report - Instytut Muzyki i Tańca

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REPORT
on the presence of Witold Lutosławski’s music
in the musical life of Poland and the world
by Ewa Cichoń
Translation: Monika Tacikowska
Proofreading: Alan Lockwood
Institute of Music and Dance
Warsaw, 2013
The Report on the presence of Witold Lutosławski’s music in the musical
life of Poland and the world has originated in the Institute of Music
and Dance, which in 2013 also performs the role of the Lutosławski Year
Celebrations Office. The publication’s objective is to provide an account
of the presence of Lutosławski and his music from the composer’s death
in 1994 until the start of his birthday centenary celebrations, that is the end
of 2012. This report will be supplemented in early 2014 with information
on the events and achievements of the Witold Lutosławski Year 2013.
I would like to express my profound thanks to Ms Ewa Cichoń,
the report’s author, for the extensive effort she put into bringing this
document to life, and to the other persons and institutions involved
in its creation – thank you for sharing your data with us and assisting us
in the making of the report.
Andrzej Kosowski
Director of the Institute of Music
and Dance,
Representative of the Minister
of Culture and National Heritage
for the Lutosławski Year Celebrations
2
REPORT
on the presence of Witold Lutosławski’s
music in the musical life of Poland
and the world
In memory of Jadwiga Paja-Stach (1949-2011)
The information presented in this report covers many different areas of the
reception of Witold Lutosławski’s oeuvre, including publications and performances
of individual pieces and their radio broadcasts (Polish Radio EBU), audio and
video recordings, literature, films and television programmes (TVP), websites
devoted to the composer’s life and oeuvre, persons and institutions who study
and promote his work, institutions named after Witold Lutosławski, and other
occurrences connected with Lutosławski and his music, as well as pieces by other
composers dedicated to the Polish artist – especially ones containing a dedication
in the title.
The report relates to the period from the composer’s death in 1994 until the end of
2012. Some analyses and lists include data referring to the period before 1994,
for instance the list of literature features books published before 1994 and
available in December 2012, as well as documentary films or other composers’
pieces dedicated to Lutosławski that were created before 1994, along with those
created in 1994 and after (the report contains a selection of compositions which
the author found either on the Internet or through music companies).
More space has been devoted to performances in Poland and abroad, recordings,
and also literature. The statistics on performances range from 2004 to 2012, while
the data on performances abroad cover the period from 1999 to 2003.
The table presenting broadcasts on Polskie Radio [Polish Radio], Poland’s
national radio broadcaster, covers 2006 to 2012 and is arranged by titles.
A separate table contains a list of Polish Radio’s offers submitted to the EBU
repository.
Tables of publications by PWM Edition, Moeck and Others (releases by Moeck
and other publishers referring to two titles) and Chester contain works issued after
1994 and available in December 2012, arranged alphabetically by title. The
abbreviations used in the tables refer to the type of publication, i.e. hardcopy
scores (N for PWM, Moeck and others; SM for Chester), electronic scores (eN),
orchestra materials for hire, parts (MO for PWM, Moeck and others; OP for
Chester). Brackets indicate publication series or type of notation, e.g. BMP
(Biblioteka Małych Partytur, or Library of Miniature Scores) on the PWM Edition
list, or “study score” on the Chester list.
3
CONTENTS:
PERFORMANCES IN POLAND AND ABROAD ……………………………… p. 6
Analysis of the frequency of concert performances of Lutosławski’s works in
different countries and cities; rankings of the number of performances for given
periods and individual pieces.
TRACING FESITIVALS AND JUBILEES. POLAND …………..…...….. p. 7
LONDON, BERLIN AND HONOLULU. THE WORLD ….……..……..... p. 11
RANKING OF THE MOST POPULAR ORCHESTRA WORKS …….... p. 13
CHAMBER MUSIC .........………………………………………………….. p. 17
CHILDREN’S, FOR CHILDREN, DERWID… .……………………......... p. 20
SELECTED FESTIVALS IN POLAND after 1994 ……………………..……... p. 23
CD RECORDINGS AFTER 1994……....………………………………………... p. 34
Summary of the most important developments with examples of albums and
series; rankings of recordings by music company, by title and for given years.
FROM THE ARCHIVE. UNFORGETTABLE ONES …..…………….…. p. 35
NAXOS AND LUTOSŁAWSKI ……………………..…………….……….. p. 36
DIFFERENT CONTEXTS ..........……………………………………….…. p. 38
RANKING OF RECORDINGS BY TITLE ......…...……………….......…. p. 39
RANKING OF MUSIC COMPANIES .………………………….……...…. p. 40
RANKING OF THE FREQUENCY OF RELEASES ...……………..…... p. 43
LUTOSŁAWSKI IN SUPER AUDIO ...............................…………….… p. 44
MOST RECENT SERIES AND ALBUMS ………………...............……. p. 45
LITERATURE AFTER 1994 ………………………………..……........………… p. 48
LITERATURE – LIST OF PUBLICATIONS ………………….……..…………. p. 49
4
FILMS AND DVDs …………………………………….........................………… p. 53
PROGRAMMES
broadcast on TVP in 1994-2012
Documentary films, interviews, reports, accounts ………………………… p. 56
(source: TVP archive)
WEBSITES devoted to Witold Lutosławski ……………………….…………. p. 60
RESEARCHERS AND PROMOTERS ………………..………………………… p. 68
INSTITUTIONS popularising and promoting Witold Lutosławski’s
music .................…………………………….……………………………..……… p. 72
INSTITUTIONS, FESTIVALS, COMPETITONS bearing the name of Witold
Lutosławski ………….………………………………………………................... p. 75
OTHERS CONNECTED WITH
Witold Lutosławski ……………........................................………………….… p. 78
MUSICAL WORKS DEDICATED TO
WITOLD LUTOSŁAWSKI …………..……………….................……..………… p. 79
RESULTS OF AN OMNIBUS SURVEY
on Witold Lutosławski ………………………………………………….……..… p. 83
APPENDICES:
PUBLICATIONS OF WITOLD LUTOSŁAWSKI’S WORKS ………...……..… p. 86
BROADCASTS ON THE POLISH RADIO and offers submitted to EBU 20062012 …………….....................................................................................…… p. 103
5
PERFORMANCES IN POLAND AND
ABROAD
To state that a composer’s pieces have been performed “frequently almost
everywhere in the world” may be a simple truism if the “frequently” and “almost
everywhere” remains unspecified. This report, based on an analysis of a few
thousand pieces of information, aims to verify the perceptions about the frequency
with which Witold Lutosławski’s works have been performed after 1994.
The calculations presented below also serve to specify where – in Poland and
abroad – and how often in given periods the composer’s pieces were performed, and
which were performed more (or most) often, as opposed to ones which were
performed less (the least) commonly. The report does not focus on how often the
pieces were performed by a given artist or ensemble, although the names of
performers are given in examples.
It should be noted that the figures cited in the report, even if related to the best
documented periods, must be treated as estimates.
The main source of data for this part of the report were registers of performances
kept by the publishers of the composer’s works, i.e. PWM Edition (2004-2012),
Chester Novello (1999-2012) and Moeck (1994-2006). The registers contain for the
most part performances for which the publishers have lent orchestra materials. The
Chester registry also takes into account many performances of chamber pieces,
while this type of information is scarce in the PWM Edition registry.
Another important source of data on Polish performances was the information made
available by ZAiKS, Poland’s leading collective-rights management company.
However, this information was related only to performances for which a fee was
charged (some might have been free of fees) and collected by the end of December
2012, meaning that the latest performances of that period may not have been listed
yet.
As a complementary source to the data obtained from publishers and ZAiKS, this
report uses programmes of most major Polish and international festivals, orchestra
repertoires, and concert schedules of selected artists, mostly ones available on the
Internet. These materials were used for cross-checking, and revealed on a few
occasions performances left for various reasons out of the registers examined,
namely some chamber pieces and a few symphony works. Examples include
performances of Koncert na orkiestrę [Concerto for Orchestra] and Koncert
fortepianowy [Piano Concerto] at the Edinburgh International Festival in autumn 2012
(Cleveland Orchestra / F. Welser-Möst; L. Vogt – pf) or of the latter piece during the
Master Concerts series held by the Croatian Radiotelevision in Zagreb (Croatian
Radio Television Symphony Orchestra / N. Bereza, P. Kowalski). Polish “newly
discovered” performances include Concerto for Orchestra and Livre pour orchestre
played at the Witold Lutosławski Studio in Warsaw in 2009 (NOSPR / J. Kaspszyk)
and broadcast by Polish Radio.
***
6
Considering only the best documented period from the beginning of 2004
until the end of 2012, there were almost 2000 performances of Lutosławski’s
individual pieces and their series, half of which took place in Poland.
The number is not equal to the number of concerts, although most often there was
one piece per concert, while less frequently there were two or more, and some
concerts were made up exclusively of Lutosławski’s music.
It may be then concluded that during these nine years Lutosławski’s works were
played all over the world at the frequency of 200 performances a year – 222
performances to be precise, of which about 120 took place outside of Poland.
Calculations for performances in Poland, it must be stressed, are based on more
comprehensive data than those for performances abroad, therefore the number of
performances abroad may be to some extent underestimated.
The number of Polish performances is also heightened by Lutosławski’s less
mainstream pieces, such as children’s songs and songs for children, Christmas
carols for voice and piano, and songs written by the composer using the pseudonym
Derwid (Bardos). These pieces, especially children’s songs and carols, have gained
considerable popularity in school repertoire. Because the composer considered these
pieces as secondary to his mainstream work, their performances are discussed
separately (see: CHILDREN’S, FOR CHILDREN, DERWID…).
It is hardly possible to give the total number of performances in 1994-2012, yet if we
assume that the average frequency of Lutosławski’s pieces being performed is
comparable before and after 2004, then it may be posited that the composer’s
mainstream works were performed 4000 times. However, an analysis of available
data shows that the probable frequency before 2004 was relatively higher – at least
in Poland. For example, the Chester registry indicates 744 performances from 1999
to 2003, an average of 150 performances annually, which is almost 30
performances more per year than in 2004-2012. If we assume that a corresponding
tendency took place for Polish performances, than the proportional total of
performances in 1995-2012 can be estimated at over 4500, allowing for possible
omissions in the British publisher’s registry.
TRACING FESITIVALS AND JUBILEES. POLAND
The frequency with which Lutosławski’s pieces were performed in Poland varied
considerably, showing an overall declining tendency, although the frequency for
pieces for orchestra has grown slightly in recent years.
During 2004-2012, the most concerts in one year featuring Lutosławski’s music took
place in 2004, which was connected with tenth-anniversary commemorations of the
composer’s death. In the anniversary year, considering orchestra pieces, pieces with
orchestra and chamber works – leaving out performances of individual carols,
children’s songs, songs for children and the Derwid songs (see: CHILDREN’S, FOR
CHILDREN, DERWID…) – almost 170 performances took place, with about 100
performances of pieces with orchestra.
7
Subsequent years saw a notable decline of that record number, with 105-115
performances taking place in 2005-2008, and 95 performances peer year on average
in 2009-2011, indicating a declining overall tendency.
As regards orchestra pieces and pieces with orchestral accompaniment the situation
was better. The number of performances fell considerably after 2004 but then was on
a subtle rise in the following years, except for 2012), averaging around 50
performances annually.
The number of performances in 2012 is the lowest. Yet this may be a result of that
year’s performances not all being entered into the ZAiKS registry as of that
December. The fluctuations in the number of performances by year are shown in the
FIGURES below.
FIGURE A. PERFORMANCES IN POLAND, 2004-2012
A.1. ORCHESTRA AND CHAMBER PIECES:
A.2. ORCHESTRA PIECES AND PIECES WITH ORCHESTRA:
8
The jubilee year of 2004 saw the greatest number of concerts dedicated to
Lutosławski’s music, including concerts during the following festivals:
► Lutosławski i jego muzyczne inspiracje [Lutosławski and His Musical
Inspirations] (Kraków, 5-8 February), held by PWM Edition and featuring Muzyka
żałobna [Musique funèbre], Koncert podwójny [Double Concerto] for oboe, harp and
orchestra (Sinfonietta Cracovia / R. Kabara), Livre pour orchestre, Koncert na
orkiestrę [Concerto for Orchestra] (Kraków Philharmonic Orchestra / T. Bugaj), IV
Symfonia [Symphony No. 4], Partita for violin and orchestra (Polish Radio Symphony
Orchestra / J. Krenz, P. Piekutowska), Preludia i fuga [Preludes and Fugue] for 13
string instruments (String Orchestra of the Academy of Music in Kraków / W. Czepiel)
and the Derwid songs in Joachim Mencel’s arrangement, with the participation of
Lora Szafran and Mieczysław Szcześniak, among others.
► Łańcuch [Chain]. A monograph festival of Witold Lutosławski’s music
(Warsaw, 15-16 May), dedicated solely to the presentation of the composer’s oeuvre.
The two-day festival presented concerts featuring about 40 works – mainly chamber
works, including pieces for children performed by music-school students, and a
concert of the Derwid songs performed by Hanna Banaszak and band (see:
SELECTED FESTIVALS IN POLAND after 1994).
The Lutosławski Year was inaugurated on 8 February at the Witold Lutosławski
Studio of the Polish Radio by the Polish National Radio Symphony Orchestra under
Gabriel Chmura with the Polish Radio’s Choir and soloists James Oxley
and Adam Kruszewski performing pieces for voice and instruments: Les espaces du
sommeil for baritone and orchestra, Paroles tissées for tenor and chamber orchestra
and Chantefleurs et Chantefables for soprano and orchestra.
The celebrations concluded with the concert Hommage à Lutosławski held at the
National Philharmonic Hall in Warsaw on 11 February 2005, featuring Postludium
nr 2 [Postlude No. 2], Pięć pieśni [Five songs] to the poems of Kazimiera
Iłłakowiczówna and Musique funèbre (Urszula Kryger – mezzo soprano, Sinfonia
Varsovia / Jerzy Semkow).
The greatest number of single-piece performances took place in Warsaw, including
at festivals devoted to the composer’s music and others organised after 1994:
► Forum Lutosławskiego [Lutosławski Forum] (organiser: Warsaw Philharmonic
Hall), inaugurated in 1995 and held annually until 2005, when it became a biennial
event; each edition featured about 3 to 7 performances of single pieces (see:
SELECTED FESTIVALS IN POLAND after 1994).
► Warszawska Jesień [Warsaw Autumn] (organiser: Polish Composers' Union); the
festival featured on average 1 piece per edition or per every second edition until
2007, including three performances after 1994 of Gry weneckie [Venetian games]
and two performances of IV Symfonia [Symphony No. 4], e.g. in 2004, together with
the three remaining symphonies and other works (see: SELECTED FESTIVALS IN
POLAND after 1994).
9
► V Festiwal Muzyczny Polskiego Radia – Lutosławski [5th Music Festival of the
Polish Radio – Lutosławski] in 2001, featuring about 20 pieces, including orchestra
works, chamber pieces and a few minor compositions for children and youngsters
(see: SELECTED FESTIVALS IN POLAND after 1994). The festival was broadcast
on the Polish Radio.
► Łańcuch [Chain] festivals taking place since 2004, and other concerts organised
or initiated by the Witold Lutosławski Society – totalling about 50 events in 2004-2012,
and featuring over 60 works (also in new versions and arrangements), some
presented repeatedly, e.g. Chantefleurs et Chantefables, Grave – Metamorfozy
[Grave – Metamorphoses], Kwartet smyczkowy [String Quartet], Muzyka żałobna
[Musique funèbre], Preludia taneczne [Dance Preludes], Subito, Wariacja
Sacherowska [Sacher Variation], as well as music for children and the Derwid songs
(see: SELECTED FESTIVALS IN POLAND after 1994).
In the best-documented period – from the beginning of 2004 until the end of 2012
– in Warsaw alone there were 311 performances exclusive of children’s songs and
songs for children, carols arranged for voice and piano and the Derwid songs. Most
of the performances should be attributed to festivals continuously organised by the
Warsaw Philharmonic Hall and the Witold Lutosławski Society and other festivals.
Many performances unrelated to these festivals took place at the Warsaw
Philharmonic Hall.
Wrocław was the next most frequent among Polish cities for performances of
Lutosławski’s music, but performances were decisively less frequent than in Warsaw.
The most frequent venue was the Wrocław Philharmonic Hall, named the Witold
Lutosławski Philharmonic in 1994, but performances were also presented at festivals,
e.g. Musica Polonica Nova (see: SELECTED FESTIVALS IN POLAND after 1994)
and Wratislavia Cantans.
Among the remaining cities, a significant number of performances took place in
Kraków and Katowice, and to a lesser extend in Gdańsk, Bydgoszcz, BielskoBiała, with a few concerts featuring several pieces each, and in Poznań, Lublin and
Szczecin. Individual works were also performed sporadically in many other Polish
cities and the majority of philharmonic halls.
After 1994, Lutosławski’s works were performed during many other festivals in
Poland not mentioned above, including:
Dni Muzyki Kompozytorów Krakowskich [Kraków Composers Days] (1998, 2005,
2009, 2011), Sacrum Profanum (Łańcuch [Chain] / Ensemble Intercontemporain,
2010) and Festiwal Muzyki Polskiej [Festival of Polish Music] in Kraków (see:
SELECTED FESTIVALS IN POLAND after 1994), Musica Polonica Nova In
Wrocław (see: SELECTED FESTIVALS IN POLAND after 1994), Poznańska
Wiosna Muzyczna [Poznań Music Spring] (2004, 2008, 2012), Śląskie Dni Muzyki
Współczesnej [Silesian Days of Contemporary Music] (2000, 2004), Forum Sztuki
Współczesnej im. W. Lutosławskiego [Witold Lutoslawski Forum of Contemporary
Music] in Lublin, Festiwal Muzyki Współczesnej im. W. Lutosławskiego [W.
Lutosławski Festival of Contemporary Music] in Szczecin, Warszawskie Spotkania
Muzyczne [Warsaw Music Encounters] (in particular 2004, 2007, 2008 and 2009),
10
VIII Festiwal Polskiego Radia „80 lat na antenie” [8th Polish Radio Festival “80
Years On Air”] (Grave – Metamorfozy [Grave – Metamorphoses] / A Bauer,
AMADEUS Orchestra, A. Duczmal; Koncert podwójny [Double Concerto] for oboe,
harp and chamber orchestra, arranged for flute and harp / J. Kotnowska, A. SikorzakOlek, Polish Radio Symphony Orchestra, J. Krenz, 2005), Ogrody muzyczne [Music
Gardens] (Pięć pieśni [Five Songs] to the poems of Kazimiera Iłłakowiczówna / A.
Radziejowska, M. Rutkowski, 2011) or De Musica (Wariacja Sacherowska [Sacher
Variation], Grave – Metamorfozy [Grave – Metamorphoses] for cello and piano / B.
Koziak, A. Kozło, 2012), and even the International Music Festival “Chopin and
His Europe” taking place in Warsaw (Wariacje na temat Paganianiego [Variations on
a Theme by Paganini] for two pianos, N. Lugansky, V. Rudenko, 2009), as well as
the Chopin Festival in Duszniki-Zdrój (Subito for violin and piano / S. Yoon, M.
Sikorski, 2012).
LONDON, BERLIN AND HONOLULU. THE WORLD
A correlation with jubilees and anniversaries was not so noticeable regarding
performances outside Poland. It is hard to pinpoint reasons for the relative
abundance in 2001 of performances of Lutosławski’s music – about 180 – during
period before 2004, the year which in its turn had seen the fewest performances, with
42. In 2009, the year of commemorations for the 15th anniversary of the composer’s
death, the number of performances, about 190, was decisively higher than preceding
and subsequent years. Fluctuations in number of performances from 2004 to 2012
are shown in FIGURE B, yet the numbers do not include Venetian Games (Jeux
venitiens) and Five Songs set to words by Kazimiera Iłłakowiczówna from 2007-2012,
as there is no data available, and 23 performances as part of the ballet Alice im
Wunderland in 2004-2006 in Germany. The data also do not cover those chamberwork performances that were not entered in the Chester registry.
FIGURE B. PERFORMANCES OUTSIDE OF POLAND
2004-2012
11
Lutosławski’s works were performed most frequently outside Poland in Germany.
According to publishers registries, in 1999-2012 there were about 440 concerts there,
including 53 in Berlin, featuring one or more works by the Polish composer. This
makes an average of 30 performances per year. Lutosławski’s pieces were also
included in festival programmes including the Schleswig Holstein Musikfestival
(2001, 2010, 2012).
Lutosławski’s music was also presented in the U.K. more frequently than in the
remaining European countries The Chester registry shows that in 1999-2012 about
250 concerts featuring his works were held there, including as many as 80 in
London. This makes 17 to 18 performances on average per year. It is hard to
determine how the situation presented itself in the period not covered by publisher
statistics in the U.K. and in Germany, for comparison. Nevertheless it is worth noting
that in January 1997, London hosted the monograph festival Breaking Chains –
Lutosławski, organised by the Guildhall School of Music and Drama and the BBC
Symphony Orchestra. During the event all three Chains were performed (No. 2 with
German violinist Antje Weithaas as soloist), as well as Koncert na orkiestrę [Concerto
for Orchestra] (BBC SO / A. Davies), the four symphonies by different orchestras (No.
1 and No. 2 – Guildhall School of Music and Drama SO; No. 3 – BBC SO; No. 4 –
BBC National Orchestra of Wales) conducted by W. Michniewski among others,
complemented by Gry weneckie [Venetian Games] (London Sinfonietta) and Kwartet
smyczkowy [String Quartet] (Brindisi Quartet).
Lutosławski’s works were also played during other U.K.’s other festivals, including
repeated performances during London’s famous BBC Proms (e.g. Koncert na
orkiestrę [Concerto for Orchestra] in 2002, Łańcuch I [Chain No. 1] in 2005, Paroles
tissées in 2006, Chantefleurs et Chantefables in 2007) and other events including:
The Cheltenham Music Festival (Wariacje na temat Paganianiego [Variations on a
Theme of Paganini] for two pianos, 1999 and 2010; Partita for cello and piano, nota
bene performed by Polish artists Piotr and Dorota Anderszewski, 2000; Subito for
violin and piano, 2005; Koncert na orkiestrę [Concerto for Orchestra], 2008), and at
the Canterbury Festival (2000, 2005), Bath International Music Festival (2005,
2011), Lake District Summer Music Festival (2005), Aberdeen International
Youth Festival (2007), Sounds New Festival (2009), 65th Aldeburgh Festival and
last but not least the Edinburgh International Festival (2012).
***
Performances of Lutosławski’s music outside Europe were most numerous in the U.S.
– where the total surpassed the U.K., in point of fact. The Chester registry
enumerates over 280 concerts in 1999-2012 (and Moeck lists 5 more performances
in or before 2006); with New York City leadin the statistics (Lincoln Center: Livre
pour orchestre, Paroles tissées, 1999; Interludium [Interlude], Partita, 2000; Łańcuch
II [Chain No. 2], Partita for violin and orchestra, 2000, 2005; Mi-parti, 2001; III
Symfonia [Symphony No. 3], 2002, 2005; I Symfonia [Symphony No. 1], Musique
funèbre, 2005), and other major U.S. cities following suit, in particular Los Angeles,
and also – if slightly less frequently – Cleveland, Chicago and Boston, complemented
with occasional performances in other cities. Some pieces were played during music
festivals, e.g. in Aspen (1999, 2001), Tanglewood (2000, 2003) and the Santa Fe
Chamber Music Festival (2009).
12
The festival Focus 2011 was organised in January 2011 in New York City by the
Juilliard School of Music in association with the Polish Cultural Institute in New York,
devoted exclusively to Polish modern and contemporary music. The festival’s closing
concert, Witold Lutosławski’s Portrait (1913-1994), was focused solely on the
composer’s music and featured Uwertura smyczkowa [Overture for Strings], VI
Symfonia [Symphony No. 4], Koncert na wiolonczelę i orkiestrę [Concerto for Cello
and Orchestra] and Partita for violin and orchestra.
In the period under consideration, in other nations around the world, Lutosławski’s
works were played with the most frequency in Austria (about 120 times), France
(about 90), Switzerland and Italy (about 60), and in Japan and Canada (about 30).
Along with the above-mentioned countries, Lutosławski’s works were also performed
in:
► Europe: Belgium, Belarus, Bulgaria, Croatia, the Czech Republic, Denmark,
Estonia, Finland, France, Greece, Spain, Ireland, Island, Lithuania, Luxemburg,
Latvia, Macedonia, Norway, Portugal, Romania, Serbia, Slovakia, Slovenia,
Sweden, Ukraine, Hungary, and in the Canary Islands (Gran Canaria, Tenerife)
► Russia, and Asia and the Middle East: Armenia, Azerbaijan, China, Hong Kong,
Israel, Qatar, Korea, Malaysia, Singapore
► the Americas – Mexico and Argentina, Brazil, Venezuela, Chile
► Australia and New Zealand.
Chester also lists two performances in Hawaii (Honolulu, 2011) and one in
Egypt (Cairo, 1999; Musique funèbre, Cairo SO / G. Olkiewicz).
Lutosławski’s music was also included in the programmes of the following major
events:
Musica Nova in Helsinki (1999, 2002), International Music Festival of Lucerne
(1999, 2000, 2001, 2003, 2006), Music Biennale in Zagreb (1999, 2007, 2011),
Pablo Casals Festival in France (2001, 2007), Lugano Festival (2003, 2007) and
Velvet Curtain in Lviv, Ukraine (2006).
RANKING OF THE MOST POPULAR ORCHESTRA WORKS
Among orchestra works and pieces with orchestra, the most popular with concert
organisers both in Poland (2004-2012) and abroad (1999-2012) were Koncert na
orkiestrę [Concerto for Orchestra] and Mała suita [Little Suite], and among the later
works, Musique funèbre.
It may thus be said that concert halls were dominated by his neoclassical pieces, with
Concerto for Orchestra being the ultimate winner outside of Poland, as shown by the
Chester and the PWM Edition data, with the number for performances of the
remaining works lower by at least half). In Poland the statistics were slightly different
13
– at least in the documented period (2004-2012) – as the most frequently performed
piece was Little Suite with both symphony and chamber-orchestra versions
calculated together.
Disproportions between Poland and the rest of the world are even bigger for
Lutosławski’s other works. For instance, both in Poland and abroad, Koncert na
wiolonczelę i orkiestrę [Concerto for Cello and Orchestra] was greatly popular, yet
outside of Poland its performances were surpassed in popularity by Preludia
taneczne [Dance Preludes] (including both versions, for string orchestra and for
nonet, as the latter was most often performed by orchestra instrumentalists and not
distinguishable in the Chester registry if no soloist is listed, which might suggest a
nonet; ZAiKS data distinguishes only the version for clarinet and piano).
TABLE
A.1.
ORCHESTRA
WITH ORCHESTRA
WORKS
AND
PIECES
PERFORMANCES OUTSIDE OF POLAND – A RANKING
1999-2012
CHESTER
2004-2012
PWM Edition
281
21
Mała suita, wersje na orkiestrę
symfoniczną i kameralną [Little Suite
2.
versions for symphony orchestra and
chamber orchestra]
169
13
Muzyka żałobna [Musique funèbre]
162
11
Preludia taneczne na klarnet
i orkiestrę kameralną / nonet [Dance
4.
Preludes for clarinet and chamber
orchestra / nonet]
124
3
5.
Koncert na wiolonczelę i orkiestrę
[Concerto for Cello and Orchestra]
111
6
6.
Łańcuch I [Chain No. 1]
73
4
7.
IV Symfonia [Symphony No. 4]
67
3
8.
Koncert na fortepian i orkiestrę
[Concerto for Piano and Orchestra]
60
2
9.
III Symfonia [Symphony No. 3]
51
3
10.
Preludia i fuga [Preludes and
Fugue]
41
-
11. Łańcuch II [Chain No. 2]
40
-
Wariacje na temat Paganiniego
na fortepian i orkiestrę [Variations on
12.
a Theme by Paganini for piano and
orchestra]
35
3
No.
1.
3.
TITLE (versions)
Koncert na orkiestrę [Concerto for
Orchestra]
14
13. Chantefleurs et Chantefables
33
3
14. Livre pour orchestre
31
3
Grave – Metamorfozy
na wiolonczelę i orkiestrę [Grave –
15.
Metamorphoses for cello and
orchestra]
30
1
16
Pięć melodii ludowych [Five Folk
Melodies]
30
-
17.
Koncert podwójny [Double
Concerto]
26
10
18.
Uwertura smyczkowa [Overture for
Strings]
26
-
19.
Partita na skrzypce i orkiestrę [Partita
for violin and orchestra]
25
6
20. Mi-parti
24
-
21. Łańcuch III [Chain No. 3]
24
1
No.
1.
1994-2006
MOECK
TITLE (versions)
Gry weneckie /Jeux venitiens
40
Pieces with a soloist were a degree more popular in Poland, such as Koncert
fortepianowy [Piano Concerto] or Partita for violin and orchestra. Relatively popular
was also Grave – Metamorfozy [Grave – Metamorphoses] for cello and orchestra.
Łańcuch II [Chain No. 2] was rarely included in concert programmes; much more
popular was Łańcuch I [Chain No. 1] , as was case outside Poland
TABLE
A.2.
ORCHESTRA
WITH ORCHESTRA
WORKS
AND
PERFORMANCES IN POLAND – A RANKING
No.
2004-2012
ZAiKS / PWM Edition
TITLE (versions)
Mała suita, wersje na orkiestrę
symfoniczną i kameralną [Little
1.
Suite versions for symphony
orchestra and chamber orchestra]
69
2.
Koncert na orkiestrę [Concerto for
Orchestra]
50
3.
Muzyka żałobna [Musique
funèbre]
37
4.
[Concerto for Cello and
Orchestra]
30
15
PIECES
5.
[Concerto for Piano and
Orchestra]
25
6.
Partita na skrzypce i orkiestrę
[Partita for violin and orchestra]
24
7.
19
8.
15
na wiolonczelę i orkiestrę [Grave –
9.
Metamorphoses for cello and
orchestra]
10.
15
Uwertura smyczkowa [Overture
for Strings]
12
Chantefleurs et Chantefables
Koncert podwójny [Double
Concerto]
11. Livre pour orchestre
11
na fortepian i orkiestrę [Variations
on a Theme by Paganini for piano
and orchestra]
Gry weneckie /Jeux venitiens
Pięć melodii ludowych [Five Folk
Melodies]
12.
10
Preludia taneczne na klarnet
i orkiestrę kameralną / nonet [Dance
Preludes for clarinet and chamber
orchestra / nonet]
13. Łańcuch I [Chain No. 1]
14.
8
Preludia i fuga [Preludes and
Fugue]
7
15. Łańcuch II [Chain No. 2]
6
16. Mi-parti
3
17. Łańcuch III [Chain No. 3]
2
Pieces such as Preludia i fuga [Preludes and Fugue], Mi-parti and Łańcuch III [Chain
No. 3] were performed in Poland significantly less often than they were played
abroad – in the case of the last two, performances were shockingly rare.
Overall, III Symfonia [Symphony No. 3] and IV Symfonia [Symphony No. 4] rank
comparatively high – in Poland, No. 4 was slightly more popular, while abroad No. 3
received more performances. Of the two early symphonies, not included in the
ranking above, No. 2 was less popular, with five performances in Poland (2004, 2005,
2008, 2009), and only three abroad (Antwerp and Brussels in 2001, Glasgow in 1999,
16
according to Chester), which seems curious as the piece has advocates outside of
Poland, to name only Sir Simon Rattle.
I Symfonia [Symphony No. 1] was performed only seven times in Poland (in 2004
and 2009-2012) and seven times abroad (in 1999-2012, according to Chester) – with
most in Los Angeles in November and December 2012, to inaugurate Lutosławski
Year 2013.
There are no exact statistics concerning performances of Gry weneckie [Venetian
games] in 2007-2012, although we know the piece was relatively popular outside of
Poland in 1994-2006. It should be noted that as many as 23 of its performances in
this period were part of the ballet Alice im Wunderland (Munich, 2004-2006), and a
further nine were for the show Jedermann (Kaiserslautern, 2006), which may indicate
a certain popularity for the piece in Germany.
The least frequently performed pieces in Poland and abroad are Novelette and Trzy
postludia [Three Postludes]. According to Chester, the latter piece was played only
twice since 1999 – performances that took place, what is more, in New Zealand
(1999) and Mexico (2003). It was performed three times after 2004 (four times for
Postludium nr 2 [Postlude No. 2]). The statistics for Novelette are even more slight –
in the period under consideration, the piece was performed once in Poland and three
times abroad (1999-2012, according to Chester) – in Mexico, Germany and Ireland.
Pieces for voice and instruments with orchestra were played relatively rarely on
Polish and foreign stages. This applies in particular to Paroles tissées – though in its
case, the issue is perhaps more about quality than quantity, as it was performed at
the BBC Proms in London and twice during the Łańcuch [Chain] festival in
Warsaw(four performances in Poland in 2004-2012). Les espaces du sommeil was
played only six times abroad in 1999-2012, according to Chester, and only twice in
Poland in 2004-2012. In the same period, Pięć pieśni [Five Songs] to the poems of
Kazimiera Iłłakowiczówna, including the version for voice and piano, was played six
times in Poland, with Moeck recording three performances outside Poland in 19942006. A decidedly more demanding work, both in perception and performance, Trois
poème d’Henri Michaux, had five performances in Poland (2004-2012) and nine
abroad (1999-2012) in France.
Lending optimism to this rather dark picture are statistics for Lacrimosa, with 25
performances in Poland in 2004-2012, according to ZAiKS, with the version with
orchestra impossible to single out, unfortunately, and four performances outside
Poland in 1999-2012, as recorded by Chester.
CHAMBER MUSIC
Lutosławski’s chamber pieces, both instrumental and for voice and instruments, were
performed over 470 times in Poland between 2004 and 2012 The number is mainly
based on ZAiKS records compared with PWM Edition data, and programmes of
selected festivals and artist concert schedules.
The figure does not include children’s songs, the Derwid songs and single Christmas
carols (see: CHILDREN’S, FOR CHILDREN, DERWID…).As for performances of
17
these works around the world, we lack exact statistics. While it may be assumed that
the Chester register contains most performances of orchestra pieces due to the hiring
of orchestra materials, we cannot be sure regarding chamber pieces, as even
random comparisons of Chester data with concert schedules of select ensembles or
artists and festival programmes shows many performances omitted in the former
during the 1999-2012 period.
TABLE B. CHAMBER WORKS
PERFORMANCES IN POLAND – A RANKING
nO.
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
ZAiKS / PWM Edition
2004-2012
TITLE
Preludia taneczne na klarnet i fortepian [Dance
Preludes for clarinet and piano]
Melodie ludowe na fortepian lub w wersji na gitarę
[Folk Melodies for piano or guitar]
Bukoliki na altówkę i wiolonczelę [Bucolics for viola
and cello]
Partita na skrzypce i fortepian [Partita for violin and
piano]
Wariacja Sacherowska na wiolonczelę solo [Sacher
Variation for cello solo]
Wariacje na temat Paganiniego na 2 fortepiany
[Variations on a Theme by Paganini for 2 pianos]
Grave – Metamorfozy na wiolonczelę i fortepian
[Grave – Metamorphoses for cello and piano]
4 melodie śląskie na 4 skrzypiec [Four Silesian
Songs for four violins]
Kwartet smyczkowy [String Quartet]
Subito na skrzypce i fortepian [Subito for violin and
piano]
63
59
42
41
37
36
33
29
26
18
As with the case of orchestra pieces, the chamber works based on folk melodies rank
highest in the statistics (see: TABLE B. CHAMBER WORKS).
