2015 BENEFIT AUCTION

2015 BENEFIT AUCTION
SATURDAY, NOVEMBER 7
PREVIEW EXHIBITION: NOVEMBER 2-6
WWW.SFCAMERAWORK.ORG
ABOVE: CHRIS MCCAW, Sunburned GSP#815
ON COVER: PHILLIP MAISEL,
(Mojave), 2014, LOT 54
Feldspar (1101), 2015, LOT 22
Chris McCaw’s Sunburn prints pare photogra-
Phillip Maisel’s work lies somewhere between docu-
phy down to its most basic elements—light and
mentation, sculpture, photography, and collage. His
time. For each unique photograph, McCaw makes
working process begins with impermanent arrange-
hours-long exposures onto photo-sensitive paper,
ments of everyday materials – paper, glass, mirrors,
allowing the sun to literally burn a trace of its
tape - staged for the camera’s lens. He then makes
path across the sky. This sunrise diptych was
multiple adjustments – ­repositioning, introducing
made in late winter in the Mojave. McCaw’s work
or extracting various elements – and photographing
has been exhibited most recently at the J. Paul
each intervention in a sequence. Elements used in
Getty Museum, Los Angeles; the National Gallery
various stages of photographic processes (color fil-
of Art, Washington, D.C.; and the Phoenix Art
ters, glassine, and prints themselves) are integrated
Museum. Sunburn, a monograph of his photo-
back into the artwork either as part of the sculpture
graphs was published by Candela Books in 2012.
or as collage elements that may be re-inserted into
a new, composite creation.
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www.sfcamerawork.org
S F C A M E R AW O R K S U P P O R T S E M E R G I N G A R T I S T S
AND NEW IDEAS IN THE PHOTOGRAPHIC ARTS
2014 FINE PRINT
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2015 BENEFIT AUCTION
SATURDAY, NOVEMBER 7, 2015
Registration begins at 5:30 PM
Bidding begins at 7:00 PM
L O C AT I O N
SF Camerawork
1011 Market Street, 2nd Floor
San Francisco, CA 94103
AUCTIONEER
Rick Wester,
Rick Wester Fine Art, NYC
ADMISSION
$30 in advance
$40 at the door
Purchase tickets at:
sfcamerawork.org/auction
PREVIEW EXHIBITION
RICHARD MISRACH, IPS #6829 (Scrub 17),
November 2-6, 2015
Gallery hours: Tuesday - Friday,
12 - 6 PM, Saturday 12 - 5 PM
and by appointment
LOT 85
ABSENTEE BIDS
phy since the 1970s. Recently he has been working on a
Absentee bid forms can be found
at sfcamerawork.org/auction or by
calling the gallery at 415-487-1011.
The auction catalog can be
viewed online at:
sfcameraworkauction.org/auction
Catalog Design:
Monique Deschaines
and Anthony Laurino Design
Internationally-acclaimed photographer Richard Misrach
has been pioneering both color and large-scale photograseries of large-scale negative prints based on landscapes,
seascapes and mostly dead, desert vegetation such as
tumbleweeds and scrub-brush. Early on he began using iPhone pictures as studies for the large works, but he
came to appreciate the intimate scale and unusual beauty
of the small prints, such as IPS #6829 (Scrub 17) shown
above, in their own right. Richard Misrach is the recipient
of numerous awards in the arts including four National
Endowment for the Arts Fellowships and a Guggenheim
Fellowship. His photographs are held in the collections of
major museums throughout the world.
#SFCAuction | 3
SUPPORTERS OF THE 2015 BENEFIT AUCTION
HONORARY COMMITTEE
Shoshana Berger
Michelle Branch and Dale Cook
Dave Elfving
Alexis Gordon
Allie Haeusslein
Peter Hirshberg
Heather Holt
Amanda Hughen
Doug Mandell
Frank Mainzer
RJ Muna and Kerry Mansfield
Chris McCall
Thomas Meyer
SPONSORS
Delicious Catering
F8 Beverage Catering
Mullen Brothers Imaging
Page Imageworks/Tony Page
photograph & frame
Smith Andersen North
Sterling Art Services
photograph&frame
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New Belgium Brewing
Bi-Rite Catering
Blue Angel Vodka
Rocky Oak Vineyard
Toad Hollow Vineyards
B3-Blooms by Brandon
1011 Market Street, 2nd Floor
San Francisco, CA 94103
415.487.1011
[email protected]
www.sfcamerawork.org
STAFF
Heather Snider, Executive Director
Michael Thurin, Gallery Manager
BOARD OF DIRECTORS
Jeanne Friscia, President
Ellen Shershow, Vice-President
Ken Hoffman, Treasurer
Matt Kellogg, Secretary
Rachel Been
Amy Cole
Lisa Cole
Monique Deschaines, Programming Chair
Adriana Grino, Membership Chair
Miki Johnson, Governance Chair
Marcia Kadanoff
Anthony Laurino
Darrin Martin
Bernadette Opine, Outreach Chair
Danica Sachs
Francesca Sonara
Edna Togba
Robyn Wise
ARTS ADVISORY COMMITTEE
Abigail Solomon-Godeau
Carolina Ponce De León
Donna J. Wan
Janet Delaney
Sergio De La Torre
Viet Lê
Welcome to SF Camerawork’s 2015 Benefit Auction. This year we’ve made a few exciting
changes that we hope will increase the benefits for our collectors, donors, supporters,
and ultimately all the artists we serve. First of all, we’ve moved the time of our event to
the evening, 2014
after 30FINE
years we
felt it was time. But
we are
dedicated
live FINE PR
PRINT
2014
FINE
PRINTto keeping the2014
auction as the
traditional,
formal
auction
it
has
always
been,
and
leading
us
in
this
will
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be venerable auctioneer Rick Wester, presiding over our auction for the second year in a
row. Mr. Wester is both deeply knowledgable in the field of photography and a dedicated
supporter of SF Camerawork.
Another important change we’ve made is to the format of the catalog in your hands.
In place of the alphabetical lot order we’ve used in the past, our staff and board have
worked together to design a thoughtfully curated presentation of works, bringing many
varied artists and their works
together to compliment and resonate
with one another.
We’ve
added
2014
FINEalso
PRINT
2014 FINE PRINT
2014 FINE PRIN
background information about certain
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works, providing some context which
will hopefully pique your interest in
finding out more.
