discovery series - Chesapeake Film Festival
Transcription
discovery series - Chesapeake Film Festival
D i s c o v e r yS e r i e s wat ch•t hi nk•di s cus s T her e mar k abl er e di s c ov e r yof y Bl A l i c e G u y B l a c h é u g a ce Al i e ch Wa st h eWo r l d ’ sF i r s tF I L MD i r e c t o raWo ma n ? Bar br aSt r ei s andhass ugges t edt hatAl i c eGuyBl ac héwas t hei nvent oroft hefil m di r ec t or ' sj ob.Theear l i es tdaysof movi emaki ngs aw manyvar i et i esofexper i ment at i on,but GuyBl ac hémaywel lhavebeent hever yfir s tt oac t ual l y c r af ts t or i esonfil m, f undament al l ys hapi ngwhati tmeant t obeadi r ec t orast her ol ei sdefinedt oday. r Fr om 1896 t o 1906 Al i c e Guy was pr obabl yt he onl y womanfil mmakeri nt hewor l d. Shehadbegunasas ec r et ar yf ori nvent or ,engi neer ,and mot i on pi c t ur epi oneer LéonGaumont , whoevent ual l ymadeherheadofpr oduc t i on. Shedi r ec t edandpr oduc edal mos ts i xhundr eds i l ent fil msr angi ngi nl engt hf r om onemi nut et ot hi r t ymi nut es . Sheal s o di r ec t ed and pr oduc ed onehundr ed and fif t y s ync hr oni z eds oundfil msf ort heGaumontChr onophone. HerGaumonts i l entfil msar enot abl ef ort hei rener gyand r i s kt aki ng;herpr ef er enc ef orr eall oc at i onsgi vest he ext antexampl esoft hes eGaumontfil msas ur pr i s i ngl y c ont empor ar yf eel . F il m P nee o i Oneoft hefir s tt omak eanar r at i v efic t i onfil m, Al i c eGuyBl ac hée x pe r i me nt e d wi t hs ounds y nc i ng , c ol ort i nt i ng , i nt e r r ac i al c as t i ngands pe c i al e ffe c t s . RECEPTI ON •COMMENTARY•SCREENI NG •Q&A TUESDAY,APRI L19,6: 00-9: 00p. m.Admi s s i onFREE THETALBOTCOUNTYPUBLI CLI BRARY,EASTON 100Wes tDoverSt r eet ,Eas t on,Mar yl and21601•4108221626 SCREENI NG:MI XEDPETS( 1911)byAl i c eGuyBl ac hé Mi xedPet si sanear l yc omedyaboutmi s under s t andi ngs t hatar i s ewhen anew hus bandr ef us est obuyhi snew wi f eadog,andt hec oupl es 'domes t i chel pc onc ealt hei r mar r i age and baby.The fil m i senor mous l yf unnyand por t r aysaper c ept i vegr as p ofhuman j oys ,f oi bl es ,and es pec i al l yr el at i ons hi ps , aBl ac hét r ademar k.Pr es er vedby t heWomen' sFi l m Pr es er vat i onFund. Tuesday,Apri l1 9th Whi l et heear l yfil mmaker snow c r edi t edwi t hpi oneer i ng t ec hni quess uc hasD. W.Gr i ffit hwer ej us tget t i ngs t ar t ed, GuyBl ac héhadal r eadyopenedherowns t udi o,andwas pr oduc i ngafil m aweek.Fi r s tl oc at edi nFl us hi ng, Queens , t hes t udi ot henmovedt oFor tLee,New J er s ey. RE C E P TI O N• C O MME NTARY• F I L MS C RE E NI NG• Q & A 6: 00TalbotCountyLi brary,EASton GUEST SPEAKER:TERRY LAWLER -New Yor kWomen i n Fi l m and Tel evi s i on Exec ut i veDi r ec t orand Women' sFi l m G U E S T S P E A K E R M O D E R A T O R Pr es er vat i onFundCommi t t eeMember , Ter r yi sal s oaVi c ePr es i dentoft heBoar dofDi r ec t or soft heNewYor kPr oduc t i on Al l i anc eands er vesont heBoar dofDi r ec t or soft heKat ahdi nFoundat i on.Pr i ort oj oi ni ngNYWI FT,s hewasDi r ec t orof Devel opmentandPr oduc t i onatWomenMakeMovi esandNat i onalDi r ec t orofFi l m andVi deomaker sSer vi c esatt he Amer i c anFi l mI ns t i t ut e.Shehasbeenamedi ac ons ul t antf orf oundat i onsandnonpr ofitgr oups , i nc l udi ngt heMac Ar t hur Foundat i on,t heAs t r aeaFoundat i on,t heNat i onalMus eum ofWomeni nt heAr t sandt heGoet heI ns t i t ut e. TerryLaw ler KI MBERLYSKYRME MODERATOR:KI MBERLYSKYRME-Ki mber l yi saCas t i ngDi r ec t orandfil m Pr oduc er .Someofherc r edi t si nc l udet he EmmyAwar dwi nni ngNet fli xor i gi nals er i esHous eofCar ds , Uns ol v e dMy s t e r i e s , De e pI mpac t , He ar t si nAt l ant i s , Be l ov e d, T he Pe l i c anBr i e f ,T r ueL i e s ,andCl e arandPr e s e ntDange r .Shei samemberofNYWI FT& WI FVDC,aswel lasBoar dChai rof Womeni nFi l m &Tel evi s i onI nt er nat i onal( WI FTI ) .Ki mber l yi saf oundi ngmemberofTI VADCTel evi s i on,I nt er net&Vi deo As s oc i at i on,andThePeerAwar ds .Ki mber l yi saboar dmemberofChes apeakeFi l m Fes t i valands hei sont heAdvi s or y wat ch•t hi nk•di s cus s Boar datt heNat i onalCons er vat or yofDr amat i cAr t si nWas hi ngt on,DC. D i s c o v e r yS e r i e s 101Mar l bor oAv e, Sui t e53•Eas t on, MD21601•410. 