july august september 2016

Transcription

july august september 2016
july
august
september
2016
news
MEMBER EVENTS + PROGRAMS
FROM THE DIRECTOR
Upcoming Events
Member Spotlight
Brandon Paulsen
Art Noir
Get Dirty With Art Noir:
Ceramics Date Night
Friday, August 26 / 6 – 9 pm
Ceramics Studio 7
$40 members; $60 non-members
(per couple)
Limit 10 couples, Ages 21+
*Reservations required
Artist Glenn Brown and Director Jeff Fleming
Exemplifying the Art Center’s continuing focus
on education and outreach, we have recently
hired three new educators to fill two newly
created positions and one current post. Maggie
Harlow Vogt is the Art Center’s new adult studio
manager. She will oversee the development of
classes for adults in our studio program. Maggie
began her duties in June. Kara Fedje fills the
newly established museum education position,
which will focus on developing programs and
activities for children and families. We also hired
a new outreach coordinator, Rachael Jackson,
who has a unique story. Her interest in art
blossomed as a scholarship student at the
Art Center, becoming a classroom monitor in
the studios where a teacher mentored her and
encouraged her to focus on attending college.
Upon graduation, Rachael worked at the
Art Center as a classroom instructor. Now, she
will lead one of the Art Center’s most significant
endeavors. Each one of these new hires adds
deep knowledge to their respective roles and
will enhance the Art Center’s ongoing efforts
to make the best of the art of our time available
to diverse audiences.
Fall classes are now open for enrollment.
Please join us for unexpected hands-on
adventures.
Jeff Fleming
What drew you to the Des Moines
Art Center and why is it important
to you?
The Des Moines Art Center has an important
place in our thriving community because
simply put, it allows everyone the opportunity
to experience art. It doesn’t matter where you
live, what you do, what your background is,
old to art, new to art, if you enjoy art you are
welcome. Very few cities can boast that their
art museum is free and open to all, which
makes the Des Moines Art Center all the
more entirely unexpected.
Why did you join?
My membership with the Des Moines
Art Center has provided me opportunities to
experience art that I had never experienced.
My favorite experiences are fun gallery tours
like ‘Not Your Grandma’s Gallery Talk + Wine
Tasting’ with Art Noir or Members’ Previews
where Art Center members have a special
opportunity to view new exhibitions. Those
opportunities along with so many others such
as those offered by Salon 4700 often fill my
calendar. Besides the distinctive events that
as a member I’m invited to, I realize that to
keep the Des Moines Art Center free and
welcoming to all takes community support.
When I renew my membership, I realize I’m
doing my part to support something special
that really can only be found in Des Moines.
Do you have any favorite works of
art from the collection?
The whole Pappajohn Sculpture Park is
a favorite with its unmatched openness,
richness, and talent. It is a gathering place
for residents to take in its beauty.
SUpport
your art center
Become
a member
today.
Events and affiliate groups on pages 2 and 3 are open
to all Art Center members. Not a member? Join online at
desmoinesartcenter.org/join-give, in the Museum Shop,
or contact the Membership Department at 515.271.0324.
2 art center news July August September 2016
Cue the music from Ghost! Art Noir has a
romantic (and slightly dirty) evening planned
for you in the ceramics studio. You and
your main squeeze will practice throwing
on the wheel with the guidance of a trained
ceramics instructor, then hand-build and
glaze a small keepsake flower or succulent
pot to commemorate your time together.
Wine and light hors d’oeuvres will be served.
salon 47OO
Family Event
Listening Instruments Invention
Workshop With Alex Braidwood
Saturday, August 20 / 10 – 11:30 am
Principal Studio 5
Space is limited, reservations required*
Recommended ages: 5 –12 years; at least
one adult required per child participant
Salon 4700 members have the unique
opportunity to collaborate with Iowa Artist
2016 Alex Braidwood to create headphonebased listening instruments that alter the
way sound is experienced. Once built,
families will embark on a listening tour to
explore the surrounding area with their
newly made listening instruments.
members out and about
At the annual meeting held in May, Print
Club elected new officers, board members,
and committee chairs for 2016 –17:
President, Catherine Dreiss; Vice President/
Programs, Stephen Exel; Treasurer,
Nancy Peters; Secretary, Michelle Herring;
Membership, Larassa Kabel; Commissioned
Print, Molly Wood; Gift Print, Tyler Patterson;
Print Conservation Gift, Ellen Yee; At-large,
Mayela Fonseca and Kathranne Knight;
and Past-President, Darren Jirsa. Members
selected Alice Aycock’s screenprint,
Miraculating Machine: Mock Suns and
Halos “Round the Moon,” 1992 (see page
8) as the gift print for 2016. They voted
to support the conservation of Thomas
Shotter Boys’ (British, 1803 – 1874)
Westminster Abbey, Hospital, 1842, from
“Original Views of London As It Is.” The new
logo, designed by Claire Sedovic, was also
unveiled (see above).
On Saturday, September 10, Print Club
will travel to Iowa City for a tour of the
University of Iowa’s printmaking facilities in
the School of Art and Art History. Professor
Anita Jung and several of her students
will lead us on a tour of the school’s new
studios and print production facilities, along
with a discussion of printmaking trends.
After lunch at one of Iowa City’s trending
restaurants we’ll take a self-guided tour
of works on paper in a most unusual
place—through the halls of the University of
Iowa Hospitals and Clinics. The hospital’s
extensive collection, curated by Project Art,
includes works by Alexander Calder,
Jim Dine, Sol LeWitt, and many Iowa artists
including the Art Center’s Curator of Prints
and Drawings Amy N. Worthen.
The calendar of Print Club programs for
2016 –17 will be sent to members in August.
FREE ADMISSION
The Art Center is proud to continue to
offer FREE ADMISSION to Art Center
galleries, programs, and events unless
otherwise noted.
FREE Admission is supported by
Principal Financial Group and Art Center
members. Thank you
Salon 4700 Private collection tour at the home of
Dale Jansen
Print Club Omaha day trip at Tourek Engraving
Member Bus tour with Iowa Artist 2016 Alex Braidwood
ART NOIR Paper Trail Culture Crawl with Salisbury House
Young Professionals
FOR MEMBERS
Art Break
with Senior Curator Alison Ferris Thursday, July 14 / 11:30 am – 12:15 pm
Meet in lobby
*Reservations required
Incorporate art into your day and meet new Senior Curator Alison Ferris as she discusses
her favorite pieces from the Art Center’s permanent collections. Find a new favorite piece of
your own to enjoy.
