St John`s Cathedral Community News
Transcription
St John`s Cathedral Community News
St John’s Cathedral Community News Lord of heaven and earth, whose Son came eating and drinking, exposing the rivalry that tears the world apart: may we share his feast and friendship and lay our burdens in his liberating arms; through Jesus Christ, Wisdom’s child, Amen. Issue 66 July 2015 Cathedral Outreach July—Orange Sky Laundry Prayers for an Inclusive Church Inside this issue: The Rev’d Canon Dr Nigel Leaves 2 Become involved in Social Justice Imaginary Parish 3 The Ministry of Intercession Christmas in July—Cake Stall 4 Climate Change Coffee on Wednesdays Labyrinth Walk Upcoming Events 5 Holy Trinity Parish Pantry Blessed Sacrament Chapel 6 Cathedral Coin Collection 7 Meditative Eucharist Book Launch 10 The Jihad of Jesus 11 Book Review 12 Bishop Putney Memorial Lecture 13 Spire Apartments Update 14 Brisbane Contemporary Church Music Festival—2015 15 Revolution! Jacki’s on Leave 16 Orange Sky Laundry is Australia’s first mobile laundry service for the homeless. A world first, started in Brisbane in July 2014 by two 20 year old friends Lucas Patchett and Nicholas Marchesi, the organisation has seven board members and relies on volunteer labour. Their custom fitted vans began a pilot service mid-2014, servicing parks and drop in centres across Brisbane. Having since added services to Cairns, Orange Sky plans to expand its services across Queensland, and Australia-wide by the end of 2015. The Orange Sky vision is to raise health standards, restore respect and reduce strain on the resources of the homeless. The song "Orange Sky" by Alexi Murdoch was a major inspiration for the project. The song is about helping our brothers and sisters, as indicated in the lyrics "In your love, my salvation lies" and "I had a dream I stood beneath an orange sky, with my brother standing by". These values are central to the project. By partnering with food vans and drop-in centres, they make it possible for people to have their clothes, blankets and other linen washed and returned as quickly as possible, usually while meals are being cooked and eaten. Each van holds two 10kg washers and dryers, which allow Orange Sky to finish 20kg of clean washing each hour. They use linen bags and colour coordination system to keep each person's belongings together. The service uses no powders or toxic chemicals. Orange Sky is run by volunteers, primarily harnessing the energy of 18-30 year olds who are keen but struggle to find simple ways to help people in need. As well as needing our help to cover the costs of the project, Orange Sky are keen to hear from potential volunteers who would like to help in practical ways. Each load of washing costs the service $6. $600 provides the service for a week. Can we find $1,200 to support an Orange Sky Laundry van to provide this service for two weeks to our brothers and sisters in need? All our donations over $2 are tax deductible. If you require a receipt, please write your name and address on the back of the Outreach envelope for July. Page 2 The Rev’d Canon Dr Nigel Leaves The waves of shock, disbelief and sadness are still washing through the cathedral community and beyond following Nigel’s death. Nigel died as a result of a massive and unforeseen heart attack on Monday 22nd June at 10:31am London time (7:30pm Brisbane time). He was only 56 years old. Julie was with him and writes: “I want to thank everyone who has worked so hard to help us … both in Brisbane and in London,” she writes. “You can’t know how much it means to us.” Sebastian has since flown to England to be with Julie and the wider family. Nigel’s funeral is most likely to take place during the last week of July. It will be held in St John’s Cathedral. The Westar Institute, of which Nigel was a Fellow, has posted the following tribute: http://www.westarinstitute.org/blog/nigel-leaves-a-tribute/ May Nigel rest in peace and rise in glory The following resolution was passed with prayer by Diocesan Synod while it was meeting in the Cathedral on Friday 26th June: That this Synod a) Notes with deep sadness that The Reverend Canon Dr Nigel Leaves died suddenly on Monday 22nd June while on leave in the UK; b) Expresses its thanks for the life and ministry of Nigel; his friendship, his pastoral sensitivity, his enquiring mind and his passion for Christian education and formation; c) Extends its deepest condolences to Nigel’s family; particularly to his wife, Julie, and son, Sebastian, as together with them we mourn Nigel’s death. Page 3 Are you interested in practical ways to be involved in social justice? Many people have a passion for social justice, but don’t know how to get involved. Or maybe you’re already involved, but would like to meet others with the same commitment to making the world a better place, make some new connections or explore some