Pdf Catalogue - John Moran Auctioneers

Transcription

Decorative Art Auction
January 19, 2016
D e c o r at i v e A r t A u c t i o n
Tuesday, January 19, 2016
Previews:
January 15th: 10am-4pm
Catalogued Sale 12:00 pm
145 East Walnut Avenue, Monrovia, CA 91016
Bidding available: live, via phone, absentee, or online at
liveauctioneers.com :: invaluable.com :: auctionzip.com :: bidsquare.com
Inquiries welcome:
626 793 1833 :: [email protected]
145 East Walnut Avenue Monovia, California 91016 :: www.johnmoran.com
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JOHN MORAN AUCTIONEERS, INC.
FOUNDERS
President, Principal Auctioneer
Senior Vice President, Auctioneer
Vice President, Public Relations
John H. Moran
Jeffrey J. Moran
Madeleine Moran
SPECIALISTS
Vice President - Estates Auction Director
Roland Rynkiewicz
Antique & Decorative Art Specialist
Maranda Moran
Antique & Decorative Art Cataloguer
Kim Jarand
Estate SpecialistJohn Simon Taylor
jewelry Specialist - Sale Director
Mollie Burns Keith, G.G.
Jewelry SpecialistAna Wroblaski, G.G., A.J.P.
Fine Art specialistMorgana Blackwelder
Fine Art & Cataloging Consultant
Katherine Halligan
Fine Art CataloguerBobby Cullen
CLIENT SERVICES
Office Manager, Client Accounting
Betty Lanza
Client Services / Social Media
Jardine Bruce
Client ServicesJean Rapagna
OPERATIONS
Operations Director, AuctioneerGlenn Storey
Art Handlers / Property Control Larry Muradian
Padded Van ServicesMike Hook
DIGITAL DESIGN
Webmaster / Network Administrator
Oscar Tsao
Photographer Shane Strong
Advertising Director / Digital Design
Nathan Martinez
Assistant Photographer / Social Media
Ali Breen
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Conditions Of Sale
AUCTION HOUSE AS AGENT
Except as otherwise stated, John Moran Auctioneers Moran’s) acts as agent for the seller. The contract for the sale of the property is therefore made
between the seller and the buyer.
BEFORE THE AUCTION
(a) Public Preview: All property is available for inspection by public preview during the day of auction. In many cases, particular lots can be examined in
advance by private appointment. Prospective buyers are strongly encouraged to personally examine any property in which they are interested.
(b) Buyer’s Responsibility: Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding.
Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not
delivered in a condition equal to the existent condition at the auction.
(c) Property Sold ‘As Is’: Neither Moran’s nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions
in the catalogue or supplemental material apart from the Limited Warranty stated below. Condition reports are offered as a courtesy and are typically
published in Moran’s catalogue or can be made available upon request. The absence of a condition report does not imply than an item is free from
defects or restoration, nor does a reference to particular defects imply the absence of others.
AT THE AUCTION
(a) Admission: The auction is open to the public, though Moran’s reserves the right to refuse admission or participation to anyone at any time. The
auctioneer may be recorded (visually, aurally or otherwise) and all participants consent to such recording.
(b) Buyer Registration: Prospective buyers must register with Moran’s before bidding. Moran’s may require identification and financial references in
advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the buyer’s premium plus all applicable
charges, unless Moran’s agrees in advance that the bidder is acting as agent on behalf of an identified third party acceptable to Moran’s. In such case,
Moran’s will look to the third party for payment.
(c) Bidding Guidelines: Bidding, whether in person, by agent, absentee bid, telephone, or internet, constitutes a bidder’s acceptance of these conditions.
The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid, to withdraw, pass
or divide any lots, to combine multiple lots, to advance the bidding at his or her absolute discretion and (in the case of error or dispute, whether
during or after the sale) to determine the successful bidder, to continue the bidding, cancel the sale or to re-offer and sell the lot in question. Under no
circumstances are the consignors’ or agents acting on their behalf, permitted to bid on their consignment. In the event of any dispute after the auction
Moran’s sale record shall be conclusive.
(d) Absentee, Telephone and Internet Bidding: Moran’s offers absentee, telephone and internet bidding as a convenience to clients and does not
accept liability for errors or failures to execute such bids. Absentee and telephone bids must be recognized by Moran’s prior to auction day. When
identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran’s shall be accepted as the winning bid.
Telephone bidders are encouraged to leave minimum bids in case of technical failure. Internet bidders are subject to an additional buyer’s premium, as
noted below.
(e) Reserves: Unless indicated otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not
be sold. The reserve for any lot shall not exceed its published estimate. Moran’s shall act to protect the reserve by bidding through the auctioneer, who
may open bidding on any lot below the reserve by placing a bid on the seller’s behalf. The auctioneer may continue to bid on behalf of the seller up to
the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for
bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backwards at his discretion or deem the lot unsold
if a bid is not recognized.
AFTER THE AUCTION
(a) Payment and Title Transfer: Payment and Title Transfer: The buyer agrees to pay the sum of the hammer price plus Buyer’s Premium, plus any
applicable sales tax. Buyer’s Premiums are calculated as follows: Floor, Telephone or Absentee Bidding: Buyer’s Premium of 20% (of hammer price) when
paying by cash, check or wire transfer or 22% when paying by credit card. Bidding through internet platform: Buyer’s Premium of 23% when paying by
cash, check or wire transfer or 25% when paying by credit card. Buyers outside the United States must submit payment via wire transfer. Credit cards are
not an accepted form of payment for buyers outside the United States. Buyers are strongly encouraged to provide full payment at the auction. Payment
must be received by Moran’s within the five business days immediately following the auction. The buyer shall not acquire title or take possession of the
lot until all amounts (including the hammer price, premium and applicable taxes) due to Moran’s have been paid in full.
(b) Collection: Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are
provided free of charge at the sale site during the auction. The packing of purchased lots at the auction is undertaken by Moran’s solely as a convenience
to customers. Moran’s is not liable for damage to glass or frames, except as a result of negligence on Moran’s part, regardless of cause in connection with
this courtesy service.
(c) Storage: Following the auction, uncollected lots shall be relocated to and stored in Moran’s warehouse. Moran’s shall retain possession of all
purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless
of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran’s reserves t he right to
impose upon delinquent buyers a separate 1% monthly charge (of the purchase price, or the maximum permitted by law) commencing on the sixth
business day after the sale date.
(d) Shipping: Buyers are responsible for arranging their own shipping estimates and deliveries. Moran’s in our discretion and as a courtesy to buyers, can
arrange to have purchased lots packed, insured and forwarded by a third party shipper at the request, expense and risk of the buyer. Moran’s assumes no
responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran’s. Nor does Moran’s assume
any responsibility for any damage to picture frames or to the glass therein. In circumstances where Moran’s arranges for such third party services,
Moran’s may apply an administration charge of 10% of that service fee.
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Conditions Of Sale Continued
(e) All Sales Final: Notwithstanding other terms mentioned herein, refunds shall be given at Moran’s sole discretion. Refunds requested on the grounds
of authenticity must be made within 10 days of the auction and accompanied by a supporting written statement from a recognized authority (defined
as a person who has authored, edited, or substantially contributed to a monograph on the artist, a person who has curated, organized or substantially
contributed to a solo exhibition on the artist, a person who has represented the artist’s estate or someone who represented or worked closely with the
artist while they were alive and, in any of the above instances physically handled works of the period, medium and subject matter in question during
the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers and representatives of other auction
firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist’s work, as specified above,
in addition to their daily duties. Refunded lots must be returned to Moran’s in the same condition as when sold. Moran’s does not grant extensions to
refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy.
LIABILITY AND LIMITED WARRANTY
(a) Liability: The buyer expressly agrees that (i) neither Moran’s nor the seller shall be liable, in whole or in part, for any special, indirect or consequential
damages, including, without limitation, loss of profits and (ii) the buyer’s damages, if any, are limited exclusively to the original purchase price paid for
the lot.
(b) Limited Warranty: All property is sold as is. Neither Moran’s nor the consignor or our associates make any representation, express or implied
warranty (including merchantability and fitness) or guarantee in condition, size, provenance, medium, signature, inscription, exhibition history,
importance, rarity, country of origin, age, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation,
coloring, palette, inscription, edition, style, label or other descriptor. No statement in the catalogue, brochures, website, bill of sale or invoice, any
supplementary material, or statements by any Moran’s employee shall be deemed such a warranty or representation or an assumption of liability.
(c) Descriptions: No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any
description of the items or second opinion is for the courtesy of identifying the items for those Bidders who do not have the opportunity to view the
lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would
conform to any description made by the Auctioneer. Color variations can be expected in any electronic or printed imaging, and are not grounds for the
return of any lot.
(d) Estimates: All estimates provided are carefully considered opinions of Moran’s specialists, and are merely suggested guidelines for interested buyers.
Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other
uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate.
(e) Notices, Demands and Refunds: Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be in
writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, California 91016.
ADDITIONAL MATTERS
(a) Copyright: The copyright on all images, illustrations and written material produced by or for Moran’s for this auction is and shall remain at all times
the property of Moran’s. Moran’s and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a
purchased lot.
(b) Buyer’s Breach of Conditions: If a buyer fails to comply with any of these conditions, Moran’s may, in addition to asserting all remedies available by
law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the
buyer, (ii) resell the property without reserve at public auction or privately upon notice to the buyer, or (iii) take such other action as we deem necessary
or appropriate. If Moran’s resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original
sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney’s fees, commissions, incidental
damages and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran’s shall apply the
payment received to such property that Moran’s in our sole discretion, deems appropriate. Moran’s shall have the benefit of all rights of a secured party
under the Uniform Commercial Code adopted in the State of California.
(c) Severability: Should any of these conditions be deemed unenforceable, invalid or illegal in any court having jurisdiction, that part shall be discounted
and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by
law.
(d) Jurisdiction: The rights and obligations of the parties with respect to these conditions and the conduct of the auction shall be governed and
interpreted by the laws of the State of California. By bidding, whether in person or by agent, by absentee bid, telephone, internet or other means, the
buyer shall be deemed to have consented to the exclusive jurisdiction of the courts of the state of California or, if applicable, the federal courts sitting
in this state. Further, the buyer agrees that the venue for any action arising out of the failure to abide by these conditions, or any conduct related to or
arising out of the auction, shall be the Los Angeles Superior Court, Pasadena Branch located at 300 E. Walnut Street, Pasadena, California 91101 or the
Federal Court Central District located at 312 North Spring Street, Los Angeles, California, 90012-4793.
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This catalogue is meant merely as a guide.
The Auctioneers do not warrant the accuracy, genuineness,
authenticity, description, weight, count or measure of any of the lots
specified herein.
Buyer’s Premiums
FLOOR, TELEPHONE OR ABSENTEE BIDDING:
20% (OF HAMMER PRICE) WHEN PAYING WITH CASH, CHECK OR WIRE TRANSFER
22% WHEN PAYING WITH CREDIT CARD
THROUGH INTERNET PLATFORM:
23% (OF HAMMER PRICE) WHEN PAYING BY CASH, CHECK OR WIRE TRANSFER
25% WHEN PAYING WITH CREDIT CARD
BIDDING INCREMENTS
$100 - $475 @ $25 increments
$500 - $950 @ $50 increments
$1,000 - $1,900 @ $100 increments
$2,000 - $4,750 @ $250 increments
$5,000 - $9,500 @ $500 increments
$10,000 - $19,000 @ $1,000 increments
$20,000 - $47,500 @ $2,500 increments
$50,000 - $95,000 @ $5,000 increments
$100,000 - $190,000 @ $10,000 increments
$200,000 - $480,000 @ $25,000 increments
$500,000 & above @ $50,000 increments,
or at Auctioneer's discretion.
View Illustrated Catalogue Online @
www.johnmoran.com
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1001 A Thomas Webb & Sons cameo glass vase
Late 19th century, maker's mark to underside, of white opaque cut back to turquoise
glass, the tall cylindrical neck over an ovoid body, decorated with a blooming flower and
butterfly motif, 9'' H x 4.75'' Dia., est: $500/700
Provenance: Private Collection, Westchester, CA. Condition: Overall good condition,
with scattered scuffs, scratches and general wear commensurate with age. Fleabites
to interior rim of neck and exterior of foot; neck with an approximately .25''-long nick
to interior rim. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
1002 A large blue opaline cut-glass lidded box
19th century, unmarked, the gilt bronze-mounted hinged rectangular cut-corner blue
opaline glass lid over a conforming body all-over cut with a geometric diamond design,
5.625'' H x 9.125'' W x 5.75'' D, est: $300/500
Condition: Overall good condition, with general scattered light marks, scratches and
darkening to gilt bronze commensurate with age. One minute chip to bottom edge.
Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL
1003 Delft-style ceramic and bronze-mounted clock set
Late 19th/early 20th century, French, movement marked ''H. Luppens / Paris'' and
''A.D. Mougin / Deux Medaille'' pastille, numerically stamped ''1356'', face marked
''H. Luppens & Cie. / Bruxelles'', the clock surmounted by a perched bird finial, over
a domed cover atop the baluster-form Delft pottery body flanked by festooned ram's
heads and flowering branch accents, the circular white enameled face centering a
hand-painted putti, with black Arabic numeral hour markers within a glazed aperture,
on a waisted faux branch-molded base, on faux-branch ring feet; each candelabrum:
surmounted by an urn-form light raised on a flowering branch-form arm, surrounded by
four conforming outswept arms issuing from a domed dual-handled cover on a waisted
cylindrical Delft pottery body, raised on a waisted faux branch-molded base, on fauxbranch ring feet, 3 pieces, the clock: 23.25'' H x 10.75'' W x 10.25'' D; each candelabrum:
23'' H x 9.75'' Dia., est: $800/1200
Condition: Overall good condition, with scattered light marks, scratches, wear and
darkening to gilt bronze commensurate with age. Scattered foliate mounts somewhat
loose. A few drip pans slightly out-of round. Scattered spots of house paint; the largest
two approximately 4''-long drips to base of clock body. Lacking key; working condition
unknown. Moran's does not guarantee working conditions of clocks or watches. Your
bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL
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1004 An English sterling Arts & Crafts coffee service
1923-1925, Birmingham, each with maker's mark of Alfred E. Jones and stamped
numerically to underside ''839'', a three-piece demi coffee set in hand-hammered sterling
silver, comprising a coffee pot (6.75'' H x 5.5'' W x 3.5'' D), a sugar bowl (1.75'' H x 3.125''
Dia.) and a milk jug (2.75'' H x 3.75'' W x 2'' D), 3 pieces, gross weight 12.650 oz troy
approximately, est: $400/600
Provenance: Private Collection, Sierra Madre, CA. Condition: Overall good condition,
with general light marks, scratches, rubbed wear and tarnishing commensurate with
age. Teapot with a repair between joint of lid and hinge; wooden finial likely replaced.
Weight includes wooden elements. Not monogrammed. Your bid indicates acceptance
of our Conditions of Sale. AS-IS. ALL SALES FINAL
1005 A French Provincial flip-top game table
First half 19th century, the serpentine hinged galleried top folding out to reveal an inset
tooled-leather gaming surface, flanked by locking drawers, raised on thin cabriole legs,
with keys, 28.75'' H x 38.875'' W x 15'' D, est: $500/700
Condition: With tabletop extended: 27.25'' D. Overall good condition, with general
marks, scratches, wear, separation at joints and shrinkage cracks commensurate
with age, including a 15''-long crack to interior table surface and losses to veneer
around keyhole. Evidence of woodworm, including an approximately 2.25'' x .5'' loss
to underside of table near central pull-out leg. Drawer bottoms loose; one partially
detached. Central pull-out leg with replaced timber to upper 6'' section. Tooled leather
surface split along joint, with rubbed wear and evidence of water damage (primarily
along bottom 3''). Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
1006 A gilt-bronze and porcelain Chinoiserie inkwell
Late 19th/early 20th century, French, surmounted by a porcelain laughing Buddha set
behind a blue-glazed porcelain inkwell topped by a floriform finial, the inkwell raised
on a branch-form support issuing four porcelain flowers, raised over a gilt-bronze
serpentine rocaille base, on rocaille bracket feet, 5.125'' H x 10'' W x 6.75'' D, est:
$800/1200
Provenance: Private Collection, Laguna Beach, CA. Condition: Overall good condition,
with scattered scratches, wear, darkening to gilt bronze and dust accumulation
commensurate with age and use. Buddha with an approximately 3''-long firing crack
to body. An approximately .25'' x .25'' loss to one petal of one flower. An approximately
.125'' x .25'' loss to glaze of inkwell. Inkwell lacking liner. Your bid indicates acceptance
1007 Gump's French gilt-bronze Chinoiserie table clock
Early 20th century, marked to face for retailer ''S & G Gump Co. / San Francisco'',
further marked ''France'', the movement marked ''8 Eight Jewels / 855 / UNADJUSTED
/ A Marchandon / Paris / 8 Rubis / Made in France'', surmounted by a spray of handpainted porcelain flowers, the cylindrical clock case with a white enameled face with
black Arabic numerals and pierced scrolling gilt hands, raised on a branch-form
porcelain flower-adorned support flanked by green painted porcelain foo dogs, on a
shaped rounded stepped base, on leaf and seed-pod feet, 10.5'' H x 8.5'' W x 5.5'' D, est:
$4000/6000
with general light marks, scratches, nicks, darkening to gilt bronze and scattered minor
chips and losses to ceramic flowers, the largest approximately .25'' x .5''. One flower
deficient. Lacking key; working condition unknown. Moran's does not guarantee
working condition of clocks and watches. Your bid indicates acceptance of our
Conditions of Sale. AS-IS. ALL SALES FINAL
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1008 A sterling silver & art glass box, Martin Baker
1990, London, maker's mark of Martin Baker, the body of shallow circular form, the
flat cover inset with transparent green glass etched to underside with a koi fish within a
border of green enameled leaves, together with fitted case, 1'' H x 4'' Dia., est: $400/600
Note: Martin Baker is a contemporary silversmith and jeweler based in London. His
work has been collected by major corporations, members of the British royal family, and
the Victoria and Albert Museum. Condition: Overall good condition. General marks,
scratches and tarnishing commensurate with age and handling. Your bid indicates
acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL
1009 Hampshire Pottery art pottery pedestal jardiniere
Late 19th/early 20th century, apparently unmarked, in the Art Nouveau taste, all-over
glazed in matte green, the squared rim over a rounded bombe body relief-decorated
with calla lilies and plain ovoid reserves, raised on a similarly decorated pedestal base,
overall: 40'' H x 16'' W x 16'' D, est: $500/800
Provenance: Private Collection, Ventura, CA. Condition: Overall good condition, with
general light marks and scratches commensurate with age. Dust and dirt accumulation
to interior. Scattered minor firing and glazing flaws, including two small holes to
pedestal (less than .125'' Dia.) and two firing cracks to underside of jardiniere; the largest
approximately 2.5''-long. Your bid indicates acceptance of our Conditions of Sale. ASIS. ALL SALES FINAL
1010 After Auguste Moreau (1834-1917 French)
Late 19th century, each signed in the mold ''Aug Moreau'', a complementary pair of
silver-plated figural vases, each with a flaring waved rim over a slender neck, the bulbous
body relief-decorated with a fish-filled waterway surmounted a figure modeled in the
round; the first with a seated female figure, the other with a young fisherman wrangling
a fishing net, each raised overall on a stepped circular red marble plinth, 2 pieces, each
overall: 16.375'' H x 8.5'' W x 7.5'' D, est: $1500/2500
Condition: Overall good condition, with general scratches, marks, rubbed wear to silver
plate and tarnishing commensurate with age and handling. Scattered pinholes to body of
each; each with an approximately .125''-diameter hole to verso of head of figure. The first
with two shallow dents to body; the larger approximately .75'' x .75''. Each with nicks,
chips and spots of fill to marble plinth. Your bid indicates acceptance of our Conditions
of Sale. AS-IS. ALL SALES FINAL
1011 Webb cameo glass & Gorham sterling silver inkwell
1896, with maker's mark, further marked ''Sterling'', glass unmarked, attributed to
Thomas Webb & Sons, the rounded hinged silver lid chased with clover flowers and
monogrammed ''LS'', the domed circular body of white opaque glass cut-back to a red
ground, decorated with flowering cherry branches, 4.5'' H x 4.125'' Dia., est: $1200/1800
Provenance: Private Collection, Redlands, CA. Condition: Overall good condition, with
scattered light marks, scratches and tarnishing to silver commensurate with age. More
concentrated light scratching and few fleabites to underside of base and edge of foot; an
approximately .125'' x .125'' nick to raised decoration of body. Monogrammed, as stated.
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1012 An Emile Galle 1900 Exposition marquetry table
Circa 1899, inlaid signature ''Galle Exposition 1900'', with inlaid inscription ''La musique
de l'eau, des feuilles et du ciel / Maurice Bouchor'', a carved and marquetry inlaid tiered
accent table, the rounded rectangular top over a floriform asymetrically arranged center
tier above a serpentine undershelf, each tier inlaid with a unique scene of flowers in
a landscape, raised overall on four turned rounded legs with relief-carved floriform
accents, 29.375'' H x 40.5'' W x 20.125'' D, est: $4000/6000
Provenance: Private Collection, Ventura, CA. Condition: Would benefit from
restoration; finish is dry. Scattered losses to veneers, the largest an approximately 4'' x
.75'' area to top. Scattered scratches, nicks and losses; the largest an approximately 1'' x
.25'' chip to edge of undershelf. Your bid indicates acceptance of our Conditions of Sale.
