29 th November - International Film Festival of India

PAGE 01_Layout 1 11/28/2011 10:13 PM Page 1
23rd Nov - 3rd Dec 2011
DAY 7 | 29th Nov, 2011
Good films work and digital technology More films needed
to
create
awareness
helps overcome financial problems
about disability
L
ack of funds and difficulties involved with censorship remain
the main concerns amongst filmmakers in Asian countries, though the
latter problem varies from country to
country.
Speakers at the Open Forum organized by FFSI yesterday, filmmaker Ami
Drozd of Israel said around 26 features
and 80 non-features had been made in his
country last year despite difficulties in
getting finance and little government
support. However, he said the government had no control over content and
therefore films were made which were
critical of the government of the day.
He said the cinema of his country was
a ‘cosmos’ of several cultures. There were
around thirty schools of cinema and therefore a large number of filmmakers. He
said that filmmakers in his country
wanted to make films on varied subjects
but people generally wanted to see cinema
related to the Israel-Palestine issue and the
effects on the families because of that.
Bangladeshi filmmaker Kamar
Ahmed said the country had been under
military rule for twenty years after its liberation in 1971 and therefore was still
too young for a good film industry. However, filmmakers had already made a
T
Ami Drozd, Aditya Assarat, Karmade Dea, V K Prakash and U Radhakrishnan
mark overseas by winning several
awards, including the award last year for
‘Nirantar’. Responding to a comment by
U Radhakrishnan who was moderating
the discussion, he said people were more
responsible than the media for the kind
of films that found favor with the audiences.
V K Prakash who has made films in
various languages said there was need to
recognize that there was another Indian
cinema beyond Bollywood and said the
National Film Awards had shown how
regional cinema was doing better than
Hindi cinema. In fact, there was now
greater understanding of regional cinema
in Bollywood. He said the festivals like
IFFI gave a good platform to such films.
The onset of digital cinema had led to
more young people trying their hand at
making good cinema and it was important to understand that ‘good films work
more than money’ and so creative filmmakers should not give up the efforts to
make their films.
-- B.B. Nagpal
here is need to change media perception if awareness has to be created amongst people about the problems faced by disabled or different enabled children,
and the corporate houses should not shirk their social responsibility. This was the consensus of an Open Forum on
.Cinema and Specially-abled children’ organized yesterday.
Shalini Gupta, member of the informal group SAATH
of parents of special children, said the aim of her group
was to find ways to create self-confidence amongst such
children as most of them had some special talent. She said
her group which had 250 parents was prepared to help
other parents needing any help, and was even giving
scholarships to help special children.
Shailendra Gupta said media should work to change
the public perception of disability and ensure that such are
looked at with compassion and not derision. Referring to
a question about corporate houses not coming forward
with CSR activities, he said CSR was a much maligned
word and groups working in this field should go on irrespective of whether they get money or not.
Swati Bhatt whose film ‘Accept me’ on a specially enabled young person is being screened here said that her
aim was to give a big slap to this society which is so insensitive to such children. Dilip Bapat said two per cent of
the population in the country comprised special children,
but the film industry was still not taking this seriously.
most speakers said the trend to use disability as the butt
of comedy in Indian cinema, was changing and awareness
was growing with some very sensitive films on the subject.
-- B B Nagpal
My film was made with a lot of passion
“I Found Master Classes Impressive.”
Preeti Jhangiani
- Hugh Welchman
A
ddressing the media centre
yesterday, Preeti Jhangiani
said that though she is an actress,
after hearing the script of ‘Sahi
Dhandhe Galat Bande’ she decided to do the role of a producer
for the first time. “It was my passion for the project that made me
produce the film, though film production is very tough job. This
film which has been directed by
my husband Parvin Dabas, focuses on the current issue of land
acquisition. It is pathetic to note
that the villagers get only 1/8 of
the compensation due to them”.
‘Sahi Dhandhe Galat Bande’ is
the story of a gang of four friends
who are given a job, which will
give them enough money to make
all their dreams come true, but to
achieve the same, they have to go
against their conscience. They
come across a multitude of characters to achieve their desired goal
in this film.
Preeti Jhangiani said “A film
should have entertainment, besides soul and meaning to make it
a success. My film is not a mind-
less comedy. It was shot in Kanjhawala (Haryana) near Delhi and
has Haryanvi humor. The shooting of the film was completed in
24 days. The actual characters and
locations have been used. It is a
great honor for me that my film is
one of the three Hindi films selected for the Indian Panorama in
42nd IFFI. I had come to Goa 2
years before along with my husband’s film “Khosla Ka Ghosla”
but this time I find tremendous improvement in the 42nd IFFI. I
have not acted for last two years
because I was in my family way.
Now, I will start acting after some
time. I am more than satisfied with
my performance as a producer and
wish to produce a Punjabi film in
the near future”.
-- Satinder Mohan
H
ugh Welchman, the producer of
The Flying Machine, ,removing
his recently won Oscar trophy from
his bag, first wisecracked, “Since I
won the Oscar, I have changed my
name from Hugh Welchman to
Oscar Welchman”.