Finally, we are also offering several
“experience” items this year, both
widening the range of what we have
on offer in the sale and underlining
the community spirit that supports
SF Camerawork. Many thanks to
Fraenkel Gallery, Dickerman Prints,
MEGHANN RIEPENHOFF, Littoral Drift #38,
and Kari Orvik and Dave Elfving for
LOT 73, Meghann Riepehhoff solo exhibition
contributing their personal time and
opening at SF Camerwork December 2015
resources towards this new intiative.
If there is one point we would like to emphasize this year, it is that of community. SF
Camerawork plays a vital role in providing opportunities and enrichment for artists and
the greater community, who in turn support SF Camerawork and make everything we do
possible. Please remember that SF Camerawork belongs to all of us, and we hope you find
opportunity to enjoy our exhibitions, publications, and events throughout the year.
Our heartfelt thanks to all of the artists who generously donated their works to this
sale. The quality of work this year is tremendous and reflects the amazing breadth of
contemporary practice in photography.
We look forward to seeing you on the evening of November 7th!
INTERNS
Lola Chaves
Laura Amschel
Emilie Flory
Kristina Graber
Ben Hoffman
Ashlei Quinones
Anna Rotty
Elizabeth Bennett - Social Media
Heather SniderJeanne Friscia
Executive Director
President, Board of Directors
2015 Auction Committee:
Ellen Shershow, Chair; Amy Cole; Lisa Cole; Monique Deschaines;
Marcia Kadanoff; Danica Sachs; Interns: Anna Rotty and Emilie Flory
#SFCAuction | 5
LOT 2
LOT 1
LOT 4
LOT 3
LOT 1 t.w. five
Drömlandet, 2015,Hand-cut adhesive-backed vinyl on panel;
40 x 40 inches; Unique; signed on verso; $4,500. Donated by
the artist.
LOT 3 MIMI PLUMB
Pyramid Lake, 1985/2015, Gelatin Silver Print; 16 x 20
inches; Edition 5/15; signed on verso; $1,500. Donated by
the artist.
LOT 2 JANE REED
David Ireland, Skellig, 1994/2015, Archival Pigment Print;
10.75 x 15.75 inches; Edition 3; signed on front; $2,000.
Donated by the artist.
LOT 4 WRIGHT MORRIS
Faulkner Country, Near Oxford, Mississippi, 1939/1962,
Gelatin Silver Print; 8 x 10 inches; signed on verso; $3,000.
Donated by Stephen Arkin.
WRIGHT MORRIS was both an accomplished writer and photographer. His work was exhibited widely during his lifetime and is
archived at the Center for Creative Photography, Tucson. This
picture was taken on an extended photographic trip Morris made
in 1939. He drove to William Faulkner’s house but could not bring
himself to meet the author. He took this picture after sleeping in
his car nearby.
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LOT 6
LOT 5
LOT 7
LOT 8
LOT 5 MCNAIR EVANS
LOT 6 RICHARD GILLES
Floodlight, 2009/2014, Archival Pigment Print;20 x 29
inches; Edition 3/5; signed on verso; $3,200. Donated by the
artist and Sasha Wolf Gallery, New York, NY.
Parcel 084-081-002 WideLoad, 2013/2015, inkjet print;
16 x 34 inches; Edition 1/10; signed on verso; $900. Donated by the artist and Axis Gallery, Sacramento, CA.
LOT 7 VIET LÊ
LOT 8 OLIVER LEACH
Untitled (girlhood among ghosts), 2002, Lambda C-print,
face-mounted on Plexi; 8 x 8 inches; Edition 1/3; signed on
mount; $1,000. Donated by the artist.
UFO 1-8, 2009/2015, C-Print; 20 x 16 inches; signed on
verso; $800. Donated by the artist.
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LOT 10
LOT 9
LOT 12
LOT 11
LOT 9 KOTA EZAWA
Richter with Grey Monochromes, 2013, Gelatin Silver Print;
16.25 x 16.5 inches; Edition 3/7; signed on label; $3,750.
Donated by the artist and Haines Gallery, San Francisco, CA.
KOTA EZAWA remakes film and photographic imagery into an
animated, reductionist style that mediates on collective. cultural
experience. This portrait of painter Gerhard Richter is part of his
latest body of work focusing on the protagonists of modern art.
LOT 11 MONICA DENEVAN
Anchor, Burma,2013/2014, Gelatin Silver Print;15 x 15
inches; Edition 3/25; signed on verso; $750. Donated by the
artist and Scott Nichols Gallery, San Francisco, CA.
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LOT 13
LOT 10 ANDY FREEBERG
Patti Smith, 1978/2015, Archival Pigment Print; 11 x 16
inches; Edition 2/15; signed on verso; $900. Donated by
the artist and Kopeikin Gallery, Los Angeles, CA and Andrea
Meislin Gallery, New York, NY.
LOT 12 TETSU OKUHARA
Susan with Tape, 1969, Gelatin Silver Print; 6 1/2 x 6 1/2
inches; signed on verso; $800. Donated by the artist and
Katrina Doerner.
LOT 13 GEORGE SERA
One more photo the Fraenkel Gallery doesn’t like – Portrait of
Robert Mapplethorpe, 1984/2015, Archival Pigment Print;
12 x 18 inches; Edition 1/5; signed on verso; $800.
Donated by the artist.
LOT 15
LOT 14
LOT 17
LOT 16
LOT 14 AMANDA BOE
LOT 15 JOHN GOODMAN
Pacific, 2013/2015, Digital C-Print; 20 x 20 inches;
Edition 1 of 10; signed on verso; $800. Donated by the artist
and SFMOMA Artists Gallery, San Francisco, CA.
Woman Driver / South Boston, 1977/2014, Archival Pigment
Print /original shot on Kodachrome; 14 x 21.5inches;
Edition 6/12; signed on print; [$3,000]. Donated by the artist
and Scott Nichols Gallery, San Francisco, CA and Rick Wester
Fine Art, New York, NY.
LOT 16 SARAH CHRISTIANSON
Killdeer Mountains,2014/2015, Type-C Print; 8 x 10 inches;
Edition 1 of 4; signed on mount; $350. Donated by the artist.
