- TAKORADI POLYTECHNIC REPOSITORY

TAKORADI POLYTECHNIC
DEPARTMENT OF FASHION DESIGN
TOPIC
THE USE OF EXOTIC FABRICS IN PRODUCING APPAREL FOR A
BRIDESMAID
BY
YEBOAH SALOMEY YAYRA
INDEX NUMBER
07081823
PRESENTED TO THE DEPARTMENT OF FASHION DESIGN AND
TECHNOLOGY IN PARTIAL FULFILLMENT FOR THE
REQUIREMENT FOR THE AWARD OF HIGHER NATIONAL DIPLOMA
IN FASHION
JULY 2011
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DECLARATION
I Yeboah Salomey Yayra declare that with the exception of references made from other sources
which have all been dully acknowledged, this work is a true presentation of the outcome of my
own research findings that it has neither been wholly nor partly presented for any diplomat
elsewhere.
…………………...
…………………….
MRS SCOLASTICA AZUAH
( DATE)
(supervisor)
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CERTIFICATION
This is to certify that this project work is the candidate; Yeboah Salomey Yayra owns the
account of the research in partial fulfillment of the requirement of the award of the Higher
National Diploma in fashion design and Technology and has been presented in the accordance
with rules and regulation that governs the preparation of project in Takoradi Polytechnic.
NAME: MRS SCHOLASTICA AZUAH
SIGNATURE………………….
(INTERNAL SUPERVISOR)
DATE………………
NAME: MS EDNA NYAME PHYLIPS
SIGNATURE…….......................…….
(HEAD OF DEPARTMENT)
DATE…………………….
NAME:
(EXTERNAL EXAMINER)
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DEDICATION
I dedicate this project to my parents Ms Esther Kumeko and Mr. David Yeboah, my brothers and
everyone who helped me in making this a success. Not forgetting my brothers and sister who
supported me throughout.
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ACKNOWLEDGEMENT
My sincere gratitude goes to God almighty for his care, guidance and protection without which I
could not have come this far academically. I am also grateful to my parents, Mr. David Yeboah
and Ms Esther Kumeko. Also my sincere gratitude to my brothers Marvel, Solomon, Divine,
Vital and my sister Dinah not forgetting Mr. M.S. Bloe for their financial support and advice.
My sincere gratitude to my supervisor Mrs. Scholastica Azuah for her great supervision, her
direction and guidance made it possible for writing this project.
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TABLE OF CONTENT
PAGE
DECLARATION
i
CERTIFICATION
ii
ACKNOWLEDGE
iii
DEDICATION
iv
CHAPTER ONE: INTRODUCTION
1.1 BACKGROUND OF THE STUDY
1
1.2 STATEMENT OF THE PROBLEM
2
1.3 OBJECTIVE OF THE STUDY
3
1.4 SIGNIFICANCE
3
1.5 LIMITATION
4
1.6 DELIMITATION
4
1.7 ORGANISATION OF THE STUDY
4
CHAPTER TWO: LITERATURE REVIEW
2.0 INTRODUCTION
5
6
2.1 HISTORY OF BRIDESMAIDS
5
2.1 FUNCTIONS OF A BRIDESMAID
7
v
2.1.1 BRIDESMAIDS RESPONSIBILITY
7
2.2 TYPES OF FABRICS USE FOR BRIDESMAIDS GARMENT
8
2.3EXOTIC
10
2.4 BROCADE
10
2.4.1 FEATURES OF BROCADE
11
2.4.2 MOTIFS OF BROCADE
12
2.4.3 USES OF BROCADE
12
2.5 SATIN FABRIC
12
CHAPTER THREE: METHODOLOGY
3.0 INTRODUCTION
14
3.1 THE DESIGN PROCESS
14
3.1.2THE CUSTOMER PROFILE
15
3.1.3 THE THEME BOARD “FLORAL”
15
3.1.4 THE STYLE BOARD
16
3.1.5 THE DESIGN BOARD
16
3.1.6 THE DESIGN BRIEF
18
7
3.1.7a THE SPECIFICATION BOARD (ILLUSTRATION BOARD)
18
3.1.7b FABRIC BOARD
19
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3.2 THE PATTERN PRODUCTION PROCESS
19
3.2.1 TOILING
21
3.2.3 THE FINAL PATTERN PRODUCTION
21
3.3 GARMENT ASSEMBLY
21
3.3.1THE FABRIC PREPARATION
21
3.3.2 LAYING OUT
21
3.3.3 CUTTING OUT
22
3.3.4 THE PRODUCTION PLAN
22
3.3.5 THE FINISHED GARMENT
24
3.3.6 THE PROJECTED DESIGN
25
CHAPTER FOUR: SUMMARY, CONCLUSION AND RECOMMENDATIONS.
