november 1990 - SMU Digital Collections

NOVEMBER 1990
Meadows School of the Arts
celebrates 25 years with 106 nights
of music, theatre and dance.
Meadows Theatre
Performances are at 8pm Tuesday- Saturday and
at 2:15pm on Sunday.
Cloud 9 by Caryl Churchill
November 6- 11, 13- 18
Margo Jones Theatre
AcrossOka
by Robert Holman
December 4 - 9
Margo Jones Theatre
Meadows Dance Spring '91
April2 -7
Bob Hope Theatre
SMU Symphony Orchestra
David Milnes conducts the featuring faculty
Choose the night
::=:::= )\/i$~~i9!~t!ii:JH
Roosters by Milan S'""·""'"""
January 29- February 3
Margo Jones Theatre
SMU Opera Theatre+
April18 & 20
Thursday & Saturday 8pi'qJ?@~
Bob Hope Theatre
+Opera Theatre is not
theatre series.
The Crucible by Arthur M
February 19 - 24, 26 -March 3
Bob Hope Theatre
No performance on Saturday, February 23
Our Country's Good
by Timberlake Wertenbaker
March 26 - 30, April 2 - 6
The Crescent Theater
2215 Cedar Springs
Toys In The Attic by Lillian Hellman
April23- 28
Margo Jones Theatre
Meadows Dance
Enjoy jazz, ballet and modem performances with
choreography by our own and visiting artists.
Performances are Tuesday through Saturday at
8pm and Sunday at 2:15pm.
Meadows Repertory Dance Ensemble- 9th
November 27- December 2
Bob Hope Theatre
November 7, 10
December 5, 7
February 15, 16*
March 27,28
May 1, 3
1990 is SOLD OUT!
8:15pm
Always a hot ticket, this popular quartet, includes
principal performers from the Dallas Symphony Emanuel Borok, Arkady Fomin, Christopher
Adkins and Barbara Hustis. Call early for your
tickets.
ORDER NOW
If you purchased a ticket to tonight's
performance, we'll apply the cost of your ticket
to the price of a subscription.
SUBSCRIBE NOW! CALL 692-ARTS
JAKE AND NANCY HAMON ARTS LIBRARY
MEADOWS SCHOOL OF THE ARTS
SOUTHERN METHODIST UNIVERSITY
Photo by Bl<u:/cmonWillt•,.
ON NOVEMBER 18
YOU CAN MAKE
ART HISTORY
You, Your Family and Friends
are Cordially Invited
to Attend
the Grand Opening
of the Jake and Nancy
Hamon Arts Library
Sunday, November 18,1990
2:00-5:00 pm
SOUTHERN
METHODIST
ADMINISTRATION
Eugene Bonelli
Dean
Charles Helfert
Associate Dean
David Gatewood
Assistant Dean
Sue Devine
Director, Development
Elizabeth Ferguson
Chair, Division ofDance
John Gartley
Director, Center for
Communication Arts
Marion Hustis
Director, Finance
Donald Knaub
Director, The Meadows
Museum
James Ode
Chair, Division ofMusic
Cecil O'Neal
Chair, Division ofTheatre
Gregory Poggi
Director, Center for Arts
Administration
Mary Vernon
Chair, Division ofArt
Greg Warden
Chair,
Division of Art History
Rebecca Young
Director, Public Relations
MEADOWS
UNIVERSITY
TABLE OF CONTENTS
"Cloud Nine"
November 6- 11 & 13- 18
Margo Jones Theatre
4
SMU Choral Union
November 6, Caruth Auditorium
8
SMU Symphony Orchestra
November 7 & 10, Caruth Auditorium
12
Voice Faculty Concert
November 19, Caruth Auditorium
16
Organ Recital, Robert Anderson
November 26, Caruth Auditorium
24
Meadows Repertory Dance Ensemble
November 27 - December 2
Bob Hope Theatre
27
SMU Wind Ensemble
November 30, Caruth Auditorium
33
The Meadows Museum
37
INFORMATION
TICKET OFFICE
692-ARTS
10 am to 5 pm Monday - Friday
1 hour before performances
Subscription Ticket Exchanges
Tickets may be exchanged for another performance date when
they are returned to the ticket office (by mail or in person) at
least 24 hours before performance time of their originally
scheduled date or the exchange date, whichever comes first.
Tickets may not be exchanged from one play to another.
Bad Weather Policy
(Subscribers & Single Ticket Buyers)
In the event of inclement weather, -call the ticket office at 692ARTS for a recorded message or listen to radio stations
KMGC-FM (102.9), KVIL-FM (103.7) or WRR-FM (101.1)
for a status report on that evening's performance. If the
performance is cancelled, tickets may be exchanged within 3
days for another performance. Otherwise, no refunds or
exchanges will be granted. The management reserves the
right to offer tickets to another production in lieu of a refund.
MEADOWS ARTS u prod~~ecd by IN: PMblic RclalioiU Department ofthe
Meadows Sdtool ofiM Arll. Solllhtr'l Mdlaodisl Ulliwrsity.
For odw:rti.Jing informatiDfl col/ (214) 692-3510.
e 1990 Meadows Scbool of the Ana. All Righls Rc~en>ed.
SCHOOL
OF
THE
ARTS
4
DIVISION
OF,,
THEATRE
CAST
Act I
Nathan Hinton
Thaddaeus Smith
Scott Anderson
Elizabeth Moore
Herself
Marchel Shipman
Lauren Graham
David Alan Funck
Lauren Graham
Clive
Betty (his wife)
Joshua (his black servant)
Edward (his son)
Victoria (his daughter)
Maud (his mother-in-law)
Ellen (Edward's governess)
Harry Bagley (an explorer)
Mrs Saunders (a widow)
Actll
Marchel Shipman
David Alan Funck
Elizabeth Moore
Thaddaeus Smith
Lauren Graham
Scott Anderson
Nathan Hinton
Betty
Edward (her son)
Victoria (her daughter)
Martin (Victoria's husband)
Lin
Cathy (Lin's daughter)
Gerry (Edward's lover)
Time and Place
Act I takes place in a British colony in Africa in Victorian times.
Act ll takes place in London in 1978, but for the characters it is only twenty-five years later.
PRODUCTION STAFF
James D'Asaro
Production Manager
Joseph Hammond
Technical Director
Phillip Russell, Beth Whitaker
Assistant Stage Managers
Robert Chambers
Properties Supervisor
James G. Pettijohn
Master Electrician/Sound Engineer
Giva R. Taylor
Costume Shop Manager
Melinda Robinson, Joanne Boudreau
Drapers
Mercedes Rangel
Stitcher
Eliseo Guiterrez, Steve Leary, John Maxwell
Scenic Carpenters
Brandy Zarle
Sound Board Operator
Eric Hayden, Timothy Sealy, Gwen Templeton
Light Board Operators
Jeggrey Hoffman, David Irving, Heather Hanna
Scenic Running Crew
Costume Running Crew
Tiffany Bellew, Lila Glasoe, Frank Borg, Jenny Pauer, Leah Wysong,
Rebecca Lamm, Karin Pascho (supervisor)
Nancy Houfek
Dialect Coach
SPECIAL THANKS to Erik Hockman, Marc Mueller, Nicolas Sandys, York Optical.
