Employee of the Year 600 HIGHWAYMEN

Employee of the Year
600 HIGHWAYMEN
Apr 28 – May 1
running time: 70 minutes
Written and Directed by Abigail Browde and Michael Silverstone
Songs by David Cale
Design by Jessica Pabst and Eric Southern
Performed by
Rachel Dostal
Stella Lapidus
Alice Levy
Violet Newman
Candela Cubria
Lighting Supervisor: Will Delorm
Production Manager: Eben Hoffer
Assistant Director: Lilleth Glimcher
Local Chaperone: Amy Jurkiewicz
For 600HWM Touring: ArKtype / Thomas O. Kriegsmann, [email protected]
Employee of the Year was co-commissioned by Mount Tremper Arts with support by The National Endowment of the Arts,
Arts Works grant, and a commissioning grant by The New York State Council on the Arts Theater program with the support of
Governor Andrew Cuomo and the New York State Legislature. The work was co-commissioned by the French Institute Alliance
Française (FIAF) as part of Crossing the Line, a festival created and organized by FIAF.
This performance is sponsored by
Nesholm
Family
Foundation
Series support for On the Boards is provided by
CURATOR NOTE
I first met Abigail Browde and Michael Silverstone a few years ago on the phone
as part of a grant panel process. I had been appointed the first reader/presenter
for an application they had submitted to a foundation. They ended up not getting
the grant (no doubt because I was the lead read) but ended up doing a different
version of the project anyway, which is the show you’re about to experience.
I remember our chats on the phone and thinking they were both straight shooters
and very likable. That was even truer when I met them in person a year or so later.
Lots of people describe them this way, as likable, down-to-earth and not-trying-tobe-too-cool. While this point may feel minor, I think their humility says a lot
about the art they make.
For example, they were supposed to be premiering a new show this weekend
but became unhappy with it during the creative process and delayed it a year.
Rather than be upset I was impressed they had enough self-awareness to make
that call. Over the past three weeks, they’ve been in residence here at OtB working
on that project with test audiences. Apparently, each audience helps them stage the
show. They work a lot with people who aren’t trained performers and it’s clear they
like the quality of non-theatricalized bodies and voices. I do, too. Really young
and really old people can stand out in this regard if used right.
At this point the performers in Employee of the Year are savvy theater veterans,
having started a few years ago when they were all nine years old. Apparently
this will be the last time this cast will perform the show. While I don’t think
that’s because they’re getting too old to perform this work, it is an interesting
juncture to consider the profundity of simplicity and what can be achieved
through humble means. And humility.
Lane Czaplinski
BIOS
600 HIGHWAYMEN has been creating
a body of original productions since 2009,
with presentations in the US, Europe, and
Australia. Their work offers a new way
of seeing for today. Recipient of an Obie
Award and Zurich’s ZKB Patronage Prize,
600 HIGHWAYMEN is led by Abigail
Browde and Michael Silverstone.
Production history: Under The Radar
(The Public Theater, NYC), Crossing the
Line (NYC), River to River (NYC), The
Invisible Dog (Brooklyn), Wexner Center
for the Arts (Columbus, OH), Festival of
Arts & Ideas (New Haven, CT), FringeArts
(Philadelphia, PA), Mount Tremper Arts
(Mt. Tremper, NY), Clarice Smith
Performing Arts Center (College Park,
MD), Fusebox Festival (Austin, TX),
Centre Pompidou & Parc de la Villette
(France), Festival Theaterformen
(Germany), Noorderzon Festival (The
Netherlands), Zürcher Theater Spektakel
(Switzerland). Upcoming: OzAsia
Festival (Australia), Onassis Cultural Centre
(Greece), In BetweenTime International
Festival (UK). The company receives
support from The Jerome Foundation,
New England Foundation for the Arts,
National Endowment for the Arts, New
York State Council on the Arts, The
Andrew W. Mellon Foundation, Foundation
for Contemporary Arts, the Puffin
Foundation, and numerous individual
supporters. Upcoming: The Fever, 2017.
