The White Book

Transcription

The White Book

HARRISON INCE ARCHITECTS
HELLO
Welcome to Harrison Ince Architects
based in Manchester, UK
Established in 1989, Harrison Ince has gained a reputation in all areas of building design through
quality of work, attention to detail and a highly creative design approach.
In recent years, we have emerged as one of the more creative practices in the UK with numerous
design awards to our credit. The practice has also created a number of award winning
commercial interiors together with innovative city centre residential developments.
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We Are Pubs
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Restaurants & Hotels
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Contact
WE ARE PUBS
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‘An ever expanding portfolio of pubs throughout the British Isles.’
Clients such as JD Wetherspoon, one of the largest pub chains in the world, have made us a major
contributor to the world of pub design.
The work produced for JD Wetherspoon includes new builds and restoration projects. The client has
allowed us to express ourselves through design, and as a result we have won numerous awards.
“A winter warm pub, full of charm which
compliments the existing Grade ll listed
building”.
THE CASTLE HOTEL
JD Wetherspoon
Harrison Ince were commissioned
by JD Wetherspoon in 1997 to
develop new design concepts for
the expanding restaurant brand.
We have been instrumental in creating a
succession of more sophisticated,
contemporary buildings and interiors, which
have proved highly successful with both the
client and customers.
With hundreds of pubs all over the UK, you are
never too far from a Wetherspoon, Lloyds or a
Wetherspoon hotel, many of which are designed
by Harrison Ince.
As well as pubs, JD Wetherspoon have
commissioned Harrison Ince to design a number
of hotels. So, whether for business or pleasure,
there is a JD Wetherspoon hotel designed with a
little more individuality for your convenience.
All of the pubs and hotels have their own unique
character, with many in fantastic restored historic
buildings as well as new build designs.
A beautiful Grade ll Listed Building
on St Peters Square, Ruthin.
A majestic building, once an old
coaching house.
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“Drinking terrace designed with materials and
furniture which complement the building”.
RUTHIN, DENBIGHSHIRE
The Castle Hotel is a four storey Grade ll Listed
Building which has an imposing frontage onto St
Peter’s Square, Ruthin. The building has served
mainly as a hotel since it was built in the early 18th
Century, with 17 bedrooms which have been
refurbished and updated during the works to
create warm, inviting and comfortable rooms.
Historical Inspiration
To the side of the site is the main
entrance to the hotel. A glazed screen
has been installed to divide the customer
area and the hotel lobby.
The room to the customer side has polished
timber panelling and is a celebration of historic
halls. Stag heads and a coat of arms enhance the
feeling of grandeur exuded by the building.
THE FRANK HORNBY
Frank Hornby was born and raised in Maghull,
making toys as early as 1899. Throughout the
years, the Hornby brand has adapted itself to
keep up with modern times.
The scheme uses old styles but is put together in a
modern way, a timeless design very much like the
Hornby toy concept.
Meccano and Hornby ideas have been recreated in some of the
finer details in the design process paying homage to the past.
Modern materials and furniture
meets a traditional decor.
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“A room with a difference, characterful,
warm and vibrant”.
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“Rich history informing beautiful
design for all to see and enjoy daily”.
EASTWAY, MAGHULL
Harrison Ince has incorporated traditional floor
tiles laid out in a mosaic style pattern with high
seating to create this vibrant drinking area. Traditional Victorian styles such as Lincrusta and
ceiling roses all create interesting features which
contrast with the reclaimed light fittings.
‘80s Inspired
Bold coloured picture frames that represent the bright colours of 1980s
Meccano and timeless classical furniture
of the 1950s ensure this design stays true
to the Hornby way.
There is a mixture of painted and stained panelling
to bring both modern and traditional features into
the pub. Several bespoke Meccano inspired light
fittings were commissioned along with a pendant
train wheel using different sized pendant filament
bulbs.
The back bar takes inspiration from the idea of reclaimed
shabby chic with a mixture of distressed, painted and
stained finishes including mesh cage fronts to the bottle
displays, all being put together in a random fashion.
“A strong looking modern bar”.
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THE RAILWAY HOTEL
The two storey property was purpose built in 1847 as The Railway Hotel, next to Lytham’s
first railway station. The railway station was demolished in 1968 and replaced by a fire
station. The Railway Hotel was renamed the Hansom Cab. It now has its original name.
Inspired by the sites affluent and seaside location,
the scheme portrays ‘posh’ fish and chips/oyster bar.
