
Recommended Works of Review
Committee (100 Years Sea Animation Diorama
and teamab Hanger)
Chim↑Pom (Japan)
Established In
2005 in Tokyo, Japan
Tokyo, Japan
Solo Exhibitions
2014 “The Electrical Parade Never was a Satisfaction
to Me.” hiromiyoshii roppongi
2013 “Hiroshima!!!!!” Former Bank of Japan
Hiroshima Branch
2013 “PAVILION,” Taro Okamoto Memorial Museum,
Tokyo
2012 PARCO Museum, Tokyo
2011 “LEVEL 7 feat. Hiroshima!!!!” Maruki Gallery For
The Hiroshima Panels, Saitama
2011 “Chim↑Pom” (screening) MoMA PS1, New York
2011 “K-I-S-S-I-N-G” The Container, Tokyo
2011 “SURVIVAL DANCE” MUJIN-TO Production,
Tokyo
2011 “REAL TIMES” MUJIN-TO Production, Tokyo
2010 “imagine” MUJIN-TO Production, Tokyo
2008 “Becoming Friend, Eating Each Other or
Falling Down Together / BLACK OF DEATH
curated by MUJIN-TO Production” hiromiyoshii,
Tokyo
2008 “Japanese Art is 10 Years Behind” NADiff
a/p/a/r/t, Tokyo
2007 “Thank You Celeb Project I’m BOKAN”
MUJIN-TO Production, Tokyo
2007 “Oh My God!” MUJIN-TO Production, Tokyo
2006 “SUPERRAT” MUJIN-TO Production, Tokyo
Group Exhibitions
2014 “Duality of Existence – Post Fukushima:
A group exhibition of Contemporary Japanese
Art” Friedman Bendam, New York
2014 “Tomorrow Comes Today” National Taiwan
Museum of Fine Art, Digital Ark
2014 “TAKAHASHI COLLECTION 2014 Mindfulness!”
Nagoya City Art Museum
2013 “global aCtIVISm” ZKM | Zentrum für Kunst und
Medientechnologie Karlsruhe
2013 “Atomic Surplus,” CCA Muñoz Waxman
Galleries, New Mexico
2013 “adidas Originals PRESENTS BETTER NEVER
THAN LATE,” Kodachi Seisakujo, Tokyo
2013 “Now Japan; Exhibition with 37 contemporary
Japanese artists,” Kunsthal KAdE,
the Netherlands
2013 “inToAsia: Time-based Art Festival 2013 –
MicroCities,” Stephan Stoyanov Gallery,
New York
2013 “MOT collection – From Me to You –Close but
Distant Journeys–,” Museum of Contemporary
Art Tokyo
2013 “All You Need Is LOVE: From Chagall to
Kusama and Hatsune Miku,” Mori Art Museum,
Tokyo
2012 “Artists and the Disaster –Documentation in
Progress–” Contemporary Art Gallery,
Art Tower Mito
2012 “The 9th Shanghai Biennale – REACTIVATION”
Shanghai Museum of Contemporary Art
2012 “Project Daejeon 2012: Energy” Daejeon
Museum of Art, South Korea
2012 “Son et Lumière, et sagesse profonde” 21st
Century Museum of Contemporary Art,
Kanazawa
2012 “Get Up, Stand Up” Seattle Art Museum
2012 “The Angel of History – I Love Art 12
Photography” Watari-um Museum, Tokyo
2012 “Turning Around”(curated by Chim↑Pom)
Watari-um Museum, Tokyo
2012 “Double Vision: Contemporary Art from Japan”
2012 Moscow Museum of Modern Art (traveled to
Haifa Museum of Art, Israel)
Awards
2007 “New Art Competition 2007” Hiroshima City
Museum of Contemporary Art Award
Collections
Mori Art Museum (Japan)
Museum of Contemporary Art Tokyo (Japan)
The Japan Foundation (Japan)
21st Century Museum of Contemporary Art, Kanazawa
Asia Society Museum, New York (U.S.A.)
Teppei Kaneuji (Japan)
Born In
1978 in Kyoto, Japan
Kyoto, Japan
Solo Exhibitions
2014 “Cubed Liquid, Metallic Memory” Kyoto
Experiment 2014, Kyoto Art Center, Kyoto
2014 “Endless, Nameless (Constructions)” STPI,
Singapore
2014 “DEEP FRIED GHOST / HARD BOILED
DAYDREAM” ShugoArts, Tokyo
2013 “Towering Something” chi K11 art space,
Shanghai
2013 “Towering Something” Ullens Center for
Contemporary Art, Beijing “Somethingintheair”
RoslynOxley9Gallery,Sydney
2012 “Something on the Planet” ShugoArts, Tokyo
2011 “Ghost in the City Lights” Eslite Gallery, Taipei
2011 “POST-NOTHING” Roslyn Oxley9 Gallery, Sydney
2010 “Recent Works ‘Post Something’” ShugoArts,
Tokyo
2010 “Ghost in the Museum” Hyogo Prefectural
Museum of Art, Kobe
2009 “Teppei KANEUJI: Melting City/ Empty Forest”
Yokohama Museum of Art, Kanagawa
2009 “Tower” Roslyn Oxley9 Gallery, Sydney
2009 “METAMORPHOSIS-objectstoday”
gallery M,Tokyo
2008 “TEAM 10 Teppei Kaneuji”Ghost In The City
Lights” Tokyo Wonder Site Shibuya, Tokyo
2008 “Great Escape” project room sasao, Akita
2007 “splash & flake” Hiroshima City Museum of
Contemporary Art (Museum Studio), Hiroshima
2007 “smoke & fog” Kodama Gallery, Tokyo
2007 “hole & all” Kodama Gallery, Osaka
2006 “splash and flakes” Kodama Gallery, Osaka
2006 “liquid collage” TAKEFLOOR, Tokyo
2006 “phenomenon” Kodama Gallery, Tokyo
2004 “small animals and great flood” Kodama Gallery,
Osaka
2004 “ghost in the white nights” Kodama Gallery,
Tokyo
2003 “smoke / heavy fog” Kodama Gallery, Osaka
2002 “White / Drift” Kodama Gallery, Osaka
Solo Exhibitions
2015 “Moving Light, Roving Sight” Ikkan Art Gallery,
Singapore
2015 “DAYDREAM with GRAVITY” HOTEL
ANTEROOM KYOTO, Kyoto
2015 “Logical Emotion – Contemporary Art from
Japan” Museum Haus Konstructiv, Zurich /
Museum of Contemporary Art in Krakow MOCAK,
Krakow / Kunstmuseum Moritzburg Halle, Saale
2014 “Open Storage 2014” MASK (MEGA ART
STORAGE KITAKAGAYA), Osaka
2014 “A blurry stage on the horizon” Kyoto City
University of Arts ART GALLERY @ KCUA, Kyoto
2014 “Piling Lines” FAL Musashino Art University,
Tokyo
2014 “My god|Your god” SEIAN ART CENTER, Shiga
2014 “Tokyo Art Meeting V, Seeking New Genealogies
Bodies/ Leaps/ Traces” Museum of Contemporary
Art Tokyo, Tokyo
2014 “Rokko Meets Art 2014” Kobe
2014 “Shape of Picture” ShugoArts, Tokyo
2014 “SOCCER:What lies ahead of our imageries”
Urawa Art Museum, Saitama
2014 “500 meters’ project 001 Re: Would you please
send it?” Sapporo Odori 500-m Underground
Wallkway Gallery, Sapporo
2014 “Mono No Aware. Beauty of Things. Japanese
Contemporary Art” The State Hermitage
Museum, Saint Petersburg
2014 “MOT Collection” Museum of Contemporary Art
Tokyo, Tokyo
2014 “Now Japan; Exhibition with 37 contemporary
Japanese artists” Kunsthal KAdE, Amersfoort,
Nederland
2014 “Roppongi Crossing 2013: OUT OF DOUBT”
Mori Art Museum, Tokyo
2013 DOJIMA RIVER BIENNALE 2013, DOJIMA RIVER
FORUM, Osaka
2013 “Why not live for Art? II” Tokyo Opera City Art
Gallery, Tokyo
2013 “what (n) ever” Coop Kitakagaya, Osaka
2013 “Re: Quest Japanese Contemporary Art since the
1970s” Museum of Art, Seoul National University
2012 “Her name is Abstra” Daido Soko, Kyoto
2012 “Japan Media Arts Festival in Hong Kong 2012
Parade: Invisibles In Japanese Media Arts From
“Night Parade of One Hundred Demons” to “IS
Parade” ArtisTree, Hong Kong
2012 “Sculpture by Other Means” ONE AND J.
