DX 38 Digital Sound System Controller
Transcription
DX 38 Digital Sound System Controller
DX 38 Digital Sound System Controller - with the unique RACE software With a dynamic range in excess of 115 dB, multiple filter functions and the unique RACE (Real-time Acoustic Cluster Editor) Software, EV is setting new standards with the Dx38 digital sound system processor. Versatile Applications With it’s 2-in, 4-out architecture, the Dx38 works perfectly as a system controller for multi-way loudspeaker arrays. And, due to its flexibility (sum of input A&B as virtual third input) also for signal distribution in larger sound systems with delay lines. With PC via RS-232, MIDI, or optional RS485 interfaces, as many as 31 units, up to 1200 meters away, can be controlled via one central PC. Clearly arranged configuration This page allows the user to name the output with the connected speaker. There is also some room for additional information and deeper pages allow access to filter and delay settings. The optional contact closure interface allows for remote switching of presets or muting. The Dx38 has 50 factory presets for EV speaker systems and can store another 30 user presets. The Dx38 is always shipped with latest version of RACE Software.Try it yourselfRACE is available as a free download at www.electro-voice.de. Easy Operation Documentation To save a set-up and have a base for further updates, it’s possible to print out full documentation of up to seven pages. Besides the listing of all parameters, all filter and frequency responses for relevant EV speakers are also printed. No computer in sight? The Dx38 is also easy to operate without the use of a pc. A clearly arranged graphic display helps in editing all parameters. Four LEDs monitor the status of each output (Sub, Low, Mid, Hi, or any combination) for quick assignment of outputs. The output level control pots are push pots to get dedicated output information directly on the display for editing. It’s also possible to lock the Dx38 against unwanted usage. D x 3 8 T H E N E W S TA N D A R D I N D I G I TA L S O U N D P R O C E S S I N G Rear View Specifications ac voltage power consumption safety class inputs nominal input voltage max. input voltage input impedance common-mode rejection A/D conversion outputs nominal output voltage max. output voltage output impedance min. load impedance D/A conversion frequency response S/N ratio THD without transformer THD with transformer crossover EQ filters compressors limiters MIDI in/out/thru delay data format sample rate display dimensions weight protection function accessories supplied accessories optional 90-250 V ac / 50-60 Hz 30 W maximum VDE/IEC Class I 2 x XLR in, electronically balanced, transformers optional 2 x XLR OUT (Direct Out) 1.55 V (+6 dBu) 24.5 V (+30 dBu) 20 kΩ >40 dB (1 kHz) 24-bit, 128-times oversampled, linear phase 4 x XLR out, electronically balanced 1.55 V (+6 dBu) 8.7 V (+21 dBu) <100 Ω 600 Ω 24-bit, 128-times oversampled, linear phase 20 Hz - 20 kHz (-0.5 dB) >115 dB (typical) <0.01% (1 kHz) <0.05% (1 kHz) independently adjustable high- and low-pass filters with Butterworth and Linkwitz-Riley 12- and 24-dB-per-octave slopes and Bessel 6-, 12-, 18- and 24dB-per-octave slopes five filters on each input, four filters on each output: parametric eq (20Hz-20kHz, Q 0.4 - 20.0, +/- 12dB) low shelf (20 - 20kHz, 6/12dB slope, +/-12dB) and hi shelf (6dB slope, +/-12dB) high and low pass (6/12dB slope Q 0.4 - 2.0) all pass (outputs only) one on each output, with adjustable threshold, compression ratio, and attack/release times one on each output, with adjustable threshold and release time data dump, master / slave operation, remote control 3 master delays (2 ms - 900 ms) 4 channel delays (0 ms - 900 ms) delay increment 21 µsec 24-bit linear AD-/DA conversion, 48-bit processing 48 kHz 122 x 32 dots, graphic LC display with LED backlight 43.6 mm (1.72 in.) x 483 mm (19.0 in.) x 375 mm (14.8 in.) hwd 5 kg (11 lbs) password lock RACE software (also free download from www.electro-voice.de) NRS 90243 RS-232 interface (installed) NRS 90247 RS-485 interface, DCN485 RS-232 to RS-485 converter NRS 90246 contact-closure interface NRS 90244 input transformer Subject to change without prior notice. Art.#162095 USA Telex Communications Inc., 12000 Portland Ave. South, Burnsville, MN 55337, Phone: +1 952-884-4051, FAX: +1 952-884-0043 Germany Telex EVI Audio, Hirschberger Ring 45, D 94315, Straubing, Germany, Phone: 49 9421-706 0, FAX: 49 9421-706 265 U.K. Shuttle Sound Ltd., The Willows Centre, Willow Lane, Mitcham CR44NX, Surrey • Phone: +44 20 864 671 14, FAX: +44 20 864 075 83 France EVI France S. A., Parc de Courcerin, Allee Lech Walesa, Lognes, f-77185 Marne La Vallee, France, Phone: 33/1-6480-0090, FAX: 33/1-6006-5103 Australia EVI Audio (Austl.), Unit 23, Block C, Slough Business Estate, Silverwater N.S.W. 2128, Australia, Phone: 61/2-9648-3455, FAX: 61/2-9648-5585 Hong Kong EVI Audio Limited, Unit E & F, 21/F, Luk Hop Industrial Bldg., 8 Luk Hop