new directions…? If this sounds like you, join us for an afternoon of dialogue, exploration and good ideas when we’ll ‘open some space’ to talk about: ‘How can we challenge unjust structures and care for creation? Engaging with the 4th and 5th Marks of Mission in our parish and daily lives’ Date: Friday 17 July 2015 Time: 12.30pm-5pm Where: St Francis College, 233 Milton Rd, Milton RSVP or more info: [email protected]; 3838 7553 Leanne; 3838 7556 Jen There is no cost for this event. Free parking. Lunch and afternoon tea provided. No public speaking, role playing or prior knowledge of Open Space required! The Imaginary Parish Join us for an evening of wine, cheese and good conversation. The ‘imaginary parish’: when expectation and reality don’t quite match Some thoughts about complexity with Brendan McKeague and The Very Rev’d Dr Peter Catt. In parish life, we grapple with some very complex issues. Some of these are sensitive, deeply rooted in people’s experience and beliefs; while others are practical, everyday problems that nevertheless invite many different viewpoints and multiple ‘solutions’. Join us for wine and cheese as our guest speakers offer some thoughtful perspectives on operating in complexity, and share in a conversation about matters that concern us all, clergy and parishioners. Brendan McKeague has been involved in adult education, group facilitation and nonviolent social transformation for the past 30 years, and was a founding member of Pace e Bene Australia. He currently works as a consultant and facilitator in a variety of corporate, government, community and faith-based organisations. Brendan lives with his large family in Perth WA, where he enjoys combining his Irish spirit with a passion for peace. The Very Rev’d Dr Peter Catt is well known in the ACSQ as the Dean of St John’s Cathedral and Chair of the Social Responsibilities Committee. As an Anglican priest, social justice advocate, environmentalist and scientist, he has given much thought to what it means to operate in complex environments. Date: Friday 17 July 2015, 5.30pm-7.30pm Where: St Francis College, 233 Milton Rd, Milton RSVP or more info: [email protected]; 3838 7553 Leanne; 3838 7556 Jen Hosted by the Social Responsibilities Committee and the PMC. There is no cost for this event. Free parking. Page 2 Page 4 The Ministry of Intercession The 'Prayers of the People’ used on Sundays are most often the creation of the person who offers them. Some use entirely their own words, others use various resources to assist them. The prayer book gives some guidance in that it suggests that prayers should be offered for: The World The Church The community Those in need The departed Most times the prayer also chooses to weave into the prayers the Diocese, parishes and schools that are identified by two ‘cycles’ of prayers. The first ‘cycle’ is the Anglican Communion cycle which sees every Diocese in the world prayed for once each year. The second ‘cycle' is our Diocesan cycle which sees every Diocese in Australia, every parish and school in the Diocese and some other ministries prayed for once a month. Both cycles make suggestions for every day of the week. We hold workshops twice a year with those who have offered to be on the intercession roster so that they can come together to reflect on their ministry and do some learning together. If you are interested in joining this ministry team, please talk with the clergy. Christmas in July—Cake & Plant Stall When: 12 July 2015 Where: St John’s Cathedral Why wait until December when the cool weather is perfect for Christmas goodies? Choose from many delicious treats including: Christmas Cakes Jams and Preserves Sticky Date Puddings Christmas Brownies …and a lot lot more! GLUTEN FREE OPTIONS AVAILABLE Page 5 God of Creation, who hears the crises of the earth. Awaken in us a new reverence for life, and the resolve to achieve sustainability. Revive in us a thirst for justice that all may be nurtured by creation. May we actively embrace our role as servants, stewards, protectors, That we may safeguard the integrity of creation and sustain and celebrate the life of the earth. Through Jesus Christ our Lord. Amen. Coffee on Wednesdays COWS Come along and join us for a free cup of coffee! Every Wednesday in the Cathedral, 10am – 2pm All welcome, spread the word! COWS is followed by an informal English class for those wanting to learn English Labyrinth Walk Please come and walk the labyrinth after the 9.30am Service on the first Sunday of each month. Upcoming Events at Your Cathedral—July 8 14 21 22 24 25 26 Meditative Eucharist, Meditation 5.30pm-5.55pm meditation, then the Eucharist Revolution Organ recital – David Briggs, 7pm (see back page) Chamber Philharmonic concert, 8pm Mary Magdalene Choral Eucharist, 6pm Brisbane Contemporary Church Music Festival (see page 9) Twilight Internation Organ recital, Michaewedl Richlynski, 6pm Ex-Servicewomen’s Service, 11.30am visit www.stjohnscathedral.com.au Page 6 Holy Trinity Parish Pantry The Holy Trinity Pantry no longer receives emergency relief funding from the Federal Government. The new funding formula rates Fortitude Valley as an area of significant advantage. The reality is that it is also a service and social hub for many people who suffer extreme disadvantage. Given the change in circumstances Cathedral Council has resolved to increase the support we give to The pantry. Each week we will collect dry and tinned foods. Please place your gift in the basket in the west end. Each week the basket that will become part of the offertory. Blessed Sacrament Chapel The new Tabernacle on the refurbished Blessed Sacrament Chapel altar was dedicated at the 9.30am liturgy on May 17 by Bishop Ron. It is a stunning piece of art. We now need to consider the rest of the space. There is no doubt that more is required to 'make' the space. The question is what else? Is there a need for more colour? Candles etc ? How will the altar be dressed? A piece of art? Furnishings? You are invited to send your suggestions to The Cathedral Council. [email protected] or via the Cathedral Office. On the Creation of the Tabernacle, Jack Barnes Carpenter and Artist Inside I fabricated a stainless steel safe for its security and for easy cleaning. Outside I used Queensland Silky Oak. It ties in nicely with its surroundings. I made the veneer from short ends leftover from the joinery I made for the West Front Completion. The veneer is 0.6mm thick. The lock was reused from the original Tabernacle. I wanted to respect the original tabernacle and all it has meant over the years. A good way to tie the past with the future. The light burst marquetry design was made from three different species of veneer; Sycamore, Poplar and Cedar. Sycamore and Poplar were used for their quality in the dyeing process to create the different colours. The Cedar was used as the focal point for its age, potentially as old as Christ. In the veneering process I used animal hide glue for its good conservation qualities, with future conservation in mind if required. The finish is a traditional varnish selected for its clarity and robustness; hand finished with traditional methods. I would also formally like to thank Ron and Katie Williams and the Cathedral for letting me make something so unique and interesting for all to enjoy. Page 7 The Cathedral Coin Collection—The Venice Coin Left the Australian Pavilion at the 2015 Venice Biennale (Image credit: John Gollings) VENICE is not an ancient city. When the barbarian invasions occurred in northern Italy in the 5th and 6th centuries people living near the coast fled to the islands in the lagoon at the north-west tip of the Adriatic Sea. Eventually the islands in the centre of the lagoon became the city of Venice. The people had previously been converted to Christianity and the city became a Christian centre. It was at first closely related to the Byzantine Empire in the east, but by about 840 AD it had established an independent position. As the Republic of Venice it flourished as a trading centre. Being isolated on an island the Venetians turned to the sea, and soon their merchant ships were sailing all over the Mediterranean. The merchants prospered, and Venice became a great cultural centre. It still is, and that is why the Australia Council for the Arts built a pavilion in Venice for the Venice Biennale. In the pavilion Australian art is on display for the many visitors who come to Venice for the festival. On this silver medallion issued by the Cook Islands there is a miniature copy of a painting by the Venetian painter, Canaletto. Born in 1697 he made many paintings of Venice, and for some years he worked in England. He died in 1768. This painting is entitled The Bucintoro returning to the Molo on Ascension Day. The Bucintoro was the state ceremonial barge on which the doge attended a ceremony called ‘Marriage to the Sea’. Venice ‘married’ the Adriatic Sea, and at the junction of the lagoon and the sea the patriarch of Venice emptied a flask of holy water into the turbulent waters. From the mast of the Bucintoro flies the doge’s red flag on which is the winged lion of St Mark. Page 8 The Cathedral Coin Collection—The Venice Coin \ From the 14th to the 18th century These 12 coins have been selected from the Cathedral Coin Collection as representative of Venetian coinage during this period. 1. Doge Giovanni Soranzo (1312-1328) This silver grosso shows the doge receiving a banner from St Mark on one side, and Christ enthroned on the other. In 1321 Dante Alighieri was in Venice as an emissary from Ravenna. He wrote his Christian epic, The Divine Comedy, from about 1305 to 1321. 