4 - JazzWeek
Transcription
4 - JazzWeek
JazzWeek jazzweek.com • July 20, 2005 In This Issue: Michael Brecker Battling Rare Blood Disorder . . . . 4 with airplay data powered by Volume 1, Number 34 • $7.95 FESTIVAL INTERNATIONAL DE JAZZ DE MONTRÉAL Simpson Tapped at Berklee . . . . . 5 KUVO Plays Host to Jazz Guests. . . . . . 9 Reviews and Picks . . . . . 17 Jazz Radio . 20 Smooth Jazz Radio. . . . . . 25 Radio Panels . . . . . 29 News. . . . . . . 4 Metheny in Montréal Q&A with Co-Founder André Ménard Charts: #1 Jazz Album – Ahmad Jamal #1 Smooth Album – Richard Elliot #1 Smooth Single – Richard Elliot p. 11 p. 14 This Week JazzWeek EDITOR Ed Trefzger MUSIC EDITOR Tad Hendrickson CONTRIBUTING EDITORS Keith Zimmerman Kent Zimmerman CONTRIBUTING WRITER/ PHOTOGRAPHER Tom Mallison PHOTOGRAPHY Barry Solof PUBLISHER Tony Gasparre ADVERTISING: Call (585) 328-3104 or email: [email protected] SUBSCRIPTIONS: Prices in US Dollars: Charter Rate: $199.00 per year, JazzWeek w/ Industry Access – Charter Rate: $249.00 per year To subscribe using Visa/MC/Discover/ AMEX/PayPal go to: http://www.jazzweek.com/account/ subscribe.html AIRPLAY MONITORING BY Mediaguide 1000 Chesterbrook Blvd. Suite 150 Berwyn, PA 19312 T he recent news about Michael Brecker’s illness hit pretty close to home for me. My father was diagnosed with Myelodysplastic Syndrome (MDS) in February, 2002. Unlike Michael, though, my father, at age 68, was too old for doctors to pursue the treatment of chemotherapy and a bone marrow transplant that Michael is getting. And although treatment had helped him, my Dad passed away unexpectedly in April 2004 of related causes. Even though it has been not much more than a year since his passing, some of the treatment that is now available wasn’t even around then. The Myelodysplastic Syndromes Foundation (mds-foundation.org) supports research and patient information, and I highly recommend them as a charitable cause. Meanwhile, I’m including Michael’s speedy recovery in my prayers, and I hope you will keep him in whatever form you find solace. On page 4, there is information about how to send wishes to Michael, and I hope you’ll pass that information along. – Ed Trefzger, Editor JazzWeek (ISSN 1554-4338) is published weekly by 2117 Buffalo Road Suite 317 Rochester, NY 14624 phone: (585) 235-4685 fax: (585) 235-4685 [email protected] Copyright ©2005 Yellow Dog Communications Inc. jazzweek.com • July 20, 2005 JazzWeek 2 Contents July 20, 2005 4 11 19 25 News . . . . . . . . . . . . . . . . . . . . . . Saxophonist Michael Brecker Battling Rare Blood Disorder . . . Joe Harnell, Pianist and Arranger, 80 . . . . . . . . . . . . Simpson Tapped At Berklee . . . . . . . . . . . . . . . Weindorf Leaves Verve for Narada . . . . . . . . . . . . . KSJS Celebrates Station of Year Award . . . . . . . . . . . The Dashows Hit the Stage in NYC . . . . . . . . . . . . . Denver’s KUVO Plays Host to Jazz Guests During Anniversary Year Birthdays . . . . . . . . . . . . . . . . . . . . . . Features Metheny in Montréal . . . . . . . . . . . . . . . . . . Q&A: André Ménard . . . . . . . . . . . . . . . . . . Reviews and Picks . . . . . . . . . . . . . . . . . . . David Gibson. . . . . . . . . . . . . . . . . . . . Erik Truffaz . . . . . . . . . . . . . . . . . . . . Garage A Trois . . . . . . . . . . . . . . . . . . . Editors’ Picks . . . . . . . . . . . . . . . . . . . Jazz Charts . . . . . . . . . . . . . . . . . . Jazz Album Chart . . . . . . . . . . . . . . . . . . . Jazz Add Dates . . . . . . . . . . . . . . . . . . . . Jazz Current CDs . . . . . . . . . . . . . . . . . . . Jazz Radio Panel . . . . . . . . . . . . . . . . . . . Smooth Jazz Charts . . . . . . . . . . . . . Smooth Album Chart . . . . . . . . . . . . . . . . . . Smooth Singles Chart . . . . . . . . . . . . . . . . . . Smooth Current CDs . . . . . . . . . . . . . . . . . . Smooth Radio Panel . . . . . . . . . . . . . . . . . . Classifieds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 4 4 5 5 7 8 9 10 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 14 16 17 17 17 18 20 21 22 23 29 25 26 27 28 29 19 Cover photo: Pat Metheny and Gary Burton at Festival International de Jazz de Montréal by Denis Alix. JazzWeek Volume 1 Issue 34 jazzweek.com • July 20, 2005 JazzWeek 3 News Saxophonist Michael Brecker Battling Rare Blood Disorder S axophonist Michael Brecker is being treated for the rare blood disorder myelodysplastic syndrome (MDS), and has cancelled tour appearances for the forseeable future while he receives treatment. Brecker, 56, was to have been on tour with a reunion of Steps Ahead this summer, but wanting the tour to continue, he tapped Bill Evans to take his place. MDS is a bone marrow disease in which red and white blood cells and platelets fail to form fully, causing a drop in mature cells in the circulatory system. A relatively rare disease, MDS is diagnosed in 7,000 to 12,000 patients in the United States each year. While no specific cause of the disease has been discovered, scientists belive exposure to chemicals or radiation may be a factor. Research and clinical trials of treatments are taking place at centers of excellence around the world, according to the Myelodysplastic Syndromes Foundation. Brecker has received one round of chemotherapy and is due to receive another round and a bone marrow transplant in three weeks. One of the most influential tenor saxophonists of his generation, Brecker started in R&B and rock before moving to New York in 1969, where he was part of the fusion group Dreams. Brecker performed with Horace jazzweek.com • July 20, 2005 Silver and Billy Cobham in the early seventies and in that decade formed the Brecker Brothers with his brother, trumpeter Randy Brecker. In the 1980s, he pioneered the EWI, or Electronic Wind Instrument, and in the 70s and 80s was in demand as a studio musician. Brecker’s most recent album, Wide Angles, was released last year on Verve. According to brother Randy, doctors are very positive about his brother’s treatment. Those wishing to pass along encouragment and well wishes to Michael Brecker may do so by sending cards in care of Memorial Sloan-Kettering Cancer Center, 1275 York Ave, New York, NY 10021, or by emailing [email protected]. JW Michael Brecker Joe Harnell, Pianist and Arranger, 80 Grammy-winning pianist, arranger and conductor, Joe Harnell, died Thursday, July 14, in Southern California. He was 80. A graduate of the University of Miami, Bronx-born Harnell began his study of jazz piano as a young teenager. After enlisting in the Army in World War II, Harnell joined Glenn Miller’s Air Force Band. After the war, Harnell studied composition with Aaron Copeland. He also worked as an accompanist and music director with several singers, including Frank Sinatra, Shirley MacLaine, Marlene Dietrich, Pearl Bailey, Judy Garland, Lena Horne, and Beverly Sills, and with Peggy Lee in the late 1950s and early ’60s. From 1967 to 1973, Harnell was the musical director for the “The Mike Douglas Show.” Harnell wrote music for several television programs and was nominated for many Emmy Awards. JW JazzWeek 4 News Simpson Tapped At Berklee BOSTON, July 13 – Berklee College of Music President Roger H. Brown has appointed of Dr. Lawrence J. Simpson to the newly-created position of Senior Vice President for Academic Affairs at the college. At Berklee, Simpson will lead and oversee the academic initiatives of the college, including curriculum, faculty, and all areas directly related to teaching and learning. He joins the college on August 22. Simpson comes to Berklee from Cleveland, Ohio, where he has been president and chief academic officer of Cuyahoga Community College’s Metropolitan Campus for the past year, and headed the Eastern Campus for the past eleven years. At Tri-C he has been responsible for the growth and excellence of the college’s arts and cultural programs, including the nationally recognized Tri-C Jazz Festival-Cleveland. “Dr. Simpson is an experienced Simpson academic leader, a cultural activist, and a builder of community, who has also helped to create one of the great American jazz festivals,” said Brown. “Berklee has known Tri-C for many years through our articulation agreement with them, their excellent Jazz Studies Program, and the jazz festival, so we know the commitment to quality Larry engenders in an institution.” “Being at Berklee will allow me to combine my twin passions: higher education and music,” said Dr. Simpson. “I’m thrilled, and feel quite privileged to have this opportunity.” Simpson has written and photographed for Down Beat, JazzTimes, and the Jazz Education Journal, and since 1993 has served on a variety of panels for the National Endowment for the Arts. He received his undergraduate degree from Kent State University, and his Ph.D. from the University of Pittsburgh, in social psychology. Weindorf Leaves Verve for Narada After eight years with Verve Music Group, Jazz/AAA/ Blues promo executive Jill Weindorf has left to become the as Director, National Press & Promotion for Narada/Back Porch/Higher Octave/Real World. Weindorf ’s last day at VMG was Friday, July 15, and she began her new gig as of Monday, July 18. Announcing her departure, Weindorf wrote, “I honestly believe in my tenure with Verve that I have worked with more talented and special people than the average person might in an entire lifetime.” jazzweek.com • July 20, 2005 JazzWeek 5 News KSJS Celebrates Station of Year Award The staff at student-run KSJS, San Jose State University, celebrated its award for Station of the Year, Medium Markets, which music director Dr. Brad Stone accepted at this year’s JazzWeek Summit. Kneeling, (left to right): Nick Martinez, KSJS General Manager (holding 2005 Award). Kareem Guillbeaux, Sports Director and Substitute On-Air Host, Kevin Foley Ariente, Asst. Music Director for Blues and On-Air Host, Brad Stone, Music Director, Faculty Advisor and On-Air Host (holding 2003 Award). Standing, Gerald Andag, Blues Music Assistant, Paul Kauppila, Substitute OnAir Host, Nick Mikulka, Program Director, Carlos Torres, Jazz Music Assistant and On-Air Host, Steve Metzger, Karen Gentile, On-Air Hosts, Mike Schwartz, OnAir Host and Interview Coordinator, Tracy McGreevy, Jazz Music Assistant and OnAir Host. Absent: