William Tonks - Thrasher Photo and Design
Transcription
William Tonks - Thrasher Photo and Design
William Tonks by Susan Youngerman, photos by McGinnis Leathers and jason Thr asher G uitarist and songwriter William Tonks is the Kevin Bacon of the Athens Music scene. It would be difficult to come up with an established artist or producer in Athens that has not collaborated with Tonks over his two and a half decade career. A native of Montclair, New Jersey, Tonks’ father moved the family to Savannah, Ga. to fulfill his dream of restoring one of the city’s stately old rowhouses. The shy nine-year-old had a hard time fitting in, but young Tonks found solace in the guitar. “We lived downtown, so it wasn’t like you could run out and play in the yard. I guess if that uprooting didn’t happen, I probably wouldn’t play the guitar.” His determination to master the instrument found him taking classical lessons on an old Harmony archtop given to him by his sister that was “largely unplayable.” Comically, practicing chords on the Harmony was such a challenge that the occasional bite mark found its way onto the upper bout of the guitar. All of the practice eventually paid off, and Tonks became the frontman for Penguin Lust, his first self-described “good band,” formed while he and other members were attending the University of the South. After graduating with 70 February 2012 an English degree, he decided to move to Athens and pursue further education. Grad school proved not to be his true calling, but he most certainly ended up in a town designed to encourage his passion for the guitar. After the 1985 breakup of Penguin Lust, Tonks had a three-year run with the Gravity Creeps, recording an album with legendary producer John Keane. It was at this time that Tonks began writing music in earnest. After the end of Gravity Creeps, he found the Dobro, a self-taught instrument which he has mastered and continues to play today. Playing in bands like Redneck Greece Deluxe, Workhorses of the Entertainment/Recreational Industry, The Hot Burritos, Barbara Que and Bloodkin, Tonks has been part of eleven record albums. These days find him working on a children’s album with Todd Nance of Widespread Panic in a band called the Romper Stompers, as well with the acoustic Mr. Jordan/Mr. Tonks. He has also found his way back into the band Bloodkin, who have been described by Steven M. Deusner in Pitchfork, “… as if the legacy of Faulkner or even Keats were alive on vinyl rather than in ink.” It seems like William Tonks landed not so far away from that English degree after all. Southern Distinction