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The 26th Annual Art Show Henry Street Settlement Art
Media Materials the art show M arch 5–9, 2014 The 26th Annual Art Show Park Avenue Armory At 67th Street, New York City TO BENEFIT Henry Street Settlement ORGANIZED BY Art Dealers Association of America F O U N D E D 1 9 6 2 Lead Partner of The Art Show THE ART SHOW CELEBRATES 26 YEARS FEATURING 34 THEMATIC PRESENTATIONS ALONGSIDE 38 SOLO ARTIST BOOTHS AT THE NATION’S LONGEST RUNNING FINE ART FAIR ORGANIZED BY THE ART DEALERS ASSOCIATION OF AMERICA (ADAA) MARCH 5 – 9, 2014 GALA PREVIEW BENEFITING HENRY STREET SETTLEMENT TUESDAY, MARCH 4, 2014 New York, December 12, 2013 — Gallery presentations at the 26th annual ADAA Art Show, the nation's longest running fine art fair, will feature thoughtfully curated solo, two-person and thematic exhibitions by 72 of the nation’s leading art dealers. The Art Show takes place March 5 through March 9, 2014 at the historic Park Avenue Armory, with a ticketed Gala Preview on Tuesday, March 4. All ticket proceeds from the gala and run of show benefit Henry Street Settlement, one of New York City’s most effective social services agencies. AXA Art Americas Corporation has also returned for the third consecutive year as Lead Partner. Solo Shows One of the premier trademarks of The Art Show remains the emphasis on one-person presentations, and the 26th edition is no exception. With 38 solo shows the 2014 Art Show will present exhibitions of art world icons and introduce audiences to groundbreaking new artists. Sperone Westwater will present the first exhibition of new works by Charles LeDray since his acclaimed traveling retrospective organized by the ICA Boston. Never before exhibited historical works, vintage photographs, ephemera and films by Martha Wilson will be shown by P-P-O-W. Marian Goodman Gallery will present a selection of early lightboxes by Jeff Wall. To mark the 100th birthday of Ad Reinhardt, 303 Gallery will exhibit new works by Jacob Kassay who is greatly influenced by Reinhardt. Holographic works by light artist James Turrell will be on view in Pace Gallery’s booth. Thematic Exhibitions In addition to solo shows, The Art Show 2014 remains unparalleled with its installation of curated, thematic exhibitions. Leslie Tonkonow Artworks + Projects will present Groups and Grids with works by Robert Watts, Agnes Denes and Michelle Stuart. The Power of Color, an exhibition by June Kelly Gallery, will include works by James Little, Hanibal Srouji and Nola Zirin. The cross cultural influence of Native American Art on Jackson Pollock’s work will be examined in Washburn Gallery’s booth which will showcase Native American works alongside Pollock’s. Matthew Marks Gallery will display selected works by Jasper Johns, Ellsworth Kelly, Gary Hume and Anne Truitt. Lead Partner International art insurance specialist, AXA Art, returns as Lead Partner of The Art Show 2014. In addition to The Art Show, AXA Art has, since 2008, collaborated with and supported the ADAA Collectors’ Forum Series which brings together the most prominent collectors and art market experts to cultivate knowledge and education in the fine arts. Gala Benefit Preview To inaugurate The Art Show 2014, a Gala Benefit Preview will be held on Tuesday, March 4th from 5:30 p.m. to 9:30 p.m. and will benefit Henry Street Settlement, one of New York City’s best known and most effective social services and arts agencies. For advance ticket purchases or additional information, please call 212-7669200 ext. 248, or visit www.henrystreet.org/artshow. Henry Street Settlement Henry Street Settlement is a not-for-profit multifaceted agency that provides innovative social service, arts and health care programs to New Yorkers of all ages. Founded on Manhattan’s Lower East Side in 1893 by social reformer Lillian Wald, today Henry Street continues to be dynamic catalyst for social and economic progress. The Settlement serves more than 50,000 New Yorkers each year, particularly residents of the ethnically diverse, densely populated lower east side of Manhattan. Distinguished by a profound connection to its neighbors, a willingness to address new problems with swift and innovative solutions, and a strong record of accomplishment, Henry Street challenges the effects of urban poverty by helping families achieve better lives for themselves and their children. Art Dealers Association of America Founded in 1962, the Art Dealers Association of America (ADAA) is a not-for-profit membership organization of more than 170 of the nation’s leading galleries in the fine arts. www.artdealers.org. AXA Art Americas Corporation International reach, unrivalled competence and a high quality network of expert partners distinguish AXA Art, the only art insurance specialist in the world, from its generalist property insurance competitors. Over the past 50 years and well into the future, AXA Art has and will continue to redefine the manner in which it serves and services its museum, gallery, collector and artist clients across the Americas, Asia and Europe, with a sincere consideration of the way valuable objects are insured and cultural patrimony is protected. For assistance, please contact AXA Art’s National Business Development Contact: Jill Arnold – telephone: (212) 415-8423, Email: [email protected]. www.axa-art-usa.com Visitor Information Turon Travel is the preferred US Travel Agency for the Art Show. Hotel reservations can be made through their web site at www.turontravel.com. For group travel arrangements, email [email protected] or call Turon at (800) 952-7646 for the best-negotiated hotel and air travel rates. For further press information or visual materials, please contact: Jenny Isakowitz, FITZ & CO T: 212-627-1455 x254 E: [email protected] Solo Shows EXHIBITOR 303 Gallery Alexander and Bonin Blum & Poe Marianne Boesky Gallery Tanya Bonakdar Gallery Janet Borden, Inc. James Cohan Gallery CRG Gallery Tibor de Nagy Gallery Fraenkel Gallery Peter Freeman, Inc. Galerie St. Etienne Marian Goodman Gallery Alexander Gray Associates Hirschl & Adler Modern Rhona Hoffman Gallery Sean Kelly Gallery Hans P. Kraus Jr., Inc. Galerie Lelong Lennon, Weinberg Luhring Augustine Anthony Meier Fine Arts Metro Pictures Laurence Miller Gallery Robert Miller Gallery Mitchell-Innes & Nash David Nolan Gallery P-P-O-W Pace Gallery Pace/MacGill Petzel Gallery Yancey Richardson Gallery Salon 94 Carl Solway Gallery Sperone Westwater Weinstein Gallery Michael Werner David Zwirner EXHIBITION TITLE Jacob Kassay Robert Kinmont Koji Enokura Roxy Paine Analia Saban Alfred Leslie Spencer Finch Tonico Lemos Auad New paintings by Sarah McEneaney Diane Arbus James Castle Paula Modersohn-Becker Jeff Wall Jack Whitten Fairfield Porter Sol LeWitt Kehinde Wiley Gustave Le Gray Petah Coyne H.C. Westermann Philip Taaffe Michael Wetzel Sara VanDerBeek Toshio Shibata Lee Krasner Anthony Caro Gavin Turk Martha Wilson James Turrell Irving Penn Dana Schutz Zanele Muholi Laurie Simmons Ann Hamilton Charles LeDray Vera Lutter Per Kirkeby Ad Reinhardt Thematic Exhibitions EXHIBITOR EXHIBITION TITLE Masterworks: Allegory and Allusion in Modern Art, from Acquavella Galleries, Inc. Arp to Warhol Numbers + Letters: works from the Modernist era to Adler & Conkright Fine Art today Albers, Artschwager, Baldessari, Guston, Holzer, Johns, Brooke Alexander, Inc. Judd, Price, Pettibon, Rauschenberg, and Rosenquist Mark di Suvero, Chuck Close, Joel Shapiro, Julie Mehretu John Berggruen Gallery and others Bortolami Daniel Buren and Richard Aldrich Cheim & Read Gaston Lachaise and Louise Bourgeois Sculpture & drawings by Paul Manship, William Hunt Conner ▪ Rosenkranz LLC Diederich + neoclassical marbles by Hiram Powers Surrealist, Modernist and Pop works by Fernand Léger, Richard L. Feigen & Co. Joan Miró, Andy Warhol, James Rosenquist, Ray Johnson Modern Life in America: works on paper by Milton Avery, Debra Force Fine Art, Inc. Edward Hopper, Reginald Marsh and others Works by Modern Masters and Pop Artists including James Goodman Gallery Alexander Calder, Jean Dubuffet, Roy Lichtenstein, Andy Warhol and others Architecture artists including Abbott, Brandt, Frank, Howard Greenberg