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SYNOPSIS
The modern world holds many secrets, but by far the most astounding is that witches still
live among us; vicious supernatural creatures intent on unleashing the Black Death upon the world
and putting an end to the human race once and for all. Armies of witch hunters have battled this
unnatural enemy for centuries, including Kaulder, a valiant warrior who many years ago slayed the
all-powerful WITCH QUEEN, decimating her followers in the process. In the moments right before
her death, the Queen cursed KAULDER with immortality, forever separating him from his beloved
wife and daughter. Today, Kaulder is the last living hunter who has spent his immortal life tracking
down rogue witches, all the while yearning for his long-lost family. However, unbeknownst to
Kaulder, the Witch Queen has been resurrected and seeks revenge on her killer, leading to an epic
battle that will determine the survival of mankind.
Summit Entertainment presents, a Mark Canton / One Race Films / Goldmann Pictures production.
PRODUCTION INFORMATION
The Last Witch Hunter stars Vin Diesel (The Fast & Furious film franchise), Elijah Wood
(The Lord of the Rings Trilogy, The Hobbit: An Unexpected Journey), Rose Leslie (HBO’s “Game of
Thrones,” PBS’ “Downton Abbey”) and Michael Caine (The Dark Knight trilogy, Interstellar).
Rounding out the cast are Ólafur Darri Ólafsson (The Secret Life of Walter Mitty, HBO’s “True
Detective”), Julie Engelbrecht (The Red Baron, Rumpelstilzchen), Isaach de Bankolé (Casino Royale),
Joseph Gilgun (Lockout), and Rena Owen (Star Wars: Episode III - Revenge of the Sith, Star Wars: Episode
II - Attack of the Clones).
Also appearing are Lotte Verbeek (The Fault In Our Stars), Michael Halsey (Ticker), Inbar Lavi
(Fox’s “Gang Related”), Sloane Coombs (“Cleveland Abduction”), and Armani Jackson (Cooties,
“Grey’s Anatomy”).
The film is directed by Breck Eisner (The Crazies), written by Cory Goodman (Priest) and Matt
Sazama & Burk Sharpless. The producers are Mark Canton, p.g.a. (300, 300: Rise of an Empire,
Immortals); Vin Diesel, p.g.a. (Riddick, Fast & Furious 6); and Bernie Goldmann, p.g.a. (300, 300: Rise of
an Empire).
Executive producers are Adam Goldworm (The Prince), Samantha Vincent (Riddick, Fast &
Furious 7), and Ric Kidney (Salt, Total Recall).
The behind-the-scenes creative team includes Oscar®-winning director of photography Dean
Semler, ASC, ACS (Maleficent, Mad Max 2: The Road Warrior, Dances With Wolves); production designer
Julie Berghoff (The Conjuring); editors Dean Zimmerman (Night at the Museum: Secret of the Tomb, Rush
Hour 3) and Oscar®-nominated Chris Lebenzon, ACE (Maleficent, Dark Shadows); costume designer Luca
Mosca (21); composer Steve Jablonsky (Lone Survivor, Ender’s Game); senior visual effects supervisor
Nicholas Brooks (Now You See Me, The Twilight Saga: Eclipse); and casting director John Papsidera, CSA
(The Dark Knight trilogy, Jurassic World).
ABOUT THE PRODUCTION
A gorgeously rendered, explosively physical and thoroughly original fantasy adventure, The
Last Witch Hunter propels audiences into a complex mythological universe packed with intense
battles, unthinkable treachery and unforgettable characters. Set in a world never before seen on
screen, the story spans over 800 years of one man’s quest to keep an army of vicious supernatural
creatures determined to wipe out humanity at bay.
Global action hero Vin Diesel produces and stars as Kaulder, the centuries-old guardian of
the human world who has lost his family, friends and perhaps even his hope in the battle against the
dark forces. The inspiration for Kaulder and his story came from Diesel’s days as an avid gamer—
particularly his more than 20-year fascination with the popular fantasy role-playing game Dungeons and
Dragons. His dedication to the game is so complete that he was asked to write the forward for the
book, 30 Years of Adventure: A Celebration of Dungeons & Dragons.
Diesel’s favorite character to play in the game was Melkor, a dark elf and witch hunter that
was not part of the original game. “I found it in a third-party book called Acheron,” he explains.
“The idea of doing an action-fantasy film was always appealing to me. I met with screenwriter Cory
Goodman five years ago and we geeked out about Dungeons & Dragons and next thing you know, I
get this amazing script about a witch hunter.”
Goodman brought the project to Summit Entertainment and producers Mark Canton and
Bernie Goldmann, who recognized its potential as a vehicle for Diesel.
“Vin Diesel brought such passion and dedication to the project,” Canton says. “His level of
commitment is unparalleled. There is not one detail he hasn’t thought through. He is all about the
movie, seven days a week. He’s a great producing partner, not to mention a superstar who is at his
peak as an actor.”
Together the producers chose director Breck Eisner to take the helm. “I’ve known Breck for
a long time,” says Canton. “He is relentless. His work ethic is incredible, and his talent is prodigious.
His imagination and attention to detail brought the story alive.”
As the project developed, the filmmakers collaborated to build an immersive and surprising
world for Kaulder. “The first thing that excited me about the movie was being able to create this
with Breck,” Goldmann says. “We spent a long time figuring out and understanding the mythology.
It is not based on a book or a graphic novel, so we had that much more work to do. It is challenging
to imagine a world from the ground up.”
Eisner was more than enthusiastic about the project. “I loved the character of Kaulder
immediately,” he says. “As a kid I was a big fan of Highlander and Cory’s script reminded me a bit of
that film. The Last Witch Hunter has the element of an immortal hunter in the 13th century avenging
the loss of his wife and daughter. But we also get to see him as a modern-day badass living in New
York City. Setting our film in these two time periods was very appealing to me.”
Historically, witches were often scapegoats for supposed heresy. Anything outside the
bounds of religion could be deemed “witchcraft.” The film’s rich mythology portrays witches in an
entirely new way. The witch (or Hexan) race preceded mankind on Earth, drawing otherworldly
energies from the four elements: Air, Water, Fire and Earth. When humans came along and began to
master nature rather than honor her, an inevitable conflict grew, sparking a long and vicious war.
“The witches see themselves as protectors of the natural world and they see humans as her
destroyer,” Eisner explains. “The film is set in New York for that reason. Manhattan was at one time
a bio-diverse island that has in modern times become a bastion of humanity, virtually devoid of
nature.”
During the Middle Ages, the Witch Lords, six all-powerful siblings, emerged, unleashing
their ultimate weapon on the world: the Black Death, a plague that killed as much as 60 percent of
Europe’s population. A secret brotherhood calling themselves “The Order of Axe and The Cross”
dedicated themselves to hunting down and destroying the Witch Queen in order to save mankind.
It was Kaulder who finally slew the Queen, but the price was steep. With her dying breath,
the Queen cursed him with immortality. Kaulder has lived for eight centuries as humanity’s last
protector, policing the remaining witches who hide in plain sight, constrained by the draconian rules
of the Axe and Cross and their own Witch Council. As the story opens, he suspects a scheme to
resurrect the Queen and destroy the world is afoot.
In The Last Witch Hunter, Eisner depicts witches in a totally new way. “Historically in
past movies, witches might have been depicted with a pointy nose, a wart and a broomstick or they
were designed as grotesque monsters. In The Last Witch Hunter, their outward appearance is more
human-like. And their magic gives them spectacular abilities to mess with your mind. They can
literally trap someone in one of their own memories, or they can project images that could drive a
victim insane. They can change their appearance not through ‘shape shifting’ but rather by
manipulating someone’s mind and changing what that person sees. It is very powerful, and
sometimes dangerous stuff.”
While some of the witches are evil, others practice a more benign magic, Diesel explains.
“This movie suggests that there are people who possess magic among us now. It introduces the idea
that they are an ancient race that existed before us, who have seen humanity grow and destroy the
natural world as they knew it.”
To keep track of the complex action and backstory, multiple levels of reality and a time span
of over 800 years, Eisner worked with a group of talented artists to create extensive storyboards that
documented the entire movie virtually frame by frame. “I’ve worked with many masters of film and
many great emerging filmmakers, but I have never seen storyboards which were so comprehensive
and cohesive,” says Canton.
“With a film like this you need a director who pays attention to every detail,” adds Diesel.
“We go in and out of multiple realms and Breck had to lay down the rules of magic. With an original
mythology like this, it’s up to the director to translate it for the audience, for the actors and for the
crew, and that is something Breck has done brilliantly.”
The Last Witch Hunter has something for everyone, according to Canton. “Kaulder is the
coolest guy in the world. In over 800 years, he’s learned everything there is to know about the arts,
music, culture, architecture, but more importantly, about people and the difference between good
and evil. He’s a super cool, modern guy who has stood the test of time.”
THE WITCH HUNTER AND HIS PREY
The cast of The Last Witch Hunter has deep roots in the action-fantasy genre, featuring
alumni of “Games of Thrones” as well as the Lord of the Rings, Dark Knight, Hobbit and Riddick
franchises. “I believe no one has ever put together a cast that features so many heroes of other
mythological adventures,” says Canton.
First and foremost, of course, is Diesel. His muscular charisma is crucial to Kaulder, the last
surviving fighting member of The Axe and Cross, the fellowship dedicated to keeping sorcery in
check. Made immortal by the Witch Queen’s final curse and driven by the pain of the past, he fights
on endlessly. The idea of immortality appeals to many, but while it affords Kaulder a tactical
advantage, it is a solitary existence.
“It makes him a formidable soldier, because he has no fear of death or injury,” says Diesel.
“But he must go on existing despite the fact that he wishes he didn’t. For him, 800 years is too long
to have lived.”
“His immortality makes it impossible for him to connect with other people,” adds Canton.
“There’s inevitable loss for him in that. Vin created a character who lives behind a mask of
perfection, pretending that everything is okay. Now the layers have begun to peel off and he begins
to understand that his pain is holding him back as a human being.”
Kaulder has been accompanied on his long journey by a succession of priestly advisors, all
known as Dolan. Members of the Axe and Cross, the Dolans have documented Kaulder’s activities
throughout the ages in handwritten journals that are passed on, so each Dolan is intimately familiar
with his history. “It’s as if the same person has been by Kaulder’s side for the 800 years,” notes
Eisner. “The Dolans are a way to keep Kaulder sane. They’re like an artificial best friend.”
As the film opens, Dolan 36th is retiring. “Kaulder has a special bond with this Dolan,” says
Canton. “It is his one true connection to another human being. They have a 50-year relationship.
There’s a tremendous amount of respect and dignity—and quite a bit of affection—between them.”
Despite his personal relationship with Diesel, Caine was taken aback when he was
approached for the role. “When they called me, I thought, well, I’m not a very good driver,” he says.
“When they called me, I thought, well, I’m not a very good driver,” he says. “What the hell does Vin
want me to do? Truthfully, I’ve never seen Vin in a movie like this. It’s great entertainment with
tremendous action and imagination.”
Of his character, Caine notes, “I’m rather like the elder statesman. Dolan knows everything,
has everything and organizes everything. He’s much like Alfred, the butler in Batman. He and Kaulder
have an extraordinary relationship, more like father and son.”
