DEAR SUBSCRIBER,
Transcription
DEAR SUBSCRIBER,
ONSTAGE N E W S L E T T E R j une 2 0 1 6 DEAR SUBSCRIBER, Welcome to the 2016/17 Mirvish Theatre Subscription Season! If you requested to receive your tickets by regular mail, you will find your tickets to the first two shows of the season enclosed in this mailing. CUISINE & CONFESSIONS November 1 — December 4, 2016 Princess of Wales Theatre COME FROM AWAY Photos: Acrobats: Olivier Tétreault; Come From Away: Chris Bennion November 15, 2016 — January 8, 2017 Royal Alexandra Theatre For a seating map of the new Royal Alexandra go to mirvish.com/subvip Your seats may have changed from the old layout. New ticket stock! We are now using new ticket stock for Mirvish Subscribers. We hope you enjoy these more convenient tickets — they are easier to fit in your wallet or handbag! If you requested print-at-home tickets, check your inbox and print your tickets before coming to the theatre. Please examine your tickets carefully and make sure you have received tickets to both shows. If you have not received all of your tickets or require changes to the date of your performances, please call Mirvish Subscriptions as soon as possible. New criptions Hours for Mirvish Subs IDAY 8:30 MONDAY – FR AM – 7:00 PM TICKET EXCHANGES & ADDITIONAL TICKET PURCHASES can be made through TicketKing during these extended hours: Monday – Friday: 9:00 AM – 8:00 PM Saturday: 10:00 AM – 8:00 PM Sunday: 12:00 PM – 4:00 PM New! SUBSCRIBER VIP AREA ON Exclusively for current season ticket holders! Check it out today! Mirvish Subscriptions 284 King Street West, Suite 310 | Toronto, M5V 1J2 HOURS Monday – Friday | 8:30 am – 7:00 pm 416.593.4225 1.800.771.3933 [email protected] NEED EXTRA MATILDA TICKETS? Mirvish Subscribers save 20% on Tues-Fri Evening & Wed Matinee performances from July 5 – August 26 Call 416-593-4225 1-800-771-3933 mirvish.com/subvip USE PROMO CODE: SUBSEXTRA Terms and Conditions: Offer valid for performances from July 5 to August 26, 2016. All prices in Canadian dollars and include 13% HST and $3.25 CIF. Seating is subject to availability and restrictions may apply. Offer not available on previously purchased tickets and cannot be combined with any other offers. Offer may be terminated at any time. No refunds or exchanges. $2.5 MILLION RENOVATION OF THE ROYAL ALEXANDRA THEATRE The legendary and iconic Royal Alexandra Theatre, one of the oldest continuously operating legitimate theatres in North America, closed its doors on May 15, 2016, to undergo a major renovation and restoration. Opened in 1907, the Royal Alex was built by the “boy millionaire” Cawthra Mulock “as a public and cultural service” to the city. He boldly stated it would be “the finest, most modern on the continent.” When will the renovation take place? By 1963, only operational a few weeks a year, the theatre was threatened with demolition. Businessman Ed Mirvish bought the building and saved it from the wrecking ball. Immediately he set about restoring the building, stripping the interior to its floorboards and making sure the theatre remained the finest on the continent for its next half century. We have listened to our theatre patrons – especially our Subscribers! When the theatre was built in 1907 it was proclaimed to be “the finest, most modern, on the continent.” It is time for the theatre to be updated for 21st Century audiences, so we can offer them the best comfort possible when attending our shows. It is also an opportunity to restore the theatre to its original beauty. Today, 109 years later, David Mirvish will give the Royal Alex another restoration, this time to welcome it to the 21st century. Photo of David Mirvish by Todd Carol The renovations began in May and will continue until October 2016. Why are you doing this renovation? What is being changed? All the beautiful and elegant elements of the interior, including the beaux-arts Article Continues on Back >> For more information on the restoration, visit Theatre that starts a conversation Fight Night FIVE CANDIDATES. FIVE ROUNDS. YOUR VOTE. ONE SURVIVOR. November 2016 “A cross between big brother and an italian elec tion.” —The Independent The Studio180 production of influenced plaster mouldings on the balcony fronts and ceiling will be cleaned and restored. The capacity of the theatre will be reduced from 1,497 seats down to 1,244 seats. This will allow for extra legroom throughout all seating areas. Brand new seats will be installed on all levels. These will look identical to the original 1907 seats, including the distinctive RA insignia brass seat-end plates. The seats will be made with the latest technology and cushioning for excellent comfort. All the seating will be staggered to offer the best sight lines at all levels. My Night with Reg By Kevin Elyot Directed by Joel Greenberg February–March 2017 “British drama doesn’t get better than this.” —Evening Standard How does this affect my tickets? The three levels of the theatre will now be named: Orchestra, Dress Circle and Balcony. Balcony seats will now be marked as Dress Circle and Upper Balcony seats will be marked as Balcony. What will be the first production in the newly renovated Royal Alexandra Theatre? The brand new musical Come From Away will be the first production to play the newly renovated theatre. It is the second show in the 2016/17 Mirvish Subscription Season. We believe it is an appropriate