AS-IS. ALL SALES FINAL
1013 Art Nouveau sterling silver trumpet vase, Shreve
Late 19th/early 20th century, marked to base ''Shreve & Co. / San Francisco / Sterling'',
the pierced, slightly waved scrolling rim over a tapering cylindrical body repoussedecorated with irises, over a pierced dome monogrammed ''JPC'', raised on a domical
iris-adorned pierced and scrolled waved foot, 23'' H x 7.375'' Dia., 88.040 oz troy
Provenance: Private Collection, Laguna Beach, CA. Condition: Overall good
condition, with a few scattered minute scratches, shallow dings and general tarnishing
commensurate with age. Your bid indicates acceptance of our Conditions of Sale. ASIS. ALL SALES FINAL
1014 Louis Carrier-Belleuse (1848-1913 French)
Late 19th/early 20th century, signed verso ''Lous. Carrier. Belleuse'', with indecipherable
black overglaze mark in script, a faience-glazed porcelain bust of Velleda, her thistleembroidered hooded cloak adorned with oak branches, raised on a waisted ebonized
wooden socle, overall: 30.5'' H x 16.75'' W x 12.75'' D, est: $1000/1500
Condition: The bust: 24.625'' H. Overall good condition, with scattered scratches and
nicks throughout. Several professionally executed restorations with corresponding
glaze discoloration throughout. Scattered nicks and losses to oak leaves; the largest
an approximately 1.5'' break and glued repair. Your bid indicates acceptance of our
1015 An Austrian Art Nouveau jeweled table lamp
Late 19th/early 20th century, a patinated metal table lamp, the double-domed shade
with inset rough ''jewels'' of semi-transparent red and white glass, raised on three foliate
arms issuing from a lotus-centered base, on a shaped, organic foot, 22'' H x 15'' Dia., est:
$800/1200
general marks, scratches, wear and darkening to patination commensurate with age.
Shade slightly out-of round. Upper dome separating slightly from lower dome. One
large glass jewel deficient. Lacking finial. Wiring has been cut; should be checked by a
qualified electrician prior to use. Your bid indicates acceptance of our Conditions of
Sale. AS-IS. ALL SALES FINAL
4
1016 An Art Nouveau sterling silver-overlay vase
Late 19th/early 20th century, marked ''Sterling Silver Depose'', further marked ''113''
and ''8364 / 1'', surmounted by a wave-form mouth over a white ceramic silver-overlaid
baluster-form vase decorated with an applied reclining female figure and flowers on a
relief-decorated aquatic ground, the base with an applied putto over a naturalistic waveform foot, 13.25'' H x 5.75'' W x 5.25'' D, est: $1500/2500
with general marks, scratches, nicks, rubbed wear and tarnishing commensurate with
age. Lifting and losses to silver overlay on underside of foot; possible lost marks. Your
1017 A Seth Thomas / Gorham bronze mantle clock
First quarter 20th century, signed in the bronze ''Darrot'' and stamped ''Gorham Co
Founders'', the movement inscribed ''115 B / Seth Thomas / Thomaston, Conn.'',
''Patented / Oct. 25 1921'' and ''Made in / (Seth Thomas maker's mark) / USA'', the twotrain movement attached to a silvered circular dial marked ''Seth Thomas / Made in
U.S.A.'' with applied gilt Arabic numeral hour markers within a glazed cylindrical case,
raised overall on the crest of a patinated bronze wave, 12.125'' H x 22.875'' W x 6.25'' D,
est: $800/1200
with general light marks, scratches and darkening to bronze commensurate with
age; more extensive rubbed wear to dial and bezel. An approximately .5'' x .5'' spot of
verdigris to wave-form base. Lacking key; working condition unknown. Moran's does
not guarantee working condition of clocks or watches. Your bid indicates acceptance of
our Conditions of Sale. AS-IS. ALL SALES FINAL
1018 Roman (Erte) de Tirtoff (1892-1990 Russian)
''The Zodiac Portfolio'', includes the twelve signs of the zodiac, the introduction page by
Erte and the colophon page published by Tristar Publishing, LTD, New York, NY and
printed by Chromacomp Inc., New York, NY, each: signed in pencil in the margin lower
right: Erte, numbered in pencil in the margin lower left: 239/250, titled in the margin
lower center, with the publisher and printer blindstamps lower left, screenprint on
paper, plate size: 19'' H x 14'' W, est: $3000/4000
Note: Paper size: 25.5'' H x 20'' W. Provenance: Private Collection, Glendora, CA.
Condition: Visual: Each: Generally good condition. Very minor toning to the paper.
The folio cover is in generally good condition with a few spots of minor soiling. Light
scuff marks scattered throughout the verso. The upper front right corner is torn with
minor frabric loss. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
1019 Romain (Erte) de Tirtoff (1892-1990 Russian)
''La Jalouise (Jealous)'', signed in pencil lower right: Erte, numbered in pencil lower left:
14/300, embossed serigraph on paper under Plexiglas, image size: 17'' H x 13'' W, est:
$500/700
Literature: M. Lee ed., ''Erte at Ninety-Five: The Complete New Graphics'', E.P. Dutton,
New York, NY, 1987, p. 158. Note: From ''The Four Emotions'' suite. Paper size: 22.75''
H x 17.75'' W. Provenance: Circle Gallery; Private Collection, Los Angeles. Condition:
Visual: Generally good condition. Mounted to the recto mat with artist's tape along the
four edges. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
5
''L'Amour (Love)'', signed in pencil lower right: Erte, numbered in pencil lower left:
$500/700
Visual: Generally good condition. Some minor handling creases along the left edge of
the gold foil margin. Mounted to the recto mat with artist's tape along the four edges.
''La Tristesse (Sadness)'', signed in pencil lower right: Erte, numbered in pencil lower left:
$500/700
Visual: Generally good condition. Mounted to the recto mat with artist's tape along the
four edges. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
''L'Indifference (Indifference)'', signed in pencil lower right: Erte, numbered in pencil
lower left: 14/300, embossed serigraph on paper under Plexiglas, image size: 17'' H x 13''
W, est: $500/700
Visual: Generally good condition. Some tiny spots of loss along the lower left edge.
Mounted to the recto mat with artist's tape along the four edges. Your bid indicates
1023 French Art Deco brass/glass display case, Muller
Second quarter 20th century, stamped maker's mark ''Muller / R&P Domange Succrs
50, Rue de Chateaudun Paris'', the domed cover with three inset frosted and textured
glass panels, over a conforming rectangular body with curved glazed sides and a locking
glazed hinged door enclosing a mirror-back and three adjustable glass shelves, raised
on four squared tapering legs, electrified, with key, 78'' H x 39.5'' W x 20.5'' D, est:
$2500/3500
with general scattered scratches, marks and darkening to brass commensurate with age.
Scattered spotting and losses to silvering of mirror and mirrored bottom. Shelves with
scattered scratches, nicks and fleabites to edges. Your bid indicates acceptance of our
6
1024 A French Art Deco brass and glass display case
Second quarter 20th century, the domed top with four inset frosted glass panels, over
a conforming rectangular body with curved glazed sides and a glazed hinged door
enclosing a mirror-back, on a conforming walnut-veneered base fitted with a plain-front
drawer, electrified, 76.5'' H x 36.25'' W x 16.25'' D, est: $1000/1500
with scattered scratches commensurate with age. Lower left frosted panel with three
cracks extending from upper edge, the longest approximately 7.5''. Small nicks to edges
of veneered base. Lacking shelves. Your bid indicates acceptance of our Conditions of
1025 A German Art Deco guilloche-enameled desk clock
Early 20th century, ''Schild & Co. / Swiss'', further marked ''Sterling / Germany /
D.R.G.M.'', with two stepped columnar green guilloche and black enameled supports
flanking the rectangular ivory guilloche-enameled face with applied gem-set Arabic
numerals, centering a raised rectangular glazed aperture housing the gem-set hands,
with a hinged easel-back support, 3.75'' H x 3.75'' W x 1.25'' D, est: $1200/1800
with minor wear and tarnishing to silver commensurate with age. Winds and runs;
Moran's does not guarantee working condition of clocks and watches. Your bid
indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL
1026 Two pairs of enamel, gem and gold cufflinks
Russian stamped, one silver-topped gold of the Russian Imperial double-headed eagle
with ruby cabochon, rose-cut diamonds and pink guilloche enamel, the other gold with
ruby cabochon, rose-cut diamond accents and blue guilloche enamel, 38.7 gms gross,
est: $900/1200
Provenance: Private Collection, Ventura, CA. Condition: Overall good condition with
normal signs of wear. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL
1027 Faberge nephrite, silver, gold & gem paper knife
Late 19th/early 20th century, maker's marks of Faberge and partially-rubbed
workmaster mark ''H.(?)'', possibly for Henrik Wigstrom, St. Petersburg, further marked
for 56 (14K) gold standard, the rounded nephrite blade issuing from a silver foliatemolded rough-cut diamond-accented mount attached to a shaped nephrite handle
set with a garnet cabochon-mounted 14K gold foliate swag, the handle terminating in
a silver Russian Imperial crowned double-headed eagle set with twelve rubies to the
mouths, feet and tails, 11.75'' H x 1.5'' W x 0.5'' D, est: $1500/2500
Provenance: Private Collection, Laguna Beach, CA. Condition: General light scratches
and tarnishing commensurate with age. Lacking a cabochon-set foliate swag to one side
of handle. With a repaired break to blade near mount. Your bid indicates acceptance of
7
1028 A Faberge .916 silver kovsh, Julius Rappoport
Circa 1900 (mark dating to 1896-1908), maker's marks of Faberge and workmaster mark
''I.P.'' for Julius Rappoport, St. Petersburg, further marked with left-facing 88 kokoshnik
standard mark and French swan import mark, the pierced scrollwork handle with
a central inset sapphire cabochon, issuing from a body of typical form with applied
strapwork and coin-molded exterior, monogrammed to face ''EBJC'', 2.375'' H x 6.25'' W
x 3.25'' D, 5.015 oz troy approximately, est: $5000/7000
with general marks, scratches, wear and tarnishing commensurate with age. Likely
lacking a finial to front pointed rim; some separation between molding edges. Minor
shallow dings to edge of base; the largest approximately .25'' Dia. Two minute breaks
to interior joints of pierced scrollwork handle. Monogrammed, as stated. Your bid
1029 A diminutive Russian gold figure, Peter the Great
20th century, inscribed in Cyrillic to base ''Peter the Great'', a tested 14K gold figurine
of Peter the Great mounted on horseback, raised on a polished malachite base, overall:
1.875'' H x 1.875'' W x 1.125'' D, gross weight 82 g, est: $1000/1500
Condition: Overall good condition. Scattered minor scratches to base commensurate
with age. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
1030 A Vienna bronze figure of a bear
Late 19th/early 20th century, stamped ''Austria'' to underside of one foot, a gilt-bronze
figure of a prowling bear, 6.75'' H x 3.625'' W x 11.75'' D, est: $400/600
general minor scratches, nicks and rubbed wear to gilt finish commensurate with age.
1031 Vienna bronze basket with cold-painted parakeets
Late 19th/early 20th century, apparently unmarked, surmounted by a perched coldpainted bronze parakeet, the urn-form hinged lidded gilt-metal woven basket mounted
with two additional parakeets at the shoulders, 12'' H x 9'' W x 6.25'' D, est: $1000/2000
general light marks, scratches, rubbed wear and darkening to gilt metal commensurate
with age. Parakeets with losses to paint, primarily on backs and wings. Your bid
8
1032 An Austro-Hungarian .800 silver tea service
1872-1922, Vienna, each with Dianakopf 3 mark denoting .800 fineness, further
marked ''FR'' within a rectangle, a three-piece set, each gourd-form, all-over chased
and repousse-decorated in rocaille motifs, with a C-scrolled reserve to one face
monogrammed ''HJ'' comprising a teapot (6'' H x 7.5'' W x 4.25'' D), a covered sugar bowl
(5.125'' H x 5.5'' W x 3.625'' D) and a milk jug (3.625'' H x 4.625'' W x 3.25'' D), 3 pieces,
32.300 oz troy approximately, est: $600/900
with scattered light marks, scratches, rubbed wear and tarnishing commensurate with
age. Teapot with an approximately .25''-long ding to monogrammed reserve and a .75''
x .25'' ding to underside. Teapot with cracks to insulators and glued repairs to upper
insulator. Weight includes insulators. Monogrammed, as stated. Your bid indicates
1033 Royal Copenhagen ''Flora Danica'' dinner plates
1960, each with blue wave and green printed maker's mark, with inscribed green pattern
number ''20'' and ''3549'', a set of ten white porcelain dinner plates, each with a gilthighlighted sawtooth rim hand-painted with leaves and flower buds, each hand-painted
to central reserve with a distinct species of flower and titled to underside, including
''Aquilegia vulgaris L.'', ''Crataegus Oxyacantha Iacq.'', ''Trifolium medium L.'', ''Cerasus
avium L.'', ''Cynoglossum officinale L.'', ''Fumaria micrantha Lag.'', ''Coronilla Emerus L.'',
''Veronica persica Poir.'', ''Lamium incisum Willd.'' and ''Crepis Aectorum L.'', 10 pieces,
each: 1.125'' H x 10.125'' Dia., est: $4000/6000
Provenance: Estate, Los Angeles, CA. Condition: Overall good condition. Some with
minor shelf wear and a few with scattered minute fleabites to ring foot. Coronilla
Emerus with a shallow .125''-long chip to ring foot. Your bid indicates acceptance of our
1034 Royal Copenhagen ''Flora Danica'' luncheon plates
1956-1960, each with blue wave and green printed maker's mark, with inscribed green
pattern number ''20'' and shape number ''3550'', a set of ten white porcelain luncheon
plates, each with a gilt-highlighted sawtooth rim hand-painted with leaves and flower
buds, each hand-painted to central reserve with a distinct species of flower and titled
to underside, including ''Potentilla pulchella R. Br.'', ''Saxifraga nivalis L.'', ''Erigeron
eriocephalus Vahl.'', ''Papaver nudicaule L.'', ''Trifolium medium L.'', ''Melandrium
diurnum Fr.'', ''Tussilago Farfara L.'', ''Veronica Chamaedrys L.'', ''Carnus succica L.'' and
''Potentilla nivea L.'', 10 pieces, each: 1.125'' H x 8.75'' Dia., est: $2000/4000
Provenance: Estate, Los Angeles, CA. Condition: Overall good condition; some with
minor shelf wear to ring foot. Papaver nudicaule with an approximately .75''-long section
of chipping to sawtooth rim with corresponding gilt overpaint. Tussilago Farfara with a
minor chip to one tooth of rim. Your bid indicates acceptance of our Conditions of Sale.
9
1035 Royal Copenhagen ''Flora Danica'' cups & saucers
1956-1959, each with blue wave and green printed maker's mark and inscribed green
pattern number ''20'' and shape number ''3597'', comprising ten sawtooth-rim gilthighlighted porcelain saucers hand-painted with leaves and flower buds over a white
ground (each: 1.125'' H x 5.625'' Dia.) and ten porcelain teacups with bifurcated twisted
stem handles, each gilt-highlighted and hand-painted with a distinct species of flower
and inscribed to underside, including: ''Epilobium alpinum L.'', ''Saxifraga con Aroversa
Sterne'', ''Potentilla Vahliana Lehm'', ''Teesdalia nudicaulis R. Br.'', ''Primula norvegica
Rets.'', ''Wahlenbergia hederacea Rchb.'', ''Viola Muhtenbergiana B minor Hook'',
''Cerastium Aetrandrum Curtis'', ''Arabis alpina L.'' and ''Scilla verna L.'' (each: 2.625'' H x
3.75'' W x 2.875'' D), 20 pieces, est: $3000/5000
Provenance: Estate, Los Angeles, CA. Condition: Overall good condition. A few
with general dust accumulation commensurate with age and long-term storage.
Wahlenbergia hederacea with minute scuffing to bottom end of handle revealing white
ground. A few with scattered minor scuffs to gilt-painted highlights. Your bid indicates
1036 A Royal Copenhagen ''Flora Danica'' handled dish
1948, with blue wave and green printed maker's mark and inscribed green pattern
number ''20'' and shape number ''3540'', the ovoid white porcelain dish with a gilthighlighted serrated rim with an applied floral spray and a branch-form handle to
one end, the bowl centering a hand-painted floral specimen and titled to underside
''Solanum Dulcamara L.'', 2.25'' H x 9'' W x 6.75'' D, est: $400/600
Provenance: Estate, Los Angeles, CA. Condition: Overall good condition. One minute
chip to one tooth of rim. Minor dust accumulation to applied flowers. Your bid
1037 Nicola Simbari (1927-2012 Italian)
Still life, signed and dated lower right: Simbari / 67, oil on canvas, 19.75'' H x 19'' W, est:
$2500/3500
Provenance: Galerie du Jonelle, Palm Springs, CA; Private Collection, San Marcos, CA.
Condition: Visual: Generally good condition. Blacklight: No evidence of restoration
under blacklight. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
1038 Rod Goebel (1946-1993 New Mexico)
Floral still life, signed lower right: Rod Goebel, oil on canvas, 30'' H x 28'' W, est:
$800/1200
Provenance: Private Collection, San Marcos, CA. Condition: Visual: Generally good
condition. Blacklight: No evidence of restoration under blacklight. Your bid indicates
10
1039 Pair of French gilt-bronze and marble candelabra
Late 19th/early 20th century, each surmounted by a single light issuing from a laurel
swag-adorned Greco-Roman urn surrounded by five outswept acanthus-wrapped
arms, each supporting a fluted column-form light, issuing from the neck of a balusterform reddish-purple marble urn flanked at the shoulders with winged putti demi-figure
mounts with foliate lower halves, raised on a foliate-wrapped socle, over a garlandadorned squared marble base, on toupie feet, 2 pieces, each: 27.75'' H x 11.5'' Dia., est:
$2500/3500
Condition: Each with general light marks, scratches, nicks and darkening to gilt bronze
commensurate with age. One with a cherub demi-figure partially detached from marble;
the other lacking one gilt-bronze mount to corner of plinth. Each with breaks, cracks,
repairs and scattered areas of fill to marble elements; one with an approximately 2'' x
3'' area of spotty fill to base of ovoid standard. Your bid indicates acceptance of our
1040 A bronze and enameled porcelain shelf clock
Late 19th century, French, the two-train movement with Japy Freres Medaille d'honneur
seal, the movement and gong each further marked ''EM / 5523'', the pendulum marked
''5523'' and ''10940'' the dial marked for retailer, likely ''Alex M. Hays & Co. / New York''
with partial overpaint, surmounted by an urn-form porcelain finial hand-painted with
polychrome birds and pink cherry blossoms and branches on a gilt-painted ground, over
a conformingly decorated rectangular case centering the gilt-painted porcelain dial with
silvered cartouches backing applied black Roman numeral hour markers, raised on a
stepped cut-corner rectangular plinth, on bracket feet, with key, 14.75'' H x 7.625'' W x 5''
D, est: $2000/3000
Condition: Overall good condition, with general marks, scratches, rubbed wear
to painted decoration and hour markers and general darkening to gilt bronze
commensurate with age. An approximately 1''-long crack to painted porcelain panel on
plinth. Abrasions and shallow chips around winding apertures. Winds and runs; Moran's
does not guarantee working condition of clocks and watches. Your bid indicates
1041 An English silver and mixed-metal fruit set
1863, Sheffield, maker's mark of Harrison Brothers & Howson (George Howson), a
sterling silver and mixed-metal fruit set, each with a Japanese-import mixed metal knife
hilt handle variously decorated with figures, flowers, landscapes, animals or other motifs,
comprising 12 forks (each approximately: 7.375'') and 12 knives (each approximately:
8.5''), 7 knives variously inscribed in Japanese to verso of handle, 24 pieces, with a fitted
enameled canteen, est: $5000/8000
with general light marks, scratches, nicks and tarnishing to mixed metals commensurate
with age. One fork with nicks and abrasions to bottom edge of handle. Canteen lacking
key. Seven knives engraved, as stated. Your bid indicates acceptance of our Conditions
11
1042 A Japanese Satsuma vase
Late Meiji Period (1868-1912), unsigned, with a flaring neck over a high-shouldered
ovoid body gilt-highlighted and hand-painted in polychrome enamels with flowers and
lion-dogs over a cream ground, together with carved wooden base, the vase: 15'' H x 11''
Dia., est: $700/900
Provenance: Private Collection, San Diego, CA. Condition: The base: 2.25'' H x
8.25'' Dia. Overall good condition, with general light marks, scratches and crazing
to glaze commensurate with age. With an approximately .25''-long firing flaw and an
approximately 7.5''-long, very thin hairline crack to exterior of foot. Your bid indicates
1043 A pair of Japanese Inaba cloisonne vases
First half 20th century, Kyoto, each with maker's mark of Inaba Company to base and
rim of foot, further marked ''Made in Japan'', each with a flaring circular rim over an
elongated neck opening to an ovoid body, raised on a spreading circular foot, each allover polychrome cloisonne-enameled with dragons, phoenix, and foliate and geometric
bands, 2 pieces, each: 8.75'' H x 3.75'' Dia., est: $800/1200
with general light marks, scratches and wear commensurate with age. Each with
scattered nicks and shallow losses to enamel, primarily to exterior of rim and neck. One
with a 2''-long section of rim slightly out of round. Your bid indicates acceptance of our
1044 A Japanese .950 silver tea and coffee service
Mid-20th century, marked ''Sterling / Silver 950'' and with maker's mark ''E.P'' within
a diamond, a modernist three-piece set, each with a wave-shaped finial over a plain
baluster-form body, comprising a coffee pot (11.55'' H x 10.5'' W x 4.75'' D), a teapot
(9.75'' H x 9.5'' W x 4.75'' D) and a covered sugar bowl (4.5'' H x 5.75'' W x 3.625'' D), 3
pieces, gross weight 63.26 oz troy approximately, est: $1000/1500
Condition: Overall good condition, with general scattered scratches, nicks, marks and
tarnishing commensurate with age. Coffee and teapot with shallow dings to underside
of spouts; the largest approximately .5'' x .375''. Not monogrammed. Weight includes
insulators. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
1045 A small Natzler ceramic bowl
Mid-20th century, signed in black ''Natzler'' for Gertrud Natzler (1908-1971 Los
Angeles, CA) and Otto Natzler (1908-2007 Los Angeles, CA), the squat circular bowl
with a chocolate rim, all-over decorated in a dark blue glaze, on a short circular ring foot,
1.75'' H x 4.5'' Dia., est: $400/600
Provenance: Private Southern California Collection. Condition: Overall good condition.