4.0 INTRODUCTION
26
4.1 SUMMARY
26
4.2CONCLUSION
26
4.3 RECOMMENDATIONS
26
4.4 REFERENCES
28
APPENDIX
29
8
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CHAPTER ONE
INTRODUCTION
1.0 BACKGROUND OF THE STUDY
A number of cultures have adopted the traditional western custom of the white wedding in
which a bride wears a white wedding dress and veil. This tradition was popularized through the
wedding of Queen Victoria. According to Encarta premium dictionary 2009, a wedding is a
ceremony in which two people are united in marriage. Wedding traditions and customs vary
greatly between cultures, ethnic groups, religions, countries and social classes. According to
Serena Noir an eHow contributor, bridesmaids or maid of honor traditionally are unwed women
and young married women or the bride’s closet friend or family member who wear matching
dresses and stand next to the maid of honor during the wedding ceremony
While in modern times a bridesmaid is expected to assist with anything the bride request or
needs, apparently her duties were of a bride more serious if not at least supernatural, nature in
earlier days. A custom once existed where maidens dressed similarly to the bride would
accompany her as her protectors on the way to the grooms’ village. According to Dessy, the
history of the bridesmaid varies across cultures, religions and time periods. In early Roman
times, bridesmaids formed a Kind of bridal infantry as they accompanied the bride to the
groom’s village. This "protective shield" of similarly outfitted bridesmaids was supposed to
intervene if any wayward thugs or vengeful suitors tried to hurt the bride or steal her dowry.
9
However, the Western bridesmaid tradition seems to have originated from later Roman law,
which required ten witnesses at a wedding in order to outsmart evil spirits believed to attend
marriage ceremonies. The bridesmaids and ushers dressed in identical clothing to the bride and
groom, so that the evil spirits would not know who was getting married. Even as late as 19th
Century England, the belief that ill-wishers could administer curses and taint the wedding still
existed. As stated in Victorian wedding photographs, for example, it can take quite a bit of
inspection to Pick out the bride and groom from among the other members of the bridal party.
This supposedly threw off bad luck that could be directed towards an easily identifiable bride
and groom. These early customs continue to have an influence today. The expression "thrice a
bridesmaid, never a bride" arose from the bridesmaid’s interception of and gradual infection by
(over the Ceremony. And, although the bridal party no longer functions as a troop of foot
soldiers, bridesmaid dresses are still commonly chosen in harmony with the look and feel of the
wedding According to Nina Lawrence, publisher of “BRIDE’S magazine”, "Besides being an
honoured member of the wedding party and Special guest at the reception, today’s bridesmaid is
also designated as the bride’s special assistant. The payoff is that walk down the aisle, looking
absolutely beautiful in a gown that is stylish, sophisticated, colorful and absolutely wearable." In
21st century America, bridesmaids are chosen to be caring helpers, thoughtful organizers and
skillful liaisons. A bridesmaid’s gown is an essential part of a wedding event. It should match up
the color schemes of the bride’s big event, while keeping classy. Fabric used bridesmaid’s
dresses required exotic materials such as brocade, and satin. Exotic fabrics are, foreign fabrics,
relating to or originating from another country which are distinguished their by its appearance,
with raised patterns that are woven into the fabric
1.1 STATEMENT OF THE PROBLEM
It is perceived that, only light weight fabrics can be use to produce beautiful apparel for
bridesmaids like Chiffon, taffeta, which are found in most wedding ceremonies and form most of
part of bridesmaids garment.
The price of Exotic fabrics is considered to be expensive as compared to the normal fabrics use
for bridesmaids. Research done by the researcher shows that the prices of exotic prices compared
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to the normal fabrics use for bridesmaid is moderate. However, these materials are too dull to
bring out the desired appearance of a bridal party.
It is also perceived that, bridesmaid’s garment should be made from light weight fabrics since
bridesmaids are supposed to be active during the wedding ceremony thus the idea of producing
their garments in light weight fabrics in order for them to be active. The exotic fabrics are
medium weight and some are light weight. The normal fabric such as kente is heavy.
In this research, the use of exotic fabrics will be use to change the face and apparel for
bridesmaid which has been identified by the researcher.