show because it is written by Canadians (the brilliant wife-and-husband composing-and-writing duo of Irene Sankoff and David Hein), about a Canadian subject (the people of Gander, Nfld.) and Broadwaybound. Who could ask for anything more? The WhyNot Theatre production of Butcher By Nicholas Billon Directed by Weyni Mengsha March–April 2017 “An excr uciatingly excellent production.” —National Post ALL SHOWS AT PANASONIC THEATRE ADD MORE GREAT ENTERTAINMENT TO YOUR SEASON FOR ONLY 115 $165 $ OR SUBSCRIBE TODAY | 416-593-4225 | 1-800-771-3933 7 FINGERS de l a main LES 7 doigts CUISINE & confessions Les 7 doigts de la main invites you into their kitchen for a multi-sensory experience! Like their acclaimed Toronto debut production of Traces, Cuisine & Confessions showcases Les 7 doigts innovative trademark acrobatic and choreographic prowess —but this time, adds sound, smell, and touch (and taste!) to their always-visually impressive aesthetic mix. A theatrical feast; literally. Cuisine & Confessions explores stories from our family kitchens—foods prepared, memories made—rituals that underpin our most important relationships. In the words of world-renowned chef Jacques Pepin, “there is something evanescent, temporary, and fragile about food. You make it, it goes, and what remains are memories.” November 1 – December 4, 2016 W AT TOHU AIN M COOKING LA F O DE THE JOY DOIGTS LES 7 Princess of Wales Theatre ITH 14 r 30, 20 rst the Octobe n o d e lian. At fi Publish ish or Ita n | a es p S e r tt st o nant ori l Gaze nglish , but poig h than E Montrea rs c e n e in h re g F T -l e , in y n re w mo nell nd o n gro Pat Don waways a in its oung ma bats about a y g of food es are thro r n in a li n e a h e cool acro e r m e rface. W two sup emories lores the su s p m a y x g e ll mble is a n u in u tu ri o a d e d L gra ive an in St. ns, trigg ts de la M ontreal) teman) d t a father a onfessio u M B C ( o Les 7 Doig credg h U & it in in H e w h Ik up hts wit Sidney g the TO , Cuisin ig n d w e ri n o h a te g sh is s n g in E th st ig . 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The top n flips, b intricate I Want”) gg whisk oves, the t e is a l m ) h e ta T h busc e e ig n m g m a n h o n O cool d nent is ne you neous c ) juggles a sponta ce compo g kind. O f Pramparo n in o a e there’s d sh lt g e m e ri c a in su u y th n ( (last ttes, sa lives. Sin re the re nally no e le o n e w e ti m h o rs c o e m it s b e k e f the he lov nibbling eryday and if all num is food o ow much e theatre , onions during ev h rs th t rs e s u u p e c o p v c b e a o a p le t ily s on eggs, ience tion tha m), happ man goe ith much ade with , the aud the progra n stage, w nes are m going on in o o g are d t is e c in to e sh e k rv ’s o ip rf to c e se o it c the p tically, ade, it’s wanting d (the re one is m they go, ana brea it. Linguis s n n ru a a e c b h h g re it e in W e w k th . c love of ba ions, le audien nds. e smells Confess to a sing s with frie sniffing th uisine & C gallantry, in e fe g a n ssion u o g C n la & n e ow Cuisin each his NEED EXTRA TICKETS TO CUISINE & CONFESSIONS? Mirvish Subscribers can purchase extra tickets to Cuisine & Confessions at 35% off the regular ticket price for all performances, except Saturday evenings, from November 1 — December 2. (Valid on top-two prices only) Terms and Conditions: Offer valid for select performances from November 1 – December 2, 2016. All prices in Canadian dollars and include 13% HST and $3.25 CIF. Seating is subject to availability and restrictions may apply. Offer not available on previously purchased tickets and cannot be combined with any other offers. Offer may be terminated at any time. No refunds or exchanges. “A vigorous and upli S Before you dismiss this idea as well, let us assure you that the musical that is Come from Away is one of the most moving, funny, engaging and heart-warming shows we have ever seen. It all began when a Fringe hit with an intriguing title made its way to the Panasonic Theatre a few years back. My Mother’s Lesbian Jewish Wiccan Wedding was the true-life story of David Hein that he turned into a charming, affectionate and life-affirming musical with his wife, Irene Sankoff. When we discovered it playing at the Fringe in a tiny storefront theatre in Kensington Market, we rushed to transfer it to the Panasonic, where it played 11 sold-out weeks to rapturous audiences. November 15, 2016 – January 8, 2017 Royal Alexandra Theatre ! Newly Renovated THE CREATION OF A NEW MUSICAL Say you were interested in investing in theatre. A document comes across your desk letting you know that a song writing team from Paris and a few Englishmen have adapted Victor Hugo’s massive novel Les Misérables (at 655,478 words, number 14 on the list of the longest-written books in the world) into a stage musical. You may shake your head and think, “Preposterous. A story so convoluted and filled with arcane French political history, how could it ever be done?” Or, say you were in the inner circle and had early word that a young composer had decided to musicalize obscure poetry from a dead poet. The poetry has no story and is so personal it is about the poet’s obsession with cats, of all things. “Foolish idea,” you may think. “It will never work.” Yet these two ideas led to two of the most popular musicals of all time. Now, say someone told you that a husband-and-wife