The most frequently performed chamber work in Poland in the recent period was
Preludia taneczne [Dance Preludes] (see: TABLE B. CHAMBER WORKS). Although
publisher registries list only nine performances outside Poland throughout 1999-2012,
the number is surely inaccurate, considering at very least the number of recordings
(see: CD RECORDINGS AFTER 1994). The piece was likely played with much
greater frequency after 1994, both in Poland and abroad and not only at philharmonic
halls, schools or academies of music. Interestingly, the work was played in a Warsaw
nightclub on 22 November 2012, according to the recital poster, in which case
Lutosławski’s music did actually reach the “common man”, at least in the Polish
variation.
Pieces such as Preludes, Partita for violin and piano, Subito for violin and piano,
Grave – Metamorfozy [Grave – Metamorphoses] for cello and piano, and Wariacja
Sacherowska [Sacher Variation] for solo cello were also performed during festivals in
18
Poland including Forum Lutosławskiego [Lutosławski Forum] and Łańcuch [Chain]
in Warsaw, and at music competitions including Międzynarodowy Konkurs
Wiolonczelowy im. Witolda Lutosławskiego [Witold Lutosławski International Cello
Competition] in Warsaw and Międzynarodowy Konkurs Współczesnej Muzyki
Kameralnej im. Krzysztofa Pendereckiego [Krzysztof Penderecki International
Competition of Contemporary Chamber Music] in Kraków. Sacher Variation and
Grave – Metamorphoses are part of the repertoire of Mikołaj Pałosz, Bartosz Koziak
and Michał Zdunik, all winners of the two contests, while violin pieces are performed
with great skill by Agata Szymczewska and Soyoung Yoon, winners of the Henryk
Wieniawski Competition in Poznań. Notably, the Dance Preludes were performed
with bravado during the International Competition of Contemporary Chamber Music
in Kraków by Josep Sancho, the 1999 Grand Prix winner and graduate of the Royal
School of Music in London.
In the case of chamber works, the number of performances is clearly related to their
popularity with particular artists and ensembles. Some of Lutosławski’s chamber
pieces are immensely popular precisely because they have their loyal performers.
This is true for Wariacje na temat Paganianiego [Variations on a Theme by Paganini]
for two pianos, for example. Based on ZAiKS data for 2004-2012, the piece was
performed 36 times in Poland in the past nine years (see: TABLE B. CHAMBER
WORKS), and although the Chester register lists more than a dozen of this version’s
performances in 1999-2012, there were surely many more.
One ensemble, the Lutosławski Piano Duo, performed the piece about 70 times
from the moment of its founding in 1999 until the end of 2012, very often outside of
Poland (based on the duo’s data). Assuming that other duos play the piece less often
than Lutosławski’s namesake duo, we may still estimate a total number of
performances globally after 1994 that is several times higher.
It is worthy of note that the piece is part of the repertoire of prominent pianists
including Martha Argerich and Nelson Freire, as well as other outstanding, often
young artists with whom Argerich has performed the work on occasions including the
Lugano and Verbier festivals in Switzerland. The piece is also performed by wellknown “family” piano duos, such as Peter and Patryk Jabłoński, Mariel and Katrin
Labeque and Guher and Suher Pekinel, as well as less-renowned ensembles such
as the Canadian Viney-Grinberg Piano Duo, which presented Variations on a
Theme by Paganini at events in Canada, the U.S. (2011), Australia (2012) and other
countries, according to its website.
M. Ptaszyńska’s arrangement of the piece for two pianos and percussion belongs to
the repertoire of such ensembles as the Polish quartet Kwadrofonik (the Lutosławski
Piano Duo teamed with the percussion duo Hob-Beats), which performed their
version of the piece seven times in the 2011/2012 season alone, both in Poland and
abroad, e.g. in Russia and the Czech Republic.
Works such as Dance Preludes, Grave – Metamorphoses and even Variations on a
Theme by Paganini could easily compete even with Concerto for Orchestra as
regards performances around the word if all their versions are taken into account.
A relatively popular chamber piece was also Kwartet smyczkowy [String Quartet].
The Chester register lists 35 performances in 1999-2012, while ZAiKS recorded as
19
many as 26 performances in Poland in 2004-2012 (see: TABLE B. CHAMBER
WORKS).
The work is part of the repertoire of Polish ensembles including the globally
recognised Silesian String Quartet, the Wilanów Quartet and – representing the
younger generation – Apollon Musagete, the Royal String Quartet and the
Lutosławski Quartet.
For example, the Silesian String Quartet performed the work in Poland during the
Warsaw Autumn festival in 2006 and three times in January 2004 (Katowice, Kraków,
Warsaw) as part of a series of five multimedia quasi-theatrical concerts called Kilka
aspektów losu ludzkiego na kwartet smyczkowy z archiwum XX wieku [Some aspects
of the human condition for a string quartet from the archive of the 20 th century],
Concert Three – Czas [Time]. The musicians performed the piece abroad, e.g. in
Belgium (2001) and the U.K. (2009).
The Quartet was also performed, both in Poland and abroad, by such recognised
foreign chamber musicians as the Alban Berg and Arditti String Quartets, the Brodsky
Quartet, Cikada String Quartet (e.g. in Warsaw, 3rd Łańcuch Festival; 2006) and the
Kreutzer String Quartet, which released a DVD featuring the rehearsals and
performance of the piece (see: FILMS AND DVD RECORDINGS), as well as Kronos
Quartet, which presented the work e.g. in 2006 in Kraków during Festiwal Muzyki
Polskiej [Festival of Polish Music] and in 2007 in San Francisco (the piece
disappeared from the ensemble’s concert programmes in 2008).
The music of String Quartet was also used for the ballet choreographed by Martin
Schläpfer, Schtreichquartett, which premiered in 2005 in Mainz and was frequently
staged afterward, e.g. in Düsseldorf (2011) and in the Netherlands.
Overall statistics for chamber music include songs, namely Pięć pieśni [Five songs]
to the poems of Kazimiera Iłłakowiczówna, with the version for voice and piano
performed 10 times in 2004-2012 in Poland, as well as Lacrimosa for soprano and
organ, and arrangements for voice and piano of such song cycles as Chantefleurs et
Chantefables and Les espaces du sommeil.
CHILDREN’S, FOR CHILDREN, DERWID…
A separate department are Witold Lutosławski’s works meant to be performed by
children or for children, especially the cycle of songs described as “children’s” or “for
children” in their title, as well as such works as patriotic and army songs, dancing
songs written under the name of Derwid, and initially also Bardos.
The number of performances of these minor, non-mainstream pieces is significant,
yet they took place mostly in Poland, with only occasional presentations abroad.
As far as arrangements of traditional Polish melodies are concerned, such as
Christmas carols, the overall calculations include only those pieces with orchestra
that are present in concert repertoire in Poland and abroad, namely 20 polskich
kolęd [20 Polish Christmas Carols]. In Poland the work was performed 15 times in
20
2004-2012, while the Chester register lists 20 performances outside of Poland in
1999-2012, e.g. in the U.K., Germany, the U.S., Canada, France, the Netherlands
and Switzerland.
The fact that the piece is available in the British publisher’s catalogue is not
insignificant here. The same goes for children’s repertoire – very popular in Poland,
the pieces O panu Tralalińskim [About Mr Tralalinski] and Spóźniony Słowik [Two
Nightingales], or Trzy piosenki dziecinne [Thee Children’s Songs], were performed
once outside of Poland, according to Chester, during the mini festival East Meets
West in Dorset, England (2010), while Piosenki dziecinne [Children’s Songs] for voice
and piano were presented in 2006 during Ittinger Pfingstkonzerte in Germany.
The data concerning foreign performances of children’s songs and songs for children
may not be comprehensive, although it may be assumed that simply because of the
language barrier there were not as many as in Poland, where 478 performances
were registered in 2004-2012 by ZAiKS. The most popular pieces of the genre were
Spóźniony słowik [Two Nightingales] (84 performances), Ptasie plotki [Birds' Gossips]
(65), Pan Tralaliński [Mr Tralaliński] (50), Kotek [Kitten] (49) and Pióreczko [Little
Feather] (38) – with the number in parentheses representing performances in 20042012.
The same period saw 106 performances of individual Derwid songs, including Nie
oczekuję dziś nikogo [I Am Not Expecting Anyone Today] (21 performances),
Warszawski dorożkarz [Warsaw Cabby] (14) and Plamy na słońcu [Sunspots] (8).
Included in the total is a concert of Derwid songs registered by PWM Edition, which
took place on 29 June 2005 in Warsaw (Fabryka Trzciny), featuring Dorota
Miśkiewicz, Maciej Miecznikowski and Waldemar Malicki. The songs were also
performed on other occasions by Hanna Banaszak and band (e.g. during the
Łańcuch [Chain] Festival in 2004), Agata Zubel (working with Elletro Voce, as the El
Derwid project), Lora Szafran and Mieczysław Szcześniak.
What is more, ZAiKS lists 64 performances of single Christmas carols for voice
and piano in 2004-2012. The most popular pieces were Jezus malusieńki [Infant
Jesus] (9 performances), Lulajże Jezuniu [Sleep Little Jesus] (8), Z Narodzenia Pana
[‘Tis a Joyful Day] (8) and Gdy śliczna Panna [As the Lovely Maiden] (5).
These minor works were performed is a variety of venues, from philharmonic and
concert halls to schools, culture centres and community halls, and – in the case of
the Derwid songs – cabaret stages (Kabaret Miejski Loch Camelot in Kraków).
***
The data discussed, together with information about the number of recordings and
radio broadcasts (see: attached tables), and festival or competition programmes,
show that Lutosławski’s chamber and solo pieces were performed as often as his
orchestra works, some even more. It might be said that these pieces have been
contributing more than his orchestra pieces to the popularisation of the composer’s
oeuvre.
A similar conclusion was put forward by Adrian Thomas, prominent expert in Polish
20th-century music, in an interview with Beata Bolesławska-Lewandowska (Ruch
Muzyczny, 2011, Issue 3), where he said:
21
Lutosławski started to become more popular and better known when he took up
composing minor chamber pieces, such as Epitaph or Grave. He hadn’t done that
since the String Quartet, and suddenly a few persons was enough to play his music,
and consequently, the audience willing to hear it was no longer dependant on big
orchestras.
22
SELECTED FESTIVALS IN POLAND after
1994
__________________________________________________________
Warszawska Jesień [Warsaw Autumn]
1995
Dwie etiudy [Two Studies], J. Harvey (p)
Gry weneckie [Venetian Games], Sinfonia Varsovia / Ed Spanjaard
1996
Trois poèmes d’Henri Michaux, Camerata Silesia / WOSPR / Szostak and A. Wit
1997
Koncert na wiolonczelę i orkiestrę [Concerto for Cello and Orchestra], A. Bauer (c),
Warsaw Philharmonic Orchestra / J. Krenz
1998
IV Symfonia [Symphony No. 4], Swedish Radio Symphony Orchestra / Swensen
1999
Miniuwertura [Mini Overture], Orkiestra Muzyki Nowej / A. Lasoń
2001
Gry weneckie [Venetian Games], Warsaw Philharmonic Orchestra / J. Salwarowski
2004
17 September
Uwertura smyczkowa [Overture for Strings], Taipei Philharmonic Orchestra /
Segerstam
18 September
Sonata fortepianowa [Piano Sonata], E. Pobłocka (p)
25 September
I Symfonia [Symphony No. 1], III Symfonia [Symphony No. 3], NOSPR / G. Chmura
II Symfonia [Symphony No. 2], IV Symfonia [Symphony No. 4], NOSPR / J. Kaspszyk
2006
Kwartet smyczkowy [String Quartet], Silesian String Quartet
2007
Gry weneckie [Venetian Games], Zespoł Młodzieżowy Polsko-Niemiecki / Bohn
23
Musica Polonica Nova in Wrocław
2000
Koncert na orkiestrę [Concerto for Orchestra], Wrocław Philharmonic Orchestra / M.
Pijarowski
2002
IV Symfonia [Symphony No. 4], Wrocław Philharmonic Orchestra / M. Pijarowski
Kwartet smyczkowy [String Quartet], H. Wieniawski Quartet
2004
22, 24 and 27 February
IV Symfonia [Symphony No. 4], NOSPR / R. Rivolta
Koncert podwójny [Double Concerto], K. Dawidek (ob), A. Kaczmarek (harp),
Tech - No Orchestra / R. Kurdybacha
Novelette, Wrocław Philharmonic Orchestra / W. Michniewski
2006
Chantefleurs et Chantefables, A. Zubel (s), AUKSO Orchestra / M. Moś
2010
13 and 14 May
Partita, P. Pławner (v), E. Knapik (p)
Mi-Parti, Wrocław Philharmonic Orchestra / R. Szulc
2012
III Symfonia [Symphony No. 3], Wrocław Philharmonic Orchestra / J. Kaspszyk
__________________________________________________________
Festiwal Muzyki Polskiej [Festival of Polish Music]
in Kraków
2005
9 November
10 Tańców na orkiestrę [Ten Dances for Orchestra] / world premiere, NOSPR /
J. Krenz
11 November
Muzyka żałobna [Musique funèbre], Amadeus Chamber Orchestra of Polish Radio /
A. Duczmal
24
2006
7 November
Uwertura na orkiestrę smyczkową [Overture for String Orchestra], Sinfonietta
Cracovia / J. Maksymiuk
10 November
Koncert podwójny [Double Concerto], H. Holliger (ob), U. Holliger (harp), NOSPR / J.
Krenz
11 November
Kwartet smyczkowy [String Quartet], Kronos Quartet
2010
Lacrimosa for soprano and organ, Retrospect Ensemble, M. Halls
__________________________________________________________
Festiwal Muzyczny Polskiego Radia – Witold Lutosławski
[Music Festival of the Polish Radio – Witold Lutosławski]
Warsaw 2001
19 May
Concert “Majowa nocka” [May Night]
Songs, Folk melodies, Pieces for the youth
Trzy fragmenty [Three Fragments] for flute and harp
Grave – Metamorfozy [Grave – Metamorphoses] for cello and piano
Subito for violin and piano
Wariacje na temat Paganianiego [Variations on a Theme by Paganini] for two pianos
Soloists, choirs and chamber ensembles from Witold Lutosławski schools of music in
Bolesławiec, Krasnystaw, Nowy Tomyś, Nysa, Stargard Szczeciński,
Turek and Zambrów; the E. Młynarski school of music in Warsaw and H. Wieniawski school
of music in Poznań
20 May
Sinfonia Varsovia / J. Krenz
21 May
Kwartet smyczkowy [String Quartet]
Daniel Quartet
22 May
Łańcuch III [Chain No. 3]
25
Mała suita [Little Suite] for chamber orchestra
Polish Radio Symphony Orchestra / J. Krenz
23 May
Uwertura smyczkowa [Overture for Strings]
Grave for cello and string orchestra
Muzyka żałobna [Musique funèbre]
AUKSO Orchestra / M. Moś, A. Bauer
26 May
O. Pasiecznik, NOSPR / A. Wit
__________________________________________________________
FORUM LUTOSŁAWSKIEGO [LUTOSŁAWSKI FORUM]
2004-2011:
10th edition – 2004
19 and 20 March
IV Symfonia [Symphony No. 4], Warsaw Philharmonic Orchestra / M. Smolij
21 March
Meeting with Julia Hartwig devoted to Witold Lutosławski
Pięć pieśni [Five songs] to the poems of Kazimiera Iłłakowiczówna, E. Podleś, E.
Pobłocka
23 March
Przeźrocza [Slides], Preludia taneczne [Dance Preludes] (nonet version)
Chamber Ensemble of the Warsaw Philharmonic / Ł. Borowicz
25 March
Lacrimosa, Mała suita [Little Suite]
Julia Karłowa (s), Symphony Orchestra of J. Elsner Secondary School of Music and
Chamber Orchestra of the Z. Brzewski Secondary School of Music in Warsaw / P.
Wajrak
26 and 27 March
Trois Poèmes d’Henri Michaux
Warsaw Philharmonic Orchestra and Choir / J. Maksymiuk, Ł. Borowicz
26
11th – 2005
12 February
Gry weneckie [Venetian games], NOSPR / G. Chmura
14 February
Special chamber concert, Lutosławski Award 2004
Pięć pieśni [Five songs] to the poems of Kazimiera Iłłakowiczówna, A. WęgorzewskaWiscot (s), M. Rutkowski (p)
15 February
Dwie etiudy [Two Studies], L. Mikkola (p)
17 February
Piosenki dziecinne [Children’s Songs] (Taniec/Dance, Rok i bieda/The Four Seasons,
Kotek/Kitten, Idzie Grześ/Here Comes Greg, Rzeczka/Little River, Ptasie plotki/Birds’
Gossip)
Grave – Metamorfozy [Grave – Metamorphoses] for cello and string orchestra
Symphony Orchestra, Chamber Orchestra and Choir of the Karol Szymanowski
School of Music in Warsaw / R. Silva, A. Perzanowska (choir director), J. Stokłosa
(vc), S. Drzewiecki (p), L. Jarosz (tr)
18 February
Wariacje symfoniczne [Symphonic Variations], Polish Radio Symphony Orchestra,
Warsaw Philharmonic Choir / W. Rajski
12th – 2007
2 March
IV Symfonia [Symphony No. 4], Symphony Orchestra of the F. Chopin Academy of
Music in Warsaw / Ch. Inamura
5 March
Kwartet smyczkowy [String Quartet], Arditti Quartet
6 March
Muzyka żałobna [Musique funèbre], AUKSO Chamber Orchestra / M. MOŚ
8 March, Czwartkowe Spotkania Muzyczne [Thursday Music Meetings]
Interludium [Interlude], Symphony Orchestra of the F. Chopin School of Music / S. A.
Wróblewski
13th – 2009
14 February
Koncert na orkiestrę [Concerto for Orchestra], Warsaw Philharmonic Orchestra /
Rumon Gamba
27
18 February
W. Lutosławski’s pieces among other composers’ works
U. Kryger (ms), J. Rappé (s), A. Mleczko (sax), S. Skoczyński (perc),
J. Malanowicz (org)
19 February
Wariacje na temat Paganianiego [Variations on a Theme by Paganini] (arranged by
M. Ptaszyńska), Kwadrofonik
14th – 2011
12 February
Łańcuch 2 [Chain No. 2], Warsaw Philharmonic Orchestra / JoAnn Fallety, Isabelle
van Keulen (v)
15 February
Kwartet smyczkowy [String Quartet], Lutosławski Quartet, Wrocław
17 February
Preludia taneczne [Dance Preludes]
Świętokrzyska Philharmonic Orchestra / Jacek Rogala
18 February
Koncert podwójny [Double Concerto] for oboe, harp and orchestra
Elżbieta Szmyt (harp), Jean-Louis Capezzali (ob)
Previous editions of the festival:
1st – 1995, 2nd – 1996, 3rd – 1997, 4th – 1998 (incl. Symphony No. 3)
5th – 1999, 6th – 2000, 7th – 2001, 8th – 2002, 9th – 2003 (incl. Livre pour orchestre)
ŁAŃCUCH [Chain] Festivals, 2004-2012:
ŁAŃCUCH. Festiwal monograficzny twórczości W. Lutosławskiego, 2004
[CHAIN. Monographic festival of W. Lutosławski’s music, 2004]
15 May
2 pieśni do słów Tuwima [Two Songs to the Poems of Tuwim], 6 pieśni do słów
Tuwima [Six Songs to the Poems of Tuwim]
Muszelka [A Shell], Pióreczko [Little Feather], Słomkowy łańcuszek [Strawchain],
Srebrna szybka [A Silver Windowpane], Wiosna [Spring], Wróbelek [Little Sparrow]
Choir and Orchestra Karol Szymanowski School of Music No. 4 (ZPSM nr 1)/ Anna
Perzanowska-Tarasiuk; Choir and Orchestra of School of Music No. 1 (ZPSM nr 1) /
Ewa Marchwicka
Sonata fortepianowa [Piano Sonata], Dwie etiudy [Two Studies], Inwencja [Invention],
28
Zasłyszana melodyjka [Overheard Tune] for piano four-hands,
Miniatura [Miniature] and Wariacje na temat Paganianiego [Variations on a Theme by
Paganini] for 2 pianos
Ewa Pobłocka (p), Maciej Grzybowski (p), Maciej Piszek (p)
Wariacja Sacherowska [Sacher Variation], Grave, Recitativo e arioso, Subito, Partita
Krzysztof Jakowicz (v), Kuba Jakowicz (v), Karol Marianowski (c),
Krystyna Borucińska (p), Ryszard Groblewski (vl)
Muzyka żałobna [Musique funèbre], Grave, Łańcuch I [Chain No. 1], Paroles tissées,
Preludia taneczne [Dance Preludes]
AUKSO Orchestra / M. Moś
Rafał Kwiatkowski (c), Piotr Kusiewicz (t), Hakan Rosengren (cl)
Derwid songs. Hanna Banaszak and band.
16 May
Bukoliki [Bucolics], Melodie ludowe [Folk Melodies] for piano, 4 Melodie śląskie [Four
Silesian Songs] for four violins,
3 fragmenty [Three Fragments] for flute and harp, 3 utwory dla młodzieży [Three
Pieces for the Young] for piano, 3 melodie ludowe [Three Folk Melodies] for guitar,
and other pieces
Performance: Students of Warsaw’s school of music, winners of the 2nd Competition
of Witold Lutosławski Music in Drozdowo
2 pieśni do słów Tuwima [Two Songs to the Poems of Tuwim], Muszelka [A Shell],
Pióreczko [Little Feather], Srebrna szybka [A Silver Windowpane], Wróbelek [Little
Sparrow], Piosenka o złotym listku [A Gold Leaf], Majowa nocka [May Night], Wianki
[Wreaths], Pożegnanie wakacji [Goodbye to Holidays]
E. Biegas (s), R. Bartmiński (t), Ł. Rosiak (b), K. Borucińska (p)
Kwartet smyczkowy [String Quartet], Trio stroikowe, Epitafium [Epitaph], Preludia
taneczne [Dance Preludes]
Camerata Quartet, M. Pędziałek (ob), J. Cielecki (cl), Z. Bogacz (fg), M. Grzybowski
(p)
Uwertura na smyczki [Overture for Strings], Pięć pieśni [Five songs] to the poems of
Kazimiera Iłłakowiczówna, Koncert podwójny [Double Concerto], Przeźrocza [Slides],
Chantefleurs et chantefables
AUKSO Orchestra / M. Moś,
M. Pędziałek (ob), A. Sikorzak-Olek (harp), O. Pasiecznik (s), U. Kryger (ms)
ŁAŃCUCH II [CHAIN 2], 2005
22 June
Kwartet smyczkowy [String Quartet], Karol Szymanowski Quartet
29
26 June
Grave – Metamorfozy [Grave – Metamorphoses] for cello and piano,Trio for oboe,
clarinet and fagot, Wariacja Sacherowska [Sacher Variation], Partita and Subito for
violin and piano, Preludia taneczne [Dance Preludes] for clarinet and piano.
M. Wysocki (c), M. Rutkowski (p)
F. Thouand (ob), N. Baldeyrou (cl), J. Hardy (fg), J. Wawrowski (v)
29 June
Derwid songs, D. Miśkiewicz and M. Miecznikowski (v), W. Malicki (p)
30 June
Mała suita [Little Suite], Gry weneckie [Venetian games], Koncert podwójny [Double
Concerto], Łańcuch II [Chain No. 2], Chantefleurs et chantefables
H. Holliger (ob), U. Holliger (harp), P. Pławner (v), Olga Pasiecznik (s),
Lutosławski Youth Orchestra / H. Holliger
ŁAŃCUCH III [CHAIN 3], 2006
20 June
Przeźrocza [Slides], Łańcuch I [Chain No. 1], Preludia taneczne [Dance Preludes]
(version for 9 performers)
NYYD Ensemble (Tallin) / Olari Elts
22 June
Melodie ludowe [Folk Melodies] for piano, Subito and Partita for violin and piano
Soyoung Yoon (v), Sergej Filioglo (p)
24 June
Kwartet smyczkowy [String Quartet], Cikada Quartet
27 June
Wariacja Sacherowska [Sacher Variation], Grave – Metamorfozy [Grave –
Metamorphoses] for cello and piano
Bartosz Koziak (c), Agnieszka Kozło (p)
ŁAŃCUCH IV [CHAIN 4], 2007
20 June
Preludia i fuga [Preludes and Fugue], Grave – Metamorfozy [Grave –
Metamorphoses] for cello and string orchestra
Soloists of the Philharmonic Orchestra in Rostov-on-Don / Yuri Tkachenko
Mihail Scherbakov (c)
21 June
Chantefleurs et chantefables for soprano and piano, Grave – Metamorfozy [Grave –
Metamorphoses] for cello and piano
K. Kułakowska (s), M. Klimsiak (p), M. Zdunik (c), A. Kozło (p)
30
24 June
Uwertura na smyczki [Overture for Strings], Muzyka żałobna [Musique funèbre],
Preludia taneczne [Dance Preludes] for clarinet and chamber orchestra, Paroles
tisseés ,Chantefleurs et chantefables
Ł. Szablewska (s), W. Maciejowski (t), A. Janda (cl)
Lutosławski Youth Orchestra / Christian Eggen
ŁAŃCUCH V [CHAIN 5], 2008
19 June
Wariacje na temat Paganianiego [Variations on a Theme by Paganini] – arranged for
2 pianos and percussion by Marta Ptaszyńska
Kwadrofonik
20 June, "PLAMY NA SŁOŃCU. EL DERWID"
Arrangements of Lutosławski’s popular pieces written under the name of Derwid
Duet ElettroVoce, A. Bauer (c)
22 June
Łańcuch III [Chain No. 3], Partita for violin and orchestra, Koncert na orkiestrę
[Concerto for Orchestra]
Lutosławski Youth Orchestra / A. Boreyko, A. Szymczewska (c)
ŁAŃCUCH VI [CHAIN 6], 2009
3 June
Wariacje na temat Paganianiego [Variations on a Theme by Paganini],
Lutosławski Piano Duo
4 June
Subito for violin and piano, Melodie ludowe [Folk Melodies] arranged for guitar,
children’s songs
B. Malcolm (c), J. Kacperek (p), Ł. Kuropaczewski (g),
Students of the J. Słowacki Secondary School in Warsaw – participants of the project
Klasa BGŻ;
Children’s choir of the K. Szymanowski School of Music in Warsaw (ZPSM nr 4) / A.
Perzanowska-Tarasiuk, A. Mysłek (p)
5 June
Pięć pieśni [Five songs] to the poems of Kazimiera Iłłakowiczówna, for voice and
piano
Chantefleurs et chantefables for voice and piano (arranged by E. Knapika)
Tryptyk śląski [Silesian Triptych] for soprano and piano (arranged by J. Kornowicza,
prawykonanie),
Les espaces du sommeil for baritone and piano (arranged by E. Sielickiego, world
premiere)
Anna Lubańska (ms), Agnieszka Piass (s), Agnieszka Tomaszewska (s)
Adam Szerszeń (bar), Mariusz Rutkowski (p), Bartłomiej Kominek (p)
31
6 June
Kwartet smyczkowy [String Quartet], Lutosławski Quartet
7 June
IV Symfonia [Symphony No. 4], Wrocław Philharmonic Orchestra / J. Kaspszyk
ŁAŃCUCH VII [CHAIN 7], 2010
5 June
Preludia i fuga [Preludes and Fugue]
Amadeus Chamber Orchestra of Polish Radio / A. Duczmal
6 June
Muzyka żałobna [Musique funèbre], Recitativo e arioso (arranged for orchestra by J.
Maksymiuk),
Łańcuch II [Chain No. 2] Sinfonia Varsovia / J. Maksymiuk, K. Jakowicz (vn),
ŁAŃCUCH VIII [CHAIN 8], 2011
23 October
Livre pour orchestre, Sinfonia Varsovia / J. Maksymiuk
24 October
Uwertura na smyczki [Overture for Strings], Subito (arranged by J. Kornowicz for
violin, harp and orchestra)
Anna Sikorzak-Olek (harp), Łukasz Długosz (fl), Orkiestra "Amadeus" / A. Duczmal
25 October
Preludia taneczne [Dance Preludes], Partita for violin and piano, Grave for cello and
piano
Julien Laffaire (cl), Magdalena Rezler (v), Antoine Billet (c), Aziz Kortel (p),
26 October
Mi-parti
Polish Radio Symphony Orchestra / Ulrich Windfur
ŁAŃCUCH IX [CHAIN 9], 2012
25 January
Chantefleurs et chantefables for soprano and piano (arranged by E. Knapik)
Solveig Kringelborn (s), Ivar Anton Waagaard (p)
26 January
Wariacja Sacherowska [Sacher Variation] for solo cello
Grave – Metamorfozy [Grave – Metamorphoses] for cello and piano
Bartosz Koziak (c), Agnieszka Kozło (p)
32
28 January
Interludium [Interlude], Wariacje symfoniczne [Symphonic Variations], NOSPR /
Pierre-André Valade
__________________________________________________________
33
CD RECORDINGS AFTER 1994
It could be supposed that after the death of a composer who had been at the same
time a performer of many of his works, performances of his music, including its
recordings, would become at least a degree less frequent. In the case of Witold
Lutosławski, this did not happen.
While the number of performances fell slightly in the period after the composer’s
death, the number of recordings released before and after 1994 had the opposite
tendency.
Online catalogues of music companies and the discography published in 2008
(Lutosławski Studies II, S. Będkowski, S. Hrabia) show that from 1994 to 2012 about
two hundred albums were issued featuring at least one piece by Lutosławski.
To compare, the discography lists about 350 recordings issued between 1950 and
1994. Taking into account the average number of albums released yearly, the result
for the period after 1994 is slightly higher.
This does not necessarily reflect an increased interest in the Polish composer’s
music of either the world’s music industry, performers (perhaps them in particular) or
audiences. Arriving at such a conclusion would require investigation of other factors,
for example the development directions and changing dynamics of the music industry,
differences in the production of vinyl records – issued long after 1950 – and CDs, or
numbers of copies issued, which is beyond the scope of this analysis.
However, those statistics strongly prove one thing: Witold Lutosławski’s music is
present in the music market to at least the same degree as it was before the
composer’s death. His music is constantly gaining new “ambassadors” in the persons
of world-renowned performers – soloists, chamber musicians, orchestras and
conductors – who record their performances on albums published by a variety of
music companies.
The number of music companies offering at least one album featuring Lutosławski’s
music grew in recent years to over 100. Among the various smaller and bigger
companies are giants such as Naxos, SONY Classical, Deutsche Grammophon
and EMI Classics, and many more.
Lutosławski’s music also appealed to the famous ECM (New Series), lead by its
artistic director Manfred Eicher, who pays utmost attention to both the quality of ECM
records and to the music featured on them, making sure (reportedly in his own
words) that these are “the most beautiful sounds, right after silence”. Apparently he
found Lutosławski’s Wariacja Sacherowska [Sacher Variation] in Thomas Demenga’s
interpretation up to this standard, including it on the album 12 Hommages à Paul
Sacher pour Violoncelle (2008), with Muzyka żałobna [Musique funèbre] by the
Stuttgart Chamber Orchestra under Dennis Russell Davies (2012) another ECM
selection.
Lutosławski’s music also entered the catalogue of Norway’s SIMAX Classics, which
published Partita for violin and piano (M. Thorsen, v, H. Gimse, p) in 2000, and in
2012 – as with ECM – Muzyka żałobna [Musique funèbre] (Tromso CO / K. Holthe)
34
on the album Perspectives (69°42’ North – 19°00’ East), alongside works of György
Kurtág, Arvo Pärt, Frederik Högberg and Anton Webern.
FROM THE ARCHIVE. UNFORGETTABLE ONES
It must be noted that a separate groups of albums are reissues and new releases
using earlier, archive records. After 1994 about 150 new albums and 50 reissues or
albums with archive recordings were published.
Reaching for older recordings does not necessarily mean that there are not enough
contemporary performances of the best quality, which the two statistics above
contradict as well. It is often only an expression of admiration for excellent historical
interpretations, such as that of Koncert wiolonczelowy [Concerto for Cello and
Orchestra] by Mstislav Rostropovich and the Orchestre de Paris under Witold
Lutosławski, recorded in 1974, which was issued after the composer’s death in 1994
by Britannia Music Company, and reissued two times by EMI as part of the series
Great Recordings of the Century, in 2002 and 2008.
Equally unforgettable and probably most often reissued are performances of Partita
and Łańcuch II [Chain No. 2] by violinist Anne-Sophie Mutter and the BBC
Symphony Orchestra, also conducted by the composer, and recorded in 1988 by
Deutsche Grammophone. Its new editions were released in 1994 (Mutter Modern),
2000 (Back to the Future), 2002 and 2005 (“echo 20/21” series).
What makes these recordings so valuable is the opportunity to listen, long after his
death, to Lutosławski’s pieces the way he conducted them.
This was also the idea behind Naxos decision to include on the album Lutoslawski’s
Last Concert in 2010 a recording of the last concert the composer conducted, at the
end of 1993 in Toronto (24 October). The recording had been previously issued on
the album New Music Concerts as Lutoslawski Conducts Lutoslawski. But the
release by the famous label undoubtedly increased its market value. It is worthy of
note that the composer’s last concert in Poland, only a month earlier (25 September),
was recorded by the Polish company KOS for the album His Last Concert, released
in 1994.
Valuable archive recordings made without the composer’s participation were issued,
for example by Vox Box, which released in 1995 an album featuring Koncert
podwójny [Double Concerto] by Ursula and Heinz Holliger and the Cincinnati
Symphony Orchestra under Michael Gielen, most probably recorded 12 years earlier,
when Gielen still directed the orchestra.
Orfeo published a recording from 1976 of Kwartet smyczkowy [String Quartet] by the
LaSalle Quartet, which had premiered the piece in 1965 and which disbanded in
1987. This recording was reissued for the second time in 2010 on an album of
Brilliant Classics.
The same British label released a triple album, Lutosławski –Orchestral Works, in
2009, which is one of the most interesting offerings of archive recordings of the
composer’s music. It includes 1976-77 recordings of Wariacje symfoniczne
[Symphonic Variations], I Symfonia [Symphony No. 1 ] and II Symfonia [Symphony
35
No. 2], Muzyka żałobna [Musique funèbre], Koncert na orkiestrę [Concerto for
Orchestra], Jeux venitiens, Livre pour orchestre, Mi-parti, Preludia i fuga [Preludes
and Fugue] for 13 string instruments, Trois poèmes d’Henri Michaux, Paroles tissées
and Postludium nr 1 [Postlude No. 1] (L. Devos; Polish Radio Choir in Kraków, Polish
Chamber Orchestra, NOSPR / W. Lutoslawski, W. Michniewski).
The end of 2012 saw the release of a special collector’s box set published by
Polskie Nagrania, titled Witold Lutosławski Centenary Edition.It comprises eight
gold embossed discs, with an extensive commentary by Ludwik Erhadt. The album
contains archive recordings of Lutosławski’s orchestra works released previously on
separate albums, including the first Polish performances of Kwartet smyczkowy
[String Quartet], Łańcuch II [Chain No. 2], Chantefleurs et Chantefables, IV Symfonia
[Symphony No. 4], and others.
NAXOS AND LUTOSŁAWSKI ONLY
Among both archival and new recordings, a special place should be reserved for
releases wholly devoted to Lutosławski’s music.
One of them is the series by Naxos and the Polish National Radio Symphony
Orchestra conducted by Antoni Wit, Lutosławski: Orchestral Works, launched in
1994.
Nine albums were released as part of the series up until 2009, featuring almost all
symphonic and concert pieces by Lutosławski along with works for voice and
instruments, performed by noted, mainly Polish musicians (see: TABLE A. NAXOS
SERIES).
Albums featuring Lutosławski’s works exclusively were also issued by Virgin
Classics and SONY.
As regards the first label, it is worth noting the 1998 album by the outstanding
soprano Solveig Kringelborn, as well as Daniel Harding and the Norwegian Chamber
Orchestra, performing Pięć pieśni [Five songs] to the poems of Kazimiera
Iłłakowiczówna, Chantefleurs et chantefables and Preludia i fuga [Preludes and
Fugue].