MEADOWS
SCHOOL
OF
THE
ARTS
DIVISION
OF
THEATRE
LOU "LUIGI" SALERNI (Director), a member of the Society
of Stage Directors and Choreographers, has dedicated the
bulk of his professional career to the nurturing and
development of the work of contemporary American
playwrights. From 1976 until1985, he was Artistic Director of
the Cricket Theatre in Minneapolis, where he initiated a
writer-support network to produce the "evolving" work of
such writers as David Henry Hwang, John Bishop, Oliver
Hailey, Lee Blessing, and Marisha Chamberlain, who were
Playwrights-in-Residence. His work as a director has been
seen at the Denver Theatre Center, A Contemporary Theatre
in Seattle, Wisdom Bridge Theatre in Chicago, Coconut Grove
Playhouse in Miami, Oregon
Shakespeare Festival, Theatre of the Open Eye in New York,
and others. In January he will direct the Dallas Theater
Center's production of Arthur Miller's ALL MY SONS. In
addition to directing, "Luigi" has served as consultant to the Minnesota State Arts Board,
The National Endowment for the Arts, the Midwest Playwrights' Center of Minneapolis,
the Dlinois Arts Council and the Bush Foundation. Recent collaborative projects have
included the commissioning and premiere production of David Henry (M. BUTTERFLY)
Hwang's UNNATURAL ACTS (along with Amsterdam sculptor Giotta Fuyo Tajiri and
Egyptian composer Halim EI-Dabh). Consistent with his interest in development of young
American artists, he is currently head of the Directing and Playwriting programs at
Southern Methodist University. He wishes to dedicate the production of CLOUD 9 to the
memory of Ken Bryant.
CLOUD 9: The Power of IUusion or the Dlusion of Power?
The stage upon which Caryl Churchill's plays unfold is a magical place where forgotten
pasts are revived and possible futures envisioned and tested. It Is a fun-house mirror of
social memories and dreams that distorts in order to disrupt. This is a stage of radical
possibilities that speaks in many voices at once. It is a stage that exposes to whimsical
questioning the very tricks of the theatrical trade by which the illusions of life are
constructed and sustained, and in the process it questions both the illusions and the
assumptions that support them. The frank discussion of sexuality in CLOUD 9 catches us
offguard, reminding us that this play was written before the AIDS epidemic struck. Even
off balance, however, it's not difficult to see that this is not a play about sex, and certainly
not a valorizing ofirresponsible sex. It is a dense and difficult questioning of human illusions
and of the processes by which the structures of social authority, including those defined in
family units, reproduce the dominant illusions that sustain oppression in a particular
society. This Is the core of Churchill's radical project: she disrupts expectations about race,
gender and sexuality in order to question how natural the "natural order of things" really
is. By exposing the fiction of theatre and revealing it as constructed by social agreement and
human imagination, Churchill suggests that not only theatre but all human experience is
likewise constructed.
--Paul Walsh
MEADOWS
6
SCHOOL
OF
THE
ARTS
DIVISION
FACULTY
Robert Chambers
James DePaul
William Eckart
Patrice Egleston
Kathryn Graybill
Charles Helfert
Nancy Houfek
David Jacques
Margaret Loft
Peter Marshall
Beverly May
Dale Moffitt
Gwendolyn Nagle
Cecil O'Neal, Chair
Eve Roberts
Luigi Salemi
Paul Walsh
ADJUNCT FACULTY
Dan Day
Jean Eckart
James Finger
Gail Holderby
Paul Munger
STAFF
James D' Asaro
Ruth Gantt
Eliseo Gutierrez
Joseph Hammond
Steve Leary
John Maxwell
James Pettijohn
Mercedes Rangel
Melinda Robinson
Giva R. Taylor
Linda Tomlinson
MEADOWS
OF
THEATRE
PRODUCTION
ASSISTANTS
GRADUATE DESIGN
STUDENTS
Andrew Fitch
Karin Pascho
John Santiago
Andrew Wallach
SCENE SHOP CREW
Marisela Barrera
Teneka Benning
Marissa Catubig
Kirk Easterwood
Steven Eng
Jeremy Golden
AaronHalva
Heather Hanna
Jeffrey Hoffman
David Irving
Robin Larsen
Thomas McCaffrey
Colleen Morale
Mike Ryan
Johnny Sparks
STAGE MANAGEMENT
ASSISTANTS
Lissa Creola
Alex Fabregat
Julie Faust
Natasha Harper
Charles Hastings
Carol Lanoux
Felix Pire
Rachel Ramirez
Frances Rosaly
Phillip Russell
Meghan Saleebey
Martin Sherman
SCHOOL
OF
Shane Sooter
Brad Spinelli
Terry Thompkins
Beth Whitaker
COSTUME SHOP
CREW
Tiffany Bellew
Frank Borg
Annalise Christ
Jay Dysart
LilaGlasoe
Ryan Kim
Rebecca Lamm
Luke Noderer
Jenny-Jo Pauer
Craig Siebels
Joel Spence
John Sugden
Leah Wysong
LIGHTING CREW
Nathan Admondson
Christine Braud
Steve Dunker
Kuye Harris
Troy Hartley
Maxwell Hartman
Eric Hayden
Laurie Klein
Alison Moore
Khary Payton
Dean Purvis
Timothy Sealy
David Slack
Gwen Templeton
Brandy Zarle
THE
ARTS
7
8
DIVISION
OF
MUSIC
SMU CHORAL UNION
Lloyd Pfautsch, conductor
PROGRAM
Requiem
Durufle
(1902-1987)
I. Introit
IT. Kyrie eleison
Ill. Domine Jesu
David Lee, Baritone
IV. Sanctus
V. Pie Jesu
Beth Clayton, Mezzo-soprano
VI. Agnus Dei
VII. Lux aetema
VIll. Libera me
David Lee, Baritone
IX. In Paradisum
Christian Griffith, Organ
Rebecca Scherschell, Harp
10 MINUTE INTERMISSION
Chichester Psalms
Bernstein
(1918-1990)
I. Urah, hanevel
IT. Adonai roi, lo ehsar
Matthew Robinson, Countertenor
Ill. Adonai, lo gavah libi
Richard Owen, Organ
Rebecca Scherschell, Harp
Michael McNicholas, Percussion
MEADOWS
SCHOOL
OF
THE
ARTS
BIOGRAPHY
LLOYD PFAUTSCH has been Professor of Sacred Music and Director of Choral Activities at the
Meadows School of the Arts of Southern Methodist University in Dallas, Texas since 1958. Three
choral ensembles are under his direction: the University Choir,
Mustang Chorale, and Choral Union. A native of Washington,
Missouri, Dr. Pfautsch holds the A.B. degree from Elmhurst College
in Elmhurst, Illinois and a Master of Divinity and Master of Sacred
Music degrees from Union Theological Seminary in New York City.
His alma mater conferred on him the honorary degree of Doctor of
Music in June 1959 and an Alumni Merit Award at its 125th
commencement in 1971. The honorary degree, Doctor of Humane
Letters, has also been conferred on him by Illinois Wesleyan University
and West Virginia Wesleyan College in 1978 and 1985.
He has received an AS CAP Award each year since 1961. During his
years at Southern Methodist University, he has been selected three
times to receive an Outstanding Professor Award. He also received
the Distinguished Teacher/Scholar Award in 1983 and was named
the Meadows Distinguished Teaching Professor for 1983-1984.
As a guest conductor and clinician, he has appeared at music camps, all-state and regional high school
choral festivals, church music workshops and festivals, choral conductor's clinics and music conventions
in 45 states and Canada. Recipient of numerous commissions, Dr. Pfautsch has over 300 musical
compositions and arrangements published. Two of his books in publication are Mental Warm Ups for
the Choral Conductor and English Diction For The Singer. He contributed to the book Choral Conducting: A Symposium, and the monograph The Art and Craft of Choral Arranging to a Festschrift
honoring Howard Swan. He also has made a videotape on choral conducting for Augsburg Fortress
Publishing House.
