4 - JazzWeek

Transcription

4 - JazzWeek
JazzWeek
jazzweek.com • July 20, 2005
In This Issue:
Michael Brecker
Battling Rare
Blood
Disorder . . . . 4
with airplay data powered by
Volume 1, Number 34 • $7.95
FESTIVAL INTERNATIONAL
DE JAZZ DE MONTRÉAL
Simpson
Tapped at
Berklee . . . . . 5
KUVO Plays Host
to Jazz
Guests. . . . . . 9
Reviews and
Picks . . . . . 17
Jazz Radio . 20
Smooth Jazz
Radio. . . . . . 25
Radio
Panels . . . . . 29
News. . . . . . . 4
Metheny in Montréal
Q&A with Co-Founder André Ménard
Charts:
#1 Jazz Album – Ahmad Jamal
#1 Smooth Album – Richard Elliot
#1 Smooth Single – Richard Elliot
p. 11
p. 14
This Week
JazzWeek
EDITOR
Ed Trefzger
MUSIC EDITOR
Tad Hendrickson
CONTRIBUTING EDITORS
Keith Zimmerman
Kent Zimmerman
CONTRIBUTING WRITER/
PHOTOGRAPHER
Tom Mallison
PHOTOGRAPHY
Barry Solof
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T
he recent news about Michael Brecker’s illness hit
pretty close to home for me. My father was diagnosed with Myelodysplastic Syndrome (MDS) in
February, 2002.
Unlike Michael, though, my father, at age 68, was too
old for doctors to pursue the treatment of chemotherapy and a bone marrow transplant that Michael is getting. And although treatment had helped him, my Dad
passed away unexpectedly in April 2004 of related causes.
Even though it has been not much more than a year since
his passing, some of the treatment that is now available
wasn’t even around then. The Myelodysplastic Syndromes
Foundation (mds-foundation.org) supports research and
patient information, and I highly recommend them as a
charitable cause.
Meanwhile, I’m including Michael’s speedy recovery
in my prayers, and I hope you will keep him in whatever
form you find solace.
On page 4, there is information about how to send
wishes to Michael, and I hope you’ll pass that information along.
– Ed Trefzger, Editor
JazzWeek (ISSN 1554-4338)
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Copyright ©2005
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jazzweek.com • July 20, 2005
JazzWeek
2
Contents
July 20, 2005
4
11
19
25
News . . . . . . . . . . . . . . . . . . . . . .
Saxophonist Michael Brecker Battling Rare Blood Disorder . . .
Joe Harnell, Pianist and Arranger, 80 . . . . . . . . . . . .
Simpson Tapped At Berklee . . . . . . . . . . . . . . .
Weindorf Leaves Verve for Narada . . . . . . . . . . . . .
KSJS Celebrates Station of Year Award . . . . . . . . . . .
The Dashows Hit the Stage in NYC . . . . . . . . . . . . .
Denver’s KUVO Plays Host to Jazz Guests During Anniversary Year
Birthdays . . . . . . . . . . . . . . . . . . . . . .
Features
Metheny in Montréal . . . . . . . . . . . . . . . . . .
Q&A: André Ménard . . . . . . . . . . . . . . . . . .
Reviews and Picks . . . . . . . . . . . . . . . . . . .
David Gibson. . . . . . . . . . . . . . . . . . . .
Erik Truffaz . . . . . . . . . . . . . . . . . . . .
Garage A Trois . . . . . . . . . . . . . . . . . . .
Editors’ Picks . . . . . . . . . . . . . . . . . . .
Jazz Charts . . . . . . . . . . . . . . . . . .
Jazz Album Chart . . . . . . . . . . . . . . . . . . .
Jazz Add Dates . . . . . . . . . . . . . . . . . . . .
Jazz Current CDs . . . . . . . . . . . . . . . . . . .
Jazz Radio Panel . . . . . . . . . . . . . . . . . . .
Smooth Jazz Charts . . . . . . . . . . . . .
Smooth Album Chart . . . . . . . . . . . . . . . . . .
Smooth Singles Chart . . . . . . . . . . . . . . . . . .
Smooth Current CDs . . . . . . . . . . . . . . . . . .
Smooth Radio Panel . . . . . . . . . . . . . . . . . .
Classifieds . . . . . . . . . . . . . . . . . . .
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Cover photo: Pat Metheny and Gary Burton at Festival
International de Jazz de Montréal by Denis Alix.
JazzWeek
Volume 1 Issue 34
jazzweek.com • July 20, 2005
JazzWeek
3
News
Saxophonist Michael Brecker
Battling Rare Blood Disorder
S
axophonist Michael Brecker is
being treated for the rare blood
disorder myelodysplastic syndrome (MDS), and has cancelled tour
appearances for the forseeable future
while he receives treatment. Brecker,
56, was to have been on tour with a
reunion of Steps Ahead this summer,
but wanting the tour to continue, he
tapped Bill Evans to take his place.
MDS is a bone marrow disease in
which red and white blood cells and
platelets fail to form fully, causing a
drop in mature cells in the circulatory
system. A relatively rare disease, MDS
is diagnosed in 7,000 to 12,000 patients in the United States each year.
While no specific cause of the disease has been discovered, scientists belive exposure to chemicals or radiation
may be a factor. Research and clinical
trials of treatments are taking place at
centers of excellence around the world,
according to the Myelodysplastic Syndromes Foundation.
Brecker has received one round of
chemotherapy and is due to receive another round and a bone marrow transplant in three weeks.
One of the most influential tenor
saxophonists of his generation, Brecker
started in R&B and rock before moving to New York in 1969, where he was
part of the fusion group Dreams.
Brecker performed with Horace
jazzweek.com • July 20, 2005
Silver and Billy Cobham in the early
seventies and in that decade formed
the Brecker Brothers with his brother,
trumpeter Randy Brecker.
In the 1980s, he pioneered the
EWI, or Electronic Wind Instrument,
and in the 70s and 80s was in demand
as a studio musician.
Brecker’s most recent album,
Wide Angles, was released last year on
Verve.
According to brother Randy, doctors are very positive about his brother’s treatment. Those wishing to pass
along encouragment and well wishes to
Michael Brecker may do so by sending
cards in care of Memorial Sloan-Kettering Cancer Center, 1275 York Ave,
New York, NY 10021, or by emailing
[email protected]. JW
Michael Brecker
Joe Harnell, Pianist and Arranger, 80
Grammy-winning pianist, arranger and conductor, Joe Harnell, died
Thursday, July 14, in Southern California. He was 80.
A graduate of the University of
Miami, Bronx-born Harnell began his
study of jazz piano as a young teenager.
After enlisting in the Army in
World War II, Harnell joined Glenn
Miller’s Air Force Band.
After the war, Harnell studied
composition with Aaron Copeland.
He also worked as an accompanist and
music director with several singers, including Frank Sinatra, Shirley MacLaine, Marlene Dietrich, Pearl Bailey, Judy Garland, Lena Horne, and
Beverly Sills, and with Peggy Lee in
the late 1950s and early ’60s. From
1967 to 1973, Harnell was the musical director for the “The Mike Douglas Show.”
Harnell wrote music for several
television programs and was nominated for many Emmy Awards. JW
JazzWeek
4
News
Simpson Tapped At Berklee
BOSTON, July 13 – Berklee College of Music President
Roger H. Brown has appointed of Dr. Lawrence J. Simpson
to the newly-created position of Senior Vice President for
Academic Affairs at the college. At Berklee, Simpson will
lead and oversee the academic initiatives of the college, including curriculum, faculty, and all areas directly related to
teaching and learning. He joins the college on August 22.
Simpson comes to Berklee from Cleveland, Ohio,
where he has been president and
chief academic officer of Cuyahoga
Community College’s Metropolitan Campus for the past year, and
headed the Eastern Campus for the
past eleven years. At Tri-C he has
been responsible for the growth and
excellence of the college’s arts and
cultural programs, including the
nationally recognized Tri-C Jazz
Festival-Cleveland.
“Dr. Simpson is an experienced
Simpson
academic leader, a cultural activist,
and a builder of community, who has also helped to create one of the great American jazz festivals,” said Brown.
“Berklee has known Tri-C for many years through our articulation agreement with them, their excellent Jazz Studies Program, and the jazz festival, so we know the commitment to quality Larry engenders in an institution.”
“Being at Berklee will allow me to combine my twin
passions: higher education and music,” said Dr. Simpson.
“I’m thrilled, and feel quite privileged to have this opportunity.”
Simpson has written and photographed for Down Beat,
JazzTimes, and the Jazz Education Journal, and since 1993
has served on a variety of panels for the National Endowment for the Arts. He received his undergraduate degree
from Kent State University, and his Ph.D. from the University of Pittsburgh, in social psychology.
Weindorf Leaves Verve for Narada
After eight years with Verve Music Group, Jazz/AAA/
Blues promo executive Jill Weindorf has left to become the
as Director, National Press & Promotion for Narada/Back
Porch/Higher Octave/Real World. Weindorf ’s last day at
VMG was Friday, July 15, and she began her new gig as
of Monday, July 18. Announcing her departure, Weindorf
wrote, “I honestly believe in my tenure with Verve that I
have worked with more talented and special people than the
average person might in an entire lifetime.”
jazzweek.com • July 20, 2005
JazzWeek
5
News
KSJS Celebrates Station of Year Award
The staff at student-run KSJS, San Jose
State University, celebrated its award for
Station of the Year, Medium Markets, which
music director Dr. Brad Stone accepted at
this year’s JazzWeek Summit. Kneeling,
(left to right): Nick Martinez, KSJS General
Manager (holding 2005 Award). Kareem
Guillbeaux, Sports Director and Substitute
On-Air Host, Kevin Foley Ariente, Asst.
Music Director for Blues and On-Air Host,
Brad Stone, Music Director, Faculty Advisor
and On-Air Host (holding 2003 Award).
Standing, Gerald Andag, Blues Music
Assistant, Paul Kauppila, Substitute OnAir Host, Nick Mikulka, Program Director,
Carlos Torres, Jazz Music Assistant
and On-Air Host, Steve Metzger, Karen
Gentile, On-Air Hosts, Mike Schwartz, OnAir Host and Interview Coordinator, Tracy
McGreevy, Jazz Music Assistant and OnAir Host. Absent: Ramon Johnson, On-Air
Host and Public Affairs Director.
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jazzweek.com • July 20, 2005
JazzWeek
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News
The Dashows Hit the Stage in NYC
NEW YORK, July 15 – Lifetime Television communications maven Gary
Morgenstein’s powerful and timely play Ponzi Man premieres as one
of the centerpieces of the 9th Annual
New York International Fringe Festival’s opening weekend on Saturday,
August 13.
Ponzi Man, which explores the explosive issue of white collar crime and
its life-altering effects on an upperclass Jewish family in New Jersey, stars
popular New York radio personalities/
actors Jane Purcell Dashow and Ken
Dashow, marking the first time this
husband and wife have appeared together on
stage.
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Along with the Saturday, August 13 at 2:15 p.m. premiere, performances include a coveted slot during
the Festival’s final weekend. All shows
will be at the historic Connelly Theatre on East 4th Street.
Marking the 14th production of the
critically-acclaimed theatre company
Woman Seeking ... (Artistic and Creative Directors Christine Mosere and
Laurie Marvald), the ‘Rosen’ family
in Ponzi Man implodes when the fairhaired son, entrusted with the business,
brings them to financial and emotional ruin. Caught in a vortex among her
strong-willed daughters, ageing husband and desperate son, the powerful
matriarch fights to save her family, as
well as their powerful real estate development company, as it all unravels,
secret by dirty secret, on Thanksgiving night.
New York radio veteran DJ Ken
Dashow is the No. 1 afternoon drivetime host on Q104.3, New York’s
Only Classic Rock Station (and longtime NY stage & film actor), while
Jane Purcell Dashow was radio announcer from WNEW’s vintage days
and owner of independent jazz promotion company Jazzzdog Promotions.
The husband and wife team have been
acting and entertaining New Yorkers
for over 20 years. JW
The Dr. Jazz Test For
“Promotionitis”
Do you suffer from these symptoms?
