3 Table of Contents

Table of Contents
4. A Letter From the Station
Manager
6. A Buyer’s Guide to Local
Record Stores
14. Concert Venue Guide
18. The State of Hip Hop
20. PVRP FEST
8. WPTS Program Guide
21. Kanye’s Korner
10. Love Advice with DJ
Silky Smooth
22. News & Sports
12. A Look Into
Progressive Radio with DJ
T-Gunz
24. Importance of Albums
26. Indie Genre Word Search
27. Contact Information
Credits:
Natalie Benoy, Head Editor, Designer
Kayla Sweeney, Head Editor, Designer
Thomas Visco, Copy Editor
All artwork by Natalie Benoy, Kayla Sweeney, Lily Nacht, & Jeff Ihaza
@WPTSradio
WPTS-FM
3
A Letter from the
Station Manager
For the last 29 years, WPTS Radio has been filling the ears of the campus and community with progressive music, news, and sports coverage, and now we’re invading
your news stands with our annual publication, the WPTS Zine!
At WPTS, we’re dedicated to delivering progressive content uncovered by any other outlet in Pittsburgh. Our DJs craft unique playlists that bring underrated music
some deserved attention. We also post some super rad content like reviews, previews, and interviews on our website.
College Broadcasters, Inc. awarded WPTS several national awards for creative content in the last couple years. WPTS also ranked in the top ten for the mtvU Woodie
Award for best college radio station for several years in a row, placing third in this
year’s contest.
We owe our success to our dedicated staff and directors, without them, we’d just
be another “indie college radio station.” The WPTS office and on-air studio functions
as a communal living room and is the place of many slumber parties, meals, and
homework parties among our staff. It’s the personal investment and dedication to
giving our listeners top notch content that unites our staff and incorporates the
multitude of tastes and preferences that make our sound distinct.
We bring you this zine so you can keep a piece of us right in your pocket. Enjoy!
4
5
A Buyer’s Guide to
Local Record Stores
Zachary Wenzel
A guidebook to some of the
record stores around town you can
check out to get quality vinyl that you
won’t regret.
• Sound Cat Records (4526 Liberty
Ave, Bloomfield)
This place stands out because it had
more new records than used, like Desolation Row. There’s a lot of Indie stuff
here but they also have a good selection of reasonably priced reissues in
all genres. A small collection of LPs
by local metal bands is also a nice
touch. It’s definitely worth checking
out and it’s in a pretty neat neighborhood. A 4/5 for great records from
yesterday and today. (Pictured right)
• The Exchange (3613 Forbes Ave,
Oakland)
The Exchange is one of the few chain
stores with a decent selection of
records. There is pretty cheap used
vinyl here and they have a location in
Oakland. However, It can be challenging to dig through records that have
been there for literally years because
no one wants them. The Exchange
usually has pretty neat reissues and
new records for sale too but they
seem overpriced. Rated 3/5 for convenience in the face of mixed quality.
6
• Jerry’s Records (2136 Murray
Ave., Squirrel Hill)
Everyone in Pittsburgh who likes
records has been to Jerry’s at least
once to explore this huge location
in Squirrel Hill. The place was even
named one of America’s best record
stores in Rolling Stone Magazine back
in 2010. Jerry himself is a pretty
cool guy who’s usually manning the
counter and spinning discs while you
shop. Speaking of which, there are
also a number of turntables around
the store to test out the records before you buy them, a feature that most
places lack. It has several large rooms
stacked to the ceilings with vinyl of
all genres. The sheer quantity of
quality, affordable records is staggering although the majority are used. It
may be hard to find exactly what
you’re looking for at times but every
visit feels like a treasure hunt. I give
it a 5/5 for having almost everything
(even 78s!)