Two scratches to bowl exterior; the longer 1.125''. One minor chip to interior edge of
ring foot. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
12
1046 12 Steuben teardrop cocktail/martini glasses
20th century, each with etched signature ''Steuben'' to base, of clear glass, with a tapering
conical bowl over a widening conical foot with interior suspended teardrop, 12 pieces,
together with original dust bags, care pamphlet and original fitted Steuben box, est:
$500/700
Provenance: Private Collection, Plant City, FL. Condition: Overall good condition.
One with a small fleabite partially covered by signature. Approximately four with a light
scratch to underside of foot. Your bid indicates acceptance of our Conditions of Sale.
1047 Seymour F Rosenwasser (1925-2012 American)
Signed and dated to base ''Sy Rosenwasser (copyright symbol) 2000'', an abstract bronze
sculpture, 22.375'' H x 9.5'' W x 9'' D, est: $1000/2000
general scattered scratches and rubbed wear commensurate with age. Minor verdigris
to interior. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
1048 R Lawless (20th century- )
''Self Portrait'', incised signature and date to base ''R. Lawless / 75'', a patinated bronze
sculpture, seven stacked Bambi figures connected at the hooves held aloft by Jiminy
Cricket standing atop an ebonized sphere, raised on three horn feet, 22'' H x 11'' W x 8''
D, est: $500/700
Condition: Overall good condition. General light marks and scratches commensurate
FINAL
1049 Keith Haring (1958-1990 New York, NY)
''Growing 4'', signed, dated and numbered lower right: K. Haring 88, 88/100 and
with the artist's device, with the publisher's blindstamp and date lower left: MLLE (c)
1988, color screenprint on paper under Plexiglas, image size: 28.25'' H x 38.25'' W, est:
$18,000/25,000
Literature: Klaus Littmann p. 91. Note: Paper size: 30'' H x 40'' W. Published by Martin
Lawrence Limited Editions, New York, NY. The ''Growing Collection'' features 5 similar
works in Haring's typical black and white with pops of primary colors. They each
speak to Haring's unique and visually compelling style, which incorporates a pop-art
take on tribal imagery with messages of birth, death, sex and war. Provenance: Private
Collection, Malibu, CA. Condition: Visual: Generally good condition. Very minor
creases in the upper corners. Framed floating and hinged to the back mat. Your bid
13
1050 Keith Haring (1958-1990 New York, NY)
''The Story of Red and Blue XVII'', signed and dated lower right: K. Haring 90 and with
the artist's device and Radiant Baby watermark, color lithograph on paper under glass,
paper size: 22'' H x 16.5'' W, est: $1800/2200
Provenance: Private Collection, Malibu, CA. Condition: Visual: Generally good
condition. Framed floating and hinged to the back mat. Your bid indicates acceptance of
1051 Romero Britto (1963-* Brazilian)
''The Break-up Part 1'', from the ''Black & White'' series, signed right center: Romero
Britto, signed again, titled, inscribed and dated verso: 2005 and with the artist's device,
acrylic and glitter on canvas, 36'' H x 48'' W, est: $3000/4000
Note: A copy of the Certificate of Authenticity accompanies this piece. Provenance:
Private Collection, San Marcos, CA. Condition: Visual: Generally good condition.
Blacklight: No evidence of restoration under blacklight. Your bid indicates acceptance
''The Break-up Part 2'', from the ''Black & White'' series, signed lower center: Romero
Britto, signed again, titled, inscribed and dated verso: 2005 and with the artist's device,
acrylic and glitter on canvas, 36'' H x 48'' W, est: $3000/4000
''The Make-up'', from the ''Black & White'' series, signed lower right: Romero Britto,
signed again, titled, inscribed and dated verso: 2005 and with the artist's device, acrylic
and glitter on canvas, 36'' H x 48'' W, est: $4000/5000
14
1054 Mark Tobey (1890-1976 New York, NY)
''On This Ride Of The Divide'', two men with caps in profile, signed and titled lower
right: Tobey '40, titled verso, gouache/watercolor on board under glass, board size: 27''
H x 18.5'' W, est: $10,000/15,000
Exhibited: Willard Gallery, New York, NY, n.d. Provenance: Private Collection, San
Diego, CA. Condition: Visual: Generally good condition. A 1.5'' surface scratch lower
right. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
1055 Mark Tobey (1890-1976 New York, NY)
''Dream'', signed and dated lower right: Tobey '45, signed and dated again and titled
verso, gouache/watercolor on board under glass, board size: 8.5'' H x 10'' W, est:
$5000/7000
Exhibited: Willard Gallery, New York, NY, n.d. Provenance: Private Collection, San
Diego, CA. Condition: Visual: Generally good condition. Your bid indicates acceptance
1056 A Chinese twelve-panel Coromandel lacquer screen
Qing dynasty, Kangxi period (1661-1722), a hinged 12-panel screen of black lacquer
over wood, polychrome enameled to one face with a classical palace scene depicting
dignitaries approaching the interior castle walls while the battle of famous Tang Dynasty
General Guo Ziyi (697-781 AD) unfolds outside, flanked by scenes of birds, flowers and
mountainous landscapes, the borders depicting bats, dragons and mythical beasts, the
verso depicting a seated dignitary within an open-aired structure surrounded by magical
spirits, mythical beings and natural forces, flanked by still life scenes within a scrolling
border, each panel: 107'' H x 19.375'' W x 0.75'' D, est: $60,000/80,000
Note: A similarly executed Coromandel lacquer screen is currently in the collection of
Duke University, Durham, NC. General Guo Ziyi, depicted in battle on the face of the
screen, is considered to be one of the greatest generals in Chinese history, and is known
in Chinese mythology as the God of Wealth and Happiness. The four-toed dragon
and other mythical beasts depicted on the first and last panels denote the high level
of importance (and possible nobility) of the screen's original owner. Provenance: the
Estate of John Milton Durand (1823-1907), through descent to heirs; Private Collection,
Laguna Beach, CA, acquired from the above. Condition: Overall good condition
commensurate with considerable age, with scattered repairs, restorations and touch-up
throughout, including repairs, fill and corresponding overpaint to cracks running nearly
the length of some panels. General nicks, scratches, wear, spots of fill, crazing to laquer,
minor losses and shrinkage cracks. Your bid indicates acceptance of our Conditions of
15
1057 A Chinese export silver vanity set, Hung Chong
Late 19th century, all with maker's mark of Hung Chong, Canton & Shanghai, a sevenpiece vanity set, each piece all-over chased and repousse-decorated in a dragon-andcloud motif, comprising: a hand mirror (10.125'' H x 5.5'' W x .75'' D), 2 hand brushes
(each, silver only: 9.75'' H x 2.625'' W x .625'' D), a clothing brush (silver only: 7.375'' W
x 2'' W x .625'' D), a buffer (7.25'' H x 1.625'' W x .375'' D), a cylindrical powder box with
gilt-washed interior (2.625'' H x 3.875'' Dia.) and a rectangular hinged-lid vanity box with
cedar-lined interior, monogrammed to central reserve ''BB'' (2.875'' H x 6.375'' W x 3.5''
D), 7 pieces, gross weight: 65.055 oz troy approximately, est: $2000/3000
with general scratches, nicks, dings and tarnishing commensurate with age. One brush
and buffer each lacking insert. Hand mirror with losses to silvering around outer edge of
mirror plate. Rectangular box with a dented corner and an approximately .25''-long ding
to front edge of cover. Weight includes non-silver elements. One box monogrammed,
as stated. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
1058 A pair of Hong Kong sterling silver candlesticks
Late 19th/early 20th century, with maker's mark of Tackhing, further marked ''Sterling
/ Hong Kong / N'', each with two urn-form lights each raised on a squared arm issuing
from a domed spreading circular base, 2 pieces, each: 5.75'' H x 8.875'' W x 4.75'' D, gross
weight 40.555 oz troy approximately, est: $300/500
Provenance: Private Southern California Collection. Condition: Overall good condition,
with general light marks, scratches, nicks and tarnishing commensurate with age.
Weighted; weight includes non-silver elements. Extensive wear to velvet-lined bases.
1059 A carved Chinese export hardwood plant stand
Late 19th/early 20th century, rosewood, the square inset red marble top above a
foliate-carved and pierced geometric base, the squared legs joined by two tiers of square
undershelves, raised overall on ball and claw feet, 50.5'' H x 18.75'' W x 18.75'' D, est:
$2000/3000
with general light marks, scratches, rubbed wear to finish and minor separation at joints
commensurate with age. An approximately 2'' x 1'' loss to one claw. Previously refinished.
16
1060 A large Chinese cloisonne enameled vase
Late 19th century, unmarked, the hexagonal baluster-form body all-over decorated
with geometric designs, each panel of the wide-shouldered body with scrolling foliage
flanked by dragons, raised on a conforming stepped hexagonal foot, 21.25'' H x 14'' Dia.,
est: $500/700
Provenance: Private Collection, Thousand Oaks, CA. Condition: Overall good
condition, with general marks, scratches, chips and wear commensurate with age.
Scattered very minor losses to enamel. An approximately .75'' x .5'' spot of gilt paint to
body. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
1061 4 Chinese relief-decorated hardwood screen panels
Late 19th/early 20th century, two sets of two hinged panels, each set with one finished
end, of rosewood construction, each panel faced with three glazed rectangular reserves
enclosing figural scenes, dragons and bats of applied carved soapstone, tinted bone,
resin, and mother-of-pearl on a black laquered ground, the upper panels with applied
bone Chinese characters, the verso of each with gilt-painted Chinese characters, floral
sprays and still life vignettes, each panel: 88.25'' H x 22.125'' W x 1.75'' D, est: $3000/4000
condition, with general nicks, scratches, lifting, minor losses and separation at joints
commensurate with age. Scattered applied Chinese characters detached from backing;
the majority retained. Scattered crazing and shrinkage cracks; the largest approximately
10''-long. Each with lifting, chips and losses to veneers and painted finish verso. Your bid
1062 Pair Chinese export carved hardwood lamp tables
Late 19th/early 20th century, each with a red rosette-shaped inset marble top within a
conforming beaded rosewood surround, raised on four carved cabriole legs joined by
pierced foliate aprons and X-form stretchers, on hoof feet, 2 pieces, each: 19'' H x 19''
Dia., est: $1000/2000
condition, with general nicks, chips, losses, shrinkage cracks and separation at joints
commensurate with age. Each with wear to finish; one with considerable fading to finish
of top. Scattered repairs and minor losses; the largest an approximately 2.5'' x 1'' loss to
verso of one apron. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL
1063 A Chinese export silver coffee service, Luen Hing
Circa 1910, Shanghai, each with maker's mark ''LH'' within a rectangle for Luen Hing,
further marked ''90'' and with Chinese mark, a three-piece set, each relief-decorated with
a dragon, comprising a coffee pot (8'' H x 7.25'' W x 4.25'' D), milk jug (2.25'' H x 5.5'' W
x 3.625'' D) and a sugar bowl (2.125'' H x 6'' W x 3.875'' D), not monogrammed; together
with an associated dual-handled pierced-surround wooden tray (2.625'' H x 22.25'' W x
12.25'' D), maker's mark of Tuck Chang & Co., Shanghai, inscribed to central inset silver
plaque in Chinese, 4 pieces, total weight 28.765 oz troy approximately, est: $1200/1800
with general light marks, scratches, nicks and tarnishing commensurate with age.
The coffee set not monogrammed; tea tray engraved, as stated. Weight includes
bone insulators; does not include tray. Tray with general wear to finish and scattered
scratches. Coffee pot with a repair to upper end of handle, an approximately 1.25'' loss
to edge of interior molding of lid, a bend to lip and scattered shallow dings to base; the
largest approximately .25'' x .75''. Your bid indicates acceptance of our Conditions of
17
1064 A Chinese cloisonne lidded box
Late Qing dynasty (1644-1912), surmounted by a bezel-mounted circular carved jade
medallion relief-decorated with a prowling chilong, the domed circular lid cloisonneenameled with polychrome Foo lions on a blue ground, over a conforming medallionand-ribbon decorated base, raised on a circular brass ring foot, 3.875'' H x 7.625'' Dia.,
est: $500/700
Condition: Overall good condition, with general scattered light marks, scratches, nicks
and darkening to brass commensurate with age. Scattered minute losses/pinholes to
enamel. An approximately .5'' x .5'' area of repair/soldering to interior brass rim of base.
1065 A patinated cold-painted Orientalist floor lamp
Late 19th/early 20th century, with an urn-form socket surrounded by three faux-candle
sockets, raised on a cylindrical cold-painted metal standard relief-decorated with
Chinoiserie dragons, raised on a domed circular palmette-molded base, without dome
shade: 57.5'' H x 12'' Dia., est: $700/900
general marks, scratches and rubbed wear to painted decoration commensurate with
age. With breaks and repairs to two socket arms. Glass domed shade not original. Wiring
should be checked by a qualified electrician prior to use. Your bid indicates acceptance
1066 A Chinese export carved hardwood plant stand
Late 19th/early 20th century, rosewood, with an outset hexagonal inset-marble top on a
conforming pierced-foliate superstructure raised on three cabriole legs joined by pierced
carved cherry blossom aprons and a lotus-carved wheel stretcher, on pierced floriform
feet, 31.75'' H x 15.75'' Dia., est: $800/1200
condition, with nicks, minor losses, scratches, shrinkage cracks and separation at joints
1067 Ettore Forti (1850-1940 Italian)
Figure telling the myth of Perseus and Andromeda, signed and inscribed lower right: E.
Forti / Roma, oil on canvas laid to board, 23.75'' H x 39.25'' W, est: $30,000/50,000
Provenance: through descent to the present owner, Private Collection, Glendale, CA.
Condition: Visual: Generally good condition. Craquelure throughout. Stretcher bar
creases along the four edges. Tiny flecks of paint loss upper right. Blacklight: Apparent
touch-up scattered throughout. Difficult to read under varnish. Your bid indicates
18
1068 A cold-painted Vienna bronze figural inkwell
Late 19th/early 20th century, with circular foundry mark T within an A, further marked
''Austria'', a cold-painted bronze featuring two Orientalist figures and saddled camels
carrying a howdah between them, the hinged top of the howdah opening to reveal two
inkwells, raised overall a rectangular yellow marble base, 9.25'' H x 15.25'' W x 7'' D, est:
$3000/5000
Provenance: Private Collection, Ventura, CA. Condition: Overall good condition,
with general dust accumulation, wear and darkening to bronze and painted finish
commensurate with age. Right camel lacking two tassels. Marble with scattered
scratches, fleabites and nicks, the largest approximately .25'' x .25'' to right edge and
an approximately 1'' x .5'' area of repair to underside of marble. Your bid indicates
1069 Two Vienna cold-painted bronze figures
Late 19th/early 20th century, one with maker's mark of Franz Bergman, stamped ''2897 /
Schutzi(?)'' and inscribed ''821(?)'', the second apparently unmarked, the first a seated girl
in a headscarf, the second a seated boy in a turban, 2 pieces, the first: 2.75'' H x 2.125'' W
x 2.625'' D; the second: 2.75'' H x 1.375'' W x 2'' D, est: $1500/2000
Condition: Overall good condition; each with losses to paint throughout. Your bid
1070 A pair of Persian Isfahan carpets
Mid-20th century, silk on silk foundation, each with weaver's signature cartouche within
upper border, each with an eight-point blue-ground medallion to center within a red
field centered by scrolling foliate borders, 2 pieces, the first: 7'1'' H x 4'8'' W; the second:
7'1'' H x 4'9'' W, est: $5000/8000
Condition: Each in overall good condition, with even pile wear and general wear to
fringe commensurate with age. General wear and scattered tears to selvedge edges, the
largest approximately 4''-long. Each with scattered repairs to selvedge edges, the longest
14''-long. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
1071 A Continental Persian-style porcelain jardiniere
Late 19th/early 20th century, the tapering high-shouldered oblong body polychromepainted and gilt-highlighted with scrolling foliage and flowers on a white ground, each
face centering a raised pierced ovoid medallion, over a pierced bead-molded base, on
four scrolling foliate bracket feet, 9.75'' H x 17.75'' W x 10'' D, est: $800/1200
Condition: Overall good condition, with general light marks, scratches, fine crazing to
porcelain and rubbed wear to gold-toned paint commensurate with age. Gilt-bronze
elements with scattered minor stable cracks and general darkening and rubbed wear to
gilding. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
19
1072 2 Persian market Bohemian uranium glass dishes
Late 19th/early 20th century, each of clear yellowish-green uranium/vaseline glass,
hand-painted and gilt-highlighted with floral sprays, foliage and rocaille, comprising a
footed shell-form compote (5.625'' H x 6.625'' W x 4.375'' D) and a scalloped-edge dish
with wheel-cut motifs to underside (1.25'' H x 7.5'' Dia.), 2 pieces, est: $600/900
with general wear to painted decoration, scratches to undersides and scattered fleabites
to edges commensurate with age. Each with scattered chips; the largest on the compote
approximately .5'' x .125'', the largest on the dish approximately .25'' x .25''. Your bid
1073 A French ship-motif mantel clock
Late 19th century, two-train movement stamped ''2349'', the circular glazed whiteenameled face with black Roman numeral hour markers within a ship's wheel surround,
raised on ship's rigging, the stepped red marble base further adorned with anchors and
a covered compass, raised overall on a conformingly-shaped stepped wooden plinth,
25.25'' H x 18.75'' W x 12.5'' D, est: $6000/8000
with general minor scratches, wear and darkening to brass commensurate with age.
Lacking one hook to rigging. Smaller bell with an approximately 2.25''-long stable crack
and corresponding verdigris to interior; larger bell likely a later replacement. Upper
third of enameled clock face with scattered stable cracks. Scattered cracks and spots
of fill to marble base and nicks, scratches and wear to wooden plinth including a .5''
x .75'' loss to left edge. Lacking key. Working condition unknown; Moran's does not
guarantee working condition of clocks or watches. Your bid indicates acceptance of our
1074 A Chelsea ship's bell clock
First quarter 20th century, marked to face ''Chelsea / Ship's Bell'', the cylindrical glazed
case housing the silvered dial with black enameled Arabic numeral hour markers, raised
on a spreading rectangular stepped plinth, on ball feet, 9.125'' H x 8.5'' W x 3.5'' D, est:
$800/1200
with minor wear to case and spotting to dial commensurate with age. Lacking key.
Working condition unknown; Moran's does not guarantee working condition of clocks
or watches. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
1075 A coromandel wood and gilt-bronze book stand
Late 19th/early 20th century, French, surmounted by dual flip-up pierced gilt-bronze
bookends, each suspending a hinged ovoid inkwell topped with an en-flambeau finial,
raised on a handled beveled coromandel base faced with a single drawer with a fitted
interior, the outermost compartments each mounted with a flip-up brass candlestick, 8''
H x 19.5'' W x 7.75'' D, est: $800/1200
Provenance: Private Collection, Laguna Beach, CA. Condition: With bookends
extended: 10.25'' H x 25.75'' W. Overall good condition, with general light marks,
scratches, wear and darkening to gilt bronze commensurate with age. Drawer with a
crack running length of bottom. Drawer sticks somewhat. With a crack and repair to
lower left molding. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL
20
1076 A flip-top lap desk, Betjemann for Tiffany & Co.
Second half 19th century, stamped to lock plate with maker's mark ''Betjemann &
Sons / London'' for George Betjemann & Sons, the foliate-engraved brass-bound
locking coromandel wood case opening to a fitted interior housing two inkwells and
two blotters above a slanted inset-velvet writing surface, further lifting to a satinwood
interior with inset retailer's tag stamped ''Tiffany and Co / Union Square'', 7.125'' H x
14.125'' W x 10.75'' D, est: $500/800
with scattered light scratches, scuffs, wear and minor shrinkage cracks to veneers
commensurate with age; the largest approximately 4.5'' to cover. Crazing to finish of
lower half of lift-top and wear to veneers along hinged edge. Some rippling to bottom
of satinwood interior. Lacking key. Your bid indicates acceptance of our Conditions of
1077 A John Bliss & Co. Chelsea ship's bell clock
Late 19th/early 20th century, marked to face ''John Bliss & Co. / New York'' and ''Chelsea
/ Ship's Bell'', the cylindrical glazed case housing the silvered dial with black enameled
Arabic numeral hour markers, raised on a spreading rectangular stepped plinth atop a
beveled wooden base, 9.75'' H x 10.5'' W x 5.25'' D, est: $500/700
with general light marks, scratches, wear and oxidation to brass commensurate with age.
