NYFA Student Hub - New York Film Academy

Transcription

N
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NEW YORK FILM ACADEMY
100 East 17th Street
New York, NY 10003
Tel: 212-674-4300
Fax: 212-477-1414
Email: [email protected]
www.nyfa.edu
GUIDELINES
ZERO TOLERANCE:
WANTON ABUSE OF EQUIPMENT AND
FACILITIES WILL RESULT IN DISMISSAL FROM
THE PROGRAM!
The following rules will be enforced without
exception:
All classes and productions are mandatory. In
order to succeed in this program, you must come
on time to class. It will be almost impossible to
catch up on any missed work. Filmmaking is
collaborative; therefore you must demonstrate a
professional respect for the equipment and the
people you are working with. All film projects
require pre-production outside of class. If you
require any help at all during the program, please
contact the office.
EQUIPMENT: THE NEW YORK FILM ACADEMY
maintains an excellent ratio of equipment to
students. Nevertheless, when students are
irresponsible about returning equipment on time,
the other students’ productions suffer.
The ARRI-S, DVX 100A, HVX-200, ARRI-SR,
and PANAVISION cameras you will be using are
valuable pieces of equipment. You must take
responsibility for their safe and timely return.
1. DO NOT LEAVE EQUIPMENT UNATTENDED
EVEN FOR A SECOND!!
When taking a break, do not leave equipment in a
car, even in the trunk. You must take the equipment
with you, or have a crewmember stay to monitor
the equipment . When taking a cab, make sure
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all equipment is out! There have been several
instances of stolen and lost equipment because
students refused to heed this warning.
If the rules are not followed, you will be held
financially responsible for the loss, theft or
damage of equipment (excluding damage due
to malfunction). If no individual in a crew takes
responsibility for damaged equipment (for
example, for a dropped light meter), then the
replacement cost will be divided among the crew.
If your residence does not have a 24-hour doorman
or if you otherwise feel that you do not have a
secure place to store the equipment, contact the
equipment room. We can make arrangements to
check your equipment back in until you are ready
to shoot. A hotel room is not considered safe.
Do not leave equipment, money or valuables
unattended in any hotel room or insecure building.
If equipment malfunctions or is damaged, report it
immediately to the equipment room manager and
fill out an equipment repair form.
2. EQUIPMENT WILL BE CHECKED OUT TO
CREWS ONLY
For reasons of safety and security, you cannot
check the equipment out alone. Likewise, you
cannot check out equipment if your crew already
has out another equipment package. When
checking out your equipment, you must commit
to a check-in time. Returning equipment late
may result in a charge of $15 an hour, up to $200
a day.
NEW YORK FILM ACADEMY | 100 E17TH STREET, NEW YORK, NY 10003 | WWW.NYFA.EDU
GUIDELINES (CONT’D)
3. UNDER NO CIRCUMSTANCES SHOULD
NOTE: If you are experiencing any problems that
YOU KEEP EQUIPMENT BEYOND YOUR
cannot be resolved through the equipment room,
SCHEDULED CHECK-IN TIME.
your teachers, or your department chairperson, do
Do not drop off any equipment if the equipment
not hesitate to contact either NYFA Director Jerry
room is closed. Repeat, DO NOT leave equipment
Sherlock, Senior Director David Klein, or Provost
unattended anywhere in the building. Please check
Michael Young.
in equipment only to NYFA staff. All bulbs must be
returned with your lighting kits. If bulbs burn out
---
during a shoot, they must still be returned.
4. USE OF PROP GUNS AND WEAPONS
In the past, students have been arrested and held
in jail overnight for the misuse of prop guns and
WARNING: ANY CASTING MAIL
SENT TO THE NEW YORK FILM
ACADEMY WILL BE RETURNED TO
THE SENDER!!!
weapons in their films. If you plan to use any kind
of weapon in your film (including toy weapons),
you must alert the film commission and the police
precinct where you are shooting. The weapon
should only be used when you are actually
shooting. At no time may crew or cast play with
Students holding casting calls should create
a free gmail email (i.e. [email protected],
[email protected]).
Avoid
publishing personal emails or addresses to
avoid any spam or bulk emails.
the prop or point it at anyone. If you are shooting
in a vehicle, keep the weapon out of sight, and
make sure that any passerby understands that
you are making a film. This is for your safety.
5. EQUIPMENT EMERGENCIES:
1-917-838-9339 or 1-212-674-4300
When you check out equipment, please find out
the name of the NYFA staff that will be on duty.
If you experience equipment problems, you may
call the emergency number. Please check and
double-check the problem before calling. The
staff member on duty does not make house calls:
s/he will not go to your location! You must meet
the staff member at the school in the event the
problem cannot be solved over the phone.
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RULES OF THE HOUSE
NO SHOOTING IN THE BUILDING (other
than in-class exercises). DO NOT PLAN TO
USE ANY PART OF THE NEW YORK FILM
ACADEMY FACILITIES AS A LOCATION FOR
YOUR SHOOT.
Everyone must follow these guidelines on smoking,
eating, and conduct:
1. NO SMOKING ANYWHERE IN THE BUILDING
If you are caught smoking in the building, you may
be dismissed from the program. If you wish to
smoke, please step away from the entrance of the
building. Please do not throw your cigarette butts
on the ground in front of the building.
2. NO EATING OR DRINKING IN THE
CLASSROOMS
There are trash receptacles placed throughout the
building for your trash. Please do not leave empty
bottles outside the door, on the marble counter
downstairs, or on the third floor by the couches.
At the New York Film Academy (and at all other
locations!) leave the space the way that you found
it. This includes disposing of all garbage and
placing chairs back in their original positions.
3. NEVER LET STRANGERS IN THE UNION
SQUARE BUILDING
Do not open the door for anyone—not a current
student, employee, or guest of NYFA. It is better
to be rude than unsafe. This is for everyone’s
protection.
4. DO NOT PROP THE ENTRANCE DOOR OPEN
AT UNION SQUARE BUILDING
For everyone’s security, do not leave the front
door open while you take a break to smoke or get
air. After hours, our security staff monitors a close
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circuit TV to observe when people need to be
buzzed in. When the door is kept open, even for
a few moments, unauthorized people can easily
enter, inviting burglary and assault.