In turn, SONY issued recordings of Esa-Pekka Salonen and the Los Angeles
Symphony Orchestra with soloists Dawn Upshaw, John Shirley-Quirk and Paul
Crossley, performing works for voice and instruments such as Les espaces du
sommeil and Chantefleurs et chantefables, as well as Symphonies No. 2-4, Koncert
fortepianowy [Piano Concerto] and – a tribute to the performers themselves –
Fanfare for Los Angeles Philharmonic.
Another release fully devoted to the Polish composer’s music is the album published
by SOMM in 1999, Lutoslawski at the Guildhall, featuring recordings of live
performances from the festival Breaking Chains – Lutoslawski, which took place in
1997 in London, including II Symfonia [Symphony No. 2], Novelette, Fanfare for
Louisville and Prelude for the Guildhall School of Music (Guildhall Symphony
Orchestra / W. Michniewski) along with an archive recording from 1989 of Koncert
36
wiolonczelowy [Concerto for Cello and Orchestra] conducted by Lutosławski with
Louise Hopkins as soloist.
It may be noticed that full albums of Lutosławski’s music focus mainly on orchestra
works. An exception, which proves the rule, is an album released by Living Era in
1998 featuring minor chamber pieces, children’s songs for voice and piano, pieces
for the young and Wariacje na temat Paganianiego [Variations on a Theme by
Paganini] for two pianos (Ann Martin-Davis, Susan Legg, p, Duncan Prescot, cl,
Melanie Ragge, ob).
TABLE A. THE NAXOS SERIES
COVER
REF. NO.
PERFORMERS
WORKS
Naxos 8.554283
Olga Pasiecznik (s)
NOSPR, Antoni Wit
I Symfonia
Tryptyk śląski
Jeux vénitiens
Naxos 8.553169
Piotr Paleczny (p)
NOSPR, Antoni Wit
II Symfonia
Mała suita
Wariacje symfonicze
Koncert fortepianowy
Naxos 8.553423
Bernd Glemser (p) •
Piotr Kusiewicz (t) •
Adam Kruszewski (bar.)
NOSPR, Antoni Wit
III Symfonia
Paroles tissées
Les Espaces du sommeil
Naxos 8.553202
Krzysztof Bąkowski (v)
NOSPR, Antoni Wit
IV Symfonia
Partita, Łańcuch II
Muzyka żałobna
Interludium
Naxos 8.553625
Andrzej Bauer (c)
NOSPR, Antoni Wit
Koncert wiolonczelowy
Livre pour orchestre
Novelette
Łańcuch III
Camerata Silesia
NOSPR, Antoni Wit
Koncert na orkiestrę
Trois Poems d’Henri Michaux
Mi-parti
Uwertura smyczkowa
Naxos 8.555270
NOSPR, Antoni Wit
Preludia i fuga na 13 instrumentów
smyczkowych • Trzy postludia • Mini
Uwertura •Fanfare for Louisville •
Prelude for Guildhall School of Music
and Drama • Fanfare for the
University of Lancaster
Naxos 8.555763
Zbigniew Kaleta (cl)
Arkadiusz Krupa (ob)
Nicolas Tulliez (harp)
Rafał Kwiatkowski (c)
Urszula Kryger (s)
NOSPR, Antoni Wit
Koncert podwójny na obój, harfę i
orkiestrę
Preludia taneczne
Łańcuch I
Piosenki dziecinne
Naxos 8.553779
37
Naxos 8.555994
Olga Pasiecznik (s)
Jadwiga Rappé (ms)
Chór Polskiego Radia
w Krakowie
NOSPR, Antoni Wit
20 polskich kolęd
5 pieśni do słów Iłłakowiczówny
Lacrimosa
Also special in this respect is the first and until now the only CD featuring songs
written by Lutosławski under the name Derwid, performed by Mariusz Klimek in
Krzysztof Herdzin’s arrangements, issued in 2005 in Poland by Acte Préalable.
DIFFERENT CONTEXTS
Most records issued after 1994 feature one or sometimes two or more of
Lutosławski’s pieces alongside works of other composers, such as – to begin with the
more obvious choices – Béla Bartók (Concertos for Orchestra) and Henri Dutilleux,
but also Igor Stravinsky, Iannis Xenakis or other contemporary composers. On some
albums Lutosławski’s music is presented alongside Polish composers of the 20th
century such as Andrzej Panufnik or Paweł Szymański (Koncerty fortepianowe, CD
Accord), but also Karol Szymanowski (Naxos), Krzysztof Penderecki or Krzysztof
Meyer (CD Accord). Often Lutosławski’s “company” is chosen because of a similar
line-up, such as in the case of an album featuring Koncert podwójny [Double
Concerto] (H. and U. Holliger, Cincinnati SO / M. Gielen) along with the Oboe
Concerto and symphonic poems of Richard Strauss.
An example of contemporary contexts is offered by a EMI Classics album from 2009,
Shadows of Silence, presenting Lutosławski’s and M. Dalbavie Piano Concertos as
well as other piano pieces by György Kurtág and B. Sørensen (Leif Ove Andsnes /
Symphonieorchester des Bayerischer Rundfunk).
Deutsche Grammophon’s album of 2009 devoted to Anne-Sophie Mutter presents
archive recordings of Lutosławski’s Łańcuch I [Chain No. 1] and Partita, featured with
works of the 20th-century composers Penderecki, Berg, Moret, Sibelius, Ravel and –
once more – Stravinsky.
Another Deutsche Grammophon’s album, released in 2006, presents Lutosławski’s III
Symfonia [Symphony No. 3] and the Symphony No. 5, dating back two centuries, by
Ludwig van Beethoven. It is a live performance by the Los Angeles Philharmonic and
Esa-Pekka Salonen, named “the best performance of contemporary music” by
Deutsche Grammophon.
Collections of solo and chamber works often include pieces by Lutosławski.
Sometimes, as is the case of a Naxos album (Ariadne Daskalakis, Miri Yampolsky;
2009), his work is alongside works by other composers of the same period or area,
with the Naxos album featuring pieces by Szymanowski and Janaček. It is worth
noting that although the label markets the album as “Violin Music (Complete)”, it
includes only chamber pieces, namely Partita, Subito and Recitativo e arioso (lacking
Lullaby “for Anne-Sophie Mutter”).
38
Undoubtedly, an unusual context for the Polish composer’s music are works of Frank
Zappa, which accompany Lutosławski’s Partita for violin and piano as well as works
by Arvo Pärt and Michelangelo Lupone on an album released in 1999 by CD Baby
(Diego Conti , Monica De Matteis); that was reissued in 2006.
RANKING OF RECORDINGS BY TITLE
TABLE B. RANKING OF TITLES
TITLE
NO. OF RECORDS
1.
24 + 1 DVD
2.
3.
Partita na skrzypce i fortepian
21
18 + 3 DVD
4.
Muzyka żałobna
15
5.
Preludia taneczne na klarnet i fortepian
14
6.
12
7.
Paroles tissées
11
8.
Gry weneckie
11 + 1 DVD
9.
III Symfonia
10 + 1 DVD
10.
Wariacja Sacherowska
10
11.
Kwartet smyczkowy
9 + 1 DVD
12.
9 (incl. 2 reissues)
13.
II Symfonia ▪ Łańcuch II ▪ Preludia i fuga
Preludia taneczne na klarnet i orkiestrę kam.
9
14.
IV Symfonia ▪ Koncert podwójny
Mini uwertura na kwintet dęty
8
8 (incl. 3 reissues)
15.
Łańcuch I
7 + 1 DVD
16.
Grave – Metamorfozy ▪ Bukoliki, wersje
na fortepian oraz altówkę i wiolonczelę
Livre pour orchestre ▪ Mi-parti ▪ Subito
7
17.
Uwertura na smyczki
6
18.
I Symfonia ▪ Les espaces du sommeil
5
19.
Trzy Postludia – Postludium nr 1
5 (1 x Trzy Postludia)
39
20.
Łańcuch III ▪ Wariacje symfoniczne
4
21.
Epitafium ▪ Dwadzieścia polskich kolęd
Grave – Metamorfozy na wiolonczelę i fortepian
Lacrimosa ▪ Mała suita ▪ Pięć pieśni do słów
Kazimiery Iłłakowiczówny na głos i orkiestrę
3
22.
Dwie etiudy ▪ Pięć melodii ludowych
Pięć pieśni do słów Kazimiery Iłłakowiczówny
na głos i fortepian
2
As may be seen from the table above (see: RANKING OF TITLES), the number of
recordings of some pieces corresponds to a certain degree with the frequency of their
concert performances (see: PERFORMANCES IN POLAND AND ABROAD). The
undisputed leader in both categories is Koncert na orkiestrę [Concerto for Orchestra].
Also popular both on record and in concert repertoires was Muzyka żałobna [Musique
funèbre]. However, this parallel does not hold as far as other works are concerned.
There are many recordings of chamber pieces such as Partita for violin and piano,
Wariacje na temat Paganianiego [Variations on a Theme by Paganini] for two pianos,
Preludia taneczne [Dance Preludes] for clarinet and piano and, less popular by a
degree, Koncert na wiolonczelę i orkiestrę [Concerto for Cello and Orchestra]. In turn,
Mała suita [Little Suite], so frequently performed in Poland, was featured on only three
albums. And Paroles tisées, rarely performed in Poland and abroad, has more
releases than Chantefleurs et chantefables.
Released markedly more often on record than their live performances were II
Symfonia [Symphony No. 2] (compare with Symphony No. 4) and Les espaces du
sommeil.
RANKING OF MUSIC COMPANIES
Among music companies publishing Lutosławski’s music, the absolute leader is
Naxos with its nine-album monograph series and other recordings of his works,
totaling 13 albums, of which 2 are retrospectives of earlier recordings or fragments of
Lutosławski works (The Best of Lutoslawski, The Symphony). It is also worthy of note
that the Naxos albums encompass almost all of Lutosławski’s orchestral works, his
pieces for voice and instruments with orchestra and some chamber pieces. Most of
the albums are wholly dedicated to the composer’s music.
Regarding number of releases, Naxos is rivalled only by one of the world’s biggest
music companies, EMI Classics, with its catalogue listing about 13 albums issued
after 1994. That number includes reissues, albums of archive recordings conducted
by the composer, and new releases, for example chamber pieces such as Wariacje
na temat Paganianiego [Variations on a Theme by Paganini] performed by Martha
Argerich and Gabrieli Montero, Kwartet smyczkowy [String Quartet], (Alban Berg
String Quartet) or the guitar transcription of Melodie ludowe [Folk Melodies] (Julian
Bream). Among the 13 EMI albums there are discs fully devoted to Lutosławski’s
40
music and collections featuring only individual pieces. The performers are mainly
world-renowned artists, including Mstislav Rostropovich.
These two leading lables are closely followed by two Polish companies, DUX and CD
Accord, offering 9 to 10 albums featuring Lutosławski’s chamber pieces and
orchestra works performed by an exquisite lineup of Polish and foreign musicians
(see: TABLE C. 1. & 2.).
The list would not be complete without another recording giant, Germany’s Deutsche
Grammophon, which released nine albums of Lutosławski’s music. The label’s
online catalogue lists only five of them; apparently unavailable is the recording of
Kwartet smyczkowy [String Quartet] by the Hagen Quartet, despite it being reissued
in 2005, according to the discography provided in Lutosławski Studies II, as well as
the above-mentioned Mutter Modern from 1994 and Shadow of Stalin from 2008,
which featured the recording of Koncert na orkiestrę [Concerto for Orchestra]
performed by the Los Angeles Philharmonic and Esa-Pekka Salonen.
One of the first albums with an archive recording of Koncert fortepianowy [Piano
Concerto], Łańcuch III [Chain No. 3] and Novelette, with performances by Krystian
Zimerman and the BBC Symphony Orchestra conducted the composer, was reissued
a number of times and remained available as of December 2012.
TABLE C.1. RECORDS RELEASED BY POLISH MUSIC
COMPANIES – DUX:
Date of
issue
Previous
issues
Date of
Title,
recording Ref. no. AWARDS
DUX /
PWM
0493
J. Salwarowski;
Ork. Filh.
Szczecińskiej,
T. Szebanowa (pf)
A. Duczmal,
FRYDERYK Orkiestra
2001
Kameralna PR
Nominacja – AMADEUS;
Album Roku M. Pędziałek (ob),
Muzyka
A. Sikorzak-Olek
Współczesna (harp)
A. Wit, Orkiestra
FRYDERYK Symfoniczna FN;
2005
R. Kwiatkowski (c)
Krakowskie Trio
Stroikowe:
Mleczko, Marek
(ob); Roman
Witaszek (cl);
Paweł Solecki (fg)
DUX
0544
20th-Century
Polish Music
for Violin &
Piano
1998
DUX
1997 0105
2000
DUX
0323
2005
DUX
2004 0499
2005
2006
Słynne
Kaprysy
– Famous
Caprices
PERFORMERS
41
WORKS
Wariacje na temat
Paganiniego
Koncert podwójny
Koncert na
wiolonczelę i orkiestrę
Trio na obój, klarnet
i fagot
P. Piekutowska (v); Partita na skrzypce
B. Bilińska (p)
i fortepian
M. J. Błaszczyk;
Ork. Filh. Śląskiej;
R. Lasocki (v)
Partita
III Symfonia
IV Symfonia
2008
DUX
0586
Classics of
20th Century
Chamber
Music
Piotr Tarcholik (v);
Monika WilińskaTarcholik (p)
Partita na skrzypce
i fortepian
2008
DUX
0628
Cellovator
Mikołaj Pałosz (c)
Wariacja
Sacherowska
2008
DUX
0677
Massimiliano Cali,
Śląska Ork. Kam.
Pięć melodii
ludowych
2012
DUX
0860
Little Big
Music
Malaguena:
Recital for
two pianos
Duo Granat
Wariacje na temat
Paganiniego
2008
2005
DUX
0506
TABLE C.2. RECORDS RELEASED BY POLISH MUSIC
COMPANIES – CD ACCORD:
Date of
issue
Previous
issues
Date of
Ref.
recording no.
19911992 029
1996
2000
1993,
1995
1992 015
2003
2000,
1998
1996 046
2005
1997
037
Title, AWARDS
PERFORMERS
FRYDERYK
1996
W. Michniewski,
Sinfonia Varsovia
K. Jakowicz (v)
Koncert na fortepian
i orkiestrę
III Symfonia
FRYDERYK
1998
W. Lutosławski,
NOSPR Katowice
E. Pobłocka (p)
K. Kord, Orkiestra
Symfoniczna FN
E. Pobłocka (p)
Kwartet Śląski
Kwartet smyczkowy
Ewa Podleś (ms)
Ewa Pobłocka (p)
A. Wit, Orkiestra
FN
Pięć pieśni do słów
K. Iłłakowiczówny
A Treasury of
Polish Songs
2005
045
2005
096
2008
ACD
144
Witold
Lutosławski Opera omnia 01
2010
ACD
161
Witold
42
WORKS
Interludium
Uwertura smyczkowa
Gry weneckie
Partita
Koncert na fortepian
i orkiestrę
Mi-parti
Kwartet smyczkowy
Recitativo e arioso
Bukoliki
Lutosławski Quartet Subito
K. i J. Jakowicz (v) Partita
A. Bauer (c)
Wariacja
B. Bednarczyk (p)
Sacherowska
E. Zawadzka (p)
Cztery melodie
J. K. Zbroja (p)
śląskie (4 vni, nr 9-12)
J. Kaspszyk,
Orkiestra
Filharmonii
III Symfonia
Wrocławskiej
IV Symfonia
2011
ACD
166-2
Witold
E. Kovacic,
Wrocławska
Orkiestra
Kameralna;
Orkiestra
Filharmonii
Wrocławskiej,
N. Daniel (dr., ob)
L. Wakeford (harp)
Preludia i fuga
Koncert podwójny
To continue the ranking, six albums were issued by the British Chandos label (two
before 1996, four after 2010) and one of the oldest U.S. companies, Centaur
Records (chamber pieces, the rarely recorded Trzy fragmenty [Three Fragments] for
flute and harp along with Preludia taneczne [Dance Preludes]);
Four albums – Berlin Classics, BIS and Koch (Discover International and
Schwann);
Three albums – Camerata Records and Sony (including Sony BMG/RCA Red
label);
Two albums – Arte Nova, Brilliant Classics, ECM, Nimbus Records, Orfeo,
Phillips (Phillips/PolyGram), Red Seal, SIMAX Classics, Telarc, Thorofon and TIM.
More than 80 other smaller or bigger labels including two Polish ones released one
album each. What is more, albums of Lutosławski’s music – ranging from one to a
few – were issued by different institutions, both for promotional and commercial
purposes. Examples include recordings documenting the activity of individual
orchestras, such as RCO live – Concertgebouw Orch. Amsterdam (three albums) or
LPO (London Philharmonic Orchestra / Jukka-Pekka Saraste), recordings released
by radio stations (Polish Radio, Polish Radio Katowice, BBC), schools (e.g. ZPSM
CD 005), as well as publishers (PWM Edition, Chester).
Lutosławski’s works were also included on albums recording different competitions
and festivals, such as Międzynarodowy Konkurs Muzyki Kameralnej XX wieku im.
Krzysztofa Pendereckiego [Krzysztof Penderecki International Competition of
Contemporary Chamber Music] in Kraków (Instytut Sztuki) or Warszawska Jesień
[Warsaw Autumn] festival (Biblioteka WJ/Polmic).
RANKING OF THE FREQUENCY OF RELEASES
The number of album releases fluctuated significantly over the course of time – from
4-5 albums to over 20 in 2005.
The bar chart of these fluctuations, reminiscent of stocks charts, (see: CHART.
RECORDINGS IN 1995-2012), shows a growth tendency until 2005, followed by a
stabilisation at a lower level in the following years (except for 2008 and 2009).
43
It is hard to indicate the reasons behind the falls or rises in the number of releases
apart from one – the record number of 23 albums issued in 2005 came in the wake
of intensive celebrations connected with the composer’s tenth death anniversary in
the previous year in Poland , especially that 6 out of the 23 albums (1/4) were issued
by Polish music companies, namely DUX, CD Accord and Acte Préalable.
CHART. RECORDINGS IN 1995-2012
25
20
15
10
5
0
1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012
It is impossible to pinpoint the reasons behind the exceptional boost of the year
2008, with the only possible explanation being a reaction to the fifteenth anniversary
of the composer’s death approaching in 2009 – which in turn was very poor in
recordings.
LUTOSŁAWSKI IN SUPER AUDIO
It is hard to determine how better quality and more sophisticated technologies help
the popularisation of music, yet inarguably they enhance its reception. It is thus worth
noting that in the last nine to ten years, several albums were recorded and released
in surround technology on Super Audio CDs (SACD).
The first album of this type (according to the available data) featuring Lutosławski’s
works exclusively was released in the jubilee year 2004 by the Polish label BeArTon.
It included: Koncert na orkiestrę [Concerto for Orchestra], Chantefleurs et
chantefables and Wariacje na temat Paganianiego [Variations on a Theme by
Paganini] performed by the outstanding Polish artists Olga Pasiecznik and Sinfonia
Varsovia under Jerzy Maksymiuk (Fryderyk Award, 2004).
Among SACDs issued by foreign music companies were two by Telarc. The first
features Concerto for Orchestra (along with Bartók’s Concerto for Orchestra) and
Fanfare for Louisville performed by the Cincinnati Symphony Orchestra under Paavo
Järvi, in 2006, and the second with Sonatą fortepianową [Piano Sonata] (along with
works by Esa-Pekka Salonen and Steven Stucky) in Gloria Cheng’s interpretation,
from 2008.
44
Two years later BIS issued a SACD with Koncert wiolonczelowy [Concerto for Cello
and Orchestra] and Wariacja Sacherowska [Sacher Variation] for solo cello (Christian
Polter, ORF Vienna Radio SO / Jan Van Steen).
The latest albums released by Chandos in 2008-2012 as part of the series devoted
to Lutosławski’s music (see: MOST RECENT SERIES AND ALBUMS) were also
recorded in the SACD format.
MOST RECENT SERIES AND ALBUMS
Among the most recent releases fully devoted to Lutosławski’s music, special
attention should be paid to the following series and albums:
1. COMPLETE WORKS OF WITOLD LUTOSŁAWSKI –
OPERA OMNIA
Released by Witold Lutosławski Philharmonic in
Wrocław and CD Accord.
Through the end of 2012, three albums were issued as part
of this series, one with chamber works and two featuring
orchestral pieces, e.g. Symphonies No. 2 and 4 (see:
TABLE C.2.)
2. SERIES BY CHANDOS AND BBC SYMPHONY
ORCHESTRA
In 2010, the British label Chandos, specialising in music
series, began recording the works of Lutosławski with the
participation of the BBC Symphony Orchestra and Edward
Gardner.
Releases of subsequent albums in the series, with the
exception of the first one, have been supported by the
Adam Mickiewicz Institute.
By the end of 2012 four albums had been issued; three featuring orchestral
works and one with pieces for voice and instruments:
Witold Lutosławski. Orchestral Works, 2010, CHSA 5082
Łańcuch III [Chain No. 3]
Koncert na orkiestrę [Concerto for Orchestra]
BBC Symphony Orchestra, Edward Gardner
45
Witold Lutosławski. Vocal Works, VIII 2011, CHSA 5098
Tryptyk Śląski [Silesian Triptych]
Śpijże, śpij [Sleep, Sleep]
Lacrimosa
Paroles tissées
Les espaces du sommeil
Chantefleurs et chantefables
Lucy Crowe (s), Toby Spence (t), Christopher Purves (bar)
Witold Lutosławski. Orchestral Works 2, XII 2011, CHSA 5098
Wariacje Symfoniczne [Symphonic Variations]
Koncert fortepianowy [Piano Concerto]
Wariacje na temat Paganianiego [Variations on a Theme by Paganini]
Witold Lutosławski. Orchestral Works 3, 2012, CHSA 5106
Mała suita [Little Suite]
II Symfonia [Symphony No. 2]
Koncert na wiolonczelę i orkiestrę [Concerto for Cello and Orchestra]
Grave for cello and orchestra
Paul Watkins, BBC Symphony Orchestra, Edward Gardner
3. LUTOSŁAWSKI THE SYMPHONIES, SONY
In 2012, Sony with the support of the Adam Mickiewicz
Institute decided to issue an album with the complete
Symphonies performed by the Los Angeles
Philharmonic conducted by the great admirer of
Lutosławski’s music, the composer Esa-Pekka Salonen.
In December 2012, a recording was made of the “missing
link” – Symphony No. 1. Symphonies No. 2-4, and Fanfare for Los Angeles
Philharmonic had already been recorded and issued on separate discs (see: NAXOS
AND LUTOSŁAWSKI ONLY).
The release of the Sony album, scheduled for March 2013, and the continuation of
both the Chandos and CD Accord series suggests that the discography of
Lutosławski’s music will grow to include valuable recordings in the coming years, in
well-known or brand new interpretations.
***
46
As a commentary on this section devoted to the body of recordings of Lutosławski’s
music after 1994, let us use – as with the section on performances – a view
expressed by British musicologist Adrian Thomas, expressed in the interview with B.
Bolesławska-Lewandowska (Ruch Muzyczny, 2011, Issue 3):
I believe that the situation of Lutosławski’s music is pretty good. Regularly we see
new releases, for example of the Cello Concerto – since the composer’s death there
have been ten or so recordings of this piece. A new series of albums with
Lutosławski’s music was also issued by Chandos in the U.K. […] – to great reviews. I
am certain that initiatives of this kind will ensure a good position for Lutosławski’s
music.
47
LITERATURE AFTER 1994
Shortly after Lutosławski’s death, publications important for the study of his life and
work were issued. 1994 saw the publication of a Polish monograph, Lutosławski:
życie i twórczość by Tadeusz Kaczyński, and The Music of Lutoslawski by Charles
Bodman Rae (2nd edition, 1999). Two years later in Germany, Martina Homma
published her doctoral thesis on Lutosławski. In the same year, Polish readers were
given a translation of Bodman Rae’s book by Jadwiga Paja-Stach, who published
her own comprehensive monograph about Lutosławski the next year, and who wrote
the Lutosławski entry in the 5th volume of PWM Edition’s Encyclopaedia of Music
(editor Elżbieta Dziębowska).
Subsequent years brought the important two-volume monograph on Lutosławski by
Polish authors Danuta Gwizdalanka and Krzysztof Meyer (2003-2004).
Another important academic publication released after the composer’s death is the
double-issue of Muzyka journal from 1995.
Articles and analyses by prominent musicologists and experts in Lutosławski’s music
from Poland and abroad were published in the Estetyka i styl twórczości Witolda
Lutosławskiego in 2000 (published by Oxford University Press in 2001 as Lutoslawski
Studies), edited by Zbigniew Skowron, and Witold Lutosławski Studies I-III edited by
Jadwiga Paja-Stach, released in 2008-2010 and available online on the website of
Ośrodek Dokumentacji Życia i Twórczości Witolda Lutosławskiego [Witold
Lutosławski Center] (see: WEBSITES).
Greenwood Press published A Bio-Bibliography by Stanisław Będkowski and
Stanisław Hraba in 2001, including a complete list of literature devoted to Lutosławski
until 2001 and a discography (the discography was included in Lutoslawski Studies II,
updated to 2008).
In 2005 a special jubilee issue of Forum Muzykologiczne was published, featuring a
range of articles devoted to Lutosławski by J. Paja-Stach, A. Jarzębska, B. Pociej,
D. Gwizdalanka and K. Meyer, A. Bartos and others, together with an interview with
the composer (the articles are available on www.polmic.pl).
Major analyses and interpretations were also published in other musical journals in
Poland and abroad. Also, interesting contributions were published in the general
press, e.g. Kontrapunkt, a supplement to the magazine Tygodnik Powszechny,
edited by T. Cyz, marking the tenth anniversary of the composer’s death (the articles
are available on www.onet.pl).
An interest in Lutosławski’s music outside of Poland was reflected in the publications
of Nicholas Reyland in the U.K. (doctoral thesis on Lutosławski’s Livre pour
orchestre and contributions published e.g. in Lutoslawski Studies), and in the work of
a Chinese-born composer, Fang Man, who devoted her Ph.D. research (published in
2012 and available for purchase on the Internet) to the analysis of Łańcuch II [Chain
No. 2] using OpenMusic, a computer-assisted composition software.
After 1994, three collections of Witold Lutosławski’s own notes and thoughts were
published, of which two were first editions– the one edited by Danuta Gwizdalanka
and Krzysztof Meyer (2001), and the other by Zbigniew Skowron (2008, 2012).
48
LITERATURE – LIST OF PUBLICATIONS
The list includes publications released until the end of 2012, books available on the
market and the most important occasional publications. Some of the articles listed
are available online (see: WEBSITES), while others are in library or archive
resources.
Entries in encyclopedias and dictionaries, source materials:
R. Wolański Leksykon Polskiej Muzyki Rozrywkowej; entry “Derwid”, p. 39,
Warsaw 1995
J. Paja-Stach “Lutosławski, Witold”, in Encyklopedia Muzyczna PWM, vol. 5,
edited by E. Dziębowska, pp. 441-461, Kraków 1997
C. B. Rae “Lutosławski, Witold (Roman)”, in: The New Grove Dictionary of Music
and Musicians, edition 2; Grove Music Online, edited by S. Sadie, J. Tyrrell,
London 2001
S. Będkowski “Witold Lutosławski”, in: Music of the Twentieth-Century AvantGarde: A Biocritical Sourcebook, edited by L. Sitsky, s. 282–290, Westport, Conn.
2002
D. Cichy “Lutosławski Witold”, in: Die Musik in Geschichte und Gegenwart.
Personenteil, vol. 11, pp. 655–661, Kassel 2004
Periodicals and occasional publications:
Muzyka 1995 No. 1/2, includes: K. Baculewski Jedna technika, jeden styl?,
M. Homma O przestrzeni muzycznej w harmonice dwunastotonowej W. L.,
A. Jarzębska Problem kształtowania kontinuum formy w IV Symfonii W. L.,
D. Krawczyk Koncepcja czasu W. L., K. Meyer Kilka uwag na temat organizacji
wysokości dźwięków w muzyce W. L., I. Nikolska Melodia i niektóre zasady jej
kształtowania w twórczości L. z lat 1960–1980, J. Paja-Stach and M. StanilewiczKamionka W. L. Dokumentacja (kronika życia i twórczości, kompozycje, pisma,
bibliografia), C.B. Rae Organizacja wysokości dźwięków w muzyce W. L.
Res Facta Nova 1997 No. 2 /11, edited by M. Bristiger, includes: Witold Lutosławski
(25.01.1913 – 07.02.1994), I. Nikolska Rozmowa z Witoldem Lutosławskim. O moim
języku muzycznym (edited by B. and J. Stęszewski); Z. Skowron Rozmowa z
Witoldem Lutosławskim. Spotkania z Witoldem Lutosławskim; S. Będkowski
Rozmowa z Witoldem i Danutą Lutosławskimi. By nie zatarł czas…; Witold
Lutosławski about himself.
49
Witold Lutosławski. Człowiek i dzieło w perspektywie kultury muzycznej XX
wieku (conference materials), edited by J. Astriab, M. Jabłoński, J. Stęszewski,
Poznań 1999; includes: J. Paja-Stach O stylu muzycznym Witolda Lutosławskiego w
kontekście nurtów artystycznych XX wieku; Z. Skowron Tradycja, nowoczesność i
awangarda jako źródła postawy twórczej Witolda Lutosławskiego.
Witold Lutosławski. Portret w 10-lecie śmierci, edited by T. Cyz, in: Kontrapunkt,
supplement to Tygodnik Powszechny 2004 No. 7 (see: WEBSITES)
Witold Lutosławski. Osoba i dzieło, various authors, account of a musicology
session from 2004, w: Forum Muzykologiczne, jubilee issue marking 60 years of
the Polish Composers’ Union, pp. 34-40, Warsaw 2005 (see: WEBSITES)
Books – monographs, interviews, special editions:
C.B. Rae The Music of Lutosławski, published in Polish as Muzyka Lutosławskiego,
translation by S. Krupowicz, Warsaw 1996
J. Paja-Stach Witold Lutosławski, Kraków 1996
M. Homma Witold Lutosławski: Zwölfton-Harmonik, Formbildung,
„aleatorischer Kontrapunkt”, Cologne 1996
Lutosławski. Homagium, Wydawnictwo Galerii Zachęta, Warsaw 1996
J. Paja-Stach Lutosławski i jego styl muzyczny, Kraków 1997
C.B. Rae The Music of Lutosławski, 3rd edition expanded, London 1999
Estetyka i styl twórczości Witolda Lutosławskiego, edited by Z. Skowron, Kraków
2000; published in English as Lutosławski Studies, Oxford 2001
Witold Lutosławski. Postscriptum, 2nd edition, edited by D. Gwizdalanka, K.
Meyer, Warsaw 2001
S. Będkowski, S. Hrabia Witold Lutosławski: A Bio-Bibliography, WestportLondon 2001
Programme book of Festiwal Muzyczny Polskiego Radia. Witold Lutosławski
[Music Festival of the Polish Radio. Lutosławski], includes: M. Bristiger Muzyko
Lutosławskiego, gue me veux-tu?; A. Chłopecki – analyses of Symphony No. 3 and 4,
String Quartet, Chain No. 2, Little Suite and Chantefleurs et chantefables; transcripts
of radio interviews with Lutosławski on Stefan Jarociński (interview by E. Markowska
in 1981 for Polish Radio 2); on the music of Fryderyk Chopin (interview by C.
Maupome on 24 October 1982 for Radio France, translated by M. Mądrzak); on
Symphony No. 3 and his composing technique (interview by K. Ǻ. Rasmussen on 22
March 1985 for Danmarks Radio, translated by M. Gmys); on his children’s music
(interview by E. Markowska on 30 January 1990 for Polish Radio 2, Warsaw 2001)
50
I. Nikolska Muzyka to nie tylko dźwięki. Rozmowy z Witoldem Lutosławskim,
Kraków 2003
D. Gwizdalanka, K. Meyer Lutosławski. T.1. Droga do dojrzałości, Kraków 2003;
Vol. 2. Droga do mistrzostwa, Kraków 2004
Witold Lutosławski i jego wkład do kultury muzycznej XX wieku, edited by J.
Paja-Stach, Kraków 2005
Lutoslawski on Music, edited and translated by Z. Skowron, Lanham (Maryland)
2007
G. Michalski Lutosławski w pamięci. 20 rozmów o kompozytorze, Gdańsk 2007
Witold Lutosławski Studies I, edited by J. Paja-Stach, Kraków 2007;
Witold Lutosławski Studies II, Kraków 2008;
Witold Lutosławski Studies III, Kraków 2009
Witold Lutosławski. Zapiski, edited by Zbigniew Skowron, Warsaw 2008
Z. Owińska Lutosławski o sobie, Gdańsk 2010
A. Bartos Proces twórczy Witolda Lutosławskiego, Warsaw 2010
B. Smoleńska-Zielińska, T. Zieliński Witold Lutosławski. Przewodnik po
arcydziełach, Warsaw 2011
Witold Lutosławski. O Muzyce. Pisma i wypowiedzi, edited by Z. Skowron,
Gdańsk 2012
F. Man Utilizing OpenMusic as a Tool for the Analysis of Lutoslawski's Chain 2,
Lambert Academic Publishing 2012
Academic analyses and interpretations:
J. Paja-Stach Rola partii fortepianu w „Recitativo e arioso” i w „Particie”
Witolda Lutosławskiego, in: Prace specjalne Akademii Muz. w Gdańsku No. 53,
edited by J. Krassowski, T. Błaszkiewicz, K. Sperski, B. Długońska, H. Nowakowska,
Gdańsk 1995
D. Rust Conversation with Witold Lutosławski, in: Musical Quarterly 1995 No. 79
(1); pp. 207-223
M. Klein Texture, Register, and Their Formal Roles in Lutosławski, in: Indiana
Theory Review 1999 No. 20 (1); pp. 37-70
J. Paja-Stach Witold Lutoslawski. Sullo stile musicale del compositore, in:
Civilta Musicale XVIII 2003 No. 50; pp. 116–125.
51
N. Reyland Lutoslawski, “Akcja” and the Poetics of Musical Plot, in: Music and
Letters 2007 No. 88 (4), pp. 604-631
T. Kaczyński Lutosławski nieznany, w: Ruch Muzyczny 2012 No. 3
Books discussing Witold Lutosławski’s work and life non-exclusively:
Lutosławscy w kulturze polskiej, various authors, Drozdowo 1998
B. Pociej Z perspektywy muzyki, Warsaw 2005; pp. 271-283 and other.
D. Szwarcman Czas Warszawskich Jesieni. O muzyce polskiej 1945-2007,
Warsaw 2007
A. Thomas Polish Music since Szymanowski, Music in the Twentieth Century,
Cambridge 2008
K. Meyer Mistrzowie i przyjaciele, Kraków 2011
Books published in 1994 or before, still available on the market:
Lutoslawski, edited by O. Nordwall, Stockholm 1968 (selection of Lutosławski’s
writings)
B. A. Varga Lutoslawski Profile, London 1976
S. Stucky Lutosławski and his Music, Cambridge 1981, new edition in 2009
T. Kaczyński Conversations with Witold Lutoslawski, 2nd edition, expanded and
updated, London 1994
T. Kaczyński Lutosławski: życie i muzyka, Historia muzyki polskiej, vol. IX,
Warsaw1994
52
FILMS AND DVDs
___________________________________________________________________
Films:
1.
Witold Lutosławski, 16’ documentary, directed by Aleksandra Padlewska, for TVP,
1975
2.