Ramon Johnson, On-Air Host and Public Affairs Director. ������������ ���� ���� ���� ����� ������������������������������������ ������������������������������������ jazzweek.com • July 20, 2005 JazzWeek 7 News The Dashows Hit the Stage in NYC NEW YORK, July 15 – Lifetime Television communications maven Gary Morgenstein’s powerful and timely play Ponzi Man premieres as one of the centerpieces of the 9th Annual New York International Fringe Festival’s opening weekend on Saturday, August 13. Ponzi Man, which explores the explosive issue of white collar crime and its life-altering effects on an upperclass Jewish family in New Jersey, stars popular New York radio personalities/ actors Jane Purcell Dashow and Ken Dashow, marking the first time this husband and wife have appeared together on stage. �������������������������������������� Along with the Saturday, August 13 at 2:15 p.m. premiere, performances include a coveted slot during the Festival’s final weekend. All shows will be at the historic Connelly Theatre on East 4th Street. Marking the 14th production of the critically-acclaimed theatre company Woman Seeking ... (Artistic and Creative Directors Christine Mosere and Laurie Marvald), the ‘Rosen’ family in Ponzi Man implodes when the fairhaired son, entrusted with the business, brings them to financial and emotional ruin. Caught in a vortex among her strong-willed daughters, ageing husband and desperate son, the powerful matriarch fights to save her family, as well as their powerful real estate development company, as it all unravels, secret by dirty secret, on Thanksgiving night. New York radio veteran DJ Ken Dashow is the No. 1 afternoon drivetime host on Q104.3, New York’s Only Classic Rock Station (and longtime NY stage & film actor), while Jane Purcell Dashow was radio announcer from WNEW’s vintage days and owner of independent jazz promotion company Jazzzdog Promotions. The husband and wife team have been acting and entertaining New Yorkers for over 20 years. JW The Dr. Jazz Test For “Promotionitis” Do you suffer from these symptoms? Tighness of Budget Distributor Complications Depressed Sales Air Play Rejection Elevated Blood Pressure or Ulcers call Dr. Jazz immediately If you answer yes to any of the above, 800-955-4375 ������������ �������������������������������������������� ������������������������������������������������� jazzweek.com • July 20, 2005 JazzWeek 8 News Denver’s KUVO Plays Host to Jazz Guests During Anniversary Year The last two weeks in June were busy ones for KUVO, Denver, as the station celebrates its 20th anniversary and the 2005 JazzWeek Award for major market station of the year. Visiting the station during that time were John Scofield, Curtis Fuller, Terence Blanchard, David “Fathead” Newman and Hugh Masekela. (Photos submitted by KUVO.) Blue Note recording artist Terence Blanchard with midday host Rodney Franks. Mid-morning host Susan Gatschet-Reese with Verve recording artist John Scofield. Music director Arturo Gómez with HighNote recording artist David “Fathead” Newman. Legendary trombonist and Savant recording artist Curtis Fuller with substitute drive-time host Steve Stalze. jazzweek.com • July 20, 2005 “Scotty,” host of Sunday’s “Origin in Rhythm” program with Heads Up recording artist Hugh Masekela. JazzWeek 9 News Birthdays July 20 Ernie Wilkins (1922) Charles Tyler (1941) July 21 Omer Simeon (1902) Billy Taylor (1921) Helen Merrill (1930) Sonny Clark (1931) Plas Johnson (1931) July 22 Al Haig (1924) Bill Perkins (1924) Junior Cook (1934) Don Patterson (1936) Al Di Meola (1954) Joshua Breakstone (1955) July 23 Richie Kamuca (1930) Steve Lacy (1934) Khan Jamal (1946) L Subramaniam (1947) Loren Schoenberg (1958) July 24 Charles McPherson (1939) Jon Faddis (1953) July 25 Johnny Hodges (1907) Don Ellis (1934) jazzweek.com • July 20, 2005 July 26 Erskine Hawkins (1914) Louie Bellson (1924) Charlie Persip (1929) Joanne Brackeen (1938) July 28 Delfeayo Marsalis (1965) July 29 Charlie Christian (1916) July 30 James Spaulding (1937) David Sanborn (1945) July 31 Roy Milton (1907) Hank Jones (1918) Kenny Burrell (1931) Gap Mangione (1938) Stanley Jordan (1959) August 2 Nana Vasconcelos (1944) August 3 Lawrence Brown (1907) Charlie Shavers (1917) Eddie Jefferson (1918) Tony Bennett (1926) Ray Draper (1940) Roscoe Mitchell (1940) Greg Osby (1960) August 4 Louis Armstrong (1901) Herb Ellis (1921) Sonny Simmons (1933) August 5 Red Nichols (1905) August 6 Luis Russell (1902) Buddy Collette (1921) Abbey Lincoln (1930) Dorothy Ashby (1932) Roberto Baden-Powell (1936) Charlie Haden (1937) Byard Lancaster (1942) August 7 Idrees Sulieman (1923) Rahsaan Roland Kirk (1936) George Bohanon (1937) Howard Johnson (1941) August 8 Lucky Millinder (1900) Benny Carter (1907) August 9 Jack Dejohnette (1942) August 10 Claude Thornhill (1909) Arnett Cobb (1918) Chuck Israels (1936) Michael Mantler (1943) August 11 Jess Stacy (1904) Russell Procope (1908) Peter King (1940) August 12 Earl Coleman (1925) Pat Metheny (1954) JazzWeek 10 Festivals Metheny in Montréal J.F. LeBlanc/Festival De Jazz De Montréal J by Tad Hendrickson azz Festivals are ubiquitous around the globe during the summer months. There’s the granddaddy of them all in Newport and the JVC New York as well as Umbria, Montreux and North Sea in Europe, but the festival in Montréal stands equal if not above any of these. The two-week event runs each summer from late-June to mid-July, attracting nearly two million festival goers annually. I spent three days up there and it was almost too much of a good thing. Shows starting at 6 p.m. and running till well past midnight at 10 outdoor stages and 10 clubs that were all within a few blocks of each other. The trick was often how to try to be two places at once. It wasn’t possible, but I wasn’t disappointed either. The festival highlight had to be Pat Metheny. He played six shows in four nights in different configurations that served as both a career overview and perhaps spurred some ideas of recording projects for the future. I caught few of these sets and a week later, they still stand out. One thing that was remarkable about this series was the enthusiasm of Metheny himself – he seemed to love every minute of it, whether jamming with Meshell Ndegeocello and her bandmates or playing with little-known Boston legend Mick Goodrick. He smiled constantly as he watched others play and was effusive in his praise of them. It truly was remarkable to see him leading band continued ... jazzweek.com • July 20, 2005 JazzWeek 11 Metheny in Montréal (continued) after band through completely different sets of music and it left one to wonder when (between rehearsals and performances) he found time to sleep. You know his guitar tech didn’t, having to move his arsenal of guitars and the giant amp/ effects/speaker rig from room to room around the festival site. J.F. LeBlanc/Festival De Jazz De Montréal Pat Metheny plays a set evocative of his 80/81 album. Metheny (left) is joined by drummer Matt Wilson, tenor saxophonist Dewey Redman, and bassist John Menegon. A highlight for me was seeing Metheny with Dewey Redman in a revamped lineup from Metheny’s landmark 80/81 album. Also featuring drummer Matt Wilson and bassist John Menegon (who are in Redman’s regular trio), the four played a challenging set that mixed classic avant-garde jazz, Ornette Coleman style blues and some delicate balladry. Redman has been an overshadowed figure in jazz because of his early affiliations with Coleman and Keith Jarrett and now because of the popularity of his son, but he was nevertheless in full flight on this night. As unflappable as Joe Henderson as he stood there, Redman ofcontinued ... jazzweek.com • July 20, 2005 JazzWeek 12 Metheny in Montréal (continued) fered up fiery blues and soulful jazz. Wilson and Menegon were equal to the task of keeping up to the saxophonist and guitarist, with Wilson getting some loud applause for his solos. Again, Metheny played with his head down, only looking up to smile at the playing of the others. That it was in the small 425 capacity Gesu-Centro de Creativite theater only made it all the more special. Following this quartet was a duo with Metheny and guitarist Mick Goodrick. Prior to and during their shared tenure in Gary Burton’s mid-70s band, the two guitarists did an occasional show in Boston together as a duo. Guitar geeks flocked to it, causing lines around the block. There were guitar geeks at this show too, but there was also a broad survey of people young and old that stayed till the end of the set, which was around 1:30 in the morning. Seldom stopping, and often cruising along at a good pace, the two guitarists played a few standards and Jobim’s “Wave.” Metheny on hollow body electric had a mellow round tone. Goodrick’s modern solid body had a nice jazz tone too, definitely proving that looks and technology can be deceiving. As excellent as Metheny played though, Goodrick was fascinating to watch as he finger picked with all five fingers, sometimes utilizing an effect, but typically creating a rainbow of colors and textures just from hitting the strings in different ways. It was the first time the two played together outside Boston and if they ever do it again, it’s a highly recommended gig to catch. Denis Alix/Festival De Jazz De Montréal More well known is the duo of The Pat Metheny Group performs at Theatre Maisonneuve during the 2005 Festival De Metheny and Charlie Haden, who reJazz De Montréal. visited their folky Beyond The Missouri Sky album from 1997. Metheny opened for himself by playing a few songs from his solo acoustic One Quiet Night. Then came the duo. The two’s easy chemistry filled the large Theatre Maisonneuve on Thursday, July 7. The two stuck to the script they wrote with the album. The set lasted nearly two hours and the audience was as close to silent as one could expect from a room this size (1458 people). Even though Haden was reading as he played (which is a pet peeve of mine—it’s jazz after all), his soloing was exceptional – this was only heightened by the fact that sound quality was excellent with his bass sound coming through clearly and distinctly. Metheny was his usual dazzling self on a variety of acoustic guitars, taking lengthier solos. Nonetheless, the two never lost