• Review of a New Compact Camera • Sony RX100 III, aka Sony
Transcription
• Review of a New Compact Camera • Sony RX100 III, aka Sony
Fountain Hills Photography Club Information Series Bruce Boyce 9/2/14 • Review of a New Compact Camera • Sony RX100 III, aka Sony RX100 M3 • General guidelines on how to avoid Diffraction effects, especially in compact cameras WARNING – THIS PRESENTATION MAY COST YOU SOME MONEY 1 Review of the Sony RX100 III (aka Sony RX100 M3) “This latest version is headand-shoulders above both its rivals and its predecessors” 4” x 2½” x 1⅝” “The RX100 III offers the best image quality of any pocketable camera we've ever seen” Why the Sony RX100 III ? • 20Mpxls (5,472 x 3,648) • 10.2 oz with battery • 320 pics per charge • 24-70 mm (FF equiv) lens • Fast f/1.8 – f/2.8 • Popup EVF, popup flash • RAW, pro-level controls • Highly customizable • Built-in 3 stop ND filter • Highly capable video • Wi-Fi, smartphone apps 2 Sample Image from the Sony RX100 III (aka RX100 M3) 3 Sample Image from the Sony RX100 III (aka RX100 M3) • 100% crop (1128x752) • Picture was taken at f/7.1 4 “Reflecting Absence” at National September 11 Memorial 5 “Reflecting Absence” at National September 11 Memorial Very sharp, ideal edges ! • 100% crops (image taken at f/7.1) • At 300 dpi, print is 12” x 18” 6 Testing of the Sony RX100 III (aka RX100 M3) • Resolution testing • USAF Tribar target; center of camera field of view • 3 focal lengths : 24, 40, 70 mm Full Frame equiv. • What is the best overall f/no for each focal length? • Minimize lens aberration and diffraction effects For most DSLRs, f/8 is the ‘default’ For small pixel cameras, the answer is different 7 FX100 III Wide setting (8.8mm : 24mm full frame equiv.) f/2 Optical aberrations dominate f/2.8 f/4 f/5.6 f/8 Diffraction blur dominates Sweet spot f/1.8 f/11 Much more blur than in the f/2 image Much more blur than in the f/8 image All tribar images are 100% crop 8 FX100 III Mid-range (14.5mm : 40mm full frame eq.) f/2.8 Not quite as good f/4 f/5.6 Sweet spot f/8 Diffraction blur is significant f/11 Diffraction blur dominates • This is a compact camera – f/8 is not the “default” right answer as it is for most DSLRs 9 FX100 III Telephoto setting (25.7mm : 70mm full frame eq.) f/2.8 Optical aberrations dominate f/4 f/5.6 Sweet spot f/8 Diffraction blur is significant f/11 Diffraction blur dominates • This is a compact camera – f/8 is not the “default” right answer as it is for most DSLRs 10 Sony RX100 III Resolution Test Results • Based on these results, the optimum f/no’s (from image sharpness perspective) for the RX100 III are; Focal Length (FFeq /Actual 24 mm / 8.8mm Optimum f/no f/2.8 – f/4 40 mm / 14.5mm 70 mm / 25.7mm f/4 – f/5.6 f/5.6 • For the Sony RX100 III camera, try to avoid f/8 and above ! What Diglloyd has to say ( http://diglloyd.com/index-free.html ) • “The ideal aperture range for optimal image quality with a digital SLR often lies between 2 stops down from maximum aperture and f/8 … • or f/5.6 for smaller photosite [pixel] cameras.” 11 Avoiding Diffraction with Various Cameras • Diffraction effects are driven by only 2 things – f/no and pixel size Q Value Table (Keep Q < 1.0) Name Nikon D600 Nikon D90 Nikon D800 Sony NEX-7 Sony RX100 Nikon P7000 Pana. FZ200 Camera Information # pxls Format Min f/no pxl size 24 MP Full 6.0 12 MP APS-C 5.5 36 MP Full 4.9 24 MP APS-C 3.9 20 MP 1" sensor 1.8 - 2.8 2.4 10 MP 1/1.7 2.8 - 5.6 1.8 12 MP 1/2.3 2.8 - 2.8 1.4 built-in [μm] 2 0.18 0.20 0.22 0.28 0.46 0.61 0.79 2.8 0.26 0.28 0.31 0.39 0.64 0.86 1.10 4 0.37 0.40 0.45 0.56 0.92 1.22 1.57 = Minimum blur = Significant blur f/number 5.6 8 0.51 0.73 0.56 0.80 0.63 0.90 0.79 1.13 1.28 1.83 1.71 2.44 2.20 3.14 11 1.01 1.10 1.23 1.55 2.52 3.36 4.32 16 1.47 1.60 1.80 2.26 3.67 4.89 6.29 22 2.02 2.20 2.47 3.10 5.04 6.72 8.64 • Also note how the Sony RX100 III has a zoom lens perfectly matched to the sensor • RX100 fast lens delivers best quality around f/4 to f/5.6, corresponding to Q values of around 1.0 12 Review of the Sony RX100 III (aka Sony RX100 M3) • Recommended aftermarket grip by Richard Franiec 13