Scattered minor nicks to wooden base. Lacking key. Winds and runs; Moran's does not
1078 A Victorian sterling silver coffee/tea service
1845-1850, London, each with maker's mark of Charles Thomas Fox and George Fox, a
four-piece set, each of squat rounded form repousse-decorated and chased with foliate
sprays and rocaille reserves, raised on stylized palmette feet, comprising a coffee pot
(10.25'' H x 8.75'' W x 5.75'' D), a teapot (5.25'' H x 10.5'' W x 6.5'' D), a waste bowl with
gilt-washed interior (4.625'' H x 8'' W x 5.75'' D) and a milk jug with gilt-washed interior
(4.25'' H x 5.75'' W x 4.25'' D), each with one reserve engraved with a unicorn device, 4
pieces, gross weight: 71.620 oz troy approximately, est: $2000/4000
Provenance: Estate, Los Angeles, CA. Condition: Overall good condition, with general
light marks, scratches, wear and tarnishing commensurate with age and use. Waste
bowl with a minute ding to base of interior. Handle of coffee pot somewhat loose.
Wear, cracking and losses to wooden finials of coffee and teapot. Weight includes
insulators and wooden finials. Engraved, as stated. Your bid indicates acceptance of our
21
1079 A Victorian gentleman's grooming casket
Circa 1862, signed to interior plaque ''W. Leuchars. 38 Piccadilly London Maker'', the
brass-bound coromandel mahogany case monogrammed to hinged cover ''LBD'', the
interior lid with concealed latch releasing a rectangular mirror and fold-out leatherette
pocket, above a fitted blue velvet interior housing 13 cut-crystal and metal sterling-silver
lidded travel and vanity articles, each with maker's mark of James Vickery, London, and
monogrammed ''LBD'', the forward drop-down panel concealing two button-operated
drawers, one fitted with blue velvet-lined compartments, overall: 7.75'' H x 12'' W x 9.5''
D, est: $1500/2500
condition, with general light marks, scratches, wear, and tarnishing to silver
elements commensurate with age. Abrasions and nicks to edges of drawer fronts; the
largest approximately .25'' x .125''. Scattered shrinkage cracks to veneer; the largest
approximately 2'' long. An approximately 3'' x .25'' area of cracking to veneer on lower
left section of face with an approximately .25'' x .125'' loss. Lower button-operated
drawer difficult to remove. Lacking key. Monogrammed, as stated. Your bid indicates
1080 A Chelsea ship's bell tabletop clock, Jessop
First quarter 20th century, marked to face ''Jessop'' and ''Chelsea / Ship's Bell'', the
adjustable cylindrical case in the form of a ship's wheel, the silvered dial with black
enameled Arabic numeral hour markers, raised on a beveled circular plinth, 6.75'' H x
6.875'' W x 5.25'' D, est: $400/600
with light scratches and darkening to case commensurate with age. Lacking key.
Working condition unknown; Moran's does not guarantee working condition of clocks
SALES FINAL
1081 A sterling silver peacock, Israel Freeman & Sons
1964, maker's mark of Israel Freeman & Sons, with London import mark, further
marked ''.925'', a peacock table ornament with gilt highlights to feathers and crown, 7.75''
H x 10.25'' W x 4'' D, 10.085 oz troy approximately, est: $500/700
Condition: Overall good condition, with general marks, scratches, wear and tarnishing
commensurate with age and use. Scattered breaks and losses, including approximately
1'' to end of each of the lowermost feathers. Peacock does not balance on feet; leans on
feathers. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
1082 Reed & Barton ''Francis I'' serving articles
Mid-20th century, Taunton, MA, each with maker's marks, all but the hollow-handled
articles further marked ''Sterling'', comprising 1 hollow-handled stainless steel-bladed
cheese knife (7.25''), 1 hollow-handled stainless steel-bladed cake slicer (10.5''), 1 hollowhandled stainless steel-bladed pie/cake server (10.25''), 2 two-piece salad serving sets
(fork & spoon: 9.5''), 1 tomato server (8.25''), 3 table/serving spoons (8.5''), 1 pierced
table/serving spoon (8.5''), 2 cold meat serving forks (7.875''), 1 solid master butter
spreader (7.125''), 1 lemon fork (4.875''), 1 cream ladle (5.875''), 1 mayonnaise ladle
(5.125''), 1 sugar tongs (4.5''), and 1 small sugar tongs (4''), 20 pieces, weighable sterling
with general light marks, scratches and tarnishing commensurate with occasional use.
Cake server with three very small spots of oxidation to blade. Weight does not include
hollow-handled articles. Not monogrammed. Your bid indicates acceptance of our
22
1083 A Simon Willard banjo clock, Perry's Victory
Mid-19th century, the face signed ''Simon Willard / Boston'', the mahogany case
surmounted by a egg-form finial, the circular white dial with black Arabic numerals
beneath a conforming glazed bezel, the giltwood-framed rope-molded case with
reverse-painted glass panels; the topmost signed ''Willard's / Patent'', the lowermost
depicting ships in Lake Erie, inscribed ''Perry's Victory'', the channeled pendant
terminating in an acorn finial, 40'' H x 10.5'' W x 4.125'' D, est: $2000/3000
general marks, scratches, wear and losses to gilt paint commensurate with age. Left side
metal mount bent and loose from case. Lacking two ball pendants from lower molding
of case. Working condition unknown. Moran's does not guarantee working condition of
clocks or watches. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
1084 A Victorian gentleman's grooming casket
Circa 1878, the brass-bound coromandel case opening to a fitted interior housing 17
gentleman's travel and vanity articles, most of the smaller pieces with mother-of-pearl
handles, the cut-crystal pieces with sterling silver lids, each with maker's mark of George
Betjemann & Sons, London, and monogrammed ''GAAM(?)'', the interior hinged cover
with concealed latch releasing a rectangular mirror and fold-out leatherette pocket,
above a the forward drop-down panel with a fitted compartment for a gilt-washed hand
mirror and concealing one handled and one button-operated drawer, overall: 8.25'' H x
12.125'' W x 9.375'' D, est: $1000/1500
with general light marks, scratches, wear, dust accumulation and tarnishing to silver
elements commensurate with age. Button-operated drawer will not budge; handled
drawer difficult to remove. Scattered shrinkage cracks to case; the longest running
the length of the cover. An approximately .5'' x .125'' shallow divot and corresponding
area of fill to lower interior edge near lock plate. Lacking key; lock engaged, cover does
not completely close. Monogrammed, as stated. Your bid indicates acceptance of our
23
1085 A group of 6 American gold-filled pocket watches
The first: A Hampden, circular engine-turned and engraved dial with applied gilt Arabic
numerals, sub-seconds, signed ''Hampden'', attached to a stem wind and set 17 jewel
double-roller movement, signed ''Paul Revere'', serial 3368327, within an etched white
gold filled open face case, Dia.: 47mm; the second: A Studebaker South Bend, circular
silvered dial with black Arabic numerals, sub-seconds, signed ''Studebaker'', attached to
a stem wind and set 21 jewel double-roller movement, signed ''Studebaker South Bend'',
serial 1093849, within an etched white gold-filled open face case, Dia.: 46mm; the third:
A Waltham, circular engine-turned and engraved dial with gilt Arabic numerals, subseconds, signed ''Waltham'', attached to a stem wind and set 15 jewel movement, signed
''Waltham'', serial 24632221, within an etched white gold-filled cushion-shaped open
face case, Dia.: 43mm; the fourth: A Studebaker South Bend, circular satin gold-tone
dial with black Arabic numerals, sub-seconds, signed ''Studebaker'', attached to a stem
wind and set 21 jewel double-roller movement, signed ''Studebaker South Bend'', serial
1151454, within a smooth polished gold-filled open face case, Dia.: 45mm; the fifth: A
Waltham, white and silvered dial with applied gold-tone Arabic numerals, sub-seconds,
signed ''Waltham'', attached to a stem wind and set 17 jewel movement, signed ''Colonial
Waltham U.S.A.'', serial 29414603, within a polished and etched gold-filled open face
case, Dia.: 43mm; the sixth: A Waltham, white dial with black Arabic numerals, subseconds, signed ''Waltham'', attached to a stem wind and set 17 jewel movement, signed
''A.W.W.Co. Waltham U.S.A.'', serial 13485283, within a polished and etched gold-filled
open face case, Dia.: 47mm, 6 pieces, est: $500/800
Provenance: Southern California Estate. Condition: The first: Good overall condition,
winds and runs, monogrammed personalization. The second: Fair overall condition,
does not wind or run, monogrammed personalization. The third: Fair overall condition,
does not run, case with some wear. The fourth: good overall condition, winds and runs,
monogrammed personalization. The fifth: Fair condition, does not run, monogrammed
personalization. The sixth: Fair condition, does not run, wear to case. Your bid indicates
1086 Two pairs of stone and gold cufflinks
One 14K gold with sapphire accents, one 18K gold with turquoise and lapis lazuli, 35.2
gms gross, est: $700/900
ALL SALES FINAL
1087 Two pairs of silver and stone cufflinks
Sterling silver, one with a stone inlay globe, the other one as a screw and wing-nut set
with garnet cabochon, est: $400/600
ALL SALES FINAL
24
1088 Three pairs of silver cufflinks, Georg Jensen
Stamped Georg Jensen 925 S Denmark, one pair stamped #10 set with a hematite
cabochon, one pair stamped #155 and one pair stamped #96, est: $500/700
ALL SALES FINAL
1089 A pair of silver cufflinks, Elsa Peretti
Stamped TIFFANY & CO PERETTI 925, a pair of sterling silver bean cufflinks, est:
$100/150
Provenance: Private Collection, San Diego, CA. Condition: Overall good condition with
ALL SALES FINAL
1090 after Pablo Picasso (1881-1973 Spanish)
''Jacqueline'', signed in pencil lower right: Picasso, numbered in pencil lower left: 3/100,
signed again and dated in the plate lower right: 14.8.58, lithograph on Japan paper under
glass, paper size: 20.5'' H x 13.25'' W, est: $5000/7000
condition. The paper with deckled edges. Framed floating and hinged to the back mat.
1091 Pablo Picasso (1881-1973 Spanish)
''Femme Debout Nue II'', portrait of Francoise Gilot, 1946, signed lower right: Picasso,
color lithograph on paper under glass, paper size: 30'' H x 20.25'' W, est: $4000/6000
condition. Minor toning to the paper. The paper with deckled edges. Framed floating
and hinged to the back mat. Your bid indicates acceptance of our Conditions of Sale.
25
1092 Joan Miro (1893-1983 Spanish)
''Album 21 #10'', 1978, signed in pencil lower right: Miro, numbered in pencil lower
left: 23/75, color lithograph on paper under Plexiglas, paper size: 25.5'' H x 19.5'' W, est:
$2000/3000
condition. Minor toning to the paper. The right and lower edges are deckled. Framed
floating and hinged to the back mat. Your bid indicates acceptance of our Conditions of
1093 Joan Miro (1893-1983 Spanish)
''L'Oiseau Dresse (The Bird Stands)'', signed in pencil in the margin lower right: Miro,
numbered in pencil in the margin lower left: 40/90, lithograph on paper under Plexiglas,
image size: 6.75'' H x 8.75'' W, est: $1200/1800
condition. Minor toning to the paper, heavier along the edges. Hinged to the recto
mat with linen hinge tape in the upper corners. Your bid indicates acceptance of our
1094 Alexander Calder (1898-1976 New York, NY)
''Asymetrie'', signed and dated right center: Calder / 72, lithograph on paper under glass,
sight size: 30.5'' H x 21.75'' W, est: $600/900
Note: Paper size: 32.5'' H x 22.75'' W. Provenance: Private Collection, Ventura, CA.
Condition: Visual: Generally good condition. Minor toning to the paper. Mounted to
the recto mat with masking tape along the upper and lower edges. Your bid indicates
1095 Yaacov Agam (1928-* Israeli)
A set of 5 abstract circle prints, each: signed lower right: Agam, numbered lower left:
31/180, color lithograph on paper under glass and Plexiglas, image size: each: 22.75'' H x
23.75'' W, est: $1500/2500
Note: Paper size: each: 29.25'' H x 29.25'' W. Provenance: Private Collection, Los
Angeles, CA. Condition: Visual: Each: Generally good condition. The paper is loose, not
mounted. The second with light staining to the paper scattered throughout. The third
with an area of loss to the black ink upper right and a 2.75'' scratch with loss lower center.
26
1096 Group of 3 automobile advertising pocket watches
Each with vehicle maker's logo, the first: Elgin / Cadillac standard of the world logo,
white dial with Arabic numerals, sub-seconds, signed ''Elgin Nat'l Watch Co.'', 17 jewel
stem wind and set movement, serial 5918111, within a nickel-plated smooth polished
open face case, Dia.: 57mm; the second: Waltham / Cadillac standard of the world
logo, white dial with Arabic numerals, sub-seconds, signed ''American Waltham Watch
Co.'', stem wind and lever set movement, serial 3733723, within a nickel-plated smooth
polished open face case, Dia.: 55mm; the third: Dueber / Buick logo, white dial with
Arabic numerals, sub-seconds, signed ''Dueber Watch Co.'', stem wind and lever set
movement, serial 1778739, within a nickel-plated smooth polished open face case, Dia.:
55mm, 3 pieces, est: $300/500
winds and runs, wear to case. The second: Fair condition, does not wind or run, wear
to case. The third: Fair condition, does not wind or run, cracked winding stem, wear
to case. Moran's does not guarantee working condition of clocks or watches. Your bid
1097 Group of 3 automobile advertising pocket watches
Each with vehicle maker's logo, the first: Hampden / Buick logo, white dial with
Arabic numerals, sub-seconds, signed ''Hampden Watch Co.'' stem wind and lever set
movement, serial 1533671, within a nickel-plated smooth polished open face case, Dia.:
58mm; the second: Illinois / Packard logo, white dial Arabic numerals, sub-seconds,
signed ''Illinois Watch Co.'' 17 jewel stem wind and lever set movement, serial 1924734,
within a silveroid smooth polished open face case; the third: Waltham / Cadillac
standard of the world logo, white dial with Arabic numerals, sub-seconds, signed
''American Waltham Watch Co.'' stem wind and lever set movement, serial 9142618,
within a nickel silver engine-turned and etched hunter's case, Dia.: 55mm, 3 pieces, est:
$300/500
Provenance: Southern California Estate. Condition: Each: Good overall condition,
winds and runs, wear to case. Moran's does not guarantee working condition of clocks
SALES FINAL
1098 A Baranger Studios watch automaton Motion Display
Second quarter 20th century, South Pasadena, CA, model M-174, a Baranger animated
advertising display, featuring five diminutive men in overalls working on a giant silvereddial wristwatch with tooled leather straps, raised on a gold-toned channeled plinth,
together with original fitted shipping box, 13'' H x 15'' W x 12.25'' D, est: $3000/5000
Note: South Pasadena-based Baranger Studios designed, manufactured and repaired
their whimsical mechanical displays from 1925-1959. The displays were rented to
jewelers and watchmakers on a monthly basis, and Baranger continued renting their
pieces until they closed their doors in 1977. Their workshop has been declared a
historical landmark by South Pasadena's Cultural Heritage Commission. Provenance:
Private Collection, San Bernardino, CA. Condition: Overall good condition; runs.
General dust accumulation, marks, scratches, nicks and losses to paint and finishes
commensurate with age. A few figures with minor spots of touch-up to paint. Plastic dial
cover with an approximately .5'' x .125'' loss to one edge. Leather of straps somewhat dry;
one with an approximately .75'' x .125'' loss to edge. Your bid indicates acceptance of our
27
1099 A Baranger Studios ring automaton Motion Display
Second quarter 20th century, South Pasadena, CA, model M-178, a Baranger animated
advertising display, featuring diminutive figures repairing, cleaning and polishing a
giant diamond solitaire ring, on a rotating circular base raised on a rectangular plinth,
together with original fitted shipping box, 18'' H x 14'' W x 14.5'' D, est: $3000/5000
Note: South Pasadena-based Baranger Studios designed, manufactured and repaired
their whimsical mechanical displays from 1925-1959. The displays were rented to
jewelers and watchmakers on a monthly basis, and Baranger continued renting their
pieces until they closed their doors in 1977. Their workshop has been declared a
historical landmark by South Pasadena's Cultural Heritage Commission. Provenance:
Private Collection, San Bernardino, CA. Condition: Overall good condition; runs.
General dust accumulation, marks, scratches, nicks, and chips and losses to painted
elements and veneers of plinth and paint. Cracking to plastic cord; wiring should be
checked by a qualified electrician prior to use. Your bid indicates acceptance of our
1100 A vermeil and diamond brooch, Clemens Friedell
Stamped FRIEDELL PASADENA STERLING HAND WROUGHT, a vermeil and
full-cut diamond accent floral brooch, signed for Clemens Friedell, together with a pair
of similar vermeil and colorless stone floral screw-back earrings, 3.75'' H x 2'' W, est:
$300/500
Provenance: Private Collection, South Pasadena, CA. Condition: Overall good
condition with normal signs of wear. Your bid indicates acceptance of our Conditions of
1101 A pair of gold and diamond cufflinks
18K bi-color gold, accented with full-cut diamond ends, 23.4 gms gross, est: $500/700
ALL SALES FINAL
1102 A group of three pairs of cufflinks
One pair of a carved jade butterflies, a pair of carved bone fish with agate beads and a
pair of 10K bi-color gold triangles, 6 pieces, est: $300/500
light signs of wear. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
28
1103 A St. Gauden's coin set in a gold belt buckle
A St. Gauden's gold 20 dollar coin dated 1923 set in a tested 14K gold belt buckle, 59.2
gms , est: $1200/1800
ALL SALES FINAL
1104 A group of 6 open face pocket watches
The first: W.F. Newhall & Son, circular white dial with black Arabic numerals, signed
''W.F. Newhall & Son Lynn'', sub-seconds, 17 jewel stem wind and set movement, serial
727502, within a gold-filled engine-turned open face case with ridged edge, Dia:. 51mm;
the second: Peter Chapell/Seth Thomas, white porcelain dial, black Roman numeral,
sub-seconds, signed, ''Peter Chapell Yreka, Cal.'', attached to a stem wind and lever set
movement, signed ''Seth Thomas Thomaston Conn.'', serial 65515, Dia.: 56mm; the
third: Waltham, circular white dial, sub-seconds, signed ''Waltham'', 17 jewel stem wind
& lever set movement, signed ''A.W.W. Co. Waltham Mass.'', serial 18092945, within a
gold-filled open face case, Dia.: 50mm; the fourth: Waltham, circular white and gilthighlighted dial with black Arabic numerals, sub-seconds, stem wind and set movement,
signed ''A.A.W. Co. Waltham, Mass. Royal'', serial 7603214, within a polished and etched
gold-filled open face cushion shaped case, case: 45mm x 43mm; the fifth: Hampden,
circular white dial with Arabic numerals signed ''Hampden'', sub-seconds, black hands,
stem wind and set movement, signed ''MollyStark' Canton. O.'', serial 2471565, within a
smooth polished gold-plated open face case, Dia.: 33mm; the sixth: Hampden, circular
white dial with Arabic numerals signed ''Hampden'', sub-seconds, gold hands, stem wind
and set movement, signed ''MollyStark' Canton. O.'', serial 3966304, within a smooth
polished gold-plated open face case, Dia.: 32mm, 6 pieces, est: $500/800
winds and runs, some wear to case. The second: Good overall condition, winds and
runs, hairline cracks to dial. The third: Fair overall condition, winds and runs, major
damage to dial, case is worn, monogrammed. The fourth: good overall condition,
winds and runs, some wear to case, monogrammed. The fifth: Fair condition, does not
run, monogrammed personalization, some wear to case. The sixth: Fair condition,
does not run, monogrammed personalization, some wear to case. Moran's does not
29
1105 A group of 5 pocket watches
The first: A large pocket watch, white dial with Arabic numerals, sub-seconds, stem
wind and pin set, within a smooth polished Argentine case, Dia.: 80mm; the second:
F. E. Roskopf, white dial with Roman and Arabic numerals, sub-seconds, signed stem
wind and pin set movement, within a nickel silver open face case, Dia.: 54mm; the
third: Possibly Swiss, white dial with black Roman numerals and enameled cows in
pastoral scene, unsigned stem wind movement, within a nickel-plated open face case
with pastoral etched design to back, Dia.: 51mm; the fourth: Swiss, circular silvered
dial with Arabic numerals, sub-seconds, Swiss key wind and set bar movement, within
a silver floral etched open face case, Dia.: 49mm; the fifth: Swiss, circular white dial
Roman numerals and gilt highlights, unsigned, key wind and set bar movement, within
a silver open face case decorated with C-scroll, S-scroll and floral designs, attached silver
decorative fob, watch Dia.: 36mm, 5 pieces, est: $200/300
Provenance: Southern California Estate. Condition: The first: Fair condition, winds
runs and stops, wear to case. The second: Fair condition, winds, runs and stops, wear to
case, discolored crystal. The third: Good condition, winds and runs, some wear to case.