*Many valuable items owned by students (cell
phones, computers, cameras) have been stolen
by strangers sneaking into the building. Do not let
this happen to you or your friends!
5. NO BIKES, SKATES, OR SKATEBOARDS
ARE ALLOWED IN THE BUILDING
6. DO NOT SLEEP (OR PLACE EQUIPMENT
OR SHOES) ON THE LEATHER COUCHES ON
THE THIRD FLOOR OF OUR UNION SQUARE
BUILDING
7. NO CASTING NOTICES POSTED ON THE
FRONT DOORS
Unauthorized people have used casting notices
as an excuse to sneak into the building. YOU
MUST GET PERMISSION FROM THE OFFICE
TO CAST IN ANY NYFA BUILDING. When you
contact actors for a casting call, make sure to tell
them to check in on the first floor. After business
hours, actors must ring the doorbell outside to
get buzzed in, and then must meet you on the
third floor for the audition. Casting must thus be
done with at least two people, so one can meet
incoming actors while the other is auditioning
other in the room.
8. YOU MUST WEAR YOUR STUDENT ID AT
ALL TIMES
THE FILM ACADEMY RESERVES THE
RIGHT TO REMOVE A STUDENT FROM THE
PROGRAM IF ANY OF THE ABOVE RULES ARE
NOT OBSERVED.
What You Need To Know About
Obtaining A Student Shooting Permit
In order to facilitate the needs of your student
films and the Mayor’s Office of Film, please make
sure that you read the following information before
applying for a permit.
On August 13, 2008, the new rules governing the
issuance of film permits by the Mayor’s Office of
Film, Theatre and Broadcasting went into effect.
Under these rules, a permit is no longer required
when a person uses a camera, tripod and any
other handheld equipment, and is not asserting
exclusive use of City property. A tripod is now
considered handheld equipment.
A permit would be required for filming if
equipment or vehicles, as defined in the rule, are
used or if the person filming asserts exclusive
use of City property.
About Student Permits:
You WILL NEED a permit to shoot in public space,
including streets, parks, beaches, public buildings
or any New York facility, which includes all five
boroughs, if the following applies:
• Use of additional equipment such as, lighting
gear, dolly and dolly tracks, generators, etc.
• Use of weapons such as handguns, knives,
swords, etc.
• If you plan to have a crowd scene, need to block
streets, impede pedestrian and/or vehicular traffic.
• Use of NYPD Movie/TV Unit for scenes involving
weapons, stunts, etc.
There is a required permit fee of $300 for all film
shoots that require any of the above.
Other Permit Regulations:
If you plan to shoot exteriors in a residential area
you will only be able to do so until 11pm.
If you plan to shoot exteriors in a commercial area
you will only be able to do so until 12am.
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The Mayor’s Office only has jurisdiction over the five
boroughs, which DOES NOT include Westchester
County, Long Island and New Jersey. You will have
to contact the local township or entity that has
jurisdiction over film permits.
For example New Jersey has an entity called the
New Jersey Film Commission who can assist you
with filing shooting permits. Each municipality (e.g.
Weehawken, Jersey City, Elizabeth) has their own
rules and regulations. To shoot in Newark, NJ you
must pay a $2000 fee. Some municipalities do not
charge a shooting fee.
Shooting in City Parks:
In certain cases you may need to fill out the City
Park Request Form on the Mayor’s Office website
for permission.
Most City parks will be able to accommodate your
shoot without the need of filing a permit however
certain Parks like Hudson River Park, East River
Park, Prospect Park and Battery Park have their
own internal permit offices and regulations.
In some cases you must submit your paper work
at least two weeks in advance of your shoot as
well as pay a permit fee. For example Hudson
River Park requires a $25 payment either by cash,
personal check or money order.
For film shoots in Central Park you must notify
them where you would like to shoot, the date and
time(s), equipment list, and the number of your
cast and crew.
This also applies to all locations you are requesting
permission to use for your shoot.
Student Requirements
You must appear in person along with a valid
NYFA ID. You must bring an official cover letter
from New York Film Academy (see someone in
the office) stating your enrollment and school
insurance coverage. Permits will be issued
ONLY to the student whose name appears on
the ID and cover letter. If you do not know what is
required, please check with the administrative office.
What You Need To Know About
Obtaining A Student Shooting Permit
Filing Student Permits
The Mayor’s Office of Film, Theatre & Broadcasting
is open Monday through Thursday between the
hours of 9:00am - 4:00pm and on Friday from
9:00am - 3:00pm. Permits are not issued after
4:00pm (or 3:00pm on Fridays). The office is closed
Saturdays, Sundays & holidays – check with office
in advance. All students are advised to submit
their permits Monday through Thursday before
4pm. Please make sure you fill out the Motion
Picture-Television Permit and Schedule “A”
and print them out before going to the Mayor’s
Office. They can be downloaded online at
http://www.nyc.gov/film
Permits must be submitted no later than NOON
at least two business days prior to the shoot.
This means you must be in the office no later than
10am. The best time to file for a permit is one
week before the scheduled shoot. Permits for
Saturday, Sunday and Monday must be submitted
by NOON on Thursday. If Friday or Monday is a
Public Holiday, act accordingly.
NYPD Movie/TV Unit
The use of guns on set, holding traffic for shots,
and the use of actors in police uniforms requires
the presence of the NYPD Movie/TV Unit.
Firearms MUST come from a licensed dealer and
you must get a letter from the school stating your
enrollment. The Mayor’s Office of Film does NOT
close down city streets. If you need curb lanes
for equipment or cameras or traffic held for shots,
you must request Police Assistance from the
Police Movie/TV Unit. The Police Movie/TV Unit
does not supply security.
The Police assistance is free, but must be
requested in addition to the regular permit issued
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by the film office. Make the request on the Permit
application and confirm it by calling the Police Unit
at (212) 486-6710 ext. 219 as soon as your permit
has been issued or by 11am on the working day
prior to the shoot. Police assistance for student
films is only available on regular working weekdays
until midnight, so plan ahead. In residential areas,
you may not shoot after 11:00pm.
NOTE: It is not legal for on-duty Police Officers
to appear in dramatic productions, nor may
you film active police equipment, including
precinct houses, police vehicles, horses, etc.
Do not approach local precincts looking for
their cooperation. If a police officer is required,
but the Police Movie/TV Unit cannot send an
officer at your requested time, you may not
film the scene without them.
Conduct:
Make sure you wear a student ID at all times. Be
nice to residents, businesses and all passersby. Pick up your own trash and remove any gaff
or camera tape you have on the ground. You do
not have permission to obstruct pedestrian and
vehicular traffic flow. You must NOT disrupt any
businesses without the permission of the owners.
Remember:
You have to file a permit on your own if your
shoot involves more or other equipment than one
camera, one tripod, one boom, and mic kit (e.g.
Prop guns on set, dollies, parking permits, etc.).
Finally, note that the permits are issued as per onsite NYPD discretion.
When in doubt, speak to Jennifer Yue in the office.
Use your own common sense.
LOCATIONS
In New York City, the sky is the limit. The wide variety of diverse locales from the Cloisters to Chinatown
to Wall Street, make New York City the most varied backlot in the world.
Our students have shot in Madison Square Garden during Knicks games, hospital emergency rooms, the
Staten Island Ferry. However, no location is guaranteed: whether you will obtain the locations you want
depends greatly on your personality, persistence, and luck.
Exteriors:
The New York Film Academy has made arrangements by which students may obtain permits from the
Mayor’s Office of Film, Theatre and Broadcasting to shoot on almost any public exterior location in New
York City. If you need to file a permit please be aware that you must fill out additional forms before going
to the Mayor’s Office:
1.
2.
Motion picture/television permit
Schedule A
Secondly you must obtain a letter from the New York Film Academy office stating that you are a student
and your insurance is on file at the Mayor’s Office. You MUST obtain this before hand, we will not fax this
letter to you. Please be aware you must fill out additional forms before going to the Mayor’s Office:
You can fill out the forms online (www.nyc.gov/film) and print it out before hand. You need to be present
in the Mayor’s Office before 4PM (Monday to Thursday), or 3PM (Fridays). You must bring your student
ID along. You should apply for a permit at least 48 hours prior to your shoot.
Interiors: To obtain permission to shoot in interior locations you must contact the location owner directly
and negotiate a fee if necessary. With perseverance, most students are able to find interior locations at
no charge. It is common that the location owner will request insurance. The New York Film Academy can
provide you with a copy, however you must turn in the following information at least 48 hours ahead of
your shoot:
1.
2.
3.
Location name or owner and full mailing address
Shoot dates at the location
Your full name
Also look out for a term called additionally insured. Specific legal wording must be entered onto the
insurance form you provide to the location owner if they request to be listed as additionally insured. You
can reference the insurance form included in this packet.
Apartments: Most students shoot in their own apartments or in the apartment of a fellow student in their
class. An alternate strategy is to look through the sublet portion of the Village Voice housing listings. You
may also find this resource on-line at www.villagevoice.com
Reminder: always leave your locations better than the way you found them.
As always, if you have any trouble or if you are simply looking for advice please do not hesitate to ask us
in the office.
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CASTING
You will soon notice that there are students here at the NYFA studying in 4-week, 8-week, 12-Week Evening,
and One-Year Acting for Film programs. Most of them will be very enthusiastic to act in your projects.
Even on very short notice, you should be able to find actors to work on your production. You MUST give
your actor(s) a copy of your film or your raw footage (In the event you do not complete editing your film).
The New York Film Academy maintains a database of our current and former one and two-year acting for
film students. You can browse these headshots at the URL listed below. Please note there are two login
methods, one for actors and the other for filmmakers. As a student in the filmmaking program, you will use
the following info to log in:
FOR FILMMAKERS:
Go to: http://headshots.nyfa.com/
Username: filmmaker
Password: film123
In addition, we suggest the following options for casting:
Make a casting notice with description of role and shoot dates. You may use your own name and phone
number while registering but recommend the only information you make public is the email account you
are using for the casting.
Make sure you specify that only food and transportation will be provided. No pay. Remember that the
actors are working for free, so treat them well! If you promise to give them a video copy, you must deliver.
NYFA SOHO:
568 Broadway, 2nd Floor
Corner of Prince & Broadway
Tel: 212-966-3488
Advertise in Backstage Magazine:
Backstage Casting - ($55/100 words). Students receive 50% discount. 770 Broadway, 6th Fl.
Tel: 212-764-7300 Fax: 212-382-6085
Ad and payment by 4pm Monday, for Friday issue.
50% available for enrolled students. Go to www.backstage.com.
Enter: Student06 when you get to “Enter Promotion Code” button.
Have a notice posted to the following websites:
www.mandy.com
www.backstage.com
www.nycastings.com
www.centralcasting.org
PAGE 12
ACTOR’S RELEASE
I hereby expressly grant to ___________________________, the right to photograph me and use
throughout the world in perpetuity my picture, silhouette, and any other reproductions of my physical
likeness or recordings of my voice including but not limited to my speaking, singing, and any sound effects
produced by me on motion picture film, video tape, still photography, audio recording tape, and/or any
other medium or media connected with or in conjunction with the production, project, and campaign for all
use or usage including, but not limited to theatrical, commercial, promotional, or any and all other media
now or hereafter known directly or indirectly associated with said materials, including advertising and
production in print-commercial or trade promotion, along with all forms of after marketing, packaging and
promotion and any future marketing such as video cassette, or video disc, etc.
I expressly release you and your agents or representatives or any institution transmitting, selling, or
exhibiting the said materials from any claims arising from my participation and inclusion in the material.
I agree to be fully responsible for my own participation in the production and hold you harmless from
any liability , loss, or expense arising from the use of my voice or likeness in the production. I also
consent to the use of my name, likeness and voice and any material about me for promotional, publicity
or organizational purposes.
I hereby certify and represent that I have read the foregoing and fully understand the meaning and
effect thereof and intend to be legally bound by it. I understand that I will be performing services from
_______________________ until you release me from the production, and that in consideration for my
acting and performing this agreement, you are paying me one dollar upon completion of my services for
the production.