Gallery Meyerowitz, Steichen and others Ornament/Ornamentation: sculptures by Jesse Small and Nancy Hoffman Gallery paintings by Robert Zakanitch The Power of Color: works by James Little, Hanibal Srouji June Kelly Gallery and Nola Zirin Intersections of the Unknown: works by Artschwager, Barbara Krakow Gallery Calle, Serra and others John Sloan, William Glackens, Alfred Maurer, John Marin, Kraushaar Galleries Joseph Stella, Maurice Prendergast and others Jeffrey H. Loria & Co. Lautrec, Lichtenstein, Brancussi, Braque and others Minimalist/post-minimalist drawings from the 1960s and Lawrence Markey 70s Matthew Marks Gallery Works by Johns, Kelly, Hume, Demand, Price, Truitt Works by 19th & 20th century Mexican and Latin American Mary-Anne Martin/Fine Art artists Barbara Mathes Gallery The Automobile: Mixed media works by d’Arcangelo, Ruscha, Chamberlain and others McKee Gallery Celmins, Guston, Puryear, Learoyd, Lerman, Youngblood Masterworks of American Modernism: Dove, Demuth, Menconi & Schoelkopf Fine Arts, LLC Crawford, Biederman 20th Century American and European Masters: Avery, Donald Morris Gallery, Inc. Calder, Cornell, Kline, Leger, Picasso and others Mnuchin Gallery Sixties Minimalism Prints from the 18th – 20th centuries: Picasso, Goya, Pace Prints & Pace Primitive Matisse, Ryman, Stella and others James Reinish & Associates, Inc. Realism and Abstraction in 20th Century American Art Just Looking: the relationship between photographer and Julie Saul Gallery model - Nikolay Bakharev, Arne Svenson, S A Johnson Post war prints by Kelly, Twombly, Marden, Diebenkorn Susan Sheehan Gallery and others Works from the New School: Baron, Bluhm, Dugmore, Manny Silverman Gallery Motherwell, Goldberg and others Condo, Haring, Kelley, Kippenberger, Kruger, Sherman, Skarstedt Gallery, Ltd. Prince and Warhol Groups and Grids: works by Robert Watts, Agnes Denes, Leslie Tonkonow Artworks + Projects Michelle Stuart and others The Painted Figure: works by Richard Diebenkorn and Van Doren Waxter/Eleven Rivington Jeronimo Elespe Paintings by Jackson Pollock along with Native American Washburn Gallery works to illustrate cultural influences in Pollock’s work A selection of contemporary American and European Michael Werner works as well as works by modern masters. Pavel Zoubok Gallery Women Collagists: Sarah Austin, Hannelore Baron, Biala, Vanessa German, Ilse Getz and others The Art Show 2014 List of Exhibiting Galleries 303 Gallery Acquavella Galleries, Inc. Adler & Conkright Fine Art Alexander and Bonin Brooke Alexander, Inc John Berggruen Gallery Blum & Poe Marianne Boesky Gallery Tanya Bonakdar Gallery Bortolami Janet Borden, Inc. Cheim & Read James Cohan Gallery Conner-Rosenkranz LLC CRG Gallery Tibor de Nagy Gallery Richard L. Feigen & Co. Debra Force Fine Art, Inc. Fraenkel Gallery Peter Freeman, Inc. Galerie St. Etienne James Goodman Gallery Marian Goodman Gallery Alexander Gray Associates Howard Greenberg Gallery Hirschl & Adler Modern Nancy Hoffman Gallery Rhona Hoffman Gallery June Kelly Gallery Sean Kelly Gallery Barbara Krakow Gallery Hans P. Kraus Jr., Inc. Kraushaar Galleries Galerie Lelong Lennon, Weinberg Jeffrey H. Loria & Co. Luhring Augustine Lawrence Markey Matthew Marks Gallery Mary-Anne Martin/Fine Art Barbara Mathes Gallery McKee Gallery Anthony Meier Fine Arts Menconi & Schoelkopf Fine Arts, LLC Metro Pictures Laurence Miller Gallery Robert Miller Gallery Mitchell-Innes & Nash Mnuchin Gallery Donald Morris Gallery, Inc. David Nolan Gallery P-P-O-W Pace Gallery Pace/MacGill Gallery Pace Prints & Pace Primitive Petzel Gallery James Reinish & Associates, Inc. Yancey Richardson Gallery Salon 94 Julie Saul Gallery Susan Sheehan Gallery Manny Silverman Gallery Skarstedt Gallery, Ltd. Carl Solway Gallery Sperone Westwater Leslie Tonkonow Artworks + Projects Van Doren Waxter/Eleven Rivington Washburn Gallery Weinstein Gallery Michael Werner Pavel Zoubok Gallery David Zwirner AXA Art Café Artsy Charging Station James Cohan Gallery Menconi + Schoelkopf Fine Art, LLC A5 Alexander Gray Associates Tanya Bonakdar Gallery A7 A9 Laurence Miller Gallery A11 McKee Gallery A13 Pavel Zoubok Gallery A15 Kraushaar Galleries A17 P-P-O-W Carl Solway Gallery A19 A21 A23 Galerie Lelong A25 Mitchell-Innes & Nash Coatcheck Susan Sheehan Gallery A3 Spoonbill & Sugartown Booksellers 303 Gallery Metro Pictures David Nolan Gallery A4 Alexander and Bonin A6 Washburn Gallery Conner-Rosenkranz LLC A8 Debra Force Fine Art, Inc. Yancey Richardson Gallery Nancy Hoffman Gallery A10 Hans P. Kraus Jr. Inc. A12 James Goodman Gallery A14 Leslie Tonkonow Artworks + Projects Mnuchin Gallery Skarstedt A27 Cheim & Read A2 B3 B5 B7 B9 B11 B13 A16 Emergency Exit A1 Pace Gallery Sperone Westwater Park Avenue Entrance Petzel Gallery Matthew Marks Gallery B2 Barbara Krakow Gallery B1 B4 Peter Freeman, Inc. C3 Adler & Conkright Fine Art B6 David Zwirner Marianne Boesky Gallery B8 Pace Prints & Pace Primitive C5 C7 Lennon, Weinberg Salon 94 B10 Rhona Hoffman Gallery C9 B12 Michael Werner C11 A28 Anthony Meier Fine Arts C13 Lawrence Markey B14 D29 Weinstein Gallery Mary-Anne Martin/ Fine Art D2 Hirschl & Adler Modern Van Doren Waxter/ Eleven Rivington Fraenkel Gallery C2 Acquavella Galleries, Inc. C1 Jeffrey H. Loria & Co., Inc. C4 Brooke Alexander, Inc. D3 James Reinish & Associates, Inc. C6 Barbara Mathes Gallery D5 Robert Miller Gallery C8 Manny Silverman Gallery D7 C10 Howard Greenberg Gallery D9 Emergency Exit Pace/MacGill Gallery C12 Luhring Augustine D13 C14 Bortolami Donald Morris Gallery, Inc. D11 D28 D4 Blum & Poe Marian Goodman Gallery D6 Solo Show CRG Gallery D8 Thematic Show Tibor de Nagy Gallery D10 Janet Borden, Inc. D12 D14 Richard L. Feigen & Co. D16 Galerie St. Etienne June Kelly Gallery D18 D20 Julie Saul Gallery D22 John Berggruen Gallery Sean Kelly Gallery D24 D26 the art show THE ART SHOW 2014 HIGHLIGHTS: SOLO SHOWS 303 Gallery ALEXANDER and bonin Jacob Kassay 303 Gallery presents Jacob Kassay. Using the residual textiles from paintings long lost, sold or otherwise disappeared, Kassay has produced supports that follow the unique profiles and contours of each remnant for an ongoing series of irregularly shaped paintings. Having reproduced these stretchers as templates for a new series of paintings, Kassay applies an atomized acrylic paint in place of the raw canvas of the original remnants. Oscillating between dimensional states, the paintings’ surfaces simultaneously condense as solid textures and Robert Kinmont: Selected Works Alexander and Bonin exhibits three series of photographs by Robert Kinmont. Having spent most of his adult life in northern California, rural environments provide the practical and conceptual underpinning of his practice. Exhibited are photographs from 1965–1975, 8 Natural Handstands and Just about the Right Size, in addition to his process-oriented conceptual sculpture such as Sit on the floor, 1969–1970 and Box with willow sticks hollowed out and filled with sage, 1974–1975; sculptures where simple thoughts, actions and conditions take on an existential meaning. diffuse into depth-less fields of pixels. Robert Kinmont Just about the right size (detail), 1970/2008, silver gelatin print, 13 7⁄8 x 10 7⁄8 in. Photo by Joerg Lohse. Jacob Kassay Default Premiere, 2013, acrylic on canvas, 20 ½ x 17 1⁄8 in BLUM & POE marianne boesky gallery Kōji Enokura Blum and Poe’s presentation focuses on Kōji Enokura’s post-1980s works. Enokura variously contrasts smooth fields of black paint with unpainted fabric, often using oil-soaked beams of lumber to mark the fabric; either affixing beams to the work or leaning them against it. Since the 1970s he has explored the encounter between natural and industrial materials by staining paper, cloth, felt, and leather with oil and grease, and discoloring the floors and walls of galleries and outdoor spaces. Roxy Paine Marianne Boesky Gallery presents Roxy Paine’s latest series of works on paper. Paine’s drawings grapple with the governing relativity among the mind, systems and culture. In addition to this series of works on paper, Paine will present a new sculpture that physically incarnates the amalgamated, multivalent vision set forth by those