The Flying Machine, is a co – production between several countries like
Poland, Europe, France & China including India. “Though I had begun
the film after getting a commissioned
assignment from my own country’s
Polish Film Funding Council, to raise
more funds, I flew down to Beijing
and came back with a Chinese co –
production deal. Then other countries
too joined in. My film had almost 168
stereophonic visual affects so my production house Breakthru Films contacted Accel Animation Studios in
Chennai, which offered to join hands
with us. The next thing I knew I had
flown down to India for the first time
and landed up in Chennai as their special guest for 6 months till the 3D Animation work was complete.”
Hugh signed off. “It is strange
that though today Hollywood has
millions of dollars budget to make
action -oriented films for adults, not
a single dollar budget is allotted for
children’s film. I found Master
Classes at IFFI very impressive.”
-- Shaheen Raaj
‘FILMS MUST ADDRESS RESPECT FOR LIFE & HUMAN RIGHTS TO ENHANCE UNDERSTANDING’
“R
espect for life and human rights
are very important and I make
movies addressing these issues
because it is important for people as well as
governments, not to repeat the errors of the
past." Thus spoke Francisco Manso, director
of ‘The Consul of Bordeaux’, the 42nd IFFI's
opening film.
Addressing a crowded media meet at the
Maquinez Palace on his birthday (the Lisbon
born director turned 62 on November 28)
Manso said he likes to make films on historical
and social issues like slavery and capital punishment "since the remembrance of the past
enables us to understand our role in the present
and a proper perspective for the future.
For courageous persons like the Consul of
Bordeaux, Aristides de Sousa Mendes, it was
a question of principles, of conviction, and
Francisco Manso, Vitor Norte, Jose Mazeda and Henri Seroka
risk-taking." Stationed in 1940 in the port city
in southwest France, Sousa Mendes saved
30,000 people, among them, 10,000 Jews,
from the Nazis. His moral courage inspired
Manso.
Portugal produces ten feature films a year,
because as producer Jose Mazeda , who has
shot two features and six documentaries in
Goa ,explained, " the production process is
very expensive. "I would love to make more
films" he said, pointing out that he had got
Spanish,Belgian and Polish funding for "The
Consul of Bordeaux" while Manso said he
has made co-productions with Portuguese
speaking countries in Africa.
Lead actor Norte told this correspondent
that he had seen Schindler's List several years
ago and prepared for his role by researching
the various forces which shaped the principal
character and interacting with members of
Sousa Mendes' family.
To save the lives of the desperate, hungry
and homeless, he would stake his reputation,
his high position, health, friends and even,
the future of his family. Sousa Mendes was
dismissed by the Salazar administration, and
died destitute in 1954, his family impoverished and his home reduced to ruins, until
very recently, when the Portuguese government and private donors would restore it as
a museum commemorating WW2 and human
rights.
-- Ronita Torcato
PAGE 2_Layout 1 11/28/2011 10:12 PM Page 1
2
November 29 2011
TODAY’S SCREENINg SChEDULE
INOX SCREEN I
INOX SCREEN II
INOX SCREEN III
INOX SCREEN IV
08.30 A.M.
10.00 AM
09.00 AM
09.15 AM
RanJana
amI aR
asHBona (IP-F)
Dir. Anjan Dutt
Bengali/135 min./Col.
WHat LoVe may
BRIng
(CES AMOURS-LA)
Dir. Claude Lelouch
France/2010/120 min./Col.
(CW)
tHe FLyIng
maCHIne
Dir. Martin Clapp, Dorota
Kobiela, Geoff Lindsey
Poland/2011/76 min./Col.
(SOS)
12.30 PM
11.30 AM
11.45 AM
HOMAGE – MANI KAUL
naUKaR KI
KameeZ
Dir. Mani Kaul
Hindi/1999/104 min.
neWsFRont
Dir. Phillip Noyce
Germany/USA/1978/
106 min./Col.
(PN Retro)
BReatHIng
(atmen)
Dir. Karl Markovics
Austria/2011/93 min./Col.
(FK)
2.30 PM
2.45 PM
tHe gIants
(LES GEANTS)
Dir. Bouli Lanners
Belgium/France/Luxembourg/
2011/84 min./Col.(CW)
11.00 A.M.
MID-FEST FILM
goLCHeHReH
Dir. Vahid Mousaian
Iran/2011/108 min./Col.
02.00 P.M.
PoLIsse
Dir. Maiwenn
France/2011/127 min./Col.
(CW)
04.30 P.M.
THe oTHer sIDe of
sLeeP
Dir. Rebecca Daly
Netherlands/Hungary/
Ireland/2011/88
min./Col.
(CW)
07.00 P.M
maJId
Dir. Nassim Abassi
Morocco/2010/116 min./Col.
(CW))
10.00 P.M.
WU XIa
Dir. Peter Chan
China/Hong Kong/2011/
114 min./Col.
(CW)
CW
ED
FK
IC
SOS
:
:
:
:
:
Cinema of the World
Euro Discoveries
Festival Kaleidoscope
International Competition
Sketches on Screen
3.30 PM
RaKsHas
(IP-NF)
Dir. Alok Naik
Gujarati/21 min./Col.
