studietur - Bygg uten grenser

Transcription

Studietur
norditalia_vår 2012_12.-15. april
KONTAKTPERSONER
Byggutengrenser.no
Jan Eldegard
mob: + 47 91 17 91 09
MMW arkitekter as
Magne Magler Wiggen
mob: + 47 90 52 00 60
Hotel addresser
Roma
Hotel Cicerone, Via Cicerone, 55/C, Roma
tel.: +39 06 3576
Milano
Grand Hotel Plaza, Piazza Armando Diaz 3, Milano
tel.: +39 02 8555
bygg_roma
Roma
torsdag 12.april
> church of dives in misericordiae, richard meier
> palazzo della civiltá romana, marcello piacentini
> palazzo dei congressi, adalberto libera
> nuovo palazzo congressi italia, massimiliano fuksas
> housing blocks giustiniano imperatore, abdr
Fredag 13. april
> biblioteca lateranense, king & roselli
> mercato coperto “metronio“, riccardo morandi
> boffi barberini showroom, f. romana straffi & boffi trade
> macro museum, odile decq architect
> new tiburtina train station, abdr
> ara pacis museum, richard meier
> auditorium parco della musica, renzo piano
> palazzetto dello sport, pier luigi nervi
> maxxi_museum of XXI century arts, zaha hadid
> ponte della musica_bridge, buro happold & powell-william
> termini train station, various architects
Milano
Lyntog fra Roma til Milano = 3 timer
Roma
bygg_Milano/bergamo
Milano/Bergamo
Milano
Lørdag 14. april
Søndag 15. april
> university bocconi, grafton architects
> city life, zaha hadid
> city life, daniel libeskind
> city life, arata isozaki
> church “resurrezione di cristo”, cino zucchi archetetti
> the kilometro rosso, jean nouvel
> new italcementi headquarter, richard meier
> library of archea, archea associati
> cultural center of ranica seriate, dap studio
> church pope giovanni XXIII, mario botta
> assago milano fiori, obr
> assago milano fiori, erik van egeraat
> assago milano fiori, 5+1
> assago milano fiori, cino zucchi
> il portello – masterplan and shopping area, gino valle
> il portello – residenze, cino zucchi
> park at portello, charles jenks
> food park, paolo pasquini
> zurich headquarter, alessandro scandurra
> the maciachini centre, sauerbruch e hutton
> la bicocca,vittorio gregotti
> the sole 24 ore, renzo piano
> via gallarate, mab arquitectura
> fair centre, massimiliano fuksas
> malpense airport, atelier manferdini
Roma
MAXXI MUSEUM 17
PUNTO DELLA MUSICA 18
15 AUDITORIUM PARCO DELLA MUSICA
16 PALAZZETTO DELLO SPORT
MACRO MUSEUM 11
12 NEW TIBURTINA TRAIN STATION
ARA PACIS MUSEUM 13
10 BOFFI BARBERINI SHOWROOM
IL GUSTO 14
19 TERMINI TRAIN STATION
BIBLIOTECA LATERANENSE 8
1 ES RADISSON DESIGN HOTEL
9 MERCATO COPERTO “METRONIO”
CHURCH OF DIVES IN MISERICORDIAE 2
TABERNA DE’ GRACCHI 7
6 GIUSTINIANO IMPERATORE
4 PALAZZO DEI CONGRESSI
NUOVO PALAZZO CONGRESSI ITALIA 5
3 PALAZZO DELLA CIVILTA ROMANA
Roma_torsdag 12.april
norditalia > roma > es radisson design hotel, roof garden > lunsj
es
radisson design hotel_roof garden
_ restuarant
Adresse: via filippo turati 171, 00185 roma
norditalia > roma > church of dives in misericordiae > 2003 > richard meier
Church of Dives in Misericordiae
_richard meier
Adresse: via francesco tovaglieri, 00155 roma
The proportinal structure of both the church and the precinct is
predicated on a displaced square and four circles. The three
shells that determine the primary gastalt of the church are based
on three circles of equal radius and refer discreetly to the Holy
Trinity.
The perceptual volume of the church is directly influenced by zenithal light on the east-west axis; glazed skylights between the
shells create changing patterns of light and shadow. According to
the season, the weather, and the time of day, light is graduated
across the inner surface of the shells, giving the chapel and the
baptisery a particularly vivacious yet ephemeral character. The
effect is further enchanced by the light entering trough translucent glass between the shells and the narrow band of clear glass
around the perimeter of the church. Of particular note are the
large curved walls on the south perimeter of the church. These
three walls vary in height and are, in effect, segments of a sphere.
Each shell is built of pre-cast concrete segments, post-tensioned
in situ; by virtue of the curvature in plan, each is independently
supported. Wind load resistance is developed through a vertical
cantiever effect acting across the full depth of the curved section.
(www.richardmeier.com)
norditalia > roma > palazzo della civiltá romana > 1938 > marcello piacentini
Palazzo Della Civiltá Romana
_marcello piacentini
Adresse: piazza giovanni agnelli, 10, 00144 roma
The Palazzo della Civiltà Italiana, also known as the Palazzo
della Civiltà del Lavoro or simply the Colosseo Quadrato (Square
Colosseum), is an icon of Fascist architecture. It lies in the district of Rome known as the Esposizione Universale Roma (also
known as ‘E.42’ and ‘EUR’). It is particularly symbolic of this district, exemplifying its monumentality.
The Palazzo della Civiltà Italiana was constructed as part of the
program of the Esposizione Universale Roma, a large business
center and suburban complex, initiated in 1935 by Benito Mussolini for the planned 1942 world exhibition and as a symbol of fascism for the world. The Palazzo was designed by the architects
Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano
and constructed between 1938 and 1943. It was inaugurated on
30 November 1940 as the centerpiece of the Esposizione and
continues to be its most iconic building. The structure is also considered one of the most representative examples of Fascist architecture at the EUR.