• Desolation Row (410 S. Craig St.,
• Slipped Disc (260 Atwood St.,
Oakland)
Desolation Row is located in the back
of the Caliban Book store on Craig
Street (Near where the awesome
Wicked Discs used to be, R.I.P.). They
are mostly brand new sealed records,
the majority of which are modern
music and Indie releases instead of
just reissued albums. These can get
pricey, but their used record bin does
have some buried treasures. Often
there are also local artist’s records
for sale. The biggest problem is only
about two people can see the records
at a time in the tight space they’re
in. A 3/5 for great modern records
despite high prices and awkward
setup.
A great Oakland record store, Slipped
Disk offers a wide variety of records
at reasonable prices. The guy who
runs the place is pretty friendly and
knowledgeable about the music he
sells. He quickly offers stories about
when he saw The Alarm in concert
or about neighborhood spots where
the Iron City Houserockers used to
play back in their glory days. There’s
a pretty diverse collection of records here with about 60% being
used. There is also an interesting
selection of eclectic CDs, movies and
even books (try to ignore the discount
boxes of porn they sell unless you’re
into that sort of thing). I give it a 4/5
for good prices, variety, and atmosphere.
Oakland)
WPTS Program Guide
Andrew Gretchko
At WPTS, we’re proud to provide our listeners with some of the
most progressive music out there.
Whether it’s the kind of music skinny
jean wearing hipsters are diggin’ these
days or the tunes that the New Era
fitted hat hoodlums are rockin’, we’ll
give you today’s best music…and not
the kind of hits you’ll find on Kiss FM.
Although our shows change
each semester – with students coming and going – there are a few
mainstay shows that can be heard
week after week, year after year.
Morning Show (7-9am weekdays)–
Airing each weekday from 7-9am, the
Morning Show covers a wide range of
topics as students gather in our studio
to discuss, well, pretty much everything. Debating topical issues such as
whether Star Wars is fantasy or sci-fi
and discussing the newest tracks to
drop, the Morning Show is all the progressive talk you need in the mornings.
If you’re in need for a good laugh, this
is something you won’t want to miss.
Countdown Show (5:30-7pm Wednesday) – Stuck in traffic? We’ve got you
covered. Each Wednesday from 5:307pm, the Countdown Show takes you
through our 20 most played tracks of
the week, using our charts to give you
the finest power chords, drum solos, and
high notes today’s music has to offer.
8
Sports Talk (9-10am weekdays) – Immediately following the Morning Show
each weekday is an hour of sports
talk from 9-10am, as the sports team
covers Pitt athletics as well as nearly
all major pro sports, giving you valuable insight into today’s sports world.
News and Sports (4-5pm weekdays) – Just in-case you miss the
morning sports recap, another half
hour of sports retakes the air for
4-4:30pm each weekday, followed
by a half hour of news, which provides nuanced, original analysis of
pressing local and national news.
Local Show (7-9pm Wednesday) –
Wednesday only gets better, as the
next two hours are dedicated to the
musicians of Pittsburgh. Our Local
Show airs Wednesday’s from 7-9pm
and is just one of the many ways in
which we give back to the community of music lovers in Pittsburgh
by playing the best local, organically grown music from the Steel City.
Music a la Fresco (9-10pm Monday) – Taking a break from our regular programming, Music a la Fresco
whips up a brand new dish, creating
a show using only the crispest ingre-
dients hand-picked from each week’s
new music. This culinary masterpiece
airs from 9-10pm each Monday.
Live Show (9-10pm Wednesday) – Immediately following the local show our
Live Show gives musicians, comedians,
and other entertainers the chance to
perform in-studio from 9-10pm each
Wednesday. These sessions are recorded and uploaded to our website for your
viewing pleasure so if you’re too busy
pretending to do homework you can
always go back and watch them later.
Super Slot (10-11pm Wednesday) – As
if WPTS could get any better, the next
hour of programming each Wednesday
night consists of our highly specialized
Super Slot. Each week, a new DJ takes
control of this unique show, bringing
with them an hour long set-list full of
music that simply couldn’t be played
anywhere else. From folk covers of hiphop to Chinese rock, Disney mash-ups
and video game soundtracks, the Super Slot is a wild ride not to be missed.
