catalogue

Transcription

catalogue

Buying at Waddington’s™
Condition:
All lots will be offered and sold subject to this Condition of Sale as well as
any Glossary and posted or oral announcements. By bidding at auction,
bidders are bound by those Conditions and Glossary, as amended by any
oral announcements or posted notices, which together form the contract
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lots are not warranties and each lot is sold “as is” in accordance with the
Conditions of Sale.
IMPORTANT
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bid price of each lot up to and including
$50,000 and 15% on any amount in excess
of $50,000 is paid by buyer as part of the
total purchase price.
A charge of 6% GST (Goods and Services
Tax) and 8% PST (Provincial Sales Tax) is
applicable on the hammer price and
buyer’s premium, except for purchases
exported from Canada. In the case where
purchases are shipped out of the province
of Ontario, the PST is exempt.
ALL PRICES IN CANADIAN FUNDS
Condition of Lots:
All of the items are to be considered, unless otherwise noted in the
description, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage
or repair but as with the nature of the material, may show minor surface
wear, discolouration etc., which indicates the acceptable wear that the
piece may acquire with age. If you are particular about minor flaws, you
should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of
the bidder to inquire as to the condition of a lot before bidding. Condition
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Scarborough, Ontario M1S 1P8 Tel. 416 299-3367
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INTERNATIONAL ART
AUCTION
Tuesday 12 June 2007 at 1 PM
VIEW
Friday 8 June Noon - 5 PM
Sunday 10 June Noon - 5 PM
Monday 11 June 10 AM - 3 PM
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Front Cover Illustration: Lot 120
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Catalogue available for
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This catalogue and its contents © 2007 Waddington McLean & Company Ltd.
Waddington’s, Joyner and Curator Asset Management are trademarks of Waddington McLean & Company Ltd. All rights reserved.
Photography by Waddington’s.
1
Walter M. Brackett (1823-1919), American
TROUT; Oil on shell; signed and dated June
1879, with dedication to W.Wainwright
bottom centre
Shell 7.5” x 8” — 19.1 x 20.3 cm.
Est. $500/700
2
19th Century American
TROMPE L’OEIL LETTER TO MRS. ROBINSON,
YORK, UPPER CANADA; Pen and ink en grisaille with sepia wash. Unframed.
6.3” x 7.9” — 16 x 20 cm.
Est. $300/400
Provenance: Ex. Coll. The Estate of Gilbert
Bagnani, Contents of Vogrie, Port Hope,
Ontario, Ritchie’s, Toronto, December 15,
1994, lot 4095.
Note: This work was addressed to Mrs. John
Beverly Robinson, the wife of, Sir John Beverly
Robinson, Chief Justice of Upper Canada
from 1841 to 1862.
International Art - Tuesday 12 June 2007 1 PM
5
3
After John Singleton Copley (1738-1815),
American
THE TRIBUTE MONEY; Oil on tin sculpted in
the oval; inscribed verso
26.25” x 32.5” — 66.7 x 82.6 cm.
Est. $1,000/1,500
4
C.L. Bis(schops?) (Circa 1890-1920),
American School
GOOSE FAMILY IN A LANDSCAPE; Oil on canvas; signed indistinctly lower right
24” x 37” — 61 x 94 cm.
Est. $300/500
6
5
Butler Brown (20th Century), American
RURAL GEORGIA, USA; BARN, RURAL GEORGIA; Two temperas; the former, on masonite;
signed and dated 71 lower right, signed, titled and dated to the frame; the latter, a miniature
on elephant ivory, signed and dated 72 lower right, titled to gallery label verso
10” x 8” — 25.4 x 20.3 cm.; 1.5” x 1.8” — 3.8 x 4.5 cm. respectively
Est. $300/400
Provenance: Anne Tutt Studio Gallery, Macon, Georgia gallery label to the latter
6
George Arthur Hays (1854-1934), American
COWS WATERING AT A STREAM; Oil on canvas; signed lower left
12” x 16” — 30.5 x 40.6 cm.
Est. $600/800
Waddington’s™ Auctioneers & Appraisers
7
Attributed to Judith Prest (fl. Circa 1940),
American
STILL LIFE WITH APPLES, BOTTLES AND
PLATES; Oil on canvas; inscribed Prest verso
25” x 30” — 63.5 x 76.2 cm.
Est. $600/800
Note: Reportedly to be by this American
artist when acquired.
8
Arthur Pope (fl.1889-1927) et al, American
FIGURE STUDIES; Seven pencil and pen and ink drawings on 6
sheets by Pope including after Old Masters such as Tintoretto,
Rubens and Boucher. Together with: Marguerite Poté Hanlon
(20th Century); PORTRAIT OF ARTY POPE, a pen and ink drawing
heightened with white on green board. Together with: Winthrop O.
Judkins, MADONNA AND CHILD, a pen and ink drawing, After
Rembrandt, Eight pieces total. Six unframed.
11.5” x 9.75” — 29.2 x 24.8 cm.; 6.25” x 5.5” — 15.9 x 14 cm.
Est. $300/400
Note: Arty Pope was a professor of art at the Fogg Museum, Harvard
University in the 1930’s and 40’s. W.O. Judkins was a student of
Professor Pope and later became Professor of Art History at McGill
University, Montreal from 1952-1982.
9
Sydney Mortimer Laurence (1865-1940), American
SOLITUDE; Watercolour; signed lower right, signed and titled verso
13.75” x 9.75” — 34.9 x 24.8 cm.
Est. $400/600
Note: Probably painted in late 1880’s as address verso is 58W 57th
Street, New York. See also lot 30.
10
Paul R** Koehler (1875-1909), American
GIANT’S (?) HEAD, MAINE; Pastel; signed lower left, titled verso
15” x 22.75” — 38.1 x 57.8 cm.
Est. $700/900
7
11
George Grosz (1893-1959), German/American
RECLINING NUDE; Pen and ink drawing heightened with watercolour;
signed lower right
9” x 7.5” — 22.9 x 19.1 cm.
Est. $1,000/1,500
12
Attributed to Willem de Kooning (1904-1997), Dutch/American
SEATED WOMAN; Pen and ink drawing on indistinctly watermarked
paper ... Made in US; signed lower right. Unframed.
10.75” x 8” — 27.3 x 20.3 cm.
Est. $3,000/5,000
Provenance: Ex.Coll. Willard Vine Clerk, possibly by descent through
his family; By descent to the present Private Collection, Toronto
Note: Willard Vine Clerk’s family were among the founding patrons of
MOMA, New York.
This work may relate to De Kooning’s drawings published for Frank
O’Hara’s book, Poems.
8
14
Aaron Bohrod (1907-1992), American
BEACH AT NORTH AVENUE (CHICAGO); Watercolour and gouache;
signed and dated 1933 lower right, titled and dated to artist’s studio
label verso
14.5” x 21” — 36.8 x 53.3 cm.
Est. $1,500/2,500
Provenance: Acquired directly from the artist, a friend of the present
Private Collection, Madison, Wisconson in 1986 or 1987
Note: Bohrod was influenced by the Social Realism of his teachers,
John Sloan and Boardman Robinson. Throughout the 1930’s and
1940’s, he exhibited at the Associated American Artists, the NAD and
at the Oehlschlager Gallery in Chicago. His subjects which ranged
from urban scenes to military views are represented in the collections of the Art Institute of Chicago, the Metropolitan Museum, the
Whitney Museum and the Cranbrook Academy.
13
John Morris (1920-1991), American
SURREALIST LANDSCAPE WITH WARRIOR AND FANTASTIC SHARK;
FIGURE IN A PARKLAND WITH ROLLER COASTER; Pair of gouaches;
each signed lower right, the former signed at Sicily lower right
17” x 13.75” — 43.2 x 34.9 cm.
Est. $1,000/1,500
Provenance: John Morris Gallery, West Hollywood, studio label to the
verso of each
15
David Park (1911-1960), American
UNTITLED, ABSTRACT; Watercolour, gouache and ink on paper; bears
signature lower right, inscribed; David Park 1 of 3 LeBrecht c/55 in
pencil verso. Unframed.
20” x 26” — 50.8 x 66 cm.
Est. $3,000/5,000
Provenance: With the Boston MFA; Gifted to Alma Lebrecht, Boston,
MFA in the late 1940’s or early 1950’s;
Marcel Breault, Bristol, Connecticut; Private Collection, Toronto
Exhibited: Printed label verso with text: Museum where subject is displayed inscribed M.F.A., Boston
9
16
American (c. 1920-1940)
YORK BEACH; Oil on panel; vestiges of a signature lower right, titled verso
24” x 33” — 61 x 83.8 cm.
Est. $600/800
18
Samuel A. Biggin (20th Century), American
MY FRIEND CARLOTTA; Oil on canvasboard; signed and dated 1935
lower left, titled and dated verso
18” x 24” — 45.7 x 61 cm.
Est. $1,500/2,000
17
B** Major (20th Century), American
ARAB MARKET OUTSIDE A MOSQUE; Oil on canvas; signed lower left
11” x 14” — 27.9 x 35.6 cm.
Est. $700/900
10
19
Anna Duer Irving (1873-1957), American
WOMAN SEATED BY A SUNLIT WINDOW; Oil on canvas;
signed lower left
30.25” x 25” — 76.8 x 63.5 cm.
Est. $1,500/1,800
20
Oliver Dennet Grover (1861-1927), American
HARVEST MOON VENICE; Oil on canvasboard; signed lower left, titled to
label verso
24” x 19” — 61 x 48.3 cm.
Est. $2,000/3,000
Provenance: Campanile Galleries, Chicago, Illinois, purchased by the present Private Collection, Toronto, circa 1968
21
Attributed to Pal Fried (1893-1976), Hungarian/American
BEAUTY IN THE STREETS OF PARIS; Oil on canvas; indistinctly signed Wilf Pal
lower right
22” x 28” — 55.9 x 71.1 cm.
Est. $1,500/2,000
22
Lawrence Nelson Wilbur (1897-1988),
American
SNEAKING A SANDWICH; Oil on canvasboard;
signed upper right
20” x 15” — 50.8 x 38.1 cm.
Est. $1,500/2,000
23
Elliot Dold (1892-1957), American
MOUNTIE WITH GUN RESCUING A YOUNG
WOMAN FOR ESCAPE ACROSS A LOGJAM; Oil on
canvas; signed lower right
30.5” x 22” — 77.5 x 55.9 cm.
Est. $1,000/1,500
Note: Dold was the cover artist for many pulp fiction magazines including: Cowboy Stories; Lariat
Story Magazine; The Danger Trail; Eagles in the Air;
Famous Lives; Zoom; and others
11
24
Sydney Richmond Burleigh (1853-1931), American
A BEAUTY IN MEDIEVAL COSTUME; Watercolour; signed lower right
29.5” x 19.5” — 74.9 x 49.5 cm.
Est. $1,500/2,000
25
William Trost Richards (1833-1905),
American
MONT-SAINT MICHAEL, NORMANDY,
FRANCE; Watercolour and gouache;
signed and dated 1881 lower right
20.5” x 29” — 52.1 x 73.7 cm.
Est. $5,000/7,000
Provenance: Ex-Coll. Col. Sam
McLaughlin, Oshawa; Gifted to C.H.
Carlisle, Toronto in 1920;
By descent
12
26
John Ford Clymer (1907-1989), American
IN THE SUGAR CAMP; Oil on canvas; signed lower left
36” x 32” — 91.4 x 81.3 cm.
Est. $20,000/30,000
Provenance: Private Collection, Montreal from circa 1939;
By descent to the present Leamington, Ontario collection since 1956
13
27
19th Century American
INDIAN ENCAMPMENT AND PROSPECTORS IN AN EXTENSIVE MOUNTAIN
LANDSCAPE; Oil on canvas laid down on masonite
46” x 92” — 116.8 x 233.7 cm.
Est. $15,000/18,000
28
After Alfred Jacob Miller (1810-1874), American
THE LOST GREENHORN; Oil on canvas. Unframed.
18” x 24” — 45.7 x 61 cm.
Est. $2,000/4,000
14
29
Daniel Ridgway Knight (1839-1924), American
HAILING THE FERRY; Oil on canvas; signed at Paris lower right
22” x 18.5” — 55.9 x 47 cm.
Est. $40,000/60,000
Provenance: Frederick Thom Gallery, Toronto
15
30
Sydney Mortimer Laurence (1865-1940), American
MT. MCKINLEY, ALASKA, Oil on canvas; signed lower right, 30” x 24” — 76.2 x 61 cm.
Est. $80,000/100,000
Provenance: Nugget Shop, Juneau, Alaska
Note: Sydney Laurence was the first professionally trained artist to make Alaska his home. He was
born in New York and studied at the Art Students League before moving to St. Ives, Cornwall,
England in 1889. Over the next decade he exhibited at the Royal Society of British Artists and was
included in the Paris Salon in 1890,1894 and 1895. For reasons unknown, he moved to Alaska in
1904 and lived the life of a pioneer prospector. He painted little in his first years in the territory but
between 1911 and 1914 he began to refocus on his art. He moved from Valdez to Anchorage in
1915. He painted a wide variety of Alaskan scenes during his career but it is the image of Mt.
McKinley from the hills above the rapids of the Tokositna River that became his trademark. It is this
image more than any other which personifies Laurence for his many admirers and collectors in
Alaska and beyond. Laurence forged a uniquely personal style by applying the tonalist techniques
he had learned in New York and Europe to the wilderness of the North. He, more than any other
artist, defined for Alaskans and others the image of Alaska as “The Last Frontier”
16
31
Adolf (Constantin) Baumgartner-Stoiloff (1850-1924), German/Austrian
SIBERIAN TREASURE TRAIN; Oil on canvas; signed lower right
32” x 51” — 81.3 x 129.5 cm.
Est. $10,000/15,000
Provenance: Ex.Coll. Col. Sam McLaughlin, Oshawa;
Gifted to C.H. Carlisle, Toronto in 1920; By descent
17
33
George Eisler (1928-1998), Austrian
ROTES GASTHAUS; JAZZ BAR; VILLAGE HOUSES; Three works: the first, an oil on canvasboard, 8.5” x 10.5” — 21.6 x 26.7 cm; the second, an oil on canvasboard; signed and
dated 82 upper left, 12” x 16” — 30.5 x 40.6 cm; the third, an oil on canvas; signed and
dated 88 upper right, 11.8” x 15.5” — 29.8 x 39.4 cm
Est. $1,000/1,500
Provenance: Ex-Coll. Heinz Saueressig; By descent
32
Roland Strasser (1895-1974), Austrian
STUDIES OF A NUDE; STUDIES OF FACIAL
FEATURES; Two drawings: the former, a
charcoal drawing; signed bottom centre, the
later, a pencil drawing; signed lower right
Each approximately, 9” x 7.25” — 22.9 x 18.4 cm.
Est. $500/700
34
Hans Barma (1899-?), Austrian
ALPS AT SUNSET; Oil painting on canvas; signed lower right
24” x 36” — 61 x 91.4 cm.
Est. $800/1,000
18
35
Adolf Pirsch (1858-1929), Austrian
RECLINING BEAUTY; Oil on canvas; estate stamp to stretcher
15.75” x 22” — 40 x 55.9 cm.
Est. $1,500/2,000
37
Theo Van Sluys (1849-1931), Belgian
THE NEW ARRIVALS; Oil on panel; signed upper left
7.75” x 10.5” — 19.7 x 26.7 cm.
Est. $2,000/3,000
Provenance: Certificate of authenticity from artist inscribed verso
36
John C** Allcott (1888-1973), British/Australian
HISTORIC FRIGATE HOMEWARD BOUND; Oil on canvasboard; signed and dated 1947
lower right
12” x 17.75” — 30.5 x 45.1 cm.