MEADOW S
10
SCHOOL
OF
THE
ARTS
DIVISION
OF
MUSIC
SMU CHORAL UNION
Lloyd Pfautsch, Conductor
Brad Adams
Christopher Anderson
Melinda Anderson
Dean Bailey
Wayne Barr
Jennifer Bird
Teresa Bledsoe
MarkBollon
Katherine Bongfeldt
Lori Brooks
Allison Brown
Judith Brunst
Mark Burrows
Kristen Busby
Carolyn Cabela
Jennifer Chavez
Beth Clayton
Barron Coleman
Robbie Daniel
Francois Dewberry
Mae Dolorosa
Anne Dunlop
Kim Empey
Cynthia Garza
Alexander Gomez
James Hannah
Tom Hawkins
Ashley Hobbs
BrenHolman
MEADOWS
Tim Honsalek
Chris Huffman
Vicki Hummel
Jametha Jackson
Donna Johnson
Tino Jalomo
Bruce Jones
Leon Joshua
David Klausing
Kasandra Langwell
Brandell Laughlin
Cinda Lavely
David Lee
Katherine Lubar
Revis Massey
Stephanie Mayo
Michael McKelvey
Brent McWilliams
Amy Miller
Bryan Mitchell
Tania Molina
Robin Montgomery
Melissa Morris
Laureen Neel
Charise Opsal
Richard Owen
Pearlie Pennermanbutler
Susan Plyer
Williams Pritchett
Robin Ramirez
Anthony Reeves
Diseree Rene
Bill Roberts
Matthew Robinson
Nicole Roblyer
Bryant Russell
Tonia Russell
Tammy Schmidt
Crystal Schultze
Jo Anne Shipman
Brad Smtih
Laura Smith
Robert Smith
Grace So
Deanna Stewart
Eliza Stewart
Laney Todd
Andrea Trent
Leon Turner
Ryan Turner
Mark Unbehagen
Brian Waddle
Bryan White
Phyllis Wilson
Denice Winter
Johanna Wiseman
Katherine Wolfe
SCHOOL
THE
OF
ARTS
11
12
DIVISION
OF
MUSIC
SMU SYMPHONY ORCHESTRA
David Milnes, Conductor
PROORAM
Overture to Russian and Ludmilla
Mikhail Glinka
(1804-1857)
In the steppes of Central Asia
Alexander Borodin
(1833-1887)
Letter Scene from Eugen Onegin
Peter Ilyich Tchaikovsky
(1840-1893)
Virginia Dupuy, mezzo-soprano
10 MINUTE INTERMISSION
Symphony No.2 in e minor, Op. 27
Sergei Rachmaninoff
(1873-1943)
I. Largo - Allegro moderato
Allegro molto
Ill. Adagio
IV. Allegro vivace
n.
MEADOWS
SCHOOL
OF
THE
ARTS
13
DIVISION
OF
MUSIC
BIOGRAPHY
VIRGINIA DUPUY, mezzo soprano, takes her place among the most gifted American singers,
endowed with a voice described by critics as both rich and opulent. From coast to coast she has received
accolades for her performances of the symphonic, operatic, oratorio,
and recital repertoire. Fan[are calls her new release for Gasparo of
Dominick Argento's Pulitzer Prize Winner "From the Diary of
Virginia Woolf' and Warren Benson's "Songs for the end of the
World" "one of the most impressive discs of vocal music heard in a
long time." Miss Dupuy made her Lincoln Center debut with the
American Symphony Orchestra at Avery Fisher Hall to highest
acclaim. Her appearances with the Houston, Phoenix, and Dallas
Symphonies, and the Basically Bach Festival have inspired critics to
describe her singing as "full voiced, expressive, and tonally beautiful,"
(Houston Post), and "remarkably affecting," (Musical America).
Current seasons include appearances with the San Antonio, Knoxville, Ft. Worth, Dallas, and Kansas City Symphonies, the Dallas
Opera, and the Keystone and Peninsula Festivals. A champion of
American music, she is garnering laurels for her Argento/Benson
recording as well as for her release for Vox of Vaughan Williams'
"Serenade to Music" with the New York Virtuosi. Walt Disney's
studio release, Dick Tracy, features Ms. Dupuy as the opera diva. Public television and radio have
broadcast her performances of the Bach Magnificat, St. Matthew Passion, and the V erdiRequiem. She
is a member of the voice faculty at Southern Methodist Univeristy.
DAVID MILNES joined the Meadows School of the Arts as Director of Orchestral Activities in August
1989. AnativeofTexas, Dr. Milnes grew up in Long Island, NY. His
early musical studies were on the clarinet, piano and organ, and he
developed a strong interest in jazz that resulted in appearances with
Gene Krupa, Chuck Mangione and Billy Taylor, all before the age of
twenty. He has earned three graduate degrees in conducting from the
Yale School of Music, and has studied with Otto-Werner Mueller,
Max Rudolf, Herbert Blornstedt and Leonard Bernstein.
From 1984-86, David Milnes served as Exxon/Arts Endowment
Conductor with the San Francisco Symphony. In that capacity he
conducted subscription, contemporary and educational concerts, and
was called to step in for an ailing Edo deWaart on twenty-four hours
notice, conducting the Elgar Violin Concerto with Pinchas Zuckermanas soloist. He also served asMusicDirectorofthe San Francisco
Symphony Youth Orchestra, which he led on an acclaimed international tour in 1986, during which he was awarded the Prize of the City
of Vienna for a performance of Bartok's Concerto for Orchestra.
From 1986-89 Dr. Milnes served as Music Director of the Purchase Symphony at the State University
of New York at Purchase. There he conducted opera, ballet, and symphony concerts and established
the masters degree in conducting. He has also served as Music Director of the Greater Boston Youth
Symphony Orchestras, and has guest conducted the Anchorage, Columbus, and Oregon Symphonies.
