YCM Issue 1 - Centurion Online
Transcription
YCM Issue 1 - Centurion Online
Youth Conscious Issue 1 / 2016 Magazine We Are Digital Women in Business Car of the Month Students: Structure Your Finances “TWEEZY” The man behind every Hip Hop Hit Read More About: “New Hope Summit In Stellenbosch” Letter From The Editor G ood greetings to all our readers. I greet you all in the name of love and truth. This is the first issue of Youth Conscious Magazine (YCM), and it definitely didn't happen overnight, but it's all thanks to sleepless nights and commitment from the history making team; from our talented writers; Sphelele, Vuyisile, Ndumiso, Jane to our PR and creative guys Sam and Manqoba to our gifted photographer Lonwabo (Lzimela Photography) to Mr. Genius himself Trevor our IT specialist and also my business partners, Anathi Tukute and Ndumiso Gumede. 3. The Right Team Members Team members and team problems should be well matched. As the team sets new goals, the composition of the team should be re-evaluated. Having a crop consultant or veterinarian on an inter generational farm transfer team is likely to underutilize the crop consultant or veterinarian's abilities. An estate planner or attorney might be a better choice. So it's only right in the first issue to outline the top Outstanding team members should have unique skills, 10 characteristics of a successful team and how we experiences, and judgment not resident on the farm made our dream into a reality. staff. They should also be team players and believe in Top 10 Characteristics of a Successful Team: 1. The Right Team Leader · A skillful leader helps the team maintain its focus on major issues. · He or she enhances communication in order to be sure that all the possible solutions are being heard. · A good leader is masterful with people and team-process skills. · He or she avoids giving advice, but rather, leads the team from problem identification to a plan of action. 2. The Right Team Goals Team goals are derived from critical farm problems that influence whether the business will exist in ten or twenty years such as the following. Teams should avoid problems that don't require the skills, experience, and judgment. This is a misuse of valuable resources and will eventually lead to dissatisfaction and dissolution of the advisory team. 2 the team process. Team members that have crosspurposes or hidden agendas can destroy a team's effectiveness and will have to be removed from the team. 4. The Right Meeting Location A team meeting is not a committee meeting but a highly creative process that benefit from locations that foster thinking and orderly discussion. Teams should meet in an environment similar to a boardroom, comfortable and away from interruptions and distractions. 5. The Right Solution to Critical Problems and Measuring Outcomes of Actions Complex problems rarely have simple solutions. Using processes for making decisions can clarify solutions, but solutions often need refinement over time. By frequently tracking progress toward goals and using measuring techniques, the team can monitor the degree of success and evaluate when to intercede. Also, the monitoring process helps advisers see progress and assess their time commitment. Without a measured benefit advisers cannot continue to justify their commitment as team members. Letter From The Editor 6. An effective monitoring system for tracking progress A well-designed monitoring method will help your team determine when its action plan needs to be improved. For more information about monitoring and evaluation 7. The Right Plan of Action Without a clear action plan the wishes of the team may never be completely implemented. Action plans can be simple but should be in writing so the staff implementing the plan can know what is expected, what is being measured, when results are expected, and refer back to it over time. The action plan becomes the beacon for the team. 8. Communication Ongoing communication is important between meetings as well as during team meetings. 9. Regular Evaluation of the team's Performance Stepping back and asking, "Could we do our team work better?" is a good start toward evaluating your team's performance. 10. Celebration of Successes It is important that you all step back from time to time and acknowledge your progress and celebrate your successes, both small and large. I hope you enjoy our magazine and feel free to give us feedback. Sincerely Athi Sizo Diko ADVERTISE HERE (062) 092 - 5650 3 2 Content Inside 2. 4. 5. 8. 9. 12. 14. 21. 23. 24. 26. 28. 30. 32. 33. 35. 40. 42. 44. 46. 47. 57. 62. Letter from the Editor Content The man behinf Hip-Hop Good Hood Zethe - The Jazz Sensation Structure your finances - Students Car of the Month Dream It, Believe It, Achieve It The New Hope Summit Politics & Self Talk Women in Business Bursaries Zakifo Musik Festival The Ancient Mystery Schools TSIBA Enactus Students Naimah NPK Twice Microphone is up for grabs 10 University Degrees Culture is way of Life Fees Must Fall - Images of 2015 Rapper far from Normal Best SA Rappers Our Team EDITOR IN CHIEF Athi Sizo Diko CONTRIBUTORS Sphelele Vuyisile Ndumiso Jane Sam and Manqoba Lonwabo (Lzimela Photography) Trevor Anathi Tukute Ndumiso Gumedee CONTACT DETAILS Cell: (062) 092 - 5650 [email protected] www.youthconsciousmagazine.co.za PROOF READER Dries Petzer Danette de Klerk LAYOUT & DESIGN CO Media Services (071) 317 - 0233 PUBLISHERS CO Media Servcies [email protected] www.centuriononline.co.za DISTRIBUTION CO Media Servcies [email protected] www.centuriononline.co.za SOCIAL MEDIA Youtube Channel: Youth Conscious Magazine Twittter: @YCM_RSA 4 The Man Behind Every IP Hit In HOP S.A. T What's the first thing that comes to your mind when you think of the words; “Youth and Started producing in 2008 when he was in high Conscious”? school. Was introduced to FL Studio 3 as a game (I loved games in this period of time) and from It means young there the passion to produce his own music grew people being each time he learnt something new from the aware of their surroundings software. in the industry. Tweezy is very versatile and indefinable...that's my real talent and the real factor of my success as What would constitute a perfect day for you? a music producer. A perfect day would be to makes music with my close companions keeping me company. If I'm What inspires your work? I'm usually inspired by other music and other having a relaxed "Sunday" kind of day I listen to peoples successes. Wherever I hear a REALLY Kaytranada, draw some visuals, read the bible good song that moves me or captures me and just take it easy. emotionally, or I witness a peer succeeding in whatever career journey they're embarking on, I We live in a very superficial society where get juice to create something that will make me everybody wants to fit in and do or wear what the “coolest” dude is doing or wearing. feel good...and that is Good music of course. Everybody dresses like Kanye West or a Do you think hip-hop gets taken less seriously pharrell Williams Now, how do you think South African fashion designers can fix this than other genres? It actually doesn't. Hip hop is a culture that is part dilemma and create a strong and quality of almost everyone's society. I think the main South African culture influenced clothes for flaw with our hip hop culture in SA is that it the kids? doesn't get as much loyal support as the other I think they can fix this by firstly collaborating successful genres in the industry, although I must with Local musicians who are somewhat say we've seen some major growth and potential influential to the society. Local musicians have a since the game changed in 2014. Hip Hop is on its direct communication with people and the way to becoming one of the most important fashion designers will have an idea of how to genres of our generation, if not the most create something that will influence the youth important. weezy is a 23 year old composer, songwriter, artist, producer, visual artist and overall creative that is popular for his production works for artists like AKA, Emtee, Dreamteam, Fifi Cooper, L Tido, Kwesta and many more. continue on page 6 5 The Man Behind Every IP Hit In HOP S.A. continue from page 5 How did you bring the influence of your adolescence into the collection? My adolesences stage helped fuel the desire and passion to chase my dreams opposed to focusing on negative energies or circumstances that were surrounding me at the time. into being youth in a local indigenous way. Look at AMA KIP KIP and the AKA x HH collab as an example. I think overt high fashion stuff or commercial music gets a little strange. You know what, let me retract: not entirely. There's some people who are "about it," about music, and it makes sense for them. It's naturally who they are. Then you have some guy in the street who decides he's going to put record something crazy like “nomusa”, and he shouldn't. Do you pay attention to the commercial or radio friendly music? Yes I do. When you're a music producer you can't really reject any form of music. Besides, I really love radio friendly music. I do a lot of research before I download music. I'm so nerdy with that shit. I don't download music much but when I do, I've seen the show, I've seen it online, and I know exactly the one I want and I'm sure there a lot of young people like me out there. Do you actively think about keeping up with youth culture as the kids get younger and younger? Yes, we do this for the kids first and foremost. You can't claim to be doing this for the kids if you are not actively trying to keep up with them. They are the true fans who support you and look up to you as being a role model. I'm currently reading books about ancestry, immigration, and South African identity, so I've been reading those kinds of non-fiction memoir books. But if I'm listing the books I love, Catcher in the rye is by no means a good representation. I'm rereading Great Gatsby, and things fall apart. I don't remember reading the first time. Do you read books and if you do who is your favourite author and what is your favourite book? continue on page 7 2 6 The Man Behind Every IP Hit In HOP S.A. continue from page 6 I'm not really a book person which is down to a lack of free time. In this industry free time is usually spent trying to catch up on the life you miss while you are busy working. However some of my favorite books have to be: The Alchemist by Paulo Coelho, Things fall apart by Chinua Achebe, To Kill a Mockingbird by Harper Lee and Fantastic Mr Fox by Rohl Dahl. What advice would you give young creative's looking to do what you do? Stay positive, Know your worth and never give up. What has been the highlight of your career thus far? Winning producer of the year at last year's (2015) SAHHA's (South African Hip Hop Awards), Having 8 nominations for this year's MMA 15 (Metro FM) and producer of the year for Hype Magazine 2015. We live in a society where everybody is starting something, either a music career, a company etc. And the youth have turned their backs on the importance of education, what is your opinion about this issue? Do you think the education system is doing what it is suppose to do? I believe that education is fundamental building block for anything you want to do. Talent alone will not get you as far as hard work getting all the possible resources to stretch your knowledge in your chosen field is it music or business. So you don't think the youth of today are doomed? No, the #FeesMustFall campaign shows that the future of the country is in the hands of people who want to better themselves. I see that even around me, everyone in my team is always working to better themselves every day. With that being said, what are you currently working on? This year is going to be big year for me. I am working on Tweezy as an artist. I am currently working on my first single which is going to be dropping very soon. I am also working with a lot of artists with their new projects like AKA's 3rd album, Riky Ricks' Sidlukotini single and a lot more. Where can our young minds follow your work? M y w o r k i s a v a i l a b l e o n soundcloud.com/beatsbytweezy and then on all social media platforms @beatsbytweezy for both IG and Twitter, beats by Tweezy. ADVERTISE HERE (062) 092 - 5650 7 The Jazz “Zethe”Sensation Many kids in South Africa want to be nurses, doctors, policeman, etc. I remember I wanted to be a lawyer as a kid, my father would arrest the thief's (because he was a policeman) and I would make sure they kept in jail for a very long time (I was just a kid I didn't know the justice system was this flawed and corrupt). When and how was the idea to become a jazz musician start? I won't lie; I did not always want to be a Jazz musician let alone a musician all together. Well it is because initially I did not realise I had the talent but my mother did. So she would push me to sing in weddings, church choir and so on. And literally one day I was like “I'm actually good at this”. By the time I was doing my matric I was sure this is what I want to do for the rest of my life and I had fallen in love with Jazz at that time. The following year I enrolled at a jazz school. How would you define your style or music? My music is an influence of Afro/soul/jazz. I love a lot of styles of music and somehow I infuse them in my music. What inspires your work? WOME! Do you think Jazz music gets the recognition and acknowledgement it deserves in South Africa compared to other genres? Jazz is almost a culture. A lot of styles of music are born through it. And we fail to recognise that. What's the first thing that comes to your mind when you think of the words; “Youth and Conscious”? Not ignorant. We live in a very superficial society where everybody wants to fit in and do or wear what the “coolest” dude or chick is doing or wearing. Everybody dresses and makes music that sound like Kanye West, Beyonce or a Lil Wayne Now, how do you think South African musicians/artists can fix this dilemma and create a strong and quality South African culture influenced clothes and music for the kids? We need to do “us”. We have such a rich culture and if we embrace that the better we will be. Identity and recognition (Ukuzazi) is something no one could ever take aware from. Yes times have changed and we live in 21st century. Let us move with it and not forget who we are. continue on page 10 9 The Jazz “Zethe”Sensation continue from page 9 I'm currently reading books about ancestry, immigration, and South African identity, so I've been reading those kinds of non-fiction memoir books. But if I'm listing the books I love, Catcher in the rye, I write what I like are by no means a good representation. I'm rereading Great Gatsby, and things fall apart. I don't remember reading it the first time. Do you read books and if you do who is your favourite author and what is your favourite book? I looooove reading. I am such a sucker for knowledge. I specifically love South African literature. I am currently reading something from one of favourite authors Zakes Mda, Heart Of Redness. How did you bring the influence