The EUR provides a large-scale image of how urban Italy might
have looked if the fascist regime had not fallen during the war—
large, symmetrical streets and austere buildings of limestone,
tuff and marble, in either stile Littorio, inspired by ancient Roman
architecture, or Rationalism. Its architectural style is often called
simplified neoclassicism. Marcello Piacentini, the coordinator of
the commission for E42, based it on the Italian Rationalism of
Pagano, Libera, and Michelucci.
The design of the “Square Colosseum” was inspired more to celebrate the Colosseum, and the structure was intended by Benito
Mussolini as a celebration of the older Roman landmark. Similar
to the Colosseum, the palace has a series of superimposed loggias, shown on the façade as six rows of nine arches each. These
numbers are said to be an allusion to the name of the Fascist
dictator: “Benito” having six letters and “Mussolini,” nine.
(www.wikepedia.com)
norditalia > roma > palazzo dei congressi > 1938 > adalberto libera
Palazzo dei Congressi
_adalberto libera
Adresse: piazza john fitzgerald kennedy, 1, 00144 roma
Palzzo dei Congressi is a venue located in Rome, Italy. Constructed originally for the 1942 Universial Exposition, but cancelled to World War II, it hosted the fencing and the fencing part
of the modern pentathlon events for the 1960 Summer Olympics.
(www.wikipedia.com)
Roma_fredag 13.april
norditalia > roma > nuovo palazzo congressi Italia > under construction > massimiliano fuksas
Nuovo palazzo congressi Italia
_massimiliano fuksas
Adresse: piazza john fitzgerald kennedy, 1, 00144 Roma
The new Convention Center will be a work of extraordinary artistic value, characterized by innovative logistics solutions and a
choice of technologically advanced materials in the construction
industry.
The building is being built in a strategic area of the historic district
of the eur, a quadrant bounded by the Via Cristoforo Colombo,
Viale Europa, Viale Asia and Viale Shakespeare, fully inserted
in the urban environs, an area of about 27 000 square meters
owned by EUR SpA.
The externally visible part of the new Convention Center will
be the result of the interaction of three elements: the theca, the
“cloud” and the hotel. The “cloud” is, without doubt, the characteristic architectural element of the project: the structure, with an extraordinary visual effect, will be made of an innovative membrane
(fiberglass and silicone can guarantee the highest level of fire
safety) and ‘floats’ in a “showcase” of steel and glass 40 meters
high, 70m wide and 175 long.
Despite the grandeur of the work, the skyline of the neighborhood
will remain essentially unchanged. The viability of the area, according to the approved project, will not be altered.
The complex, in fact, was designed to dialogue with the surrounding neighborhood and is inserted in an urban context of particular
importance. Nearby there are major urban centers such as the
Palazzo dei Congressi, EUR Fermi underground stop, the arti-
ficial lake of EUR, Piazzale Marconi and will provided with underground parking. The intention is to use the New Convention
Center and the Palazzo dei Congressi simultaneously making it
become the first congress hub in Italy.
(www.eurcongressiroma.it )
norditalia > roma > giustiniano imperatore > 2011 > abdr
Giustiniano Imperatore
_abdr
Adresse: viale giustiniano imperatore, 00145 roma
The project was realized by Studio ABDR Architetti Associati di
Roma, for the structural engineering by eng. F. Sylos Labini, and
for the construction of the buildings by Società Consortile Giustiniano Imperatore. The requalification includes the construction
of two new residential buildings, 35 metres in height, one of which
supported by concrete filled Tenaris’s tubes.
“The architectural project includes the construction of 28 circular
pillars with small diameters (60 cm) with different lengths from
6.9 to 11.5 metres”, explains Alessandro Giacobbe, Business Development Manager for industrial products, “The structural engi-
neer decided to realize the pillars using our steel tubes filled with
concrete, optimizing the peculiar characteristics of both materials
and uniting the pleasant aesthetic result with the high resistance
to static and seismic stresses”.
(www.tenaris.com)
norditalia > roma > biblioteca lateranense> 2006 > king roselli architetti
Biblioteca Lateranense
_king roselli architetti
Adresse: largo de’ ginnasi, 2, 00186 roma
On commissioning the project for the new library extension to the
Pontificial Lateran University the chancellor Mons. Rino Fisichella
was quite clear in his main objective: to bring the activity of reading and the consultation of books as the central occupation of the
university.
The library’s presence can be perceived from the university;
through a series of viewing cones created by joining the window
reveals (that once gave on to the exterior) to apertures closed
with fire glass in the book stacks. It is entered from the first floor
corridor of the main building down a flight of basalt stairs under
the first level of the book stacks into a spacious foyer. This is
where the locker room, computer indexes-laid on an articulated
table, card index, professors reading room and librarians posting
are set.
The library is arranged so that for every two floors of book stacks
one sloping ramp, “U” shaped in plan, connects them. The book
stacks are as low as possible to avoid the use of ladders to reach
the highest shelves and, given the thin floor slab, are made look
like a set of bookshelves themselves. They are connected vertically by a staircase set between the containing wall and an interior façade of bookshelves facing the reading ramps dedicated
to publications, to form in effect a book tower. The slope of the
ramps is determined by joining the regularly spaced floors of the
book stacks to the irregular cuts in the façade which creates the
reality (not simply the effect) of volumes floating in light.
(http://www.archdaily.com)
norditalia > roma > mercato coperto “metronio“ > 1957 > riccardo morandi
Mercato coperto “Metronio“
_riccardo morandi
Adresse: via magna grecia, roma
Riccardo Morandi is one of the most important civil engineer in
Italy of the late century. He designed this building to host a public parking and a market for the area. He started his activities in
Calabria, at the turn of the twenties, with the design of concrete
structures for earthquake locations. He returned to Rome continuing the studies.
Linked to the Rationalism constructive open from engineering,
his figure is a concrete illustration of the research methodology of
integration of function, construction and image that is, always, the
ideal goal of any architecture.