Member Orientation
Mark Making and Gesture
Saturday, August 20 / 11 am
Meet in the lobby
*Reservations required
In conjunction with the closing of Glenn Brown, explore how artists embody action,
emotion, movement, and expression through gesture and mark making in the Art Center’s
permanent collections.
*RESERVATIONS / rsvps
*Throughout the NEWS, events will indicate when reservations and/or RSVPs are
necessary. To make your reservations visit desmoinesartcenter.org and click on
the EVENT RESERVATIONS button or access the calendar from our homepage.
After completing your online registration, you should receive a confirmation via e-mail.
Please be sure to enter your e-mail address correctly to receive this confirmation.
If you do not receive an e-mail shortly after registering, please call 515.271.0328 and we
will gladly check on your reservation.
Guests on a given reservation list are guaranteed for the event; others are welcome to
attend if space becomes available.
desmoinesartcenter.org 3
NEW exhibition
Vivian Maier Through a Critical Lens
September 17, 2016 – January 22, 2017 / Anna K. Meredith Gallery
MEMBERS’ PREVIEW
Friday, September 16 / 5 – 7 pm
In appreciation of member support, we are
hosting exhibition previews for members
on Friday of opening week. The exhibition
opens to the public the following day.
Music / cash bar
Complimentary hors d’oeuvres
*RSVP (see page 3)
This exhibition features 70 photographs
(50 black-and-white and 20 color prints) of
people encountered on the streets of New York
City and Chicago by the late photographer
Vivian Maier (1926 – 2009). Maier’s photographs,
created between the late 1940s and the early
1980s, were kept completely private by the artist
and caused a stir when they were first exhibited
at the Chicago Cultural Center in 2011. Elusive,
solitary, and clearly talented, Vivian Maier is the
quintessential “undiscovered” artist of our time. The still unfolding narrative of who Vivian Maier
was as well as the story about how the works
were discovered—at a storage facility auction—
continue to dominate the discussions about
Maier’s work. In fact, with the exception of a short
article by art historian Abigail Solomon-Godeau
commissioned by the Jeu de Paume, there have
not yet been any systematic investigations of
Maier’s archive resulting in vetted scholarship.
As a result, there are still many questions to be
raised and discussions to be had about Maier’s
photographs. While presenting Maier’s striking
and popular works, the Art Center will pose
questions and facilitate discussions about her
photography, and in so doing introduce the
considerations that are made about newly
found art works that result in the acceptance—or
not—into the history of art. The Art Center has
also invited the distinguished art historian
John Tagg, one of the most recognized figures
in photographic theory, to speculate about
Maier’s work in light of his scholarship, which he
will share in a lecture in October.
4 art center news July August September 2016
Compelling issues we will discuss
regarding Maier’s work include:
 More than 200,000 negatives of Vivian Maier’s
work exist but so far only a fraction of the
works have been made public. A decision was
made to focus on the photographs Maier made
on the street—thereby labeling her a “street
photographer.” What are the benefits and
drawbacks of categorizing Maier’s work right now?

With a handful of exceptions, very few women
photographers have taken pictures on the street.
Vivian Maier could be added to this short list that
includes Diane Arbus, Helen Levitt, and Lisette
Model among others. Why do so few women
photographers work on the street? And in light of
her gender, what does Maier’s work contribute to
discussions about photographs of the street?
 Compared to the number of negatives Maier
produced, very few vintage prints exist. The
prints on view in this exhibition were chosen and
produced in the last five years by John Maloof, one
of the people who discovered her work. Therefore,
we don’t know if the images Maloof chose to print
are those the artist herself would have selected.
How does this affect the way that we consider
Maier’s work?
 Maier was a very private person who, as far
as anyone can determine at this point, never
intended to publicly exhibit her work. From an
ethical standpoint, is it right to refute her wishes
and exhibit the work anyway? If so, why?
Vivian Maier Through a Critical Lens was
organized by the Maloof Collection, courtesy
Howard Greenberg Gallery, New York.
The Art Center’s presentation was organized
by Art Center Senior Curator Alison Ferris.
Vivian Maier (American, 1926 – 2009) / Armenian Woman Fighting, Lower East Side, NY, September 1956 / Gelatin silver print; printed later
Image size: 12 x 12 inches / Paper size: 20 x 16 inches / ©Vivian Maier/Maloof Collection, courtesy Howard Greenberg Gallery, New York
Gallery Dialogue
Thursday, October 6 / 6:30 pm
Anna K. Meredith Gallery
Join Senior Curator Alison Ferris for a discussion
of this exhibition.
Lecture
Street Life: Vivian Maier and the Long,
Turbulent Relationship of the Camera and
the Street
John Tagg, Distinguished Professor of Art History,
Binghamton University, State University of New York
Thursday, October 20 / 6:30 pm
Levitt Auditorium
*Reservations required (see page 3)
Vivian Maier (American, 1926 – 2009) / New York, NY, n.d. / Gelatin silver print; printed later
Image size: 12 x 12 inches / Paper size: 20 x 16 inches / ©Vivian Maier/Maloof Collection, courtesy Howard Greenberg Gallery, New York
RELATED PROGRAMS
Film
Finding Vivian Maier + Commentary
with Ann Marks, Vivian Maier researcher
Thursday, September 22 / 6:30 pm
*reservations required (see page 3)
Finding Vivian Maier, 2013
Directors: John Maloof and Charlie Siskel
83 minutes / Not rated
“Remarkable. Fascinating.
Slowly unravels the
secrets of Maier’s very
private persona
with the aplomb of a
great mystery.”
Utne Reader on Finding Vivian Maier
Finding Vivian Maier is an
intriguing documentary that
shuttles from New York to
France to Chicago as it
traces the life story of the
late Vivian Maier. Following
the film, Ann Marks will
deliver a brief illustrated
talk that fills in some of the
gaps in Maier’s biography
and answer questions from the audience.
Ann Marks is a retired New York business
executive with a passion for research and mysteries.
After viewing the film she was inspired to unlock the
mystery of Maier’s background and family history.
Her findings have informed a deeper understanding
of the photographer and even greater appreciation
for Maier’s artistry. Marks continues to collaborate
with John Maloof, Jeff Goldstein, and Stephen
Bulger, the curators and owners of the vast majority
of Maier’s work, to extract new biographical
information from the archive’s images. Stepping back to set the
street photographs of
Vivian Maier in a larger
context, John Tagg
examines the long and
varied history of the camera
and the street and the
complicated issues of
performance and pleasure,
property and privacy,
power and the public
domain this history raises.