At this point you must be
saying, “WPTS, you guys are amazing! I can’t wait to listen to you guys
all the time!” Well good, because
just like a superhero, we’ve got you
covered around the clock 24/7,
365…except without the spandex. Definitely without the spandex.
Make sure to check out our
website – www.wptsradio.org – for an
up-to-date schedule, pictures of corgis,
and our DJ Spotlight, which highlights
our favorite DJ of the week, leaving you
no choice but to listen to their show.
Hipster Trashfest (10-11pm Monday)
– Hosted by a slew of DJ’s and a rotating cast of friends, Hipster Trashfest
is a hour long program that isn’t afraid
to tell you which Pitchfork reviews are
trite (all of them), which albums in your
Top 10 list are totally contrived (all of
them), or even which things your favorite band did that another band did seven
years ago (most of them). Often called
the cultural nadir of society, or where
music comes to die, Hipster Trashfest
promises to be honest, charming, funny, sad, awkward, and a tad mean.
9
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10
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11
A Look Into
Progressive Radio
with DJ T-Gunz
We throw the word “progressive” around quite a bit here at
WPTS, but what it means exactly is
unclear to many. Progressive is more
a quality of music than it is a genre
in itself — in fact all genres of music
have their own little progressive niches. Progressive music demands progress. It breathes new life into old ideas
to completely reinvent itself. It is not
afraid, but encouraged to take risks
and sound unfamiliar, if not totally alien.
In doing so, it reshapes what music
will sound like years, months, or even
weeks from now — But at what cost?
Most people don’t like music
that’s unfamiliar to them, and major
record labels know this all too well.
New artists are constantly propped up
by major label bankrolls that invest in
them for the sake of manufacturing
a new hit single. As well produced as
those songs may be, they are usually
nothing more than shallow monsters
pieced together from lose bits of main-
12
John Teoli IV
stream culture. Their music is formulaic,
but it is played at infinitum across the
country on corporate radio stations.
It’s a vicious cycle: Corporate radio stations control what the
masses listen to, and thus what people
consider to be familiar. Major record
labels have all the money they need
to easily reproduce these sounds.
The record labels also have access to
promoters. Promoters are paid to service radio stations with whatever “hit
singles” the labels are pushing at the
time. Corporate radio station are all
too happy to use this service to refill
their coffers with all the trite pop music they need to satiate the masses.
Music is an industry and business is booming. However, not all hope
for popular music is lost. Progressive
music eventually reshapes the popular
tastes. When Arcade Fire first released
their album Funeral, they were celebrated only among hipsters. Seven years
later they won a Grammy. It takes time
for progressive tastes to proliferate
into the mainstream, and often it has
to be introduced by the right sources,
curators with plenty of reach and reputation such as NPR or BBC Radio 1.
Of course this process is never
easy and happens sporadically — usually
after the artists have released their best
material. In the meantime, these artists
are supported solely by fans, people
who habitually scour every available
resource in hopes of finding the next
big thing, and progressive format indepependent and college radio stations.
Essentially, those three groups
are one in the same. College radio has
a unique advantage over corporate stations — and even other music outlets
— because we are nonprofit organizations. The people who work tirelessly
to review our CDs or volunteer hours of
their time to do radio shows choose to
do so because it is their passion. We do
not play music to gain the listenership
of the lowest common denominator.
Nor do we play music in a vain attempt
to appear cool. We simply play the music we love because we live to share
our music and have fun doing it. You will
not hear the same five songs played at
infinitum on WPTS because all of our
DJs are completely different people.
Their backgrounds range from punk,
hip hop, electronic, pop, folk, rock, foreign or jazz, and they all have a unique
view point on their respective genre.