The fourth: Good condition, winds and runs, some abrasion to dial, some wear to case.
The fifth: Good condition, winds and runs, some abrasion to dial, some wear to case.
Moran's does not guarantee working condition of clocks or watches. Your bid indicates
1106 A Bergman cold-painted bronze musical table lamp
Late 19th/early 20th century, inscribed signature verso ''Nam Greb'' for maker Franz
Bergman and stamped ''Made in Austria'', in the form of a closed tent with Cupid figure,
Cupid's quiver of arrows acting as a lever which, when engaged, strikes up a music box
function and opens the tent flaps to reveal an amorous couple within an illuminated
Louis XV-style interior, plays 3 tunes, with key, 12.75'' H x 6.5'' W x 6.75'' D, est:
$8000/10,000
Condition: Overall good condition, with general marks, scratches, darkening and
rubbed wear to paint commensurate with age. Previously drilled and re-wired; wiring
runs partially through signature. Lacking interior mirror. Winds and plays. Your bid
1107 Erotic cold-painted bronze figure, Franz Bergman
Late 19th/early 20th century, underside and reverse of figure with maker's mark of Franz
Bergman, figure with inscribed signature ''Nam Greb'', further stamped to underside
''Austria'', a cold-painted figure of a standing man holding a cat, the man's robe opening
to reveal he and a female figure in an amorous embrace, 4.625'' H x 3'' W x 4.625'' D, est:
$4000/5000
Condition: Overall good condition, with scattered light marks, scratches and spots of
wear to paint commensurate with age. Your bid indicates acceptance of our Conditions
30
1108 A cold-painted Vienna bronze figure of an owl
Early 20th century, stamped to underside ''Geschutzt'', a patinated bronze figure of an
owl with applied yellow and black glass eyes, perched atop a book with hinged binding
opening to a plain rectangular interior, 10.5'' H x 6'' W x 4.5'' D, est: $1000/2000
general minor scratches, nicks and rubbed wear to patination commensurate with age.
One eye with minor clouding and an apparently stable crack through verso. Your bid
1109 A sterling silver and cut-crystal inkwell, Gorham
Early 20th century, tray and cover each with maker's mark, further marked ''Sterling'',
the tray further marked ''B2607'' and for retailer ''Spaulding & Co. Chicago'', surmounted
by a hinged foliate-chased sterling silver cover, the rectangular cut-crystal inkwell
atop a fitted serpentine plinth all-over chased with animal heads and scrolling foliage,
each monogrammed ''ENB'', 5.5'' H x 11.875'' W x 7.25'' D, tray only: 12.375 oz troy
Provenance: Private Collection, Redlands, CA. Condition: Overall good condition,
with general light marks, scratches and tarnishing commensurate with age. Cut-crystal
inkwell with fleabites and nicks to underside; the largest approximately .25'' x .25''.
Monogrammed, as stated. Your bid indicates acceptance of our Conditions of Sale. ASIS. ALL SALES FINAL
1110 A Gorham sterling and cut-crystal vanity bottle
1910, Providence, RI, with maker's mark, marked twice ''Sterling'', further marked
''S824'', the hinged sterling silver lid chased and repousse-decorated with rocaille, grillage
and foliate sprays, monogrammed to central reserve ''LJ'', opening to reveal a gilt-washed
interior and secondary fitted cut-glass lid, over a cylindrical cut crystal body, 4'' H x
2.625'' W x 2.5'' D, est: $200/300
Provenance: Private Collection, Sierra Madre, CA. Condition: Overall good
condition, with general light marks, scratches, scattered minute dings and tarnishing
commensurate with age. Minor brownish residue to interior bottom of container.
Approximately four scattered small chips to cut crystal body (the largest .125'' x .125'')
and an approximately .75'' x .25'' area of abrasions near rim. Monogrammed, as stated.
1111 2 American .999 silver-overlaid clear glass ewers
Early 20th century, the first marked ''Solid Silver'', the second with maker's mark of Alvin
Manufacturing Co., Rhode Island, further marked ''Patented / 111 / 998/1000 Fine'',
two clear glass silver-overlaid ewers, the first: of squat spherical form issuing a long
cylindrical neck and an outcurved tapering handle, surmounted by a spherical stopper,
all-over overlaid in silver with a chased scrolling flowering foliate motif, monogrammed
to forward reserve ''ES''; the second: with a flattened spherical body issuing a curving
handle meeting the octagonal neck surmounted by a faceted stopper, all-over overlaid in
silver with a chased scrolling foliate motif, 2 pieces, the first: 9.5'' H x 4.75'' W x 4.75'' D;
the second: 9.5'' H x 5.5'' W x 4'' D, est: $500/800
with general light marks, scratches and tarnishing commensurate with age. The first
with a fleabite to underside and a repair to stopper around upper edge. The second with
abrasions to interior of neck and glass terminal of stopper and abrasions and fleabites
to underside. The first monogrammed, as stated. Your bid indicates acceptance of our
31
1112 An Anglo-Indian export carved hardwood chair
Second half 19th century, of ebonized rosewood, surmounted by a pierced scrolling
foliate crest, the oval upholstered back rest issuing dual squared arms each terminating
in a dragon's head hand rest on dolphin supports, centering a U-shaped upholstered
seat, raised on two stepped squared and two outswept legs, raised on casters, 49'' H x
28.5'' W x 35.5'' D, est: $3000/5000
with general marks, scratches, rubbed wear and shrinkage cracks commensurate with
age, including a 12''-long crack to seat and a split through right dolphin. Upholstery
replaced. Upholstered backrest loose from seat. Your bid indicates acceptance of our
1113 An Anglo-Indian carved hardwood desk
Late 19th/early 20th century, rosewood, surmounted by a carved pierced gallery back,
the egg-and-dart molded rectangular desktop over a scrolling foliate frieze, raised overall
on an enclosed pierced flowering foliate base joined by an interior C-shaped stretcher,
42.375'' H x 52.75'' W x 26'' D, est: $1500/2000
with scattered minor scratches, nicks and wear commensurate with age. Scattered
shrinkage cracks; the largest approximately 8.5'' along top of pierced gallery. Previously
refinished; wear and bubbling to finish of top. Lacking an approximately 5''-long
foliate element to bird's mouth on lower right side pierced support. Your bid indicates
1114 An Anglo-Indian carved wood flip-top game table
Late 19th/early 20th century, rosewood, the foliate-carved beveled rectangular top
rotating 90 degrees to reveal a green felt-lined interior, folding out to an inset green felt
circular game surface, over a pierced scrolling foliate frieze raised on a stepped foliatecarved standard on a pierced carved tripodal base decorated with animals, vines and
flowers, 29.75'' H x 37.75'' W x 18.75'' D, est: $800/1200
Provenance: Private Collection, Laguna Beach, CA. Condition: With tabletop extended:
37.75'' W x 36.25'' D. Overall good condition, with general scratches, nicks, wear and
losses to timber commensurate with age. Wear, losses and tears to felt-lined interior.
Scattered shrinkage cracks; the largest approximately 6'' to edge of game table. Chips,
nicks, losses and spots of fill to edges of interior game table. Three holes felt along table
hinge, each approximately .5''-Dia. Previously refinished. Your bid indicates acceptance
1115 An early Tiffany & Co. coin silver plateau
Circa 1853 (directorship of J.C. Moore), with International Exposition maker's marks
''Tiffany & Compy / m / 26'', the oval pierced galleried plateau chased with scrolling
foliate strapwork centering an engraved monogram ''b'', raised on pierced rocaille
bracket feet, 2.25'' H x 20'' W x 14'' D, 71.345 oz troy approximately, est: $2000/3000
Provenance: Private Collection, Laguna Beach, CA. Condition: Overall good condition.
General light marks, scratches and tarnishing commensurate with age. Not marked for
coin silver standard; has been tested for silver content. Monogrammed, as stated. Your
32
1116 A group of 7 hand-painted porcelain oyster dishes
Late 19th/early 20th century, each with maker's mark of Union Porcelain Works (Smith,
Thomas C. & Sons, New York), and ''Pat. Jan. 4 1881'', three further marked ''Richard
Briggs / Boston / Mass'', a group of seven clamshell-form white porcelain dishes with
oyster, clam and mussel shell-form reserves, each hand-painted and gilt-highlighted with
ocean motifs, 7 pieces, the largest: 1.5'' H x 8'' W x 10.25'' D, est: $800/1200
Provenance: Private Collection, Pasadena, CA. Condition: Overall good condition,
with general light marks, scratches, spots of discoloration and rubbed wear to painted
decoration commensurate with age. A few scattered losses to raised dots of smaller
seashells. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
1117 A mabe pearl and diamond jewelry set
A 14K gold scalloped spring-hinged bangle with full-cut diamond accents and mabe
pearl terminals together with a pair of matching earrings, bangle: 6.5'', 79.9 gms gross,
est: $800/1200
light signs of wear. Earrings with post backings for pierced ears only. Your bid indicates
1118 A set of diamond and cultured pearl jewelry
18K white gold set throughout with a full-cut diamond surround, including a ring, size 7
1/2, and a pair of ear clips en suite, .75'' , est: $600/800
Provenance: Estate, Montecito, CA. Condition: Overall good condition with normal
signs of wear. Ring can be sized. Your bid indicates acceptance of our Conditions of Sale.
1119 A group of cultured pearl jewelry
Including three single-strand necklaces with gold clasps, one six-strand necklace, one
double-strand bracelet, one pendant enhancer, one ring, one pair of earclips and two
pairs of oversized mabe earclips, 13 pieces, est: $300/500
Provenance: Estate, Montecito, CA. Condition: Overall good condition with normal
signs of wear. All earclips for non-pierced ears. Your bid indicates acceptance of our
33
1120 Charles Fromuth (1858-1937 French)
''Evening Animation Among The Blue Nets'', boats in a harbor with two figures, signed
and dated lower right: Ch. Fromuth / 1927 and with the artist's device, signed and dated
again, titled, inscribed and numbered verso on an artist label: Concarneau, No. 650 c.c.,
numbered again verso, oil pastel on board under glass, 29'' H x 27'' W, est: $2500/3500
Provenance: through descent to current owner, Private Collection, Tehachapi, CA.
Condition: Visual: Generally good condition. Your bid indicates acceptance of our
1121 Charles Fromuth (1858-1937 French)
''In The Sailing Humor'', boats in a harbor, signed and dated lower right: Ch. Formuth /
1923-1928, with the artist's device left center, signed and dated again, titled, inscribed
and numbered verso on an artist label: Concarneau, No. 649 c.c., numbered again verso,
oil pastel on board under glass, 27'' H x 29.5'' W, est: $2500/3500
Provenance: through descent to current owner, Private Collection, Tehachapi, CA.
Condition: Visual: Generally good condition. Some of the paint has rubbed off onto the
glass in the center. Unable to examine out of the frame. Your bid indicates acceptance of
1122 Fred Schook (1872-1942 Chicago, IL)
Dry docked boat with figures, unsigned, watercolor on paper under glass, sight size: 14''
H x 19.25'' W, est: $500/700
Note: There is an unfinished painting of boats verso. Paper size: 15.5'' H x 21'' W.
Provenance: acquired from the artist's daughter in the early 1950s; through descent to
current owner, Private Collection, Pasadena, CA. Condition: Visual: Generally good
condition. Very minor toning to the paper. Tape remnants from a previous mounting
remain along the four edges. Mounted to the recto mat with plastic tape along the upper
edge and lower left corner. Your bid indicates acceptance of our Conditions of Sale. ASIS. ALL SALES FINAL
1123 C Hjalmar Amundsen (1911-2001 Long Island, NY)
Two maritime paintings, signed lower left and lower right in one of the artist's
pseudonyms: J.J. Enwright, each: oil on canvas, each: 16'' H x 12'' W, est: $800/1200
Provenance: Private Collection, San Antonio, TX. Condition: Visual: Each: Generally
good condition. Craquelure scattered throughout, concentrated mainly in the sky.
The first with stretcher bar creases along the left and right edges. Blacklight: Each:
No evidence of restoration under blacklight. Your bid indicates acceptance of our
34
1124 Walter Franklin Lansil (1846-1925 Boston, MA)
''The Coming Storm'', signed and dated lower left: Walter F. Lansil. 1908, signed and
dated again, titled and inscribed verso: Venice, unframed oil on canvas, 21.5'' H x 29'' W,
est: $2000/3000
Provenance: Private Collection, Temecula, CA. Condition: Visual: Scratches scattered
throughout, the largest a 7'' scratch upper right, a 4'' scratch with minor paint loss upper
left and a 2.5'' x 1'' 'J'-shaped scratch lower left. A pea-sized hole in the canvas with paint
loss upper center. A pea-sized spot of paint loss right center. Stretcher bar creases along
the four edges. Varnish discoloration. Frame abrasion along the four edges.Blacklight:
Apparently no restoration under blacklight. Difficult to read under varnish. Your bid
1125 Walter Franklin Lansil (1846-1925 Boston, MA)
''Venice'', signed lower left: Walter F. Lansil, signed again and titled verso, unframed oil
on canvas, 12'' H x 32'' W, est: $1000/1500
Provenance: Private Collection, Temecula, CA. Condition: Visual: Scratches scattered
throughout, the largest a 7.5'' scratch upper center. A 1.5'' scattered area of paint loss
left center. A pea-sized hole in the canvas with paint loss lower left. A .5'' hole in the
canvas right center. A .25'' hole in the canvas upper center. A small hole in the canvas
upper left. Frame abrasion along the four edges with canvas loss in the four corners.
Stretcher bar creases along the four edges . Blacklight: A 1'' x 2.5'' area of restoration
upper center with corresponding patch verso. A 1.5'' x 1'' area of restoration in the
center with corresponding patch verso. A .75'' x .75'' area of restoration right center with
corresponding patch verso. Your bid indicates acceptance of our Conditions of Sale.
1126 Joshua Meador (1911-1965 Los Angeles, CA)
Bay frontage, signed lower right: Joshua Meador, signed again and inscribed verso, oil on
canvas, 18'' H x 24'' W, est: $500/700
Provenance: Private Collection, Burbank, CA. Condition: Visual: Generally good
1127 Two George IV sterling tazzas, Edward Farrell
One dated 1826; the other dated 1827, London, each with maker's mark of Edward
Farrell, sterling silver, a near-pair, each with a circular dish repousse-decorated to the rim
with mythological figures and sea creatures centering the chased and engraved coat of
arms of the Duke of Rutland/Manners family encircled by the symbol and motto of the
Order of the Garter ''Honi soit qui mal y pense (Shame on him who thinks this evil)'',
within a rocaille surround, balanced atop a sea urchin held aloft by a triton seated on
the back of a turtle, atop a naturalistic coral reef base, 2 pieces, each: 9.5'' H x 12'' Dia.,
181.155 oz troy approximately, est: $12,000/18,000
Note: The coat of arms featured on each tazza is that of the Manners family, the line of
the Duke of Rutland. Based on the date of manufacture, these pieces were very likely
made for John Henry Manners, the Fifth Duke of Rutland (1778-1857). In addition
to being a Knight of the Garter (as were many of his line), Manners was a Trustee of
the British Museum for over forty years and the High Steward of Cambridge from
1800-1835. Provenance: Private Collection, Laguna Beach, CA. Condition: Overall
good condition, with general light marks, scratches, rubbed wear and tarnishing
commensurate with age. One tazza with marks erased from upper rim of dish; marks
present on verso of dish. One with an approximately 1''-long stable crack to base of
sea urchin; the other with dish sitting somewhat askew from base. Your bid indicates
35
1128 A three-piece .958 silver tea set, Edward Farrell
Each 1818 (rein of George III), London, each with Britannia silver standard mark and
maker's mark of Edward Farrell, a three-piece tea set, each of stout gourd form, heavily
repousse-decorated and applied with figures in bucolic settings, with gilt-washed
interiors, comprising a teapot (7.75'' H x 10.5'' W x 6'' D), a waste bowl (5.25'' H x 8.375''
W x 5.5'' D) and a milk jug (5'' H x 7.625'' W x 4.5'' D), each engraved with a lion rampant
armorial to base, 3 pieces, gross weight 97.350 oz troy approximately, est: $4000/6000
with general light marks, scratches, rubbed wear and tarnishing commensurate with
age. Teapot with scattered minor cracks, repairs and losses to rim of neck; the largest
approximately .5'' x .125''. Milk jug with a repair to one foot. Waste bowl with one foot
bent upwards and two pushed in towards body; totters slightly. Weight includes wooden
teapot handle. Engraved to underside, as stated. Your bid indicates acceptance of our
1129 A George III sterling tea caddy, Edward Farrell
1817, London, maker's mark of Edward Farrell, sterling silver, with a squirrel finial over
the domed rocaille and grape-adorned cover, the bombe rectangular body all-over
repousse decorated with rocaille and lion masks, each side centering a rocaille-bordered
reserve engraved with armorials; two with the motto ''Now Thus'', 5.375'' H x 4.375'' W x
3.125'' D, 24.415 oz troy approximately, est: $1500/2000
with general rubbed wear, light marks, scratches and tarnishing commensurate with age.
Engraved, as stated. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL
1130 A set of 12 Wedgwood ''Astbury'' dinner plates
Mid-20th century, each with green underglaze maker's mark ''Wedgwood / Bone China
/ Made in England'' and gilt mark ''W2035'', each circular white ground porcelain plate
with a black rim gilt-painted with scrolling foliage and jeweled reserves, each reserve
and the bowl of the plate centering a classically-draped female figure, 12 pieces, each:
.875'' H x 10.75'' Dia., est: $500/700
Provenance: Estate, Los Angeles, CA. Condition: Overall good condition. A few plates
with scattered very light scratches. Your bid indicates acceptance of our Conditions of
1131 Three carved giltwood and painted icon panels
Late 19th/early 20th century, each of rectangular form, of scrolling foliate-carved
giltwood centering an oval-shaped reserve polychrome-painted with a portrait of a
saint, 3 pieces, each approximately: 22.25'' H x 10.25'' W x 1.25'' D, est: $1000/1500
Condition: Each in overall good condition, with general scratches, wear, chips, shrinkage
cracks, scattered breaks and repairs commensurate with age. Crazing and minor
yellowing to icons; one with an approximately 1.75'' x .25'' yellowish area of residue to
lower right quadrant. Evidence of insect damage. Your bid indicates acceptance of our
36
1132 Opposing pair of Italian carved giltwood mirrors
Late 19th/early 20th century, each with a serpentine plate centered by a scrolled rocaille
surround, the pierced floriform pendant issuing dual foliate-wrapped candlearms,
crested overall by a pierced rocaille and floral clasp, each approximately: 37.5'' H x 21.5''
W x 4.25'' D, est: $800/1200
Condition: Overall good condition, with general scratches, nicks, shrinkage cracks and
minor losses commensurate with age; the largest approximately 1'' x .5'' to each. Each
with repairs to candlearms. Minor evidence of insect damage verso. Your bid indicates
1133 A Gubelin Swiss table clock
Late 19th/early 20th century, signed to dial ''Gubelin Swiss'', the rectangular frame with
alternating inset panels of gilt strapwork over a black slate ground and pictorial panels
of mother-of-pearl and various stone inlay; the right panel depicting a falconer, the left
a lady, each in renaissance dress, centering a glazed rectangular mixed metal dial with
burnished silver and gold leaf with applied gilt Roman numeral hour markers, supported
on a gilt adjustable easel-back, 11.125'' H x 9.5'' W x 7.25'' D, est: $2000/3000
with general light marks, scratches and darkening to gilt metal commensurate with age.
Scattered minor separation between inlaid stones and a few minor cracks; the longest
approximately .75''. Winds and runs; Moran's does not guarantee working condition of
clocks and watches. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL
1134 A George III .958 silver platter, Edward Farrell
1818, London, with Britannia silver standard mark and maker's mark of Edward
Farrell, the grape vine and C-scroll-galleried triangular platter repousse-decorated with
mythical creatures and floral sprays, centering two seahorses in a rocaille reserve, raised
overall on rocaille bracket feet, 3.5'' H x 12.75'' W x 12'' D, 43.145 oz troy approximately,
est: $2000/3000
General rubbed wear, minor marks, scratches, dings and tarnishing commensurate with
age. Scattered minor stable cracks; the largest approximately 1'' to underside of base.
Scattered repairs along an approximately 5''-long section of grape vine gallery. Lacking
one grape leaf at one corner. Your bid indicates acceptance of our Conditions of Sale.