works. The uncanny object – an anthropomorphized, robotic limb-like form laboriously sculpted out of wood – suggests both the carcass and the potential of the manmade object, and the vast plane of meaning contained in the space between. Kōji Enokura Intervention (Story - No. 47), 1992, acrylic on cotton, wood plank, 86 x 114 ½ x 3 ½ in. Courtesy the Estate of Kōji Enokura and Blum & Poe, Los Angeles. Roxy Paine Condensate No. 2, 2013, ink on paper, 95 x 55 in. {1} the art show THE ART SHOW 2014 HIGHLIGHTS: SOLO SHOWS tanya bonakdar gallery janet borden, inc. Analia Saban Tanya Bonakdar gallery presents Analia Saban. As part of her unorthodox style, Saban dissects and reconfigures traditional notions of painting, often using paint as the subject itself. Blurring the lines between imagery and object, painting and sculpture, her work explores material and process as they relate to art both historically and within the context of daily life. Alfred Leslie Pixel Scores Janet Borden, Inc. presents Alfred Leslie’s realistic painting style merged with modern technology, creating fantastic hybrid views which the artist calls “pixel scores.” Using computer tools and software, the images are digitally drawn by hand, and then printed as light jet photographs. Leslie delights in his ability to invent memorable and specific portraits, often of literary characters. A pastel on linen portrait of Willem de Kooning further exemplifies Leslie’s uncanny facility for portraiture in any medium. Analia Saban Pocket Watch #2, 2013, graphite on laser sculpted paper, 37 x 36 ¼ x 1 ½ in. Photo by Brian Forrest. Courtesy the Artist and Tanya Bonakdar Gallery, New York. Alfred Leslie Bill Dekooning in 1966, 2011, oil pastel on linen, 84 x 60 in. © Alfred Leslie. Courtesy Janet Borden, Inc. james cohan gallery crg gallery Spencer Finch James Cohan Gallery presents a solo exhibition of new works by Spencer Finch, featuring a suite of new Scotch tape collage studies inspired by his recollections and observations of Monet’s home in Giverny, Thoreau’s Walden Pond, and other sites of personal and historical resonance. These beguilingly sensitive works playfully transform the mundane to evoke the sublime. With both a scientific approach to gathering data and a true poetic sensibility, Finch’s installations, sculptures and works on paper filter perception through the lens of nature, history, literature and personal experience. Spencer Finch Cloud Study (France), 2014, scotch tape on paper, 19½ x 25 ½ in. ©the Artist. Courtesy James Cohan Tonico Lemos Auad CRG Gallery exhibits London-based, Brazilian-born artist Tonico Lemos Auad. In his most recent body of work, Auad produced drawings on linen with thread, weaving delicate seascape scenes of abstracted sailboats or seahorses that become visible only in close examination. The use of linen and thread also enters the three dimensional realm, as objects that reference organic, fruit-like shapes but also have a decorative, lacey quality to them. Here, Auad continues his exploration of infusing the seemingly mundane with the ethereal and magical. Gallery, New York/Shanghai. Tonico Lemos Auad Seahorses, 2013, linen and thread, dimensions variable. Courtesy the Artist and Large Glass, UK. Photo by Alex Delfanne {2} the art show THE ART SHOW 2014 HIGHLIGHTS: SOLO SHOWS tibor de nagy gallery fraenkel gallery Sarah McEneaney: Recent Work Tibor de Nagy Gallery presents a solo exhibition of new paintings by Philadelphia-based artist Sarah McEneaney. McEneaney has for more than two decades explored identity and autobiography in paint. Roberta Smith, in her New York Times review of the exhibition, called her “a latter-day miniaturist working in the old-fashioned medium of egg tempera on board, picturing little epiphanic instants in a self-deprecating life-of-the-saints mode.” Diane Arbus: Couples Fraenkel Gallery presents Diane Arbus: Couples, fifteen rare photographs spanning Arbus’s life as an artist. Diane Arbus’s career was brief - a mere fifteen years - yet even her earliest photographs evidence an acute interest in singular people and the mysteries that bring human beings together or keep them apart. Focusing on a single photograph per year, Diane Arbus: Couples simultaneously examines one of Arbus’s central concerns, and sheds light on the artist’s evolution from 1956 until shortly before her death in 1971. Sarah McEneaney 1000 Rampart St NO, 2013, egg tempera on wood, 16 x 24 in. Courtesy Tibor de Nagy Gallery, New York. Diane Arbus Girl and boy, Washington Square Park, N.Y.C. 1965, 1965, gelatin-silver print. © The Estate of Diane Arbus peter freeman, inc. galerie st. etienne James Castle Peter Freeman, Inc., is pleased to present a one-artist stand of work by James Castle, a self-taught artist who created a diverse body of work over a period of more than sixty years. On view will be examples from key areas of his practice, including drawings, constructions, and delicately bound books, all of which he made using found papers, string, tools of his own making, and discarded materials like soot. Peter Freeman, Inc., in collaboration with the James Castle Collection and Archive, will also publish an illustrated booklet about the work accompanied by an essay by Joseph Grigely. Paula Modersohn-Becker: The First Modern Woman Artist The Galerie St. Etienne, which mounted Paula Modersohn-Becker’s first American exhibition in 1958, is honored to feature the largest private collection of the artist’s work in the US (numbering over half-a-dozen oils). Modersohn-Becker, one of the first Central European artists to absorb the formal and coloristic innovations of the French PostImpressionists, is among the most significant forerunners of German Expressionism. Paula Modersohn-Becker Herma with Amber Nechlace, 1905, oil on canvas, mounted on wood, 13 3⁄8 x 10 3⁄8in. James Castle Untitled, no date, found paper, soot, color of unknown origin, string, 27 ½ x 15 ½ in {3} the art show THE ART SHOW 2014 HIGHLIGHTS: SOLO SHOWS marian goodman gallery alexander gray associates Jeff Wall Marian Goodman Gallery will show a selection of early lightboxes by the artist Jeff Wall. The works selected for our presentation will address the neo-realist and near-documentary concerns at the core of his practice, and reflect the artist’s continuing investigation of the intersection between reality and invention and the realist potential of picture making, from the ‘near-documentary’ to the reconstructed mise en scène. Jack Whitten Alexander Gray Associates presents a curated selection of paintings and works on paper by Jack Whitten from the 1970s, a key moment in the formal development of the artist’s technical innovations. On view will be emblematic works which emphasize speed and fluidity, including a painting from the artist’s 1974 solo exhibition at the Whitney Museum, and a never-before exhibited painting from Whitten’s Greek Alphabet series. Jeff Wall A sapling held by a post, 2000, transparency in lightbox, Jack Whitten Sphink’s Alley III, 1975, acrylic on canvas, 73 x 84 in. Courtesy Alexander Gray Associates, New York 22 x 18 ½ in. hirschl & adler modern rhona hoffman gallery Fairfield Porter Hirschl & Adler Modern is proud to present a solo exhibition of works by Fairfield Porter. Paintings and works on paper span Porter’s early career to his death, covering themes for which he is best known, including still lifes, landscapes, portraits of family and friends, and scenes from his everyday life in Southampton, New York, and Penobscot Bay, Maine. Today Porter is widely considered to be one of America’s most influential artists of the postwar period. The installation celebrates the aesthetic differences between Porter and the artists of his generation. Sol LeWitt Rhona Hoffman Gallery began working with Sol LeWitt in the mid-1970s and continues to work with his oeuvre today. Contrary to the notion of his work being mathematically based, the work is completely intuitive. Drawings and gouaches are made by LeWitt’s hand alone whereas structures and wall drawings are comprised of instructions for others to execute. The booth will feature Untitled, (10 x 10 x 1) an important 10-foot painted aluminum structure. Surrounding