13
A Guide to Pittsburgh
Concert Venues
Rachel Mauer
Mr. Small’s Fun House (A)
Where: 400 Lincoln Ave, Millvale PA
Age: Generally all ages; occasionally 21+
Price: $10-$20
A former church, Mr. Small’s is now a music
venue filled with circuswave decorations..
Mr. Small’s has a wide range of performances ranging from local rock bands to
electronic artists to folk performances.
Stage AE (B)
Where: 400 North Shore Dr, North Shore
Age: Generally all ages; occasionally 21+
Price: $20-$40
As one of Pittsburgh’s larger music venues,
Stage AE tends to bring in more popular
indie artists. In the summer, all shows are
outdoors. Stage AE also offers a smaller
indoor area for more intimate shows.
Brillobox (C)
Where: 4104 Penn Ave, Bloomfield
Age: 21+
Price: $10-15
Brillobox is a relatively community-oriented venue hosting local bands & DJs, art
events, and fundraisers. They also work
with Opus One Productions to bring in
non-local performances.
The Rex Theatre (D)
Where: 1602 E Carson St, Southside
Age: 21+, 17+, all ages.. just keep an eye
out!
Price: $10-$20
The Rex Theatre is a key venue to Pittsburgh, having opened as a vaudeville theater back in 1905. Now, the Rex brings in
a lot of DJs and smaller bands.
14
Altar Bar (E)
Where: 1620 Penn Ave, Strip District
Age: All ages
Price: $15-$25
The Altar Bar is another church-turnedmusic-venue of Pittsburgh that strives to
bring cutting edge performances to Pittsburgh’s music scene. This venue prides
itself for bringing in big names but being
small enough for the audience to actually
enjoy the show. The Altar Bar is self-described as having “ballsy” acts.
222 Ormsby (F)
Where: 222 Ormsby St., Mt. Oliver
Age: All ages
Price: donations
222 Ormsby is a donation-based venue in
Mount Oliver that brings in a lot of small
but talented acts. There’s a focus on grunge and punk acts. Also, there’s a dog. The
venue has a dog. A DOG.
6119 (G)
Where: 6119 Penn Ave., East Liberty
Age: All ages, sometimes 21+
Price: $5-$15
Tucked behind a parking lot in East Liberty,
6119 (run by the crew that hosts the VIA
festival every October) is quickly becoming the hippest venue in Pittsburgh. 6119
specializes in underground electronic,
world, and hip-hop musical artists.
Garfield Artworks (H)
Where: 4931 Penn Ave., Garfield
Age: All ages, occasionally 21+
Price: $5-$15
Garfield Artworks (lovingly nicknamed
GarfArt by its patrons) is everyone’s
favorite grungy venue. Featuring a
wide variety of indie artists and local
art shows, It has that unkempt charm
that makes you feel like you’re there to
see the next big thing.
15
The State of Hip Hop
Andrew Gretchko
Ever since the funeral bells
tolled for the death of hip-hop’s golden
age during the mid-90’s, hip-hop has
been in a period of transition. Golden
Age legends like A Tribe Called Quest
and De La Soul were quickly exchanged
for a series of fads; first ringtone rap,
then trap music, and eventually various
rappers who artfully inserted dollar
signs into their name, most of which
sullied the legacy created by those
that graced the mic before them. Luckily, rap has a progressive side to it, and
while many left the genre for dead,
they failed to realize that it isn’t gone,
it’s just buried deep underground.
Unlike Soulja Boy, the rapper who taught us how to “Crank
That (Soulja Boy)” and dissed hiphop veteran Ice-T simply for being old, underground rap sets itself
apart by paying homage to those
that paved the way for its success.