Despite his initial labeling structural engineer, in his works is actually read the intimate connection between the architectural setting - structural and functional and economic distribution.
(info from the italian guide Luigi)
norditalia > roma > boffi barberini showroom > francesca romana straffi & boffi trade
Boffi BARBERINI showroom
_ francesca romana straffi & boffi trade
Adresse: via barberini 84, 00187 roma
Boffi Barberini is Boffi’s flagship store in Roma, opened in 1999.
Since the opening, the architect Francesca Romana Straffi has
been coordinating the showroom in partnership with Boffi Trade,
and has projected a wide and accured range of collections of
products, in line with Boffi style.
to the lower level: an open space of kitchens and bathooms, with
the best selection of concept, technologies, materials and design.
In the middle, a working projecting area able to interpret any kind
of project and desire in terms of architecture.
A qualified team coordinated by architects Francesca Romana
Straffi follows every customised solution.
The showroom of the beginning the 1900 develops on 500 sq
meters on two floors – a contemporary loft of the 30s, matching
elegance with philosophy.
(www.boffi-barberini.com)
This space is a continuous surprise: kitchens show their wellknown
essential soul amplified by the mirrors. A scenographic stair leads
norditalia > roma > macro > 2009 > odile decq architect
MAcro museum
_odile decq architect
Adresse: via reggio emilia 54, 00198 roma
Paris-based architect and urbanist Odile Decq was commissioned
with the redevelopment and expansion of the Roman Museum of
Contemporary Art in 2001 by Rome City Council.
The main site of the museum was already the product of the restoration and redevelopment of the old Peroni brewery, an important industrial building from the beginning of the 20th century. The
French architect was faced with the complex challenge to introduce a Contemporary Art Gallery in an old mixed industrial building. Decq welcomed the opportunity to transgress more conventional attitudes towards the integration into a historical context:
the result is a convergence of ramps, illuminated staircases, a
bamboo garden, roof terraces and transparent spaces with multiple cross-flows of visitors moving through the building. Perspectives are tangential, allowing chaining and sequential points of
view. Space is not centred and static but in constant tension, expressing the sense of a dynamic equilibrium.The spacious foyer
at the entrance will lead to a large exhibition hall, to the Art Café’
and bookshop. The central volume of running water over the centre of the foyer intends to create a sensation of freshness.
The red « Z » running through the courtyard, the foyer, the garden, the restaurant and the roof is a projection screen.
(www.worldarchitecturenews.com)
norditalia > roma > new tiburtina train station > 2011 > abdr
new tiburtina train station
_abdr
Adresse: piazzale della stazione tiburtina, 00162 roma
The renovation of Tiburtina station in eastern Rome has been
talked about since 1984 and alas works have begun. The operation is complex as it involves resizing the station, regenerating
the surrounding areas and adding a stretch of road to improve
the local traffic.
The new design is a bridge over the existing spinal chord of the
rail tracks. It aspires to be a station at international level and a
meeting point at neighbourhood level. It will be a bridge but also
an urban boulevard that will reconnect two areas that had long
been separated by the tracks: the residential Nomentano and the
more rundown Pietralata.
The Bridge-Station is designed with flexibility of space in mind:
inside, suspended multi purpose volumes have been created and
vertical support structures have been eliminated to help reduce
the impact of vibrations coming from the trains whizzing past below. Similar to the tongue of a bell, thanks to gravity each suspended space will soften the vibrations transmitted by the container.
(http://www.worldarchitecturenews.com)
norditalia > roma > ara pacis museum > 2006 > richard meier
Ara Pacis Museum
_richard meier
Adresse: lungotevere in augusta, 00100 roma
The Ara Pacis consists of a rectangular enclosure containing the
true altar. The most significant scene in the decoration is the one
featuring Augustus, Agrippa, Julius and Tiberius.
One of the walls bears bronze letters stating Augustus’ testament,
known to historians as “Res Gestae”. Sealing the Ara in a marble
case designed by architect Vittorio Ballio Morpurgo in 1938 failed
to save it from decay - hence the decision to put it in a museum.
Richard Meier’s project preserves the Ara Pacis Museum largely unaltered, surrounding it in a permeable, transparent case.
Whether or not one agrees with the principle of creating this contemporary ‘skin’ around the monument, the attraction of Richard
Meier’s project lies in its lightness and alternation of open and
closed areas while remaining “permeable”.
Glass and travertine are the key materials in this highly linear
building right in the historical centre of Rome, on the western side
of Piazza Augusto Imperatore, parallel to the Tiber.
The structure, which measures about 4,200 m2, is divided into
three functional areas (the museum, multimedia halls and offices)
on several levels, adapting to the morphology of the site.
A large staircase takes visitors to a hall lit up from the side and
from above and then to a dark gallery set up as a didactic museum route with panels, models and portraits. This takes visitors
to the case in which the Ara stands with the Res Gestae tablets.
In the central pavilion, the Ara Pacis is flooded with light from the
skylights and filtering glass during the day. This solution required
assembly of more than 1500 m2 of tempered glass plates measuring up to three by five metres, ensuring that the pavilion does
not feel enclosed and guaranteeing maximum visibility.Travertine
marks the entire perimeter of the building and the two terraces,
one of which will be planted with a garden.
The museum is completed by a 150 seat conference room, a
museum-shop and an underground office area.
(www.floornature.com)
norditalia > roma > auditorium parco della musica > 2002 > renzo piano
Auditorium Parco della Musica
_renzo piano
Adresse: viale pietro de coubertin, 00196 roma
Auditorium Parco della Musica is a large multi-functional public
music complex in Rome, Italy. The complex is situated in the
north of the city, in the area where the 1960 Summer Olympic
Games were held.