1.2 OBJECTIVES OF THE STUDY
The main objective of the project is to make people appreciate and understand that, bridesmaid
garments can be made from exotic fabrics and not only from the everyday fabrics that are use.
The specific objectives of the study are to;
Encourage the use of exotic fabrics for bridesmaid. The use of exotic fabric will give confidence
to designers to take a course of action and give courage to those already using it.
Promote the use of exotic fabrics for bridesmaids. It will enhance the growth and development
of exotic fabrics in the case of bridesmaids dresses. Designers will improve upon their style lines
and design more with the fabric in mind.
Create and produce a garment for a bridesmaid using exotic fabrics. Come out with designs that
are unique and produce from exotic fabrics which can also be produce using the normal fabrics
that are use.
To investigate and establish the importance of reducing the cost of bridesmaid garments.
1.3 SIGNIFICANCE OF THE STUDY
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The outcome of the study is hoped to help encourage designers and promote the use of exotic
fabrics for bridesmaid dresses.
It may also educate fashion designers on how to be creative using exotic fabrics for bridesmaid.
1.4 LIMITATION OF THE STUDY
The study constrained by financial difficulties, inadequate research materials and limited time.
1.5 DELIMITATION OF THE STUDY
The scope of this project was limited to the use of exotic fabrics in producing apparel for a
bridesmaid
ORGANISATION OF CHAPTERS
The study has been organized into four chapters. Chapter one consist of the background of the
study, statement of the problem, objectives, purpose, limitation, delimitation, definition of terms
and organization of chapters. Chapter two concentrates on the literature review of the study and
chapter three consist of the various procedures used by the researcher to design and produce the
garments. Chapter four consists of the summary, conclusions, recommendations based on the
study.
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CHAPTER TWO
LITERATURE REVIEW
2.0 INTRODUCTION
This chapter reviewed related literature to the topic under study. The main focus was on who a
bridesmaid is, history of bridesmaids, functions and responsibilities of a bridesmaid, types of
fabrics use for bridesmaids garment and brocade, features of brocade is.
2.1 HISTORY OF BRIDESMAID
Wedding traditions and customs vary greatly between cultures, ethnic groups, religions,
countries and social classes. A number of cultures have adopted the traditional western custom of
the white wedding, in which a bride wears a white wedding, dress and veil. This tradition was
popularized through the wedding of Queen Victoria.
According to Serena Noir an eHow contributor from 1999_2011, bridesmaids or maid of honour
traditionally are unwed women and young married women or the bride’s closet friend or family
member who wear matching dresses and stand next to the maid of honor during the wedding
ceremony. While in modern times a bridesmaid is expected to assist with anything the bride
request or needs, apparently her duties were of a bride more serious if not at least supernatural,
nature in earlier days. A custom once existed where maidens dressed similarly to the bride would
accompany her as her protectors on the way to the grooms’ village. According to Dessy, the
history of the bridesmaid varies across cultures, religions and time periods. In early Roman
times, bridesmaids formed a Kind of bridal infantry as they accompanied the bride to the
13
groom’s village. This "protective shield" of similarly outfitted bridesmaids was supposed to
intervene if any wayward thugs or vengeful suitors tried to hurt the bride or steal her dowry.
However, the Western bridesmaid tradition seems to have originated from later Roman law,
which required ten witnesses at a wedding in order to outsmart evil spirits believed to attend
marriage ceremonies. The bridesmaids and ushers dressed in identical clothing to the bride and
groom, so that the evil spirits wouldn't know who was getting married. Even as late as 19th
Century England, the belief that ill-wishers could administer curses and taint the wedding still
existed. As stated in Victorian wedding photographs, for example, it can take quite a bit of
inspection to Pick out the bride and groom from among the other members of the bridal party.
Plate 1 Bride with bridesmaid
Source: www.@Avail &company.com, 2010.
According to research most Ghanaian bridesmaid dresses are made from the everyday fabrics
that are use. Research shows that Nigerians blend cultures by using this exotic fabrics that is
brocade and it is been used for the bride and not the bridesmaid. Research from some designers
in the Takoradi metropolis shows that out of the ten people who order for bridesmaid dresses
only one uses the brocade fabric or none. This some of them explained as the cost of the fabric
and people having the idea of using it for the brides other than the bridesmaid. Research on the
net at Ghana bride.com also shows pictures of most recent brides and their bridesmaid of which
all of them came in the everyday fabrics that is use. Some pictures were shown from Nigeria
with the brides dress in brocade fabric and the bridesmaid in the everyday fabrics.