Led by those who grew up
listening to classics like Pete Rock &
CL Smooth’s “They Reminisce Over
You,” many underground tracks feature shout-outs to the artists that influenced them, paying their respects
16
to artists like Nas who were, “Deep like
The Shining,” and “Put in work,” like
Gang Starr. This may not earn artists
like Ta-Ku fame, fortune, or a contract
with a big time record label, but it’s just
one of the many ways in which today’s
underground artists manifest integrity
in a genre that has sold out a million
times over.
Aside from using their knowledge of the rap game to earn the respect of hip-hop heads, underground
artists also learned much about their
craft from their predecessors. While
underground rap has dozens of different styles and sounds, the genres roots
are unanimous throughout – with rappers like Action Bronson and People
Under the Stairs emulating the fun-loving style of hip-hop coined by artists
like The Pharcyde and The Beastie
Boys. Don’t get me wrong, fun-loving is
in no way synonymous with Weird Al,
but keeping it in perspective is key, and
being able to fit creative comedy into
verses is a skill lost by mainstream acts
such as Pittsburgh native Wiz Khalifa
who made the jump from party rap to
the egotistical mentality of most big
time artists.
Another one of rap’s seemingly lost arts is the often-misunderstood
battle rap, a lyrical fight between two
opponents looking to test their skills
on the microphone. Popularized during
the Golden Age of hip-hop, battle rap
was one of the many ways a rapper
could rise to the top, defeating foe after foe like a boxer taking down opponents in the ring. After the violence that
ended the lives of two of rap’s greatest
MC’s – Tupac Shakur and Christopher
Wallace (a.k.a. Notorious B.I.G.) – battle
rap’s battlefield became less regulated,
leaving room for less talented rappers
to try their hand at taking the throne.
With no heir apparent, battle
rap went in two directions: the underground and the streets. Street battle
rap involved far more death threats,
anger, and actual violence than it did
skill and prowess. Underground battle
rap became one of the genre’s breeding grounds for hot new MC’s who were
not only able to hold their own on the
mic, but do so with wit, humor, and the
unique element that makes each artist
in hip-hop so special. Take the rugged
hip-hop duo Trace Blam & SoulChef for
example; two devoted hip-hop enthusiasts who won’t hesitate to remind you
that they believe they’re some of the
best in today’s rap game. These are
some of the guards of the genre; those
that hold hip-hop sacred and vow to
never sell out to a corrupt industry that
values money, cash, and clothes over
everything. These guys (and girls) embody hip-hop.
So where are we now? Autotune, shock value rap, and artists willing
to take on the role of corporate sponsorship – a disastrous future hip-hop’s
forefathers never could have imagined.
Not all is lost, however, thanks to those
that have held on to the nearly extinguished flame that burned so bright in
the early 1990’s. Thanks to the underground, the future of hip-hop may not
be so dimly lit after all.
17
www.pvrpfest2k13.com
PVRP FEST
the only festival you need a prescription for
HOME TICKETS FAQ LOST & FOUND
As the Styrofoam cups decompose from the first-annual PVRP FEST music festival there
comes the messy issue of clean up; and after this inaugural banger culminating in a hologram
performance by Pimp C, clean up has been a large-scale endeavor. This is where you come in,
loyal PVRP attendees who refreshed your web-browsers incessantly, waiting for tickets to go
on sale. We have a storage room full of YOUR STUFF and in the spirit of keeping this festival
TRILL AF we’re opening the comment section of this post for you guys to post what you lost,
and of corse ruminate about your experience in anticipation for next year.