GALLERY, Seoul
2012 “CPUE 2012” LE DECO, Tokyo
2012 “Building: Art in Relation to Architecture”
Hiroshima City Museum of Contemporary Art,
Hiroshima
2011 “Akatsuka Fujio Manga University Exhibition”
Kyoto International Manga Museum, Kyoto
2011 “Ways of World making” The National Museum
of Art, Osaka
2011 “The wonderful world of Figure Dolls”
Borderless Art museum NO-MA, Shiga
2011 “MakingisThinking” WittedeWith,Rotterdam
2011 “JAPANCONGO” Le Magasin – Centre National
d’Art Contemporain, Grenoble, France
2011 SingaporeBiennale2011, National Museum of
Singapore, Singapore
2011 “Extra Schicht 2011, Dortmunder U, Germany
2011 “ROKKO MEETS ARTS 2011, Kobe
2011 “PACIFIC” Scion Installation L.A., Los Angeles
2010 “Contemporary airy crafts from Japan to Taiwan”
Project Fulfill Art Space, Taipei
2010 “RESONANCE” Suntory Museum, Osaka
2010 “ONE AND J. GALLERY at PIERRE KOENIG”
Pierre Koenig Case Study House #21, L.A.
2010 “Yellow Gate” Sangrok Gallery, Gwangju Museum
of Art, Gwangju
2009 “Re: Membering” Gallery LOOP, Seoul
2009 “MOT Collection: Summer Play Ground”
Museum Of Contemporary Art Tokyo, Tokyo
2009 “WARM UP” Minsheng Art Museum, Shanghai
2009 “Platform 2009 Projects by Invited Curators”
KIMUSA, etc., Seoul
2009 “Hiroshima Art Project 2009 Kippo Maru:
Exploring inside the ship !”
2009 Hiroshima City, Hiroshima
2009 “City-net Asia 2009” Seoul Museum of Art, Korea
2009 “Twist and Shout” Bangkok Art and Culture
Centre, Bangkok
2008 “MOT annual 2008 Unraveling and Revealing”
Museum Of Contemporary Art Tokyo, Tokyo
2008 “Tangent” Aomori Contemporary Art Centre,
Aomori
2007 “Mixed Signals” Ronald Feldman Gallery,
New York
2007 “All About Laughter: Humor in Contemporary
Art” Mori Art Museum, Tokyo
2007 “ignore your perspective 3” Kodama Gallery,
Osaka
2007 “VOCA 2007” The Ueno Royal Museum, Tokyo
2007 “Beautiful New World: Contemporary Visual
Culture from Japan” Long March Space/ Inter
Arts Center/ TOKYO GALLERY+BTAP, Beijing/
Guangdong Museum of Art, Guangzhon
2007 “Exhibition as media” Kobe Art Village Center,
Hyogo
2007 “All About Laughter: Humor in Contemporary
Art” Mori Art Museum, Tokyo
2006 “ignore your perspective 2” Kodama Gallery,
Osaka
2006 “With Marcel Duchamp” Kodama Gallery, Tokyo
2006 “DAIWA RADIATOR FACTORY VIEWING ROOM
vol.1” Daiwa Radiator Factory Viewing Room,
Hiroshima
2006 “ALLLOOKSAME? / TUTTTUGUALE?: Arte
Cina Giappone Corea Arte” Fondazione
Sandretto Re Rebaudengo, Trino
2005 “Table Tennis Players” (as a member of artist unit
“COUMA”) art project room ARTZONE, Kyoto
2005 “ignore your perspective” Kodama Gallery, Tokyo
2005 YOKOHAMA 2005: International Triennale of
Contemporary Art, (as a member of artist unit
“COUMA”) YamashitaWharf,Yokohama
2004 “Art Court Frontier 2004 #2” ARTCOURT Gallery,
Osaka
2004 “Art in Transit Vol.6” The Palace Side Hotel,
Kyoto
2004 “Re SPORTS (Pre-event of Re OLYMPIC)”
STUDIO EARKA, Osaka
2003 “NICHIJYU” Gallery Sowaka, Kyoto
2003 “KOBE ART ANNUAL 2003: Grip the Gap” Kobe
Art Village Center, Hyogo
2002 “Fukankei” neutron, Kyoto
2001 “Shuchou Ten” gallery ARTISLONG, Kyoto
Awards
2013 Best young Artist Award by City of Kyoto
2010 Sakuya-konohana award
2002 Encouragement Prize at “Kyoto City University of
Arts Works Exhibition”
Collections
Yokohama Museum of Art, Yokohama
Mori Art Museum, Tokyo
Hiroshima City Museum of Contemporary Art,
Hiroshima Takamatsu City Museum of Art, Kagawa
The National Museum of Art, Osaka
Kei Imazu (Japan)
Born In
1980 in Yamaguchi, Japan
Yamaguchi, Japan
Solo Exhibitions
2015 Broken Image, YAMAMOTO GENDAI, Tokyo
2013 PUZZLE, YAMAMOTO GENDAI, Tokyo
2012 SHINING REPLACE, Dai-ichi Life Gallery, Tokyo
2010 Flash, YAMAMOTO GENDAI, Tokyo
2010 26th ANA MEETS ARTS Kei Imazu solo
exhibition, Haneda Airport, Tokyo
2009 Kei Imazu solo exhibition, NODA
CONTEMPORARY, Nagoya
2008 Kei Imazu solo exhibition, NODA
CONTEMPORARY, Nagoya
Group Exhibitions
2015 Taguchi Hiroshi Art Collection A Walk around
the Contemporary Art World after Paradigm
Shift, The museum of fine arts, Gifu
2014 Taguchi Art Collection TAG-TEN, Matsumoto
City Museum of Art, Nagano
2013 flowers80.1, TRAUMARIS, Tokyo
2012 Blind sight, MA2 Gallery, Tokyo
2012 Painting Never Dies, YUKA TSURUNO, Tokyo
2011 Culture, Art Center Ongoing, Tokyo
2011 Girlfriends Forever!, Tokyo Wonder Site Hongo,
Tokyo
2010 JAPANESE COLORS, Gallery IHN, Korea
2009 VOCA 2009, The Ueno Royal Museum, Tokyo
2009 ARTIST IN OHIRA-SO STUDIO vol.1,
2009 Koganecho Bazaar Taiheiso Studio, Kanagawa
2008 Who’s Next, MUSEUM at TAMADA PROJECTS,
Tokyo
2008 EX-SURFACE, artlantico GALLERY, Tokyo
2008 Women Without Boundaries, ART LABOR
GALLERY, Shanghai
2008 These Artists Are Good!, NODA
CONTEMPORARY BEIJING
2007 Niche Young Artist Show, NICHE GALLERY,
Tokyo
2007 Amuse Art Jam, Kyoto Culture Foundation 5F,
Kyoto
2006 Hyakka-Ryouran (Blossoms in gay profusion),
BOICE PLANNING, Kanagawa
2006 The Third Reunited Exhibition, Yokohama
2005 Citizen Gallery, Azamino City Yanaka-Biyori
(Good day in Yanaka City), Gallery J2, Tokyo
Awards
2013 The 5th Kinutani Koji Award, Encouragement
Award, The Mainichi Newspapers
2009 VOCA 2009, Prize for Excellence, The Ueno Royal
Museum
2006 Accepted at Shell Art Award Exhibition
2004 Accepted at Tokyo Wonder wall Exhibition
Keisuke Jinba (Japan)
Born In
1985 in Aichi, Japan
Aichi, Japan
Solo Exhibitions
2013 Solo Exhibition “ Keisuke Jimba”, Mitsukoshi
Ginza 8F Gallery, Tokyo
2010 Solo Exhibition “ Keisuke Jimba”, 2kw Gallery,
Osaka
2010 Solo Exhibition “ Body and Language”,
Gallery Raku, Kyoto
2010 Solo Exhibition “ Tabula”, Island Medium, Tokyo
Group Exhibitions
2014 “On the root to future”, Kyoto Institute of
Technology, Kyoto
2013 “Pr project 2013 reunion”, Kyoto University of
Art & Design, Future Pavillion, Kyoto
2013 “Teshima art meeting in Katayama-tei”, Kagawa
2013 “At paper 9”, Hotel Anteroom, Kyoto
2012 “Kiss the heart”, Nihonbashi Mitsukoshi, Tokyo
2012 “Hiroshima O”, Ex-Nihon Bank, Hiroshima
2012 “Anteroom Project”, Hotel Anteroom, Kyoto
2012 “Art Court Frontier”, Art Court Gallery, Osaka
2012 “Drawing lesson”, Gallery Aube, Kyoto
2012 “Ultra Award Colosseum”, Gallery Aube, Kyoto“
trans-plex”, Taipei
2011 “Graduation Exhibition”, Kyoto University Art &
Design, Kyoto
2011 “ Ultra award 2011”, Art Project room ARTZONE,
Kyoto
2010 “G-Tokyo 2010”, Mori Arts Center Gallery, Tokyo
2010 “Power of a Painting”, Island, Chiba
2010 “Spurt”, Gallery Aube, Kyoto
2010 “Homework of Art”, Ono machi depart,
Wakayama
2010 “Wakuwaku Kyoto Project”, Ex-Rissei Primary
School, Kyoto