Przy pulpicie. Witold Lutosławski [At the Stand: Witold Lutosławski], 22’,
realisation: Teresa de Laveaux, for TVP 1978
Presented e.g. in 2011 during the festival Ogrody Muzyczne [Musical Gardens] in
Warsaw
2.
Open rehearsals with Witold Lutoslawski, 32’ video documentary; produced,
photographed, directed, edited by Pawel Kuczynski, 1984.
Witold Lutosławski conducts a rehearsal with the students of the USC School of
Music (Mi-parti).
3.
Witold Lutosławski w rozmowie z Krzysztofem Zanussim / Witold
Lutosławski in conversation with Krzysztof Zanussi
58’, directed by K. Zanussi for Eurofilm/Antelope, BBC, 1990.
For a description, see Programmes broadcast on TVP in 1994-2012 below.
4.
Owoc natchnienia [The Fruit of Inspiration]
39’, Production and script: Teresa de Laveaux, for TVP, 1992
Witold Lutosławski talks about his work comments, illustrated with fragments of his
music.
5.
Między dźwiękiem a ciszą – Wspomnienie o Witoldzie Lutosławskim /
Between Sound and Silence – Remembering Witold Lutosławski
52’, documentary / biography, directed and written by Aleksandra OsadowskaPadlewska, for TVP, 1996.
Andrzej Wajda, Krzysztof Zanussi, Jan Krenz, Krzysztof Jakowicz, Edward Pałłasz,
Józef Patkowski, Krystyna Witkowska, Grzegorz Michalski, Krzysztof Meyer,
Tadeusz Kaczyński remember Lutosławski, complemented wih fragments of the
composer’s works.
6.
A Journey towards Freedom. Witold Lutoslawski 1913-1994
15’, documentary, directed by Barrie Gavin, 1996 (available on www.youtube.com)
53
Comments from Lutosławski and fragments of his works with the participation of Sir
Simon Rattle.
7.
Witold Lutosławski wg ojca Karola [Witold Lutosławski According to Father
Karol]
31’, documentary, directed by Aleksandra Osadowska-Padlewska, Amber Film, 1998.
8.
Miłość i muzyka [Love and Music]
40’, documentary about Danuta and Witold Lutosławski, directed by Tadeusz Arciuch,
1998.
The composer is remembered by Gabriela Bogusławska, Marcin Bogusławski, Ewa
Krasińska, Jan Krenz, Józef Patkowski, Krystyna Zachwatowicz, Andrzej Wajda.
Presented e.g. in 2001 during the 7th Lutosławski Forum in Warsaw.
DVDs featuring Witold Lutosławski’s music or devoted to his life and music:
1.Leaving Home - Orchestral Music in the 20th Century.
A Conducted Tour by Sir Simon Rattle, vol. 4: Three
Journeys Through Dark Landscapes, directed by Barrie
Gavin
City of Birmingham Symphony Orchestra, Simon Rattle
Arthaus Music 1996
Includes motifs of Bartok, Shostakovich and Lutosławski’s
Venetian Games, Concerto for Orchestra and Symphony No.
3
2. Witold Lutosławski – twórcze życie / Witold Lutoslawski – a life of creation
(CD+DVD), edited by L. Dzierżanowski, Witold Lutosławski Society, 2006
A presentation of Witold Lutosławski’s life and work – detailed information available
on the website of the Witold Lutosławski Society.
3. Verbier Festival Highlights 2007 / Verbier Festival Highlights 2007- 2008
Euroarts 2007 i 2008 – includes Variations on a Theme by Paganini for two
pianos performed by Martha Argerich and Gabriela Montero.
4.Lutolandia czyli domowy teatrzyk Pana Tralalińskiego [Lutoland, or Mr
Tralalinski’s home theatre]
Witold Lutosławski Society and BGŻ Foundation 2008
54
A recording of the concert Lutolandia [Lutoland], which took place on 22 June 2007
during the 4th Łańcuch [Chain] festival at the Lutosławski Concert Studio of the
Polish Radio.
5.Guher & Suher Pekinel: Live in Concert, Arthaus Music 2009
Features the performance of Variations on a Theme by Paganini.
6. Made in Poland: Lutoslawski, Serocki, Penderecki, Górecki, Szymański,
Mykietyn, Zubel
Three-Disc Combo: Blu-ray 3D/Blu-ray/DVD/Digital Copy, audiophile edition. National
Audiovisual Institute 2011. The premiered took place during the European Culture
Congress in Wrocław, 8-11 September 2011.
Features Chain No. 1 performed by Ensemble Intercontemporain during the
festival Sacrum Profanum in September 2010.
7. Quartet Choreography, Metier 2012
The film presents the relations and interaction between the members of Kreutzer
Quartet during their performance of the String Quartet by Lutosławski.
55
PROGRAMMES
broadcast on TVP in 1994-2012
Documentary films, interviews, reports,
accounts
Witold Lutosławski w rozmowie z Krzysztofem Zanussim /
Witold Lutosławski in conversation with Krzysztof Zanussi
___________________________________________________________________
DOCUMENTARY FILM, 57’27”, for IMP, BBC 1990
Broadcast: 03.04.1994 - 15 - 01 - TVP-2; 18.09.1995 - 00 - 17 - TVP-2
A documentary about Lutosławski and his musical output in which the composer talks
to Krzysztof Zanussi, film director. The conversation is interwoven with orchestra
performances directed by Lutosławski.
The film starts with a survey carried out among the residents of Warsaw on
Witold Lutosławski. Krzysztof Zanussi remembers his first encounter with
Lutosławski’s music, his first impressions and his first meeting with the composer.
Lutosławski talks about his work, conducting, rehearsing with a student orchestra and
renowned professional orchestras, how well he knows his own works and how they
should be presented, and his attitude to what he does. Zanussi also asks the
composer about his attitude to children and young people, and the way he feels
around them. The musician replies that with time, his life is getting better, also
commenting on the lack of joy in contemporary music and the reason for it.
The film features archive materials, e.g. a recording of Lutosławski talking at the
Congress of Culture in December 1981.
Witold Lutosławski
___________________________________________________________________
48’32”, TVP, 1994
Broadcast: 10.02.1994 - 20 - 00 - TVP-2
A programme dedicated to Lutosławski, who died on 8 February 1994, featuring the
composer’s comments on the creative process, the relationship between inspiration
and work and the polyphony in Symphony No. 4.
Partita for violin and piano performed by Krzysztof Jakowicz and Krystyna
Boruciński and Symphony No. 4 performed by the Sinfonia Varsovia Orchestra
under Lutosławski. Krzysztof Jakowicz, Krzysztof Zanussi, Kazimierz Kord and others
reminisce about Lutosławski.
56
Zrywając łańcuchy [Breaking Chains]
__________________________________________________________________
REPORTAGE, 29’20”, written and directed by Zbigniew Dzięgiel, TVP 1999
Broadcast: 10.02.1999 – 22 - 37 - TVP-1, 21.09.1999 - 23 - 31 – TVPS, 21.09.1999 04 - 00 – TVPS, 22.09.1999 - 14 - 08 – TVPS
A documentary on Lutosławski’s music and his popularity in the U.K., as reflected by
the festival Breaking Chains – Lutoslawski, held by the Guildhall School of Music
and Drama in London and the BBC.
The festival was the first major showcase of the composer’s music in the U.K. Along
with concerts, the programme of the event included seminars, workshops for young
musicians, screenings of two documentary films featuring the composer’s music –
Suita warszawska and Od Odry do Bałtyku directed by Tadeusz Makarczyński – as
well as an exhibition prepared by Adrian Thomas. The documentary presents the
course and atmosphere of the festival, complemented with commentary by the
participants John Casken, Jacek Kaspszyk, Adrian Thomas, Wojciech Michniewski,
Charles Bodman Rae and Marcin Bogusławski.
The documentary also presents fragments of the composer’s works: Symphony No.
1, Novelette, Venetian Games, Prelude for GSMD, Musique funèbre and Chain
No. 1.
The viewers also have a chance to see black and white footage of Lutosławski
speaking or performing.
Grażyna Bacewicz i Witold Lutosławski. Wielcy nieobecni
[Grażyna Bacewicz and Witold Lutosławski: Great Absentees]
___________________________________________________________________
OPINION JOURNALISM, 35’17”, production: Dariusz Pawelec, TVP 1999
Broadcast: 13.02.1999 - 10 - 00 - TVP-2
Profiles of the Polish composers Grażyna Bacewicz and Witold Lutosławski as
presented by musicologists Małgorzata Gąsiorowska and Jacek Rogala.
The experts recall anecdotes from the composers’ lives, characterise their styles of
composing and talk of their impact on the development of new directions in
contemporary music.
The material is complemented with music recorded at the S-1 Concert Studio of the
Polish Radio during Grażyna Bacewicz Days, marking the 90th anniversary of the
composer’s birth and the 30th anniversary of her death, including Lutosławski’s
Overture for Strings performed by the Amadeus Orchestra under Agnieszka
Duczmal.
57
Elżbieta Markowska. Rok Lutosławskiego
[Elżbieta Markowska. Lutosławski Year]
__________________________________________________________________
INTERVIEW, 4’44”, production: Anna Komorowska, Robert Kamyk, TVP 2004
Broadcast: 07.02.2004 - 15 - 56 - TVP-2
Marking the 10th anniversary of Lutosławski’s death, Jolanta Fajkowska talks to
Elżbieta Markowska, director of Polish Radio 2, about the composer’s life, his
relations with the Polish Radio, the transformation of Polish Radio 2, the Lutosławski
Concert Studio, and the station’s anniversary programme.
The interview is accompanied by archive film coverage, such as a recording of
Lutosławski talking about making new discoveries while rehearsing with an
orchestra.
Rok Lutosławskiego - Nie tylko muzyka.
[Lutosławski Year: Not Only Music]
___________________________________________________________________
DISCUSSION, 39’52”, TVP 2004
Broadcast: 08.02.2004 - 09 - 15 - TVP-2
Representatives of the world of culture on Lutosławski’s output.
Host and participants: Jolanta Fajkowska, Zygmunt Krauze, Elżbieta Markowska,
Krzysztof Jakowicz, Kazimierz Kord, Grzegorz Michalski.
10 Forum Lutosławskiego. Rok Lutosławskiego
[10th Lutosławski Forum. Lutosławski Year]
___________________________________________________________________
REPORTAGE, 24’23”, production: Beata Delida, TVP 2004
Broadcast: 31.03.2004 - 19 - 30 - TVP-2; 14.04.2004 - 10 - 45 - TVP-POLONIA
The programme features fragments of the inauguration concert and commentary
from Antoni Wit, Mariusz Smolij and Kacper Miklaszewski on the event; a report from
a commemorative night devoted to Lutosławski; fragment of a concert by Urszula
Kryger and the Warsaw Philharmonic’s chamber orchestra, youth concert by
the orchestra of the J. Elsner School of Music, the finale concert, as well as the
exhibition presented at the Warsaw Philharmonic Hall.
58
Koncert nadzwyczajny z okazji 10. rocznicy śmierci Witolda
Lutosławskiego
[Concert commemorating the 10th anniversary of Witold Lutosławski’s
death]
___________________________________________________________________
46’59”, production: Waldemar Stroński, TVP 2004
Broadcast: 17.05.2004 - 19 - 00 - TVP-2
Broadcast of the concert commemorating the 10th anniversary of Lutosławski’s death
by the Warsaw Philharmonic Orchestra under Antoni Wit with the participation of
violinist Anne-Sophie Mutter.
On the programme: Partita for violin and orchestra, Interlude for orchestra,
Chain No. 2 dialogue for violin and orchestra.
59
WEBSITES devoted to Witold Lutosławski
The list below provides websites devoted to Witold Lutosławski’s life and output, arranged by
language. Websites of the Witold Lutosławski Society, PWM Edition, Adam Mickiewicz
Institute, Polish Music Information Centre (Polmic) are edited both in Polish and English,
thus they are listed in both categories with direct links to the Polish or English content.
On the website of the Witold Lutosławski Center one may access Lutoslawski Studies.
Among the Polish websites are ones of educational character.
Selected websites in other languages are also listed, along with links to audio and video
resources. The list does not include Wikipedia sites, although the English entry in particular
is very comprehensive and carefully written.
___________________________________________________________________
- Websites in Polish:
Towarzystwo im. Witolda Lutosławskiego [Witold Lutosławski Society]
www.lutoslawski.org.pl provides detailed information on the composer’s life, output,
individual pieces and recordings, an updated discography, list of literature, gallery
(incl. photos of Lutosławski’s manuscripts), links to articles by M. Bristiger, D.
Gwizdalanka and A. Chłopecki, archive of radio programmes broadcast on Radio
Free Europe, Polish sections of the BBC, RFI, and other multimedia resources and
films about the composer, his interviews and performances of his works on
youtube.com.
PWM Edition – Galeria Kompozytorów – Witold Lutosławski:
www.pwm.com.pl/lutoslawski contains a complete list of Lutosławski’s works with
information on individual pieces and their releases, biographic information, fragments
of articles, quotes by Lutosławski, a list of performances of the composer’s pieces in
Poland and selected performances in other countries.
Ośrodek Dokumentacji Życia i Twórczości Witolda Lutosławskiego [Witold
Lutosławski Center]
http://www2.muzykologia.uj.edu.pl/lutoslawski/info.html contains the encyclopedia
entry by Professor Jadwiga Paja-Stach, courtesy of the publisher, which provides
comprehensive information about the composer’s life and output; a bibliography list
updated in 2009 and quotes from the composer.
Instytut Adama Mickiewicza [Adam Mickiewicz Institute]
www.culture.pl contains a biography, essay by Zbigniew Skowron Klasyk muzyki XX
wieku, analysis of Venetian Games, Musique funèbre, Piano Concerto and Concerto
for Orchestra, Piano Sonata, Symphonies No. 1, 2, and 4, Trois poèmes d'Henri
Michaux, a photo gallery and fragments of recordings of Variations on a Theme by
Paganini, Concerto for Orchestra, Symphony No. 4, as well as information on the
events of the Lutosławski Year:
60
http://www.culture.pl/baza-muzyka-pelna-tresc//eo_event_asset_publisher/eAN5/content/witold-lutoslawski
http://www.culture.pl/baza-muzyka-pelna-tresc//eo_event_asset_publisher/eAN5/content/lutoslawski-1913-1994-klasyk-muzyki-xxwieku
http://www.culture.pl/kalendarz-pelna-tresc//eo_event_asset_publisher/L6vx/content/rok-2004-rokiem-witolda-lutoslawskiego
http://lutoslawski.culture.pl/documents/6629852/83950a77-ddb1-4452-ae0368ef06714ece
Polskie Centrum Informacji Muzycznej [Polish Music Information Centre]
www.polmic.pl contains the composer’s biography, list of output and analyses of
Venetian games, Piano Concerto, Concerto for Orchestra, Piano Sonata, Symphony
No. 1, 2 and 3, Overture for Strings, as well as information about past and present
events and performances of Lutosławski’s works:
http://www.polmic.pl/index.php?option=com_mwosoby&id=4&view=czlowiek&litera=1
3&Itemid=5&lang=pl
Website of Biblioteka Polskiej Piosenki [Polish Song Libary] – information on
songs written under the name of Derwid:
http://www.bibliotekapiosenki.pl/Lutoslawski_Witold
Websites with articles on W. Lutosławski:
“Forum Muzykologiczne”, 2005, links to articles available online (pdf)
http://www.polmic.pl/index.php?option=com_mwzbiory&id=948&view=publikacja&liter
a=0&Itemid=33&lang=pl
Kontrapunkt, supplement to Tygodnik Powszechny, 2004 – links to articles available
online
http://tygodnik2003-2007.onet.pl/1551,6307,tematy.html
Z. Skowron – Klasycy muzyki XX wieku w świadomości twórczej WL, “Res facta” 9,
2007
http://www.resfactanova.pl/pliki/archiwum/numer_18/RFN18%20Skowron%20%20Klasycy%20muzyki%20europejskiej.pdf
M. Tomaszewski – Dialogi i soliloqia, “Res facta" 9, 2007
http://www.resfactanova.pl/pliki/archiwum/numer_18/RFN18%20Skowron%20%20Klasycy%20muzyki%20europejskiej.pdf
Andrzej Chłopecki about Symphony No. 3
http://free.art.pl/nowamuzyka/
D. Cichy – Lutosławski: Klasyk współczesności
http://free.art.pl/nowamuzyka/
61
Julia Hartwig SPOTKANIE POŚWIĘCONE WITOLDOWI LUTOSŁAWSKIEMU
http://free.art.pl/demusica/de_mus_8/08_03.html
Sławomir Wieczorek, a commentary after the conference Nowoczesność w muzyce
http://www.demusica.pl/cmsimple/images/file/krytyka_1_wieczorek.pdf
Other articles, current and archive, may be found by entering the composer’s name
and periodical in the search engine:
http://www.ruchmuzyczny.pl/PelnyArtykul.php?Id=326 – article by T. Kaczyński,
published posthumously
http://www.dwutygodnik.com/artykul/3617-chleb.html
http://www.dwutygodnik.com/artykul/3025-vocal-works-lutoslawskiego-by-bbc.html
On G. Michalski’s book Lutosławski w pamięci
http://tvp.info/informacje/kultura/lutoslawski-portret-kompozytora/332419
Educational websites and websites dedicated for young people:
Music archive for schools, Narodowy Instytut Audiowizualny [National Audiovisual
Institute] – recording of Symphony No. 3
http://www.muzykotekaszkolna.pl/1511-wiedza/1522-kompozytorzy/170-xx-i-xxiwieku/1106-lutoslawski-witold-1913-1994Schools named after Lutosławski
http://www.szkolamuzyczna.lublin.pl/patron.html
http://muzyczna.turek.pl/zsmturek/patron.php
http://www.psm.zambrow.org/index.php?strona=patron
http://www.psmkrasnystaw.pl/index.php?option=com_content&view=category&layout
=blog&id=92&Itemid=455 :
output
http://www.psmkrasnystaw.pl/index.php?option=com_content&view=article&id=164:w
itold-lutoslawski-tworczosc&catid=92&Itemid=471
life
http://www.psmkrasnystaw.pl/index.php?option=com_content&view=article&id=166:w
itold-lutoslawski-1913-1994-zyciorys&catid=92&Itemid=471
quotes
http://www.psmkrasnystaw.pl/index.php?option=com_content&view=article&id=165:p
atron&catid=92&Itemid=471
Lutosławski Philharmonic in Wrocław and Lutosławski Orchestra in Płock – about the
patron:
http://www.filharmonia.wroclaw.pl/filharmonia/showNews/31
http://www.orkiestraplock.pl/pl/instytucja/patron.html
62
Other:
Polish lyrics of some songs, incl. children’s songs, by Lutosławski:
http://www.recmusic.org/lieder/l/lutoslawski.html
About the Lutosławski family, website of Towarzystwo Przyjaciół Muzeum Przyrody w
Drozdowie [Society of the Friends of the Natural Museum in Drozdowo]
http://www.drozdowo.pl/
Podlasianina portret własny [Famous men of the Podlasie region]
http://www.wrotapodlasia.pl/pl/region/historia/podlasianina_portret_wlasny/Witold_Lut
oslawski.htm
Website of Joanna Kruszewska – My favourite composer
http://sp.wasilkow.pl/strony/lutoslawski/index.html
___________________________________________________________________
- Websites in English
Chester Novello
http://www.chesternovello.com/Default.aspx?TabId=2431&State_2905=2&composerI
d_2905=966 – information on the composer’s life and output, list of works published,
articles and list of performances worldwide since 1998
Polish Music Center – a biography and complete list of works with selected
discography – contains also unpublished pieces, film music, children’s pieces and the
Derwid songs, as well as descriptions and photographs of selected pages of the
composer’s manuscripts
http://www.usc.edu/dept/polish_music/VEPM/lutos/lu-title.html
http://www.lutoslawski.org.pl/en – comprehensive sections on “Life”, “Output”; as well
as “Gallery” and “About the anniversary”
Culture.pl
http://lutoslawski.culture.pl/web/lutoslawski/
http://www.culture.pl/web/english/resources-music-full-page//eo_event_asset_publisher/eAN5/content/witold-lutoslawski
http://www.culture.pl/web/english/resources-music-full-page//eo_event_asset_publisher/eAN5/content/witold-lutoslawski-symphony-no-4
Polska Music
http://polskamusic.pl/en/composers/xx-century.html?id=15&selected – example
scores
63
http://polskamusic.pl/en/composers/xx-century.html?id=15&bio – a biography
Polish Music Information Centre (www.polmic.pl)
http://www.polmic.pl/index.php?option=com_mwosoby&id=4&view=czlowiek&litera=1
3&Itemid=5&lang=en
PWM Edition
http://www.pwm.com.pl/szczegoly.php?aukcja=0&grupa_p=6&przedm=283219&pwd[
6]=224404&grp=&sortuj=sattr_83&grupuj=&acttree=1&change_lang=1&change_skin
=103374
Pytheas Center for Contemporary Music, Maine, USA
http://www.pytheasmusic.org/lutoslawski.html – a short biography and list of works (in
chronological order and by lineup); links to websites on Lutosławski and books:
Lutoslawski Studies, edited by Z. Skowron, The Music of Lutosławski by C. B. Rae
and A Bio-Bibliography by S. Będkowski, S. Hraba, as well as about 50 other
websites in English featuring information about Lutosławski; links to recordings by
Naxos among others
Woven Words 2013 Festival
http://woven-words.co.uk/
Instytut Kultury Polskiej w Nowym Jorku [Polish Cultural Institute in New York]
http://www.polishculture-nyc.org/?itemcategory=30817&siteId=217&priorId=0&person
DetailId=310
Other with biographic data, lists of works, links to other websites:
Naxos website
http://www.naxos.com/person/Witold_Lutoslawski/22614.htm – biography and
discography
http://www.naxos.com/feature/Witold_Lutoslawski.asp – the Naxos series
Entries in Britannica Concise Enc., Oxford Grove Music Enc., Gale Enc.:
http://www.answers.com/topic/lutoslawski-witold
http://www.britannica.com/EBchecked/topic/352187/Witold-Lutoslawski
http://www.allmusic.com/artist/witold-lutos%C5awski-mn0001551285
http://universalium.academic.ru/242159/Lutos%C5%82awski,_Witold
Websites of composers, musicologists, performers:
Adrian Thomas On Polish Music… and other Polish topics
http://onpolishmusic.com
Steven Stucky
http://www.stevenstucky.com/Lutoslawski.shtml contains an essay by Steven Stucky,
64
Lutoslawski in Retrospect taken from the Los Angeles Philharmonic programme
book
Fang Man – an example of computer-aided analysis of Chain No. 2 and a quote from
Lutosławski
http://www.fangmanmusic.com/research.html
http://www.fangmanmusic.com/quotation.html
About Chain No. 2 on the website of Anne-Sofie Mutter
http://www.anne-sophie-mutter.de/back-to-the-future-lutoslawski.html?&L=1
About Subito on the website of Midori:
http://www.gotomidori.com/english/musicnote-200302/musicnote-13lutoslawski.html
About Partita on the website of Midori:
http://www.gotomidori.com/english/musicnote-200302/musicnote-40lutoslawski.html
Michael Klein about Symphony No. 1 on the website of the American Symphony
Orchestra: http://www.americansymphony.org/concert_notes/symphony-no-1-1947
Websites with articles:
Full contents of Lutosławski Studies I-III edited by Jadwiga Paja-Stach on the
website of
Ośrodka Dokumentacji Życia i Twórczości Witolda Lutosławskiego [Witold
Lutosławski Center]
http://www2.muzykologia.uj.edu.pl/lutoslawski/Witold_Lutoslawski_Studies.html
Nicolas Reyland, What Vastness of Suffering? Different approaches to Witold
Lutosławski's First Symphony
http://www.ce-review.org/00/9/reyland9.html
Lutosławski’s Approach to Sound Masses and Form in Livre pour orchestre
http://www.musicahodie.mus.br/4_1/musica_hodie_4_1_artigo_4.pdf
Obituary: Witold Lutoslawski – Charles Bodman Rae’s article of 9 February 1994
http://www.independent.co.uk/news/people/obituary-witold-lutoslawski-1392927.html
Michael White’s article in The Independent on the Breaking Chains Festival
http://www.independent.co.uk/life-style/and-for-this-they-want-a-new-theatre1285218.html
Andrzej Chłopecki’s review of Martina Homma’s book
http://www.usc.edu/dept/polish_music/PMJ/issue/3.2.00/homma_chlopecki.html
Article heralding the Woven Words festival and presenting Esa-Pekka Salonen’s
memories of Lutosławski
http://www.jewishjournal.com/arts/article/woven_words_celebrates_lutoslawski_salon
en_reflects_on_mentors_symphonies
65
Selected websites in other languages:
___________________________________________________________________
- in French:
IRCAM, contemporary music resources
http://brahms.ircam.fr/witold-lutoslawski#bio
___________________________________________________________________
- in German:
Anne Sofie-Mutter’s website – about Chain No. 2
http://www.anne-sophie-mutter.de/back-to-the-future-lutoslawski.html?&L=0
Midori’s website – about Partita and Subito
http://www.gotomidori.com/german/
Website of the project musica assoluta: Lange Nacht der Musik für Lutosławski
http://www.startnext.de/lange-nacht-der-musik
___________________________________________________________________
- in Italian:
A comprehensive article on Lutosławski’s output with example scores
http://erwillillo.wordpress.com/
___________________________________________________________________
- in Spanish:
Programme message of the 6th Festival Joven de Música Clásica de Segovia
http://www.tomasgarrido.es/Witold_Lutoslawski__un_compositor_del_siglo_XX.html
___________________________________________________________________
- in a few languages:
Martina Homma’s website – reviews of the author’s Ph. D. thesis
http://homma.de/Lutoslawski-Biographie.html
___________________________________________________________________
Recordings and films online:
http://www.nina.gov.pl/ninateka/audioteka/detal/2012/07/17/Witold_Lutoslawski_III_S
ymfonia_Aksamitna_Kurtyna_2_Koncert_inauguracyjny Symphony No. 3 performed
at the Velvet Curtain Festival (Lviv, 2006) on the website of the National Audiovisual
Institute
BBC Radio 3, video recordings e.g. the Proms:
http://www.bbc.co.uk/music/artists/af4c43d3-c0e0-421e-ac64-000329af0435
www.youtube.com – Lutosławski speaking at the Congress of Culture in 1981, the
Biennale in Zagreb in 1963, fragments of interviews for the French Television from
66
1982, documentaries such as Lutoslawski: A Journey to Freedom featuring Simon
Rattle (entire film) or Open rehearsals with Witold Lutosławski (rehearsals of Miparti) and videos presenting many orchestral and chamber pieces, often with longer
descriptions in English: http://www.youtube.com/watch?v=a-I_igR6o7c
The Derwid songs in premiere performances:
http://www.studiomts.pl/NewFiles/Opisy_plyt/Derwid.html
67
RESEARCHERS AND PROMOTERS
The tables below show an alphabetical list of researchers and promoters of Witold
Lutosławski and his music after 1994.
TABELE 1. RESEARCHERS
_____________________________________________________________________
The list includes musicologists, authors and editors of compressive (or more than one)
publications, among them academics who conducted broader research, authors of bigger
monographs, such as Jadwiga Paja-Stach, Martina Homma, Danuta Gwizdalanka,
Krzysztof Meyer, Adrian Thomas, Zbigniew Skowron and Steven Stucky,
as well as authors of more important articles, presentations, monographs, studies and
analyses, alongside editors of collective works which contributed significantly to the study
of the composer’s oeuvre. The list also embraces authors and musicologists of the
younger generation who study Lutosławski’s work after 1994.
RESEARCHERS
POLAND
ABROAD
Aleksandra Bartos
Bonoît Aubigny
Stanisław Będkowski
John Casken
Michał Bristiger
Stephen Downes
Andrzej Chłopecki
James Harley
Daniel Cichy
Maria Anna Harley
Maciej Gołąb
Martina Homma
Danuta Gwizdalanka
Michael Klein
Stanisław Hrabia
Fang Man
Alicja Jarzębska
Irina Nikolska
Tadeusz Kaczyński
Peter Petersen
Krzysztof Meyer
Charles Bodman Rae
Jadwiga Paja-Stach
Nicholas Reyland
Józef Patkowski
Douglas M. Rust
68
Zbigniew Skowron
Steven Stucky
Andrzej Tuchowski
Adrian Thomas
Barbara Smoleńska-Zielińska
Maja Trochimczyk
Tadeusz Zieliński
Arnold Whittall
TABLE 2. PROMOTERS
_____________________________________________________________________
The list below presents a selection of persons acting to promote and popularise
Lutosławski’s music in Poland and/or abroad. This includes both frequent performers
of the composer’s works, initiators of concerts, festivals and other special events
focusing on Lutosławski, and persons who acted to raise the awareness about the
composer e.g. among children and young people, and to present Lutosławski’s music
or life to the general public (through the press, television and Internet). The list
embraces selected musicians (conductors, soloists) and other artists, film directors,
musicologists, journalists, heads of music institutions, etc.
PROMOTERS
NAME AND SURNAME
COUNTRY / PROFFESSION
Andrzej Bauer
Poland and abroad – cellist, author of musical
projects
Krzysztof Bąkowski
Poland and abroad – violinist
John Casken
Abroad – composer, organiser
Andrzej Chłopecki
Poland and abroad – author of many
publications, broadcasts, animator, organiser
Stanisława Chyl
Poland – museum curator, director of the
Natural Museum at the Lutosławskis’ former
house in Drozdowo
Tomasz Cyz
Poland – author, editor
Andrew Davis
U.K. – conductor, animator
Lech Dzierżanowski
Poland – organiser, author, editor, director of the
69
Łódz Philharmonic
Edward Gardner
Abroad – conductor
Małgorzata Gąsiorowska
Poland – programmes on Polish Radio 2, other
media
Barrie Gavin
U.K. – film director
Julia Hartwig
Poland – writer
Heinz Holliger
Abroad – oboist, conductor
Ursula Holliger
Abroad – harpist
Krzystof Jakowicz
Jakub Jakowicz
Jacek Kaspszyk
Poland and abroad – conductor
Kazimierz Kord
Zygmunt Krauze
Poland and abroad – pianist, organiser, former
president of the Lutosławski Society
Jan Krenz
Solveig Kringelborn
Abroad – singer
Ewa Kupiec
Poland and abroad – pianist
Berthold Lehmann
Elżbieta Markowska
Poland – author of programmes, interviews and
publications, animator and organiser of cultural
events, longtime director of Polish Radio 2
Grzegorz Michalski
Poland – author of publications, series of radio
interviews and programmes, animator,
organiser, president of the Lutosławski Society
Wojciech Michniewski
Midori
Abroad – violinist
Marek Moś
(former first violin in the Silesian String Quartet)
70
Anne-Sophie Mutter
Abroad – violin
Aleksandra OsadowskaPadlewska
Poland – director of films about Lutosławski
Zofia Owińska
Poland – journalist, also on the radio
Ewa Pobłocka
Marta Ptaszyńska
Poland and abroad – composer, arranger
Jadwiga Rappè
Poland and abroad – singer
Sir Simon Rattle
Esa Pekka-Salonen
Heinrich Schiff
Abroad – cellist
Emilia Sitarz
Steven Stucky
Abroad – musicologist, composer
Adrian Thomas
Abroad – musicologist
Andrzej Wajda
Poland – film director
Bartłomiej Wąsik
Antoni Wit
Teresa Witkowska
Poland – author of an exhibition about
Lutosławski’s life
Krzysztof Zanussi
Poland and abroad – film director
Krystian Zimerman
Some of the persons are honorary or ordinary members of the Witold Lutosławski
Society: http://www.lutoslawski.org.pl/pl/lutoslawski_society/list_of_members
____________________________________________________________
71
INSTITUTIONS popularising and promoting
Witold Lutosławski’s music
The list below is a selection of the most prominent institutions, exclusive of music
companies (see: CD RECORDINGS AFTER 1994).
In Poland:
Towarzystwo imieniem Witolda Lutosławskiego [Witold Lutosławski Society]
The aim of the Society is to extend its care over the artistic and spiritual legacy of
Lutosławski and to propagate his creative output e.g. through publication activity (incl.
multimedia releases, see: FILMS and DVDs); organising conferences and providing
the inspiration for academic research; holding concerts of Lutosławski’s music,
organising the festival Łańcuch [Chain Festival] (see: SELECTED FESTIVALS IN
POLAND AFTER 1994), exhibitions and lectures; awarding scholarships;
popularising information on the composer and his output through competitions,
including ones dedicated to youth and young performers.
____________________________________________________________
Filharmonia Narodowa [Warsaw Philharmonic]
Organised the Forum Lutosławskiego [Lutosławski Forum] in 1995-2011; the Warsaw
Philharmonic Orchestra performs Lutosławski’s works at subscription concerts,
festivals and on tour.
Promotes Polish culture abroad, for instance through providing initiative for concerts,
album releases (e.g. Chandos series of Lutosławski’s music).
Instytut Muzyki i Tańca [Institute of Music and Dance]
Tasked with supporting Polish music culture, the Institute monitors the current state
of affairs in this department by making appropriate reports, organises conferences
and coordinates the Lutosławski Year.
Narodowa Orkiestra Symfoniczna Polskiego Radia [Polish National Radio
Symphony Orchestra]
Popularises Lutosławski’s output in Poland and abroad mostly by means of its
performances, but also recordings.
Narodowy Instytut Audiowizualny [National Audiovisual Institute]
Issues audio visual publications promoting Polish artists and their work, including the
DVD Made in Poland, which features Ensemble Intercontemporaine’s concert of
Polish music with Lutosławski’s Chain No. 2.
72
Orkiestra Filharmonii Wrocławskiej im. W. Lutosławskiego [Symphony
Orchestra of W. Lutosławski Philharmonic in Wrocław]
Popularises its patron’s output mostly by means of its performances, but also
recordings (see: CD RECORDINGS after 1994).
Ośrodek Dokumentacji Życia i Twórczości Witolda Lutosławskiego przy
Instytucie Muzykologii Uniwersytetu Jagiellońskiego [Witold Lutosławski
Center at the Institute of Musicology of the Jagiellonian University]
As indicated by its name, the institution collects and documents information on
Lutosławski’s life and output for academic purposes.
Polska Rada Muzyczna [Polish Music Council]
Organises or co-organises musical events, including educational ones, such as
Konkurs wykonawczy im. W. Lutosławskiego dla dzieci i młodzieży [Witold
Lutosławski Competition for Young Performers]
Polskie Centrum Informacji Muzycznej „Polmic” [Polish Music Information
Centre]
The centre serves as a resource of information on composers, while its website
communicates new events, performances, anniversaries, book and CD releases.
PWM Edition
Carries out publishing and promotional activity; serves as a resource of information
about the composer and performances e.g. through its website; releases books,
encourages performances, co-organises concerts, exhibitions, etc.
Polskie Radio S.A. [Polish Radio]
Broadcasts Lutosławski’s pieces, especially on Polish Radio 2, and offers them for
broadcasting by EBU, organised Festiwal Muzyczny Polskiego Radia – Lutosławski
[Music Festival of the Polish Radio – Lutosławski] (2001), acts as a media patron,
keeps an archive of recordings, issues CDs.
Towarzystwo Przyjaciół Muzeum Przyrody w Drozdowie [Society of the
Friends of the Natural Museum in Drozdowo]
Acts to share information about the Lutosławski family (e.g. website and museum),
makes the museum available for competitions held by the Witold Lutosławski Society,
promotes the composer in the region.
Związek Kompozytorów Polskich oraz festiwal „Warszawska Jesień” [Polish
Composers’ Union and the Warsaw Autumn Festival]
Initiates performances of Lutosławski’s music at the Warsaw Autumn Festival (see:
SELECTED FESTIVALS IN POLAND after 1994), keeps a library resource, records
Warsaw Autumn performances on CDs.