Ghanaian bridesmaids in various poses and similar fabrics
Plate 2
plate 3
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plate 4
Source: www.ghana bride.com, 2011
2.1.1 FUNCTIONS OF A BRIDESMAID.
The bridesmaid in contemporary times, assist the bride with anything the latter needs relating to
her wedding day. Duties can span the range of booking appointments for the bride and groom, to
mailing out invitations and reminders to attendees of the big day.
Other roles are the bridesmaid being:

Responsible for their own gowns

Assisting in all pre-wedding festivities

Helping to prepare for the reception

Filling cups with confetti, rice, or rose petals to throw for the getaway

Decorating the cars
Essentially, the presence of the bridesmaid ensures that the bride has someone to lean on during
one of the most important and potentially stressful events in her life. This is why there is usually
more than one bridesmaid and why the women chosen to fill the position typically have a close
bond with the bride.
Although the bridal party no longer functions as a troop of foot soldiers, bridesmaid dresses are
still commonly chosen in harmony with the look and feel of the wedding According to Nina
Lawrence, publisher of” BRIDE’S magazine stated,” Besides being an honored member of the
wedding party and Special guest at the reception, today’s bridesmaid is also designated as the
bride’s special assistant. The payoff is that walk d
15
own the aisle, looking absolutely beautiful in a gown that is stylish, sophisticated, colorful and
absolutely wearable." In 21st century America,
Bridesmaids are chosen to be caring helpers, thoughtful organizers and skillful liaisons. A
bridesmaid’s gown is an essential part of a wedding event.
Plate 3ehow bridesmaid pictures
Source: www.ehow.com, 1999_2011
2.2 TYPES OF FABRICS USE FOR BRIDESMAIDS GARMENT.
ORGANZA: This kind of material is translucent, smooth and also shiny. Typically white in
color, this fabric can often be positioned on the topmost layer of attire designed in organza.
Organza is known as very a high priced fabric.
SATIN: is yet another fabric found in generating bridesmaids gowns. Satin is one of the more
popular fabrics for bridesmaids. Many women confuse satin with silk, but they are not the same.
Satin is a fabric woven to have sheen on one side, and although it certainly can be made from
silk, it can also be polyester or acetate. A silk/poly blend can be a good compromise between
beauty and price. Satin is a stiffer fabric, and works very well for holding the shape for an A-line
or fuller skirt. It lends itself well to bridesmaid attire for formal or evening weddings, and looks
fantastic with sparkling crystal bridesmaid jewelry set. Interesting however given that satin, in
fact, is not precisely a fabric kind. It is described having one smooth as well as shiny side
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whereas the opposite side is actually dreary. The true fabrics meant to weave satin consist of
polyester, poplin along with silk.
SILK: Most of us feel that silk is definitely a soft material yet a raw and real silk in fact has a
stiff and crispy in characteristic. Silk just gets to be soft if it is mixed with some other man made
yarns. In that way, not just may silk come to be soft, in addition, it become stronger and may be
washed in a machine. A silk that is pure is really high-priced and thus is not a fantastic selection
of fabric for a flower girl’s apparel. Silk Gowns for flower girls are created with silk coupled
with some other fabrics in order that the attire is much more comfy.
TAFFETA AND TULLE: Several other fabrics can be taffeta along with tulle. In all fabrics,
taffeta have the shiniest color. Crushed taffeta gowns have curves that makes light to echo on the
fabric as well as makes the fabric as if they have two diverse colors when put below the rays of a
light source. Tulle is easily the most widespread fabric employed to make gowns for the little
girls. It is a great and filmy material positioned on top of the attire either as double layered or
perhaps full of rose petals just like in petal apparel. Taffeta is an excellent choice for a prom or
an evening gown. It comes in variety of colours and shades when looked at from different angles.
It is a medium weight fabric, keeps its shape and easy to care. Don’t dry-clean before the
occasion, as it loses its shape and the shine easier than the bridal satin but not as bad as a satin
backed
crepe.
CHIFFON: is another fabric that is widely used for bridesmaid dresses. Like satin, it can be
made from silk or a synthetic fabric like polyester. Chiffon is sheer and flowing, making it ideal
for a summertime or beach wedding. Due to its sheerness, chiffon is always layered over another
fabric. When softly gathered, it can be used to create glamorous Grecian goddess style dresses
that are fairly forgiving for different shapes and sizes. Chiffon is sometimes hung on the bias
(diagonally), and it becomes very slinky and form fitting, appropriate only for women with
movie star figures. Due to its lightweight nature, chiffon is not considered to be a good choice
for a winter wedding. It is also important to know that while silk chiffon breathes, poly chiffon
does not, and can be hotter than blazes on a hot summer afternoon.
