Thank you for your purchase of this product! I am... enjoyable hours working with this music and the play-along recordings.
Transcription
Thank you for your purchase of this product! I am... enjoyable hours working with this music and the play-along recordings.
Thank you for your purchase of this product! I am confident that you will find many enjoyable hours working with this music and the play-along recordings. This download is the PDF tablature and sheet music files. The audio tracks that match this book are a separate (free) download. Page three of this eBook has a ‘box’ with the link and password to these audio files. On that page, you will find the package that matches the name of your eBook. http://jaybuckey.com/play_along.htm You will need a utility to open these files. ‘7 zip’ is an open source program that works well with the .rar package. This is the link for ‘7 zip’ if you are using Windows (free download): http://download.cnet.com/7-Zip/3000-2250_4-10045185.html If you are using a Mac, you will need a different utility. UnrarX is a popular choice. Here is the link (free download): http://www.unrarx.com/ This tutorial for Mac is also helpful: http://www.ehow.com/how_2091902_open-rar-files-mac.html When you open the audio file package, EXTRACT the files to a folder on your hard drive. This way, you won’t be prompted for the password each time you play a file. You can play these files back on your computer or personal listening device or ‘burn’ these to a CDR for added flexibility. There are many audio files. Some are of the complete song and others are slower versions that will improve your accuracy and timing. This page also has more details about these files and suggestions on how to use them: http://www.jaybuckey.com/ebook.htm If you have trouble or further questions, you can contact me at http://jaybuckey.com/contact.htm Enjoy the music! Jay Buckey Bluegrass Dobro Volume 2 By Jay Buckey © 1998 – 2007 by Jay Buckey Music All Rights Reserved Revised 2007 Except as permitted under the United States copyright Act of 1976, no part of this publication may be reproduced, distributed in any form by any means, or stored in a database or retrieval system, without the prior written permission of the publisher. An exhaustive search has been made to locate publishers and copyright owners of the songs in this book. If we have published a previously copyrighted composition without permission, we advise the copyright owner(s) to contact us so that we may give credit in future editions. The current listing of available publications by Jay Buckey Music can be found at www.jaybuckey.com On the cover: 1999 Deluxe 27 Gibson Dobro, Kaenna Point, island of Oahu, Hawaii, USA Gibson ® is a registered trademark of Gibson Musical Instruments The play-along audio tracks for this book are a download on this page: www.jaybuckey.com/play_along.htm Detailed download instructions are provided on that page. Passwords: Dobro Volume 2: DQ6rjorNVb 2 Table of Contents Page Title 4 Cabin in Caroline 8 Big Sandy 11 Arkansas Traveler 13 Precious Memories 18 Orange Blossom Special 21 Big Mon 24 Foggy Mountain Breakdown 27 Mama Don’t ‘Low 31 Black Mountain Rag 34 Man of Constant Sorrow 38 Angel Band 43 Train 45 3 ‘Cabin in Caroline’ This classic bluegrass song is quite popular on stage as well as in the field. It is credited to the great bluegrass duo, Lester Flatt and Earl Scruggs. I think one of the most appealing parts about this tune is its happy lyrics, straightforward melody line, and uncomplicated lyrics. The solos really liven up a simple tune like this. Performance Notes: 1. The song starts out with a very positive sounding banjo break. The back up for the Dobro should be the standard Basic Rhythm. 2. During the Verse, you can continue the Basic Rhythm, playing it low and in the back ground keeping your instrument as a supporting role. 3. The Chorus of the song lends itself well to some tasty Dobro fills at measures 20 and 24. Of course, these are not the only possibilities, you may wish to experiment with other fills and possible scale runs. What is presented here is only a suggestion. These two collections of Flatt & Scruggs music is a complete library of bluegrass classics. 4 Cabin In Caroline www.jaybuckey.com By Lester Flatt and earl Scruggs Arrangement by Jay Buckey Peer Music Publishing All Rights Reserved Verse: Key of G Vocal lead line: 1 ! 0 0 pines, grip night in for and the G 1 2 3 4 5 6 0 0 0 There's a I'm And 0 1 in ing late the my at 0 cab pack when in it's 0 C the 2 0 hills that moon 0 2 of Car long shin is - olost - in' Dobro back up (chop style): 1 2 3 4 5 6 @@ 12 12 12 12 12 12 12 12 12 12 12 12 5 5 5 5 G 1 2 3 0 4 5 6 D ! 