Caine’s character is passing the Dolan’s mantle on to a young priest played by Elijah Wood,
best known for his role of Frodo Baggins in The Lord of the Rings trilogy. “The script surprised me,”
says Wood. “I thought the storytelling was fresh and compelling. It is a large-scale, original take on
our world—one where we co-exist with witches. I’d never read anything quite like it. When Breck
showed me all the amazing artwork that had been created, that cemented my interest.”
Canton compares Dolan 36th to the Pope for Kaulder, while his replacement is more like
Jimmy Olsen. Wood acknowledges the comparison, saying, “Michael Caine has such a pedigree, a
sophistication and a legendary status; it really helps the storytelling to have him be the audience’s
introduction to a long line of Dolans.”
Kaulder is not quick to warm to the young Dolan. “My character has some challenges
connecting to him,” Wood admits. “But he recognizes that Kaulder doesn’t really connect with
anyone and that he has big shoes to fill.”
Kaulder finds an unexpected new ally in his quest when he meets Chloe, a modern-day witch
who runs a Memory Bar, a bohemian paradise hidden behind a magic door. “It’s a new take on what
happens at a bar,” says Rose Leslie, who plays Chloe. “You don’t go there to forget. You go there to
remember. It’s a beautiful space, rather like an opium den with little alcoves where you can relax and
enter another world.”
Patrons partake of potions and spells that allow them to dive into their pasts, which is what
leads Kaulder to Chloe. “Dolan 36th has given Kaulder a directive to remember something important
that he’s been blocking for centuries,” says Diesel. “He has to seek the magic he has been trying to
stamp out in order to accomplish that. It sets up an interesting relationship between the hunter and
the hunted.”
Chloe has a formidable ability that she has managed to keep hidden, even from other
witches. “She is a dream walker,” says Leslie. “She can enter the dreams of others, but she has always
been told it is a black art used by evil witches. She is afraid of just how strong she may be.”
Dream walkers have served as key lieutenants of the Queen, explains Eisner. “They are very
rare. And they’re very powerful. They have the ability to send someone back into one of their own
memories. But they also have the ability to twist your mind, to make you see and think things that
might not exist. In essence, the power to create false memories.”
It is at the Memory Bar that Kaulder first encounters a deadly enemy, Belial, a witch who
who has gone over to the dark side. “The majority of witches in our world are not evil,” notes
Eisner, “but there are a few that still long for the days when witches were the dominant species on
the planet, the dark days of the Witch Queen. Belial is one of them.”
Belial is played by Icelandic actor Ólafur Darri Ólafsson, “Belial is a warlock who has been
working to bring the Witch Queen back for many years,” explains Ólafsson. “He believes the world
belongs to the witches, not to humanity. He’s doing everything he can to bring the world back to a
time that he never was part of.”
The conflict between Belial and Kaulder provides an opportunity for the two actors to stage
a shattering battle scene. “We had a pretty amazing stunt team who prepared a terrific fight scene for
us,” says Ólafsson. “But I have to say it’s pretty surreal to be doing a fight scene and realize it’s you
and Vin Diesel.”
Kaulder must contend with many dark-side witches, including Ellic, a shape shifter who
turns himself into children to lure young kids into his basement of horrors. British actor Joe Gilgun
plays the character as a terrifying zealot. “He works on behalf of the Witch Queen and truly believes
what he’s doing is right,” Gilgun says. “Besides shifting his own shape, he shifts that of a tree in his
yard so that it appears to grows gummy bears, making kids an easy catch. It becomes the
quintessential midwestern backyard, with a dark Pee-wee Herman magic twist. But if you look, there
are hints of the dark world underneath.”
Mathematician-turned-actor Isaach De Bankolé portrays blind herb merchant Max
Schlesinger, who supplies Chloe’s bar with esoteric items. Eisner originally pictured him as a door-todoor diamond salesman—except his briefcase is filled with bugs and maggots.
“It’s funny, my character was originally written as a 60-year-old Jewish guy,” notes De
Bankolé, an Ivory Coast native. “But it’s not that far from my background. Where I come from,
people often would communicate with the dead. It’s part of my culture.”
The most powerful of all Kaulder’s enemies is the Witch Queen, the most ancient and
powerful witch of all, played by German-French actress Julie Engelbrecht.
“I found the script very appealing,” the actress says. “It’s a totally original story we haven’t
seen before, a way I’ve never seen witches portrayed. And it actually has quite a bit of humor. Death
and humor are a good mixture to have when it comes to understanding humanity.”
The Witch Queen has a primal connection to nature that drives her fury. “There is
something very grounded and earthy about her,” Engelbrecht explains. “I think of her as being
aboriginal. Witches were on the Earth before humans and they are trespassers in her world. From her
point of view, she is protecting her kind. Humanity has come into her home, destroyed her race and
is bent upon destroying nature itself. Her rage is inspired by the injustice and cruelty that has been
directed at her and her family.”
Engelbrecht had to study Ancient Greek in order to deliver her curses and spells with
authority. “I love languages, and it’s such a perfect fit for the Witch Queen. I was glad to do it.”
The allure of witches and magic has existed throughout time, the actress observes. “Magic is
what science can’t explain and I think people are always afraid and fascinated about things they can’t
understand.”
THE ROOTS OF THE WITCHES’ WORLD
The Last Witch Hunter was shot from early August to early December in 2014 on location
in Pittsburgh, which stood in for New York City. Production designer Julie Berghoff built on
Eisner’s comprehensive storyboards and notes to create the eerie environs of the Hexan, as well as
the rest of Kaulder’s foreboding world.
“It was the most visual script I have ever read,” Berghoff says. “It is based on nature and
takes place in all the dark, creepy places that I am so attracted to. It lured me in with all the different
worlds that I would be able to create. I soon learned that Breck Eisner has a great eye and a
wonderful imagination. His idea of modern witches was a new way of thinking. It is a beautiful world
of fantasy, where maybe your neighbor is a witch.”
The Witch Queen’s costume and makeup design, as well as her home, take inspiration from
the late Polish painter, photographer and sculptor, Zdzisław Beksiński, whose work incorporates
abstracted biomorphic shapes in a style known as dystopian surrealism. “He was a crazy, dark,
twisted guy who created very beautiful, very forward-thinking artwork,” says Berghoff.
The thorny, knotted Witch Tree that serves as her nest is one of the mainstays of the film’s
mythology, a fortress for the Queen and her followers that threatens to swallow up any human
reckless enough to enter. “It’s one of the driving forces of the film,” says Berghoff. “It’s the Queen’s
home and the beginning of Kaulder’s immortal journey. Breck was very clear about the energy he
wanted from it. That was the beginning of the process for me. I felt that if I understood the tree then
I would understand the rest of the film.”
Berghoff created a thicket with a bunker at the bottom surrounded by a tangle of roots,
mosses and strangler vines. “You have to journey into the different levels of it,” she says. “There is a
massive shaft that leads to the underworld. It is filled with totems collected over hundreds of years.
There are all kinds of creatures living in it and at the top is a clearing full of altars where the witches
perform their sacrifices.”
The Witch’s Tree set was constructed on a soundstage and was designed to withstand both
fire and water. “A lot of thought went into every detail,” says the production designer. “Part of the
floor was constructed to look like roots. We also constructed soft branches to make sure no one got
their eyes poked out, as well as waterproof and fireproof branches.”
Berghoff also created the sinister chamber where the International Council of Witches
convenes to pass judgment on those suspected of practicing black magic, as well as the Witch Prison
in which those convicted of wrongdoing are embedded by magic into cells in rock walls. The prison
scenes were filmed in a limestone mine in Wampum, Pennsylvania, a huge 2.5 million-square-foot
underground complex. “It’s creepy and dark and beautiful,” Berghoff says. “We wanted the prison to
be like the Gates of Hell, so we looked to artists like Gustave Doré for ideas.”
Makeup designer Justin Raleigh of Fractured FX met with Eisner a year and a half before
filming to start developing the witches’ look. “The challenge was doing something completely
different in terms of what a witch should look like,” he says. “Breck shared some dark, frightening,
surreal images of Beksiński’s work with us to help design a look unique to the Queen and her world.
I was enchanted by the challenge of what these creatures were going to be. Still human, but very, very
organic, which Beksiński’s style really captures.”
Transforming glamorous Julie Engelbrecht into the terrifying Witch Queen character was a
time consuming and exacting process. “We wanted to allow her beauty to shine through,” explains
Raleigh. “I think we came up with something very successful. It’s about a four hour application with
the help of three make-up artists. The design needed to be highly functional and very form-fitted to
her body. From the neck down, she wears a prosthetic suit with a corset built into it. She wears an
exterior spine piece that hangs down from the back of her head, appliances on her legs, arms hands
and feet, contact lenses and dental prosthetics.”
The result, he says, is surprisingly organic. “The Witch Queen is almost like a piece of
camouflage,” he says. “Her followers have a slightly more human quality to them, but they are very
feral, vicious-looking creatures—covered in dirt, like they are part of the nest.”
While The Last Witch Hunter does not stint on high-powered, state-of-the-art special
effects, Eisner put emphasis on creating a reality in the otherworldly realm by shooting as much in
camera as possible. In addition to VFX Supervisor Nick Brooks and his team, the filmmaker relied
on Special Effects Supervisor Peter Chesney to create countless striking and frightening practical
effects.
“Peter is incredible,” says Brooks. “I’ve never worked with a brainiac like him. He created
everything from enormous intricate rigs to smaller, but still very complicated gags like cracking walls
or pentangles burning in the floor.”
The creation of the Sentinel, a fifteen-foot guardian of the witch prison, was one of
Chesney’s biggest challenges. Sculpted out of wood, bone and hide over a metal core, the Sentinel
was mounted on a section of roller-coaster track to make it mobile. A cart holding a piece of green
screen was integrated into the sequences as well.
Many of the effects were conceived and created especially for the film, including a
complicated gimbal system to simulate an aircraft in the grip of a violent storm, the exotic potions
Chloe serves her customers and the snowstorm in the Memory Bar. “That’s the fun part of special
effects,” says Chesney. “You seldom do the same thing twice.”
Dressing a Witch Hunter wasn’t a straightforward matter, even for a creative designer like
Luca Mosca. A man of sophisticated tastes and enormous resources, the modern day Kaulder had to
have a timeless sense of style. “He dresses in the current fashion, but with the hint of other eras,”
Mosca explains.
The warrior costume was particularly tricky to create, says Mosca. “It had a base layer of
leather pants, a blousy shirt, and a collar like a dickey. We took a 3-D cast of Vin’s body and created
the armor out of an injection-molded polyurethane composite. The design was created in the
computer. I found a texture I liked, added dots to look like rivets and then we printed it. Each part
was then painted to give an ancient metallic finish. We added a cape made of fur to give him a very
imposing warrior aspect. It took over an hour just to get Vin into his costume.”
Kaulder’s medieval costumes also proved extremely challenging because of the many layers
involved, he notes. “There were three different looks for the medieval period that represent how he
looks when he is at home with his family, as a hunter and as a warrior.”
“We didn’t just go off and create a film that solely commits to the fantasy element,” adds
Vin. “What was ambitious about The Last Witch Hunter was that the character had to look
completely different from the past to the future. He was almost an entire different person. That’s
what’s so fun about this character: it’s so rich and there are so many places to go. In many ways this
film is the awakening of Kaulder.”