Signature _______________________________ Date _____________________________
Print Name ______________________________ Social Security No.__________________
I am over 18 years of age: Yes ____ No ____
If under 18, legal guardian must sign above,
Actor must sign here: ___________________________________________________
Phone ___________________ Address _________________________________________
Witness’ Signature __________________________________________________________
PAGE 13
ADVISEMENTS
To schedule an advisement you must contact your
Technical Advisement:
instructor directly. Do not wait until the last week
• Script
to schedule an advisement. You must come to
• Storyboards
advisements prepared. In your preparation we
• Shot list
strongly urge you to have the following ready:
• Effects list
• Stills of costumes, props, and locations
Script/Story Advisement:
recommended (ideally 360-degree panorama)
• A typewritten treatment or story idea
• Aesthetic, thematic, and dramatic objectives
• A typewritten script
• Details of locations (i.e., electricity, sunrise,
• Storyboards
• Know thematic, dramatic, and aesthetic
objectives
sunset, etc...)
• Overhead plan with dimensions for every
interior location
• Vague ideas make for long therapy sessions
Production Advisement:
• All of the above
• Know cast restrictions (i.e., hours, geriatric,
school kids, etc.)
• Location list (with information such as
bathrooms, nearest restaurant, highway
/subway access, noise problems)
Budget:
• Prop list
• Permit list
• Effects list
• Costume list
• Camera/Lighting requirements
• Sound requirements
• Transportation
• Food requirements
• Rough Shooting schedule
Following
these
guidelines
will
maximize
the
effectiveness of your advisements.
PAGE 14
EDITING FACILITIES
1. EDITING SLOTS ARE THREE HOURS LONG.
7. Do not attempt to fix a computer yourself.
In addition to prescheduled lab time on your
Report any problems to the Editing Room
schedule, you may sign up for additional editing
Supervisor, an Editing TA or an Instructor
slots based upon availability. All additional hours
immediately.
are granted on a first come first served basis.
8. Do not exchange hardware between machines.
If you are more than 20 minutes late, your slot
will be given to a student on the wait list.
9. Please bring your own headphones. Several
back-up pairs are available for check-out, but
2. All students need to purchase an external
not enough for everyone.
hard drive to store your films. They are available
at the school for $150. The specific kind of hard
10. The editing facility is for the exclusive use
drive will be covered in your first editing class.
of students and staff of NYFA. All others must
register with the 2nd floor office for admittance.
3. Be very careful with your original film footage
and master tapes. Digitized material can be lost
11. Do not prop or leave the street door open,
on the hard drives. You will be responsible for
even for a second. Do not invite strangers into
any data recovery costs.
our space. Everyone’s security will be at risk.
4. MAKE SURE YOU KNOW HOW TO AUTO
We cannot be responsible for any material or
SAVE ON THE PERMANENT DRIVE OF THE
property left in the edit room.
COMPUTER. SEE EDITING SUPERVISOR FOR
MORE INFO.
If you are leaving the room for more than five
minutes, take everything with you. In the past,
5. You must begin putting your materials away
students have lost irreplaceable footage left
and clean up your station 15 minutes before the
unattended. Don’t let it happen to you.
end of your slot so that the next person can start
their slot on time.
IF YOU VIOLATE THE ABOVE RULES, YOU
WILL LOSE ALL EDITING PRIVILEGES.
6. No eating, drinking, smoking or using your
We will be happy to supply you with a list of
cell phone in the editing room.
edit houses.
PAGE 15
FILM SCREENINGS
For Final Film Screenings:
1. No film will be screened that is longer than the
maximum length specified. (First Quarter film: 10
minutes. First Semester Film: 10 minutes. First Year
Film: 20 minutes).
2. All films must contain the month and year,
and “PRODUCED AT THE NEW YORK FILM
ACADEMY” in the closing credits. “Produced at the
NYFA” is not acceptable.
3. All films must be handed over to the instructor or
projectionist prior to the start of the screening.
4. Dates for the Final Film Screening are subject to
change.
RECOMMENDED TEXTS
All NYFA students with valid ID receive a 10%
discount at Shakespeare & Company, located at 716
Broadway @ Washington Place. Call for availability
212-529-1330.
Cinematography
• Cinematography, Kris Malkiewicz
• The Filmmaker’s Handbook,
Edward Pincus & Steven Ascher
Writing
• Poetics, Aristotle
• Writing Short Scripts, William Phillips
• Writing the Short Screenplay, Pat Cooper
& Ken Dancyger
• Developing Story Ideas, Michael Rabiger
Editing
• The Technique of Film Editing,
Karel Reisz & Gavin Millar
For additional reading suggestions, please do not
hesitate to ask David Klein, Michael Young or any of
your instructors.
** Students can purchase a copy of Final Draft for
$129. You can pick up a discount form from the office.
Suggested Websites:
www.screenplays-online.de
www.allmoviescripts.com
www.screenscripts.com
www.sfy.ru
www.weeklyscript.com
www.awesomefilm.com
www.script-o-rama.com
www.simplyscripts.com
www.dailyscript.com
www.Movie-Page.com
www.scriptcrawler.net
www.imdb.com
Directing
• Film Directing, Shot by Shot, Stephen Katz.
(We highly recommend this book)
• Film Art, David Bordwell &
Kristin Thompson
• Film Technique and Film Acting,
V. Pudovkin
• On Acting, Sandford Meisner
• Respect for Acting, Uta Haugen
• Directing the Documentary,
Michael Rabiger
PAGE 16
IMPORTANT NUMBERS
EDITING
Shawn [email protected]
Jeff Olanoff
EQUIPMENT ROOM
Brett Ziebarts 212-674-4300
TECHNICAL ASSISTANCE
Cell Phone (FLYING SQUAD) Available 24/7 (Emergency ONLY)
917-838-9339
Office Phone
212-674-4300
PERMITS
NYC Mayor’s Film Office 212-489-6710
www.nyc.gov/film
1697 Broadway @53rd St., 6th Fl
(take N, Q, R train to 49th)
Permits are issued between the hours of 9:00am and 4:00pm.
On Fridays, permits must be submitted by 3:00 pm.
You must get a letter from the NYFA office before applying for a permit.