2010 “ Trans-Plex”, Tokyo Wonder Site Hongo, Tokyo
2010 “ Nippon Art Next”, Kyoto University Art &
Design, Tohoku University of Art & Design, Gaien
Campus, Kyoto
2010 “ Open/Island”, 3331 arts chiyoda 203, Tokyo
2010 “ Painting in question”, Gallery 16, Kyoto
2009 “Mitsusu – Possibility of observing”, Art project
room, Artzone, Kyoto
2009 “Art Award Tokyo Marunouchi 2009”,
Gyoko chika Gallery, Tokyo
2009 “ Stars arising from Chaos 2009”, Spiral Garden,
Tokyo
2009 “ Tourbillon VII”, O gallery Eyes, Osaka
2008 “World”, Kyoto municipal Museum of Art, Kyoto
2008 “Amuse Art Jam”, Kyoto Cultural Museum, Kyoto
2008 “Art University 2008”, Campus Plaza Kyoto,
Kyoto
2008 “ Artzone Selection”, Art project room Artzone,
Kyoto
2012 System of Object, Departure Foundation,
London, UK
2012 The Sound of Muse, Art Seonjae Centre, Seoul,
Korea
2012 Project for the Sun, Blyth Gallery, London, UK
2012 Muse London, Korea Cultural Foundation,
London, UK
2012 When I spoke its name, it came to me and
became a flower/7 Rue Gustave Nadaud, Paris
2012 5th 4482: Map the Korea, Barge House in Oxo
Tower Wharf, London, UK
2009 Variety, National Museum of Contemporary Art,
Seoul, Korea
Suki Seokyeong Kang (Korea)
Born In
1980 in Seoul, Korea
South Korea
Seoul, Korea
Solo Exhibitions
2013 Polite Owl in the Valley, Gallery Factory, Seoul,
Korea
2013 GRANDMOTHER TOWER>, Old house,
Space Can, Seoul, Korea
Group Exhibitions
2015 Looking Out/Looking In, Special Exhibition Art
Stage Singapore, Singapore
2014 Multi-Painting, OCI Museum, Seoul, Korea
2014 Band of Feeling, Naji Gallery, Nanji Artist
Studio, Seoul, Korea
2014 Today’s Salon, Common Center, Seoul, Korea
2013 Songeun Art Award, Songeun Art Space, Seoul,
Korea
2014 New scene #2, Buk Seoul Museum of Art, Seoul,
Korea
2013 Noumenon, LIG Art Space, Seoul, Korea
2013 Show on progress, Amado Art Space, Seoul,
Korea
2013 ICA Intercourse 3, Talent of the Future, Auction,
ICA, London, UK
2013 On mobility, Kobalt + Factory, Seoul, Korea
2013 Bloomberg New Conetemporaries, ICA,
London, UK
2013 The Show must go on>, Praxis Space, ICAS,
Singapore
2012 Bloomberg New Contemporaries, LJMU
Copperas Hill Building, Liverpool biennale, UK
2012 Royal Academy Summer Show,London, UK
Awards
2013 13th Songeun Art Award, KOREA
2012 Bloomberg New Contemporaries, UK
2002 Joongang Art Prize, Korea
Residencies
2014 Nanji Artist Residency 8th (Seoul Museum
of Art, Seoul, Korea)
2012 Triangle Artist Workshop (NY, USA)
2011 CITE INTERNATIONALE DES ARTS,
Paris, France
2005 Changdong Artist Studio Residency Program
(National Museum of Contemporary
Art,Seoul,Korea)
Yunhee Lee (Korea)
Born In
1986 in South Korea
Solo Exhibitions
2013 White night, ClayArch Gimhae Museum,
Gimhae, Korea
2013 Singing sanctuary, Gallery AG, Seoul, Korea
Group Exhibitions
2014 ARTisans- Louis Vuitton social contribution
project, space K, Seoul, Korea
2014 Young Revolution 2014, ION ART gallery,
Singapore
2014 49:51, Sasang Indie Station Busan, Korea
2014 Layer, Shinsegae Gallery, Seoul, Korea
2014 Walk The Pilgrim, Indian Art Museum Seoul,
Korea
2014 Air&Air-Thinking of travel, Busan International
Airport, Busan, Korea
2014 The 36th JoongAng FineArts Prize, Hangaram
Museum, Seoul, Korea
2014 ART BARGAIN!, Gallery Toast, Seoul, Korea
2014 Projection, Hanwonmuseum, Seoul, Korea
2014 Contemporary Ceramic Art in Asia, ClayArch
Gimhae Museum, Gimhae, Korea
2014 Korea Tomorrow2014, DDP, Seoul, Korea
2014 Interchange, ClayArch Gimhae Museum,
Gimhae, Korea
2014 MADE IN KOREA, Coex, Seoul, Korea
2014 Charity Bazaar, Space K, Seoul, Korea
2013 HOT Rookies -Gyeonggi International Ceramic
Biennale 2013, Icheon, Korea
2013 Craft Trend Fair, Coex, Seoul, Korea
2013 CROSS OVER, Milal Museum of Art, Seoul,
Korea
2013 Black and White, Yido, Seoul, Korea
2013 Not a Ceramic, Space K, Seoul, Korea
2013 Young&Young Artist Project, Youngeun Museum,
Goyang, Korea
2013 Charity bazaar, Space K, Seoul, Korea
2013 Small Present, Kim Jae-Sun Gallery, Bunsan,
Korea
2012 Cross Over, Milal Museum of Art, Seoul, Korea
2012 Lighting, L Store, Seoul, Korea
2012 Y and L, Gallery Puzz, Paju-Heyri, Korea
2012 POSSIBILITY, Gana Art , Seoul, Korea
2012 START Craft-K in Seoul, Ara-Art, Seoul, Korea
2012 Yunhee Lee + Serin Oh, Design cube, 284, Seoul,
Korea
2011 IMAGE VS. IMAGE Hong Ik University, Seoul,
Korea
2011 Maison Objet, Paris Nord Villepinte, France
2011 Une Saison en Coree, Collection Gallery, France
2011 ASYAAF Invitation Exhibit, Gallery Doo, Seoul,
Korea
2010 Zero-in, Art company H, Seoul, Korea
2010 It’s white, Dosan, Seoul, Korea
2010 24.7, California State University Long Beach,
America
2010 Five Senses, Gallery curio mook, Seoul, Korea
2010 Contemporary Ceramic Art in Asia, Hong Ik
University HOMA, Seoul, Korea
2010 Ceramic Art & Technology, AT center, Seoul,
Korea
2009 Co-core, Tama University, Tokyo, Japan
2009 Peep, Songwon Artcenter, Seoul, Korea
2008 It’s blue, Gallery Iang, Seoul, Korea
2008 Dohwasuh’s Trip to Daegu, Gallery M, Daegu,
Korea
2008 Open Space Paan, Gallery Paan, Seoul, Korea
2008 Funny funny, Gallery Sejul, Seoul, Korea
2008 Crafty, Arty, Party!, Korean Craft Promotion
Foundation, Seoul, Korea
2008 Korea- Japan- China Ceramist Exchange
Exhibition, Guangzhou Foshan Pottery Traditional
And Contemporary Art Museum, China
2007 Ceramic Exhibition, Hong Ik University, Seoul,
Korea
2007 ‘36.5°Ceramic New Generation, Yeoju World
Ceramic Livingware Gallery, Yeoju, Korea
2007 大器晩成, Milal Museum of Art, Seoul, Korea
Art Fairs
2014 Art Show Busan, BEXCO, Busan, Korea
2014 AHAF, Marcopolohotel, Hong Kong
2014 Art Road 77 Art Fair 2014, Gallery puzz,
Paju-Heyri, Korea
2014 Start Art Fair, Saatchi Gallery, U.K
2014 Singapore Affordable Art Fair, Singapore
2014 Daegu Art Fair, Exco, Daegu, Korea
2014 Shanghai Art Fair, SHANGHAI MART, China
2013 AHAF, Conrad hotel, Seoul, Korea
2013 Daegu Art Fair, Exco, Daegu, Korea
Paju-Heyri, Korea
Paju-Heyri, Korea
2012 An’c 4crafts Art Fair 2012, Hyundai, Seoul,
Korea
2011 ASYAAF, Hong Ik University HOMA, Seoul,
Korea
Paju-Heyri, Korea
Awards
2014 The 36th JoongAng FineArts Prize selected
Artist 10
2014 Daejeon Culture and Arts Foundation Next
Generation ArtiStar selected
2012 Special Award, The 4th Icheon Ceramic Trend.
2012 Ceramix living object, Participation Prize
2011 The 9th International Ceramics Competition
Mino Japan.
2011 Special Award, The 30th Seoul Contemporary
Ceramic Arts Contest.
2011 The 8th Ceramic Arts Award of Korea
2010 Special Award, The 29th Seoul Contemporary
Ceramic Arts Contest.