team from Toronto had taken elements from the events surrounding the tragedy of September 11th and turned them into a musical. “An affecting and stirring new musical.” Los Angeles Times One of the people who saw the show at the Panasonic was Michael Rubenoff, an entertainment lawyer, theatre producer and now the associate dean of visual and performing arts at Sheridan College. Michael was so taken with the show and how Irene and David had managed to tell a true story through songs, that he asked them if they knew of the story of Gander, Newfoundland. On September 11, 2001, Gander International Airport played an integral role in world aviation in the hours immediately following the attacks when all of North America’s airspace was closed and 38 civilian and 4 military flights bound for the United States were ordered to land at the airport. More than 6,600 passengers and airline crews, equivalent to 66 percent of the local population, found themselves forced to stay in the Gander area for up to six days until airspace was reopened and flights resumed. Residents of Gander and surrounding communities volunteered to house, feed, and entertain the travellers. Irene and David were instantly interested and began to explore the idea. Part of their research was to visit Gander on September 11, 2011, the tenth anniversary, when thousands of the original travellers returned for a reunion. Irene and David met many of them and learned their stories firsthand. What they discovered was the stuff of pure drama. There were stories of love found and love lost. Stories of cultures colliding and merging. Stories of outsiders becoming insiders. Stories of misunderstandings and understandings. In short, what happened in Gander was a microcosm of all of humanity and the human condition. Over the next few years, Irene and David sorted through all their research and structured a show that told dozens of smaller stories inside the master story. NEED EXTRA TICKETS TO COME FROM AWAY? Mirvish Subscribers can purchase extra tickets to Come From Away at 25% off the regular ticket price for all performances, except Saturday evenings, from November 15 — December 23. Terms and Conditions: Offer valid for select performances from November 15 – December 23, 2016. All prices in Canadian dollars and include 13% HST and $3.25 CIF. Seating is subject to availability and restrictions may apply. Not valid on premium seats. Offer not available on previously purchased tickets and cannot be combined with any other offers. Offer may be terminated at any time. No refunds or exchanges. Seattle Met Using the resources allowed to them at Sheridan College, which has a brilliant theatre department that has a particular focus on musical theatre, they were able to workshop some of their material with Sheridan’s talented students. Mirvish staff attended some of these workshops. While we were fascinated with the material, they felt the show had not yet found its way. It was too sentimental and too earnest, making it somehow implausible. Irene and David continued to work on the project. A revised script came to Christopher Ashley, the artistic director of the La Jolla Playhouse, a prestigious regional theatre outside San Diego, CAL, that over the years has premiered many musicals that have found their way to broadway and beyond, among them Jersey Boys. woven into the narrative. The beat is so hypnotic, that you can’t get it out of your head after seeing the show. The critics also loved the show, with the hard-to-please critic from the Los Angeles Times naming the show one of the best of the year. THE SHOWS IN YOUR 2016/17 MAIN SEASON SUBSCRIPTION Even better, audiences loved it, making the run a sold-out success, with tickets impossible to secure. Overheard at one performance attended by Mirvish staff, an audience member said to his friends, “That is the best show I have ever seen that I knew nothing about coming into it.” Right after the La Jolla visit, Mirvish made a deal for the show to play Toronto, a homecoming of sorts, as not only is the story set in Canada and the writers are Canadian, but the cast features many very talented Canadians. JUL / AUG 2017 the 7 FINGERS CUISINE & confessions Come for the circus, stay for the banana bread! Again, Mirvish staff attended and what they saw was absolutely brilliant. The musical felt real, had true heart and emotion, honest humour and depth, and was very moving. The songs, all of which have an East Coast, Celtic flavour, were seamlessly “A moving, thoroughly entertaining tribute to the indomitable human spirit!” artwork : sophie leclerc | photos : olivier tétreault Come from Away will play Toronto prior to transferring to Broadway. Christopher saw the show’s potential and worked further with Irene and David. He was so confident that he programmed it for the Playhouse’s 2015 season and it opened there at the end of May. PRE-BROADWAY Nov / Dec 2016 Nov / Dec 2016 THE AUDI ENCE WRITTEN BY PE TER MORGAN Illus t ra t ion by Greg S tevenson ifting ode to humanity.” Jan / Feb 2017 HHHHH FEB / MAR 2017 LOVE IS IN THE AIR Daily Mail Variety Photo by Chris Bennion Remember! Subscribers no longer pay service charges on extra tickets! CREATED BY Call 416-593-4225 or 1-800-771-3933 Online www.mirvish.com/subvip Have your Subscriber Number handy when ordering to guarantee no service charges. BAZ LUHRMANN MAR / APR 2017 Apr / May 2017