0 line trip, bright 1 2 3 4 5 12 6 0 and 12 12 7 7 7 0 blue back whip the 12 12 12 , 1 2 3 4 5 6 0 a and 9 1 2 3 4 5 7 6 5 5 5 - eyed or - 0 2 girl to wil is the is 12 12 12 0 wait hills cal 12 12 12 12 G 0 0 I'll Oh, And be to I'll 7 7 0 go see tell 12 0 ing that her 12 12 1 back blue al 12 0 2 - some eyed my 0 - ing of lin' 12 5 2 for o the me. line. hills. - 12 12 12 7 7 7 7 7 7 C 0 day, girl, love, 12 12 there Car from 12 12 ! 0 4 from she's the be - 12 12 12 12 12 2 her sweet neath 5 0 2 0 I'll - est the nev - er in the stars a- 5 5 5 5 5 13 G 1 2 3 0 4 5 6 D ! 0 stray, world, bove, 0 and the and the I 1 2 3 12 12 4 5 12 12 12 12 6 ! 7 1 cab - in 1 in 0 cab - in cab - in love her 12 18 C 1 1 2 3 4 5 6 0 1 the 12 12 0 0 in in now 2 the the and I 12 12 12 ! ! 7 7 0 0 shad - ow 0 0 of the 1 5 2 5 3 5 4 5 6 1 0 2 3 4 5 6 down 0 in 2 0 Car - o G 0 a 5 5 2 0 hap - py 5 5 5 0 6 5 , 10 10 12 7 7 6 6 12 12 12 , 0 12 12 life, 12 12 12 0 0 in the 12 12 0 0 cab - in 12 12 12 0 in 12 6 12 2 0 a day 12 0 the 12 12 12 12 12 0 blue - eyed 12 12 0 2 girl way 12 12 0 5 5 0 Oh, the G 0 0 line. line. will. and !! , 0 she'll 12 12 1 2 be my 12 2 hills 7 0 of 7 7 4 2 Car - o 7 7 7 0 0 0 and we'll 12 G 0 ! wife 12 12 D ! 12 5 5 6 ! pine, Some 7 7 0 Chorus: , 0 - line. G 0 7 7 7 , 28 C 1 2 3 4 5 5 6 7 7 7 2 4 Car - o Car - o al - ways 2 7 live of of I D 1 2 3 4 5 6 1 2 2 3 4 5 6 0 hills hills know 12 12 23 G 12 12 12 12 12 ! , - line. 12 12 12 12 12 12 Dobro solo: G 33 1 2 3 4 5 6 @@ - 7 0 0 i 37 0 t i 0 2 t 0 0 2 h i h 0 0 m i 1 0 t m i 2 0 t 2 3 m 0 m s t 0 3 i 0 3 0 m i t m i 0 0 3 m t i 7 7 0 i 2 0 t p D 3 5 i 0 t s i 0 0 0 5 m t 0 0 i m 4 5 t m 0 t s i 0 0 5 m t 0 0 0 3 2 i m t s 0 0 2 m t h 1 0 2 7 7 3 7 4 5 6 m t i m 7 t 7 i 0 7 m 0 0 m i 1 t m 0 i 0 t 2 2 3 m m s 0 t 3 i 0 i 0 3 0 m h 3 0 p i 3 0 p t 3 p t 0 0 3 m i D t s i m t t i 7 m t 0 7 i m t 7 i C G 0 1 2 0 0 0 3 4 5 5 4 5 6 7 7 i G 41 i 3 0 G 1 2 0 3 4 5 6 45 C 0 0 t m 0 3 i 3 m t 0 0 i i G 0 3 i t 0 3 0 h i i p 7 3 0 t p 0 0 3 i t 0 h i 0 0 t i 0 0 t i 0 t 2 0 t p ‘Big Sandy’ The legendary fiddler, Kenny Baker and Bill Monroe are credited to this tune that is about the creek, Big Sandy. Another ‘Creek’ tune! The album, ‘Kenny Baker Plays Bill Monroe’ should be a must have in your CD collection. I am not a big fan of ‘fiddle tunes’ but this one is an exception. It has a nice melody line and flows nicely on the Dobro. Dobro players often times neglect fiddle tunes but this instrumental sounds great anytime in a group jam session. Performance Notes: 1. The opening statement is called a ‘rake’ as indicated by the series of ‘xxxxx’ on the tablature. This is played by raising the bar slightly so that it only touches the first string, the ‘5’. The left side of the Left Hand will mute the rest of the strings as the Right Hand thumb strums through all 6 strings. 2. Measure 2 is a good example of the Melodic Style. This is a short G scale run using a different string for each note. The advantage to this is that the notes will blend in nicely with each other. It is also used at measures 6, 10 and 14. 8 Big Sandy www.jaybuckey.com Arrangement by Jay Buckey By Kenny Baker and Bill Monroe Universal champion Music corp. Key of A, capo 2 and play in G 1 1 2 3 4 5 6 All Rights Reserved G D @@ mm 5 0 t 1 t 0 2 t t m 0 5 i 0 5 m t 7 i 0 0 t 7 7 i t m 7 i 0 7 7 m t 7 7 i m 7 t i 7 m t 7 i 0 0 m (Deaden these strings with the left hand) G 5 D mm 0 1 2 t t t t 1 5 2 3 4 5 6 9 5 m i 0 0 5 m t 0 7 i 0 t i 0 2 mm 0 t t 1 0 2 t t m 0 5 i m 0 5 t i 7 t G h 2 0 i s p m 0 0 2 t t h ! 2 2 0 7 7 t i 5 m t 5 0 4 5 m 0 1 2 t t t t 0 5 m i 0 5 m t 0 i 7 t 0 i t 0 s i 0 5 m t 0 i m 0 2 t t 7 i 6 t 6 5 5 i s G 0 m 2 7 D mm 1 5 2 3 4 5 6 t m 0 0 3 D 1 5 2 3 4 5 6 13 0 G h 9 0 0 3 2 0 i s p m 2 0 t p 0 0 t m 4 5 0 t s i 0 5 m t 0 0 i m 17 G C 0 1 2 0 0 3 4 5 4 5 6 t m 0 t s i m t 5 t i m 5 i 5 5 5 m t 5 i m G 7 5 7 t s i C 21 0 1 2 0 3 4 5 6 t 25 0 0 3 D m 4 5 t s 0 0 i 5 m t 0 i m G t t m 0 3 t s i m t 5 t i m 5 5 i 5 5 m t i m 5 7 t t 5 i 5 5 5 m t 5 i m 5 7 t t 0 1 2 0 3 4 5 6 t m 4 5 t s 0 i 0 5 m t 0 i i m m i t 5 t 3 2 0 m t 5 i 5 5 m t 5 i 7 7 7 7 i 7 m t 5 m 10 s i 2 0 t p G 7 7 m t i 7 7 m t 7 8 t m 5 7 7 0 5 7 i m m i t 5 7 t t 3 2 0 m t D 0 m 7 G i C 29 7 D 0 0 m t 5 C 0 1 2 0 0 3 4 5 4 5 6 7 0 5 D 0 5 7 5 7 s i G 7 i 7 7 m t 7 i 7 m 7 t 7 m 8 t 2 0 t p ‘Arkansas Traveler’ "The Arkansas Traveler" was the state song of Arkansas from 1949 to 1963, and has been the state historical song since 1987. Up to this point, we have only been playing songs in