Tighness of Budget
Distributor Complications
Depressed Sales
Air Play Rejection
Elevated Blood Pressure or Ulcers
call Dr. Jazz immediately
If you answer yes to any of the above,
800-955-4375
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jazzweek.com • July 20, 2005
JazzWeek
8
News
Denver’s KUVO Plays Host to Jazz Guests During Anniversary Year
The last two weeks in June were busy
ones for KUVO, Denver, as the station
celebrates its 20th anniversary and the
2005 JazzWeek Award for major market
station of the year. Visiting the station
during that time were John Scofield, Curtis
Fuller, Terence Blanchard, David “Fathead”
Newman and Hugh Masekela. (Photos
submitted by KUVO.)
Blue Note recording artist Terence Blanchard with midday host Rodney Franks.
Mid-morning host Susan Gatschet-Reese with
Verve recording artist John Scofield.
Music director Arturo Gómez with HighNote recording artist David “Fathead” Newman.
Legendary trombonist and Savant recording
artist Curtis Fuller with substitute drive-time
host Steve Stalze.
jazzweek.com • July 20, 2005
“Scotty,” host of Sunday’s “Origin in Rhythm” program with Heads Up recording artist
Hugh Masekela.
JazzWeek
9
News
Birthdays
July 20
Ernie Wilkins (1922)
Charles Tyler (1941)
July 21
Omer Simeon (1902)
Billy Taylor (1921)
Helen Merrill (1930)
Sonny Clark (1931)
Plas Johnson (1931)
July 22
Al Haig (1924)
Bill Perkins (1924)
Junior Cook (1934)
Don Patterson (1936)
Al Di Meola (1954)
Joshua Breakstone (1955)
July 23
Richie Kamuca (1930)
Steve Lacy (1934)
Khan Jamal (1946)
L Subramaniam (1947)
Loren Schoenberg (1958)
July 24
Charles McPherson (1939)
Jon Faddis (1953)
July 25
Johnny Hodges (1907)
Don Ellis (1934)
jazzweek.com • July 20, 2005
July 26
Erskine Hawkins (1914)
Louie Bellson (1924)
Charlie Persip (1929)
Joanne Brackeen (1938)
July 28
Delfeayo Marsalis (1965)
July 29
Charlie Christian (1916)
July 30
James Spaulding (1937)
David Sanborn (1945)
July 31
Roy Milton (1907)
Hank Jones (1918)
Kenny Burrell (1931)
Gap Mangione (1938)
Stanley Jordan (1959)
August 2
Nana Vasconcelos (1944)
August 3
Lawrence Brown (1907)
Charlie Shavers (1917)
Eddie Jefferson (1918)
Tony Bennett (1926)
Ray Draper (1940)
Roscoe Mitchell (1940)
Greg Osby (1960)
August 4
Louis Armstrong (1901)
Herb Ellis (1921)
Sonny Simmons (1933)
August 5
Red Nichols (1905)
August 6
Luis Russell (1902)
Buddy Collette (1921)
Abbey Lincoln (1930)
Dorothy Ashby (1932)
Roberto Baden-Powell (1936)
Charlie Haden (1937)
Byard Lancaster (1942)
August 7
Idrees Sulieman (1923)
Rahsaan Roland Kirk (1936)
George Bohanon (1937)
Howard Johnson (1941)
August 8
Lucky Millinder (1900)
Benny Carter (1907)
August 9
Jack Dejohnette (1942)
August 10
Claude Thornhill (1909)
Arnett Cobb (1918)
Chuck Israels (1936)
Michael Mantler (1943)
August 11
Jess Stacy (1904)
Russell Procope (1908)
Peter King (1940)
August 12
Earl Coleman (1925)
Pat Metheny (1954)
JazzWeek
10
Festivals
Metheny in
Montréal
J.F. LeBlanc/Festival De Jazz De Montréal
J
by Tad Hendrickson
azz Festivals are ubiquitous around the globe during the summer months.
There’s the granddaddy of them all in Newport and the JVC New York as
well as Umbria, Montreux and North Sea in Europe, but the festival in
Montréal stands equal if not above any of these. The two-week event runs each
summer from late-June to mid-July, attracting nearly two million festival goers
annually.
I spent three days up there and it was almost too much of a good thing.
Shows starting at 6 p.m. and running till well past midnight at 10 outdoor stages and 10 clubs that were all within a few blocks of each other. The trick was
often how to try to be two places at once. It wasn’t possible, but I wasn’t disappointed either.
The festival highlight had to be Pat Metheny. He played six shows in four
nights in different configurations that served as both a career overview and perhaps spurred some ideas of recording projects for the future. I caught few of
these sets and a week later, they still stand out.
One thing that was remarkable about this series was the enthusiasm of
Metheny himself – he seemed to love every minute of it, whether jamming with
Meshell Ndegeocello and her bandmates or playing with little-known Boston
legend Mick Goodrick. He smiled constantly as he watched others play and was
effusive in his praise of them. It truly was remarkable to see him leading band
continued ...
jazzweek.com • July 20, 2005
JazzWeek
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Metheny in Montréal (continued)
after band through completely different sets of music and it left one to wonder
when (between rehearsals and performances) he found time to sleep. You know
his guitar tech didn’t, having to move his arsenal of guitars and the giant amp/
effects/speaker rig from room to room around the festival site.
J.F. LeBlanc/Festival De Jazz De Montréal
Pat Metheny plays a set evocative of his 80/81 album. Metheny (left) is joined by drummer Matt Wilson, tenor saxophonist Dewey Redman, and bassist John Menegon.
A highlight for me was seeing Metheny with Dewey Redman in a revamped
lineup from Metheny’s landmark 80/81 album. Also featuring drummer Matt
Wilson and bassist John Menegon (who are in Redman’s regular trio), the four
played a challenging set that mixed classic avant-garde jazz, Ornette Coleman
style blues and some delicate balladry. Redman has been an overshadowed figure in jazz because of his early affiliations with Coleman and Keith Jarrett and
now because of the popularity of his son, but he was nevertheless in full flight
on this night. As unflappable as Joe Henderson as he stood there, Redman ofcontinued ...
jazzweek.com • July 20, 2005
JazzWeek
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Metheny in Montréal (continued)
fered up fiery blues and soulful jazz. Wilson and Menegon were equal to the task
of keeping up to the saxophonist and guitarist, with Wilson getting some loud
applause for his solos. Again, Metheny played with his head down, only looking up to smile at the playing of the others. That it was in the small 425 capacity
Gesu-Centro de Creativite theater only made it all the more special.
Following this quartet was a duo with Metheny and guitarist Mick Goodrick. Prior to and during their shared tenure in Gary Burton’s mid-70s band,
the two guitarists did an occasional show in Boston together as a duo. Guitar
geeks flocked to it, causing lines around the block. There were guitar geeks at
this show too, but there was also a broad survey of people young and old that
stayed till the end of the set, which was around 1:30 in the morning. Seldom
stopping, and often cruising along at
a good pace, the two guitarists played
a few standards and Jobim’s “Wave.”
Metheny on hollow body electric had
a mellow round tone. Goodrick’s modern solid body had a nice jazz tone too,
definitely proving that looks and technology can be deceiving. As excellent as
Metheny played though, Goodrick was
fascinating to watch as he finger picked
with all five fingers, sometimes utilizing an effect, but typically creating a
rainbow of colors and textures just from
hitting the strings in different ways. It
was the first time the two played together outside Boston and if they ever
do it again, it’s a highly recommended
gig to catch.
Denis Alix/Festival De Jazz De Montréal
More well known is the duo of
The Pat Metheny Group performs at Theatre Maisonneuve during the 2005 Festival De
Metheny and Charlie Haden, who reJazz De Montréal.
visited their folky Beyond The Missouri
Sky album from 1997. Metheny opened for himself by playing a few songs from
his solo acoustic One Quiet Night. Then came the duo.
The two’s easy chemistry filled the large Theatre Maisonneuve on Thursday, July 7. The two stuck to the script they wrote with the album. The set lasted
nearly two hours and the audience was as close to silent as one could expect from
a room this size (1458 people). Even though Haden was reading as he played
(which is a pet peeve of mine—it’s jazz after all), his soloing was exceptional –
this was only heightened by the fact that sound quality was excellent with his
bass sound coming through clearly and distinctly. Metheny was his usual dazzling self on a variety of acoustic guitars, taking lengthier solos. Nonetheless,
the two never lost their sense of swing as they went. JW
jazzweek.com • July 20, 2005
JazzWeek
13
Q&A: André Ménard, Co-Founder
and Artistic Director of Montréal
Jazzfest, President and Artistic
Director of Couleur Jazz 91.9 FM
T
hose who were in Montréal for the jazz festival likely came
across André Ménard. He seemed to be everywhere, checking
out everything and directing traffic as he did it. Even though
he was immersed in the details of being one of the head honchos
of the festival, Menard also took time for his new gig as the 4 p.m.
to 6 p.m. drive time DJ for Couleur Jazz 91.9, which is a new commercial jazz station in Montréal with a 5000-watt signal. JazzWeek
sat down with him for a few minutes to chat about his new job and
his older one.
– Tad Hendrickson
JW: You’ve branched out into radio. Is this a new thing for you?
AM: After 25 years with the festival we now do this too. It was actually a few
years in the making because radio licenses are hard to get up here, especially
in Montréal where the airwaves are so busy. So it took a while to locate a frequency and for them to decide that they could let it go. There were some meetings, but we got off pretty easy because the festival has such a strong showing
up here.
How has it been received?
We went on at Christmas and two weeks later we already had a 2 percent market share. We’re still waiting for the second results in August. There has been
a lot of interest because the radio in Montréal, at least on the French side, is
pretty well homogenized – they all offer the same kind of music and content.
So we came up with something fresh-- basically we play music, we don’t have
contests and things like that. The talk is pretty minimal, but it’s intelligent talk
and we announce the songs we play.
Do you have specialized programming?
No. We’re 70% jazz and blues. The rest can be pop and global music and things
like that. We don’t have any news hours or specialty shows because we prefer to have everything in the flow all day. As long as this works, we’re going to
keep it that way.
What’s the wattage?
That’s the sore spot. Only 5000 at this point because we are the first station to
continued ...
jazzweek.com • July 20, 2005
JazzWeek
14
Q&A: André Ménard (continued)
be within three points of another station. They want to see how it works before
they give us more. We’ll be requesting a stronger signal soon.
How far does it go?
We cover most of the island of Montréal as well as some of the suburbs. Our
reach is about two million people. The entire metro area is three million so we
want to reach those other people as well. That’s what we’ll be working with the
authorities on over the next year.
“With a festival
you can program
whatever you want
and people will go to
different things that
they like. On radio,
you have to try and
satisfy everyone and
then your mom.”
How do you like the afternoon drive slot?
I’ve never hosted a radio show before in my life. But the
partners wanted a high profile person for that slot, which
would me. I guess you’d call me an interested amateur.
[laughs] I’m sure I’m not a professional, but it seems like
it’s doing the job.
What’s the difference between programming for festival and radio?
With a festival you can program whatever you want and
people will go to different things that they like. On radio,
you have to try and satisfy everyone and then your mom.
This means that the things you play have to have as broad
of an appeal as possible without cutting off the rough edges. It’s a challenge that I appreciate.
André Ménard
What are some big artists for you at the station?
Obviously we have the Canadian content rule, so that means we have to look
very deeply into the Canadian catalog. Diana Krall for sure. Michael Bublé to
a certain extent. He cross over so much that if we want to distinguish ourselves
from other stations we have to be careful with him. He’s a huge crossover success in Canada. It’s hard to give you two or three names because we run the
gamut. For instance on my show, I go from Tom Waits to Bob Dylan to Ben
Webster. Right now we’re playing artists who are playing the festival, but we
have the same eclectic taste during the other times of year.
You mentioned the Canadian content issue. How else is Canadian radio different from U.S. radio?
We have a special license so we have to play 35 percent Canadian music. For
general licenses you have to play 65 percent French or Francophone content.
That’s two out of three songs. It’s been very successful. We’re trying to do
something different than that to distinguish ourselves.