Parco della Musica was designed by Italian architect Renzo
Piano. Three large concert halls (Sala Petrassi, in memory of
Goffredo Petrassi, about 700 seats; Sala Sinopoli, in memory of
Giuseppe Sinopoli, about 1200 seats; Sala Santa Cecilia, about
2800 seats) are structurally separated to ensure soundproofing,
though joined at the base by a continuous lobby. A fourth “concert
hall”, called Cavea, is the open air theater recalling ancient Greek
and Roman theaters. The fan-shaped layout is formed around the
central piazza. Structures have several nicknames such as blobs,
beetles, scarabs, turtles, insect carapaces, computer mice.
During construction, excavations uncovered the foundations of a
villa and oil press dating from sixth century BC. Renzo Piano redesigned the facility to accommodate the archaeological remains
and included a small museum to house the artifacts that were
discovered. Such changes delayed the project by a year.
The Parco della Musica was formally inaugurated on 21 December 2002; in few years it became the world’s most visited music
facility with over one million spectators in one year.
(http://en.wikipedia.org)
norditalia > roma > palazzetto dello sport > 1957 > pier luigi nervi
Palazzetto dello Sport
_pier luigi nervi
Adresse: piazza apollodoro, 00196 roma
Built for the 1960 Olympics, the palazzetto is a modest sports
stadium in an innovative concrete dome. Designed by Pier Luigi Nervi it hosted boxing among other sports during the Olympic Games. The innovative dome is made of ribbed reinforced
concrete. The lower half of the dome has continuous ribbon of
window the whole way around the circular stadium, beneath the
elegantly ribbed, white-painted concrete ceiling. A wonderful
space. Pier Luigi Nervi was educated and practised as a “building
engineer” in Italy. After 1932, his aesthetically pleasing designs
were used for major projects. This was due to the booming number of construction projects at the time which used concrete and
steel in Europe and the architecture aspect took a step back to
the potential of engineering. Nervi successfully made reinforced
concrete the main structural material of the day.
(http://mimoa.eu)
norditalia > roma > MAXXI_museum of XXI century arts > 2009 > zaha hadid
MAxxi, museum of xxi century arts
_zaha hadid
Adresse: via guido reni, 4a, 00196 roma
MAXXI supercedes the notion of the museum as ‘object‘ or
- prensenting a field of buildings accessible to all, with no firm
boundary between what is ‘within‘ and what is ‘without‘. Central to
this new reality are confluent lines - walls intersecting and separating to create interior and exterior spaces.
(www.zaha-hadid.com)
norditalia > roma > ponte della musica pedestrian bridge > 2010 > buro happold & powell-william architects
Ponte della musica Pedestrian bridge
_buro happold & powell-william architects
Adresse: viale pietro de coubertin, 00196 roma
Construction of Ponte della Musica, a new dual purpose pedestrian and public transport bridge crossing the substantial River
Tiber in Rome, is due to begin early in 2008 and will take 18
months to complete. This major crossing will join the banks of
this substantial river between the Foro Italico and the area of
Flaminio. The bridge is a key part of the Rome city plan which
involves the development of a new east-west axis along the Via
Guido Reni on the east bank of the Tiber. It will connect the various cultural and sporting facilities of the Flaminio district with the
Olympic stadium and other sports facilities on the west bank in
Monte Mario. The scheme consists of two inclined steel arches
supporting a steel deck.
The arch springings, designed in concrete, incorporate staircases
providing secondary access from the lower river banks. Primarily,
the bridge has been designed for pedestrians but it also allows
for future conversion that will accommodate vehicular and tram
loading.
Buro Happold’s scheme was developed in collaboration with
Powell-Williams Architects and emerged as the winner of an
international design competition organised by the Comune di
Roma. Once finished, this contemporary new crossing will measure approximately 200m long with a clear span of around 150m.
(www.burohappold.com)
norditalia > roma > termini train station > 1950 > variuos architects
termini train station
_ leo calini & eugenio montuori; massimo castellazzi, vasco fadigati, achille pintonello & annibale vitellozzi
Adresse: via marsala, 3, 00185 roma
Total surface area 225.000 m2, frequented by approximately
480,000 persons per day, over 150 million per year. The station is
located in piazza dei Cinquecento, in the heart of the city.
Even beyond these figures, Roma Termini has come to play a
primary role in the urban, regional, national and international
transport system. Taking as its starting point the consideration
that stations are privileged places of passage, fundamentally important resources for cities in constant expansion and evolution,
the Grandi Stazioni project was developed to transform Italy’s 13
most important stations into comfortable, secure and assessible
places with the dual role of multi-modal transport hubs and city
piazzas rich in commercial services and opportunities.
The renovation of Termini station has confirmed the validity of
this idea, thanks to investments totalling some 119 million euros
and the works speedily carried out on the occasion of the 2000
Jubilee.
(www.grandistazioni.it)
Milano + bergamo
NEMBRO
LIBRARY BY ARCHEA 7
RISTORANTE DA MIMMO 6
THE KILOMETRO ROSSO / NEW ITALCEMENTI HEADQUARTER
4
BERGAMO
SERIATE
5
CULTURAL CENTER IN RANICA SERIATE / CHURCH POPE GIOVANNI XXIII 8
21 MALPENSA AIRPORT
LA BICOCCA 17
20 FAIR CENTRE
19 VIA GALLARATE
14 FOOD PARK
ZURICH HEADQUARTER 15 16 THE MACIACHINI CENTRE
11 12 IL PORTELLO - MASTERPLAN /
IL PORTELLO - RESIDENZE
13 PARK AT PORTELLO
SESTO SAN GIOVANNI
3 CHURCH “RESURREZIONE DI CRISTO”
18 THE SOLE 24 ORE HEADQUARTER
2 CITY LIFE
MILANO
1 UNIVERSITY BOCCONI
10 ASSAGO MILANO FIORI
9
Milano_lørdag 14.april
norditalia > milano > university bocconi > 2008 > grafton architects
university bocconi
_grafton architects
Adresse: via roberto sarfatti, 25, 20136 milano
Inside, our building is thought of as a large market hall or place
of exchange. The Building’s hall acts as a filter between the city
and the university.