the Keys of G and A. Now, we will shift gears into the Key of D. This is not a very popular key for Bluegrass players, plays well on the Dobro. Some songs, like ‘Arkansas Traveler’ are always played in a certain key; in this case, it is D, which is very popular with Fiddle players. Performance Notes: 1. Since this is a Fiddle Tune, the original melody line uses many eighth notes in series. This presents a special challenge for the Dobro. What I like to do, and is reflected in this arrangement is to focus on the chords to the song as much as possible. The number of notes played is not as important as the harmonic structure of the tune. The first three measures focus on the chord progression more than the actually melody. Compare measures 1 thru 3 with the arrangements for the mandolin and fiddle. 2. Measure 7 is a good exercise using pull offs. 3. The Chorus, starting with measure 9 to the end is another example of using chords and harmony for a melody line that is normally played with straight eighth notes, like the fiddle version. Using this method, you should be able to pick up the tempo and keep up with most seasoned fiddle players. 11 Arkansas Traveler www.jaybuckey.com Arrangement by Jay Buckey Key of D Traditional Dobro Solo: 1 1 2 3 4 5 6 D G @@ 2 ! m i t 5 ! 2 m i 1 2 3 4 5 6 i 7 7 m i D 13 t m i 7 m 5 m 2 2 7 7 7 m m m i t D 5 5 i 7 m G 1 7 7 2 3 4 5 6 m 2 5 m m i t i 5 m D G 2 2 2 4 2 4 2 0 m i t m m s s m i 7 t 7 i 2 0 m 2 7 i p 7 t 2 0 i p m i 2 m 2 t 0 2 i 2 7 m i i 2 m 2 0 m p 12 0 m i 2 0 t p 7 t 7 i 2 2 i m 2 0 i p 2 t 4 2 0 t s t 7 m G 7 i t m 0 i i A 7 t 2 2 2 m i t A 0 t i D 2 2 D A D 2 0 D A 7 A A A D 5 A D G 7 m m ! 2 m i t D 7 7 7 A 0 0 0 7 7 t 9 t G 1 2 3 4 7 5 6 2 2 2 m i t D D ! 2 0 0 0 7 7 7 A D 2 0 t p 4 2 0 t s t i ‘Precious memories’ ‘Precious Memories’ is a traditional Gospel hymn credited to J.B.F. Wright in 1925. However, records indicate the song may have been around as early as 1877. It has been performed by a wide variety of famous recording artists including Johnny Cash, Emmylou Harris, The Edwin Hawkins Singers, and Bob Dylan. Performance Notes: 1. This song has a professional twist; it starts out in the Key of C, then after the Dobro break, modulates to the higher Key of D. On the Dobro solo, this will be at measure 17 with the A chord. This is called the ‘pivot’ chord. It’s easy to find. If you are going to modulate to a new key, simply find the V chord (5 chord) of the new Key, then place it before the key change. In this case, the V chord in the Key of D is A (or A7), so we simply place it in front of the new key change, and it makes for a smooth and rather professional sounding transition. As another example, if we wanted to go to the Key of E, what would the pivot chord be? It would be ‘B’, since it is the V chord in the Key of E. 2. Because this song is slower, it will be easier to think ahead of the fills that are used during the vocal break. 3. Most of the fills will be based on block chords. There are a couple of special ‘bending’ techniques used to create a pedal steel guitar sound, in particular, measures 7, 15 and 22. The Right Hand Ring Finger will pre-bend the second string (in measure 7) so sound like the 13th fret. However, the bar will remain straight at the 12th fret. The Ring Finger will then, gently release the string letting it relax into its normal pitch at the 12th fret. Keep the execution of this note as smooth as possible to emulate the sound of the pedal steel guitar. Listen to the recording a few times to get the feel for this technique. You can also see this on the video presentation, Dobro Volume 1 on the song, Midnight Special. This is found at www.jaybuckey.com/video.htm . 4. The Dobro solo, beginning at measure 66, should stay connected and played as smoothly as possible. Triplets are used, beginning with measure 71. A triplet is a set of three notes played on one count. Again, listen to the recording for the interpretation of this technique. 13 Precious Memories www.jaybuckey.com Arrangement by Jay Buckey Key of C then to D Lead vocal line: 1 1 2 3 4 5 6 Traditional C @@ ! 0 ! F mem - 'ries, un 0 Pre - cious 1 2 1 C ! 1 - 2 seen 0 -2 @@ 4 6 Am 1 1 2 3 4 5 6 0 2 Dm 0 to my soul. 1 some - where 5 5 5 11 F 1 1 2 3 4 5 6 C ! ev 1 2 3 10 4 10 5 10 6 1 - er 10 10 10 2 near 5 5 5 0 5 5 C 0 ! 13 12 2 and 5 ! 12 12 12 1 the 12 12 G 0 14 0 ! 2 5 5 ! 5 0 2 they !! from 1 ! ling - er 5 5 5 5 3 3 3 5 5 5 3 3 3 C 1 sac - red 12 12 12 5 5 5 5 ! Sent How me, 5 5 5 5 5 10 10 10 1010 10 10 10 10 G 12 1 2 3 4 5 6 5 2 an - gels Dobro fills behind the vocals: 1 2 3 4 5 6 ! 2 0 past un 1 - folds. 