Running a festival would seem to be enough, yet you went and started a station.
jazzweek.com • July 20, 2005
We also run three concert halls in Montréal too. We’re actually a large company – we have 360 employees year round. In the U.S. they would call us a major.
continued ...
JazzWeek
15
Q&A: André Ménard (continued)
Here it is a big family. I wasn’t looking for a job, but I’ve always fled boredom
in my life. I’m not bored right now. Also, over the last 10 years I’ve been more
of a bureaucrat and the radio thing forces me to get out of my office. I show
up to the station with my bag of CDs just like the kid on a college campus. It
forces me listen to a lot of music and to be selective about it. It’s funny because
radio has brought me back to why I was doing the festival in the first place,
which was that I was fascinated or obsessed with music. If I have to listen to
more music, I sure don’t mind. Hooray for me.
You didn’t grow up in a house where jazz was played. What was your entre to
the music?
I started getting serious about music when I was 15 or 16, and the people
around then were electric Miles Davis and John McLaughlin, so that was my
introduction to jazz. I was pretty much into rock ’n’ roll, but we’d play that
music and we’d play rock ’n’ roll. We didn’t really think of it as jazz. It was
more like: I like this record that happens to be John McLaughlin and people
like that. Same with the blues world, Cream and bands like that. Then I found
out about the roots of the music later.
So what are some of your highlights from this year?
I’ve been fond of Zakir Hussain forever and his four nights here were out of
this world. Even though I’m biased, he still surprised me with the level of his
playing and interaction. It was really so strong and so beautiful. On the last
night with John McLaughlin, it made me cry. Obviously I also have a soft spot
for John. I think Pat Metheny is on his way to achieving grandeur. This guy is
driven by I don’t know what. Sonny Rollins was a good show.
Was there any let down this year after last year’s 25th anniversary?
To tell you the truth, we always program as if it’s the last year we’re going to
do it. There were more outdoor events last year, but the indoor programming
this year was just as good as last year. Day by day, I’ve seen great performances.
What do you look for in the performers when you are booking?
We get very involved with promoting the festival and we want performers that
are equally excited about playing it. The public is excited and they are knowledgeable, so a routine performance will get a routine reaction. So when they go
out of the way, and we supply them with ability to do that if they want special
guests. We also provide them with nice concert halls with great sound systems
and sight lines. I think we’ve really tried to make it the best we have to offer
by us and the city and it’s up to them to show us that they aren’t here just to go
through the routine. To try and do something special. People who have been
doing the same show for four years – we tend to not bring them back. Those
going through constant evolution, we’ll bring them back every year.
Such as Pat Metheny playing with everyone?
Pat is the ultimate example of this. JW
jazzweek.com • July 20, 2005
JazzWeek
16
Reviews and Picks
music. Here he’s backed with his Ladyland Quartet, which
last appeared on 2002’s well-received Mantis. His horn
The Path To Delphi (Nagel Heyer)
playing is definitely out of Miles Davis’s less-is-more school
TO READ THE song titles of The Path To Delphi, you’d think of soloing, often
that trombonist David Gibson has a thing for Greek my- choosing slow methology. But to hear the music on The Path is to hear a play- lodic lines that float
(with the help of efer immersed in the
fects sometimes) over
work of creation,
a bed of jittery drum
jazz creation that is.
‘n’ bass rhythms,
Gibson’s second alelectric grooves and
bum as a leader feaa bit of ambient
tures nine bebop
world music filigree.
into post-bop origiSometimes that band
nals that recall clasopens things up with
sic straight-ahead
slow dubby grooves
jazz of the ’60s. For(“Dubophone”) while other times adding a hip-hop (“Big
tunately the sexWheel”) or a Middle Eastern slant (title track). Taking a
tet (which actually
jazz musician’s approach to it all, Truffaz has found a way
performs as a quintet with Randy Brecker on horn and Wayne Escoffrey on to beautifully and skillfully integrate a myriad of styles and
soprano sax alternating duties) keeps the music from be- sounds into one clear portrait. Fact is, no one does it better.
ing musty – solos are tasteful and not particularly long as – Tad Hendrickson
they move the material forward. Brecker catches fire on the
Contact: Groov Marketing
beautiful “Persephone” while everyone sizzles on “Eidolon.” Phone: (877) GROOV 32
Eschewing bombast for delicacy, Gibson himself sounds Email: [email protected]
great as he adds dancing nuance and subtlety each time Release Date: July 26
he picks up the horn, particularly on closer “Prometheus’s Add Date: July 25
Peace.” Other highlights include the strong group interplay
on the jaunty title track and the ballad “Hestia’s Egress.” Garage A Trois
– Tad Hendrickson
David Gibson
Contact: Tom Mallison
Email: [email protected]
Release Date: July 2005
Add Date: Going for adds now
Erik Truffaz
Soloua (Blue Note)
TRUMPETER ERIK TRUFFAZ has made quite the splash in
Europe and amongst young audiences here in the U.S. with
his intelligent mix of traditional jazz and modern electronic
jazzweek.com • July 20, 2005
Outre Mer (Telarc)
IT’S FITTING THAT this all-star groove project with the
French name would write music for a French film. Featuring guitarist Charlie Hunter, saxophonist Skerik, vibraphonist Matt Dillon and drummer Stanton Moore, the
foursome have played together on and off over the years and
recorded one album previously. Recorded live in the studio,
the soundtrack (which features full-length songs) offers the
band a chance to shed their uber-funk-jazz-groove sound in
favor of a sound that is more acoustic and subtle. Perhaps
continued ...
JazzWeek
17
Reviews and Picks
Garage A Trois (continued)
because the players’
job is to not overshadow the music,
no one is swinging
for the fences here,
and that creates a
noir-ish vibe that
will be idea for evening programming –
dark and moody, but
hardly sleepy. Highlights include the playful “Merpati,” the hypnotic groovin’
“Outre Mer” and the soulful “The Dream.”
– Tad Hendrickson
Contact: Vikki Rzepka
Phone: (216)204987A01
464-2313 ext. 228
Email: [email protected]
Release Date: July 26
Add Date: July 25
get
history
buff.
jazzweek.com • July 20, 2005
NOTE TO PUB: DO NOT PRINT INFO BELOW, FOR ID ONLY. NO ALTERING OF AD COUNCIL PSAs.
Editors’ Picks
Clayton-Hamilton Jazz Orchestra Live at MCG (MCG/Heads
Up)
Jazz radio loves a big band record, as is evidenced by the
meteoric rise on the chart of this release. With everything from
barnburners like Sonny Stitt’s “Eternal Triangle” to the sweetly
mellow “Nature Boy” with John Clayton’s bowed bass, the
CHJO displays both the bombast and tenderness possible from
a large ensemble. Horace Silver’s “Jody Grind,” “Squatty Roo”
by Johnny Hodges, and Monk’s “Evidence” with solos from four
members of the trumpet section are also highlights.
Vince Seneri Street Talk (Senful)
Philly has been the spawning ground of many fine jazz
organists, and you can include Seneri on that list. While much of
the CD delves into familiar soul jazz territory, it does it very well,
particularly with veteran tenor men David “Fathead” Newman
(including on “Unchain My Heart”) and Houston Person. But
Seneri expands beyond the traditional organ jazz sound with
tracks like the Latin take on “Softly As In A Morning Sunrise”
and “Reccato Bossanova” with flutist Dave Valentin. Street Talk
pays homage to the organ jazz tradition, but is a little more
insistent and a little less laid back than is often the case.
Chris McNulty Dance Delicioso (Elefant Dreams)
Australian-born vocalist, composer, and arranger Chris McNulty
has delivered a satisfying new CD that does something
I appreciate in vocal records: it includes interesting new
repertoire. McNulty combines her own fine compositions
with interesting choices, like Annie Lennox’s “Primitive” and
the traditional “He Moved Through the Fair,” plus a couple of
standards. Co-produced by Paul Bollenback and McNulty, and
including a who’s who of musicians, Dance Delicioso should find
favor with even the most persnickety of music directors.
Dave Peck Good Road (Let’s Play Stella)
The latest CD from the trio of pianist Dave Peck, bassist Jeff
Johnson, and drummer Joe LaBarbera is exquisite. Deep and
evocative but swinging, the album is a beautiful example of
the subtlety and synergy possible in a classic trio. All seven
standards and Peck’s original “The First Song of Spring” are
highly recommended.
Denny Zeitlin Solo Voyage (MAXJAZZ)
Zeitlin’s Solo Voyage takes us a little beyond the typical solo
piano album. While he swings his way adeptly through some
standards and his own compositions and free improvisations,
he also detours into some interesting territory accompanying
himself on the synthesizer in a suite called “Solo Voyage,”
arranged for his friend Bill Young, who was in his last days
after battling cancer. The synthesized passages may not work
for some jazz stations, although most of them are sweet and
sensitive. But many solo piano pieces will work, and there
should be room for some of the more adventurous electronic
tunes on late night or specialty programs.
– compiled by Ed Trefzger
JazzWeek
18
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JazzWeek
19
NOTE TO PUB: DO NOT PRINT INFO BELOW, FOR ID ONLY. NO ALTERING OF AD C
Jazz Radio
Ahmad Jamal’s After Fajr Is Week’s Top Album
Vince Seneri’s Street Talk Is Most Added on 22 Stations
A
Ahmad Jamal’s After Fajr (Dreyfus Jazz) tops this
week’s Jazz Album Chart.
Mulgrew Miller had the biggest jump in spins
with his MAXJAZZ CD Live at Yoshi’s Volume Two.
jazzweek.com • July 20, 2005
hmad Jamal’s After Fajr (Dreyfus Jazz)
is No. 1 on this week’s JazzWeek Jazz
Album Chart in its fourth week, with
airplay on 51 stations, bumping David Hazeltine’s Modern Standards (Sharp Nine) to
No. 2.
Vince Seneri’s Street Talk (Senful Records) was Most Added with 22 new stations.
Seeing the biggest leap in airplay was
Mulgrew Miller’s MAXJAZZ CD, Live at
Yoshi’s Vol. 2 which picked up 91 spins, added 21 stations, and debuted at No. 43.
Jazz Album Charts
p. 21
Jazz Add Dates
p. 22
Jazz Current CDs
p. 23
Jazz Radio Panel
p. 29
JazzWeek 20
JazzWeek Jazz Album Chart
July 20, 2005
TW
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
25
27
28
29
30
LW
11
1
9
3
5
4
6
10
8
7
13
12
2
27
14
31
26
28
19
16
15
18
20
23
17
25
35
22
NR
NR
2W Peak Artist
12
1 Ahmad Jamal
3
1 David Hazeltine
8
3 Joshua Redman Elastic Band
1
1 John Scofield
7
5 Terry Gibbs
11
4 Bill Charlap
4
4 Terence Blanchard
6
6 Eddie Palmieri
9
8 Freddy Cole
10
7 Sean Jones
18
11 Javon Jackson
5
1 Joe Lovano
2
2 Bill Cunliffe
28
14 City Rhythm Orchestra
13
5 Hank Jones
NR
16 The Clayton-Hamilton Jazz Orchestra
35
17 Dave Stryker
39
18 Mary Stallings
22
14 The Frank & Joe Show
29
16 Brian Lynch
14
3 Steve Hobbs
25
13 Dena DeRose
15
15 Cedar Walton
18
13 Dave Brubeck Quartet
20
8 Lizz Wright
30
22 Ron Blake
33
27 Arturo Sandoval
16
16 Peter Martin
17
1 Eldar
37
30 Harry Connick Jr.
Release
After Fajr
Modern Standards
Momentum
That’s What I Say: The Music of Ray Charles
Feelin’ Good: Live In Studio
Plays George Gershwin: The American Soul
Flow
Listen Here!
This Love Of Mine
Gemini
Have You Heard
Joyous Encounter
Imaginacion
Vibrant Tones
For My Father
Live At MCG
Big City
Remember Love
66 2/3
24/7
Spring Cycle
A Walk In The Park
Underground Memoirs
London Flat, London Sharp
Dreaming Wide Awake
Sonic Tonic
Live At The Blue Note
In The P.M.