CREPE: A mostly plain-weave light soft fabric of silk, cotton, wool, or another fiber, usually
with a crinkled or puckered surface. It comes in different weights and commonly used for dresses
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of all types. It is a perfect choice of fabric for a semi-formal special occasion.
SATIN-BACKED CREPE: This fabric has a shiny smooth satin on one side and a matte crepe
on the other. It drapes beautifully, but we find that the crepe side snags too easy.
BRIDAL SATIN: It is very smooth, medium weight and shiny fabric mostly used on bridal
gowns and bridesmaid dresses. It holds its shape and shine better than crepe or regular satin even
after dry-cleaning. It may be used on its own or as a soft base layer under another sheer fabric.
2.3 EXOTIC
Collins dictionary explains exotic as - being or from or characteristic of another place or part of
the world, alien ,foreign, strange - relating to or originating in or characteristic of another place
or part of the world; "foreign nations"; "a foreign accent"; "on business in a foreign city".
According to word net, exotic means unusual and different, foreign but exciting. It is a positive
word, and usually connotates beauty and wonder as much well as strangeness not native;
mysterious.
Word net also explains exotic as - strikingly strange or unusual; "an exotic hair style"; "protons,
neutrons, electrons and all their exotic variants"; "the exotic landscape of a dead planet"
strange, unusual - being definitely out of the ordinary and unexpected; slightly odd or even a bit
weird; "a strange exaltation that was indefinable"; "a strange fantastical mind"; "what a strange
sense of humor she has".
Exotic can be define as a characteristics or something that is originating from a particular place
or part of the world, alien, foreign and is been used by another country.
2.4BROCADE
According to Bronwyn Harris 2003 brocade is a specific style of fabric centuries old in
origination but now known for being created using French looming technology. It is
distinguished by its appearance, with raised patterns that are woven into the fabric itself. Today
brocade fabrics can be found in many stores, and manufacturers produce a variety of products
using the material. Brocade fabric is one of the several shuttle-woven fabrics that intricate
patterns that often include a selection of flowers, plants and other natural images. Usually woven
with a selection of various types of silk that are accented with metallic threads as a means of
18
adding texture and visual interest, brocade is used in a number of different applications around
the home, as well as a desirable element in formal wear and stage costuming. Brocade fabric is
one of the several shuttle-woven fabrics that intricate patterns that often include a selection of
flowers, plants and other natural images. Usually woven with a selection of various types of silk
that are accented with metallic threads as a means of adding texture and visual interest, brocade
is used in a number of different applications around the home, as well as a desirable element in
formal wear and stage costuming.
Brocade is often created with the use of a draw loom. Employing both a standard weft and a
supplemental weft during the weaving process develops the detail of the pattern. The two-fold
approach gives the finished product an appearance that is not unlike a piece of fabric that has
been embroidered. The double weft technique also often provides a level of stiffness to the
design of the brocade, and also helps to make the material sturdy enough for use in applications
that require a heavier fabric. Brocade for many years was a favorite choice of fabric for
upholstering formal pieces of furniture. While the practice declined after the middle of the 20th
century, brocade is still considered an ideal option when restoring antique sofas, chairs, settees,
and chaise lounges. Along with use as upholstery, brocade has remained a desirable textile for
window treatments. Draperies created from brocade are understood to provide a hint of formality
to living space, and are often employed in formal living rooms and as part of the curtains for a
canopy bed. Wall hangings that are constructed with silk brocade are often used to add color and
visual interest to a room or hallway.
Brocade is also a popular option as material for wedding dresses, especially designs that wish to
recapture the luxury and opulence of the Victorian era. Brocade may also be used to create
cummerbunds for tuxedos. In the entertainment world, brocade continues to be a desirable option
for costuming for stage shows, such as plays or concerts. Essentially, brocade is an ideal fabric
option when clothing that is both elegant and sophisticated is desired, and is meant to focus
attention on the wearer.
2.4.1 FEATURES OF BROCADE FABRICS
Brocade is typically made from silk, although today brocade fabrics are also made from cotton
and rayon, depending on the manufacturer. Rayon and silk are used most often for the
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supplementary warp, which is almost always in gold or silver to help it stand out more from the
background. A price for brocade range widely depending on the fabric used and how intricately
designed it is.