The northern edge of the site fronts onto the artery of Viale Bligny, with the clatter of trams, the rush of busses, general traffic,
people passing. It addresses the throbbing urban life of Milan,
weaves into the mesh of the city. This frontage becomes the architectural opportunity to have a window to Milan, a memorable
image to confirm the important cultural contribution that the Bocconi University plays in the life of this city.
For this reason, the public space of the aula magna occupies
this frontage, asserting a symbolic presence and a register of the
prestigious status of the University.
The building is set back from the Viale Bligny & Via Roentgen
edges to make a public space 18m x 90m inspired by the space
forward of Hospital Maggiore.This new deep finger of space
reaches out to the city and beckons the visitor into the heart of
the interior. This public space continues into the building, bringing
with it it’s stone surface, the floor of the city.
(www.dezeen.com)
norditalia > milano > housing complex > under construction > zaha hadid
City life
_zaha hadid
Adresse: via ambrogio, 20145 milano
Creating a portal to the FieraMilano: a 43-storey, 190 metre retail
tower emerging from the site, giving shape to a torsion or vortex,
a slow rising and twisting from its base. Horizontal energy is released into a vertical, spiralling vector aligned with the snaking
forms of the housing across the river.
(www.zahahadid.com)
norditalia > milano > housing complex > under construction > daniel libeskind
City life
_daniel libeskind
The CityLife Fiera Milano project is located in the heart of Milan,
spanning 106 acres on the old fairgrounds of this historic city.
The scheme of Fiera Milano incorporates residential and office
development, retail space and a museum all built around a central park. In 2004 Studio Daniel Libeskind along with Zaha Hadid
Architects, and Arata Isozaki Associates won the commission
for the development of the site. In addition to leading the master
plan, SDL is designing the contemporary art museum, the central
office tower, a residential tower (the Park Tower), and the first
housing parcel which is currently under construction.
(http://daniel-libeskind.com)
norditalia > milano > housing complex > under construction > arata isozaki
City life
_arata isozaki
Given the size of the lot we decided to aspire to re-interpret the
complexity of the city through most designers who, at odds with
each other, bring the power of buildings with different shapes and
materials. In any street in Milan are still buildings from different
eras and with different architectural features. Hence the liveliness
of a city, in the dynamic tension between the works of later periods in an archipelago of images and colors. This was our ambition, choosing to work in groups. In our area we wanted to check
the design through a mathematical system: the Penrose pattern.
Designed by a British mathematician, it allows you to create
complex forms of diamond always the same, but put together
so infinitely different ways thanks to mathematical variables.
The size of the lines are always the same and then just decide a
convenient measure to apply to the types everywhere and thus
check the result size and distribution. On this basis, we applied
the volume and types of residential accommodation for offices
like pattern of vertical extrusions. The residences are spread out
around an interior garden with cherry trees, which continues the
theme of the park in the residences, and grow in height going
towards the skyscraper. In the design of the facades we reported
the mathematics of random pattern, alternating rhythmically terraces, stone, glass and blinds in long vertical stripes.
(www.isozakimaffei.it)
norditalia > milano > church ”resurrezione di cristo” > 2004 > cino zucchi archetetti
church
“resurrezione di cristo”
_cino zucchi architetti
Adresse: via pisa, sesto san giovanni
The place, an industrial periphery, and the existing building to be
demolished, a “warehouse” church built in the Sixties by some
priests-labourers, generated a “dry” project, which deals with the
difficult problem of a contemporary church without indulging in
any structural exhibitionism or in “free” figurative attempts.
The simple rectangle of the central space is inflected by two
“sails” frescoed by Hélenè Delprat and surrounded by a series of
transition spaces with the city, the parish center, the soccer field.
Facade and bell-tower are treated as autonomous elements
which embrace the concave forecourt, protecting it from the “back
noise” of the city.
(www.zucchiarchitetti.com)
Bergamo_lørdag 14.april
norditalia > bergamo > the kilometro rosso > 2005 > jean nouvel
the
Kilometro Rosso
_ jean nouvel
Adresse: via stezzano, 87, 24126 bergamo
If Brembo Corporation decided to build its research offices and
workshop facility in Bergamo alongside the Milan-Venice expressway; it was because this prestigious Italian maker of brakes
for luxury and competition automobiles and motorcycles wants
to be seen!
Brembo is also developing other commercial and hotel activities
on the site.
A vibrant red line, one kilometer long and lying parallel to the
highway, gives this commercial-industrial ensemble a strong
identity. In addition to reflecting Brembo’s industrial image, the
gleaming red wall of grooved, lacquered aluminium acts as a
sound barrier, permitting behind it the development of a park like
typology of buildings with planted green spaces and wide views
over the landscape. The kilometer-long red screen is built over a
kilometer-long parking podium that is also...red.
(http://en.urbarama.com)
norditalia > bergamo > new italcementi headquarter > 2012 > richard meier
new
italcementi headquarter
_ richard meier
Adresse: via stezzano, 87, 24126 bergamo
Prominently positioned at the eastern end of the Kilometro Rosso
Scientific TEchnology Park in Bergamo, Italy, the Italcementi ITC
Lab is intended to be an iconic building expressing Italcementi’s
position of leadership and commitment to research and innovation in the use of concrete and reflecting its celebrated reputation
for technical expertise. The structure is a benchmark in sustainable design, seeking to attain the first LEED platinum accreditation in Europe.
The new building reinforces the boundaties of the triangular site
and incorporates a program of technical and administrative spaces into two wings. Comprising two levels above grade and two
basement levels including parking, the V-shaped configuration
houses separate laboratory and administrative wings surrounding a central courtyard, which features a garden and provides service and underground parking access. Below-grade courtyards at
the perimeter provide natural light to basement-level laboratory
spaces and fresh air for the mechanical spaces and the garage.
At the northeast corner of the building, which is also the terminating corner of the scientific park, a large covered public plaza
forms the main entrance leading to a two-story skylit atrium. The
central atrium houses public reception as well as security control
and provides circulation space for both of the structure’s wings
via two glass elevators and a dramatic ramp, both skylit and featuring views of Bergamo through the atrium’s double-height glass
walls.