MEADOWS
14
SCHOOL
OF
THE
ARTS
DIVISION
OF
MUSIC
SMU SYMPHONY ORCHESTRA
David Milnes, Conductor
VIOLIN
KenAiso
Amanda Ambrosio
Alicia Bowen
Michelle Bright
Margaret Droppers
Orit Feldman
Patrick Foley
Florence Garel
Ann Hirschi
Rachel Holy
Jim Hsu
Ingelngver
Hsing-Yi Lin
Rex Liu
Brian McCulloch
Trevor Orthmann
Oskar Ozolinsch, principal
Qu-Xin Pu
J anine Seltzer
Pieter Schoeman, concertmaster
Xiao Hua Sheng
Aija Silina
Anita Stachowicz
Shelley Stewart
Cynthia Studenwalt
Paula Sweterlisch
Allison Tobin
Andrea Veltman
Janet Wehman
Yuan-Qing Yu
ChanHo Yun
VIOLA
Andreas Barrett
Tonia Bricker
Danielle Claus
Chris Curtis
Robert Forrer
Christopher Gulley
Elizabeth Hudson
Patricia Phelps
Jacqueline Schwandt, principal
CELLO
Laurie Arnold
Camilla Boatright
MEADOWS
Amanda Doyle
Jennifer Evans
Lynne Griffith
Todd Sandhoff
Heather Shaw
Susan Snipes
Jonathan Cunningham
Eric Forman
Jay Gardner
Kristin Hampton
Joey Kiss
Laura Loper
David McClain
Jon Reimer
Nancy Schwandt
Kirsten Seitz
Barbara Snell, principal
James Wright
TRUMPET
DavidAlpar
Lauren Eberhardt
Kurt Lauerman
Michael Oglesby
Refugio Rodriguez
TROMBONE
Linda Cunningham
Ted Foreman
Darren McHenry
Matthew Underwood
BASS
Rafael Agudelo
Patrick Moulds
Dimitrius Samudio
Robert Stiles
Chris Windham
TUBA
John Gray
FLUTE
Sara Graef
Kathy Kiger
Maura Lapinski
Jennifer Sepeda
Tamalyn Stone
PERCUSSION
Tom Maloy
Jeff Nelson
James Rawlins
James Snell
Chad Steffey
OBOE
Elizabeth Anthony
Leslye Litle
Ruth Anne Shinn
Stewart Williams
HARP
Beth Wooster
KEYBOARDS
Kimberly Grigsby
CLARINET
Katrina Cox
Shawn Herndon
Kelly Perkins
Ricky Reeves
llya Shterenberg
Chad Smith
LIBRARIANS
Margaret Droppers
Barbara Snell
ASSISTANT CONDUCTOR
Jim Keene
Wuijin Koh
BASSOON
Renato DaCol
Jason McDaniel
STAGE CREW
Jennifer Evans
Eric Forman
Todd Sandhoff
James Wright, manager
HORN
Gene Berger
Daniel Bloor
SCHOOL
OF
THE
ARTS
15
16
DIVISION
OF
MUSIC
SMU VOICE FACULTY
PROORAM
Pili Mi, Absalon
Heinrich Schuetz
(1585-1672)
Lloyd Pfautsch, Bass
William Cooper, Piano
Linda Cunningham, Matt Underwood, Drew Phillips
and Darren McHenry, Trombone
Students of John Kitzman
Zwei Gesiinge for Viola, Voice and Piano
Johannes Brahms
(1833-1897)
Virginia Dupuy, Mezzo-Soprano
Barbara Hustis, Viola
Tara Emerson, Piano
from Four Love songs
Love's a Lonely Lad
Devotion
James Mulholland
(b. 1935)
Louise Lerch, Soprano
Christopher Adkins, Violoncello
William Cooper, Piano
from Four Fragments from The Canterbury Tales
Prologe
They Wyf of Biside Bathe
Linda Baer, Soprano
Larry Palmer, Harpsichord
Debby Johnson, Flute
Ricky Reeves, Clarinet
Lester Trimble
(1923-1986)
10 MINUTE INTERMISSION
from Cosi Fan Tutte
Trio: Soave sia il vento
W. A. Mozart
(1756-1791)
Barbara Hill Moore, Soprano
Virginia Dupuy, Mezzo-Soprano
Richard Poppino, Baritone
David Karp, Piano
ME .ADOWS
SCHOOL
OF
THE
ARTS
17
Vincenzo Bellini
(1801-1835)
from I Puritani
recitative: Or dove fuggo io mai
aria Ah! per sempre io ti perdei
cabaletta Bel sogno beato
Richard Poppino, Baritone
Tara Emerson, Piano
Villa-Lobos
(1887-1959)
Bachia1UlS Brasileiras No. 5
Barbara Hill Moore, Soprano
David Milnes, Conductor
Violoncello
Jon Reimer
Laurie Arnold
IGrstin Seitz
Camilla Boatright
Barbara Snell
Kristin Hampton
Jim Wright
Eric Forman
Johann Strauss
(1825-1899)
from Die Fledermaus
finale Act II
The Voice Facu1ty
David Karp, Piano
MEADOW S
'
18
SCHOOL
OF
THE
ARTS
PROGRAM NOTES
Fili Mi, Absalon
Heinrich Schuetz
Fili Mi, Absalon is a setting of the famous lament by David over the death of his son, Absalom, found
in II Samuel18:33: "0 my son, Absalom, my son! Would I had died instead of you, 0 Absalom, my
son!"
Zwei Gesiinge
Johannes Brahms
(translated by Mrs. John P. Morgan)
Longing at Rest (Friedrich Ruckert)
In evening's golden twilight wreathed, How grandly stand the woods aglow! In softest voices birdling
songs are breathed, Of evening winds that lightly blow. What whisper the winds, the birds tonight?
They whisper the world to slumber, light
Ye wishes strong forever raging Ye in my restless heart so deep! Thou longing soul that naught
assuageth, When wilt thou sleep, when wilt thou sleep? In whispering winds to birdling bright: Say
when longing wishes wilt slumber, light?
Ah, when no more afar in dreaming, My soul on dream wings lightly speeds, No more the farthest
starlets gleaming, With longing glances heeds; Then whisper, 0 winds, 0 Birdling pray, With all my
longing my life away.
Cradle Song of the Virgin (Emanuel Geibel, nach Lope da Vega)
Ye who o'er these palms are hovr'ing in night wind wild, Ye holy angels, still, still their rocking! He
sleeps my child. Ye high palms of Bethlehem in wild winds dashing, Why are ye, tell me so rudely
clashing! 0 rock thee quiet, Silent, bending thee light and mild, Still, still your rocking, He sleeps my
Child.
This heav'nly boy hath borne pain and anguish; Ah, so aweary in earth's toil to languish, 0 give him
sleep all gentle and soothing his grief is run. Still, still their rocking, He sleeps my son.
Bitterest winds here round us are hov'ring, with which I deck him, his only cov'ring! 0 all ye angels,
all ye abroad in nightwind so wild. Still, still their rocking, He sleeps my child.
Soave sia ilvento
Let the wind blow gently,let the sea be calm, and may the elements be kind!
W.A. Mozart
Ah! per sempre io ti perdei
Vincenzo Bellini
The story ofl Puritani takes place near Plymouth, England during the Puritan Revolution (1642-46).
Lord Richard Forth, a colonel in the Puritan army, is in love with Elvira Walton, daughter of the
Governor General. At one time Elvira's father had promised Lord Richard her hand in marriage. But
more recently upon learning of Elvira's love for the royalist partisan, Lord Arthur Talbot her father has
decided not to stand in her way. Lord Richard reflects on his loss.
Bachianas Brasileiras No. 5
Villa-Lobos
Lo, at midnight clouds are slowly passing, rosy and lustrous, over the spacious heaven with
loveliness laden. From the boundless deep the moon arises wondrous, glorifying the evening like a
beauteous maiden. Now she adorns herself in half unconscious duty, eager, anxious that we recognize
her beauty, while sky and earth, yea, all nature with applause salute her. All the birds have ceased their
sad and mournful complaining; now appears on the sea in a silver reflection moonlight softly waking
the soul and constraining hearts to cruel tears and bitter dejection. Lo, at midnight clouds are slowly
passing rosy and lustrous over the spacious heavens dreamily wondrous.