Born in the North-East of England and
trained at the Royal College of Art in London,
John Tagg writes on forms of photographic
practice not previously considered part of the
history of photography, including police and prison
photography, social surveillance, urban records
and other archival systems in which the
photograph is made to serve as a document.
From here, his interests have extended to the ways
we construct histories of cultural technologies
and visual regimes, and to the theoretical debates
that have transformed the history of art and
photography since the 1970s. Author of The
Burden of Representation; The Disciplinary Frame;
and other books, Tagg lives and works in Upstate
New York.
Film
Finding Vivian Maier+ Discussion
with Art Center staff
Sunday, October 23 / 1:30 pm
Alison Ferris, senior curator
Sunday, November 13 / 1:30 pm
Laura Burkhalter, curator
Sunday, January 8, 2017 / 1:30 pm
Jill Featherstone, director of education
Following the film, Art Center staff will facilitate
a discussion of the complexities surrounding
the discovery, display, and discourse of
Vivian Maier’s work.
Vivian Maier Through a Critical Lens is supported by:
Farm Bureau
financial services
marty Gross
kpmg llc
desmoinesartcenter.org 5
NEW exhibition
Whose Streets?
August 19, 2016 – January 15, 2017 / Blank One Gallery
One of the most common subjects depicted in Western painting in the late
19th- to mid-20th centuries was the city. Starting with the Impressionists,
the city was the ultimate symbol of Modernism—a phenomenon that thrilled,
excited, troubled, and dismayed the people of its time. The representation
of the city is even more intrinsic to photography, invented as it was in 1839
at the dawn of Modernism. Eugene Atget’s systematic recording of the
old, disappearing sections of Paris at the turn of the last century; Berenice
Abbott’s similarly exhaustive portrait of New York City in the 1930s; and
Garry Winogrand’s iconic “snapshot” photography capturing the dynamics of
life in New York in the 1960s and 1970s are just a few examples. Featuring
works from the Art Center’s permanent collections, this exhibition will explore
the ways that painting and photography not only captured the novelty of
Modernism but also addressed the politics of class, race, and gender as it
was played out on the city streets.
RELATED PROGRAM
gallery Dialogue
Thursday, September 1 / 6:30 pm / Blank One Gallery
Join Senior Curator Alison Ferris for a discussion of this exhibition.
continuing exhibitions
Garry Winogrand / Untitled, from “Women are Beautiful,” c.1965
Gelatin silver print
Des Moines Art Center Permanent Collections; Gift of Jeff Perry
in honor of Myron and Jacqueline Blank, 2006.40
Photo: Rich Sanders, Des Moines, Iowa
For full descriptions of continuing exhibitions, visit desmoinesartcenter.org.
Glenn Brown
Through August 21, 2016
anna K. Meredith Gallery
Figures, animals, flowers, grotesque appendages,
and surreal spacecraft inhabit seemingly desolate
atmospheres in Glenn Brown’s works. Steeped in
Western pictorial traditions, he derives his images
from the history of art, which include the familiar
formats of still life, portraiture, and landscape.
The reproductions of paintings in art history
books, magazines, and the Internet are the origins
of Brown’s imagery. He reaches back into art
history, playing with our ideas of what art is, while
simultaneously looking to the future.
Brown’s artworks become representations of
representations as he stitches together elements of
the past to breathe new life into old practices.
Sunday, July 10 / 1:30 pm
2001: A Space Odyssey 1968
Stanley Kubrick, director / 139 minutes / Rated G
RELATED PROGRAM
Artist’s Choice Film Series
Second Sundays this summer
Glenn Brown (British, born 1966)
Dark Star, 2003
Oil on panel
100 x 75 cm
The Art Institute, Chicago
These films are among artist Glenn Brown’s
favorite movies. Join us for these screenings,
and visit his exhibition in the museum’s
Anna K. Meredith Gallery.
Glenn Brown is supported by the National Endowment for the Arts.
Media support provided by Cityview.
6 art center news July August September 2016
Sunday, August 14 / 1:30 pm
the mirroR 1975 (Russian with English subtitles)
Andrei Tarkovsky, director
106 minutes / Not rated
Programming is supported by Humanities Iowa and the
National Endowment for the Humanities. The views and opinions expressed
by these programs do not necessarily reflect those of Humanities Iowa
or the National Endowment for the Humanities.
Additional support provided by Iowa Public Radio.
Alex Braidwood gathers sound with a custom-designed
instrument.
Jordan Weber (NGC 6052 phase 1) House façade from
“Body Snatchers,” 2016
Mixed media placed on foreclosed house / Courtesy the artist
Iowa Artists 2016
Alex Braidwood and Jordan Weber
Through October 9, 2016
Richard Meier building lower galleries, and off-site location
Cy Twombly (American, 1928 – 2011)
Natural History Park I, Mushrooms: No. IV, 1974
Mixed media technique: lithograph, granolithograph, collotype,
photochrome with collage, and drawings by the artist on paper
29 11/16 × 22 inches
Des Moines Art Center Permanent Collections;
Purchased with funds from Rose F. Rosenfield, 1988.7.4
Photo: Rich Sanders, Des Moines, Iowa
Cy Twombly:
Natural Histories
Through August 14, 2016
Blank One Gallery
The Des Moines Art Center is home to Natural
History Part I, Mushrooms (1974) and Natural
History Part II, Some Trees of Italy (1976), two print
portfolios by Cy Twombly (1928 –2011). In these
series, the artist explores the relationship between the
material world, primarily nature; the ways that nature
has been categorized in the recent past; and finally,
the way that vision is perhaps more highly regarded
than the other senses in western society today.
This exhibition was organized by Senior Curator
Alison Ferris, and Megan Cohen, assistant registrar/
curatorial assistant.
Iowa Artists 2016 goes outside the museum
into unexpected places in our community.
Throughout May, Alex Braidwood installed
devices of his own invention to collect ambient
sound in various urban locations. The project,
titled Listen Right Here, makes us aware of
the noise that surrounds us, encouraging us
to notice a sensory experience often ignored.
The collected data was turned into a 6-channel
electronic composition, which can
be experienced in the lower Meier galleries.