73
Abroad:
The BBC and the BBC Symphony Orchestra
Popularises Lutosławski’s output in the U.K., organised the Breaking Chains Festival
in 1997, broadcasts Lutosławski’s music and documentary films about the composer.
Chester Novello
Publishes sheet music, rents parts, promotes Lutosławski’s music, informs about it on
its website, releases books and initiates performances.
Paul Sacher Foundation
Preserves the source materials in its collection and grants access to the documents
in its archive; the foundation also holds scholarly conferences, concerts and provides
financing for research (scholarships).
Guildhall School of Music
Popularises Lutosławski’s output in the U.K.; organises the Breaking Chains Festival.
Polish Cultural Institute in New York
Promotes Polish culture, supported Focus 2011 Festival at the Juilliard School, which
featured Lutosławski pieces among works of other Polish composers.
Polish Music Center
Disseminates information about Lutosławski’s abroad (e.g. through its website);
organises concerts
74
INSTITUTIONS, FESTIVALS,
COMPETITONS bearing the name of Witold
Lutosławski
Studio Koncertowe Polskiego Radia im. Witolda Lutosławskiego [Witold Lutosławski
Concert Studio of the Polish Radio]
ENSEMBLES AND PHILHARMONICS
1. Filharmonia Wrocławska im. Witolda Lutosławskiego, FMP [Witold Lutosławski
Wrocław Philharmonic]
2. Filharmonia Kameralna im. Witolda Lutosławskiego w Łomży [Witold Lutosławski
Chamber Philharmonic in Łomża]
3. International Orchestra Masterclass “Lutoslawski Youth Orchestra”
4. Lutosławski Piano Duo (Emilia Sitarz, Bartłomiej Wąsik)
5. Lutosławski String Quartet
(Jakub Jakowicz, Marcin Markowicz, Artur Rozmysłowicz, Maciej Młodawski)
6. Płocka Orkiestra Symfoniczna im. Witolda Lutosławskiego [Witold Lutosławski
Płock Symphony Orchestra]
FESTIVALS AND COMPETITIONS
1. Breaking Chains 1997 (Guildhall School of Music)
2. Forum im. W. Lutosławskiego [Witold Lutosławski Forum] 1995-2011 (Warsaw
Philharmonic Hall)
3. Forum im. Lutosławskiego [Lutosławski Forum] (Opole Philharmonic)
4. Łańcuch. Festiwal Muzyki Witolda Lutosławskiego [Chain.Festival of Witold
Lutosławski’s Music] (Witold Lutosławski Society)
5. Międzynarodowy Festiwal Muzyki Współczesnej im. Witolda Lutosławskiego
w Szczecinie [International Witold Lutosławski Festival of Contemporary Music in
Szczecin]
6. Międzynarodowy Konkurs Kompozytorski Lutosławski Award [International
Composing Competition: Lutosławski Award] (Witold Lutosławski Society)
7. Konkurs Wykonawczy Utworów Witolda Lutosławskiego dla dzieci i młodzieży
(PRM)
75
8. Międzynarodowy Przegląd - im. Witolda Lutosławskiego [Witold Lutosławski
International Contest for Young Conductors] (Podlasie Opera and Philharmonic in
Białystok)
9. Międzynarodowy Konkurs Wiolonczelowy im. Witolda Lutosławskiego [Witold
Lutosławski International Cello Competition] (Foundation for the Promotion of Young
Cellists)
10. Lubelskie Forum Sztuki Współczesnej im. W. Lutosławskiego [Witold Lutosławski
Forum of Contemporary Art] (Henryk Wieniawski Philharmonic and Maria Curie-Skłodowska
University in Lublin)
11. Srebrna Szybka Konkurs Kompozytorski i Międzynarodowy Konkurs
Współczesnej Muzyki Dziecięcej i Młodzieżowej [A Silver Windowpane: Composers’
Contest and International Competition of Contemporary Music for Children and
Youth] (Bronisław Rutkowski School of Music in Kraków)
EDUCATIONAL FACILITIES
1. Konserwatorium Krakowskie im. Witolda Lutosławskiego [Witold Lutosławski
Conservatory]
in Kraków
2. Ogólnokształcąca Szkoła Muzyczna II stopnia im. W. Lutosławskiego [Witold
Lutosławski Secondary School of Music]
in Białystok
3. Prywatna Szkoła Muzyczna I st. im Witolda Lutosławskiego [Witold Lutosławski
Private Primary School of Music]
in Wołomin
4. Państwowa Szkoła Muzyczna I st. im. Witolda Lutosławskiego [Witold
Lutosławski State Primary School of Music]
in Pruszków
5. Państwowa Szkoła Muzyczna I st. im Witolda Lutosławskiego [Witold Lutosławski
State Primary School of Music]
in Bolesławiec
6. Państwowa Szkoła Muzyczna I st. im Witolda Lutosławskiego [Witold Lutosławski
State Primary School of Music]
in Jasło
in Nowy Tomyśl
76
in Turek
in Zambrów
10. Państwowa Szkoła Muzyczna I i II st. im. Witolda Lutosławskiego [Witold
Lutosławski State Primary & Secondary School of Music]
in Krasnystaw
in Nysa
in Stargard Szczeciński
13. Społeczna Szkoła Muzyczna I st. im. Witolda Lutosławskiego STO [Witold
Lutosławski Public Primary School of Music]
Warsaw, Bielany
14. Szkoła Muzyczna I i II st. im. Witolda Lutosławskiego [Witold Lutosławski Primary
& Secondary School of Music]
in Lublin
15. Publiczne Gimnazjum nr 9 im. Rodziny Lutosławskich [The Lutosławski Family
Public Middle School No. 9]
in Łomża
77
OTHERS CONNECTED WITH
Witold Lutosławski
EXHIBITIONS
Lutosławski i jego idee muzyczne [Lutosławski and His Musical Ideas]
Prepared by Professor Jadwiga Paja-Stach, realised by PWM Edition
The exhibition was presented at the Warsaw Philharmonic Hall from February to mid-March 2004,
then purchased by the Polish Ministry of Foreign Affairs and showcased at Polish diplomatic
posts in Basil, Bern, Bratislava, Brussels, Bucharest, Kharkov, Moscow, Beijing, Riga and Tallinn.
Życie i twórczość Witolda Lutosławskiego [Witold Lutosławski’s Life and
Oeuvre]
Prepared by Teresa Witkowska (representing the Lutosławski family)
The exhibition, comprising 15 self-standing display boards, came to life in 2008. It was presented
at the Natural Museum in Drozdowo, the town hall of Łomża, the Fryderyk Chopin University of
Music, the Warsaw Philharmonic Hall and the Witold Lutosławski Concert Hall of the Polish Radio.
MEMORIALS, COMMEMORATIVE PLAQUES
Busts of Witold Lutosławski
- in the Fame Avenue at Harcerski square in Kielce
- at the Pomeranian Philharmonic in Bydgoszcz
Commemorative plaques displayed in the buildings once inhabited by Lutosławski:
- 1946-1968:
39 Zwycięzców Street, Saska Kępa, Warsaw, installed in 1996
- 1968-1994:
39 Śmiała Street, Żoliborz, Warsaw, installed on 4 February 2004,
design and execution: Z. Wilma, B. Chmielewski
STREETS
Witold Lutosławski Street – Warsaw, Żoliborz district
Lutosławski Street – Słupsk
Derwid Street – Warsaw, Wawer district
OTHER
Witold Lutosławski scholarship (Witold Lutosławski Society)
Medal (Witold Lutosławski Society)
78
MUSICAL WORKS DEDICATED TO
WITOLD LUTOSŁAWSKI
______________________________________________________________________
Works of Osvaldas Balakauskas, Cristobal Halffter, Edison Denisow, György Kurtág, FrançoisBernard Mache, Arne Nordheim, Pera Norgard and Iannis Xenakis – created after 1994 – as well
as Elliott Carter’s piece of 1993, were performed for example at the concert Hommage a Witold
Lutosławski (Warsaw Autumn 1994), held on the imitative of Andrzej Chłopecki and in association
with Polish Radio 2 and recorded on an album of the same title.
______________________________________________________________________
Andrzej Krzanowski
Relief V na wiolonczelę solo / for solo cello – 1986
III Kwartet smyczkowy “Panu Witoldowi Lutosławskiemu” / String Quartet No. 3
“To Mister Witold Lutosławski” – 1988
György Szabados
Délibáb / Fata Morgana Homage à Lutosławski [free jazz, the piece is marked as
“Homage…” e.g. on youtube.com, but the description on the album released by
the Hungarian music company Adyton in 1991 and Studio Kft in 1999 there is no
subtitle] – 1991
Elliott Carter
Gra na klarnet (wersja: na puzon) / for clarinet (version: for trombone) – 1993
Elżbieta Sikora
Sextuor à cordes hommage à W.Lutoslawski / Sextet for Strings Hommage a
Witold Lutoslawski – 1993
Klaus Huber
Kammerkonzert “Intarsi”. In memoriam Witold Lutosławski for piano and 17
instruments – 1993/1994
Osvaldas Balakauskas
Meridionale Hommage a Witold Lutoslawski na ork. kam. / for chamber orchestra
– 1994
Edison Denisow
Postindium / Postludio in memoriam Witold Lutosławski na orkiestrę kameralną
/ for chamber orchestra – 1994
Mariusz Dubaj
Homage a Lutosławski na flet solo / for solo flute – 1994
79
Vladimir Godar
Déploration sur la mort de Witold Lutosławski na 2 skrzypiec, altówkę,
wiolonczelę i fortepian / for 2 violins, viola, cello and piano – 1994
Cristobal Halffter
Le sommeil na orkiestrę kameralną / for chamber orchestra – 1994
György Kurtág
Játékok (Gry / Games), Księga / Book 7: Un brin de bruyère à Witold na
fortepian / for piano – 1994
Magnus Lindberg
Aura (In memoriam Witold Lutoslawski) na orkiestrę / for orchestra – 1994
François-Bernard Mache
Planh pour orchestre à cordes, in memoriam Witold Lutosławski, Op. 72 – 1994
Arne Nordheim
Adieu for strings and "instruments with bell sounds" / na instrumenty smyczkowe i
“z dźwiękami dzwonów” – 1994
Per Norgard
Out of This World na orkiestrę / for orchestra – 1994; Tributes. Album for
Strings ‘94-95
Kaija Saariaho
Nocturne pamięci Lutosławskiego na skrzypce solo / in memory of Lutoslawski
for solo violin – 1994
Władysław Słowiński
Doloroso in memoriam Witold Lutosławski per quartetto d’archi / for string quartet
– 1994
Toru Takemitsu
Paths in memoriam Witold Lutosławski na trąbkę solo / for solo trumpet – 1994
Iannis Xenakis
Mnamas Xapin Witoldowi Lusławskiemu na 2 trąbki i 2 rogi / for 2 trumpets and 2
horns [MODE56, 1997, St-x Ensemble / Charles Sachary Bornstein] – 1994
Udo Zimmermann
Dans la marche – Hommage a W. Lutoslawski na orkiestrę / for orchestra – 1994
______________________________________________________________________
80
Written after 1994:
Reinhard Wolschina
Duodramma für Oboeninstrumente und Violoncello / for oboe and cello – 1995
Ruth Zehlin
In Memorian Witold Lutosławski na altówkę solo / for solo viola – 1995
Zbigniew Bargielski
Krajobraz wspomnień (Witold Lutosławski in memoriam) na skrzypce,
wiolonczelę i fortepian / for violin, cello and piano – 1996
Krzysztof Meyer
Farewell Music na orkiestrę (pamięci Witolda Lutosławskiego) op. 88 / for
orchestra (in memory of Witold Lutoslawski) op. 88 – 1997
Roman Berger
Requiem da camera z tematem Witolda Lutosławskiego na skrzypce,
wiolonczelę i fortepian / for violin, cello and piano – 1998
David Marriott
Homage to Lutoslawski na orkiestrę / for orchestra – 1999
(Reproduced and distributed by the Australian Music Centre)
Maciej Zieliński
Lutosławski in memoriam na obój i fortepian / for oboe and piano – 1999
Peter Graham
Symphony for Wind Orchestra 'Montage', część I / 1. part: Arch (In memoriam
Witold Lutoslawski) – 2004
Altin Volaj
In Memoriam Witold Lutosławski na wielką orkiestrę / for large orchestra –
2004
Mansoor Hosseini
Four for Four (in memory of Lutoslawski, Ligeti & Bartok) na 4 wiolonczele / for 4
cellos – 2008
Karlo Margetić
Hommage à W. L. for 9 players – 2009
Apollon Musagete Quartett
Multitude (Homage a Witold Lutoslawski) na kwartet smyczkowy / for string
quartet – 2010
81
Annette Kruisbrink
Keramix (Homage à Witold Lutoslawski) na gitarę / for guitar – 2011
Scott McIntyre
Homage to Lutoslawski na skrzypce i fortepian [https://soundcloud.com/scottmcintyre1/homage-to-lutolawski] – 2012
Paweł Szymański
Sostenuto na orkiestrę symfoniczną / for symphony orchestra – 2012
Variations, inspirations, improvisations – concerts and projects:
Lutosphere
15 September 2004, Centrum Sztuki Współczesnej
Leszek Możdżer – piano, electronic instruments,
Andrzej Bauer – electric cello, m.bunio.s (Michał Skrok) – melody
The project uses recordings of Witold Lutosławski speaking and fragments of Czteropalcówka
[Four-fingers], Koncert wiolonczelowy [Concerto for Cello and Orchestra], Bukoliki - Andantino,
Passacaglia, Wariacja Sacherowska [Sacher Variation] and Intrada, all mixed together, and
transformed electronically using synthesizers, samplers and generators of acoustic effects.
Subsequently performed in Poland and abroad (e.g. Dublin, 2009).
Djazzpora – We told Looptosławski
27 June 2005, Centrum Sztuki Współczesnej [Centre for Contemporary Art]
Andrzej Bauer – cello, Kuba Kossak – fagot, laptop,
Macio Moretti – drums, Raphael Rogiński – guitar, DJ Lenar – gramophones,
VJ Matemito Braun – visual displays
Other
28 March 2006, Concert Gwiazdy dla Lutosławskiego [Stars for Lutosławski]
Tomasz Stańko– trumpet, Improwizacja dla Lutosławskiego [Improvisation for
Lutosławski]
Leszek Możdżer – piano, Improwizacje na temat Witolda Lutosławskiego
[Improvisations on a theme of Witold Lutosławski]
23 June 2007, Studio Koncertowe PR [Concert Studio of the Polish Radio]
Włodek Pawlik – piano recital Lutosławski – Inspiracje – Improwizacje
[Lutosławski – Inspirations – Improvisations]
Report prepared by Ewa Cichoń
82
RESULTS OF AN OMNIBUS SURVEY
on Witold Lutosławski
1. SURVEY CHARACTERISTICS

Commissioned by
Instytut Muzyki i Tańca / Institute of Music
and Dance

Conducted by
Centrum Badania Opinii Społecznej

Time of realisation (interviewers
working on site)
7–13 December 2012

Type of study
Quantitative Omnibus survey

Sample
Entire Poland, random by PESEL
representative for adult residents of Poland

No. of interviews
1036

Interviewing method
Computer Assisted Personal Interviewing CATI

Place where interviews are
conducted
At the respondent’s home
83
2. RESULTS – TABLES
Do you know who Witold Lutosławski was?
Percent of
Frequency
Percent
important
I don’t know
Percent in total
587
56,6
57,7
57,7
I do, he was an architect
5
0,5
0,5
58,2
I do, he was a philosopher
5
0,5
0,5
58,6
406
39,1
39,9
98,5
15
1,5
1,5
100,0
1017
98,2
100,0
19
1,8
1036
100,0
Important
I do, he was a composer
I do, he was a writer
Total
NDA
Refusal to answer
Total
3. RESULTS – FIGURES
84
4. RESULTS – TABLES OF SOCIAL AND DEMOGRAPHIC DIFFERENCES
Do you know who Witold Lutosławski was?
Total
Sex
Age
Place of residence
Education
Socio-economic group
(professionally active)
Professionally nonactive
Works at:
Income per person
Evaluation of one’s
financial status
Participation in religious
practices
Political views
Men
Women
18-24 years of age
25-34
35-44
45-54
55-64
65 and older
Countryside
Town up to 20 000
20-100 000
101-500 000
501 000 and more
Primary
Basic vocational
Secondary
Higher
Managers, professionals
with higher education
middle-level personnel,
technical staff
Administrative and office
personnel
Service sector workers
Qualified physical
workers
Non-qualified physical
workers
Farmers
Self-employed
Retired due to inability to
work
Retired due to old age
Pupils and students
Unemployed
Housewives and others
public administration
company partly owned
by private owners and
the state
private sector excl. of
agriculture
privately-owned farm
Up to PLN 500
PLN 501-750
PLN 751-1000
PLN 1001-1500
Above PLN 1500
Bad
Medium
Good
A few times a week
Once a week
1-2 times a month
A few times a year
Does not participate
Leftist
Centre
Rightist
Hard to say
No. of
persons
I don’t
know
%
58
56
59
83
68
59
46
41
56
69
57
52
51
41
80
65
54
32
29
I do, he was
an architect
%
0
1
0
1
0
1
1
0
0
1
0
0
1
0
0
1
0
0
0
I do, he was a
philosopher
%
0
1
0
2
0
0
0
0
1
1
0
1
0
0
0
0
1
0
0
I do, he was a
composer
%
40
41
39
11
29
39
53
57
42
28
42
46
46
59
19
30
44
65
71
I do, he was
a writer
%
2
1
2
4
3
0
0
2
1
2
2
1
2
0
1
3
1
2
0
49
0
0
51
0
45
49
2
0
49
0
55
65
63
0
1
1
0
33
33
0
3
64
122
90
0
0
10
0
37
67
56
63
2
0
0
0
0
0
30
44
34
0
0
3
62
48
82
49
79
71
59
44
49
0
0
2
0
1
0
1
3
1
0
0
0
50
15
23
37
55
51
1
3
4
4
1
0
203
70
57
71
130
96
62
1
0
36
1
238
68
70
68
59
56
40
54
59
57
38
61
57
58
56
46
58
48
75
2
2
0
1
0
0
0
1
0
0
1
1
0
0
0
1
1
0
0
2
0
0
1
0
0
1
0
4
0
1
0
0
2
0
0
0
30
26
32
38
41
58
44
38
40
58
37
39
40
44
51
40
50
22
0
0
0
2
2
2
2
1
2
0
2
3
2
0
2
1
2
2
64
150
126
150
157
173
156
435
426
58
443
170
229
118
171
344
255
247
85
1017
483
534
121
207
172
160
199
158
383
154
197
175
109
194
274
348
201
101
PUBLICATIONS OF WITOLD LUTOSŁAWSKI’S WORKS
PWM Edition
TITLE
LINE-UP
canto solo-archi
MATERIALS
4 melodie śląskie na 4 skrzypiec
4 vni
N
5 melodii ludowych na orkiestrę
smyczkową
9 melodii ludowych w transkrypcji na
gitarę, oprac. Jose de Azpiazu
12 melodii ludowych w transkrypcji na
gitarę, oprac. Raymond Burley
archi
N
git
N
1945
git
N
1945
10 tańców polskich na orkiestrę
kameralną
1121-1100-batt
(2esec)-archi
MO, N
20 kolęd na głos i fortepian
canto solo pf
N
2 piosenki dziecinne na głos i zespół
smyczkowy: Rok i bieda; Idzie Grześ
N
WRITTEN IN WORLD PREMIERE
1947/1952 1952, Warszawa - M. Drewniakówna,
Orkiestra Rozgłośni Warszawskiej, St.
Rachoń (dir)
1945/1954 22 X 1954, Warszawa
1945/952 9 XII 1983 - Orkiestra Filharmonii w Zielonej
Górze, A. Andriejew
1951? 9 XI 2005, I Festiwal Muzyki Polskiej NOSPR, J. Krenz (dir)
1946 nr 11, 15, 17, 18, 20: 29 lub 31 I 1947,
Kraków - A. Szlemińska (S solo), J. Hoffman
(pf)
20 kolęd na sopran, chór żeński unisono S solo-corofemminile MO
ad unisono-1121i orkiestrę
2110-batt (1esec) cel
ar pf-archi
pf
N
Bajka iskierki i inne piosenki dla dzieci
na głos i fortepian
canto solo pf
N
Bukoliki na altówkę i wiolonczelę
vla, vc
N
Album per pianoforte:
1946/1985 15 XII 1985, Londyn 15 XII 1985, Londyn - M.
Slorach, London Sinfonietta Orchestra and
Chorus, W. Lutosławski (dir)
I: 1941 III: IV 1953, Wrocław - W. Lutosławski (pf),
II: 1945 IV: IV 1953, Wrocław - W. Lutosławski (pf)
III: 1952
IV: 1953
V: 1968
1958
2 etiudy. Melodie ludowe. Bukoliki. 3 utwory
dla młodzieży. Inwencja
1952/1962 1970 - Stefan Kamas, Andrzej Orkisz
MO, N
Chantefleurs et Chantefables cykl pieśni S solo-1111-1110batt
(3esec)
cel
ar
pfna sopran i orkiestrę
1990 8 VIII 1991, Londyn, BBC Promenade
Concert - S. Kringleborn (S solo), BBC
Symphony Orchestra, W. Lutosławski (dir)
Chantefleurs et chantefables na sopran i S solo pf
fortepian, oprac. E. Knapik
2008
archi (8.6.4.4.2)
Dwie etiudy na fortepian
pf
N
N (Per
strumenti)
1940/41 I: 26 I 1948, Kraków; I,II: 2 V 1975, Evanston
- I: M. Bilińska-Riegerowa (pf); I,II: Wanda
Paul
Epitafium na obój i fortepian
ob, pf
N
1979 3 I 1980, Londyn - J. Craxton (ob), I. Brown
(pf)
Grave metamorfozy na wiolonczelę i
fortepian
vcpf
N
1981 22 IV 1981, Warszawa - R. Jabłoński (vc), K.
Borucińska (pf)
Grave. Metamorfozy na wiolonczelę i
orkiestrę smyczkową
vc solo- 0000-000043321
MO
1982 26 VIII 1982, Paryż, FestivalEstival de Paris M. Maisky (vc solo), Polska Orkiestra
Kameralna, J. Maksymiuk (dir)
87
Interludium na orkiestrę
1221-0110-batt
MO, N
(2esec) cel ar pf-archi
1989 10 I 1990, Monachium MunchnerPhilharmoniker, W. Lutosławski
(dir)
3333-4441-batt
(4esec) cel 2ar pfarchi
MO, N
1954 26 XI 1954, Warszawa - Orkiestra
Symfoniczna Filharmonii Warszawskiej, W.
Rowicki (dir)
pf solo-3333-4231batt (3esec) ar pfarchi
MO, N
1988 19 VIII 1998, Salzburger Festspiele - ORF
Symphonieorchester, Wien, W. Lutosławski
(dir), K. Zimerman (pf)
Koncert na fortepian i orkiestrę, wyciąg
fortepianowy
2pf
N
1988
Koncert podwójny na obój, harfę,
orkiestrę smyczkową i perkusję
ob, ar soli-00000000-batt (4esec)archi
MO, N
1980 24 VIII 1980, Lucerna - H. Holliger (ob), U.
Holliger (ar), Collegium Musicum Zurich, P.
Sacher (dir)
vc solo-3333-4331MO, N
batt (3esec) cel ar pfarchi
1970 14 X 1970, Londyn, RoyalFestival Hall - M.
Rostropowicz (vc solo), Bournemouth
Symphony Orchestra, E. Downes (dir)
Kwartet smyczkowy
vno I vno II vla vc
N
1964 12 III 1965, Sztokholm - LaSalle Quartet
Lacrimosa na sopran, chór i orkiestrę
S solo-2323-4301tmp-coro (SATB)archi
MO, N
1937 1938, Warszawa - H. Warpechowska (S
solo), Orkiestra Filharmonii Warszawskiej, T.
Wilczak (dir)
Lacrimosa na głos i organy
canto solo org
N
1937 16 II 1994, Warszawa - Stefania Woytowicz,
Michał Dąbrowski
Lawina na głos i fortepian
canto solo-pf
N
1949 26 IX 1950, Kraków - L. Finze (głos);
nagrody: III nagroda na Konkursie dla
uczczenia 150 rocznicy urodzin Puszkina
(Arcydzieła
Muzyki Polskiej
XX Wieku)
88
Les espaces du sommeil na baryton i
orkiestrę
Bar. solo-3333-4331- MO, N
batt cel ar pf-archi
1975 12 IV 1978, Berlin - D. Fischer-Dieskau (Barit.
solo), Berliner Philharmoniker, W.
Lutosławski (dir)
Livre pour orchestre na orkiestrę
symfoniczną
Łańcuch I na orkiestrę kameralną
3333-4331-batt
MO
1968 18 XI 1968, Hagen - StadtischesOrchester, B.
Lehmann (dir)
1111-1110-batt
(2esec) cemb-archi
(1.1.1.1.1)
MO, N
1983 4.X.1983, Quenn Elizabeth Hall, London,
London Sinfonietta- dir. Witold Lutosławski
- London Sinfonietta, W. Lutosławski (dir)
Łańcuch II dialog na skrzypce i orkiestrę vno solo-2222-0220- MO, N
1985 31 I 1986, Zurich; Grosser Tonhallesaal - A.S. Mutter (vn solo), Collegium Musicum, P.
Sacher (dir)
batt (4esec) cel pfarchi (6.6.4.4.2)
Łańcuch III na orkiestrę
3333-4331-batt
Mała suita na orkiestrę kameralną
1121-1000-tmb-archi MO, N
1951 1950 - Ludowa Orkiestra Rozgłośni
Warszawskiej , St. Nawrot
Mała suita na orkiestrę symfoniczną
2222-4331-batt
(2esec)-archi
MO, N
1951 20 IV 1951, Festiwal Muzyki Nowej,
Warszawa - WOSPR, G. Fitelberg (dir)
N
1982 11 III 1982, Lucerna, Szwajcaria -: Philip
Jones and Elgar HowarthBrass Ensemble
N
1953
Mini-uwertura na kwintet dęty blaszany 2tr cr tr bn tb
MO
1986 10 XII 1986, San Francisco, Davies Hall - San
Francisco Symphony Orchestra, W.
Lutosławski (dir.)
Miniatura per due pianoforti
2pf
Mi-parti na orkiestrę symfoniczną
3333-4331-batt
MO, N (BMP)
1976 22 X 1976, Rotterdam; 24 X 1976,
Amsterdam - ConcertgebouwOrkest, W.
Lutosławski (dir)
Muzyka żałobna na orkiestrę
smyczkową
archi (12-16.12-16.8- MO, N (BMP)
12.8-12.6-10)
1958 26 III 1958, Katowice - WOSPRiT, J. Krenz
(dir)
89
Muszelka. Srebrna szybka na głos i
orkiestrę kameralną
canto solo-flob 2cl
fg-arpa-archi
pf
Na polską nutę Wybór utworów na
fortepian; m.in. W. Lutosławskiego: Ach,
1952
N
N
mój Jasieńko; Hej, od Krakowa jadę; Panie
Michale, Na jabłoni jabłko wisi
Najpiękniejszy Lutosławski na fortepian: pf
N
Dwie etiudy; 12 melodii ludowych [ Ach, mój
Jasieńko; Hej, od Krakowa jadę; Jest drożyna,
jest; Pastereczka; Na jabłoni jabłko wisi; Od
Sieradza płynie rzeka; Panie Michale; W polu
lipeńka; Zalotny; Gaik; Gąsior; Rektor] Bukoliki;
Czteropalcówka; Melodia; Marsz; Inwencja
Narciarski patrol na głos z fortepianem
canto solo-pf
N
1953
Nie dla ciebie na sopran i fortepian
S, pf
N
Novelette na orkiestrę symfoniczną
3333-4331-batt
MO
1981 9 XII 11981 Kraków, Akademia Muzyczna
wykonawcy: Elżbieta Szmytka (S), Halina
Kochan (pf)
1979 29 I 1980, Waszyngton - Washington
National Symphony Orchestra, M.
Rostropowicz (dir)
Paroles tissées na tenor, smyczki, harfę, T solo-batt (1esec) ar MO, N
pf-archi (10.0.3.3.1)
fortepian i perkusję
vn pf
vno solo-2022-0220- MO, N
batt (4esec) cel ar
pf(solo)-archi
1965 20 VI 1965, Aldeburgh - P. Pears (T solo),
Orchestra Philomusica of London, W.
Lutosławski (dir)
1984 18 I 1985, Ordway Music Theatre, Saint
Paul, Minnesota, USA - P. Zukerman (vn), M.
Neikrug (pf)
N
90
1988 10 I 1990, Monachium - A.-S. Mutter (vn
solo), MünchnerPhilharmoniker, W.
Lutosławski (dir)
N
Piosenka o złotym listku; Majowa nocka canto solo pf
na głos z fortepianem
canto solo-2222MO
Piosenki dziecinne na głos solo i
2430-batt
(1esec)
arorkiestrę symfoniczną:
1951
1947/1952 1952, Polskie Radio - J. Godlewska, Orkiestra
Rozgłośni Warszawskiej, W. Lutosławski (dir)
Taniec; Rok i bieda; Kotek; Idzie Grześ przez
wieś; Rzeczka; Ptasie plotki
archi
Piosenki dziecinne na głos i zespół
instrumentalny
canto solo-1121-ararchi
N
smyczkowych
0000-0000-archi
(7.0.3.2.1)
MO, N
1972 12 X 1972, Weiz, Musikprotokoll - Orkiestra
Kameralna Radia i TV w Zagrzebiu, M. di
Bonaventura (dir)
Preludia taneczne na klarnet, harfę,
fortepian, smyczki i perkusję
cl solo-batt (2esec)
MO, N
ar pf-archi (8.8.6.6.4)
1955 1955, PR - A. Szulc (cl solo), WOSPR, J. Krenz
(dir)
Preludia taneczne na 9 instrumentów
1111-1000archi(1.0.1.1.1)
MO
1959 10 XI 1959, Louna - Czeski Nonet
N
1954 15 II 1955, Warszawa - L. Kurkiewicz (cl), S.
Nadgryzowski (pf)
Preludia taneczne na klarnet i fortepian cl, pf
1947/1952 1, 5, 6: 20 X 1947, Kraków; całość: 26 I 1948,
Kraków - 1, 5 ,6: A. Szlemińska, J. Hoffman;
całość: I. Wiskida, J. Szamotulska
Preludia taneczne, transkrypcja na
altówkę i fortepian, oprac. Bogusława
Hubisz-Sielska
vla, pf
eN
1954 15 lipca 1992, Monachium - B. HubiszSielska (vla), M. Sielski (pf)
Przeźrocza dla 11 solistów
1111-1000-batt
(1esec) pf(cel)-archi
(1.0.1.1.1)
vn, pf
N
1988 1 XII 1988, Nowy Jork, Merkin Concert Hall SpeculumMusicae, R. Black (dir)
N
1951 XI 1952, Kraków - E. Umińska (vno), J.
Szamotulska (pf)
Recitativo e arioso na skrzypce i
fortepian
91
Sonata na fortepian
pf
N
1934 1935
Spóźniony słowik; O Panu Tralalińskim
na głos z fortepianem
canto solo pf
N
1947 28 I 1948, Kraków - I. Wiskida (S solo), J.
Szamotulska (pf)
Subito na skrzypce i fortepian
vn, pf
N
1992 16 IX 1994, International Violin Competition
of Indianapolis - JulietteKang (vno), Melvin
Chen (pf)
I Symfonia
3333-4331-batt
MO, N (BMP)
1941-47 1 IV 1948, Katowice - WOSPR, G. Fitelberg
(dir)
II Symfonia
3333-4331-batt
(3esec) cel ar pf
(2esec)archi(16.14.12.9.6)
3333-4441-batt
(7esec) cel 2ar pf
(2esec)-archi
1966-67 Direct': 15 X 1966, Hamburg; całość/whole
piece: 9 VI 1967, Katowice -'Direct':
NorddeutscherRundfunk, P. Boulez (dir);
całość: WOSPR, W. Lutosławski (dir)
1983 29 IX 1983, Chicago - Chicago Symphony
Orchestra, G. Solti (dir)
III Symfonia
MO, N
MO, N
(Arcydzieła
Muzyki
Polskiej XX
Wieku)
MO, N
IV Symfonia
3333-4331-batt
(4esec) cel pf 2ararchi
Trio na obój, klarnet i fagot
ob cl fg
N
Tryptyk śląski na sopran i orkiestrę
S solo-3232-4331batt (3esec) cel ararchi
MO, N
Trzy poematy Henri Michaux na 20głosowy chór mieszany i orkiestrę
coro misto-3232MO, N
2220-batt (4esec) cel
ar 2pf
1992 5 II 1993, Los Angeles - Los Angeles
Philharmonic Orchestra, Witold Lutosławski
(dir); nagrody: Classical Music Award 1994
1944/45 2 IX 1945, Kraków - S. Śnieckowski (ob), T.
Rudnicki (cl), B. Orłow (fg)
92
1951 2 XII 1951, Warszawa - M. Drewniakówna (S
solo), WOSPR, G. Fitelberg (dir)
1963 9 V 1963, Muzićki Biennale, Zagrzeb Orkiestra i Chór Radia w Zagrzebiu, W.
Lutosławski (dir), S. Zlatić (dir)
Trzy postludia na orkiestrę symfoniczną 3333-4331-batt
MO, N
Trzy utwory dla młodzieży na fortepian: pf
N
1958 (I), I: 1 IX 1963, Genewa, zamknięcie kongresu
1960 (II), stulecia Czerwonego Krzyża; II i III: 8 X 1965,
1959 (III) Kraków, XX-lecie PWM - I: Orchestra de la
Suisse Romande, E. Ansermet (dir); II i III:
Orkiestra Symfoniczna Państwowej
Filharmonii w Krakowie, H. Czyż (dir)
1953 IV 1953, Wrocław - W. Lutosławski (pf)
Czteropalcówka. Melodia. Marsz
Uwertura smyczkowa
archi
Wariacje symfoniczne na orkiestrę
3333-4331-batt
MO, N (BMP)
1938 17 VI 1939, Kraków - Orkiestra Polskiego
Radia, G. Fitelberg (dir)
Wariacja Sacherowska na wiolonczelę
solo
vc
N
1975 2 V 1976, Zürich - M. Rostropowicz (vc solo)
Wariacje na temat Paganiniego na 2
fortepiany
2pf
N
1941 1941, Warszawa - A. Panufnik (pf), W.
Lutosławski (pf)
Wariacje na temat Paganiniego na
fortepian i orkiestrę
pf solo-2222-4331batt (3esec) ar-archi
MO, N
2 pf perc.
opracowanie na dwa fortepiany i
perkusję, oprac. Marta Ptaszyńska
canto solo-pf
Wianki; Pożegnanie wakacji. Dwie
piosenki dla dzieci na głos z fortepianem
MO
1949 9 XI 1949, Praga - Orkiestra Symfoniczna
Radia Praskiego, G. Fitelberg (dir)
1941, rev. 18 XI 1979, Miami (USA) - F. Blumental (pf
1977 solo), Florida Philharmonic Orchestra. B.
Priestman (dir)
N
1941/1994
N
1953
93
MS solo-2121-0100archi (1.1.1.1.1)
N
1951 1951, PR, Warszawa - J. Godlewska (MezzoS
solo), Orkiestra PR, W. Lutosławski (dir)
Wróbelek. Pióreczko na głos i orkiestrę
kameralną
canto solo-ob 2cl fgtr-archi
N
1953
Wyszłabym ja na głos z fortepianem
canto solo pf
N
1950
Wyszłabym ja na chór mieszany a
cappella
Zasłyszana melodyjka na duet
fortepianowy
SATB
N
1951
pf due esec.