MEADOWS
SCHOOL
OF
THE
ARTS
19
DIVISION
OF
MUSIC
BIOGRAPHY
LINDA ANDERSON BAER, Visiting Associate Professor, was a
student of Julius .Huehn and Margaret Harshaw at the Eastman
School of Music and at Indiana University where she was Associate
Professor of Voice before coming to Dallas in 1975. She has
performed over 25 leading roles and has sung with many orchestras
including Detroit, Minneapolis, Dallas, and Indianapolis. A specialist
in opera and 20th Century Music, Mrs. Baer has recorded on
Columbia and First Edition Records and has been featured innumerous
NET opera broad casts internationally. A recipient of Sullivan and
Martha Baird Rockefeller Grants and winner of the Francisco Vinas
Competition in Barcelona, Mrs. Baer teaches Voice, German Diction,
and Vocal Literature.
l
WILLIAM COOPER, Chairman of the accompanying departments,
performs regularly with instrumentalists and vocalists throughout
the southwest. Well-known nationally through his participation in
the National Association of Teachers of Singing and the National
Opera Association, he has accompanied some of the great singers of
the Metropolitan Opera, including Jan Peerce and Elinor Ross. A
graduate of the Juilliard School of Music, Southern Methodist
University , and the University of Colorado, Boulder, Dr. Cooper
teaches accompanying and Coaches undergraduate voice majors.
1
I
MEADOWS
20
SCHOOL
OF
THE
ARTS
DIVISION
OF
MUSIC
VIRGINIA DUPUY, mezzo soprano, is endowed with a voice
described by critics as both rich and opulent From coast to coast she
has received accolades for her performances of the symphonic,
operatic, oratorio, and recital repertoire. Miss Dupuy made her
Lincoln Center debut with the American Symphony Orchestra at
Avery Fisher Hall-to highest acclaim. Her appearances with the
Houston, Phoenix, and Dallas Symphonies, and the Basically Bach
Festival have inspired critics to describe her singing as "full voiced,
expressive, and tonally beautiful," (Houston Post), and "remarkably
affecting," (Musical America). She is garnering laure'Is for her
Argento/Benson recording as well as for her release for Vox of
Vaughan Williams' "Serenade to Music" with the New York Virtuosi. Walt Disney's studio release, Dick Tracy, features Ms. Dupuy
as the opera diva.
TARA EMERSON, staff accompanist for the voice department at
Southern Methodist University, is a graduate of Wheaton College,
Wheaton, Illinois, with a bachelor of music in applied piano. At the
University of South Carolina she earned a master of music in applied
piano and accompanied opera workshop. She did graduate work at
the University of North Texas where she studied piano with Joseph
Banowitz and accompanied the opera workshop and voice recitals.
Ms. Emerson accompanies voice recitals in Dallas and throughout
the U.S., and also participates in chamber music recitals.
THOMAS HAYWARD, ProfessorofVoice, made his debut with the
New York City Opera Company. He was a leading tenor with the
Metropolitan Opera Association for fourteen years and has appeared
in many of the major opera houses throughout the world. Mr.
Hayward has sung in over four hundred concerts and joint recitals
with such artists as Lucia Albanese, Herva Nelli, Dorothy Kirsten,
Bidu Sayao, and Beverly Sills. He has recorded for RCA Victor,
Columbia, Decca and Cambridge recording companies.
r
~
MEADOWS
SCHOOL
OF
THE
ARTS
21
DIVISION
OF
MUSIC
DAVID KARP, nationally known pianist, composer, and educator,
holds degrees from the Manhattan School ofMusic and the University
of Colorado. Dr. Karp is Professor of Music at SMU's Meadows
School of the Arts and is Director of the National Piano Teachers'
Institute. His piano music, which has received critical acclaim from
Piano Quarterly, Clavier and the American Music Teacher, is published by Shawnee Press, Willis, Columbia Pictures, Lee Roberts,
Montgomery Music and Carl Fischer. fu addition to recitals, lectures
and workshops at Washburn University, Miliken University, Oklahoma City MTA, Colorado Springs MTA, Irving MTA, Ft. Worth
Piano Forum, Sam Houston State University, University of Arkansas, Tarleton State Baptist College and East Texas Baptist State
University, Dr. Karp was guest artist and clinician for the Ohio State
MT A Convention.
LOUISE LERCH, Adjunct Professor, holds degrees from BaldwinWallace College, the University of Oklahoma and Texas Woman's
University. She has done postgraduate work at the University of
North Texas. Her principal teachers have been Burton Garlinghouse,
Joan Wall and Edward Baird. Ms. Lerch has served on the voice
faculties of Brookhaven College, Texas Wesleyan college, and the
futerlochen Arts Academy. Currently Music Review Editor for the
NATS Journal, she has presented over forty five sessions of newly
published vocal repertoire onNATS workshops, national conventions
and regional meetings. fu addition to teaching voice, she is well
known as an accompanist and vocal coach, and has concertized with
such artists as Jerome Hines, John Alexander, Evelyn Lear, and
Timothy Jenkins.
BARBARA MOORE, Professor of Voice, is a well-known concert
artistandpedagogue. Anactiveperformer,Ms.Moorehasconcertized
with oratorio societies and major symphony orchestras throughout
the world, and has presented numerous solo recitals on radio and
television. A recipient of performance grants from the National
Endowment of the Arts and The Meadows School of the Arts, she has
for the past ten years presented concerts of German and American
music in Austria, Germany and Switzerland. Ms. Moore holds
degrees from Lincoln University and The University of lllinois
where she was a Graduate Fellow and studied with Bruce Foote and
John Wustman. Ms. Moore teaches Voice and Vocal Pedagogy.
MEADOWS
22
SCHOOL
OF
THE
ARTS
DIVISION
OF
MUSIC
RICHARD POPPINO, Assistant Professor of Voice, holds performance degrees from the San Francisco Conservatory and Southern
Methodist University. His principal voice teachers have been
Leopold Simoneau, Thomas Hayward, and Bruce Foote. Mr. Poppino
came to SMU. from the Lewis and Clark College where he taught
voice and served as Chairman of the music department. As a baritone
soloist he has performed widely in the Southwest and on the West
Coast, having sung with such organizations as the Seattle Opera,
Portland Opera, the Fort Worth Symphony, the Oregon Symphony,
Southwest Opera Theatre, the Oregon Repertory Singers, and the
Dallas Bach Society. Mr. Poppino teaches Voice and Vocal Pedagogy.
LLOYD PFAUTSCH, Director ofChoral Activities, is widely known
for his many guest-conducting appearances with all-state choruses
and at music camps. He has also lectured and conducted clinics and
workshops at over fifty universities and colleges in forty-five states
and Canada. In addition, he is the composer and arranger of many
works used by choral ensembles throughout this country and abroad.
He was a member of the Robert Shaw Chorale for three years and also
the famed Toscanini NBC Radio Chorus. Before joining the SMU
faculty, he served as professor of Voice and Director of Choral
Activities at Illinois Wesleyan University and appeared as an oratorio soloist throughout the country.
MEADOW S
SCHOOL
OF
THE
ARTS
23
24
DIVISION
OF
MUSIC
Robert Anderson. organ, and Roger Roe, oboe and english horn
Faculty Recital
Monday, November 26, 1990
Felix Mendelssohn
(1809-1847)
Passacaglia in C minor
Carl Philipp Emanuel Bach
(1714-1788)
Sonata in G minor, Wq 70/6
Allegro Moderato
Adagio
Allegro
Organ Solo
Johann Ludwig Krebs
(1713-1780)
Fantasia in G minor
PetrEben
(b.1929)
Pastorale
Oboe and Organ
Richard Strauss
(1864-1949)
Hochzeitspraeludium
JehanAlain
(1911-1940)
Postlude pour !'Office de Complies
Organ Solo
Joseph Rheinberger
(1839-1901)
Rhapsodie, Op. 127
Oboe and Organ
INTERMISSION
Cesar Franck
(1822-1890)
Choral No. 2 in B minor
Organ Solo
Jan Koetsier
(b. 1911)
Partita, Op. 41 No. 1
English Horn and Organ
Marcel Dupre
(1886-1971)
Preludio from Deuxieme Symphonie, Op. 26
Organ Solo
This concert celebrates the 25th Anniversary of the Caruth Auditorium Aeolian-Skinner Organ,
which was dedicated in October, 1965. The organ was a gift of Mr. and Mrs. C.S. Hamilton.