Jordan Weber’s sculpture and installations
are also on view in lower Meier, as well as the
sunken courtyard on the north side of the Meier
wing.This project, which presents themes of
labor, current economic and social issues, and
the place of art in our lives, also includes an
off-site abandoned house (visible from
Keo Way, on the north edge of downtown
Des Moines) modified by the artist in a manner
inspired by the architecture of the Art Center.
Weber’s exhibition, called Body Snatchers, ties
divergent locations together in surprising ways,
both personal and political. Iowa Artists 2016:
Alex Braidwood and Jordan Weber is organized
by Laura Burkhalter, curator.
Single Channel 6:
Collected 2
Bill Viola / Ascension
Single Channel 6:
Collected 3
Anna Gaskell / The Mirror
Through August 7, 2016
Pamela Bass-Bookey and Harry Bookey
Gallery / Richard Meier Building
August 12 – November 3, 2016
Pamela Bass-Bookey and Harry Bookey
Gallery / Richard Meier Building
Bill Viola (American, born 1951) / Ascension, 2000
Purchased with funds from the Coffin Fine Arts Trust;
Nathan Emory Coffin Collection of the Des Moines
Art Center, 2001.1
Anna Gaskell (American, born 1969) / The Mirror, 2006 (detail)
Digital video transferred to DVD
Des Moines Art Center Permanent Collections,
Gift of the artist, 2006.12
RELATED PROGRAMS
Artist Performance + talk
Thursday, July 7
6:30 pm / Richard Meier sunken courtyard
7:45 pm / 1116 14th Place, Des Moines (participants
provide own transportation; street parking)
Join Jordan Weber for a discussion of his
site-specific installations.
Artist Lecture + Gallery Q & A
Thursday, August 18 / 6:30 pm
levitt auditorium and lower meier galleries
Join Alex Braidwood for an illustrated talk about
the making of his work followed by a gallery visit
and Q & A.
This lecture is supported by The Margaret Ann (Dudie) Ash Fund.
Artists 2016 is supported by
This project is supported, in part, by the Iowa Arts Council,
a division of the Iowa Department of Cultural Affairs, and the
National Endowment for the Arts.
Heavy Heavy Hangs
Over Thy Head
Through September 25, 2016
John Brady Print Gallery
This exhibition looks at ways that artists from
the 16th century to our time have depicted
fire arms, shooters, and the victims of gun violence.
Support is provided by the Art Center Print Club.
A fully-illustrated gallery guide accompanies
the exhibition.
RELATED PROGRAM
Gallery dialogue
Thursday, September 8 / 6:30 pm
Join Amy N. Worthen for a discussion of
the exhibition.
desmoinesartcenter.org 7
permanent collections
RECENT ACCESSIONS
to THE COLLECTIONS
The Board of Trustees of the Des Moines Art Center has
approved the purchase of an extraordinary work of art,
Light Blonde, 1996, by the internationally acclaimed artist
Marlene Dumas, with funds from the Coffin Fine Arts
Trust and Edmundson Art Foundation. Born in Cape Town,
South Africa, Dumas is one of the most significant painters
working today. Her work is most often figurative, focusing
on issues of gender, politics, and identity. As this signature
work exemplifies, Dumas’ images can be somewhat
confrontational and jarring, but they are always compelling.
Dumas has exhibited worldwide. In 2014, the Stedelijk
Museum in Amsterdam presented a major retrospective
that traveled to Tate Modern, London, and the Fondation
Beyeler, Basel. The Museum of Contemporary Art,
Los Angeles organized an exhibition in 2008 in conjunction
with the Museum of Modern Art, New York which toured to
the Menil Collection, Houston. Many major museums hold
her work including the Centre Pompidou in Paris; LA County
Museum of Art; Tate Gallery, London; and the Museum of
Modern Art, New York. This is the first work by the artist to
enter the collections.
The Print Club has given Alice Aycock’s screenprint,
Miraculating Machine: Mock Suns and Halos “Round the
Moon”, 1992. Internationally acclaimed for her monumental
sculptures inspired by engineering and machines, Aycock’s
drawings and prints adopt the style of mechanical drawing.
With its trussed structures, springs, pulleys, ropes, and
the grand gesture of a blue spiral, Aycock’s screenprint
is an exploded diagram for the parts of her “miraculating
machine” and relates to her proposal for her sculpture, The
Miraculating Machine in the Garden (Tower of the Winds),
1981 (Douglass College, New Brunswick, New Jersey). In
2012, she won the Des Moines Public Art Foundation’s
competition for redesign of the Sixth Avenue Bridge over the
Des Moines River. This is the first work by the artist to enter
the collections.
In honor of the upcoming retirement of Curator of Prints
and Drawings, Amy N. Worthen, funds were donated by her
friends, Print Club members, board, and staff to purchase
Sandro Chia’s Sator Arepo painting on paper from
2014. This is the first work by Chia to enter the museum’s
collections. Collected and exhibited at major museums
around the world, Chia was an important member of Italy’s
Transavantgardia movement. Alongside artists such as
Francesco Clemente and Enzo Cucchi, this group returned
emphasis to painting and the emotionally expressive
presentation of the figure.
In the images of Belgian Surrealist painter René
Magritte, well-dressed businessmen move through an
enigmatic world in which strange things happen—and
yet all seems as it should be. A prolific painter, Magritte
embarked on a short burst of printmaking activity a few
years before his death, making a few prints drawn with
his own hand. In this recently acquired rare etching by
Magritte, Paysage de Baucis (Baucis’s Landscape), 1966,
the eyes, nose, and mouth of a man hover in the space
between his fedora and his suit and tie. The etching is the
first work by Magritte to enter the collections.
With a recent gift of four lithographs, Nancy Itani
has strengthened the Art Center’s holdings of works by
Alexander Calder (Untitled Stablile, from “Derriere le
Miroir,” 1966); Henri de Toulouse-Lautrec (Sagesse,
1893); and James Abbott McNeill Whistler (The Smith’s
Yard, 1895; and The Tyresmith, 1890).