2007 The 2th New Generations.
Collections
Han Hyang Lim Ceramic Museum, Paju-Heyri, Korea
SongEun Foundation for Arts and Culture, Seoul,
Youngeun Museum, Goyang, Korea
Residencies
2014 Artist-in-Residence, ClayArch Gimhae Museum,
Gimhae, Korea
2013 Artist-in-Residence, ClayArch Gimhae Museum,
Gimhae, Korea
2012 Artist-in-Residence, Korea Ceramic foundation,
Icheon, Korea
2012 Artist-in-Residence, Seoul Art Space-Sindang
(Artist Studio Program Korea), Seoul, Korea
Yongseok Oh (Korea)
Born In
1975 in Seoul, South Korea
Seoul, South Korea
Solo Exhibitions
2014 The Horizontal Line Without Cut, Artspace
Jungmiso, Seoul. Korea
2011 Square and Square, Federation Square,
Melbourne, Australia
2010 Classic, 16 bungee, Gallery Hyundai, Seoul,
Korea
2005 New Artist: Drama, Alternative Space Pool,
Seoul, Korea
Group Exhibitions
2015 Sublime Masochism, MoA, Seoul, Korea
2014 Digital Triangle, Alternative space Loop, Seoul,
Korea
2014 Future is Now , MAXXI, Rome, ltaly
2014 PILLARS, Arario Gallery, Seoul, Korea
2014 Media Art from Finland and Korea-A View
from the Other Side, Moonshin Museum, Seoul
2014 ECOS SIMULTÁNEOS, FORTABAT MUSEUM,
BUENOS AIRES, ARGENTINA
2013 tele-Be, GALLERY HYUNDAI, Seoul, Korea
2013 Future is Now, National Museum of Modern and
Contemporary Art, Korea, Gwacheon, Korea
2013 Maden Pictures 2013, Arario Gallery, Seoul
2012 (Im)Possible Landscape, PLATEAU, Museum of
Samsung, Seoul, Korea
2012 Sporadic Positioning, Arario Gallery, Cheonan,
Korea
2012 How The city Works – Daegu Photo Biennale
Special Exhibition, Daeguartfactory, Daegu
Gwangju
2010 The Trickster, Gyeonggi Museum of Modern Art
2010 Power house, Gallery Hyundai, Seoul, Korea,
Korea
2009 The Imaginary Line, GALLERY HYUNDAI , Seoul,
Korea
2009 Textual Landscapes, Bryce Wolkowitz Gallery,
New York, NY, USA
2009 The Cinematic Montage, Seoul Museum of Art,
Seoul, Korea
2008 The 3th Seville Biennale, Seville, Spain
2008 Fiction and Non-Fiction, Seoul Museum of Art,
Seoul, Korea
2008 Trance POP-Korea Vietnam Remix, Arko Art
Center, Seoul, Korea, Sai Gon, Vietnam; Yerba
Buena Center for the Arts, San Francisco, USA
2008 Cuvee Biennale, OK Center for Contemporary
Art, Lintz, Austria
2007 Thermocline of Art- New Asian Waves, ZKM/
Center for Art and Media, Karlsruhe, Germany
2006 Shanghai Biennale, Shanghai Art Museum,
Shanghai, China
2006 Seoul International Media Art Biennale-media
city seoul, Seoul Museum of Art, Seoul, Korea
2004 Young Video Show Show Show, Ssamzie Space,
Seoul, Korea; MAAP Multimedia
2004 MAAP Multimedia Art Asia Pacific, Singapore
2003 Up and coming film festival, Hannover, Germany
2003 City-Zooms, Bremen, Germany
Residencies
2014 ISCP, New York, USA
2013 Baikal Nomadic, Irkutsk, Russia
2011 Artspace, Asialink, Sydney, Australia
2011 The National Art Studio, National Museum of
Contemporary Art, Seoul, Korea
2010 Nanji Art Studio, Seoul Museum of Art, Seoul,
Korea
2008 Trance POP-Korea Vietnam Remix, Sai Gon,
Vietnam
Sherman Ong (Malaysia)
