docSchelling Architecture Prize 2010
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Schelling Architecture Prize 2010
©Amateur Architecture Studio Ningbo History Museum Ceramic House ©Iwan Baan SCHELLING ARCHITECTURE PRIZE 2010 Ningbo History Museum Wang Shu & Lu Wenyu Amateur Architecture Studio Lu Wenyu 1989-2003 Architect in East China Investgation and Design Institute 1997 Founded Amateur Architecture Studio with Wang Shu, HangZhou, China 2003 Vice Professor, Architecture Department of China Academy of Art, HangZhou, China Wang Shu 1997 Founded Amateur Architecture Studio with Lu Wenyu, HangZhou, China 2000 Professor, China Academy of Art, HangZhou, China 2007 Head of Architecture school in China Academy of Art, HangZhou, China Architect/Professor Wang Shu lives in Hangzhou, where he established the Amateur Architecture Studio with his wife Lu WenYu together in 1997. He’s been working and doing research on re-establishment of contemporary Chinese architecture, which reflects in his projects as the Ceramic Houses, Vertical Courtyard Apartment, the Ningbo Contemporary Art Museum, Five scatter house, New Campus of China Academy of Art in HangZhou, Ningbo Historic Museum, Tengtou Pavilion for Shanghai expo, etc. The application of vernacular, traditional, recycled construction materials with modern technology is an important and unique feature of his designs. His projects have been published in numerous books and magazines around the world. And also his works have been shown in museums, art and architecture centers, and educational institutes throughout the world. In 2009, his solo-exhibition “Architecture as a Resistance” was showed in the BOZAR art center in Brussels. He serves as the head of School of Architecture in China Academy of Art, one of the best art schools in China. He’s been invited by universities, colleges and other institutes around the world to participate academic conferences, give lectures and make speeches. Ningbo History Museum Major built projects 2009 Exhibition Hall of the Imperial Street of Southern Song Dynasty Hangzhou, China 2003-2008 Ningbo History Museum, Ningbo, China 2002-2007 New academy campus of China Academy of Art in Hangzhou, China (First and Second Phase) 2001-2005 Ningbo Art Museum, Ningbo, China 2006 Tiles garden, Venice Biennale of Art ,Italy 2003-2006 Five Scatter House, Ningbo, China 2003-2006 Ceramic House, Jinhua, China 2002-2007 Vertical Housing, Hangzhou, China 1999-2000 Wenzheng College Library, Suzhou, China Major exhibitions 2010 “Decay of Dome” 12th International Architecture Exhibition, Biennale Venice, Arsenale 2009 “Achitecture as Resistanc” solo exhibition, BOZAR art Centre for Fine Arts “M8 IN CHINA” , DAM, Frankfurt, Germany Exhibition of “GLOBAL AWARD FOR SUSTAINABLE ARCHITECTURE 2007, 2008, 2009”, Cité de l‘architecture et du patri moine, Palais de Chaillot 2008 “Dans la Ville Chinoise”, Cité de l‘architecture et du patrimoine, Palais de Chaillot “Chinese Gardens for Living: from Illusion to Reality”, Bergpalais, Dresden, Germany 2007 Built in China –Architecture Exhibition in NewYork Architecture centre HongKong Biennale of International Architecture 2006 Tiles Garden - Chinese Pavilion of The 10th International Architecture Exhibition in Venice Biennale China Contemporary, NAI, Rotterdam, Netherlands 2004-2005 Jinhua Architecture Park, JingHua, China 2003 Synthi-Scapes: Chinese Pavilion of The 50th Venice Biennale In GuangDong Museum of Art, GuangZhou and in Art Museum of Central Academy, Beijing Alors, La Chine, Centre Pompidou, Paris, France 2002 Shanghai Biennale, Shanghai Art Museum, Shanghai, China 2001 TU MU-Young Architecture of China, AEDES Gallery, Berlin, Germany 1999 Chinese Young Architects’s Experimental Works Exhibition, UIA Congress, Bejing, China Major Awards 2010 A special mention is awarded to Decay of a