Eldar
Occasion
30
32
32
34
35
NR
21
23
50
NR
NR
38
25
NR
27
30
21
3
34
27
Sammy Figueroa & His Latin Jazz Explosion
Roni Ben-Hur
Scott Hamilton/Bill Charlap Trio
Melvin Sparks
Miguel Zenon
... And Sammy Walked In
Signature
Back In New York
This Is It
Jibaro
36
37
38
39
39
41
42
43
43
45
46
47
48
49
50
32
38
30
33
35
34
42
37
NR
28
49
43
39
43
43
41
22
31
20
41
40
NR
36
NR
24
49
50
41
NR
46
30
1
7
4
33
10
42
25
43
10
20
43
17
43
43
Mingus Big Band/Orchestra/Dynasty
Gary Burton
Cheryl Bentyne
Curtis Fuller
Kathy Kosins
Vic Juris
Roger Kellaway
The Bill Holman Band
Mulgrew Miller
Marian McPartland & Friends
Dana Landry
Wayne Shorter
Luther Hughes
Lorraine Feather
The Bud Shank Quartet with Phil Woods
I Am Three
Next Generation
Let Me Off Uptown
Keep It Simple
Vintage
A Second Look
Remembering Bobby Darin
Live
Live At Yoshi’s: Vol. 2
85 Candles-Live In New York
Journey Home
Beyond The Sound Barrier
Cannonball-Coltrane
Dooji Wooji
Bouncing With Bud & Phil - Live At Yoshi’s
Increased Airplay
Most Added
Vince Seneri Street Talk (Senful Records)
Mulgrew Miller Live At Yoshi’s: Vol. 2 (MAXJAZZ)
Sammy Figueroa & His Latin Jazz Explosion
... And Sammy Walked In (Savant)
Dave Peck Good Road (LPS Records)
Pearl Django Chasing Shadows
(Modern Hot Records)
jazzweek.com • July 20, 2005
Label
Dreyfus Jazz
Sharp Nine
Nonesuch
Verve Music Group
Mack Avenue
Blue Note
Blue Note
Concord Jazz
HighNote
Mack Avenue
Palmetto
Blue Note
Torii Records
Limehouse Records
Justin Time
MCG Jazz
Mel Bay
Half Note Records
Hyena Records
Nagel Heyer
Random Chance
MAXJAZZ
HighNote
Telarc Jazz
Verve/Forecast
Mack Avenue
Half Note Records
MAXJAZZ
Sony Classical
Marsalis Music/ Rounder
Records
Savant
Reservoir
Concord Jazz
Savant
Marsalis Music/ Rounder
Records
Sunnyside
Concord Jazz
Telarc Jazz
Savant
Mahogany Jazz
Mel Bay
IPO Recordings
Jazzed Media
MAXJAZZ
Concord Jazz
Summit
Verve Music Group
Primrose Lane
Sanctuary
Capri
+22
+21
+15
+15
+11
Mulgrew Miller Live At Yoshi’s: Vol. 2 (MAXJAZZ)
Eldar Eldar (Sony Classical)
Harry Connick Jr. Occasion
(Marsalis Music/ Rounder Records)
Miguel Zenon Jibaro
(Marsalis Music/ Rounder Records)
City Rhythm Orchestra Vibrant Tones
(Limehouse Records)
airplay data
powered by
TP
259
254
246
239
238
236
231
230
227
212
206
196
187
181
179
160
154
151
149
148
143
142
136
133
127
127
125
121
118
113
LP
202
278
216
255
247
248
232
203
218
225
193
198
265
122
174
117
125
121
143
161
172
147
142
132
154
131
103
134
28
28
+/- Weeks Stations
57
4
51
-24
8
48
30
7
46
-16
11
48
-9
6
44
-12
3
47
-1
6
49
27
6
50
9
5
46
-13
6
42
13
5
44
-2
11
43
-78
9
44
59
5
39
5
8
40
43
2
32
29
3
39
30
8
39
6
6
38
-13
4
38
-29
11
29
-5
9
34
-6
5
45
1
8
41
-27
8
34
-4
9
33
22
8
36
-13
9
32
90
15
29
85
4
35
Adds
2
0
0
0
1
2
2
3
0
0
1
0
0
1
0
7
4
0
2
2
0
0
0
1
1
1
2
1
1
3
113 59 54
111 138 -27
111 132 -21
110 69 41
109 30 79
1
3
15
2
7
38
38
29
33
31
15
6
0
7
2
99
97
96
95
95
93
92
91
91
90
89
88
86
83
82
6
15
13
14
7
12
2
6
1
13
11
4
12
2
3
30
27
20
25
31
23
31
27
32
24
22
31
22
24
24
1
0
0
0
1
1
5
1
21
0
2
3
0
0
2
116
99
120
110
103
107
83
101
NR
121
71
81
92
81
81
-17
-2
-24
-15
-8
-14
9
-10
91
-31
18
7
-6
2
1
Chartbound
+91
+90
+85
+79
+59
Beaux J Poo Boo All Things Are New (Summit)
Paul Anka Rock Swings (Verve Music Group)
Afro-Latin Jazz Orchestra w/ Arturo O’Farrill Noche Inolvidable
(Palmetto)
Ted Howe Ellington (Summit)
Philip Catherine Meeting Colors (Dreyfus)
Pearl Django Chasing Shadows (Modern Hot Records)
Frank Mantooth Ladies Sing for Lovers (MCG/Heads Up)
The Mort Weiss Quartet The Four Of Us: Live At Steamers (SMS Jazz)
Mozayik Haitian Creole Jazz (Zoho Music)
Luciana Souza Duos II (Sunnyside)
All monitored airplay data is owned by Mediaguide, Inc. ©2005 Mediaguide, Inc.
JazzWeek
21
Jazz Radio Adds
Here are upcoming add dates for new releases, and add dates that have passed during the last few weeks. This listing was current as of press time.
June 1, 2005
July 5, 2005
Allen Won – The Jewel In The Lotus (Allen Won Records)
June 2, 2005
Celso Fonseca – Rive Gauche Rio (Six Degrees Records)
June 3, 2005
Marc Pompe – Nobody Else But Me (Kopaesthetics)
June 6, 2005
Barbara Montgomery – Trinity
Denise Donatelli – In The Company of Friends (Jazzed Media)
Kathy Kosins – Vintage (Mahogany Jazz)
Paul Anka – Rock Swings (Verve Records)
Lizz Wright – Dreaming Wide Awake (Verve Records)
The Frank and Joe Show – 66 2/3 (Hyena Records)
Mingus Big Band, Orchestra & Dynasty – I Am Three (Sunnyside/
Sue Mingus Music)
Rita Coolidge – And So Is Love (Concord Records)
Mozayik – Haitian Creole Jazz (Zoho Music)
June 13, 2005
James Carter – Out Of Nowhere (Half Note Records)
Will Calhoun – Native Lands (Half Note Records)
July 11, 2005
Dave Peck – Good Road (Lets Play Stella)
Pearl Django – Chasing Shadows (Modern Hot Records)
Cadwallader Asetta & Dixson – Quicker Than The Eye (Stanza USA
Music)
Chris McNulty – Dance Delicioso (Elefant Dreams)
The Clayton-Hamilton Jazz Orchestra – Live At MCG (MCG/Heads
Up)
July 18, 2005
Sherman Irby – Faith (Black Warrior Records)
Jim Self – Innerplay (Bassett Hound Music)
August 1, 2005
Nnenna Freelon – Blueprint of a Lady (Concord Records)
Poncho Sanchez – Do It! (Concord/Picante Records)
August 8, 2005
Wayne Shorter – Beyond The Sound Barrier (Verve Records)
City Rhythm Orchestra – Vibrant Tones (Limehouse Records)
Javon Jackson – Have You Heard (Palmetto Records)
Eddie Palmieri – Listen Here! (Concord Picante Records)
Frank Mantooth – Ladies Sing for Lovers (MCG/Heads Up)
Kevyn Lettau – Bye Bye Blackbird (MCG/Heads Up)
Roni Ben-Hur – Signature (Reservoir)
June 20, 2005
Ahmad Jamal – After Fajr (Birdology/Dreyfus Jazz)
Bud Shank Quartet with Phil Woods – Bouncing With Bud & Phil Live At Yoshi’s (Capri Records)
Organissimo – This Is The Place (Big “O” Records)
Tim Reis – Stones Project (Concord Records)
August 15, 2005
Bill Mays Trio – Live At Jazz Standard (Palmetto)
August 22, 2005
Joe Zawinul & The Zawinul Syndicate – Vienna Nights (BHM
Productions)
September 12, 2005
Maceo Parker – School’s In (BHM Productions)
June 27, 2005
Philip Catherine with Brussels Jazz Orchestra – Meeting Colours
(Dreyfus Jazz)
Mort Weiss – The Four Of Us (Sms Jazz)
Noah Baerman – Soul Force (Lemel Music)
Afro-Latin Jazz Orchestra with Arturo O’Farrill – Noché Inolvidable
(An Unforgettable Night) (Palmetto)
July 4, 2005
Elaine Dame – Comes Love (Blujazz)
Nick Bisesi – Gemini (Blujazz)
Note: JazzWeek industry subscribers may update this information online at jazzweek.com.
Add dates may also be submitted via email to [email protected].
jazzweek.com • July 20, 2005
JazzWeek 22
Jazz Radio Currents
Greg Abate
Afro-Latin Jazz Orchestra w/ Arturo
O’Farrill
Sandro Albert
Monty Alexander
Herb Alpert & The Tijuana Brass
Scott Amendola Band
Carl Amundson & The Modern
Guitar Quintet
Paul Anka
Babatunde Lea
The Bad Plus
Noah Baerman
Billy Bang
BeatleJazz
Beaux J Poo Boo
Roni Ben-Hur
The Marco Benevento/Joe Russo
Duo
Cheryl Bentyne
Daniel Benzali
Shelly Berg Trio
Jeff Berlin
Big Neighborhood
Nick Bisesi
Ron Blake
Terence Blanchard
Jane Ira Bloom
Bob Boguslaw & The Way
Salvatore Bonafede
Debby Boone
Chris Botti
Joe Bourne & The Gary Moran Trio
Ron Brendle Trio
Zach Brock & The Coffee Achievers
Brian Bromberg
Dave Brubeck Quartet
Jimmy Bruno
Michael Buble
Katie Bull
Anne Burnell
Gary Burton
Will Calhoun
Michel Camilo
Caribbean Jazz Project
Amanda Carr
James Carter Organ Trio
Philip Catherine
Bill Charlap
Corey Christiansen
City Rhythm Orchestra
Chiara Civello
The Clayton-Hamilton Jazz
Orchestra
Jeff Coffin
Anat Cohen
Avishai Cohen Trio & Ensemble
Freddy Cole
Collier & Dean
Ravi Coltrane
Paul Combs’ Pocket Big Band
Common Ground
Eric Comstock
Harry Connick Jr.