JOHN GOODMAN was a student of Minor White in the early 70s
and has extensive bodies of work in both color and black and
white. About this image he writes: “She appeared in an instant,
stopped at a traffic light, in the summer of 1977. It was one moment, one movement, one exposure, and then the light turned
green.”
LOT 17 SARAH CHRISTIANSON
Flaring near the Blue Buttes, 2015, Type-C Print;8 x 10 inches;
Edition 1 of 4; signed on front; $350. Donated by the artist.
#SFCAuction | 9
LOT 19
LOT 18
LOT 20
LOT 21
LOT 18 JASON HANASIK
LOT 19 TABITHA SOREN
Sharrod and the White Tiger, 2011/2015, Digital C-print;
15.75 x 19.75 inches; Edition 1/8; signed on mount; $750.
Donated by the artist.
Unique Tintype 16625, 2013/2015, Tintype; 8 x 10 inches;
Edition 1/1; signed on verso; $3,700. Donated by the artist
and Kopeikin Gallery, Los Angeles, CA. Custom framing
donated by Smith Andersen North.
LOT 20 HIROYO KANEKO
TABITHA SOREN’S “Fantasy Life” series explores the dreams of a
nation – through baseball. Soren has spent a dozen years delving
into the realm of American baseball, exploring tradition, success,
and failure. Soren’s use of the tintype is a nod to the history of the
tintype medium and baseball itself – both coming to popularity at
around the same time in US history.
Sentimental Education #08, 2015, Type C-print; 16 x 20
inches; Edition 3/5; signed on mount; $1,600. Donated by
the artist.
LOT 21 TRENT DAVIS BAILEY
Scrim, Paonia, Colorado, 2014/2015, Archival Inkjet Print; 15 x
12 inches; Edition 10 of 20; signed on mount; $900. Donated
by the artist and Robert Koch Gallery, San Francisco, CA.
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LOT 23
LOT 22
LOT 26
LOT 24
LOT 25
LOT 22 PHILLIP MAISEL
LOT 23 RACHELLE BUSSIÈRES
Feldspar (1101), 2015, Archival Pigment Print; 21.5 x 17.8
inches; Edition 2/5; signed on verso; $1,600. Donated by the
artist and Gregory Lind Gallery, San Francisco, CA.
Fissures (Mono Lake), 2014, Unique Solarized Gelatin Silver
Print; 24 x 20 inches; signed on verso; $2,500. Donated by
the artist and Robert Koch Gallery, San Francisco, CA.
LOT 24 DICKERMAN PRINTS GIFT CERTIFICATE
LOT 25 SHARON HARPER
Printing Services Gift Certificate, $250. Dickerman Prints is
a full-service custom photo lab in San Francisco. This gift can
be applied to custom “C” printing, film processing, pigment
prints, Imacon scanning, and retouching. Photograph of Jimi
Hendrix by Baron Wolman, printed at Dickerman Prints.
Wind Turbines, La Palma, Canary Islands, 2012/2015,
Archival Ultrachrome print from 4 x 5 transparency; 14 x 11
inches; signed on label; $1,000. Donated by the artist and
Bridgette Mayer Gallery, Philadelphia and Rick Wester Fine
Art, New York.
LOT 26 JAMIL HELLU
Photography (Still Life with Yellow Flower) , 2014/2015,
Digital Pigment Print; 16 x 16 inches; Edition 3/10;
signed on verso; $850. Donated by the artist.
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LOT 27
LOT 29
LOT 28
LOT 30
LOT 31
LOT 27 CHRISTOPHER WOODCOCK
LOT 29 CATHERINE WAGNER
Trail Crest, 2011/2015, C-Print; 16 x 20 inches; Edition 1/10;
signed on mount; $1,600. Donated by the artist and Bonni
Benrubi Gallery, New York, NY.
Fragments Femminile, 2013/2015, Archival Pigment Print; 20
x 9 inches; signed on mount; [$4,000]. Donated by the artist
and Anglim Gilbert Gallery, San Francisco, CA. Custom Framing
donated by Sterling Art Services.
LOT 28 SCOTT B. DAVIS
Ocotillo (Atlas), 2014/2015,Palladium Print; 20 x 16 inches;
Edition 1/5; signed on verso; $2,000. Donated by the artist
and Etherton Gallery, Tucson, AZ.
LOT 30 BETH MOON
Minorca Black Hen, 2009, Platinum/palladium; 18 x 15
inches; Edition 2/9; signed on front; $1,400. Donated by the
artist and Corden|Potts Gallery, San Francisco, CA.
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“Fragments Femminile” is part of CATHERINE WAGNER’S Rome
Works series, an investigation and interpretion of the history of culture made during her fellowship as a Rome Prize recipient in 2013.
The photographs include sculptural masterpieces, rooted in antiquity
yet embedded with markers creating a collision in time.
LOT 31 PAT WILLARD
Dream Life of Fruits and Vegetables, #3, 2013, Gelatin Silver
Print; 13.5 x 18 inches; Edition 2 of 10; signed on verso; $700.
Donated by the artist and Robert Tat Gallery, San Francisco, CA.
LOT 33
LOT 32
LOT 35
LOT 34
LOT 32 JONATHAN SPRAGUE
LOT 33 DOUG FOGELSON
Vertical Shear / pressure gradient, 2015, Archival pigment ink
on natural rag paper; 24 x 32 inches; Edition 1/5; signed on
verso; $1,800. Donated by the artist.
Exit Eden No. 14, 2012, Archival Inkjet Print; 27.75 x 34.25
inches; Edition 2/6 (+ 2 A.P.) signed on verso; $2,500.
Donated by the artist and Linda Warren Projects, Chicago, IL.
LOT 34 SETH DICKERMAN
LOT 35 VANESSA MARSH
Shark XVIII, 2015, Type C Print, face-mounted to non-reflective
acrylic, back-mounted on black sintra; 11 x 16inches;
Edition A/P; signed on mount; $650. Donated by the artist.
Mountains 16 from the series Falling, 2015, Unique
Chromogenic Photogram; 20 x 24 inches; Edition 1/3; signed
on front; $2,400. Donated by the artist and Dolby Chadwick
Gallery, San Francisco, CA.