Born In
1971 in Malacca, Malaysia
Singapore
Solo Exhibitions
2014 Spurious Stories from the Land and Water, Art
Plural Gallery, Singapore
2010 ICON de Martell Photography Award,
Institute of Contemporary Arts, Singapore
2010 Ticket Seller, Sikkema Jenkins & Co., New York,
USA
2009 Sherman Ong, Contemporary Art Centre of
South Australia, Australia
2008 Hanoi Monogatari (Hanoi Story), Zeit Foto
Salon, Tokyo, Japan HanoiHaiku: Month of
Photography Asia, 2902 Gallery, Singapore
2007 Missing You, Fukuoka Art Asian Museum,
Fukuoka, Japan
2006 HanoiHaiku, Angkor Photography Festival, Siem
Reap, Cambodia
Group Exhibitions
2014 Daegu Photography Biennale, Daegu, Korea
2014 Fukuoka Asian Art Triennale, Fukuoka, Japan
2014 Lost in Landscape, MART Museum of
Contemporary Art of Trento and Rovereto, Italy
2014 Art Stage Singapore, Art Plural Gallery,
Singapore
2013 Asia Pacific Triennial of Contemporary Art
(Cinema), Gallery of Modern Art, Brisbane,
Australia
2013 Cinema Encounters: Sherman Ong, Casa Asia,
Barcelona & Madrid, Spain
2013 Migrants (in)visibles, Espace Khiasma, Paris,
France
2013 18th Contemporary Art Festival Videobrasil,
Sao Paulo, Brazil
2012 Little Sun Project by Olafur Eliasson, Tate Modern,
London, United Kingdom
2012 Asia Serendipity, Teatro Fernando Gomez,
Photo Espana Madrid, Spain
2012 Panorama, Singapore Art Museum, Singapore
2012 PIMP the TIMP Volume II, Galerie Lichtblick,
21st International Photoszene Cologne, Germany
2012 Cross-Scape, GoEun Museum of Photography,
Busan, Korea
2012 I want to remember, Rotterdam International Film
Festival, Netherlands
2012 Crossing SEA(s), 2902 Gallery, Singapore
2011 Unseen: Cinema of the 21st Century, Queensland
Art Gallery, Australia Changwon Asian Art
Festival, Sungsan Arts Hall, Changwon, Korea
2011 17th International Contemporary Art Festival
Videobrasil, Sao Paolo, Brazil
2011 Prague Quadrennial of Performance Design and
Space, Prague, Czech Republic
2011 Cross-Scape, Kumho Museum of Art, Seoul,
Korea
2011 Cross-Scape, Jeonbuk Museum of Art, Jeonju,
Korea
2011 Metropolis - City Life in the Urban Age,
Noorderlicht International Photofestival,
Netherlands
2011 Ming Wong:Life of Imitation, Frye Art Museum,
Seattle, Washington, USA
2011 Ming Wong:Life of Imitation, Contemporary Art
Spaces Tasmania, Australia
2011 Ming Wong:Life of Imitation, Hara Museum of
Contemporary Art, Tokyo, Japan
2011 I want to Remember, Singapore Arts Festival,
Singapore
2011 Singapore Survey 2011: Imagine Malaysia,
Valentine Willie Fine Art, Singapore
2011 Photo Ireland, Dublin, Ireland
2010 Ming Wong:Life of Imitation, Singapore Art
Museum, Singapore
2010 Malaysia-Singapore Cinema, Centre Pompidou,
Paris, France
2010 Daegu Photography Biennale, Daegu Culture and
Arts Center, Korea
2010 Nanjing Biennale, Jiangsu Art Museum, Nanjing,
China
2010 Rainbow Asia, Hangaram Museum, Seoul Art
Centre, Seoul, South Korea
2010 The Tropics-Views from the Middle of the Globe,
Jim Thompson Art Centre, Bangkok, Thailand
2010 The Last Book, The Zentralbibliothek Zürich,
Switzerland
2010 Banjir Kemarau | Flooding in the Time of Drought
2010 Rotterdam International Film Festival,
Netherlands
2010 Barcelona Asian Film Festival, Spain
2010 Rome Asian Film Festival, Italy
2010 Kumbukumbu Za Mti Uunguao | Memories of a
Burning Tree
2010 Rotterdam International Film Festival,
2010 Netherlands Goteborg International Film Festival,
Sweden
2010 Hong Kong International Film Festival, China
2010
2010
2010
2010
2010
2010
2010
2010
2010
2010
2010
2009
2009
2009
2009
2009
2009
2009
2009
2009
2009
2009
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2007
2007
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2006
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2006
2006
2006
2006
2006
2006
2006
Tokyo International Film Festival, Japan
Singapore International Film Festival, Singapore
Montreal World Film Festival, Canada
Bangkok World Film Festival, Thailand
Durban International Film Festival, South Africa
Mumbai International Film Festival, India
Rome Asian Film Festival, Italy
Milan Festival of African, Asian and Latin
American Cinema, Italy Cinemanila, Manila,
Philippines
Jogja-NETPAC Asian Film Festival, Jogjakarta,
Indonesia
When the end of Winter is almost Spring
Montreal World Film Festival, Netherlands
Ming Wong:Life of Imitation, Singapore Pavilion,
Venice Biennale, Venice, Italy
Code Share:10 Biennales, 20 Artists,
Contemporary Art Centre, Vilnius, Lithuania
Fluid Zone:Jakarta Biennale, National Gallery,
Jakarta, Indonesia
Die Tropen - Views from the Middle of the Globe,
Martin-Gropius-Bau, Berlin, Germany
Banjir Kemarau | Flooding in the Time of Drought
Hong Kong International Film Festival
Cinema Digital Seoul, Korea
Bangkok World Film Festival, Thailand
Osian Cinefan International Film Festival, India
Cinemanila International Film Festival, Philippines
Q! Film Festival, Jakarta
Indonesia Wonder, Singapore Biennale, City Hall,
Singapore
In-between (Asian Video Art), Mori Art Museum,
Tokyo, Japan
Cut2: New Photography from Southeast Asia,
Valentine Willie Fine Art, Singapore
The Last Book, Biblioteca Nacional Buenos Aires,
Argentina
Photo Art Asia, Bangkok, Thailand
Out of Berlin...pass the picture! Goethe Institute,
Kuala Lumpur, Malaysia
OsTropicos - Views from the Middle of the Globe,
Centro Cultural Banco do Brasil, Rio de Janeiro,
Brazil
Cut: New Photography from Southeast Asia,
Valentine Willie Fine Art, Kuala Lumpur, Malaysia
Photoquai-World Visual Arts Biennale, Musée du
Quai Branly, Paris, France
OsTropicos - Views from the Middle of the Globe,
Centro Cultural Banco do Brasil, Brasilia, Brazil
Singapore Art Show, Singapore Art Museum,
Singapore
HDB Housing Project, History Gallery, National
Museum Singapore
Another Asia, Noorderlicht Photo Festival, Fries
Museum, Leeuwarden, Netherlands
40o1`N/3o36`W, Aranjuez, Plaza de Parejas,
Aranjuez Spain
Landscape & Architecture, Art Salon,
ArtConnexions, Goethe Institut/IFA
RMIT Gallery, Melbourne, Australia National
Museum Jakarta, Indonesia
Vietnam Fine Arts Museum, Hanoi Vietnam
IFA Gallery Stuttgart, Germany
IFA Gallery Berlin, Germany
Exodus - Wanita Yang Berlari
3rd International Dance Video Festival, Tokyo,
Japan
The Circle, Commonwealth Film Festival,
Manchester, United Kingdom
2005 Exodus - Wanita Yang Berlari
2005 Videobrasil International Electronic Art Festival,
Sao Paulo, Brazil
2005 10th Hong Kong Independent Film and Video
Awards, China
2005 Jakarta International Dance Film Festival,
Indonesia
2005 VideoLisboa#5, Portugal
2005 Drought, Yokohama Art Triennial
(Closing Presentation), Japan
2005 Is it easy to kill/pray?
2005 4th Bangkok International Experimental
Film Festival Thailand
2005 Meat, Vegetables & Dessert
2005 International Documentary Film Festival
Amsterdam, Netherlands
2005 ArtConnexions, Space 217, Singapore
2005 The Circle, DIBA Digital Barcelona International
Film Festival, Spain
2005 El Pollo de Quijote, Finalist 4th Centennial of
Don Quixote Short Film Awards, Spain
2005 State of Things, Singapore Short Cuts,
Singapore History Museum, Singapore
2004 Singapore Season, Institute of Contemporary
Arts, London, UK
2004 Month of Photography, Singapore Arts Festival,
Alliance Francaise, Singapore
2004 Spirituality in Modern Singapore, Goethe
Institut, Singapore
2004 Exodus – Wanita Yang Berlari
2004 International Panorama of Independent
2004 Filmmakers, Greece La Cittadella del Corto
International Short Film Festival, Italy
(Special Festival Prize)
2004 New York Asian American International Film
Festival USA
2003 Towards the Month of Photography 2004,
Alliance Francaise, Singapore
2003 Exodus – Wanita Yang Berlari
2003 Q Film Festival Jakarta, Indonesia
2003 Di Mana Bumi Dipijak | The Ground I Stand
2003 Videobrasil - International Electronic Art Festival
2002 60’s Now, Singapore Art Museum, Singapore
2002 Di Mana Bumi Dipijak | The Ground I Stand
2002 7th Malaysian Video Awards, Malaysia
2002 8th Hongkong Independent Short Film & Video
Festival
2002 Women Inspire Film Festival 2002, Singapore
2002 2nd Singapore Shorts Film Festival, Singapore
2002 Contemplation Room, Danish Ministry of
Culture, Overgaden Gallery, Copenhagen,
Denmark
2002 Danger Museum, Institute of International Visual
Arts, London, UK
2002 Aus Kobberling, Kassel, Germany
Awards
2013 Honorable Jury Mention (Motherland), 18th
Contemporary Art Festival Videobrasil,
Sao Paolo, Brazil
2011 Nominated for the APB-Singapore Art Museum
Signature Art Prize
2010 ICON de Martell Cordon Bleu Photography
Award, Singapore
2010 Hubert Bals (Script Development) Fund,
Netherlands
2009 Special Mention (Life of Imitation, Singapore
Pavilion) Venice Biennale, Venice, Italy
2009 Best Screenplay (Hashi), Singapore Film Awards,
Singapore
2009 Forget Africa Commission, Rotterdam
International Film Festival, Netherlands
2007 Fukuoka Asian Art Museum Artist Residency
Award, Fukuoka, Japan
2005 Special Jury Prize (Exodus), Independent Film &
Video Awards, Hong Kong, China
2005 ArtConnexions:Goethe-Institut Artist Residency
Award, Singapore
2004 Best Experimental Film (Exodus), Int’l Panorama
of Independent Filmmakers, Greece
2004 Special Jury Prize (Exodus), Malaysian Video
Awards, Kuala Lumpur, Malaysia
2004 Special Festival Prize (Exodus), La Cittadella del
Corto Short Film Festival, Italy
2002 Best Documentary (The Ground I Stand),
Malaysian Video Awards, Malaysia
Collections
Fukuoka Asian Art Museum, Japan
Singapore Art Museum, Singapore
Seoul Art Centre, Korea
Malaysia-Singapore Collection,
National University of Singapore
Residencies
2009 Rotterdam Film Festival Forget Africa Residency
(Dar Es Salaam, Tanzania)
2007 Fukuoka Asian Art Museum, Japan
2005 Goethe Institute Art Connexions Residency
(Hanoi, Vietnam)
Sabri Idrus (Malaysia)
Born In
1971 in Kedah, Malaysia
Selangor, Malaysia
Solo Exhibitions
2012 ANTARA. Taksu Gallery, Singapore
2010 MUFAKAT: SPACE FOR THE PUBLIC.
The Painting Garage, Bandung, Indonesia
2010 MASA SERIES: A REDUCTION PROCESS.
Taksu Gallery, Kuala Lumpur, Malaysia
2009 IN TRANSIT. MALAYSIA-POLAND . Aula
Gallery, University of Arts Poznan, Poland
2008 MYDOMAIN. Ahmad Zakii Anwar’s Gallery At
The Back Of The House, Johor Bahru, Malaysia
2006 KERONCONG SERIES: A NEW FORM OF
PHYSICAL LISTENING, Wei-Ling Gallery,
Kuala Lumpur
2004 BANGAU OH BANGAU. Balai Berita NST.
2004 LOREK-LOREK. THE CREATION OF LINES.
Townhouse Gallery, Kuala Lumpur, Malaysia
1999 THE SEARCH OF THE UNCERTAINTIES. The
Painting Hall, Selangor, Malaysia
Group Exhibitions
2014 Eye Zone, Start Art Fair 2014, Saatchi Gallery,
London.
2014 Malaysia Open Show 2014, National Visual Art
Gallery, Kuala Lumpur.
2014 Prudential Malaysia Eye, White Box, Publika,
Kuala Lumpur.
2014 Malaysia–Australia Visual Arts Residency,
Disruptive Nature: Sabri Idrus (Malaysia) +
Habitat: Sean Cordeiro & Claire Healy
(Australia), Rimbun Dahan, Kuang, Selangor.
2014 ReimagineNation: Love, Vision and Hope,
Galeri Chandan, Publika , Kuala Lumpur
2013 Water: A group exhibition by Sabri Idrus, Budi
Agung Kuswara, Jigger Cruz & I Made Arya
Palguna. Taksu, Kuala Lumpur
2013 UTP STANZA, University of Technology and Life
Sciences , Bydgoszcz, Poland.
2012 DUA: Sabri Idrus & Tony Twigg. Taksu,
Kuala Lumpur
2012 Peninsular & Islands, Taksu, Singapore
2012 1 meter Diameter. HOM Art Trans. Ampang,
Kuala Lumpur
2011 JAGA. National Art Gallery, Kuala Lumpur
2011 Figure in Paint, Galeri Petronas, Kuala Lumpur
2011 Locals only. Taksu gallery.Kuala Lumpur
2011 40 x 100. HOM Art Trans. Ampang, Kuala Lumpur
2010 Bakat Muda Sezaman (The Young Contemporary).
National Art Gallery, Kuala Lumpur
2010 Antara Bahan Campuran, National Art Gallery,
Kuala Lumpur
2010 Locals only! Taksu gallery.Kuala Lumpur
2010 A Meter Perspective. HOM Art Trans. Ampang,
Kuala Lumpur
2010 Boleh! Taksu Gallery, Singapore
2010 Combines! A Tribute to Rauschenberg.
Taksu Gallery, Singapore
2009 Himpunan Tetap, National Art Gallery,
Kuala Lumpur
2009 Malaysia-Poland Cultural & art exchange. Pyzdry
2009 Malaysia-Poland Cultural & art exchange. Shalini
Ganendra Fine Art, Petaling Jaya, Malaysia.