Rita Coolidge
Roz Corral
Chris Cortez
Matt Criscuolo
Bill Cunliffe
Elaine Dame
Lars Danielsson
Daria
Bobby Darin
Jo Ann Daugherty
Dave’s True Story
Orbert Davis
Joey DeFrancesco w/Jimmy Smith
Horace Is Here
Noche Inolvidable
Koko Jazz
Palmetto
The Color Of Things
Live At The Iridium
Lost Treasures
Believe
Guitarists
215 Records
Telarc Jazz
Shout Factory
Cryptogramophone
Blue Line Music
Rock Swings
Suite Unseen: Summoner of the
Ghost
Blunt Object: Live In Tokyo
Soul Force
Vietnam: Reflections
With A Little Help From Our Friends
All Things Are New
Signature
Reason to Buy the Sun
Verve Music Group
Motema
Let Me Off Uptown
Benzali
Blackbird
Lumpy Jazz
Neighbors
Gemini
Sonic Tonic
Flow
Like Silver, Like Song
Gabrielle’s Hand
Journey To Donnafugata
Reflections Of Rosemary
When I Fall In Love
Remembering Mr. Cole
Photograph
Chemistry
It’s About Time
London Flat, London Sharp
Solo
It’s Time
Love Spook
Blues In The Night
Next Generation
Native Lands
Solo
Here and Now: Live In Concert
Tender Trap
Out Of Nowhere
Meeting Colors
Plays George Gershwin: The
American Soul
Awakening
Vibrant Tones
Last Quarter Moon
Live At MCG
Telarc Jazz
Rio Kat
Concord Jazz
M.A.J. Records
Origin
Blujazz
Mack Avenue
Blue Note
Artist Share
Summit
CAM
Concord
Columbia
Jonaja
Lo Note
Secret Fort
Artistry
Telarc Jazz
Mel Bay
143 Records/Reprise
Corn Hill Indie
Spectrum Music
Concord Jazz
Half Note Records
Telarc Jazz
Concord Picante
Original Music
Half Note Records
Dreyfus
Blue Note
Bloom
Place & Time
At Home
This Love Of Mine
Duets
In Flux
Live At Chit Chat
High Voltage
No One Knows
Occasion
Compass
Anzic Records
Razdaz
HighNote
Origin Records
Savoy Jazz
Sea Breeze Jazz
Delmark
Harbinger Records
Marsalis Music/
Rounder Records
Concord
Blujazz
Blue Bamboo
Self-Produced
Torii Records
Blujazz
HighNote(ACT)
Jazz M Up
Concord Records
Blujazz
Be Pop Records
3 Sixteen
Concord Jazz
And So Is Love
Telling Tales
Mum Is The Word
Lotus Blossom
Imaginacion
Comes Love
Libera Me
Feel The Rhythm
Live At The Desert Inn
Range Of Motion
Nature
Blue Notes
Legacy
jazzweek.com • July 20, 2005
Sony
Lemel Music
Justin Time
Lightyear
Summit
Reservoir
Ropeadope
Mel Bay
Limehouse Records
Verve/Forecast
MCG Jazz
Jack DeJohnette & Foday Musa
Suso
Lea DeLaria
Dena DeRose
Tony DeSare
Stefano di Battista
Denise Donatelli
Armen Donelian
Bob Dorough
Dave Douglas
Mark Dresser
Catherine Dupuis
Martin Eagle & Friends
Kahil El’Zabar’s Ritual Trio
Eldar
John Ellis
Connie Evingson
Lorraine Feather
Dale Fielder
Amina Figarova
Sammy Figueroa & His Latin Jazz
Explosion
Celso Fonseca
Yves François
The Frank & Joe Show
Curtis Fuller
Tia Fuller
Garage a Trois
Terry Gibbs
David Gibson
Rosario Giuliani
John Goldman
Paul Grabowsky
Drew Gress
Onaje Allan Gumbs
Rigmor Gustafsson & The Jacky
Terrason Trio
Tord Gustavsen Trio
Michael Hackett
Dan Haerle Trio
Scott Hamilton/Bill Charlap Trio
Happy Apple
Roderick Harper
Gabriel Mark Hasselbach
David Hazeltine
Carol Heffler
Fred Hersch Ensemble
Hiroshima
Steve Hobbs
Dave Holland Big Band
The Bill Holman Band
The Hot Club of San Francisco
Ted Howe
Luther Hughes
Abdullah Ibrahim
Sherman Irby
Vijay Iyer
Javon Jackson
Christian Jacob
Ahmad Jamal
Khan Jamal
Keith Jarrett
Gordon Johnson
Randy Johnston
Hank Jones
Sean Jones
Vic Juris
Roger Kellaway
Music From The Hearts Of The
Golden Beam /
Masters
Kindred Rhythm
Double Standards
Telarc
A Walk In The Park
MAXJAZZ
Want You
Telarc
Blue Note
Parker’s Mood
Jazzed Media
In The Company of Friends
Full Moon Music: Grand Ideas, Vol. 3 Sunnyside
Sunday At Iridium
Arbors
Greenleaf Music
Mountain Passages
Time Changes
Cryptogramophone
The Rules of the Road
Bearheart Records
A Welcoming Beauty
Hawksnest
Delmark
Live at the River East Art Center
Eldar
Sony Classical
One Foot In The Swamp
Hyena Records
Gypsy In My Soul
Minnehaha Music
Dooji Wooji
Sanctuary
Baritone Sunride
Clarion Jazz
Munich Records
Come Escape With Me
... And Sammy Walked In
Savant
Rive Gauche Rio
Blues For Hawk
66 2/3
Keep It Simple
Pillar Of Strength
Outre Mer [Original Soundtrack]
Feelin’ Good: Live In Studio
The Path To Delphi
More Than Ever
In Walked Pierre
Tales Of Time & Space
7 Black Butterflys
Remember Their Innocence
Close To you
The Ground
Circles
Standard Procedure
Back In New York
The Peace Between Our Companies
The Essence Of...
Swingin’ Affair
Modern Standards
Exactly
Leaves Of Grass
Obon
Spring Cycle
Overtime
Live
Postcards From Gypsyland
Ellington
Cannonball-Coltrane
A Celebratiom
Faith
Reimagining
Have You Heard
Styne and Mine
After Fajr
Peace Warrior
Radiance
Trios Version 3.0
Is It You?
For My Father
Gemini
A Second Look
I Was There - Roger Kellaway Plays
From The Bobby Darin Songbook
Roger Kellaway
Remembering Bobby Darin
Calvin Keys
Calvinesque‘
Guillermo Klein
Una Nave
Kneebody
Kneebody
Ilona Knopfler
Live The Life
Cliff Korman and the Brazilian Tinge Migrations
Kathy Kosins
Vintage
Reed Kotler
Tomo
Benny Lackner Trio
Not The Same
Move
Bireli Lagrene & Gipsy Project
Journey Home
Dana Landry
Six Degrees
Delmark
Hyena Records
Savant
Wambutia
Telarc
Mack Avenue
Nagel Heyer
Dreyfus Jazz
Blujazz
Sanctuary
Premonition
Ejano
HighNote(ACT)
ECM
Summit
Blujazz
Concord Jazz
Sunnyside
RHM
Wind Tunnel
Sharp Nine
Peeka Records
Palmetto
Heads Up
Random Chance
Dare2/Sunnyside
Jazzed Media
Lost Wax Music
Summit
Primrose Lane
Enja/Justin Time
BWR
Savoy Jazz
Palmetto
WilderJazz
Dreyfus Jazz
Random Chance
ECM
Tonalities
HighNote
Justin Time
Mack Avenue
Mel Bay
IPO Recordings
IPO Recordings
Silverado Records
Sunnyside
Koch
Mack Avenue
Planet Arts
Mahogany Jazz
Torii Records
Nagel Heyer
Dreyfus Jazz
Summit
JazzWeek 23
Jazz Radio Currents
Michelle Latimer
Sara Lazarus
Nguyen Le Quartet
Bradley Leighton
Carolyn Leonhart
Jay Leonhart
Kevyn Lettau
Dave Liebman
Lincoln Center Jazz Orchestra
Charles Lloyd
Jeff Lorber
Los Hombres Calientes
Joe Lovano
Sylvain Luc
Brian Lynch
The Leslie Maclean Trio
Kevin Mahogany
Sings and Plays
Give Me The Simple Life
Walking On The Tiger‘s Tail
Just Doin‘ Our Thang
New 8th Day
Cool
Bye Bye Blackbird
Manhattan Dialogues
A Love Supreme
Jumping The Creek
Flipside
Vol 5: Carnival
Joyous Encounter
Ambre
24/7
That‘s Time Enough
Big Band
Frank Mantooth
Ladies Sing for Lovers
Thomas Marriott
Individuation
Veronica Martell
The Art Of Intimacy
Peter Martin
In The P.M.
Scott Martin
Menudo and Gritz
Will Martin
Morning
Hugh Masekela
Revival
Mark Masters Ensemble
Porgy & Bess Redefined!
Irvin Mayfield & The Orleans Jazz Strange Fruit
Orchestra
Kate McGarry
Mercy Streets
Chris McNulty
Dance Delicioso
Piano Jazz w/ Steely Dan
Marian McPartland
Marian McPartland & Friends
85 Candles-Live In New York
Charles McPherson w/ Strings
A Tribute To Charlie Parker
Pablo Mendendez
Havana Blues Mambo
Pat Metheny Group
The Way Up
Raul Midon
State of Mind
Marcus Miller
Silver Rain
Mulgrew Miller
Live At Yoshi’s: Vol. 2
Mingus Big Band/Orchestra/Dynasty I Am Three
Grachan Moncur III
Exploration
Think Of One
Monk’s Music Trio
Barbara Montgomery
Trinity
Jason Moran
Same Mother
Mozayik
Haitian Creole Jazz
Oliver Mtukudzi
Nhava
Myanna
One Never Knows
La Espade de la Noche
Ted Nash & Odeon
The Marty Nau Group
At The Bouquet Chorale
Jacqui Naylor
East/West Birdland - Yoshi’s
Meshell Ndegeocello presents The Dance Of The Infidel
Spirit Music Jamia
Shelley Neill
entree blue
Ed Neumeister Quartet
New Standards
Calvin Newborn
New Born
I Remember Brother Ray
David ‘Fathead’ Newman
Russ Nolan
Two Colors
Nouvelle Vague
Hod O’Brien
Live At Blues Alley: First Set
Live In Brooklyn
Arturo O’Farrill
Michael O’Neill
The Long And Short Of It
One More
Music of Thad Jones
Organissimo
This Is The Place
Listen Here!
Eddie Palmieri
Alan Pasqua
My New Old Friend
Energie
Jim Payne
Pearl Django
Chasing Shadows
Good Road
Dave Peck
Careless Love
Madeleine Peyroux
Enrico Pieranunzi (W/ Charlie
Special Encounter
Haden, Paul Motian)
Leslie Pintchik
So Glad To Be Here
John Pizzarelli
Knowing You
Marc Pompe
You Must Believe In Swing
Concerts
Michel Portal & Richard Galliano
The Devere Pride Trio
... As In A Morning Sunrise
Dafnis Prieto
About The Monks
Flora Purim
Flora’s Song
Nelson Rangell
My American Songbook Vol. 1
Joshua Redman Elastic Band
Momentum
Twana Rhodes
Thru The Night
jazzweek.com • July 20, 2005
Cool Note
Dreyfus Jazz
ACT
Pacific Coast Jazz
Sunnyside
Sons of Sound
MCG/Heads Up
Zoho Music
Palmetto
ECM
Narada Jazz
Basin Street
Blue Note
Dreyfus Jazz
Nagel Heyer
KippieJosh Jazz
Zebra Records/Mahogany Jazz
MCG/Heads Up
Origin
Apria
MAXJAZZ
SCM
Saguaro Beach
Heads Up
Capri
Basin Street
Palmetto
Elefant Dreams
Concord
Concord Jazz
Clarion Jazz
Zoho Music
Nonesuch
Manhattan Records
Koch Records
MAXJAZZ
Sunnyside
Capri
CMB Records
MMB
Blue Note
Zoho Music
Heads Up
Bridge Street Records
Palmetto
Summit
Ruby Records
Shanachie
Cobalt Blue
Meistero
Yellow Dog
HighNote
Rhinoceruss
Peacefrog
Reservoir
Zoho Music
Jazzmo
IPO Recordings
Big “O” Records
Concord Jazz
Cryptogramophone
Savant
Modern Hot Records
LPS Records
Rounder
CAM
Ambient
Telarc Jazz
Cadence Jazz
Dreyfus Jazz
The Davis Group
Zoho Music
Narada Jazz
Koch
Nonesuch
Nagel Heyer
Marc Ribot
Roditi / Ignatzek / Rassinfosse
Kurt Rosenwinkel
Kermit Ruffins
Sakesho
David Sanborn
Arturo Sandoval
Rebecca Sayre
Diane Schuur w/ Caribbean Jazz
Project
John Scofield
Spiritual Unity
Light In The Dark
Deep Song
Throwback
We Want You To Say
Closer
Live At The Blue Note
This Is Always
Schuur Fire
PI Recordings
Nagel Heyer
Verve Music Group
Basin Street
Heads Up
Verve Music Group
Half Note Records
Becca
Concord Records
Verve Music Group
Vince Seneri
Paul Serrato
SFJazz Collective
The Bud Shank Quartet with Phil
Woods
Shapes
That’s What I Say: The Music of Ray
Charles
Street Talk
Excursions
SFJazz Collective
Bouncing With Bud & Phil - Live At
Yoshi’s
The Big Picture
Avery Sharpe Trio
Woody Shaw
Wayne Shorter
Ben Sidran Quartet
Jeff ‘Siege’ Siegel
Herb Silverstein & Friends
Dragonfly
Live: Volume four
Beyond The Sound Barrier
Bumpin’ At The Sunside!