#SFCAuction | 13
LOT 36
LOT 37
LOT 39
LOT 38
LOT 36 SAUL BROMBERGER
LOT 40
LOT 37 EADWEARD MUYBRIDGE
Dykes on Bikes, The San Francisco Gay & Lesbian Freedom Day
Parade, 1988/2015, 11 x 14 inches; $750. Donated by the
artist.
Animal Locomotion, Plate 331-Wrestlers, 1887, Collotype; 18
3/4 x 23 3/4 inches; $750. Donated by Susan Herzig and
Paul Hertzmann.
LOT 38 MARGARET BOURKE-WHITE
LOT 40 WORKSHOP WITH MASTER
PRINTER SETH DICKERMAN
Self-Portrait with Erskine Caldwell, 1941/1972, Vintage Silver
Print; 6 1/4 x 5 inches; from the artist’s annual Christmas
card; $1,250. Donated by Susan Herzig and Paul Hertzmann.
LOT 39 EADWEARD MUYBRIDGE
Animal Locomotion, Plate 593 - Horse and Rider, 1887,
Collotype; 18 3/4 x 23 3/4 inches; $500. Donated by
Susan Herzig and Paul Hertzmann.
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2-Hour Photo Printing Workshop at Dickerman Prints, $375.
This private session includes two hours of one-on-one instruction with Master Printer Seth Dickerman – and 25 square feet
of printing on 30” wide Fuji Crystal Archive Paper. The tutorial will be tailored to the needs of the participant and can
accommodate photographers with advanced Photoshop skills
or those just beginning their digital practice. Seth Dickerman
has been a professional printer since 1978, working with
many of the country’s most respected photographers.
LOT 42
LOT 41
LOT 43
LOT 44
LOT 41 TIMOTHY HYDE
LOT 42 ERIC WILLIAM CARROLL
Untitled Monument SV11, 2008/2014,Photographic collage
made from photographic prints mounted on plexiglass; 24.5
x 16.5 inches; Unique; signed on verso; $6,500. Donated by
the artist and Marso Galería, Mexico City, DF.
Pattern Recognition, 2015, Multiple Pass Pigment Ink Print;
15 x 12 inches; Edition 1/1; signed on verso; $750. Donated
by the artist.
TIMOTHY HYDE’S work is a hybrid of performance, photography,
and sculpture. This unique work began as a series of photographs
made over the course of a single winter day from a fixed camera
in an empty New England airfield. Prints were then cut into
fragments and reassembled into a hypothetical, illusory structure.
People Who Are Trees I, 2005, Mixed Media; 10 x 8 inches;
Unique; signed on front; $1,800. Donated by the artist.
LOT 44 HOLLY ROBERTS
LOT 43 DONNA J. WAN
Golden Gate Bridge (#9), 2013/2015, Archival Pigment Print;
25 x 20 inches; Edition 2/10; signed on label; $1,500. Donated by the artist and Rick Wester Fine Art, New York, NY.
#SFCAuction | 15
LOT 46
LOT 47
LOT 45
LOT 48
LOT 45 MARY ELLEN BARTLEY
Disfarmer Figure, 2011/2015, Archival Pigment Print; 18x 12
inches; signed on label; $2,400. Donated by the artist and
Yancey Richardson Gallery, New York, NY.
LOT 48 IRA NOWINSKI
Voila de Ingris, from the series The Studio of Man Ray, 1983,
Gelatin Silver Print; 12 3/8 x 18 1/2 inches; signed on verso;
$1,000. Donated by the artist.
LOT 49
LOT 46 KERRY MANSFIELD
Polaroid Land Photography, Dog-Eared Corner, 2013/2015,
Archival Pigment Print; 24 x 22 inches; Edition A/P; $1,850. Donated by the artist and Corden|Potts Gallery,
San Francisco, CA.
LOT 47 NIGEL POOR
Banned Book: Are You There God? It’s Me Margaret, 2011/2012,
Archival Pigment Print; 10 x 24 inches; Edition 1/1; signed
on mount; $1,200. Donated by the artist and Haines Gallery,
San Francisco, CA.
LOT 49 ROD DRESSER
White Rose, Carmel, California, 1998, Gelatin Silver Print; 20
x 16 inches; Edition 11/35; signed on front; $2,000. Donated
by the artist.
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LOT 50
LOT 51
LOT 53
LOT 52
LOT 50 FRED LYON
LOT 51 JOHN GUTMANN
Painting Under the Roadbed, Alcatraz in Distance, 1950,
Archival Pigment Print; 11 x 11 inches; signed on verso;
$1,400. Donated by the artist and Peter Fetterman Gallery,
Santa Monica, CA.
Cord in Harlem, New York, 1935/1979,Gelatin Silver Print;
8 x 10 inches; signed on verso; $3,000. Donated by The John
Gutmann Photography Fellowship Trust.
LOT 52 ALAN ROSS
Dunes and Stone, Great Sand Dunes, Colorado, 1993/1994.
Gelatin Silver Print, 12 x 9 inches, signed on front; $600.
Donated by the artist.
LOT 53 GORDON MARTIN
Phil Leads Moss, 1959/2015 and Laguna Green Flag,
1964/2015, Set of two Archival Pigment Prints; 13 x 19
inches each; $500. Donated by Roy Spencer.
.
JOHN GUTMANN was born in Germany in 1905 and trained as a
painter under the German expressionist Otto Mueller. Gutmann
took up photography in 1933 as a means to support himself as
a photojournalist after immigrating to the United States. With a
European’s cultural background and an eye trained in the German
avant-garde, Gutmann observed aspects of American culture that
eluded most American artists of his time.“Cord in Harlem, New
York” was made in 1935 when Gutmann travelled by bus from
San Francisco to New York City, crossing the northern states and
returning to San Francsico by way of the southern states in 1937.
#SFCAuction | 17
LOT 54
LOT 55
LOT 56
LOT 57
LOT 58
LOT 54 CHRIS MCCAW
LOT 55 MICHELLE KLOEHN
Sunburned GSP#815 (Mojave), 2014, Two Unique Gelatin
Silver Paper Negatives; 5 x 8 inches; Edition 1/1;
signed on verso; $4,000. Donated by the artist and Yossi Milo
Gallery, New York, NY. Custom framing donated by Sterling
Art Services.