this will be all manner of paper works - working drawings, finished drawings, and gouaches made by LeWitt between 1967 and 2003. Sol LeWitt Horizontal Bands (More or Less), 2005, gouache on paper, 27 x 63 in. Fairfield Porter Katie in an Armchair, 1954, oil on canvas, 65 ½ x 46 in. {4} the art show THE ART SHOW 2014 HIGHLIGHTS: SOLO SHOWS sean kelly gallery hans p. kraus jr, inc. Kehinde Wiley Sean Kelly Gallery presents eight new portraits by New York-based artist Kehinde Wiley. Wiley engages the signs and visual rhetoric of the heroic, powerful, majestic, and sublime in his representation of urban black men found throughout the world. In a new series of intimately scaled portraits, the artist mines the visual language and gestures of 15th century Russian icons. The subjects are presented in Wiley’s signature ornate frames – in this case, architectonic and gilded like their Byzantine forebears. The models for these paintings have been cast from the streets of New York City. Gustave Le Gray Hans P. Kraus Jr. Inc presents Gustave Le Gray. Trained as a painter, Le Gray became an innovator in photographic processes by the late 1840s, and created some of the most compelling images in the early years of photography. His exceptional vision is reflected in landscapes, seascapes and architectural studies. The works for which Le Gray is most celebrated, however, are his seascapes that brought him immediate international recognition for their technical and artistic achievement. Kehinde Wiley St. Gregory Palamas, 22k gold leaf and oil on wood panel, Gustav Le Gray Forest Crossroads, Fontainebleau, 1852, salt print from a paper negative, 10 ¾x 14 2⁄3 in 40 x 24 x 2 in. Courtesy the Artist and Sean Kelly, New York lennon, weinberg galerie lelong H. C. Westermann In celebration of its twenty-fifth anniversary next year, Lennon, Weinberg will exhibit a solo presentation of H.C. Westermann, whose retrospective the gallery opened with. We will present several major sculptures along with a rare and important early painting. Additionally on view will be a selection of museum quality ink and watercolor drawings that have been retained by the estate for many years. Petah Coyne: The Unconsoled Galerie Lelong presents Petah Coyne’s The Unconsoled. This experiential installation includes four unique standing screens and a black chandelier in which Coyne employs her signature use of wax-dipped flowers and taxidermy birds. The Unconsoled takes its title from the Kazuo Ishiguro novel in which the protagonist is attempting to live a life of ease but is presented with challenges with every door opened. Coyne’s installation evokes the feeling of a lush garden where the viewer is invited in to explore coexisting forces of beauty, and the deeper, and sometimes darker meanings, hidden beneath the surface. H.C. Westermann Untitled (Blind Man), 1972, ink and watercolor on paper, 22 x 30 in. Petah Coyne Untitled #1388 (Unconsoled), 2013–14, (detail). {5} the art show THE ART SHOW 2014 HIGHLIGHTS: SOLO SHOWS luhring augustine anthony meier fine arts Philip Taaffe Luhring Augustine is pleased to present an exhibition by Philip Taaffe. In this body of new work, Taaffe extends many of the themes and subjects explored by the artist in recent years, such as the combination of lyrical abstraction with formal structure, and the delicate counterbalance between internal and external forces. Generative forms inspired by botany, biology, and geological strata evidencing accretion and accumulation are starting points for Taaffe’s inimitable choreography of painterly processes and innovation. Michael Wetzel Anthony Meier Fine Arts presents a selection of new paintings by New York artist Michael Wetzel. Wetzel’s sensuously layered works place standing and seated female figures in fantasy locations determined by the artist. Hovering between abstraction and representation, the loosely painted figures are set against spatially ambiguous backgrounds of various motifs and patterns that together form an anachronistic presentation of the traditional portrait. Philip Taaffe Imaginary Garden with Seed Clusters, 2013, mixed media on and pigment on canvas, 84 x 72 in. Michael Wetzel Fountainbleau IV, 2012–2013, oil, wax, charcoal, ash, canvas, 97 ⁄8 x 61 ⁄8 in. Courtesy the Artist and Lurhing Augustine, New York. 7 7 metro pictures Laurence miller gallery Sara VanDerBeek Metro Pictures presents Sara VanDerBeek. VanDerBeek’s most recent bodies of work relate to cities, such as Detroit and Baltimore, which have personal, historical, or political meaning for the artist, as well as distinct urban features. These projects consider cities through material and momentum, with the resulting works approaching each site’s core spirit. For her solo presentation VanDerBeek continues this effort, engaging the city as a physical site and a system undergoing continuous change. The resulting photographs will be a mixture of VanDerBeek’s experience of Cleveland¹s landscape and cultural monuments within a range of material and cultural shifts Toshio Shibata Laurence Miller Gallery presents a one-person installation of landscape photographs by Toshio Shibata. Shibata’s highly abstract, yet intricate photographs of canals, dams and sleuces have been recognized around the world as among the most lyrical documents of man’s continual battle with nature. They are a synthesis of traditional Japanese landscape perspective, early 20th century abstraction, and a contemporary point of view towards nature. The presentation will include black and white prints from 1996–2006 along-side recent works produced in color. Sara VanDerBeek Untitled, 2014. Courtesy the Artist and Metro Pictures, New York. Toshio Shibata Okawa, Japan, 2007, type-C print, 40 x 50 in. © Toshio Shibata. Courtesy Laurence Miller Gallery. {6} the art show THE ART SHOW 2014 HIGHLIGHTS: SOLO SHOWS robert miller gallery mitchell-innes & nash Lee Krasner Robert Miller Gallery is pleased to present an exhibition of collage works by Lee Krasner. The presentation spans the early 1950s through to the final known work in the artist’s oeuvre, 1984’s Untitled. On view are works which repurpose her own, and in the case of Collage of 1955, the work of her husband Jackson Pollock. The collages are some of the artist’s most radical and important contributions, opening up an essential conversation about the possibility and expansion of painting. Sir Anthony Caro Mitchell-Innes & Nash is pleased to announce a solo booth of work by Sir Anthony Caro. Sir Anthony was a groundbreaking British sculptor who pioneered the practice of liberating sculpture from the pedestal, pushing the limits of sculptural abstraction and introducing painted surfaces. In commemoration of his death last year, Mitchell-Innes & Nash plans to exhibit important works spanning his entire career, highlighting his principle contributions to sculpture. Lee Krasner Study for Mosaic at No. 2 Broadway, New York (Broad Street Entrance), 1959, oil and duck cloth collage on canvas, 36 x 36 in. © 2013 Pollack-Krasner Foundation / Artists Rights Society (ARS), New York. Anthony Caro Table Piece LXXVI, 1969, steel varnished, 22 ¼ x 47 ¼x 3¾ in david nolan gallery p•p•o•w Gavin Turk David Nolan Gallery presents Gavin Turk, a British born, international artist. He has pioneered many forms of contemporary sculpture now taken for granted, including the painted bronze, the waxwork, the recycled art-historical icon and the use of rubbish in art. The works exhibited reflect these various concerns: items such as an apple core or a black garbage bag reveal Turk’s preoccupation with the detritus of urban life but also call attention to his artistic skill. Cast in bronze, these meticulously painted objects raise questions about perception and authenticity. Martha Wilson P∙P∙O∙W presents solo booth of rare, never before exhibited historical works, vintage photographs, ephemera and films by Martha Wilson that highlight the four seminal years she spent in Halifax, Nova Scotia. From 1970–1974, her performance, video, photography and text work investigated the self, as well as self-perception, through physical and cultural lenses. All of the works from this period were