2. Doge Francesco Dandolo (1329-1339) This silver soldino shows the doge kneeling on one side, and the lion of St Mark on the other. The Dandolo family was influential in Venetian affairs. Doge Enrico Dandolo (1192-1205) supported and went with the 4th Crusade, which captured Constantinople in 1204. 3. Doge Andrea Dandolo (1343-1354) This silver mezzanino shows the doge and St Mark on one side, and Christ stepping out of a tomb on the other. Andrea was a scholar and a friend of Petrarch, the greatest scholar of the age. 4. Doge Marco Corner (1365-1368) This gold ducat shows the doge and St Mark on one side, and Christ in glory on the other. The gold ducat had been introduced by Doge Giovanni Dandolo (1280-1298) and it became one of the leading denominations in Europe. The word ‘ducat’, which is short for ‘ducatus’ meaning ‘duchy’, occurs at the end of the reverse legend. The legend in English is, “It is to Thee, O Christ, that this duchy is entrusted, which Thou governest.” 5. Doge Antonio Venier (1382-1400) This grosso shows the doge and St Mark on one side, and Christ enthroned on the other. Venice prospered through trade. In 2014 archaeologists found one of these coins at Bethsaida, just north of the Sea of Galilee, which shows how extensively Venice traded at this time. A team from St Francis’ Theological College excavates at Bethsaida every year. 6. Doge Leonardo Loredan (1501-1521) This silver ‘mocenigo o lira’ shows the doge and St Mark on one side, and Christ on the other. The Reformation began with Martin Luther in Germany in 1517, but it had little effect on Venice. Page 7 10 Page Meditative Eucharist 10th June 8th July, 5.30pm Meditation and 6pm Contemplative Eucharist Go placidly amid the noise and haste and remember what peace there may be in silence Book Launch Lecture, Justice, Unity & The Hidden Christ Page 11 Page Page810 12 Book Review—ANZAC Day Origins Anzac Day Origins: Canon D J Garland and Trans-Tasman Commemoration. By John A Moses and George F Davis (Barton, ACT: Barton Books, 2013) Writing about the nation in Australia has been hobbled by an obsession with national identity. Identity seems to be something that either exists or does not exist, which can make it a particularly unsubtle tool for historians. Anzac Day Origins, by Moses and Davis looks very much like a breakthrough into richer territory. It is a very important book. In describing the origins of Anzac Day commemoration in Australia ad New Zealand, from 1915 to the 1930’s, the book makes several substantial points. It shows how the senior Anglican priest Canon David Garland designed most of the leading features of the Anzac ceremonial. Much of the detail her is not new, but Moses and Davis give it narrative force (including New Zealand) and thereby show its deeper significance. The book also shows the ceremonies originating with Garland in Queensland were only gradually taken up among the states of the Commonwealth and in Canberra. In one footnote the authors remark on how much the “national’ was used for some years after the war to refer to what we would refer to as state concerns. The idea that each state might be a nation lingered long after federation. It clearly got in Garland’s way. This leads to the third point. What did Anzac Day really mean? This question was a very lively one for the whole period. Could it be celebrated on a Sunday? Was sport, if allowed in the afternoon, inconsistent with its solemnity? Most important in the end, did the day belong first of all to returned men or to the nation as whole and to its civilian leadership? So we come to the most profound aspect of the book. Garland’s aim was to “sacralise the nation”. Here the argument benefits enormously from the fact that John Moses is, like Garland, an Anglican priest. His expertise as an historian extends to the theology of war as it evolved in both empires, British and German, from the late nineteenth century. The book also has much to say about Garland’s superior, St Clair Donaldson, Archbishop of Brisbane; one of the main advocates in Australia of was as a holy cause. Garland himself was not highly educated, but he was a dynamic organiser with a fine imagination and he gave tangibility and permanence to some of the main threads in Donaldson’s high-pitched propaganda. With his common touch and his genius for ritual, he entrenched them in ceremony. In that sense, Garland’s contribution to Australian nationalism has something in common with Charles Bean’s. Garlands agenda succeeded because the thought patterns of British Christianity were still habitual for most Australians. Anglicanism, in particular, was the old religion of national community, and it was easily reshaped for Garland’s great cause. On the one hand, Anzac Day was designed to celebrate as Garland himself said “the sacrifice of those bright young lives, our dearest and our best”. On the other hand it was a way of giving a sacred form to a new power, the federated