Untitled from the series S2004/N1, 2014, Tintype on colored
aluminum; 16 x 20 inches; Unique print; signed on verso;
$2,800. Donated by the artist.
LOT 56 ANSLEY WEST RIVERS
Rayonier Pulp Mill, Altamaha River, GA,2014/2015, Archival
Pigment Print; 24 x 30 inches; Edition AP; signed on verso;
$950. Donated by the artist. Framing donated by Mullen
Brothers Imaging.
LOT 57 SAID NUSEIBEH
Natal Star, Persia, 2007/2015, Pigment Inkjet on cotton
rag; 14 x 18.5 inches; Edition 3/16 signed on front; $900.
Donated by the artist and Scott Nichols Gallery, San
Francisco, CA.
LOT 58 BRIGITTE CARNOCHAN
Bella Figura by Brigitte Carnochan (Limited Edition Collector Box
Set), 2006, including hand-painted Silver Gelatin photograph;
6 x 6 inches; Edition 64/80; signed on front; $1,000. Donated by the artist and Themes + Projects by modernbook,
San Francisco, CA.
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LOT 59
LOT 60
LOT 61
LOT 59 AN EVENING AT FRAENKEL GALLERY
Behind the Velvet Rope: An Evening at Fraenkel Gallery, $2,500.
Donated by Fraenkel Gallery. Enjoy an exclusive tour of the
gallery, including the private viewing rooms. Guests will
explore the gallery’s rich history and view photographs by
Fraenkel’s artists. This Director-led event is ideal for a group
of 10-15 guests. Refreshments and bites will be served.
LOT 61 REID YALOM
Swing, 2012/2014, Archival Pigment Print from 4x5 negative
with vintage Verito lens; 15.5 x 20 inches; Edition 1/20;
signed on front; $1,200. Donated by the artist and Smith
Andersen North, San Anselmo, CA.
LOT 62
LOT 60 ANDREANNE MICHON
Bamboo (Big Island, Hawaii), 2015, Archival Pigment Print; 12
x 15 inches; Edition AP; signed on verso; $1,000. Donated by
the artist.
LOT 62 LEWIS WATTS
Porte de Pantin Metro, Paris, 2014/2015, Archival Pigment
Print; 22x 28 inches; signed on verso; $1,300. Donated by
the artist.
#SFCAuction | 19
LOT 1
63
LOT 64
LOT 65
LOT 66
LOT 63 JOHN PFAHL
LOT 64 HERB RITTS
31 Prince Street, Rochester, New York, 1978; Chromogenic
print; 16x 20 inches; Edition 9/15; signed on verso; $2,000. Donated by the artist and Joseph Bellows Gallery,
La Jolla, CA.
William S. Burroughs, Kansas 1990, Gelatin Silver Print; 20 x 16
inches; Edition 7/25; signed on verso; [$5,000]. Donated by
the artist and Fahey Klein Gallery, Los Angeles, CA.
LOT 6 5 K E V I N K U N I S H I
It is fate, 2008, C-print with hand-applied text; 11 x 20
inches; Edition 3/25; signed on front;$6,500. Donated by the
artist and DC Moore Gallery, New York, NY.
Remigio, La Fundadora, 2009/2015, Archival Pigment Print;
16 x 16 inches; Edition 10; signed on verso; $900. Donated
by the artist.
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LOT 66 DUANE MICHALS
Octogenarian photographer DUANE MICHALS is a prolific producer and witty rule breaker who often includes handwritten text
with his imagery. Michals’ varied output includes images in blackand-white and in color, self-portraits, and small fantastic narrative
series. In his most recent series, Michals’ images assume the
shape of traditional Eastern fans that echo woodblock prints produced during the Japanese Edo period, fusing Eastern and Western
influences to blur boundaries between fantasy and reality.
LOT 67
LOT 69
LOT 68
LOT 71
LOT 70
LOT 67 WANDA HAMMERBECK
LOT 68 TINTYPE PARTY
Pariah Canyon, 1982/1984, Cibachrome; 16 x 23 inches;
Edition 19/40; signed on verso; $1,100. Donated by Thomas
V. Meyer.
Tintype Party at SF Camerawork, $5,000. Donated by Kari Orvik,
Dave Elfving, and SF Camerawork. Have your party at SF
Camerawork and treat your friends to a fabulous night of tintype
making. Local tintype photographers Kari Orvik and Dave Elfving
will create a pop-up tintype studio, Camerawork will provide
the venue, the rest is up to you. During a 4-hour party, up to 20
guests can have their portraits made and everyone will be able
to watch and share the excitement of seeing images come to life
through this 19th-century traditional photographic process.
LOT 70 SOFÍA CÓRDOVA
Abuela Emma En Su Cuarto, 2008/2015, Pigment Print; 22 x 17
inches; Edition 1/10; signed on front; $400. Donated by
the artist.
LOT 71 BERENICE ABBOTT
August Pingpank Barber Shop, New York City, 1930/1979,
Gelatin Silver Print; 20 x 16 inches; Edition 18/60;
signed on front mount; $5,500. Donated by Thomas V. Meyer.
From the book “Changing New York,” BERENICE ABBOTT’S
definitive photographic study of New York from 1935 to 1939.
Pingpank’s shop was said to be the oldest barber in New York City
at that time.
LOT 69 ED VAN DER ELSKEN
Vail a Saint Germain de Pres, 1952, Vintage Silver Print; 11 7/8
x 9 1/2 inches; Titled and credited to the photographer in ink
in unknown hand, with “rapho” and “Le Ore” Archive stamp on
reverse of print. $3,000. Donated by Susan Herzig and Paul
Hertzmann.
#SFCAuction | 21
LOT 72
LOT 73
LOT 74
LOT 75
LOT 72 JEANNE FRISCIA
LOT 73 MEGHANN RIEPENHOFF
Untitled (Portrait of Mom), 2015, Ambrotype; 10x 10 inches;
Unique; signed on verso; $800. Donated by the artist.
Custom framing donated by Smith Andersen North.
Littoral Drift #38 (Recto/Verso, Rodeo Beach, CA 04.17.13,
Dipped), 2013, Unique Cyanotype; 7.5 x 7.5 inches; signed
on verso; $1,800. Custom framing by Mark Ryan Fine Art
Services. Donated by the artist and EUQINOMprojects,
San Francisco.