1135 A George IV sterling cheese dome, Edward Farrell
1822, London, maker's mark of Edward Farrell, sterling silver, surmounted by a figure
smoking a pipe, leaning against a wine barrel, the stepped dome repousse-decorated and
applied with figures in bucolic village settings, over a plate with a piecrust rim decorated
with floral scrolls and rocaille, the inner rim chased and repousse-decorated with
cottages and trees, 7'' H x 11.25'' Dia., 46.980 oz troy approximately, est: $2000/3000
with general light marks, scratches, rubbed wear and tarnishing commensurate with age.
More rubbed wear to faces and heads of applied figures. Your bid indicates acceptance
37
1136 A George III sterling gravy boat, Edward Farrell
1818, London, maker's mark of Edward Farrell, sterling silver, of typical form, all-over
repousse decorated with figures in bucolic village settings, surmounted by a bird of preyform handle, raised on female-headed scrolling foliate feet, engraved to the forward
reserve with a buck armorial beneath the motto ''Amo Veritatem (love the truth)'', 6'' H x
8.75'' W x 4.25'' D, 18.315 oz troy approximately, est: $1500/2000
with general light marks, scratches, rubbed wear and tarnishing commensurate with age.
Scattered minor cracks to rim commensurate with age. Engraved, as stated. Your bid
1137 A George III sterling mustard pot, Edward Farrell
1818, London, maker's mark of Edward Farrell, with a dove finial over a domed foliatedecorated hinged cover, the branch and leaf-form handle issuing from the gourd-form
body with gilt-washed interior and cylindrical glass liner, all-over repousse-decorated
and applied with figures in bucolic village settings, raised on bracket feet modeled as
figures seated atop wine barrels, engraved to underside with a robed flagellant armorial
and crown crest, 3.625'' H x 4.25'' W x 3.625'' D, 13.320 oz troy approximately, est:
$800/1200
General rubbed wear, minor marks, scratches and tarnishing commensurate with age.
Finial pushed slightly in towards body. With two repairs to handle; one near upper joint
of handle, the other near tip of uppermost leaf. An approximately .25''-long crack to
foliate molding of cover. Engraved to underside, as stated. Your bid indicates acceptance
1138 A Louis XVI gilt bronze-mounted petite lyre clock
Late 18th century, the apparently unsigned single-train movement attached to the
white enameled dial signed ''Robin / Paris'', further inscribed with applied Arabic
numeral hour markers and subsidiary minute indices with Arabic numerals marking
fifteen minute increments housed within a hinged glazed aperture, the cylindrical case
supported between the arms of an alabaster lyre mounted with rooster-headed halffigures and surmounted by a radiating espagnolette, raised overall on a waisted stepped
bead-molded and festooned base, on stepped rounded feet, 13.875'' H x 6.5'' W x 3.75''
D, est: $3000/5000
condition, with scattered minor scratches, nicks and darkening to gilt bronze mounts
commensurate with age. With repairs and areas of corresponding fill to each arm of
lyre and waisted base. An approximately 1'' x 1'' area of repair to enamel and overpaint
to dial adjacent to winding aperture. Lacking key. Your bid indicates acceptance of our
1139 A hand-painted German porcelain plaque
Late 19th/early 20th century, the plaque apparently unsigned, stamped ''324'' and titled
in pencil ''The Beacon Light'' with two loose gum labels, one inscribed ''324 / Le Prarie'',
the other marked ''Made in / Germany'', a rectangular hand-painted porcelain plaque
depicting a nude standing female figure surrounded by crashing waves, issuing beams
of light from her hands, within a rectangular carved giltwood frame, in a rectangular
glazed shadow box, the plaque: 8.5'' H x 5.75'' W; overall: 18.625'' H x 15.75'' W x 4.25'' D,
est: $1200/1800
Plaque with an approximately .25''-long scratch to upper right edge. Scattered scratches,
nicks and losses to interior elements of shadowbox commensurate with age. Your bid
38
1140 A Continental gilt bronze-mounted marquetry table
Second quarter 20th century, with a molded circular floral and foliate marquetry inlaid
top raised on gilt-bronze caryatid supports joined by a tripartite floral-inlaid stretcher,
on dolphin-form feet, 29.75'' H x 30.25'' Dia., est: $500/700
Provenance: Private Collection, San Bernardino, CA. Condition: Overall good
condition, with general scratches, nicks and chips commensurate with age; the largest
an approximately 1'' x .5'' gouge to stretcher and an adjacent 4.5''-long split to timber.
With a later-added glass top. Scattered separation at joints and shrinkage cracks; the
largest approximately 20'' to side of circular top. Your bid indicates acceptance of our
1141 A pair of French gilt-bronze and onyx cassoulets
Circa 1900, each domed cover surmounted by a leaf and berry finial, the shoulders
flanked by festooned ram's heads, over a foliate-wrapped socle raised on a spreading
laurel-wreathed foot, on a rectangular plinth, each approximately: 23.75'' H x 11.75'' W x
7.25'' D, est: $1500/2000
Condition: Overall good condition. Each with scattered cracks, nicks and losses to
onyx commensurate with age; the largest an approximately 1.25''-long shallow chip to
underside of one shoulder. Your bid indicates acceptance of our Conditions of Sale. ASIS. ALL SALES FINAL
1142 A pair of neoclassical gilt-bronze candelabra
Late 19th/early 20th century, each surmounted by an acanthus-wrapped pomegranate
finial surrounded by five urn-form lights held aloft on the arms of an acanthus-cast starshaped support festooned with chains, raised on a Corinthian column issuing from a
knopped tripartite dragon and rocaille-adorned base supported on three feathered claw
and ball feet, on a conforming tripartite plinth, 2 pieces, each: 29.75'' H x 9'' Dia., est:
$800/1200
Condition: Overall good condition. General light marks, nicks, scratches, spots of
verdigris and darkening to gilt bronze commensurate with age. One with base bent up
and askew from one ball and claw foot with a corresponding pushed-in section to plinth.
One with three small holes/casting flaws to base. Three lights with replaced pendants;
two chains lacking O-rings. Your bid indicates acceptance of our Conditions of Sale.
1143 Napoleon III ebonized & applied-hardstone cabinet
Third quarter 19th century, the gilt bronze-mounted and applied-stone pediment
surmounted by two gilt-bronze eagles, over an ebonized and gilt bronze-molded
scrolling foliate frieze supported on female demi-figure mounts, the hinged locking door
enclosing two wood shelves and decorated to the exterior with five gilt bronze-molded
reserves each enclosing various applied hardstones in fruit, floral and bird motifs, raised
overall on a conforming outset base, on gadrooned bun feet, 73.25'' H x 44.75'' W x 18.5''
D, est: $4000/6000
with general scratches, marks, nicks and scuffs commensurate with age. Previously
refinished, with professional restorations to hardstones and re-gilt mounts. Molding
detached from lower edge of right side frieze; retaied. Wear and spotting to fabric-lined
interior. Scattered shrinkage cracks; the longest approximately 6'' to left side of cabinet.
Lacking key. Scattered very minor evidence of insect damage verso. Your bid indicates
39
1144 A pair of Napoleon III applied hardstone-cabinets
Third quarter 19th century, each with an eared black onyx top over an ebonized and gilt
bronze-molded scrolling foliate frieze supported on Bacchic demi-figures, the hinged
locking door enclosing two adjustable wood shelves and decorated to the exterior with
five gilt bronze-molded reserves each enclosing various applied hardstones in fruit,
floral and bird motifs, raised overall on a conforming outset base, 2 pieces, each: 49'' H x
40.375'' W x 19.75'' D, est: $10,000/15,000
with general scratches, marks, nicks, scuffs, separation at joints and darkening to bronze
commensurate with age. Scattered shrinkage cracks; the longest running the length of
each door. Lacking key; one with lock removed. Lifting and scattered losses to inlaid
brass banding and hardstone. Breaks and repairs to onyx tops. Your bid indicates
1145 A Coromandel vanity box with cut-glass bottles
Second half 19th century, English, with maker's mark to interior plaque ''Harvey,
Reynolds & Fowler / Leeds'', the locking domed brass-bound coromandel chest
with three inset circular hand-painted porcelain plaques depicting fairies, the fitted
upholstered interior housing three clear cut-glass vanity bottles, with key, 5.125'' H x
7.875'' W x 4.125'' D, est: $500/700
Provenance: Private Collection, Redlands, CA. Condition: Overall good condition,
with general light marks, scratches, wear and darkening to brass commensurate with
age. A few scattered shrinkage cracks to cover; the largest approximately 1''. Lower left
porcelain panel with three approximately .25''-long cracks. A few minute fleabites to cutcrystal bottles, the largest approximately .125'' x .125''. Your bid indicates acceptance of
1146 A Dutch coin silver pierced sauce bowl
Late 19th/early 20th century, Amsterdam, with town mark of Zwolle surmounted by
''R.D'' denoting second standard .892 fineness, with right-facing lion passant denoting
at least .835 fineness, unidentified maker's mark, the pierced tapering oblong basket
flanked by ram's heads suspending ring handles from their mouths, raised on claw
and ball feet, with a clear blue glass liner, 3.5'' H x 6.75'' W x 4.625'' D, 14.175 oz troy
with general light marks, scratches, wear and tarnishing commensurate with age. Glass
liner likely a later addition. Liner with scattered scratches, fleabites and three shallow
chips to rim; the largest .25'' x .125''. Your bid indicates acceptance of our Conditions of
1147 A pair of gilt-bronze and black marble candelabra
Late 19th/early 20th century, each surmounted by a cascading fruit-form finial
surrounded by three cylindrical channeled lights with beaded drip trays, raised on
foliate-wrapped arms issuing from the turned ovoid black marble standard, raised
overall on three foliate-wrapped supports each terminating in a cloven hoof, on a
tripartite molded base above a conforming outset black marble plinth, 2 pieces, each: 12''
H x 8'' Dia., est: $600/900
Condition: Overall good condition, with general marks, scratches, rubbed wear to
gilding and nicks and chips to edges of bases (the largest approximately .25'' x .25'')
commensurate with age and use. Previously re-gilt. One candelabrum with dings and
bending to two bobeches, minor bending to supports and a .75'' x .5'' area of fill to black
marble standard. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
40
1148 French Egyptian-revival gilt-bronze mantel clock
Circa 1860s, with Japy Freres Grand Medaille D'Honneur pastille to movement, further
stamped ''1571'', ''11'' and ''7'', surmounted by a pharaoh wrangling two crocodiles
on chain leashes, flanked by urn-topped Egyptian-style columns issuing from outset
sphynx figures, centering the trapezoidal case with polychrome-painted porcelain
panels decorated with scrolling foliage and lotus flowers, the face with gilt-painted
geometric cartouches containing Roman numeral hour markers, attached to a twintrain movement, raised overall on a spreading rectangular plinth, on bracket feet, 13.5''
H x 11.375'' W x 5'' D, est: $2000/3000
General light marks, scratches and darkening to gilt bronze commensurate with age.
Hands somewhat bent. Lacking key; working condition unknown. Moran's does not
guarantee working condition of clocks and watches. Your bid indicates acceptance of
1149 David Bachrach (1845-1921 Baltimore, MD)
Portrait of Albert Einstein, embossed lower right: (c) Bachrach, with the studio
blindstamp on the matting lower left, photograph on paper under glass, sight size: 13.25''
H x 10.25'' W, est: $5000/7000
Provenance: Estate of Robert Anthoine. Condition: Visual: Generally good condition.
The matting with light soiling scattered throughout, heaviest along the lower edge. Your
1150 Josef Breitenbach (1896-1984 German)
Portrait of James Joyce, 1937, signed and numbered lower center verso: Breitenbach,
22/XI.75, with the photographer's studio stamp lower left verso, photograph on paper
under glass, paper size: 13.75'' H x 11.75'' W, est: $800/1200
Spots on the negative scattered throughout. Loose, not mounted. Your bid indicates
1151 Pirkle Jones (1914-2009 San Francisco, CA)
''Last Memorial Day, Berryessa Valley'', signed, dated, numbered and negative number
lower right verso: Perkle Jones, 1956, 4/60, PJ-10823, titled lower left verso, unframed
black and white photograph on paper, image size: 9.5'' H x 10'' W, est: $1200/1800
Note: Paper size: 14'' H x 11'' W. Provenance: Estate of Robert Anthoine. Condition:
Visual: Generally good condition. Mounted in the folio cover with artist's tape in the
upper corners and plastic pocket corners in the lower corners. Your bid indicates
41
1152 Mary Ellen Mark (1940-2015 Manhattan, NY)
''Elise Collins, Union, South Carolina'', young girl with American flags, 1995, signed and
numbered verso: Mary Ellen Mark, 9/50, unframed photograph on paper, sight size: 14''
H x 11'' W, est: $1000/1500
Note: Together with documentation from Aperture magazine and the photographer
to current owner. Provenance: Gifted by Aperture magazine January 4, 2000; Estate
of Robert Anthoine. Condition: Visual: Generally good condition. Mounted in the
back mat with artist's tape in the upper corners and plastic pocket corners in the lower
corners. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
1153 Bruce Davidson (1933-* New York, NY)
''USA. New York City. Central Park'', 1992, signed verso: B. Davidson, silver print on
paper under glass, image size: 5.25'' H x 12'' W, est: $700/900
Note: Paper size: 10.75'' H x 13.75'' W. Provenance: Estate of Robert Anthoine.
Condition: Visual: Generally good condition. Hinged to the back mat with artist's tape
in the upper corners. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL
1154 Nick Waplington (1965-* New York, NY)
''Salt Lake'', signed and numbered in ink lower right: Nick Waplington, 37/50, color
photograph on paper under glass, image size: 9.5'' H x 29.25'' W, est: $1000/1500
Note: Paper size: 10.75'' H x 30.5'' W. Provenance: Estate of Robert Anthoine.
Condition: Visual: Generally good condition. Mounted in the folio cover with artist's
tape in the upper corners and plastic pocket corners in the lower corners. Your bid
1155 Paul Strand (1890-1976 New York, NY)
''Iris'', signed, numbered, titled and dated lower right on the vellum overlay: Hazel Strand
for the Paul Strand Foundation, 282/450, 1928. The plate was made by Jon Goodman
and Richard Benson and the edition was printed at Atelier de Taille Douce, St. Prex, with
the Paul Strand Foundation blind stamp in the margin lower right, unframed handpulled dust-grain photogravure on paper, image size: 9.5'' H x 7.5'' W, est: $1000/1500
The paper with deckled edges. Hinged in the folio cover with artist's tape in the upper
corners. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
42
1156 A Louis XV-style secretary vitrine
Late 19th/early 20th century, with a stepped and gilt bronze-molded pediment over
a serpentine body flanked by foliate agricane-headed mounts, faced with a hinged
and glazed locking cabinet door enclosing a single shelf, over a floral marquetry inlaid
drop-front cabinet revealing an inset brown leather writing surface before an open
cabinet over two rows of two short band-front drawers, raised overall on cabriole legs
terminating in foliate hoof feet, 69'' H x 32'' W x 17'' D, est: $5000/7000
Condition: Overall good condition. General light marks, scratches and spots of
oxidation to gilt bronze commensurate with age. Scattered minor shrinkage cracks to
veneer, the largest running the length of each marquetry-decorated side panel with
corresponding repairs. Lacking key and shelves. Your bid indicates acceptance of our
1157 Edouard Drouot (1859-1945 French)
''Le Gardien de L'Epave'', early 20th century, signed ''E. Drouot'' with foundry pastille
mark, a patinated bronze sculpture depicting a prowling lion raised on a naturalistic
base, 23'' H x 23.5'' W x 12'' D, est: $3000/4000
Condition: Overall good condition, with general light scratches and rubbed wear to
patination commensurate with age. Your bid indicates acceptance of our Conditions of
1158 A French gilt-bronze Louis XV-style mantel clock
Late 19th century, Paris, the two-train movement with Japy Freres Medaille D'Honneur
pastille, numbered ''3.6'' ''8326'' and ''69'', interior dial bezel stamped ''LF'' likely for
Lerolle Freres and ''8326'', the flaming torch and foliate crest over a waisted rocaille case
centering a hand-painted Sevres-style porcelain dial depicting a watermill in a river
landscape, with Black Roman numeral hour markers, within a glazed bezel supported
on the tails of dolphins flanking a male portrait head over a shaped porcelain plaque
depicting a picnicking couple, raised on scrolling foliate feet, 19.625'' H x 11.875'' W x
5.75'' D, est: $800/1200
Provenance: Private Collection, Pasadena, CA. Condition: Overall good condition, with
scattered scratches, rubbed wear and darkening to gilt bronze commensurate with age.
An approximately .25'' x .125'' chip to glass. Scattered stable casting cracks throughout;
the largest approximately 1.5'' near verso left leg. Verso hinged door will not open;
bezels and movement somewhat loose in case. Lacking pendulum; working condition
unknown. Moran's does not guarantee working condition of clocks and watches. Your
1159 A gilt-bronze and KPM porcelain centerpiece
1882-1918, each porcelain panel with underglaze blue scepter mark over ''S.gr.P'', the
largest plaque stamped ''SL / 331'', two larger each stamped ''O / 3333 B'', the bronze
stamped ''1338'', the serpentine dual-handled bowl decorated throughout with C and
S-scrolls and pierced grillage, with inset floral-adorned celadon glazed plaques to each
of the four sides, the base centering a fifth inset white and celadon glazed porcelain
plaque relief-decorated with putti riding on the backs of dolphins, raised on a stepped
molded oval base, on outswept rocaille bracket feet, 5.5'' H x 23.375'' W x 11.5'' D, est:
$1200/1800
Condition: Overall good condition, with general light scratches to porcelain plaques
and wear to gilt bronze commensurate with age. Previously re-gilt; scattered spots of
gilt finish to plaques. An approximately .5''-long casting crack to verso of one handle.
One side bent slightly downward. Porcelain housings have been re-soldered around the
edges. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
43
1160 A pair of French enamel on copper figural plaques
Late 19th/early 20th century, the first signed lower right ''Dorval'', the second apparently
unsigned, each copper plaque polychrome enameled, depicting figures in 18th century
dress, the first depicting a music lesson, the second depicting a lady sewing while two
gentlemen look on, each within a ribbon-adorned and festooned gilt-bronze frame, 2
pieces, each approximately: 11.75'' H x 12.75'' W x 1'' D, est: $1200/1800
Provenance: Private Collection, Pasadena, CA. Condition: Overall good condition,
with general light marks, scratches and wear to gilt-painted highlights commensurate
FINAL
1161 A Louis XV-style hand-painted vitrine table
Late 19th/early 20th century, the serpentine glazed hinged lift-top decorated with
hand-painted rose garlands tied with blue ribbons joined by winged putti at each
corner on a gold-toned ground, over a glazed serpentine-outline vitrine display with
yellow upholstered interior, raised on rocaille-mounted and floral-painted cabriole legs
terminating in foliate sabots, 29.25'' H x 30'' W x 22'' D, est: $800/1200
with scattered nicks, scratches, wear and separation at joints commensurate with age.
Scattered areas of lifting to gilt-bronze molding and an approximately 24'' length of
molding deficient above verso glazed panel. Scattered spots of paint loss and restoration.
Lacking key. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
1162 A French gilt-bronze and figural porcelain clock
Late 19th/early 20th century, the porcelain figures marked to base with Meissen-style
crossed swords and ''A / B'', the two-train movement marked ''R / A / 1385'', housed
within a cylindrical case faced with a white circular enamel face hand-painted with
black Roman numeral hour and Arabic minute indices every five minutes, raised overall
on a gilt-bronze branch-form support with applied hand-painted ceramic flowers,
issuing from an oblong pierced rocaille base centering a figural porcelain figural group of
a courting couple, 14.75'' H x 7.5'' W x 5.5'' D, est: $2000/3000
with scattered marks, scratches, dust accumulation, wear and darkening to gilt bronze
commensurate with age. Approximately two porcelain flowers deficient; scattered chips
and losses to ceramic flowers, the largest approximately .75'' x .25''. Abrasions and losses
to enamel around winding apertures. Lacking key; working condition unknown. Your
1163 A pair of Venetian ribbon & Latticino glass vases
Early 20th century, each with a rolled outswept rim over a rounded conical clear glass
body decorated in alternating bands of twisted pink ribbon and white Latticino glass,
flanked by gold-flecked undulating ribbon handles, on a domed circular foot, 2 pieces,
each: 9.125'' H x 4.5'' Dia., est: $400/600
Provenance: Private Collection, Henderson, NV. Condition: Each in overall good
condition, with scattered minor abrasions to underside rim of foot. Your bid indicates
44
1164 A George II sterling silver footed salver
1731, London, with maker's mark for Humphrey Payne, the stepped outswept rim over
a plain dish engraved with a coat of arms within a rocaille surround, raised on stepped
outswept feet, 1.25'' H x 11'' W x 11.25'' D, 22.675 oz troy approximately, est: $500/700
with general scratches, marks, rubbed wear, nicks and tarnishing commensurate with
age. Engraved, as stated. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL
1165 A George II sterling silver pierced serving dish
1760, London, with rubbed, indecipherable maker's mark, surmounted by a dolphin
peering over the hinge of a gadrooned-edge seashell-form dish, pierced to the outer
third with scrolling designs, raised on three dolphin-form feet, 6.625'' H x 9.375'' W x
6.5'' D, 15.765 oz troy approximately, est: $600/900
with general light scratches, marks, rubbed wear and tarnishing commensurate with
age. Repair to joint with central dolphin-form foot. Two minor losses to pierced silver
elements; the largest approximately .25'' x .25''. Not monogrammed. Your bid indicates
1166 A George III sterling silver teapot
1817, London, maker's mark of William Burwash, with a turned domed finial over a
chased hinged lid within a flaring gadrooned rim, above a squat circular body chased
and repousse-decorated with flowers and foliage centering rocaille reserves to each
side, raised on a circular ring foot, 4.875'' H x 10.125'' W x 6.25'' D, 22.800 oz troy
Condition: Overall good condition, with general light marks, scratches, rubbed wear
and tarnishing commensurate with age. With an approximately 1'' x .75'' shallow dent
below shoulder. Weight includes insulators. Not monogrammed. Your bid indicates
1167 A George III sterling silver Monteith bowl
1767, London, with maker's mark of Sebastian & James Crespell, the scalloped reliefscrolled rim interrupted by palmette clasps, over a chased and repousse-decorated
body decorated to the lower half with scrolling rocaille, flowers and imbrication, raised
on a domed circular foot, engraved to underside ''Oddynes 1912'', 16.625'' H x 11'' Dia.,
with general scratches, marks, rubbed wear and tarnishing commensurate with age.