David Cale is the writer and performer
of ten solo works including The History of
Kisses, Palomino, A Likely Story, Lillian, Deep
in a Dream of You, Smooch Music and The
Redthroats. He wrote the book, lyrics,
co-composed the music for, and appeared
as Floyd in the musical Floyd and Clea Under
the Western Sky, inspired by the character
of Floyd Duffner he portrayed in the film,
The Slaughter Rule. He has written lyrics
for songs sung by artists including
Elvis Costello, Debbie Harry and Jimmy
Scott. His plays include Betwixt and The
Blue Album, written and performed with
Dael Orlandersmith, presented at Long
Wharf Theatre. David is the recipient of
two Obie Awards, two Bessie Awards, two
NYFA Fellowships and a Solo Performance
Fellowship from the National Endowment
for the Arts.
Jessica Pabst is a New York City-based
costume designer for theatre, film, opera
and dance. Jessica won the 2013 Lucille
Lortel Award for Best Costume Design for
The Whale at Playwrights Horizons. She
was also a 2012 Drama Desk Nominee for
Outstanding Costume Design for She Kills
Monsters. Her work has recently appeared at
The Public Theater, Second Stage Theatre,
Playwrights Horizons, Manhattan Theatre
Club, New York Theater Workshop,
The Vineyard Theater, and Rattlestick
Playwrights Theater, Dallas Theater
Center, University of Rochester, Juilliard,
and Barrow Street Theater.
Eric Southern is a Brooklyn based
designer for theater, opera, and dance.
With 600 HIGHWAYMEN: The Record,
Empire City, This Great Country, Employee of
the Year, Everyone Was Chanting Your Name.
2014 Obie award for Ken Urban’s The
Correspondent at The Rattlestick Playwrights
Theater. Additionally, Playwrights
Horizons, BAM, Carnegie Hall, Pittsburgh
Symphony Orchestra, Mark Taper Forum,
Atlantic Theater Company, Baltimore
Centerstage, Virginia Opera, Portland
Center Stage, The Magic Theater, Oregon
Shakespeare Festival, The Guthrie Theater,
The Kennedy Center, Westport Country
Playhouse, UCLA Live Arts, The Juilliard
School, University of Rochester, and Bard
College. BFA, MFA: NYU.
SPECIAL THANKS
600 HIGHWAYMEN has been in
residence at On the Boards for the past
few weeks working on their next show,
The Fever. Michael and Abby would
like to thank the many Seattle residents
who participated in workshops, as well
as everyone at OtB for welcoming them.
Additional thanks to Lynn and Thomas
Heller, Frank Boyd and Nila Leigh, and
Dr. Kristin Wright of Wright
Chiropractic and Natural Health Care,
the best chiropractor in the state of WA.
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RESCHEDULED!
MAY 17
Nanook of the North
Tanya Tagaq
PRESENTED IN PARTNERSHIP WITH SEATTLE THEATRE GROUP
AT THE NEPTUNE THEATRE
TUE | MAY 17 | 8PM
“...the polar punk who makes Björk sound tame”
– The Guardian
Native Inuit throat singer Tanya Tagaq reclaims the 1922
film Nanook of the North with a gorgeous, unnerving,
and ecstatic live sound score. Tagaq has recently become
a star in the international music scene, known for her
physical, fearsome, and transcendent vocal style.
OtB audiences get a 15% discount:
enter the code NANOOK when buying online.
Single tickets available through STG.
info @ ontheboards.org
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MEDIA AND COMMUNITY SUPPORTERS
THANK YOU TO OUR INSTITUTIONAL SUPPORTERS
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FOUNDED BY ARTISTS IN 1978,
On the Boards introduces audiences to international innovators in contemporary dance,
theater and music while developing and presenting new work by Northwest performing artists.
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