N
1957 16 XII 1957, Wrocław - uczennice szkoły
muzycznej - Zofia Owińska (kl. IV) i Elżbieta
Broniewska (kl. V) [Diana Gabor]
Żelazny marsz na chór mieszany a
capella
Żelazny marsz na głos z fortepianem
SATB
N
1951
canto solo pf
N
1943-44
Wiosna 4 pieśni dziecięce na głos i
orkiestrę kameralną:
Już jest wiosna; Jak warszawski woźnica;
Piosenka o złotym listku; Majowa nocka
94
Moeck Verlag and others
TITLE
6 kolęd na 3 flety proste
PUBLISHER
LINE-UP
MATERIALS
Moeck Verlag
3 rec
N
WRITTEN IN WORLD PREMIERE
1959
2131-1110-batt(4esec) MO
ar pf(2esec) cel-archi
(4.0.3.3.2)
1961 24 IV 1961, Wenecja - Orkiestra
Kameralna Filharmonii Krakowskiej, A.
Markowski (dir) [3 części/3 mov.]
canto solo-pf
N
fortepian do słów Kazimiery
Iłłakowiczówny
Ancora
Verlagsservice
Halbig
1953 25 XI 1959, Katowice - K. SzostekRadkowa (Ms solo), A. Liwska (pf)
Pięć pieśni na głos żeński i 30
G. Ricordi & Co.
canto solo-ptti t.t.
tmbgr.c. timp-ar pfarchi (9.0.4.4.4)
MO
1958 12 II 1960, Katowice - K. SzostekRadkowa (MS solo), WOSPRiT, J. Krenz
(dir)
Gry weneckie / Jéux venitiens G. Ricordi & Co.
Pięć pieśni na głos żeński i
instrumentów solowych do słów
K. Iłłakowiczówny
95
Chester & Novello
Title
Line-up
Materials
About Mr Tralalinsky for three equal
voices (SSA), ed. Marie Pooler
SSA
Album for the Young Andantino. Invention
SM (vocal score+parts)
Written in
1948/1977
(1968). There Is A Path. There Is. Allegretto
Sostenuto. March. An Overheard Tune (1957)
For Piano Duet. Folk Melodies (1945): The
Lime Tree In The Field; The Shepherd Girl;
Flirting; A River Flows From Sieradz; Master
Michael; Hey, I Come From Cracow; O, My
Johnny; An Air; Four-finger Exercise. Bucolics
(1952). Pieces For The Young (1953): The
Schoolmaster; The Gander; Allegro Vivace; The
Grove; Allegro Molto; An Apple Hangs On The
Apple Tree; Allegro Marciale.
pf
SM
mezzo soprano 2121/0100/str
voice, pf
OP
SM
1951
1111/1000/str(1.0.1.1.1)
OP
1952/2007
Autumn [Jesien]
1. W listopadzie [In October]
2. Swierszcz [The Cricket]
3. Mgla [Fog]
4. Deszczyk jesienny [Light autumn rain]
Bajka iskierki, text: Janina Porazinska
Bucolics, arr. Steven Stucky
96
Bucolics
Chain 1 [Lancuch 1]
Chain 2 [Lancuch 2], Dialogue for Violin
and Orchestra
Chain 2 - SOLO VIOLIN PART
Chain 3 [Lancuch 3]
Chantefleurs et Chantefables, text:
Robert Desnos
Concerto for Cello and Orchestra
[Koncert wiolonczelowy]
Concerto for Cello and Orchestra SOLO PART
Concerto for Orchestra [Koncert na
orkiestre]
Concerto for Piano and Orchestra
[Koncert na fortepian ]
Concerto for Piano and Orchestra SOLO PART
Dance Preludes [Preludia taneczne],
2nd version
Dance Preludes [Preludia taneczne],
3rd version
Dance Preludes
vc, vla
SM
1962
1(pic,afl)1(ca)11/1110/perc/hpd/2vn.va.vc.db
OP, SM (full score)
1983
vn
2(2pic)2(ca)2(bcl)2/0220/timp.perc/pf(cel)/str(6.6.4.
4.2)
OP, SM (full score)
vn
SM
1985
1985
3(pic)33(bcl)3/4331/timp.4perc/2hp.pf.cel/str
OP, SM (full score)
1986
soprano
1.1.1+Ebcl.1/1110/timp.perc/hp.pf(cel)/str(min
8.6.4.4.2)
OP, SM (full score)
1990
soprano
SM (vocal score)
1990
vlc
3(3pic)33(bcl)3(cbn)/4331/timp.3perc/hp.pf.cel/str
OP, SM (full score)
1970
vlc
SM
1970
3(2pic)3(ca)3(bcl)3(cbn)/4441/timp.3perc/2hp.pf.cel
/str
OP
1954
OP, SM (full score,
pf 3(2pic)33(Ebcl:bcl)3(cbn)/4231/timp.3perc/hp/str study score)
1988
pf
SM
1988
clarinet timp.perc/hp.pf/str ^ 1111/1000/1111
OP, SM (study score)
1955
1111/hn/1.0.1.1.1
OP, SM (score)
1959
cl, pf
SM
1954
97
Double Concerto [Koncert podwojny]
Double Concerto - SOLO HARP
Epitaph
Fanfare for CUBE [Cambridge
Univeristy Brass Ensemble]
Fanfare for Los Angeles Philharmonic
Fanfare for Louisville
Five Folk Melodies [Piec melodie
ludowych]
oboe, harp 2perc/7vn.2va.2vc.db
harp
ob, pf
OP, SM (full score)
SM
SM
1980
1980
1979
brass quintet
brass instr.&orch.
wind instr., perc.
SM
SM (full score)
SM (score)
1993
str
OP, SM
1952
OP
SM (score+parts)
1954
1954
1986
Four Children's Songs
1. Sparrow (Wrobelek) [No.7 from A Silver
Window-Pane…]
2. Little Feather (Pioreczko) [No.3 from A Silver
Window-Pane…],
3. Sleep, Sleep (Spijze, spij),
4. Night Fall (Idzie nocka)
unison voices - 1121/2100/str
Four Silesian Melodies
4 violins
Grave (Metamorphoses for cello and
strings)
Grave
Interlude [Interludium]
Lacrimosa [Lacrimosa na chor i
orkiestre]
Les espaces du sommeil, text: Robert
Desnos
Little Suite [Mala suita]
cello str (4.3.3.2.1)
vlc, pf
SM
1981/1982
1981
0+pic.1(ca)2.1/0110/perc/hp.pf(cel)/str(2.2.2.2.1)
1989
SATB [optional] - soprano - 2333/4311/timp/str
OP, SM (score)
baritone 3(2pic)33(bcl)3/4331/timp.3perc/pf.cel/str
OP, SM (full score)
1975
1+pic.2.2.2/4331/timp.perc/str
1951
98
1937/1948
Livre pour orchestre [Ksiazka na
orkiestre]
Miniatura
Mini Overture
Mi-parti
Musique funebre [Muzyka zalobna]
Novelette
3(2pic)333(cbn)/4331/timp.3perc/hp.pf.cel/str
2 pf
brass quintet
SM
SM (5 parts)
1968
1953
1982
3(3pic)33(bcl)3/4331/timp.3perc/hp.pf.cel/str(8.7.6.
6.4)
OP, SM (full score)
strings
1976
1958
3(2pic)3(ca)3(Ebcl:bcl)3(cbn)/4331/timp.3perc/2hp.
pf.cel/str
OP, SM (full score)
1979
SM
1957
OP, SM (full score)
1949
tenor perc/hp.pf/str(5.5.3.3.1)
vln, pf
OP, SM (full score,
study score)
SM
1965
1984
violin 2(2pic)02(bcl)2(cbn)/0220/timp.perc/hp.pf
obbl.cel/str
OP, SM (full score)
1988
2222/2221/timp.perc/hp/str
OP
1989
str(7.0.3.2.1)
vln, pf
vlc
SM
SM
1972
1951
1976
soprano /
2(pic)+pic.2.3(bcl).2/4331/timp.3perc/hp.cel/str
1951
Oveheard Tune [Zasłyszana melodyjka] pf duet
Overture for Strings [Uwertura
smyczkowa ]
str
Paroles tissees [Woven words], text:
Jean-Francois Chabrun
Partita
Partita
Prelude for Guildhall School of Music:
Worldes blis ne last no throwe
Preludes and Fugue [Preludia i fuga]
Recitatiove e Arioso
Sacher Variation
Silesian Triptych [Tryptyk slaski], text:
Jan Stanislaw Bystron
99
Six Childrens Songs Szesc piosenek
dziecinnych], text: Julian Tuwim
1. Taniec [Dance]
2. Rok i bieda [The Four Seasons] 3. Kotek
[Kitten] 4. Idzie Grzes [Here comes Greg
5. Rzeczka [Little river]
6. Ptasie plotki [Birds' Gossips]
Six Children's Songs [Szesc piosenek
Six Children's Songs [Szesc piosenek
Sleep, sleep [Spijze, spij], text: Lucyna
Krzemieniecka
high voice, pf
SM
1947
children's choir - 1121/hp/str
OP
1952
Mezzo soprano 1121/hp/str
OP
1947/1953
soprano 1011/2000/str
OP
1954
1111/1000/perc/pf(cel)/vn.va.vc.db
OP, MS (ensemble
score)
1988
OP
SM
SM (score)
SM (parts, study score)
SM
1951
1952
1951
1964
1992
Slides [Przezrocza]
Spring [Wiosna], text: Various
Srebrna szybka
Strawchain [Słomkowy łańcuszek]
String Quartet
Subito
Symphonic Variations [Wariacje
symfoniczne]
Symphony No. 1 [1.Symfonia]
2121/0100/str
voice
high voice, ensemble
vln, pf
1+pic.2(ca).3(bcl).2(cbn)/4331/timp.3perc/hp.pf.cel/
str
OP, SM (score)
1938
2(pic)+pic.3(ca).3(Ebcl:bcl).2+cbn/4331/timp.3perc/
hp.pf.cel/str
OP, SM (full score)
1947
3(pic)3(ca)3(bcl)3/4331/timp.3perc/hp.pf.cel/str
OP, SM (full score)
1967
100
Tarantella
3(2pic)3(ca)3(Ebcl:bcl)3(cbn)/4441/timp.4perc/2hp.
pf4hnd.cel/str
OP, SM (full score)
3(pic)3(ca)3(Ebcl:bcl)3(cbn)/4331/timp.perc/2hp.cel
/str
OP, SM (full score)
SM (voice&piano
Baritone, pf
score)
1983
1992
1990
Three Childrens Songs
1. May Night [Majowa nocka]
2. A Silver Window-Pane [Srebna szybka]
3. A Shell [Muszelka]
Three Postludes [Trzy postludia]
Trois Poemes d'Henri Michaux [Trzy
poematy Henri Michaux], text: Henri
Michaux
Twenty Polish Christmas Carols
[Dwadziesci koled], texts:
M.Mioduszewski, O. Kolberg, trans:
C.B.Rae
[Dwadzieści Kolęd]
[Dwadzieści Kolęd]
Two Children's Songs, text: Agnieska
Barto
1. A Little Shell [Muszelka]
2. Srebrna szybka [A Silver Windowpane]
SSA , pf
SM (vocal score+parts)
1959
3(2pic)3(ca)3(bcl)3(cbn)/4331/timp.3perc/2hp.pf.cel
/str
OP, SM (score)
1963
SATB - 3(2pic)232/2220/timp.4perc/hp.2pf.cel
OP, SM (score)
1963
Soprano, female choir,
11(ca)2(bcl)1/2110/perc/hp.pf/str
OP
1946/1989
SM (choir parts)
1946
S, choir, chamber ensemble
SM (piano reduction)
1985
medium voice 1121/0000/hp/str
OP
1952
101
Two Children's Songs for voice and
chamber orchestra, text: Julian Tuwim
1. The Belated Nightingale [Spózniony slowik]
2. About Mr Tralalinski [O Panu Tralalinskim],
Two Nightingales [Spóźnony słowik]
Two Nightingales [Spóźniony słowik]
Two Polish Carols [Dwie kolędy]
Two Studies
Variations on a Theme by Paganini
[Wariacje ne temat Paganiniego]
[Wariacje ne temat Paganiniego] SOLO PART
[Wariacje ne temat Paganiniego]
voice 2(pic)222/4330/timp.perc/cel/str
SSA, pf
OP, SM (choral part)
SM
SM (choral part)
unison voices, pf
pf
SM
SM
1947
1941
2 pf
SM
1941
pf
SM
1978
piano 2(pic).2+ca.2.2(cbn)/4331/timp.3perc/hp/str
OP, SM (score)
1978
102
1948/1952
1948
1948
BROADCASTS ON THE POLISH RADIO and offers submitted to EBU
2006-2012
BROADCASTS OF LUTOSŁAWSKI’S WORKS ON THE POLISH RADIO IN 2006-2012
TITLE
No. of broadcasts
2 etiudy
1
2 pieśni dziecięce
3
5 melodii ludowych na orkiestrę
2
5 pieśni do słów Kazimiery Iłłakowiczówny
34
5 pieśni do słów Kazimiery Iłłakowiczówny: „Morze”
4
5 pieśni do słów Kazimiery Iłłakowiczówny: „Zima”
3
5 pieśni do słów Kazimiery Iłłakowiczówny: „Dzwony cerkiewne”
5
5 pieśni do słów Kazimiery Iłłakowiczówny: „Wiatr”
1
5 Preludiów na klarnet i fortepian
1
6 Piosenek dziecinnych: Taniec, Rok i bieda, Kotek, Idzie Grześ, Rzeczka, Ptasie plotki
17
8 kolęd
1
103
16 kolęd polskich w autorskiej wersji kompozytora
1
20 kolęd na sopran, chór i orkiestrę (fragment cyklu)
1
Ach mój Jasieńku - piosenka ludowa w opracowaniu na gitarę
4
Ais na baryton, perkusję solo i orkiestrę
1
Andante
1
Anioł pasterzom mówił
1
Bóg się rodzi
1
Bukoliki - pięć utworów na fortepian
34
Bukoliki na altówkę i wiolonczelę
1
Chantefleur et Chantefables na sopran i orkiestrę
44
Chantefleur et Chantefables na sopran i orkiestrę - Aligator
2
Chantefleurs et Chantefables - La Tortue, Le Papillon
2
Chantefleurs et Chantefables - Le Papillon
2
Cykl piosenek "Słomkowy łańcuszek"
1
Cyrk jedzie
6
Cyrk jedzie -wersja instrumentalna
1
104
Czarownica
1
Daleka podróż
1
Do broni!
1
Epitafium na obój i fortepian
1
Gaik
6
Gdy się Chrystus rodzi
1
Gdy śliczna Panna
1
Grave. Metamorfozy na wiolonczelę i fortepian
12
Gry weneckie na orkiestrę
27
Hej w dzień narodzenia
1
Hej weselmy się
1
Hola, hola, pasterze z pola
1
Idzie Grześ
3
Improwizacje na motywach „Czteropalcówki” z cyklu „Trzy utwory dla młodzieży”
1
Improwizacje na motywach Andantina nr 4 z cyklu „Bukoliki”
1
Improwizacje na motywach Intrady z Koncertu na orkiestrę
1
105
Improwizacje na motywach Koncertu na orkiestrę W. Lutosławskiego
1
Improwizacje na motywach Koncertu wiolonczelowego W. Lutosławskiego
3
Interludium na orkiestrę
15
Jeden przystanek dalej
5
Już jest wiosna
1
Kolędy
1
29
Koncert na obój, harfę i orkiestrę kameralną
3
25
Koncert na orkiestrę – Capriccio
2
Koncert na orkiestrę – Intrada
3
27
Koncert podwójny na obój, harfę i orkiestrę kameralną
26
Koncert podwójny na obój, harfę i orkiestrę kameralną, cz. I Rapsodico
1
Koncert podwójny na obój, harfę i orkiestrę kameralną, cz. III Marciale e grotesco
1
106
Koncert podwójny na obój, harfę i orkiestrę kameralną (wersja na flet, harfę i orkiestrę kameralną)
1
Kotek
2
Kukułeczka kuka
3
Kwartet smyczkowy
34
Lacrimosa na sopran i orkiestrę
6
Lasowiak
1
Lawina
2
Les espaces du Sommeil na baryton i orkiestrę
5
Livre pour orchestre
8
Lulajże Jezuniu
1
Łańcuch I
3
Łańcuch II - dialog na skrzypce i orkiestrę
16
Łańcuch III
3
Magia
2
Majowa nocka
1
107
Mała suita (obie wersje)
29
Mała suita – „Fujarka”
6
Mała suita – „Lasowiak”
2
Mała suita – „Taniec”
11
Mała suita – „Hurra polka”
2
Mała suita na orkiestrę – „Fujarka”, „Hurra polka”
2
Melodie ludowe
3
Melodie śląskie
1
Mi- parti na orkiestrę
4
Miłość i świat
1
Mrok
1
Muzyka do słuchowiska "Poezje Pierre'a Ronsarda"
1
Muzyka żałobna
19
My też pastuszkowie
1
Nie oczekuję dziś nikogo
20
108
Novelette na orkiestrę
3
Nowa Huta
1
O panu Tralalińskim
9
Oj, mi się owiesek
1
Pani słowikowa
1
Paroles tissees na tenor i orkiestrę kameralną
14
20
10
Pastereczka
1
Pasterze mili
1
Piosenki dziecięce o jesieni
1
Plama na podłodze
1
Plamy na słońcu
7
Po co śpiewać piosenki
1
109
Polskie pieśni ludowe
10
Postludium I
5
Postludium II
2
Postludium III
5
Północ już była
1
Preludia i fuga na 13 instrumentów smyczkowych
11
Preludia taneczne na klarnet i fortepian
24
Preludia taneczne na klarnet i orkiestrę
3
Przeźrocza
1
Przybieżeli do Betlejem
3
Ptasie plotki
4
Recitativo e arioso
1
Rektor
1
Rzeczka
3
110
Siny mróz
1
Sonata fortepianowa
2
Spóźniony słowik z cyklu "Pieśni dziecięce"
9
Subito na skrzypce i fortepian
21
I Symfonia
12
II Symfonia
4
III Symfonia
15
IV Symfonia
22
Sześć piosenek dziecinnych
1
Trio na obój, klarnet i fagot
1
Trois poèmes d'Henri Michaux
5
Tryptyk śląski
6
Tryptyk śląski - cz. I Allegro non troppo: "Oj mi się owiesek wysypywa"
2
Tryptyk śląski - cz. III Andante quieto: "Ach, w tej studni źródło bije"
3
Tryptyk śląski na sopran i fortepian
3
111
Trzy fragmenty na flet i harfę
10
Trzy łatwe utwory na fortepian
6
Uwertura na orkiestrę smyczkową
13
W naszym pustym pokoju
1
W żłobie leży
1
Wariacja Sacherowska na wiolonczelę solo
15
82
Wariacje na temat Paganiniego (wersja na fortepian i orkiestrę)
9
Wariacje symfoniczne
4
Warszawski dorożkarz
10
Wiosna - 4 piosenki dziecięce na głos i orkiestrę kameralną
2
Wróbelek
1
Z lat dziecinnych
3
Złote pantofelki
9
112
Znajdziesz mnie wszędzie
4
Żelazny marsz
3
C
H
A
N
N
E
L Date
Title
Performers  the ensemble
2 2010-07-20 "Ptasie plotki" - piosenka dla dzieci
2 2009-02-20 "Ptasie plotki" piosenka dla dzieci
2 2009-02-03
"Rycerze" z cyklu "Pięciu pieśni do słów
Kazimiery Iłłakowiczówny"
2 2010-02-07
2 2010-09-19
2 2006-03-14 "Trzy fragmenty" Magia i Presto (fragmenty)
2 2007-03-18 "Trzy fragmenty" na flet i harfę
113
Performers  other
Conductor
Nosowska Maja, Rappé
Jadwiga,
Jadwiga,
Rappe Jadwga - alt.
Nosowska-Pasławska Maja
- fortepian,
Rappe Jadwga - alt.
- fortepian,
Rappe Jadwga - alt.
- fortepian,
Kotnowska Jadwiga-flet,
Kozielska Joanna-harfa,
Mazurek Urszula, Świątek
Barbara,
Author of
arrangement
Barbara,
Barbara,
Barbara,
Barbara,
Barbara,
Mazurek Urszula , Świątek
Barbara ,
Rappe Jadwiga - alt,
- fortepian,
- fortepian,
- fortepian,
- fortepian,
- fortepian,
2 2006-07-03 "Trzy fragmenty" Presto
2 2009-02-03
"Wiatr" i "Morze" z cyklu "Pięciu pieśni do
słów Kazimiery Iłłakowiczówny"
2 2010-02-07
2 2010-09-19
2 2009-02-03
"Zima" z cyklu "Pięciu pieśni do słów
2 2010-09-19
"Zima" z cyklu "Pięciu pieśni do słów
2 2006-01-22
16 Kolęd polskich w autorskiej wersji
kompozytora
Sinfonia Varsovia, Chór Filharmonii
Narodowej,
2 2008-04-24 2 Etiudy
Pasiecznik Olga - sopran,
Matecki Romuald
Pobłocka Ewa, JanukowiczPobłocka Zofia,
2 2010-12-18 2 pieśni dziecięce
114
Wit Antoni,
Nosowska-Pasławska Majafortepian, Rappe Jadwigaalt,
- fortepian, Rappe Jadwiga
- alt,
2 2007-01-11 2 Pieśni dziecięce - O Panu Tralilińskim
2 2012-01-19 2 Piosenki dziecięce
2 2010-12-24
20 Kolęd na sopran, chór i orkiestrę
(fragment cyklu)
Chór Polskiego Radia, Narodowa
Orkiestra Symfoniczna PR,
Pasiecznik Olga,
2 2007-10-20 3 fragmenty na flet i harfę
Świątek Barbara - flet,
Mazurek Urszula - harfa,
2 2008-02-21 3 Fragmenty na flet i harfę
Świątek Barbara - flet
Kotnowska Jadwiga - flet,
Sikorzak-Olek Anna - harfa,
2 2010-02-27
3 poemes d'Henri Michaux na chór mieszany Chór Polskiego Radia w Krakowie,
i orkiestrę / 1963
NOSPR,
2 2009-06-02
5 melodii ludowych cz.III Gaik - Allegro
vivace
2 2010-09-18 5 melodii ludowych na orkiestrę
Chmura
Gabriel, Siedlik
Włodzimierz,
Caldi
Massimiliano ,
Borowicz
Łukasz,
Śląska Orkiestra Kameralna,
Polska Orkiestra Radiowa,
Nosowska Maja - fortepian,
2 2006-05-21 5 Pieśni do słów Kazimiery Iłłakowiczówny
Siedlik
Włodzimierz
(Chór PR), Wit
Antoni
(Orkiestra),
Polska Orkiestra Sinfonia Iuventus,
Rappe Jadwiga,
115
Krenz Jan,
Szostek-Radkowa Krystyna
- mezzosopran,
WOSPR,
Krenz Jan,
WOSPR,
- mezzosopran,
Krenz Jan,
5 Pieśni do słów Kazimiery Iłłakowiczówny:
2 2009-04-18 "Morze", "Wiatr", "Zima", "Rycerze",
"Dzwony cerkiewne"
Wielka Orkiestra Symfoniczna
Polskiego Radia,
Łukomska Halina,
Lutosławski
Witold,
"Dzwony cerkiewne"
Polskiego Radia,
Łukomska Halina,
Lutosławski
Witold,
"Dzwony cerkiewne"
Polskiego Radia,
Łukomska Halina,
Lutosławski
Witold,
2 2006-01-13 "Morze","Wiatr", "Zima",
"Rycerze","Dzwony cerkiewne"
Polskiego Radia,
Łukomska Halina,
Lutosławski
Witold,
2 2006-03-13 "Morze","Wiatr", "Zima",
Polskiego Radia,
Łukomska Halina,
Lutosławski
Witold,
2 2007-02-07 "Morze","Wiatr", "Zima",
Polskiego Radia,
Łukomska Halina,
Lutosławski
Witold,
2 2009-10-31 "Morze","Wiatr", "Zima",
Polskiego Radia,
Łukomska Halina,
Lutosławski
Witold,
Nosowska Maja, Rappe
Jadwiga,
2 2008-02-12 5 pieśni na głos żeński i fortepian: "Morze"
116
5 pieśni na głos żeński i fortepian:
2 2008-12-13 "Morze","Wiatr","Zima","Rycerze","Dzwony
cerkiewne"
Jadwiga,
2 2008-02-11 5 pieśni na głos żeński i fortepian: "Zima"
Jadwiga,
2 2010-02-07 5 pieśni na głos żeński i fortepian: "Zima"
Jadwiga,
Kurkiewicz Ludwik,
Lutosławski Witold,
- fortepian, Rappe Jadwiga
- alt,
Rappe Jadwiga-alt,
Nosowska-Pasławska Majafortepian,
Rappe Jadwiga, Nosowska
Maja,
2 2008-12-06 5 Preludiów na klarnet i fortepian
2 2010-08-21 6 Piosenek dziecięcych
2 2006-05-21 6 Piosenek dziecinnych
2 2010-06-01 6 Piosenek dziecinnych
#
2009-01-08 6 piosenek dziecinnych na głos i fortepian
Rappe Jadwiga-alt,
#
Rappe Jadwiga-alt,
#
Rappe Jadwiga-alt,
#
Rappe Jadwiga-alt,
#
Rappe Jadwiga-alt,
#
Rappe Jadwiga-alt,
#
Rappe Jadwiga-alt,
117
#
Rappe Jadwiga-alt,
2 2010-02-10
2 2006-04-07
2 2006-08-11
2 2007-06-01
2 2008-08-06
2 2009-06-27
6 Piosenek dziecinnych: Kotek, Idzie Grześ,
Pan Tralaliński
6 piosenek dziecinnych:Taniec,Rok i
bieda,Kotek,Idzie Grześ,Rzeczka,Ptasie
plotki
6 piosenek dziecinnych:Taniec,Rok i
plotki
6 Piosenek dziecinnych:Taniec,Rok i
plotki
plotki
plotki
Maja,
NULL
Jadwiga,
Jadwiga,
Maja,
Maja,
Maja,
Maja,
2 2008-12-27 8 kolęd
2 2008-10-04
Ach mój Jasieńku - piosenka ludowa w
opracowaniu na gitarę
Kuropaczewski Łukasz gitara,
Aspiazu Jose De,
3 2008-11-30
Aspiazu Jose De,
2 2008-12-14
Aspiazu Jose De,
2 2012-07-28
Aspiazu Jose de,
2 2010-02-03 Ais na baryton, perkusję solo i orkiestrę
Ork. Symf. PR i TV w Krakowie,
118
Skoczyński Stanisław,
Sakkas Spyros,
Wit Antoni,
2 2008-05-25 Andante
Czech Philharmonic,
Penderecki
Krzysztof,
2 2007-12-24 Anioł pasterzom mówił
Narodowa Orkiestra Symfoniczna PR
w Katowicach, Chór Polskiego Radia
w Krakowie,
Antoni Wit,
2 2007-12-24 Bóg się rodzi
w Katowicach, Chór Polskiego Radia Olga Pasiecznik - sopran,
w Krakowie,
Antoni Wit,
Grychtołówna Lidia fortepian
Jabłoński Roman wiolonczela, Kamasa
Stefan - altówka,
Kaban-Błażej Teresa fortepian,
Stefan - altówka,
Kitowska Natalia fortepian,
Lutosławski Witold
Lutosławski Witold
1 2008-04-07 Bukolika nr 1 na fortepian
2 2006-04-07 Bukoliki
2 2006-11-13 Bukoliki
2 2007-02-07 Bukoliki
2 2007-08-30 Bukoliki
2 2007-09-19 Bukoliki
2 2008-03-31 Bukoliki
1 2008-04-16 Bukoliki
2 2008-06-09 Bukoliki
1 2008-06-20 Bukoliki
119
1 2008-06-24 Bukoliki
Możdżer Leszek,
Bauer Andrzej,
Skrok Michał
Lutosphere
Stefan - altówka,
Lutosławski Witold
Lutosławski Witold
Lutosławski Witold
Stefan - altówka,
Stefan - altówka,
Dutkiewicz Andrzej
2 2008-07-16 Bukoliki
1
1
2
1
1
2008-08-12 Bukoliki
2008-08-26 Bukoliki
2008-08-30 Bukoliki
2008-09-05 Bukoliki
2008-09-10 Bukoliki
2 2008-12-10 Bukoliki
1 2008-12-18 Bukoliki
2 2009-06-27 Bukoliki
2 2009-09-26 Bukoliki
2 2009-12-31 Bukoliki
2 2010-01-25 Bukoliki
2 2010-08-21 Bukoliki
2
2
2
2
2
2
2
2010-11-08 Bukoliki
2010-11-08 Bukoliki
2010-11-09 Bukoliki
2010-11-10 Bukoliki
2010-11-11 Bukoliki
2012-11-25 Bukoliki
2012-12-08 Bukoliki - pięć utworów na fortepian
120
(fortepian),
Miecznikowski Ignacy
(altówka), Miecznikowski
Tytus (wiolonczela),
2 2012-05-22 Bukoliki na altówkę i wiolonczelę
1 2008-04-22 Bukoliki na fortepian
Kaban-Błażej Teresa
Kaban-Błażej Teresa
Dutkiewicz Andrzej fortepian,
Lutosławski
Witold,
Wit Antoni,
2 2010-12-03 Chain 1
New Music Concerts Ensemble,
Imajishi Fujiko,
2 2010-06-12 Chain 2
Sinfonia Varsovia,
Jakowicz Krzysztof,
2 2010-11-29 Chain 2
Imajishi Fujiko,
Lutosławski
Witold,
2 2008-04-27 Chain 2 4
BBC Symphony Orchestra,
Mutter Anne- Sophieskrzypce,
Lutosławski
Witold,
BBC Symphony Orchestra
Mutter Anne- Sophieskrzypce
Lutosławski
Witold
Narodowa Orkiestra Symfoniczna
Polskiego Radia w Katowicach,
Bąkowski Krzysztof,
Wit Antoni,
2 2011-02-20 Chanteflers et Chantefables
New Music Conserts Ensemble,
Anderson Valdine,
Lutosławski
Witold,
2 2006-05-14 Chantefleur et Chantefables
Narodowa Orkiestra Symfoniczna,
Pasiecznik Olga,
Wit Antoni,
Pasiecznik Olga,
Wit Antoni,
Pasiecznik Olga,
Wit Antoni,
Pasiecznik Olga,
Wit Antoni,
Chain Ii - Dialogue for violin and Orchestra A batutta
Chain II (Łańcuch II) - dialog na skrzypce i
2 2012-08-05
orkiestrę
2 2009-03-20
Kringelborn Solveig,
Waagaard Ivar Anton,
121
Knapik
Eugeniusz,
2 2008-01-08
Chantefleur et Chantefables na sopran i
orkiestre - Aligator
Orkiestra Filharmonii Poznańskiej,
Pasiecznik Olga,
Florencio J.M..
Junior,
2 2010-06-12
orkiestrę
Sinfonia Varsovia,
Lutosławski
Witold,
2 2010-08-18
orkiestrę (fragmenty)
Sinfonia Varsovia,
Lutosławski
Witold,
2 2006-02-26 Chantefleurs et Chantefables
Orkiestra Sinfonica Nova,
Zubel Agata sopran,
Moś Marek,
Aukso orkiestra kameralna,
Zubel Agata - sopran,
Moś Marek,
Polskiego Radia,
Wit Antoni,
2 2007-01-24 Chantefleurs et chantefables
Sinfonia Varsovia,
Maksymiuk
Jerzy,
Wit Antoni,
Wit Antoni,
Wit Antoni,
Pasiecznik Olga,
Wit Antoni,
Bradley Gwendolyn sopran,
Krenz Jan,
Wit Antoni,
Wit Antoni,
Wit Antoni,
Pasiecznik Olga,
Wit Antoni,
Bradley Gwendolyn sopran,
Krenz Jan,
Polskiego Radia,
Polskiego Radia,
Polskiego Radia,
Polskiego Radia,
Orkiestra "Sinfonia Varsovia",
Polskiego Radia,
Polskiego Radia,
Polskiego Radia,
Polskiego Radia,
122
Polskiego Radia,
2 2012-01-19 Chantefleurs et chantefables - Aligator
Sinfonia Varsovia,
2 2009-03-25 Chantefleurs et Chantefables - cykl pieśni
Polskiego Radia,
Polskiego Radia,
Polskiego Radia,
Polskiego Radia,
Polskiego Radia,
Polskiego Radia,
Polskiego Radia,
Wit Antoni,
Kułakowska Kamila,
Nagy Zsolt,
Maksymiuk
Jerzy,
Wit Antoni,
Wit Antoni,
Wit Antoni,
Wit Antoni,
Wit Antoni,
Wit Antoni,
Wit Antoni,
2 2010-11-30
Chantefleurs et Chantefables - La Tortue, Le
Papillon
Anderson Valdine - sopran,
Lutosławski
Witold,
2 2010-12-02
Chantefleurs et Chantefables - La Tortue, Le
Papillon
Anderson Valdine - sopran,
Lutosławski
Witold,
Wit Antoni,
Wit Antoni,
2 2006-02-11 Chantefleurs et Chantefables - Le Papillon
2 2006-06-25 Chantefleurs et Chantefables - Le Papillon
Polskiego Radia,
Polskiego Radia,
Chantefleurs et Chantefables (Śpiewokwiaty
i śpiewobajki), cz. II Konik polny
2 2012-01-29
i śpiewobajki), cz. II Konik polny
2 2012-01-29
i śpiewobajki), cz. IX Motyl
2 2012-01-25
123
Crow Lucy,
Crow Lucy,
Crow Lucy,
Gardner
Edward,
Gardner
Edward,
Gardner
Edward,
2 2012-01-25
i śpiewobajki), cz. V Żółw
Crow Lucy,
Gardner
Edward,
2 2012-01-29
i śpiewobajki), cz. V Żółw
Crow Lucy,
Gardner
Edward,
2 2012-01-29
i śpiewobajki), cz. VI Róza
Crow Lucy,
Gardner
Edward,
2 2006-11-13
Chantefleurs et Chantefables na sopran i
orkiestrę
Kilanowicz Zofia-sopran,
Borejko
Andrzej,
orkiestrę
orkiestrę
orkiestrę
orkiestrę
orkiestrę
2 2007-08-30
2 2007-12-02
2 2008-12-28
2 2009-05-17
2 2010-10-02
Borejko
Andrzej,
Borejko
Andrzej,
Borejko
Andrzej,
Borejko
Andrzej,
NOSPR,
Pasiecznik Olga,
Wit Antoni,
2 2011-05-21
orkiestrę
NOSPR,
Pasiecznik Olga,
Wit Antoni,
2 2011-12-13
orkiestrę
NOSPR,
Pasiecznik Olga,
Wit Antoni,
2 2012-01-24
Chantefleurs et Chantefables Śpiewokwiaty
i śpiewobajki: IX Motyl
Crow Lucy,
Gardner
Edward,
2 2012-01-24
i śpiewobajki: VI Róza
Crow Lucy ,
Gardner
Edward ,
2 2012-01-24
i śpiewobajki: VII Aligator
Crow Lucy,
Gardner
Edward,
Pasiecznik Olga (sopran),
Wit Antoni,
2 2012-12-09 Chantefleurs et Chantefables, cz. IX Motyl
124
2 2006-04-23 Cykl piosenek "Słomkowy łańcuszek"
Chór i Orkiestra Zespołu
Państwowych Szkół Muzycznych nr
1,
2 2006-02-07 Cyrk jedzie
Kwartet Krzysztofa Herdzina,
Marchwicka
Ewa,
Herdzin
Bauer Andrzej, Duchnowski
Cezary, Zubel Agata,
Przybylska Sława,
Zubel Agata,
Duchnowski
Cezary, Bauer
Andrzej,
Zubel Agata,
Duchnowski
Cezary, Bauer
Andrzej,
Przybylska Sława,
Zubel Agata,
Duchnowski
Cezary, Bauer
Andrzej,
2 2008-07-15 Daleka podróż
Zubel Agata,
Duchnowski
Cezary, Bauer
Andrzej,
3 2012-09-09 Dance Prelude no 1/2/3
Kam Sharon,
2 2006-02-10 Cyrk jedzie -wersja instrumentalna
2 2006-02-09 Czarownica
3 2010-09-06 Do broni!