CAST
A native of New York City, VIN DIESEL [Kaulder] has become one of Hollywood’s
most sought-after film stars. In addition to his huge box-office success, Diesel is a prominent
producer and filmmaker and has been honored with both a Hands and Footprint Ceremony at the
TCL Chinese Theatre as well as a Star on the Walk of Fame in Hollywood.
Since this April, Furious 7, which he starred in and produced, has grossed more than $1.5
billion in worldwide box-office and is the #1 grossing film in China’s history. In 2013, he starred in
and produced the box-office smash hit Fast & Furious 6, which has grossed almost $800 million
worldwide as well as Riddick, the third installment in hit cult-franchise. Last summer, Diesel starred
as ‘Groot,’ in Disney/Marvel’s Guardians of the Galaxy, which was the biggest film of the
year. Upcoming projects include the Ang Lee directed Billy Lynn’s Long Halftime Walk as well as
Kojak, and another installment in the XXX franchise, among others.
In 2011’s Fast Five, the fifth installment of the blockbuster The Fast and the Furious series, as
well as Fast & Furious, Diesel wore multiple hats on both projects as he reprised his role as Dominic
Toretto and produced the films, along with Neal H. Moritz. He also wrote and directed the original
short film Los Bandoleros. The short, which was showcased on the Fast &Furious DVD, tells the
intriguing backstory of the characters and events leading up to the explosive oil-truck heist in the
film.
Another endeavor in Diesel’s entrepreneurial rise was the creation of his successful video
game company, Tigon Studios, which recently created and produced the multi-platform Riddick: The
Merc Files as well as 2004’s top-selling Xbox game, The Chronicles of Riddick: Escape From Butcher Bay.
Diesel previously starred alongside Michelle Yeoh in 20th Century Fox’s Babylon A.D., for
director Mathieu Kassovitz. In this thriller, Diesel played a veteran-turned-mercenary who takes the
high-risk job of escorting a woman from Russia to China. He is unaware that she is carrying an
organism that a cult wants to harvest to produce a genetically modified messiah.
Diesel was also seen in the courtroom drama Find Me Guilty, directed by renowned
filmmaker Sidney Lumet. Set in the ’80s, the film documents the famous three-year trial of 20
members of a mob family. Diesel earned critical acclaim for his portrayal of Jackie DiNorscio, the
one mobster who chose to forgo his rights to an attorney and defended himself. To play this role,
Diesel transformed himself into the 47-year-old Italian mobster by putting on 20 pounds.
Diesel will play the title role in Hannibal the Conqueror, which tells the story of the
Carthaginian general who rode an elephant across the Alps to attack Rome in the third century
B.C. In addition to this film, Diesel’s One Race Films will produce Hannibal the Barbarian, a children’s
animated series based on the stories of Hannibal, for the BET network. Diesel’s future projects also
include Touchstone’s Player’s Rule. The film, written by Ron Bass and Jen Smolka, will be Diesel’s
first role as the lead in a romantic comedy. Diesel will star in The Wheelman (MTV Films/Paramount
Pictures/One Race Films). Diesel’s Tigon Studios and Midway Games will collaborate to release the
film and video game simultaneously.
Diesel starred in his first comedy feature for Disney, The Pacifier, opposite Faith Ford, Brad
Garrett, Lauren Graham and Brittany Snow. The 2005 film, directed by Adam Shankman, followed
an undercover agent who, after failing to protect an important government scientist, learns that the
scientist’s family is in danger. In an effort to redeem himself, he agrees to take care of the man’s
children—only to discover that child care is his toughest mission yet. The Pacifier was a huge boxoffice success.
In the highly anticipated science-fiction feature The Chronicles of Riddick, Diesel reprised the
title role of Richard B. Riddick. Produced by One Race Films, it was the follow-up to the cult
favorite Pitch Black. Diesel previously starred in the action-thriller A Man Apart, which he also
produced.
Topping Diesel’s list of credits is his star turn in 2001’s The Fast and the Furious, for which he
won an MTV Movie Award for Best On-Screen Team, along with co-star Paul Walker, and was
nominated for Best Male Performance. He starred in the blockbuster XXX, which he also executive
produced. Diesel appeared in Saving Private Ryan, for which he was nominated for a Screen Actors
Guild Award® as part of the film’s ensemble cast. His other credits include roles in Boiler Room and
Knockaround Guys, and, he voiced the title character in The Iron Giant, which won an Annie Award for
Best Animated Feature.
Diesel wrote, produced, directed and starred in the independent short Multi-Facial, which explored
the issue of being multiracial in today’s society. The film follows Diesel, whose biological mother is
Caucasian and biological father is African-American, on several auditions in which he is told he is
either “too black” or “too white” for the part. It was after seeing this short at the 1995 Cannes Film
Festival that director Steven Spielberg created the role of Private Adrian Caparzo in Saving Private
Ryan specifically for Diesel. Diesel wrote, produced, directed and starred in the full-length feature
Strays, which he described as a “multicultural Saturday Night Fever.” The drama was selected to
compete at the 1997 Sundance Film Festival.
Widely regarded as one of the most gifted actors of his generation, ELIJAH WOOD
[Dolan 37] continues to challenge himself with roles spanning the spectrum of style and genre.
Up next, Wood will be seen in the comedy/horror film Cooties, which he also produced with
partners Daniel Noah and Josh C. Waller, under their banner SpectreVision. Cooties follows a virus
that strikes school children and turns those infected into savages, with an unlikely hero helping the
teachers fight back. SAW writer and executive producer Leigh Whannell wrote the script along with
Glee creator Ian Brennan. The film premiered at 2014 Sundance Film Festival and will be released by
Lionsgate on September 18, 2015.
Wood recently wrapped production on Alex and Ben Brewer’s The Trust, starring opposite
Nicolas Cage. David Waters [Wood] and Jim Stone [Cage] are two crooked cops who discover a
hidden safe while working in the evidence unit of the police department. When they try to abscond
with the contents, they are faced with even more corruption that leaves them fighting for their lives
and questioning their every move.
Wood was also recently seen in Andy Goddard’s Set Fire to the Stars alongside Ceclyn Jones.
The film, which premiered at the Edinburgh Film Festival in June 2014, follows an aspiring poet in
1950’s New York embarking on a week-long retreat to save his hell raising hero, Dylan Thomas. It
was distributed by Strand Releasing in June 2015.
Wood also executive produced and narrated Made in Japan, a documentary about the
remarkable life of Tomi Fujiyama, the world’s first Japanese country music superstar. The story is a
funny yet poignant multicultural journey through music, marriage and the impact of the corporate
world on the dreams of one woman. The documentary premiered at the 2015 South by Southwest
Festival.
On television, Wood was recently seen in the fourth and final season of the FXX comedy
Wilfred. The show, a U.S. remake of the Australia hit sitcom which was adapted by Family Guy vet
David Zuckerman and revolved around a guy [Wood], a girl, and a mixed-breed dog named Wilfred,
which Zuckerman describes as part Labrador retriever and part Russell Crowe on a bender. The
show’s final episode aired on FXX on August 13, 2014.
Additionally, on television, Wood lent his voice to Cartoon Network’s 10-episode animated
miniseries Over the Garden Wall. The Emmy®-nominated series was created by Patrick McHale and
centered around two brothers who travel through a forest in order to find their way home. The show
premiered on November 3, 2014 and ran for five consecutive nights.
In 2010, Wood teamed with partners Daniel Noah and Josh C. Waller to form
SpectreVision. Respectively, an actor, a director and a writer created the company to tell heartfelt,
character-driven stories tackling real emotional and social issues that test the boundaries of the
horror genre. Their first original production, A Girl Walks Home Alone At Night made its premiere at
the 2014 Sundance Film Festival to rave reviews. Picked up by Kino Lorber, the film was released
limitedly on November 21, 2014. Most recently they produced The Boy, an intriguing look into the
early childhood of a future serial killer, based on the Sundance short Henley. The Boy is directed by
Craig McNeill and stars David Morse as John Henley and 9-year-old Jared Breeze as the title role of
Ted Henley. The film premiered at SXSW in 2015 and will be distributed August 14, 2015. Recently
announced, the team will produce the film Curse The Darkness, production will begin in late October
in Louisiana. Other credits include Cooties and Toad Road.
Wood has also voiced the character of ‘Beck’ In Tron: Uprising, the animated science fiction
series part of the Tron Series which airs on Disney XD. The series is directed by Charlie Bean.
Wood made an indelible mark in the trilogy of films based on J.R.R. Tolkein's The Lord of the
Rings in the lead role of the hobbit, 'Frodo Baggins.' Directed by Peter Jackson, the films; The
Fellowship of the Ring, The Two Towers, and Return of the King were all critically lauded as well as being box
office record setters. In addition, Return of the King won the Academy Award® for Best Picture (2003)
as well as 11 Academy Awards® in all, tying Titanic for the record.
Additional credits include Open Windows, Grand Piano, Maniac, The Hobbit, Celeste and Jesse
Forever, Treasure Island, Happy Feet 2, The Romantics, 9, Oxford Murders, Paris Je T’aime, Day Zero, Happy
Feet, Bobby, Everything is Illuminated, Eternal Sunshine of the Spotless Mind, Hooligans, Sin City, Ice Storm, Ash
Wednesday and Black and White.
Wood is an active member and supporter of The Art of Elysium, a non-profit organization
founded in 1997 that encourages working actors, artists and musicians to voluntarily dedicate their
time and talent to children who are battling serious medical conditions.
Wood currently resides in LA.
ROSE LESLIE [Chloe] graduated from LAMBDA with honors.
Rose won a Scottish BAFTA for Best New Talent for her professional debut role of 'Rhian'
in New Town. Rose promptly gained notice playing rebellious housemaid 'Gwen' in the first season of
Downton Abbey and played the role of 'Ygritte' for 3 seasons on HBO's hit Game Of Thrones.
Rose just wrapped the 20th Century Fox film, Morgan written and directed by Luke Scott,
produced by Ridley Scott, which stars Kate Mara and Paul Giamatti.
Rose also stars in the upcoming Independent Film, Sticky Notes starring Ray Liotta, Gina
Rodriguez and Justin Bartha, the directorial debut from screenwriter Amanda Harlib.
Previous work includes the British film, Now Is Good opposite Dakota Fanning, Jeremy
Irvine & Paddy Considine and gripping Indie thriller, Honeymoon with Luke Treadaway, which
premiered at SXSW 2014.
Rose was named one of Screen International's “UK Stars of Tomorrow 2013”.
ÓLAFUR DARRI ÓLAFSSON [Belial] was born in New Britain, Connecticut USA in
1973, though he has been living in Iceland since the age of four. Ólafsson has dual nationality which
is convenient since he mostly splits his work between Europe and the US. He graduated from the
Icelandic Drama School in 1998.
Ólafsson has appeared in over twenty films including A Walk Among The Tombstones,
(directed by Scott Frank), The Secret Life of Walter Mitty (directed by Ben Stiller), XL (directed by
Marteinn Thorsson), The Deep (directed by Baltasar Kormakur), Contraband (directed by Baltasar
Kormakur), Stormland (directed by Marteinn Thorsson), Beowulf and Grendel (directed Sturla
Gunnarson), Undercurrent (directed by Árni Óli Ásgeirsson), 101 Reykjavik (directed by Baltasar
Kormakur), Fiasco (directed by Ragnar Bragason), Thicker Than Water
(directed by Árni Óli
Ásgeirsson), Children (directed by Ragnar Bragason), Parents (directed by Ragnar Bragason), Country
Wedding (directed by Valdís Óskarsdóttir), Reykjavik Rotterdam (directed by Óskar Jónasson), White
Night Wedding (directed by Baltasar Kormakur), East of The Mountain (directed by Jon Atli Jonasson)
and Reverse (directed by Gunnar Hansson and David Olafsson) as well as a number of short films.