of your adolescence and childhood upbringing into your music? My music speaks about being victorious, having pride in who you are and embracing yourself. And everyone needs to hear that when they are growing up, that they can get through life. I do a lot of research before I download music. I'm so nerdy with that shit. I don't download a lot of music but when I do, I've seen the artist on a show, I've seen them online, and I know exactly the one I want and I'm sure there a lot of young people like me out there. Do you actively think about keeping up with youth culture and what kids listen to or the channels to make your music available to the youth? Defiantly, I am a kid too you know (straight What has been the highlight of your career face). I am available on Sound Cloud, YouTube thus far? I recently launched my music (with a live show) and so on. and trust me giving the world what you have Which South African artists do you feel you been working on is a priceless feeling. would make amazing music with locally and We live in a society where everybody is internationally? There's a young guy called Paras that need to starting something; either a music career, a company, a soccer career etc. And the youth watch out for. have turned their backs on the importance of I know this is pretty much irrelevant but take education, what is your opinion about this four minutes and tell us your favourite joke or issue? As music major yourself, do you think the funniest story you have been involved in as the education system is doing what it is suppose to do for the kids to see the detailed as possible? Well I am such a coffee lover. This one time when importance of staying in school? I was still new with coffee. I had a business We have a much ridged way of doing things in meeting and I ordered coffee. But I ordered my country. One size fits all kind of a thing. And flavored coffee (which already has sugar). When if one does not find themselves in a early stage the coffee came I poured in some sugar (4 they end floating. Education is very important teaspoons to be exact). The look on my face on and it should help us discover ourselves, purpose in life. that first sip was priceless. continue on page 11 10 The Jazz “Zethe”Sensation continue from page 10 Where can our young minds follow your work? So do you think the South African youth of today are doomed? Not at all, I think we are the lucky who is actually able to voice out how they feel not only end there but act on it. We just need our elders to hold our hands every now and then. I am on Facebook, Twitter Instagram as Zethe. I am also on YouTube Sound Cloud. With that being said, what are you currently working on? I am pushing my brand, being my music. So watch out I might be performing in your area. DURBAN STYLISH COLLECTIVE to Watch in 2016 AMAROTO!!!! Photographer: Lonnwabo Zimela When you first wake up, what pops into your mind? Do you start thinking about all the work you have to do? The emails you have to reply to, the pile of paperwork on your desk that has to be completed, or maybe it's the housework that still needs to get done? Or... Do you think about the things that make you happy? The hug your partner will greet you with when you come home, or the fact that, even though you may not have everything you want, you're doing just fine? 80% of us wake up and think (consciously or unconsciously) of the clothes we will wear on the day. And anyone would die to have a wardrobe with clothes as classic, stylish and elegant as that of the fashion collective from Durban; Amaroto. You might have seeing their iconic and eye-catching pictures on Instagram, Twitter, facebook, or even seeing them face to face in the streets of Durban. One thing you cannot do though is not pay attention when you see them. 11 W hatever your means, there's no need to fall into the cashstrapped, debt-ridden, student stereotype that exists worldwide as it does in South Africa. It's a perception that doesn't need to be a reality. These days, students are becoming more knowledgeable and clever when it comes to making financial decisions that will affect their futures. But there will always be those that need a bit of help. So whether you're a full-time student or a working student, and regardless of where your income comes from, you should know and constantly keep in mind that the key to financial success is being aware of how you're spending your money and cutting out the bad habits. A taste for fine wine on a cheap beer budget. As long as it's not utterly outrageous, it is fine to have expensive taste. Quality above quantity they say. So if you have fine wine tastes on a rather cheap beer budget, it's ok – most students are living on a tight budget. If not, they're likely students getting themselves into a cycle of bad debt. While neither is fun, you can become smarter about the way you spend your money. How? By knowing that there is a big difference between being cheap and having savvy spending habits. It's way more fun and rewarding to live within your means, rather than beyond. Too many students are often left with too-much-monthat-the-end-of-their-money and are forced to phone mom or dad, pleading for money, or worst case scenario, take out a small student loan or rack up credit card debt that they struggle to repay. Thus, however big or small the balance of your bank account, you can structure your finances in a manner that makes a cash-strapped student life disappear into the abyss. Here's a few tips on getting the most bang for your buck: 1. Draw up a budget A little boring and long winded – yes. The majority of student's dread analysing where their money is really spent. But drawing up a student budget is the best start you can make to saving money. A little time spent searching online will yield great tools that you can use. How To Structure Your Finances As A Student 2. Find student discounts One of the best benefits of student life is undoubtedly student discounts. Being a student can get you money off almost anything, from a new clothing purchase to a trip to the movies. And if you can't find any notices of student specials, ask! 3. Separate wants from needs. After a few months on campus and tracking your expenses, it becomes easier to distinguish wants from needs and to put a plan into action. You can even give yourself a weekly cash allowance rather than carry a debit card, and when that week's allowance is gone, wait until the next week for more "wants", come rain or sunshine. How do you structure your 4. Apply for a student bank account finances as a student? As a student, the key to getting the least out of your pocket with the greatest returns on what you spend is to practice the art of budgeting (and it truly is an art form as many struggle with it, albeit an easy thing to do). A no brainier, if you don't already have one, apply for one as soon as possible. Student bank accounts are hasslefree accounts specifically tailored to the needs of students. They generally have lower fees and offer many tools to manage your finances in a timely and convenient manner. continue on page 13 12 continue from page 12 5. Shop smart and keep track From buying secondhand textbooks, buying food in bulk and learning to cook from scratch, there are many ways by which you can be a smart shopper. Don't make impulsive purchases, hunt for freebies, pack a lunch, and remember to cut out vices – smoking and binge drinking are terrible for you and expensive. 6. Open a savings account The decisions you make and the habits you form throughout student career will form a big part in your life after studies. So by getting on track with a monthly savings plan will set you up for future financial stability. 7. Use comparison sites There's an amazing thing out there called the internet and you should be using it to its full potential when looking for ways to save money. There are plenty of price comparison sites where you can compare the cost of all kinds of items. It's easy, so there's no excuse not to save money this way. How To Structure Your Finances As A Student The Bottom Line College can be expensive, but learning the basics when it comes to money management means you don't have to graduate with massive debt. All you have to do is lay the groundwork for smart budgeting and spending habits that will enable you to handle responsibility and to learn the value of accountability – lessons that are just as important as knowing economic theory. So, it is possible to still have a “jol” whilst being a student on a tight budget after all. 13 THE FERRARI GTC4LUSSO DEBUTS AT THE GENEVA SHOW: CLASS-LEADING PERFORMANCE, VERSATILITY IN ALL DRIVING CONDITIONS, SUBLIME ELEGANCE The GTC4Lusso's aerodynamic development introduced new solutions, too, including a slotted diffuser and a rear spoiler integrated with the hatch, all focused on reducing drag and improving aerodynamic efficiency. Geneva, 1 March 2016 – The new Ferrari GTC4Lusso is Maranello's latest interpretation of the four-seater concept, which combines extraordinary performance in all driving conditions with sporty elegance and luxurious comfort for both driver and passengers alike. As a result, the GTC4Lusso exudes elegance and exclusivity, its unprecedented forms underscoring its most dynamic traits in .an effortless marriage of sportiness and signature Grand Tourer traits. The sophisticated and refined cabin is designed wholly around its occupants. Its Dual Cockpit concept, in fact, was crafted to enhance the shared driving experience The GTC4Lusso's name references several for all passengers. illustrious predecessors, not least the 330 GTC or its 2+2 sister model, the 330 GT, as Maximum attention was paid to improving in-car well as the 250 GT Berlinetta Lusso, which comfort, not least in the form of a new concept for the married extreme performance with stylish climate control and a new navigation and media design and sophisticated materials and system. craftsmanship. The GTC4Lusso sports the latest evolution of the naturally-aspirated Ferrari GT V12 that melds incredible power with efficiency and provides a soundtrack which is thrilling in performance driving, yet discreet and harmonious in normal touring conditions. As is the case with all Ferraris, the GTC4Lusso introduces a slew of technological innovations, notably the new Ferrari-patented 4RM-S which guarantees exceptional handling even on low-grip surfaces and superb stability and responsiveness in all conditions. continue on page 15 14 continue from page 14 ENGINE Intense research and development has boosted the 6,262 cc V12's maximum power output to 507kW, making the GTC4Lusso the most powerful car in its segment. Both its 2.6 kg/cv weight-to-power-ratio and its 13.5:1 compression ratio set new records for the category, too. Underlining the strong links between Ferrari's GT engine division the racing world, the V12 revs to a red line at a class-leading 8,250 rpm. Maximum torque is 697 Nm at 5,750 rpm with 80% already available at just 1,750 rpm for superb responsiveness even at low revs. This makes the GTC4Lusso incredibly versatile: it is as equally at home in sports car mode as it is in more GT-type contexts, such as city centres or on long journeys. The adoption of 6-in-1 exhaust manifolds with equal length pipes and a new electronic by-pass valve, combined with the meticulous attention to perfecting engine harmonics at all engine speeds and in all kinds of throttle situations, have produced a unique, allencompassing soundtrack that is engaging for occupants and driver alike. Providing a suitably sporting note during press-on driving, it recedes to a subtle yet potent purr in the city or on the motorway. AERODYNAMICS From the very earliest stages of its design, the aerodynamics research carried out on the GTC4Lusso went hand-in-glove with the development of its styling by Ferrari Design and focused on the vital area of drag reduction. In fact the performance figures are those of a true thoroughbred sports car, with a maximum speed of 335 km/h and acceleration from 0-100 km/h in just 3.4 seconds flat. Thanks to in-depth CFD modelling and numerous wind tunnel sessions, an improvement of over 6% was made on the already-excellent drag coefficient figure achieved with the FF. The new V12's impressive performance figures are ensured by a series of leading-edge technical solutions, including newly-designed piston heads, the latest evolution of Ferrari's anti-knock control software, multispark injection and overall weight reduction. The engine's additional power and the need to improve cooling of the radiating masses at the front of the car, whilst still reducing the drag caused by the air intakes, demanded a single, but larger grille. As a result the GTC4Lusso also benefits from an The air intakes are now centred towards the improvement in specific emissions, producing just centre line of the car to make more efficient use of the high overall pressure values typical 0.51g CO2/km/cv compared to the FF's 0.55g. of this area. continue on page 16 15 continue from page 15 The side sections of the bumpers have thus been turned into one single smooth surface which improves the management of the flow in front of the wheels. the evolved 4RM system which includes the rear-wheel steering. The improved 4RM EVO system has been integrated with the rear-wheel steering resulting in the new Ferraripatented 4RM-S (four-wheel drive, four-wheel steering) system, which was developed around the fourth generation of the Side Slip Control (SSC4) and now also encompasses the E-Diff electronic differential and SCME suspension damping. On the flanks there is now a three-louvre air vent that recalls that of the 330 GTC. Ducts behind the louvres lead to both the engine compartment and the front wheelarch thus reducing internal pressure which not only cuts drag but The 4RM EVO system is more precise than ever. Management of front torque in particular has been also boosts downforce. improved across the board, but specifically in terms of The GTC4Lusso also has an innovative SS4-based Torque Vectoring which delivers and rear diffuser with a keel shape and distributes torque to the front axle faster. The result is an vertical fences that channel the air flow improvement in the differentiation and precision of the towards the centre, reducing the width of torque delivery between the two wheels during the wake and, once again, cutting drag as cornering. At the heart of the system is the innovative use of the PTU, a Ferrari patent that delivers four-wheel drive well as accelerating extraction. but still, uniquely, maintains 53% of the car's weight at The combined action of the spoiler and the rear whilst weighing 50% less than conventional diffuser moves the centre of the various 4WD systems. pressures acting on the car towards the rear axle, increasing the grip of the Thanks to the PTU, in fact, 90% of the available torque steered rear wheels and thus the car's can be delivered to the outside wheel without penalising overall drivability. the overall traction guaranteed by the front axle. VEHICLE DYNAMICS The rear-wheel steering system features