Personalized to underside, as stated; not monogrammed or engraved to reserves. Your
45
1168 Gilt bronze-mounted Sevres-style urn mantel clock
Late 19th century, French, the two-train movement with Japy Freres Medaille d'honneur
seal and numbered ''593'' and ''4.6'', multiple mounts inscribed ''A'', ribbon mounts atop
case stamped ''HD'', surmounted by a seated putti holding a bow and arrow, raised on
a gadrooned and foliate-molded cover, the blue ground porcelain urn with ram's head
mounts at the shoulders, faced with a light blue reserve hand-painted with flowers and
winged putti, centering the hand-painted porcelain dial with black Roman numeral hour
markers, raised overall on a palmette and acanthus-cast waisted base flanked by putti
demi-figures playing horns, raised on a shaped plinth, on bracket feet, 26'' H x 15'' W x
9.5'' D, est: $2000/3000
Condition: Overall good condition, with general light marks, scratches and rubbed wear
commensurate with age. Scattered gilt-bronze elements likely later additions. Cupid's
bow lacking upper half. One demi-figure lacking one horn. Previously re-gilt. Hinged
glazed aperture apparently jammed; will not open. Lacking key and bell. Working
condition unknown. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL
1169 A Louis XVI-style parquetry table
Late 19th century, French, bears signature to metal tag within drawer ''F. Linke / Paris'',
the rectangular parquetry-inlaid bead-molded top over a plain frieze drawer supported
on tapering gilt bronze-mounted fluted legs, on toupie feet, 29'' H x 25.625'' W x 16.5'' D,
est: $600/900
Provenance: Private Collection, Malibu, CA. Condition: Overall good condition, with
general scratches, nicks and wear commensurate with age. Front right leg lacking one
swag mount. Rear right leg with an approximately 1''-long shallow gouge. Your bid
1170 A hand-painted Royal Vienna-style vase
Late 19th/early 20th century, blue underglaze ''beehive'' over ''Austria'' mark, titled
''Diana'', signed to painted reserve ''Kiess.'', all-over gilt-painted with flowers, whiteground animal vignettes, and ''jeweled'' rocaille C- and S-scrolls on a red ground, one
face painted with a scene of Diana, her attendants and birds in a classical interior within
an oval-shaped gilt reserve, 10.25'' H x 4.25'' Dia., est: $1000/2000
scattered wear to gilt ''jewels'' and losses to gilt paint on rim and foot. Two stable firing
cracks to neck interior; the longest approximately 1''-long. Your bid indicates acceptance
1171 A French figural champleve and hand-painted plate
Second half 19th century, a circular plate polychrome-enameled with a scrolling foliate
field, centering a hand-painted fairy, winged putti, dolphin and birds in flight, 0.5'' H x
8.25'' Dia., est: $600/900
Condition: Overall good condition, with scratches and rubbed wear to enamel
commensurate with age. Scattered minor spots of fill, the largest a 1'' x .25'' area of putti's
back, and two small losses to upper border (each approximately .25'' x .125''). Your bid
46
1172 A French gilt-bronze and hand-painted vanity set
Late 19th/early 20th century, a four-piece set, each of gilt-bronze with clear gem-inset
black resin inserts, the brushes and mirror each centering a hand-painted portrait of a
lady under glass, each signed ''B. Cutpais(?)'', comprising a hand mirror (13.375'' H x 4.5''
W x .875'' D), a clothing brush (8'' H x 2.25'' W x 2'' D), a hand brush (9'' H x 3'' W x 2''
D), and a comb (7.625'' H x 1.875'' W x .25'' D), 4 pieces, together with a fitted case, est:
$1500/2500
Condition: Overall good condition, with general light scratches, wear and darkening
to gilt bronze commensurate with age. Shrinkage to resin elements. Your bid indicates
1173 A French gilt-bronze and enameled jewelry casket
Late 19th/early 20th century, the hinged domed rectangular lid hand-painted with a
bouquet within a ''jeweled'' and gilt-painted reserve, over a blue-enameled ground with
scrolling guilloche foliage, atop a conformingly decorated bombe rectangular body with
upholstered interior, on scrolling foliate bracket feet, 3.375'' H x 5.875'' W x 3.75'' D, est:
$500/700
scattered light marks, scratches and darkening to gilt bronze commensurate with age.
Scattered minor spotting and nicks to enamel. Your bid indicates acceptance of our
1174 A gold and amethyst bangle with matching earrings
18K gold etched bangle set with five rectangular-shaped amethysts together with a pair
of 18K gold and amethyst stud earrings, bangle: 6.75'', 63.7 gms gross, est: $1000/1500
light signs of wear. Earrings with post backings for pierced ears only. Your bid indicates
1175 A group of gold jewelry
A 14K gold case with leather strapped wristwatch, the dial, 17 jwl movement and case
signed Omega, two 14K gold rings (one with an old mine-cut diamond, other with cat's
eye chrysoberyl) and a pair of 10K gold pendant earrings, 14.0 gms gross of rings and
earrings only, 5 pieces, est: $700/900
Condition: Overall good condition with normal to heavy signs of wear. Watch can be
set, cannot wind. Moran's does not guarantee accuracy of timepieces. Your bid indicates
47
1176 A group of various gold jewelry
Of 14K gold, a diamond heart pendant set with 51 full-cut and rectangular-cut
diamonds totaling approximately 3.10 cts and graded H-I color and SI-I clarity on a gold
chain, a watch fob chain sectional, three pairs of earrings, two charms and one seed
pearl bangle, 87.9 gms gross, 12 pieces, est: $1800/2500
Provenance: Private Collection, Westlake Village, CA. Condition: Overall good
condition with normal to heavy signs of wear. One wire hook deficient from pair of
cameo earrings. All earrings for pierced ears only. Your bid indicates acceptance of our
1177 A ten-piece lot of ladies accessories
Comprising 1 gold Elgin open-faced stem-wind/stem-set pocket watch circa 18971898, with circular white dial signed ''Elgin'', with black Arabic numeral hour markers
with subsidiary seconds and red Arabic numeral minute markers at 5 minute intervals
with engraved back case, the works signed ''Elgin Natl. Watch C. / U.S.A.'' and stamped
''safety pinion'' with works number ''246286'', the back of the case marked ''Warranted /
14K / W / 44808'' (1.375'' Dia.); 2 compacts, the first: sterling silver and pink enamel, of
ovoid form, stamped to interior ''2 / 935 / Sterling / Made in Austria'' (.375'' H x 2.25'' W
x 1.625'' D); the second: of hexagonal form with reverse-painted roses under glass over
a light green fabric, stamped to interior ''patent pending'' (.5'' H x 3.25'' W x 2.125''); 1
bracelet featuring 7 panels of amber-colored glass and marcasite over metal, stamped
on clasp ''made in France'' (7.5'' H x 1.625'' W); and 6 evening bags, the first: of blue, pink,
gold and silver-colored beads with gold and silver-colored clasp with marcasite details,
interior label ''Made in France / by hand / Walborg'', with two interior pockets (12'' H
x 7.875'' W); the second: a white beaded bag with gold-tone closure and white satin
interior, labeled ''Walborg / Hand made in Japan'' (10.25'' H x 8.5'' W); the third: beaded
and embroidered with a gold-toned handle, decorated with a palm tree and sailboat
set against a blue sea and white ground, cream satin single-pocket interior (10.875'' H x
5.375'' W); the fourth: an embroidered and white-beaded bag with gold-toned closure,
faux pearl clasp, and gold-toned chain handle, cream satin interior (11'' H x 6.25'' W); the
fifth: iridescent red-beaded with gold-toned fringe, with an ornate gold-toned closure
and clasp, brown fabric interior (11.5'' H x 5.5'' W); the sixth: of triangular form, with a
black-beaded ground with silver-toned closure, green glass and silver-toned clasp and
silver-toned chain, cream satin interior tagged ''Hand Beaded / In France'' (8.5'' H x 7''
W), 10 pieces, est: $300/500
Provenance: Private Collection Glendale, CA. Condition: The pocket watch: Overall
good condition with minor scratching and wear to case and crystal commensurate
with age and use; does not run. Compacts: The first: Overall good condition with
scratches and tarnishing commensurate with age and use. Puff, mirror and dust case
intact. The mirror slightly loose. The second: Overall good condition with scratches
commensurate with age and use; mirror and puff intact. The bracelet: Overall fair
condition commensurate with age and use; clasp closes but not secure. Numerous
marcasites deficient. The purses: The first: Overall good condition with general wear
commensurate with age and use, with a light stain to bottom and minor bead loss
to handle and verso. The second: Overall good condition with scattered minor bead
loss and some staining to the bottom interior. The third: Overall good condition with
scattered minor bead loss throughout, a small tear to the interior pocket and some
staining evident. The fourth: Overall good condition with scattered minor bead loss
and remnants of white wax to exterior; some scattered red staining to interior. The
fifth: Overall good condition with some tarnishing to clasp; interior with some wear to
lining but no tears. The sixth: Overall good condition with some separation between
beaded bag and clasp. Scattered minor bead loss throughout. The interior pocket with
minor tearing and staining; scattered spots of staining to interior. Moran's does not
gaurantee working condition of clocks or watches. Your bid indicates acceptance of our
48
1178 Two Victorian Mary Gregory-style dresser boxes
Late 19th/early 20th century, the first: maker's mark of Middletown Plate Co.,
Middletown, CT, further marked ''37'' and ''Hard / White / Metal'', of opaque black
amethyst glass, the rectangular hinged top decorated in white enamel with children
playing in a landscape, enclosing a satin-lined interior, atop a floral-molded silver-plated
base, on pierced scrolling bracket feet; the second: apparently unmarked, of clear and
white-mottled blue glass, the rectangular hinged top decorated in white enamel with
a child playing a flute, over a conforming rectangular body, 2 pieces, the first: 5.25'' H x
5.875'' W x 4.25'' D; the second: 4'' H x 5.5'' W x 4.5'' D, est: $400/600
Provenance: Private Collection, Henderson, NV. Condition: Each in overall good
condition, with general light marks, scratches and rubbed wear to enamel and tarnishing
to mounts commensurate with age. The first with extensive wear to interior and losses to
safety chain. The second with a bend to forward handle, extensive losses to gold-toned
paint, scratches to underside and lacking safety chains. Your bid indicates acceptance of
1179 A Victorian sterling silver Christening set
1886, London, each with maker's mark of John Aldwinckle and Thomas Slater, a cased
set, each piece elaborately engraved with beading, geometric patterning and scrolling
foliage, comprising a fork (6.5''), a spoon (6.625'') and a napkin ring (1.125'' D x 1.875''
Dia.), 3 pieces, 2.840 oz troy approximately, est: $300/500
with general light scratches and tarnishing commensurate with age. Scattered minor
shallow dings to napkin ring. Not monogrammed. Your bid indicates acceptance of our
1180 A Victorian silver-plated calling card holder
Circa 1882, English, with maker's mark ''Derby Silver Co. Derby Co. / Quadruple plate''
around an anchor, further marked ''Pat. Feb 28.82.'' and ''3522 / H'', the stepped domed
palmette-molded base issuing oak branches supporting the fan-shaped platform
relief-decorated with flowers and a single line of music, inscribed ''Should Owl's /
Acquaintance / Be Forgot'', surmounted by two perched owls, 7.5'' H x 8.75'' W x 6'' D,
est: $300/500
condition. General minor scratches, wear and tarnishing commensurate with age.
Platform with a repair to back edge near joint with oak branch. Your bid indicates
1181 Michel Delacroix (1933-* French)
''Marche Sous La Neige (Walking In The Snow)'', signed lower right: Michel Delacroix,
signed again, titled and inscribed verso: Paris, oil on canvas, 23.5'' H x 28.5'' W, est:
$7000/9000
49
Bird's-eye view of Notre Dame cathedral on a snowy day, signed lower right: Michel
Delacroix, gouache on paper under glass, paper size: 26'' H x 30'' W, est: $4000/6000
The paper is slightly rippled. Your bid indicates acceptance of our Conditions of Sale.
Snowy scene with horsedrawn cart and children, signed lower right: Michel Delacroix,
gouache on paper under glass, paper size: 26'' H x 30'' W, est: $3000/5000
condition. A tiny spot of paper loss in the upper right corner. A 1'' crease in the paper in
the upper left corner. The paper with deckled edges. Framed floating and hinged to the
back mat. The paper is slightly rippled upper right. Your bid indicates acceptance of our
1184 Graciela Rodo Boulanger (1935-* Bolivian)
Three women on bicycles, signed lower right: G. Rodo Boulanger, watercolor on paper
under glass, paper size: 27.25'' H x 25.5'' W, est: $600/800
1185 Graciela Rodo Boulanger (1935-* Bolivian)
A boy with a dog on a swing, signed lower right: G. Rodo Boulanger, watercolor on
paper under glass, paper size: 30'' H x 24'' W, est: $600/900
50
1186 French polished brass and champleve mantel clock
Fourth quarter 19th century, three-train, five-gong movement apparently unmarked, the
stepped outset polished brass top over a serpentine-outline green and pink champleveenameled scrolling foliate frieze, raised on similarly enameled Corinthian columns
before a glazed rectangular case housing the circular gold-toned face with applied white
enameled cartouches containing black Roman numeral hour markers, with subsidiary
dials for Chime/Silent and Gong/Stop within an enameled scrolling foliate surround,
raised on a stepped rectangular plinth, on bracket feet, 17.875'' H x 12.75'' W x 10.125''
D, est: $8000/12,000
with scattered minor scratches, wear and nicks commensurate with age. A few minor
shallow dings to top. Beveled glazed panels with scattered nicks and chips at edges; the
largest approximately .25'' x .25'' to lower right corner of door panel. Nicks and losses
to enamel around winding apertures. Working condition unknown; Moran's does not
1187 An .800 German silver coffee/tea service
First half 20th century, Bremen, each with crescent and crown mark, further marked
''800'', all but the tray with maker's mark for Bremer Silberwarenfabrik and stamped
numerically, the tray with maker's mark for Ludwig Bertsch and with additional
obscured marks, a six-piece set, each of spreading cylindrical form, each with a
palmette-molded band over a partially gadrooned body, comprising a coffee pot (8.5''
H x 7.5'' W x 4.75'' D), a teapot (8'' H x 7.5'' W x 4.875'' D), a covered sugar bowl (5'' H x
5.25'' W x 4.25'' D), 2 milk jugs (each: 3.75'' H x 4'' W x 3.125'' D) and a two-handled tray
engraved with a crown (1.25'' H x 21.25'' W x 13.5'' D), 6 pieces, gross weight 108.200 oz
troy approximately, est: $2000/4000
Provenance: Estate, Los Angeles, CA. Condition: General light marks, scratches and
tarnishing commensurate with age. Tip of covered sugar bowl's finial pushed slightly in.
Weight includes insulators. Not monogrammed; the tray engraved, as stated. Your bid
1188 A diminutive German silver guilloche vase
Late 19th century, marked ''900 / Germany'' with an additional illegible circular mark,
with a bulbous neck over a baluster-form body raised on a domed base, all-over
guilloche-enameled in dark and light green, decorated with chased foliate and geometric
silver overlay, 5'' H x 1.875'' Dia., est: $600/800
with general scratches, wear and tarnishing commensurate with age. An approximately
.25''-long ding to rim with corresponding enamel loss and an approximately .125'' x .375''
area of enamel loss above foot. Your bid indicates acceptance of our Conditions of Sale.
1189 A Louis XIV-style carved giltwood console table
First half 20th century, the white marble break-front top over a conforming ribbon and
bead-embellished carved guilloche frieze, raised on four carved tapering squared legs
joined by curved running coin-molded stretchers centering a laurel-festooned urn-form
pendant, backed by three mirrored panels, on twisted foliate toupie feet, 36.75'' H x
89.75'' W x 25.25'' D, est: $3000/4000
with general marks, scratches, rubbed wear and scattered minor losses and repairs
commensurate with age. Mirrored back a later addition. Scattered areas of re-gilding,
minor separation at joints and shrinkage cracks, including a vertical crack through front
right foot. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
51
1190 A hand-painted Royal Vienna-style portrait plate
Late 19th/early 20th century, impressed crown over shield mark verso, underglaze blue
beehive mark, inscribed ''Herbst'' and numbered ''35239'', signed to reserve ''Wagner.'',
the gilt-painted and white ''jeweled'' gray-blue ground rim centering the gilt-bordered
hand-painted reserve depicting a young lady with flowers in her hair, 1.125'' H x 9.75''
Dia., est: $600/900
Provenance: Private Collection, Westchester, CA. Condition: Overall good condition.
With scattered light surface scratches commensurate with age. An approximately 2.25''long crack to rim and a corresponding .125''-wide area of fill verso. Your bid indicates
1191 A Swiss gilt-brass table clock, Gubelin
Mid-20th century, Lucerne, marked to face ''Gubelin'', ''8 Days / 15 Jewels'' and ''Swiss'',
the movement marked ''Swiss'' and ''745380'', the square beveled glazed case housing the
raised silvered dial with black enameled Roman numeral hour markers, over a gilt-brass
ground with applied scrolling foliate corner accents, raised on a beveled rectangular
plinth, on tapering square feet, 6.5'' H x 6.5'' W x 1.5'' D, est: $500/700
with general light marks, scratches and darkening to gilt brass commensurate with age.
Winds and runs; Moran's does not guarantee working condition of clocks and watches.
1192 A Royal Worcester reticulated porcelain vase
1888, with puce crowned monogrammed mark over ''Z'', further marked ''RdNo..
71590'', the short flaring gilt-highlighted rim over a dual-layered ivory-ground ovoid
body, the interior hand-painted with three scenes of birds in flight in landscape settings,
each scene framed by a gilt-painted quatrefoil reserve cut out from the gilt ''jeweled'' and
reticulated exterior, 6.125'' H x 5'' Dia., est: $3000/5000
Scattered spots of minor wear and scratches to gilt-painted decoration. Approximately
eight lost gilt ''jewels'' to body. Your bid indicates acceptance of our Conditions of Sale.
1193 A George IV sterling silver coffee/tea service
1833, London, each with maker's mark of Charles Gordon, a four-piece set, each of squat
lobed form with oak branch-form handles and spouts, each repousse-decorated and
chased with oak leaves, acorns and flower-flanked reserves, raised on scrolled foliate
feet, comprising a coffee pot (8.875'' H x 9'' W x 6.25'' D), a teapot (6.125'' H x 10.875'' W
x 6.5'' D), a sugar bowl with gilt-washed interior (4.25'' H x 8.25'' W x 5.75'' D) and a milk
jug with gilt-washed interior (4.625'' H x 5.5'' W x 3.875'' D), each engraved with a lion
armorial device to one reserve, 4 pieces, 97.245 oz troy approximately, est: $2000/3000
Provenance: Private Collection, Carpinteria, CA. Condition: Overall good condition,
with general light marks, scratches, nicks and tarnishing commensurate with age. Coffee
pot with cracks and breaks to insulators; handle somewhat loose. Sugar bowl with
approximately four scattered .125''-wide dents to body. Engraved, as stated. Your bid
52
1194 Old Sheffield silver-plated handled serving tray
Second half 19th century, apparently unmarked, flanked by C-scroll handles, the waved
rocaille-molded rim over an oval platter chased with scrolling foliage and grillage,
centering a foliate-surrounded rectangular reserve, on button feet, 2.75'' H x 30.625'' W x
21.875'' D, est: $200/300
Provenance: Private Collection, Carpinteria, CA. Condition: Overall good condition,
with general marks, scratches and wear commensurate with age. Scattered nicks to rim.
Not monogrammed. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL
1195 A George III sterling silver tea caddy
1794, London, with partially rubbed maker's mark of John Denzilow, surmounted
by an octagonal finial, the domed oval-shaped hinged locking lid over a serpentine
body chased with foliate bands centering wreathed reserves, one engraved with a
symbolic armorial and monogrammed ''H'', 6'' H x 5.375'' W x 3.75'' D, 14.060 oz troy
Provenance: Private Collection, Sierra Madre, CA. Condition: Overall good condition.