2009 Beyond Canvas. Wei Ling Gallery. Kuala Lumpur
2008 Susur Masa. National Art Gallery, Kuala Lumpur
2008 18@8, Wei-Ling Gallery, Kuala Lumpur
2007 18@8. Wei-Ling Gallery, Kuala Lumpur
2007 Between Generations:50 Years Across modern Art
in Malaysia. Asian Art Museum, University of
Malaysia, Selangor and Muzium & Galeri
Tuanku Fauziah, Universiti Sains Malaysia, Penang
2006 Tabik (Salute) Jerry Show. National Art Gallery,
Kuala Lumpur
2006 The Investor. Wei-Ling Gallery, Kuala Lumpur
2006 Malaysian Expressions .National Art Gallery,
Kuala Lumpur
2006 18@8, Kuala Lumpur-Karachi. Wei-Ling Gallery,
Karachi, Pakistan
2005 18@8 Malaysian Artist, Wei-Ling Gallery,
Kuala Lumpur
2005 Print In Malaysia-British in Print. National Art
Gallery, Kuala Lumpur
2004 BMS 2004 (The Young Contemporary Show),
2003 Phillip Morris, ASEAN Art Awards Show,National
2003 ALAMI, National Art Gallery, Kuala Lumpur
2002 Malaysia Open Show. National Art Gallery,
Kuala Lumpur
2002 Mac World Expo, Singapore
2001 Phillip Morris, ASEAN Art Awards Show. National
Art Gallery, Kuala Lumpur
2000 BMS 2000 (The Young Contemporary Show).
1999 Phillip Morris, ASEAN Art Awards Show. National
1995 Phillip Morris. ASEAN Art Awards Show. National
1995 95’ PPM Annual Show, Galeri Petronas, Petronas
Twin Towers, Kuala Lumpur.
1995 Alternative Printmaking, Galeri Petronas, Petronas
Twin Towers, Kuala Lumpur.
1995 Urban Vision, Concorde Hotel, Kuala Lumpur
1994 The Young Contemporary Show. National Art
1994 Inspirasi 94, Maybank Gallery, Kuala Lumpur
1994 Asian Art Workshop. BELUM. National Art Gallery,
Kuala Lumpur
1993 Shah Alam Boat Show, Galeri Shah Alam
1993 Earth Day Exhibition, Central Market, KL
1992 Nature Art Camp, Bukit Cerakah, Selangor
1992 92’ Open Show, National Art Gallery, KL
1991 The Young Contemporary Show. National Art
1991 One World No War Exhibition, City Hall, Kuala
Lumpur
1991 Question Of Identity, National Art Gallery, Kuala
Lumpur
1991 The Open Show, National Art Gallery, Kuala
Lumpur
1990 The Open Show. National Art Gallery,
Kuala Lumpur
Awards
2014 Malaysia Open Show, Juror’s Award. National
Visual Arts Gallery, Kuala Lumpur
2011 UOB Art Award – Special Mention
2004 BMS04/The Young Contemporary Art Award
(Painting Category) National Visual Arts Gallery,
Collections
Central Bank of Malaysia
National Visual Arts Gallery, Kuala Lumpur
Khazanah Nasional, Malaysia
Ministry of Finance, Malaysia
Galeri PETRONAS, Kuala Lumpur
Prince Court Medical Centre, Kuala Lumpur
PETRONAS University of Technology, Tronoh, Malaysia
University Of Arts, Poznan, Poland
University of Technology and Life Sciences ,
Bydgoszcz, Poland
Muzeum Ziemi Pyzdrskeij, Pyzdry, Poland
University College Shahputra, Kuantan, Pahang,
Malaysia
Embassy of Poland, Kuala Lumpur, Malaysia
Muzium & Galeri Tuanku Fauziah, Universiti Sains
Malaysia, Penang.
Hijjas Kasturi Associates @Rimbun Dahan Gallery,
Selangor
Grand Hyatt, Kuala Lumpur
Westin, Singapore
Residencies
2014 19th Rimbun Dahan, Malaysia – Australia Visual
Arts Residency, Kuang, Selangor, Malaysia.
2013 Artist in Residence: University of Technology
and Life Sciences in Bydgoszcz, Poland.
2010 Artist In Residence, Hegarbudhi Community,
Bandung, Indonesia
2009 Artist In Residence Poland – University Of Arts,
Poznan, Poland
Haslin Ismail (Malaysia)
Born In
1984 in Bukit Gambir, Malaysia
Bukit Gambir, Malaysia
Solo Exhibitions
2014 Mindmix, G13 Gallery, Kelana Jaya Square,
Selangor
2014 Book Land, G13 Gallery, Art Stage 2014,
Marina Bay Sands, Singapore
2013 Transfiguration, G13 Gallery, Kelana Jaya
Square, Selangor
2009 Exorcismus Persona - Windows into the Fantasy
Worlds of Haslin Ismail, RA Fine Arts Gallery,
Ampang, KL
Group Exhibitions
2015 Extreme Portrait, Chandan Gallery, Publika, KL
2014 Recent Acquisitions Exhibition, National Art
Gallery, KL
2014 Cheritera Homecoming, Chandan Gallery,
Publika, KL
2014 Merdeka! Haslin Ismail & Samsudin Wahab,
Petronas Gallery, KLCC
2014 Readrawing, Petronas Gallery, KLCC
2014 Cheritera, Start Art Fair, Chandan Gallery,
Saatchi Gallery, London
2014 Pulpa: At The Cutting Edge, Chandan Gallery,
Publika, KL
2014 Alter Ego, Chandan Gallery, Publika, KL
2014 Segaris Open 2014, Segaris Gallery, Publika, KL
2013 Expanded Passion: Contemporary Art From
Malaysia, Fukuoka Asian Art Museum, Japan
2013 Art Expo 2013, Matrade, KL
2013 Art In Search of Words, Interpr8 art space,
Publika, KL
2013 Absurd(c)ity, Balai Seni Visual Negara, KL
2013 Jelas Abstrak, Morne Gallery, Menara MARA, KL
2013 Destiny: Young Group Show, Balai Seni Visual
Negara, KL
2013 Sekaki, Segaris Gallery, Publika Mall, KL
2013 Kembara Jiwa/ Conception In Reconciliation,
Chandan Gallery, Publika, KL
2013 20@13, G13 Gallery, Kelana Jaya, KL
2012 Kembara Jiwa/ Conception In Reconciliation,
Taman Budaya Yogyakarta, Indonesia
2012 Transit A4, HOM Gallery, Ampang, KL
2012 Art Expo Malaysia 2012, MATRADE Tower, KL
Kembara Jiwa/ Conception In Reconciliation,
Selasar Sunaryo Art Space, Bandung, Indonesia
2012 The Young Contempo Auction 2012, Henry
Butcher Auctioneers, Black Box MAP, Publika,
Solaris Dutamas, KL
2012 Drawing A Distance: Drawings from 3 cities,
HOM Gallery, KL.
2012 Young Talents, Segaris Art Center, Publika, KL
2012 Snapshots, Art For Nature 2012, Rimbun Dahan
Gallery, Kuang, KL.