Dome by the team of Amateur Architecture Studio by the Official Awards of the 12th International Architecture Exhibition Venice 2010 People meet in architecture 2008 Nominated International highrise Award 2008, Frankfurt, Germany Nominated BSI Swiss Architectural Award 2007 First GLOBAL AWARD FOR SUSTAINABLE ARCHITECTURE 2007, Cité de l‘architecture et du patrimoine 2006 Holcim Awards Acknowledgement 2005 Asia Pacific, Holcim Foundation for Sustainable Construction 2004 The first Architecture Art Award, China ©Amateur Architecture Studio Vertical Housing Hangzhou ©Iwan Baan ©Amateur Architecture Studio Xiangshan Campus SCHELLING ARCHITECTURE THEORY PRIZE 2010 Jean-Louis Cohen Jean-Louis Cohen was born in 1949 in Paris. Trained as an architect at the Unité Pédagogique n° 6, in Paris, he took a Ph.D. in History at the École des Hautes Études en Sciences Sociales in 1985 and received an Habilitation à diriger des recherches from the same institution in 1992. Since 1993 he holds the Sheldon H. Solow Chair for the History of Architecture at New York University’s Institute of Fine Arts, where he teaches graduate and Ph.D. students. Jean-Louis Cohen‘s research activity has been chiefly focused on Twentieth century architecture and urban design. He has studied in particular German and Soviet architectural cultures, colonial planning in North Africa and interpreted extensively Le Corbusier‘s work and Paris planning history. From 1997 to 2003, the French Minister of Culture appointed him to create the Cité de l‘architecture, a museum, research and exhibition center opened in 2007 in the Paris Palais de Chaillot. During this period, he directed the Institut français d‘architecture and the Musée des Monuments Français, the two main components of the Cité. He has been a curator for numerous exhibitions, including Paris-Moscou (1979) and the centennial show L‘aventure Le Corbusier (1987), both at the Centre Georges Pompidou. He has also conceived at the Canadian Center for Architecture Scenes of the World to Come (1995). Other exhibitions include 1997 Les Années 30, at the Musée des Monuments Français in Paris (1997), Casablanca, naissance d‘une ville moderne en sol africain, at th Fondation Electra (1999), Alger, paysage urbain et architecture, at the Institut français d‘architecture (2003) and The Lost Vanguard, at the Museum of Modern Art in New York (2007). Publications (excerpt) City Portrait New York - Paris, Cité de l’architecture et du patrimoine, 2010, 80 p. Frankreich oder Deutschland? Ein ungeschriebenes Buch von Le Corbusier, Berlin, Munich, Deutscher Kunstverlag, 2010 New York, Paris: Mazenod, 2008. Mies van der Rohe, Paris: Hazan (in French); Basel, Berlin, Boston: Birkhäuser (in English and German), 2007. Boston, Birkhäuser, 2007 ; spanish: Akal, 2007 Texts for the photographic book of Richard Pare, The Lost Vanguard, Russian Modernist Architecture 1922-1932, New York, The Monacelli Press, 2007, p. 9-23 ; german edition: Munich, Schirmer & Moser, 2007; russian edition: Ekaterinburg, Tatlin, 2007. Above Paris, the Aerial Survey of Roger Henrard, New York : Princeton Architectural Press, 2006. Liquid Stone, New Architecture in Concrete (ed., with G. Martin Moeller, Jr.), New York : Princeton Architectural Press, 2006. Le Corbusier, la planète comme chantier, Paris: Textuel, 2005. Los Angeles, City Portrait, Paris, Institut français d‘architecture, 2005, 72 p. Fragen an das Architekturmuseum: ein Pariser Experiment, Hamburg, Hochschule für bildende Künste/Material Verlag, 2004, 41 p. Alger, paysage urbain et architectures 1800-2000, Paris: Éditions de l‘Imprimeur, 2003 (ed., with Nabila Oulebsir and Youcef Kanoun). Encyclopédie Perret, Paris: Éditions du Patrimoine/Institut français d‘architecture, 2002 (ed., with Joseph Abram and Guy Lambert). Casablanca, Colonial Myths and Architectural