created in Halifax where Wilson first made work as a reaction to marginalization by the male-dominated art school environment. Martha Wilson Painted Lady, 1972–72, color photograph and type on card, 12 ¾ x 10 ¾ in. Gavin Turk Whaam!, 2013, exhaust emission on paper, mounted on linen, 30 ¾ x 23 3⁄8in. {7} the art show THE ART SHOW 2014 HIGHLIGHTS: SOLO SHOWS pace gallery pace/macgill gallery James Turrell Pace Gallery is honored to present a solo exhibition of James Turrell. Featuring eight dichromate reflection holograms created between 2006 and 2008, the gallery’s presentation highlights Turrell’s more than 30-year exploration of light and the limits of visual perception. Pace’s presentation coincides with an unprecedented three-venue exhibition of the artist’s work presented by the Solomon R. Guggenheim Museum in New York, Los Angeles County Museum of Art and Museum of Fine Arts, Houston. Irving Penn: Earthly Bodies Pace/MacGill Gallery will present Earthly Bodies, a one-person show of Irving Penn’s nudes from 1949-50. His nudes explore the beauty found in the physicality of the female form and recall the earliest depictions of the human figure. Taken from close viewpoints, the twisted torsos and stretched bodies of Penn’s corpulent models are at once abstract sculptural forms and bare, sensual beings. Considered “the major artistic experience” of Penn’s life, the images still stand as a testament to his aesthetic invention and technical achievement sixty-five years later. James Turrell Untitles (XXV E), 2008, reflection hologram, 23½ x 16 7⁄8 in. © James Turrell. Photo Courtesy Pace Gallery. Irving Penn Nude No. 62, New York, 1949-50, vintage gelatin silver print, 15 5/8 x 15 in. © The Irving Penn Foundation. Courtesy Pace/MacGill Gallery, New York. petzel gallery yancey richardson Gallery Dana Schutz Petzel Gallery presents a curated solo-booth of new works on paper by gallery artist Dana Schutz. Schutz’ large ink on paper and her charcoal drawings (some measuring 6 x 8 feet) have been a mainstay of her practice since her 2011 exhibition at the Metropolitan Opera in New York. The works on paper are counterparts to her oil paintings. This practice allows the artist to reinvent already existing works by experimenting with composition and play with new subject matter that will inform later paintings Zanele Muholi Yancey Richardson presents a solo exhibition of internationally acclaimed South African artist Zanele Muholi’s Faces and Phases, an ongoing series of portraits of black lesbians and transgender individuals Muholi has met in South Africa and beyond. The portraits function as a visual statement as well as an archive, presenting and preserving an often abused and ostracized community through visual records. Zanele Muholi Charmail Carrol, 2011 Dana Schutz Getting Dressed All At Once 2, 2013, charcoal on paper, 36 x 24 in. {8} the art show THE ART SHOW 2014 HIGHLIGHTS: SOLO SHOWS salon 94 carl solway gallery Laurie Simmons Salon 94 will feature a selection of large-scale photographs from Laurie Simmons’ landmark series, Walking and Lying Objects, many which have never been seen before. This series brings together Simmons’ interest in the confrontation of the real with the imagined, all staged within her trademark chiaroscuro aesthetic of studio lighting with shadows, contrast and play of scale. The work is both theatrical and poignant, highlighting the fictional nature of photography and its tenuous relationship to the world it depicts. Ann Hamilton Carl Solway Gallery is please to present an exhibit by Ann Hamilton. In residence for the duration of the fair, Hamilton will photograph visitors through a membrane that registers in focus only what directly touches its surface. This shallow focus, a consequence of the visual qualities of the membrane, emphasizes the point of contact and continues Hamilton’s interest in finding visual forms for tactile experience. The membrane makes a physical condition where you can hear but cannot see, and so are suspended in a space unself-consious of the camera’s presence. All fair attendees are invited to participate. Laurie Simmons Walking Cake II (Color), 1989, cibachrome print, Ann Hamilton Untitled, 2013, archival pigment print. Courtesy Ann Hamilton Studio. 64 x 46 in. Edition AP/1/2 with AP/Edition of 10. Courtesy the Artist and Salon 94, New York. sperone westwater weinstein gallery Charles LeDray: Seven New Works Sperone Westwater is pleased to present an exhibition of seven new works by Charles LeDray, the New York based artist known for his powerfully resonant objects made of fabric, clay and bone. The seven works exhibited are SHE, Sachet, Picnic, Daisy Chain, Rainbow, Kitchenette, and Assemblyman. SHE, an array of bikinis, pajamas and underthings suspended from a looping brass bracket, forcefully engages aspects of beauty and artifice. Picnic, an expansive feast laid out on concrete blocks, a riot of pattern and color and symmetry. Vera Lutter Weinstein Gallery presents 16 photographs of New York by internationally acclaimed German photographer Vera Lutter. Each photograph is unique in number. The images include haunting scenes of Central Park trees, vast New York City skylines, brightly lit Times square, as well as one large photograph from her highly regarded Pepsi Cola series. Vera Lutter Pepsi Cola, Long Island City, IV C: May 22, 1998, 1998, gelatin silver print, 36 x 55 in. Charles LeDray Picnic, 2005–13, mixed media, 31 ½ x 28 ¼ x 5 3⁄8 in {9} the art show THE ART SHOW 2014 HIGHLIGHTS: SOLO SHOWS michael werner gallery david zwirner gallery Per Kirkeby Michael Werner Gallery is pleased to present recent works on canvas and Masonite by Per Kirkeby. These paintings explore the artist’s lifelong interest in the relationships between nature and abstraction, landscape and architecture, all originating from his early education and career as a geologist. Per Kirkeby has been the subject of numerous exhibitions throughout Europe and the United States. Per Kirkeby Untitled, 2013, oil on canvas, Ad Reinhardt David Zwirner will exhibit a rare presentation of six works on paper from 1960 by American artist Ad Reinhardt. These unique works, executed in oil, demonstrate the compositional and chromatic variations that Reinhardt would pursue in his signature “black” paintings, specifically his “ultimate” 60 x 60 inch canvases to which he would devote the remainder of his life. These are the only known works on paper of this kind that explore the six possible combinations of color within the square format. 78 ¾ x 78 ¾in. Courtesy Michael Werner Gallery, Ad Reinhardt Number 2, 1960, graphite and oil on paper, New York/London. 26 ¼ x 20 1⁄8 in. Photo by Tim Nighswander. © Estate of Ad Reinhardt/ Artists Right Society (ARS), New York. Courtesy David Zwirner, New York/London. { 10 } the art show THE ART SHOW 2014 HIGHLIGHTS: Thematic Exhibitions Acquavella Galleries, Inc. Adler & Conkright Fine Art Impressionist, Modern and Contemporary Masters Acquavella Galleries is pleased to present a selection of Impressionist, modern, and contemporary masters. In addition to contemporary masters that the gallery represents, such as James Rosenquist, Wayne Thiebaud, Enoc Perez, and Damian Loeb, Acquavella plans to exhibit works by important Impressionist and modern artists. Works on view will include major figures of the 19th, 20th, and 21st centuries such as Picasso, Matisse, Monet, Degas, Freud, Calder, and Giacometti. Numbers + Letters As a tie into the Guggenheim Museum exhibition on Italian Futurism, Adler & Conkright Fine Art will be featuring a group of works from “Words-in-Freedom.” In these drawings, words are broken up and the freed letters form the images and the messages. Many of these works come from the artists at the time they were fighting in World War I and bear imagery related to the battles they were fighting and their life in the trenches. They are graphic and imaginative. Andy Warhol Gun, 1981–82, synthetic polymer paint and silkscreen ink on canvas, 16 x 20 in. © 2014 The Andy Warhol Fortunato Depero Paesaggio Guerresco Numerico (Numeral Warlike Landscape), 1915, watercolor and pencil on paper Foundation for the Visual Arts, Inc./Artists