Est. $2,500/3,000
38
Victor Lagye (1829-1896), Belgian
GYPSY GIRL; Oil on cradled panel; signed lower
right
29.5” x 23.5” — 74.9 x 59.7 cm.
Est. $2,000/3,000
Provenance: Dominion Gallery, Montreal
19
39
Clemens van den Broeck (1843-1922), Belgian
BEACH SCENE; Oil on board; signed lower left
4.75” x 6.75” — 12.1 x 17.1 cm.
Est. $300/500
41
William Heath Robinson (1872-1944), British
BALLERINA AND HER ENTOURAGE OF CHERUBS (AN ILLUSTRATION);
Pencil and ink drawing heightened with white; signed lower left
14.75” x 10.75” — 37.5 x 27.3 cm.
Est. $1,000/1,500
40
A**L** Dampierre (19th/20th Century), Belgian/French?
PINE TREES IN THE VALLEY; Oil on board; signed lower right, titled to
gallery label verso
35.5” x 27.5” — 90.2 x 69.9 cm.
Est. $500/700
Provenance: The Vincent Price Collection label verso
20
42
Reuben Ward Binks (fl.1885-1915), British
A FAVORITE BULL DOG; Watercolour; signed and dated 1914 lower right
Sight 13.7” x 9.5” — 34.9 x 24.1 cm.
Est. $500/700
43
Robert Taylor Pritchett (1823-1907), British
NEAR ST. PAUL’S ON THE DAY OF THE THANKSGIVING; INTERIOR OF ST. PAUL’S ON
THE DAY OF THANKSGIVING (FOR THE RECOVERY OF THE PRINCE OF WALES 27TH
FEBRUARY 1872); OPENING OF NEW LAW COURTS, DEC 4, 1882; AND ESTATE AT
ESHER, SURREY; Three watercolours and one pen and ink drawing; each signed with
monogram, the first two watercolours tipped to a single sheet; signed and titled to
the mount, signed and titled verso; the second watercolour laid down to a support;
titled bottom centre on a banner; the pen and ink; signed, titled and dated May
1870 verso. Unframed.
The first two, 6.25” x 4.5” — 15.9 x 11.4 cm.; the third, 9.75” x 7” – 25 x 17.8 cm., the
fourth, 9.75” x 6.75” – 25 x 17 cm.
Est. $1,500/2,500
21
44
Richard Hamilton Essex (1802-1855), British
PUNCH AND JUDY PERFORMANCE OUTSIDE
THE CHURCH OF ST. MARY THE VIRGIN;
Watercolour; inscribed verso backing
10.25” x 8.25” — 26 x 21 cm.
Est. $300/500
45
John Beer (fl.1885-1915), British
AT THE POST - THE GRAND NATIONAL;
Watercolour and gouache; signed, titled and
dated 1901 lower right
10” x 15.5” — 25.4 x 39.4 cm.
Est. $500/700
22
46
James Stinton (1870-1961), British
PHEASANTS IN A LANDSCAPE; Watercolour;
signed lower left
8.75” x 13” — 22.2 x 33 cm.
Est. $500/700
47
Augustus Walford Weedon (1838-1908),
British
CROFTERS; Watercolour; signed and dated
‘06 lower left
13” x 20” — 33 x 50.8 cm.
Est. $800/1,200
48
William Shackleton (1872-1933), British
GORDALE SCAR, YORKSHIRE; Watercolour
and gouache; signed and dated 18 lower
left, titled to gallery label verso
18.5” x 22.5” — 47 x 57.2 cm.
Est. $600/800
Provenance: The Fine Art Society Ltd., London
in September 1973, No. M8665
49
George Stanfield Walters (1838-1924),
British
SHIPPING IN A HARBOUR; Watercolour;
signed lower left
12.5” x 9.25” — 31.8 x 23.5 cm.
Est. $500/700
50
George Stanfield Walters (1838-1924), British
COMING INTO PORT; Watercolour; signed
lower left
12” x 19.5” — 30.5 x 49.5 cm.
Est. $600/800
52
Charles E** Hannaford (1863-1955), British
FISHING BOATS LEAVING OSTENDE;
Watercolour; signed and titled lower right
10.5” x 13.5” — 26.7 x 34.3 cm.
Est. $500/700
51
NEAR PRINCETON, DARTMOOR; Watercolour; signed and titled
lower right
13.5” x 20.25” — 34.3 x 51.4 cm.
Est. $500/700
54
Frank C** Belcher (died circa 1963), British
THE THAMES AT BLACKFRIARS RAILWAY
BRIDGE; SHIPPING, LONDON BRIDGE; Pair of
watercolours; each signed lower left
Sight 12.75” x 22.5” — 32.4 x 57.2 cm.; 8.25” x
21” — 21 x 53.3 cm. respectively
Est. $400/600
53
HOME FROM THE HERRING GROUND; Watercolour, signed and titled at
Staithes,Yorkshire lower right
18” x 28” — 45.7 x 71.1 cm.
Est. $700/900
23
55
Edward Duncan (1803-1882), British
YOUNG CLAMMER SIGNALLING THE INCOMING CATCH; Watercolour;
signed lower left
12.75” x 9.75” — 32.4 x 24.8 cm.
Est. $600/800
56
John Henry Henshall (1856-1928), British
THE LEISURE HOUR; Watercolour; signed lower left, titled to gallery
label verso
Sight 10.75” x 14” — 27.3 x 35.6 cm.
Est. $600/800
Provenance: Richardson Bros., Winnipeg, Manitoba
24
57
James Holland (1800-1870), British
AT THE PULPIT; Watercolour; signed and dated 1830 lower left
15.75” x 10.75” — 40 x 27.3 cm.
Est. $1,200/1,800
Provenance: Mary Lambert, United States and Canada;
By descent to the present Private Collection, Ontario
58
John Henry Henshall (1856-1928), British
THE UNWILLING SCHOLAR; Watercolour; signed lower right
9.75” x 6.5” — 24.8 x 16.5 cm.
Est. $1,200/1,800
59
William Simpson (1823-1899), British
MONGOLIA, GROUP NEAR THE GREAT WALL OF CHINA; CIRCASSIA, TEHERKESS OF
THE SOUBASH; CASHMERE, SALIMAR GARDENS; Three watercolours; each signed,
titled and dated 1875, each signed and titled to gallery labels verso
Each sight 6.75” x 4.75” — 17.1 x 12.1 cm.
Est. $3,000/4,000
Provenance: The Fine Art Gallery, London
60
Noel Harry Leaver (1889-1951), British
IN OLD CHARTRES; AN OLD TOWN IN NORMANDY; Pair of watercolours; each signed
lower right, each titled verso
18” x 11.25” — 45.7 x 28.6 cm.
Est. $3,000/4,000
25
61
Myles Birket Foster (1825-1899),
British
CAMBRIDGE; Watercolour; signed
with monogram lower right
3.75” x 5.5” — 9.5 x 14 cm.
Est. $4,000/6,000
62
Sir John Bernard Partridge (1861-1945), British
ILLUSTRATION TO RABBI BEN EZRA; Watercolour; signed and
dated M.CM.III lower left, titled and dated April 1946 to gallery
label verso
Sight 15” x 10.5” — 38.1 x 26.7 cm.
Est. $800/1,200
Provenance: The Folio Society, Ltd., London
26
63
Vernon March (? - 1930), British
FAUNE AND A SATYR; Dark brown patinated bronze; signed and
dated 1919. Raised on a turned socle base.
height 11.25” — 28.6 cm.
Est. $1,000/1,500
64
Vincent Clare (b. circa 1855- d. 1930), British
GRAPES, RASPBERRIES AND PEACHES ON A MOSSY BANK; Oil on
8” x 10” — 20.3 x 25.4 cm.
Est. $800/1,000
65
George Philip Reinagle (1749-1833), British
PORTRAIT OF CHARLES EDWARD REINAGLE; PORTRAIT OF MRS.
RAMSAY RICHARD REINAGLE (nee ORIANA BULLFINCH); Pair of oils
on board; each titled and inscribed in pen and ink to labels verso
11” x 9.5” — 27.9 x 24.1 cm.
Est. $2,000/2,500
Provenance: E. Whitnall’s Fine Art Gallery
Note: Charles Reinagle was a Lieutenant in the service of the East
India Company
27
66
Manner of George Lance (1802-1864), British
STILL LIFE OF FRUIT AND JUGS; Oil on panel; bears signature lower right
7.4” x 8.6” — 18.7 x 21.8 cm.
Est. $400/600
67
Manner of Copley Fielding (1787-1855), British
PASTORAL WITH SHEEP AND CATTLE WATERING; Oil on canvas; bears
signature lower right
15.25” x 20.5” — 38.7 x 52.1 cm.
Est. $800/1,000
28
68
William H. Cubley (1816-1896), British
FLY FISHERMAN IN EXTENSIVE LANDSCAPE; Oil on canvas; signed
lower left
22” x 35.5” — 55.9 x 90.2 cm.
Est. $2,000/3,000
69
Jacob Henry Connop (1834-1870), British
RUSTIC FAMILY BY A WATERFALL; Oil on canvas; signed and dated
1852 lower right
18" x 24" — 50.8 x 61 cm.
Est. $800/1,200
70
Attributed to David Cox Snr. (1783-1859), British
GATHERING FLOWERS; Oil on board laid down on panel; bears signature of J. Constable and date 1827
lower right
8.7" x 4.7" — 22 x 12 cm.
Est. $3,000/5,000
Provenance: Ex. Coll. Stephen Vangarth, Kingston;
Acquired from the Talisman, Cobourg, Ontario, in 1978;
The Estate of Donald G. Crossley, Ontario;
By descent
Exhibited: Art Gallery Of Ontario, Toronto extended loan from 1980-1990 as David Cox Snr.
Literature: See Don Crossley, In Quest of authenticity: the case of the Canadian “Constable”, published in
Canadian Art Magazine, Fall 1985 issue, pgs. 82-83.
In the Fall of 1980, this work was featured in several Toronto newspaper and Canadian media features
including:
a Global Television news feature, a CBC, Metro Morning interview with Mr. Crossley; and an article and
illustration of the work published in The Toronto Sun newspaper .
In December 1981, Charles S. Rhyne, then Chairman of the Department of Art, at Reed College, Portland,
Oregon obtained permission to include a reproduction of Gathering Flowers in a forthcoming four-volume catalogue raisonné to contain all drawings and paintings Attributed to John Constable.
Note: Since being discovered in 1979 this work has been the subject of much debate and intrigue. It
charmed art-lovers at the AGO for ten years and hung amid masterpieces by Cézanne, Matisse,
Constable and Van Gogh.
This lot is accompanied by a letter to Mr. Crossley from Michael J.H. Liveridge, Lecturer-in-charge at the
University of Bristol, dated August 30, 1980 confirming the attribution of this work to David Cox Snr.
Liveridge writes: “The painting conforms closely to the usual canon of the artist’s informal oil studies, and
the style is also close to his work in watercolour. In particular the handling of foliage and the treatment of
atmospheric effects in [the] painting correspond to Cox’s vigorous and direct treatment of landscape
scenery, especially in his oil sketches.”
29
71
Attributed to George Morland (1763-1804), British
IN A CARRIERS STABLE; Oil on canvas; traces of signature and
date 17?? lower right. Unframed
21.5” x 29” — 54.6 x 73.7 cm.
Est. $3,000/5,000
72
James Curnock (1812-1870), British
A QUIET AFTERNOON BY THE SEA; Oil on canvas;
signed lower right; signed and dated ‘61 lower right
18” x 14” — 45.7 x 35.6 cm.
Est. $1,000/1,500
30
73
George Stainton (Exhibited 1882-99), British
ON THE MEDWAY; Oil on canvas; signed lower right, signed and titled
verso
20” x 30” — 50.8 x 76.2 cm.
Est. $2,500/3,500
74
William Morison Wyllie (c.1830-c.1890), British
PEASANTS AND THE STUBBORN DONKEY; Oil on canvas; signed with initials and
dated 1861 lower left
14” x 23.5” — 35.6 x 59.7 cm.
Est. $1,000/1,500
75
William John Montaigne (?-1902), British
VISION OF RODOMONT; Oil on panel; signed,
titled and inscribed verso
10” x 7.75” — 25.4 x 19.7 cm.
Est. $300/500
Exhibited: Inscribed “exhibited in 1845, No. 2
verso”
76
Walter Williams (1835-1906), British
THE EDHILL LLANDBERG, NORTH WALES; Oil
on canvas; signed and titled to artist’s label
to the stretcher
8.5” x 6.5” — 21.6 x 16.5 cm.
Est. $700/900
Provenance: Frederick W. Thom Limited,
Toronto
77
Thomas Henry Thomas (1839-1915), British
A COUNTRY HOUSE AND GARDEN; Oil on
10” x 16” — 25.4 x 40.6 cm.
Est. $300/500
78
Richard Redgrave (1804-1888), British
GIRL ON A SUNLIT WOODLAND PATH; Oil on
canvas, sculpted with arched top; signed
lower right.
18" x 14" — 45.7 x 35.6 cm.
Est. $1,000/1,500
79
Manner of John Frederick Herring (17951865), British
FARMER HARNESSING A DRAFT HORSE IN
FARMYARD; Oil on canvas
18” x 24” — 45.7 x 61 cm.
Est. $600/800
80
John Bagnold Burgess (1830-1897), British
A COUNTRY MAN IN A LANDSCAPE SMOKING A PIPE; Oil on canvas; signed with initials
lower left
18” x 14.25” — 45.7 x 36.2 cm.
Est. $300/500
31
82
Henri LeJeune (1820-1904),British
THE CYMBAL GIRL, Oil on panel; signed with monogram and dated
1877 lower right
9.2” x 5.25” — 23.3 x 13.3 cm.
Est. $2,000/3,000
81
William Hemsley (1819-1893), British
WHO STOLE THE SPOON; COMBING DOLLY’S HAIR; Pair of oils on
panel; the former; signed lower left, signed and titled verso
6.3” x 5” — 16 x 12.7 cm.
Est. $2,000/3,000
32
83
Thomas Kent Pelham (Act.c.1860-1891), British
YOUNG GIRL AT A WELL; Oil on canvas; signed lower right
15” x 10.8” — 38 x 27.5 cm.
Est. $1,000/1,500
84
Richard Caton Woodville II (1856-1926), British
A GENTLEMAN OF THE COURT; Oil on board; signed lower left
9.25” x 7” — 23.5 x 17.8 cm.
Est. $700/900
Provenance: Ex.Coll. E.W. Fisher bought at Christies, January 23, 1925
inscribed verso
85
Alexis de Andreis (1880-1929), British
THE KING’S BODYGUARD; Oil on canvas; signed lower right
26” x 21.5” — 66 x 54.6 cm.
Est. $1,500/2,500
86
George Clare (1830-1900), British
BIRD’S NEST AND SPRING BLOSSOMS ON A MOSSY BANK; Oil on canvas; signed lower right
6” x 9” — 15.2 x 22.9 cm.
Est. $1,500/2,000
87
Richard Buckner (1812-1883), British
THE BLESSING; Oil on panel; signed lower right
24” x 17.5” — 61 x 44.5 cm.
Est. $1,200/1,600
33
88
Attributed to William Etty (1787-1849), British
FEMALE NUDE WITH A ROSE; Oil on board
19.5” x 29.5” — 49.5 x 74.9 cm.
Est. $3,000/4,000
Provenance: Maynards, Vancouver 1972, lot 647; Private Collection,
Kelowna, B.C.