FILM STOCK
EASTMAN KODAK212-880-1600
FUJI FILM888-424-3854
PROCESSING
PAC LABS212-473-1027
TECHNICOLOR212-582-7310
DELUXE212-444-5600
NYFA STAFF212-674-4300
JERRY SHERLOCK, President and Founder
MICHAEL J. YOUNG, Provost/ Director of Education
DAVID KLEIN, Senior Director
ELLI VENTOURAS, Academic Dean
GLENN KALISON, Chair - Acting Department
JOHN LOUGHLIN, Chair - Cinematography Department
MELANIE WILLIAMS ORAM, Chair – Screenwriting Department
CLAUDE KERVEN/ MICHAEL SANDOVAL, Co-chairs: 1-Yr Filmmaking
VP BOYLE, Chair – Musical Theater Department
ANDREA SWIFT, Chair – Documentary Department
BRIAN DILG, Chair – Photography Department
MANDY MENAKER, Coordinator - Producing Department
LENORE LYONS, International Student Services
BRIAN KOPLOW, Financial Aid
MICHAEL CAPUTO, Student Housing
PAGE 17
PRODUCTION RESOURCES
Casting:
New York Film Academy - Actors’ Headshots
http://headshots.nyfa.com
Username: filmmaker Password: film123
Backstage Casting - ($55/100 words) students receive 50% discount.
770 Broadway, 6th Fl. @ 9th Street
Ad and payment by 5 pm Monday, for Friday issue.
FAX
Screen Actors Guild - 360 Madison Av, 12th Fl.
FAX
Sagindie - www.sagindie.org
www.sagindie.org/resources/contracts/
www.sag.org
www.mandy.com
www.craigslist.com
Cinema Bookstores, Reference:
Shakespeare & Co. 716 Broadway @ Washington Pl. (10% discount)
Applause Theater Books - 211 W. 71 St. @ B-Way/West End
Drama Bookstore - 723 7th Ave. & 48/49th St., 2nd Floor
Samuel French - 45 W. 25th St., @ 6th Ave. & Broadway
Association of Independent Video & Film (also festival info)
304 Hudson St., 6th Fl.
Barnes & Noble (Main Store) - 105 5th Ave.
Barnes & Noble (Closest store to NYFA) - 33 E. 17th St. 646-654-5700
646-654-5742
212-944-1030
212-944-6774
212-529-1330
212-496-7511
212-944-0595
212-206-8990
212-807-1400
212-807-0099
212-253-0810
Film Stock:
Reversal
Eastman Kodak - 360 W. 31 St. @8th/9th Ave.
Film Emporium - 274 Madison Ave. NYC, NY
212-631-3400
212-683-2433
Negative:
Eastman Kodak - 360 W. 31 St. between 8th/9th Ave.
Fuji Film Corp, L.A. - www.fujifilm.com
Raw Film Stock, Inc. - 1133 Broadway @ 26th St., 5th Floor
Edgewise Media - 630 9th Ave. 8th Fl., between 44th/45th St. Tape Company - 30 West 21 St., between 5th/6th Ave.
212-631-3400
888-424-3853
212-255-0445
212-977-9330
212-647-0900
Reversal Film Laboratories:
PAC Lab Inc. - 37 E 1st St., between 1st/2nd Ave.
Duane Reade, (PAC drop-off location in photo dept.) - 4 W. 4th St., off Broadway
Colorlab - 27 W. 20th St., Suite 307, between 5th/6th Ave.
212-505-7797
212-473-1027
212-633-8172
Negative Film Laboratories:
Du Art - 245 W. 55 St., 2nd Floor, between 7th/8th Ave.
Technicolor - 321 W. 44th St., between 8th/9th
Deluxe
212-757-4580
212-582-7310
212-633-8172
212-444-5600
PAGE 18
Sound Mix:
Magno Sound & Video - 729 7th Ave., between 48th/49th St.
Ccpsound - www.ccpsound.com
212-302-2505
917-345-1979
Film to Video Tape Transfer
New York Film Academy
Du Art - 245 W. 55 St., 2nd Floor, between 7th/8th Ave.
Magno Sound & Video - 729 7th Ave., between 48th/49th St.
Postworks - 100 Ave of the Americas (www.pwny.com)
Prime Focus 435 - Hudson Street, 7th Floor
212-674-4300
212-757-4580
212-302-2505
212-894-4050
212-633-8172
212-520-3150
Sound Design & Scoring
Ccpsound - www.ccpsound.com
917-345-1979
Expendables
The Set Shop- 36 West 20th St.
One Stop Propping - 531 W. 26 St., 2nd Floor
Pearl Paints - 308 Canal St. Barbizon - 456 West 55th Street
Sam Flax - 12 W. 20th St., Between 5th/6th Ave.
212-255-3500
212-465-8654
212-431-7932
212-586-1620
212-620-3060
Make-up
Bob Kelly Make-Up & Wig Creations - 151 W. 46th St. #900, between 6th/7th Ave.
Erica Wells - 781 E. 52nd St., Brooklyn
Norman Bryn - www.makeup-artist.com
212-819-0030
718-629-2419
203-869-5065
Props
Centre Firearms Co. - 10 W. 37th St., 7th Floor, between 5th/6th
Props for Today - 330 W. 34th Street
State Equipment & Prop - 1361 Amsterdam Ave. - www.statesupplyequipment.com Theatrical Props - www.theatricalprops.com 212-244-4040
212-244-9600
212-663-2300
212-691-3359
Wardrobe
Costume Collection, The - 601 W. 26 St., 17th Fl., between 11th Ave/W. Side Hwy.
Dodger Costumes - 21-07 41st Ave. Long Island City, Queens.
Manhattan Costumes - 250 W. 57th St., Suite 1609 (Fisk Bldg.)
Eclectic Properties (Jewelry) - 620 W. 26th St., 4th Floor - www.eclecticprops.com
212-989-5855
718-729-1010
212-245-6770
212-645-8880
Car Rental
All State Auto Rental - 541 W. 43rd St., between 10th/11th Ave.
Enterprise - 30-50 Whitestone Exp., #301, Flushing
Chelsea Rental Corp. (Trucks) - 549 W. 26th St., between 10th/11th Ave.
Courier Car Rental - 537 10th Ave., between 41 and 42nd St.
212-736-1188
718-445-1600
212-564-9555
212-760-2800
Sound Rental and Sales:
B&H Photo Video - 420 9th Avenue, between 33rd and 34th Street
Audio-Services - 353 W. 48th St., between 8th/9th Ave.
Comprehensive Audio - 432 W. 45 St. #432, 8th Fl., between 9th/10th Ave.
800-606-6969
212-977-5150
212-586-6161
PAGE 19
Editing Rental/Supplies
MPE Editorial - 432 W. 45 St., between 9th/10th Ave.