2012 Within Darkened Disorder, Muse and Reverie..
The Wicked Women Let Out A Curse (2 Man
Show with Meme), Taksu Gallery, KL
2012 Songsang, Chandan Gallery, KL
2012 Ghost in the Shell, Rimbun Dahan 17th
Residency Programme, Rimbun Dahan Gallery,
Kuang, KL
2012 Locals Only, Taksu Gallery, KL
2011 Ties, HOM Gallery, KL
2011 Open House Chandan 2011, Chandan Gallery,
KL
2011 Kedai Runcit No.12, Balai Seni Lukis Pulau
Pinang, Penang
2011 Figure In Paint, Petronas Gallery, KL
2011 Proud To Be Nude, MOMA Gallery, KL
2011 Here Today, Gone Tomorrow, WWF Annual
Show, Rimbun Dahan Gallery, KL
2011 Bapak, MOMA Gallery, KL
2011 Utopia (2 Man Show with Chee Way), Wei-Ling
Gallery, KL
2011 RTF(X), Light Editions Gallery, Singapore
2011 Sequential Narrative, Chandan Gallery, KL
2011 Vertical & Horizontal, HOM Gallery, KL
2010
2010
2010
2010
2010
2010
2010
2010
2010
2010
2010
2010
2010
2010
2010
2010
2010
2010
2010
2009
2009
2009
2009
2009
2009
2009
2009
2009
2009
2009
2009
2008
2008
2008
2008
2008
2008
2008
2008
2008
2008
2008
Merapi Eruption Charity Show, HOM Gallery, KL
Bakat Muda Sezaman 2010, National Art Gallery,
Sequential Narrative, 360 Gallery, KL
Tanah Tumpahnya Darah Ku, Folk Art Gallery,
Malacca
14th Asian Art Biennale Bangladesh 2010,
Bangladesh Shilpakala Academy
Art Expo Malaysia 2010, Matrade Tower, KL
1Malaysia Contemporary Art Tourism : Sparkles
In Penang (SIP), Adiwarna Gallery, Universiti Sains
Malaysia, Penang
Now!, Visual Art Award (VAA), Starhill Gallery, KL
ABC (Antara Bahan Campur), National Art Gallery,
KL
Self-Conflict, Social Cohesion, Malaysia Tourism
Centre (MATIC), KL
Young Malaysian Artists - New Object[ion],
Petronas Gallery, KLCC, KL
Paperworks : Marks and Trails of Artistic Minds,
Chandan Gallery, KL
Artriangle 2010, National Art Gallery, KL
IMCAT, Galeria Sri Perdana, KL
Combines! A Tribute to Rauschenberg, Taksu, KL
Boleh!, Taksu Singapore, Singapore
Earth Hour, Zinc Gallery, KL
New Space, Taksu Singapore, Singapore
Contemporary Rhetoric, Valentine Willie Fine Art
Gallery, KL
18@8 : 1 Malaysia : Beyond the Canvas, Wei-Ling
Gallery, KL
Art Expo Malaysia 2009, Matrade Tower, KL
Just What Is It That Makes Today’s Art So
Different, So Appealing? (A Collage Group Art
Exhibition), RA Fine Arts Gallery, Ampang, KL
Dazed in Mazes (4 man show), Valentine Willie
Fine Art, Bangsar, KL
MEA Award 2009, Soka Gakkai Malaysia (SGM),
KL
UN-CUT 09 Malaysian Paintings, Malaysian Arts
Festival, Gallery Shambala, Copenhagen,
Denmark
Overlook, Taksu Gallery, KL
An International Art Exhibition: Art, Peace and
the Global Village-Against Violence, Penang State
Museum & Art Gallery, Penang
IMCAS09, Danga City Mall, Johor Bharu, Johor
PALESTIN – Pameran Amal 2009, National Art
Gallery, KL
Locals Only, Taksu Gallery, KL
Rasa Terasa, Annexe Gallery, KL
Palestinian Art Exhibition, National Library, KL
KL Film Fest & Art Exhibition on Palestine,
Annexe Gallery, KL
Open House 08, Kebun Mimpi Art Gallery,
Bangsar, KL
The 12 Outstanding Manga Artworks, Kinokuniya
Bookshop, KLCC
Tradition Into Modernity, The 6th AFA- Asia
Fiber Art Exhibition, Bentara Budaya Jakarta,
Jakarta, Indonesia
Rapat Umum, RA Fine Arts Gallery, Ampang, KL
quddinandfriends ’08, McCann World Group,
Petaling Jaya, KL
Art @ Pavilion, Parkson Pavilion (organised by
Kebun Mimpi Gallery), KL
Friction (2 Man Show with Ilham Fadli @ Kojek),
Kebun Mimpi Gallery, Bangsar, KL
An Interlude: Artistic Expressions, RA Fine Arts
Gallery, Ampang, KL
Bukak Mata, Ruang Kala, Shah Alam, Selangor
360>LoveArtPassion, Threesixty Art Development
Studio, KL
2007 Mana Batik, Annexe Gallery, KL
2007 Tabah Dalam Derita - A Palestinian Art Exhibition
with Palestinian and Malaysian Artists, RA Fine
Arts, Ampang, KL
2007 Open House Show, Kebun Mimpi Art Gallery,
Bangsar, KL
2007 Art @ Pavilion, Parkson Pavilion (organised by
Kebun Mimpi Gallery), KL
2007 Open Show, Shah Alam Art Gallery, Shah Alam,
Selangor
2007 Pact Max Malaysian Art Awards, Foodloft Art
Gallery, Penang
2007 Mekar Citra, Shah Alam Art Gallery, Selangor
2007 Weird Art!, Chinese Assembly Hall (MCPA),
Kuala Lumpur
2007 Segitiga, Degree Show, Tuanku Nur Zahirah Art
Gallery, Universiti Teknologi MARA, Shah Alam
2006 Open House Show, Gemarimba Art Gallery, KL
2006 Enchanting Watercolour, Malaysian Watercolours
2006 National Art Gallery
2006 Ekspresi Selatan, Johor Art Gallery
2005 Diploma Show, PERZIM, Malacca
2004 Landscape Painting, PERZIM, Malacca
2004 Historical Buildings Exhibition, Johor Art Gallery
2003 HITAM PUTIH Seni Cetak, PERZIM, Malacca
Awards
2011 Grand Prize Winner, Bakat Muda Sezaman 2010,
Balai Seni Lukis Negara, KL
2011 Rimbun Dahan 17th Residency Program,
Rimbun Dahan, Kuang, Selangor
2010 Winners Visual Art Award (VAA), Starhill Gallery,
2010 The Winner of Visual Art (Painting) category,
Selangor Young Talents’ Award, PJ, Selangor
2009 Finalist of MEA Award 2009 (Malaysia Emerging
Artists), Soka Gakkai Malaysia (SGM), KL.
2009 Finalist of IMCAS Art Award, Danga City Mall,
Johor Bharu, Johor.
2008 1st Prize, Calling For Manga Artists!
Competition, Kinokuniya Bookshop, KLCC.
2007 Finalist of Pact Max Malaysian Art Awards,
Foodloft Art Gallery, Penang.
2007 3rd Prize, Charcoal/Pencil/Ink Category, Tanjung
Heritage, KL.
2006 One Person Exhibit, 14, Gray’s School of Art and
Design, Aberdeen, Scotland.
2006 Grand Prize Winner, In-Print Competition,
National Art Gallery, and was awarded a grant
from the British Council and Scotland’s Robert
Gordon University to study printmaking at Gray’s
School of Art and Design for 2 weeks.
2006 2nd Prize, Portrait Drawing Contest, National
Art Gallery.
2006 3rd Prize, Drawing Competition, National Art
Gallery.
2006 Merit Prize, 1st Putrajaya National Watercolour
Competition, National Art Gallery.
2000 Consolation Prize, Formula Malaysia.
Choy Chun Wei pg.50 (Malaysia)
Born In
1973 in Kuala Lumpur, Malaysia
Solo Exhibitions
2015 Art Stage Singapore 2015, Marina Bay Sands,
Singapore
2014 Art Basel Hong Kong 2014, Hong Kong
Convention Centre, Hong Kong.
2011 HERE AND NOW, Wei-Ling Contemporary, Kuala
Lumpur, Malaysia.
2008 TRAILS, Red Mill Gallery, Johnson, Vermont,
United States.
2007 KALEIDOSCOPIC LANDSCAPES, Wei-Ling
Gallery, Kuala Lumpur, Malaysia.
Group Exhibitions
2014 The PEAK Group Show- HO MIA, Wei-Ling
Contemporary, Kuala Lumpur, Malaysia.
2013 18@8 Mirror, Mirror on the wall, Wei-Ling
2012 18@8, KUL-SIN, ION Art, Singapore
2012 18@8 KUL-SIN, Wei-Ling Contemporary,
Kuala Lumpur, Malaysia.
2012 TIMELESS, Wei-Ling Contemporary, Kuala
Lumpur, Malaysia.
2012 SNAPSHOTS, WWF Art for Nature, Rimbun
Dahan, Malaysia
2012 PRECIOUS LITTLE PIECES, Wei-Ling Gallery,
2011 ART STAGE SINGAPORE, Marina Bay,
Singapore
2011 18@8 SAVE THE PLANET, Wei-Ling
2010 NEGARAKU: NATIONALISM AND PATRIOTISM
IN MALAYSIAN CONTEMPORARY ART, The
Aliya and Farouk Khan Collection, Galeria Sri
Perdana, Kuala Lumpur, Malaysia.
2010 SURVIVAL, WWF Art for Nature, Rimbun Dahan,
Selangor, Malaysia.
2010 ABSOLUT 18@8, Wei-Ling Gallery, Kuala
Lumpur, Malaysia.
2009 IMCAS, Danga Bay City Mall, Johor Bahru,
Malaysia.
2009 TANAH AIR, WWF Art for Nature, Rimbun
Dahan, Selangor, Malaysia.
2008 SHIFTING BOUNDARIES, WWF Art for Nature,
Rimbun Dahan, Selangor, Malaysia.
2008 18@8: VICE & VIRTUE, Wei-Ling Gallery, Kuala
Lumpur, Malaysia.
2008 TUKAR GANTI : NEW MALAYSIAN PAINTINGS,
Valentine Willie Fine Art Singapore,
HT Contemporary Space, Singapore.
2008 LA GALLERIA, Pall Mall, London,
United Kingdom.
2008 CIGE, China World Trade Center, Beijing, China.
2008 FORCE OF NATURE, Pace Gallery, Malaysia.
2007 00:15 SUPERSTAR, WWF Art for Nature, Rimbun
Dahan, Malaysia.
2007 ARTRIANGLE: MALAYSIA PHILIPPINES
INDONESIA, Soko Gakkai Malaysia,
2007 BETWEEN GENERATIONS: 50 YEARS ACROSS
MODERN ART IN MALAYSIA, Asian Art
Museum, University of Malaya, Selangor,
Malaysia and Muzium & Galeri Tuanku Fauziah,
Universiti Sains Malaysia, Penang, Malaysia.