St., San Po Kong, Kowloon, Hong Kong, Phone: 852-2351-3628, FAX: 852-2351-3329 Japan EVI Audio Japan, Ltd.,5-3-8 Funabashi, Setagaya-ku, Tokyo, 156-0055 Japan, Phone: 81-3-5316-5020, FAX: 81-3-5316-5031 Singapore Telex Communications, 3015A Ubi Rd 1, 05-10, Kampong Ubi Industrial Estate, Singapore 408705, Phone: 65-746-8760, FAX: 65-746-1206 Africa Mid-East Telex EVI Audio, Hirschberger Ring 45, D 94302, Straubing, Germany, Phone: 49 9421-706 0, FAX: 49 9421-706 265 Latin America Telex Communications Inc., 12000 Portland Ave. South, Burnsville, MN 55337, Phone: +1 507 526 3205, FAX: +1 507 526 3059 TELEX EVI Audio GmbH • Hirschberger Ring 45 • 94315 Straubing • Germany Tel: +49 (0) 9421/706-0 • Fax: +49 (0) 9421/706 265 www.electro-voice.de english Dx38 THE NEW STANDARD IN DIGITAL SOUND PROCESSING With a dynamic range in excess of 115 dB, multiple filter functions and the unique RACE (Real-time Acoustic Cluster Editor) Software, EV is setting new standards with the Dx38 digital sound system processor. Signal Flow Diagram The signal flow diagram provides a clear overview of all available parameters. Immediately after the input metering there are five master equalizers per input available. Each of these filters can be set as hi- or lo-pass (6dB/12dB-Peaking), hi- or lo-shelf (6/12dB) or as a fully parametric eq. Each activated filter is signaled by a green LED symbol. Each input, or the sum of both inputs, can be delayed separately up to 900ms with the master delay. The fully flexible routing allows each input as well as the sum to be routed to any of the four outputs. Four filters per output are available with same filter functions as the master eq. In addition, an all-pass filter for phase corrections can be selected. The x-over section provides a hi- and a lo-pass-filter per channel and an output delay for alignment. The dynamics sections with independent compressor and limiter can be used for speaker protection. The output meter display works like the whole editor in real-time. Level control and mute are available per channel. All of these parameters on the Dx38 can easily be edited via the front control panel without using a pc. Once you try RACE however, you may never want to work without it! Applications Signal matrix “3 in 8” (MONO) (LEFT) (MONO) (MONO) HI MID LOSUB 1 MONO MIX L DELAY 2 SIDEFILL MIX R MIX L PATENTED 3840551 PATENTED 3840551 MADE IN GERMANY MADE IN GERMANY BUCHANAN, MICHIGAN BUCHANAN, MICHIGAN FUSE T 0.8 A 250 V 90-250 V ac, 50-60 Hz 30 W 1RU N378 OUT THRU MIDI 170086 IN OUT 4 OUT 3 OUT 2 OUT 1 IN 2 RIGHT IN 1 LEFT/ MONO FUSE T 0.8 A 250 V 90-250 V ac, 50-60 Hz 30 W OUT N378 THRU MIDI 170086 IN OUT 4 OUT 3 OUT 2 OUT 1 IN 2 RIGHT IN 1 LEFT/ MONO 2RU DELAY 1 NEARFILL (MONO) PATENTED 3840551 (MONO) FUSE T 0.8 A 250 V 90-250 V ac, 50-60 Hz 30 W OUT N378 OUT 4 PATENTED 3840551 THRU MIDI 170086 OUT 3 OUT 2 OUT 1 IN 2 RIGHT IN 1 LEFT/ MONO MIX R Stereo 2-way MADE IN GERMANY IN OUT 4 OUT 2 (RIGHT) (MONO) MIX L BUCHANAN, MICHIGAN OUT OUT 3 HI MID LO SUB 2 (LEFT) HI MID LO SUB N378 170086 IN THRU MIDI Stereo 4-way FUSE T 0.8 A 250 V 90-250 V ac, 50-60 Hz 30 W MADE IN GERMANY BUCHANAN, MICHIGAN OUT 1 IN 2 RIGHT (RIGHT) IN 1 LEFT/ MONO (LEFT) HI LO HI LO MIX R MIX L 2RU PATENTED 3840551 MADE IN GERMANY PATENTED 3840551 BUCHANAN, MICHIGAN MADE IN GERMANY BUCHANAN, MICHIGAN FUSE T 0.8 A 250 V 90-250 V ac, 50-60 Hz 30 W N378 OUT THRU MIDI 170086 IN OUT 4 OUT 3 OUT 2 OUT 1 HI MID LOWSUB (RIGHT) IN 2 RIGHT IN 1 LEFT/ MONO MIX R FUSE T 0.8 A 250 V 90-250 V ac, 50-60 Hz 30 W 1RU N378 OUT THRU MIDI 170086 IN OUT 4 OUT 3 OUT 2 OUT 1 IN 2 RIGHT IN 1 LEFT/ MONO RACE Real-time Acoustic Cluster Editor In order to display the acoustical response of the complete system, the acoustical data of each speaker component (phase and magnitude) is assigned to the appropriate output. The data is measured in a free field. All influences of filter functions, levels and delay settings are then calculated. Thus RACE displays the acoustical response of a speaker system including all parameters used on the Dx38, but without any room influence – in real-time. This display is exclusive for EV speaker systems and helps to determine how to optimized the use of all digital parameter functions. Example for a 4-way set-up with Xi-1183 (3-way) plus Xi-2181 (Sub). Clearly displayed are the filter functions of each output Including the master and channel eq settings. The resolution can be switched between ±12 dB, ±24 dB, or ±48 dB. It’s also possible to change between frequency or phase response. Outputs of non-relevant speakers for this system can be removed from view. This example uses all four outputs. This preset is slightly complex as it uses, in addition to conventional x-overs, a wide overlap of Sub (Xi-2181) and Lo (Xi-1183LF). The complex summation of all filters, levels and delays results in the viewed electrical transfer function of the Dx38. It’s quite difficult to derive any idea of the sound quality on this graph. However, adding the acoustical data of the raw