The use of distressed driftwood elements including
panelling and flooring, the feature fish sculpture
has been constructed with individual pieces of
driftwood and proudly stands in the lobby located
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in the main entrance. This contrasts against the sites historical
name referring to the railway, we created a feature railway
sleeper wall.
The bar is a focal point situated in the centre of the site, this is a
contemporary design with the driftwood inspired timber stains
on the bar front and white bricks on the back bar.
LYTHAM
“Pastel colours create a
cool seaside effect”.
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“A pub with expressive features and
wonderful artwork”.
THE GUILDHALL LINEN EXCHANGE
This Grade l Listed building located
on the high street in Dunfermline
is one the best known landmarks in
the town.
This early 19th century building was
originally built as a Guildhall and Linen
Exchange, as Dunfermline was once
synonymous with fine quality table linen.
The overall idea for the scheme was to
compliment this grand old listed building
with a chic, contemporary interior, keeping a
feeling of rich, lavish royalty while obtaining a
very modern feel. Heavy, traditional ceiling details
create a grand feature in each room all of which
are painted in subtle, modern, pastel colours and
designer light fittings suspend from the ceiling
roses throughout.
Large, decorative cameos featuring kings and
queens from the Dunfermline area sit onto brick
feature-walls either side of the fireplace and fabric
inset panels feature on walls leading out to the
external balcony to reflect the linen history of the
building throughout.
There is use of distressed driftwood
elements including panelling and flooring.
Modern features now compliment this
grand old listed building.
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“Drinking terrace designed with modern
furnishings which complement the building”.
DUNFERMLINE, FIFE
Dunfermline’s history is rich in Scottish royalty. This
provided much inspiration for the overall scheme
but also inspired many of the specific artwork
and features. A modern take was adopted on a
Faberge egg chair, which was bespoke designed
and made to sit either side of the illuminated
marble fireplace.
Quality Features
The bar area has the feel of an elegant
hotel with a simple back bar design using
luxury materials such as black granite,
gold tiles and a marble top.
All fixtures and fittings were chosen to look and
feel luxurious and expensive as well as being
current to offset against the old features of the
building.
Beautifully exposed brick walls and large
Antony Gormley art pieces.
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THE QUEEN’S PICTURE HOUSE
The scheme has been designed using inspiration from the surrounding area and the history
of the site. It uses specific elements to create a modern interior contrasting rustic industrial
design and sleek minimal ideas.
The rustic textures and reclaimed tiles create the large,
double-height feature wall, to produce an interesting
urban design with a mixture of natural and manmade
materials. This combination of slate and ceramic
creates another juxtaposition; clean cut white gloss
finishes contrast against the rustic elements.
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The scheme takes advantage of the natural light with the use of
a roof light which illuminates the site, emphasising the industrial
design. The design includes exposed duct work and cable trays
softened by the exposed timber and brickwork.
The colours have been limited to cool, modern greys with a hint
of red for warmth, achieving a comfortable balance.
“High quality design, meets high
quality food and drink”.
WATERLOO
A rustic beer garden made up of
strong exposed concrete blocks.
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“Grass style carpet and warm wood gives
this pub a lot of character”.
THE PRESTWICK
PIONEER
A Fresh Approach
We created a fresh new idea for the
scheme and created a modern and
textured environment.
The ceiling design is integral to the scheme,
creating planes of depth, stepping down and
sweeping through the pub. This is mirrored
in the floor finishes, the use of grass style
carpet with integrated resin sections which
represent water and sand.
Fixed seating styles were inspired by sand
bunkers, creating original and natural
shapes, built up creating 3D seating features,
illuminated from behind to create warmth as
well as depth.
MAIN STREET
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AYRSHIRE
The colours are cool, fresh and minimal, to
create a sleek overall look and to compliment
the detailed internal fixtures, such as the
ceilings and fireplace.
The bar has been created with layers of timber
similar to the fixed drinking poser style tables.
The font bar is illuminated creating warm glows across the
timber. Warm colours in the glass light fittings were used to
soften the scheme, modern furniture was used throughout with
a mixture of light wood stains and black painted elements.
New exciting spaces for retail units,
creating more job opportunities.
“Designed with everything in
mind, finished with precision”.
PRESTWICK
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Original concept approved by the client.
The finished fit-out stayed true to this sketch.
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TRAFFORD CENTRE
The new-look flagship outlet features two floors, with a bar on each, as well as terrace and
balcony area. Music is a major theme, particularly Jazz. Images of New Orleans artists,
particularly Louis Armstrong, and bands native to Manchester adorn the walls.