212-245-0969
Postworks - 35 E. 21st St. 4th Floor, between Broadway/Park Ave. - www.pwny.com
212-388-0599
East Coast Post - 110 Leroy St., between Greenwich/Hudson) - www.eastcoastpost.com212-691-9148
Negative Matching
Rich Enterprises - 208 W. 30 St., between 7th/8th, 10 Fl.
Magno/Lablink - 115 W. 45th St., between 6th/7th Ave.
212-947-3943
212-302-7373
Post-production Facilities
Prime Focus - 435 Hudson Street, 7th Floor
Postworks - 227 East 45th Street 17th Floor Technicolor - 110 Leroy St. (near Hudson and Greenwich)
Mega Playground - 609 Greenwich St. 8th Floor
Metropolis Labs - 115 W. 30th St. Suite 302 212-520-3150
212-661-2530
212-609-9400
212-399-6342
212-563-9388
Lighting Rental
Barbizon - 456 W. 55 St., between 9th/10th Ave.
Hot Lights - 133 W. 19th, between 6th/7th Ave.
Paris Films - 50-20 25th St., Long Island City, Queens
Filmbulance - 259 12th St., Brooklyn Ceco Studios - 440 West 15th Street
Available Lights - 29-20 37th Ave, Long Island City
Xeno Lights - 1 Worth Street 212-586-1620
212-645-5295
718-482-7633
347-419-4142
212-206-8280
718-707-9670
212-941-9494
Camera and Accessories Sales
B&H Photo - 420 9th Ave. Adorama 45 W. 18th St., between 5th/6th Ave.
Arriflex Corp.
Cine-60 - 630 9th Ave., between 44th/45th, 8th Fl., Film Centre Building
Willoughby’s Camera - 110 W. 32nd
Du-All Camera - 231 W. 29th St., Suite 210, between 7th/8th Ave.
Profoto - 128 W. 31st St., between 6th/7th Ave.
212-807-7479
212-741-0052
845-353-1400
212-586-8782
212-564-1600
212-643-1042
212-643-1042
--Camera and Accessories Rental
Abel Cinetec - 66 Willow Ave #201, Staten Island
Camera Service Center - 619 W. 54 St., between 11th/12th Ave.
Ceco International - 440 W. 15 St., between 9th/10th Ave.
Cine 60- Film Centre Building, 630 9th Ave., 8th Fl., between 44th/45th St.
Film/Video Arts - 50 Broadway, 21st Fl., between Exchange Place/Morris
General Camera - 540 W. 36th St., between 10th/11th
Hand Held Films - 66 White St.
Techno Cinevideo Serv. - 630 9th Ave., Suite #1004, between 44th/45th St.
Profoto - 128 W. 31st St., between 6th/7th Ave.
Elefant Films
PAGE 20
718-273-8108
212-757-0906
212-206-8280
212-586-8782
212-673-9361
212-594-8700
212-502-0900
212-247-6517
212-564-6171
212-757-5141
Computers
Apple Computers (apple.com) - 103 Prince St (Ask for student discount.)
Kinkos- 24 East 12th St., @ University & 5th Ave, ($12/hour)
Rent-A-PC- 600 Sylvan Av, Engelwood Cliff, NJ 07632 (Dave)
J&R Computer World- 15 Park Row - Discount Computer Store
Stock/Archival Footage
Archive Films/Photos - 530 W. 25th St.,
E-Footage - Los Angeles, CA - (Preview & order online) www.efootage.com
Novelties, Masks, Blood, etc.
Abracadabra -19 W. 21st St. @ 5th/6th Ave.
Jimsons Novelties- 28 E. 18th St.
212-226-3126
212-924-0802
201-568-6555
212-238-9100
212-822-7800
323-660-0187
212-627-5194
212-477-3386
Music:
Royalty free production library
www.mobygratis.com
www.music2hues.com
www.musicbakery.com
stockmusic.net
bit.ly/8uayQz
Download royalty free music from The Music Bakery featuring professional studio musicians and plenty
of real acoustic instruments, impeccably-produced by our gifted team of award-winning composers.
Covering the entire spectrum of musical styles, it’s buyout production music that’s logically categorized
and easy to find.
Juilliard School of Music - Contact students
Manhattan School of Music - Contact students
Voice Over:
www.voices.com
Documentary Outlets:
ITVS
www.itvs.org
IFP:
Founded as a satellite program of the 1979 New York Film Festival, the nonprofit IFP has evolved into
the nation’s oldest and largest organization of independent filmmakers, and also the premier advocate
for them. Since its start, IFP has supported the production of 7,000 films and provided resources to more
than 20,000 filmmakers-voices that otherwise might not have been heard. IFP believes that independent
films broaden the palette of cinema, seeding the global culture with new ideas, kindling awareness, and
fostering activism.
Currently, IFP represents a network of 10,000 filmmakers in New York City and around the world. When
all is said and done, IFP fosters the development of 200 feature and documentary films each year.