Rights Society, New York. Courtesy Acquavella Galleries. laid down on card, 16 ½x 19 ¾ in. Brooke Alexander, Inc. john berggruen gallery Albers, Artschwager, Baldessari, Guston, Holzer, Johns, Judd, Price, Pettibon, Rauschenberg, and Rosenquist Brooke Alexander, Inc. presents Josef Albers, Richard Artschwager, John Baldessari, Philip Guston, Jenny Holzer, Jasper Johns, Donald Judd, Ken Price, Raymond Pettibon, Robert Rauschenberg, and James Rosenquist, among others. Selected Works: Close, di Suvero, Diebenkorn, Park, Rickey, Ruscha, Serra, and Thiebaud John Berggruen Gallery presents a variety of significant twentieth-century paintings including quintessential examples by Richard Diebenkorn and Wayne Thiebaud. The exhibition will also include key sculptural works by Mark di Suvero and George Rickey. Donald Judd Untitled (S. #243-246), 1991/94, suite of four woodcuts printed in black (horizontal), 26¼ x 38 ½ in. Edition of 15. David Park Boy in Striped Shirt, 1959, oil on canvas, 50 x 36in. {1} the art show THE ART SHOW 2014 HIGHLIGHTS: Thematic Exhibitions Bortolami Cheim & Read Daniel Buren and Richard Aldrich Bortolami presents work by Daniel Buren and Richard Aldrich. The booth features a Buren installation, which covers the outside wall of the booth with his iconic stripes. Fabricated in zinc, the stripes make the façade of the booth alternatingly reflective and opaque. Additionally, the gallery will exhibit a striped cotton piece, hand-painted with acrylic from 1973. Aldrich will present new paintings that shift between compositional sparseness and painterly lushness. Grounded in a conceptual mode of painting, Aldrich employs distinct stylistic tropes to reveal underlying connections within his body of work. Louise Bourgeois and Gaston Lachaise Cheim & Read presents an exhibition juxtaposing two important French-born sculptors of the twentieth century, Louise Bourgeois and Gaston Lachaise. Comprised of sculptures and drawings, both artists demonstrated through their art obsessive interests in sexuality and the human body. Bourgeois admired Lachaise and wrote in an Artforum article in 1992, “His sculptures are the greatest compliment to women…[I]t is a compliment to grant the sex object such power that it can trigger such passion.” Gaston Lachaise Abstract Figure (Acrobat Woman), 1934, bronze, 16 ½ x 10 x 11 ¼ in. Courtesy The Lachaise Foundation and Cheim & Read, New York. Richard Aldrich Ahh, Bonnard, 2012, oil, wax, enamel, pencil, charcoal, and mixed media on cut muslin, 84 x 58 in. Courtesy Bortalami, New York Conner•Rosenkranz LLC Richard L. Feigen & Co. Manship, Diederich, and Hiram Powers Conner • Rosenkranz presents a survey of mid-19th thru early 20th century American sculpture in bronze, marble, iron, terra cotta, stone and wood. Highlights include Hermon Atkins MacNeil’s Sun Vow and Jo Davidson’s youthful, romantic direct carving, Eve. Augustus Saint-Gaudens is represented by a pair of iconic bas relief portraits of fellow artists, Francis David Millet and Jules Bastien-Lepage. A unique life-size marble, Leda, represents New York City luminary Paul Manship and two Rose Valley furniture designs by William Lightfoot Price will offer a decorative counter-balance to the sculpture on view. Leger, Miró, Warhol, Rosenquist, & Ray Johnson Richard L. Feigen & Co. exhibits a carefully curated group of collages, drawings, objects and paintings by surrealist, abstract expressionist, and pop artists, who relate to each other and to a few contemporary “kin.” We will include important works by Joseph Cornell, Jean Dubuffet, Max Ernst, Öyvind Fahlström, JESS, Claes Oldenburg, an installation by Charles Simonds, and a group of never-before-seen major collages by Ray Johnson. Charles Simonds Two Streams, 2011, metal, polyurethane, plaster, paper and clay, 37 x 38 x 37 in. Jo Davidson Eve, 1907, marble, 11 ¾ x 17 ¼ x 10 ¾ in. Signed: J. Davidson (top left rear of base). {2} the art show THE ART SHOW 2014 HIGHLIGHTS: Thematic Exhibitions Debra Force Fine Art, Inc. James Goodman Gallery Modern Life in America Debra Force Fine Art exhibits a selection of important paintings, sculpture, and works on paper by 20th-century artists exploring Modern Life in America. Scenes of social commentary, urbanscapes, and leisure will show various aspects of American life as interpreted by a diverse group of artists during this exciting period of social, economic, and artistic change. Featured artists include George Luks, Alice Neel, Max Weber, Milton Avery, Thomas Hart Benton, Grace Hartigan, Marsden Hartley, Yasuo Kuniyoshi, Stanton MacDonald-Wright, Guy Pene du Bois, and Everett Shinn, among others. Modern and Contemporary Masters: Paintings, Sculptures and Works on Paper James Goodman Gallery will examine the artist’s process with a curated exhibition of drawings and sculptures by European and American Masters. Some preparatory studies only hint at the fully realized works, while others, maquettes for example, function as completed studies in their own right, but each piece will represent an integral step in the artist’s journey. Henri Matisse Femme assise á la guitare, 1921–23, charcoal on paper, 18 ½ x 12 ¼ in. Max Weber New York-Bridges, Buildings, and Subways, 1912, pastel and charcoal on paper, 24 ¾ x 18 ½ in. Signed Max Weber (lower right). Howard Greenberg Gallery Nancy Hoffman Gallery Architecturally Speaking Howard Greenberg Gallery exhibits photographs by some of the most important artists in the medium including: Berenice Abbott, Edward Burtynsky, Walker Evans, William Klein, Charles Marville, Joel Meyerowitz, Edward Steichen, Alfred Stieglitz and Karl Struss, among others. Be it through a fragment of a building, a reflection in a glass pane, light bouncing off a brick wall, a view through a curtained window, a canyon between skyscrapers, the photographs we are exhibiting will explore the depth and complexity of the relationship between photography and architecture. Ornament and Ornamentation Nancy Hoffman Gallery presents two artists whose work addresses the conversation of Ornament/ Ornamentation: Jesse Small, a sculptor, and Robert Zakanitch, a painter. Both artists have explored ornament in their work in completely different ways. Small’s dialogue engages ornamentation East-West, ancient-modern, incorporating images of modern times and technologies. Zakanitch was one of the Pattern and Decoration painters who came to prominence in the 70’s. His newest body of work addresses head-on the issue of ornament and ornamentation, a subject that that touches every aspect of daily life. Bernice Abbott Fifth Avenue Houses, 1936, gelatin silver print, 10 x 7 7⁄8 in. © Bernice Abbott Estate. Jesse Small Blue Meanie, 2012, steel, 48 x 84 in. Courtesy Howard Greenberg Gallery {3} the art show THE ART SHOW 2014 HIGHLIGHTS: Thematic Exhibitions June Kelly Gallery Barbara Krakow Gallery The Power of Color The June Kelly Gallery will focus on artists who use color in innovative, imaginative and seductive forms and combinations. The paintings show the artists’ interest in inventing unusual color relationships that explore and capture an intensely active and sensuous imagery. The colors sing while coalescing in a harmonious whole. Artschwager, Barry, Chamberlain, LeWitt, McCollum, Oldenburg, Opie, Porter, Sandback, Segal, and others Barbara Krakow Gallery is pleased to present an exhibition focused on sculpture. Several of the artists whose works will be on display fall into specific art movements, but even those artists’ works cannot be pigeonholed just within those categories. The works force one to see the cross pollination not only between these artists, but by several others who are aware of the vocabularies of these movements but expand out and beyond, so as to create new and unique work that is also rooted in art history. Moe Brooker Carelessly Exact III, 2012, mixed media and oil on canvas, 74 x 74 in. Julian Opie Delphine 1, 2013, paint on resin (corian base) unique, 18 x 10 ¾ x 14 ¼ in Kraushaar Galleries Lawrence Markey Intimate works by American Artists from the First Half of the 20th Century Kraushaar Galleries presents intimate works by American Artists from the first half of the 20th