MEADOWS
SCHOOL
OF
THE
ARTS
DIVISION
OF
MUSIC
BIOGRAPHY
ROBERT ANDERSON is internationally recognized as an organist and teacher of the highest caliber.
He has played recitals and given master classes throught the entire U.S., Europe, and Japan. He has
become a specialist in the study of old and new instruments, often
serving as a consultant of contemporary music, especially that of
American composers. Dr. Anderson is a favorite performer at
conventions of organists beacuse ofhis consistently vital playing and
his vast and always expanding repertoire.
Born in Chicago, he was trained at Illinois Wesleyan University
(elected Distinguished Alumnus of 1972), Union Theological Seminary of New York (pupil of Robert Baker) and studied in Frankfurt
with Prof. Helmut W alcha for two years as a Fulbright scholar. He
has taught at SMU since 1960; he is University Distinguished
Professor of Organ and Sacred Music. In January of 1981, Dr.
Anderson was named the ftrst Meadows Foundation Distinguished
Teaching Professor. Presently he is serving as the National Councillor for Education of the American Guild of Organists. He was chosen
to perform at the 1985 J.S. Bach Church Music Festival in Leipzig.
This year he performed in Saxony, Switzerland, Germany, Holland
and the Soviet Union.
ROGER ROE is a 1990 summa cum laude graduate of Southern Methodist University where he studied
with Eric Barr. Roger was the recipient of numerous musical and academic awards including the 1989
Presser Scholar, President's Scholar, 1988 Concerto Competition
winner, and 1990 University Outstanding Scholar. Roger is a 1986
graduateofDallas Arts Magnet High School atBookerT. Washington
where he was selected by Downbeat Magazine as Outstanding High
School Instrumentalist in the U.S. and Canada in 1986. He hopes to
pursue an orchestral playing career. Past orchestral positions include
posts in the East Texas Symphony Orchestra, theNational Repertory
Orchestra, the American-Soviet Youth Orchestra, the Dallas Chamber
Orchestra, and the Irving Symphony Orchestra.
Currently, Roger is pursuing a Master's degree at the Cleveland
Institute of Music with Cleveland Orchestra principal oboist, John
Mack. He is thankful for this opportunity to return to Caruth
Auditorium and SMU.
MEADOWS
26
SCHOOL
OF
THE
ARTS
D I VIS I 0 N OF DANCE
On behalf of the Meadows Repertory Dance Ensemble may I welcome you to
our Ninth Season:
MRDE was established in 1982 as a further training and performance
opportunity within the Division of Dance in the Meadows School of the Arts at
Southern Methodist University. Since that time MRDE has represented the
Division, and the University as a whole, with performances throughout the
Metroplex and in many states outside Texas.
Auditions for membership are held each spring semester, and are open to all
majors within the Division of Dance. Members are chosen for their outstanding
versatility and unique individuality in dance, plus the necessary discipline for
their liberal arts studies.
Your support of our productions affords us the opportunity to continue to provide
some of the most interesting, creative, and professional dance in the Dallas area.
We are very grateful to you for this opportunity, as it allows us to "stretch"
ourselves, our students, and you--our audience. Enjoy our Ninth Season.
- Robert Beard
Director
BIOGRAPHIES
MINDY PAIGE DAVIS, anativeofLouisville,Kentucky,iscompletinghersenioryear
as a Meadows scholar in Dance. In conjunction with her collegiate studies, Mindy serves
as the Marketing and Promotion Director of the Hughes-Trigg Student Center at SMU.
This marks her second season with MRDE. Upon graduation she intends to attack New
York City and the world of American musical theatre.
STEFANI HAGGLUND is a senior Dance Major and Psychology Minor. From
Normal, Illinois, Stefani is a recipient of scholarships awarded by the University, the
Meadows School, and the W.R. Nicholson Scholarship Fund. She has been a member of
MRDE for two years and is the first student choreographer to create a work for an
Ensemble production. Stefani's ambition is to perform and choreograph professionally.
ALICE JOHNSON is a sophomore from New Bern, North Carolina and a first year
member ofMRDE. She is a Meadows scholar and a participant in the University Honors
Program, majoring in Anthropology and Dance. Upon graduation, she plans to pursue a
professional dance career with a contemporary company.
MEADOWS
28
SCHOOL
OF
THE
ARTS
DIVISION OF DANCE
M. LISA MASSEI, a senior dance major from Sudbury, Maine, joins MRDE for her
ftrst season. Her collegiate studies as a Meadows scholar have been supplemented by
participation in workshops at Jacob's Pillow and the American Dance Festival. After
completing her degree in Dance Performance with a minor in Journalism, Lisa plans to
pursue a professional dance career in Europe.
CHARLA METZKER is a senior from Atlantis, Florida and a ftrst-season member of
MRDE. As a Meadows scholar, she is pursuing a double major in Dance Performance
and Journalism. Prior to her collegiate studies, Charla was a member of Ballet Florida.
Upon graduation, she aspires to continue her professional career in ballet
SARAH POOLE, a sophomore from Providence, Rhode Island, is a Presidential
Scholar in the University Honors Program, with a double major in Spanish and Dance
Performance. As a former National Merit Scholar and member of the National Honor
Society, she now serves on the Executive Committee of Advocates for Peace in Global
Affairs. This year is Sarah's ftrst season with MRDE. Upon graduation, she plans to
pursue a professional career in dance and international diplomacy.
CARLA RUDIGER, a junior from Dallas, Texas, joins MRDE this season. As a
Meadows scholar, she combines her collegiate studies with teaching dance in the
Metroplex. Upon graduation, Carla plans to pursue a professional career in dance and
musical theatre.
DANA SHERIDAN-NELSON, a senior from Reston, Virginia, enters her second
season with MRDE. Throughout her studies at SMU, she has been a University and
Meadows scholar and a participant in the University Honors Program. Upon completion
of her degrees in Political Science and Dance Performance, Dana plans to pursue a
professional career in dance.
LISA SHRIVER, a junior from Colorado Springs, Colorado, is a University and
Meadows scholar with a major in Dance Performance and a minor in History. She joins
MRDE this season. Prior to entering SMU, she trained with the Maryland Youth Ballet,
School of American Ballet and the Jaffrey School of Ballet in New York City. After
graduation, Lisa plans to pursue a professional career in dance.
LESLIE STROUD is a junior from Graham, Texas. As a University and Meadows
scholar, she is majoring in Broadcast Journalism and Dance Performance. She performs
with the Ensemble for her ftrst season. A member of the Campus Crusade for Christ,
Leslie plans to pursue dance professionally and follow God's will.