8 art center news July August September 2016
Marlene Dumas (South African, active Netherlands, born 1953) / Light Blonde, 1996 / Watercolor and ink on handmade paper
Frame: 57 5/16 × 34 5/16 × 1 1/4 inches / Sheet: 49 1/4 × 27 5/8 inches / Des Moines Art Center Permanent Collections; Purchased
with funds from the Coffin Fine Arts Trust and the Edmundson Art Foundation, Inc., 2016.20 / Photo: Rich Sanders, Des Moines, Iowa
Alice Aycock (American, born 1946)
Miraculating Machine: Mock Suns and Halos
“Round the Moon,” 1992
Silkscreen print
Sheet: 39 3/8 × 27 1/2 inches
Des Moines Art Center Permanent Collections;
Gift of the Des Moines Art Center’s Print Club,
2016.22
Photo: Rich Sanders, Des Moines, Iowa
Sandro Chia (Italian, born 1946)
Sator Arepo, 2014
Mixed media on paper
Frame: 15 3/8 × 11 3/8 inches
Image (visible): 10 3/4 × 6 3/4 inches
Des Moines Art Center Permanent
Collections; Purchased by
friends of Amy Worthen in honor of
her retirement, 2016.21
Photo: Rich Sanders, Des Moines, Iowa
René Magritte (Belgian, 1898 –1967)
Paysage de Baucis (Landscape of Baucis), 1966
Etching on paper
Sheet: 14 7/8 × 10 15/16 inches
Plate: 8 15/16 × 6 11/16 inches
Image: 8 7/16 × 6 3/16 inches
Des Moines Art Center Permanent Collections;
purchased with funds from the Keith Shaver
Trust and the Edmundson Art Foundation, Inc.,
2016.19
Photo: Rich Sanders, Des Moines, Iowa
july
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01 02
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01 Friday
02 Saturday
04 Monday
07 Thursday
First Friday
Soul Searchers
5 – 7:30 pm
$ / members FREE
Art Center
drop-in tour
2 pm
Independence Day
Museum and offices closed
Artist Performance
+ talk
Jordan Weber and
Laura Burkhalter
6:30 pm
page 14
back cover
24 25 26 27 28 29 30
page 7
31
Free Flicks
Brazilian 2wins
7:30 –8:30 pm
Princess Bride
Dusk
08 Friday
09 Saturday
10 Sunday
Art Noir
Art Noir
Glenn Brown
Film Series
2001: A Space Odyssey
1:30 pm
Yoga + Gallery
Dialogue
8:45 am
page 6
back cover
Reservations Required
page 14
FREE
admission
unless
noted $
Radio Art Center
Christine Doolittle
and Art Center guests
11 am / KFMG 98.9 FM
12–17 Tuesday – Sunday
mimosas + art
Paper Quilling
12:30 – 3:30 pm
Museum Shop
registration required
$
16 Saturday
art center
Drop-in tour
2 pm
page 14
art center
Drop-in tour
14 Thursday
Art Break with
Senior Curator Alison Ferris
11:30 am – 12:15 pm
holiday
in july sale
Reservations Required
page 3
A Taste of
Docent Training
6:30 – 8:30 pm
Reservations Required
page 14
members receive
25% off*
select holiday merchandise
50% off*
2 pm
page 14
*excluding consignment
Family Workshop
Summer Sun Prints
2 pm
registration required
$
17 Sunday
18 Monday
Art Spectrums
1:30 – 3 pm
pappajohn
sculpture park
drop-in tour
11:30 am – noon
Reservations required
page 14
page 14
20 Wednesday
21 Thursday
23 Saturday
baby + Me
Drop-in tour
11 am – noon
A Taste of
Docent Training
6:30 – 8:30 pm
page 14
Reservations Required
page 14
Radio Art Center
Christine Doolittle
and Art Center guests
11 am / KFMG 98.9 FM
Art Center
Drop-in tour
2 pm
register
for
classes &
workshops
or make
reservations
30 Saturday
art center
Drop-in tour
2 pm
page 14
online at
desmoinesartcenter.org
desmoinesartcenter.org 9
august
S
M
T
W TH F
S
01 02 03 04 05 06
07 08 09 10 11 12 13
14 15 16 17 18 19 20
21 22 23 24 25 26 27
04 Thursday
05 Friday
06 Saturday
07Sunday
Free Flicks
Roman Holiday
Dusk
First Friday
John Krantz Quartet
5 – 7:30 pm
$ / members FREE
family workshop
Hula Hoop Rug Weaving
10 am – noon
Exhbition closes
Single Channel 6:
Collected 2
Bill Viola / Ascension
back cover
back cover
28 29 30 31
11 Thursday
12 Friday
13 Saturday
Lecture
Ways of Looking
Ossian Ward
6:30 pm
exhibition opens
Single Channel 6:
Collected 3
Anna Gaskell / Mirror
Yoga + Gallery
Dialogue
8:45 am
Reservations Required
page 14
page 7
Reservations Required
page 14
Art Center
drop-in tour
2 pm
15 Monday
page 14
pappajohn
sculpture park
drop-in tour
11:30 am – noon
registration required
$
Radio Art Center
Christine Doolittle
and Art Center guests
11 am / KFMG 98.9 FM
mimosas + art
Water Color Gardens
12:30 – 3:30 pm
registration required
$
Art Center
Drop-In Tour
2 pm
page 14
17 Wednesday
page 7
14 Sunday
Glenn Brown
Film Series
The Mirror
1:30 pm
page 6
Exhibition closes
Cy Twombly:
Natural Histories
page 7
baby + Me
drop-in tour
11 am – noon
page 14
page 14
18 Thursday
19 Friday
Artist Lecture
+ Gallery Q & A
Alex Braidwood
and Laura Burkhalter
6:30 pm
Exhibition
opens
Whose Streets?
page 6
page 7
20 Saturday
Salon 4700: Listening Instruments Workshop
Iowa Artist 2016: Alex Braidwood
10 – 11:30 am
reservations required
page 2
Member Orientation
11 am
Reservations Required
page 3
Radio Art Center
Christine Doolittle
and Art Center guests
11 am / KFMG 98.9 FM
26
Art Spectrums
1:30 – 3 pm
Art Noir:
Ceramics Date Night
6 – 9 pm
Art Sampler
1 – 4 pm
Reservations Required
page 2
Art Center
drop-in tour
2 pm
Art Center drop-in tour
2 pm
reservations required
page 14
page 14
Exhibition closes
Glenn Brown
page 6
10 art center news July August September 2016
27 Saturday
21 Sunday
$
Friday
page 12
page 14
September
S
M
T
W TH F
S
01 02 03
04 05 06 07 08 09 10
11 12 13 14 15 16 17
18 19 20 21 22 23 24
25 26 27 28 29 30 01
02
10 Saturday
01 Thursday
02 Friday
03 Saturday
08 Thursday
Whose Streets?