89
Attributed to James Edwin Meadows (1828-1888), British
SHIPPING OFF THE COAST; Oil on canvas; bears signature and
indistinctly dated 11 lower left
24” x 36” — 61 x 91.4 cm.
Est. $4,000/6,000
34
90
Edwin Hayes (1820-1904), British
FISHING OFF THE HARBOUR MOUTH; Oil on canvas; signed lower right,
signed and titled verso
10” x 14” — 25.4 x 35.6 cm.
Est. $3,000/5,000
91
Arthur Trevor Haddon (1864-1941), British
THE QUAY SIDE MARKET; Oil on canvas; signed lower left
20” x 30” — 50.8 x 76.2 cm.
Est. $1,200/1,800
92
William Shayer Snr. (1787-1879), British
GYPSY ENCAMPMENT; Oil on cradled panel; signed
lower right
24.5” x 19.5” — 62.2 x 49.5 cm.
Est. $5,000/7,000
Provenance: Ex. Coll. Howard Young, New York;
Fishers of Detroit; Frederick Thom Gallery, Toronto
93
Robert Kemm (1837-1895), British
GATHERING MUSSELS ON THE BEACH; Oil on canvas;
signed lower left
20.5” x 24” — 52.1 x 61 cm.
Est. $3,500/5,000
35
94
Harold Goldthwaite (fl.1895-c.1925), British
BOATERS BY A WOODLAND POOL; Oil on
panel; signed lower right
9.75” x 15” — 24.8 x 38.1 cm.
Est. $500/700
95
Daniel Sherrin (1868-1940), British
LANDSCAPE WITH FIGURES; Oil on canvas;
signed lower left
10” x 14” — 25.4 x 35.6 cm.
Est. $400/600
36
96
Henry Maidment (fl.1889-1914), British
NEAR CHELMSFORD, ESSEX; Oil on canvas;
signed lower right, titled to stretcher
16” x 24” — 40.6 x 61 cm.
Est. $800/1,200
97
John Cuthbert Salmon (1844-1917), British
FIGURES BOARDING A FERRY ON A VILLAGE
SHORE; Watercolour; signed lower left
29” x 49” — 73.7 x 124.5 cm.
Est. $1,000/1,500
98
Nairne Tate (20th Century), British
FIGURES ON A SUNLIT VENETIAN CANAL; Oil on
canvas; signed and dated 1982 bottom centre
20” x 24” — 50.8 x 61 cm.
Est. $500/700
99
John Toulmin (1911- ), British
PROCESSION OUTSIDE THE FRENCH
EMBASSY; Oil on canvas; signed lower left
16” x 13” — 40.6 x 33 cm.
Est. $500/700
100
Henry Thomas Schafer (1854-1915), British
BEHIND THE CATHEDRAL; Oil on canvas; signed lower right
16” x 12” — 40.6 x 30.5 cm.
Est. $1,000/1,500
Provenance: The Fine Art Galleries, The T. Eaton Co. Limited, Canada
101
Henry Thomas Schafer (1854-1915, British
PLACE DE LA CROIX, ST.PIERRE, ROUEN; Oil on canvas; signed lower
right, signed and titled verso
16” x 12” — 40.6 x 30.5 cm.
Est. $1,000/1,500
102
MORLAIX, BRITTANY; BAMBERG, BAVARIA; Two oils on canvas; the former, signed with monogram and dated 1882 lower right; the latter,
signed with monogram and dated 1882 lower left, each signed and
titled verso
16.25” x 12.25” — 41.3 x 31.1 cm.
Est. $2,000/2,500
Provenance: Frederick W. Thom Limited, Toronto
37
103
Edward Wilkins Waite (1854-1924), British
GEESE AND COWS IN A WOODED RIVER LANDSCAPE; Oil
on canvas; signed and dated 1893 lower right
17” x 23” — 43.2 x 58.4 cm.
Est. $1,200/1,800
105
David Bates (1840-1921), British
GUARDING THE FLOCK OUTSIDE A FARM; Oil on canvas; signed with initials
lower right
20” x 36” — 50.8 x 91.4 cm.
Est. $2,000/3,000
Provenance: The Cooling Galleries Limited, London
104
William Henry Mander (1850-1922), British
IN THE LLEDR VALLEY, NR.BETTWS-Y-COED, N.W; Oil on canvas; signed and dated
‘86 lower right, signed and titled verso
22” x 38” — 55.9 x 96.5 cm.
Est. $1,500/2,000
38
106
John Alexander Harington Bird (1846-1936), British
CHESTNUT HORSE IN A STABLE; Oil on canvas; signed
lower right
19” x 24.5” — 48.3 x 62.2 cm.
Est. $1,500/2,000
107
Henry Hillier Parker (1858-1930), British
EVENING GREAT MARLOW ON THAMES; Oil on canvas;
signed lower right, signed and titled verso
12” x 18.25” — 30.5 x 46.4 cm.
Est. $2,000/3,000
Provenance: Frederick Thom Gallery, Toronto
109
Alfred Fontville de Breanski (1877-1955), British
EARLY MORNING, BURNHAM BEECHES; A SUMMER EVENING, BURNHAM BEECHES; Pair of oils on canvas; each signed lower right and lower left respectively,
each signed and titled verso
12” x 20” — 30.5 x 50.8 cm.
Est. $6,000/9,000
108
Charles James McCall (1907-1989), Scottish
THE SPRING HAT; Oil on canvas; titled to artist’s label
verso which notes that the work was painted in 1949
18” x 10” — 45.7 x 25.4 cm.
Est. $1,500/2,000
39
110
PATTERDALE, ULLSWATER; Oil on canvas; signed lower left, signed and titled verso
12” x 18” — 30.5 x 45.7 cm.
Est. $4,000/6,000
111
Alfred Augustus Glendening Snr. (circa 1840- c. 1910), British
SHEEP GRAZING WITH HERDERS RESTING ON RIVER’S EDGE; Oil on canvas; signed
lower left
16” x 26” — 40.6 x 66 cm.
Est. $8,000/10,000
Provenance: Rayner MacConnal, London; Cooling Galleries Limited, Toronto
40
112
Alfred de Breanski (1852-1928), British
SNOWDON SUNSET AFTER RAIN; Oil on canvas; signed lower left, signed, titled and
numbered No.3 verso
14” x 22” — 35.6 x 55.9 cm.
Est. $4,000/6,000
113
Henry Deacon Hillier Parker (1858-1930), British
CLIEVEDEN-ON THAMES; Oil on canvas; signed lower right; signed verso, titled to the
original gallery receipt
24.5” x 36” — 62.2 x 91.4 cm.
Est. $10,000/15,000
Provenance: Bemrose & Sons Limited, printers, London, No. 2265; The Cooling
Galleries, London & Toronto acquired by the family of the present Private Collection,
Oakville in 1945 and accompanied by the original gallery receipt
41
114
MORNING IN GLEN NEVIS, NB; Oil on canvas; signed lower right, signed and titled verso
28” x 42” — 71.1 x 106.7 cm.
Est. $8,000/12,000
Provenance: The Fine Art Galleries, The T. Eaton Co., Limited partial label
115
Alfred de Breanski (1852-1928), British
BURNHAM BEECHES; Oil on canvas; signed and dated 1884-5 lower right
24” x 36” — 61 x 91.4 cm.
Est. $20,000/25,000
42
116
REPOSE; Oil on canvas; signed and dated 1889 lower left, titled to gallery label verso
14” x 25.5” — 35.6 x 64.8 cm.
Est. $4,000/6,000
Provenance: The Fine Art Galleries, The T. Eaton Company Limited
117
Albert Chevallier Tayler (1862-1925), British
THE OLD OLD STORY; Oil on canvas; signed and dated 90 lower left, titled to the stretcher
18.25” x 24” — 46.4 x 61 cm.
Est. $5,000/7,000
43
118
Edward BrianSeago (1910-1974), British
S. GERMAINE-EN-LAYE; Oil on masonite; signed lower left, titled verso
20” x 26” — 50.8 x 66 cm.
Est. $25,000/35,000
44
119
Edward Brian Seago (1910-1974), British
THE CENTRE WALK TUILERIES GARDENS, PARIS; Oil on masonite; signed lower left,
titled verso
18” x 24” — 45.7 x 61 cm.
Est. $45,000/60,000
45
120
DOROTHEA SHARP (1874-1955), British
CHILDREN ON THE BEACH; IN THE GARDEN; A double-sided oil on canvas; the former
title, signed lower left
31.5 “ x 33.5” — 80 x 85.1 cm.; 33.5” x 31.5” – 85.1 x 80 cm.
Est. $60,000/80,000
Provenance: Cooling Galleries, Toronto, acquired by the present Private Collection,
Guelph, Ontario on March 11, 1964, together with the original receipt
46
120
47
121
Ralston Gudgeon (1910-1984), Scottish
LAPWINGS LANDING; Watercolour and
gouache; signed lower right
20” x 24.5” — 50.8 x 62.2 cm.
Est. $300/500
122
Alexander Ballingall (act. c. 1870 - 1911),
Scottish
EVENING AT ABERLADY; Watercolour; signed
lower left, titled to label verso
Sight 13.5” x 20” — 34.3 x 50.8 cm.
Est. $800/1,200
48
123
Robert Anderson (1842-1885), Scottish
SHELLFISHERS ON THE BEACH; Watercolour
and gouache; signed lower left
17.75” x 12” — 45.1 x 30.5 cm.
Est. $700/900
124
Sir James Lawson Wingate (1846-1924),
Scottish
FARMYARD WITH SHEEP IN A SNOWY PASTURE; Oil on canvas laid down on panel;
signed lower left
10.25” x 14” — 26 x 35.6 cm.
Est. $500/700
125
John Reid Murray (1861-1906), Scottish
MILKMAID IN A SUMMER PASTURE; Oil on
canvas; signed lower right. Unframed.
14” x 12” — 35.6 x 30.5 cm.
Est. $800/1,200
126
James L.C. Docharty (?-1915), Scottish
SHALLOCH CASTLE NEAR GIRVAN; Oil on
canvas; signed lower left, signed and titled to
artist’s label verso
14” x 21” — 35.6 x 53.3 cm.
Est. $600/800
Provenance: Weir & Clyde, Glasgow
127
Alexander Fraser Jnr. (1828-1899), Scottish
HIGHLAND COTTAGE; Oil on paper on board;
signed and dated 1870 lower left, signed,
titled and inscribed: “Painted from nature
about 1870, touched on in 1885” verso.
Unframed.
10” x 14.25” — 25.4 x 36.2 cm.
Est. $1,000/1,500
128
John Thomson (1778-1840), Scottish
LOCH LEVEN; Oil on canvas
20” x 30” — 50.8 x 76.2 cm.
Est. $1,500/2,000
129
William Miller Frazer (1864-1961), Scottish
WATERFOOT, KINTYRE; Oil on canvas; signed
lower right, titled to the stretcher
10” x 14” — 25.4 x 35.6 cm.
Est. $1,500/2,000
130
Joseph Morris Henderson (1863-1936),
Scottish
BEN LOMOND FROM NEAR LUSS; Oil on canvas; signed lower right, titled to label verso
14” x 18” — 35.6 x 45.7 cm.
Est. $1,000/1,500
131
William Mouncey (1852-1901), British
FIGURES IN A FOREST CLEARING; Oil on canvas; signed and dated ‘98 lower left
16” x 20” — 40.6 x 50.8 cm.
Est. $1,200/1,800
132
William Mouncey (1852-1901), Scottish
AUTUMNAL VIEW OF A FOREST AND
STREAM; Oil on canvas; signed lower left.
Unframed.
18” x 14” — 45.7 x 35.6 cm.
Est. $1,000/1,500
49
133
John Russell Greig (1870-1962), Scottish
INTERIOR - PREPARING FOR CHRISTMAS; Oil on canvas; signed lower right, signed,
titled and numbered No.4 to artist’s label to the frame verso
21” x 26” — 53.3 x 66 cm.
Est. $1,500/2,000
134
John MacWhirter (1839-1911), Scottish
SHEEP HEADING DOWN A HILLSIDE PATH;
Watercolour; signed MacW lower left
29” x 20” — 73.7 x 50.8 cm.
Est. $2,000/3,000
Provenance: Framed by Haynes Art Gallery,
Toronto in 1947
50
135
Robert Gemmel Hutchison (1855-1936) Scottish,
AMONG THE BENTS, A HOT DAY; Watercolour on Whatman
watermarked paper dated 1885 laid down on panel;
signed lower left, titled to exhibition label verso,
19” x 19” — 48.3 x 48.3 cm.
Est. $3,000/5,000
Exhibited: Royal Scottish Society of Painters in Watercolour,
n.d., No.19
136
David Farquharson (1840-1907), Scottish
MUSSELL GATHERERS; Oil on canvas; signed and dated 1880 lower left
9.5” x 13.75” — 24.1 x 34.9 cm.
Est. $2,000/3,000
137
Robert Hope (1869-1936), Scottish
PROUD MAISE; Oil on canvas; signed lower left, signed on a label and titled verso
30” x 25” — 76.2 x 63.5 cm.
Est. $10,000/15,000
Provenance: Ex. Coll. James Wilson, Esq., Dryden, Merchiston Park, Edinburgh;
With John Mathieson & Co., framer’s, Edinburgh; Capt. W. Grant Pippy, Camp Borden,
Ontario from 1963;
By descent to the present Private Collection, Waterloo, Ontario
Exhibited: Royal Scottish Academy, 1914, no. 371 while owned by James Wilson, Esq.,
Dryden, Merchiston Park, Edinburgh
51
138
William Mouncey (1852-1901), Scottish
THE ROLLING DEE; Oil on canvas; signed
lower left, signed, titled and numbered No. 5
to the stretcher
30” x 50” — 76.2 x 127 cm.
Est. $3,000/3,500
139
Sam Coulter (1925- ), Irish
HILL FARM, CUSHENDUN, CO. ANTRIM; Oil on
board; signed and dated 04 lower left, signed
and titled verso. Unframed.
10” x 12” — 25.4 x 30.5 cm.
Est. $400/600
52
140
ST.JOHN’S POINT, DONEGAL; Oil on canvas;
signed and dated 04 lower right, signed and
titled verso. Unframed.
11.75” x 15.5” — 29.8 x 39.4 cm.
Est. $600/800
141
PORT SALON, DONEGAL; Oil on board; signed
lower left, signed and titled verso. Unframed.
18” x 24” — 45.7 x 61 cm.
Est. $800/1,000
142
Thomas Frederick Collier (1825-1870),
Irish/English
ROSES ON A MOSSY BANK; Watercolour;
signed lower left
Sight 10.5” x 15” — 26.7 x 38.1 cm.
Est. $600/800
143
Claude Hayes (1852-1922), Irish
A SHOWERY DAY; Watercolour; signed and
dated 95 lower right, titled and numbered
No.4 verso
24.5” x 29.5” — 62.2 x 74.9 cm.
Est. $1,000/1,500
144
Sir John Lavery (1856-1941), Irish
A LADY SEWING IN A PARLOUR (JANE LAVERY?); Oil on canvas; signed and dated
1881 lower right
16” x 24” — 40.6 x 61 cm.
Est. $10,000/15,000
53
145
John Shinnors (1950- ), Irish
UNTITLED; Oil on masonite
48” x 40” — 121.9 x 101.6 cm.
Est. $40,000/60,000
Provenance: Purchased in Limerick, Ireland in 1978
54
146
Frantisek Hanus Herink (1889- 1958),
Czechoslovakian
ALEXANDRIA; Oil on canvas; signed lower
right, titled to label verso
12.4” x 20.5” — 31.5 x 52 cm.