The company has spent £995,000 developing the
outlet, on the site of the former Dexter’s Bar and
Grill in The Orient. The Mardi Gras is in one of
Europe’s largest shopping centres and is a great
beacon for JD Wetherspoon.
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The company already runs eight pubs in Manchester city centre:
The Moon Under Water on Deansgate, The Paramount on Oxford
Road, The Waterhouse on Princess Street, The Manchester and
County on Piccadilly, The Ford Maddox Brown on Oxford Road,
The Seven Stars on Dantzic Street, Castle in the Air on Trafford
Way and The Great Central on Wilmslow Road, Fallowfield.
THE MARDI GRAS
Open plan design, creating a
relaxing yet interactive space.
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“An upmarket pub,
for everyone to enjoy”.
THE WILLIAM
PEVEREL
A Historical Pub
This pub in Bulwell emulates the
grandeur and opulence of a castle
interior with high vaulted ceilings, bold
flags, a grand fireplace and bespoke light
fittings.
There is a Bayeux Tapestry theme which is carried
through to a screen printed window. This is illuminated
internally to form a strong visual feature on the front
elevation.
A modern frontage with
traditional elements.
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“Bold sculptures, bold colours and high
ceilings, makes this pub very special”.
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“The atmosphere is warm inside and out,
and has a perfect lighting arrangement”.
BULWELL
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THE WATCH MAKER
The clock and watch making trades flourished
in Prescot during the 18th & 19th centuries.
For this design Harrison Ince used the intricate
detailing and metallic colours associated with watch
making to help tie the whole scheme together.
The design complements and considers the history of the area
with replica cable drums creating a ceiling feature within the
main section of the pub. The drums represent the British
Insulated Callenders Cables company which was one of the
owners’ main employers in the 1980s.
We are not afriad to use bold features,
like this large watch on the wall.
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“The clock behind the bar is a nice touch
and in keeping with the theme”.
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“There is nice balance of wood against
the rich, strong colours”.
PRESCOT
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THE TILEY STONE
Rope making, milling and coal mining are all
long established and important industries in
the area around Gateshead.
This scheme was designed to pay homage to
all these local industries. The hard surfaces and
reclaimed materials provide an ideal backdrop and
help to recreate the industrial feel.
Reclaimed light fittings were used along with distressed furniture
to complete the overall feel of the pub.
Ropes and wheels pays
homage to the past.
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“A classic looking pub with classic
finishes and furniture”.
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“Rich history informing beautiful
design for all to see and enjoy daily”.
GATESHEAD, TYNE AND WEAR
Rope was used in many of the feature details,
including the sculpture and screens dividing
the booth seating. The main bar area features
oversized bespoke rope light fittings and a tangled
and entwined rope sculpture which runs along the
bulkhead leading you to the rear of the unit.
Reclaimed Materials
Coal and Tyneside went hand in hand
for centuries and Gateshead had many
mines in the area. This was presented
in not only the artwork, but also with a
feature between two columns that has
old miner’s lamps encased behind a wire
mesh.
Reclaimed panelling emulates the timber
railway carriages that transported the coal from
Gateshead. This, along with exposed brickwork on
feature walls represents the history of the building
which was once the long-standing premises of the
Gateshead Industrial Cooperative Society.
The large cog light fitting in the entrance and wall of
cogs symbolises the last working windmill in the area
which stood on the corner of Jackson Street.
THE ADMIRAL SIR JOHN BORLASE WARREN
The first Stapleford Hall was built in 13th
century. It later passed to the Tevereys and then
the Warren family.
This is a beautiful piece of architecture as befits the
memory of a great man. It is a solid building, full of
character with high ceiling.
The naval theme is elegant and appropriate and there are witty
allusions to the medical profession – a nod in the direction that
this land was once used as a medical centre, and before that, a
doctor’s surgery.
“For every modern pub, you need a
traditional one, this fits tradition perfectly”.
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“High quality design, meets high
quality food and drink”.
Traditonal bookcases are used
as a design feature.
STAPLEFORD
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“This pub fits seamlessly within
its seaside environment”.
THE LAYTON RAKES
Britain’s largest seaside resort took shape from the eighteenth century. The scheme is
inspired by Blackpool’s golden mile of sea and sand, and captures some of the fun and
colour of Blackpool’s seaside fairground atmosphere.
The colour scheme for the pub is predominately
blue and orange, representing the sand and sea of
Blackpool’s famous seaside, loosely relating also to the
Blackpool’s local football team who are nicknamed
‘The Tangerines’. Tongue-in-cheek elements have been
introduced into the design, mixing the traditional style
of JD Wetherspoon with a modern fun feel.