PAGE 21
ONLINE RESOURCES
• BLOG SITES •
Alternative Film Guide:
http://www.altfg.com/blog
Anglophenia:
http://www.bbcamerica.com/anglophenia/
anglophenia.jsp
Arbogast on Film:
http://arbogastonfilm.blogspot.com
The art of memory:
http://theartofmemory.blogspot.com
Artforum: Film:
http://www.artforum.com/film
Auteurs’ Notebook:
http://notebook.theauteurs.com
Bad for the Glass:
http://badfortheglass.blogspot.com
Bad Lit:
http://www.badlit.com
Beyond the Multiplex:
http://www.salon.com/ent/movies/btm
IndieWIRE:
http://blogs.indiewire.com
Brian Flemming:
http://www.slumdance.com/blogs/brian_flemming
Bright Lights After Dark:
http://brightlightsfilm.blogspot.com
Celluloid Eyes:
http://celluloideyes.com
Chicago Reader:
http://blogs.chicagoreader.com/film/
Chuck’s Blogumentary:
http://blogumentary.typepad.com
The Chutry Experiment:
http://chutry.wordherders.net
Cinebeats:
http://cinebeats.blogsome.com
Cinefamily:
http://www.cinefamily.org/blog/index.html
Cinema is Dope:
http://www.cinemaisdope.com
Cinema Minima:
http://www.cinemaminima.com
Cinema Strikes Back:
http://www.cinemastrikesback.com
CinemaTech:
http://cinematech.blogspot.com
Cinematical:
http://cinematical.com
PAGE 22
Cinephiliac:
http://cinephiliac.com
Cyndi Greening:
http://www.cyndigreening.com
Daily Plastic:
http://www.dailyplastic.com
Dave Kehr:
http://davekehr.com
David E’s Fablog:
http://fablog.ehrensteinland.com
David Lowery:
http://www.road-dog-productions.com/weblog
Deadline Hollywood Daily:
http://www.deadlinehollywooddaily.com
Defamer:
http://www.defamer.com
Digital Poetics:
http://professordvd.typepad.com
DIY Filmmaker Sujewa:
http://diyfilmmaker.blogspot.com
Elusive Lucidity:
http://elusivelucidity.blogspot.com
Esoteric Rabbit Films:
http://www.esotericrabbit.com/blog
The Evening Class:
http://theeveningclass.blogspot.com
Facets Features:
http://facetsfeatures.blogspot.com
Ferdy on Films:
http://ferdyonfilms.com
Film Experience:
http://filmexperience.blogspot.com
Filmjourney.org:
http://filmjourney.weblogger.com
Filmmaker:
http://www.filmmakermagazine.com/blog/
Flickipedia:
http://www.flickipedia.net
Forward to Yesterday:
http://forwardtoyesterday.com
Girish:
http://www.girishshambu.com/blog/index.html
Greenbriar Picture Shows:
http://greenbriarpictureshows.blogspot.com
Greg.org:
http://greg.org
ONLINE RESOURCES
HD For Indies:
http://www.hdforindies.com
Hell on Frisco Bay:
http://www.hellonfriscobay.blogspot.com
House Next Door:
http://mattzollerseitz.blogspot.com
If Charlie Parker:
http://tsutpen.blogspot.com
Indie Eye:
http://www.ifc.com/film/indie-eye/
Glenn Kenny:
http://somecamerunning.typepad.com/some_
came_running
Joe Leydon:
http://movingpictureblog.blogspot.com
Like Anna Karina’s Sweater:
http://www.filmbrain.com
Looker:
http://looker.typepad.com/looker
Mad About Movies:
http://madaboutmovies.blogs.oregonlive.com
Mirror/Stage:
http://truespies.org/mirror-stage
The Movie Blog:
http://www.themovieblog.com
Movie City Indie:
http://www.mcnblogs.com/mcindie
The Moviegoer:
http://mgoer.blogspot.com
MovieMaker Blog:
http://www.moviemaker.com/blog
Neil Gaiman:
http://www.neilgaiman.com/journal
Nick’s Flick Picks:
http://www.nicksflickpicks.com/blog.html
Notes from Underdog:
http://underdog.typepad.com
Nothing Sacred:
http://www.nextbook.org/cultural/blogs.html?
blog=Nothing%20Sacred
Out of Focus:
http://outoffocus.typepad.com/outoffocus
Parallax View:
http://parallax-view.org
Patrick Macias:
http://patrickmacias.blogs.com/er
The Phil Nugent Experience:
http://philnugentexperience.blogspot.com
PAGE 23
Picture in Picture:
http://www.austinchronicle.com/gyrobase/Blogs
/Screens
The Playlist:
http://theplaylist.blogspot.com
Pullquote:
http://pullquote.typepad.com
Queer Film Review:
http://www.tatenova.com/queerfilm
Rashomon:
http://rashomon.blogspot.com
The Reeler:
http://www.thereeler.com
Risky Biz:
http://reporter.blogs.com/risky
Jonathan Rosenbaum:
http://www.jonathanrosenbaum.com
Scanners:
http://blogs.suntimes.com/scanners
ScreenGrab:
http://www.nerve.com/nerveblog/screengrabblo
g.aspx?blogid=107
Sergio Leone and the Infield Fly Rule:
http://sergioleoneifr.blogspot.com
Slant:
http://www.slantmagazine.com/blog/default.asp
SpoutBlog:
http://blog.spout.com
Thanks for the Use of the Hall:
http://www.panix.com/~sallitt/blog
They Shoot Pictures, Don’t They?:
http://www.theyshootpictures.com
Thompson and Bordwell:
http://www.davidbordwell.net/blog
Twitch:
http://www.twitchfilm.net
Vince Keenan:
http://www.VinceKeenan.com
Where the Stress Falls:
http://mss.typepad.com/blog
Wiley Wiggins:
http://wileywiggins.blogspot.com
Zero for Conduct:
http://www.zeroforconduct.com
Zoom In Online:
http://www.zoom-in.com/blog
ONLINE RESOURCES
• HEADLINERS •
Ain’t It Cool News:
http://www.aint-it-cool.com
Anime News Network:
http://www.animenewsnetwork.com
Anne Thompson:
http://weblogs.variety.com/thompsononhollywood
Cineuropa:
http://www.cineuropa.org/index.aspx?lang=en
Coming Soon:
http://www.comingsoon.net
European-films.net:
http://www.european-films.net
Independent Films Direct:
http://www.independentfilmsdirect.com
IndieWIRE:
http://www.indiewire.com
Koreanfilm.org:
http://koreanfilm.org/new.html
Kung Fu Cinema:
http://kungfucinema.com
Kung Fu Cult Cinema:
http://www.kfccinema.com
MonkeyPeaches:
http://www.monkeypeaches.com
Movie City News:
http://www.moviecitynews.com
Variety Asia:
http://www.varietyasiaonline.com
• REVIEWS •
Austin Chronicle:
http://www.austinchronicle.com/screens
Sean Axmaker:
http://www.seanax.com