an integrated dynamic response control model designed to make the The FF first introduced the 4RM system car more nimble going into corners, thereby limiting the integrated with the E-Diff, F1-Trac, corrections the driver needs to make driving through and SCM and ESC to guarantee superb out of bends. traction and control in all weather conditions. The GTC4Lusso marks It introduces the concept of thrust vectoring control for another major advance, by introducing the first time which, via the rotation of the rear wheels new control and integration logics with continue on page 17 16 continue from page 16 transfers excess longitudinal force to increase the lateral force generated by the tyres. STYLING EXTERIOR This means the car reaches its limit more gradually and that there is also an improvement in the lateral acceleration that can be achieved which, in turn, delivers higher performance. The Magnaride SCM-E damper control is also an integrated part of the 4RM-S to ensure the GTC4Lusso delivers not just superb grip and traction but also comfort on road surfaces of all types. The SSC4 Side Slip Control System controls all the car's components and vehicle dynamics controls. Through the information it receives from the onboard sensors and grip estimation, the SSC4 can intervene on all of the controls governed by the on-board systems thus adapt the car's behaviour to suit differing dynamic behaviour and grip conditions. The 4RM-S system means that drivers can fully exploit the GTC4Lusso's extraordinary performance in all kinds of conditions. On snowy, wet or other low-grip surfaces, it delivers tremendous stability and a sensation of masterful control and security that translates into superior performance. On high-grip roads, on the other hand, the car is exceptionally nimble as well as more stable and precise with the result that it is faster into corners. Penned by Ferrari Design, the GTC4Lusso is a further refinement of the shooting brake coupé, reinterpreting the concept with an extremely streamlined, tapered shape that gives it an almost fastback-like silhouette. Its sporty soul is underscored by the forms and styling of the rear where the curve of the roof has been lowered whilst retaining enough volume to guarantee exceptional space and comfort for all four occupants, as well as an ample luggage compartment. Ferrari's signature twin rear lights adorn the tail. These not only emphasise the car's muscular shoulders and broaden it horizontally, but work visually with the tail pipes to lend a sense of imposing power to the rear. Dynamically chiselled crease lines create a diapason theme along the car's flanks, breaking up the optical mass, accentuating the muscular wheelarch and imparting a sculpted athleticism. The front of the car is dominated by a large single grille that not only provides all the necessary cooling but also lends the car a sense of imposing power. continue on page 18 17 continue from page 17 INTERIOR Meticulous attention to design and carefully executed detailing has produced a cabin that is a flawless triumph of sporty luxury. Another first for the GTC4Lusso is the new Dual Cockpit architecture designed to enhance the shared driving experience for both driver and passenger. It features both a Driver Cockpit and a Passenger Cockpit separated by a central divider on which are clustered all of the comfort-oriented controls common to both. Aside from acting as a divider between driver and passenger, the central tunnel also doubles as a bridge between front and rear passengers creating the same ambience as a luxurious, relaxing living space, a fact underscored by the large, comfortable wraparound seats. Apart from its innovative architecture, the cabin's most striking feature is the beautiful craftsmanship of its materials which have been painstakingly selected and combined to enrich the atmosphere on board. On-board comfort The Human-Machine Interface has also been further evolved for the GTC4Lusso: the entire Driver Cockpit has been redesigned, in fact, starting with the steering wheel which is now more compact thanks to new smaller airbag. Consequently, the instrument clusters behind the wheel are now more visible. The controls are also new and different in shape, function and positioning, with the aim of further improving ergonomics and ease of use. The same applies to all the secondary driver commands which have been revised and clustered into more convenient functional areas. Huge attention was also lavished on the front passenger area. The Passenger Cockpit was specifically designed to ensure all commands were within easy reach. It is also more comfortable thanks to softer armrests while larger, easy-access storage compartments are a practical addition. A dedicated LCD Touchscreen lends it a very modern élan. In-car acoustic comfort is significantly better than in the FF, thanks to improved insulation from exterior noise. Needless to say, however, this does not in the least impinge on the signature sound of the Ferrari V12 in the cabin. The improved sound insulation offers greater isolation and also allows occupants enjoy the car's audio system to the fullest, which in turn makes longer journeys more comfortable and relaxing. This was attained by a 20% improvement in rigidity of the car's chassis attachment points, upgrading of the climate control system, which is now 25% quieter, and improved filtering and damping of intrusive frequencies through the use of cutting-edge materials with targeted acoustic properties. continue on page 19 18 continue from page 18 Another essential contributor to the GTC4Lusso's in-car comfort is the significant improvement in the efficiency of the climate control system. A new ventilation concept was developed to improve the diffusion and uniformity of the air through the cabin. To improve its sensitivity, the number of sensors that relay environmental information to the climate control system were almost doubled and a new RLFSoSe (Rain Light AntiFogging Solar Sensor) added. · A new 1.5 Ghz Jacinto 6 CPU with 2GB of RAM: the processor is eight times more powerful than the previous system. · Split View: different types of content can be viewed simultaneously. · Sat-nav with 3D maps. · In-cabin temperature can be set and front seat settings controlled · Connectivity via Apple CarPlay. Main optional equipment Infotainment Passenger Display The GTC4Lusso features the latest evolution of the passenger display. The 8.8” colour full HD and Full Touch screen not only displays the car's performance statistics and status as its predecessor did, but can also be used to interact with its onboard system. For instance, the passenger display can be used to select music to play even when sat-nav information is being displayed on the main central screen. To underscore the GTC4Lusso's Grand Touring prowess, Ferrari has also given it a new ultra-intuitive infotainment system that makes all of its features and content instantly accessible. It is also possible to select a new Point of Interest (POI), such as a restaurant, and send it directly to the sat-nav even when the latter has already been set. The new POI will then automatically be added to the route. The display essentially turns the passenger into a co-driver. The system includes: · A 10.25” full HD capacitive touchscreen for multi-touch use. · New completely redesigned and simplified HMI – all functions can now be accessed both via the screen or physical controls – 2 rollers and 4 buttons. Low-E roof Low-E glass incorporates a technology that boosts incar comfort whilst reducing heat exchange between exterior and interior. When outside temperatures are high, the specially-treated glass reflects solar rays away from the car, keeping the interior cool. However, when outside temperatures are lower, it reflects the heat inside the car inwards to cut heat loss to the outside, thereby keeping the cabin warmer. The climate control system's maximum performance levels were another area of focus and it now delivers the desired temperature 25% faster. continue on page 20 19 continue from page 19 This new panoramic roof means less use will be made of the air conditioning system and occupants also enjoy an “open-air” feeling when driving. 7 Years Maintenance Ferrari's unparalleled quality standards and increasing focus on client service underpin the extended seven-year maintenance programme offered with the GTC4Lusso. Available across the entire range, it covers all regular maintenance for the first seven years of the car's life. This scheduled maintenance programme for Ferraris is an exclusive service that allows clients the certainty that their car is being kept at peak performance and safety over the years. This very special service is also available to owners of pre-owned Ferraris. The Genuine Maintenance programme further extends the range of after-sales services offered by Ferrari to satisfy clients wishing to preserve the performance and excellence that are the signatures of all cars built in Maranello which itself has long been synonymous with leading-edge technology and sportiness. Technical Specifications Engine Type Overall displacement V12 - 65° 6262 cc Bore and stroke Max. power output* Max. torque* 94 mm x 75.2 mm 507 kW (690 CV) at 8,000 rpm 697 Nm at 5,750 rpm Max. engine speed Compression ratio 8,250 rpm 13.5:1 Dimensions and weight Length 4,922 mm Width Height Wheelbase 1,980 mm 1,383 mm 2,990 mm Front track Rear track 1,674 mm 1,668 mm Kerb weight** Dry weight** Weight distribution 1,920 kg 1,790 kg 47% front - 53% rear Boot capacity Fuel tank capacity 800/450 l 91 l Wheels & tyres Front 245/35 ZR20; 8.5” J x 20” Rear 295/35 ZR20; 10.5” J x 20” Brakes Regular maintenance (at intervals of either 20,000 km or once a year with no mileage restrictions), original spares and meticulous checks by staff trained directly at the Ferrari Training Centre in Maranello using the most modern diagnostic tools are just some of the advantages of the Genuine Maintenance Programme. The service is available on all markets worldwide and from all Dealerships on the Official Dealership Network. Front Rear 398 mm x 38 mm 360 mm x 32 mm Transmission/gearbox Electronic controls 4RM EVO/4WS/ 7-speed F1 DCT/ E-Diff SSC4/CST with F1 TRAC, ESP 9.0 Premium with ABS EVO/SCM-E Performance Max. speed 0-100 km/h 0-200 km/h 335 km/h 3.4 sec 10.5 sec 100-0 km/h 200-0 km/h 34 138 Dry weight/power 2.6 kg Fuel consumption Fuel consumption*** Emissions*** 15 l/100 km 350g CO2/km * Engine power is expressed in kW, in accordance with the International System of Units (SI) and in CV for reasons of homogeneity. With 98 octane-rated petrol 20 I am 26 years old and grew up in Mfuleni, a Whenever I was not at home, or studying, I used to assist community youth development groups small township in the centre of Cape Town. and NGOs such as Youth Against Crime and My parents both passed away when I was little MaAfrika Tikkun. Being a member of these and my aunt has always been a parent to me and organisations taught me not to judge, but always my five cousins. I have always had big dreams for be supportive, build one another up by sharing my future. This is why I struggle to understand information so that you can learn from each why youth with talent, intellect and skills do not other's knowledge. utilise their talents on a national scale? Why do they restrict themselves? There is a world way These are also values I also learned at TSiBA as beyond the townships, a world filled with so part of our leadership development subjects and I now know that I have been part of their Paying It many possibilities! Forward initiative long before I even started at When I was younger it was a huge challenge for TSiBA! me to accept the political, economic and social imbalances that were transparent in my As students we also practise TSiBA's Profile of community. However; these factors made me Graduateness which is a set of values we more curious and determined that I would change integrate in our lives. We need to be able to my circumstances - after all nothing is provide evidence of how these values have played a role in our lives. This presentation is impossible. done in our final year to assess our personal My background and my family situation were growth, character and achievements before we some of the motivating factors for me to pursue graduate and enter the professional working my dreams. This year my dream comes true when world. I become the first in my family to graduate with a Throughout our studies reflection and selfbachelor's degree. acknowledgment has been important for me, A year after matriculating I applied to TSIBA because mostly people don't take the time to Education, a non-profit business school founded appreciate themself for hard work and success. It in 2004, which offers a degree majoring in is also within every leader to know their strengths and weaknesses before they can lead others. I leadership and entrepreneurship. have nothing but gratitude for TSiBA as their At this point in my life I had a realisation that unique academic programme has empowered me doubt is a magnet that pulls us back from in my journey towards gaining my bachelor degree this year. unleashing our true potential. Luckily my leadership qualities and Currently I am completing my work internship at entrepreneurial skills were spotted; I was BEG Commercial Consulting which is the final accepted and awarded a full-tuition scholarship. element in our degree programme. continue on page 22 21 continue from page 21 This is where we internalise and transfer our knowledge into practical experience. I was grateful to find a company that shares the same values as TSIBA Education as BEG Commercial Consulting is driven by the values of open communication, hard work, commitment and determination. So far my experience in the corporate world has been about learning and constantly networking. To adapt into this environment I have found that individuality and being humble are key attitudes to have as an intern. This now forms part of all companies' goals and aligns with their strategies that support B-BBEE initiatives and Corporate Social Investment (CSI). I would like to encourage the youth in Mfuleni Township to never stop reaching for their goals. Just because it's taking longer to get to your dream does not mean you will not reach your goals. They should also know that there is support and opportunities available in this world; you just have to be willing to try. For example, ask yourself what changes need to be done for opportunities not to pass you by? When you become self-aware and accept that you are tired of just being average, you can put all your effort in to work hard and making a better future for you, your family and community. Initially the idea of working for a legal company that does Broad-Based Black Economic Empowerment (B-BBEE) consulting was not intriguing to me. My perception was that they just help people and companies get tenders from the government, but I was wrong. My ideas and perception of B-BBEE were limited. Now I know this government initiative is for socio-economic transformation