MEADOWS
SCHOOL
OF
THE
ARTS
29
DIVISI ON
OF
DANCE
Meadows Repertory Dance Ensemble Ninth Season
CONVERSATIONS
November 19, 1985
CHOREOGRAPHER: Robert Beard
COMPOSER: Johannes Brahms
PIANISTS: Richard Abrahamson, Royce Cooper
M. Lisa Massei, Charla Metzker, Sarah Poole,
Carla Rudiger, Dana Sheridan-Nelson
Understudy: Stefani Hagglund
-PAUSE-
CROSSING BOUNDARIES
May 25, 1989
Those boundaries which limit, confine or restrain us
--people, relationships, obstacles -in our quest for individualism
CHOREOGRAPHER: Lily Cabatu Weiss
COMPOSER: Klaus Schulze
Stefani Hagglund, Alice Johnson, M. Lisa Massei,
Dana Sheridan-Nelson, Sarah Poole, Carla Rudiger*
Lisa Shriver, Leslie Stroud* *
* ( Nov 28, 30, Dec 2 )
* * (Nov 27, 29, Dec 1)
INTERMISS ION
MEADO WS
30
SCHOO L
OF
THE
ARTS
DIVISION
OF
DANCE
SPANISH DANCES
CHOREOGRAPHER: Robert Seevers
ASSIST ANT TO CHOREOGRAPHER: Karen Kriete
COMPOSER: Pablo de Sarasate
Charla Metzker
Sarah Poole, Leslie Stroud
Davis,
Paige
Mindy
INTERMISSION
KILLER INSTINCT
Premier
CHOREOGRAPHER: Stefani Hagglund
COMPOSER: Vince Cross
Mindy Paige Davis, Alice Johnson,
Carla Rudiger, Lisa Shriver, Leslie Stroud
-PAUSE-
FEELIN' GOOD
Premier
CHOREOGRAPHER: Fletcher Nickerson
COMPOSER: Gerald Albright
Mindy Paige Davis, Stefani Hagglund, Alice Johnson
Charla Metzker, Carla Rudiger, Dana Sheridan-Nelson,
Lisa Shriver, Leslie Stroud
MEADOWS
SCHOOL
OF
THE
ARTS
31
I
DIVISION
OF
DANCE
PRODUCTION STAFF
ARTISTIC COORDINATOR
Robert Beard
PRODUCTION
COORDINATOR
Richard Abrahamson
PUBLIC RELATIONS
COORDINATOR
Karen Kriete
LIGHTING DESIGNER
Bobby Harrell
COSTUME DESIGNER
Georgia Ford
TECHNICAL DIRECTOR
Bobby Harrell
FLYER/POSTCARD
DESIGN
Lisa M. Barnes
STAGE MANAGER
Becky Delano
ASSIST ANT STAGE
MANAGERS
Ann Fifer
Kerry Stichweh
LIGHT BOARD
OPERATOR
Lana Lisa Layton
ASSISTANTS
To Mr. Beard
Jill W estney
To Mr. Abrahamson
Kara Jar lath Springer
SOUND BOARD
OPERATOR
Lisa Nafegar
DANCE PRACTICUM
Julie Autry, Adrienne M . Campbell, Capri Croft, Becky Delano, Ann Fifer,
Jelone Fletcher, Jacqui Graziano, Cristin Herr, Jeffrey Kendal, Lana Lisa Layton,
Jennifer Mabus, Adriana M. Martinez, Kay Massman, Annmaria Mazzini, Lisa Nafegar,
Crystal T.D. Petzel, Jodi Schwartz, Kara Jarlath Springer, Kerry Stichweh,
Stephanie Stugart, Katie Wadlington, Jill Westney, Tevita LeChez Williams
MRDESTAFF
FACULTY
STAFF
Director - Robert Beard
Manager - Karen Kriete
Principal Teachers
Robert Beard
Fletcher Nickerson
Robert Seevers
Accompanist
Richard Abrahamson
Robert Beard
Shelley C. Berg
Elizabeth Ferguson, Chair
Karen Kriete
Fletcher Nickerson
Robert Seevers
Lily Weiss
Claire Williamson
Richard Abrahamson
Velma Jean Cole
Charles Hunnicutt
Jamal Mohmed
Edward Lee Smith
Janeen Vestal
ACKNOWLEDGMENTS
Bob Banner
Gene Connor
Steve Cumming
MEADOWS
32
Ed Delaney
Dr. Bernard Dolenz
Hawana Jackson
SCHOOL
OF
JoAnn Robertson
Taffy's Dancewear
Rebecca Young
THE
ARTS
DIVISION
OF
MUSIC
SMU WIND ENSEMBLE
Jack Delaney, conductor
PROORAM
Overture for Winds, Op. 24
Felix Mendelssohn-Bartholdy/Boyd
(1809-1847)
Colonial Song
Percy Aldridge Grainger
(1882-1961)
William Byrd Suite
No. 1
No.2
No. 3
No. 4
No. 5
No. 6
Freely transcribed by Gordon Jacob
(1895-1984)
The Earle of Oxford's Marche
Pavana
Jhon come kiss me now
The Mayden's Song
Wolsey's Wilde
The Bells
10 MINUTE INTERMISSION
Sinfonia V: Symphonia Sacra et Profana
Timothy Broege
(b. 1947)
Symphony No. 2
m. Allegro molto
David Maslanka
(b. 1945)
Slav a!
MEADOW S
34
Leonard Bernstein/Grundman
(1918-1990)
SCHOOL
OF
THE
ARTS
BIOORAPHY
JACK DELANEY is Director of Bands at the Meadows School of the Arts of Southern Methodist
University where he conducts the SMU Wind Ensemble and teaches courses in conducting and wind
literature.
From 1985-1990, Delaney was Director of Instrumental Music at
Emory University where he conducted the Wind Ensemble, Chamber Winds, and the Atlanta Youth Wind Symphony, which he
founded in 1988. Under his guidance the Emory Wind Ensemble
earned a reputation for musicial excellence through successful concert tours (including performances in Boston's Symphony Hall and
New York's Town Hall) and for the many campus concerts that
regularly featured guest appearances by leading composers, conductors, and concert artists. Prior to his Emory appointment he taught in
the public schools of Ohio.
At both the highschool and university levels Delaney has established
and maintained active wind commissioning projects. His commissions include works by composers Warren Benson, Akira Miyoshi,
Timothy Broege, David Sargent, Stephen Jones, and Steven Everett.
Recent premieres include Broege's No Sun, No Shadow: Elegy for
Charles Mingus and Jones' Penumbral Tapestries.
Delaney holds the bachelor of music and master of arts degrees from Ohio University and the doctor
of musical arts degree in conducting from the Cincinnati College-Conservatory of Music. He is a
member of numerous professional organizations and is active as a clinician and guest conductor.
MEADOWS
SCHOOL
OF
THE
ARTS
35
D I V I S I () N
() F
i\1 U S I C
SMU WIND ENSEMBLE
Jack Delaney, Conductor
PICCOLO
Sara Graef
Kathy Kiger
Jennifer Sepeda
BASS CLARINET
Christy Carlisle
Melissa Langer
Doug Suell
FLUTE
Sara Graef
Margaret Hudson
Kathy Kiger
Claudia Markham
Elizabeth Rodriquez
Jennifer Sepeda
Vivien Tagg
ALTO SAXOPHONE
Lincoln Hunt
Gary Reddoch
OBOE
Elizabeth Anthony
Leslye Litle
Ruth Anne Shinn
Lorissa Warner
Stewart Williams
BASSOON
Jason McDaniel
EbCLARINET
Kelly Perkins
BbCLARINET
Shawn Herndon
Michael Kurima
Melissa Langer
Kelly Perkins
Susan Rampacek
llya Shterenberg
Chad Smith
Kimberly Stevens
Doug Suell
Stephan Ware
MEADOWS
36
TROMBONE
Ted Foreman
Darren McHenry
Bryan Payne
Matt Underwood
Brian Waddle
EUPHONIUM
Robert Crump
TENORSAXOPNONE
Aaron Workman
TUBA
John Gray
BARITONESAXOPNONE
Daren Donnelson
HORN
Janine Abmayr
Daniel Bloor
Amanda Doyle
Jennifer Evans
Lynn Griffith
Todd Sandhoff
Heather Shaw
Susan Snipes
David Snyder
PIANO
Nancy Nilasena
STRING BASS
Chris Windham
TRUMPET
DavidAlpar
Alice Barnes
Lauren Eberhart
Scott Hillock
Lilah Kash
David Kastor
Kurt Lauerman
Michael Oglesby
Refugio Rodriquez
SCHOOL
PERCUSSION
Tom Maloy
Jeffrey Nelson
Jim Rawlins
Amy Reichardt
James Snell
Darcy Timmerman
Kathy Wolfe
GRADUATE ASSISTANTS
Gene Berger
Lauren Eberhart
James Snell
OF
THE
ARTS
The Meadows Museum
tUI~ ~
'II'
Gilles Larrain
November 8, 1990- January 6, 1991
Recent work by photographer Gilles Larrain. Born in Dalat, Indonesia, to a French
mother and Chilean father, Gilles was educated by Jesuit priests in South America.