gallery dialogue
Senior Curator Alison Ferris
6:30 pm
First Friday
Gabriel Espinosa
and Ashanti
5 –7:30 pm
$ / members FREE
Radio Art Center
Christine Doolittle
and Art Center guests
11 am / KFMG 98.9 FM
Gallery dialogue
Amy N. Worthen
6:30 pm
page 6
Free Flicks
To Catch a Thief
Dusk
back cover
back cover
page 14
16 Friday
Print Club Trip
to Iowa City
Meet at Art Center 8 am
Members’ Preview
Vivian Maier
Through a Critical Lens
page 3
RSVP
page 4
Yoga + Gallery
Dialogue
8:45 am
Reservations Required
page 14
Art Center
Drop-In Tour
2 pm
page 14
page 7
Art Center
Drop-In Tour
2 pm
17 Saturday
below
Vivian Maier (American, 1926 – 2009)
108th St. East, New York, NY,
September 28, 1959
Gelatin silver print; printed later
Image size: 12 x 12 inches
Paper size: 20 x 16 inches
©Vivian Maier/Maloof Collection,
courtesy Howard Greenberg Gallery,
New York
Exhibition opens
Vivian Maier Through
a Critical Lens
page 4
Radio Art Center
Christine Doolittle
and Art Center guests
11 am / KFMG 98.9 FM
18 Sunday
family workshop
Art From Nature
1 – 3 pm
Art Spectrums
1:30 – 3 pm
Registration required
$
reservations required
page 14
Art Center
Drop-In Tour
2 pm
page 14
19 Monday
21 Wednesday
Pappajohn
Sculpture Park
Drop-in Tour
11:30 am – noon
baby + Me
Drop-In tour
11 am – noon
Art Center Gala
American Enterprise
Group Building
page 15
$
page 14
page 14
22 Thursday
24 Saturday
25 Sunday
29 Thursday
01 Saturday (October)
Film + Commentary
with Ann Marks
Finding Vivian Maier
6:30 pm
Art Center
Drop-In Tour
2 pm
Manhattan Short
Film Festival
1:30 pm
Manhattan Short
Film Festival
6:30 pm
page 14
Reservations Required
page 13
Reservations Required
page 13
Radio Art Center
Christine Doolittle
and Art Center guests
11 am
KFMG 98.9 FM
reservations required
page 5
Exhibition closes
Heavy Heavy Hangs
Over Thy Head
Art Center
Drop-In Tour
2 pm
page 7
page 14
02 Sunday (October)
Manhattan Short
Film Festival
1:30 pm
Reservations Required
page 13
desmoinesartcenter.org 11
STUDIO EDUCATION
register today
for summer and
fall classes!
Summer classes are still available for all
children’s and adult week-long classes.
The summer session ends the week of
August 8 – 12.
Children’s classes consist of
morning and afternoon sessions for each
grade level.
Adult week-long classes are held in the
afternoon from 1– 4 pm.
Send summer off with a bang.
Enroll in our end-of-summer workshops for
ages 4 – 12 the week of August 8.
Check out new and exciting classes
and register at desmoinesartcenter.org.
Left to right Artist-in-Residence Orr Menirom, Art Center faculty member Ramona Muse Lambert, Greer Coffman,
Catherine Lewin, Anna Clowser, and William Monroe
BEG, BORROW OR STEAL:
APPROPRIATION IN VIDEO ART WORKSHOP
Orr Menirom, the inaugural Toni and Tim Urban
International Artist-in-Residence, conceived of
and led a week-long workshop for teens during
spring break 2016. Prior to Menirom’s residency,
Art Center faculty Ramona Muse Lambert taught
participants several fundamental video techniques.
Muse Lambert also assisted daily in the workshop.
The goal of the workshop was to analyze,
understand, and practice the use of borrowed
footage in video art. This was accomplished
through viewing and discussing exemplary work
and also through hands-on practice. Students Anna Clowser, Greer Coffman,
Catherine Lewin, and William Monroe
each successfully edited their own individual video
out of collaborative footage, citing inspiration
from nature and feminism, humor and chance,
childhood, and Native American culture.
ART SAMPLER
FREE FAMILY FUN
Saturday, August 27
1 – 4 pm
Studios and museum
Leap into family learning and discover art
in two ways: by looking and making.
Participate in a variety of hands-on art activities
and journey through the museum on an
interactive adventure. Learn about our classes,
meet our instructors, and enjoy refreshments.
NEW GAS KILN FOR CERAMICS
In memory of Christina Wijkman Glickman, a
new 16-cubic foot Alpine gas kiln was donated
to the Des Moines Art Center by her family.
Christina was the daughter of Ruth Wijkman and
Per G. Wijkman. She first took ceramics at the
Art Center in the 1950s and continued classes
at her high school. In later years, she returned
to ceramics as a form of creative expression.
Her home and garden were populated with her
sculptures. Christina’s love of ceramics developed
as a result of her experience in the Art Center’s
studios; this gift will ensure that many others will
have this same opportunity.
See page 15 for giving opportunities.
12 art center news July August September 2016
OUTREACH HIGHLIGHTS
CHILDREN & FAMILIES OF IOWA
Our Journey Through the Arts exhibition and
performance were presented by five girls from
the Des Moines Public School’s District Wide
Program, a collaboration between the Des Moines
Art Center and Des Moines Community Playhouse.
The exhibition was a culmination of the work they
completed throughout the school year under
the direction of Outreach Coordinator Rachael
Jackson. Under the direction of Susanna Douthit
from the Playhouse, the girls wrote and performed
improv skits for their family and friends. The skits
touched on topics of teen pregnancy and therapy,
while their art projects focused on self-identify
and beauty standards.
DES MOINES ALTERNATIVE
The Des Moines Alternative group worked on a
door design for the Take Back the Night event
in April that promotes safe communities and
respectful relationships through awareness. The
door the girls designed represents trauma on
one side, resiliency on the other. The door, now
permanently displayed at the Young Women’s
MUSEUM EDUCATION
Resource Center, shows depictions of
drug and gun violence as well as hope and
resiliency. The students showed intense
passion as they conversed with each other
over the topic of drug use, which many of
them have witnessed first-hand. This project
allowed them the opportunity to express
themselves in a safe environment.