Magical Space
Beach Walker
Doctor Lonnie Smith
Too Damn Hot
Keely Smith
Vegas ‘58 - Today
Luciana Souza
Duos II
Melvin Sparks
This Is It
Remember Love
Mary Stallings
The Stamm/Soph Project
Live At Birdland NYC
Patches Stewart
Blow
Curtis Stigers
I Think It’s Going To Rain Today
Sonny Stitt
Work Done
Kevin Stout & Brian Booth
Tales Of The Tetons
Big City
Dave Stryker
Andy Summers
The X Tracks
Duke Of Uke
Bill Tapia
Seductivity
Times 4
Mel Torme, Gerry Mulligan & George The Classic Concert Live
Shearing
Dwight Trible
Living Water
Two Siberians
Out of Nowhere
Belinda Underwood
Underwood Uncurling
Various Artists
Various Artists
The Mike Vax Big Band
Steve Venz
The Chris Walden Big Band
Ken Walker Sextet
Cedar Walton
Doug Wamble
Wasilewski, Kurkiewicz &
Miskiewicz
Harry Watters
The Dave Weckl Band
Mark Weinstein
The Mort Weiss Quartet
Judy Wexler
Kenny Wheeler
Kenny Wheeler & John Taylor
Wesla Whitfield
Scott Whitfield Jazz Orchestra
Joe Williams
Abram Wilson
Allen Won Quartet
Phil Woods
Victor Wooten
Lizz Wright
Savina Yannatou & Primavera En
Solonico
Yellowjackets
Dave Young
Ruth Young
Rachel Z
Denny Zeitlin
Miguel Zenon
Senful Records
Graffiti Productions
Nonesuch
Capri
Burnin’ Down The
House Productions
JKNM
HighNote
Verve Music Group
Nardis
Consolidated Artists
Silvertunes Music
Productions
Palmetto
Concord
Sunnyside
Savant
Half Note Records
Jazzed Media
Koch
Concord Jazz
HighNote
Jazzed 5 Records
Mel Bay
Fuel 2000
Moon Room Records
Rhombus
Concord Jazz
Passin’ The Vibe
Heads Up
Cosmik Muse
Rekords
Blue Note Perfect Takes
Blue Note
Putumayo Presents: Swing Around Putumayo
the World
Next Stop - Live... On The Road
Summit
Scoop
Daal Jazz
Home Of My Heart
Origin Records
Terra Firma
Synergy Music
Underground Memoirs
HighNote
Marsalis Music/
Bluestate
Rounder Records
Trio
ECM
Out Of A Dream: Love Songs
Multiplicity
Algo Mas/Cuban Roots
The Four Of Us: Live At Steamers
Easy On The Heart
What Now?
Where Do We Go From Here?
In My Life
The Minute Game
Havin’ A Good Time!
Jazz Warrior
The Jewel In The Lotus
Groovin’ To Marty Paich
Soul Circus
Dreaming Wide Awake
Sumiglia
Summit
Stretch/Concord
Jazz Heads
SMS Jazz
Rhombus
CAM
CAM
HighNote
Summit
Hyena Records
Dune Records
Self-Produced
Jazzed Media
Vanguard
Verve/Forecast
ECM
Altered State
Mainly Mingus
This Is Always
Grace
Solo Voyage
Jibaro
Heads Up
Justin Time
Nagel Heyer
Chesky
MAXJAZZ
Marsalis Music/
Rounder Records
JazzWeek 24
Smooth Jazz Radio
Richard Elliot Tops Album and Singles Charts Again
Paul Brown Picks Up 27 Stations as Week’s Most Added
R
Richard Elliot has the top album, Metro Blue (Artizen), and the top single, “People Make the World Go
’Round,” for the second week in a row.
Paul Brown’s The City (GRP/Verve) and its single
“Cosmic Monkey” were added on 27 stations.
jazzweek.com • July 20, 2005
ichard Elliot’s Metro Blue (Artizen) and its
single “People Make the World Go ’Round”
topped the July 20 charts for a second consecutive week.
Paul Hardcastle picked up 307 spins for the
single “Serene” and the album 4 (Trippin ’N’
Rhythm), for the week’s biggest jump in airplay:
“Serene” rocketed to No. 7 after debuting at No.
29 last week.
The Most Added single and album this week
came from Paul Brown. The track “Cosmic Monkey” from his GRP release The City was added to
the playlist of 27 stations, edging singles from The
Rippingtons and Meshell Ndegeocello, which
each were added on 26. “Cosmic Monkey” debuted at No. 24 on the singles chart.
Smooth Albums
p. 26
Smooth Singles
p. 27
Smooth Current CDs
p. 28
Smooth Radio Panel
p. 29
JazzWeek 25
JazzWeek Smooth Album Chart July 20, 2005
TW
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
LW
1
2
5
4
8
7
6
3
9
10
33
11
12
NR
13
16
17
15
18
14
44
20
30
19
21
22
23
25
NR
26
NR
39
24
29
27
NR
28
31
34
NR
32
35
62
41
45
98
36
37
38
43
2W Peak Artist
2
1 Richard Elliot
1
1 Nils
4
3 Steve Cole
5
1 Kenny G
9
5 Chuck Loeb
6
6 Paul Taylor
7
1 Dave Koz
3
1 Michael Lington
8
8 Norman Brown
10
2 Boney James
NR
11 Paul Hardcastle
11
1 Various Artists
12
1 Wayman Tisdale
NR
14 Anita Baker
13
4 Euge Groove
15
14 Jeff Lorber
18
17 Average White Band
16
15 Jonathan Butler
20
18 Ken Navarro
14
3 Paul Brown
NR
21 Brian Culbertson
22
6 Marion Meadows
30
4 Mindi Abair
17
13 3rd Force
19
14 Nick Colionne
21
4 Tim Bowman
23
5 Chris Botti
24
14 David Sanborn
NR
29 Paul Brown
26
1 Soul Ballet
NR
31 Kem
41
32 Walter Beasley
25
18 Joyce Cooling
31
16 Fourplay
27
10 Chris Botti
NR
36 Seal
28
1 Gerald Albright
29
9 Peter White
33
5 George Benson
NR
40 Michael Buble
32
18 Pieces Of A Dream
38
20 Dan Siegel
NR
43 Jeff Golub
35
35 Nelson Rangell
40
14 Marc Antoine
87
30 Various Artists
34
18 Praful
37
36 Alexander Zonjic
43
25 The Ramsey Lewis Trio
47
43 Chieli Minucci
Release
Metro Blue
Pacific Coast Highway
Spin
At Last...The Duets Album
When I’m WIth You
Nightlife
Saxophonic
Stay With Me
West Coast Coolin’
Pure
4
Forever, For Always, For Luther
Hang Time
My Everything
Livin’ Large
Flipside
Greatest And Latest
Jonathan
Love Coloured Soul
Up Front
It’s On Tonight
Player’s Club
Come As You Are
Driving Force
Just Come On In
This Is What I Hear
A Thousand Kisses Deep
Closer
The City
Dream Beat Dream
Album II
For Her
This Girl’s Got To Play
Journey
When I Fall In Love
Seal IV
Kickin’ It Up
Confidential
Irreplaceable
It’s Time
No Assembly Required
Inside Out
Temptation
My American Songbook Vol. 1
Mediterraneo
Rendezvous Lounge, Vol.1
One Day Deep
Seldom Blues
Time Flies
The Juice [Single]
Most Added
Increased Airplay
Paul Brown The City (GRP/Verve)
+27
Meshell Ndegeocello The Spirit Music Jamia: Dance Of
The Infidel (Shanachie)
+26
The Rippingtons Wild Card (Peak)
+26
Najee My Point Of View (Heads Up)
+9
Ken Navarro Love Coloured Soul (Positive Music) +6
Paul Hardcastle 4 (Trippin ’N’ Rhythm)
Brian Culbertson It’s On Tonight (GRP/Verve)
Paul Brown The City (GRP/Verve)
Mindi Abair Come As You Are (GRP)
Various Artists Rendezvous Lounge, Vol.1
(Rendezvous)
jazzweek.com • July 20, 2005
Label
Artizen
Baja
Narada Jazz
Arista
Shanachie
Peak
Capitol
Rendezvous
Warner Bros.
Warner Bros.
Trippin ’N’ Rhythm
GRP
Rendezvous
Blue Note
EMI
Narada Jazz
Liquid 8
Rendezvous (Red)
Positive Music
GRP
GRP/Verve
Heads Up
GRP
Higher Octave
Will Keys
Liquid 8
Columbia
Verve
GRP/Verve
215
Universal/Motown
Heads Up
Narada Jazz/Virgin
BMG
Columbia
Warner Bros.
GRP/VMG/UMG
Columbia
GRP/VMG/UMG
143/Reprise
Heads Up
Native Language
Narada Jazz
Koch
Rendezvous
Rendezvous
Rendezvous
Heads Up
Narada Jazz
Shanachie
airplay data
powered by
TP
734
697
663
659
636
633
629
581
565
487
462
436
413
361
337
329
314
309
306
305
303
279
269
256
252
212
199
198
189
189
187
187
181
169
164
164
161
148
145
141
141
140
137
126
126
125
119
115
113
112
LP
761
738
652
656
622
635
650
704
566
500
155
472
439
371
371
317
298
337
292
359
106
257
159
285
257
240
218
205
0
197
160
118
206
161
172
157
169
157
148
130
156
141
51
117
104
16
139
121
121
110
+/- Weeks Stations
-27
6
34
-41
26
33
11
18
30
3
32
34
14
23
30
-2
19
29
-21
37
33
-123 37
32
-1
4
34
-13
37
34
307
2
31
-36
32
30
-26
37
31
-10
1
32
-34
37
32
12
25
28
16
5
27
-28
7
26
14
23
32
-54
32
32
197
2
29
22
37
29
110 37
29
-29
25
25
-5
37
31
-28
29
30
-19
37
29
-7
27
22
189
1
27
-8
37
31
27
1
15
69
9
17
-25
32
27
8
37
23
-8
32
23
7
1
28
-8
37
28
-9
32
28
-3
37
29
11
1
8
-15
37
17
-1
37
22
86
2
13
9
21
14
22
37
31
109 37
17
-20
37
25
-6
32
14
-8
32
20
2
7
9
Adds
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
6
0
2
0
0
0
0
0
0
0
27
0
1
0
0
0
0
0
0
0
0
1
0
0
0
0
0
0
0
0
0
0
Chartbound
+307
+197
+189
+110
+109
Brian Bromberg Choices (A440)
Meshell Ndegeocello The Spirit Music Jamia: Dance Of The Infidel
(Shanachie)
To The Bone Spread Love Like Wildfire (Narada)
Curtis Stigers I Think It’s Going To Rain Today (Concord)
The Rippingtons Wild Card (Peak)
George Duke T-Jam [Single] (Bpm/Navarre)
Eric Marienthal Sweet Talk (Peak)
Jeff Kashiwa Peace Of Mind (Native Language)
Larry Gittens Too Hot [Single] (Human Feel)
All monitored airplay data is owned by Mediaguide, Inc. ©2005 Mediaguide, Inc.