822. 3500•i nf o@c hes apeakefil mf es t i v al . c om JOI N THE DI SCOVERY • CHESAPEAKEFI LMFESTI VAL. COM FILM FESTIVAL DISCOVERY SERIES watch •think• discuss The remarkable rediscovery of t\lice Gu2 Blache WAS THE WORLD'S FIRST FILM DIRECTOR A WOMAN? Barbra Streisand has suggested that Alice Guy Blache was the inventor of the film director's job. The earliest days of moviemaking saw many varieties of experimentation, but Guy Blache may well have been the very first to actually craft stories on film, fundamentally shaping what it meant to be a director as the role is defined today. From 1896 to 1906 Alice Guy was probably the only woman filmmaker in the world. She had begun as a secre tary for inventor, engineer, and motion picture pioneer Leon Gaumont. who eventually made her head of produc tion. She directed and produced almost six hundred silent films ranging in length from one minute to thirty minutes. She also directed and produced one hundred and fifty synchronized sound films for the Gaumont Chronophone. Her Gaumont silent films are notable for their energy and risk-taking; her preference for real locations gives the extant examples of these Gaumont films a surprisingly contemporary feel. While the early filmmakers now credited with pioneering techniques such as D.W. Griffith were just getting started, Guy-Blache had already opened her own studio, and was producing a film a week. First located in Flushing, Queens, the studio then moved to Fort Lee, New Jersey. One of the first to make a narrative fiction film, Alice Guy Blache experimented with sound syncing, color tinting, interracial casting and special effects. RECEPTION• COMMENTARY• SCREENING • Q&A TUESDAY, APRIL 19, 6:00 - 9:00 p.m. Admission FREE THE TALBOT COUNTY PUBLIC LIBRARY, EASTON 100 West Dover Street, Easton, Maryland 21601 • 410-822-1626 SCREENING: MIXED PETS (1911) by Alice Guy Blache Mixed Pets is an early comedy about misunderstandings that arise when a new husband refuses to buy his new wife a dog, and the couples' domestic help conceal their marriage and baby. The film is enormously funny and portrays a perceptive grasp of human joys, foibles, and especially relationships, a Blache trademark. Preserved by the Women's Film Preservation Fund. GUEST SPEAKER: TERRY LAWLER - New York Women in Film and Television Executive Director and Women's Film Preservation Fund Committee Member, Terry is also a Vice President of the Board of Directors of the New York Production Alliance and serves on the Board of Directors of the Katahdin Foundation. Prior to joining NYWIFT, she was Director of Development and Production at Women Make Movies and National Director of Film and Videomakers Services at the American Film Institute. She has been a media consultant for foundations and nonprofit groups, including the MacArthur Foundation, the Astraea Foundation, the National Museum of Women in the Arts and the Goethe Institute. MODERATOR: KIMBERLY SKYRME - Kimberly is a Casting Director and film Producer. Some of her credits include the Emmy Award winning Netflix original series House of Cards, Unsolved Mysteries, Deep Impact, Hearts in Atlantis, Beloved, The Pelican Brief. True Lies, and Clear and Present Danger. She is a member of NYWIFT & WIFV-DC, as well as Board Chair of Women in Film & Television International (WIFTI). Kimberly is a founding member of TIVA DC-Television, Internet & Video Association, and The Peer Awards. Kimberly is a board member of Chesapeake Film Festival and she is on the Advisory Board at the National Conservatory of Dramatic Arts in Washington, DC. 101 Marlboro Ave, Suite 53 • Easton, MD 21601 • 410.822.3500 • [email protected]