PACE GIRLS GROUP
This spring, teen girls from the Girl’s Group at
Pace Juvenile Center had the opportunity
to move their class to the studios. Each girl,
accompanied by their social worker, visited
the Art Center to engage with the permanent
collections and find inspiration to create a
related project. This program is designed to
help build and nurture healthy relationships
with positive adults in their lives. Each pair
was asked to choose their favorite piece of
art and be photographed next to the work.
Later the girls were asked to create three
fashion pieces based on inspiration they found
in the museum.
PACE Girl’s Group participants work on a project in the Art Center studios.
Film Festival
One World, One Week, One Festival
Sunday, September 25 / 1:30 pm
Thursday, September 29 / 6:30 pm
(repeat of 9/25/16 program)
Sunday, October 2 / 1:30 pm
(repeat of 9/25/16 program)
Levitt Auditorium
Films are not rated, but intended for adult
audiences.
*Reservations required (see page 3)
Established in New York City in 1997, the
MANHATTAN SHORT Film Festival receives
more than 500 entries from over 40 countries
each year. Ten entries are selected as finalists
in the annual Festival and are then packaged
and distributed on DVD to participating
theaters. Audiences from around the world
unite not only to view the films, but to vote
on them as well. Winners will be announced
by MANHATTAN SHORT Film Festival on
Sunday, October 2 at 10 pm EST and the
Art Center will also post the results on our
website. desmoinesartcenter.org.
Visit www.msfilmfest.com for current
information.
The Art Center would like to
thank its 2016 Outreach funders.
Art4Moore
Bank of America
Margaret Brennan
The Bright Foundation
Casey’s General Stores, Inc.
Gardner and Florence Call Cowles Foundation
Randy E. McMullin
Meier Bernstein Foundation
desmoinesartcenter.org 13
museum education
Yoga + Gallery Dialogue
(offered the second Saturday of each month)
July 9 / August 13 / September 10 / October 8
Lecture
Ways of Looking: How to Experience and Enjoy Contemporary Art
Ossian Ward, writer, critic, and Head of Content, Lisson Gallery, London
8:45 am / Yoga with Ben Spellman (60 minutes)
Thursday, August 11 / 7 pm / Levitt Auditorium / *Reservations required (see page 3)
10 am / Gallery dialogue with Art Center staff or
docent (20 minutes)
During this lecture, Ossian Ward will introduce his method to aid
the experience and understanding of the most challenging kinds
of work from installation to video and performance. Through a
formula created for his book, “Ways of Looking,” Ward gives you
everything you need to know about contemporary art without having
to know anything about contemporary art. This failsafe set of tools
is aimed at even the most skeptical viewers. How should you
respond to Martin Creed’s The Lights Going On and Off? How long
do you spend watching Christian Marclay’s 24-hour video work,
The Clock? What does it mean to encounter dance or live
performance in a gallery setting? Can conceptual art be beautiful?
Who do you trust, the mind of the artist, the pen of the critic, or
the eye of the beholder? Works from the Art Center’s permanent
collections will be included in the lecture.
*Reservations required and open approximately
one month prior to the next program. (see page 3)
Join Ben Spellman for a yoga practice that
emphasizes dismissing judgment, breaking down
barriers, and producing positive energy. Extend
these virtues and stay for a brief foray in
the museum where we’ll practice the art of looking
and learn to share our observations, thoughts,
and questions.
A Taste of Docent Training
Thursdays, July 14 & 21 / 6:30 – 8:30 pm
Jon Oakland, docent advisor and Jill Featherstone,
director of education
FREE / Limited to 16 students
*Registration required (see page 3)
When visiting museums, the instinct of many adults
is to look at every source of information except
the actual artwork, in order to “learn something
about the art.” This two-week class is comprised
of gallery activities that strip away biographical and
historical information and instead focuses on what
we actually see before us. Active observation and
group dialogue provide the foundation of these
sessions. This workshop is designed for Art Center
members who have not served as docents.
Art Spectrums
(offered the third Sunday of each month)
July 17 / August 21 / September 18
October 16
1:30 – 3 pm
*Reservations required and open approximately
one month prior to the next program. (see page 3)
Art Spectrums is a free art program for children
ages 5–12 with autism and their families.
Families visit a work of art in the museum and
individual projects inspired by the museum visit
follow in the studio.
Baby & Me drop-in tours
(offered the third Wednesday of each month)
July 20 / August 17 / September 21
11 am – noon
Tours begin in the Art Center lobby
Each session is unique
Adults are encouraged to bring their infants
(pre-walkers) to an informal tour led by an
Art Center docent. While conversation is geared
for adults, babies love the visual stimulation of
the artwork. (Note: Strollers and front-carrying
baby carriers are permitted.)
14 art center news July August September 2016
Art Center Drop-in Tours (offered weekly on Saturdays)
Saturdays / 2 pm
Meet in the lobby
Stop in for a conversational docent-led exploration of the Art Center’s world-renowned collection
and prize-winning architecture.
Pappajohn Sculpture Park
Drop-in Tours (offered on the third Mondays, April through October)
July 18 / August 15 / September 19 / October 17 / 11:30 am – Noon
Meet at Jaume Plensa’s Nomade, on Locust Street
Give Experiences!
Private guided tours of the Art Center and Pappajohn Sculpture Park make for unique and
memorable gifts for people in your life who are curious about art. Request a docent guided tour
at desmoinesartcenter.org (education) or call 515.271.0328.
art center friends
Honorary & Memorial Gifts
These gifts were received between
March 1 and May 31, 2016.
In Memory of Kirk Blunck
Mr. and Mrs. William Friedman, Jr.
Tracy Levine
Timothy and Toni Urban
For the recovery of
Dr. Louis Fingerman
Woodward and Julia Brenton
Richard and Jeanne Levitt
In Memory of
Miriam “Mickey” Lorber
Stanley and Esther Miller
In Memory of Chuck Mettler
Melanie Porter
In Memory of Margaret Parrot
Greg and Deb Baker
Nancy Baker
In Honor of Amy N. Worthen’s
retirement
Emily Bahnsen
Harry Bookey and
Pamela Bass-Bookey
Martha Boesenberg
Patricia Donhowe
Kay Carpenter Doyle
John and Eileen Eckert
Elaine G. Estes
Stephen Exel
Jeff and Jill Featherstone
James and Jillene Ferguson
Louis and Lois Fingerman
Jeff Fleming and
Carrie Marshburn-Fleming
Mark Hill and Amy Anderson
Jim and Ellen Hubbell
Andrea Jensen
Darren R. Jirsa, D.D.S.