Est. $1,500/2,000
147
Olaf Viggio Peter Langer (1860-1942),
Danish
FIGURE ON A SNOWY LANE; Oil on canvas;
signed and dated 3/29/88 lower left, signed
and titled in Danish to the stretcher
13.75” x 22.75” — 34.9 x 57.8 cm.
Est. $800/1,200
148
Borge Ball (1906 - ), Danish
HAYSTACKS AT TORRING, DENMARK; Oil on
canvas; signed and dated 1954 at Torring
lower right
26” x 38” — 66 x 96.5 cm.
Est. $500/700
149
Isaac Israels (1865-1934), Dutch
SMILING MAN IN WIDE BRIMMED HAT;
Watercolour; signed lower right
11” x 7.75” — 27.9 x 19.7 cm.
Est. $600/800
150
18th Century Dutch School
PASTORAL WITH LOVERS AND THEIR FLOCK;
Gouache and watercolour on vellum
5” x 7” — 12.7 x 17.8 cm.
Est. $500/700
Provenance: By descent through the family
originally from Holland
151
Manner of Cornelis Janssens van Ceulen
(1593-1661), Dutch
PORTRAIT OF A LADY IN RUFFLED COLLAR
(1593-1664); Watercolour. 19th/20th Century.
14.3” x 12” — 36.3 x 30.5 cm.
Est. $1,000/1,500
55
152
Pieter Stortenbecker(1828-1898), Dutch
CATTLE RESTING AND WATERING;
Watercolour; signed lower left
8” x 11.5” — 20.3 x 29.2 cm.
Est. $500/700
153
Willem Steelink (1856-1928), Dutch
SHEPHERD AND FLOCK AT TWILIGHT;
Watercolour; signed lower right
10.25” x 17.25” — 26 x 43.8 cm.
Est. $800/1,200
155
19th Century Dutch
A STORMY DAY AT SEA; Oil on canvas
16.3” x 20” — 41.4 x 50.8 cm.
154
**Roulland (19th Century), Dutch
SKATERS ON A FROZEN POND; TROOPS ENTERING A VILLAGE IN WINTER; Pair of oils on canvas laid down on panel; the former signed lower left and dated 1869 lower right, the latter
signed and dated 1870 lower right
12.4” x 15.7” — 31.5 x 40 cm.
Est. $800/1,200
56
Est. $1,200/1,800
156
Attributed to Jan van Ravenswaay (1789 1869), Dutch
L’ETABLE; Oil on canvas
26" x 34" — 66 x 86.4 cm.
Est. $1,000/1,500
157
Johannes Pietersen (1893-1970), Dutch
FISHERFOLK AND BOATS ON A BEACH; Oil on
14” x 10” — 35.6 x 25.4 cm.
Est. $300/500
159
Willem Hendriks (1888-1966), Dutch
CATTLE IN WOODEN RIVER LANDSCAPE, AUTUMN; Oil on canvas; signed lower
right
16.25” x 20” — 41.3 x 50.8 cm.
Est. $600/800
158
Johan Meijer (1885-1970), Dutch
GEESE ON A RIVER BANK; Oil on canvas laid on panel; signed lower right
7.5” x 10.25” — 19.1 x 26 cm.
Est. $500/700
160
Jan Hillebrand Wijsmuller (1855-1925),
Dutch
DUTCH SHORELINE WITH FIGURES AND
SHIPPING; Watercolour; signed lower
right
19” x 14” — 48.3 x 35.6 cm.
Est. $1,200/1,800
57
161
Willem George Frederik Jansen (1871-1949), Dutch
MILKING TIME; Watercolour; signed lower left
Sight: 13” x 19” — 33 x 48.3 cm.
Est. $1,500/2,000
162
AUTUMN AT LAREN; Oil on canvas; signed lower right
24” x 36.2” — 61 x 92 cm.
Est. $1,500/2,500
58
163
CATTLE BY A RIVER, SPRINGTIME; Oil on canvas; signed lower
right, titled Herfod? to gallery label verso
24” x 32” — 61 x 81.3 cm.
Est. $2,000/3,000
Provenance: Kunsthandel M.L. De Boer, Amsterdam
164
George Jan Hendrik Poggenbeek (1853-1903), Dutch
DUTCH FARM; Oil on panel; signed lower right, titled to the frame
9.5” x 13.5” — 24.1 x 34.3 cm.
Est. $1,200/1,800
166
Johannes Weiland (1856-1909), Dutch
WASHERWOMAN IN A COTTAGE INTERIOR; Watercolour; signed and
dated 98 lower left
18” x 23” — 45.7 x 58.4 cm.
Est. $1,500/2,000
Provenance: Frederick W. Thom Limited, Toronto
165
William Raymond Dommersen (1850-1927), Dutch
FISHING SCENES ON THE SCHELDT: FISHERFOLK AWAITING THE
ARRIVAL OF THE DAY’S CATCH; FAMILY SORTING THE CATCH; Pair of
oils on canvas laid down on board; each signed lower right
16” x 24” — 40.6 x 61 cm.
Est. $2,000/3,000
167
Willem George Frederik Jansen (1871-1949), Dutch
MILKING TIME; Oil on canvas; signed lower right
16” x 20” — 40.6 x 50.8 cm.
Est. $2,000/2,500
Provenance: J.A.Cooling & Sons, London
59
168
Cornelis Bouter (1888-1966), Dutch
IN THE GARDEN; Oil on canvas; signed lower
right, signed to artist’s studio stamp verso
10” x 12” — 25.4 x 30.5 cm.
Est. $1,000/1,500
169
Lammert van der Tonge (1871-1937), Dutch
THE TOY HORSE; Oil on canvas; signed lower left
14” x 10.5” — 35.6 x 26.7 cm.
Est. $1,500/2,000
60
170
Johannes Karel Leurs (1865-1936), Dutch
TENDING BABY; Oil on canvas; signed lower
right
17.75” x 24” — 45.1 x 61 cm.
Est. $1,500/2,000
172
Adrianus Cornelis van Noort (1914-2003)
FUN AT THE BEACH, Oil on panel; signed
lower right, 11.5” x 15.5” — 29.2 x 39.4 cm.
Est. $1,200/1,800
171
Adrianus Cornelis van Noort (1914-2003),
Dutch
CHILDREN PLAYING AT A SWING; Oil on
11.75” x 15.75” — 29.8 x 40 cm.
Est. $1,200/1,800
173
BLOSSOM TIME; Oil on canvas; signed lower
right
15” x 20” — 38.1 x 50.8 cm.
Est. $1,800/2,200
174
Andrianus Johannes Groenewegen (1871-1963), Dutch
MILKING TIME; Oil on canvas; signed lower right
16” x 24” — 40.6 x 61 cm.
Est. $3,000/3,500
175
Circle of Theophile de Bock (1851-1904), Dutch
FARMER DRIVING HIS OX CART ON A COUNTRY LANE; Oil on
panel; remains of an indistinct signature lower right
11.5” x 17.25” — 29.2 x 43.8 cm.
Est. $4,000/6,000
176
CATTLE GRAZING IN A SUNLIT RIVER LANDSCAPE; Oil on
20” x 24” — 50.8 x 61 cm.
Est. $1,200/1,800
Provenance: Continental Galleries of Fine Art, Montreal
177
Attributed to Jacob Jacobsz de Wet II (1640-1697), Dutch
TURKS IN BATTLE; Oil on braced panel
16” x 28” — 40.6 x 71.1 cm.
Est. $2,000/3,000
61
178
Hendricus Anthonius Dievenbach (1872-1946),
Dutch
PLAYTIME; Oil on canvas; signed lower right
25.25” x 30” — 64.1 x 76.2 cm.
Est. $4,000/6,000
Provenance: Private collection Ohio for 70 years
179
Albertus Johan Neuhuys (1844-1914), Dutch
CHILDREN PLAYING WITH A TOP IN A KITCHEN INTERIOR; Oil on canvas; signed lower right
22” x 18” — 55.9 x 45.7 cm.
Est. $5,000/7,000
62
180
Hendricus Anthonius Dievenbach (1872-1946), Dutch
THE NEW ARRIVAL; Oil on canvas; signed lower right
16” x 20” — 40.6 x 50.8 cm.
Est. $3,000/4,000
181
Hendricus Anthonius Dievenbach (1872-1946), Dutch
MOTHER AND CHILDREN IN AN INTERIOR; Oil on canvas; signed
lower left
16” x 20” — 40.6 x 50.8 cm.
Est. $3,000/4,000
182
After Ary Scheffer (1795-1858), Dutch
MIGNON VERLANGENDE NAAR HAAR VADERLAND; Oil on terracotta
sculpted with an arched top by S. Stattler; signed and dated 1870
lower right . Unframed.
65.25” x 33” — 165.7 x 83.8 cm.
Est. $3,000/5,000
Provenance: After the original oil on canvas by Ary Scheffer of 1836
held in Dordrechts Museum, Netherlands
Note: Possibly by Stanislas Stattler (1836-1871), Polish
63
183
Bernard Pothast (1882-1966), Dutch
THE TOY BOAT; Oil on canvas; signed lower right, titled to gallery label verso
19.5” x 23.5” — 49.5 x 59.7 cm.
Est. $20,000/30,000
Provenance: Watson Art Galleries, Montreal
184
Pieter Cornelis Dommersen (1834-1908), Dutch
THE SHIPWRECK; Oil on canvas; signed and indistinctly dated 18.. lower right
34” x 48” — 86.4 x 121.9 cm.
Est. $5,000/7,000
64
185
Lodewijk Johannes Kleijn (1817-1897), Dutch
SKATERS ON A FROZEN POND; Oil on panel; signed lower left, indistinctly inscribed
in pen and ink to an old label verso
11.5” x 14” — 29.2 x 35.6 cm.
Est. $10,000/15,000
Provenance: Frost and Reed, London label verso;
Roberts Art Gallery, Toronto
186
Johan Hendrik van Mastenbroek (1875-1945), Dutch
OP. WEG NAAR DELFT; Oil on canvas; signed and dated 96 lower right, signed, titled
and dated 96 verso
17.5” x 36.25” — 44.5 x 92.1 cm.
Est. $10,000/15,000
65
187
Johan Frederik Cornelis Scherrewitz (1868-1951), Dutch
SHELLFISHERS ON THE BEACH; Oil on canvas; signed lower left
23.5” x 21.5” — 59.7 x 54.6 cm.
Est. $30,000/40,000
Provenance: Estate Collection, Montreal;
By descent to the present Private Collection, Brantford, Ontario
66
187a
Cornelis Bouter (1888-1966), Dutch
WHILE KNITTING; Oil on canvas; signed lower right
20" x 28" — 50.8 x 71.1 cm.
Est. $3,000/3,500
188
Manner of Piat Joseph Sauvage (1744-1818), Flemish
ALLEGORIES OF THE GIFTS OF AIR; WATER; Pair of oils on canvas en grisaille
27.25” x 28.25” — 69.2 x 71.8 cm.
Est. $5,000/7,000
67
188a
Circle of Lodewyck de Vadder (1605-1655), Flemish
RIVER LANDSCAPE WITH ELEGANT FIGURES CONVERSING WHILE A PIPER PLAYS AND
TOWNSFOLK PROMENADE ON THE OPPOSITE SHORE; Oil on panel
11.5" x 29" — 29.2 x 73.7 cm.
Est. $20,000/25,000
Provenance: Ex.Coll. Victoria Woods, inscribed on two old, hand-written labels “Gifted
to us on our silver wedding anniversary by Mr. and Mrs. William Goodenough”;
By descent
68
189
Manner of Gillis van Tilborgh the Younger (1625-1679), Flemish
VILLAGE MERRYMAKERS OUTSIDE AN INN; Oil on canvas
29” x 36” — 73.7 x 91.4 cm.
Est. $3,000/3,500
190
Attributed to Nicolas Vleughels (1668-1737), French
THE FINDING OF MOSES; Oil on panel en camaieu brun. Unframed.
15” x 19” — 38.1 x 48.3 cm.
Est. $1,500/2,500
Note: Thought to be a sketch or study for a formerly lost work by Vleughels of
approximately the same size, executed on canvas rather than panel.
69
191
18th Century French School
PIERRE DENNIS COMTE DE PEYRONNET;
Pastel; sculpted in the oval
21.5” x 18.5” — 54.6 x 47 cm.
Est. $600/800
192
Pierre Anne Dumenil (1862 - ?), French
CATHEDRAL INTERIOR; Watercolour; signed
on artist’s label verso
29.5” x 21.5” — 74.9 x 54.6 cm.
Est. $600/800
Exhibited: Galerie Georges Petit, Paris, 1923
70
193
Louise Adolphe Hervier (1818-1879), French
FIGURES AT PRAYER IN A CATHEDRAL INTERIOR; Oil on canvas; signed lower left
14.4” x 11.2” — 36.5 x 28.5 cm.
Est. $700/900
194
L** Saint (19th/20th Century), French ?
CHARTRES; Oil on canvas; signed and dated
1923
19.5” x 25.5” — 49.5 x 64.8 cm.
Est. $600/800
195
Emile Lemarie des Landelles (1847-1903),
French
FIGURES AT A BOATHOUSE, Oil on canvas;
signed and dedicated: “a mon ami Cherot“
lower left
24.25” x 18” — 61.6 x 45.7 cm.
Est. $600/800
196
P** Bessin (20th Century), French ?
MOROCCO GIRL; Watercolour; signed and
dated ‘46 lower left, titled to label verso
Sight: 15.5” x 11.5” — 39.4 x 29.2 cm.
Est. $400/600
197
Ferdinand Victor Leon Roybet (18401920), French
THE CAPTAIN OF THE GUARD; Oil on
panel; signed lower left
22” x 13” — 55.9 x 33 cm.
Est. $1,500/2,000
199
Gaston Bonfils (1855-1946), French
THE CHESS GAME; Oil on canvas; signed lower right
18” x 22” — 45.7 x 55.9 cm.
Est. $1,500/2,500
Provenance: J.Merritt Malloney’s Gallery, Toronto
198
Charles Kratke (1848-1921), French
OVERDUE; Oil on panel; signed and dated
1879 lower right
12.75” x 9.6” — 32.4 x 24.4 cm.
Est. $1,500/2,500
200
Robert Chailloux (1913- ), French
STILL LIFE OF APPLES AND A STONEWARE PITCHER; Oil on canvas; signed
lower left
15” x 18” — 38.1 x 45.7 cm.
Est. $1,200/1,500
71
201
19th/20th Century French
BEAUTIES BATHING IN A FOREST POOL; Oil
on panel; strengthened indistinct signature
and date 1918 lower left
12” x 16” — 30.5 x 40.6 cm.
Est. $800/1,200
Provenance: Acquired in Wrttemberg,
Germany
202
Attributed to Narcisse Virgile Diaz de la
Pena (1807-1876), French
FONTAINEBLEAU WOODS; Oil on canvas;
traces of signature lower right
22” x 18” — 55.9 x 45.7 cm.
Est. $3,000/5,000
72
203
19th Century European
TIGER IN A LANDSCAPE; Oil on canvas.
Unframed.
20” x 25” — 50.8 x 63.5 cm.
Est. $400/600
204
Jules Hereau (1839-1879), French
HERDING THE FLOCK UNDER PINK SKIES; Oil
on panel; dedicated to P.E.N. / A.H.C. dated
1907 lower right
8.75” x 12” — 22.2 x 30.5 cm.
Est. $1,500/2,000
Provenance: Dedicated to Canadian artist,
Percy Erskine Nobbs (1875-1963) and A. H. C.
from the artist in 1907 ;
Estate of F. J. Nobbs, Canada;
By descent
205
Pierre De Clausade (1910-1976), French
CALM DAY; Oil on canvas; signed lower right
14.75” x 18” — 37.5 x 45.7 cm.