nation, a baptism following the birth of 1901. And Garland’s agenda has not been properly understood because historians have been slow to realize how far religiosity informs modern thought. The idea that a secular state such as ours might have its roots in Christianity (as much, say, as France) must remain for a long time incomprehensible to many. It is particularly bold of the authors to use theology to uncover the history of nationhood. This is a big step in bringing the sacred to the centre of Australian self-understanding. Maybe future work will draw together such terms as “theology”, “mentalitie” and “subjectivity” in a single package. When that happened the possibilities will be endless. Alan Atkinson, University of Sydney Page 13 Page 14 Page 15 Brisbane Contemporary Church Music Festival – 2015 St John’s Cathedral, Brisbane A Feast of Music Spread over Two Weekends Festival Director—Graeme Morton Now in its fourth year, the annual BCCMF allows the audience to savour sacred choral sounds within the kind of sacred space for which they were written. It presents leading composers of the last one hundred years beside some of the exciting unknowns. Weekend One: Sunday July 26, 2015 1.00pm This Shining Night – American Composer Morten Lauridsen writes music of great inner peace and spirituality. In this wonderful film meet the man behind the music, and get a glimpse into the soul of this deeply reflective composer. No admission. 2.30pm Lux Aeterna – Featuring Lux Aeterna by Morten Lauridsen. Directed by Heather Buchanan. Thrill to the sounds of seventy voices from the combined St John’s choirs, singing the wonderfully sonorous and soul-filled music by this master composer. The prelude to this performance will be performed by the Brisbane Chamber Choir, and will feature music from their new CD Mass of the Dreaming, and organ music performed by Andrej Kouznetsov. Admission $25 Concession $15 School students free on presentation of a student card 3.45pm Join us for a glass of wine after the performance The Cathedral Chamber Choir also sings contemporary Australian music at the 9.30am choral Eucharist, and the University of Queensland Chamber Singers sings Evensong at 6.00pm. Weekend Two: Sunday August 2nd, 2015 1.30pm Presentation - Australian Voices Graeme Morton explores the concept of an “Australian Voice” in sacred choral music. Free Admission 2.30pm Kaleidoscope Four of Brisbane’s expert choral ensembles perform a program of contemporary music that will surprise and delight. Canticum (Emily Cox), Fusion (Debra Shearer-Dirié), The Schola of St Stephen’s Cathedral (Ralph Morton), the Cathedral (Brisbane) Chamber Choir (Graeme Morton) Sunday 26th 2.00pm Admission $25 Concession $15 School students free on presentation of a student card The Cathedral Choir sings contemporary Australian music at the 9.30am choral Eucharist, and the Cathedral Choir and Cathedral Singers combine to sing Evensong at 6.00pm. Now in its fourth year, the annual Brisbane Contemporary Church Music Festival allows the audience to savour sacred choral sounds within the kind of sacred space for which they were written. It presents leading composers of the last one hundred years beside some of the exciting unknowns. In Kaleidoscope, three of Brisbane’s wonderful choral ensembles will delight with choral colours and contrasts in a wonderful concert. Canticum, Fusion Schola of St Stephen’s Cathedral, and the Cathedral Chamber Choir will each bring a distinctive array of music to this stellar afternoon of music. Further details available at www.bccmf.org You can book tickets through TryBooking.com just search BCCMF St John’s Cathedral, Ann Street (limited free parking available in the cathedral precinct). St Martins House Mon to Fri 9am - 5pm Phone: 3835 2222 Fax: 3832 3173 Web Address: www.stjohnscathedral Page 16 Revolution Contact Details: The Dean The Very Rev’d Dr Peter Catt Off: 3835 2239 (M) 0404 052 494 [email protected] Honorary Deacon The Rev’d Dr Ann Solari (M) 0424 423 972 [email protected] Director of Music Graeme Morton [email protected] Cathedral Organist Andrej Kouznetsov [email protected] Honorary Associate Organist John Gallimore [email protected] Cathedral Precinct and Events Manager Gerard Finn Off: 3835 2231 (M) 0429 552 182 [email protected] Cathedral Wardens Helen Lancaster, Janet Lawrence John Postle Worship Times Sunday Services 7.30am Holy Communion with hymns 9.30am Choral Eucharist Cathedral Choir 5.00pm Holy Communion Southern Chapel 6.00pm Choral Evensong Cathedral Choir or Cathedral Singers Regular Services Monday to Saturday 7.00am Holy Communion Monday to Friday 8.30am Morning Prayer 12.30pm Holy Communion 4.00pm Evening Prayer Jacki’s on Leave Just to let you know that Jacki (Guides Co-ordinator & The Cathedral Shop Manager) is in America visiting friends. Jacki will be back with us on 27th July.