2006 RIMBUN DAHAN ARTIST IN RESIDENCY
SHOW, Rimbun Dahan, Kuang, Selangor,
Malaysia. SIGNED AND DATED: VALENTINE
WILLIE FINE ART 10TH ANNIVERSARY,
Valentine Willie Fine Art, Kuala Lumpur,
Malaysia.
2006 FEED ME! AN EXPLORATION OF APPETITES,
WWF Art for Nature, Rimbun Dahan,Malaysia.
2006 18@8 KUALA LUMPUR - KARACHI, Amin
Gulgee Gallery, Karachi, Pakistan in
collaboration with Wei-Ling Gallery.
2005 ROOSTER MANIA, Townhouse Gallery, Bangsar,
2005 THE POWER OF DREAMING: TAMAN SARI,
THE GARDEN OF DELIGHT AND IDENTITY,
curated by Laura Fan, WWF Art for Nature,
Rimbun Dahan, Selangor, Malaysia.
2005 18@8 CONTEMPORARY ARTISTS FROM
MALAYSIA AND BEYOND, Wei-Ling Gallery,
Brickfields, Kuala Lumpur, Malaysia.
2005 ART BELOW 1000, Valentine Willie Fine Art,
2005 FREE SHOW, Reka Art Space, Selangor,
Malaysia.
2004 YOUNG CONTEMPORARY FINALIST
EXHIBITION, National Art Gallery,
2004 PARADISE LOST / PARADISE FOUND, curated
by Laura Fan, WWF Art for Nature, Rimbun
Dahan, Malaysia.
2004 HOME IMPROVEMENT, Two-person Show, Reka
Art Space, Malaysia.
2004 SEMANGAT: ARTISTS FOR THEATER, Fund
raising exhibition for 5 arts Centre, Valentine
Willie Fine Art, Kuala Lumpur, Malaysia.
Kuala Lumpur, Malaysia. FIFTEEN, Darling Muse
2004 FREE SHOW, Reka Art Space, Malaysia.
2003 PHILIP MORRIS ART EXHIBITION, National Art
2003 GAMES WE PLAY, curated by Laura Fan, WWF
Art for Nature, Rimbun Dahan,
2002 TOUCH, curated by Laura Fan, WWF Art for
Nature, Rimbun Dahan, Malaysia.
2002 WORKS ON PAPER, Valentine Willie Fine Art,
2001 OPEN SHOW, National Art Gallery, Kuala
Lumpur, Malaysia.
2001 INHABITANT: Two-person Show, Valentine Willie
Fine Art, Kuala Lumpur, Malaysia.
2001 EXHIBIT A: MALAYSIAN STILL LIFE, Valentine
Willie Fine Art, Kuala Lumpur, Malaysia.
1999 AKU: PORTRET DIRI 99, Petronas Gallery, Kuala
Lumpur, Malaysia.
1998 MENTAL SAINT TART TINS, Degree Show,
Long Acre, London, United Kingdom.
1997 YOUNG DESIGNERS, Malaysian Design
Council, Menara Tan & Tan, Kuala Lumpur,
Malaysia.
1996 WATERWORLD, Bank Negara, Kuala Lumpur,
Malaysia.
1995 DIALOGUE, Maybank Gallery, Kuala Lumpur,
Malaysia.
Awards
2008 Vermont Studio Center Asian Artist Fellowship,
Vermont Studio Center, USA 2005 Artist in
Residence, Rimbun Dahan, Malaysia
2004 Juror’s Choice Award (2D category), Bakat Muda
Sezaman (Malaysian Young Contemporary)
2003 Honourable Mention, Philip Morris Malaysia/
Asean Art Awards
1997 The London Institute (University of Arts, London)
Full Scholarship
1995 Higher National Diploma (HND) Teo Soo Ching
Full Scholarship
Collections
Amerada Hess, Malaysia
Architron Design Consultants
Australian International School, Malaysia
Bank Negara Malaysia
Big Dutchman Asia
CWL Design, Malaysia
Edward Soo & Co. Advocates and Solicitors
Hijjas Kasturi Association / Rimbun Dahan, Malaysia
National Art Gallery
Private Collectors
Seksan Design
The Aliya and Farouk Khan collection
Veritas Design Group, Malaysia
Zain & Co. Advocates and Solicitors
Donna Ong (Singapore)
Born In
1978 in Singapore
Singapore/Berlin
Solo Exhibitions
2014 Kunstlerhaus Bethanien, “The Forest Speaks
Back”, Germany
2013 Primae Noctis Art Gallery, “And We Were Like
Those Who Dreamed”, Switzerland
2009 Wada Fine Arts Gallery, “Asleep, A Room
Awakens”, Japan
2004 Arts House, “Palace of Dreams”, Singapore
Group Exhibitions
2014 Moscow Biennale for Young Art 2014, “A Time
For Dreams”, Museum of Moscow, Russia
2014 Kunstlerhaus Bethanien, “Das Mechanische Corps
Auf den Spuren von Jules Verne”, Germany
2013 Museum Van Loon, “Suspended Histories”,
Holland
2013 Louis Vuitton Island Maison, Marina Bay Sands,
“Landscape Memories”, Singapore
2012 Hara Museum, “Home Again: 10 Artists Who
Have Experienced Japan”, Japan
2012 Institute of Contemporary Arts Singapore,
“Encounter: The Royal Academy in Asia”,
Singapore
2012 Singapore Art Museum, “The Singapore Show:
Future Proof”, Singapore
2012 Singapore Art Museum, “The Collectors Show:
Chimera”, Singapore
2011 Fendi Boutique, “Fatto a Mano for the Future”,
Singapore
2011 Eslite Gallery, “Donna Ong, Jane Lee, Wilson
Chieh”, Taiwan
2011 Institute of Contemporary Arts Singapore, “Dust
on the Mirror”, Singapore
2010 Osage Shanghai, “Homestay”, China
2010 Djanogly Art Gallery, “Dust on the Mirror”,
England
2009 Singapore Art Museum, “President‘s Young Talent
Exhibition”, Singapore
2009 Monash University Museum of Art, “Photographer
Unknown”, Australia
2009 National Museum of Singapore, “Night Festival”,
Singapore
2009 Soundpocket (Apr 30 – May 30), “AROUND
Sound Art Festival”, Lamma Island, Hong Kong
2009 JOYCE boutique, “Live Harder, Dream Bigger,
Love Deeper”, Hong Kong
2009 Jakarta Biennale, “Fluid Zones”, Indonesia
2009 Osage Kwun Tong, “Some Rooms”, Hong Kong
2008 Kwandu Biennale, Kwandu Museum (Sept 26 –
Nov 30), “I have a Dream”, 10 Solos by 10 Asian
Artists, Taiwan
2008 11. International Architecture Exhibition, La
Biennale di Venezia, “Singapore Supergarden;
An Ecosystem of Design Thoughts”, Italy
2008 Eslite Gallery, “Coffee, Cigarettes and Phad
Thai”, Taiwan
2008 8Q, Singapore Art Museum, “8Q-rate: School”,
Singapore
2007 2nd Moscow Biennale of Contemporary Art,
“Footnotes on Geopolitics, Market and
Amnesia”, Russia
2007 Singapore Arts Festival, “Project : Eden”,
Singapore
2006 Singapore Biennale, “Belief”, Singapore
Awards
2009 Young Artist Award, National Arts Council,
Singapore
2009 People’s Choice Award, President’s Young Talents
2009 Singapore Art Museum and Credit Suisse
2003 1st Prize, Sefton Open 2003 (2D Art), UK
2002 Shell-NAC Scholarship, National Arts Council,
Singapore
2002 Architecture theory prize, University College
London
1999 Singapore Undergraduate Scholarship,
University College London
Collections
Deutsche Bank Collection
Tiroche-Deleon Collection
Singapore Art Museum Collection
Residencies
2013 Kunstlerhaus Bethanien, Germany
2009 Koganecho Area Management, Koganecho
Bazaar, Japan
2009 Singapore Tyler Print Institute, “BMW Young
Artists”, Singapore
2008 Arts Initiative Tokyo Residency, Japan
WHERE ART AND
SCIENCE MEET
WWW.PRUDENTIALEYE.COM
Editor
Serenella Ciclitira
Assistant Editor
Luke Fowler
Curators
Serenella Ciclitira
Honor Harger
T.O.P
Lee Youngjoo
Project Manager
Michelle Uribe
Thank you to those who have contributed
Ikkan Art Gallery
Shugo Arts
Yamamoto Gendai
SCAI the Bathhouse
Ota Fine Arts
ROH Projects
Wei-Ling Gallery
Satriagama Rakantaseta
Thank you to all the artists and all the
collectors who have kindly loaned their works
Artist Coordinator
Jessica Ho
Event Director
Alan Carri
Sponsorship & Account Director
Janice Fong
Director Global Eye Programme
Niru Ratnam
Online Project Manager
Hosup Lee
Special thanks to:
Prudential Corporation Asia
Prudential Singapore
National Arts Council
Singapore Tourism Board
Ministry of Culture, Community and Youth
First published in 2015 by Parallel Contemporary Art in Singapore
All rights reserved.

event report - Prudential Eye Programme

Transcription

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