LOT 74 THERESA GANZ
Serpentine 1, 2014/2015, Gelatin Silver Print; 20 x 16 inches;
Artist Proof; signed on verso; $600. Donated by the artist.
MEGHANN RIEPENHOFF’s unique, double-sided cyanotype was
made through exposing the paper and chemistry directly to ocean
water. The work is dynamic and will lighten and darken over time
in response to environment.
LOT 75 PAUL CAPONIGRO
Inner Night Sky, Cushing, Maine, 1999,Gelatin Silver Print;
7 3/8 x 9 3/8 inches; signed on verso; $3,000. Donated by
the artist and Scott Nichols Gallery, San Francisco, CA.
22 | #SFCAuction
LOT 76
LOT 77
LOT 79
LOT 78
LOT 76 RON VAN DONGEN
Arum Palaestinium,1997/2000, Archival Pigment Print; 13
x 10.5 inches; print #8; signed on verso; $800. Donated by
Jane Reed.
LOT 78 JACK SPENCER
Beach People #3, San Francisco, 2000/2004, Pigmented ink
print with varnish, asphaltum, oleopasto, and archival fixitive
on Hahnemhle paper; 25.75 x 24 inches; Edition 3/10;
signed on front; [$2,800]. Donated by Frank Konhaus and
Ellen Cassilly.
LOT 77 DAN ESTABROOK
Untitled (Dew), 1997, Salt print; 4 5/8 x 3 1/2 inches; AP fron
edition of 25; signed on verso; $1,500. Donated by the artist
and Catherine Edelman Gallery, Chicago, IL.
LOT 79 TIMOTHY ARCHIBALD
Closed System, 2008, from the series ECHOLILIA, 2008/2011,
Fuji Crystal Archive Print; 23 x 29 inches; Edition 4/10;
signed on verso; $1,200. Donated by the artist.
#SFCAuction | 23
LOT 80
LOT 81
LOT 82
LOT 83
LOT 80 STEVE CAGAN
LOT 81 ARTHUR TRESS
On the shore of the Atrato, Bellavista, El Chocó, Colombia, 2005/
2015, Archival Inkjet Print; 9 x 14 inches; signed on front;
$200. Donated by the artist.
Child With Goldwater Button, San Francisco, 1963/2011,
Toned Silver Gelatin Print; 10 x 10 inches; Edition 4/8;
signed on front; $3,500. Donated by the artist and Smith
Andersen North, San Anselmo, CA.
LOT 82 SUSANNAH HAYS
Bottle #3, 1998, Gelatin Silver Photogram; 16 x 20 inches;
Edition 15/25; signed on verso; $1,500. Donated by the
artist and Photo Eye Gallery, Santa Fe, NM.
24 | #SFCAuction
LOT 83 BOB CORNELIS
Carta I - 1, 2014/2015, Palladium print; 6 x 6 inches;
Edition 1/7; signed on mount; $800. Donated by the artist.
LOT 85
LOT 84
LOT 86
LOT 87
LOT 84 IRA KAUFMAN
Beyond No. 17, 2015, Archival Pigment Print; 13 7/8 x 17
1/2 inches; Edition 2/10; signed on verso; $500. Donated by
the artist.
LOT 86 DANIEL LEE POSTAER
San Francisco, (Thanksgiving Dusk), 2012, Archival Pigment
Print; 21x 32 inches; Edition 2/7; signature on back of
frame; $700. Donated by the artist.
LOT 88
LOT 85 RICHARD MISRACH
IPS #6829 (Scrub 17), 2014/2015, Pigment Print; 22 x 17
inches; Edition 2/7; signed on mount; $5,200. Donated by
the artist and Fraenkel Gallery, San Francisco, CA, Pace/
MacGill Gallery, New York, NY and Marc Selwyn Fine Art, Los
Angeles, CA.
LOT 87 MICHELLE L MORBY
Eadweard Muybridge-ish, 2015, Gouache on Arches hot press
140 lbs paper; 12 x 16 inches; signed on verso; $500.
Donated by the artist.
LOT 88 MICHELLE L MORBY
Edward Weston-ish, 2015, Gouache on Arches hot press 140
lbs paper; 12 x 16 inches; signed on verso; $500. Donated by
the artist.
#SFCAuction | 25
LOT 89
LOT 90
LOT 91
LOT 93
LOT 92
LOT 89 REAGAN LOUIE
Hong Kong Occupy, 2014, Archival Inkjet Print; 17 x 22
inches; signed on verso; $2,000. Donated by the artist.
LOT 91 PRESTON GANNAWAY
Knights of Columbus Oyster Roast, 2010, from the series
Between the Devil and the Deep Blue Sea, 2010/2015, Archival
Pigment Print; 16 x 20 inches; Edition 1/8; signed on verso;
$850. Donated by the artist.
LOT 92 TOM CHAMBERS
Entropic Kingdom by Tom Chambers (Limited Edition Collector
Box Set), 2006/2012, including Archival Pigment Print; 8 x 8
inches; Edition 8/100; signed on verso; $500. Donated by the
artist and Themes + Projects by modernbook, San Francisco,
CA.
26 | #SFCAuction
LOT 90 DALE YUDELMAN
The Moment the World Changed, 2004/2015, Chromogenic
print; 12 x 17.5 inches; Edition 7/15;signed on verso; $800.
Donated by the artist.
LOT 93 KIM STRINGFELLOW
McWilliams Homestead, U.S. Patent No. 1210868, 2008/2015,
Archival Pigment Print; 18.5 x 14.385 inches; Edition 2/10;
signed on verso; $750. Donated by the artist.
LOT 95
LOT 94
LOT 96
LOT 97
LOT 94 WILLIAM HEICK
LOT 95 NINIANE KELLEY
Nob Hill, 1947, Gelatin Silver Print; 10 x 8 inches;
signed on verso; $1,000. Donated by Ursula Gropper.
Caspar Rock, Broke Dozer Ridge, Lake County, 2014/2015,
Multi-layer gum bichromate over cyanotype print; 3.6 x 5.5
inches; Edition 3/12; signed on verso; $500. Donated by the
artist and Scott Nichols Gallery, San Francisco, CA.
WILLIAM HEICK was a photographer and documentary filmmaker.