century. Featured works include Skaters, circa 1914, William Glackens’ oil sketch for an unrealized painting; Marsden Hartley’s elegant silverpoint drawings Peppers, 1927 and Plums on a White Cloth, 1927; and First Theme, #246, circa 1940 which is representative of Burgoyne Diller’s unique expression of contemplative art and an anticipation for the Minimal Art that will follow. Works from the 1960’s and 70’s to Today Lawrence Markey will present historical works by artists including James Bishop, Nancy Rexroth and Richard Tuttle alongside more recent works by artists which include Mel Bochner and Suzan Frecon. A selection of rarely seen photographs from the 1970’s by Nancy Rexroth will be exhibited. James Bishop Blue Red & Olive, 1964, oil on canvas, 59 x 59 in. Courtesy Lawrence Markey, San Antonio. Marsden Hartley Peppers, 1927, silverpoint on paper, 17 x 20 ¼ in. {4} the art show THE ART SHOW 2014 HIGHLIGHTS: Thematic Exhibitions Mary-Anne Martin/Fine Art Barbara Mathes Gallery Paintings, drawings and sculpture by 20th Century Mexican and Latin American artists, emphasizing “Surrealism in Mexico.” Mary Anne Martin Fine Art presents an installation of paintings by European Surrealists Leonora Carrington, Olga Costa, Alice Rahon and her husband, Wolfgang Paalen, who fled their homelands during the Spanish Civil War and WW II and emigrated to Mexico in the early 1940s. We will also bring a selection of sculptures by Panamanian contemporary artist, Isabel De Obaldía, whose sand cast glass “Metates,” inspired by Pre-Columbian grinding stones, gives contemporary form to ancient prototypes. The Automobile Barbara Mathes Gallery features art that examines that great symbol of American mobility—the automobile. The booth will have a D’Arcangelo collage that depicts his signature motif—the open road. Ed Ruscha, depicted the automobile’s transformation of the American landscape in his paintings and prints of Standard gas stations and John Chamberlain’s crushed metal sculptures at once evoke the gestural exuberance of Abstract Expressionism and the scrapheap of consumer society. The booth will also feature a thoughtfully curated selection of modern and contemporary art from the gallery’s inventory. Allan D’Arcangelo Double Overpass #2, 1960, acrylic, graphite, and photograph collage in canvas, 20 x 24 in. 5 Gunther Gerzso Aparición, 1960, oil on masonite, 31 ½ x 19 /8 in McKee Gallery Menconi + Schoelkopf Fine Art LLC Vija Celmins, Marcel Eichner, Philip Guston, Richard Learoyd, Leonid Lerman, Harvey Quaytman, Jeanne Silverthorne, William Tucker, Lucy Williams, and Daisy Youngblood The McKee Gallery presents a variety of notable paintings as well as works on paper, original photographs, and sculpture by: Vija Celmins, Marcel Eichner, Philip Guston, Richard Learoyd, Leonid Lerman, Harvey Quaytman, Jeanne Silverthorne, William Tucker, Lucy Williams, and Daisy Youngblood. Twelve American Modernist Masterworks Menconi + Schoelkopf presents Twelve American Modernist Masterworks. On view will be a carefully selected group of important paintings and sculptures from early American Modernism to high late modernist masterpieces approaching midcentury. The Stieglitz Circle will be represented by a Georgia O’Keeffe in a rarely seen original frame and resonant works by John Marin, Joseph Stella, and others; Precisionism and other modernist offshoots will be represented by important canvases by Ralston Crawford and Fairfield Porter. Philip Guston Untitled (Finger & Book), 1969, acrylic on panel, 30 x 32 in Joseph Stella The Swan, 1924, oil on canvas, 45 x 45 in. {5} the art show THE ART SHOW 2014 HIGHLIGHTS: Thematic Exhibitions Mnuchin Gallery Pace Prints & Pace Primitive Sixties Minimalism Mnuchin Gallery presents sixties Minimalism with objects by Carl Andre, Donald Judd, Agnes Martin, Robert Ryman and Sol LeWitt. 20th Century Prints Pace Prints presents a selection of 20th century prints created by the artist as a series or group of images to explore a specific theme in the artist’s oeuvre. The installation will include ten portraits of Picasso’s muses, prints from Matisse’s Jazz portfolio, woodcuts by Donald Judd, etchings and aquatints by Sol LeWitt, and six unique trials proofs by Robert Ryman. Pace Primitive will exhibit examples of African sculpture that resonate with the art of Picasso and Matisse. A Lwalwa mask, a M’bole Figure, and multiple pairs of Yoruba Ibeji twins will be highlighted. Donald Judd Unitled (DSS 132), 1968, purple lacquer 5 5 on galvanized iron, 5 x 25 /8 x 8 /8 in 7 1 Pablo Picasso Nature morte au verre sous la lampe, 1962, linocut printed in color, 20 /8 x 25 /8 in. Edition of 50 James Reinish & Associates, Inc. Julie Saul Gallery Modes of Modernism: Realism and Abstraction in 20th Century American Art James Reinish & Associates, Inc. explores two contrasting modes of artistic expression in 20th century modernist American art. Artists such as Georgia O’Keeffe, Arthur Dove and Marsden Hartley established the modernist aesthetic and blurred the lines between realism and abstraction. Abstract works from the 1930s and 40s, including a composition by Werner Drewes, are contrasted with prime examples of American regionalism, including two watercolors by Thomas Hart Benton. Post-war abstract works of the 1950s and 60s by Robert Motherwell, Ad Reinhardt and others are considered alongside more objective works by Milton Avery and Fairfield Porter. Just Looking Julie Saul Gallery presents Just Looking, which explores the voyeuristic relationship between three photographers and their models. Nikolay Bakharev made black and white photographs of individuals and groups posed in nature and domestic interiors during the era when it was forbidden. Sarah Anne Johnson records the sexual engagements of her subjects and explores the psychology of intimacy through the application of various processes of burning, glitter and splattering with paint. Arne Svenson makes photographs that are painterly, elegant and classical using a telephoto lens to record his neighbors across the street. Elie Nadelman Seated Female Figure, 1924, bronze, 47 in . Nikolay Bakharev Relationship #20, 1984-1986, gelatin silver print, 11 ¾ x 11 ¾ in. Edition 7/10. {6} the art show THE ART SHOW 2014 HIGHLIGHTS: Thematic Exhibitions Susan Sheehan Gallery Manny Silverman Gallery Post War American Masters: Works on Paper Susan Sheehan Gallery is delighted to exhibit a collection of Post-War American prints and works on paper from the 1960s and ‘70s. Two of our most exciting works, Mark Suginoi Hotel, Beppu and Afternoon Swimming, are by David Hockney. Mark depicts a friend and travel companion Mark Lancaster during the artist’s first visit to Japan. Afternoon Swimming is the largest and most colorful of the artist’s iconic California pool lithographs and represents one of his most dynamic and playful iterations in the series. Works from the New School Manny Silverman Gallery focuses on exhibiting American, abstract art of the Post World War II period (also known as the New York School). Representing the estates of Norman Bluhm, James Brooks, Edward Dugmore, Michael Goldberg, Robert Motherwell, Richard Pousette-Dart and Emerson Woelffer, we will be featuring works by those artists as well as others from the period such as Giorgio Cavallon, John Graham, Alfred Leslie and Philip Guston. David Hockney Mark, Suginoi Hotel, Beppu, 1971, colored pencil and ink on paper, 17 x 14 in. Giorgio Cavallon Untitled, 1955, oil on canvas, 42 3/8 x 36 in. Leslie Tonkonow Artworks + Projects Skarstedt Condo, Haring, Kelley, Kippenberger, Kruger, Sherman, Prince and Warhol Skarstedt will present iconic painting, photography and sculpture from the 1980’s and 1990’s by contemporary European and American artists. Each of the works exhibited are some of the most significant examples from each of the artist’s oeuvre, addressing themes of autobiographical content, politics, theatricality, and poignant commentary on life and death. Pairs, Groups, and Grids Leslie Tonkonow Artworks + Projects presents works from the 1960s to the present by Amy Cutler, Ian Davis, Agnes Denes, Laurel Nakadate, Michelle Stuart, Robert Watts, and others. Highlights of our