Ólafsson‘s most recent television work include appearances as ‘Dewall Ledaux´ in HBO´s
True Detective and as ‘Jonah Lambrecht´ in Cinemax´s Banshee. Other work includes AMC´s pilot Line
of Sight and We Hate Paul Revere as well as FX‘s pilot How and Why. He also appeared in Icelandic TV
series Trapped (created and directed by longterm collaborator Baltasar Kormakur)
Additionally, Ólafsson can also be seen in a new Cinemax series, Quarry, a new Netflix series,
Lady Dynamite, which stars Maria Bamforde, Dreamworks and Steven Spielberg‘s THE BFG, The
White King and Zoolander 2.
He has been in over 40 theatre productions which include Mark Ravenhill´s Shopping and
Fucking, Mike Leigh‘s Abigail´s Party, Ibsen´s Enemy of the People and Peer Gynt, Maxim Gorkij´s
Summerfolk, Euripides´ The Bacchae, Steven Berkhof´s Kvetch, Harold Pinter´s Celebration, Checkov´s
Ivanov and Shakespeare´s King Lear, Titus Andronicus, Hamlet and Romeo and Juliet.
He also played ‘Pierre´ in The Heart of Robin Hood with The Royal Shakespeare Company in
Stratford upon Avon in 2011 and in Vesturport´s Bastard which was performed in Reykjavik, Malmö
and Copenhagen in 2012. His most recent theatre performances are ‘Lennie´ in Of Mice and Men and
as ‘Hamlet´ in Hamlet at The City Theatre of Reykjavik.
Ólafsson is one of the founders of The Vesturport Theatre Company which co-produced
Romeo and Juliet at The Young Vic in London in 2003 and Woyzeck at The Barbican in London in
2005. The Vesturport Theatre Company has performed in countries such as Norway, Denmark,
Finland, Mexico, South-Korea, England, Germany, Holland, Spain and The United States. The
company was awarded The European Theatre Prize, New Theatrical Realities, in Saint Petersburg,
Russia, in 2011.
Ólafsson has been nominated seven times for Best Actor forFull House, Children, White Night
Wedding, Prison Watch, Stormland, The Deep and XL at Eddan. He has won the Best Actor for Stormland
and The Deep at The Icelandic Film and Television Awards, Best Screenplay for Children and was also
a producer for Best Film winner Parents. Ólafur was awarded Best Actor for Children at IFF Zerkalo
in Ivanovo, Russia in 2007 and was awarded Best Film as producer for Children at IFF Copenhagen in
2008. Ólafsson received Best Actor at the Karlovy Vary IFF in 2013. He has been nominated five
times for Best Actor at The Icelandic Theatre Awards, Griman. He has received Best Supporting
Actor for Romeo and Juliet and Ivanov as well as received the award for Best Actor as Lennie in Of Mice
and Men.
JULIE ENGELBRECHT [Witch Queen] most recently played a CIA Agent in the
German/Austrian Feature Die Mamba. She has also just finished shooting two French features, Les
vacances du petit Nicolas and Barbecue. Additionally, Engelbrecht shot an episode of FX’s The Strain that
will air on Sept 20th.
Immediately after receiving her high school diploma in France at age 18, Julie was selected
from among 1250 applicants at the Hochschule für Musik und Theater in Hamburg, where she
studied for four years. She experienced Chekov, Brecht, and Comedia del Arte (among others), as
well as clown workshops, fencing, classic and modern dance, boxing, theater sciences, diction, and
singing.
During acting school holidays, she was already acting in several feature films such as Napola
and The Red Baron, as well as in TV movies like the German criminal series Tatort and the postwar
family drama Mutig in die neuen Zeiten, for which she was nominated for the Undine Award as Best
Newcomer.
In 2011, she was nominated for the Bernd Burgemeister Prize for her performance in the TV
movie Die Tänzerin.
She has appeared in over 30 movies to date, getting a chance to play very different
characters: pop star, dancer, high jump Champion at the Berlin Olympics 1936, murderer, and
romantic parts. In 2012, she played the female lead, ‘Olga’, a Russian car dealer in the international
feature Forty-five Minutes to Ramallah, shot in English. It won both the Golden Biber and Audience
Biber and is nominated in the WildCard category for the German Film Awards. She shot the feature
film Frei, in which she played the lead, a Jewish pianist who survives the holocaust. The film
premiered at the Bolzano Film Festival and the Incredible Film Festival Potsdam and was awarded
the Student Biber.
During her early years at primary school in Paris, Julie attended concerts, theater, cinema,
and dance. At the Circus School Fratellini, she learned acrobatics, juggling, and how to ride a
unicycle.
At 12, she auditioned for a TV lead and shot her first movie: Adieu mon Ami. This experience
fueled her desire to become an actress. She enjoyed putting her own imagination, fantasy, and dreams
into a character, and discovered how acting could enrich her own personality, and to help her to
bring more experience to future roles.
She also learned how to play piano, and she sang the part of one of the three boys in
Mozart´s “Magic Flute” at the Opera Festival Gut Immling when she was 13.
Julie was born in 1984 in Paris. Her father is a French actor, author and director. Her mother
was Constanze Engelbrecht, a famous German actress, pianist and singer who, unfortunately, died in
2000 when Julie was 16. Thanks to her parents, Julie is bilingual: she speaks both French and
German fluently. She plays the piano and sings. Julie inherited her love of and dedication to music
from her very talented mother and considers music as integral to her artistic expression as acting is.
By the age of 14, her family moved to an old water mill in the countryside near Paris, where she rode
in her free time and took part in show jumping contests for fun.
Julia Engelbrecht still lives in Los Angeles.
SIR MICHAEL CAINE [Dolan 36] is one of the most iconic actors of our time. He got
his international breakthrough playing the lead in Lewis Gilbert's 'Alfie' in 1966. Since then,
Caine has appeared in numerous films and television programs over the last five decades including
Zulu, Alfie, Italian Job, Get Carter, Jack the Ripper, Children of Men, Sleuth, Dirty Rotten Scoundrels, Inception
and Christopher Nolan's Dark Knight Trilogy. In 2014, Caine rejoined Christopher Nolan for
Interstellar and starred alongside Colin Firth and Samuel L Jackson in Matthew Vaughn's Kingsman:
Secret Service. Caine recently finishing filming Paolo Sorrentino's film Youth with Rachel Weisz, Jane
Fonda and Harvey Keitel, set for release December 2015. He is currently shooting Zach Braff’s
Going In Style, alongside Morgan Freeman and Alan Arkin.
Caine has won two Academy Awards® for his performances in Hannah and Her Sisters and
The Cider House Rules, as well as three Golden Globes® for Educating Rita, Jack the Ripper and Little
Voice. His performance in Educating Rita also landed him a BAFTA. As well as acting, Michael Caine
has written two autobiographies; What's it All About? and Elephant in Hollywood.
FILMMAKERS
BRECK EISNER [Director] has enjoyed a highly successful career, which spans the world
of feature film, television and commercials.
Eisner directed the cult classic The Crazies, starring Timothy Olyphant, Radha Mitchell, and
Danielle Panabaker. His feature film directorial debut came with Sahara in 2005, starring Matthew
McConaughey, Penélope Cruz, William H. Macy, and Steve Zahn.
In television, Eisner directed and executive produced the two-hour drama Thoughtcrimes, and
he also directed an episode of the acclaimed Sci-Fi Channel miniseries Taken, winner of an Emmy®
Award for Outstanding Miniseries, a Saturn Award for Best Single Television Presentation, a Golden
Globe® nomination and numerous other honors. In 2000, Eisner directed the pilot of Sci-Fi
Channel's Saturn-nominated comedy thriller The Invisible Man.
Over the past ten years, Eisner has directed over 100 national television commercials for
clients such as Budweiser, Coke, Coors, Heineken, Kodak, McDonald’s, Pepsi and Sony, among
many others.
Eisner received an MFA from the USC School of Cinema-Television and a BA from
Georgetown University.
MARK CANTON, p.g.a. [Producer] has been a preeminent force in the entertainment
industry helping to bring hundreds of pictures to the screen in his capacity as a senior studio
executive and producer. Canton controls a large number of high profile projects in various stages of
development, pre-production, production and post- production.
In 2014 his film 300: Rise of an Empire, the companion to the mega-hit, 300, opened to new
box office records around the world. It was written by Zack Snyder and Kurt Johnstad and directed
by Noam Murro for Warner Bros. and Legendary Pictures and is based on Frank Miller’s latest
graphic novel. Last December, Twentieth Century Fox released The Pyramid, a horror film set against
the intersection of ancient Egyptology and modern Archeology, which was directed by Gregory
Levasseur.
Cake, a dark comedy written by Patrick Tobin, directed by Daniel Barnz and starring Jennifer
Aniston as an acerbic woman who becomes fascinated by the suicide of a person in her chronic pain
group, was released late last year to critical and audience acclaim. Anniston’s performance garnered
nominations for major awards including a Golden Globe®. It is the first project made under a new
venture between Cinelou Films and China’s Shenghua Entertainment. Courtney Solomon, Cinelou
CEO and Co-Chairman, produced with Canton.
Two motion pictures are in post-production: Henry Joseph Church, an emotional drama
starring Eddie Murphy and directed by Bruce Beresford is the second film on the Cinelou slate. It
completed filming in Los Angeles in January. Lee Nelson and David Buelow produce alongside
Canton and Solomon. And Last Witch Hunter, a classic tale about an immortal witch hunter and a
powerful witch queen was filmed in Pittsburgh. Starring Vin Diesel, it is written by Corey Goodman
and Matt Sazama & Burk Sharpless with Breck Eisner directing for Summit Entertainment.
Currently in production in Calgary, Canada is Cinelou’s Burn Your Maps. Written and
directed by Jordan Roberts (Big Hero Six), the film stars Vera Farmiga, Marton Csokas, Virginia
Madsen, Jacob Tremblay and Suraj Sharma (Life of Pi). The story focuses on an American 8-year-old
boy (Tremblay) who declares to his parents that he is actually a Mongolian goat herder born in the
wrong place. When he meets a similarly displaced Indian filmmaker, they journey east, seeking what
they believe to be their true place in the world.
Films in advanced development are:
- Robotech with James Wan (Fast 7, The Conjuring) directing off a script by Michael Gordon
(300) for Sony Pictures Entertainment. Robotech is the classic anime that started in the 1980s and
has fervent fans all over the world.
-Emperor which follows the adventures and intrigues of Gaius Julius Caesar and Marcus
Brutus as they mature from boys into young men in the powerful, sexy and dangerous world of
ancient Rome. The original script is by Oscar® nominee William Broyles Jr. and Stephen Harrigan
based on Conn Iggulden’s historical fiction novel. Nigel Sinclair, Guy East, Gianni Nunnari and Matt
Jackson are producing alongside Canton.