Est. $1,000/1,500
Provenance: Watson Art Galleries, Montreal
206
Paul Duthoit (1858- ), French
EVENING TRAIN; Oil on canvas; signed and
15” x 24.5” — 38.1 x 62.2 cm.
Est. $1,000/1,500
207
After Rosa Bonheur (1822-1899), French
THE OXEN PLOUGH; Oil on canvas
28” x 56.25” — 71.1 x 142.9 cm.
Est. $2,000/3,000
208
Attributed to Rosa Bonheur (1822-1899),
French
SHEPHERD AND FLOCK; Oil on canvas; bears
signature lower right
13” x 18” — 33 x 45.7 cm.
Est. $1,000/1,500
Provenance: Odon Wagner Gallery,Toronto
209
John Buckland-Wright (1897-1954), French
MENTONE, FRANCE; ARDENNES: SPRING; Pair of watercolours; each signed and titled lower
right, the later, dated 1917 lower right
10” x 13.5” — 25.4 x 34.3 cm.
Est. $1,500/2,000
Provenance: Haynes Art Gallery, Toronto
73
210
Alexandre Jacob (1876-1972), French
EARLY FROST; Oil on canvas; signed lower left, titled
to gallery label verso
18” x 15” — 45.7 x 38.1 cm.
Est. $2,500/3,500
Provenance: Watson Art Gallery, Montreal
212
Paul Vernon (1796-1882), French
WOMAN IN A BARBIZON FOREST; Oil on panel; signed lower left
15.5” x 18” — 39.4 x 45.7 cm.
Est. $1,000/1,500
211
Albert Gabriel Rigolot (1862-1932), French
COASTAL VIEW AT DUSK; Oil on canvas; signed lower left
13” x 18.5” — 33 x 47 cm.
Est. $3,000/4,000
74
213
Maurice Boutet de Monvel (1851-1913), French
BROTHERS SEATED WITH THEIR SISTER IN A FIELD;
Oil on canvas; signed and inscribed: “Au Frére
Etienne” upper right
24” x 19.5” — 61 x 49.5 cm.
Est. $3,000/5,000
214
Albert Charles Lebourg
(1849-1928), French
RURAL HOUSES AT
RIVER’S EDGE; Oil on
10.5” x 17.5” — 26.7 x 44.5
cm.
Est. $8,000/12,000
215
Francois Gall (1912-1987), French
A LA GUINUETTE; Oil on canvas; signed lower left, titled to
stretcher
18” x 15” — 45.7 x 38.1 cm.
Est. $6,000/8,000
75
216
Georges Washington (1827-1910), French
LA CHASSE AUX FAUCONS; Oil on canvas; signed lower left
17.5” x 24.5” — 44.5 x 62.2 cm.
Est. $12,000/18,000
217
Henri Emilien Rousseau (1875-1933), French
GROUPE D’ARABS A L’ABREUVOIR; Oil on panel; signed and dated ‘28 lower left,
titled verso
18” x 21.5” — 45.7 x 54.6 cm.
Est. $20,000/30,000
76
218
Edouard Léon Cortes (1882-1969), French
PORT ST. MARTIN; Oil on canvas; signed lower left, titled and dated 1905 to the
stretcher
13” x 19” — 33 x 48.3 cm.
Est. $30,000/40,000
Provenance: The Cooling Galleries Ltd., London and Toronto
77
219
Gustav Jacquet (1846-1909),French
ELEGANT LADY GLANCING LEFT; Oil on cradled panel; signed lower left
11.75” x 9.5” — 29.8 x 24.1 cm.
Est. $4,000/6,000
220
Georges de Dramard (1839-1900), French
LA NORMANDE; Oil on canvas; signed lower left
46” x 32” — 116.8 x 81.3 cm.
Est. $5,000/7,000
Provenance: Purchased at the Hotel Scribe, Paris in May 1963; By descent
to the present Private Collection, Montreal
78
221
Jean-Louis Paguenaud (1876-1952), French
HARBOURFRONT WITH SHIPPING; Gouache;
signed and signed with monogram upper right
12.5”“ x 19.5” — 31.8 x 49.5 cm.
Est. $500/700
222
Jean Marzelle (1916- ), French
PAYSAGE; Oil on canvas; signed lower right.
Unframed.
18” x 21.5” — 45.7 x 54.6 cm.
Est. $500/700
223
Alexandre Putov (1940-), Russian/French
STILL LIFE, FLOWERS IN A VASE ON A TABLE
TOP; Oil on canvasboard; signed lower right
22” x 30” — 55.9 x 76.2 cm.
Est. $500/700
224
Gen Paul (1895-1975), French
FIGURE PLAYING A CELLO; Colour crayon
heightened with gouache; signed upper left
Sight 16” x 11” — 40.6 x 27.9 cm.
Est. $1,200/1,800
Provenance: Galerie Du Perron, Geneve;
Estate of Gertrude and David Sher, Toronto;
Estate collection, Oshawa, Ontario
225
Geneviéve Claisse (1935- ), French
UNTITLED (RED AND BLUE SQUARES ON A
YELLOW GROUND); Oil on canvas; signed
and dated 1972 verso
19.5” x 19.5” — 49.5 x 49.5 cm.
Est. $1,500/2,500
226
Rémy Blanchard (1958-1993), French
UNTITLED (COUPLE IN AN INTERIOR); Acrylic
on canvas
25.5” x 32” — 64.8 x 81.3 cm.
Est. $2,500/3,500
Provenance: Wolf Schutz Gallery, Paris, circa
1992/93
79
227
Rémy Blanchard (1958-1993), French
THE BLACK CHRIST; Polychromed wood carved panel embellished
with barbed wire
60” x 47” — 152.4 x 119.4 cm.
Est. $7,000/9,000
Provenance: Wolf Schutz Gallery, San Francisco, circa early 1990’s
228
Robert Tatin (1902-1983), French, ,
French
LA COMETE; Oil on canvas; signed, titled,
dated 1960 and numbered 261 lower
right
44.75” x 63.75” — 113.7 x 161.9 cm.
Est. $10,000/15,000
80
229
Benjamin Zobel (1762-1831), German
FABLE OF LION ATTACKING TRAVELLER; Sand painting; signed lower left
18” x 24” — 45.7 x 61 cm.
Est. $1,000/1,500
230
Paul Citroen (1896-1983), German
THE TREVI FOUNTAIN, ROME; Watercolour;
signed and dated 6/8 ‘49 upper right.
Unframed.
15.75” x 20” — 40 x 50.8 cm.
Est. $300/500
Provenance: Estate of Ernst Scheyer, Detroit
Institute of Art
231
Heinrich Gottlieb Ludwig Reichenbach (1793-1879), German
FOLIO OF ORNITHOLOGICAL STUDIES; Eighty-three watercolours over pencil with gum arabic including 4 engravings, two hand-coloured, after watercolours by the artist, depicting birds, some Australian, most from the Pacific
region; each titled and identified in pen and ink with Latin titles, bird sizes
and annotated, several with plate and volume numbers, some possibly after
Gould. Various sizes, each mounted to the sheets of a 19th Century hardcover bound folio.
Overall folio, 13” x 10” — 33 x 25.4 cm.; Smallest, 1.5” x 1.5” — 2.3 x 4.5 cm.;
Largest, 2.3” x 4.5” – 6.4 x 11.5 cm.
Est. $1,000/1,500
232
Christian Sell (1831-1883), German
LA GUERRE FRANCO ALLEMANDE DE 1870;
Oil on panel; signed and dated 1870 lower
right
5” x 6.5” — 12.7 x 16.5 cm.
Est. $800/1,200
233
Fritz Beinke (1842-1907), German
HAY BARN AT KLEINENBREMEN, WESTFALICA;
Oil on board; signed and inscribed at
Kleinbremen in Westf lower left, titled and
numbered N.16 verso
15.3” x 12.3” — 38.9 x 31.2 cm.
Est. $300/500
81
234
Attributed to Berthold Löffler (1874-1960),
Austrian
YOUNG GIRL SEATED IN A CHAIR; Oil on
masonite; signed and dated 1953 upper left
21" x 17.5" — 53.3 x 44.5 cm.
Est. $1,000/1,500
236
Henri Carnier (1843-1901/05), German
STREET SCENE IN CAIRO; Oil on canvas; signed lower right, partial title to the stretcher
14.5” x 23” — 36.8 x 58.4 cm.
Est. $1,500/2,500
235
Christian Jereczek (1935- ), German
BALLROOM SCENE; Oil on canvas; signed lower right
31” x 27” — 78.7 x 68.6 cm.
Est. $500/700
82
237
Hermann Liersch (20th Century), German
VILLAGERS TENDING HORSE TEAM, EVENING; Oil on canvas; signed lower left
23” x 31.5” — 58.4 x 80 cm.
Est. $1,500/2,000
237a
Franz Seraph Von Lenbach (1836-1904), German
LILY MERK; Oil on board; signed and dated 1897 upper right
28” x 20.75” — 71.1 x 52.7 cm.
Est. $3,000/4,000
237b
Circle of Christian George Schütz (1718-1791),
German
EXTENSIVE RIVER LANDSCAPE WITH FIGURES AND
CASTLE RUIN; Oil on panel; traces of initials lower left
10.5” x 15” — 26.7 x 38.1 cm.
Est. $3,000/5,000
83
238
Oskar Krockow Von Wickerode (1826-1871), German
MOOSE FAMILY IN A LANDSCAPE; Oil on canvas; signed lower left
49” x 76.75” — 124.5 x 194.9 cm.
Est. $7,000/9,000
Provenance: Private Collection, Lativa acquired by the present Private Collection,
Toronto prior to emigrating to Canada
84
238a
Theodor Alexander Weber (1838-1907), German
FISHING BOATS IN A HARBOUR, FRANCE; Oil on canvas; signed lower right
13.25” x 21.75” — 33.7 x 55.2 cm.
Est. $5,000/7,000
239
Georg Macco (1863-1933), German
THE GREAT PYRAMIDS; Oil on canvas; signed lower right
17.5” x 27.5” — 44.5 x 69.9 cm.
Est. $6,000/8,000
85
240
Rudolf Otto Von Ottenfeld (1856-1913), German
EASTERN MARKET PLACE; Oil on canvas; signed and dated 1885 lower right
22” x 32” — 55.9 x 81.3 cm.
Est. $20,000/30,000
86
241
Dietz Edzard (1893-1963), German
YOUNG WOMAN SEATED IN A CAFE; Oil on canvas; signed lower right
28.75” x 23.5” — 73 x 59.7 cm.
Est. $10,000/15,000
Provenance: With Arthur Lenars & Cie., Fine Art Department, Paris; Frederick W. Thom
Limited, Toronto;
Private Collection, Toronto
87
242
J** Kalokerinos (20th Century) Greek
THE ERECHTHEUM SHOWING THE CARYATID
PORCH (421-406 B.C.); COLONNADE FROM
THE TEMPLE OF POSEIDON, EAST COAST OF
ATTICA (449 B.C), Two watercolours; each
indistinctly signed in Greek lower left, each
with studio stamp verso, each numbered No.
350 and 322 and indistinctly titled verso,
10.25" x 13.25" — 26 x 33.7 cm.
Est. $600/800
243
Zoltan Freytag (1901-1983), Hungarian
CSENDELET; Oil on masonite; signed lower
left, titled to exhibition label verso
32” x 19.75” — 81.3 x 50.2 cm.
Est. $600/800
Exhibited: Képcsarnok V., c. 1968
244
Valeria Telkessy (1870-1950), Hungarian
APPLES, GRAPES, FRUIT AND WINE ON A TABLE; Oil on canvas; signed lower right
17.75” x 24.75” — 45.1 x 62.9 cm.
Est. $600/800
88
245
W** Emery Vizkelety (1819-1895), Hungarian
VEGETABLE MARKET; Oil on canvas; signed
lower left
20” x 24” — 50.8 x 61 cm.
Est. $800/1,200
246
Bela Balogh (19th/20th Century), Hungarian
STILL LIFE OF PEONIES ON A LEDGE; Oil on canvas; signed lower right
24” x 36” — 61 x 91.4 cm.
Est. $800/1,200
247
Jozsi Arpad Baron Von Dretoma Koppay (18591920) Hungarian
ELEGANT IN WHITE; Pastel on linen; signed lower right
54” x 31” — 137.2 x 78.7 cm.
Est. $2,000/3,000
248
Antal (Anton) Peczely (1891- ?), Hungarian
PRAYERS; Oil on canvas; signed lower left
23.75” x 31.25” — 60.3 x 79.4 cm.
Est. $2,000/3,000
249
Barna Basilides (1903-1967), Hungarian
THE ARTIST AND HIS MODEL; Oil on canvas; signed and dated 1961
lower left
20” x 22” — 50.8 x 55.9 cm.
Est. $3,000/4,000
Provenance: Private Collection, London, England
250
Moshe Chauski (1935- ), Lithuanian/Israeli
AT THE MARKET; Oil on canvasboard; signed in Hebrew lower left
22” x 28” — 55.9 x 71.1 cm.
Est. $400/600
89
251
Josef Kossonogi (1908-1981), Israeli
SUNLIT HARBOUR, JAFFA?; Watercolour;
signed lower left
14” x 18.5” — 35.6 x 47 cm.
Est. $400/600
253
E** Fiorentino (19th/20th Century), Italian
BEARDED FISHERMAN; COUNTRY GIRL; Pair of watercolours; each signed lower left
Each sight 13.25” x 9.25” — 33.7 x 23.5 cm.
Est. $400/600
252
F** Catano (19th/20th Century), Italian
WOMEN ON LAKESIDE TERRACE; Watercolour
and gouache; signed lower left
11.5” x 19.5” — 29.2 x 49.5 cm.
Est. $400/600
254
Arnaldo de Lisio (1869-1949), Italian
MANDOLIN PLAYER; TAMBOURINE PLAYER; Pair of watercolours; both signed lower right
20.75” x 13.75” — 52.7 x 34.9 cm.
Est. $800/1,200
90
255
Vincenzo Loria (1850-1939), Italian
POMPEI - CASA DEI VETTI; Watercolour; titled
lower left, signed lower right
9.25” x 15.75” — 23.5 x 40 cm.
Est. $600/800
257
Arturo Bonanomi (1920- ), Italian
VILLAGE, WINTER; Oil on masonite; signed
lower right
15.5” x 23.25” — 39.4 x 59.1 cm.
Est. $500/700
258
HILLSIDE VILLAGE; Oil on masonite; signed
lower right
15.25” x 23” — 38.7 x 58.4 cm.
Est. $500/700
256
Filippo Indoni (c.1842-1908), Italian
YOUNG LOVERS BY A RAIL FENCE;
Watercolour; signed lower left
20” x 14” — 50.8 x 35.6 cm.
Est. $1,000/1,500
259
LOMBARDY LANDSCAPE; Oil on masonite;
signed lower left
15.5” x 23” — 39.4 x 58.4 cm.
Est. $500/700
260
G** Enrico Frattini (1890-1968), Italian
SMILING ITALIAN GIRL; Oil on canvas; signed
lower left
16” x 12” — 40.6 x 30.5 cm.
Est. $300/400
91
261
Salvatore Mazzeo (20th Century), Italian
LA CASSETTA; Tempera on masonite; signed and dated
80 lower right, signed and titled in 1985 verso
31.5” x 27.6” — 80 x 70 cm.