The cantilevered and floating concrete roof of the ITCLab creates a strong and elegant profile. In addition to the large skylights
in the public spaces, the roof forms a virtual fifth acade perforated with a system of skylights directing natural light into offices,
circulation corridors, and laboratory spaces. Natural light filters
through the top floor into the interior spaces, providing illumination that changes throughout the day, while the interplay of natural light and shadow over distinctive curtain wall - composed of
concrete elements developed by Italcementi specifically for this
structure, visual frit, and clear glass - animates the facade.
(www.richardmeier.com)
norditalia > bergemo > library > 2007 > archea associati
library by archea
_archea associati
Adresse: nembro, italy
A building erected in 1897, intended as a primary school, that
has been used for many purposes over the years, first becoming town hall, then kindergarten and finally consulting room. The
request of the municipality was to solve the contingent state of
abandon, turning the building into a library, to provide the town
with a facility dedicated to education and information of the
residents.
The strategic position in relation to the urban tissue, the architectural character of the original structure, closed on three sides,
and the need for new spaces oriented the project towards the
addition of a new wing in the form of a new construction that
closes the only open side, that once faced a courtyard.
The new building, connected via the basement, is separated
from the existing structure on all sides, thus underscoring a difference that, in spite of the communicating plan, bears witness
to a constructive and formal choice that establishes a dialectic
contrast with the historical character of the original building;
completely transparent, it is characterized by its surface, made
of terracotta elements measuring 40x40 centimeters, glazed in
carmine red, supported by a structure made from coupled steel
profiles. This building technique has made it possible to screen
and filter the sunlight.
(www.architonic.com)
Bergamo _lørdag 14.april
norditalia > seriate > cultural center of ranica seriate > 2005 > dap studio
cultural
center in ranica seriate
_ dap studio
Adresse: via degli alpini, 24068 seriate
The building - housing a public library, an auditorium, a kindergarten, and a school for dance and theater- is made of two volumes,
one laid on top of the other, centering on an interior courtyard
capturing natural light and attracting pedestrians.
The building hosts a new “piazza”, a new meeting point for the
citizens. In this sense, the project for the new Cultural Center
reconceives the ground.
Beginning at grade, the building establishes new links with the
city and makes its presence felt as it rises two floors above the
ground. It maintains harmony with the surrounding landscape,
which inspired its design, through predominantly horizontal lines
at the floor and ceiling planes of each volume. The lower volume
is transparent, revealing the activities which take place inside to
passersby, stirring their curiosity. The upper volume sits on its
top and becomes an urban signal. Its translucent polycarbonate
sheets glow with vibrant tints and allow the silhouettes of people
to be seen through the colorful watery facade.
(www.archdaily.com)
Bergamo _lørdag 14.april
norditalia > bergamo seriate > church pope giovanni xxiii > 2004 > mario botta
church
pope giovanni xxiii
_ mario botta
Adresse: via morti di paderno, 24068 seriate
The new church dedicated to Holy Pope Giovanni XIII is located
close to the 17th century church of San Alessandro Martire in
the suburb of Paderno-Seriate south of Bergamo.
The church with the squared ground floor is the center of the
whole project site with a side length of 25 meters and a height
of 23 meters. The bearing structure is in reinforced concrete, the
facades are clad in natural stone slabs of Stone di Verona (split
slabs),while the interior walls are covered with panels of gilded
wood (similar to the technique of gilded frames).The interior
space offers itself as a one and only volume shaped by the
lateral wall, light flows in down along the walls from the four roof
skylights. The same Verona stone characterizing the buildings
exterior is also used, polished, in the interior as a continuity of
the whole flooring shaping the plinth of the walls and the liturgy
furniture. A stone clad twin apse completes the church space
and offers a sculptural work with a crucifixion scene realised
within the stone size of the cladding by the Italian artist Giuliano
Vangi.
(http://www.botta.ch)
Milano_søndag 15.april
norditalia > milano > assago milano fiori > 2011 > obr
assago milano fiori
_obr
Adresse: assago, milano
The Milanofiori Housing Complex in Milan is a modern apartment
development that utilizes an innovative double garden system to
buffer the apartments against the elements. Designed by Open
Building Research (OBR), the project forms a C-shape as it wraps
around a public park and it is designed to optimize solar passive
design. Each apartment features an indoor-outdoor garden set
behind double-glazed glass so that residents can enjoy a bit of
nature whether it’s summer or winter
The 107-apartment complex is part of a much greater master plan
for the Milanofiori area designed by Erick van Egeraat. OBR was
in charge of designing the complex, which has both a public and
a private facade. The exterior of the curved building is more urban
and it creates a sense of belonging with white wooden screens.
These shade screens can be moved along the balcony so each
resident can control the amount and quality of light reaching into
their home.
(http://inhabitat.com)
norditalia > milano > assago milano fiori > 2011 > erik van egeraat
assago milano fiori
_erik van egeraat
Milanofiori North Business Park is one of the biggest developments in Europa in its kind. The masterplan for the area was developed in 2003 by Erick van Egeraat and specifically conceived
to adress the rising demand for high quality offices in Milan.
The entire development will be a self-contained entity covering
218.000 m2 and offers a variety of functions including offices,
housing, commercial, retail and leisure facilities, a cinema, and
a hotel. The seven office buildings along the A7 highway form
an iconic ensemble that is visble from afar. They are the most
representative part of the park and constitute the main entrance
to the site. The buildings are positioned in such a way, that each
offers broad views towards the different parts of the masterplan.
While the two central buildings facing the entrance of the metropolitan line tend to create a more urban and vibrant atmosphere,
the other five are interspaced at a greater distance, allowing the
introduction of a large public spaces and gardens between them
which contribute to the explicity green appearance of the Business Park.