their sense of swing as they went. JW jazzweek.com • July 20, 2005 JazzWeek 13 Q&A: André Ménard, Co-Founder and Artistic Director of Montréal Jazzfest, President and Artistic Director of Couleur Jazz 91.9 FM T hose who were in Montréal for the jazz festival likely came across André Ménard. He seemed to be everywhere, checking out everything and directing traffic as he did it. Even though he was immersed in the details of being one of the head honchos of the festival, Menard also took time for his new gig as the 4 p.m. to 6 p.m. drive time DJ for Couleur Jazz 91.9, which is a new commercial jazz station in Montréal with a 5000-watt signal. JazzWeek sat down with him for a few minutes to chat about his new job and his older one. – Tad Hendrickson JW: You’ve branched out into radio. Is this a new thing for you? AM: After 25 years with the festival we now do this too. It was actually a few years in the making because radio licenses are hard to get up here, especially in Montréal where the airwaves are so busy. So it took a while to locate a frequency and for them to decide that they could let it go. There were some meetings, but we got off pretty easy because the festival has such a strong showing up here. How has it been received? We went on at Christmas and two weeks later we already had a 2 percent market share. We’re still waiting for the second results in August. There has been a lot of interest because the radio in Montréal, at least on the French side, is pretty well homogenized – they all offer the same kind of music and content. So we came up with something fresh-- basically we play music, we don’t have contests and things like that. The talk is pretty minimal, but it’s intelligent talk and we announce the songs we play. Do you have specialized programming? No. We’re 70% jazz and blues. The rest can be pop and global music and things like that. We don’t have any news hours or specialty shows because we prefer to have everything in the flow all day. As long as this works, we’re going to keep it that way. What’s the wattage? That’s the sore spot. Only 5000 at this point because we are the first station to continued ... jazzweek.com • July 20, 2005 JazzWeek 14 Q&A: André Ménard (continued) be within three points of another station. They want to see how it works before they give us more. We’ll be requesting a stronger signal soon. How far does it go? We cover most of the island of Montréal as well as some of the suburbs. Our reach is about two million people. The entire metro area is three million so we want to reach those other people as well. That’s what we’ll be working with the authorities on over the next year. “With a festival you can program whatever you want and people will go to different things that they like. On radio, you have to try and satisfy everyone and then your mom.” How do you like the afternoon drive slot? I’ve never hosted a radio show before in my life. But the partners wanted a high profile person for that slot, which would me. I guess you’d call me an interested amateur. [laughs] I’m sure I’m not a professional, but it seems like it’s doing the job. What’s the difference between programming for festival and radio? With a festival you can program whatever you want and people will go to different things that they like. On radio, you have to try and satisfy everyone and then your mom. This means that the things you play have to have as broad of an appeal as possible without cutting off the rough edges. It’s a challenge that I appreciate. André Ménard What are some big artists for you at the station? Obviously we have the Canadian content rule, so that means we have to look very deeply into the Canadian catalog. Diana Krall for sure. Michael Bublé to a certain extent. He cross over so much that if we want to distinguish ourselves from other stations we have to be careful with him. He’s a huge crossover success in Canada. It’s hard to give you two or three names because we run the gamut. For instance on my show, I go from Tom Waits to Bob Dylan to Ben Webster. Right now we’re playing artists who are playing the festival, but we have the same eclectic taste during the other times of year. You mentioned the Canadian content issue. How else is Canadian radio different from U.S. radio? We have a special license so we have to play 35 percent Canadian music. For general licenses you have to play 65 percent French or Francophone content. That’s two out of three songs. It’s been very successful. We’re trying to do something different than that to distinguish ourselves. Running a festival would seem to be enough, yet you went and started a station. jazzweek.com • July 20, 2005 We also run three concert halls in Montréal too. We’re actually a large company – we have 360 employees year round. In the U.S. they would call us a major. continued ... JazzWeek 15 Q&A: André Ménard (continued) Here it is a big family. I wasn’t looking for a job, but I’ve always fled boredom in my life. I’m not bored right now. Also, over the last 10 years I’ve been more of a bureaucrat and the radio thing forces me to get out of my office. I show up to the station with my bag of CDs just like the kid on a college campus. It forces me listen to a lot of music and to be selective about it. It’s funny because radio has brought me back to why I was doing the festival in the first place, which was that I was fascinated or obsessed with music. If I have to listen to more music, I sure don’t mind. Hooray for me. You didn’t grow up in a house where jazz was played. What was your entre to the music? I started getting serious about music when I was 15 or 16, and the people around then were electric Miles Davis and John McLaughlin, so that was my introduction to jazz. I was pretty much into rock ’n’ roll, but we’d play that music and we’d play rock ’n’ roll. We didn’t really think of it as jazz. It was more like: I like this record that happens to be John McLaughlin and people like that. Same with the blues world, Cream and bands like that. Then I found out about the roots of the music later. So what are some of your highlights from this year? I’ve been fond of Zakir Hussain forever and his four nights here were out of this world. Even though I’m biased, he still surprised me with the level of his playing and interaction. It was really so strong and so beautiful. On the last night with John McLaughlin, it made me cry. Obviously I also have a soft spot for John. I think Pat Metheny is on his way to achieving grandeur. This guy is driven by I don’t know what. Sonny Rollins was a good show. Was there any let down this year after last year’s 25th anniversary? To tell you the truth, we always program as if it’s the last year we’re going to do it. There were more outdoor events last year, but the indoor programming this year was just as good as last year. Day by day, I’ve seen great performances. What do you look for in the performers when you are booking? We get very involved with promoting the festival and we want performers that are equally excited about playing it. The public is excited and they are knowledgeable, so a routine performance will get a routine reaction. So when they go out of the way, and we supply them with ability to do that if they want special guests. We also provide them with nice concert halls with great sound systems and sight lines. I think we’ve really tried to make it the best we have to offer by us and the city and it’s up to them to show us that they aren’t here just to go through the routine. To try and do something special. People who have been doing the same show for four years – we tend to not bring them back. Those going through constant evolution, we’ll bring them back every year. Such as Pat Metheny playing with everyone? Pat is the ultimate example of this. JW jazzweek.com • July 20, 2005 JazzWeek 16 Reviews and Picks music. Here he’s backed with his Ladyland Quartet, which last appeared on 2002’s well-received Mantis. His horn The Path To Delphi (Nagel Heyer) playing is definitely out of Miles Davis’s less-is-more school TO READ THE song titles of The Path To Delphi, you’d think of soloing, often that trombonist David Gibson has a thing for Greek my- choosing slow methology. But to hear the music on The Path is to hear a play- lodic lines that float (with the help of efer immersed in the fects sometimes) over work of creation, a bed of jittery drum jazz creation that is. ‘n’ bass rhythms, Gibson’s second alelectric grooves and bum as a leader feaa bit of ambient tures nine bebop world music filigree. into post-bop origiSometimes that band nals that recall clasopens things up with sic straight-ahead slow dubby grooves jazz of the ’60s. For(“Dubophone”) while other times adding a hip-hop (“Big tunately the sexWheel”) or a Middle Eastern slant (title track). Taking a tet (which actually jazz musician’s approach to it all, Truffaz has found a way performs as a quintet with Randy Brecker on horn and Wayne Escoffrey on to beautifully and skillfully integrate a myriad of styles and soprano sax alternating duties) keeps the music from be- sounds into one clear portrait. Fact is, no one does it better. ing musty – solos are tasteful and not particularly long as – Tad Hendrickson they move the material forward. Brecker catches fire on the Contact: Groov Marketing beautiful “Persephone” while everyone sizzles on “Eidolon.” Phone: (877) GROOV 32 Eschewing bombast for delicacy, Gibson himself sounds Email: [email protected] great as he adds dancing nuance and subtlety each time Release Date: July 26 he picks up the horn, particularly on closer “Prometheus’s Add Date: July 25 Peace.” Other highlights include the strong group interplay on the jaunty title track and the ballad “Hestia’s Egress.” Garage A Trois – Tad Hendrickson David Gibson Contact: Tom Mallison Email: [email protected] Release Date: July 2005 Add Date: Going for adds now Erik Truffaz Soloua (Blue Note) TRUMPETER ERIK TRUFFAZ has made quite the splash in Europe and amongst young audiences here in the U.S. with his intelligent mix of traditional jazz and modern electronic jazzweek.com • July 20, 2005 Outre Mer (Telarc) IT’S FITTING THAT this all-star groove project with the French name would write music for a French film. Featuring guitarist Charlie Hunter, saxophonist