2 2010-04-28
Herdzin Krzysztof, Podkowa Marek,
Murawski Marcin, Konrad Cezary,
Herdzin Krzysztof, Podkowa Marek,
Murawski Marcin, Konrad Cezary,
Zespół Solistów Filharmonii im.
Traugutta
Dwie Pieśni dziecięce na głos z fortepianem
do słów J. Tuwima
Laska Jan
Maja,
2 2008-02-15 Dzwony cerkiewne
125
Maja,
Maja,
Maja,
Mleczko Marek - obój,
Szabolcs Esztenyi fortepian,
Czapiewski Bogdan fortepian,
2 2010-10-08 Epitafium na obój i fortepian
2 2007-08-30 Etiuda nr 2
2
1
#
#
#
#
#
2010-12-16 Funebre
Cikada String Quartet,
2009-01-04 Gaik
Kuropaczewski Łukasz,
2009-03-24 Gaik
2009-03-24 Gaik
2009-06-02 Gaik
2009-06-02 Gaik
2009-07-30 Gaik
2 2007-12-24 Gdy się Chrystus rodzi
w Krakowie,
Antoni Wit,
2 2007-12-24 Gdy śliczna Panna
w Krakowie,
Antoni Wit,
2 2006-03-26 Grave
Boreyko
Andrzej,
2 2006-06-15 Grave
Ork.Kam. PR Amadeus,
Bauer Andrzej ,
2 2006-07-24 Grave
Bauer Andrzej ,
126
Duczmal
Agnieszka,
2 2006-11-04 Grave
2 2007-01-29 Grave
Orkiestra AUKSO,
2 2007-02-28 Grave
2 2007-03-01 Grave
Kozło Agnieszka,
Anichenko Georgii,
2 2009-02-25 Grave
2 2011-10-25 Grave
2 2007-02-07
Grave - metamorfozy na wiolonczelę i
fortepian
2 2012-01-26
Grave - metamorfozy na wiolonczelę i
fortepian
Billet Antoine, Kortel Aziz,
Roman Jabłoński wiolonczela, Szabolcs
Esztenyi - fortepian,
Koziak Bartosz,
Bojanowska Magdalena wiolonczela, Sterczyńska
Maria - fortepian,
Grave. Metamorfozy na wiolonczelę i
2 2012-05-13
fortepian
2 2006-05-12 Gry weneckie
Bauer Andrzej ,
Bauer Andrzej Moś Marek,
wiolonczela,
Wysocki Mariusz wiolonczela, Kozło
Agnieszka - fortepian,
Pennetzdorfer David, Kozło
Agnieszka,
Polskiego Radia,
Polskiego Radia,
Wit Antoni,
Wit Antoni,
Sinfonia Varsovia,
Michniewski
Wojciech,
Młodzieżowy Zespół PolskoNiemiecki,
Bohn Rudiger,
Sinfonia Varsovia,
Polskiego Radia,
127
Michniewski
Wojciech ,
Michniewski
Wojciech,
Wit Antoni,
2 2010-02-09 Gry Weneckie
2 2006-09-25 Gry weneckie - cz. III
2 2007-02-05 Gry weneckie - fragm.
Orkiestra Symfoniczna Filharmonii
Narodowej,
Orkiestra Kameralna Polskiego Radia
i Telewizji w Katowicach,
Narodowej w Warszawie
Sinfonia Varsovia,
The National Philharmonic
Orchestra in Warsaw,
Narodowej,
Rowicki Witold,
Krenz Jan,
Salwarowski
Jerzy
Michniewski
Wojciech,
Rowicki Witold,
Rowicki Witold,
2 2006-05-06 Gry weneckie cz. IV
Sinfonia Varsovia,
Michniewski
Wojciech,
2 2008-10-20 Gry weneckie cz.1 i 4
Sinfonia Varsovia,
Michniewski
Wojciech,
2 2006-01-25 Gry weneckie cz.2
Sinfonia Varsovia,
Michniewski
Wojciech,
2 2006-04-19 Gry weneckie na orkiestrę
Orkiestra "Sinfonia Varsovia',
Wielka Orkiestra Symfoniczna PR iTV
w Katowicach,
w Katowicach,
w Katowicach,
w Katowicach,
128
Michniewski
Wojciech,
Lutosławski
Witold,
Michniewski
Wojciech,
Lutosławski
Witold,
Lutosławski
Witold,
Michniewski
Wojciech,
Lutosławski
Witold,
2 2012-09-13 Gry weneckie, cz. II
2 2006-09-25 Gry weneckie-cz. I
2 2006-09-25 Gry weneckie-cz. II
2 2006-09-25 Gry weneckie-cz. IV
2 2007-12-24 Hej w dzień narodzenia
2 2007-12-24 Hej weselmy się
2 2007-12-24 Hola, hola, pasterze z pola
Sinfonia Varsovia,
w Katowicach, Chór Polskiego Radia Pasiecznik Olga,
w Krakowie,
w Krakowie,
w Krakowie,
Michniewski
Wojciech,
Rowicki Witold,
Rowicki Witold,
Rowicki Witold,
Antoni Wit,
Antoni Wit,
Antoni Wit,
2 2006-01-25 I Symfonia
2 2007-02-07 I Symfonia
WOSPR,
2 2007-06-20 I Symfonia
WOSPR,
2 2007-09-06 I Symfonia
Bugaj Tomasz ,
2 2008-01-24 I Symfonia
WOSPR,
Lutosławski
Witold,
2 2008-02-25 I Symfonia
Narodowej,
Krenz Jan,
1 2008-04-08 I Symfonia
WOSPR,
Lutosławski
Witold,
Bugaj Tomasz ,
Lutosławski
Witold,
Lutosławski
Witold,
129
1 2008-06-17 I Symfonia
WOSPR,
Lutosławski
Witold,
2 2008-09-28 I Symfonia
WOSPR,
Lutosławski
Witold,
#
Orkiestra Filharmonii Wrocławskiej
Botstein Leon
2010-04-08 I Symfonia
2 2010-11-08 I Symfonia
WOSPR,
2 2006-12-11 I Symfonia - finał
WOSPR,
Lutosławski
Witold,
Lutosławski
Witold,
2 2006-04-23 Idzie Grześ
Rappe Jadwiga - śpiew,
Alla Polacca,
2 2008-02-22 II Symfonia
Wrocławskiej,
Kaspszyk Jacek,
Lutosławski
Witold,
2 2006-05-11 III Symfonia
Narodowej,
Polskiego Radia,
NOSPR w Katowicach,
NOSPR,
Polskiego Radia,
Polskiego Radia,
130
Kaspszyk Jacek,
Lutosławski
Witold,
Lutosławski
Witold,
Chmura
Gabriel,
Wit Antoni,
Wit Antoni,
Lutosławski
Witold,
Krenz Jan,
NOSPR,
NOSPR,
Lutosławski
Witold,
Wit Antoni,
Wit Antoni,
Lutosławski
Witold,
2
2
2
2
Sinfonia Varsovia,
Sinfonia Varsovia,
NOSPR,
Berliner Philharmoniker,
Krenz Jan,
Krenz Jan,
Wit Antoni,
Rattle Simon,
Polskiego Radia,
Wit Antoni,
WOSPR w Katowicach,
Wit Antoni,
2011-07-15 III Symfonia
2 2012-10-08 III Symfonia - fragment
Improwizacje na motywach
2 2012-11-25 "Czteropalcówki" z cyklu "Trzy utwory dla
młodzieży"
2 2012-11-25
Improwizacje na motywach Andantina nr 4 z
cyklu "Bukoliki"
2 2012-11-25
Improwizacje na motywach Intrady z
Koncertu na orkiestrę
2 2007-11-20
Improwizacje na motywach Koncertu na
orkiestrę W. Lutosławskiego
Bauer Andrzej, m.bunio.s
(Skrok Michał), Możdżer
Leszek,
Leszek,
Leszek,
Bauer Andrzej, m.bunio.s,
Możdżer Leszek,
2 2007-11-19
Improwizacje na motywach Koncertu
wioloczelowego W. Lutosławskiego
Możdżer Leszek,
2 2012-02-28
wioloczelowego W. Lutosławskiego
Możdżer Leszek,
131
2 2012-11-25
Leszek,
wiolonczelowego
2 2006-03-28 Interludium
Sinfonia Varsovia
Michniewski
Wojciech
Sinfonia Varsovia,
Michniewski
Wojciech,
WOSPR,
Wit Antoni,
Sinfonia Varsovia,
Michniewski
Wojciech,
Sinfonia Varsovia
Michniewski
Wojciech
Sinfonia Varsovia,
Michniewski
Wojciech,
Sinfonietta Cracovia,
Michniewski
Wojciech,
New Music Conserts Ensemble,
Lutosławski
Witold,
Sinfonia Varsovia,
Michniewski
Wojciech,
Borucińska Krystyna fortepian, Jakowicz
Krzysztof - skrzypce,
Michniewski
Wojciech,
Sinfonia Varsovia,
NOSPR,
Valade PierreAndre,
Sinfonia Varsovia,
Michniewski
Wojciech,
2 2006-05-12 Interludium na orkiestrę
Sinfonia Varsovia,
Michniewski
Wojciech,
Michniewski
Wojciech,
132
Polskiego Radia,
Sinfonia Varsovia,
2 2006-01-12 IV Symfonia
WOSPR,
Polskiego Radia,
WOSPR,
Polska Orkiestra Radiowa
#
2011-02-07 IV Symfonia
Polskiego Radia,
Narodowej,
Polskiego Radia,
Orkiestra Filharmonii Śląskiej,
Skrowaczewski
Stanisław,
Michniewski
Wojciech,
Lutosławski
Witold,
Wit Antoni,
Wit Antoni,
Wit Antoni,
Rajski Wojciech
Rajski
Wojciech,
Rajski
Wojciech,
Wit Antoni,
Lutosławski
Witold,
Wit Antoni,
Błaszczyk
Mirosław
Jacek,
Salonen EsaPekka,
Los Angeles Philharmonic ,
Orkiestra Filharmonii Wrocławskiej,
Kaspszyk Jacek,
Polskiego Radia,
Wit Antoni,
133
Wielka Orkiestra Symfoniczna PR w
Katowicach,
Katowicach,
Katowicach,
2 2012-03-28 IV Symfonia, cz. 1
Orkiestra Symfoniczna BBC,
2 2006-02-09 Jeden przystanek dalej
Klimek Mariusz, Herdzin Krzysztof,
Podkowa Marek, Murawski Marcin,
Konrad Cezary,
Lutosławski
Witold,
Lutosławski
Witold,
Lutosławski
Witold,
Gardner
Edward,
DJ Lenar, Bauer Andrzej,
Duchnowski Cezary, Zubel
Agata, Masecki Marcin,
2 2006-05-27 Już jest wiosna
Lutosławski
Witold ,
Zespół Kameralny NOSPR,
Maja - fortepian,
2 2006-04-23 Kolędy
2 2006-04-09 Koncert fortepianowy
Zubel Agata,
Duchnowski
Cezary, Bauer
Andrzej,
Zubel Agata,
Duchnowski
Cezary, Bauer
Andrzej,
Zubel Agata,
Duchnowski
Cezary, Bauer
Andrzej,
Zubel Agata,
Duchnowski
Cezary, Bauer
Andrzej,
134
Pobłocka Ewa - fortepian,
Lutosławski
Witold,
Lutosławski
Witold,
Zimermann Krystian,
NOSPR,
Paleczny Piotr ,
Orkiestra Radia Norweskiego,
Lutosławski
Witold,
Orkiestra Filharmonii Narodowej,
Kord Kazimierz,
Polskiego Radia,
Pobłocka Ewa,
Zimerman Krystian,
Zimerman Kristian,
Zimermann Krystian,
Lutosławski
Witold,
#
Zimermann Krystian,
Lutosławski
Witold,
WOSPR,
Pobłocka Ewa ,
Lutosławski
Witold ,
WOSPR w Katowicach,
Pobłocka Ewa,
Lutosławski
Witold,
Lutosławski
Witold,
WOSPR w Katowicach,
2009-05-07 Koncert fortepianowy
135
Wit Antoni,
Wojciechowski
Kowalski Paweł - fortepian,
Tadeusz,
Lutosławski
Witold,
Lutosławski
Witold,
Lutosławski
Witold,
Lutosławski
Witold,
Lutosławski
Witold,
Pobłocka Ewa ,
Lutosławski
Witold,
WOSPR w Katowicach,
Pobłocka Ewa ,
Lutosławski
Witold,
Orkiestra Symfoniczna Radia
Bawarskiego,
Andsnes Leif Ove,
Welser-Most
Franz,
2 2006-11-19 Koncert fortepianowy - Presto
Narodowej,
Pobłocka Ewa-fortepian,
Kord Kazimierz,
2 2012-03-05 Koncert fortepianowy - Presto
Narodowej,
Kord Kazimierz,
1 2008-02-01 Koncert fortepianowy(fragment)
Ork.AM im.Fryderyka Chopina,
Kowalski Paweł,
Lutosławski
Witold,
2 2007-01-24 Koncert fortepianowy-fragm.cz.II
WOSPR,
Pobłocka Ewa ,
Lutosławski
Witold ,
2 2007-10-20 Koncert na fortepian i orkiestrę
WOSPR,
WOSPR w Katowicach
Paleczny Piotr
WOSPR,
2 2010-07-06 Koncert na fortepian i orkiestrę, cz. I i II
NOSPR,
Pobłocka Ewa,
Koncert na obój i harfę i ork. kameralną cz.3
Koncert na obój i harfę i ork. kameralną 2 2007-12-06
cz.3
2 2007-11-11
Bamberger Symphoniker,
Bamberger Symphoniker,
2 2007-10-01 Koncert na obój, harfę i orkiestrę kameralną Cincinnati Symphony Orchestra,
Graf Maria, Brunner
Eduard,
Brunner Eduard, Graf
Maria,
Holliger Heinz, Holliger
Ursula,
Lutosławski
Witold,
Wit Antoni
Lutosławski
Witold,
Lutosławski
Witold,
Lutosławski
Witold,
Lutosławski
Witold,
Zagrosek
Lothar,
Zagrosek
Lothar,
Gielen Michael,
2 2006-05-07 Koncert na orkiestrę
Sinfonia Varsovia,
Krenz Jan,
Royal Concertgebouw Orchestra,
Jansons Mariss,
136
Polskiego Radia,
Die NDR Radiophilharmonie,
Narodowej,
Soustrot Marc,
Wit Antoni,
Orkiestra Filharmoniczna Radia
France,
Rowicki Witold,
Lutosławski
Witold,
Lutosławski
Witold,
Chung Myung
Whun,
Orkiestra Szwajcarii Romańskiej,
Klecki Paweł,
Kaspszyk Jacek,
WOSPR w Katowicach,
Lutosławski
Witold,
National Youth Orchestra od Gr.
Britain,
Petrenko
Vasily,
Bavarian Radio Symphony
Orchestra,
Jansons Mariss,
Orkiestra FN,
Polskiego Radia
Wit Antoni,
NOSPR,
Narodowej,
Narodowej w Warszawie
137
Kasprzyk Jacek,
Rowicki Witold,
Strugała
Tadeusz
Krenz Jan,
Gardner
Edward,
Lutosławski
Witold,
Bawarskiego,
Bawarskiego,
Jansons Mariss,
Jansons Mariss,
London Philharmonic Orchestra,
Saraste JukkaPekka,
Wit Antoni,
NOSPR w Katowicach,
Chmura
Gabriel,
2 2007-03-07 Koncert na orkiestrę - Capriccio
Narodowej,
Wit Antoni,
2 2007-12-02 Koncert na orkiestrę - cz.2
Narodowej,
Wit Antoni,
2 2011-07-08 Koncert na orkiestrę - fragment
Orkiestra Symfoniczna PWSM w
Warszawie,
Wodiczko
Bohdan,
2 2012-12-02 Koncert na orkiestrę - fragment
Gardner
Edward,
2 2007-06-19 Koncert na orkiestrę - Intrada
Chicago Symphony Orchestra,
Barenboim
Daniel,
NOSPR,
Lutosławski
Witold,
NOSPR,
2 2007-02-19 Koncert na wiolonczelę i orkiestrę
POR,
Bartosz Koziak,
Wiancko Paul,
138
Lutosławski
Witold,
Rajski
Wojciech,
Caldi
Massimiliano,
Zdunik Marcin,
Caldi
Massimiliano,
Wiancko Paul,
Caldi
Massimiliano,
Zdunik Marcin,
Koziak Bartosz wiolonczela,
Caldi
Massimiliano,
Caldi
Massimiliano,
Radiowa Orkiestra Słowacka,
Zdunik Marcin,
Vansky Peter,
Słowackiego,
Koziak Bartosz wiolonczela,
Caldi
Massimiliano,
Zdunik Marcin,
Vronsky Petr,
Narodowej,
Stasevskij Lukas wiolonczela,
Dąbrowski
Piotr,
Narodowej,
Bojanowicz Magdalena wiolonczela,
Dąbrowski
Piotr,
Narodowej,
Daroch Tomasz wiolonczela,
Zdunik Marcin,
Orkiestra Paryska,
Rostropowicz Mścisław wiolonczela,
Dąbrowski
Piotr,
Borowicz
Łukasz,
Lutosławski
Witold,
2 2008-04-05 Koncert podwójny na obój i harfę
Orkiestra Kameralna Polskiego Radia Sikorzak-Olek Anna-harfa,
"Amadeus",
Pędziałek Mariusz-obój,
Orkiestra Kameralna Polskiego Radia Sikorzak-Olek Anna - harfa, Duczmal
"Amadeus",
Pędziałek Mariusz - obój,
Agnieszka,
"Amadeus",
139
Duczmal
Agnieszka,
Duczmal
Agnieszka,
"Amadeus",
"Amadeus",
Agnieszka,
"Amadeus",
Agnieszka,
"Amadeus",
Agnieszka,
NFM Orkiestra Kameralna
Filharmonii Wrocławskiej
Leopoldinum,
"Amadeus",
Agnieszka,
2 2011-03-28
Koncert podwójny na obój, harfę i orkiestre
kameralną, cz. III Marciale e grotesco
2 2006-11-10 Koncert podwójny na obój, harfę i orkiestrę
Wakeford Lucy (harfa),
Daniel Nicholas (obój),
Duczmal
Agnieszka,
Daniel
Nicholas,
NFM Orkiestra Filharmonii
Wrocławskiej,
Daniel Nicholas, Wakeford
Lucy,
Daniel
Nicholas,
Orkiestra Filharmonii Krakowskiej,
Holliger Heinz, Holliger
Ursula,
Krenz Jan,
Holliger Heinz - obój,
Holliger Ursula - harfa
Gielen Michael
2 2007-01-25
Koncert podwójny na obój, harfę i orkiestrę
kameralną
Cincinnati Symphony Orchestra
2 2007-09-13
kameralną
Orkiestra Kameralna Polskiego Radia Pędziałek Mariusz - obój,
Duczmal
"Amadeus",
Sikorzak-Olek Anna - harfa, Agnieszka,
2 2008-05-31
kameralną
Duczmal
"Amadeus",
2 2009-02-28
kameralną
Duczmal
"Amadeus",
2 2011-01-08
kameralną
Duczmal
"Amadeus",
140
2 2011-05-07
kameralną
Duczmal
"Amadeus",
2 2007-08-05
kameralną
Orkiestra AUKSO
Sikorzak - Olek Anna,
Kotnowska Jadwiga
Moś Marek
Kotnowska Jadwiga - flet,
Sikorzak-Olek Hanna harfa,
Krenz Jan,
2 2010-11-07 kameralną (wersja na flet, harfę i orkiestrę
kameralną)
2 2011-03-31
kameralną, cz. I Rapsodico
NFM Orkiestra Filharmonii
Wrocławskiej,
Daniel Nicholas, Wakeford
Lucy,
Daniel
Nicholas,
2 2006-10-21
smyczkową
Pędziałek Mariusz ,
Sikorzak-Olek Anna ,
Michniewski
Wojciech,
2 2010-04-24
smyczkową
Michniewski
Wojciech,
2 2011-11-06 Koncert podwójny na obój, harfę i smyczki
2 2006-04-27
Koncert podwójny na obój, harfę, orkiestrę
smyczkową i perkusję
Orkiestra Polskiego Radia
"Amadeus",
Pędziałek Mariusz ,
Sikorzak-Olek Anna ,
Sikorzak-Olek Hanna harfa,
Sikorzak-Olek Anna-harfa,
2 2008-01-22
"Amadeus",
Sikorzak-Olek Anna - harfa, Duczmal
Agnieszka,
2 2011-01-19
"Amadeus",
Sikorzak-Olek Anna - harfa, Duczmal
Agnieszka,
2 2012-06-16
Orkiestra Kameralna Polskiego Radia Pędziałek Mariusz (obój),
Duczmal
"Amadeus",
Sikorzak-Olek Anna (harfa), Agnieszka,
2 2006-09-28
Koncert podwójny na obój,harfę orkiestrę
Orkiestra Kameralna "Amadeus",
2 2007-02-07 Koncert wiolonczelowy
141
Sikorzak Anna - harfa,
Roman Jabłoński wiolonczela,
Michniewski
Wojciech,
Duczmal
Agnieszka,
Duczmal
Agnieszka,
Witold
Lutosławski,
Orchestre de Paris,
WOSPR,
Narodowej,
Jabłoński Roman wiolonczela,
Kwiatkowski Rafał wiolonczela,
Steckel Julian - wiolonczela,
WOSPR,
Jabłoński Roman wiolonczela,
Narodowej w Warszawie,
Ruh Janina,
Urbański
Krzysztof,
WOSPR w Katowicach,
Monighetti Ivanwiolonczela,
Salwarowski
Jerzy,
Boettcher Wolfgang,
Lutosławski
Witold,
Rostropowicz Mścisław,
Lutosławski
Witold,
Lutosławski
Witold,
Wit Antoni,
Rajski
Wojciech,
Lutosławski
Witold,
Barta Jiri,
Polskiego Radia,
Jabłoński Roman
(wiolonczela),
Krenz Jan,
2 2010-09-25 Koncert wiolonczelowy (1969/1970)
Orchestre de Paris,
Rostropowicz Mścisław,
Lutosławski
Witold,
Maja,
Nosowska Maja - fortepian
Wit Antoni,
Wit Antoni,
Wit Antoni,
Kwartet śląski,
2 2006-04-23 Kotek
#
2010-11-30 Kotek
2
2
2
2
2
2
2006-06-20 Kukułeczka kuka
NOSPR,
NOSPR,
NOSPR,
2006-06-15 Kwartet smyczkowy /1964/-częśc główna
2008-11-09 Kwartet smyczkowy(cz.2)
2006-02-06 Kwartet smyczkowy
Alban Berg Quartett,
Alban Berg Quartet,
142
2 2006-07-06 Kwartet smyczkowy
Kwartet Wilanów,
Kwartet Śląski,
2
2
2
2
1
2
2
2
2
2
Alban Berg Quartet,
Kronos Quartet,
Kwartet Śląski,
Kronos Quartet,
Kwartet Śląski,
Kwartet Wilanów,
Lutosławski Quartet,
Kwartet Śląski,
Kwartet Śląski,
Kwartet Śląski,
Alban Berg Quartet,
Apollon Musagete Quartett,
Kwartet Śląski,
Kwartet Śląski,
Kwartet Śląski,
143
Moś Marek-I
skrzypce,Kubica ArkadiuszII skrzypce,Syrnicki Łukaszaltówka,Janosik Piotrwiolonczela,
Moś Marek - I skrzypce,
Kubica Arkadiusz - II
skrzypce, Syrnicki Łukasz altówka, Janosik Piotr wiolonczela,
NULL
Moś Marek - I skrzypce,
Kubica Arkadiusz - II
skrzypce. Syrnicki Łukasz altówka. Janosik Piotr wiolonczela,
Lutosławski Quartet Wrocław,
Apollon Musagete Quartet,
Kronos Quartet,
Apollon Musagete Quartet (Zalejski
Paweł - skrzypce, Zachłód Bartosz - II
skrzypce, Szumieł Piotr - altówka,
Skweres Piotr - wiolonczela),
2
2
2
2
Alban Berg Quartet,
Hagen Quartet,
Hagen Quartet,
Hagen Quartet,
2012-04-25 Kwartet smyczkowy - fragment
2012-04-25 Kwartet smyczkowy - fragment
Jakowicz Jakub - skrzypce,
Markowicz Marcin skrzypce, Rozmysłowicz
Artur - altówka, Młodawski
Maciej - wiolonczela,
Krzeszowiec Szymon,
Kubica Arkadiusz, Syrnicki
Łukasz, Janosik Piotr,
2 2011-11-05 Kwartet smyczkowy (z 1964 r.)
Kwartet Śląski,
2 2006-01-25 Kwartet smyczkowy cz.1
Kwartet Śląski,
2 2007-01-29 Lacrimosa
Chor Filharmonii Śląskiej,WOSPR,
Wojtacha Jan - kier. chóru,
Woytowicz Stefania sopran,
Malanowicz Jarosław organy, Mirosławska Julita
- sopran,
Crowe Lucy,
Gardner
Edward,
Crowe Lucy,
Gardner
Edward,
Crowe Lucy,
Gardner
Edward,
144
Lutosławski
Witold,
2 2012-01-26 Lacrimosa na sopran i orkiestrę
2 2012-02-27 Lasowiak
NOSPR,
Crow Lucy,
Gardner
Edward,
Fitelberg
Grzegorz,
Rutkowski Mariusz fortepian, Kryger Urszula mezzosopran,
2 2007-11-12 Lawina
2 2007-01-25 Les espaces du sommeil
Les espaces du Sommeil na baryton i
orkiestrę
Les Espaces du Sommeil na baryton i
2 2006-05-14
orkiestrę
Polskiego Radia,
orkiestrę
Polskiego Radia,
orkiestrę
2 2010-01-06 Livre na ork.
