Adults lino print workshop-notes
Transcription
Adults lino print workshop-notes
from June 2013 LINO PRINTING The Is Tyn le Galle wald ry Mill St J s Isle ohns of M TEL an 076 EPHON 24 4 E 157 FAC 97 016 SIMILE 24 8 402 79 Lino Printmaking Workshop The Isle Gallery, Tynwald Mills BEGINNERS + WHO ARE THE WORKSHOPS AIMED AT? The workshops are aimed at beginners and those that have experimented a little in any form of printmaking, and would like to either learn or develop their skills. Inking up the blocks IN THE BEGINNING The first session will be mainly concerned with print making preparation and for most artists, this begins with a design or a drawing or even a painting. CAN ANYONE HAVE A GO? There is no prerequisite, only an interest and desire to create. Lino printmaking process Lino print making samples Adult workshops at the Isle Gallery include: Oil, Acrylic, Water Colour Painting and Printmaking. HOW LONG DO THE WORKSHOPS LAST? Beginners one colour print - 4 weeks Reduction method - 4 weeks Colour multi-plate method - 2-4 weeks Myartstudio, 15 Church Street, Peel, IM5 1HN | 01624-840279 | www.myartstudio.biz LINO PRINTING! PAGE 2 Lino Printmaking workshop NO MORE THAN 8 ADULTS IN EACH SESSION What do the workshops offer: The opportunity to work in a small group to discuss and share ideas. Learn new skills and realise your ideas. What to expect: Demonstrations and instruction from a professional artist in a fun and relaxed atmosphere. What to expect: Demonstrations and instruction from practising artists in a fun and relaxed atmosphere. September 2013 Please see below for workshop dates and times – please bring an apron! Tea and coffee is provided. This course runs continuously on Thursdays term time. Part 1 - BEGINNERS INTRODUCTION (4 weeks) I will give a brief introduction to lino printing. We look through my portfolio to see some of my own lino printing work. We then examine the process and have an informal and relaxed chat about styles of lino print, and, where relevant, other artists’ work. At this point we usually discuss what the students would like to achieve. We will then move on to talk in more detail about the reduction process, the materials and tools including: • drawing for print; what you can and cannot do within the restrictions of the medium • paper and inks • trying the various cutting tools and basic mark making • inking up and using the roller • basic registration • hand printing using the baren instead of the printing press We will then each begin a black and white print and talk about: • preparing the lino • choosing an image • picture balance and composition • different methods of transferring image to lino • reversal of image • cutting • printing • experimentation Part 2 - Colour Printmaking (48 weeks) Once we have each completed the beginner workshops (first 4 weeks) we will focus on producing a multi colour print. Areas that will be covered are: • tips and techniques to consider before printing • choosing your image/sketch • drawing and composition for colour lino • colour and layer planning • demonstration of multi colour process • inking and mixing colours • cleaning the block between colours • cutting colour layers and alterations while printing • leaving stuff out You will then start the preparation for your own multi colour print, including: • drawing and lino preparation • preparing registration marks • transferring own drawing to lino • printing • Reduction and multi-colour printmaking is covered in this block MULTI-COLOUR PRINTING AND CRITIQUE We will have a review at the end of each block of 4 weeks, the wonderful collection of prints produced. There will be plenty of time for questions throughout the workshops. DATES 2013 The workshop will run continuously on a Thursday morning and evenings 7pm - 9pm, following the school term times. COST The workshop cost is £15 per session + £22 to cover materials (this covers the cost of your own set of lino cutters, 2 sheets of lino and shared use of inks and paper stock). Extra lino, if you require, will be charged at cost price. All other equipment required will be available at the gallery. I will issue you with a Materials/Equipment and Suppliers list, when the workshops commence so you can purchase your own lino kit (if you want). Please pay for each block 4 weeks in advance. There will be enough materials for the first 4-6 weeks, a small ink or paper charge may be required after this, if stocks run low. Please make payment for £82 (first block of 4 weeks + materials) to ‘Myartstudio’ or pay by bacs to account: HSBC 73808831 sort code: 40-19-38. Please send cheques to 15 Church Street, Peel, Isle of Man. IM5 1HN WHAT TO BRING? All you really need to bring with you are the art basics: a soft pencil (3b at least), permanent marker (for quick shading in of areas) and either sketches or reference photographs, magazine cuttings etc. of an image you would like to produce. It can also be very useful to bring with you examples of other artists’ (especially printmakers) work that you like and are inspired by. Myartstudio, 15 Church Street, Peel, IM5 1HN | 01624-840279 | www.myartstudio.biz LINO PRINT MAKING! PAGE 3 Brief History Lino printing is a form of fine art printmaking where the printing plate is cut into lino. Yes, lino as in linoleum, as in the floor covering. The lino is then inked, a piece of paper placed over it, and then run through a printing press or pressure applied by hand to transfer the ink to the paper. The result, a linocut print. Because it's a smooth surface, the lino itself doesn't add texture to the print. Linoleum was invented in 1860 by a British rubber manufacturer, Fredrick Walton, looking for a cheaper product. Lino is made from linseed oil and Walton got the idea "by observing the skin produced by oxidized linseed oil that forms on paint." Linseed oil is heated in thin layers which thicken and become rubbery; this is then pressed onto a mesh of coarse threads to help hold it together in sheets. It didn't take long after the invention of lino for artists to decide it was a cheap and easy material for printmaking. Lacking any art historical tradition, artists were free to use it however they John Ndevasia Muafangejo. wished, without facing negative criticism. When Was Lino First Used for Printmaking? The use of lino to create art is "primarily attributed to German Expressionists such as Erich Heckel (1883-1944) and Gabriele Munter (1877-1962)"2. Russian Constructivist artists were using it by 1913, and black-and-white linocuts appeared in the UK in 1912 (attributed to Horace Brodzky). The development of color linocuts was "driven by the influence of Claude Flight (1881-1955)" who taught linocut in London at the Grosvenor School of Modern Art between 1926 and 1930.2 print, being recut after each color has been printed. But reduction lino "seems to have been in use by smallscale commercial printers for some time before [Picasso] made it his own. It was one such printer of posters who suggested to Picasso that he might find it an easy way of keeping the various colours in registration with one another."3 Matisse also made linocuts. Another artist famous for his linocuts is Namibian John Ndevasia Muafangejo. His prints often contain explanatory words or narratives in English on them. Picasso is known to have produced his first linocuts in 1939 and continued doing so into the early 1960s. Picasso is often credited with inventing reduction linocuts, where a piece of lino is used multiple times in one Picasso lino print Myartstudio, 15 Church Street, Peel, IM5 1HN | 01624-840279 | www.myartstudio.biz LINO PRINTNG WORKSHOP! OTHER DETAILS printing please bring your prints with you as it helps me asses the areas of your work to focus on and other members of the workshop always get pleasure and encouragement from seeing the work of others. After you have grown in confidence we will be able to pull some prints on the printing press due to be installed at the Gallery in June 2013. If you have any queries, at all, please don’t hesitate in asking! Lino Printmaking Isle Gallery, Tynwald Mills, St Johns Booking form: Please complete and return by email or post to: Kate Jerry, Myartstudio, 15 Church Street, Peel, IM5 1HN Name: Address: Email: Mobile contact number: TIMETABLE Please see below Myartstudio, 15 Church Street, Peel, IM5 1HN | 01624-840279 | www.myartstudio.biz PAGE 4