Skerik, vibraphonist Matt Dillon and drummer Stanton Moore, the foursome have played together on and off over the years and recorded one album previously. Recorded live in the studio, the soundtrack (which features full-length songs) offers the band a chance to shed their uber-funk-jazz-groove sound in favor of a sound that is more acoustic and subtle. Perhaps continued ... JazzWeek 17 Reviews and Picks Garage A Trois (continued) because the players’ job is to not overshadow the music, no one is swinging for the fences here, and that creates a noir-ish vibe that will be idea for evening programming – dark and moody, but hardly sleepy. Highlights include the playful “Merpati,” the hypnotic groovin’ “Outre Mer” and the soulful “The Dream.” – Tad Hendrickson Contact: Vikki Rzepka Phone: (216)204987A01 464-2313 ext. 228 Email: [email protected] Release Date: July 26 Add Date: July 25 get history buff. jazzweek.com • July 20, 2005 NOTE TO PUB: DO NOT PRINT INFO BELOW, FOR ID ONLY. NO ALTERING OF AD COUNCIL PSAs. Editors’ Picks Clayton-Hamilton Jazz Orchestra Live at MCG (MCG/Heads Up) Jazz radio loves a big band record, as is evidenced by the meteoric rise on the chart of this release. With everything from barnburners like Sonny Stitt’s “Eternal Triangle” to the sweetly mellow “Nature Boy” with John Clayton’s bowed bass, the CHJO displays both the bombast and tenderness possible from a large ensemble. Horace Silver’s “Jody Grind,” “Squatty Roo” by Johnny Hodges, and Monk’s “Evidence” with solos from four members of the trumpet section are also highlights. Vince Seneri Street Talk (Senful) Philly has been the spawning ground of many fine jazz organists, and you can include Seneri on that list. While much of the CD delves into familiar soul jazz territory, it does it very well, particularly with veteran tenor men David “Fathead” Newman (including on “Unchain My Heart”) and Houston Person. But Seneri expands beyond the traditional organ jazz sound with tracks like the Latin take on “Softly As In A Morning Sunrise” and “Reccato Bossanova” with flutist Dave Valentin. Street Talk pays homage to the organ jazz tradition, but is a little more insistent and a little less laid back than is often the case. Chris McNulty Dance Delicioso (Elefant Dreams) Australian-born vocalist, composer, and arranger Chris McNulty has delivered a satisfying new CD that does something I appreciate in vocal records: it includes interesting new repertoire. McNulty combines her own fine compositions with interesting choices, like Annie Lennox’s “Primitive” and the traditional “He Moved Through the Fair,” plus a couple of standards. Co-produced by Paul Bollenback and McNulty, and including a who’s who of musicians, Dance Delicioso should find favor with even the most persnickety of music directors. Dave Peck Good Road (Let’s Play Stella) The latest CD from the trio of pianist Dave Peck, bassist Jeff Johnson, and drummer Joe LaBarbera is exquisite. Deep and evocative but swinging, the album is a beautiful example of the subtlety and synergy possible in a classic trio. All seven standards and Peck’s original “The First Song of Spring” are highly recommended. Denny Zeitlin Solo Voyage (MAXJAZZ) Zeitlin’s Solo Voyage takes us a little beyond the typical solo piano album. While he swings his way adeptly through some standards and his own compositions and free improvisations, he also detours into some interesting territory accompanying himself on the synthesizer in a suite called “Solo Voyage,” arranged for his friend Bill Young, who was in his last days after battling cancer. The synthesized passages may not work for some jazz stations, although most of them are sweet and sensitive. But many solo piano pieces will work, and there should be room for some of the more adventurous electronic tunes on late night or specialty programs. – compiled by Ed Trefzger JazzWeek 18 Classifieds LISA REEDY PROMOTIONS Hire the full service radio promotions company with a proven track record. Lisa Reedy Promotions specializes in Jazz and related music and works with over 300 radio stations across the United States, including NPR affiliates, college & community radio stations, syndicated & satellite programming and select International stations. 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Visit www.artisttion service for music indus- monitor.com for information on try professionals provides the various packages available. timely, accurate airplay date For daily, online access to the for your releases in easy to data behind the charts, contact read online reports, monitored Erik Maier at (212) 621-8466 or stations playlists and more. [email protected]. http:// Subscripiton packages start www.artistmonitor.com/ around $100 per month. For daily, online access to the data P R O M O T I O N A L JazzWeek behind the charts, contact Erik OPPORTUNITY: Maier at (212) 621-8466 or offers advertising [email protected]. http:// es to give you maximum impact – not only to radio, but www.mediaguide.com/ jazzweek.com • July 20, 2005 for jazz and smooth jazz fans as well. Combine an advertisement in JazzWeek with ads in JazzWeek’s weekly Top 50 Jazz and Smooth Jazz email blasts, and improve impact to radio with ads on JazzWeek’s Monday Adds Blast and the Jazz Programmers Mailing List. To find out more, call Tony Gasparre at (585) 2354685 x3, or email us at [email protected]. FOR SALE Find the top 50 jazz and smooth jazz CDs at jazzweek. com/shop/. JazzWeek each week lists the top 50 jazz and smooth jazz CDs based on radio airplay with quick links to purchase through Amazon. com. Also listed are the top selling CDs, DVDs, and books in various categories. Sign up for weekly top 50 emails at www.jazzweek.com/shop/. ☛ JazzWeek classifieds are an easy and economical way to get your message out. 75-word ads, plus your URL are $25 per issue, and an up to 25-word ad is just $10 weekly. Display clas216118A01 sifieds are $10 per column inch, with a $30 minimum. Save more by signing up for several weeks in advance – receive one week free for every four weeks purchased. To reserve your ad, call Tony Gasparre at (585) 235-4685 x3, or email us at [email protected]. DENNIS MANARCHY © 2004 UNCF ALL RIGHTS RESERVED SERVICES ® We are born with limitless potential. Help us make sure that we all have the chance to achieve. Please visit uncf.org or call 1-800-332-8623. Give to the United Negro College Fund. JazzWeek 19 NOTE TO PUB: DO NOT PRINT INFO BELOW, FOR ID ONLY. NO ALTERING OF AD C Jazz Radio Ahmad Jamal’s After Fajr Is Week’s Top Album Vince Seneri’s Street Talk Is Most Added on 22 Stations A Ahmad Jamal’s After Fajr (Dreyfus Jazz) tops this week’s Jazz Album Chart. Mulgrew Miller had the biggest jump in spins with his MAXJAZZ CD Live at Yoshi’s Volume Two. jazzweek.com • July 20, 2005 hmad Jamal’s After Fajr (Dreyfus Jazz) is No. 1 on this week’s JazzWeek Jazz Album Chart in its fourth week, with airplay on 51 stations, bumping David Hazeltine’s Modern Standards (Sharp Nine) to No. 2. Vince Seneri’s Street Talk (Senful Records) was Most Added with 22 new stations. Seeing the biggest leap in airplay was Mulgrew Miller’s MAXJAZZ CD, Live at Yoshi’s Vol. 2 which picked up 91 spins, added 21 stations, and debuted at No. 43. Jazz Album Charts p. 21 Jazz Add Dates p. 22 Jazz Current CDs p. 23 Jazz Radio Panel p. 29 JazzWeek 20 JazzWeek Jazz Album Chart July 20, 2005 TW 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 25 27 28 29 30 LW 11 1 9 3 5 4 6 10 8 7 13 12 2 27 14 31 26 28 19 16 15 18 20 23 17 25 35 22 NR NR 2W Peak Artist 12 1 Ahmad Jamal 3 1 David Hazeltine 8 3 Joshua Redman Elastic Band 1 1 John Scofield 7 5 Terry Gibbs 11 4 Bill Charlap 4 4 Terence Blanchard 6 6 Eddie Palmieri 9 8 Freddy Cole 10 7 Sean Jones 18 11 Javon Jackson 5 1 Joe Lovano 2 2 Bill Cunliffe 28 14 City Rhythm Orchestra 13 5 Hank Jones NR 16 The Clayton-Hamilton Jazz Orchestra 35 17 Dave Stryker 39 18 Mary Stallings 22 14 The Frank & Joe Show 29 16 Brian Lynch 14 3 Steve Hobbs 25 13 Dena DeRose 15 15 Cedar Walton 18 13 Dave Brubeck Quartet 20 8 Lizz Wright 30 22 Ron Blake 33 27 Arturo Sandoval 16 16 Peter Martin 17 1 Eldar 37 30 Harry Connick Jr. Release After Fajr Modern Standards Momentum That’s What I Say: The Music of Ray Charles Feelin’ Good: Live In Studio Plays George Gershwin: The American Soul Flow Listen Here! This Love Of Mine Gemini Have You Heard Joyous Encounter Imaginacion Vibrant Tones For My Father Live At MCG Big City Remember Love 66 2/3 24/7 Spring Cycle A Walk In The Park Underground Memoirs London Flat, London Sharp Dreaming Wide Awake Sonic Tonic Live At The Blue Note In The P.M. Eldar Occasion 30 32 32 34 35 NR 21 23 50 NR NR 38 25 NR 27 30 21 3 34 27 Sammy Figueroa & His Latin Jazz Explosion Roni Ben-Hur Scott Hamilton/Bill Charlap Trio Melvin Sparks Miguel Zenon ... And Sammy Walked In Signature Back In New York This Is It Jibaro 36 37 38 39 39 41 42 43 43 45 46 47 48 49 50 32 38 30 33 35 34 42 37 NR 28 49 43 39 43 43 41 22 31 20 41 40 NR 36 NR 24 49 50 41 NR 46 30 1 7 4 33 10 42 25 43 10 20 43 17 43 43 Mingus Big Band/Orchestra/Dynasty Gary Burton Cheryl Bentyne Curtis Fuller Kathy Kosins Vic Juris Roger Kellaway The Bill Holman Band Mulgrew Miller Marian McPartland & Friends Dana Landry Wayne Shorter Luther Hughes Lorraine Feather The Bud Shank Quartet with Phil Woods I Am Three Next Generation Let Me Off Uptown Keep It Simple Vintage A Second Look Remembering Bobby Darin Live Live At Yoshi’s: Vol. 2 85 Candles-Live In New York Journey Home Beyond The Sound Barrier Cannonball-Coltrane Dooji Wooji Bouncing With Bud & Phil - Live At Yoshi’s Increased Airplay Most Added Vince Seneri Street Talk (Senful Records) Mulgrew Miller Live At Yoshi’s: Vol. 2 (MAXJAZZ) Sammy Figueroa & His Latin Jazz Explosion ... And Sammy Walked In (Savant) Dave Peck Good Road (LPS Records) Pearl Django Chasing Shadows (Modern Hot Records) jazzweek.com • July 20, 2005 Label Dreyfus Jazz Sharp Nine Nonesuch Verve Music Group Mack Avenue Blue Note Blue Note Concord Jazz HighNote Mack Avenue Palmetto Blue Note Torii Records Limehouse Records Justin Time MCG Jazz Mel Bay Half Note Records Hyena Records Nagel Heyer Random Chance MAXJAZZ HighNote Telarc Jazz Verve/Forecast Mack Avenue Half Note Records MAXJAZZ Sony Classical