He studied under Ansel Adams and Minor White at the California
School of Fine Arts (San Francisco Art Institute) during which time
he made this photograph of the Nob Hill neighborhood in San
Francisco, described as “Knob Hill” on verso of print. His works
are held in many collections including the MOMA (New York),
SFMOMA, and the Smithsonian Institute.
LOT 96 DANIEL COBURN
Armada, 2012/2014, Toned Cyanotype; 4.5 x 6inches;
Edition 1/6; signed on verso; $1,200. Donated by the artist.
LOT 97 ANDRE KERTESZ
Budapest (Circus), 1920/1970, Gelatin Silver Print; 10 x
8 inches; signed on verso; $4,000. Donated by Thomas V.
Meyer.
Hungarian-born ANDRE KERTESZ, a pioneer of 20th century
photography, was known for both his photojournalism and
experimental work. This photograph of a couple peeking at
concealed circus performers through a wooden fence, challenges
the position of subject and audience. This print was purchased
directly from Kertesz in 1979 by Thomas Meyer/Grapestake.
#SFCAuction | 27
Joseph De Mario
Seth Dickerman
Katrina Doerner
Dolby Chadwick Gallery
Dave Elfving
Reed Estabrook
Etherton Gallery
Fahey Klein Gallery
Angela Buenning Filo
Hal Fischer
M Joseph Fleming
Robert Flynt
Fraenkel Gallery
Chris Fraser
Jeanne Friscia
TABITHA SOREN, Unique Tintype 16625,
2013/2015, LOT 19
SF Camerawork
Contributors:
General Graphics
Craig Goodman
Catherine Edelman Gallery
Glen Graves/PhotoArts Marin
Mark Chambers
Adriana Grino
Abby Chen
Ursula Gropper
Anglim Gilbert Gallery
CLAMPART
John P. Grossman
Axis Gallery
Amy Cole and Deren Baker
Rani Gupta
Erik Auerbach
Lisa Cole
Susannah Hays
Baum Foundation
Corden|Potts Gallery
Haines Gallery
Bay Area Photographers Collective
Kelsey Crowe
Jamil Hellu
Rachel Been
Lee Day
Susan Herzig and Paul Hertzmann
Benrubi Gallery
DC Moore Gallery
Hobson Family Foundation
Jean-Baptiste Binz
Janet Delaney
Ken Hoffman
Frish Brandt
Monique Deschaines
Ann Jastrab
The Andy Warhol Foundation for the Visual Arts
28 | #SFCAuction
The John Gutmann Photography Fel-
Bridgette Mayer Gallery
Sasha Wolf Gallery
lowship Trust
Chris McCaw
Doreen Schmid
Miki Johnson
Megan McHugh
SF Art Training Services
Joseph Bellows Gallery
Albert Merola
SFMOMA Artists Gallery
Marcia Kadanoff
Thomas V. Meyer
Shanti Project
Matt Kellogg
Chuck Mobley
Ellen Shershow
Kenneth Rainin Foundation
Joan Morgenstern
Beau Simon
Stefan Kirkeby
Scott Nichols
Smith Anderson North Gallery
Frank Konhaus and Ellen Cassilly
Scott Nichols Gallery
Francesca Sonara
Kopeikin Gallery
Alex Nguyen
Sterling Art Services
Michael Kravitz
Bernadette Opine
The Herb Ritts Foundation
Mona Kuhn
Kari Orvik
The Yellow Chair Foundation
Anthony Laurino
David Pace
Themes + Projects
Erwan Le Moing
Pace/MacGill Gallery
Lew Thomas
RJ Muna
Tony Page
Edna Togba
LensCulture
Peter Fetterman Gallery
Judy Walgren
Anqi Li
Photo Eye Gallery
Kenneth Weinberg
Gregory Lind Gallery
J. John Priola
William Wegman
Linda Warren Projects
Renny Pritikin
Rick Wester
Jessamyn Lovell
Paul Rauschelbach
Kirsten Wolfe
The Luggage Store
Jane Levy Reed
Yancey Richardson Gallery
David Mahoney
Rena Bransten Projects
Frank Yamrus and Lucas Delabos
Kerry Mansfield
Rick Wester Fine Art
Yossi Milo Gallery
Marc Selwyn Fine Art
Robert Klein Gallery
Mehdi Zhiri
Marin Photo Club
Robert Koch Gallery
the artists who donated to this sale
Robert Marks
Robert Tat Gallery
and the invaluable support of
Marso Galería, Mexico City
Diane Rosenblum
all our members
Jonas Marson
Danica Sachs
Darrin Martin
Ari Salomon
FLEISHHACKER
F O U N D AT I O N
#SFCAuction | 29
CONDITIONS OF SALE
ABSENTEE BIDDING
1. The sale will begin at 7 pm on Saturday, November 7, 2015 and will
continue until all available prints have been presented for bidding.
Photographs will be offered for sale in the same order in which they
are listed here. Any artwork received after press time will be listed
in an addendum available at the Auction. Likewise, an erratum will
be produced, if needed, and made available at the Auction.
2. Any property may be withdrawn by SF Camerawork at any time
before the actual sale without any liability therefor.
3. During the day of the sale, bids will be accepted from registered
and absentee bidders. Bid numbers for registered bidders will be
available throughout the day at the registration desk.
4. The highest bidder acknowledged by the auctioneer will be the
purchaser. The auctioneer has the right to reject any bid and to
advance the bidding at his/her absolute discretion and, in the event
of any dispute between bidders, to determine the successful bidder
or to re-offer and resell the article in dispute. Should there be any
dispute after the sale, the auctioneer’s record of final sale shall be
conclusive.
5. Absentee bids will be accepted by mail, telephone, email, or
in person. The Absentee Bid Form (available at sfcamerawork.
org/auction or by calling the gallery) may be used to submit bids;
additional forms will be available at the gallery. Such bids will be
executed at the lowest possible price, subject to the reserve price
and other bids. If matching bids have been entered by two or more
parties, the first bid received will take preference.
6. We make no representation as to the condition of any lot sold
and no reference to imperfection is made in the catalog description.
All lots are sold “AS IS.” Prospective purchasers should inspect the
property before bidding to determine its condition.
7. Final bids for each item will be recorded by bid number and the
print held at the cashier’s desk until called for by the buyer. All
purchases must be paid in full on the day of the auction.
