Reconsidering Okakura Tenshin as the Inventor of Oriental Art

Transcription

Reconsidering Okakura Tenshin as the Inventor of Oriental Art
Reconsidering Okakura Tenshin as the Inventor of Oriental Art History Association for Asian Studies, Boston, Mar. 11-15, 1999; Annual Meeting Program, p135.
Japan
J
apan
his
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that
underscored
his
linking
of
China's
h
i
sf
udoron 出
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o
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fC
h
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's
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ann t
the
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o
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a
l
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o
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i
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.1
i
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la
l
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ot
a
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eu
i
sc
o
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e
p
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artistic
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Iw
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Asian
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.{{
3)
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I
A
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Okakura
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h
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e
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t
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h
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r
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e
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reakdown
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onga
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dY
uanD
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r
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ip
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ovements(
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off"China' in the mind of Okakura, for I
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h
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ann u
understanding
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胞
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China
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emw
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C
h
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ai
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e
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o
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e
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o
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t勾
s
Okakura's
ideas
provide
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new
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into
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r
o
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i
d
ei
m
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o
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n
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n
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oO
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and
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e
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asp
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e
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yO
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a
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a
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and
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him
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C
h
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e
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r
ta
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dh
i
s
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o
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e
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e
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o
ph
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t
h
e
o
r
yo
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t
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o
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h
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n
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o
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h J
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n p
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h
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o
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c
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n
d
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o
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h
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n
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h
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e
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ee
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c
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as
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some
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e
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l
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e
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ore“
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c
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e
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eb
ome
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n
e
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e
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ys
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e
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t
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r
e
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e
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e
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d
e
o
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oree
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r
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li
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research
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h
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e
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e
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r
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Addressing
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d
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h
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b
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v
eq
u
e
s
t
i
o
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e
l
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understand
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Henry
Focillon,
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o
ro
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u
n
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e
r
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t
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er
e
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enryF
o
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sooh
highly
asst
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appreciated
a
p
p
r
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i
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e
dO
kakuras
i
g
h
l
ya
h
em
ostd
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t
i
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e
offt
the
Oriental
artistic
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the
les
thinker
t
h
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n
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ro
h
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r
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e
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t
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h
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e
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o
s
m
o
p
o
l
i
t
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nc
o
n
t
e
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t
.D
e
a
l
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n
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i
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ht
h
e
s
e
g
u
e
r
r
e
s
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Okakura's
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uss t
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e
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l
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oh
e
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e
e
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enturyJ
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o
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omparativeStudy
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e
nc
u
l
t
u
r
a
lf
i
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l
d,w
heret
h
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off t
tradition
were
rendered
values
and
assumptions
v
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l
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u
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p
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so
r
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nw
ere r
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d
questionable.
q
u
e
s
t
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a
b
l
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.
The
unsettled
and
contested
contexts
that
resulted
T
heu
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s
e
t
t
l
e
da
ndc
o
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t
e
s
t
e
dc
o
n
t
e
x
t
st
h
a
tr
e
s
u
l
t
e
d
formed
the
fertile
ground
for
creative
f
o
r
m
e
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h
ef
e
r
t
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eg
r
o
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c
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o
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e
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offi
identity-building,
based
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the
articulation
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projects
p
r
o
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e
c
t
so
d
e
n
t
i
t
y
b
u
i
l
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a
s
e
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h
ea
r
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l
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o
no
"otherness"
from
the
This
paper
outlines
the
“
o
t
h
e
r
n
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s
s
"f
rom t
h
e west.
wes
t
.T
h
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wo such
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Okakura
Kakuzo
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okohama,
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a
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the
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revivalist
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e J
a
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ihonga art
町t
movement,
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Abanindranath
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,a
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ovement
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India,
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omC
a
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c
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t
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o
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e
ro
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eB
enga
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Reconsidering
Okakura
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R
e
c
o
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o
ro
Oriental
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O
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a
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rtH
i
s
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o
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y
Shigemi
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International
Research
Center
for
Japanese
S
h
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iI
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The
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Oriental
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issa
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tH
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r
yi
odern
T
hec
o
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lA
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created
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the
Western
impact.
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e
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n
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rt
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s
Oriental
art,
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clear
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c
o
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t
r
u
c
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ra
On
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hand,
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d,t
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,
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objects
selected
toor
represent
that
arttt
toot
the
Western
o
b
j
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e
p
r
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n
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h
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t訂
h
eW
e
s
t
e
r
n
of
fitting
into
the
categories
world
had
toom
meet
the
test
w
o
r
l
dh
adt
eett
h
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s
to
ff
i
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ot
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ec
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t
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g
o
r
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e
s
that
Westerners
had
themselves
established
assd
defining
t
h
a
tW
e
s
t
e
r
n
e
r
sh
adt
h
e
m
s
e
l
v
e
se
s
t
a
b
l
i
s
h
e
da
e
f
i
n
i
n
g
the
fine
Arts.