Marsalis Music/ Rounder Records Savant Reservoir Concord Jazz Savant Marsalis Music/ Rounder Records Sunnyside Concord Jazz Telarc Jazz Savant Mahogany Jazz Mel Bay IPO Recordings Jazzed Media MAXJAZZ Concord Jazz Summit Verve Music Group Primrose Lane Sanctuary Capri +22 +21 +15 +15 +11 Mulgrew Miller Live At Yoshi’s: Vol. 2 (MAXJAZZ) Eldar Eldar (Sony Classical) Harry Connick Jr. Occasion (Marsalis Music/ Rounder Records) Miguel Zenon Jibaro (Marsalis Music/ Rounder Records) City Rhythm Orchestra Vibrant Tones (Limehouse Records) airplay data powered by TP 259 254 246 239 238 236 231 230 227 212 206 196 187 181 179 160 154 151 149 148 143 142 136 133 127 127 125 121 118 113 LP 202 278 216 255 247 248 232 203 218 225 193 198 265 122 174 117 125 121 143 161 172 147 142 132 154 131 103 134 28 28 +/- Weeks Stations 57 4 51 -24 8 48 30 7 46 -16 11 48 -9 6 44 -12 3 47 -1 6 49 27 6 50 9 5 46 -13 6 42 13 5 44 -2 11 43 -78 9 44 59 5 39 5 8 40 43 2 32 29 3 39 30 8 39 6 6 38 -13 4 38 -29 11 29 -5 9 34 -6 5 45 1 8 41 -27 8 34 -4 9 33 22 8 36 -13 9 32 90 15 29 85 4 35 Adds 2 0 0 0 1 2 2 3 0 0 1 0 0 1 0 7 4 0 2 2 0 0 0 1 1 1 2 1 1 3 113 59 54 111 138 -27 111 132 -21 110 69 41 109 30 79 1 3 15 2 7 38 38 29 33 31 15 6 0 7 2 99 97 96 95 95 93 92 91 91 90 89 88 86 83 82 6 15 13 14 7 12 2 6 1 13 11 4 12 2 3 30 27 20 25 31 23 31 27 32 24 22 31 22 24 24 1 0 0 0 1 1 5 1 21 0 2 3 0 0 2 116 99 120 110 103 107 83 101 NR 121 71 81 92 81 81 -17 -2 -24 -15 -8 -14 9 -10 91 -31 18 7 -6 2 1 Chartbound +91 +90 +85 +79 +59 Beaux J Poo Boo All Things Are New (Summit) Paul Anka Rock Swings (Verve Music Group) Afro-Latin Jazz Orchestra w/ Arturo O’Farrill Noche Inolvidable (Palmetto) Ted Howe Ellington (Summit) Philip Catherine Meeting Colors (Dreyfus) Pearl Django Chasing Shadows (Modern Hot Records) Frank Mantooth Ladies Sing for Lovers (MCG/Heads Up) The Mort Weiss Quartet The Four Of Us: Live At Steamers (SMS Jazz) Mozayik Haitian Creole Jazz (Zoho Music) Luciana Souza Duos II (Sunnyside) All monitored airplay data is owned by Mediaguide, Inc. ©2005 Mediaguide, Inc. JazzWeek 21 Jazz Radio Adds Here are upcoming add dates for new releases, and add dates that have passed during the last few weeks. This listing was current as of press time. June 1, 2005 July 5, 2005 Allen Won – The Jewel In The Lotus (Allen Won Records) June 2, 2005 Celso Fonseca – Rive Gauche Rio (Six Degrees Records) June 3, 2005 Marc Pompe – Nobody Else But Me (Kopaesthetics) June 6, 2005 Barbara Montgomery – Trinity Denise Donatelli – In The Company of Friends (Jazzed Media) Kathy Kosins – Vintage (Mahogany Jazz) Paul Anka – Rock Swings (Verve Records) Lizz Wright – Dreaming Wide Awake (Verve Records) The Frank and Joe Show – 66 2/3 (Hyena Records) Mingus Big Band, Orchestra & Dynasty – I Am Three (Sunnyside/ Sue Mingus Music) Rita Coolidge – And So Is Love (Concord Records) Mozayik – Haitian Creole Jazz (Zoho Music) June 13, 2005 James Carter – Out Of Nowhere (Half Note Records) Will Calhoun – Native Lands (Half Note Records) July 11, 2005 Dave Peck – Good Road (Lets Play Stella) Pearl Django – Chasing Shadows (Modern Hot Records) Cadwallader Asetta & Dixson – Quicker Than The Eye (Stanza USA Music) Chris McNulty – Dance Delicioso (Elefant Dreams) The Clayton-Hamilton Jazz Orchestra – Live At MCG (MCG/Heads Up) July 18, 2005 Sherman Irby – Faith (Black Warrior Records) Jim Self – Innerplay (Bassett Hound Music) August 1, 2005 Nnenna Freelon – Blueprint of a Lady (Concord Records) Poncho Sanchez – Do It! (Concord/Picante Records) August 8, 2005 Wayne Shorter – Beyond The Sound Barrier (Verve Records) City Rhythm Orchestra – Vibrant Tones (Limehouse Records) Javon Jackson – Have You Heard (Palmetto Records) Eddie Palmieri – Listen Here! (Concord Picante Records) Frank Mantooth – Ladies Sing for Lovers (MCG/Heads Up) Kevyn Lettau – Bye Bye Blackbird (MCG/Heads Up) Roni Ben-Hur – Signature (Reservoir) June 20, 2005 Ahmad Jamal – After Fajr (Birdology/Dreyfus Jazz) Bud Shank Quartet with Phil Woods – Bouncing With Bud & Phil Live At Yoshi’s (Capri Records) Organissimo – This Is The Place (Big “O” Records) Tim Reis – Stones Project (Concord Records) August 15, 2005 Bill Mays Trio – Live At Jazz Standard (Palmetto) August 22, 2005 Joe Zawinul & The Zawinul Syndicate – Vienna Nights (BHM Productions) September 12, 2005 Maceo Parker – School’s In (BHM Productions) June 27, 2005 Philip Catherine with Brussels Jazz Orchestra – Meeting Colours (Dreyfus Jazz) Mort Weiss – The Four Of Us (Sms Jazz) Noah Baerman – Soul Force (Lemel Music) Afro-Latin Jazz Orchestra with Arturo O’Farrill – Noché Inolvidable (An Unforgettable Night) (Palmetto) July 4, 2005 Elaine Dame – Comes Love (Blujazz) Nick Bisesi – Gemini (Blujazz) Note: JazzWeek industry subscribers may update this information online at jazzweek.com. Add dates may also be submitted via email to [email protected]. jazzweek.com • July 20, 2005 JazzWeek 22 Jazz Radio Currents Greg Abate Afro-Latin Jazz Orchestra w/ Arturo O’Farrill Sandro Albert Monty Alexander Herb Alpert & The Tijuana Brass Scott Amendola Band Carl Amundson & The Modern Guitar Quintet Paul Anka Babatunde Lea The Bad Plus Noah Baerman Billy Bang BeatleJazz Beaux J Poo Boo Roni Ben-Hur The Marco Benevento/Joe Russo Duo Cheryl Bentyne Daniel Benzali Shelly Berg Trio Jeff Berlin Big Neighborhood Nick Bisesi Ron Blake Terence Blanchard Jane Ira Bloom Bob Boguslaw & The Way Salvatore Bonafede Debby Boone Chris Botti Joe Bourne & The Gary Moran Trio Ron Brendle Trio Zach Brock & The Coffee Achievers Brian Bromberg Dave Brubeck Quartet Jimmy Bruno Michael Buble Katie Bull Anne Burnell Gary Burton Will Calhoun Michel Camilo Caribbean Jazz Project Amanda Carr James Carter Organ Trio Philip Catherine Bill Charlap Corey Christiansen City Rhythm Orchestra Chiara Civello The Clayton-Hamilton Jazz Orchestra Jeff Coffin Anat Cohen Avishai Cohen Trio & Ensemble Freddy Cole Collier & Dean Ravi Coltrane Paul Combs’ Pocket Big Band Common Ground Eric Comstock Harry Connick Jr. Rita Coolidge Roz Corral Chris Cortez Matt Criscuolo Bill Cunliffe Elaine Dame Lars Danielsson Daria Bobby Darin Jo Ann Daugherty Dave’s True Story Orbert Davis Joey DeFrancesco w/Jimmy Smith Horace Is Here Noche Inolvidable Koko Jazz Palmetto The Color Of Things Live At The Iridium Lost Treasures Believe Guitarists 215 Records Telarc Jazz Shout Factory Cryptogramophone Blue Line Music Rock Swings Suite Unseen: Summoner of the Ghost Blunt Object: Live In Tokyo Soul Force Vietnam: Reflections With A Little Help From Our Friends All Things Are New Signature Reason to Buy the Sun Verve Music Group Motema Let Me Off Uptown Benzali Blackbird Lumpy Jazz Neighbors Gemini Sonic Tonic Flow Like Silver, Like Song Gabrielle’s Hand Journey To Donnafugata Reflections Of Rosemary When I Fall In Love Remembering Mr. Cole Photograph Chemistry It’s About Time London Flat, London Sharp Solo It’s Time Love Spook Blues In The Night Next Generation Native Lands Solo Here and Now: Live In Concert Tender Trap Out Of Nowhere Meeting Colors Plays George Gershwin: The American Soul Awakening Vibrant Tones Last Quarter Moon Live At MCG Telarc Jazz Rio Kat Concord Jazz M.A.J. Records Origin Blujazz Mack Avenue Blue Note Artist Share Summit CAM Concord Columbia Jonaja Lo Note Secret Fort Artistry Telarc Jazz Mel Bay 143 Records/Reprise Corn Hill Indie Spectrum Music Concord Jazz Half Note Records Telarc Jazz Concord Picante Original Music Half Note Records Dreyfus Blue Note Bloom Place & Time At Home This Love Of Mine Duets In Flux Live At Chit Chat High Voltage No One Knows Occasion Compass Anzic Records Razdaz HighNote Origin Records Savoy Jazz Sea Breeze Jazz Delmark Harbinger Records Marsalis Music/ Rounder Records Concord Blujazz Blue Bamboo Self-Produced Torii Records Blujazz HighNote(ACT) Jazz M Up Concord Records Blujazz Be Pop Records 3 Sixteen Concord Jazz And So Is Love Telling Tales Mum Is The Word Lotus Blossom Imaginacion Comes Love Libera Me Feel The Rhythm Live At The Desert Inn Range Of Motion Nature Blue Notes Legacy jazzweek.com • July 20, 2005 Sony Lemel Music Justin Time Lightyear Summit Reservoir Ropeadope Mel Bay Limehouse Records Verve/Forecast MCG Jazz Jack DeJohnette & Foday Musa Suso Lea DeLaria Dena DeRose Tony DeSare Stefano di Battista Denise Donatelli Armen Donelian Bob Dorough Dave Douglas Mark Dresser Catherine Dupuis Martin Eagle & Friends Kahil El’Zabar’s Ritual Trio Eldar John Ellis Connie Evingson Lorraine Feather Dale Fielder Amina Figarova Sammy Figueroa & His Latin Jazz Explosion Celso Fonseca Yves François The Frank & Joe Show Curtis Fuller Tia Fuller Garage a Trois Terry Gibbs David Gibson Rosario Giuliani John Goldman Paul Grabowsky Drew Gress Onaje Allan Gumbs Rigmor Gustafsson & The Jacky Terrason Trio Tord Gustavsen Trio Michael Hackett Dan Haerle Trio Scott Hamilton/Bill Charlap Trio Happy Apple Roderick Harper Gabriel Mark Hasselbach David Hazeltine Carol Heffler Fred Hersch Ensemble Hiroshima Steve Hobbs Dave Holland Big Band The Bill Holman Band The Hot Club of San Francisco Ted Howe Luther Hughes Abdullah Ibrahim Sherman Irby Vijay Iyer Javon Jackson Christian Jacob Ahmad Jamal Khan Jamal Keith Jarrett Gordon Johnson Randy Johnston Hank Jones Sean Jones Vic Juris Roger Kellaway Music From The Hearts Of The Golden Beam / Masters Kindred Rhythm Double Standards Telarc A Walk In The Park MAXJAZZ Want You Telarc Blue Note Parker’s Mood Jazzed Media In The Company of Friends Full Moon Music: Grand Ideas, Vol. 3 Sunnyside Sunday At Iridium Arbors Greenleaf Music Mountain Passages Time Changes Cryptogramophone The Rules of the Road Bearheart Records A Welcoming Beauty Hawksnest Delmark Live at the River East Art Center Eldar Sony Classical One Foot In The Swamp Hyena Records Gypsy In My Soul Minnehaha Music Dooji Wooji Sanctuary Baritone Sunride Clarion Jazz Munich Records Come Escape With Me ... And Sammy Walked In Savant Rive Gauche Rio Blues For Hawk 66 2/3 Keep It Simple Pillar Of Strength Outre Mer [Original Soundtrack] Feelin’ Good: Live In Studio The Path To Delphi More Than Ever In Walked Pierre Tales Of Time & Space 7 Black Butterflys Remember Their Innocence Close To you The Ground Circles Standard Procedure Back In New York The Peace Between Our Companies The Essence Of... Swingin’ Affair Modern Standards