36 Comments:
TrapGAWD666:Yo I wuz wayyyy 2 turnt up during that Waka Flocka set and I lost my shadez (cuz I wear my
shades at night bruh) while I was making out wit dis fyneee shawty so if yall know where my shades orwhere
ol’ girl is at that’d be TRILL AF
A$AP_POCKY92:wuts Gucci yalll, how sick was the TNGHT set??? I popped like 3 molly and wuz sweatinnnn
WOOP! aye but I lost my fanny pack—it had all my drugs in it—I really need it you guys
xxBADDESTBITCH97xx:so I was ttly making out with the hawtest alt bro during the Kitty Pryde set where she
started crying midway through and it was beautiful but I lost my iphone…it has a kreayshawn background that’s
super #rare
TrapGAWD666: YO WERE WE MAKN OUT DURING WAKA FLOCKA TOO?!! lemme get yr number
either way I DJ sometimes and u should come out 2 one of my showz we turn up and we throw
bandzzz
SPACEGHOSTBVRP:wut it do yalll!! how sick was fxckin PVRP FEST!!! Me n my goons wuz toooo ractchet!! I found
like 9 disposable cameras? yall want me to just upload deez pics NSFW THO
#BASED_PROPHET91:TYBG!!! PVRP FEST WAS THE BEST DID YALL SEE ME COOK WIT THA BASED
GOD OMG SWAG ON 30,000!!!!
18
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HELP KANYE FIND HIS CLIQUE!
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START!
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ETIHAM UXRIU RNFMCKUEQ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
AJ$Y DEO$AB _ _ _ _ _ _ _ _ _ _
K$YAPCRA O _ _ _ _ _ _ _ _ _
EEKHFIFC E _ _ _ _ _ _ _ _ _
OWKTAF _ _ _ _ _ _
N$UYCERR _ _ _ _ _ _ _ _
TI DAMIDRNE$AJ _ _ _ _ _ _ _ _ _ _ _ _
HLOCOBS OQY _ _ _ _ _ _ _ _ _ _
answers: Mr. Muthfuckin Exquire, Joey Bada$$, A$AP Rocky, Chief Keef, OFWGKA, Curren$y, Trinidad Jame$,
Schoolboy Q
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BUZZ RAPPER WORD SCRAMBLE
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News at WPTS
Some people read the news; few people understand it. WPTS News strives
to bring together the brightest students from across campus to discuss relevant, topical news stories affecting local, state, and national politics and culture.
Students fill our weekly news slots with topics students care about, crafting their own thematic angle for each show. Our star show, Campus Round Table, broadcasts for an hour every
Wednesday from 4:30 to 5:30 PM. This show brings together a panel of student leaders to
discuss pressing campus issues from Student Government Board to education policy at Pitt.
Along with our live news programming, WPTS also has a number of podcasts posted to our website, wptsradio.org. These podcasts cover specialty topics and include
Earthlings Talking Earth Things, our environmental podcast run by Free the Planet, and a brand new program sponsored by the Campus Women’s Organization.
Finally, WPTS does a number of high-profile interviews. Philadelphia Mayor Michael Nutter, New York Times writer John Broder, and City Councilman Bill Peduto have all joined WPTS News in-studio to answer the honest questions of students. WPTS also hosted a Pittsburgh Mayoral Debate in the Spring of 2013.
WPTS News does not have an agenda or creed. We want enthusiastic students to
fill our talk shows with creative, honest approaches to commonly discussed issues.
Sports atWPTS
WPTS Sports is all about having an opportunity to talk about your favorite sport. From
broadcasting and calling live football and basketball to interviewing Pitt’s biggest stars,
WPTS Sports gives you the opportunity to be a member of Pitt’s sports media. Our sports
shows are every weekday with a morning show from 9:00-10:00 AM and an afternoon
show from 4:00-4:30 PM. In addition to sports talk shows, WPTS Sports also broadcasts
a selection of live Pitt sporting events, doing both play-by-play and color commentary.
We broadcast every Pitt football game, which means that our broadcasters go on the
road for all the away games. During basketball season, WPTS Sports does home games
for the men’s and women’s basketball teams and travel for tournament games as well.
Our student broadcasters receive the same treatment as professional media members. We interview Pitt players and coaches as part of the post-game proceedings, and
during the game, we are up in the press box working with the professionals. It is an invaluable experience that never gets old. Whether pursuing a professional career or
simply wishing to have a closer understanding of Pitt sports, WPTS Sports brings
together enthusiastic and passionate students to cover the University we all love.