Black & White World:
h t t p : / / w w w. s t e n n i e v i l l e . c o m / i n d e x . p h p /
movieblog/
Chicago Reader:
http://www.chireader.com/movies/
Cinemania:
http://djardine.blogspot.com
The Cinematheque:
http://www.thecinematheque.com
Combustible Celluloid:
http://www.combustiblecelluloid.com
Critical Consensus:
http://www.sfgate.com/eguide/movies/
criticalconsensus/
PAGE 24
D+kaz:
http://www.d-kaz.com
Day for night:
http://swblack.wordpress.com
Deep Focus:
http://www.deep-focus.com/dfweblog
Roger Ebert:
http://www.rogerebert.com
Filmshi:
http://www.filmshi.com
Film Threat:
http://www.filmthreat.com
Flick Filosopher:
http://www.flickfilosopher.com
Gladsome Morning:
http://gladsomemorning.wordpress.com
Guardian/Observer:
http://film.guardian.co.uk/0,3968,,00.html
Hollywood Bitchslap:
http://www.hollywoodbitchslap.com
kamera.co.uk:
http://www.kamera.co.uk
LA Weekly:
http://www.laweekly.com/film
Long Pauses:
http://www.longpauses.com/blog/2001/07/filmdiary-by-director.html
Peter Nellhaus:
http://www.coffeecoffeeandmorecoffee.com
New York Times:
http://movies.nytimes.com/pages/movies/
New Yorker:
http://www.newyorker.com/critics/cinema
Film File:
http://www.newyorker.com/online/filmfile
Noir of the Week:
http://www.noiroftheweek.blogspot.com
PopMatters:
http://PopMatters.com
SF Bay Guardian:
http://www.sfbg.com
Michael Sicinski:
http://www.academichack.net
Slant:
http://www.slantmagazine.com/film/film_
current.asp
The Stranger:
http://www.thestranger.com/seattle/Home
Village Voice:
http://www.villagevoice.com/film/
World/Independent Film:
http://worldfilm.about.com
ONLINE RESOURCES
• HEFT •
• DVD •
A_film_by:
http://groups.yahoo.com/group/a_film_by
BRAINTRUSTdv:
http://www.braintrustdv.com
Bright Lights:
http://www.brightlightsfilm.com
David Bordwell:
http://www.davidbordwell.net
Ray Carney:
http://people.bu.edu/rcarney
David Chute:
http://www.geocities.com/Tokyo/Island/3102/
Cinema Scope:
http://www.cinema-scope.com
Film Comment:
http://www.filmlinc.com/fcm/fcm.htm
Filmmaker:
http://www.filmmakermagazine.com
Film-Philosophy:
http://www.film-philosophy.com
Firecracker:
http://www.firecracker-magazine.com
Flickhead:
http://home.comcast.net/~flickhead/
Chris Fujiwara:
http://www.insanemute.com
Jump Cut:
http://www.ejumpcut.org
Light Sleeper:
http://www.lightsleepercinemag.com
Masters of Cinema:
http://www.mastersofcinema.org
Midnight Eye:
http://www.midnighteye.com
Offscreen:
http://www.offscreen.com
Reverse Shot:
http://www.reverseshot.com
Rouge:
http://www.rouge.com.au/index.html
Scope:
http://www.scope.nottingham.ac.uk
Senses of Cinema:
http://www.sensesofcinema.com
Strictly Film School:
http://www.filmref.com
Synoptique:
http://www.synoptique.ca
Criterion:
http://www.criterionco.com/asp
The Digital Bits:
http://www.thedigitalbits.com/
DigitallyOBSESSED:
http://digitallyobsessed.com
DVD Beaver:
http://www.dvdbeaver.com
DVD Spin Doctor:
http://dvdspindoctor.typepad.com
DVD Talk:
http://www.dvdtalk.com
On Five:
http://www.criterionco.com/blog/
PAGE 25
• ONLINE LISTENING •
Blogjam:
http://www.blogjam.com
Directors Notes:
http://www.directorsnotes.com
Docs That Inspire:
http://www.docsthatinspire.com
DVD Talk Radio:
http://www.dvdtalkradio.com
Mark Kermode:
http://www.bbc.co.uk/fivelive/entertainment/ker
mode.shtml
NPR Movies:
http://www.npr.org
The Treatment:
http://www.kcrw.com/show/tt
World of Anime:
feed://feeds.feedburner.com/woapodcast
• ONLINE VIEWING •
Art of the Title Sequence:
http://www.artofthetitle.com
AtomFilms Blog:
http://blog.atomfilms.com
Bedazzled!:
http://bedazzled.blogs.com
The Daily Reel:
http://www.thedailyreel.com
Documentary Channel:
http://www.documentarychannel.com
DVblog:
http://www.the9th.com/DVblog
ONLINE RESOURCES
Expanded Cinema:
http://expandedcinema.blogspot.com
Google Video Blog:
http://googlevideo.blogspot.com
Hulu.com:
http://hulu.com
Intense Guys:
http://intenseguys.typepad.com/intense_guys
Internet Archive:
http://www.archive.org
Machinima:
http://www.machinima.com
Net Art News:
http://rhizome.org/netartnews
No fat clips!!!:
http://dekku.blogspot.com
NomadsLand:
http://www.nomadsland.com
Ourmedia:
http://www.ourmedia.org
Reel Pop:
http://www.reelpopblog.com
Rocketboom:
http://www.rocketboom.com
Screenhead:
http://www.screenhead.com
Sharpeworld:
http://www.sharpeworld.com
TCM Multimedia:
http://www.tcm.com/multimedia/featuredmovieclips
TickleBooth:
http://ticklebooth.com
Trailers @ Apple:
http://www.apple.com/trailers
UbuWeb:
http://www.ubu.com
Video Data Bank:
http://www.vdb.org
Video Dog:
http://www.salon.com/ent/video_dog
Zoom In Online:
http://www.zoom-in.com
FILM FESTIVALS
Toronto Film Festival aka TIFF
www.tiff08.ca
Tribeca Film Festival
www.tribecafilm.com/festival/
Sundance Film Festival
www.sundance.org
Click on Independent Producer’s Conference
New York Film Festival
www.filmlinc.com/nyff/
Cannes Film Festival
www.festival-cannes.fr/en/festival.html
Slamdance Film Festival
www.slamdance.com
Cannes Film Festival Blog
www.cannes-festival.com
SXSW Film Festival aka
(South By Southwest)
www.sxsw.com
Berlin Film Festival aka Berlinale
www.berlinale.de/en/HomePage.html
Silver Docs Film Festival
www.silverdocs.com
Venice Film Festival aka La Biennale di Venezia
www.labiennale.org/en/cinema/
Hot Docs Film Festival
www.hotdocs.ca
GO ONLINE FOR THE COMPLETE LIST OF FILM FESTIVALS:
http://www.nyfa.edu/students/resources/film_festival.php
PAGE 26

NYFA Student Hub - New York Film Academy

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