5 5 5 5 6 5 5 C 5 16 1 2 3 4 5 6 ! 5 Pre 1 2 3 4 5 6 5 5 5 5 21 F 1 1 2 3 4 5 6 5 ! 26 1 2 2 3 4 5 6 1 2 3 4 5 6 31 C 1 1 2 3 4 5 6 fold. - 2 - 'ries, 0 ev 10 ! F ness of 1 ! 0 1 - er my 10 11 10 10 the they , ! 1 0 17 17 5 5 5 ! mid - night. 5 pre 4 5 17 17 17 15 ! 5 5 5 ! 5 - cious 5 5 2 1 sac - red scenes D 2 Pre $$ 1 2 3 4 5 6 15 2 - cious 15 the 5 0 0 0 5 5 5 G 0 1 $$ ! A7 5 15 0 In 2 , -2 ! lin - ger. 0 5 5 5 10 2 0 soul. C 1 2 C 2 1 flood ! how 5 ! 1 mem ! 17 17 they 1 10 10 2 10 3 10 4 5 6 cious 2 5 1 How stil 5 - 5 0 0 fath - er ! 0 un - $$ ! 36 G 0 1 2 3 4 5 6 1 2 3 4 5 6 41 1 2 3 4 5 6 1 2 3 4 5 6 46 1 2 3 4 5 6 1 2 3 4 5 6 51 1 2 3 4 5 6 $$ $$ lov D 0 - ing A7 2 4 $$ 2 - ! 4 er 0 in fond 7 7 A7 2 home 0 mem - o - ! 4 ! how 19 19 19 19 - ! 7 7 4 2 ry ap Bm 0 0 2 cross the lone G 0 scenes ! 7 5 5 ly 0 - 0 0 0 0 0 2 they lin 0 7 7 7 0 8 7 ! ger. 19 19 7 7 G 0 - 2 2 ! 19 7 ! Pre 7 17 16 17 17 7 ! How 7 0 they 12 12 12 12 12 ! child - hood, pear. - 2 7 7 7 7 4 years. 0 my 5 5 5 - D of 5 Em 2 4 D 0 14 14 14 4 a 0 0 2 the 2 fly 7 mem - 'ries, 1 2 3 4 5 6 ! And $$ ! $$ moth D $$ $$ 0 ! 7 7 7 7 7 - cious 7 7 2 0 ev - er 2 flood 0 my Dobro solo: !! 7 C 66 1 2 3 4 5 6 @@ - 2 5 F 69 1 10 2 10 3 10 4 5 6 3 3 5 5 10 7 ! 4 4 4 4 4 5 5 5 5 7 5 5 5 5 4 4 4 !! 5 5 ! C 10 12 10 10 5 5 5 10 10 Am 72 5 5 5 17 17 3 17 17 Dm 17 17 3 17 17 3 17 17 17 17 3 G 3 3 1 15 15 15 15 15 15 12 10 2 17 17 17 17 17 17 12 3 15 15 15 15 15 15 12 12 10 10 4 17 17 17 17 17 17 12 5 3 3 3 3 6 3 3 3 3 75 C 5 1 5 2 5 3 5 4 5 6 7 78 5 7 5 4 4 4 5 5 5 5 5 ! F 10 10 10 10 7 C 1 10 2 10 3 4 5 6 81 ! 17 ! 10 10 10 12 10 10 G 5 5 5 5 5 5 17 17 3 17 17 17 17 3 17 C 1 2 17 17 17 17 17 17 3 4 17 17 17 17 17 17 5 6 3 3 3 3 17 3 17 17 17 17 3 17 A 15 3 15 15 15 15 3 D 14 14 14 14 14 14 17 19 19 19 15 15 3 15 15 15 15 3 15 ‘Orange Blossom Special’ The Orange Blossom Special was a named passenger train service operated by the Seaboard Air Line Railway between New York City, New York and Miami, Florida. Inaugurated in January of 1925, the service was the brainchild of SAL president S. Davies Warfield, who wanted to capitalize on the booming development that was taking place in Florida at the time. Warfield believed that Florida was a land of opportunity, and with the addition of fast, luxurious train travel, he could lure influential and wealthy business leaders to the Sunshine State. He was spurred on by the success of Henry Flagler and his Florida East Coast Railway in attracting travelers to the southeast. This song was written in 1938 by trick fiddler, ‘Ervin T Rouse’ and made famous by traveling musician, Chubby Wise. The song’s evocation of train sounds and speed has been interpreted in every musical form and performed on festival stages from New York to San Francisco and around the world. It is one of the most performed songs of the 20th century. Performance Notes: 1. Although this a ‘war horse’ of a Fiddle tune, the Dobro gets a good shot at it and really shines on it as well. The opening statement, measures 1 thru 12, is reminiscent of a train whistle. This effect works well on the Dobro. 2. Part B, measures 13 thru 20 are based on the trick fiddling that the crowd always enjoys. The Dobro gets a good break using banjo roll patterns. The tricky thing about this passage is the speed. You will want to be cautious to keep your notes as clean as possible so the solo will sparkle and not sound slurred. 3. Measures 21 thru 24 and 29 thru 32 offer a heavy dose of the Melodic G scale. This passage alone will make a great daily exercise. It can be used in a variety of settings and songs. 18 Orange Blossom Special www.jaybuckey.com By Ervin T Rouse Arrangement by Jay Buckey MCA Music Dobro solo: All Rights Reserved Part A (Train stuff...) 1 1 2 3 4 5 6 @@ 10 10 10 10 Key of A, capo 2 and play in G ! 5 1 10 2 10 3 4 5 6 9 9 8 8 7 7 !! 7 7 7 9 1 7 2 3 7 4 5 6 5 5 7 7 0 0 0 5 5 0 7 7 7 ! Part B (This is where the crowd goes nuts...) 13 1 2 3 4 5 6 G i 0 C 0 4 5 t m 17 0 0 t s i 5 m t 0 0 3 i m t 0 i 0 3 m t 0 i 0 m D 5 t t i 5 5 5 m t i 3 2 0 0 5 m t 5 5 i 5 m t 5 i 0 5 m 5 5 t i m G 1 2 3 7 7 4 5 6 t 3 5 i 7 7 m t 7 i 0 7 m t 7 i 7 7 m t 7 i 0 7 m t 7 i 7 m 5 5 m i 19 0 m t s i 2 0 t p 0 0 t m 4 5 0 t s i 0 5 m t 0 i i Part C: D 21 1 2 0 3 7 4 5 6 0 t i 5 t 0 0 5 m t i 0 7 t 0 7 i t 0 5 i t 5 m t 0 i 0 7 t 7 i t 0 0 5 i t m 0 0 5 t i 1 m 2 i t G 25 1 2 3 7 7 4 5 6 t 7 i m 7 t 7 7 m 7 i t 7 7 7 m t 7 7 i 7 7 m t m i 7 7 t 7 m 7 t 7 7 i 7 m t m 7 9 7 i t ! 