Exactly Leaves Of Grass Obon Spring Cycle Overtime Live Postcards From Gypsyland Ellington Cannonball-Coltrane A Celebratiom Faith Reimagining Have You Heard Styne and Mine After Fajr Peace Warrior Radiance Trios Version 3.0 Is It You? For My Father Gemini A Second Look I Was There - Roger Kellaway Plays From The Bobby Darin Songbook Roger Kellaway Remembering Bobby Darin Calvin Keys Calvinesque‘ Guillermo Klein Una Nave Kneebody Kneebody Ilona Knopfler Live The Life Cliff Korman and the Brazilian Tinge Migrations Kathy Kosins Vintage Reed Kotler Tomo Benny Lackner Trio Not The Same Move Bireli Lagrene & Gipsy Project Journey Home Dana Landry Six Degrees Delmark Hyena Records Savant Wambutia Telarc Mack Avenue Nagel Heyer Dreyfus Jazz Blujazz Sanctuary Premonition Ejano HighNote(ACT) ECM Summit Blujazz Concord Jazz Sunnyside RHM Wind Tunnel Sharp Nine Peeka Records Palmetto Heads Up Random Chance Dare2/Sunnyside Jazzed Media Lost Wax Music Summit Primrose Lane Enja/Justin Time BWR Savoy Jazz Palmetto WilderJazz Dreyfus Jazz Random Chance ECM Tonalities HighNote Justin Time Mack Avenue Mel Bay IPO Recordings IPO Recordings Silverado Records Sunnyside Koch Mack Avenue Planet Arts Mahogany Jazz Torii Records Nagel Heyer Dreyfus Jazz Summit JazzWeek 23 Jazz Radio Currents Michelle Latimer Sara Lazarus Nguyen Le Quartet Bradley Leighton Carolyn Leonhart Jay Leonhart Kevyn Lettau Dave Liebman Lincoln Center Jazz Orchestra Charles Lloyd Jeff Lorber Los Hombres Calientes Joe Lovano Sylvain Luc Brian Lynch The Leslie Maclean Trio Kevin Mahogany Sings and Plays Give Me The Simple Life Walking On The Tiger‘s Tail Just Doin‘ Our Thang New 8th Day Cool Bye Bye Blackbird Manhattan Dialogues A Love Supreme Jumping The Creek Flipside Vol 5: Carnival Joyous Encounter Ambre 24/7 That‘s Time Enough Big Band Frank Mantooth Ladies Sing for Lovers Thomas Marriott Individuation Veronica Martell The Art Of Intimacy Peter Martin In The P.M. Scott Martin Menudo and Gritz Will Martin Morning Hugh Masekela Revival Mark Masters Ensemble Porgy & Bess Redefined! Irvin Mayfield & The Orleans Jazz Strange Fruit Orchestra Kate McGarry Mercy Streets Chris McNulty Dance Delicioso Piano Jazz w/ Steely Dan Marian McPartland Marian McPartland & Friends 85 Candles-Live In New York Charles McPherson w/ Strings A Tribute To Charlie Parker Pablo Mendendez Havana Blues Mambo Pat Metheny Group The Way Up Raul Midon State of Mind Marcus Miller Silver Rain Mulgrew Miller Live At Yoshi’s: Vol. 2 Mingus Big Band/Orchestra/Dynasty I Am Three Grachan Moncur III Exploration Think Of One Monk’s Music Trio Barbara Montgomery Trinity Jason Moran Same Mother Mozayik Haitian Creole Jazz Oliver Mtukudzi Nhava Myanna One Never Knows La Espade de la Noche Ted Nash & Odeon The Marty Nau Group At The Bouquet Chorale Jacqui Naylor East/West Birdland - Yoshi’s Meshell Ndegeocello presents The Dance Of The Infidel Spirit Music Jamia Shelley Neill entree blue Ed Neumeister Quartet New Standards Calvin Newborn New Born I Remember Brother Ray David ‘Fathead’ Newman Russ Nolan Two Colors Nouvelle Vague Hod O’Brien Live At Blues Alley: First Set Live In Brooklyn Arturo O’Farrill Michael O’Neill The Long And Short Of It One More Music of Thad Jones Organissimo This Is The Place Listen Here! Eddie Palmieri Alan Pasqua My New Old Friend Energie Jim Payne Pearl Django Chasing Shadows Good Road Dave Peck Careless Love Madeleine Peyroux Enrico Pieranunzi (W/ Charlie Special Encounter Haden, Paul Motian) Leslie Pintchik So Glad To Be Here John Pizzarelli Knowing You Marc Pompe You Must Believe In Swing Concerts Michel Portal & Richard Galliano The Devere Pride Trio ... As In A Morning Sunrise Dafnis Prieto About The Monks Flora Purim Flora’s Song Nelson Rangell My American Songbook Vol. 1 Joshua Redman Elastic Band Momentum Twana Rhodes Thru The Night jazzweek.com • July 20, 2005 Cool Note Dreyfus Jazz ACT Pacific Coast Jazz Sunnyside Sons of Sound MCG/Heads Up Zoho Music Palmetto ECM Narada Jazz Basin Street Blue Note Dreyfus Jazz Nagel Heyer KippieJosh Jazz Zebra Records/Mahogany Jazz MCG/Heads Up Origin Apria MAXJAZZ SCM Saguaro Beach Heads Up Capri Basin Street Palmetto Elefant Dreams Concord Concord Jazz Clarion Jazz Zoho Music Nonesuch Manhattan Records Koch Records MAXJAZZ Sunnyside Capri CMB Records MMB Blue Note Zoho Music Heads Up Bridge Street Records Palmetto Summit Ruby Records Shanachie Cobalt Blue Meistero Yellow Dog HighNote Rhinoceruss Peacefrog Reservoir Zoho Music Jazzmo IPO Recordings Big “O” Records Concord Jazz Cryptogramophone Savant Modern Hot Records LPS Records Rounder CAM Ambient Telarc Jazz Cadence Jazz Dreyfus Jazz The Davis Group Zoho Music Narada Jazz Koch Nonesuch Nagel Heyer Marc Ribot Roditi / Ignatzek / Rassinfosse Kurt Rosenwinkel Kermit Ruffins Sakesho David Sanborn Arturo Sandoval Rebecca Sayre Diane Schuur w/ Caribbean Jazz Project John Scofield Spiritual Unity Light In The Dark Deep Song Throwback We Want You To Say Closer Live At The Blue Note This Is Always Schuur Fire PI Recordings Nagel Heyer Verve Music Group Basin Street Heads Up Verve Music Group Half Note Records Becca Concord Records Verve Music Group Vince Seneri Paul Serrato SFJazz Collective The Bud Shank Quartet with Phil Woods Shapes That’s What I Say: The Music of Ray Charles Street Talk Excursions SFJazz Collective Bouncing With Bud & Phil - Live At Yoshi’s The Big Picture Avery Sharpe Trio Woody Shaw Wayne Shorter Ben Sidran Quartet Jeff ‘Siege’ Siegel Herb Silverstein & Friends Dragonfly Live: Volume four Beyond The Sound Barrier Bumpin’ At The Sunside! Magical Space Beach Walker Doctor Lonnie Smith Too Damn Hot Keely Smith Vegas ‘58 - Today Luciana Souza Duos II Melvin Sparks This Is It Remember Love Mary Stallings The Stamm/Soph Project Live At Birdland NYC Patches Stewart Blow Curtis Stigers I Think It’s Going To Rain Today Sonny Stitt Work Done Kevin Stout & Brian Booth Tales Of The Tetons Big City Dave Stryker Andy Summers The X Tracks Duke Of Uke Bill Tapia Seductivity Times 4 Mel Torme, Gerry Mulligan & George The Classic Concert Live Shearing Dwight Trible Living Water Two Siberians Out of Nowhere Belinda Underwood Underwood Uncurling Various Artists Various Artists The Mike Vax Big Band Steve Venz The Chris Walden Big Band Ken Walker Sextet Cedar Walton Doug Wamble Wasilewski, Kurkiewicz & Miskiewicz Harry Watters The Dave Weckl Band Mark Weinstein The Mort Weiss Quartet Judy Wexler Kenny Wheeler Kenny Wheeler & John Taylor Wesla Whitfield Scott Whitfield Jazz Orchestra Joe Williams Abram Wilson Allen Won Quartet Phil Woods Victor Wooten Lizz Wright Savina Yannatou & Primavera En Solonico Yellowjackets Dave Young Ruth Young Rachel Z Denny Zeitlin Miguel Zenon Senful Records Graffiti Productions Nonesuch Capri Burnin’ Down The House Productions JKNM HighNote Verve Music Group Nardis Consolidated Artists Silvertunes Music Productions Palmetto Concord Sunnyside Savant Half Note Records Jazzed Media Koch Concord Jazz HighNote Jazzed 5 Records Mel Bay Fuel 2000 Moon Room Records Rhombus Concord Jazz Passin’ The Vibe Heads Up Cosmik Muse Rekords Blue Note Perfect Takes Blue Note Putumayo Presents: Swing Around Putumayo the World Next Stop - Live... On The Road Summit Scoop Daal Jazz Home Of My Heart Origin Records Terra Firma Synergy Music Underground Memoirs HighNote Marsalis Music/ Bluestate Rounder Records Trio ECM Out Of A Dream: Love Songs Multiplicity Algo Mas/Cuban Roots The Four Of Us: Live At Steamers Easy On The Heart What Now? Where Do We Go From Here? In My Life The Minute Game Havin’ A Good Time! Jazz Warrior The Jewel In The Lotus Groovin’ To Marty Paich Soul Circus Dreaming Wide Awake Sumiglia Summit Stretch/Concord Jazz Heads SMS Jazz Rhombus CAM CAM HighNote Summit Hyena Records Dune Records Self-Produced Jazzed Media Vanguard Verve/Forecast ECM Altered State Mainly Mingus This Is Always Grace Solo Voyage Jibaro Heads Up Justin Time Nagel Heyer Chesky MAXJAZZ Marsalis Music/ Rounder Records JazzWeek 24 Smooth Jazz Radio Richard Elliot Tops Album and Singles Charts Again Paul Brown Picks Up 27 Stations as Week’s Most Added R Richard Elliot has the top album, Metro Blue (Artizen), and the top single, “People Make the World Go ’Round,” for the second week in a row. Paul Brown’s The City (GRP/Verve) and its single “Cosmic Monkey” were added on 27 stations. jazzweek.com • July 20, 2005 ichard Elliot’s Metro Blue (Artizen) and its single “People Make the World Go ’Round” topped the July 20 charts for a second consecutive week. Paul Hardcastle picked up 307 spins for the single “Serene” and the album 4 (Trippin ’N’ Rhythm), for the week’s biggest jump in airplay: “Serene” rocketed to No. 7 after debuting at No. 29 last week. The Most Added single and album this week came from Paul Brown. The track “Cosmic Monkey” from his GRP release The City was added to the playlist of 27 stations, edging singles from The Rippingtons and Meshell Ndegeocello, which each were added on 26. “Cosmic Monkey” debuted at No. 24 on the singles chart. Smooth Albums p. 26 Smooth Singles p. 27 Smooth Current CDs p. 28 Smooth Radio Panel p. 29 JazzWeek 25 JazzWeek Smooth Album Chart July 20, 2005 TW 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 LW 1 2 5 4 8 7 6 3 9 10 33 11 12 NR 13 16 17 15 18 14 44 20 30 19 21 22 23 25 NR 26 NR 39 24 29 27 NR 28 31 34 NR 32 35 62 41 45 98 36 37 38 43 2W Peak Artist 2 1 Richard Elliot 1 1 Nils 4 3 Steve Cole 5 1 Kenny G 9 5 Chuck Loeb 6 6 Paul Taylor 7 1 Dave Koz 3 1 Michael Lington 8 8 Norman Brown 10 2 Boney James NR 11 Paul Hardcastle 11 1 Various Artists 12 1 Wayman Tisdale NR 14 Anita Baker 13 4 Euge Groove 15 14 Jeff Lorber 18 17 Average White Band 16 15 Jonathan Butler 20 18 Ken Navarro 14 3 Paul Brown NR 21 Brian Culbertson 22 6 Marion Meadows 30 4 Mindi Abair 17 13 3rd Force 19 14 Nick Colionne 21 4 Tim Bowman 23 5 Chris Botti 24 14 David Sanborn NR 29 Paul Brown 26 1 Soul Ballet NR 31 Kem 41 32 Walter Beasley 25 18 Joyce Cooling 31 16 Fourplay 27 10 Chris Botti NR 36 Seal 28 1 Gerald Albright 29 9 Peter White 33 5 George Benson NR 40 Michael Buble 32 18 Pieces Of A Dream 38 20 Dan Siegel NR 43 Jeff Golub 35 35 Nelson Rangell 40 14 Marc Antoine 87 30 Various Artists 34 18 Praful 37 36 Alexander Zonjic 43 25 The Ramsey Lewis Trio 47 43 Chieli Minucci