-Den of Thieves, a crime thriller about a gang of outlaws who try to rob the Federal Reserve in
Los Angeles and a gang of renegade cops who try to stop them. It is written and will be directed by
Christian Gudegast with Gerard Butler in a starring role.
In the television arena, Canton is currently Executive Producer on Power, which just finished
airing its ratings-winning second season and has already been renewed for a third outing. The series
was developed with Curtis “50 Cent” Jackson and CBS Studios for the Starz Network, with Courtney
Kemp-Agboh (The Good Wife) as the writer/show runner. Additionally, Canton has entered into a
first look arrangement with Starz for the development and production of cutting edge, high-concept
original programming for the network.
Also in television, Canton and CBS Studios have set up Friday the 13th at The CW with
writers Steve Mitchel and Craig Van Sickle (The Pretender). This series reimagines the iconic Jason and
the creepy town of Crystal Lake.
Amongst his notable films are 300, 300: Rise of an Empire, The Spiderwick Chronicles and
Immortals. 300, based on the Frank Miller graphic novel and directed by Zack Snyder for Warner
Bros., opened to record-setting box office numbers, having grossed more than $460 million
worldwide and is the highest-grossing March release in the history of the motion picture business.
The 300 DVD has set sales records around the world. The Spiderwick Chronicles, based on the bestselling children books by Tony DiTerlizzi & Holly Black with Mark Waters (Mean Girls) directing,
was released in February 2008 by Paramount Pictures and was the highest-grossing family film of
early 2008. Immortals, an epic mythological tale set in war torn ancient Greece, was released on
11/11/11 and has since amassed a worldwide gross of almost $250 million.
He had two movies released in 2010: Letters to Juliet, a romantic drama for Summit
Entertainment, which was directed by the late Gary Winick on location in Verona and Tuscany, Italy,
and New York City, and Dimension Films’ Piranha 3D directed by Alexandre Aja, which Canton
describes as “Jaws for a new generation.” Its sequel, Piranha 3DD, was also released by Dimension.
Canton initially joined Warner Bros. as Vice President of Production, rising to Senior Vice
President and President of Worldwide Theatrical Production. During his tenure at the studio, Canton
was instrumental in creating the notable Batman, Lethal Weapon and National Lampoon’s Vacation film
franchises. His creative influence brought some of today’s most powerful filmmakers to the fore and
some of the studio’s most successful films to the screen. The latter included Tim Burton’s Pee Wee’s
Big Adventure, Batman, Beetlejuice, the Academy Award® winning Driving Miss Daisy and Martin
Scorsese’s Goodfellas. Canton also put into production such popular hits as Robin Hood: Prince of Thieves,
Purple Rain, Above the Law, The Witches of Eastwick, The Mission, and Presumed Innocent, among others.
He departed Warner Bros. to join Sony Pictures Entertainment’s Columbia Pictures as
Chairman. In the ensuing years he rose to Chairman of the Columbia TriStar Motion Picture
Companies, with all creative, operational and management responsibility for Columbia Pictures,
Triumph Films, Sony Pictures Classics SPE’s international theatrical operations and Columbia
TriStar’s strategic motion picture alliances
Soon after joining SPE Canton revitalized motion picture production operations,
restructured the marketing and distribution companies and released a wide range of critically
acclaimed action and comedy hits, among them: A Few Good Men, Groundhog Day, In the Line of Fire,
Bram Stoker’s Dracula, Bad Boys, The Net, The Professional, The Fifth Element, and Jumanji. Canton also
championed a distinctive slate of dramas and romantic comedies, such as the Oscar® winning Sense
and Sensibility, Legends of the Fall, The Mirror Has Two Faces, A League of Their Own, Fly Away Home,
Sleepless in Seattle, Poetic Justice, The Age of Innocence, Little Women, The Remains of the Day and The People vs.
Larry Flynt.
Also produced under Canton’s aegis at Sony were the Academy Award® winning As Good As
It Gets, starring Jack Nicholson and Helen Hunt; Oscar® winner Jerry Maguire, starring Tom Cruise
and Cuba Gooding Jr.; Men in Black, starring Will Smith and Tommy Lee Jones; the Julia Roberts
romantic comedy My Best Friend’s Wedding; the thriller Anaconda; and the Wolfgang Peterson film Air
Force One starring Harrison Ford. In addition Canton initiated I Know What You Did Last Summer,
Starship Troopers, Zorro, Godzilla, and Stepmom, starring Julia Roberts and Susan Sarandon.
Following Sony Canton returned to Warner Bros. to create his own production entity, The
Canton Company. His first picture was the Warner Bros. Christmas classic Jack Frost, starring
Michael Keaton (Batman) and Kelly Preston (Jerry Maguire). The next film came the following year, as
Canton produced the much anticipated remake of the British cult classic Get Carter, directed by
Stephen Kay (Last Time I Committed Suicide) starring Academy Award® winners Sylvester Stallone
(Rocky) and Michael Caine (Cider House Rules) alongside Rachel Leigh Cook (She’s All That) and
Miranda Richardson (Sleepy Hollow). Shortly thereafter, Warner Bros. released the dramatic Mars
thriller Red Planet directed by Antony Hoffman, and starring Val Kilmer (Heat), Carrie-Anne Moss
(The Matrix), Tom Sizemore (Saving Private Ryan) and Oscar® winner Terrance Stamp.
In early 2002 he joined Artists Production Group as a partner, Chairman and CEO and in
December 2003, he launched Atmosphere Entertainment MM – an entrepreneurial venture to
develop, produce and finance theatrical motion pictures and television programming.
Two films produced under The Canton Company and Artists Production Group banners -Warner Bros. Pictures Taking Lives, a Village Roadshow Pictures and Canton Company Production
starring Angelina Jolie, Ethan Hawke, Kiefer Sutherland and Oliver Martinez, and Lionsgate Films’
Godsend starring Robert De Niro, Rebecca Romijn-Stamos and Greg Kinnear, were released in early
2004.
Canton executive produced the Jack and Jill TV series for Warner Bros. Television, and is
presently developing new television projects at HBO, ABC, CBS, TNT and Lifetime.
A native of New York, Canton is a UCLA graduate (magna cum laude) and a member of
UCLA’s National Honor Society for American Studies. He delivered the 2011 commencement
address at UCLA’s School of History. In addition to serving on the UCLA Board of Councilors and
the Deans Advisory Board for the School of Theatre, Film, and Television, Canton was Vice
Chairman of the Board of Directors of the American Film Institute and Founder and is Chairman
Emeritus of AFI’s Third Decade Council.
VIN DIESEL, p.g.a. [Producer] See Cast Biographies
BERNIE GOLDMANN, p.g.a. [Producer] has worked in the film industry as both a
producer and as a respected studio executive.
He produced Zack Snyder’s blockbuster 300, starring Gerard Butler. The 2007 film earned
more than $450 million at the worldwide box office. In 2012, he produced Mirror Mirror, a
reimagining of the Snow White fairytale, starring Julia Roberts, Lilly Collins and Armie Hammer.
He had previously served as President of Production for Village Roadshow Pictures. During
his tenure, the company co-financed and co-produced The Matrix, Training Day, Ocean’s Eleven, Space
Cowboys, Analyze This, Miss Congeniality, Three Kings, Cats and Dogs, Deep Blue Sea, and Saving Silverman.
Prior to that, he was Senior Vice President of Production for Walt Disney Pictures. As an executive
for both companies, Goldmann was responsible for over two billion dollars in box office returns.
His other producing credits include Fool’s Gold, Taking Lives, starring Angelina Jolie, and
George A. Romero’s Land of the Dead.
"THE LAST WITCH HUNTER"
End Credits
Unit Production Manager
First Assistant Director
Second Assistant Director
Executive in Charge of Production
Ric Kidney
Mark Cotone
Eric Glasser
Donna Sloan
CAST
Kaulder
Chloe
Dolan 37th
Belial
Glaeser
The Witch Queen
Dolan 36th
Ellic
Max Schlesinger
Grosette
Elizabeth
Helena
Danique
Sonia
Armani
Miranda
Bronwyn
Council Member #1
Council Member #2
Council Member #3
Council Member #4
Fatima
Doorman
Little Girl
Businessman
Bakery Owner
Euro Witch
Priest
A&C Soldier #1
A&C Soldier #2
A&C Soldier #3
Witch Attacker #1
Witch Attacker #2
Witch Attacker #3
Hipster Man at Parlour
Hipster Woman at Parlour
Soho Painter Witch
Boy On Plane
Old Woman Danique
Vin Diesel
Rose Leslie
Elijah Wood
Ólafur Darri Ólafsson
Rena Owen
Julie Engelbrecht
Michael Caine
Joseph Gilgun
Isaach de Bankolé
Michael Halsey
Sloane Coombs
Lotte Verbeek
Dawn Olivieri
Inbar Lavi
Armani Jackson
Aimee Carrero
Bex Taylor-Klaus
David Whalen
Jack Erdie
Toussaint Raphael Abessolo
Laura Smiley
Allegra Carpenter
Joseph Rittenhouse
Samara Lee
Nathan Hollabaugh
David Vegh
Billy Hepfinger
Corey Rieger
Denver Milord
Gregory Johnstone
Jonathan Visser
Bonnie Morgan
Mark Steger
Mark Musashi
Shane Callahan
Alanna Janell
Wayman Ezell
Jackson Frazer
Ruth Crawford
Stunt A&C Soldier #4
Stunt A&C Soldier #5
A&C Soldier #6
Stunt A&C Soldier #7
Stunt A&C Soldier #8
Stunt A&C Soldier #9
Stunt A&C Soldier #10 / Utility Stunt
Stunt Shadow Witch #1 / Stunt Bodyguard
#2
Stunt Shadow Witch #2 / Utility Stunt
Stunt Bodyguard #1 / Utility Stunt
Bodyguard #3
Stunt Bodyguard #4
Axe & Cross Elder
Female Model #3
Stunt Witch Attacker #4 / Utility Stunt
Council Member #5
Council Member #6
Puppeteers
Zoltan Hodi
James Hutchison
Jonathan Yurco
Casey Hendershot
Daniel Hernandez
Efka Kvaraciejus
Jared Eddo
Mike Mukatis
Jon Valera
Bobby Talbert
Michael Vehar
Kurt Angle
Mark Rademacher
Colleen "Coco" Hunter
John Bernecker
Tracey Turner
Sharon McCune
Eric Fiedler
Bernhard Eichholz
Justin Raleigh
Danielle Noe
Ozzy Alvarez
Stunt Coordinators
Jonathan Eusebio
Troy Robinson
Elizabeth Davidovich
Cory DeMeyers
Matt Leonard
Ingrid Kleinig
Rockey Dickey
Jessi Fisher
Joe Ross
James Ryan
Stunt Doubles / Utility Stunts
Utility Stunts
Stand-In
Robert Bastens
CREW
Co-Producers
Associate Co-Producers
Associate Producers
Visual Effects Producer
Production Supervisor
Jon Hoeber
Erich Hoeber
Bo Shen
Yang Rong
Mark Cotone
F. Valentino Morales
Thomas Elder-Groebe
Susan M. Ehrhart
Supervising Art Director
Art Director
Assistant Art Director
Set Decorator
"A" Camera Operator
First Assistant "A" Camera
Second Assistant "A" Camera
"B" Camera Operators
First Assistant "B" Camera
Second Assistant "B" Camera
Film Loader
DIT
Still Photographer
Unit Publicist
EPK Produced by
Additional Editor
First Assistant Editor
Assistant Editor
Post Production Supervisor
Post Production Assistants
Script Supervisor
Production Sound Mixer
Boom Operator
Sound Utility
Video Assist Operator
Key Grip
Best Boy Grip
"A" Camera Dolly Grip
"B" Camera Dolly Grip
Grips
Key Rigging Grip
Best Boy Rigging Grip
Key Rigging Grip (Stage)
Best Boy Rigging Grip (Stage)
Tom Reta
Randy Moore
Shawn D. Bronson
Sophie Neudorfer
Jody Miller
Anthony Rivetti Sr.