5 m ! s C 29 1 2 0 3 7 4 5 6 i 0 t i 5 t 0 0 5 m t i 0 7 t 0 7 i t 0 5 i t 5 m t i G 33 1 2 3 5 5 4 5 6 t i 5 5 5 m t 5 m i t 0 7 t 7 i t 0 i 0 5 t 0 5 m t i D 0 5 0 0 5 m i 5 m t 0 i 0 7 t i 0 2 t 5 m 5 i ! t G 0 m 0 h 0 0 3 2 0 i t m 0 2 0 p t p 0 4 5 t m 0 t s i 0 0 5 m t i m Ending: 37 1 5 2 3 4 5 6 5 m m 5 m 5 i 0 m 3 2 t s 0 2 0 m t p 0 i 3 0 m 20 p 0 3 i h 0 m 0 i 0 3 t h 0 m 0 i 0 3 t h 0 0 i i ‘Big Mon’ The title reflects back to the Father of Bluegrass, Bill Monroe. Performance Notes: 1. Instead of starting on the A part like a normal song, each instrument will enter their solo on the B part. I cannot think of too many songs that do this, but most bands approach it this way. 2. This solo arrangement presents a good workout with hammer-ons and pull-offs. Bill Monroe, the Father of Bluegrass (Photo by Jim DeVault) 21 Big Mon www.jaybuckey.com By Bill Monroe Arrangement by Jay Buckey Bill Monroe Music All Rights Reserved Key of A, capo 2 play in G Part B: 1 G 1 2 3 4 5 6 @@ 7 ! 0 0 0 0 2 3 b i s D 0 3 2 0 0 t m 5 G t m i p t 0 p i 1 0 m t i 2 t p 2 4 i t 0 s 3 2 0 m t s 0 i 0 0 t i 0 2 t 0 2 2 t h m m h 0 4 p t 0 0 2 t h i i 2 3 2 3 3 2 0 t s t s t s 0 0 2 i G 0 0 i m t 0 0 t t m t D h i 0 0 1 0 2 0 2 t 1 5 2 3 4 5 6 t 2 0 p i 9 13 i 0 0 D 1 0 1 0 0 2 2 0 3 4 5 6 1 2 3 4 5 0 6 p 2 0 h i h 1 m i 0 p 2 0 t p 0 2 t i 0 0 t t 2 3 3 2 0 i t s s i 0 t i G 3 m 0 0 0 2 t s m t D 3 2 i s 2 3 t s 0 i 3 t 0 i 0 3 t h 0 2 3 i t s 3 2 0 t 22 s i 2 t 0 2 i t 0 p 2 t 0 i 5 2 m G 0 2 m t 0 0 i t Part A: 17 G F 0 1 0 2 0 0 2 2 0 3 4 4 5 6 i t i h i t G 3 3 t t p m 21 0 2 0 i t p 0 3 0 2 t m t h F 0 1 0 2 0 0 2 2 0 3 4 4 5 6 i t i h i t 25 3 t t 0 2 0 i h p F 1 0 0 2 0 2 0 3 4 0 2 4 5 6 i t i h i t p i 30 F t t m 3 3 0 2 0 t t i t p t s 02 t h i h 0 2 t t h s 0 2 i h 3 2 0 h p 3 2 02 t s t h t h 02 01 i h 0 2 m h 0 0 m s m i i h 0 2 0 1 i h 0 2 01 02 G 1 0 m p G 3 2 0 m s 1 0 0 0 1 0 m i 4 p t p t 0 1 t h 2 m i 2 0 p t 23 2 p t 0 0 i m 0 0 t m 45 0 p t 0 5 t s i m t 0 p t 0 i m 0 2 i h 2 0 0 p G 1 0 4 G m i m h D m 0 2 0 p t m i D 3 2 D t h t h 0 0 1 G G 0 1 2 2 0 3 3 3 3 2 4 5 6 0 2 G 3 p m D 0 t 0 t m ‘Foggy Mountain Breakdown’ ‘Foggy Mountain Breakdown’ is a famous bluegrass banjo instrumental by the seminal bluegrass artists Flatt and Scruggs. It is used as background music in the 1967 motion picture Bonnie and Clyde, especially in the car chase scenes. It has been used in a similar manner in many other pictures and television programs, particularly when depicting a pursuit scene in a rural setting. It was written by Earl Scruggs and recorded in 1949 by Flatt and Scruggs and the Foggy Mountain Boys, with Scruggs playing a Gibson Granada 5-string banjo. It is closely related to Bill Monroe's "Bluegrass Breakdown" which Earl helped to write. It featured the same opening double hammer on, but "Bluegrass Breakdown" goes to an F chord whereas Foggy Mountain Breakdown goes to the G chord's relative, an E Minor. In 2004, it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry. Performance Notes: 1. The first solo for the Dobro is mostly melody oriented with strategic slides to create a bluesy style. 2. The second solo is closer to the way the Banjo plays its opening break. There are many passages in this second break that mimic the Banjo’s styling of this great song. 24 Foggy Mountain Breakdown www.jaybuckey.com Arrangement by Jay Buckey Key of G By Earl Scruggs Peer Music All Rights Reserved Solo 1: G 1 1 2 3 4 5 6 @@ i 5 s i s 0 0 0 m t i 0 2 3 2 3 m i s i s 0 m t i 2 4 m t s 2 0 m m 3 2 0 t t s 2 0 1 t t t G 0 s m 0 0 i 0 2 t t i 0 0 0 2 m t m 0 0 i t 2 2 4 m t Em s m 0 m 3 2 0 t t s 2 0 1 t t t 2 3 2 1 t t G 1 2 3 2 4 5 6 0 s m 13 0 0 Em 1 2 3 2 4 5 6 9 0 2 3 2 3 0 0 i 2 t t 0 i 0 0 2 m t m 0 i 0 0 t 2 4 m t D s 2 0 m m 3 2 0 t t t 3 2 0 t s t s G 1 2 3 0 4 5 6 0 t m 0 m , 5 m 3 2 0 t s t 2 0 t p 25 0 t 2 0 m m s Solo 2: G 17 1 2 3 2 3 4 5 6 i 7 7 3 2 3 s i s m 3 3 i m 2 3 2 3 i i s 7 7 3 s 3 3 m i m Em 2 3 i i 1 2 3 2 4 5 6 0 s m 0 0 i 2 t 0 0 t 0 0 2 i m t m i 0 0 t Em s m 3 i 3 2 0 t t s ! 1 t 0 m t 0 0 m t 2 3 i s 0 m 0 0 0 2 i t m t 0 0 1 m t G 1 2 3 2 4 5 6 0 s m 0 0 i 2 t t 0 0 0 2 i m t 0 m i 0 0 0 t m 0 0 t m 2 3 t i s D 29 s 3 G 21 25 2 3 0 0 m i 0 2 t m 0 0 0 t m 2 3 t i s 0 m i G 1 2 3 0 4 5 6 0 t m 0 m 2 3 i 0 s m 0 t 0 i 2 0 0 m t m 0 i 3 2 t 26 0 s m 0 t 5 m 2 0 m p 3 2 t 0 s m 0 0 t 0 2 t m ‘Mama don’t ‘low’ This fun tune is great to play on Mother’s Day (USA) or your favorite Mom’s birthday. Each instrument is highlighted after being introduced as something ‘Mama Don’t ‘Low’. Between each comment, that particular instrument will play a small part and then kick into a nice solo featuring the musicianship of that picker. Performance Notes: 1. During the vocal part, the Dobro will play some strategic fills to give anticipation to the audience. 