The Gothic Cathedral and the Medieval city - Avant
Transcription
The Gothic Cathedral and the Medieval city - Avant
The Gothic Cathedral and the Medieval city The built environment Department of Construction Dr. Jason E Charalambides 1 Liberating the Italian Peninsula and bringing Art and Architecture of Byzantium San Vitale in Ravenna ➢ 2 Byzantium can no longer hold the Western Empire 3 From Byzantium to the Holy Roman Empire On Christmas Day 800, Charlemagne, king of the Franks, was crowned in Rome by Pope Leo III with the title of Holy Roman Emperor. Leo not only crowned Charlemagne, he kneeled before him. The effect was to replace the Emperor in Constantinople as the temporal protector of the Church in the West and signaled an end to the Eastern Emperor's involvement in Western affairs. It was intended by the addition of the word 'Holy' to forge a definitive link between the papacy and Charlemagne's empire. ➢ 4 Emulating Byzantium the Palatine Chapel of Charlemagne Aachen ➢ (Aix La Chapelle). 5 A Different Vision, Tradition, and Understanding Torhalle (gatehouse), Lorsch, Germany. Odo of Metz ➢ Learning from the Southerners and Adapting to local traditions and spatial forms ➢ 6 What we keep The Roman Basilica plan is the basis for what became the Christian Church. ➢ ➢ At different scales, the Basilica Ulpia and the first Saint Peter's in the Vatican ➢ 7 And what we adapt... great coxwell barn, oxfordshire, England, 14th century ➢ 8 The First printed “Plan”. Abbey of Saint Gall The First recorded architectural planCirca 820. ➢ 9 Carolingian to Romanesque The Carolingian church was transformed to Romanesque with vertical Aesthetic, Basilican plan, and a masonry vault instead of a wooden ceiling ➢ The 8th-century Carolingian Martinskirche (Church of St. Martin) in Linz is considered the oldest church in Austria that still retains most of its original form. The Église Notre-Dame-la-Grande in Poitiers is a magnificent Romanesque-Byzantine church from the 11th and 12th centuries. Its wide facade is flanked by pinecone-shaped towers and covered in 10 carvings of saints and biblical scenes. The Sculpture Romanesque Gothic 11 Abbey of Saint Denis 1140 and 1231 On the edge of the city of Paris, the Abbey of Saint Denis was built after the patron Saint of France in 1140 by Abbot Suger It was a national shrine and the place where Charlemagne's father was buried... 12 qç=cìää=båÅäçëìêÉ Skin Exterior Texture of Religious Architecture The Keshava temple at Somnathpur is a very intricately sculpted ornate edifice. Yet in terms of perception, it is a very closed form where natural light comes in only from the main entry. The Indian approach defies the perception of celestial divinities that the occident follows. Natural light is not “divine” and no connection of the statue with the exterior is imaginable. J. Charalambides Plan and views of the Keshava temple at Somnathpur, India circa 1268 BC. The Origins of Gothic Architecture This period is often associated with an increased efficacy in the royal administration, and Suger has been credited with having contributed to a new ideology of kingship, although recent scholarship tends to downplay his immediate contributions. As abbot of Saint Denis, Suger began a major renovation program for the abbey perhaps as early as 1122, ➢ 16 Abbot Suger 1081-1151 ➢ in the early years of his tenure. Although the academic literature has concentrated primarily on the reconstruction of the west facade and east ends of Saint-Denis, Suger's building program also included almost all of the abbey's buildings, notably the refectory, the dormitory, the domus hospitum, and perhaps a new cloister. ➢ The role of Suger as artistic patron has been the subject of a long and varied critical discourse. Some have gone as far as to credit Suger with having independently masterminded the creation of new iconographic programs of sculpture, stained glass cycles, and of Gothic architecture in general at Saint-Denis. 17 The Origins of Gothic Architecture Abbot of Saint Denis from 1122 until his death in 1151, Suger played an important role in political and ecclesiastical affairs of Paris in the first half of the twelfth century. Closely tied to the Capetians since he was an oblate at Saint-Denis, Suger even served as regent from 1147-1149 while King Louis VII was on Crusade. ➢ 18 Inspired by Abbey of Saint Etienne in Caen 1120 19 Abbey of Saint Denis 1140 and 1231 Note: rose window and column figures on west facade; double ambulatory and pointed ribbed vaults in choir. Architecture and light. 21 Abbey of Saint Denis 1140 and 1231 22 Abbey of Saint Denis 1140 and 1231 Note: rose window and column figures on west facade; double ambulatory and pointed ribbed vaults in choir. Architecture and light. 23 Abbey of Saint Denis 1140 and 1231 Note: rose window and column figures on west facade; double ambulatory and pointed ribbed vaults in choir. Architecture and light. 24 The cathedral town. The cathedral town. New importance of the town in political life, and of the cathedral in the town. ➢ ➢Amersfoort, Netherlands 25 The Case of Chartres The cathedral as an expression of piety and local identity. ➢ Financing the cathedral: roles of relics, corporate gifts, diversion of church and diocesan incomes royal and noble gifts. ➢ 26 The Sacred Tunic. The special relationship of Chartres and the Virgin Mary; ➢ the Sacred Tunic. ➢ Predecessors of Chartres in 858, 1020; ➢ the fire of 1134 and the new west front ➢ 27 Differences between Gothic and Romanesque structures: The scale, ➢ skeletal vs. "mural" quality ➢ pointed ribbed vaulting. The pointed arch and its implications; ➢ pier buttresses and flying buttresses. ➢ 28 The Cathedral of Laon: Experiments in height, light, and rhythm in the early Gothic cathedrals at Laon, 1150s-1214 ➢ 29 The Cathedral of Laon: sexpartite vaults. ➢ four-story interior elevation, ➢ use of tribune/gallery; ➢ simple piers ➢ 30 Chartres ➢ Chartres as the classic solution to these experiments. Emulation and competition as it affects cathedral design. ➢ 31 Notre Dame of Paris There is something special about this! ➢ 32