Polskiego Radia,
NOSPR,
2 2006-02-18 Livre pour orchestre
WOSPR w Katowicach,
WOSPR w Katowicach
Kaspszyk Jacek,
NOSPR,
Kasprzyk Jacek,
Lutosławski
Witold,
Krenz Jan ,
2 2006-04-29
2 2006-05-21
2 2006-10-19
145
Adam Kruszewski baryton,
Antoni Wit,
Kruszewski Adam-baryton,
Wit Antoni,
Wit Antoni,
Wit Antoni,
Wit Antoni,
Kasprzyk Jacek,
Krenz Jan ,
Lutosławski
Witold,
Lutosławski
Witold
2 2007-12-24 Lulajże Jezuniu
w Krakowie,
2 2006-08-28 Lutosphere
Bauer Andrzej , D.J. MBunio S, Możdżer Leszek ,
Antoni Wit,
Lutosławski
Witold,
2 2007-01-29 Łańcuch
2 2012-04-29 Łańcuch 2 - dialog na skrzypce i orkiestrę
Jakowicz Krzysztof skrzypce,
Lutosławski
Witold,
2 2006-03-21 Łańcuch 2 Dialog na skrzypce i orkiestrę
Orkiestra Filharmonii Pomorskiej,
Jakowicz Krzysztof,
Ukigaya Takao,
2 2008-04-26 Łańcuch 2 Dialog na skrzypce i orkiestrę
Mutter Anne-Sophie,
Lutosławski
Witold,
2 2012-01-23 Łańcuch 3., cz. I + II + III
Lutosławski
Witold,
2 2010-11-11 Łańcuch I
Ensemble interContemporain,
Deroyer Jean,
2 2006-07-05 Łańcuch II
Polskiego Radia,
2 2009-04-13 Łańcuch II
Narodowej,
Mutter Anne-Sophie,
Wit Antoni,
1 2009-05-24 Łańcuch II
WOSPR
Bąkowski Krzysztof
Wit Antoni
2 2009-12-05 Łańcuch II
Polskiego Radia,
146
2 2007-06-20 Łańcuch II - dialog na skrzypce i orkiestrę
Lutosławski
Witold,
WOSPR,
Lutosławski
Witold,
#
WOSPR,
Lutosławski
Witold,
Sinfonia Varsovia,
Lutosławski
Witold,
WOSPR,
Lutosławski
Witold,
WOSPR,
Lutosławski
Witold,
2 2012-09-28 Łańcuch nr 3
2008-06-26 Łańcuch II - dialog na skrzypce i orkiestrę
Kord Kazimierz,
2 2006-06-18 Magia
Mazurek Urszula, ŚwiątekŻelazna Barbara,
1 2006-11-23 Magia
Moszyński Kazimierz,
Sikorzak- Olek Anna,
2 2006-05-27 Majowa nocka
Zespół Kameralny NOSPR,
2 2006-12-31 Mala suita
1 2008-04-30 Mala suita
2 2006-04-22 Mała suita
2 2006-05-24 Mała Suita
2 2006-08-09 Mała suita
147
Lutosławski
Witold ,
Rajski
Wojciech,
Rajski
Wojciech,
Michniewski
Wojciech,
Michniewski
Wojciech,
Michniewski
Wojciech,
2 2007-01-21 Mała suita
2 2007-01-27 Mała suita
Polskiego Radia,
Polskiego Radia,
Krenz Jan,
Fitelberg
Grzegorz,
2 2007-04-09 Mała suita
Krenz Jan,
2 2008-04-28 Mała suita
Polskiego Radia,
Krenz Jan,
1 2008-05-14 Mała suita
Michniewski
Wojciech,
1 2008-06-17 Mała suita
2 2008-08-16 Mała suita
2 2008-09-03 Mała suita
2 2009-03-07 Mała suita
2 2009-05-12 Mała suita
2 2010-06-12 Mała suita
Polskiego Radia,
Polskiego Radia,
Polskiego Radia,
NOSPR
Porczyński
Włodzimierz
Fitelberg
Grzegorz,
Krenz Jan,
Krenz Jan,
Wit Antoni
Krenz Jan,
2 2012-07-09 Mała suita
Michniewski
Wojciech,
2 2006-05-04 Mała suita - Fujarka
Polskiego Radia i TV w Katowicach,
Krenz Jan,
NOSPR,
Wit Antoni,
Krenz Jan,
2 2008-06-26 Mała suita - fujarka
NOSPR,
NOSPR,
Wit Antoni,
Wit A.,
148
Porczyński
Włodzimierz,
2 2008-02-01 Mała suita - Lasowiak
WOSPR
Fitelberg
Grzegorz
2 2008-06-10 Mała suita - Lasowiak
WOSPR
Fitelberg
Grzegorz
2
2
2
2
NOSPR,
NOSPR,
NOSPR,
WOSPR
2006-04-17 Mała suita - Taniec
2007-02-07 Mała Suita cz.II Hurra polka
Wit Antoni,
Wit Antoni,
Wit A.,
Krenz Jan
Porczyński
Włodzimierz,
2 2009-02-01 Mała Suita na orkiestrę
2 2009-04-17 Mała Suita na orkiestrę
Porczyński
Włodzimierz,
2 2006-05-31 Mała suita na orkiestrę - Taniec
Polska Symfoniczna Orkiestra
Radiowa,
Wit Antoni,
2 2006-08-17 Mała suita na orkiestrę - Taniec
Radiowa,
Wit Antoni,
2 2006-04-26
Mała suita na orkiestrę cz.II i III: Fujarka,
Hurra Polka
Radiowa,
Wit Antoni,
1 2007-06-03
Mała suita na orkiestrę cz.II i III: Fujarka,
Hurra Polka
Radiowa,
Wit Antoni,
2 2006-03-26 Mała suita na orkiestrę- Hurra polka
Michniewski
Wojciech,
2 2006-05-15 Mała suita na orkiestrę kameralną
Michniewski
Wojciech ,
Michniewski
Wojciech ,
Michniewski
Wojciech ,
149
Michniewski
Wojciech ,
Michniewski
Wojciech ,
Michniewski
Wojciech ,
Michniewski
Wojciech ,
Michniewski
Wojciech ,
Michniewski
Wojciech ,
2
2
2
2
2
2
2
2
2
2
2008-05-07 Mała suita- Taniec
NOSPR,
NOSPR,
NOSPR,
NOSPR,
NOSPR,
NOSPR,
NOSPR,
NOSPR,
NOSPR,
NOSPR,
2 2007-11-08 Mała suita-Taniec
NOSPR,
Wit Antoni,
Wit Antoni,
Wit Antoni,
Wit Antoni,
Wit Antoni,
Wit Antoni,
Wit Antoni,
Wit Antoni,
Wit Antoni,
Wit Antoni,
Chmura
Gabriel,
2 2011-12-10 Melodia ludowa nr 1 "Ach mój Jasieńko"
2 2011-12-10 Melodia ludowa nr 12 "Rektor"
Melodia z cyklu Trzech łatwych utworów na
2 2008-01-25
fortepian
Aichinger Oskar,
Aichinger Oskar,
2 2008-06-21 Melodie ludowe
150
Aichinger Oskar,
Aichinger Oskar,
Jakowicz Kryzsztof i
Kwartet
im Lutosławskiego,
2 2009-03-02 Melodie Śląskie
2 2006-01-24 Mi- parti na orkiestrę
WOSPRi TV,
Rowicki Witold,
2 2008-07-15 Miłość i świat
Zubel Agata,
Duchnowski
Cezary, Bauer
Andrzej,
Zubel Agata,
Duchnowski
Cezary, Bauer
Andrzej,
Zubel Agata,
Duchnowski
Cezary, Bauer
Andrzej,
2 2011-10-26 Mi-parti
Windfur Ulrich,
2 2011-11-03 Mi-parti
Narodowej,
Wit Antoni,
2 2006-06-22 Mi-parti na orkiestrę
Polskiego Radia,
Lutosławski
Witold,
2 2007-10-21 Mrok
Kwartet Jorgi
3 2008-07-17 Mrok
Kwartet Jorgi
2 2009-02-07 Mrok
Kwartet Jorgi,
Rychły
Waldemar,
Rychły Maciej
Rychły
Waldemar,
Rychły Maciej
Rychły Maciej i
Waldemar,
Mieczkowski T.,
151
2 2010-06-19 Mrok
Kwartet Jorgi,
2 2012-06-17 Mrok
Jorgi,
2 2006-04-29
Rychły Maciej i
Waldemar,
Mieczkowski T.,
Muzyka do słuchowiska "Poezje Pierre'a
Ronsarda"
Lutosławski Witold ,
Lutosławski
Witold,
Borowicz
Łukasz,
Wit Antoni,
2 2006-09-12 Muzyka żałobna
WOSPR w Katowicach,
NOSPR,
NOSPR,
Polskiego Radia,
Wit Antoni,
"Amadeus" ,
Duczmal
Agnieszka,
NOSPR,
Lutosławski
Witold,
Narodowej,
Rowicki Witold,
Orkiestra Kameralna Miasta Tychy
AUKSO,
Moś Marek,
Krenz Jan,
2 2006-11-20 Muzyka żałobna "Pamięci Beli Bartoka"
Orkiestra Kameralna AUKSO,
Moś Marek,
2 2007-03-05 Muzyka żałobna "Pamięci Beli Bartoka"
Orkiestra Kameralna AUKSO,
Moś Marek,
2 2010-08-18 Muzyka żałobna (fragmenty)
Krenz Jan,
152
2 2006-01-16 Muzyka żałobna na orkiestrę smyczkową
Północnoniemieckiego,
Dohnányi
Christoph,
Sinfonia Varsovia,
Michniewski
Wojciech,
Krenz Jan,
Lausanne Chamber Orchestra,
Schiff Heinrich,
Lutosławski
Witold,
1 2008-04-08 Muzyka żałobna-fragment
NOSPR
Wit Antoni
2 2007-12-24 My też pastuszkowie
w Krakowie,
Antoni Wit,
2 2010-07-30
Muzyka żałobna na orkiestrę
smyczkową
1 2006-03-30 Nie oczekuję dziś nikogo
Rolska Rena,
Hardy Benon - organy
Hammonda,
Klimczuk
Bogusław,
Radiowy Zespół M2,
Hammonda,
Agata,
Rolska Rena,
Orkiestra Polskiego Radia w
Warszawie,
153
Santor Irena,
Zubel Agata,
Duchnowski
Cezary,
Rachoń Stefan,
Rolska Rena,
Warszawska Grupa Cellonet,
Jopek Anna Maria - śpiew,
Zespół Tadeusza Sucheckiego,
Rolska Rena,
Herdzin
Krzysztof,
Rolska Rena,
Umer Magda, Kondrat
Marek, Hołownia Bogdan,
Hammonda,
Rolska Rena,
Agata,
ElettroVoce,
Zubel Agata (wokal),
Zespół Tadeusza Sucheckiego,
Rolska Rena,
2 2009-02-07 Novelette
2 2009-02-18 Novelette
Bauer Andrzej,
Zubel Agata,
Duchnowski
Cezary, Bauer
Andrzej,
Zubel Agata,
Duchnowski
Cezary,
Rolska Rena,
NOSPR,
NOSPR,
Wit Antoni,
Wit Antoni,
2 2006-04-17 Novelette na orkiestrę
Wit Antoni,
2 2012-11-25 Nowa Huta
Chór i Orkiestra Polskiego Radia,
Kołaczkowski
Jerzy,
Maja,
2 2006-04-23 O panu Tralalińskim
154
Kołaczkowski
Jerzy,
Maja,
Harasimowicz-Haas sopran,
2 2006-07-21 O Panu Tralalińskim
WOSPR,
WOSPR,
Janukowicz Zofia,
Maja,
Borkowski
Piotr,
Latoszewski
Zygmunt,
WOSPR,
Maja,
Maja,
Borkowski
Piotr,
2 2006-12-06 Oj, mi się owiesek
Polskiego Radia,
Wit Antoni dyr.,
2 2009-06-19 Orawa na orkiestrę smyczkową
Caldi
Massimiliano ,
Nosowska-Pasławska Maja,
Rappe Jadwiga-alt
4 2006-02-16 Pani słowikowa
2 2006-05-21 Paroles tissees
Kusiewicz Piotr - tenor,
Wit Antoni,
Devos Louis - tenor,
Lutosławski
Witold,
155
Lutosławski
Witold,
Spence Toby (tenor),
Gardner
Edward,
2 2006-05-14
Paroles tissees na tenor i
Wielka Narodowa Orkiestra
Symfoniczna Polskiego Radia,
Lutosławski
Witold,
2 2006-09-11
Polskiego Radia,
Lutosławski
Witold,
2 2007-10-21
Davos Louis,
Lutosławski
Witold,
2 2009-12-05
Oxley James,
Chmura
Gabriel,
2 2010-02-27
Oxley James,
Chmura
Gabriel,
2 2011-05-07
Lutosławski
Witold,
2 2011-07-16
Lutosławski
Witold,
2 2011-08-08
Kusiewicz Piotr - tenor,
Wit Antoni,
2 2012-01-25
Polskiego Radia,
Devos Louis (tenor),
Lutosławski
Witold,
City of London Sinfonia,
Bostridge Ian - tenor,
Daniel Paul -
2 2006-09-11 Paroles tissées na tenor i orkiestrę
156
kameralną
2 2009-03-20 Partita
dyr,
2 2011-06-16 Partita
Faust Isabelle, Kupiec Ewa,
Rezler Magdalena, Kortel
Aziz,
2 2011-10-25 Partita
2 2009-02-18
Lutosławski
Witold,
Pławner Piotr, Knapik
Eugeniusz,
2 2011-04-07 Partita
2 2009-09-30 Partita na orkiestrę i skrzypce
Mutter Anne- Sophieskrzypce,
Sinfonia Varsovia,
Jakowicz Krzysztof,
Partita na orkiestrę i skrzypce-cz: Ad libitum
Sinfonia Varsovia,
i Presto
Jakowicz Krzysztof,
Tarcholik Piotr, WilińskaTarcholik Monika,
Pławner Piotr - skrzypce,
Malicki Waldemar fortepian,
Krzysztof-skrzypce,
Piekutowska Patrycja,
Bilińska Beata,
2 2008-01-16 Partita na skrzypce i fortepian
Kałduńska Izabela,
Bilińska Beata,
Bilińska Beata,
Wiget Ueli, Zambrzycki
Rafał,
Bilińska Beata,
157
Michniewski
Wojciech,
Michniewski
Wojciech,
Malicki Waldemar, Pławner
Piotr,
2 2006-06-15 Partita na skrzypce i fortepian - Presto
Mutter Anne-Sophie skrzypce,
Krzysztof-skrzypce,
Mutter Anne-Sophie skrzypce,
Krzysztof-skrzypce,
Krzysztof-skrzypce,
Lutosławski
Witold,
2 2006-02-04 Partita na skrzypce i orkiestrę
Sinfonia Varsovia,
Sinfonia Varsovia,
Sinfonia Varsovia,
NMC Ensemble,
Imajishi Fujiko,
Lutosławski
Witold,
Sinfonia Varsovia,
Jakowicz Krzysztof,
Michniewski
Wojciech,
Sinfonia Varsovia,
Borucińska Krystyna,
Jakowicz Krzysztof,
Michniewski
Wojciech,
Sinfonia Varsovia,
Jakowicz Krzysztof,
Michniewski
Wojciech,
Sinfonia Varsovia,
Jakowicz Krzysztof,
Michniewski
Wojciech,
Sinfonia Varsovia,
Jakowicz Krzysztof,
Michniewski
Wojciech,
2 2009-01-06 Partita na skrzypce i orkiestrę - cz.I,II
Jakowicz Krzysztofskrzypce, Borucińska
Krystyna-fortepian,
Michniewski
Wojciech,
2 2010-12-01 Partita na skrzypce i orkiestrę - presto
NMC Ensemble,
Imajishi Fujiko,
Lutosławski
Witold,
158
Michniewski
Wojciech,
Lutosławski
Witold,
Michniewski
Wojciech,
Michniewski
Wojciech,
2 2008-10-13 Partita na skrzypce, fortepian i orkiestrę
#
Śląskiej ,
2009-07-30 Pastereczka
Lasocki Roman, Brożek
Antoni ,
Swoboda Jerzy,
Łukasz Kuropaczewski,
2 2007-12-24 Pasterze mili
w Krakowie,
Antoni Wit,
1 2008-05-07 Pierwsza Symfonia
Polskiego Radia z Katowic
Lutosławski
Witold
2 2007-12-12 Pieśni do słów Kasimiery Iłłakowiczówny
Nosowska Maja,
2 2010-07-20 Pieśni do słów Kazimiery Iłłakowiczówny
Nosowska Maja,
Nosowska Maja,
Nosowska Maja,
2 2008-05-17 Pieśń "Spóźniony"
2 2009-06-19 Pięć melodii ludowych
Caldi
Massimiliano,
2 2008-03-16
Pięć pieśni do słów K. Iłłakoowiczówny Morze
- mezzosopran,
2 2006-05-14
Pięć pieśni do słów Kazimiery
Iłłakowiczówny
Maja,
2 2006-06-25
Iłłakowiczówny
Maja,
WOSPR,
159
Krenz Jan,
2 2008-01-22
Iłłakowiczówny
Łukomska Halina - sopran,
Lubańska Anna mezzosopran, Sommer
Paweł - fortepian,
- mezzosopran,
2 2010-06-17
Iłłakowiczówny
Lutosławski
Witold,
2 2011-01-15
Iłłakowiczówny
NOSPR,
2 2011-03-31
Iłłakowiczówny
AUKSO,
Kryger Urszula mezzosopran,
2 2011-06-19
Iłłakowiczówny
AUKSO,
2 2011-07-03
Iłłakowiczówny
2 2011-10-27
Iłłakowiczówny
Paweł - fortepian,
2 2012-02-04
Iłłakowiczówny
2 2012-02-19
Iłłakowiczówny
2 2009-02-08
Iłłakowiczówny - Morze
Lutosławski
Witold,
2 2009-02-08
Iłłakowiczówny - Rycerze
Lutosławski
Witold,
2 2009-02-08
Iłłakowiczówny - Wiatr
Lutosławski
Witold,
AUKSO,
Krenz Jan,
Moś Marek,
Moś Marek,
Moś Marek,
Maja,
Paweł - fortepian,
160
2 2009-02-08
Iłłakowiczówny - Zima
Lutosławski
Witold,
2 2009-05-28
Iłłakowiczówny - Zima
Lutosławski
Witold,
Pięć pieśni na mezzosopran i fortepian:
"Dzwony cerkiewne"
Rappe Jadwiga mezzosopran, Grzybowski
Maciej - fortepian,
"Dzwony cerkiewne"
Rappe Jadwiga mezzosopran, Grzybowski
Maciej - fortepian,
cerkiewne"
Podleś Ewa - mezzosopran,
Pobłocka Ewa,
Marchwiński Jerzy fortepian, Podleś Ewa mezzosopran,
cerkiewne"
2 2012-10-06 Piosenki dziecięce o jesieni
2 2007-06-01 Plama na podłodze
Godlewska Janina,
Kajdasz
Edmund,
Wrocławskie Słowiki Radiowe,
2 2008-07-15 Plamy na słońcu
161
Zubel Agata,
Duchnowski
Cezary, Bauer
Andrzej,
Zubel Agata,
Duchnowski
Cezary, Bauer
Andrzej,
Zubel Agata,
Duchnowski
Cezary, Bauer
Andrzej,
Zespół instrumentalny pod kier.
Bogusława Klimczuka,
Jakubczak Ludmiła,
DJ Lenar, Bauer Andrzej,
Agata, Masecki Marcin,
2 2006-02-10 Po co śpiewać piosenki
2
1
#
#
1
#
#
2
Klimczuk
Bogusław,
Zubel Agata,
Duchnowski
Cezary, Bauer
Andrzej,
Zubel Agata,
Duchnowski
Cezary, Bauer
Andrzej,
Konrad Cezary,
2007-11-02 Polskie Pieśni Ludowe
Kuropaczwski Łukasz,
Kuropaczewski Łukasz -
2008-02-07 Polskie Piosenki Ludowe
2 2008-12-15 Polskie piosenki ludowe
#
Zubel Agata,
Duchnowski
Cezary, Bauer
Andrzej,
2008-12-21 Polskie piosenki ludowe
162
Jes de Aspiazu,
Aspiazu Jose De,
Aspiazu Jose De,
gitara,
2 2006-01-24 Postludium I
Lutosławski
Witold,
Antoni Wit,
Antoni Wit,
Wit Antoni,
2 2006-09-28 Postludium II
Wielka Orkiestra Symfoniczna PRiTV
w Katowicach,
Straszyński
Andrzej,
2 2007-01-25 Postludium II
Antoni Wit,
2
2
2
2
5
5
5
NOSPR w Katowicach,
NOSPR w Katowicach,
NOSPR w Katowicach,
NOSPR w Katowicach,
NOSPR w Katowicach,
NOSPR w Katowicach,
NOSPR w Katowicach,
Wit Antoni,
Wit Antoni,
Wit Antoni,
Wit Antoni,
Wit Antoni,
Wit Antoni,
Wit Antoni,
2 2007-12-24 Północ już była
w Krakowie,
Antoni Wit,
2 2008-10-23 Preludes and Fugue
Polish Radio Symphony Orchestra,
Lutosławski
Witold,
2 2007-02-07 Preludia
WOSPR,
2 2006-01-19 Preludia i fuga
Amadeus,
2009-01-25 Postludium nr 1
163
Duczmal
Agnieszka,
"Amadeus",
Duczmal
Agnieszka ,
Amadeus,
Duczmal
Agnieszka,
Amadeus,
Duczmal
Agnieszka,
Amadeus,
Duczmal
Agnieszka,
Amadeus,
Duczmal
Agnieszka,
NOSPR ,
Amadeus,
Wit Antoni ,
Duczmal
Agnieszka,
Amadeus,
Duczmal
Agnieszka,
NOSPR,
Wit Antoni,
2 2012-10-21
smyczkowych
2 2006-01-25 Preludia na 13 smyczków 1-2-3-4-5
2 2006-02-23 Preludia taneczne
Saiote Antonio - klarnet,
Szpinalska Małgorzata,
Pokrzywiński Mirosław klarnet, NosowskaPosławska Maja - fortepian
Polskiego Radia,
Josz Alfred-klarnet,
Kurkiewicz Ludwik,
Kurkiewicz Ludwik,
164
Wit Antoni,
Kurkiewicz Ludwik,
Meyer Paul, Le Sage Eric,
Bawarskiego,
Brunner Eduard,
Lewczuk Jadwiga, Fessard
Jean Marc,
Fessard Jean-Marc,
Lewczuk Jadwiga,
2 2007-08-25 Preludia Taneczne - wybrane: nn: 2;3.
Polskiego Radia,
Polskiego Radia,
Polskiego Radia,
AUKSO
Orkiestra FN,
165
Lutosławski
Witold,
Wit Antoni,
Wit Antoni,
Wit Antoni,
Rosengren Hakan
Moś Marek
Rowicki Witold,
2 2011-10-25 Preludia taneczne (oryg. wersja z 1954 r.)
2 2006-06-09 Preludia taneczne na klarnet i fortepian
#
2010-04-08 Preludia taneczne na klarnet i fortepian
1 2007-06-20 Preludia taneczne na klarnet i orkiestrę
Lutosławski Youth Orchestra,
Laffair Julien, Kortel Aziz,
Valdeperias Joaguin / Parr
Patricia,
Cielecki Jan, Grzybowski
Maciej,
Zbijowski Krzysztof klarnet
Zbijowski Krzysztof klarnet
Janda Adrian - klarnet,
2 2007-02-04 Preludia taneczne, cz.1
Fargeix Nicolas-klarnet,
Mital Xavier-fortepian
2 2007-07-25 Preludia teneczne na klarnet i fortepian
Valdepenas Joaguin / Parr
Patricia,
Rajski Wojciech
Rajski Wojciech
Eggen
Christian,
2 2009-01-25
Preludium 1 z cyklu "Preludia i fuga na 13
instrumentow smyczkowych"
NOSPR w Katowicach,
Wit Antoni,
2 2009-01-25
Preludium 2 z cyklu "Preludia i fuga na 13
instrumentow smyczkowych"
NOSPR w Katowicach,
Wit Antoni,
Bokszczanin Jan, Gusnar
Paweł,
2 2008-03-27 Preludium taneczne nr 1
2 2007-09-21 Przeźrocza
Zespół Kameralny NYYD(Tallin),
Elts Olari,
2 2006-12-25 Przybieżeli do Betlejem
Maja,
2 2010-12-26 Przybieżeli do Betlejem
Maja,
2 2007-12-24 Przybieżeli do Betlejem Pasterze
w Krakowie,
Antoni Wit,
Maja,
2 2006-04-23 Ptasie plotki
166
1 2008-11-30 Ptasie plotki
Alla Polacca,
Daskalakis Ariadne,
Yampolski Miri,
2 2009-08-09 Recitativo e arioso
#
2010-04-08 Rektor z cyklu 5 pieśni ludowych
Multi Camerata
2 2007-06-19 Rzeczka
2 2009-01-12 Rzeczka
2 2010-07-20 Rzeczka
2 2006-12-18 Siny Mróz
Chór PR we Wrocławiu i zespół
instrumentalny,
2 2007-01-06 Sonata fortepianowa
1 2008-08-12 Sonata fortepianowa -fragment
Pobłocka Ewa,
Morgiel Aleksandra
Maja,
2 2006-04-23 Spóźniony słowik
Maja,
WOSPR,
WOSPR,
Janukowicz Zofia,
Borkowski
Piotr,
Latoszewski
Zygmunt,
Nosowska Maja-fortepian,
Rappe Jadwiga-alt,
Harasimowicz-Haas Borkowski
sopran,
Piotr,
Kajdasz
Edmund,
WOSPR,
2 2010-08-21 Spóźniony Słowik
167
Hundziak
Andrzej,
Nosowska Maja-fortepian,
Rappe Jadwiga-alt,
Jakowicz Kuba - skrzypce,
Bednarczyk Bartosz fortepian,
Lelek Marta, Kubica Paweł,
Krzysztof - skrzypce
Kang Juliette - skrzypce,
Chen Melvin - fortepian,
2 2006-05-21 Spóźniony słowik z cyklu "Pieśni dziecięce"
2 2006-03-16 Subito
2 2006-05-06 Subito
2 2006-08-02 Subito
2 2007-01-29 Subito
Kang Juliette - skrzypce
/Kanada/, Chen Melvin fortepian, Chen Malvin fortepian,
2 2007-02-10 Subito
Staśkiewicz Anna Maria,
Sikorski Marcin,
Jakowicz Kuba - skrzypce,
Staśkiewicz Anna Maria,
Sikorski Marcin,
2 2009-12-30 Subito
2 2010-05-24 Subito
2 2010-11-21 Subito
2 2011-05-30 Subito
2 2011-10-24 Subito
Kupiec Ewa, Faust Isabelle,
Sikorzak-Olek Anna,
Orkiestra Kameralna PR "Amadeus",
Żołnierczyk Jarosław,
2 2012-07-20 Subito
Jakowicz Jakub (skrzypce),
2 2012-08-03 Subito
Joanna Wronko, Frank van
de Laar,
2 2012-11-16 Subito
Jakowicz Jakub (skrzypce),
Kang Juliette - skrzypce,
Chen Melvin - fortepian,
2 2006-02-04 Subito na skrzypce i fortepian
168
Duczmal
Agnieszka,
Kornowicz Jerzy,
Bąkowski Krzysztof skrzypce, Górecka Anna fortepian,
Bednarczyk Bartosz fortepian, Jakowicz Kuba skrzypce,
Malicki Waldemar fortepian, Pławner Piotr skrzypce,
So Young Yoon, Sikorski
Marcin,
2 2011-11-03 Symfonia nr 4
Narodowej,
Lutosławski
Witold,
2 2012-07-05 Symfonia nr 4
Los Angeles Philharmonic,
Salonen EsaPekka,
2 2012-10-25 Symfonia nr 4
Salonen EsaPekka,
2 2012-12-11 Symfonia nr 4
Salonen EsaPekka,
Maja,
2 2012-06-16 Sześć piosenek dziecinnych
1 2008-11-30 Taniec nr 1
2 2007-03-16 Taniec rosyjski z "Pietruszki"
Alla Polacca,
Lutosławski Piano Duo,
169
2 2009-06-12 Trio na obój, klarnet i fagot
Krakowskie Trio Stroikowe: Mleczko
Marek - obój, Widaszek Roman klarnet, Solecki Paweł - fagot,
2 2006-11-06 Troi poemes d'Henri Michaux
Chór Polskiego Radia w Krakowie,
Lutosławski
Witold,
2 2009-03-26 Troi poemes d'Henri Michaux
Lutosławski
Witold,
2 2011-07-16 Trois Poemes D`Henri Michaux
NOSPR w Katowicach, Chór
Polskiego Radia w Krakowie,
Chmura
Gabriel, Siedlik
Włodzimierz kier. chóru,
2 2007-02-07 Trois Poemes D`Henri Michaux-fragm.
The Polish Radio National Symphony
Orchestra in Katowice, The Polish
Radio hoir in Cracow
Lutoslawski
Witold, Krenz
Jan
2 2006-05-14
Trois poemes d'Henri Michaux - Repos dans
le malheur
Kraków Radio Chorus/Polish Radio
National Symphony Orchestra,
Lutosławski
Witold,
2 2006-06-05
Trois poemes d'Henri Michaux - Repos dans
le malheur
Kraków Radio Chorus/Polish Radio
National Symphony Orchestra,
Lutosławski
Witold,
2
2
2
2
2006-04-23 Tryptyk śląski
WOSPR,
WOSPR,
WOSPR,
NOSPR,
Pasiecznik Olga,
Pasiecznik Olga,
Pasiecznik Olga,
Pasiecznik Olga-sopran,
2 2012-01-21 Tryptyk śląski
Crowe Lucy,
2 2012-07-21 Tryptyk śląski
WOSPR,
Pasiecznik Olga,
2009-01-24 Tryptyk Śląski
170
Wit Antoni,
Wit Antoni,
Wit Antoni,
Wit Antoni,
Gardner
Edward,
Wit Antoni,
2 2012-01-23
Tryptyk śląski - cz. I Allegro non troppo: "Oj
mi się owiesek wysypywa"
2 2011-12-18 Tryptyk śląski - cz. III
2 2012-01-23
Tryptyk śląski - cz. III Andante quieto: "Ach,
w tej studni źródło bije"
2 2006-10-03 Tryptyk śląski - cz.III
2 2009-09-26 Tryptyk śląski na sopran i fortepian
Crow Lucy,
Gardner
Edward,
Crowe Lucy,
Gardner
Edward,
Crow Lucy,
Gardner
Edward,
Orkiestra Wszechzwiązkowego Radia
Janukowicz Zofia,
w Moskwie,
Piass Agnieszka - sopran,
Morawski Robert fortepian,
Stryja Karol,
Kornowicz Jerzy,
Kornowicz Jerzy,
Kornowicz Jerzy,
2 2012-12-23 Tryptyk Śląski: Ach, w tej studni
Polskiego Radia,
Wit Antoni,
2 2012-12-23 Tryptyk Śląski: Kukułeczka kuka
Polskiego Radia,
Wit Antoni ,
2 2012-12-23 Tryptyk Śląski: Oj, mi się owiesek
Polskiego Radia,
Wit Antoni dyr.,
2 2007-04-20 Trzy fragmenty na flet i harfę
Moszyński Kazimierz - flet,
Sikorzak Anna - harfa
Moszyński Kazimierz - flet,
Sikorzak Anna - harfa
171
2 2012-04-25 Trzy fragmenty na flet i harfę cz I Magia
Świątek Barbara (flet),
Mazurek Urszula (harfa),
2 2012-04-25
Trzy fragmenty na flet i harfę cz II Odys na
Itace
2 2012-04-25 Trzy fragmenty na flet i harfę cz III Presto
2 2006-06-15 Trzy fragmenty na flet i harfę /nr ,2, 3/
Sikorza-Olek Anna,
Kotnowska Jadwiga,
2
1
2
1
2
2
2007-01-25 Trzy łatwe utwory na fortepian
2 2010-07-30 Trzy poematy d'Henri Michaux
Narodowej w Warszawie, Chór
Filharmonii Narodowej w
Warszawie,
Lutosławski
Witold,
Michniewski
Wojciech,
2 2010-06-01 Trzy poematy d'Henri Michaux cz. II-III
Lutosławski
Witold,
Michniewski
Wojciech,
2 2007-10-27 Uwertura
Orkiestra Kameralna "Aukso",
Moś Marek,
2 2006-05-15 Uwertura na orkiestrę smyczkową
2 2011-05-06 Uwertura na orkiestrę smyczkową
Kabara Robert,
Maksymiuk
Jerzy ,
172
2 2009-05-30 Uwertura na smyczki
Orkiestra kameralna miasta Tychy
"Aukso",
Filharmonicy Berlińscy,
Sinfonia Varsovia,
Sinfonia Varsovia,
"Amadeus",
Duczmal
Agnieszka ,
2 2006-02-18 Uwertura smyczkowa
Aukso - Orkiestra Kameralna Miasta
Tychy ,
Moś Marek ,
"Amadeus",
Duczmal
Agnieszka ,
Maksymiuk
Jerzy ,
Michniewski
Wojciech,
Michniewski
Wojciech,
Fisch Asher,
Michniewski
Wojciech,
Michniewski
Wojciech,
Argerich Martha, Freire
Nelson,
Nelson,
Nelson,
Nelson,
5 2007-07-05 Variatios on a Theme by Paganini
2 2012-02-24 W naszym pustym pokoju
Moś Marek,
Zespół Bogusława Klimczuka,
173
Jędrusik Kalina,
Klimczuk
Bogusław,
Klimczuk
Bogusław,
2 2007-12-24 W żłobie leży
w Krakowie,
2 2006-10-27 Wariacja Sacherowska
Lutosphere,
Możdżer Leszek,
Bauer Andrzej,
Skrok Michał,
Zdunik Marcin ,
Kielar Joanna,
Bauer Andrzej wiolonczela,
Jabłoński Roman wiolonczela
Sulic Luka,
Pałosz Mikołaj,
Pałosz Mikołaj,
Zdunik Marcin ,
Zdunik Marcin ,
Janosik Piotr - wiolonczela,
Bauer Andrzej wiolonczela,
Połoński Dominikwiolonczela
Tomassi Giorgia fortepian, Argerich Martha,
2 2008-11-02 Wariacja sacherowska
2
2
2
2
2
2
2009-02-25 Wariacja Sacherowska
2 2006-10-27 Wariacja sacherowska na wiolonczelę solo
2 2007-01-23 Wariacja Sacherowska na wiolonczelę solo
2 2008-07-07 Wariacje n.t.Paganiniego na 2 fortepiany
Tomassi Giorgia fortepian, Argerich Martha,
Vallina Mauricio fortepian, Argerich Martha
- fortepian,
2 2007-04-13 Wariacje na temat Niccola Paganiniego
Antoni Wit,
Ork.Symf.RadiaWiedeńskiego,
174
Jablonski Peter - ftp,
Billy, Bertrand
de,
2 2006-01-25 Wariacje na temat Paganiniego
Sinfonia Varsovia,
Szczęsnowicz Aleksandra ,
Napierała Lech,
Szczęsnowicz Aleksandra,
Olejniczak Janusz ,
Maksymiuk Jerzy ,
Argerich Martha i Freire
Nelson - fortepiany
Argerich Martha,Freire
Nelson-fortepiany,
Napierała Lech,
Napierała Lech,
Grajewska Barbara fortepian, Griensven Eric
van - fortepian,
Napierała Lech,
Napierała Lech,
Napierała Lech,
Sinfonia Varsovia,
Sinfonia Varsovia,
175
Olejniczak Janusz ,
Maksymiuk Jerzy ,
Olejniczak Janusz ,
Maksymiuk Jerzy ,
Lutosławski Piano Duo (Sitarz Emilia,
Wąsik Bartłomiej),
Zdunik Marcin ,
Nelson-fortepiany,
Zdunik Marcin wiolonczela, Koziak Bartosz
- wiolonczela,
Sitarz Emilia; Wąsik
Bartłomiej,
Bartłomiej,
NULL
Bartłomiej,
Napierała Lech,
Aichinger Oskar - fortepian,
Sinfonia Varsovia,
Sinfonia Varsovia,
Sinfonia Varsovia,
176
Aichinger Oskar,
Olejniczak Janusz ,
Maksymiuk Jerzy ,
Bartłomiej,
Olejniczak Janusz,
Kaspszyk Jacek,
Łukaszczyk Jacek,
Łukaszczyk Maciej fortepian,
Olejniczak Janusz fortepian,
Maksymiuk
Jerzy,
Bartłomiej,
Safari Duo (Friis Morten, Savery Uffe
- perkusja), Slovak Piano Duo
(Solarik Ales, Pazicky Peter fortepian),
Napierała Lech,
Bartłomiej,
Labeque Katia i Marielle,
Bartłomiej,
Bartłomiej,
Napierała Lech,
Napierała Lech,
Napierała Lech,
Ptaszyńska
Marta,
177
Sitarz Emila (fortepian),
Wąsik Bartłomiej
(fortepian),
Argerich Martha i Freire
Nelson - fortepiany
Grajewska Barbara fortepian, Griensven Eric
van - fortepian,
Propper Daniel - fortepian,
Granat Tamara - fortepian,
Bartłomiej,
Aichinger Oskar - fortepian,
Napierała Lech,
Aichinger Oskar,
Napierała Lech,
Napierała Lech,
Nelson,
Sitarz Emilia, Wąsik
Bartłomiej,
Sitarz Emilia, Wąsik
Bartłomiej,
2 2011-08-26 Wariacje na temat Paganiniego (1941)
2 2011-10-24 Wariacje na temat Paganiniego (1941)
2 2009-02-01
Wariacje na temat Paganiniego (wersja na
fortepian i orkiestrę)
NOSPR w Katowicach ,
Glemser Bernd - fortepian,
Wit Antoni ,
2 2009-05-01
Wariacje na temat Paganiniego (wersja na
fortepian i orkiestrę)
Glemser Bernd - fortepian,
Wit Antoni ,
2 2006-10-08
Wariacje na temat Paganiniego na fortepian
Sinfonia Varsovia,
i orkiestrę
Kortus Jacek,
Maksymiuk
Jerzy,
178
2 2007-02-25
Sinfonia Varsovia,
i orkiestrę
Maksymiuk
Jerzy,
2 2009-08-08
Sinfonia Varsovia,
i orkiestrę
Maksymiuk
Jerzy,
2 2010-05-29
Sinfonia Varsovia,
i orkiestrę
Tamir Alexander, Eden
Bracha,
Maksymiuk
Jerzy,
Wiardo Władimir,
Wit Antoni,
2 2008-06-16 Wariacje na temat Paganiniego op.2
2 2006-04-17
2
2
2
2
2
1
2
2
Wariacje na temat Paganiniego wersja na
fortepian i orkiestrę
2007-01-22 Wariacje na termat Paganiniego
2 2012-05-26 Wariacje na termat Paganiniego
Lugansky Nikolai , Rudenko
Vadim,
2 2009-12-02 Wariacje nt Paganiniego
2 2006-01-12 Wariacje nt. Paganiniego
2 2006-03-26 Wariacje Sacherowska
3 2010-06-23 Wariacje symfoniczne
Polskiego Radia
Chmura Gabriel
2 2012-02-06 Wariacje symfoniczne
NOSPR,
Valade PierreAndre,
179
Glemser Bernd- fortepian,
Wit Antoni ,
Boreyko
Andrzej,
2 2012-01-22 Wariacje symfoniczne - fragment
2 2012-01-29 Wariacje symfoniczne - fragment
1 2008-11-30
Wariacje Witolda Lutosławskiego na temat
Paganiniego
Chau Lok Ping i Chau Lok
Ting,
Połoński Dominikwiolonczela
Buczek Olgierd,
1 2011-04-20 Warjacja Sacherowska
1 2006-01-17 Warszawski dorożkarz
2
1
1
1
1
2
Gardner
Edward,
Gardner
Edward,
Konrad Cezary,
Konrad Cezary,
Gert Jerzy ork.,
2008-07-15 Warszawski Dorożkarz
Kotarba Włodzimierz,
Gert Jerzy,
Bauer Andrzej,
Buczek Olgierd,
Buczek Olgierd,
Buczek Olgierd,
Buczek Olgierd,
Buczek Olgierd,
Maja
2010-01-25 Warszawski dorożkarz
2 2007-02-07 Wiatr
Zespół Kameralny Narodowej
Orkiestry Symfonicznej Polskiego
Radia c,
Godlewski Janina
(mezzosopran),
Lutosławski
Witold,
2 2008-08-30 Wiosna - cztery pieśni dziecięce
Zesp.Kam.Narod.Ork.Symf.Pol.Radia,
Godlewska Janina mezzosopran,
Lutosławski
Witold,
1 2012-05-13 Wróbelek
chór dzieciecy rozg.Wrocław.,
2 2012-08-13
Wiosna - 4 piosenki dziecięce na głos i
180
Kajdasz
Edmund,
Dobrzański
Tadeusz,
Bauer Andrzej,
Kajdasz Edmund,
2 2008-07-15 Z lat dziecinnych
2 2012-08-20
Zima (z cyklu "5 pieśni do słów Kazimiery
Iłłakowiczówny")
Zubel Agata,
Duchnowski
Cezary, Bauer
Andrzej,
Zubel Agata,
Duchnowski
Cezary, Bauer
Andrzej,
Zubel Agata,
Duchnowski
Cezary, Bauer
Andrzej,
Podleś Ewa, Pobłocka Ewa,
2 2008-07-15 Złote pantofelki
181
Zubel Agata,
Duchnowski
Cezary, Bauer
Andrzej,
Zubel Agata,
Duchnowski
Cezary, Bauer
Andrzej,
Zubel Agata,
Duchnowski
Cezary, Bauer
Andrzej,
Zubel Agata,
Duchnowski
Cezary, Bauer
Andrzej,
Zubel Agata,
Duchnowski
Cezary, Bauer
Andrzej,
Masecki Marcin, DJ Lenar,
2 2008-07-15 Znajdziesz mnie wszędzie
Agata,
Agata,
Agata,
Zubel Agata,
Duchnowski
Cezary, Bauer
Andrzej,
Zubel Agata,
Duchnowski
Cezary, Bauer
Andrzej,
Zubel Agata,
Duchnowski
Cezary, Bauer
Andrzej,
Zubel Agata,
Duchnowski
Cezary,
Zubel Agata,
Duchnowski
Cezary,
Zubel Agata,
Duchnowski
Cezary,
Romanowski
Władysław,
Ork. Taneczna PR w Katowicach,
Harald Jerzy,
2 2006-04-23 Żelazny Marsz
instrumentalny,
Kajdasz
Edmund,
Hundziak
Andrzej,
instrumentalny,
Kajdasz
Edmund,
Hundziak
Andrzej,
instrumentalny,
Kajdasz
Edmund,
Hundziak
Andrzej,
182
Witold Lutosławski’s works in offers submitted to EBU
Date
Work
Performers
Event
1999-03-24
Koncert podwójny na obój, harfę
i ork. kameralną
Ork. Kameralna PR "Amadeus", A. Duczmal
M. Pędziałek, A. Sikorzak-Olek,
nagr. archiwalne Ork. Kameralnej PR "Amadeus",
Poznań
nagr. archiwalne Ork. Kameralnej PR "Amadeus",
Poznań
2005-11-09
Tańce polskie na orkiestrę
NOSPR, J. Krenz
1. Festiwal Muzyki Polskiej, Kraków
2005-11-11
Muzyka żałobna
2006-11-07
Sinfonietta Cracovia, J. Maksymiuk
2006-11-11
Kwartet smyczkowy
Kronos Quartet
2007-02-24
Wariacja sacherowska
M. Zdunik
2007-02-27
Grave
M. Zdunik
6. Międzynarodowy Konkurs Wiolonczelowy
im. W. Lutosławskiego
2007-03-01
M. Zdunik, POR, M. Caldi
J. Olejniczak, Sinfonia Varsovia, J. Kaspszyk
4. Festiwal Muzyczny Chopin i jego Europa
Ł. Kuropaczewski
Festiwal Muzyczny PR Emigranci
1992-04-02
2008-10-04
(wersja na fort. i ork.)
Melodie ludowe (Ach, mój Jasieńko,
transkr. Jose de Aspiazu)
2009-02-08
Livre pour Orchestre
NOSPR, J. Kaspszyk
100. rocznica śmierci M. Karłowicza
2009-02-08
2009-08-22
NOSPR, J. Kaspszyk
N. Lugansky, V. Rudenko
100. rocznica śmierci M. Karłowicza
5. Festiwal Muzyczny Chopin i jego Europa
2010-05-13
Partita
P. Pławner, E. Knapik
Festiwal Musica Polonica Nova, Wrocław
2010-05-14
Mi-parti
Ork. Filharmonii Wrocławskiej, R. Szulc
Festiwal Musica Polonica Nova, Wrocław
2010-09-13
Łańcuch 1
Ensemble Intercontemporain, J. Deroyer
Festiwal Sacrum Profanum,Kraków
2008-08-16
183

report - Instytut Muzyki i Tańca

Transcription

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