Roger Wall
Patrick Loungway
Kris Krosskove
Brad Peterman
Colin Sheehy
Deborah Peterson
Jai Corria
Tim Nagasawa
Scott Garfield
Amanda Brand
Mob Scene Creative
Christine Kim
Emily Chiu
Nathaniel Fuller
Christy Dimmig
Eric Van Dyn Hoven
Harley Wilson
Kim Berner
Christopher Strollo, CAS
Chad Djubek
Justin Duffy
Scott R. Crabbe
Keith B. Seymour
Nick Zinobile
John W. Murphy
Jason Kirker
Don Yockey
Doug Cronin
Joe Myers
Brad Robinson
Jon Thurner
Johnny E. Tremba
Mark Policicchio
Matt Seprish
Kim Heath
David A. Dwyer
Brian K. Powers
Bart Flaherty
Additional Key Rigging Grip (Stage)
Additional Best Boy Rigging Grip (Stage)
Rigging Grips
Additional Rigging Grips
Gaffer
Best Boy Electric
Additional Best Boy Electric
Electricians
Rigging Gaffers
Rigging Best Boy Electrics
Rigging Electricians
Dimmer Operator
Set Designers
Additional Assistant Art Director
Art Department Coordinator
Model Makers
Concept Artists
Tony Leone
Brennan Reilly
David Pipik
Sean Flaherty
Tom Ankley
Joseph McDonald
Rich Schutte
Michael P. Scott
Todd Nonn
Garrick Terveer
Michael Garvin
Jim Gilson
Jon "Momo" Morrison
Ben Macensky
Jason Apperson
Allan Barch
Sean Murray
Nick Yost
Chris Friedrick
Tom Klabnik
Ryan Kroboth
James McClain
John A. Roush
Kevin Matz
Josh Kubizne
Alexander "Lex" Crow
Zach Mulvihill
David Swiech
Darrell Abbott
Dan Caldwell
Bob Dodd
Denair Isaac
Dave Kann
Frederick Kowalo
Eric Riedmann
Ryan Washlaski
Tom Morrison
Kate Dougherty
Drew Hittie
Bradley Rubin
Schuyler Grimsman
Dan Engle
Mark Hitchler
Peter Johnson
Jonathan Bach
Ben Hibon
Vance Kovacs
Victor Martinez
Storyboard Artists
Graphic Designer
Art Department Researcher
Art Department Production Assistants
Leadman
Set Decoration Gang Bosses
On-Set Dresser
Set Dressers
Set Decorating Fabricators
Set Decoration Buyers
Set Decoration Coordinator
Greens Foreperson
Key Greens
Greenspersons
Property Master
Assistant Property Master
Assistant Props
Special Effects Coordinator
Annis Naeem
Andrei Riaboivichev
Christian Scheurer
Justin Sweet
John Coven
James Doh
Jonathan Gesinski
Philip Keller
Anthony Leonardi
Dave Lowery
Jay Oliva
Joel Venti
Karen Teneyck
Inigo A. Oleaga
Corey Sweazen
Rachel Allyn Cohn
Stephanie Spiegel
Brett Von Shirley
Demian Aspinwall
Lance Walters
Kip Bartlett
Ian Michael Andrew
Daragh Byrne
John Walters
Marty Cabot
Fredo Donatelli
Chai Roka
Robert Holtzman
Lukas A. Kislak
Kyle Fischer
Vaughn Washburn
Gregg Emmel
Tom Kelly
Jessica Silver
Andrea Kubala
Gregory Jones
Brandon Plonka
Marc Burgess
Michael Campise
Michael Dolhi
William Franko
Norman Johnson
Paul Von Arx
Douglas Fox
Michael P. Sweeney
Michael Johnson
Peter Chesney, Sr.
Special Effects Foreperson
Shop Foreperson
Gangboss / Buyer
Pyro Foreperson
Local Foreperson
Set Lead
Special Effects Technicians
Special Effects Pyro Technician
Special Effects Set Technicians
Laborer
Special Effects Office Manager
On-Set Visual Effects Supervisor
On-Set Visual Effects Production Assistant
Costume Supervisors
Costume Supervisor (Prep - Los Angeles)
Assistant Costume Designer
Assistant Costume Designer (Prep - Los
Angeles)
On-Set Costumers
Costumer to Mr. Diesel
Costumer (Prep - Los Angeles)
Key Textile Artist
Ager / Dyer
Head Tailor
Table Person
Seamstress
Costume Illustrator
Costume Department Coordinator
Costume Production Assistant
Makeup & Special Makeup Effects
Designer
Key Makeup & Special Makeup Effects
Artist
Key Special Makeup Effects Artist
Peter Chesney, Jr.
Jesus Ornelas, Jr.
Russell Tamillo
Sandy Stewart
Ralph Pivirotto
Richard E. Cordobes
Michael Armour
Jacob Hays
Jim Heastings
Richard Hill
Mike Huffman
Joseph Martin
Lee Nagle
Ed Parrish, Jr.
Brandonn S. Petri
Hisham M. Youssef
Daniel James Mulvihill
Katherine Riggs
Raymond M. Tasillo
Jason M. Trosky
Joe Rudans
Zane Cook
James Pastorius
Tanner Bartlett
Darcie Buterbaugh
Laura Wolford
Lisa Lovaas
Kelly Chambers
Chrissy Callan
Paul John Carli
Kelli French
Mindy Gregory
Lindsay Mayfield
Alison Evans
Dani Phelps
Scott T. Coppock
Keith Hudson
John Atrouni
Fahima Atrouni
Venise St. Pierre
Phillip Boutté Jr.
Tori Musial
Valerie Macher
Justin Raleigh
Danielle Noe
Ozzy Alvarez
Makeup Artist to Mr. Diesel
Additional Makeup Artists
Special Makeup Effects Artists
Special Makeup Effects by
Project Coordinator
Administrative Manager
Mold Shop
Sculpting Department
Fabrication
Paint
Foam and Silicone
SPFX Contact Lenses
Department Head Hairstylist
Key Hairstylist
Hairstylists
Roxy D'Alonzo
Rachel Kick
Christopher Patrick
Sharyn Cordice
Mark Bautista
Kelly Capoccia
Rocky Faulkner
Kelly Golden
Kevin Kirkpatrick
Jonah Levy
Elizabeth Mendoza
Fractured FX, Inc.
Michael Ezell
Helen Malone
Joe Gomez
Rob Freitas
Robert Ramos
Jared Guenther
Yong Lee
Brian Goehring
Joe Giles
Nick Marra
Kodai Yoshizawa
JD Bowers
Robert Standlee
Samantha Breault
Jenn Rose
Christopher Hernandez
Regina Rizzo
Claudia Hardy
Desirae Hepp
Jill Warner
Julian Ledger
Brett Stern
Joe Colwell
Russ Lukich
Sam Polin
Brian A. Jones
Brian Clawson
Roland Blancaflor
Steve Kuzela
Amber Skowronski
Cristina Patterson - Eye Ink FX
Karen Lovell
Rosalee Riggle
Gina Baran
Deborah Brozovich
Mary Everett
Casting Associate
Casting Assistant
Pittsburgh Casting by
Pittsburgh Casting Assistant
Extras Casting by
Extras Casting Assistant
Deanna Brigidi
Kim Winther
Donna Belajac, CSA
Missy Haught
Angela Boehm
Dawn Hyde
Location Manager
Assistant Location Managers
Michael J. Burmeister
Joseph Stargensky
Eric Dilucente
James A. Mahathey
Chris Hinton
Kate Chase Pitzarella
Cait Murray
Alex Case
Ethan Green
Chris Ruppenthal
Dario Kenning
Thomas Mavrovic
Caleb Pogyor
Location Coordinator
Location Scout
Location Production Assistants
Production
Accountant
First Assistant Accountant
Second Assistant Accountants
Additional Second Assistant Accountant
Payroll Accountant
Additional Payroll Accountant
Accounting Clerk
Post Production Accounting by
Post Production Accountant
Post Assistant Accountant
Post Payroll Accountant
Ryan Gomez
Justin White
Katie Cordeal
Brittany Sugarman
Emily Westfield
Jim Swidarski
David Hickey
Eric Day
Rice Gorton Pictures
Liam Hearne
Erica Kolsrud
Amanda Sutton
Production Coordinator
Additional Production Coordinator
Assistant Production Coordinator
Travel Coordinator
Production Secretary
Office Production Assistants
Jordan Gilbert
Jason Habelow
Kate Gittings
Kim Fouche-Tipton
Erica Sperber
Sean Green
Lindsey Harris
Patrick Miller
Natalie Testa
Second Second Assistant Directors
Crystal Munson
Alyssa Batchelor
Matt McKinnon
Matt Hibbard
Dakota Laden
Mia LaMonica
Key Set Production Assistant
Set Production Assistants
Additional Set Production Assistants
Assistant to Stunt Coordinator
Assistant to Mr. Eisner
Assistants to Mr. Canton
Assistant to Mr. Diesel
Still Photographer for Mr. Diesel
Construction Coordinator
General Foreperson
Office Foreperson / Buyer
Stage Foreperson
Paint Supervisor
Plaster Foreperson
Lead Welding Foreperson
Location Foreperson
Labor Forepersons
Tool Foreperson
Mill Foreperson
Paint Foreperson
Welding Forepersons
Forepersons
Propmaker Gang Bosses
Propmakers
Paint Gang Bosses
Painters
Meredith Powell
Coalin Smith
Katie Valovcin
Greg Brittain
David Dutchess
Michael Fox
Gina LaMonica
Jordan Weir
Marcela Robinson
Brian Smith
Mark Frazier
Matthew Einstein
Michael Dwyer
Tiffany McMillin
Thyrale Thai
Anthony Syracuse
Colin Dennis
Damon Green
Joseph Gray
Adrian Valdes
Jason Soles
Louis Boggs
Timothy Vierra
Raul Rosario
David Rodriguez
David Barton
Garry Kirks
Louie Esparza Jr.
Jeff Shewbert
Louie Gauna
Randy Syracuse
John Jacobson
Stevie Thayer
Jamey Johnson
Robert Buncher
John David Diersing
Barry Hardsog
Jacob Johnson
William Salsberg
Dante Thomas
Joseph Manni
Michael McKee
Jonathan Pitcher
Jason Shumaker
Gordon Huggins
Christopher Zimmerman
Josh Bonnett
Julie Chill
Plaster Gang Boss
Plasterers
Head Sculptor
Sculptors
Welders
Utility
Construction Auditor
On-Set Scenic
Transportation Coordinator
Transportation Captain
Transportation Dispatcher
Picture Car Coordinator
Drivers
Keith Knight
Joseph Wick
Cameron Sandmeyer
Matthew Braheem
Todd Bennett
Sergio Murillo
Kristofer Rohrenback
Scott Von Feldt
Katrina Johnson
Dan Bothe
Joseph Watson
Michael McFadden
Scott Sandmeyer
Sean Dzurik
Robin Havelka
Jon Huber
James Schulze
Nick Irwin
Gregory Puchalski
Donald Kraus
Byron Roland
Angelo Sotereanos
John Maksin
Bernard R. Ackerman Jr.