20
Importance of Albums
William Bongiorni
CDs may be dying, but albums will remain for the foreseeable
future. Jay-Z pulled his solid 2007
concept album American Gangster
from iTunes because he wanted listeners to experience the whole album,
as opposed to only downloading a
few songs. He would have made more
money by releasing the album on
iTunes, but he had a story to tell, and
he didn’t want people listening to only
experience fragments of the story. Albums, at their base level, are stories.
Stories, like albums, are linear experiences, progressing from
one anecdote and song to the next.
Most traditional concept albums have
a clear progression, so it is easy to
see the significance of song order
for them. A perfect example of this is
another 2007 album, M.I.A.’s Kala. A
common theme throughout the album
is her hatred of America’s view of immigrants, and her animosity increases
until it reaches the penultimate song,
“Paper Planes”. The track’s lyrics, the
screeching sounds, and the noises of
the gunshots and cash registers that
pierce the chorus raise the tension to
an extreme and unprecedented level.
And then, suddenly, everything changes in “Come Around”, the album’s final
song. She becomes the Americanized
woman she despised since the beginning of the album, talking about Sidekick phones and Ray-Ban sunglasses,
and she even gives Timbaland, possibly the most Americanized rapper ever,
a verse. Thus, the order of the songs
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make for a powerful story that chronicles M.I.A.’s battle with the perception
of immigrants and her eventual defeat.
Stories are not written for
narrative’s sake, they’re evocative vehicles for thought and emotion. What’s
the point of a story if it doesn’t cause
any feelings? Songs can certainly provoke emotions, but albums can cause
a range of emotions that greatly enhance the listening experience. A good
example of this is the fascinating Since I
Left You, released in 2000 by The Avalanches. Many interpret it as a breakup
album, and when listening to it in that
manner, the feelings that the story produces enrich the music. The opening
track, “Since I Left You”, provokes the
happiness and bliss after being freed
from a relationship. “Close To You”
captures the energetic atmosphere of
a night out. “A Different Feeling” and
“Electricity” replicate the intimacy and
excitement of falling in love with someone new. “Etoh” duplicates the sadness
felt when things aren’t working, while
“Summer Crane” elicits the optimism of
going back to the old relationship. The
Avalanches made an amazing album
that causes listeners to run the gamut of emotions felt during a breakup.
In these examples, and
many others, having only a few
songs from the album wouldn’t be
enough to truly experience it. As
long as there are artists who care
storytelling, I believe the album will
remain the definitive form of music.
WPTS Radio broadcasts live fr
the Cathedral of Learning.
Only on 92
ve from the top of the top of
.
on 92.1 FM
Photo Credit:
Jake Stern
Indie Genre Word Search
ACIDJAZZ ASTRALHOUSE BROSTEP WITCHHOUSE
CHILLWAVE COLDWAVE CRABCORE CYBERGRIND
DARKCORE DOOMSTEP FOLKTRONICA FUTUREPOP
GRIME HIPSTERHOP ITALODISCO JAPANOISE
MICROSOFTCORE TRVP
26
Contact Us
Station Manager:
[email protected]
Directors:
Promotions Director: [email protected]
Music Director: [email protected]
Programing Director: [email protected]
New Media Director: [email protected]
News Director: [email protected]
Sports Director: [email protected]
Underwriting Director: [email protected]
Productions Director: [email protected]
Traffic & Continuity Director: [email protected]
Training Director: [email protected]
Engineering Director: [email protected]
Mail:
411 William Pitt Union
4200 Fifth Ave
Pittsburgh, PA 15260
Office:
Front Desk: (412) 648-7990
Fax: (412) 648-7998
Requests:
(412) 383-9787
@WPTSrequest
WPTS General Manager:
Greg Weston
(412) 648-7995
[email protected]
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