Mary Josten
Dr. James and
Mrs. Mary Ellen Kimball
Patricia Knight
Tracy Levine
Susan Lundstrom
Harriet S. Macomber
Patricia J. McFarland
Mindy Meinders
Michael E. Myszewski
and Martha James
Cleojean Olson
Kirk and Sue Patrick
Anastasia Polydoran
Timothy and Rosemary Rahm
Mickey Ryan
Craig and Kimberly Shadur
John R. Taylor
Jeffrey Thompson and
Ms. Catherine Dreiss
Mary Pearsall Torgoman
Timothy and Toni Urban
Mr. Michael Wallace
Kay Ward
Ellen Yee
Dennis and Diane Young
NOW OPEN
Support the
future
of the Des Moines
Art Center
Did you know that you can
continue your support of the
Art Center, even after you’re gone?
It’s much easier than you might
think. Here are three simple ways:

Include the Art Center as a
beneficiary of your IRA

Designate all or a percentage
of your life insurance policy to
the Art Center

Remember the Art Center in
your will
These types of gifts allow you to
have the peace of mind that the
organizations you love today will
positively impact generations to
come. Your legacy can be
defined by what was important
to you in life.
chef’s palette
a r t c e n t e r ca f É
Chef Rosie Punelli is creating seasonal and
entirely unexpected lunches featuring soups,
salads, pastas, and sandwiches, as well as
her famous handmade desserts.
open
Tuesday through Saturday 11 am – 2 pm
To learn more about giving
options contact Development
Director Emily Bahnsen at
515.271.0338 or
[email protected].
Formal wording for your will:
“I, [name], of [city, state, ZIP],
give, devise and bequeath to the
Edmundson Art Foundation, Inc.,
federal tax ID number:
42-0680419, [written amount or
percentage of your estate] for its
unrestricted use and purpose.”
2016 art center Gala
A Celebration of Architecture | Des Moines Art Center + Community
Saturday, September 17
Held in the newly renovated and highly acclaimed
American Enterprise Group National Headquarters Building
Judith and Marshall Flapan
should have been listed in the
$1,000 – $2,499 category.
The 2016 Des Moines Art Center gala, built, will be a celebration of the
incredible architecture of our community, including our own extraordinary
facility designed by world-class architects Eliel Saarinen, I. M. Pei, and Richard
Meier. The gala will be held in the American Enterprise Group Building, the only
structure in Des Moines to have received two national design awards, the first
when it was constructed in 1965 by Skidmore, Owings & Merrill, and the second
when it was renovated by BNIM in 2015.
In addition to highlighting great design in Des Moines, the evening will include
fine cuisine by Tangerine and live music by Faculty Lounge, Des Moines’ premier
ten-piece, horn-driven jazz, funk, and R & B band. In the week preceding the
gala, the Art Center will present an architecture tour of both private homes and
public spaces around the city.
Thank you for your generous
support.
SEATING IS LIMITED. For more information, please contact Director of Events
Debra J. Kurtz at 515.271.0336 or [email protected].
We apologize for the
following corrections to
the 2015 Annual Report:
Dr. Louis and Lois Fingerman
should have been listed in the
$10,000 – $14,999 category.
The Des Moines Art Center Gala 2016 is building support with:
mary and doug Bruce
Neumann Monson Architects
desmoinesartcenter.org 15
July 1
Soul Searchers
Live music by
the Brazilian 2wins!
7:30 – 8:30 pm
August 4
Roman Holiday 1953
William Wyler, director
118 minutes / not rated
Stars Audrey Hepburn
and Gregory Peck.
September 1
To Catch a Thief 1955
Alfred Hitchcock, director
106 minutes / rated PG
Stars Cary Grant and
Grace Kelly.
August 5
John Krantz
Quartet
Des Moines Art Center
General Information
September 2
Gabriel
Espinosa
and
Ashanti
media support provided by
now open
Lunch
Tuesday through Saturday
11 am – 2 pm
www.desmoinesartcenter.org
July 7
Princess Bride 1987
Rob Reiner, director
98 minutes / rated PG
Stars Cary Elwes,
Robin Wright, Mandy Patinkin.
515.277.4405
Enjoy First Fridays at the Art Center with
some of the best musicians in town.
Complimentary light-bites, cash bar, and
world-class art and music.
Art Center courtyard
5 – 7:30 pm / Admission: $5 (members FREE)
Des Moines, Iowa 50312
Attendees are encouraged to bring lawn
chairs, blankets, and refreshments. All films
begin at dusk. In case of rain, the films
will be cancelled. (Weather updates will be
posted at desmoinesartcenter.org.)
4700 Grand Avenue
first fridays
Edmundson Art Foundation, Inc.
FREE FLICKS
entirelyunexpected
Celebrate summer at the Art Center with SUMMER ON THE HILL, a season of
free films on the lawn and live music in the courtyard.
Events take place the first Thursdays and Fridays in July, August, and September.
Non-Profit
U.S. Postage
PAID
Des Moines, IA
Permit No. 2881
Summer on the Hill
chef’s palette
a r t c e n t e r ca f É
FREE Admission
Museum Hours
Tuesday, Wednesday, Friday 11 am – 4 pm
Thursday 11 am – 9 pm
Saturday 10 am – 4 pm
Sunday Noon – 4 pm
Closed Monday
Museum Shop
Open during normal museum hours.
Members receive discounts every day.
Chef’s Palette Art Center Café
Lunch Tuesday – Saturday / 11 am – 2 pm
Classes
Studio art classes and workshops are available for
students of all ages. Members receive 20% discounts
on classes and workshops. Join today!
Art Center Tours
Available year-round.
Looking for a beautiful
location for your special event?
Rent the Art Center
The Art Center is the perfect place for
wedding receptions, rehearsal dinners, parties,
or corporate events.
For information contact
Facility Rental Manager Cathy Williams at 515.271.0301
or [email protected].
John and Mary Pappajohn
Sculpture Park Tours
Available April 1 – October 31
The sculpture park is open sunrise to midnight daily.
More information at desmoinesartcenter.org
front cover
Vivian Maier (American, 1926 – 2009)
New York City, September 10, 1955
Gelatin silver print; printed later
Image size: 12 x 12 inches / Paper size: 20 x 16 inches
©Vivian Maier/Maloof Collection, courtesy Howard Greenberg Gallery,
New York