Release Metro Blue Pacific Coast Highway Spin At Last...The Duets Album When I’m WIth You Nightlife Saxophonic Stay With Me West Coast Coolin’ Pure 4 Forever, For Always, For Luther Hang Time My Everything Livin’ Large Flipside Greatest And Latest Jonathan Love Coloured Soul Up Front It’s On Tonight Player’s Club Come As You Are Driving Force Just Come On In This Is What I Hear A Thousand Kisses Deep Closer The City Dream Beat Dream Album II For Her This Girl’s Got To Play Journey When I Fall In Love Seal IV Kickin’ It Up Confidential Irreplaceable It’s Time No Assembly Required Inside Out Temptation My American Songbook Vol. 1 Mediterraneo Rendezvous Lounge, Vol.1 One Day Deep Seldom Blues Time Flies The Juice [Single] Most Added Increased Airplay Paul Brown The City (GRP/Verve) +27 Meshell Ndegeocello The Spirit Music Jamia: Dance Of The Infidel (Shanachie) +26 The Rippingtons Wild Card (Peak) +26 Najee My Point Of View (Heads Up) +9 Ken Navarro Love Coloured Soul (Positive Music) +6 Paul Hardcastle 4 (Trippin ’N’ Rhythm) Brian Culbertson It’s On Tonight (GRP/Verve) Paul Brown The City (GRP/Verve) Mindi Abair Come As You Are (GRP) Various Artists Rendezvous Lounge, Vol.1 (Rendezvous) jazzweek.com • July 20, 2005 Label Artizen Baja Narada Jazz Arista Shanachie Peak Capitol Rendezvous Warner Bros. Warner Bros. Trippin ’N’ Rhythm GRP Rendezvous Blue Note EMI Narada Jazz Liquid 8 Rendezvous (Red) Positive Music GRP GRP/Verve Heads Up GRP Higher Octave Will Keys Liquid 8 Columbia Verve GRP/Verve 215 Universal/Motown Heads Up Narada Jazz/Virgin BMG Columbia Warner Bros. GRP/VMG/UMG Columbia GRP/VMG/UMG 143/Reprise Heads Up Native Language Narada Jazz Koch Rendezvous Rendezvous Rendezvous Heads Up Narada Jazz Shanachie airplay data powered by TP 734 697 663 659 636 633 629 581 565 487 462 436 413 361 337 329 314 309 306 305 303 279 269 256 252 212 199 198 189 189 187 187 181 169 164 164 161 148 145 141 141 140 137 126 126 125 119 115 113 112 LP 761 738 652 656 622 635 650 704 566 500 155 472 439 371 371 317 298 337 292 359 106 257 159 285 257 240 218 205 0 197 160 118 206 161 172 157 169 157 148 130 156 141 51 117 104 16 139 121 121 110 +/- Weeks Stations -27 6 34 -41 26 33 11 18 30 3 32 34 14 23 30 -2 19 29 -21 37 33 -123 37 32 -1 4 34 -13 37 34 307 2 31 -36 32 30 -26 37 31 -10 1 32 -34 37 32 12 25 28 16 5 27 -28 7 26 14 23 32 -54 32 32 197 2 29 22 37 29 110 37 29 -29 25 25 -5 37 31 -28 29 30 -19 37 29 -7 27 22 189 1 27 -8 37 31 27 1 15 69 9 17 -25 32 27 8 37 23 -8 32 23 7 1 28 -8 37 28 -9 32 28 -3 37 29 11 1 8 -15 37 17 -1 37 22 86 2 13 9 21 14 22 37 31 109 37 17 -20 37 25 -6 32 14 -8 32 20 2 7 9 Adds 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 6 0 2 0 0 0 0 0 0 0 27 0 1 0 0 0 0 0 0 0 0 1 0 0 0 0 0 0 0 0 0 0 Chartbound +307 +197 +189 +110 +109 Brian Bromberg Choices (A440) Meshell Ndegeocello The Spirit Music Jamia: Dance Of The Infidel (Shanachie) To The Bone Spread Love Like Wildfire (Narada) Curtis Stigers I Think It’s Going To Rain Today (Concord) The Rippingtons Wild Card (Peak) George Duke T-Jam [Single] (Bpm/Navarre) Eric Marienthal Sweet Talk (Peak) Jeff Kashiwa Peace Of Mind (Native Language) Larry Gittens Too Hot [Single] (Human Feel) All monitored airplay data is owned by Mediaguide, Inc. ©2005 Mediaguide, Inc. JazzWeek 26 JazzWeek Smooth Singles Chart July 20, 2005 TW 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 LW 1 2 3 5 4 6 29 8 7 12 11 14 9 10 15 46 13 17 16 18 19 NR 23 NR 22 21 39 NR 20 24 30 25 27 31 28 33 26 32 72 NR 34 36 41 NR 35 37 38 43 42 40 2W Peak Artist 2 1 Richard Elliot 1 1 Nils 3 2 Steve Cole 6 4 Chuck Loeb 4 4 Paul Taylor 5 2 Michael Lington NR 7 Paul Hardcastle 8 8 Kenny G & Earth Wind, & Fire 7 7 Norman Brown 17 10 Dave Koz 9 9 Jeff Lorber 13 12 Average White Band 11 9 Jonathan Butler 14 10 Paul Jackson, Jr. 18 14 Ken Navarro NR 16 Brian Culbertson 10 1 Boney James 19 17 Wayman Tisdale 12 10 3rd Force 16 3 Euge Groove 15 2 Kenny G & David Sanborn NR 22 Anita Baker 24 5 Marion Meadows NR 24 Paul Brown 22 1 Soul Ballet 21 1 Tim Bowman 44 27 Walter Beasley NR 28 Kem 20 5 Paul Brown 23 1 Dave Koz 30 15 Fourplay 25 1 Wayman Tisdale 27 1 Gerald Albright 28 11 Nick Colionne 29 3 Mindi Abair 32 2 Norman Brown 31 5 Chris Botti 26 16 David Sanborn NR 39 Jeff Golub NR 40 Seal 34 3 George Benson 40 15 Dan Siegel 41 41 Nelson Rangell NR 44 Mindi Abair 33 29 Paul Brown 37 10 Chris Botti 36 28 Alexander Zonjic 54 43 Chieli Minucci 43 2 Boney James 45 22 The Ramsey Lewis Trio Release People Make The World Go ’Round Pacific Coast Highway Thursday Tropical Nightlife Two Of A Kind (w/ Chuck Loeb) Serene The Way You Move West Coast Coolin’ Love Changes Everything Ooh La La Work To Do (Nu-Jazz Mix) Fire And Rain Never Too Much You Are Everything Hookin’ Up Stone Groove (w/ Joe Sample) Ready To Hang Believe In Me XXL Pick Up The Pieces How Does It Feel Sweet Grapes Cosmic Monkey Cream Summer Groove Coolness I Can’t Stop Loving You Moment By Moment Let It Free Fields Of Gold Ain’t No Stoppin’ Us Now To The Max It’s Been Too Long Come As You Are Up ’N’ At ‘Em Back Into My Heart Tin Tin Deo Simple Pleasures Love’s Divine Softly, As In A Morning Sunrise In Your Eyes Don’t You Worry ’Bout A Thing Make A Wish 24/7 No Ordinary Love Leave It With Me The Juice Here She Comes The In Crowd Label Artizen Baja Narada Jazz Shanachie Peak Rendezvous Trippin ’N’ Rhythm Arista Warner Bros. Capitol Narada Jazz Liquid 8 Rendezvous (Red) GRP Positive Music GRP/Verve Warner Bros. Rendezvous Higher Octave EMI Arista Blue Note Heads Up GRP/Verve 215 Liquid 8 Heads Up Universal/Motown GRP Capitol BMG Rendezvous GRP/VMG/UMG Will Keys GRP Warner Bros. Columbia Verve Narada Jazz Warner Bros. GRP/VMG/UMG Native Language Koch GRP GRP Columbia Heads Up Shanachie Warner Bros. Narada Jazz Most Added Increased Airplay Paul Brown “Cosmic Monkey” (GRP/Verve) +27 The Rippingtons “Wild Card” (Peak) +26 Meshell Ndegeocello “The Chosen” (w/ C. Wilson, B. Ross & M. Cain) (Shanachie) +26 Meshell Ndegeocello “Mu-Min” (w/ O. Lake, D. Byron & J. Roseman) (Shanachie) +26 Mindi Abair “Make A Wish” (GRP) +21 Paul Hardcastle “Serene” (Trippin ’N’ Rhythm) +307 Anita Baker “How Does It Feel” (Blue Note) +197 Brian Culbertson “Hookin’ Up” (GRP/Verve) +197 Paul Brown “Cosmic Monkey” (GRP/Verve) +189 Kem “I Can’t Stop Loving You” (Universal/Motown) +166 jazzweek.com • July 20, 2005 airplay data powered by TP 734 697 663 636 633 496 462 396 394 340 329 314 309 307 305 303 268 257 256 242 236 220 193 189 189 189 180 179 169 162 160 154 150 150 146 145 144 140 137 134 130 125 119 118 117 116 115 112 109 106 LP 761 738 652 622 635 612 155 386 399 308 317 298 337 324 291 106 301 270 285 266 242 23 185 0 197 206 118 13 228 175 154 166 158 152 156 138 160 144 51 28 134 124 111 0 129 123 121 110 111 112 +/- Weeks Stations -27 6 34 -41 26 33 11 18 30 14 23 30 -2 19 29 -116 37 31 307 2 31 10 28 32 -5 5 32 32 36 31 12 25 28 16 5 27 -28 7 26 -17 22 27 14 23 32 197 2 29 -33 36 30 -13 14 22 -29 25 25 -24 37 28 -6 32 32 197 1 27 8 37 27 189 1 27 -8 37 31 -17 29 29 62 9 17 166 1 14 -59 32 29 -13 37 30 6 37 21 -12 37 29 -8 37 27 -2 37 29 -10 37 26 7 37 27 -16 37 27 -4 27 21 86 2 13 106 1 27 -4 37 29 1 37 20 8 13 14 118 1 21 -12 32 30 -7 32 22 -6 32 14 2 7 9 -2 37 24 -6 32 18 Adds 0 0 0 0 0 0 0 0 0 1 0 0 0 0 6 2 0 0 0 0 0 0 0 27 0 0 0 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 21 0 0 0 0 0 0 Chartbound Boney James “2:01 AM” (Warner Bros.) Daryl Hall & John Oates “I’ll Be Around” (U-Watch) Michael Buble “Home” (143/Reprise) Marion Meadows “Suede” (Heads Up) Anita Baker “You’re My Everything” (Blue Note) Anita Baker “Serious” (Blue Note) Brian Bromberg “Choices” (A440) Bass X “Vonnie” (Liquid 8) Down To The Bone “Tiburon” (Narada) Ray Charles “You Don’t Know Me” (w/ Diana Krall) (Concord) The Rippingtons “Wild Card” (Peak) All monitored airplay data is owned by Mediaguide, Inc. ©2005 Mediaguide, Inc. JazzWeek 27 Smooth Jazz Radio Current Albums 3rd Force Mindy Abair Greg Adams Sandro Albert Gerald Albright Herb Alpert & The Tijuana Brass Marc Antoine Marc Antoine Average White Band Anita Baker Bob Baldwin Walter Beasley Walter Beasley Pete Belasco Regina Belle David Benoit/Russ Freeman George Benson Matt Bianco Driving Force Come As You Are Firefly The Color Of Things Kickin’ It Up Lost Treasures Mediteraneo The Very Best of Marc Antoine Greatest And Latest My Everything Brazil Chill Go With The Flow For Her Deeper Lazy Benoit Freeman Project 2 Irreplaceable Matt’s Mood Theo Bishop Terence Blanchard Debby Boone Chris Botti Chris Botti Tim Bowman Jeff Bradshaw Rick Braun Toni Braxton Braxton Brothers Bridge To Havana (f. Gladys Knight) Brian Bromberg Norman Brown Paul Brown Michael Buble Alex Bugnon Jonathan Butler Cabo Frio Jonathan Cain Bobby Caldwell Sergio Caputo Larry Carlton Craig Chaquico Ray Charles Club 1600 Steve Cole Steve Cole Nick Colionne Rita Coolidge Joyce Cooling Couch Potato Allstars Brian Culbertson Eric Darius Will Downing Carol Duboc George Duke Richard Elliot Richard Elliot Tommy Emmanuel Fattburger Fourplay A. Ray Fuller Garry Goin Jeff Golub Al Green Euge Groove Onaje Allan Gumbs Hall & Oates Paul Hardcastle Newport Nights Flow Reflections Of Rosemary A Thousand Kisses Deep When I Fall In Love This Is What I Hear Bone Deep Esperanto Ultimate Toni Braxton Rollin Bridge To Havana Choices West Coast Coolin’ Up Front It’s Time Southern Living Jonathan Island Dance Bare Bones Perfect Island Nights That Kind of Thing Sapphire Blue Midnight Moon Genius Loves Company Ridin, High NY LA Spin Just Come On In And So Is Love This Girl’s Got to Play Jazz For Couch Potatoes Come On Up Night On The Town Emotions All Of You Duke Ricochet Metro Blue Endless Road Work To Do Journey The Weeper Goin’ Places Soul Sessions The Absolute Best Living Large Remember Their Innocence Our Kind Of Soul The Jazzmasters 4 Everette Harp Gabriel Mark Hasselbach Hil St. Soul Hiroshima Hiroshima Incognito Paul Jackson Jr. Boney James Jazz Crusanders Marcus Johnson All For You Gabriel... First Name Basis Copasetik & Cool The Bridge Obon Who Needs Love Still Small Voice Pure Soul Axess Urban Groove Ronny Jordan Ronny Jordan Jeff Kashiwa Kem Kem Kenny G Alicia Keys At Last After 8 Peace Of Mind Kemistry Album II At Last...The Duets Album The Diary Of Alicia Keys jazzweek.com • July 20, 2005 Higher Octave GRP 215 Records 215 Records GRP Shout Factory Rendevous Verve Music Group Liquid 8 Blue Note A440 Music Group N-Coded Music Heads Up Compendia Peak Peak GRP Universal Music Group Native Language Blue Note Concord Columbia Columbia Liquid 8 Hidden Beach Warner Bros. LaFace Peak Pyramid A440 Music Group Warner Bros. GRP 143 Records/Reprise Narada Jazz Rendezvous (Red) Kezia Records Reality/AAO Music Sin-Drome Idiosyncrasy Music Bluebird Higher Octave Concord N-Coded Music Warner Bros. Narada Jazz Three Keys Music Concord Narada Jazz Shanachie Warner Bros. Higher Octave GRP Gold Note BPM/Navarre GRP Artizen Favored Nations Shanachie RCA/Victor A Ray Artists Music Compendia GRP EMI Narada Ejano U-Watch Trippin’ N’ Rhythm Records A440 Music Group Wind Tunnel Shanachie Heads Up Heads Up Narada Jazz Blue Note Warner Bros. True Life Marimelj Entertainment N-Coded Music N-Coded Music Native Language Motown Motown Arista J Records Chaka Khan Classikhan Dave Koz Pattie LaBelle David Lanz Ronnie Laws Michael Lington Liquid Soul Chuck Loeb Chuck Loeb Jeff Lorber Torcuato Mariano Eric Marienthal Hugh Masekela Keiko Matsui Maysa Michael McDonald Michael McDonald Marion Meadows Raul Midon Marcus Miller Chieli Minucci Chieli Minucci Najee Najee Ken Navarro Ken Navarro Meshell Ndegeocello presents The Spirit Music Jamia Grady Nichols Grady Nichols Nils O’2L Andrew Oh Steve Oliver Renee Olstead Pieces Of A Dream Doc Powell Doc Powell Praful Nelson Rangell Nelson Rangell The Rippingtons Smokey Robinson Linda Ronstadt David Sanborn David Sanborn Seal Seal Dan Siegel Simply Red Richard Smith Jimmy Sommers Soul Ballet Special EFX Spyro Gyra Stanley B. Wonder Stevie Patches Stewart Curtis Stigers Andy Summers Paul Taylor Paul Taylor J. Thompson Wayman Tisdale Nester Torres Two Siberians Urban Knights Luther Vandross Various Artists Various Artists Saxophonic Timeless Journey The Good Life Everlasting Stay With Me Evolution eBop When I’m WIth You Flipside Diary Sweet Talk Revival Wildflower Smooth Sailing Motown Motown Two Player’s Club State of Mind Silver Rain Night Grooves Jewels Embrace Classic Masters All The Way Love Coloured Soul Dance Of The Infidel Various Artists Various Artists Vlad Andre Ward Kim Waters Kim Waters Kirk Whalum Peter White Bernie Williams Pamela Williams Jim Wilson Victor Wooten Yellowjackets Alexander Zonjic Sophistication Sneak Pacific Coast Highway Doyle’s Brunch Silk 3-D Renee Olstead No Assembly Required 97th & Columbus Cool Like That One Day Deep Look Again My American Songbook Vol. 1 Let It Ripp My World: The Definitive Collection Hummin’ to Myself Time Again Closer IV Best: 1991-2004 Inside Out Home Soulidfied Love Life Dream Beat Dream Party The Deep End All For Love The Definitive Collection Blow I Think It’s Going To Rain Today The X Tracks Steppin’ Out Nightlife Romantic Night Hang Time Sin Palabras Out of Nowhere Urban Knights V Dance With My father Forever, For Always, For Luther Wedding Songs: A Body & Soul Collection Princess Diaries 2 : Royal Engagement [Original Soundtrack] Rendezvous Lounge, Vol.1 Vladosphere Steppin Up Someone To Love You In The Name Of Love Into My Soul Confidential The Journey Within Sweet Saxations River Soul Circus Altered State Seldom Blues AGU Sanctuary Records Capitol Island /Def Jam Decca Holland Group Rendevous Shanachie Shanachie Shanachie Narada Jazz 215 Records Peak Heads Up Narada Encoded Motown Motown Heads Up Manhattan Records Koch Records Shanachie JVC N-Coded Music Capitol Shanachie Positive Music Shanachie Compendia Compendia Baja/TSA Records Peak Ark Music Koch Records 143 Records/Reprise Heads Up Heads Up Heads Up Rendezvous/N-Coded A440 Music Group Koch Peak Motown Verve Music Group Verve Music Group Verve Music Group Warner Bros. Warner Bros. Native Language Simply Red A440 Music Group Higher Octave 215 Records Shanachie Heads Up Motown Koch Concord Jazz Fuel 2000 Peak/Concord Peak AMH Records Rendevous Heads Up Heads Up Narada J Records GRP Time Life Walt Disney Rendevous Unis Orpheus Shanachie Shanachie Warner Bros. Columbia GRP Shanachie Hillsboro Vanguard Heads Up Heads Up JazzWeek 28 Jazz Station Panel Call letters CJRT-FM* KANU-FM KBEM-FM KCCK-FM* KCLU-FM KCSM-FM KEWU-FM KFSR-FM KIOS-FM KIPO-FM* KJZZ-FM KKJZ-FM KLCC-FM KMHD-FM KMUW-FM KNTU-FM KPLU-FM KRTU-FM KSDS-FM KSJS-FM KSMF-FM* KSUT-FM* KTSU-FM KUAZ-FM KUNR-FM* KUNV-FM KUT-FM KUVO-FM KXJZ-FM WAER-FM* WBEZ-FM WBFO-FM WBGO-FM WCLK-FM WCMU/WUCX-FM WCPN-FM WDCB-FM* WDET-FM WDNA-FM WDUQ-FM WEAA-FM WEMU-FM* WFNX-FM WFSS-FM WGBH-FM WGLT-FM WGMC-FM WGVU-FM WHRV-FM WICN-FM* WJSU-FM WMOT-FM WNCU-FM WRTI-FM WSHA-FM WSIE-FM WTEB-FM WUAL-FM WUCF-FM WUMR-FM WUSF-FM WVPR/WVPS-FM WWOZ-FM WWSP-FM* WXUT/WXTS-FM Music Choice Sirius* Frequency 91.1 91.5 88.5 88.3 88.3 91.1 89.5 90.7 91.5 89.3 91.5 88.1 89.7 89.1 89.1 88.1 88.5 91.7 88.3 90.5 89.1 91.3 90.9 89.1 88.7 91.5 90.5 89.3 88.9 88.3 91.5 88.7 88.3 91.9 89.5/90.1 90.3 90.9 101.9 88.9 90.5 88.9 89.1 101.7 91.9 89.7 89.1 90.1 88.5 89.5 90.5 88.5 89.5 90.7 90.1 88.9 88.7 89.3 91.5 89.9 91.7 89.7 94.3 90.7 89.9 88.3 Market Toronto, ON Topeka, KS Minneapolis - St. Paul, MN Cedar Rapids, IA Los Angeles, CA San Francisco, CA Spokane, WA Fresno, CA Omaha, NE - Council Bluffs, IA Honolulu Phoenix, AZ Los Angeles, CA Eugene-Springfield, OR Portland, OR Wichita, KS Dallas - Ft. Worth, TX Seattle - Tacoma, WA San Antonio, TX San Diego, CA San Jose, CA Ashland, OR Ignacio, CO Houston - Galveston, TX Tucson, AZ Reno, NV Las Vegas, NV Austin, TX Denver - Boulder, CO Sacramento, CA Syracuse, NY Chicago, IL Buffalo - Niagara Falls, NY New York, NY Atlanta, GA Mount Pleasant – Saginaw/Bay City/Midland, MI Cleveland, OH Chicago, IL Detroit, MI Miami - Ft. Lauderdale - Hollywood, FL Pittsburgh, PA Baltimore, MD Ypsilanti, MI Boston, MA Fayetteville, NC Boston, MA Peoria, IL Rochester, NY Grand Rapids, MI Norfolk - Virginia Beach - Newport News, VA Worcester,MA Jackson, MS Nashville, TN Raleigh - Durham, NC Philadelphia, PA Raleigh - Durham, NC St. Louis, MO Greenville,NC Tuscaloosa, AL Orlando, FL Memphis, TN Tampa - St. Petersburg - Clearwater, FL Burlington, VT-Plattsburgh, NY New Orleans, LA Wausau-Stevens Point, WI Toledo, OH National Distribution National Distribution jazzweek.com • July 20, 2005 Smooth Station Panel Rank N/A 195 16 204 2 4 93 68 73 62 15 2 171 24 95 5 14 30 17 33 207 N/A 7 63 231 38 7 22 26 79 3 52 1 11 131 25 3 10 12 23 20 10 133 128 8 149 54 67 40 8 123 44 43 6 43 19 87 133 39 48 21 220 46 198 85 N/A N/A Call letters KAJZ-FM KBZN-FM KEZL-FM KHJZ-FM KIFM-FM KJCD-FM KJZI-FM KJZY-FM KKSF-FM KKSJ/KTSJ-FM KLJT-FM KMGQ-FM KOAI-FM KOAS-FM KRVR-FM KSKX-FM KSMJ-FM KSSJ-FM KTWV-FM KWJZ-FM KYOT-FM WBRH-FM WEIB-FM WFJZ-FM WFSK-FM WGPR-FM WJAB-FM WJJZ-FM WJSJ/WSJF-FM WJZA/WJZK-FM WJZI-FM WJZL/WJZO-FM WJZR-FM WJZW-FM WJZZ-FM WLOQ-FM WLVE-FM WNUA-FM WNWV-FM WPMJ-FM WQCD-FM WSJT-FM WSJW-FM WSMJ-FM WVAS-FM WVMV-FM WXJZ-FM WYJZ-FM Music Choice Frequency 101.7 97.9 96.7 95.7 98.1 104.3 100.3 93.7 103.7 105.9 102.3 97.5 107.5 105.7 105.5 105.5 97.7 94.7 94.7 98.9 95.5 90.3 106.3 106.7 88.1 107.5 90.9 106.1 105.5 103.5 93.3 93.1 105.9 105.9 107.5 103.1 93.9 95.5 107.3 94.3 101.9 94.1 92.7 104.3 90.7 98.7 100.9 100.9 Market Albuquerque, NM Salt Lake City - Ogden - Provo, UT Fresno, CA Houston - Galveston, TX San Diego, CA Denver - Boulder, CO Minneapolis - St. Paul, MN San Francisco, CA San Francisco, CA Lafayette, LA Tyler-Longview, TX Santa Barbara, CA Dallas - Ft. Worth, TX Las Vegas, NV Stockton, CA Colorado Springs, CO Bakersfield, CA Sacramento, CA Los Angeles, CA Seattle - Tacoma, WA Phoenix, AZ Baton Rouge, LA Hartford - New Britain - Middletown, CT Ft. Wayne, IN Nashville, TN Detroit, MI Huntsville, AL Philadelphia, PA Jacksonville, FL Columbus, OH Milwaukee - Racine, WI Louisville, KY Rochester, NY Baltimore, MD Atlanta, GA Orlando, FL Miami - Ft. Lauderdale - Hollywood, FL Chicago, IL Cleveland, OH Peoria, IL New York, NY Tampa - St. Petersburg - Clearwater, FL Harrisburg - Lebanon - Carlisle, PA Baltimore, MD Montgomery, AL Detroit, MI Gainesville - Ocala, FL Indianapolis, IN National Rank 71 31 68 7 17 22 16 4 4 102 148 204 5 38 82 97 83 26 2 14 15 84 50 105 44 10 116 6 49 35 32 55 54 20 11 39 12 3 25 149 1 21 80 20 152 10 87 41 N/A Airplay of all stations, except as noted, is monitored by Mediaguide. To apply to become a member of a station panel, email [email protected] *Denotes station not monitored by Mediaguide. Station submits a weekly airplay report. JazzWeek 29 It’s a long way from the Apollo the trumpet was as a guest in a Theatre to the Apollo program. correctional home for wayward And while his playing may have boys. If only today’s schools were been “as lofty as a moon flight,” as enlightened and informed as as Time magazine once suggested, that reformatory was. that would be as close as Louis Alas, the arts are dismissed as Daniel Armstrong would ever get extravagant in today’s schools. to taking “one small step for man.” This, despite all the studies that But as the jazz musician of the show parents believe music and Instead of a giant leap, Louis Armstrong delivered one giant free-form crazy jazz groove for mankind. 20th century, giant dance and art and drama make leaps were simply a matter of course for their children much better students and better people. Satchmo. For no one has ever embodied If you feel like your kids aren’t the art form the way he did. It was he getting their fair share, make who helped make virtuoso solos a part some noise. To find out how, of the vocabulary. It was he who was honored with or for more information about the title “American goodwill ambassador” by the State the benefits of arts education, Armstrong left his footprints on the jazz world, wearing lace-up oxfords. READIN’ ART ’RITING ’RITHMETIC There’s plenty of brain to go around. Give more to art. Department. It was he who was the last jazz musician please visit us on the web at to hit #1 on the Billboard pop chart. AmericansForTheArts.org. Just like the great Louis Not bad for a kid whose first experience with A R T. ASK Armstrong, all you need is a little brass. FOR M O R E. For more information about the importance of arts education, contact www.AmericansForTheArts.org. Photo used with permission, Louis Armstrong Educational Foundation.