(http://www.erickvanegeraat.com)
norditalia > milano > assago milano fiori > 2004 > 5+1
assago milano fiori
_5+1
The perimeter of the building forms a compact triangle, whereas
the disposition of the volumes and the architectural design of the
elevations are fragmented. Transparencies, opaquenesses and
shading pixels, draw a line, either precise or blurred between the
levels. The alternation of natural and artificial light makes people
interact and change their perceptions. A big carved text scrolls
continuously on two sides of the building, leaving a monumental
feeling and an ironic solemnity to it.
(http://www.5piu1aa.com)
norditalia > milano > assago milano fiori > 2007 > cino zucchi
assago milano fiori
_cino zucchi
The disposition on the ground and the typological layout of the
U15 office building articulate and specify the general master plan
guidelines in relationship to the specific features of the site and of
the overall design of the open spaces. The large dimension of the
building plot and of the maximum building envelope given by the
master plan is interpreted by folding its perimeter inwards to generate a new layout which unites the advantages of an H-shaped
scheme to that of a centralized one.
light and shadow effect: the inner wall alternates a ribbon window
band with an opaque one faced by anodized aluminum panels in
natural warm grey, pale gold, light brown shades.
The continuous perimeter “skin” which delimits the interior spaces is divided in several layers which donates depth and a strong
(http://www.zucchiarchitetti.com)
The exterior system of brise-soleils in aluminum sheets folded in
different profiles, pierced by an array of custom-designed holes
and treated with different anodized natural colors protects the
windows from the east and west low sun transforming the building in a sort of large tree-trunk with an iridescent bark.
norditalia > milano > il portello – masterplan and shopping area > under construction > gino valle
Il
Portello – Masterplan and shopping area
_ gino valle
Adresse: portello, milano
The revitalization scheme of the Portello area designed by Gino
Valle in the late 1990s.
The master plan for the abandoned Alfa Romeo area includes
the arrangement of four different areas that v.le Serra passed
through.
A diagonal road runs through the entire district and connects the
commercial and business area with the residential area on the
other side of the busy road.
Gino Valle has also designed the project of the shopping area.
(www.architetturadelmoderno.it)
norditalia > milano > il portello – residenze >2007 > cino zucchi
Il
Portello – Residenze
_ cino zucchi
Zucchi’s choice is that of a light and polyphonic story. His
design is not imposed, but builds new relationships with the
context and within the new block, ensuring a positively anomalous condition for a speculative project.
Standing out at the centre of the complex due to its mass and
density is the ex-canteen converted into offices. The slice of
original facade on Via Traiano having being salvaged, the
rest of the building that follows, wedged in as far as the centre of the block, is treated with a cladding in long slabs of horizontal Cardoso hewn stone and with glass and aluminium
frames.
(www.domusweb.it)
norditalia > milano > park at portello > 2008 > charles jenks
Park
at portello
_ charles jenks
An urban park in northwest Milan with three major landforms,
ponds, gardens, and sculpture. Landscape and gardens always
carry the imprint of time on their surface and in their growth and
decay.
For the Parco Portello in Milan the underlying concept is the
Ritmo del Tempo, the various rhythms of time that pulsate on
earth and in the universe, the basis for music. Thus here the three
large mounds convey the three eras of cultural time in Milan prehistory, history and the future - and the small garden portrays
many rhythms from the heartbeat to the four seasons to the major
events of the universe. All in all these rhythms of growing and
walking are in tight syncopation.
(www.charlesjenks.com)
norditalia > milano > food park > 2009 > paolo pasquini
Food park
_paolo pasquini
Adresse: via carlo imbonati, maciachini, 20159 milano
Design and artistic direction of the Food Park, two buildings dedicated to a free flow restaurant and a pizzeria – bar – library for a
total of 1,000 sqm in addition to the external landscaping works
extending on a 5,000 sqm garden within the Maciachini master
plan.
(www.architonic.com)
norditalia > milano > zurich headquarter > 2008 > alessandro scandurra
Zurich headquarter
_alessandro scandurra
Adresse: via carlo imbonati, 20159 milano
An imposing building of over 29 thousand square meters, designed by the architect Alessandro Scandurra, shall become the
Italian headquarters of the Zurich Insurance Group.
A single volume, with office spaces for 700 employees, a large
hall and various services, among which a cafeteria, a congress
room hosting 150 people, two fitness areas, terraces and green
areas. Unitised curtain walls , with an external single skin and
double skin inside.
The façade – inclined at ground floor – is a mullion and transom
curtain wall with cover profiles and special safety glass preventing intrusion.
(www.somecgroup.com)
norditalia > milano > the maciachini centre > 2010 > sauerbruch e hutton
The
Maciachini Centre
_ sauerbruch e hutton
Adresse: via benigno crespi, 20159 milano
The Maciachini Centre is a brown-field regeneration project of a
former industrial site once occupied by pharmaceutics manufacturer, Carlo Erba, in the north of Milan.
The new business park will be a multi-purpose tertiary centre of
some 100,000 sq m with offices, shops, restaurants, fitness and
sports facilities, and cultural activities including a museum-theatre complex. The daily footfall in the Centre is forecast at around
4,000.
The design includes green spaces, squares with fountains, bicycle paths and accessibility from all sides.
The three large volumes of this complex follow the main axis of
the site. They are positioned to allow easy accessibility to the
site’s internal areas while creating an acoustic barrier blocking
out the noise of traffic from roads bordering the site perimeter.
Two of the buildings are linked by a glazed atrium space.
Architecturally the three volumes are striking for the horizontal
and vertical accents afforded by the 1 ½ metre high façade cladding modules in coloured screen-printed glass with operable sunshading elements on an aluminium frame. This ensemble forms
the outer envelopes of all three buildings. The inner layers are
made up of double glazing with operable windows.
The mosaic on the exterior façades to the north (overlooking the
park), west (Via Imbo nati) and south (Via Bracco) comprises thirty different shades going from red to pink. On the inward facing
façades, shades moving from green to blue reflect the colours of
the immediate surrounds.