2. Many parts of the Dobro solo are based on Banjo style rolls and licks, similar to ‘Foggy Mountain Breakdown’ and ‘Train 45’. Measure 34 to the end is built upon a blues/rock style of hammer-ons and pull-offs. These can be used in other songs and arrangements. For more fun when you play this song live for Mom, you can add more verses like, ‘Mama Don’t ‘Low: • Hand Clapping • Foot Stomping • Bluegrass Singing • Heavy Metal Music (I usually throw in a short break of ‘Smoke on the Water’. See the video of our band doing this at www.jaybuckey.com/video_showcase.htm Alternatively, you can do whatever else you think ‘Mom Don’t ‘Low’. Be prepared for an encore! 27 Mama Don't 'Low www.jaybuckey.com Arrangement by Jay Buckey Key of G 1 1 2 3 4 5 6 Traditional G @@ 0 Well, Well, Well, Well, Well, Well, Well, 0 ma ma ma ma ma ma ma 0 - ma ma ma ma ma ma ma 0 don't don't don't don't don't don't don't 0 0 'low 'low 'low 'low 'low 'low 'low no no no no no no no 0 0 fid dle ban jo mando - lin hound - dogs gui tar bass blue - grass 0 0 play - in' play - in' play - in' play - in' play - in' sing - in' 2 'round 'round 'round 'round 'round 'round 'round 0 here. here. here. here. here. here. here. Dobro fills on verse 4: 1 2 3 4 5 6 , @@ 5 3 D 5 , 1 2 3 4 5 6 7 ! 1 3 2 3 4 5 6 1 0 Well, Well, Well, Well, Well, Well, Well, 0 ma ma ma ma ma ma ma 0 - ma ma ma ma ma ma ma 0 don't don't don't don't don't don't don't 0 0 'low 'low 'low 'low 'low 'low 'low no no no no no no no 0 0 fid dle ban jo mando - lin hound - dogs gui tar bass blue - grass 0 0 play - in' play - in' play - in' play - in' play - in' sing - in' 0 'round 'round 'round 'round 'round 'round 'round 2 here. here. here. here. here. here. here. -2 0 7 28 7 5 6 5 6 C G 9 1 2 3 4 5 6 , 7 1 7 2 3 7 4 5 6 13 1 2 0 3 4 5 6 an an an an an an an ! 0 3 Well, Well, Well, Well, Well, Well, Well, we we we we we we we 0 0 don't don't don't don't don't don't don't care care care care care care care 5 0 2 what what what what what what what - y y y y y y y 0 how. how. how. how. how. how. how. 2 3 Well, Well, Well, Well, Well, Well, Well, 0 0 ma - ma ma - ma ma - ma ma - ma ma - ma ma - ma ma - ma don't don't don't don't don't don't don't 3 1 0 0 'low 'low 'low 'low 'low 'low 'low gon gon gon gon gon gon gon - 0 0 0 na na na na na na na play play play play play play sing that that that that that that our 0 5 5 5 D G 0 0 0 ma - ma ma - ma ma - ma ma - ma ma - ma ma - ma ma - ma 0 don't don't don't don't don't don't don't 0 0 'low 'low 'low 'low 'low 'low 'low no no no no no no no G 0 fid ban mando hound gui bass blue 1 2 3 4 5 6 29 0 - dle jo - lin - dogs - tar - grass 2 2 play - in' play - in' play - in' play - in' play - in' sing - in' 4 'round 'round 'round 'round 'round 'round 'round 0 here. here. here. here. here. here. here. 0 fid ban mando hound gui bass heads 0 - dle jo - lin - dog tar off Dobro solo: 1 2 3 4 5 6 !! 7 G 18 @@ - 7 0 0 m i 22 0 0 2 t t 1 2 3 5 0 4 5 6 0 t m i 0 h 0 2 3 2 3 7 7 3 2 i t t t 0 2 i t h s s m 0 2 3 2 3 i t t s s G 1 2 3 0 4 5 6 2 3 2 3 t s t s 1 8 2 3 4 5 6 8 8 7 7 t m 8 t 1 2 0 3 4 5 6 t 3 h 0 i 3 h m m 3 2 t s 0 0 2 t t h 0 0 !! 7 2 i t 0 4 5 t m 0 0 t s i 0 5 m t i 0 m D 0 m i 0 0 0 2 t t h 0 0 i 7 7 3 m 9 m 0 m 3 3 t m 2 3 2 3 2 i t ! 7 0 t 3 2 i t s t s 7 7 7 7 3 3 3 m t s 3 h 3 8 m t 0 m 3 t 0 i 5 5 t m D 8 m 34 0 0 t s C G 30 0 0 s 7 7 26 t 0 m 5 5 t m G 0 3 i m 0 i 3 t 0 m 3 0 t p 30 0 i 3 0 t 0 i 0 p t 0 0 m t 0 3 5 m t s 0 0 i t 0 i 0 5 m t 0 i 0 m ‘Black mountain rag’ This is another crowd-pleasing song much like ‘Orange Blossom Special’ and is a favorite with Fiddle players. It is often banned in fiddle contests because of its tricky style of fiddling. This break makes the Dobro a crowd-pleaser with a sparkling solo with some dandy hammers, pulls and slide techniques. Performance notes: 1. There are not many surprises on this one. The Dobro solo is based on roll patterns blended with well placed hammers, pulls and slides. Keep all of these special techniques clean and clear. The bluegrass festival in Blythe, AZ has become on of the most popular in America with many top-notch performers on the program. http://www.blythebluegrass.com 31 Black Mountain Rag www.jaybuckey.com Arrangement by Jay Buckey Key of A, capo 2 and play in G 1 1 2 3 4 5 6 Traditional G @@ 2 3 t s 0 0 i 2 0 m t 0 0 m t m t s D 4 1 0 2 0 3 4 5 6 m 2 t 0 0 m t 0 3 2 m t s i i m 2 0 0 t i m 0 0 t m t 0 0 0 t 0 2 3 t t 4 i t m 0 0 s i m 0 t 2 m 0 t 0 2 1 2 0 0 3 4 5 6 t 10 i 0 m t m 2 3 t s 0 0 i i m t 2 0 m t 0 0 m t 0 3 2 m t s i 0 s 0 0 t i m G 0 m 0 