Est. $1,000/1,500
Exhibited: Galleria D’Arte Fanfulla in Arte e Amore nell’opera di Salvatore Mazzeo
Literature: Illustrated in the above exhibition catalogue
262
Salvatore Mazzeo (20th Century), Italian
INQUINAZIONE SULLA SPIAGGIA; Tempera; signed
lower right, signed and titled in 84 verso
27.6” x 31.5” — 70 x 80 cm.
Est. $1,000/1,500
Exhibited: Galleria D’Arte Fanfulla in Arte e Amore nell’opera di Salvatore Mazzeo
Literature: Illustrated in the above exhibition catalogue
263
Michele Cascella (1892-1989), Italian
PORTOFINO; SHIPPING IN A BUSY HARBOUR; Three works: the former, a
watercolour and pen and ink; signed and dated 1937 at Portofino, Italy
lower right, 13.75” x 20.5” — 35 x 52 cm; the second work: pen and ink and
watercolour; signed lower left, 10.75” x 14.25” — 27.2 x 36.2 cm.
Together with: a colour pastel attributed to the artist, PLANT FORMS AT
THE EDGE OF A LAKE, indistinctly signed lower right, 9.38” x 12.75” — 23.8 x
32.5 cm.
Est. $3,000/5,000
264
Michele Federico (1884-1966), Italian
CAPRI; Oil on canvas; signed lower left at Capri
29” x 44” — 73.7 x 111.8 cm.
Est. $1,500/2,500
92
265
Pietro Torrini (1852-1920), Italian
A FINE VINTAGE; Oil on canvas; signed lower
right
12” x 8.8” — 30.5 x 22.4 cm.
Est. $1,000/1,500
267
16th Century Italian / 19th Century European
COLLECTION OF ELEVEN DRAWINGS; Including: Manner of Paolo Veronese (1528-1588),
Italian; FIGURES IN ADORATION, Graphite drawing heightened with watercolour en grisalle
on laid paper; bears signature lower right, inscribed purchased in 1791 verso: Manner of
Sebastiano Conca (b. circa 1676-1764), Italian; A SAINT, graphite on laid paper: together
with 9 various pen and ink and charcoal drawings, some with wash, variously inscribed,
including 19th Century period works. Various sizes, some folded. Unframed
Largest 13.5” x 10.5” — 34.3 x 26.7 cm.; Smallest 7.5” x 4.75” — 19.1 x 12.1 cm.
See illustration of three
Est. $1,000/1,500
266
Franco Rispoli (1921- ), Italian
GYPSIES ON THE MOVE; Oil on canvas; signed lower left
23” x 47” — 58.4 x 119.4 cm.
Est. $500/700
268
Victor Ciappa (19th/20th Century), Italian
A BASHFUL GLANCE; Oil on canvas; signed
lower right
15.75” x 12.5” — 40 x 31.8 cm.
Est. $700/900
93
269
19th Century Italian School
SPECTATORS AT THE COLUMN OF PHOCAS; SPECTATORS AT THE TEMPLE OF CASTOR
AND POLLUX; Pair of oils on canvas
11.75” x 9” — 29.8 x 22.9 cm.
Est. $2,000/4,000
270
After Sebastiano del Piombo (14851547), Italian
PORTRAIT OF GIULIA GONZAGA; Oil on
panel, titled along the bottom edge.
Unframed.
9” x 6.5” — 22.9 x 16.5 cm.
Est. $2,000/3,000
94
271
Lorenzo Cecconi (1867-1947), Italian
MORNING WORK IN ORVIETO; Oil on canvas; signed lower right, titled to the
stretcher
16” x 22.5” — 40.6 x 57.2 cm.
Est. $1,500/2,500
272
Pietro Barucci (1845-1917),
Italian
IL RACCOLTA DELL’UVA,
SCENA DELLA CAMPAGNA
ROMANA; Oil on canvas;
signed at Roma lower left,
titled in Italian to the stretcher
24” x 44” — 61 x 111.8 cm.
Est. $10,000/15,000
273
Fabio Fabbi (1861-1946), Italian
ORIENTAL DANCE; Oil on canvas laid down on
board; signed lower left
19.5” x 15.5” — 49.5 x 39.4 cm.
Est. $10,000/15,000
95
274
Amedeo Modigliani (1884-1920), Italian
PORTRAIT DE FEMME (PORTRAIT OF A YOUNG GIRL); Pencil on ivory laid paper; signed lower right, inscribed on a
typed label to the backing: “Acquired from the Saidenberg Gallery, New York City 1954” with the gallery label
verso. Together with a copy of the original Saidenberg Gallery, New York receipt, n.d.
This work has been accepted by Christian Parisot as an original Modigliani drawing and is included in his
catalogue, Modigliani Catalogue Raisonné Dessins Aquarelles, Vol. 3, no. 187/16, illustrated p. 183.
16.25" x 10.8" — 41.3 x 27.5 cm.
Est. $80,000/120,000
Provenance: Saidenberg Gallery, New York sold as, “Portrait of a Young Girl” to Mr. and Mrs. H. A. Dyde, Edmonton,
Alberta in 1954; By descent to a Private Collection, Alberta
Literature: Christian Parisot, Modigliani Catalogue Raisonné Dessins Aquarelles, Vol. 3 published, Roma: Editions
Carte Segrete, 2006, with texts by Laure Modigliani-Nechtschein and Christian Parisot, no. 187/16, illustrated
p.183.
Note: This lot is accompanied by images captured by enhanced infra-red imaging revealing an erased sketch of a
smaller figure in a similar pose beneath the present drawing. Modigliani often made several drawings of the
same sitter in various poses. Faint alternative and erased lines are seen within the present design. Although
hardly visible in normal light, the initial attempt is revealed quite well in enhanced infra-red imaging.
Reproductions of this erased drawing and the changes in the placement of the sitter’s right hand captured by
infra-red imaging accompany the lot.
The lot also includes by a copy of an indistinctly signed hand-written document, dated at Paris le 8/IX 1952,
signed, M/Mrs. or H. Zborowski (?) certifying this drawing as a Modigliani.
Portrait de Femme has all the characteristic traits of the signature facial type that Modigliani developed after
1916: the elongated oval face, the graceful swan-like neck, the sensuous lips and the impenetrable almondshaped eyes. Although the sitter for the present lot is not identified, the naturalistic frontal pose of the seated
model with hands clasped in her lap framed by sketching lines in the background recalls Modigliani’s drawing of
1917, the similar size portrait, Femme au Chapeau (Ref. C. Parisot pgs.148-149) and Portrait de Jeune Fille sold at
Sotheby’s, London, 2 July, 1970, lot 56. While, the small oval face, tilted to the left with her newly chic, bobbed
hair style, recalls the woman depicted in Modigliani’s portrait of Madame Menier, in La Femme au Collier Vert,
painted in 1918.
At first glance, Portrait de Femme, portrays a sophisticated calm. The sitter’s classical frontal pose and the curving
lines of her collar creates a graceful movement which continues to curve through her arms coming to rest in the
sitter’s clasped hands. Tension occurs when the eye moves upwards to the fanned vertical lines framing the sitter’s head and shoulders, the vertical hatching of the shading, enforcing movement in the composition.
Purchased by prominent Canadian lawyer and civil servant collector, Henry Alexander Dyde (1896-1976) and his
wife from the Saidenberg Gallery in October of 1954 with only a deposit, the Modigliani was one of several
important International works housed in their collection. The Saidenberg Gallery was a highly regarded gallery
occupying a central position in New York cultural life for decades. In 1950, Daniel Saidenberg, a Canadian cellist
and conductor, and his wife, Eleanore Block opened the gallery located in the Upper East side at 10 77th Street,
New York. They began collecting modern paintings and sculpture in New York in 1943. By 1955, the gallery had
risen to world prominence when the Saidenbergs were appointed Picasso’s primary representatives in America.
Eleanore Saidenberg was the founding member of the Art Dealers Association of America. At her death in the
summer of 1999, the estate collection included the most impressive works to come to market in recent years
including a major work by Picasso and 45 other paintings and sculpture by artists such as Leger, Gris and Braque.
The undated, hand-written gallery receipt is testimony by its informality that a trusted relationship existed
between the Dydes and the Saidenbergs. The Saidenberg Gallery was influential in introducing this important
Canadian collector to Amedeo Modigliani, one of the great European modern masters of our time.
96
275
Nicolas S** Cammillieri (born c. 1798 - c. died 1856), Maltese
BRIG DEVONIAN OF SUNDERLAND, JAS STAMPER MASTER, COMING INTO MALTA 1849;
Watercolour; signed lower right, titled along the bottom edge
18” x 23.75” — 45.7 x 60.3 cm.
Est. $2,000/3,000
276
Jesus Guerrero Galvan (1910-1973), Mexican
MEXICAN GIRL; Pencil drawing; signed and dated 1944 lower right
13” x 18.25” — 33 x 46.4 cm.
Est. $800/1,200
Exhibited: The Art Gallery of Ontario, 1991
98
277
Anders Abrahamsen Kongsrud (1866-1938),
Norwegian
LITTLE GIRL ON THE BEACH; Oil on canvas; signed
lower right
19.5” x 15.25” — 49.5 x 38.7 cm.
Est. $400/600
278
Wladislaw Chmielinski (1911-1979), Polish
WARSAW; Oil on canvas; signed lower right
20” x 27.5” — 50.8 x 69.9 cm.
Est. $4,000/5,000
275
Nicolas S** Cammillieri (born c. 1798 - c. died 1856), Maltese
BRIG DEVONIAN OF SUNDERLAND, JAS STAMPER MASTER, COMING INTO MALTA 1849;
Watercolour; signed lower right, titled along the bottom edge
18” x 23.75” — 45.7 x 60.3 cm.
Est. $2,000/3,000
276
Jesus Guerrero Galvan (1910-1973), Mexican
MEXICAN GIRL; Pencil drawing; signed and dated 1944 lower right
13” x 18.25” — 33 x 46.4 cm.
Est. $800/1,200
Exhibited: The Art Gallery of Ontario, 1991
98
277
Anders Abrahamsen Kongsrud (1866-1938),
Norwegian
LITTLE GIRL ON THE BEACH; Oil on canvas; signed
lower right
19.5” x 15.25” — 49.5 x 38.7 cm.
Est. $400/600
278
Wladislaw Chmielinski (1911-1979), Polish
WARSAW; Oil on canvas; signed lower right
20” x 27.5” — 50.8 x 69.9 cm.
Est. $4,000/5,000
279
Igor Talwinski (1907- ), Polish
AFTER THE BATH; Oil on canvas; signed lower
right
25.5” x 21” — 64.8 x 53.3 cm.
Est. $500/700
280
Igor Talwinski (1907- ), Polish
THE PINK SCARF; Oil on canvas; signed lower
left
21.5” x 18” — 54.6 x 45.7 cm.
Est. $600/700
281
M** Antohin [Antokhin] (20th Century),
Russian
SNOW COVERED MOUNTAIN; Oil on paper
laid down on support; signed in cyrillics and
dated 46 lower right
9” x 12” — 22.9 x 30.5 cm.
Est. $300/400
282
** Aleksandrovna (19th/20th Century),
Russian?
PEONIES IN A VASE; Oil on canvas; signed
indistinctly lower left
28.25” x 24” — 71.8 x 61 cm.
Est. $600/800
Provenance: Acquired in New York
283
Vladimir Gorski (1923-), Russian
BIRCHES; Oil on canvas; signed in cyrillics
lower right; signed and titled in cyrillics
verso
15.5” x 11.5” — 39.4 x 29.2 cm.
Est. $300/400
284
Vladimir Gorski (1923-), Russian
ON THE OKA RIVER; Oil on canvasboard;
signed in cyrillics lower left; signed and titled
in cyrillics and dated 1969 verso. Unframed
15” x 19” — 38.1 x 48.3 cm.
Est. $300/500
99
285
V** Popov (20th Century), Russian
A MARE AND HER FOAL GRAZING IN SPRING;
Oil on canvas; signed lower right
20” x 24” — 50.8 x 61 cm.
Est. $500/700
288
After Fotij S** Krasicky (19th/20th Century), Russian
PICNIC IN THE PARK; Oil on canvas by K** Shchukin; signed in cyrillics and inscribed lower left
31" x 51.5" — 78.7 x 130.8 cm.
Est. $1,000/1,500
286
***Dyshlenko Jr. (20th Century), Russian
BUSY SPRING DAY; Oil on canvas; signed in
cyrillics lower left, signed and titled in
cyrillics verso. Unframed
27” x 23” — 68.6 x 58.4 cm.
Est. $300/500
287
Oleg Komrakov (1941-), Russian
ON THE TRUBEZH; Oil on canvas; monogrammed lower right; signed and titled in
cyrillics verso. Unframed
15.75” x 25.5” — 40 x 64.8 cm.
Est. $300/400
100
289
After Nikolai Karnilievich Pimonenko
(1862-1912), Ukrainian
TWO GIRLS IN CANDLELIGHT; Oil on canvas
43.75" x 30" — 111.1 x 76.2 cm.
Est. $600/900
290
L** Nosov (20th Century), Russian
MY TREE, SUMMER, 1964, Oil on panel; signed
in cyrillics lower right, signed and titled in
cyrillics verso
13.75” x 10.5” — 34.9 x 26.7 cm.
Est. $600/800
291
Nikolai Ivanovich Guetman (1917- ), Russian
A VILLAGE BOY IN FUR-TRIMMED COAT; SEAGULLS ON SHORE; WINTER WOODS; Three oils on canvasboard; the first, signed, titled and
dated 1962 in cyrillics verso, the second, signed titled and dated
1958 in cyrillics verso, the last, signed and dated 97 lower left
Two 11” x 8” — 27.9 x 20.3 cm. and smaller
Est. $600/800
292
Sergey Lednev Schoukin (20th Century), Russian
A SUNNY WINTER DAY; Oil on canvas; signed in cyrillics lower left,
titled, inscribed and dated ‘45 verso
14" x 21.5" — 35.6 x 54.6 cm.
Est. $1,500/2,000
Provenance: Acquired in Russia in 2000
293
Vladimir Lituinienko (1930-), Russian
NEAR THE RIVER; Oil on canvas; signed in cyrillics lower left, titled
and dated 1990 at Odessa in cyrillics verso
19.8” x 39.3” — 50.3 x 99.8 cm.
Est. $1,500/2,000
294
Safonov Venlamin Alexeyevich (1931-), Russian
MOUNTAIN LAKE, KAMCHKA REGION; Oil on canvas; signed verso
Sight: 13.25” x 21.75” — 33.7 x 55.2 cm.
Est. $1,200/1,800
101
295
Eugene Gavrilkevich (1929- ), Russian
IN THE SAUNA; Oil painting on canvas; signed in cyrillics
and dated 1993 lower right; titled, signed and dated
1992 in cyrillics verso. Unframed
38” x 34.5” — 96.5 x 87.6 cm.
Est. $1,000/1,500
297
Frants Roubaud (1856-1928), Russian
PLOUGHING WITH OXEN; Oil on panel; signed and dated ‘93 lower right
5.38” x 7.13” — 13.7 x 18.1 cm.
Est. $4,000/6,000
296
Ivan Kovalenko (1931-), Russian
NEAR THE POND; Oil on canvas; signed in cyrillics and dated ‘999 lower
right; dated, signed and titled in cyrillics verso
27.25” x 31.25” — 69.2 x 79.4 cm.
Est. $1,000/1,500
102
298
Ivan Kovalenko (1931-) and Dimitri Kovalenko
Jnr. (20th Century), Russian
TZAR’S CROWN; Oil on canvas; signed by both
artists in cyrillics lower right; signed and titled in
cyrillics verso
39” x 31.5” — 99 x 80 cm.