JazzWeek 26
JazzWeek Smooth Singles Chart July 20, 2005
TW
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
LW
1
2
3
5
4
6
29
8
7
12
11
14
9
10
15
46
13
17
16
18
19
NR
23
NR
22
21
39
NR
20
24
30
25
27
31
28
33
26
32
72
NR
34
36
41
NR
35
37
38
43
42
40
2W Peak Artist
2
1 Richard Elliot
1
1 Nils
3
2 Steve Cole
6
4 Chuck Loeb
4
4 Paul Taylor
5
2 Michael Lington
NR
7 Paul Hardcastle
8
8 Kenny G & Earth Wind, & Fire
7
7 Norman Brown
17
10 Dave Koz
9
9 Jeff Lorber
13
12 Average White Band
11
9 Jonathan Butler
14
10 Paul Jackson, Jr.
18
14 Ken Navarro
NR
16 Brian Culbertson
10
1 Boney James
19
17 Wayman Tisdale
12
10 3rd Force
16
3 Euge Groove
15
2 Kenny G & David Sanborn
NR
22 Anita Baker
24
5 Marion Meadows
NR
24 Paul Brown
22
1 Soul Ballet
21
1 Tim Bowman
44
27 Walter Beasley
NR
28 Kem
20
5 Paul Brown
23
1 Dave Koz
30
15 Fourplay
25
1 Wayman Tisdale
27
1 Gerald Albright
28
11 Nick Colionne
29
3 Mindi Abair
32
2 Norman Brown
31
5 Chris Botti
26
16 David Sanborn
NR
39 Jeff Golub
NR
40 Seal
34
3 George Benson
40
15 Dan Siegel
41
41 Nelson Rangell
NR
44 Mindi Abair
33
29 Paul Brown
37
10 Chris Botti
36
28 Alexander Zonjic
54
43 Chieli Minucci
43
2 Boney James
45
22 The Ramsey Lewis Trio
Release
People Make The World Go ’Round
Pacific Coast Highway
Thursday
Tropical
Nightlife
Two Of A Kind (w/ Chuck Loeb)
Serene
The Way You Move
West Coast Coolin’
Love Changes Everything
Ooh La La
Work To Do (Nu-Jazz Mix)
Fire And Rain
Never Too Much
You Are Everything
Hookin’ Up
Stone Groove (w/ Joe Sample)
Ready To Hang
Believe In Me
XXL
Pick Up The Pieces
How Does It Feel
Sweet Grapes
Cosmic Monkey
Cream
Summer Groove
Coolness
I Can’t Stop Loving You
Moment By Moment
Let It Free
Fields Of Gold
Ain’t No Stoppin’ Us Now
To The Max
It’s Been Too Long
Come As You Are
Up ’N’ At ‘Em
Back Into My Heart
Tin Tin Deo
Simple Pleasures
Love’s Divine
Softly, As In A Morning Sunrise
In Your Eyes
Don’t You Worry ’Bout A Thing
Make A Wish
24/7
No Ordinary Love
Leave It With Me
The Juice
Here She Comes
The In Crowd
Label
Artizen
Baja
Narada Jazz
Shanachie
Peak
Rendezvous
Trippin ’N’ Rhythm
Arista
Warner Bros.
Capitol
Narada Jazz
Liquid 8
Rendezvous (Red)
GRP
Positive Music
GRP/Verve
Warner Bros.
Rendezvous
Higher Octave
EMI
Arista
Blue Note
Heads Up
GRP/Verve
215
Liquid 8
Heads Up
Universal/Motown
GRP
Capitol
BMG
Rendezvous
GRP/VMG/UMG
Will Keys
GRP
Warner Bros.
Columbia
Verve
Narada Jazz
Warner Bros.
GRP/VMG/UMG
Native Language
Koch
GRP
GRP
Columbia
Heads Up
Shanachie
Warner Bros.
Narada Jazz
Most Added
Increased Airplay
Paul Brown “Cosmic Monkey” (GRP/Verve)
+27
The Rippingtons “Wild Card” (Peak)
+26
Meshell Ndegeocello “The Chosen” (w/ C. Wilson, B.
Ross & M. Cain) (Shanachie)
+26
Meshell Ndegeocello “Mu-Min” (w/ O. Lake, D. Byron &
J. Roseman) (Shanachie)
+26
Mindi Abair “Make A Wish” (GRP)
+21
Paul Hardcastle “Serene” (Trippin ’N’ Rhythm) +307
Anita Baker “How Does It Feel” (Blue Note)
+197
Brian Culbertson “Hookin’ Up” (GRP/Verve)
+197
Paul Brown “Cosmic Monkey” (GRP/Verve)
+189
Kem “I Can’t Stop Loving You” (Universal/Motown)
+166
jazzweek.com • July 20, 2005
airplay data
powered by
TP
734
697
663
636
633
496
462
396
394
340
329
314
309
307
305
303
268
257
256
242
236
220
193
189
189
189
180
179
169
162
160
154
150
150
146
145
144
140
137
134
130
125
119
118
117
116
115
112
109
106
LP
761
738
652
622
635
612
155
386
399
308
317
298
337
324
291
106
301
270
285
266
242
23
185
0
197
206
118
13
228
175
154
166
158
152
156
138
160
144
51
28
134
124
111
0
129
123
121
110
111
112
+/- Weeks Stations
-27
6
34
-41
26
33
11
18
30
14
23
30
-2
19
29
-116 37
31
307
2
31
10
28
32
-5
5
32
32
36
31
12
25
28
16
5
27
-28
7
26
-17
22
27
14
23
32
197
2
29
-33
36
30
-13
14
22
-29
25
25
-24
37
28
-6
32
32
197
1
27
8
37
27
189
1
27
-8
37
31
-17
29
29
62
9
17
166
1
14
-59
32
29
-13
37
30
6
37
21
-12
37
29
-8
37
27
-2
37
29
-10
37
26
7
37
27
-16
37
27
-4
27
21
86
2
13
106
1
27
-4
37
29
1
37
20
8
13
14
118
1
21
-12
32
30
-7
32
22
-6
32
14
2
7
9
-2
37
24
-6
32
18
Adds
0
0
0
0
0
0
0
0
0
1
0
0
0
0
6
2
0
0
0
0
0
0
0
27
0
0
0
1
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
21
0
0
0
0
0
0
Chartbound
Boney James “2:01 AM” (Warner Bros.)
Daryl Hall & John Oates “I’ll Be Around” (U-Watch)
Michael Buble “Home” (143/Reprise)
Marion Meadows “Suede” (Heads Up)
Anita Baker “You’re My Everything” (Blue Note)
Anita Baker “Serious” (Blue Note)
Brian Bromberg “Choices” (A440)
Bass X “Vonnie” (Liquid 8)
Down To The Bone “Tiburon” (Narada)
Ray Charles “You Don’t Know Me” (w/ Diana Krall) (Concord)
The Rippingtons “Wild Card” (Peak)
All monitored airplay data is owned by Mediaguide, Inc. ©2005 Mediaguide, Inc.
JazzWeek 27
Smooth Jazz Radio Current Albums
3rd Force
Mindy Abair
Greg Adams
Sandro Albert
Gerald Albright
Herb Alpert & The Tijuana Brass
Marc Antoine
Marc Antoine
Average White Band
Anita Baker
Bob Baldwin
Walter Beasley
Walter Beasley
Pete Belasco
Regina Belle
David Benoit/Russ Freeman
George Benson
Matt Bianco
Driving Force
Come As You Are
Firefly
The Color Of Things
Kickin’ It Up
Lost Treasures
Mediteraneo
The Very Best of Marc Antoine
Greatest And Latest
My Everything
Brazil Chill
Go With The Flow
For Her
Deeper
Lazy
Benoit Freeman Project 2
Irreplaceable
Matt’s Mood
Theo Bishop
Terence Blanchard
Debby Boone
Chris Botti
Chris Botti
Tim Bowman
Jeff Bradshaw
Rick Braun
Toni Braxton
Braxton Brothers
Bridge To Havana (f. Gladys Knight)
Brian Bromberg
Norman Brown
Paul Brown
Michael Buble
Alex Bugnon
Jonathan Butler
Cabo Frio
Jonathan Cain
Bobby Caldwell
Sergio Caputo
Larry Carlton
Craig Chaquico
Ray Charles
Club 1600
Steve Cole
Steve Cole
Nick Colionne
Rita Coolidge
Joyce Cooling
Couch Potato Allstars
Brian Culbertson
Eric Darius
Will Downing
Carol Duboc
George Duke
Richard Elliot
Richard Elliot
Tommy Emmanuel
Fattburger
Fourplay
A. Ray Fuller
Garry Goin
Jeff Golub
Al Green
Euge Groove
Onaje Allan Gumbs
Hall & Oates
Paul Hardcastle
Newport Nights
Flow
Reflections Of Rosemary
A Thousand Kisses Deep
When I Fall In Love
This Is What I Hear
Bone Deep
Esperanto
Ultimate Toni Braxton
Rollin
Bridge To Havana
Choices
West Coast Coolin’
Up Front
It’s Time
Southern Living
Jonathan
Island Dance
Bare Bones
Perfect Island Nights
That Kind of Thing
Sapphire Blue
Midnight Moon
Genius Loves Company
Ridin, High
NY LA
Spin
Just Come On In
And So Is Love
This Girl’s Got to Play
Jazz For Couch Potatoes
Come On Up
Night On The Town
Emotions
All Of You
Duke
Ricochet
Metro Blue
Endless Road
Work To Do
Journey
The Weeper
Goin’ Places
Soul Sessions
The Absolute Best
Living Large
Remember Their Innocence
Our Kind Of Soul
The Jazzmasters 4
Everette Harp
Gabriel Mark Hasselbach
Hil St. Soul
Hiroshima
Hiroshima
Incognito
Paul Jackson Jr.
Boney James
Jazz Crusanders
Marcus Johnson
All For You
Gabriel... First Name Basis
Copasetik & Cool
The Bridge
Obon
Who Needs Love
Still Small Voice
Pure
Soul Axess
Urban Groove
Ronny Jordan
Ronny Jordan
Jeff Kashiwa
Kem
Kem
Kenny G
Alicia Keys
At Last
After 8
Peace Of Mind
Kemistry
Album II
At Last...The Duets Album
The Diary Of Alicia Keys
jazzweek.com • July 20, 2005
Higher Octave
GRP
215 Records
215 Records
GRP
Shout Factory
Rendevous
Verve Music Group
Liquid 8
Blue Note
A440 Music Group
N-Coded Music
Heads Up
Compendia
Peak
Peak
GRP
Universal Music
Group
Native Language
Blue Note
Concord
Columbia
Columbia
Liquid 8
Hidden Beach
Warner Bros.
LaFace
Peak
Pyramid
A440 Music Group
Warner Bros.
GRP
143 Records/Reprise
Narada Jazz
Rendezvous (Red)
Kezia Records
Reality/AAO Music
Sin-Drome
Idiosyncrasy Music
Bluebird
Higher Octave
Concord
N-Coded Music
Warner Bros.
Narada Jazz
Three Keys Music
Concord
Narada Jazz
Shanachie
Warner Bros.
Higher Octave
GRP
Gold Note
BPM/Navarre
GRP
Artizen
Favored Nations
Shanachie
RCA/Victor
A Ray Artists Music
Compendia
GRP
EMI
Narada
Ejano
U-Watch
Trippin’ N’ Rhythm
Records
A440 Music Group
Wind Tunnel
Shanachie
Heads Up
Heads Up
Narada Jazz
Blue Note
Warner Bros.
True Life
Marimelj Entertainment
N-Coded Music
N-Coded Music
Native Language
Motown
Motown
Arista
J Records
Chaka Khan
Classikhan
Dave Koz
Pattie LaBelle
David Lanz
Ronnie Laws
Michael Lington
Liquid Soul
Chuck Loeb
Chuck Loeb
Jeff Lorber
Torcuato Mariano
Eric Marienthal
Hugh Masekela
Keiko Matsui
Maysa
Michael McDonald
Michael McDonald
Marion Meadows
Raul Midon
Marcus Miller
Chieli Minucci
Chieli Minucci
Najee
Najee
Ken Navarro
Ken Navarro
Meshell Ndegeocello presents The
Spirit Music Jamia
Grady Nichols
Grady Nichols
Nils
O’2L
Andrew Oh
Steve Oliver
Renee Olstead
Pieces Of A Dream
Doc Powell
Doc Powell
Praful
Nelson Rangell
Nelson Rangell
The Rippingtons
Smokey Robinson
Linda Ronstadt
David Sanborn
David Sanborn
Seal
Seal
Dan Siegel
Simply Red
Richard Smith
Jimmy Sommers
Soul Ballet
Special EFX
Spyro Gyra
Stanley B.