Michael Bearer
James Boniface
James P. Bruner
Edward Coennen
James Cowan
Albert S. Cuneo
Michael D. Davin
Tom Fleming
Frank Fuller
Curtis Fuqua
Lee Giovengo
John A. Grant
Kevin Harrold
David B. Hill Jr.
Steve Hough
Kathleen Jandrokovic
James Clay Johnson
Richard Koenig
Michael Kondos Jr.
Heather Kurtz
Carl LeDonne
Mark LeJeune
Terence Mahoney
Richard P. Mareno
Calley Matthews
Scott J. Mincher
Roger Nicholas
Kenneth Pohl
Kevin Roche
Patrick Roland
Karriem Sami
Drew Smith
Joseph Swedish
Larry Tutino
Tom Weifenbach
David Witzorreck
Caterer
Head Chef
Assistant Chefs
Gala Catering
Patricia Hill
Juan Carlos Ruelas
Nicholas Santos
Hector D. Vazquez
Gresszell Williams
Ginny Minuto
Georgann Bazar
Ashley Marze
Key Craft Service
Craft Service Assistant
Additional Craft Service
Set Medic
Construction Medic
Casey LaRocco
Mary Beth Spear
Set Security
Security for Mr. Diesel
Peak Security
Michael Todd Serr
Product Placement
Product Placement Coordinator
Pentmark
Craig Romans
Ashley Kravitz / Cleared By Ashley,
Inc.
Clearances Provided by
SECOND UNIT
Second Unit Director
First Assistant Director
Key Second Assistant Director
Second Unit Director of Photography
"A" Camera Operator
First Assistant "A" Camera
Second Assistant "A" Camera
"B" Camera Operator
First Assistant "B" Camera
Second Assistant "B" Camera
Film Loader
DIT
Mac Carter
Basti van der Woude
Marvin J. Williams Jr.
Patrick Loungway
Eric Laudadio
David Seekins
Amanda Rotzler
Brian Osmond
Richard Crumrine
Jason Cianella
Benedict Baldauff
Curtis Abbott
Script Supervisor
Production Sound Mixer
Boom Operators
Video Assist
Key Grip
Best Boy Grip
Dolly Grip
Grips
Electricians
Megan Graham
John Gooch
Dino DiStefano
Kelly Roofner
Brian Wells
Johnny Medeiros
Matt Bulleri
Jason Jouver
James Patrick Dames
Chad Cunningham
Jonathan Curotola
Travis Johnston
Ray Edwards
Ryan Lohrer
Timothy J. Myers
Jake "JJ" Barney
Tom Gregg
Dave Kissinger
Matthew Feiler
Tyler Morrison
On-Set Dresser
Property Master
Assistant Property Master
Set Lead
Leyna Haller
Tom Garrigan
Brad Fombelle
Marc Banich
Production Coordinator
Tim Patterson
Second Second Assistant Director
Set Production Assistants
Additional Set Production Assistants
On-Set Painter
Transportation Captain
Drivers
Caterer
Head Chef
Assistant Chefs
Jonathan Medeiros
Josh Foglio
Kate Hennessy
Kim Herman
Shawn Shelpman
Jeff Lowery
Charles Lupin
Zach Small
Dallah Charissa Cesen
Ronald Goddard
Frank M. Fink
Tom Johnston
Calley Matthews
Realms of Catering
Mark Davis
Harry Schreiber
Kory Kirchartz
Kathy Walcutt
Matthew Carraher
Eric Cox
Cassandra Ross Eccles
Key Craft Service
Craft Service Assistant
Set Medic
ADDITIONAL
PHOTOGRAPHY
NY Line Producer / UPM
London Line Producer
Key Second Assistant Director
London First Assistant Director
London Second Assistant Director
Production Supervisor
NY Production Supervisor
Art Director
London Art Director
Set Decorator
Director of Photography
NY Director of Photography / Operator
NY Aerial Director of Photography
London Director of Photography
"A" Camera Operator
First Assistant "A" Camera
First Assistant Camera
Second Assistant "A" Camera
First Assistant "B" Camera
Second Assistant "B" Camera
Second Assistant Camera
Camera Tech
Focus Puller
Loaders
DIT
Script Supervisor
London Script Supervisor
Sound Mixers
Boom Operators
Mike Upton
Marilyn Napaul
Ronan O'Connor
Matthew Clyde
Mark Gillespie
Thane Watkins
Franses Simonovich
A. Todd Holland
Ed Butcher
David Smith
Mitch Amundsen
Petr Hilnomaz
Brian Heller
Tom Townend
Henry Tirl
Mark Santoni
Bob Becchio
Richard Gioia
Thomas Barrios
Miguel Pask
Brian Wells
Stephanie Kennedy
Sara Broadman
Clayton Daily
Matt Degreff
Jon Mitchell
Chris Sloan
Augustus Bechtold
Kai Borson-Paine
Nelson Oliver
Jan McWilliams
Julie Brown
Steve Nelson, CAS
Tim Fraser
Timothy Salmon
Glenn Young
Utility Sound
Video Playback
Key Grips
Best Boy Grip
Dolly Grip
Grips
Rigging Key Grip
Rigging Best Boy Grip
Rigging Grips
Techno Operator
Chief Lighting Technician
Assistant Chief Lighting Technician
Set Lighting Technicians
Lighting Programmer
Chief Rigging Electrician
Assistant Chief Rigging Electrician
Rigging Electricians
John Sheridan
Nick Kenealy
Ryan McGuire
Glen Engels
Dana Baker
Sooduk Chung
Ryan Elvira
Mike Gonzales
Daisuke Miyake
Bill Witherington
Tom North
Brent M. Cherry
Michael Gonzalez
Rick Harris
Don Spadoni
Steele Hunter
Jonathan Leary
Seong Dilg
Brandon Harris
Charles Butler
Justin Blum
Nate Howard
Fred Lopez
Adam Baker
Jose Barrios
Jerardo Gomez
Jerry Gregoricka
Adam Devitt Austin
Carlos Hernandez
Michael Oronoz
Neil Reyes
Christian Hurley
Justin Holdsworth
Louis Ramos
Adron Alexander
Robert King
Michael Pescasio
Jeff White
David M. Adams
Thomas J. Embree
Jeremy Mennel
Alex Rodriguez
Duane Katz
Eddie Cox
Jack Davies
Eric Arnold Cortez
Dickinson Luke
Dan Kerns
Kim K. Kono
Gaffer
Art Department Coordinator
Graphic Artist
Art Department Stylist
Leadman
Set Dressers
On-Set Dresser
Greens
Greenspersons
Property Masters
Armorer / Assistant Props
Props Stand-by
Special Effects Coordinator
Pyro / Set Supervisor
Special Effects Technicians
Special Effects Tech Pyro
Visual Effects Supervisor
Method Matchmove Supervisor
Costumer to Mr. Diesel
Set Costumers
Costume Supervisor
Tailor
Hair Department Head
Hairstylists
Hair & Makeup Artist
Special Effects Makeup
Vince Manocchia
John Manocchia
Martin Duncan
Michelle Collier
Jason Perrine
Helen Downes
Andrew Schultz
Scott Adler
Angelo Bua
Nelson Lee Bush
Steven V. Clark
Tim Gordon
Alejandro Luna
Brendan O'Regan
Rodolfo Rodriguez
John Tyler
Lee Runnels
Robert Kilby
Pedram Pezeshkan
Jose Saenz
Richard Snail
Jose Bravo
Rodolfo Arturo Soto
Doug Madison
Phil Smith
Drew Petrotta
Jonnie Elf
Bruce Steinheimer
Steve Galich
Jon Bethke
Timothy B. Graham
George Zamora
J.D. Streett
Laurent Gillet
Suzie Askham
Sarah Yellin
Dante Fontana
Melissa Lizardo
Frank Gallacher
Van Hua
Shimmy Osman
Kimberly Beaird-Pennell
Jennifer Singleton
Kelly Marazzi
Zoë Franklin
Extras Casting
Tyler Fahringer
Christina Colucci
Location Manager
Location Scout
Location Coordinator
Paul Kramer
Adam Williams
Kalita Greene
Production Accountant
First Assistant Accountant
Payroll Accountant
Accounting Clerk
Emily Rice
Diana P. Mejia
Tiffany Romero
Sara Gorton
Production Coordinators
Assistant Production Coordinator
Production Assistants
Runners
Second Second Assistant Director
Set Production Assistants
Assistant to Mr. Caine
Construction
Propmaker Gang Boss
Stand-by Painter
Paint
Laborers
Plasterer
Transportation / Picture Car Coordinator
Transpo Captain Office / DOT
Transpo Captain Set / RUNS
Transportation Captain / Driver
Drivers
Patricia Van Baalbergen
Arnau Lamarca
Bryan Davis
Austin Elliott
Christene Seda Hurley
Drew Barnett
Faulkner Allocco
Jessica Dawn Szajner
Caleb Wall
Tom McGuire
Grace Godfrey
Tara Nicole
Nick De Luca
Brandon Galvan
Christina LaMonte
Max Pratt
Tom Morgan
Rob Crewe
David Whittaker
Andy Flores
John Bugarcic
Marcus Acuña
Manuel Manolo Cervantes
Tim Imre
Richard Sarabia
Shawn Sykes
Kurtis Rohrenback
Geno Hart
John Burish
Adam Pinkstaff
Jesse Schuck
William Benedict
Leon Citarella
Sara Lima
Jeffrey L. Moore
Mark Webb
Steven A. Weible
Gary Williams
Caterer
Chef
Chef Assist
Chef Robert Catering
Robert Lamkin
Joshua R. Cortez
Juan Orozco
Alejandro Lopez
Efren Lopez
Raul Morales
Jorge Valdovinos
Brian Nailing
Antonio Marcos
Key Craft Service
Craft Service
Medics
Debra Bakeman
Kate Price
Robert E. Hepburn
Stunt Coordinator
JJ Perry
ADDITIONAL
SECOND UNIT
First Assistant Director
Second Assistant Director
Christian Clarke
Scott Remick
Director of Photography
First Assistant "A" Camera
Second Assistant "A" Camera
"B" Camera Operator
First Assistant "B" Camera
Second Assistant "B" Camera
DIT
James Kniest
Greg Dellerson
Terry Wolcott
Henry Cline
Justin Watson
Jason Adler
Chris Hoyle
Script Supervisor
Video Assist
Key Grip
Best Boy Grip
Dolly Grip
Grips
Chief Lighting Technician
Assistant Chief Lighting Technician
Set Lighting Technicians
Kris Smith
Dave Schmalz
Jason Talbert
Satoshi Yamazaki
Arthur Blum
Jacob Funk
Thomas Gibson
Tim Soronen
David Wright
Josh Davis
Carlos Baker
Steven Martinez
Hal Drashon
Chris Weigand
Khan Griffith
Scott Ceci
Niles McElroy
Elton James
Douglas Kennedy
Property Master
Property Assistant
Set Production Assistants
Michael E. Johnson
Tyrone Taylor
Evan Alan Gessesse
Javier Montoya
Jason "Kentucky" Roberts
POST
PRODUCTION
Sound Design and Supervision
Supervising Dialogue & ADR Editor
Assistant Supervising Sound Editor
Sound Designer
Sound Effects Editors
Dialogue Editors
ADR Editors
Foley Editor
ADR Mixers
Foley Artists
Foley Mixer
Additional Audio
Sound FX Recordist and Librarian
Sound Editorial Services Provided by
Re-Recording Mixers
Re-Recording Mix Technician
Re-Recording Services Provided by
ADR Voice Casting
ADR Cast
Peter Brown
Kerry Dean Williams
Paul Aulicino, M.P.S.E.