Est. $1,000/1,500
299
Georgi Vasileyevich Dushlenko (1915-1990), Russian
SUNFLOWERS; Oil on canvas; signed in cyrillics and dated ‘74 lower
left; signed and titled in cyrillics and dated 1984 verso. Unframed
39.25” x 41.75” — 99.7 x 106 cm.
Est. $700/900
300
Ivan Kliun (1870-1942), Russian
TO THE PROBLEMS OF COMPOSITION ... DECORATIVE AND ORGANIC
PRINCIPLES; Watercolour with pencil; signed in cyrillics lower right,
titled in cyrillics along the bottom edge
10.5" x 14.5" — 26.7 x 36.8 cm.
Est. $5,000/7,000
Provenance: Purchased from an Amsterdam collector along with
other Russian avantguard items from the provenance of the
Malevich family. A copy of the birth certificate of the beneficiary of
the Malevitch estate which came with the collection is included
with this lot.
301
Antoni Clavé (1913-2005), Spanish
LE CHEF PROSPEBA, STUDY FOR CARMEN; Graphite and gouache
with pen and ink; signed with initials lower right, titled in ink lower
left. Circa 1949.
6.75” x 5.25” — 17.1 x 13.3 cm.
Est. $1,000/1,500
Note: Clavé designed the scenery and costumes for the play Carmen
which was choreographed by Roland Petit in 1949
302
Salvador Dali (1904-1989), Spanish
PROFILE OF TIME; Bronze with brown, green and gold patina; signed
Dali and numbered 28/350, stamped, Cera Persa Pereso SA Mendrisio,
with IAR copyright stamp. Together with the Certificate of
Authenticity, signed by the editor
height 20.1" — 51 cm.
Est. $12,000/14,000
Note: Conceived in 1977 and first cast in 1984 in bronze using the
lost wax process
103
303
Vidal G** Avenal (19th/20th Century), Spanish?
BLESSING THE BRIDES; Oil on canvas; signed and dated 1900 at Roma lower left
27” x 40” — 68.6 x 101.6 cm.
Est. $5,000/7,000
304
Carlos Abascal (20th Century), Spanish
PORTRAIT OF AN ARAB; Oil on panel;
signed at Maroc and dated 1928 lower left
17.3” x 13.5” — 43.9 x 34.3 cm.
Est. $1,500/2,000
104
305
Manuel Monedero (1925 - ), Spanish
THE GUITARIST; Oil on canvas; signed lower left
24” x 20” — 61 x 50.8 cm.
Est. $500/700
306
George Keyt (1901-1993), Sri Lankan
TWO DARK SKINNED BEAUTIES AMID PLANTS; Oil on masonite; signed and dated ‘47
upper right
46” x 65.75” — 116.8 x 167 cm.
Est. $30,000/50,000
105
307
Circle of Franz Graff (1803-1859), Swiss
TRAVELLERS AND THEIR DOGS IN AN EXTENSIVE RIVER LANDSCAPE; Oil on canvas; indistinct signature bottom centre
16” x 20.75” — 40.6 x 52.7 cm.
Est. $600/900
308
Iwan Trusz (1869-1941), Ukrainian
A SUMMER’S DAY IN THE MOUNTAINS, Oil on
board; signed and inscribed with dedication
in cyrillics lower right, 21.5” x 15.5” — 54.6 x
39.4 cm.
Est. $3,000/5,000
Provenance: With artist’s dedication: “to the
Honourable member of Parliament Dr. Ostap
Luckyj” (1883-1941), former senator for the
Ukraine in the Polish Parliament and a prominent poet in the 1920’s and 30’s; By descent
to the present Private Collection, Toronto
106
309
Lev Podolsky (1923 Kiev- 1982 Toronto), Ukrainian/Canadian
BALLET FINALE; Oil on canvasboard; signed lower right
22” x 30” — 55.9 x 76.2 cm.
Est. $1,500/2,000
309a
Manner of Victor Brauner (1903-1966), Rumanian
DE MEMOIRE D’HOMME; Oil on canvas; bears signature verso, titled
and numbered inventory #VB296 to label verso
56.5” x 58.75” — 143.5 x 149.2 cm.
Est. $2,000/3,000
Provenance: Galerie Tempelaere, n.p., label verso
310
George Cattermole (1800-1868), British
THE SOLDIERS FEAST; Watercolour; signed
with monogram lower right, dated 1847
lower left
Sight 6.75” x 9.5” — 17.1 x 24.1 cm.
Est. $300/400
311
William G** Whittington (19th/20th
Century), British
IN FULL SAIL; Watercolour; signed lower left
Sight 14” x 6.75” — 35.6 x 17.1 cm.
Est. $200/300
312
Auguste Delacroix (1809-1868), British
FIGURES AND CATTLE IN THE HILLS;
Watercolour; signed and dated 1835 lower
right
6.75” x 9” — 17.1 x 22.9 cm.
Est. $300/400
313
Tom McEwan (1846-1914), Scottish
MACLEAN’S CROSS-IONA; Watercolour;
signed lower right, titled to label verso
9.75” x 6.75” — 24.8 x 17.1 cm.
Est. $200/300
314
G**R**W** (19th Century), British
UP AND OVER; Watercolour; initialled and
12.8” x 8.9” — 32.5 x 22.5 cm.
Est. $300/500
315
Frederick McNamara Evans (? - 1930),
British
PREPARING THE LANTERN; Watercolour;
signed lower right
Sight 11.75” x 9.25” — 29.8 x 23.5 cm.
Est. $600/800
107
316
Thomas Charles Leeson Rowbotham (1823-1875), British
CATTLE WATERING BY A WINDMILL; Watercolour; signed and dated
1851 lower right
6.75” x 10.75” — 17.1 x 27.3 cm.
Est. $300/500
318
Dame Laura Knight (1877-1970), British
CIRCUS PERFORMER; Charcoal drawing; signed lower left
14” x 10.2” — 35.6 x 25.9 cm.
Est. $600/800
317
Casper Holding (Exh. 1882), British
FEEDING THE CHICKS; Watercolour; signed and dated 1882 lower left
30” x 24” — 76.2 x 61 cm.
Est. $700/900
108
319
John Christopher Temple Willis (1900-1969), British
LINCOLN; Watercolour; signed lower right, titled to exhibition label
verso
9” x 13” — 22.9 x 33 cm.
Est. $300/400
Exhibited: Britain In Watercolours Exhibition label verso
320
Louis Burleigh Bruhl (1861-1942), British
OLD CHURCH AT DELFT; Watercolour; signed lower
right
36” x 24” — 91.4 x 61 cm.
Est. $500/700
322
William Leighton Leitch (1804-1883), British
VIEWS OF THE ISLE OF WIGHT: CARISBROOK CASTLE; AT OSBOURNE; Two sepia ink drawings; each
stamped with monogram, the later, titled lower
left
Each sight 3.5" x 4.5" — 8.9 x 11.4 cm.; 3.1" x 4.3" — 8
x 11 cm. respectively
Est. $400/600
321
18th/19th Century French
VILLAGE ON A RIVER WITH TOWNFOLK FISHING AND WORKING; Watercolour
and gouache on laid paper
8.25” x 12” — 21 x 30.5 cm.
Est. $300/400
323
Pierre Lelong (1908-1984), French
COASTAL SCENE WITH MONUMENT; Oil on panel; signed
lower right
8.75" x 10" — 22.2 x 25.4 cm.
Est. $300/400
109
INDEX
A
Abascal, Carlos
Aleksandrovna, **
Alexeyevich, Safonov Venlamin
Allcott, John C**
American (Circa 1920-1940)
American, 19th Century
Anderson, Robert
Andreis, Alexis de
Antohin (Antokhin), M**
Avenal, Vidal G**
304
282
294
36
16
2, 27
123
85
281
303
B
Ball, Borge
148
Ballingall, Alexander
122
Balogh, Bela
246
Barma, Hans
34
Barucci, Pietro
272
Basilides, Barna
249
Bates, David
105
Baumgartner-Stoiloff, Adolf (Constantin)
31
Beer, John
45
Beinke, Fritz
233
Belcher, Frank C**
54
Bessin, P**
196
Biggin, Samuel A.
18
Binks, Reuben Ward
42
Bird, John Alexander Harington
106
Bis(schops?), C.L.
4
Blanchard, Rémy
226, 227
Bock, Circle of Theophile de
175
Bohrod, Aaron
14
Bonanomi, Arturo
257, 258, 259
Bonfils, Gaston
199
Bonheur, Attributed to Rosa
208
Bonheur, After of Rosa
207
Bouter, Cornelis
168, 187a
Brackett, Walter M.
1
Brandt, Josef von
See Addenda
Brauner, Manner of Victor
309a
Breanski, Alfred de
112, 115
Breanski, Alfred Fontville de
109, 110, 114
Broeck, Clemens van den
39
Brown, Butler
5
Bruhl, Louis Burleigh
320
Buckland-Wright, John
209
Buckner, Richard
87
Burgess, John Bagnold
80
Burleigh, Sydney Richmond
24
C
Cammillieri, Nicolas S**
Carnier, Henri
Cascella, Michele
Catano, F**
Cattermole, George
Cecconi, Lorenzo
Ceulen, Manner of Cornelis Janssens van
Chailloux, Robert
Chauski, Moshe
Chmielinski, Wladislaw
Ciappa, Victor
Citroen, Paul
Claisse, Geneviéve
Clare, George
Clare, Vincent
Clausade, Pierre De
Clavé, Antoni
275
236
263
252
310
271
151
200
250
278
268
230
225
86
64
205
301
Clymer, John Ford
Collier, Thomas Frederick
Conca, Manner of Sebastiano
Connop, Jacob Henry
Copley, After John Singleton
Cortes, Edouard Léon
Coulter, Sam
Cox Snr., Attributed to David
Cubley, William H.
Curnock, James
26
142
8
69
3
218
139, 140, 141
70
68
72
D
Dali, Salvador
Dampierre, A**L**
Delacroix, Auguste
Dievenbach, Hendricus Anthonius
Docharty, James L.C.
Dold, Elliot
Dommersen, Pieter Cornelis
Dommersen, William Raymond
Dramard, Georges de
Dumenil, Pierre Anne
Duncan, Edward
Dushlenko, Georgi Vasileyevich
Dutch, 19th Century
Dutch School, 18th Century
Duthoit, Paul
Dyshlenko Jr., ***
302
40
312
178, 180, 181
126
23
184
165
220
192
55
299
155
150
206
286
E
Edzard, Deitz
Eisler, George
Essex, Richard Hamilton
Etty, Attributed to William
European , 19th Century
Evans, Frederick McNamara
H
Haddon, Arthur Trevor
91
Hanlon, Marguerite Pote
8
Hannaford, Charles E**
51, 52, 53
Hayes, Claude
143
Hayes, Edwin
90
Hays, George Arthur
6
Hemsley, William
81
Henderson, Joseph Morris
130
Hendriks, Willem
159, 162, 163, 173, 176
Henshall, John Henry
56, 58
Hereau, Jules
204
Herink, Frantisek Hanus
146
Herring, Manner of John Frederick
79
Hervier, Louise Adolphe
193
Holding, Casper
317
Holland, James
57
Hope, Robert
137
Hutchison, Robert Gemmel
135
I
Indoni, Filippo
Irving, Anna Duer
Israels, Isaac
Italian, 16th Century
Italian School, 19th Century
256
19
149
267
269
Jacob, Alexandre
Jacquet, Gustav
Jansen, Willem George Frederik
Jereczek, Christian
Judkins, Winthrop O.
210
219
161, 167
235
8
K
273
136
264
67
253
61
127
260
129
321
201
191
243
21
G
G**R**W**
Gall, Francois
Galvan, Jesus Guerrero
Gavrilkevich, Eugene
Glendening Snr., Alfred Augustus
Goldthwaite, Harold
Gorski, Vladimir
Graff, Circle of Franz
Greig, John Russell
Groenewegen, Andrianus Johannes
Grosz, George
Grover, Oliver Dennet
Gudgeon, Ralston
291
J
241
33
44
88
203, 267
315
F
Fabbi, Fabio
Farquharson, David
Federico, Michele
Fielding, Manner of Copley
Fiorentino, E**
Foster, Myles Birket
Fraser Jnr., Alexander
Frattini, G** Enrico
Frazer, William Miller
French, 18th/19th Century
French, 19th/20th Century
French School, 18th Century
Freytag, Zoltan
Fried, Attributed to Pal
Guetman, Nikolai Ivanovich
314
215
276
295
111
94
283, 284
307
133
174
11
20
121
Kalokerinos, J**
Kemm, Robert
Keyt, George
Kleijn, Lodewijk Johannes
Kliun, Ivan
Knight, Dame Laura
Knight, Daniel Ridgway
Koehler, Paul R**
Komrakov, Oleg
Kongsrud, Anders Abrahamsen
Kooning, Attributed to Willem de
Koppay, Jozsi Arpad Baron Von Dretoma
Kossonogi, Josef
Kovalenko Jnr., Dimitri
Kovalenko, Ivan
Krasicky, After Fotij S**
Kratke, Charles
Krockow von Wickerode, Oskar
242
93
306
185
300
318
29
10
287
277
12
247
251
298
296, 298
288
198
238
L
Lagye, Victor
Lance, Manner of George
Landelles, Emile Lemarie des
Langer, Olaf Viggio Peter
Laurence, Sydney Mortimer
Lavery, Sir John
Leaver, Noel Harry
Lebourg, Albert Charles
Leitch, William Leighton
38
66
195
147
9, 30
144
60
214
322
INDEX
Lelong, Pierre
Lenbach, Franz Seraph von
Leurs, Johannes Karel
Liersch, Hermann
Lisio, Arnaldo de
Lituinienko, Vladimir
Löffler, Attributed to Berthold
Loria, Vincenzo
323
237a
170
237
254
293
234
255
M
Macco, Georg
239
MacWhirter, John
134
Maidment, Henry
96
Major, B**
17
Mander, William Henry
104
March, Vernon
63
Marzelle, Jean
222
Mastenbroek, Johan Hendrik van
186
Mazzeo, Salvatore
261, 262
McCall, Charles James
108
McEwan, Tom
313
Meadows, Attributed to James Edwin
89
Meijer, Johan
158
Miller, After Alfred Jacob
28
Modigliani, Amedeo
274
Monedero, Manuel
305
Montaigne, William John
75
Monvel, Maurice Boutet de
213
Morland, Attributed to George
71
Morris, John
13
Mouncey, William
131, 132, 138
Murray, John Reid
125
N
Neuhuys, Albertus Johan
Noort, Adrianus Cornelis van
Nosov, L**
179
171, 172
290
O
Ottenfeld, Rudolf Otto von
240
P
Paguenaud, Jean-Louis
221
Park, David
15
Parker, Henry Deacon Hillier
107, 113
Partridge, Sir John Bernard
62
Paul, Gen
224
Peczely, Antal (Anton)
248
Pelham, Thomas Kent
83
Peña, Attributed to Narcisse Virgile Diaz de la 202
Pietersen, Johannes
157
Pimonenko, After Nikolai Karnilievich
289
Piombo, After Sebastiano del
270
Pirsch, Adolf
35
Podolsky, Lev
309
Poggenbeek, George Jan Hendrik
164
Pope, Arthur, et al
8
Popov, V**
285
Pothast, Bernard
183
Prest, Attributed to Judith
7
Pritchett, Robert Taylor
43
Putov, Alexandre
223
R
Ravenswaay, Attributed to Jan van
156
Redgrave, Richard
Reichenbach, Heinrich Gottlieb Ludwig
Reinagle, George Philip
Richards, William Trost
Rigolot, Albert Gabriel
Rispoli, Franco
Robinson, William Heath
Roubaud, Frants
Roulland, **
Rousseau, Henri Emilien
Rowbotham, Thomas Charles Leeson
Roybet, Ferdinand Victor Leon
78
231
65
25
211
266
41
297
154
217
316
197
Saint, L**
194
Salmon, John Cuthbert
97
Sauvage, Manner of Piat Joseph
188
Schafer, Henry Thomas
100, 101, 102, 116
Scheffer, After Ary
182
Scherrewitz, Johan Frederik Cornelis
187
Schoukin, Sergey Lednev
292
Schütz, Circle of Christian
237b
Seago, Edward Brian
118, 119
Sell, Christian
232
Shackleton, William
48
Sharp, Dorothea
120
Shayer Snr., William
92
Sherrin, Daniel
95
Shinnors, John
145
Simpson, William
59
Sluys, Theo Van
37
Stainton, George
73
Stattler, S.