and is very exciting. Companies work at becoming BBBEE compliant to assist those who were historically economically disadvantaged. TSiBA Applications for 2017 are now officially open and will close on the 30th of September 2016. For more information please contact Kwanele Magwaca on 021 532 2750, [email protected], or visit www.tsiba.org.za . ADVERTISE HERE (062) 092 - 5650 22 The New Hope Summit Mthetho Koyana, BBA 2 student: SRC The New hope Summit was held in Stellenbosch President reflects on his experience: University, the topic of this discussion was “Transformation and Decolonisation in higher “The New Hope Summit for me was eye-opening learning institutions and the role of Student and a very good experience. We rubbed shoulders Representative Council (SRC) in the with big institutions like UCT, UWC, CPUT, Stellenbosch and FET colleges who are now transformation process”. TSiBA SRC were invited to attend and assist with organisation of called TFVZS. the summit to engage with other university and We were exposed to so many issues that they face college SRC's. and we also face at our institution, things like management having a lot of power over the SRC. Students not believing and having faith in the SRC and the SRC not being involved in decisions about things concerning students etc. The SRC proposed a solution of holding ourselves liable for not delivering students requirements”. Lerato Bontsi, BBA 2 Student: Secretary of the SRC reflects: The New Hope Summit at Stellenbosch was very informative and a great platform to engage with other students. I discovered that other institutions are also facing the same challenges as us despite the difference in size and location. I got exposed to terms that I would not have otherwise been exposed to, discussing and sharing with other people who have different opinions and experiences in South Africa. This kind of platform that was created in the summit should be encouraged in our communities, so that we can enable a culture of discussion rather than violence. Rafeeq Goliath BBA 2 student: SRC Academics office Mphumzi Duna BBA2 student: SRC Finance Office When the summit began, we discussed the social movements across different universities in the Western Cape. The My experience of the New Hope thoughts that came to me is that we are extremely sheltered Summit was exceptional it was such here at TSiBA, as the staff here make it their mission to a great networking opportunity, I learnt a great deal about factors protect us from issues that public institutions face on a daily affecting youth in other universities. basis, but this has both positive and negative effects for us as students. The Summit on its own was a learning curve as it was our first time Over the course of the weekend I learnt a lot has to the issues meeting with other institutions and at various other universities and colleges around the Western learning things like Decolonization, Cape, and I must say I had a lot of fun at the New Hope transformation and Intersectionality and so forth. Summit. 23 Politics and Self-Talk by Jane and Vuyisile I have to say that I am a proud South-African. I love our land, flaws and all. However, as exciting as it is to be young in South-Africa, I have often wondered about the psychological make-up of youth in the democratic dispensation. It is important to note that we came from a history where our identity and potential was gruesomely defined for us by a merciless oppressor. The picture of black youth that was painted by the apartheid regime has to be one of the most depressing and misrepresented descriptions of human existence. We were, according to them, hopeless and without direction, not to be trusted, and my favourite, terrorists and rouges. What I appreciate about the youth then, is their conduct and common focus which contradicted these negative messages that were being spread about them. Twenty-years into our democracy, we exist in an environment that encourages dreams and tells us we are limitless ,yet so many of us are limited in our capacity to explore our dreams. My biggest concern has always been the isolated nature in which youth has developed over the years. Things always appear to be going super for others, while on the opposite end most struggle to make ends meet. And the disconnect between these two groups of youth seems to be getting greater. The fortunate ones gladly and mostly rightfully advance in their careers and endeavours and those less fortunate grabble with challenges of addiction, abuse and unemployment . I will argue that if youth is to forge a new definition of politics and democracy, we need a common denominator, something that unites us and propels us to act in uniformity. There is a concept in psychology known as self-talk. At its most basic, self-talk can be understood as the purposeful and sometimes random thoughts that dominate the mind of an individual. Self-talk is essentially a culmination of the internal dialogue of an individual that is manifested in the actions that they take. This is an important concept to understand and embrace as young people because if our actions are a direct extension of our thoughts, we ought to pay careful attention to what we think about. Following Apartheid, I believe that we (young people) have not necessarily deliberately taken the time to audit our psychological make-up and define our own vision of a free South Africa. continue on page 25 24 Politics and Self-Talk by Jane and Vuyisile continue from page 24 We have instead played along and received what has been given to us without interrogation. This is part of the reason why our needs and concerns remain unaddressed by those who represent us. Self-talk can be used to generate positivity and a generally progressive domestic and world view, however, because of the widespread dissatisfaction among young, our internal dialogues are depressing and do not communicate the message of a youth that is truly free. This is evident in the rates of crime, substance abuse, violence and unemployment among young people. Due to the lack of a common definition of our visions, the environment within which we are trying to survive and thrive in has dealt us so many unfortunate blows that it is becoming a challenge to rise above circumstances. As a result, we feel failed by government, we feel entitled and we feel defeated all at once. My thoughts were transformed to optimism and positivity over the past weeks when the nation's youth rallied in one voice to demonstrate dissatisfaction at the proposed increment in University fees for the year 2016. For the first time in a long time I felt the presence of a youth in South Africa that genuinely cared for the well-being and advancement of others. There were no blacks, no whites, no poor, no rich…just youth! A youth that was trying to make the best of the blows that were dealt them. This is the kind of action that can only follow an internal conversation of oneness and universality. We need to adopt the thinking that everything that happens to a young person in South Africa, happens to all of us. There is a ripple effect that we may not necessarily experience immediately but it will hit when we least expect it. It is therefore essential that we do not allow our environment to dictate the thoughts that we entertain. I am particularly excited about the launch of Youth Conscious Magazine because it communicates a message of hope and possibility in a time where there is a need for it. The idea of self-talk when used productively can yield significant results. I believe that nobody in the world understands more than South Africans what young people can achieve when their thoughts are aligned towards the achievement of one goal, from 1976 to 2015, the voice of youth speaks loud enough to break barriers and effect positive change. ADVERTISE HERE (062) 092 - 5650 25 5 Minutes With Nothando Moleketi Of Reware Food writer and former consultant Nothando Moleketi has just branched out into entrepreneurship as the co-founder of ReWare, a provider of good quality second hand smartphones making them accessible to a wider range of users. We spoke to her to find out more about the business: The ReWare story began with the consumer. We (co-founder Felix Martin-Aguilar and I ) launched a buy-back business called Zwipit South Africa and, through that, we identified a gap in the cell phone market for high-quality smartphones. The ReWare brand was launched in retail (14 select Edgars stores countrywide and through CNA Online) in November 2015. This retail partnership provides the consumer access to the ReWare As-Is range, which consists of 13 fully tested, pre-owned certified smartphones (Apple iPhones and Samsung Galaxy Smartphones) in perfect operating condition at affordable prices. Tell us a little bit about your professional and educational background? I have a Bachelor of Commerce degree in Economics from the University of Witwatersrand. Prior to this I helped launch Zomato South Africa as the Associate Vice President (AVP) of Operations. I started my career as a management consultant with Deloitte Consulting Strategy & Innovation, where I gained exposure to a wide range of industries including banking, energy and resources, retail and manufacturing. My interest in Telecomms led me to Cell C's internal strategy team, where I learnt about regulatory and mobile telecommunications. What are some of the challenges that you have faced? Building trust with the consumer. There is a big informal buy and sell market for second-hand cell phones in South Africa and the perception is not purely positive. Due to this we have to build trust in our brand, the consumer and the concept of certified, preowned devices. To build trust we are transparent and upfront about our devices in all our messaging – including having transparent packaging, so that the consumer can see the condition of the device they're buying. What inspired you to take the step in becoming an entrepreneur? My decision to become an entrepreneur was a combination of the right timing, the need to make an impact and build a legacy. Given the growth of mobile internet. We also offer a ReWare certification and a 1 year warranty on all our devices. Tell us about ReWare. Where did the idea come from and what are you ultimately trying to achieve? continue on page 27 26 5 Minutes With Nothando Moleketi Of Reware continue from page 26 What changed in your mentality when you became an entrepreneur? Always looking out for opportunities and keeping a customer-centric mind set. I have also become more of a connector – aligning people and opportunities. On a personal front I have become more frugal, managing the pantry and adding extra consideration to my general spend. How do you achieve work-life balance? My work-life balance is a work in progress, but I have made a conscious effort to re-focus and prioritize health and fitness in 2016 to help fuel my productivity. I try to cook at least three nights a week as I find it therapeutic and a good way to toss ideas around in a creative space. What does the future hold for ReWare? In the short-term ReWare will be expanding its retail footprint through the Edcon network as well as launching our eCommerce platform. In the medium term we are looking at having a flagship storefront and then we would like to expand within the continent for in the long term. What excites you about being a woman on the continent right now? Other women! Being part of a group of women that are formalising the female-led entrepreneurial (historic) culture of our continent. Being able to witness and consume what other women are doing in the entrepreneurial and creative spaces – it's a great time to be living and making a meaningful impact! Find out more about ReWare: reware.co.za Follow Nothando on Twitter and Instagram @Jozifoodiefix ADVERTISE HERE (062) 092 - 5650 27 Arcelor Mittal Bursary for Artisans About ArcelorMittal South Africa Limited is the largest steel producer on the African continent, with a production capacity of 6.5 million tonnes of liquid steel per annum. Value All training costs and a monthly allowance. Duration Experienced artisans can convert to technicians, taking two academic subjects per semester (24 in total), over 6 years. Tenable Any FET College Who can apply? Experienced artisans Service contract A bursary agreement is applicable. MERSETA contract. Closing date 30 December annually Contact Email: [email protected] Apply online at: https://arcelormittal.jonti2.co.za/ National Arts Council of SA (Undergraduate) Bursary About The NAC is a national agency mandated by the Department of Arts and Culture, with the responsibility of developing South Africa's creative industry by awarding grants to individuals and organisations in the arts. The bursaries are allocated to undergraduate students studying in the arts at a university or university of technology. Students do not apply to the NAC directly. Money is allocated to the tertiary institutions which provide arts tuition according to guidelines and criteria provided by the NAC. The NAC operates by inviting applicants to submit their project proposals and applications for bursaries once per annum, in which an independent panel of experts in each of the seven arts disciplines adjudicates on each application and makes recommendations to council. Field of study Performing Arts, Visual Arts Who can apply NAC bursaries are specifically for undergraduate students studying 2nd and 3rd year in any of the seven arts disciplines. Value Amount varies Duration 1 year renewable Contact 66 Margaret Mcingana Street (Cnr Gwigwi Mrwebi) Johannesburg South Africa Apply directly to the campus Financial Aid Office where you are studying. Tel: (0)11 838 1383 Email: [email protected] Apply online at: www.nac.org.za/funding/funding-overview/bursaries 28 continue on page 29 FAK Music Bursary About The FAK is the oldest umbrella organization for African cultural associations in the country and has been founded in 1929. The FAK identified with its establishment two core objectives, namely to generate ideas for the development and strengthening of the African language and culture and secondly to play a coordinating role between African Cultural. The FAK taken by dozens guidance on cultural matters to strengthen African culture and build. Description Awarded annually to gifted music students. Value Variable Duration 1 year Service Contract No Closing Date 15 November annually To apply please request an application form from the FAK office Mrs Sarie Marais Email: [email protected] Tel: 012 301 1777. Grahamstown Foundation Scholarships – WJB Slater Scholarship Post-graduate Bursary About For postgraduate study in the performing Arts, Ballet, Speech and Drama, Music and Fine Art. Candidates will be selected on academic merit, qualities of character, motivation and field of study. Who Can Apply South African citizen entering postgraduate study in Performing Arts, Ballet, Speech and Drama, Music and fine Arts Value R4 000 per annumn Duration 1 year Service Contract No Closing Date 31 October annually Contact Tel: Tel: +27(0)46 603 1100/12 / Fax: +27(0)46 603 1173 / Email: [email protected] Postal: Address Grahamstown Physical: Foundation 1820 Settlers National Monument PO Box 304 Fort Selwyn Drive Grahamstown 6140 Grahamstown Apply online at: http://www.foundation.org.za/index.php?pid=43 29 T he second annual Zakifo Musik Festival, Durban, featured one of the most eclectic, multi-genre music line-ups ever gathered together in one festival programme, boasting some of the finest music-makers from France, Reunion, Mozambique, USA, Mali, Ghana, New Zealand, Australia, Canada and South Africa. It comes to Durban at the site of the old Natal Command opposite Battery Beach for two days only, on 27 and 28 May, 2016. Estere Dalton has been compared to the likes of Erykah Badu and is a songwriter and beat-maker, hailing from New Zealand who plays/records a mixture of bass, synth, drums, guitar, vocal harmonies, keyboard, whistles, claps and kazoo; Inna Bocoum, known on stage as Inna Modja, is a genre-shifting Malian singer / rapper and model. Maya Kamaty has been dubbed the new, hypnotic voice of Reunion's modern Maloya and Sega traditions. Surrounding the festival, there was a host of satellite fringe events, workshops, couchsessions, industry engagements and jams, including a closing concert at the Rainbow on Sunday 29 May 2016. There was an early-bird special offer of a weekend pass for just R200, running from 6 to 15 April 2016. By buying an early-bird or a fullweekend pre-sale, one will qualify to enter Zakifo's competition to win a trip to Reunion Island, to attend sister festival Sakifo, the week following Zakifo! Terms and conditions apply. This year Zakifo hand-picked a phenomenal array of global music-makers to create a watershed programme for Durban. True to Zakifo's principle of delivering diverse, multi-cultural and inter-generational music of exceptional quality, we're proud to present Malian rock band Songhoy Blues, whose documentary “They Will Have To Kill Us First” premiered at last year's Durban International Film Festival to wide international acclaim and who have been tearing up music festival circuits across Europe and the Americas with their unique blend of traditional Malian desert blues and modern rock sounds. Following on from the precedent set last year, the focus on strong female artists continued at the festival this year – Zakifo 2016 will be staging some of the most outspoken, innovative, boundary-defying women performers active in the global music industry today, such as: 27 yearold Canadian singer Cold Specks, whose We couldn't be more excited to unleash their innovative music has been described as doom- sounds on an unsuspecting Poison City! soul; continue on page 31 30 continue from page 30 The phenomenal programme continued with Kid Francescoli, hailing from Marseilles, France and widely known for their upbeat and interesting pop melodies and diverse, sometimes whacky, influences. All the way from Australia, we bring you internationally-renowned Queensland roots-reggae aficionados, Kingfisha, a top quality band who have built a rock-solid global following delivering world-class dub reggae. Taking it back to the island, Reunion's Loryzine performs a blend of modern, dynamic and traditional Maloya with an urban rhythm; Sauvage is a Paris-based act producing electronic music largely influenced by Africa and its many diasporas; Too Many Zoos is a brass house trio punk band from New York, famous for their viral internet video of the band rocking Times Square Station, they plan to bring it even harder @ Zakifo in Durban; Ti Rat and Rouge bring you original Reunion Island reggae! (071) 317 - 0233 [email protected] www.centuriononline.co.za 31 The Ancient Mystery Schools by Njabula Phiri Civilization and progress have often been associated with the western world. This is owing to the self-allotted role of the European people in the history of humankind and the perception this has resulted to, of the European cultures as compared to those of other peoples of the world. A world in which colonialism has had its chance as a factor influencing history, those who had been colonized still recognize not their culture and values, but the Europeans' as 'superior' and good and progressive. History shows us that most of the people who carried the torch of progress have often been people who had been initiated into what was known to the ancients as 'Mystery schools' (what we came to know as 'secret societies' today), and that most of these schools in their earliest appearance, were situated in Africa – particularly Egypt. This essay paper looks at the existence of Mystery schools, their essence, and their role in shaping history as we know it. Moreover, the paper will try not to confine the phenomenon of Mystery teaching within the boundaries of Africa, while emphasizing the fact that Africans were at the fore of this phenomenon. The teachings of ancient mystery schools are comprised by numerous different elements including ritual, especially at the stage of initiation. At initiation, ritual plays an important role in introducing the individuals in question, to certain knowledge which has been passed down from times immemorial. Also, during initiation rituals, initiates are advised never to reveal any information either about the initiation ritual itself and/or the teachings passed down to them by masters of ancient wisdom. Part of the reason as to why this is done is because having been initiated; the initiate is then considered to have been reborn and is therefore – because of this – very different from a non-initiate. Therefore breaking the code of secrecy by any member of the mystery school is an act which is punishable; that is to say that whichever member reveals anything taught in the mystery temples is subject to punishment. This is because the un-initiated mind – as masters of wisdom would put it – is not ready, by virtue of being a non-member, for these secret teachings. Therefore from these ancient mystery schools we derive the more contemporary “secret societies,” and I shall show how these have sought to liken themselves to the ancient mystery schools. As I have pointed out in the beginning, the existence of mystery schools is not exclusive to ancient Africa, but is rather a phenomenon which came to be characteristic of almost all human civilizations of the ancient world. continue on page 33 32 The Ancient Mystery Schools by Njabula Phiri continue from page 32 However, since the sort of knowledge these ancient schools dealt with came to be considered primitive and un-civilizing, other parts of the world –including the Western world – stopped participating in mystery temples. But on the contrary, people of African descent – as well as some parts of the eastern world – continued following the way of the ancient masters. Thus their position today in the world, as supposedly 'uncivilized' people can somewhat be attributed to this. As we shall see, those who sought to be initiated into ancient mysteries – such as Pythagoras – were often referred to the masters in Egypt, and it is partly because of this reason that I (throughout This paper) will treat not only Egypt but the whole of Africa as the primary source of these mysteries. In this way, western mystery schools to which I will refer will only serve as a mirror of a predominantly African phenomenon of the ancient times. Pythagoras is therefore a perfect example of an ancient scholar whose innovations were deeply influenced by the mystery teachings. #MAKESOMEONESMILE We as Youth Conscious Magazine are so starting a campaign called #MAKESOMESMILE because we have noticed a growing number of depression and suicides amongst the youth. We have noticed "symptoms" of depression through student drop outs, drug abuse and alcoholism in campuses, crime, lack of motivation and a sense of hopelessness among the youth. And we plan on having an 1 hour and 30 minutes long Documentary that will be a DVD where we will be interviewing psychologists, teachers, NGO representatives, entertainers, and the youth; asking questions on what is causing the depression, what can be done individually and as a community to end the depression and what the kids that are predominantly happy doing that other youth are not doing. and we also planning on our brand ambassador Thando Fuze who also is a poet to write a poem for the campaign. and this initiative is going to help a lot of young people and we hope on selling the DVD in all colleges and universities. And we would love your help in this initiative. 33 TSIBA Enactus Students Pay It Forward Written by: Nadia van der Byl, BBA1 student at TSiBA Cape Town and member of Enactus. O n the 12 May 2016 seven TSiBA Enactus students prepared for the first implementation of the “Born and Bred in Langa” project, which is a project aimed at stimulating entrepreneurship in townships. The implementation of this project involved the full installation of a rocket stove oven at a community center called Lecap in Langa which will be used by the women involved in the Lecap project. This project empowers women to be entrepreneurs by teaching them practical and business skills that will assist them creating a successful and sustainable small bakery. Lecap is in partnership with After an educational workshop in Fish Hoek the BreadRev a company based in Fish Hoek. women baked 15 marvellous loaves on the day, the variety was sour dough, raisin bread, brown and Initially the project was designed to empower white bread. Our hearts were warmed by the smells five women, but due to the high participation of the hot loaves, bright smiles and enthusiasm from rate of the community the project has the women. expanded. The first implementation was a great success due to BreadRev ran a workshop to teach the women the values we learnt at TSiBA, giving back to our how to bake bread. They were taught how to communities and creating social change by assisting handle the different types of dough, how to local entrepreneurs establish small businesses. measure ingredients and how to bake from the heart. We would like to request that volunteers step forward and make themselves available to get involved in any The bread produced by “Born and Bred in of our many project which helps us empower Langa” is not any ordinary bread, this unique entrepreneurs and ignite opportunities in townships. loaf of bread is 1kg packed with vitamins and nutrients. The aim is to promote healthy living at an affordable price as townships usually face high rates of poverty and unemployment . The aim is to empower local woman whilst enriching the community, alleviating poverty and promoting entrepreneurship. ADVERTISE HERE (062) 092 - 5650 34 The Beauty The Brains The Talent Naimah by Athi Diko YCM: Who is Naimah? NAIMAH: Naimah is a small town girl...wait that's weird...I'm a small town girl from Zambia. Many people know me as an upcoming recording artist but I have many more titles to my name, I'm a graduate, a sister, a friend, an aunt to two amazing little beings and a “madam” to my employees at work (LOL). Beyond the titles people just know me as a fun loving, ambitious, compassionate humanitarian with a big heart and huge love for music, people and nature. YCM: Many kids in South Africa want to be soccer players, doctors, policeman, etc. I remember I wanted to be a lawyer as a kid, my father would arrest the thief's (because he was a policeman) and I would make sure they kept in jail for a very long time ( in was just a kid I didn't know the justice system was this flawed and corrupt). When and how was the idea to become a Recording artist start? NAIMAH: I have been singing for the longest time I can remember. Guess I have always had a huge admiration for the performing arts. I was very shy growing up but since I played an acting and singing role in my first school concert (thanks to my big sister's encouragement) I grew into a confident social butterfly and didn't miss a chance to perform on a stage, at school or at home giving family “special” concerts (hides face). I developed a deep love for writing which started from writing the lyrics to existing songs to writing my own songs, stories and even attempted to write my biography, but there wasn't much going on in my life to finish it. This carried on well into my teens. I volunteered at orphanages in my early teens Initially, all I knew was that I wanted to help people; and would sing at various fundraising events. I thought I would be a nurse or a teacher or This made me grow a new admiration for something along these lines. performing artists I was exposed to, my Music for me was just an outlet to express a part of favourite being Diana King among many myself nobody usually sees because I am such an other R&B and pop artists in the 2000's like introvert and keep to myself a lot but when I sing, Destiny's child, Britney Spears, Spice girls etc. goodness, I become someone else. continue on page 36 35 The Beauty The Brains The Talent Naimah by Athi Diko continue from page 35 This admiration came from the realization that singing in front of adult crowds who were paying for something was nothing like singing at a school concert or in our backyard with family and their friends. I suffered from terrible nerves from stage fright which BTW only I seemed to have known about and I was eager to overcome it so I continued to put myself on the spot and performed at every family event like birthdays, weddings and even funerals. I actively looked for opportunities to record in a studio using my friends and their friends and eventually two rappers based in Australia stumbled upon me and asked me to remix a dance song of theirs called “can we dance”. At 16, I was well on my way to starting a career as a recording artist with Can We Dance receiving great airplay on local radio. Unfortunately I relocated to SA soon after that which shifted my focus to school as I battled with the syllabus change at such a late stage in high school but during my studies I attended vocal training because I knew that I would still pursue Music, which I did in my freshman year at Varsity. I joined a band and performed at corporate events, local chill spots and anywhere we could, really. By the time I graduated with my second degree in Psychology, I graduated from my vocal training course and got myself a well paid position running a family packaging business which helped with seeking the services of a really talented producer and we recorded Long Time, which became my official single release and has been doing its rounds on radio and music channels, Channel O and MTV Base. YCM: How would you define your style or art? NAIMAH: I would define my style of music as Caribbean infused pop while others will refer to it simply as pop. It was really difficult to find my sound at first because I didn't want to be put in a box and I didn't want to make music for one group of people so I decided to fuse all my favourite genres of music being Hip Hop, R&B, Pop and Dancehall to create my sound and hoped that people with different tastes would vibe to it and they do :) continue on page 37 36 The Beauty The Brains The Talent Naimah