2.4.2 MOTIFS OF BROCADE
There are several types of patterns used predominantly in brocade. The most common are floral
patterns, but scrollwork, landscapes and figures are also created. These patterns are typically
Chinese in origin, and may be representations of figures, scenes and seals from Chinese myth or
history.
2.4.3 USES OF BROCADE
Brocade is used in many types of ceremonial apparel, including vestments for religious rites and
state robes for some countries. The fabric is also used in evening wear, especially Asian-styled
dresses, suits and shawls. It is also often used to make upholstery or draperies for decoration and
furniture design.
2.5 SATIN FABRICS
Satin is a luxurious fabric that has been prized for centuries. Over the years, it has been used for
beautiful clothing, bedding, wedding gowns, ballet shoes, lingerie, and even the lining for
athletic uniforms. The history of satin stretches from the Far East to the modern western world.
Satin is a type of glossy fabric first made from silk in China. Exportation during the middle Ages
introduced satin to Italy in the 12th century. By the 14th century, satin garments were greatly
appreciated throughout Europe because of their high gloss, and were often the choice of royalty
for both their feel and sheen. Traditional satin has a glossy and a dull side, which is important to
remember when sewing garments. Those who sew need to be sure to assemble garments on the
appropriate side in order to showcase the gloss and shine. While satin was once made exclusively
of silk, satin is now made with polyester, acetate, nylon, and rayon. These other fabrics provide a
less expensive means to achieve the glossy finish provided by satin. Shine from satin is derived
through its weave. Some weft or weave yarns are brought to the surface in a process called
floating, which allows some of the yarn to reflect light, thus producing the shine and gloss. In
some cases, it is possible to achieve this effect on both sides of a garment, producing doublefaced satin. This material is often highly desirable, since it is soft against the skin, but will tend
20
to cost more, particularly if made with silk. There are several main types of satin, which can vary
in thickness, flexibility, and weight. Many materials are also backed with satin. Wool crepe and
velvet often have a satin backing or a satin lining, which eliminates having to wear slips or
camisoles. Some of the common satin types are duchess satin, satin faconne, slipper satin, and
delustered satin. Duchess satin is used primarily in dress fabrics, and is a common choice for
wedding dresses. It is a fairly stiff satin with a heavy weight and is glossy on one side only. Satin
faconne or satin jacquard is a type of satin with patterns woven through it. These could be
stripes, paisley, or virtually any design. Satin jacquard comes in a variety of weights and
qualities, but tends toward being a looser more flexible fabric than duchess satin.
Delustered satin, also called peau de soie (skin of silk), is a less shiny, lightweight material.
Delustered satin is usually finished on both sides, making it double-faced. One can also note
fine-grained threads in this type of satin. A few other forms of satin are sateen and satinet. Sateen
is a glossy cloth made from cotton or rayon, while satinet is a very thin form of satin, usually
made from silk threads.
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CHAPTER 3
METHODOLOGY
3.0
INTRODUCTION
This chapter consist of the methods, processes and techniques that were used in making up the
bridesmaid dress, a dress worn by a lady accompanying a bride to the alter during a wedding
ceremony. The researcher used woven floral Chinese brocade fabric and plain bridal satin in
making up the dress. The processes include designing, pattern production and garment
assembling.
3.1
THE DESIGN PROCESS.
The processes or the stages that the designer goes through before arriving at the final designs are
as follows:
Market research
This research talks about a particular customer which the designer wants to design for. The age
ranges the, colour, status, and activities are considered before designing for the customers. With
this research, the focus was on a young spinster who has just entered the job market.
The Customer Profile
After the researcher conducts market research to know the demographics of the customer, he
then decides on the type of customer to design for and all other things associated with the
customer that is favorite meal, role model among others. This board contains a customer with big
ambition in life. The board contains some information’s which help the designer to design to suit
the customer and occasion. The information’s includes the name, age occupation, status, hobby
of the customer. Below is the customer profile of the model.
22
Fig 1 Customer Profile
Source: Field Data, 2011
The Theme Board “floral”
The Encarta English dictionary defines mood as expressing a particular attitude or somebody’s
state of mind. After the customer profile the next stage is to get pictures which will be inspiration
from which design features will be derived from for designing. The mood board was done by
getting various pictures of under the sea that is coral reeves and using coral draw to arrange them
nicely. These pictures were use as inspiration, with the theme “floral”. Ideas were developed
from the motifs on the mood board to design the dresses.