Stephen P. Robinson
Jay Wilkinson
Eliot Connors, M.P.S.E.
Lee Gilmore
Dino Dimuro, M.P.S.E.
Alan Rankin
Katy Wood
Paul Carden
Daniel S. Irwin
David Bach
Thomas Whiting
Laura Graham
Nancy MacLeod
Michael S. Miller, CAS
Chris Navarro, CAS
Dawn Lunsford
Alicia Stevenson
David Jobe
Mark Stoeckinger
Charlie Campagna
Formosa Group
Mark Paterson
Joe Dzuban
Gabriel J. Serrano
Audio Head
Caitlin McKenna
Rajia Baroudi
Ron Bottitta
Robin Atkin Downes
Jean Gilpin
Kerry Gutierrez
Rif Hutton
Peter Lavin
Alex Mandelberg
Caitlin McKenna
Juan Pacheco
Moira Quirk
Michelle Ruff
Alan Shearman
Julian Stone
Karen Strassman
Corby Sullivan
Dolby Sound Consultant
Dailies Services Provided by
Dailies Colorist
Dailies Operator
Sr. Dailies Producer
Digital Intermediate by
CO3 Executive Producer / Colorist
DI Producer
Digital Conform
DI Technologist
Color Assistant
Head of Production
Account Executive
Previews by
Preview Colorist
Project Manager
Preview Editor
Editorial Services Provided by
Main Titles by
End Titles by
Visual Effects Editors
VFX Production Manager / On-Set VFX
Supervisor
Senior Visual Effects Coordinator
Visual Effects Coordinator
Visual Effects Production Assistant
In-House Compositors
In-House Concept Artist
Jim Wright
EC3
Rajiv Behdi
Nicholas Winkelmann
Ken Lebre
Company 3
Stefan Sonnenfeld
Elizabeth Hitt
Paul Carlin
Mike Chiado
Jared Pecht
Andy Kaplan
Dave Grove
Modern VideoFilm
Aidan Stanford
Heidi Tebo
Barry Goch
EPS-Cineworks
Picturemill
Scarlet Letters
Brad Tobler
Jose Marra
Roxanne Dorman
Ashley Bettini
Brianna Domont
Kris Sundberg
Justin Golden
Joshua Bolin
Peter Sauvey
Daniel Auber
Conceptual Artwork by
Aaron Sims Company, Inc.
Conceptual Artwork by
Hatch Productions, Inc.
Storm Consultant
Iceland Plate Photography
Iceland Line Producer
Iceland Unit Production Manager
Iceland Director of Photography
Iceland Location Manager
Iceland Assistant Camera
Iceland DIT
Iceland Aerial Filming Pilot
Iceland Aerial Assistant Camera
Iceland Transport
Visual Effects by
Visual Effects Supervisor
Visual Effects Executive Producer
CG Supervisor
Visual Effects Producer
Visual Effects Production Manager
Visual Effects Coordinator
Visual Effects Production Assistants
VFX Director of Photography
Visual Effects Editor
VP of Development
VP of Production
Head of Production
Compositing Supervisor
Digital Compositors
Hank Schyma
Truenorth Iceland
Leifur B. Dagfinnsson
Finni Johannsson
Karl Oskarsson
Thor Kjartansson
Hakon Sverrisson
Nicholas Helgason
Jon K Bjornsson
Eirikur Juliusson
Richardur Asgeirsson
Gudmundur Gudjonsson
RODEO FX
Montréal, Canada
Ara Khanikian
Sebastien Moreau
Sebastien Francoeur
Tara Conley
Adam O'Brien-Locke
Marie-Pierre Boucher
Eve Giordani
Catherine Maillette
Robert Bock
Pascal Rigaud
Jordan Soles
Isabelle Langlois
Melanie La Rue
Martin Larrivée
Pierre Blain
Jean-François Gagné
Carlos Guillen
Jean-Michel St-Pierre Lapierre
Cedric Tremblay
Eloi Brunelle
David Bobichon
William Cote
Matthieu Chatelier
Christian Morin
Reuben Barkataki
Marie-Eve Gelinas
Sam Edwards
Greg Groenekamp
Stephane Rioux
Art Director
Matte Painters
Matte Painting TD
Lead Animator
CG Artists
Alexis Belanger
Tadeusz Chmiel
Julie Therrien
Juan Maldonado
Olivier Lavenant
Rosi Ruiz
Michel Frenette
Sebastien Jacob
George Wharton
Sebastien Veilleux
Christopher Simmons
Joshua Galbincea
Fabrice Lagayette
Jerome Foucout
Felix Vallières
Francis Larouche
Eric Larivée
Francis Clement
Mickael Goussard
Robert Hubbard
Andréane Dodier-Villeneuve
Thomas Hallé
Jeremy Ezekiel
Jocelyn Tremblay
Raji Kodja
Ryan Purnell
André Ü Montambeault
Deak Ferrand
Dhamindra Jeevan
Mai-Anh Tran
Matt Conway
Samantha Combaluzier
Normand Archambault
Mark Sullivan
Francesco Corvino
Francois Croteau
Rocco Gioffre
Matthieu Veillette
Olivier Goulet
Zhi Wan
Simon Mercier
Jean-Philippe Marchand
Raphael Letertre
Jean-Sebastien Guillemette
Patrice Poissant
Samuel Jacques
Frederic Simard
Veronique Levesque
Marc-Antoine Lemerise
Dawid Borkiewicz
Lead FX
FX Artists
Jonathan Gregoire
Philippe Zerounian
Anthony Fong
Maxwell Adams
Fabrice Vienne
Marc Lebuis
Laurent Fortin
Dominic Piché
Christine Leclerc
Marc-Andre Dostie
Gabriele Gennaro
Valerie Loyer
Dominic Guilmette
Veronique Comeau
Plamen Dimitrov
Soal Givord
Martin Ferland
Pascal Grenier
Benjamin Gagne
Mathieu Archambault
Alexandre Menard
Bradleigh McKay
Carl Gagnon
Thibaut Claeys
Daniel Lupien
Patrick Coiteux
Manuel Gaudreau
Lluis Barcelo
Karina Cesta
Emmanuelle Morin
Darryl Purdy
Guillaume Pelletier
Jean-Francois Barthelemy
Elodie Gilbert Lachapelle
Edy Susanto
Stephane Maillet
Dominique Moisan
Guillaume Champagne
Maxime Philippon
Sara Fontaine
Jonathan Laborde
Benoit Rimet
Alexandre Sirois-Vigneux
Christophe Robert
Thomas Hullin
James Dong
Chloe Ostiguy
Eddy Lowinski
Pierre Rousseau
Owens Bazile
Matchmove Supervisor
Matchmovers
Rotoscope Artists
Pipeline Engineers
Production Support
HR Coordinators
VFX Financial Officer
VFX Accountant
Administration Assistant
Graphic Designer
Dave Lariviere
Etienne Poulin St-Laurent
Jean-Francois Morissette
Rachel Bouchard
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THE THIRD FLOOR Visualization
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Trevon Kezios
Raha Johartchi
Chris Brown
Nikki Triplett
Ryan Svendsen
Rona Rapadas
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Carter Armstrong
Wescott A. Guarino
Timothy Ralston
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Emily Rice
Sammy Sanfilippo
Nashville Music Scoring Orchestra
Alan Umstead
David Shipps
Nick Spezia
Jasper LeMaster
Ocean Way Studios - Nashville
Arata Music Inc - Santa Monica
Score Performed by
Contractor / Concertmaster
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Recorded at
Mixed at
Score Album
Available on
[Milan Records logo]
"PIANO SONATA NO. 14 IN C-SHARP MINOR, OP. 27, NO. 2,
"MOONLIGHT""
By Ludwig van Beethoven
Performed by Jeno Jando
Courtesy of Naxos by arrangement with Source/Q
"MORE THAN YOU"
Written by Evan Bogart and Elizabeth Harper
Performed by Class Actress
Published by Seven Summits Music o/b/o Itself & Casbah Kidd and
Elizabeth Harper
Courtesy of Casablanca / Republic Records under license from
Universal Music Enterprises
"FAR FROM THE TREE"
Written by Thomas Howie and Jimmy Vallance
Performed by Bob Moses
Published by Domino Publishing Company of America, Inc.
Courtesy of Domino Recording Company
"PAINT IT, BLACK"
Written by Mick Jagger and Keith Richards
Performed by Ciara
Published by ABKCO Music, Inc.
Courtesy of FINIS, By arrangement with Secret Road Music Services,
Inc.
Ciara appears courtesy of Epic Records, a division of Sony Music
Entertainment
SPECIAL THANKS
This project was made possible with the support of
the Commonwealth of Pennsylvania and the Pennsylvania Film
Office.
[Pennsylvania Film Office logo]
With the participation of the Province of British Columbia
Production Services Tax Credit
With the participation of the Canadian Film or Video Production
Services Tax Credit
Billiards Toulet France
Dermalogica
Ecco Bella
Incoco
Pittsburgh Film Office
Scratch
Smashbox
Wasser's
100% Pure
FILMED ON LOCATION IN Pittsburgh, Pennsylvania
Production Services Provided by 31st Street Studios - Pittsburgh, PA.
The NYPD and the FDNY name, The NYC Letters and Taxi marks,
The Department of Sanitation
and The Department of Transportation logos, and insignia are
trademarks
of the City of New York and are used with the City's permission.
Visual effects produced in Melbourne Australia with the assistance of
[Film Victoria
Australia logo]
[Pittsburgh Film Office
logo]
[Quebec Production
Services Tax logo]
[Ontario Film and Television
Tax Credit logo]
TEAMSTERS
[logo]
PGA
SAG / AFTRA
[logo]
DOLBY
IATSE
[logo]
[CO3 logo]
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DIGITAL [logo]
Filmed in Panavision
[logo]
NO. 50026
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MOTION PICTURE
ASSOCIATION OF AMERICA,
INC.
© 2015 Summit Entertainment, LLC. All Rights Reserved.
The events, characters and firms depicted in this photoplay are fictitious.
Any similarity to actual persons, living or dead, or to actual events or firms is purely
coincidental.
Ownership of this motion picture is protected by copyright and under the other laws of
the United States and all other countries throughout the world. All rights reserved.
Any unauthorized duplication, distribution, or exhibition of this film or any part thereof
(including soundtrack) is an infringement of the relevant copyright and will subject the
infringer to severe civil and criminal penalties, and/or criminal prosecution.
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