continue from page 36 YCM: What inspires your work? NAIMAH: Life, people, relationships, money, work, and fun all inspire my work. Most of the music you will hear from me in the beginning revolve around relationships, having a good time and work. YCM: Do you think hip-hop gets taken less seriously than other genres? NAIMAH: What? No ways! Hip Hop seems to be the most recognised genre of our generation so it couldn't possibly be taken less seriously. YCM: What's the first thing that comes to your mind when you think of the words; “Youth and Conscious”? NAIMAH: Powerful words these....the first thing that comes to mind is all the young people who are out here trying to make a better society for themselves by raising awareness around a by Athi Diko vast number of issues in different industries and social spheres. YCM: What would constitute a perfect day for you? NAIMAH: any day that is productive and involves me doing what I love or making a positive difference is a perfect day for me. YCM: We live in a very superficial society where everybody wants to fit in and do or wear what the “coolest” dude is doing or wearing. Everybody dresses like Kanye West or a pharrell Williams Now, how do you think South African fashion designers can fix this dilemma and create a strong and quality South African culture influenced clothes for the kids? NAIMAH: Well designers (and anyone for that matter) can start by breaking the habit of trying to fit in the fashion industry abroad and imposing these globally glorified trends on the local scene. For anyone to be rich in their culture they must first stop trying to compare theirs to other cultures and maintain a standard of originality in whatever they do and create. They are trend setters. Trend setters should lead, not follow and I think that attitude will spill over to consumers alike. YCM: I think overt high fashion stuff or commercial music gets a little strange. You know what, let me retract: not entirely. There's some people who are "about it," about music, and it makes sense for them. It's naturally who they are. Then you have some guy in the street who decides he's going to put record something crazy like “nomusa”, and he shouldn't. Do you pay attention to the commercial or radio friendly music? NAIMAH: uhmm Firstly don't judge me but, I really like Nomusa, I don't understand what they say but I love that WTF have a unique sound. I do pay attention to commercial music because I am trying to penetrate the commercial market too as an artist so I am constantly asking myself what it is that commercial radio and continue on page 38 37 The Beauty The Brains The Talent Naimah by Athi Diko continue from page 37 TV are likely to play or not. However it doesn't help artists who are coming up with unique sounds because we seem to be competing with USA commercial music which if you asked me, sounds all the same. YCM: How did you bring the influence of your adolescence into the collection? NAIMAH: I used the influence of relationships I was exposed to during my adolescence in certain songs like “All This” which upholds a woman's self-worth before getting in a relationship or to describe the notion of infidelity in a relationship as I did with “Long Time”. In another song, “Do It Better,” I have incorporated the work ethic I was raised to have as a young lady who looks beyond physical appearance to gain or determine her worth. YCM: I do a lot of research before I download music. I'm so nerdy with that shit. I don't download music much but when I do, I've seen the show, I've seen it online, and I know exactly the one I want and I'm sure there a lot of young people like me out there. Do you actively think about keeping up with youth culture as the kids get younger and younger? NAIMAH: I have to keep up if I want to stay relevant and current. It also guides my direction as an artist because what to sing about next is based on what is happening if not with my life, with the lives of others, say If kids these days are turning up and partying up too much, I can either choose to release a turn up club song or release a more conscious song about the dangers of turning up excessively. YCM: I know this is pretty much irrelevant but take four minutes and tell us your favourite joke or the funniest story you have been involved in as detailed as possible. Maybe with your lady, hommies or simply in the fashion industry. NAIMAH: I am a joke junkie, addicted to laughing. I can literally stay up all night on Google reading jokes. My favourite joke is possibly this one. “Two guys are stranded on an island; find a magic lantern containing a genie who grants them each one wish. The first guy wishes he was off the island and back home. The second guy wishes the same. The third guy says, “I'm lonely, I wish my friends were back here” LOL now if that happened to me in real life, I don't think I would be laughing YCM: I'm currently reading books about ancestry, immigration, and South African identity, so I've been reading those kinds of nonfiction memoir books. But if I'm listing the books I love, Catcher in the rye is by no means a good representation. I'm rereading Great Gatsby, and things fall apart. I don't remember reading the first time. Do you read books and if you do who is your favourite author and what is your favourite book? NAIMAH: I love reading non-fiction books YCM: What advice would you give young creative's looking to do what you do? NAIMAH: Believe in yourself and start then never give up once you start because you owe it to yourself to finish what you start. continue on page 39 38 The Beauty The Brains The Talent Naimah continue from page 38 YCM: What has been the highlight of your career thus far? NAIMAH: Finally doing what I love will remain a highlight but Meeting incredible talented people and artists alike has by far been the highlight of my music career and also just having people believe in me and giving me opportunities I otherwise would never have had. YCM: Do you have a secret hunch about how you will die? NAIMAH: I don't have a hunch about how I will die but I do know it could happen any day and I am content with that. YCM: What in your life do you feel most grateful for? NAIMAH: I am grateful for the way I was brought up to be caring, respectful, and hardworking. It has allowed me to be able to view things from different perspectives and relate to people from different backgrounds without prejudice. YCM: If would change one thing about the way you were raised, what would it be? NAIMAH: I wouldn't change a thing about how I was raised. Everything I took from growing has helped me make wise, informed and calculated decisions in more than one way as an adult. YCM: We live in a society where everybody is starting something, either a music career, a company etc. And the youth have turned their backs on the importance of education, what is your opinion about this issue? by Athi Diko Do you think the education system is doing what it is suppose to do? NAIMAH: education is really important. We not only learn about what we are taught but also we learn about ourselves in the process, what we like, what we are passionate about, what we don't agree with and also what we wouldn't otherwise have known about. I didn't drop out of school to start a music career because I knew someone would have to pay for its start up, like in any business. If I was not educated I wouldn't have been able to run a business, even though what I studied was totally unrelated to my current job. I took some things from my education that I applied in my work, and apply in my music career and day to day life. I can go on and on to defend my belief in the importance of an education but it is hard to convince the youth how important education is when we are surrounded by uneducated leaders and criminals who are rich. YCM: So you don't think the youth of today are doomed? NAIMAH: No one is doomed. It all comes down to how the youth are willing to invest their time, knowledge and skills to their advantage. YCM: Complete this sentence “I wish I had someone with whom I could share…” NAIMAH: A billion dollars with lol YCM: With that being said, what are you currently working on? NAIMAH: I am currently working on my second single release which is super exciting!! YCM: Where can our young minds follow your work? Soundcloud Naimah SA Facebook Naimah SA Twitter @NaimahSA Instagram @Naimah_SA Or email me at [email protected] 39 NPK TWICE One of the most exciting emerging rapper “With consistency and the grind; he did everything on his own.” & Father Jack Khoza,He is part of the production group 'Havoc Gang' The Name Npk Twice Emanates from his Initials Nkosinathi Patt ,Plus surnmane Khoza (NPK) And the Twice was added by a close friend. Npk Twice specializes in the kind of rap that makes it hard to sit still: his songs bristle the back of your neck and shoot down your spine. After releasing his first official Tape titled 'Rappers Are In Danger' after 5 Years of doing Music and it was well received and gained him respect in his local town of West Rand with a Population of 800 000. The Nubian King is the very First South African Rapper to be on Jay-Z's Popular Streaming service 'Tidal',And his song 'On Point' Was #1 for 3 Weeks Runing on Venrap Radio (Which won the 2015 South African Hip Hop Award for Rappers have come and gone and hip hop music Best Radio Show) The song also toped charts in has moved closer and closer to mainstream than TexasUnderground Radio,Mixtape FM & ever before in South Africa. TimeToGrindRadio. Most purists and students of South African Hip Hop know that the quality of rap music in South Africa is at an all time low. We understand the quality of rappers that have come before the current generation of rappers; from Amu to Proverb to H2O to Tumi to Redondo Driemanskap to Tuks to HHP. But one rapper, who has been around for minute and has maintained his authenticity and has been delivering quality rap music, is Npk Twice. At 22, Npk Twice is already a well-connected veteran of South Africa rap scene. Nkosinathi Pat Khoza Better Known as Npk Twice a South African Poet-Rapper & Blogger. Nicknamed 'Nubian King' Born in Matsulu,Nelspruit Mpumalanga,South Africa in 22 May 1994 to Mother Constance Thembi Zitha 40 The rapper has remained forever humble and true to his art, even with numerous accolades under his name. Npk Twice's Accolades: 2013 Redbull Strictly Hip-Hop(Winner) 2014 Etv,Craze Shiz-Niz Mixtape King(Finalist) August 2015 Dynamix Magazine Weeks Finds(Winner) Appeared on Metro Fm Rap Activity Jam 2014 Yo Tv Big Breakfast Yo Talents. 2014 Durex The One(Finalist) 2015 Back The Artist(Top 8) December 2014 Hype Magazine Magazine Newcommers Delight continue on page 40 NPK TWICE One of the most exciting emerging rapper “With consistency and the grind; he did everything on his own.” continue from page 40 The Only and first West Rapper to be Verified on Facebook with 24 000+ Likes. His Song On Point was #1 On Venrap Radio (Winner of South African Hip Hop Awards 2015- Best Radio Show) for 3 Weeks. His Other Single Gaddafi has Appeared on Kasi Music Magazine's Soundcloud Account Playlist as one of the Best Turn up Songs of 2014 For bookings or to check his latest work: Email: [email protected] Facebook page: www.facebook.com/NpkTwice Twitter & I.G : @NpkTwiceSA 41 The microphone is up for grabs. by Sphelele Sibiya Hip hop music is gradually growing in the Clermont Township. Local talents are offered a chance to showcase their skills on the microphone every Friday. Various rappers get a chance to grasp the microphone and do what they do best. This is all made possible by The Background People, a Clermont based non government organisation that specialises in grooming local youths and getting them of the streets by giving youths a platform to showcase their talents. Some have to over shine their shyness and show the crowds why they are worthy of the name rapper, mic checker or mcee The organization hosts events such as Reggae meets Hip hop and Lweshlanu le beat (Friday for She claims that loud banging hip hop the beat) a hip hop show held every Friday. beats are heard from as far as the K.K The most prominent one is Friday for the beat, and it is garage. “As you walk towards the every local rapper's favourite event. Unlike the Reggae library the words get clearer and clearer. Meets Hip Hop show the entrance is free on this one, and You can hear what is being said or what there is more time in the open mic session. Fridays in this song is being sung” she added for those township haven't been the same, ever since the who are not rap lovers Friday has even Background People came to the scene. Rappers, poets and got worse. Their lives are being hip hop lovers gather in the premises of Bell Inn to be tormented by the loud sounds of rap and voices of up and coming poets. That pampered with raw lyrics. range from the hoarsest voices of mature Lyricists young and old come to share the stage in this male rappers and poets to the soft voices fiercely competed event. They all rush to the mic so they of female rappers and singers. A local can get a chance to drop a word or two. Unlike most hip resident Dudu Ndawonde said, the day hop shows, in this one it doesn't matter how large your fan has became a night mare. “Bell Inn is a base is, but the first on the microphone is given a chance to noisy place on it own, but now it even share, his or her skills on the microphone. One rapper said, worse now. I wouldn't mind if these “The adrenaline rush more than felt ,but is nearly seen people were singing good music, but with the naked eye when you get a chance to do what you they just talk over loud instrumentals,” love in front of many spectators.” Hip hop and rap fans are added the furious Ndawonde. also here every Friday to show love for their brothers and The Background People claim, they are sisters with the ability to entertain with words. not fazed by the mixed reaction they are “The kind of rap we get here, takes me back to the days of receiving from people. “When the Biggie and Pac; the days of original rap. Not the soft pop organization started in 2013 many rap we listen to nowadays. Rappers here tell the stories thought we were crazy. They said we about the hardships of the place we live in and the traps we can't change a drug stricken township find our selves in daily. The rappers here are people I can without a budget. But I think we have made a change and we will continue relate to,” said an enthusiastic rap fan Lindo Dlamini. bringing change. We were just a group of three when we started now we have plus Another hip hop lover Nosihle Mbhele said, she was lured by the loud music, and decided to come and see what was ten members. going down in this place. continue on page 43 42 The microphone is up for grabs. by Sphelele Sibiya continue from page 42 I have seen kids move from the streets corners and growing love for rap,” a member of Background People Lungisani Gasa. Although Background People is a N.G.O they also give something to the rappers, every now and then. In every forth night Friday the event gets a little twist, whereby rappers are engaged in a lyrical combat. Rappers skills are put to the test. They are given a word and all they must do is a free-style, make a rhyme out of all the given words. Only the last three out the ten contestants walk away with prices. Number three gets R200 in money, number two gets R400 and the winner walks away with R 800. According to Gasa this promotes reading and writing. “This is not just about price money. It is a way to motivate youths to engage themselves into reading and writing. In this case literature never dies, but more people start to read,” Gasa said. Bonga 'Spokeperson' Simelane is one of the rappers, who cannot contain his gratitude towards the Background People, for the opportunity they have given him and other fellow rappers of Clermont. “The problem with us rappers is that we don't appreciate. The Background People has helped a lot of rappers to get a head start on their rap careers. Some of the rappers are now getting air time on radio stations with the aid of this organisation, most are shying away from now. All I can say is I'm grateful for getting a chance to hold microphone,” said the jubilant Simelane. “This should keep going so that future rappers too will have a place to start at,” added Simelane. Gasa edged rappers to come and join the movement.