Figure 2: theme board (floral)
23
Source: Field Data, 2011
The Style Board
The next stage in the designing process is to use features derived from the mood board to design
several garments from which the best four will be selected. Style is defined by Encarta dictionary
as a way in which clothes or hair are cut or shape, Or to give something a particular shape or
design. The style board is the third stage in the designing process. Motifs that were developed
were selected and used to develop various styles. In the styling process the researcher created
several styles of which four were selected for the final work. The style board shows front views
below.
Figure 3 the style board
Source: Field Data, 2011
The Design Board
World book encyclopedia defines design as the intended arrangement of material to produce
certain result or effect the next stage is to represent the four designs which is the design board.
The four designs that were shown on the style board were drawn on the chip board showing the
front and back views of them in their respective colours.
24
Figure 4 The Design Board
Source: field data, 2011
Figure 5 The Projected design
25
Source: Field Data, 2011
3.1.7 The Design brief
The dress has been designed using an exotic fabric. The design has fullness and three yards and
half yard of fabric was use. The busty dress is of the knee length. The main garment was made
with a printed floral Chinese brocade fabric and a plain bridal satin for pleats on the across chest,
the lower waist and as apron on the dress. The dress was a three panel dress; the back of the
dress has a 14inches of zipper opening.
3.1.7a The specification board (illustration board)
The illustration board shows the flat drawing of the design both front and back view of the final
design. It shows the specification drawing of the pattern pieces which was drafted through the
adaptation of the basic block. The one-tenth scale was used for the adaptation.
Figure 6 the specification board
Source: Field Data, 2011
26
The Fabric Board
The fabric board contains all the fabrics used in making the garment. It also has the trimmings
used in making the garment. The fabric board contains both printed and plain. The woven fabric
was use for two of the dresses and the plain ones for the other two.
Figure 7 Fabric Hanger
Source: Field Data, 2011
3.2
THE PATTERN PRODUCTION PROCESS
The body measurements were used in the construction of the patterns. Drafting gives the flat
pattern which will be used in cutting out the fabric. The style is first drafted on brown paper
using the basic block for the adaptation of the final pattern .All pattern information’s and
instructions were indicated on the final pattern to guide, laying out, cutting out and marking up.
The body measurement was used in drafting the basic block before the adaptation was done.
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Below are the measurements used in the construction of the pattern;
Bust……………………………………………………77.5cm
Waist……………………………………....…………….64cm
Across back……………………………….....…………..33cm
Across chests……………………………….....…………31cm
Nape to waist…………………………………....….........33cm
Shoulder to natural waist……………………...…………43cm
Dress length………………………………….…………117cm
Arm scye………………………………………...……….21cm
Figure 8 The Sample Pattern
Source: Field Data, 2011
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3.2.3Toiling
Toiling is a means used to obtain a sample of the desired design. It is use for the first fitting on
the model which helps the designer to correct faults before cutting out the real fashion fabric.
How Toiling Is Done

Firstly, the preparation of the toiling fabric (calico).

The final pattern obtained is place on the calico.

The pattern is cut out according to the number of pattern pieces made.

The cut out was sewn with some details.

The sample was then fitted on the model to see the effect.

Corrections were done based on the pattern.
3.2.4
The Final Pattern production.
After all corrections were made on the sample pattern, they were retraced with the detail
information and instructions. The corrected pattern was used to cut out the fashion fabric. The
pattern pieces contained the detailed information and instruction that were clearly marked and
was used to cut out.
3.3
GARMENT ASSEMBLY
3.3.2 Fabric Preparation
Before the fabric was used it has to be prepared to detect faults before laying out. Stains, fluffy
surface, holes were the fabric flaws which were detected and corrected before the fabric could be
use. The fabric was then pressed to remove creases.
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3.3.3 Laying Out Of Fabric
After the fabric was press, the pattern pieces were also iron to remove creases as well.

Firstly, the fabric was laid on flat working table with right sides of the fabric facing. The
fabric was laid with the grain placed correctly and secured to prevent slipping out of
position. The pattern pieces were arranged on the fabric.

The pattern pieces were pinned to the fabric carefully and within the seam allowances.
3.3.4 Cutting Out Of Fabric
Cutting was done after the patterns were pinned unto the fabric. The cutting was done using
sharp fabric shears. While cutting out the fabric one hand is place down on the fabric whiles the
other one was used to cut. Long strokes were used in the direction of the fabric grain and short
strokes for curves. The big patterns were cut first followed by the small ones before the markings
are transferred unto the fabric.