Wonder Stevie
Patches Stewart
Curtis Stigers
Andy Summers
Paul Taylor
Paul Taylor
J. Thompson
Wayman Tisdale
Nester Torres
Two Siberians
Urban Knights
Luther Vandross
Various Artists
Various Artists
Saxophonic
Timeless Journey
The Good Life
Everlasting
Stay With Me
Evolution
eBop
When I’m WIth You
Flipside
Diary
Sweet Talk
Revival
Wildflower
Smooth Sailing
Motown
Motown Two
Player’s Club
State of Mind
Silver Rain
Night Grooves
Jewels
Embrace
Classic Masters
All The Way
Love Coloured Soul
Dance Of The Infidel
Various Artists
Various Artists
Vlad
Andre Ward
Kim Waters
Kim Waters
Kirk Whalum
Peter White
Bernie Williams
Pamela Williams
Jim Wilson
Victor Wooten
Yellowjackets
Alexander Zonjic
Sophistication
Sneak
Pacific Coast Highway
Doyle’s Brunch
Silk
3-D
Renee Olstead
No Assembly Required
97th & Columbus
Cool Like That
One Day Deep
Look Again
My American Songbook Vol. 1
Let It Ripp
My World: The Definitive Collection
Hummin’ to Myself
Time Again
Closer
IV
Best: 1991-2004
Inside Out
Home
Soulidfied
Love Life
Dream Beat Dream
Party
The Deep End
All For Love
The Definitive Collection
Blow
I Think It’s Going To Rain Today
The X Tracks
Steppin’ Out
Nightlife
Romantic Night
Hang Time
Sin Palabras
Out of Nowhere
Urban Knights V
Dance With My father
Forever, For Always, For Luther
Wedding Songs: A Body & Soul
Collection
Princess Diaries 2 : Royal Engagement [Original Soundtrack]
Rendezvous Lounge, Vol.1
Vladosphere
Steppin Up
Someone To Love You
In The Name Of Love
Into My Soul
Confidential
The Journey Within
Sweet Saxations
River
Soul Circus
Altered State
Seldom Blues
AGU Sanctuary
Records
Capitol
Island /Def Jam
Decca
Holland Group
Rendevous
Shanachie
Shanachie
Shanachie
Narada Jazz
215 Records
Peak
Heads Up
Narada
Encoded
Motown
Motown
Heads Up
Manhattan Records
Koch Records
Shanachie
JVC
N-Coded Music
Capitol
Shanachie
Positive Music
Shanachie
Compendia
Compendia
Baja/TSA Records
Peak
Ark Music
Koch Records
143 Records/Reprise
Heads Up
Heads Up
Heads Up
Rendezvous/N-Coded
A440 Music Group
Koch
Peak
Motown
Verve Music Group
Verve Music Group
Verve Music Group
Warner Bros.
Warner Bros.
Native Language
Simply Red
A440 Music Group
Higher Octave
215 Records
Shanachie
Heads Up
Motown
Koch
Concord Jazz
Fuel 2000
Peak/Concord
Peak
AMH Records
Rendevous
Heads Up
Heads Up
Narada
J Records
GRP
Time Life
Walt Disney
Rendevous
Unis
Orpheus
Shanachie
Shanachie
Warner Bros.
Columbia
GRP
Shanachie
Hillsboro
Vanguard
Heads Up
Heads Up
JazzWeek 28
Jazz Station Panel
Call letters
CJRT-FM*
KANU-FM
KBEM-FM
KCCK-FM*
KCLU-FM
KCSM-FM
KEWU-FM
KFSR-FM
KIOS-FM
KIPO-FM*
KJZZ-FM
KKJZ-FM
KLCC-FM
KMHD-FM
KMUW-FM
KNTU-FM
KPLU-FM
KRTU-FM
KSDS-FM
KSJS-FM
KSMF-FM*
KSUT-FM*
KTSU-FM
KUAZ-FM
KUNR-FM*
KUNV-FM
KUT-FM
KUVO-FM
KXJZ-FM
WAER-FM*
WBEZ-FM
WBFO-FM
WBGO-FM
WCLK-FM
WCMU/WUCX-FM
WCPN-FM
WDCB-FM*
WDET-FM
WDNA-FM
WDUQ-FM
WEAA-FM
WEMU-FM*
WFNX-FM
WFSS-FM
WGBH-FM
WGLT-FM
WGMC-FM
WGVU-FM
WHRV-FM
WICN-FM*
WJSU-FM
WMOT-FM
WNCU-FM
WRTI-FM
WSHA-FM
WSIE-FM
WTEB-FM
WUAL-FM
WUCF-FM
WUMR-FM
WUSF-FM
WVPR/WVPS-FM
WWOZ-FM
WWSP-FM*
WXUT/WXTS-FM
Music Choice
Sirius*
Frequency
91.1
91.5
88.5
88.3
88.3
91.1
89.5
90.7
91.5
89.3
91.5
88.1
89.7
89.1
89.1
88.1
88.5
91.7
88.3
90.5
89.1
91.3
90.9
89.1
88.7
91.5
90.5
89.3
88.9
88.3
91.5
88.7
88.3
91.9
89.5/90.1
90.3
90.9
101.9
88.9
90.5
88.9
89.1
101.7
91.9
89.7
89.1
90.1
88.5
89.5
90.5
88.5
89.5
90.7
90.1
88.9
88.7
89.3
91.5
89.9
91.7
89.7
94.3
90.7
89.9
88.3
Market
Toronto, ON
Topeka, KS
Minneapolis - St. Paul, MN
Cedar Rapids, IA
Los Angeles, CA
San Francisco, CA
Spokane, WA
Fresno, CA
Omaha, NE - Council Bluffs, IA
Honolulu
Phoenix, AZ
Los Angeles, CA
Eugene-Springfield, OR
Portland, OR
Wichita, KS
Dallas - Ft. Worth, TX
Seattle - Tacoma, WA
San Antonio, TX
San Diego, CA
San Jose, CA
Ashland, OR
Ignacio, CO
Houston - Galveston, TX
Tucson, AZ
Reno, NV
Las Vegas, NV
Austin, TX
Denver - Boulder, CO
Sacramento, CA
Syracuse, NY
Chicago, IL
Buffalo - Niagara Falls, NY
New York, NY
Atlanta, GA
Mount Pleasant – Saginaw/Bay City/Midland, MI
Cleveland, OH
Chicago, IL
Detroit, MI
Miami - Ft. Lauderdale - Hollywood, FL
Pittsburgh, PA
Baltimore, MD
Ypsilanti, MI
Boston, MA
Fayetteville, NC
Boston, MA
Peoria, IL
Rochester, NY
Grand Rapids, MI
Norfolk - Virginia Beach - Newport News, VA
Worcester,MA
Jackson, MS
Nashville, TN
Raleigh - Durham, NC
Philadelphia, PA
Raleigh - Durham, NC
St. Louis, MO
Greenville,NC
Tuscaloosa, AL
Orlando, FL
Memphis, TN
Tampa - St. Petersburg - Clearwater, FL
Burlington, VT-Plattsburgh, NY
New Orleans, LA
Wausau-Stevens Point, WI
Toledo, OH
National Distribution
National Distribution
jazzweek.com • July 20, 2005
Smooth Station Panel
Rank
N/A
195
16
204
2
4
93
68
73
62
15
2
171
24
95
5
14
30
17
33
207
N/A
7
63
231
38
7
22
26
79
3
52
1
11
131
25
3
10
12
23
20
10
133
128
8
149
54
67
40
8
123
44
43
6
43
19
87
133
39
48
21
220
46
198
85
N/A
N/A
Call letters
KAJZ-FM
KBZN-FM
KEZL-FM
KHJZ-FM
KIFM-FM
KJCD-FM
KJZI-FM
KJZY-FM
KKSF-FM
KKSJ/KTSJ-FM
KLJT-FM
KMGQ-FM
KOAI-FM
KOAS-FM
KRVR-FM
KSKX-FM
KSMJ-FM
KSSJ-FM
KTWV-FM
KWJZ-FM
KYOT-FM
WBRH-FM
WEIB-FM
WFJZ-FM
WFSK-FM
WGPR-FM
WJAB-FM
WJJZ-FM
WJSJ/WSJF-FM
WJZA/WJZK-FM
WJZI-FM
WJZL/WJZO-FM
WJZR-FM
WJZW-FM
WJZZ-FM
WLOQ-FM
WLVE-FM
WNUA-FM
WNWV-FM
WPMJ-FM
WQCD-FM
WSJT-FM
WSJW-FM
WSMJ-FM
WVAS-FM
WVMV-FM
WXJZ-FM
WYJZ-FM
Music Choice
Frequency
101.7
97.9
96.7
95.7
98.1
104.3
100.3
93.7
103.7
105.9
102.3
97.5
107.5
105.7
105.5
105.5
97.7
94.7
94.7
98.9
95.5
90.3
106.3
106.7
88.1
107.5
90.9
106.1
105.5
103.5
93.3
93.1
105.9
105.9
107.5
103.1
93.9
95.5
107.3
94.3
101.9
94.1
92.7
104.3
90.7
98.7
100.9
100.9
Market
Albuquerque, NM
Salt Lake City - Ogden - Provo, UT
Fresno, CA
Houston - Galveston, TX
San Diego, CA
Denver - Boulder, CO
Minneapolis - St. Paul, MN
San Francisco, CA
San Francisco, CA
Lafayette, LA
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Dallas - Ft. Worth, TX
Las Vegas, NV
Stockton, CA
Colorado Springs, CO
Bakersfield, CA
Sacramento, CA
Los Angeles, CA
Seattle - Tacoma, WA
Phoenix, AZ
Baton Rouge, LA
Hartford - New Britain - Middletown, CT
Ft. Wayne, IN
Nashville, TN
Detroit, MI
Huntsville, AL
Philadelphia, PA
Jacksonville, FL
Columbus, OH
Milwaukee - Racine, WI
Louisville, KY
Rochester, NY
Baltimore, MD
Atlanta, GA
Orlando, FL
Miami - Ft. Lauderdale - Hollywood, FL
Chicago, IL
Cleveland, OH
Peoria, IL
New York, NY
Tampa - St. Petersburg - Clearwater, FL
Harrisburg - Lebanon - Carlisle, PA
Baltimore, MD
Montgomery, AL
Detroit, MI
Gainesville - Ocala, FL
Indianapolis, IN
National
Rank
71
31
68
7
17
22
16
4
4
102
148
204
5
38
82
97
83
26
2
14
15
84
50
105
44
10
116
6
49
35
32
55
54
20
11
39
12
3
25
149
1
21
80
20
152
10
87
41
N/A
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JazzWeek 29
It’s a long way from the Apollo
the trumpet was as a guest in a
Theatre to the Apollo program.
correctional home for wayward
And while his playing may have
boys. If only today’s schools were
been “as lofty as a moon flight,”
as enlightened and informed as
as Time magazine once suggested,
that reformatory was.
that would be as close as Louis
Alas, the arts are dismissed as
Daniel Armstrong would ever get
extravagant in today’s schools.
to taking “one small step for man.”
This, despite all the studies that
But as the jazz musician of the
show parents believe music and
Instead of a giant leap, Louis Armstrong delivered
one giant free-form crazy jazz groove for mankind.
20th century, giant
dance and art and drama make
leaps were simply a matter of course for
their children much better students and better people.
Satchmo. For no one has ever embodied
If you feel like your kids aren’t
the art form the way he did. It was he
getting their fair share, make
who helped make virtuoso solos a part
some noise. To find out how,
of the vocabulary. It was he who was honored with
or for more information about
the title “American goodwill ambassador” by the State
the benefits of arts education,
Armstrong left his
footprints on the jazz world,
wearing lace-up oxfords.
READIN’
ART
’RITING
’RITHMETIC
There’s plenty of brain to go
around. Give more to art.
Department. It was he who was the last jazz musician
please visit us on the web at
to hit #1 on the Billboard pop chart.
AmericansForTheArts.org. Just like the great Louis
Not bad for a kid whose first experience with
A R T.
ASK
Armstrong, all you need is a little brass.
FOR
M O R E.
For more information about the importance of arts education, contact www.AmericansForTheArts.org.
Photo used with permission, Louis Armstrong Educational Foundation.