An experienced photojournalist, he has travelled extensively in South America,
Europe and the United States. Although Larrain works as a commercial photographer
for an international clientele that includes American Express, Renault and Club Med,
he devotes a great deal of his time to his personal exploration of themes. Among the
photography series he has worked on are the life of the contemporary world. In his
most recent work, Larrain combines a variety of materials- silver prints, oils, ink and
sometimes gold leaf- on wood, creating uniquely sophisticated collages.
Eighteenth-Century Scenic and Architectural Design:
Drawings by the Galli Bibiena Family
January 17 -February 24, 1991
This exhibition highlights the work of the celebrated 18th-century family of scenographic designers, the Galli Bibiena family. The exhibition will feature approximately 70 drawings and related 18th-century engravings, books, manuscripts and
commemorative medals, drawn from the national collections of Portugal. The Galli
Bibiena family was renowned for their skill in the precise drawing of architectural
perspective, and they dominated the production of theatrical feasts in Europe from
1680-1780. They worked for several royal courts and were responsible for building
theaters and designing stage sets for operas and court festivities. The exhibition has
been organized by Art Services International.
Bernard Chaet: Five Decades of Drawing
January 17 -February 24, 1991
This exhibition features drawings, watercolors and monotypes by American artist
Bernard Chaet, drawn from the collection of the Boston Public Library. Born in
Boston in 1924, Mr. Chaet has taught at Yale since 1951, and he is the author of The
Art ofDrawing, a book widely used in drawing classes. The traveling exhibition is
organized by the University of Montana. An illustrated catalogue will be available.
Hours
Monday, Friday and Saturday 10 a.m. - 5 p.m.
Tuesday and Thursday 10 a.m.- 8 p.m.
Sunday 1 p.m. - 5 p.m.
Oosed Wednesday
Groups Welcome - Call692-2516
For more information - 692-ARTS
Meadows School of the Arts • Southern Methodist University
37
EVENT
PARKING
Meadows
Ticketed
Performances
With the completion of the Jake and Nancy
Hamon Arts Library, parking is now
available on the south side of the
Meadows School for ticketed events.
Please enter from Hillcrest Road at
the southern-most gate, which has an
attendant beginning one hour before each
ticketed performance.
Look for the Event Parking sign.
Enjoy the show!
I
MEADOWS
38
SCHOOL
OF
THE
ARTS
UPCO MING
EVEN TS
NOVEMBE R
6
SMU Choral Union
Caruth Auditorium, 8:15pm
19
Voice Faculty Recital
Caruth Auditorium, 8:15pm
20
"Cloud 9"
by Caryl Churchill,
Directed by Luigi Salemi
Continues through Nov. 18
Tues.-Sat. 8 pm, Sun. 2:15pm
Margo Jones Theatre
For tickets call692-AR TS
7
SMU Symphony Orchestra
Caruth Auditorium, 8:15pm
For tickets call 692-ARTS
8
Gilles Larrain Exhibition
Continues through
January 6, 1991
The Meadows Museum
9
Music in the Meadows
12:10pm
The Meadows Museum
10
SMU Symphony Orchestra
Caruth Auditorium, 8:15pm
For tickets call 692-ARTS
18
Hamon Arts Library
Grand Opening, 2-5 pm
Community Open House
Ensemble
Caruth Auditorium, 8:15pm
26
Faculty Recital
Robert Anderson, Organ
Caruth Auditorium, 8:15pm
27
Perspectives New Music
Ensemble
Guest Artist, Joseph Celli
Caruth Auditorium, 8:15pm
28
SMU Jazz Ensemble
Caruth Auditorium, 8:15pm
29
Master of Sacred Music
Medieval Christmas Service
Perkins Chapel, 8 pm
30
SMU Wind Ensemble
Caruth Auditorium, 8:15pm
"20 Years of Printmaking at
SMU (1970-1990)" A
Retrospective of Student
Prints from the Meadows
School of the Arts
The Gallery
Hughes-Trig g Student Center
through December 16
Open House 2-5pm
"15 by Fifteen" Graduate Art
Students Exhibit through
November2 5
Perspec tives N ew M usic
DECEMBER
Opera Workshop
Caruth Auditorium, 8:15pm
2
University Choir & Mustang
Chorale & Chamber Singers
Caruth Auditorium, 4 pm
3
Percussion Ensemble
Caruth Auditorium, 8:15pm
4
SMU Conservatory
Toy Symphony
Meyerson Symphony Center
7:30pm
For tickets call 692-ARTS
"Across Oka"
by Robert Holman
Margo Jones Theatre, 8 pm
through December 9
F or
llc k.e t..a
u u.n
692.- A.I:C..T
5
SMU Symphony Orchestra
Caruth Auditorium, 8:15 pm
For tickets call 692-ARTS
6
University Choir
Perkins Chapel, 4pm & 8pm
7
SMU Symphony Orchestra
Caruth Auditorium, 8:15pm
For tickets call 692-ARTS
9
SMU Conservatory
Caruth Auditorium, 7 pm
JANUARY
14
"150 Years of the Arts
in Dallas"
continues through Apri114
Mildred Hawn Gallery
17
"18th-Century Scenic and
Architectural Design:
Drawings by the Galli
Bibiena Family"
through February 24
The Meadows Museum
"Bernard Chaet: Five
Decades of Drawing"
through February 24
The Meadows Museum
28
Piano Quintet Program
of Shumann & Brahms
Caruth Auditorium, 8:15pm
29
Master of Sacred Music
Faculty Recital
Caruth Auditorium, 8:15pm
Call 692-ARTS
Re-Discover
Dallas' Best Kept Secret ...
Invites You To Experience Our 5-Course Market Meal
Including:
Large Selection of Appetizers
Choice of Specialty Salads
Fresh Fruit Sorbet
Choice of Specialty Entrees
Chefs Selection of Desserts
$32.50 per person
Menu Changes Daily
Introducing New Executive Chef: Allen Kopelman
After dinner your table is reserved in the fabulous Library Lounge, where you will be
romanced by the "King of Hearts" W.T. Greer!!
"Undeniably one of the prettiest dining environments in town; service is consistent
with the ambience, which is soothingly cosseting."
-D MAGAZINE, AUGUST 1990
Hours 11:30 am - 2:00 am
~Ll6J3eRY
OMNI-MELROSE HOTEL
RETURN TO AN ERA OF ELEGANCE
3015 Oak Lawn Avenue, Dallas
(214) 521-5151