Figure 9 the cutting out of fabric
Source: Field Data, 2011
30
3.3.5 The Production Plan
1. Press fusible on fabrics that needed to be fused.
2. Join front and back panels of the bodice separately together, press the seams open and snip the
curve part of the front bodice in order to get the cap well.
3. Join the panel of the front and back skirt and press the seams open.
4. Prepare pleats 1inch width which will be used on the bust of the dress and press fusible to the
back of the fusible to make it stand firm.
5. Stitch pleats unto the front bodice and then join the front and back bodice together .press side
seams open.
6. Fix the zipper to the back side.
8. Press all seams open and neaten them.
9. Join the front and back skirt together and press the sides seams open.
10. Join the blouse to the skirt to get the dress using the round method in joining.
11. Stitch interfacings to the lining and stitch it to the bodice to finish the top of the dress
12. Press raw edges open and neaten them.
13. Over lock the hem with the close over lock stitch and press to make it flat.
14. Prepare pleats 1inch width using the 3/4measurement of below the natural waist
measurement which will be use as apron on the dress.
15. Over lock the edges with close over lock stitch, prepare band and atta
31
Figure 10 Production plan
Source: Field Data, 2011
3.3.6a The Finished Garment
The garment was pressed at the wrong side of the fabric with the aid of après piece. Steam, heat
and pressure were used in during production. The right side of the garment was pressed with
steam press and a press piece together with all garment details. The final press was given to the
garment and enhanced with trimmings and accessories.
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3.3.6b Projected Design (fashion show)
The projected design which was part of the four designs displayed at the fashion show.
Figure 10 The Front View
Figure 11 The Back View
Source: Field Data, 2011
Source: Field Data,
33
CHAPTER FOUR
SUMMARY, CONCLUSION AND RECOMMENDATIONS
4.0 INTRODUCTION
This chapter concludes the study. It includes the summary of the major issues, recommendations
and bibliography of reference work respectively.
4.1 SUMMARY
The main aim of this project is to make people appreciate and understand that, bridesmaid
garments can be made from exotic fabrics and not only from the everyday fabrics that are use.
To create and produce a garment for a bridesmaid using exotic fabrics effectively which will
encourage and promote the use of exotic fabric.
The research work has been designed to cover the various areas which include bridesmaid
dresses, origin of bridesmaid dresses. Foreign Chinese brocade fabric was used in designing the
dress. The bridesmaid who was supposed to protect the bride has now changed because is not
only suppose to protect but also add beauty to beauty to the wedding as a whole. The researcher
used satin and brocade which gave a new face to bridesmaid dresses to sew the garment.
The researcher took the theme floral from pictures under the sea of which features were derived
from to design the garment. Taking the theme into consideration the researcher used motifs
derived to develop beautiful designs for the bridesmaid.
4.2 CONCLUSION
The study results indicate that Chinese brocade which is an exotic fabric can be use effectively
for bridesmaid garment as well as the others which is foreign from another country. The use of
34
right tools and equipment can also greatly enhance the make of the garment. The appropriate use
of pattern should be therefore being encouraged.
4.3 RECOMMENDATIONS
Having completed the research on the topic the use of exotic fabric in the production of apparel
for a bridesmaid the following recommendations are made.
 The right tools and equipment must be use to produce the right garment to meet the
international standard mark.
 The study of designing skills should be made compulsory in formal and informal training
institutions.
 Students should be free to make suggestions about experimenting and using exotic fabrics
in producing to meet the standard of the international market.
35
REFERENCE
1. Aldrich, (1997), Metric Pattern Cutting Third Edition, London, Blackwell science
Ltd, Oxford.
2. Oxford (2004) oxford learners Dictionary USA.
3. Cocklin, (2006), Garment Technology for Fashion Designers, Blackwell science
Ltd.
4. Oxford Advance Learners Dictionary, (1995). First Edition, OxfordGroup.UK. ,
Farlex clip.
5. The American Heritage 2000 Dictionary, Fourth Edition copyright Houghton Mifflin
Company.
6. Susan Sosbe, 1999, About Bridesmaid Dresses.
Retrieved on the 10th of June, 2011 from http://www. ehow.com
7. Malcolm Tatum, 2003, Definition of Brocade Fabric.
Retrieved on 12th of June 2011 from http://www.ehow .com
8. Meaning of exotic. On the 15th of June 2011 Retrieved from http://wiki.answers .com
36
APPENDIX
Fashion show
37