8. Payment may be cash, personal check (with proper identification),
or credit card. California state sales tax of 8.75 % will be added
to all purchases in state. Purchases can be shipped for additional
charges at the purchaser’s request. If packing and handling of
purchased lots is done by SF Camerawork, it is done at the entire
risk of the purchaser.
As a service to the bidders who are unable to attend the sale,
the auctioneer will enter their “absentee bids,” subject to the
Conditions of Sale in this catalogue. SF Camerawork offers
this service at no charge and without responsibility for error
or failure to execute bids. All lots will be purchased at the
lowest possible price subject to other bids. Absentee bid forms
can be found at sfcamerawork.org/auction or by calling the SF
Camerawork gallery at 415-487-1011.
Absentee bids must be received no later than 1:00 PM PST on
Friday, November 6, 2015.
INFORMATION FOR BUYERS
The catalog description includes an estimated price for each lot.
These estimates are the approximate prices we expect to be
realized. They are not definitive. The bidding begins below the
listed prices.
The Auctioneer will use the following increments:
$200-1,000 $50 increments
$1,000-2,000 $100 increments
$2,000-5,000 $200 increments
$5,000 and above $500 increments
The name listed at the top of each lot indicates the artist who,
in our best judgment, is the author of the work. (No unqualified
statement regarding authorship is made or intended.)
When one date is given it refers to the date of the negative
from which the print was made in the same year or soon
thereafter. Some prints show two dates, the first referring to
the negative and the second to the print. When the print date is
unknown, but assumed later, “printed later” appears following
the negative date.
Measurements generally refer to image size (sometimes paper
size) and are given in inches. The height appears first, followed
by the width.
All lots with estimated retail values marked by [ ] are offered
for sale subject to a reserve, which is the confidential minimum
price below which such lot will not be sold.
Please note that all statements and terms in this catalog are
subject to the provisions of the Conditions of Sale and San
Francisco Camerawork makes no warranties or representations
with any lot.
John Gutmann Cord in Harlem, New York, 1935/1979, LOT 51
30 | #SFCAuction
ARTIST INDEX
A
H
Abbott, Berenice | pg. 21
Hammerbeck, Wanda | pg. 21
Poor, Nigel | pg. 16
Archibald, Timothy | pg. 23
Hanasik, Jason | pg. 10
Postaer, Daniel Lee | pg. 25
B
Bailey, Trent Davis | pg. 10
Bartley, Mary Ellen | pg. 16
Boe, Amanda | pg. 9
Bourke-White, Margaret | pg. 14
Harper, Sharon | pg. 11
Hays, Susannah | pg. 24
Heick, William | pg. 27
Hellu, Jamil | pg. 11
Hyde, Timothy | pg. 15
Bromberger, Saul | pg. 14
K
Bussières, Rachelle | pg. 11
Kaneko, Hiroyo | pg. 10
C
Cagan, Steve | pg. 24
Caponigro, Paul | pg. 22
Carnochan, Brigitte | pg. 18
Carroll, Eric William | pg. 15
Kaufman, Ira | pg. 25
Kelley, Niniane | pg. 27
Kertesz, Andre | pg. 27
Kloehn, Michelle | pg. 18
Kunishi, Kevin | pg. 20
R
Reed, Jane | pg. 6
Riepenhoff, Meghann | pg. 5 (introduction), 22
Ritts, Herb | pg. 20
Roberts, Holly | pg. 15
Ross, Alan | pg. 17
S
Sera, George | pg. 8
Soren, Tabitha | pg. 10, 28
Spencer, Jack | pg. 23
Sprague, Jonathan | pg. 13
Stringfellow, Kim | pg. 26
Chambers, Tom | pg. 26
L
Christianson, Sarah | pg. 9
Lê, Viet | pg. 7
Coburn, Daniel | pg. 27
Leach, Oliver | pg. 7
Córdova, Sofía | pg. 21
Louie, Reagan | pg. 26
Cornelis, Bob | pg. 24
Lyon, Fred | pg. 17
D
M
Davis, Scott B. | pg. 12
Maisel, Phillip | pg. 11
Denevan, Monica | pg. 8
Mansfield, Kerry | pg. 16
Dickerman Prints | pg. 11,14
Marsh, Vanessa | pg. 13
W
Dickerman, Seth | pg. 13
Martin, Gordon | pg. 17
Wagner, Catherine | pg. 12
Dresser, Rod | pg. 16
McCaw, Chris | pg. 2 (introduction), 18
Wan, Donna J. | pg. 15
Michals, Duane | pg. 21
Watts, Lewis | pg. 19
Michon, Andreanne | pg. 19
West Rivers, Ansley | pg. 18
Misrach, Richard | pg. 2 (introduction), 35
Willard, Pat | pg. 12
Moon, Beth | pg. 12
Woodcock, Christopher | pg. 12
E
Estabrook, Dan | pg. 23
Evans, McNair | pg. 7
Ezawa, Kota | pg. 8
Morby, Michelle L . | pg. 25
F
Morris, Wright | pg. 6
Fogelson, Doug | pg. 13
Muybridge, Eadweard | pg. 14
Fraenkel Gallery | pg. 19
Freeberg, Andy | pg. 8
Friscia, Jeanne | pg. 22
G
Gannaway, Preston | pg. 26
Ganz, Theresa | pg. 22
T
Tintype Party | pg. 21
Tress, Arthur | pg. 24
t.w. five | pg. 6
V
Van der Elsken, Ed | pg. 21
Van Dongen, Ron | pg. 23
Y
Yalom, Reid | pg. 19
Yudelman, Dale | pg. 26
N
Nowinski, Ira | pg. 16
Nuseibeh, Said | pg. 16
O
Okuhara, Tetsu | pg. 8
Gilles, Richard | pg. 10
P
Goodman, John | pg. 9
Pfahl, John | pg. 20
Gutmann, John | pg. 17
Plumb, Mimi | pg. 6
#SFCAuction | 31
2014 FINE PRINT
PROGRAM PREVIEW
AU C T I O N
ERIC WILLIAM CARROLL Pattern Recognition, 2015, LOT 42
1011 Market Street, 2nd Floor
San Francisco, CA 94103
415.487.1011
[email protected]
www.sfcamerawork.org
2014 FINE PRINT
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