0 0 4 m t 0 0 m t m i G 0 1 2 2 3 0 3 4 5 6 t 13 0 s 3 2 E 7 0 2 3 G 0 m 0 0 3 2 s i 0 m t D 1 2 3 0 4 5 6 t 0 m 2 3 t s 0 0 i m 0 t 0 i 0 2 m t 0 0 2 3 0 i t m t s 0 i 0 m 0 t 0 m 0 0 3 2 i t s m G 0 i 0 4 t m 0 t 0 0 m 2 3 t s 0 i 0 m 0 t 0 m 32 2 3 t s 0 i 0 m 0 t 0 i 0 2 m t 0 i 0 0 t m D 16 0 1 2 2 3 0 3 4 5 6 s i m t 0 1 2 0 3 4 5 6 t m 3 2 i t m 0 2 0 t s 0 0 m 0 0 t 4 i t 0 0 0 m t m i t 0 0 2 3 s 0 i m 0 0 t 5 i m 5 5 t i m 0 5 5 i t 5 i m 5 5 t i 0 0 m t m 0 0 3 2 i t t 0 5 5 m G s m t i m 5 5 5 t i m D 1 0 5 2 3 4 5 6 0 i 0 5 m t 0 7 i t 0 4 i t t 0 5 m t 0 0 5 i m 0 0 t 0 i m 0 2 3 t i 0 s m 0 3 t 0 i m t G 25 1 2 3 0 2 3 4 5 6 i s 0 m 0 3 t 3 0 i m t 0 i t 0 0 m t 0 2 3 i s 0 0 m i 1 2 3 5 4 5 6 t t m t t 0 2 0 m 0 t 0 0 i m t i G 5 5 i m 5 t 5 i 0 m 5 5 5 t i D 1 2 3 0 4 5 6 0 2 C 28 31 0 G C 19 22 0 0 G m 5 5 t i 0 5 5 m t 0 5 i m 0 5 m i m 5 t 0 i 0 7 t i 0 m G 0 m 0 t 0 2 m t 0 i 0 4 t m 0 t 2 m 0 m 0 i 33 3 2 t s 0 m 0 t 0 4 5 m t s 0 i 0 5 m t 0 i 0 m ‘Man of constant sorrow’ ‘Man of Constant Sorrow’ is a traditional American folk song. The song was first made famous by the Stanley Brothers. The song appears on Bob Dylan's 1962 eponymous debut album and Dylan performed the song during his first national television appearance in 1963. Another version was recorded in 1962 by Peter, Paul and Mary on their self-titled album as the track "Sorrow". The song appears in the 2000 film O Brother, Where Art Thou? Performed by the fictitious Soggy Bottom Boys in the movie, it was recorded by Dan Tyminski, Harley Allen, and Pat Enright. It was a hit in the movie for the Soggy Bottom Boys and later became a hit single in real life. This was the only song on the soundtrack to receive an award or to chart; it received a CMA for "Single of the Year" and a Grammy for "Best Country Collaboration with Vocals" and it peaked at #38 on Billboard's Hot Country Singles & Tracks chart. My arrangement is very close to the movie soundtrack. Performance notes: 1. The Dobro will use roll patterns for the back up on verses 1 and 3 2. The solo is not difficult, but keep it clean, especially the slides. Measures 34 and 35 use a full-chord slide from frets 3 to 5. Keep those very clean and solid. 34 Man Of Constant Sorrow www.jaybuckey.com Arrangement by Jay Buckey By LaRue Zap Publishing Company, B.M.I Key of G Vocal line: All rights reserved D 1 1 2 3 4 5 6 @@ , 1 2 3 4 5 6 @@ 0 0 In 0 1 con - stant 0 sor - ! G 0 0 row 1 all through 3 0 his days. G 5 1 2 3 4 5 6 0 1 I For You Maybe 0 am six can your a long bury friends 0 man years me think Dobro fills for Verse 3: 1 2 3 4 5 6 9 1 1 2 3 4 5 6 0 3 5 C 1 of I've 2 0 con - stant been in In some deep I'm just a 1 2 3 0 0 4 5 0 0 6 32 32 0 0 0 1 0 0 1 5 0 0 5 0 0 0 5 D ! 0 - le on where all earth I my I've may nev - er see no for a face you'll 5 5 5 35 5 , , 0 0 troub pleasure years val - ley 5 0 0 0 seen no many strang- er ! 0 0 3 I've 5 5 5 5 5 5 5 0 0 sor - row, trou - ble 3 3 3 0 5 5 5 7 7 7 5 7 7 5 7 7 7 1 7 0 7 7 7 3 7 7 G 14 1 2 0 3 4 5 6 0 1 0 I For Then bid in you fare this may But, there's one 0 - well world learn promise Dobro fills for Verse 1: 1 2 3 3 3 3 2 3 3 2 3 4 5 6 19 1 1 2 3 4 5 6 2 3 3 3 2 2 3 0 0 0 0 0 0 0 0 0 0 C 1 to I'm to 2 old bound love that 1 2 0 3 5 4 5 0 6 32 32 0 0 0 G 24 1 2 0 3 4 5 6 1 0 , , 1 giv - en 3 3 3 5 5 5 5 5 5 5 5 0 0 3 0 0 35 , place have where no I friends 0 5 0 While I'll I meet am you sleep on 5 5 5 5 5 5 , 0 0 3 0 0 place has where no he friends grave. shore. While He'll he meet is you sleep on 0 35 0 0 5 0 0 - born help ing God's 5 7 7 7 5 7 7 5 7 7 7 7 3 and me in my gold - en 7 7 7 7 7 G , 0 The He 1 was to D 0 0 3 0 the I raised. now. 1 3 0 3 2 3 2 0 3 0 3 4 5 6 0 D Ken - tuck - y to ram - ble an - other, is 0 0 1 was to - ing God's 0 born help 3 0 and him raised. now. in his gold - en grave. shore. , 0 0 36 10 12 10 12 10 12 Dobro solo: G 30 1 2 3 4 5 6 @@ - 2 0 3 t h 0 3 0 i m i 2 0 s i 3 t i m 2 3 t s 0 0 m 0 3 t i 0 0 m t m 3 2 0 t s i 3 t C 33 1 2 0 3 4 5 6 t 0 0 3 5 i s 5 i m 0 0 t i m 0 0 5 t i m 2 2 2 0 0 0 3 3 3 5 5 5 5 0 3 3 3 t m s m m s m t 3 2 0 t s i i i t t 5 5 5 i m 3 0 t p D 36 1 2 3 4 5 5 6 5 t i 39 0 0 5 m 5 5 5 t 0 2 3 i s 5 i m t m 7 0 m 3 i 7 0 3 m 0 m 3 p i G 1 2 0 3 4 5 6 i 3 5 t s 0 i 0 5 m t 0 i 0 m 0 t 0 0 m t 37 0 i 0 0 m t 0 0 0 i m t ‘Angel band’ ’Angel Band’ is an American gospel music song originally titled "My Latest Sun Is Sinking Fast". The song was written by William Bradbury (words), Jefferson Haskell (music), and first appeared in J. W. Dadmun's Melodeon in 1860. The song has been recorded by numerous artists, probably the most famous was by The Stanley Brothers, and probably the most unusual by The Monkees. Performance Notes: 1. Because the tempo of this song is slower, the back up will be easier to execute and allow you to think ahead. Much of the back up is based on block chords. 