Attt
the
same
time,
these
objects
also
had
h
e
s
eo
b
j
e
c
t
sa
l
s
oh
a
d
t
h
ef
i
n
eA
r
t
s
.A
h
es
amet
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tooa
avoid
being
seen
assm
mere
by-products
offW
World
Art
t
v
o
i
db
e
i
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gs
e
e
na
ereb
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p
r
o
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c
t
so
orldA
r
t
History,
assW
Westerners
defined
it.t
H
i
s
t
o
r
y,
a
e
s
t
e
r
n
e
r
sd
e
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i
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.
of
the
Ittw
was
innt
this
narrow
space
that
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I
asi
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r
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o
ws
p
a
c
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h
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h
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e
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innA
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pursued
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the
second
half
offt
the
O
r
i
e
n
ti
r
tw
asp
u
r
s
u
e
di
h
es
e
c
o
n
dh
a
l
fo
h
e
Innt
this
paper
I w
will
re-examine
the
nineteenth
n
i
n
e
t
e
e
n
t
h·century.
c
e
n
t
u
r
y
.l
h
i
sp
a
p
e
r1
i
l
lr
e
e
x
a
m
i
n
et
h
e
Okakura
Tenshin
played
innt
this
context.
Here
I
role
that
r
o
l
et
h
a
tO
kakuraT
e
n
s
h
i
np
l
a
y
e
di
h
i
sc
o
n
t
e
x
t
.H
e
r
e1
propose
tooe
explore
three
points:
(1)
Toow
what
extent
was
p
r
o
p
o
s
et
x
p
l
o
r
et
h
r
e
ep
o
i
n
t
s
:(
1
)T
hate
x
t
e
n
tw
as
Okakura
influenced
byy I
Indian
thinkers
like
Vive
O
kakura i
n
f
l
u
e
n
c
e
db
n
d
i
a
nt
h
i
n
k
e
r
sl
i
k
eV
ive
Oriental
values
inn
Kahnanda
innh
his
effort
toor
rehabilitate
K
ahnandai
i
se
f
f
o
r
tt
e
h
a
b
i
l
i
t
a
t
eO
r
i
e
n
t
a
lv
a
l
u
e
si
aw
world-wide
context;
and
toow
what
extent
can
weef
find
a
a
o
r
l
d
w
i
d
ec
o
n
t
e
x
t
;a
n
dt
hate
x
t
e
n
tc
a
nw
i
n
da
parallel
between
Okakura's
endeavors
in
Japan
and
p
a
r
a
l
l
e
lb
e
t
w
e
e
nO
kakur
ぜ se
n
d
e
a
v
o
r
si
nJ
a
p
a
na
n
d
offKm
Kmalaswami
and
E..B
B.
Havell
innl
India;
(2)
Too
those
t
h
o
s
eo
a
l
a
s
w
a
m
ia
n
dE
.H
a
v
e
l
li
n
d
i
a
;(
2
)T
Okakura's
changing
images
offA
Asia
what
extent
were
w
hate
x
t
e
n
tw
e
r
eO
k
a
k
u
r
a
'sc
h
a
n
g
i
n
gi
m
a
g
e
so
s
i
a
Orient
the
results
offa
a c
changing
environment
and
the
a
n
dt
h
eO
r
i
e
n
tt
h
er
e
s
u
l
t
so
h
a
n
g
i
n
ge
n
v
i
r
o
n
m
e
n
t
and
the
particular
audiences
toow
which
his
books
were
a
n
dt
h
ep
a
r
t
i
c
u
l
a
ra
u
d
i
e
n
c
e
st
hichh
i
sb
o
o
k
sw
ere
addressed?
The
Ideals
offt
the
East
(1903)
was
written
hel
d
e
a
l
so
h
eE
a
s
t(
19
0
3
)w
asw
r
i
仕e
n
a
d
d
r
e
s
s
e
d
?T
The
Awakening
of
for
enlightened
British
intellectuals;
f
o
re
n
l
i
g
h
t
e
n
e
dB
r
i
t
i
s
hi
n
t
e
l
l
e
c
t
u
a
l
s
;T
heA
wakeningo
f
Japan
(1904)
(which
was
never
published
during
his
J
apan(
19
0
4
)(
w
h
i
c
hw
asn
e
v
e
rp
u
b
l
i
s
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e
dd
u
r
i
n
gh
i
s
lifetime)
was
written
assa
ad
declaration
offs
solidarity
with
l
i
f
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t
i
m
e
)w
asw
r
i
t
t
e
na
e
c
1a
r
a
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i
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no
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r
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yw
i
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1
35
135
。
999b
yt
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eA
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s
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t
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,I
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c
.
©1
1999
by
the
Association
for
Asian
Studies,
Inc.
A
l
lR
i
g
h
t
sR
e
s
e
r
v
e
d
All
Rights
Reserved
Ordering
Information
O
r
d
e
r
i
n
gI
n
f
o
r
m
a
t
i
o
n
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obtain
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Abstracts
for
the
1992-99
Annual
T
oo
b
t
a
i
nc
o
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i
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o
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nnual
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