182
Steelink, Willem
153
Stinton, James
46
Stortenbecker, Pieter
152
Strasser, Roland
32
T
Talwinski, Igor
279, 280
Tate, Nairne
98
Tatin, Robert
228
Tayler, Albert Chevallier
117
Telkessy, Valeria
244
Thomas, Thomas Henry
77
Thomson, John
128
Tilborgh the Younger, Manner of Gillis van
189
Tonge, Lammert van der
169
Torrini, Pietro
265
Toulmin, John
99
Trusz, Iwan
308
V
188a
212
267
245
190
W
Waite, Edward Wilkins
Walters, George Stanfield
Washington, Georges
Weber, Theodor Alexander
Weedon, Augustus Walford
Weiland, Johannes
Wet II, Attributed to Jacb Jacobsz de
103
49, 50
216
238a
47
166
177
311
238
160
22
76
319
124
84
74
Z
Zobel, Benjamin
S
Vadder, Circle of Lodewyck de
Vernon, Paul
Veronese, Manner of Paolo
Vizkelety, W** Emery
Vleughels, Attributed to Nicolas
Whittington, William G**
Wickerode, Oskar Krockow von
Wijsmuller, Jan Hillebrand
Wilbur, Lawrence Nelson
Williams, Walter
Willis, John Christopher Temple
Wingate, Sir James Lawson
Woodville II, Richard Caton
Wyllie, William Morison
229
GLOSSARY
The terms below are used in this catalogue for your guidance, with the meanings ascribed to them below. While
the use of these terms is based upon careful study they are not warranties; the auctioneer and the seller assume
no risk, liability or responsibility for the authenticity of authorship of any lot in this catalogue described by these
terms. In this regard, you are requested to read condition 1 of the Conditions of Sale.
Artist’s name or recognized designation: In our qualified
opinion, a genuine work executed by the artist.
Attributed to: In our opinion, probably a work by the artist
but less certainty as to the authorship is expressed than in
the preceding category.
Circle of: In our opinion, a work of the period of the artist
and closely related to his style.
Studio of: In our qualified opinion a work, by an unknown
hand, possibly executed under the supervision of the artist
School of: In our opinion, a work executed in the artist’s
style and possibly by a pupil or follower of the artist.
Manner of: In our opinion, a work executed in the artist’s
style and probably of a later period.
After: In our opinion, a copy of a work of the artist.
***: Is in the place of an unknown name.
Signed/Dated/Inscribed: In our opinion, the work has
been signed/dated/inscribed by the artist. The inclusion of
a question mark indicates some doubt.
Bears signature/Bears date: In our opinion, the
signature/date may be by a hand other than that of the artist.
Certificates/Literature: Any reference to certificates or literature represent the opinion of the authority or author(s)
shown.
Provenance: It is intended to indicate previous collections
or owners, other than the present.
Measurements: Height precedes width in all measurements.
Measurements shown are in inches and centimeters.
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CONDITIONS OF SALE
9 The buyer shall pay for all lots within 48 hours from the date of the sale, after
be sold is subject to variation to be posted or announced verbally in the auction
which a late charge of 2% per month on the total invoice may be incurred or
room prior to the time of sale. While the auctioneer has endeavoured not to misthe auctioneer, in his sole discretion, may cancel the sale. The buyer shall not
lead in the description issued, and the utmost care is taken to ensure the correct
become the owner of the lot until paid for in full. Items must be removed
cataloguing of each item, such descriptions are purely statements of opinion
within 10 days from the date of sale , after which storage charges may be
and are not intended to constitute a representation to the prospective purincurred.
chasers and no warranty of the correctness of such description is made. An
opportunity for inspection of each article is offered prior to the time of sale. No 10 Each lot purchased, unless the sale is cancelled as above, shall be held by the
auctioneer at his premises or at a public warehouse at the sole risk of the
sale will be set aside on account of lack of correspondence of the article with its
buyer until fully paid for and taken away.
description or its reproduction, if any, whether colour or black & white. Some lots
are of an age and/or nature which preclude their being in pristine condition and 11 Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes
some catalogue descriptions make reference to damage and/or restoration. The
arrangements satisfactory to the auctioneer for the inspection of such lot by
lack of such a reference does not imply that a lot is free from defects nor does
a fully qualified person acceptable to the auctioneer to determine the genany reference to certain defects imply the absence of others. It is the responsiuineness or authenticity of the lot, to be carried out promptly following the
bility of prospective purchasers to inspect or have inspected each lot upon
sale of the lot, and if, but only if, within a period of 14 days following the sale
which they wish to bid, relying upon their own advisers, and to bid accordingly.
a written opinion of such person is presented to the auctioneer to the effect
that the lot is not genuine or authentic, accompanied by a written request
2 Each lot sold is subject to a premium of 20% of the successful bid price of each
by the buyer for rescission of the sale, then the sale of the lot will be rescindlot up to and including $50,000 and 15% on any amount in excess of $50,000 as
ed and the sale price refunded to the buyer.
part of the purchase price.
1 All lots are sold “AS IS”. Any description issued by the auctioneer of an article to
3 Unless exempted by law, the buyer is required to pay Ontario Retail Sales Tax and 12 Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in
Federal Goods and Services Tax on the total purchase price including the buyer’s
premium.
4 The auctioneer reserves the right to withdraw any lot from sale at any time, to
divide any lot or to combine any two or more lots at his sole discretion, all without notice.
5 The auctioneer has the right to refuse any bid and to advance the bidding at his
absolute discretion. The auctioneer reserves the right not to accept and not to
reject any bid. Without limitation, any bid which is not commensurate with the
value of the article offered, or which is merely a nominal or fractional advance
over the previous bid may not be recognized.
6 Each lot may be subject to an unpublished reserve which may be changed at
person only), certified cheque (U.S. & Overseas not applicable), travelers
cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard
(up to $25,000). As Waddington's requires written authorization for all credit card purchases, credit cards must be presented in person by the cardholder and therefore cannot be accepted over the telephone. However, fax
authorization arrangements can be made.
13 In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles
affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for:
(a) any deficiency in price between the re-sale amount and the
amount to have been paid by the original buyer;
(b) any reasonable charge by the auctioneer for the storage of such
articles until payment and removal by the subsequent buyer; and
(c) the amount of commission which the auctioneer would have
earned had payment been made in full by the original buyer.
any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed
between them. In addition, the auctioneer may accept and submit absentee and
telephone bids, to be executed by an employee of the auctioneer, pursuant to
the instructions of prospective purchasers not in attendance at the sale.
14 It is the responsibility of the buyer to make all arrangements for insuring,
packing and removing the property purchased and any assistance by the
7 The highest bidder accepted by the auctioneer for any lot shall be the buyer and
auctioneer or his servants, agents or contractors, in packing or removal shall
such buyer shall forthwith assume full risk and responsibility for the lot and must
be rendered as a courtesy and without any liability to them.
comply with such other Conditions of Sale as may be applicable. If any dispute
should arise between bidders the auctioneer shall have the absolute discretion
15 The auctioneer acts solely as agent for the consignor and makes no repreto designate the buyer or, at his option, to withdraw any disputed lot from the
sentation as to any attribute of, title to, or restriction affecting the articles
sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision
consigned for sale. Without limitation, the buyer understands that any item
in all cases shall be final.
bought may be affected by the provisions of the Cultural Property Export
8 Immediately after the purchase of a lot, the buyer shall pay or undertake to the
Act (Canada).
satisfaction of the auctioneer with respect to payment of the whole or any part
16 The auctioneer reserves the right to refuse admission to the sale or to refuse
of the purchase price requested by the auctioneer, failing which the auctioneer
to recognize any or all bids from any particular person or persons at any aucin his sole discretion may cancel the sale, with or without re-offering the item for
tion.
sale.
THIRD PARTY LIABILITY
Any person on Waddington’s™ Auctioneers & Appraisers premises, before,
during or after the sale, shall deem to be there at his/her own risk and
he/she shall have no claim against Waddington’s™ or Joyner™ Waddington’s
in respect of any injury he/she may sustain or any accident which may
occur.
INFORMATION FOR BUYERS
All lots will be offered and sold subject to the Conditions of Sale
which appear in this catalogue as well as any Glossary and posted
or oral announcement. By bidding at auction, bidders are bound by
those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale
between the successful bidder (buyer), Waddington’s™ or Joyner™
Waddington’s, and the consignor (seller) of the lot. Descriptions or
photographs of lots are not warranties and each lot is sold “as is” in
accordance with the Conditions of Sale.
A premium of 20% of the successful bid price of each lot up to and
including $50,000 and 15% on any amount in excess of $50,000 is
paid by the buyer as part of the total purchase price.
Ontario Retail Sales Tax is charged on all purchases, whether picked up
or delivered in Ontario, unless the buyer completes a valid exemption
form at the time of purchase. All lots are subject to Goods and Services
Tax on the hammer price and on the buyer’s premium.
Bidding
To bid in person at the auction, you must register for a bidding number by showing identification acceptable to the Auctioneer upon
entering the salesroom. Your number will identify you if you are the
successful bidder. You will be responsible for all lots purchased on
your bidding number. Banking information may be requested by
Waddington’s™ or Joyner™ Waddington’s.
You may submit an Absentee Bid Form if you are unable to attend
the sale. Please refer to this form in the back of this catalogue for
the appropriate forms and further information.
Bidding by telephone, in limited circumstances, can be arranged
prior to the sale. While we are pleased to offer absentee and telephone bidding as a service to our clients, and take great care in their
commission, the Auctioneer will not be responsible for errors or failure to execute bids.
The Auctioneer may also execute bids on behalf of the consignor to
protect the reserve. The reserve is the confidential minimum price
the seller is willing to accept for his or her property, below which it
will not be sold
Payment
Payment for purchases must be by cash, INTERAC direct debit (Cdn
clients in person only), certified cheque (U.S. & Overseas not
applicable), travelers cheque, bank draft, electronic transfer (fee
applies), and VISA or Mastercard (up to $25,000). As Waddington's
requires written authorization for all credit card purchases, credit
cards must be presented in person by the cardholder and therefore
cannot be accepted over the telephone. However, fax authorization
arrangements can be made.
Removal of Purchases
The purchaser will be responsible for shipping and insurance
expenses. The Auctioneer will, upon request, provide names of professional packers and shippers but will not be responsible or have
any liability for providing this information.
Purchases must be paid for within 48 hours of the date of the sale,
and removed from premises within 10 days of the date of sale (see
Conditions of Sale, conditions 8 to 15).
Clients are advised that packing and/or handling of purchased lots
by our employees or agents is undertaken solely as a courtesy for
the convenience of clients.
INFORMATION FOR SELLERS
Paintings, drawings, prints, furniture, jewellery and all forms of decorative arts and collectibles may be brought to our Toronto office
where we can provide you with preliminary auction estimates and
consignment procedures. Please visit our website at www.waddingtons.ca for details on our various departments and how to contact
the specialists. We also accept mailed and emailed requests for
advice on the marketability of objects. A photograph and phone
number must accompany a full description of each item.
Our specialists regularly travel to major Canadian cities to meet with
prospective consignors. For further information, or to arrange an
appointment, please contact our Toronto office.
Property normally arrives at Waddington’s™ or Joyner™ Waddington’s
at least three months before the sale in order to allow our specialists
time to research, catalogue, photograph and promote the items.
Consignors will receive a contract to sign, setting forth terms and
fees for our services.
Commission Rates
Items selling for $7,501 or more
10%
Items selling for $2,501 to $7,500
15%
Items selling for $251 to $2,500
20%
Items selling for $250 or less
25%
*There is a minimum handling charge of $20 per item
Insurance
A 1% insurance charge, based on the hammer price of the property,
will be applied to all accounts.
SPECIALIST DEPARTMENTS
Furniture, Clocks & Lighting
Alastair J. McLean
416 847 6167
[email protected]
Barry Hookway
416 847 6168
[email protected]
Steve Sheppard
416 847 6186
[email protected]
Andrew Brandt
416 504 9100 ext 6200
[email protected]
International Art
Susan Robertson
416 847 6179
[email protected]
Doug Payne
416 847 6180
[email protected]
Musical, Photographic
& Scientific Instruments
Thomas Quirk
416 847 6185
[email protected]
Silver, Glass, Ceramics, Sculpture
& Decorations
Bill Kime
416 847 6189
[email protected]
JOYNER™ CANADIAN FINE ART
Geoffrey Joyner
Robert Cowley
Raphaela Dunlap
Louise Dudley
416 504 5100
Inuit Art
Duncan McLean
416 847 6183
[email protected]
Christa Ouimet
416 847 6184
[email protected]
Jewellery & Watches
Don P. McLean
416 847 6170
[email protected]
Eileen Weisberg
416 847 6169
[email protected]
Lindsay Rose
416 847 6181
[email protected]
Asian, African, Pre-Columbian
Works of Art and Carpets & Rugs
Thomas Quirk
416 847 6185
[email protected]
Royal Doulton Figurines,
Smallwares
Dennis Reid
416 847 6187
[email protected]
[email protected]
WADDINGTON’S™
BRIGHTON
David Simmons
101 Applewood Drive
Brighton ON K0K 1H0
613 475 6223
[email protected]
WADDINGTON’S™
COLLINGWOOD
Valerie Brown
OPERATIONAL STAFF
P. O. Box 554
Collingwood ON L9Y 4B2
C.F.O. / C.O.O.
Bonnie Herman
416 847 6171
[email protected]
Corporate Receptionist
Kate Godin
416 504 9100
[email protected]
Systems & Online Support
Sergey Stankevich
416 504 9100 ext 6212
[email protected]
General Manager/Accounting
Duane Smith
416 847 6172
[email protected]
Appraisals
Lynda Macpherson
416 847 6191
[email protected]
Production Manager
Patrick Staheli
416 504 9100 ext 6210
[email protected]
Creative & Technical
Jamie Long
416 847 6188
[email protected]
Tori Taylor
416 847 6192
[email protected]
‘Off the Wall’ Art Auctions
Doug Payne
416 847 6180
[email protected]
Accounts Manager
Karen Sander
416 847 6173
[email protected]
Accounts Staff
Mandy Ilk
416 847 6182
[email protected]
Media Relations
Duncan McLean
416 847 6183
[email protected]
Photography
K. Ross Hookway
416 847 6190
[email protected]
Building Manager
Buck Gothreau
416 847 6174
[email protected]
Events & Special Projects
Tori Taylor
416 847 6192
[email protected]
705 445 8811
[email protected]
CURATOR ASSET
MANAGEMENT™
Kathryn Minard
416 847 6194
[email protected]
Shelia Osborne
416 847 6193
[email protected]

catalogue

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