“The aim of all of this is to see Clermont change for the better. And I call upon anyone with the skills on the microphone to be brave enough to share his or her ability with the Background People and Clermont as a whole,” he concluded. 43 The top ten university degrees taken by millionaires The question of degrees, earnings and careers is a common one. But which subjects did the 1. Engineering world's wealthiest individuals take at 2. MBA 3. Economics university, and how did it help them? 4. Law 5. (Bachelor's) Business Administration (BBA) Is an MBA worth the money? Type this 6. Commerce question into Google and the results will 7. Accounting provide you with reading enough to last a 8. Computer Science lifetime. But at a time when tuition fees are 9. Finance spiralling beyond most people's mortgages, 10. Politics the same question could be asked of any Note: This list is a combination of both graduate degree. and undergraduate degrees. “Are there well paid jobs for art history graduates?” or, “It is worth learning a language?” are legitimate questions to ask. Choosing a degree, whether post- or undergraduate, is no longer about pursuing what you enjoy. Instead, students are faced with the question: “How do I monetise my degree? The obvious degrees are all here: MBA, economics, law, accounting and so on. Interestingly, though, few of these degrees turn out to be vocational - most engineering graduates, for example, are not engineers but entrepreneurs. The same goes for most law and politics graduates, who owe their fortunes, not to practicing their professions, but climbing the ranks of the financial This question would have many liberal sector. academics choking on their lentils, and it goes without saying that not everyone reads a With the rise of the tech industry, it is interesting that subject to become a high-flying city banker or computer science – a formally overlooked discipline wealthy entrepreneur. – is on the top 10 list. In future years, as more and more tech entrepreneurs B u t , f o r t h o s e M B A h o p e f u l s o r make it big, and undergraduates aim to imitate the entrepreneurial types, the question remains – successes Ludwick Marishane and , it will probably which degree is best for becoming wealthy? A move further up the list. study by the wealth consultancy WealthInsight has found the answer: Engineering. By crunching together the academic histories of the world's millionaires and deducting their most studied subjects, a unique ranking has been produced: continue on page 45 44 The top ten university degrees taken by millionaires continue from page 44 MBA or School of Life? So, is an MBA worth the money? Anecdotal evidence is in no short supply: MBA sceptics frequently quote Richard Branson, the dyslexic school dropout, or Patrice Motsepe. However, MBAs are gaining popularity and most top City jobs require one. WealthInsight's research found that 12.8 per cent of the studied millionaires have an MBA, whereas just over 1 per cent did not attend, or dropped out of university. For those Branson supporters, it is interesting to note that 4.5 per cent more millionaires have a PhD than no degree at “Transferable skills” is one of those nouveau corporate terms that interviewees fear and recruiters abuse, but can it all. be applicable when it comes to asking how one monetises a However, that is not the end of the story. degree. Looking at what these MBA graduate and drop outs did afterwards throws up Certainly there is a theme that can be plucked from all this: some interesting conclusions: MBA learning numbers at university is useful for amassing a graduates were more likely to end up personal fortune. earning a salary in a financial firm, while most of those who did not attend, or That is why the sciences dominate the top 10 subjects dropped out of university, became studied. But don't despair if your undergraduate is in art entrepreneurs, mostly in the media history and not accounting. Further down WealthInsight's sector. The most popular degrees among list are all the humanities: art, English, archaeology, millionaires at postgraduate level are as architecture and so on. follows: While some of the world's best-paid jobs require MBAs, remember that most of the world's most wealthy 1. MBA 2. Law individuals are entrepreneurs. Whether or not 3. Engineering anthropology teaches the “transferable skills” that an 4. Economics investment bank requires is a matter for debate, but the 5. Finance subject is certainly no hindrance for those with a business 6. Management idea. 7. Computer Science 8. Medicine 9. Accounting 10. Mathematics 45 Culture by Ndumiso Makhubu is a way of life! Language is one of most crucial aspects that influence the attitude of the South African youth, because it changes as they reach different life stages. People develop vocabulary as they grow and this changes they way one speaks remembering that culture is a way of life speaking is very important in our daily lives because the way one communicate with people is how one lives. This is when respect and morals comes in. If one wants a perfect communication with the others especially youth people they need to use appropriate words for whoever they are communicating with. The south African youth is very vibrant and creative in a way that they show their different cultures through their creativity, music, acting, dancing and many other activities and this in a way is how their culture is shown to people and other nations, south African youth culture is when we see the south African young person standing on the street Culture includes too many things. Actually entertaining people with either dancing and music, everything that we do; culture in relation to doing poetry and other writings. the South African youth is when words like Ethics, Morals, values and norms comes up in The one other most important characteristic of our youth is that they live by passion. It is within an one's mind. individual that they choose their life in which way; This is when one person sets a way of how culture does not stop any one from doing any of their they do things in their lives, in most cases heart desires. y o u t h w o u l d d o t h i n g s that they were taught where they come from (home). The word culture simply means "the way of life," this is how people live their lives. with the issue of culture, it does not matter if you are black, white, or any other race but because it is within a person, how do they want to live and what do they want to do. But the one important thing that has a huge influence to the youth people is the environment they live in, it is when you find things like fashion playing a very great role in changing characters of our youth people, as they get to change environments from rural to urban, townships to cities they also change their characters and behaviours. This is because they try to adapt to the place they go to. 46 The Most Captivating #FeesMustFall Images From 2015 L ast year was a very energised year. Throughout the week we received images that captured the tone of the movement. Below are the most captivating images from front line photographers. QUOTE by Nigel: “The #FeesMustFall is a Damascus moment for South Africa as for the first time students have come together to challenge the continuous modification of tertiary education. Of symbolic importance is the unity and rejection of political opportunists that continues to be displayed by students as they come together to challenge issues of structural inequality that continue to be an obstacle to black students in post-apartheid South Africa. Government gave in to the demands of the students of freezing university fees but this does not change anything for students that continue to be forced into debt for them to access education. As witnessed earlier on in the year several students were turned down because they failed to access NSFAS funds ,this is bound to happen again next year if the government does not commit to providing free education to its citizens. Education is a powerful weapon and the government must make it a priority that its citizens are well armed, failure of which is detrimental to the future of Azania and the greater Afrika. Free education now ? ” http://dambakuombera.tumblr.com 47 The Most Captivating #FeesMustFall Images From 2015 48 The Most Captivating #FeesMustFall Images From 2015 49 The Most Captivating #FeesMustFall Images From 2015 50 The Most Captivating #FeesMustFall Images From 2015 51 The Most Captivating #FeesMustFall Images From 2015 52 The Most Captivating #FeesMustFall Images From 2015 53 The Most Captivating #FeesMustFall Images From 2015 54 The Most Captivating #FeesMustFall Images From 2015 55 The Most Captivating #FeesMustFall Images From 2015 Credit to: Lindsey Appolis Stellenbosch www.appolis.co.za Ronell R Hlungwani Johannesburg Ronell K-Ron Hlungwani Melissa Brown Cape Town Melissa Brown Photography Alésha Bredell Stellenbosch 56 The Rapper Who Is Far From Normal Who is Lwansta? Who I am is a surprise I leave for the listener to discover between tracks 1 and 11 on my most recent musical release, but what I am is a lyricist, artist, and overall creative. Many kids in South Africa want to be soccer players, doctors, policeman, etc. I remember I wanted to be a lawyer as a kid, my father would arrest the thief's (because he was a policeman) and I would make sure they kept in jail for a very long time ( in was just a kid I didn't know the justice system was this flawed and corrupt). When and how was the dream to become a rapper emerge? It was never really a dream, I'd say it was fate. Fate because, my brother, having been a computer geek once upon a time, used collect all kinds of new software to un-package and experiment with, from animation software, to game creating software, eventually to music production software such as FL Studio. This was back in 2007. So with this new discovery of his, as time progressed, I saw a studio setup being put together in the back room of my mother's home, random school kids (and sometimes people's parents) walking out of that room having completed a record. Eventually FOMO (fear of missing out) got to me and I began to write myself. The time between writing and recording was a lengthy one, because I never knew where to begin, so I'd sit in other people's studio sessions and just hope, that maybe these guys are going ask me to feature. This almost happened, but never did, but not too far from then, I finally entered the booth and haven't stopped since then. How would you define your style or art? I often used words such as, intense and organic when describing my style of music. Organic in a sense that, I like to make music that won't be difficult to unplug (perform live with a band) and my choice of instrumental is very much influenced by 90s hip hop, just because I feel what I'm trying to get across will be accommodated better and easier on such beats. I'd also consider my style introspective, because I believe I get more from it's creation than the listeners, a lot of the time pain forces lyrics out of me, but once it' out, it stays there. What inspires your work? Right now, rejection and disappointment, it might change when things start going right for me, but it's been a good few years now, it might be embedded. I used music to vent and express my frustrations a lot of the time, hence why I could go on to describe as “intense”. I use music as a channel to transfer that pain, rejection, disappointment, sadness, out of me. When I'm upset, I just want to write, sometimes I get so upset I can't write, but until it's left my mind through music, I won't be as happy as I usually tried to me. continue on page 58 57 The Rapper Who Is Far From Normal continue from page 57 Do you think hip-hop gets taken less seriously than other genres or even professions like teachers, doctors etc? In this day and age? Nope. The Dome just got sold out by a Hip Hop act, that doctor or teacher attended, even politicians were present, props were coming from every other genre there is for such a historic Hip Hop event. There's so much more to it, Hip Hop is the number one most influence genre right now, it's very evident in other genres where you find the culture and even the sound being emulated in other genres such as pop and house. So no, Hip Hop is taken super seriously, it shapes the culture. That's the first thing that comes to your mind when you think of the words; “Youth and Conscious”? Being young, but also being aware and awake. What would constitute a perfect day for you? A productive day. We live in a very superficial society where everybody wants to fit in and do or wear what the “coolest” dude is doing or wearing. Everybody dresses like Kanye West or a pharrell Williams Now, how do you think South African fashion designers can fix this dilemma and create a strong and quality South African culture influenced clothes for the kids? I wouldn't consider that a dilemma though, because if you're influential, that's what happens, and a lot of the time it's got to do with who the designer is. SA Fashion designers need to go beyond just designing, they should focus more on becoming, because there's a difference between designing clothing, than designing a culture, because that's what those artists mentioned are doing and have done, the culture is in their blueprint, not just the clothing. M a y b e a musician and fashion designer n e e d t o collaborate, because no one contributes to the culture quite like a musician does. Riky Rick is doing clothing now, watch is pop more than anyone elses' work, because he understands what his role is a culture shaper. There's so much rooted in Hip Hop that there is almost too much content to uproot, that you can save for a rainy day event. I think overt high fashion stuff or commercial music gets a little strange. You know what, let me retract: not entirely. There's some people who are "about it," about music, and it makes sense for them. It's naturally who they are. Then you have some guy in the street who decides he's going to put record something crazy like “nomusa”, and he shouldn't. Do you pay attention to the commercial or radio friendly music? I do, I enjoy a lot of it, but I won't say it influences my direction, because that's not what I'm doing, maybe every now and then I'm scoping out the competition just to see how everyone's doing. I really just focus on what I'm trying to do, otherwise I will lose focus and just become stagnant, because jealousy does that to you, but you can't be jealous of someone who isn't playing the same sport as you, you know? I don't make that kind of music, I make MY kind of music, there's no comparing, if there is, it's unfair, other than that, I don't people will ever make the same exact music. continue on page 59 58 The Rapper Who Is Far From Normal continue from page 58 You'll have your favorites and your least favourites, but there's a market for everything, fortunately and unfortunately. How did you bring the influence of your adolescence into the collection? 