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Using subtle design touches, as soon as you enter the premises
you are greeted with the welcome mat, using images of sliced
rock, which is iconic to and recognised with Blackpool.
Using eye catching design features such as fixed seating inspired
by carousels and waltzers throughout the scheme, thinking
outside the box to incorporate fun ideals with the scheme rather
than using bric-a-brac.
“Beautiful back bar, well lit and
very modern”.
BLACKPOOL
An open plan design ready for
those busy Blackpool nights.
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RESTAURANTS & HOTELS
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‘We are known for beautiful restaurants and conceptual designs.’
All designs have helped Harrision Ince gain a broad experience of architecture in the restaurant and
hotel sectors.
Clients such as Nando’s, one of the largest restaurant chains in the world, have made us a major contributor to the world of restaurant design as they are another major player in the food industry.
NANDO’S
Established in 1987 and now operating in thirty
countries, Nando’s is one of the largest
restaurant chains in the world.
Nando’s commissioned us to design a new, vibrant
scheme in Sheffield which represented their
Portuguese and African heritage.
Although this was a small scheme, it packs a punch with its
pulsating colourful features, warm wood throughout and
captivating lighting scheme. Harrison Ince looks forward to
working with the chain in the near future.
Bold features creating an African themed
Nando’s, taking it back to it’s roots.
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“Modern light fittings mixed with traditional
elements makes this Nandos unique”.
“Authentic and original, staying
true to what Nando’s is all about”.
SHEFFIELD
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“Fusion food served in an
authentic environment”.
TAMPOPO
Established in 1997, the Tampopo
restaurant is evolving into one of
the more innovative and
successful brands in the north of
England.
First to open was Albert Square in Manchester,
which lies in a top lit basement and exhibits the
characteristics that flow through each of the
restaurants. The open kitchen, the bench seating,
the clean, minimalist interior and the clever use of
lighting are all themes that have been developed
during the evolution of Tampopo.
Harrison Ince designed three restaurants for
the chain, each with its own individual charm
and identity.
The most adventurous venue is situated on the
ground floor of a bank building on South Parade in
Leeds. It boasts a separate, raised bar area as well
as the more familiar elements.
“Diffused lighting effects provide
a highly sculptural aesthetic”.
HARRISON
HARRISON
INCE
INCE
ARCHITECTS
ARCHITECTS
HARRISON
HARRISON
INCE
INCE
ARCHITECTS
ARCHITECTS
HAMPTON BY HILTON
The Hampton by Hilton Liverpool City Centre is one of three hotels owned by Hilton
Worldwide in Liverpool. Harrison Ince designed this 151-room hotel which is located at Kings
Dock Mill in Liverpool.
The hotel is also home to a fitness centre/
health club as well as one conference room.
The hotel is within the same complex as 188
apartments and 350m2 of office space.
The construction of the Kings Dock Mill building
commenced in 2008 and was completed in early 2010,
although the Hampton by Hilton hotel opened in late
2009.
“This hotel is comfortabled,
A well knownclean
hotel brand
helping
andtowell
regenerate
designed“.
the area.
PREMIER INN
A new landmark to the northern gateway of Preston. The proposals replace an existing inner
city car park with a 120-bed hotel, 56 residential units and 1,700m² of retail space.
Amadeus Developments
The scheme boasts imagination within constraints.
Three different building types are combined; positioned
on a triangular site with three very distinct edges, bound
by existing buildings in each corner. The three building
types are arranged around three sides of a courtyard.
Each building’s purpose is expressed differently through the
external elevations but they remain unified by the internal elevations facing the courtyard. A two-storey plinth contains the
retail units, lobby and areas of the hotel other than the rooms.
The residential units and hotel bedrooms rise above the plinth
with half overlooking both inner courtyard and street elevations.
Proposed Hotel Concept,
Northern Gateway of Preston.
CONTACT
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Harrison Ince Architects would like to thank you for taking
the time to look through our brochure.
We are very proud of all the work we have produced, whether built or unbuilt. Our architects will
continue to keep designing buildings to help inspire people in their everyday lives. Our interior
design team will continue to produce spaces that evoke a positive feeling and enhance the way in
which people live.
We would also like to thank all the clients mentioned in this brochure. If you would like to
become part of the Harrison Ince Architects client list, please do not hesitate to contact us.
HOW TO FIND US
2 Jordan Street
Knott Mill
Manchester
M15 4PY
T: 0161 236 3650
F: 0161 236 9997
E: [email protected]
www.harrison-ince.co.uk
Twitter: @harrisonince

The White Book

Transcription

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