components and amplifiers to this file, the display shows the real acoustical response caused by the actual parameter settings. Any change of a parameter is visible and audible immediately. The big advantage of this view is the independence of any room influence. RACE is an industry first and unique in that the software shows the true frequency response of EV components in real-time as they behave in a free field. Step Up to EV is available RACE software nload at w do as a free oice.de -v tro ec el www. RACE Software (Real-time Acoustic Cluster Editor) RACE is a professional audio tool to generate presets for speaker systems. In addition to the clear display of all used filters, delay and level settings, each output can be assigned with the acoustic data (phase and frequency response) of the individual speaker component. This pure speaker data has been measured in EV’s large anechoic chamber. RACE then calculates the complex summation of all used filters, level and delay settings applied to these components. Thus the display on the screen is not only the electrical filter response but, for the first time, the actual true acoustic response of the component! Any change of parameter values is visible and audible immediately. An additional tool is the SPL dispersion window for lower frequencies. Presets can even be prepared off-line in advance and need only a little tweaking once speakers are in place. RACE enables engineers to seamlessly integrate room influence, speaker positioning and parameter settings and a RACE Processed Preset is a guarantee for a solid, accurate basis from which to begin system tuning. EV is supplying these presets for all current EV speaker systems, even if the needed combination is not part of the 50-factory preset of the Dx38. The acoustical response of Xi1183/64 plus Xi2181 (4-way) using the big Bode-Plot. Any change of parameters like level, filter or delays is displayed immediately. Even very complex array settings can be tuned simply and accurately. Step Up to EV RACE 2.0 Network controls up to 124 Outputs Using the optional RS-485 interface, RACE 2.0 allows control of even large and complex speaker systems. This requires changing the factory installed RS-232 interface with an optional RS-485 board. The DCN485 converter (RS232 to RS-485) works without additional power supply and is connected to the COMport of the PC, the output being an XLR connector. DCN 485 Converter Thus with conventional microphone cables, units can be controlled distances up to 200 meters. With CAT-5 cabling, it’s possible to control distances up to 1200 meters. All parameters, including frequency response, input and output metering as well as thresholds for compressors and limiters are monitored in realtime. All of this offers you a complete, visual overview of up to 124 outputs. RS-485 Interface Controlling of the network – is so easy and intuitive... ...it`s as if all controllers are in a side rack just at arm´s length away! Flexible, easy to use and stable, RACE has been several years in development, benefiting from the input of many audio professionals and sound engineers on the job. Messages inform the user on changes, making sure that a change is made intentionally and not by accident. The screen for network control (RS-485) in this picture has 8 units controlling 32 outputs. This can be set in two modes; the Live Mode shows all units including real-time metering for inputs and outputs. Mute and level can be operated as on real units in a side-rack. All other functions like editing parameters or changing presets are only available in the password protected Set-up mode. Step Up to EV Placement - Help tool for Speaker Positioning As further help, RACE offers a placement window to check for optimized speaker positioning. All RACE speaker files are measured at the center grille of the enclosure . In most cases the sub cabinets are used on the floor while the top cabinets are flying some distance above the subs. This page helps to get a better understanding of geometrically caused acoustic effects. The „listeners head“ can be moved on axis and the heard response in this place will be displayed. In addition, SPL distribution for frequencies below 150Hz can be shown. This example is for 100Hz. A typical example: A subwoofer has been placed near the emergency exit and needs to be moved. After first moving the sub in the RACE Placement window, RACE identifies the acoustic ”catastrophe” immediately. There’s a big dip at about 100Hz, which is experienced at the listening position. But what is typically not audible is the lobing towards the ceiling at about 45° - not heard as direct SPL but definitely audible as 1st and 2nd order reflections, really ”muddying” up the mix. Placement and lobing can then be fixed accordingly via parameter changes- if the moved sub is delayed properly, the response will again be optimized for the listener and nasty lobes removed from reflective surfaces. Step Up to EV
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