2. The Dobro solo is straight-forward with few surprises. Keep the slides clean so that all of the notes come through clearly. Small, informal three-man-jam at the Blythe, AZ Bluegrass Festival. February, 2005 38 Angel Band www.jaybuckey.com Arrangement by Jay Buckey Key of D Traditional Lead vocal line: 1 1 2 3 4 5 6 D ?@ G 0 0 2 2 My Oh, I've lat bear al - est my most - 2 sun love reached 4 0 is ing my - 0 sink heart heaven - ing to ly Dobro fills on Verse 2: 1 2 3 4 5 6 5 ?@ D A7 1 0 2 3 4 5 6 2 2 fast, him home, my who my 0 2 4 race bled spir is and it near died loud - D 2 - 0 ly for ly - run. me. sings. 7 7 1 2 3 4 5 6 5 5 G 9 1 2 3 4 5 6 1 7 2 7 3 4 5 6 ! 2 My Whose The ! 2 2 long blood ho 7 7 7 !! - est now ly 0 trials clean ones, , 39 2 4 0 0 - ses be now from hold are all they 5 5 5 5 5 5 - 0 0 0 0 0 0 13 D A7 1 0 2 3 4 5 6 2 0 2 passed. sins come. My and I - 2 1 2 3 7 4 7 5 7 6 7 7 2 tri gives hear 7 7 - 2 1 2 3 4 5 6 umph me the 1 2 3 4 5 6 1 0 2 3 4 5 6 2 2 2 ! 2 2 1 0 2 3 4 5 6 2 2 2 ! 4 7 7 7 Bear 5 5 5 5 5 5 0 0 0 - gel !! D 2 0 and a 4 - !! 0 2 an !! ! !! D 2 round me , - 2 7 7 7 G stand. 1 2 3 7 4 5 6 ! ! gun. y. wings. 7 7 7 come, Come 1 2 3 4 5 6 - 2 2 2 2 ! 0 be tor of - A7 band. 25 2 has vic noise ! Oh, 21 4 A7 17 D D 0 me 0 0 0 0 a - 2 0 way on 0 0 0 40 0 your , 0 2 snow , - 6 y 7 7 7 A7 29 1 0 2 3 4 5 6 0 wings 1 2 3 4 5 6 to 7 7 7 7 33 1 0 2 3 4 5 6 7 ! 1 2 7 3 7 4 5 6 37 1 0 2 3 4 5 6 wings 1 2 7 3 7 4 7 5 6 0 0 my im 7 7 D 2 - mor ! 2 2 2 0 - 4 tal home. 2 5 5 5 0 0 Bear me 0 a - 0 0 0 2 0 way on 0 0 0 0 your !! 0 0 my im - mor , snow D 4 2 - tal 0 - y !! ! home. , 41 0 2 7 7 7 A7 to 7 D 0 0 0 0 7 7 7 7 7 7 G 5 5 5 2 19 19 ] 19 19 Dobro solo: D 41 1 2 3 4 5 6 ?@ , , - 2 7 t 44 G 7 7 5 5 5 m i m i t 5 5 5 0 0 0 m i t m i t D 7 1 0 2 3 4 5 6 m 47 1 7 2 3 4 5 6 1 9 2 3 4 5 6 m 0 p i 0 h 0 7 2 t s A ! 2 7 7 m 50 7 2 t 7 s i 8 7 s 5 7 i s ! m 4 t s !! 7 0 m i t ! i 2 7 7 m t i D ! 2 5 5 s 7 2 0 0 0 0 t 7 5 t s i 5 5 m t 42 !! 5 7 t s 7 7 s 7 i 7 7 7 7 m ‘Train 45’ This great banjo tune is normally played in the Key of B. This arrangement will be played in the key of G with the capo at the 4th fret. This will raise the pitch to B. As a group, we used to play this tune near the end of one of our sets, I would usually go nuts on the mandolin or fiddle, and we always had a good response from the crowd. Sometimes we would change the chords to the chorus and rename the song to, ‘Drain 45’. You can see how we played this in the concert footage of the Marty Warburton Band on the ‘Video Showcase’ at www.jaybuckey.com Performance Notes: 1. The opening statement is a duel between the Mandolin and Dobro. It will really peak the interest of your listeners. 2. Most of the Dobro solo is based on banjo style rolls, hammers, pulls and slides. Be careful of the shifting Right Hand patterns at measures 29 thru 32. It looks harder than it really is. The timing of the notes is critical for a clear and smooth sound. The CD, ‘Double Trouble’ is an excellent source to hear John Hickman play this song. 43 Train 45 www.jaybuckey.com Arrangement by Jay Buckey Key of B, capo 4 play in G Intro: Traditional 1 1 2 3 4 5 6 (Mandolin fill) @@ Dobro fill: , 3 2 3 t 3 3 mt t 7 7 3 3 m t 5 m s i 3 4 3 4 0 t s t s i 7 1 i m 0 3 t 3 7 4 0 t s i 0 2 2 0 1 1 2 0 t s i 0 2 t h i 0 2 i t (Mandolin fill) 5 m ] Dobro fill: 9 1 2 0 3 3 4 3 5 6 t i 3 ] 0 3 3 s 5 1 2 0 3 4 5 6 3 0 0 0 0 0 0 !! , Dobro solo: 12 1 2 3 4 5 6 G -7 0 i 16 0 2 t h t h i h 0 m 2 3 0 t s m 0 t 3 i 0 0 m t 2 3 2 3 i t s s 0 3 0 m t i 0 5 t s i m t 0 0 i m 0 2 0 0 3 t h i m i 2 0 s i 0 0 3 0 2 t h i m i 44 0 5 m i D 0 1 2 0 0 3 4 5 4 5 6 i m 0 1 0 2 0 5 m t 0 i 7 t 0 i 4 t G 2 0 s i 2 0 t p 0 i 2 t 0 0 i m 4 5 0 0 5 t s i m t 0 0 i m 20 0 1 2 0 3 4 5 6 t m 23 1 5 2 3 4 5 6 2 h t 0 5 m 0 i m 0 2 h 3 2 0 t s i 0 1 i h 0 2 t h 0 m 0 2 i t h i s t m t 3 m t i m 0 0 s 7 3 m t 3 2 3 i s t s 0 0 5 2 i 0 5 m i t 3 m 0 5 m 7 ! 3 i 0 7 i t 4 i t G 1 2 0 3 4 5 6 1 2 3 4 5 6 t 7 3 4 5 26 29 3 0 0 D 2 3 t 0 3 i 0 3 2 0 i t s i 3 m t 0 0 3 i m t 0 t 0 3 i 0 0 i 3 m t 4 5 m 0 t 0 3 i m t s 0 i 3 1 0 5 2 3 4 5 6 0 m i m t 5 0 i 7 t 0 i 4 t 0 i m t 0 3 t 0 0 5 t m D 33 0 0 5 i 3 i m 0 3 m t t 3 3 i m m t i 0 t 3 m t 0 0 5 i 0 0 0 0 5 i m t 0 0 0 3 i m t 3 i t G 0 2 0 it i t p 3 2 0 i i s 2 t 0 0 i m 45 4 5 0 t s i 0 5 m t 0 0 i m 5 0 0 5 t i m t 0 0 i m 5 t i