General light marks, scratches, dings and tarnishing commensurate with age.
With an approximately .5''-long linear ding to uppermost edge of face. Lacking key.
1196 A parquetry Louis XVI-style tea table
Late 19th/early 20th century, a geometric parquetry-inlaid turtle-top table, on foliatemounted cabriole legs terminating in scrolling foliate sabots, 23'' H x 31.625'' W x 22'' D,
est: $1000/1500
with general light marks, scratches, minor separation at joints and wear and darkening
to gilt-bronze mounts commensurate with age. Your bid indicates acceptance of our
1197 Pair Daum cameo glass and sterling silver bottles
Early 20th century, each signed in gilt enamel to base ''Daum / Nancy'' with the Cross of
Lorraine, lids each marked ''Sterling / Silver'', each bulbous silver lid repousse-decorated
with fruiting raspberry vines over a silver-clad neck opening to a rounded-shouldered
cylindrical body, of green cut back to clear glass, decorated in a fruiting raspberry vine
motif, 2 pieces, each: 6.25'' H x 3'' Dia., est: $1000/1500
general light marks, scratches, wear and tarnishing to silver commensurate with age.
Each with fleabites and scratches to underside and upper edge of glass stopper. Your bid
53
1198 Two hand-painted KPM-style porcelain urns
Each bearing blue overglaze maker's mark ''KPM'' beneath a scepter, a complementary
pair, each all-over gilt painted, with a wide circular mouth over a festooned neck, the
pulled ovoid body hand-painted with neoclassical figural interior to one face centered
by columnar handles supporting female portrait head medallions, raised overall on a
waisted socle over a square festooned plinth, on an integral stepped base, 2 pieces, each:
18.5'' H x 9.5'' W x 6.375'' D, est: $1500/2000
Condition: Overall good condition, with scattered scratches and scuffs commensurate
with age. More extensive losses to gilt-painted finish to edges and raised decoration
throughout. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
1199 An Georgian sterling silver teapot
Circa 1760s (with partially rubbed date mark), London, maker's mark for John Harvey,
with a turned ebonized finial surmounting the domed acanthus-cast hinged lid, over a
slightly concave top spreading to meet a relief-decorated palmette frieze over the ovoid
body, engraved with a crown over the motto ''Tout Pour L'Eglise'' above a church house
armorial device, raised overall on a stepped circular foot, 7.75'' H x 9.5'' W x 4.5'' D, gross
weight 16.780 oz troy approximately, est: $600/900
with general light scratches, marks, nicks and tarnishing commensurate with age.
Shallow dents and dings to silver terminal of handle. Marks partially rubbed. Weight
includes non-silver elements. Engraved, as stated. Your bid indicates acceptance of our
1200 English sterling silver Walker & Hall spice set
1905-1907, Sheffield, each with maker's mark of Walker & Hall, each of quatrefoil form,
all but the mustard pot with bifurcated foliate handles, raised on ball-and-leaf feet,
comprising 4 salt cellars with gilt-washed interiors and spoons (2'' H x 3.25'' W x 2.375''
D), a mustard pot with hinged cover, blue glass fitted liner and spoon (2.75'' H x 3.25''
W x 2.375'' D) and two shakers (3.5'' H x 2.5'' W x 1.625'' D), 7 pieces, 13.485 oz troy
with general marks, scratches, rubbed wear and tarnishing commensurate with age
and use. Wear to gilt-washed interior of salt cellars. Oxidation to interior of mustard
pot. Two spoons of a different, non-matching pattern. Not monogrammed. Your bid
54
1201 A group of 3 English sterling silver articles
Each London, the first: 1763, with maker's mark for William Plummer, a George III
pierced oblong basket with swing handle, raised on a pierced oval-shaped foot (with
handle: 4.75'' H x 6.25'' W x 4.875''' D); the second: 1788, with partially rubbed maker's
mark likely for Hester Bateman, a George III milk jug, of typical form, with a scalloped
rim over a chased foliate-festooned body, monogrammed to forward reserve ''AEC'',
raised on a flaring stepped circular base (5.5'' H x 4.625'' W x 2.5'' D); the third: 1868,
with partially rubbed maker's mark for Edward, Walter & John Barnard (Barnard &
Sons Ltd.), a Victorian pie/cake server, the pierced foliate scrollwork blade chased and
engraved to the borders and engraved verso with an armorial device depicting a man
in profile over the motto ''Ung Dieu Ung Roy (One God and One King)'', with a twisted
handle terminating in a mother-of-pearl grip (1'' H x 11.125'' W x 3.375'' D), 3 pieces,
gross weight 12.230 oz troy approximately, est: $500/800
Provenance: Private Collection, Sierra Madre, CA. Condition: Each in overall good
condition, with general light marks, scratches, wear and tarnishing commensurate with
age. The second and third personalized/monogrammed, as stated. Weight includes
mother-of-pearl handle of pie/cake server. Your bid indicates acceptance of our
1202 Two London sterling silver tankards
The first: George III, dated 1788, London, with maker's mark of James Mince & William
Hodgkins, the plain baluster-form body issuing a scrolled handle with acanthus thumbrest, raised overall on a stepped spreading circular foot; the second: Victorian, dated
1861, London, with maker's mark of Edward & John Barnard, further marked ''1658 / I'',
of banded cylindrical form, raised on a stepped slightly spreading circular foot, 2 pieces,
the first: 5.125'' H x 5.5'' W x 3.625'' D; the second: 4.75'' H x 5.5'' W x 4'' D'' H, 24.840 oz
troy approximately, est: $500/800
Provenance: Private Collection, Sierra Madre, CA. Condition: Each in overall good
condition, with general light marks, scratches, nicks and tarnishing commensurate with
age. The first with dings and repaired dents to body and minor pitting to underside of
foot. Not engraved or monogrammed. Your bid indicates acceptance of our Conditions
1203 A French gilt-bronze mounted 3-drawer lamp table
Late 19th/early 20th century, carcass stamped ''Made in / France'' the eared kidneyshaped beveled marble top over a conforming veneered gilt-bronze mounted body faced
with three drawers, the top drawer face centering a bronze-mounted blue and white
Wedgwood porcelelain plaque depicting a woman playing the flute for a dancing putti,
on slightly cabriole legs terminating in scrolled sabots, with key, 34.25'' H x 35.5'' W x
21.5'' D, est: $800/1200
condition, with general marks, scratches, nicks, scuffs and wear commensurate with
age. Scattered shrinkage cracks and separation at joints. Sun fading to face, left side
and verso. Previously refinished. One sabot detached; retained. Wedgwood plaque and
surrounding mount later additions; covering keyhole. Scattered nicks, repairs and spots
of fill to marble top. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL
55
1204 A Victor Saglier silvered bronze jardiniere
Late 19th century, maker's mark to underside, further marked ''Bazar Colon'' within a
rectangle, oblong, flanked by bifurcated acanthus-wrapped handles joining the squat
laurel-festooned and gadrooned body, raised on a shaped outset fasces-molded base,
with a fitted inset liner, 5'' H x 23.75'' W x 11.75'' D, est: $2000/3000
Condition: Overall good condition. General scattered scratches, nicks, rubbed
wear and tarnishing and a few small gouges; the largest approximately .125'' x .25''
to rim. Oxidation to interior, primarily to base. A few spots of repair to interior. Not
monogrammed. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
1205 Gump's French gilt-bronze & Chinoiserie clock set
Early 20th century, marked to face for retailer ''S & G Gump Co. / San Francisco'',
further marked ''France'', the movement marked ''8 Eight Jewels / UNADJUSTED /
A Marchandon / Paris / 8 Rubis / Made in France'', the cylindrical clock case with
a white enameled face with black Arabic numerals and pierced gilt scrolling hands,
raised on gilt branch-form supports accented with hand-painted porcelain flowers,
over a blue porcelain seated Buddha raised on a stepped molded oval base, on leaf and
seed-pod feet, with key (13.75'' H x 8.75'' W x 7.25'' D), together with a conforming
electrified candelabra garniture, each piece surmounted by two fabric-shaded electrified
faux-candles centering a standing monk (each: 15'' H x 8.25'' W x 5'' D), 3 pieces, est:
$4000/6000
with general light marks, scratches, nicks, darkening to gilt bronze and scattered minor
chips and losses to ceramic flowers, the largest approximately .75'' x .5''. One candelabra
with monk figure loose from base and lacking two porcelain flowers; one additional
flower detached, retained. Electrified, as stated; wiring should be checked by a qualified
electrician prior to use. Lacking key; working condition unknown. Moran's does not
guarantee working condition of clocks and watches. Your bid indicates acceptance of
1206 Dominick & Haff sterling silver flatware service
Late 19th/early 20th century, New York, NY, each with maker's mark of Dominick &
Haff, further marked ''Sterling'', some with retailer's mark ''Wright Kay & Co.'', others
with retailer's mark ''Jas. K. Lemon & Son'', a partial flatware service for six in the ''New
King'' pattern, comprising 6 tablespoons (7''), 12 round-bowl soup/gumbo spoons
(6.875''), 13 teaspoons (5.875''), 3 table/serving spoons (8.5''), 4 fish forks (6.125''), 6
dinner forks (8.75''), 6 luncheon forks (6.875''), 2 hollow-handled blunt-bladed old
French dinner knives (10.25''), 4 hollow-handled stainless steel-bladed old French dinner
knives (9.75''), 6 hollow-handled stainless steel-bladed old French luncheon knives
(8.625''), 6 five o'clock teaspoons with gilt-washed bowls (4.375''), 4 oyster forks (5.5''), 2
serving spoons with shell-shaped bowls (one with gilt-washed bowl) (8.75''), 1 serving
fork with gilt-washed tines (8.875''), 1 sugar tongs (4.75''), and 1 hollow-handled cake
breaker (12.375''), variously monogrammed, 77 pieces, weighable sterling 102.8 oz troy
with general light marks, scratches and wear commensurate with light use. Teaspoons
with more rubbed wear to raised decoration on verso of bowls. Blunt old French
dinner knives with minor spots of oxidation to blades. General wear to gilt wash of five
o'clock teaspoons and serving fork. Weight does not include hollow-handled articles.
56
1207 Richard Rackus (1922-* Central California)
''Oak Creek Bridge'', signed lower right: R. Rackus, titled and dated on an artist studio
label affixed verso: 1996, oil on canvas, 16'' H x 20'' W, est: $600/900
Provenance: Private Collection, Granada Hills, CA. Condition: Visual: Generally good
Figures walking through a small village in fall, signed lower right: F. de Schook,
watercolor on paper under glass, sight size: 14'' H x 21'' W, est: $500/700
Note: Paper size: 15.5'' H x 22.25'' W. Provenance: acquired from the artist's daughter
in the early 1950s; through descent to current owner, Private Collection, Pasadena, CA.
Condition: Visual: Generally good condition. Minor toning to the paper, heavier along
the edges. Hinged to the recto mat with brown paper tape along the upper edge. Your
Small house in a landscape, signed and dated lower right: F. de forest Schook / 36,
watercolor on paper under glass, sight size: 12.75'' H x 16.75'' W, est: $300/500
Note: There is another painting of a house verso. Paper size: 14'' H x 17.5'' W.
Provenance: acquired from the artist's daughter in the early 1950s; through descent to
current owner, Private Collection, Pasadena, CA. Condition: Visual: Generally good
condition. Very minor toning to the paper. Mounted to the recto mat with masking tape
along the upper edge and bottom corners. Tape remnants from a previous mounting
remain along the four edges. Your bid indicates acceptance of our Conditions of Sale.
1210 French brass & champleve regulator, Tiffany & Co.
Late 19th/early 20th century, the crystal regulator movement marked ''Made in / France''
and ''2402 / 5 8'', retailer's mark to face ''Tiffany & Co.'', the brass pediment faced with
a blue and white champleve plaque over a rectangular glazed case faced with dual
champleve-enameled Corinthian columns centered by a floating circular brass clock
face with black painted Arabic numeral hour markers, raised overall on a gadrooned
stepped base, on a foliate-molded stepped rectangular plinth, raised on beaded toupie
feet, 14.25'' H x 9.125'' W x 5.375'' D, est: $1000/1500
with scattered light scratches and wear commensurate with age. Rubbed wear and
losses to painted hour markers. Pendulum with an approximately 1''-long crack to
one glass cylinder. Lacking key. Working condition unknown; Moran's does not
57
1211 An American coin silver teapot and covered sugar
Late 18th/early 19th century, Philadelphia, PA, each with maker's mark ''Williamson''
within a rectangle for Samuel Williamson, each of rectangular gadrooned form, reliefdecorated with fruiting grapevine borders to body and foot, comprising a teapot with a
carved wood handle (9.5'' H x 11.5'' W x 4.25'' D) and a covered sugar bowl (8.5'' H x 8''
W x 4'' D), 2 pieces, gross weight 47.455 oz troy approximately, est: $800/1200
with general light marks, scratches, nicks and tarnishing commensurate with age; teapot
with an approximately .75''-long scratch below upper grapevine border. Sugar bowl with
an approximately .25'' x .25'' ding to corner of base. Weight includes wooden handle. Not
SALES FINAL
1212 A Shreve & Co. sterling silver bowl
Mid-20th century, maker's mark to underside ''Shreve & Co. / San Francisco / Sterling'',
with a plain circular bowl centered by a pierced oak branch and acorn rim, 3'' H x 11.25''
Dia., 14.930 oz troy approximately, est: $600/800
Condition: Overall good condition, with scattered light scratches, nicks and tarnishing
1213 A Reed & Barton sterling silver water pitcher
Second half 20th century, Taunton, MA, maker's mark of Reed and Barton, further
marked ''Sterling'' and ''875 / C / 7 1/2 Pint'', with a gadrooned rim over a serpentineoutline body repousse-decorated and chased with festoons and scrolling margents,
raised on a waisted square base, 10.125'' H x 8.875'' W x 5.25'' D, 32.585 oz troy
with general light scratches and tarnishing commensurate with age. An approximately
.5'' x .5'' area of very shallow dings to base. Not monogrammed. Your bid indicates
1214 American sterling silver-overlaid red glass ewer
Early 20th century, marked to base ''Sterling Silver / Deposit / 292'', the cylindrical body
surmounted by a short cylindrical neck topped with a spherical stopper, all-over overlaid
with foliage and flowers, one side centering a serpentine reserve , 8.5'' H x 5'' W x 4.5'' D,
est: $400/600
with general light marks, scratches and tarnishing commensurate with age. Fleabites,
abrasions and wear to underside, including an approximately .25'' x .125'' divot.
Scratches, abrasions and minor fleabites to stopper and interior of neck; stopper with
an approximately .125'' x .125'' chip to terminal. Your bid indicates acceptance of our
58
1215 A Reed & Barton sterling silver salad serving set
Early 20th century, Taunton, MA, each with maker's mark verso, further marked
''Sterling'' and ''Pat. Appl'd For'', a salad serving set in the ''Love Disarmed'' pattern
designed 1899 by Charles A. Bennett, each relief decorated to the handle with Cupid
and Venus among flowering poppies, comprising a serving fork and spoon, 2 pieces,
each: 10.75'' H, 15.790 oz troy approximately, est: $300/400
with general scratches, nicks, rubbed wear and tarnishing commensurate with age. Not
SALES FINAL
1216 Four ladies hats, including one Yves St. Laurent
One ''Happy Cappers'' orange marabou feather hat with label; one Otto Lucas camel
felt elevated pillbox hat, labeled ''made in England for Saks Fifth Avenue'', one Emme
Boutique faux pearl and bead on white with gold brocade, with label; and one Yves Saint
Laurent cloche felt hat with steel studs and geometric detail, 4 pieces, est: $100/150
Condition: Overall good condition with light signs of wear. Yves Saint Laurent hat with
later-added pink embellishment. Your bid indicates acceptance of our Conditions of
1217 L.S. sterling mesh purse/Jules Gallet watch
Of silver with floral decoration in blue enamel, stamped "L.S. Sterling" to interior and
monogrammed ''MGR'' ''Baltimore'' verso, the back of watch stamped ''1425604 / J.G.
(for Jules Gallet) / Lady Racine / 0.925 / Swiss'' with the standing bear Swiss purity of
silver mark, without chain: 5.5'' W x 6.25'' L x .5'' D, est: $200/300
Provenance: Private Collection, Pasadena, CA. Condition: Overall good condition.
Some scratches and tarnishing to silver commensurate with age and use. The watch
with dirt accumulation and scratches commensurate with age. One nick with loss to
the enamel by the ''3''. Watch winds, does not run. Moran's does not guarantee working
condition of clocks or watches. Your bid indicates acceptance of our Conditions of Sale.
59
1218 A group of five vintage and antique ladies purses
The first: a tapestry purse with gold-toned and jeweled clasp, without chain: 6.5'' W x
7.75'' L x .385'' D; the second: an unlined green/black/silver glass and gold-tone mesh
purse stamped ''Made in France'' to interior, without chain: 4.75'' W x 5.125'' L x .625''
D; the third: an unlined circular German silver mesh handbag with mermaid, dolphin
and shell motif and coin purse, stamped ''Warranted / German Silver'' to the interior of
handbag and monogrammed ''A.E.H.'' to exterior, without chain: 5.375'' W x 7'' L x 2'' D;
the fourth: an unlined German silver mesh purse, stamped to interior ''German Silver'',
not monogrammed, without chain: 6.38'' W x 6.75'' L x .38'' D; the fifth: a rhinestone
and metal mesh purse with fabric lining, fabric tag signed ''Made in France'' sewn into
interior, without chain: 6'' W x 6.25'' L x .38'' D, 5 pieces, est: $200/400
Provenance: Private Collection, Pasadena, CA. Condition: The first in overall good
condition with some scratches and wear commensurate with age. The exterior with
separation from the clash and the purse. The interior lining with scattered staining
especially around the pockets and wear at joint. The second in overall fair condition with
scratches, tarnishing and wear commensurate with age. The glass jewels with scratches
and chips. Some separation between the clasp and purse. The interior mechanism with
some rust and deterioration, still functioning. The third in overall good condition with
tarnishing and wear commensurate with age and use. The coin purse probably lacking
a chain. The fourth in overall good condition with wear and tarnishing commensurate
with age. Some separation between the clasp and purse at a corner joint. The fifth with
extensive loss of rhinestones to the clasp and scattered losses to the mesh rings creating
small holes to the exterior. The interior lining with scattered tears; the bottom of the
lining torn in two. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
1219 A group of four vintage and antique ladies purses
The first: a diminutive unlined gold-filled mesh purse with leaf motif, monogrammed
''K.E.H.'' to exterior clasp, interior stamped ''Gold Filled'' and engraved ''Kate E. Jones
3132 N. Broad St., Phila. Pa.'', without chain: 4'' W x 3.75'' L x .25'' D; the second: an
unlined gold and silver-toned beaded fringed bag studded with green rhinestones and
featuring a push-button clasp and gilt-highlighted design with hand-chased finishes,
stamped ''Made in France'' to interior, overall: 5.75'' W x 8.75'' H x .5'' D; the third: a 1920s
Whiting and Davis striped, floral-etched and fringed gold-toned mesh ''dance purse''
with bow and laurel and blue cabochon bead push closure, interior contains a fixed
interior mirror and dual-compartment compact, stamped ''Whiting & Davis Co. Mesh
Bags'' and ''Pat'd / Soldered Mesh'' to interior, exterior monogrammed ''J.W.C.'' with
''1922'' etched verso, without chain: 4.25'' W 8.5'' L x 1'' D; the fourth: an unlined goldtoned dual-layer fringed mesh bag with purple cabochon glass bead clasp and unusual
hinged closure, stamped ''Dec. 10. 1912'' to interior, overall: 6.5'' W x 12'' L x .25'' W, 4
pieces, est: $200/300
Provenance: Private Collection, Pasadena, CA. Condition: The first in overall good
condition with some scratches, dings and wear commensurate with age. The second in
overall fair condition with tarnishing and wear commensurate with age and use. A few
spots of separation between the clasp and purse on either side and at joints. One piece
of fringe and chain missing. Green lining torn and missing from bag. The third in overall
good condition with wear commensurate with age and use. Scattered spots of oxidation
and rust throughout. The mirror with cracks and loss around the edges. The fourth in
overall good condition with some rubbed wear, scattered oxidation and a few missing
links in mesh. One cabochon bead with a chip. Your bid indicates acceptance of our
60
61
Consignments Invited
Fine Je welry Auction
Spring 2016
A round brilliant-cut Natural Fancy Light Gray-Blue diamond
2.78 carats, with GIA
est: $50,000/70,000
SOLD: $504,000.00!
For inquiries, please contact Ana Wroblaski:
e: [email protected]
P: (626) 793-1833 ext. 103
bid in person - absentee - telephone - live online | www.johnmoran.com · [email protected] · (626) 793-1833
California & American
Fine Art Auction
M ar ch 22, 2016
Con sig n To d ay
Joseph Henry Sharp (1859-1953 Taos, NM)
Indian hunter
oil on canvas, 20'' H x 16'' W
est: $70,000/90,000
w w w. j o h n m o r a n . c o m · i n f o @ j o h n m o r a n . c o m · ( 6 2 6 ) 7 9 3 - 1 8 3 3

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