2014, I spent my first year alone, with no one to shield me or hide me from the world. I was forced to grow up, I did more growing up in that one year than I have in my whole life. My growth shaped my perspective, and my perspective shaped my sound and my art. I do a lot of research before I download music. I'm so nerdy with that shit. I don't download music much but when I do, I've seen the show, I've seen it online, and I know exactly the one I want and I'm sure there a lot of young people like me out there. Do you actively think about keeping up with youth culture as the kids get younger and younger? I don't think I'm “so” old, so when I look at the younger generation, I never need to look too far, I'm not really a follower of trends, nor am I a setter, I've got too little time on my hands. Otherwise, if you're referring channel and methods of reaching them i.e. social media, posters or whatever, I definitely do, being a junior graphic designer has taught me a lot of things, mostly looking, always be aware, always be “conscious”, always study the environment and the world. I'm always looking at/for different way to package my music in accordance to what channels work. Those channel will never not change somehow, so I do actively think and wonder about the youth culture every now and then. I know this is p re t t y m u c h irrelevant but take four minutes and tell u s y o u r favourite joke or the funniest story you have been involved in as detailed as possible. Maybe with your lady, hommies or simply in the fashion industry I'm currently reading books about ancestry, immigration, and South African identity, so I've been reading those kinds of non-fiction memoir books. But if I'm listing the books I love, Catcher in the rye is by no means a good representation. I'm rereading Great Gatsby, and things fall apart. I don't remember reading the first time. Do you read books and if you do who is your favourite author and what is your favourite book? I'm not too sure if whoever's reading this will find it as funny as I did, but fuck it. My history teacher back in high school, while covering the topic of Umkonto We Sizwe as per our syllabus, he told this joke, I laughed so hard, but you'd have to understand the context of course. He told like. During the uprising during the Apartheid era, where blacks were uniting in the establishment of black consciousness movements in opposition to the apartheid regime, a small group of black freedom fighters arrive at the door of a boere family and knock. continue on page 60 59 The Rapper Who Is Far From Normal continue from page 59 *knock-knock* The Afrikaans man, while holding the door open, turns around and shouts to his wife who is in another room “Lief, die kontswil sweet he” something I still, although more seldom, have to deal with now, but I think as I get older, my immune system will get weaker, but I'll still wanna do things, by things I mean music and every other thing I'm passionate about, and I'll probably be so desperate to do it all the best that I can, despite being hella sick, I'll use all kinds of meds to keep me up, which will probably keep me down after a while. Kontswil sweets he – the cunts will have sweets Which kind of sounds like Umkonto We Sizwe. What in your life do you feel most grateful for? I laughed super hard, but anyway. I read books, my favorite author is Toni Morrison, and my favorite book, written by her as well, is a novel titled The Bluest Eye. My upbringing. As much as it was all sorts of dysfunctional here and there, I'm really happy about who I am as a young adult, and that's all owed to everyone who played a role in my upbringing. What advice would you give young creative's looking to do what you do? If would change one thing about the way you were raised, what would it be? Do what you want to do, and most importantly, DO IT YOURSELF. I have a good relationship with my siblings, but not as tight as I'd like, so I'd wish to have had that relationship watered and made mandatory from when we were younger so even through thick and thin, nothing would come between us. White Afrikaans man opens the door, and a black freedom fighter says “Umkonto We Sizwe”. What has been the highlight of your career thus far? Being able to package my own mixtape, from recording, to burning CDs, to cutting out covers, to then shooting my own music video and publishing everything myself. Every other accolade is a result of all that, so everything follows after. Do you have a secret hunch about how you will die? I have a very weak immune system and used to get very sick as a child, it's We live in a society where everybody is starting something, either a music career, a company etc. And the youth have turned their backs on the importance of education, what is your opinion about this issue? Do you think the education system is doing what it is suppose to do? I wouldn't say the youth has turned their back on education if they're doing something. If they're doing nothing, fuck em, but those who are doing something that contributes to their future as a human being in this cold world we live in, they are being educated, both in and out of school. continue on page 61 60 The Rapper Who Is Far From Normal continue from page 60 But education is super important because one can never stop learning, there's never too much information, we will forever be students, no matter what, students of life. I know I'm almost missing the point suggested in the question, but I believe education is beyond just the confines of the government's education system, yes if you're wanting to be something specific, then you study to be that, but before that you are a human, a person, life's lessons are incredibly vital, especially those that hurt. We'll never learn, nor will we ever stop learning. So you don't think the youth of today are doomed? Right now? Nope! to getting more performance opportunities to become a better artist and performer. I want to know things, so I can do them myself. Where can our young minds follow your work? http://Normvlwansta.tumblr.com is where you can find a lot of the work I do for myself. Twitter, http://twitter.com/DeathByLwansta and Facebook: https://www.facebook.com/Lwansta123922934335850/ is where you can find me sharing my work and what's on my mind if appropriate for the medium. http://Youtube.com/user/Lwansta is where you can get a better view, and http://soundcloud.com/Lwansta for just the music. Complete this sentence “I wish I had someone with whom I could share…” …a perspective with…” With that being said, what are you currently working on? Right now, I'm sharping my skills set for my next project, titled “Go Play Outside”. Writing and rhyming comes very naturally to me, all I can do is fine tune, but everything out that such as designing, p a cka g in g , vis u a ls , a r t, vid eo s , documentaries, everything needs a skill set to execute properly and more importantly, the way you'd like, so I'm learning a whole lot of things outside my studies, from shooting videos and designing for other rappers, 61 Best South African Rappers of all time Zola 7 Name one rapper in South Africa who doesn't count the South African Tupac Shakur, as one of their greatest influences. Bonginkosi Dlamini was born on 24 April 1977 in Soweto township of Johannesburg, Gauteng province, South Africa, where Dlamini spent his formative years in Zola, sub-township in Soweto notoriously known for its high crime rate, from which he adopted his name. Unemployment, alcoholism, and single parent families are the norm in Zola. Dlamini's father abandoned the family, leaving his mother to care for him and his older brother and sister when they were young. Zola himself served time in prison as a juvenile for car theft and one can hear his childhood and township experiences in his music. Bonginkosi Dlamini has enjoyed success as a Kwaito superstar, and is probably the most popular Kwaito artist in the country; Lance Stehr of Ghetto Ruff records has referred to Zola as "the second biggest brand in the country next to Nelson Mandela. Tumi Molekane Boitumelo "Tumi" Molekane (born 16 August 1981) is a South African rapper and poet. He was the lead vocalist of Tumi and the Volume that was officially disbanded in 2012. Molekane was born in Tanzania while his South African parents lived in exile there. In 1992 he repatriated to South Africa and took up residence in Soweto. Lyrically he is more of the level of Maya Angelou and in terms of influence; one can just has to mention signing Reason, a rapper that will arguably be the best rap artist in Africa (if I am not overrating him). Not much is known about the self-proclaimed maestro especially in South Africa, but the dude has performed in Apollo and other big stages around the world. continue on page 63 62 Best South African Rappers of all time continue from page 62 Proverb Born April 12th, 1981 in Kimberley, a diamond mining town in South Africa's Northern Cape, Proverb began rhyming in 1999, and by 2005 released his debut album "Book of Proverb" on Outrageous Records, followed by his sophomore effort "Manuscript" on Gallo Record Company the following year. Proverb is with no doubt the most conscious and deepest rappers of all time, not just in South Africa but in the world as a whole. But as of lately he has become more of a presenter than a rapper. Zubz The Last Letta Zubz is by far one of my favourite rappers of all time. Zubz is a Southern African rapper, born in Kasama, Zambia in July 1976, and relocating to Harare, Zimbabwe with his family, it was while growing up in Harare that Ndaba fell in love with Hip Hop and became an active contributor to the culture through school variety shows. His friends started to call him Zubz, as an interpolation of the shortened version of his name, Ndabs. By the time Zubz finished his high school studies, he had already begun establishing himself as a leading MC in Harare and had shared the stage with local and international artists including American hip-hop crew from Queens, The Lost Boyz. A year after completing school, Zubz relocated again, graduating from Rhodes University in Grahamstown, South Africa in 1999 before moving to Johannesburg. It was in there that he began his Hip Hop quest, entering and winning a noteworthy MC battle at Club 206, giving him a formidable rep as a freestyle rapper. Performing alongside Talib Kweli, dead prez, Black Thought and Jeru The Damaja at Black August in 2001, his affiliation with the Media Company Black Rage Productions became key to his professional career as later, Black Rage would establish the trailblazing Outrageous Records, whose first signing would be the MC Zubz. continue on page 64 63 Best South African Rappers of all time continue from page 63 Zeus Game Goabaone Bantsi (born 22 July 1986), better known by his stage name Zeus, is a Batswana hiphop artist, MC and businessman. Zeus released his debut album Freshly Baked in 2008 which included the hits Back in the days and Gijima. The album was generally well received and garnered him a Channel O Music Video award nomination and win in the Best Hip Hop video for [1] the aforementioned Gijima. His sophomore offering, 2009's The Flipside. Zues has been positively reviewed in both his home country as well as neighbouring South Africa. In 2010, he was ranked seventh in a list of the Top 15 South African Rappers and 4th on MNET's Top 10 African Rappers for 2010 compilation. Zeus currently splits his time between Gaborone, his hometown and Johannesburg, South Africa. HHP Jabulani Tsambo (born 14 September 1980), better known by his stage name Hip Hop Pantsula, shortened to HHP, and his nickname Jabba is a South African Motswako MC who frequently performs in ethnic languages, though mostly in Setswana. That's all I know about HHP. K.O. K.O is one of the most underrated rappers in South Africa, even though his highly rated. Ntokozo Mdluli, popularly known by his stage name, K.O, is a South African rapper who rose to prominence with the group Teargas after releasing their critically acclaimed debut album K'shubile K'bovu in 2006, under Electromode Music. Teargas, which then had three members, K.O, Ntukza and Ma-E, later released three other albums titled, Wafa Wafa (2008), Dark or Blue (2009) and Number Number (2012) (stylized as Num8er Num8er) which were all commercially successful. K.O, co-runs a music and entertainment company called "Cashtime Life". continue on page 65 64 Best South African Rappers of all time continue from page 64 Tuks Senganga Even though Tuks may seem that his too humble to be a rapper, the dude is also too good not to be in the top ten South African rappers of all time. Tumelo Kepadisa (born 2 May 1981), simply known as Tuks or Tuks Senganga is a South African Motswako rapper born in Mafikeng, in the former homeland of the Bophuthatswana. He frequently performs in ethnic languages, though mostly Setswana. Tuks Senganga started writing in 1993, drawing inspiration from everyday issues in his immediate environment. His career took off in 2005 with his debut album "Mafoko a me". This was the album that earned Tuks the Best Hip Hop Album Award at the 12th Annual MTN South African Music Awards (SAMA). Khuli Chana Born and Bred in South Africa, the motswako originated is one of the loved rappers in S.A. His raps have strong African roots and are done in South African languages. He writes rhythm and rhymes in Motswako. He uses various elements that are from different backgrounds to bring a different flavour to music and hip hop. AKA AKA is one of the best selling artists in South Africa. Kiernan Forbes formed a group with his fellow schoolmates known as Entity. From there it has been shooting up for AKA. He has won numerous awards. The rapper AKA is generally considered as one of the most talented and influential rappers in South Africa and the African continent, praised by fans for evolving HipHop in Africa. 65