Ventures, New York: The Monacelli Press, 2002 (with Monique Eleb). Les Années 30, l‘architecture et les arts de l‘espace entre industrie et nostalgie (ed.), Paris: Éditions du Patrimoine, 1997. Scenes of the World to Come; European Architecture and the American Challenge 1893-1960, Paris: Flammarion, 1995. L‘architecture d‘André Lurçat (1894-1970); l‘autocritique d‘un moderne, Liege: Pierre Mardaga, 1995 (Italian transl., 1998). Des fortifs au périf, Paris: les seuils de la ville, Paris, Picard: 1992 (with André Lortie). Le Corbusier and the Mystique of the USSR, Theories and Projects for Moscow, 1928-1936, Princeton: Princeton University Press, 1992. La coupure entre architectes et intellectuels, ou les enseignements de l‘italophilie, Paris, École d‘Architecture Paris-Villemin, 1984 (coll. In extenso, vol. 1). A Research on architecture in the USSR, addon to “Bulletin d‘information inter-établissements n° 21”, feb. 1977. Urban politics and socialism, international research, n° 83, feb 1975, editor of issue. For an Urbanism…, Paris, Éditions de la Nouvelle Critique, n° hors série 78 bis, 1974 (ed. with François Ascher, Grenoble, april 1974). Bus Terminal Twerenbold ©Ruedi Walti Residential Buildings „Lokomotive“ ©Michael Lio ©Michael Lio ©Michael Lio Bus Terminal Twerenbold ©Ruedi Walti ©Ruedi Walti SCHELLING MEDALS 2010 Kaschka Knapkiewicz / Axel Fickert Kaschka Knapkiewicz Teaching 1978 1981-83Assistant to Prof. Studer, ETH Zurich Diploma at ETH Zurich at Prof. Camenzind 1987-91Employment at Arch.-Offices 1995 Teacher at Zürcher Hochschule Winterthur Pentagramm, Douglas Stephens&Partners, Zaha Hadid 1999 Replacement Professor for Prof. Flora Ruchat, ETH Zurich 1992 Founded Office together with Axel Fickert 2002-03Guest Teacher at EPFL Lausanne Axel Fickert Teaching 1979 1979-82Assistant to Prof. Schnebli, ETH Zurich Diploma ETH Zurich at Prof. Schnebli 1983-91Employment at Arch.-Offices 1986-87Assistant to Prof. Tesar, ETH Zurich Theo Hotz, SteigerPartner, BurckhardtPartner 1996-02Guest Teacher at ETH Zurich 1992 Founded Office together with Kaschka Knapkiewicz 2002 Teacher at Zürcher Hochschule Winterthur The work of Katharina Knapkiewicz and Alexander Fickert is characterized by its absence of ideology and thus its relaxed treatment of the inheritance of modernist housing typologies. It is not the neutral domestic space that is being offered in their work, but a form of space that awakens the users’ undiscovered potential for inhabitation. At the centre of this work stands the imagination of a type of architectural space in which, similar to the English landscape garden, a balance is sought between the perception of the moving subject and a subtle and highly differentiated geometric order. Olympic Velopark Tom Heatherwick Heatherwick’s approach to architecture is unusual, as on the one hand crafted materials are emphasized, while on the other hand prototyping and production processes are valued. Beyond this, Heatherwick evidently has the gift of enthusing people and the ability to use the various talents of his numerous collaborators to “bring things to life”. Thomas Heatherwick is an Honorary Fellow of the RIBA and a Senior Fellow at the Royal College of Art. He is the recipient of honorary doctorates from four British universities – Sheffield Hallam, Brighton, Dundee and Manchester Metropolitan. He has won the Prince Philip Designers Prize and in 2006, was the youngest practitioner to be appointed a Royal Designer for Industry. He has served on numerous judging and advisory panels and has given lectures, tutorials and talks at the Bartlett School of Architecture, London’s Victoria and Albert Museum and Yale University. ©Heatherwick Studio ©Heatherwick Studio ©Heatherwick Studio Teaside Power Station ©Heatherwick Studio British Pavilion on Shanghai EXPO 2010 ©Iwan Baan SCHELLING MEDALS 2010