presentation will include Agnea Denes’ The Debate, featuring two miniature human skeletons contained with a mirrored Lucite box and El Florido by Michelle Stuart, a major work from her series of “scrolls” produced using natural graphite. Cindy Sherman Untitled Film Still #5, 1977, silver gelatin print, 8 x 10 in. Edition 10/10. Agnes Denes The Debate (One Million BC-One Million AD), 1969, electroplated plexiglass, plastic resin on light box, 44 ½ x 15 x 15 in. Courtesy Leslie Tonkonow Artworks + Projects, New York. {7} the art show THE ART SHOW 2014 HIGHLIGHTS: Thematic Exhibitions Van Doren Waxter / Eleven Rivington Washburn Gallery Washburn Gallery presents paintings, drawings and a mosaic by Jackson Pollock installed with related Native American works from the Donald Ellis Gallery to demonstrate the cross-cultural influences in Jackson Pollock’s development. Also shown are early works by Leon Polk Smith from the 1940s that demonstrate his Indian heritage. His parents were Cherokee and Smith grew up with Chickasaw and Choctaw tribes. The Painted Figure Van Doren Waxter/Eleven Rivington presents Richard Diebenkorn (USA) and Jeronimo Elespe (Spain) both of whom have painted the figure in an interior. Made in the late 50s through the mid 60s, Diebenkorn worked from the model in ink wash, charcoal, watercolor and gouache attempting to capture a moment of personal repose. Jeronimo Elespe’s work is a focused meditation on the artist’s life as he creates small-scaled pictures of interiors and portraits of his wife, family and friends. The works of Diebenkorn and Elespe illuminate ideas of observation, intimacy and contemplation. Leon Polk Smith Untitled, 1945, colored paper collage, 13½ x 11 in Richard Diebenkorn Untitled, 1963-66, ink and crayon on paper, 17x14 in. Courtesy the Richard Diebenkorn Foundation and Van Doren Waxter. Pavel Zoubok Gallery Women Collagists Pavel Zoubok Gallery presents Women Collagists. Employing a wide range of visual and material strategies, each of these artists raises important questions about the unique connection between collage and women’s experience. While each of the artists represented here owes much to the achievements of the Feminist movement, their identities as artists reflect a broad spectrum of attitudes and experiences, ranging from deeply political engagement to an expressed ambivalence Lynda Benglis Drawing #5A India, 1979, drawing and collage, thread, feathers, paper tissue on paper, 29 ½ x 34 ½ in. {8} ! FACT SHEET ART DEALERS ASSOCIATION OF AMERICA (ADAA) ORGANIZES THE 26th ANNUAL ART SHOW TO BENEFIT HENRY STREET SETTLEMENT MARCH 5 – 9, 2014 EVENT: Seventy-two of the nation’s leading art galleries will present museum-quality works of art ranging from cutting-edge, 21st-century works to museum-quality pieces from the 19th and 20th centuries. Considered one of America’s most prestigious art fairs, The Art Show will offer an outstanding selection of works by renowned and emerging artists in a variety of styles and mediums, including paintings, sculpture, drawings, prints, photographs, and multi-media works. For further information, the public can call the ADAA at 212-488-5535. LOCATION: The Park Avenue Armory, Park Avenue and 67th Street, New York City DATES AND HOURS: The Art Show is open to the public from Wednesday, March 5 through Sunday, March 9, 2014. Hours are as follows: Wednesday, March 6: Thursday, March 7: Friday, March 8: Saturday, March 9: Sunday, March 10: 12:00 p.m. – 8:00 p.m. 12:00 p.m. – 8:00 p.m. 12:00 p.m. – 8:00 p.m. 12:00 p.m. – 7:00 p.m. 12:00 p.m. – 5:00 p.m. ADMISSION: Admission is $25 per day. All proceeds from ticket sales benefit Henry Street Settlement. Tickets are available at the door. ! ! COLLECTORS’ FORUM: This year, we are excited to announce Adam Gopnik, contributing writer for The New Yorker, will be giving a Keynote Lecture on "What Makes The Humanities Human: Why Art Is More Than An Investment”. In this talk, Adam Gopnik will ask why anyone still needs the fine arts and the liberal arts, too, in an age that seems so narrowly devoted to commerce and technological innovation. What do the arts give us that the sciences can't? And how as people living within the art market can we justify what we have to do for a living with what we dream of doing with our lives? Adam Gopnik: “What Makes The Humanities Human” Friday, March 7, 2014 6:00 pm The Tiffany Room in The Park Avenue Armory 643 Park Ave, NYC, at 67th Street For more information or to reserve a seat visit www.artdealers.org/events. GALA PREVIEW: To inaugurate The Art Show 2014, a Gala Benefit Preview will be held on Tuesday, March 4 from 5:30 p.m. to 9:30 p.m. and will benefit Henry Street Settlement, one of New York City’s best-known and most effective social services and arts agencies. For advance ticket purchases or additional information, please call 212-766-9200 ext. 248. The preview schedule is as follows: Millennium Circle Super Benefactors Benefactors Patrons Sponsors 5:30 p.m. to 9:30 p.m. (Ticket $2,000) 5:30 p.m. to 9:30 p.m. (Ticket $1,000) 5:30 p.m. to 9:30 p.m. (Ticket $500) 6:30 p.m. to 9:30 p.m. (Ticket $350) 7:30 p.m. to 9:30 p.m. (Ticket $150) ART DEALERS ASSOCIATION OF AMERICA: All Art Show exhibitors are members of the Art Dealers Association of America (ADAA), a nonprofit membership organization of the nation’s leading galleries. Founded in 1962, ADAA seeks to promote the highest standards of connoisseurship, scholarship and ethical practices within the profession. Visit www.artdealers.org. HENRY STREET SETTLEMENT: Founded in 1893 by Progressive reformer Lillian Wald and based on Manhattan’s Lower East Side, Henry Street Settlement delivers a wide range of social services, healthcare and arts programs that improve the lives of more than 50,000 New Yorkers each year. Distinguished by a profound connection to its neighbors, a willingness to address new problems with swift and innovative solutions, and a strong record of accomplishment, Henry Street challenges the effects of urban poverty by helping families achieve better lives for themselves and their children. For further press information or visual materials, please contact: Jenny Isakowitz, FITZ & CO T: 212-627-1455 x254 E: [email protected] ! HENRY STREET SETTLEMENT Founded in 1893 by Progressive reformer Lillian Wald on Manhattan's Lower East Side, Henry Street Settlement challenges the effects of urban poverty by helping families achieve better lives for themselves and their children. Distinguished by a profound connection to its neighbors, a willingness to address new problems with swift and innovative solutions, and a strong record of accomplishment, Henry Street is one of the city’s largest and most effective social services agencies. Many of its initiatives have been replicated nationwide. Today, Henry Street Settlement enriches the quality of life for over 50,000 Lower East Side residents and other New Yorkers each year by providing innovative social services, arts and health care programs at 17 program sites, and at satellites locations in public schools and public housing. Henry Street offers more than 45 programs encompassing workforce development; shelter and supportive services for homeless families, survivors of domestic violence and adults; mental health and primary care clinics; a parent center; a full range of senior services, including home-delivered meals; day care centers, after-school, college prep and employment programs for youth; and academic and health and wellness programs. Henry Street continues Lillian Wald’s commitment to provide access to the arts to everyone. Each year, more than 30,000 students, artists, and audiences create and experience dynamic works of art through the Abrons Arts Center’s celebrated performances, exhibits, residencies and education programs. Henry Street’s myriad programs are made possible through individual, corporate, and foundation donations and as well as through government funding. To read more about Henry Street, please explore our website at www.henrystreet.org. For additional information, please contact: Stephanie Gordon Henry Street Settlement 265 Henry Street New York, NY 10002 (212) 766-9200, ext. 247 [email protected]