The elevations are further differentiated by façade modules arranged like a series of same-height but varying sized pixels that
lend a dynamic to the sequence of volumes.
A key objective for the new-build facilities is the reduction of both
energy requirements and harmful emissions while at the same
time guaranteeing user comfort.
(www.theplan.it)
norditalia > milano > la bicocca > 1998 > vittorio gregotti
La Bicocca
_vittorio gregotti
Adresse: viale sarca, via valbrona, via cozzi, 20126 milano
The purpose of the large Bicocca project was the reuse of the
enormous area previously occupied by the Pirelli and Ansaldo
factories into a site based on industry, university buildings, research laboratories, shopping centres and services.
The project has attracted the largest contribution from Europe
in Milan. It is under the direction of Vittorio Gregotti who has attempted to create a “historical centre in the suburbs” around the
grid of roads, open spaces and factory buildings. Some of the
buildings are restructured versions of the original industrial sites,
others are new creations. They are aligned in blocks connected
by five large pedestrian squares that provide a human centre and
aid in the urban image of the area. “The creation of simple, civil
architecture without showing off” is what Gregotti has attempted
to achieve. The Siemens research building, the residential buildings along Viale Sarca, the seat of the second University of Studies in Milan, and the layout of the open spaces are the elegant
results.
(http://milan.eventseekr.com)
norditalia > milano > il sole 24 ore headquarters > 2005 > renzo piano
The SOLE 24 ORE HEADQUARTER
_renzo piano
Adresse: via monte rosa, 91, 20100 milano
When this building was designed the pre-existing structures were
kept in mind: a portion of the former factory has been demolished,
but the reinforced concrete skeleton and the foundation grid have
been maintained. Two more floors formed by light steel structures
have been added and foundations have been strengthened. The
southwest wing and the inner part of the block, entirely occupied
by warehouses, have been knocked down.
The building consists of two side units and one central unit laid out
around an urban park with different types of trees. The buildings
are divided with transparent partitions, true windows that make
the town and the internal garden inter-communicating. Each one
of the side units is divided into three parts, with functional nodes
with elevators, staircases, lobbies and recreational areas, with
external, glass-covered footpaths.
(http://www.theplan.it)
norditalia > milano > via gallarate > 2009 > mab arquitectura
via gallarate
_mab arquitectura
Adresse: via gallarate, milano
The project, in collaboration with LAPS architecture, consists of a
cultural and multipurpose center + Housing (30 apartments) for a
total built area of 2900 sqm.
The project seeks to be a new open building towards the inhabitants of the neighbourhood, offering public spaces - reading room,
meeting and events room, multipurpose room - all articulated
around a multi-level foyer. The residential area of the project –
consisting of 30 studios for young workers - is set on the last 4
floors.The project consists of 184 social housing apartments set
in a 3 ha park, public space and facilities. The main aim was to
establish places of new “urbanity” in marginal areas of the city,
working for a co-existence between Housing and Public Space.
MAB project for Via Gallarate marks public space to structure
the whole project. The linear pedestrian park protects the houses
with its slopes from the highly congested road on the North, and
opens with playgrounds and community services towards the city
on the South.
(http://www.ymag.it)
norditalia > milano,rho > fair centre > 2005 > massimiliano fuksas
Fair centre
_massimiliano fuksas
Adresse: strada statale del sempione, 28, 20017 milano
The New Trade Fair is not only a big project for the Milan region
- its dimensions make it one of the biggest buildings in Europe.
Massimiliano Fuksas conceived the site on the outskirts of the
city as a new landscape with its own geography. The project is
structured by a central axis that connects the service centres, offices and the exhibition halls.
The whole complex is covered by a vast roof - an undulating lightweight structure, with a surface area exceeding 46.000 square
metres, over 1300 metres long and approximately 32 metres
wide. Made up of a reticular rhomboidal mesh structure in pre-
finished steel profiles, it is connected via spherical nodes and
covered with laminated glass attached via plates to the profiles
below. It is supported by 183 steel columns 500 mm. in diameter which branch into smaller supporting arms above 12 metres.
Fuksas derived the form from constant altimetric variations as
found in the natural landscape in the form of ‘craters’, ‘waves’
and ‘dunes’.
(http://mimoa.eu)
norditalia > milano > malpensa airport > under construction > atelier manferdini
Malpensa Airport
_atelier manferdini
Adresse: aeroporto malpensa, 21010 ferno varese
The project involved the replacement of the connecting tunnel
between the Express Train Station and the Terminal 1 of the Milan Airport, all in preparation for the World Expo in 2015. The
designed segment comprises a covered area that will serve as
an exhibition space as well as a pedestrian trajectory, connecting the sides with roof gardens. The part of the roof overhang on
the west side is clearly visible from the street lanes that flank the
underlying construction of the new Hotel Malpensa.
The roof is supported by a metal frame to ensure lightness and
limit the weight, and avoid compromising the existing structure of
the parking lot below. The north side of the structure is adjacent to
the hard deck of Terminal-1, which connects the foot to impart the
necessary lateral stability against wind and seismic loads.
The cover is made of a modular system of metal bent brush anodized in 3 shades (gold, natural and mirrored). The geometry
of folded panels and reflective surfaces of the metal create rich
effects in light and color that change with the angle of the light
source and with the observer’s viewing angle, giving dynamism
and lightness to the new port of Milan. During daylight hours,
the geometry of the modular system and its openings are less
frequent at the ends of the cover and act as tree branches by creating a play of light and shade. During the night, the perforations
in the cover spread interior lighting onto the pedestrian crossing.
(www.archiscene.net)
Egne notater:
_studietur norditalia
mmw
a r k i t e k t e r a s s c h w e i g a a r d s g a t e 3 4 - d , 0 1 9 1 oslo
t . - 2 2 1 7 3 4 4 0 , www.mmw.no

studietur - Bygg uten grenser

Transcription

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