PHIJIgee manI
(IP-F)
Dir. O Gautam Singh
Manipuri/111 min./Col.
6.00 PM
at tHe staIRs
(IP-NF)
Dir. Rajesh S. Jala
Hindi/Bhojpuri/29 min./Col.
He... (IP-F)
Dir. Mangesh Joshi
Bhojpuri/105 min./Col.
8.30 PM
tHe BoXIng LadIes
(IP-NF) (REPEAT SHOW)
Dir. Anusha Nandakumar
Hindi/26 min./Col.
meLVILasom
(IP-F)
Dir. Madhav Ramdasan
Malayalam/105 min./Col.
nana
Dir. Valerie Massadian
France/2011/68 min./Col.
(FK)
05.00 PM
my name Is KI (KI)
Dir. Leszek Dawid
Poland/2011/93 min./Col.
(SOP)
07.30 PM
LoVe CRImes oF
KaBUL
Dir. Tanaz Eshaghian
USA/2011/71 min./Col.
(DWD)
T
he one Short film in
Bengali that has been
selected for Indian
Panorama is Modhyoborti
Alinde. The film is directed
by
Krishnokishore
Mukhopadhyay and the Associate Director of the film is
Ms. Soma Bandyopadhay.
Festival Bulletin spent a few
minutes with them when they
attended the festival along
with Nirmal Roy who played
the central character of the
film.
How did you start your journey in the film Industry?
We started as actors and
then we switched over to
filmmaking.
What made you choose filmmaking?
The focus changes with the
passage of time. We felt that
tHe HoUse
(dom)
Dir. Zuzana Liova
Slovak Republic/2011/
100 min./Col. (ED)
07.45 PM
oRanges and
sUnsHIne
Dir. Jim Loach
Ireland/2010/105 min./Col.
(IC)
10.45 P.M.
dRy VaLLey
Dir. Alexandra Strelyanaya
& Yana Espovich
Russia/2011/90 min./Col.
(ACA)
HaneZU
(HANEZU NO TSUKI)
Dir. Naomi Kawase
Japan/2011/91 min./Col.
(IC)
: Documentaries with a Difference
DWD
: Third Dimension
TD
: Russian Classics
RC
LB Retro : Luc Besson Retrospective
PN Retro: Philip Noyce Retrospective
-Krishnokishore Mukhopadhyay
05.15 PM
10.30 P.M.
“Our film is all about ‘decadence’
and a fight against it”
Soma Bandopadhyay
tURn me on,
goddammIt
(FA MEG PA, FOR FAEN)
Dir. Jannicke Systad
Jacobsen
Norway/2011/75 min./Col.
(ED)
is high time we should say
what we want to say, and film
is the best medium through
which we can reach a wider
section of people.
Why your banner is named
Chobimaker?
We,
(Krishnokishore
Mukhopadhyay and Soma
Bandyopadhyay)
founded
Chobimaker with the sole
purpose of making good
films, short films to start with.
What your film Modhyaborti
Alinde is all about?
The film is all about ‘decadence’ and a fight against it, a
crusade sort of.
What is a good film?
To our mind good films do
have a definite and positive
message, which helps people
to move forward.
You have made a film for the
first time and it has been selected for Indian Panorama.
How do you feel?
We really feel honored but
this is not our first film. The
first one was Modhyrekha, a
Bengali short film based on
psychiatric disorder which
was screened in Kolkata Film
festival in 2008.
MAQUINEZ
PALACE I
KALA ACADEMY
09.30 AM
09.30 AM
CaVe oF
FoRgotten
dReams
Dir. Werner Herzog
France/2011/90 min./Col.
(TD)
(REPEAT SHOW)
KHULe
daRWaaZe
(IP-NF)
Dir. Ashish Pandey
Hindi/15 min./Col.
LaPtoP (IP-F)
Dir. Kaushik Ganguly
Bengali/124 min./Col.
12.00 noon
deLHI saFaRI
Dir. Nikhil Advani
India/2011/Col.
(SOS)
12.00 AM
RETROSPECTIVE –
K BALACHANDER
aVaL oRU
tHodaRKatHaI
Dir. K Balachander
Tamil/1975/162 min./Col.
03.00 PM
MASTER CLASS
LaURenCe
KaRdIsH
Curating – Moving Images
05.30 PM
(REPEAT SHOW)
tHe FInIsH LIne
(IP-nF)
Dir. Akshay Roy
Hindi/English/26 min./Col.
KaRmayogI
(IP-F)
Dir. V.K. Prakash
Malayalam/118 min./Col.
03.00 PM
nadeR and sImIn,
a
sePaRatIon
(JODAEIYE NADER AZ
SIMIN)
Dir. Asghar Farhadi
Iran/2011/123 min./Col.
(IC)
05.30 PM
eLena
Dir. Andrei Zvyagintsev
Russia/2011/109 min./Col.
(IC)
08.00 PM
08.30 PM
(REPEAT SHOW)
Red BUILdIng
WHeRe
THE SUN SETS (IP-NF)
Dir. Revathy
English/Tamil/17 min./Col.
tRaFFIC (IP-F)
Dir. Rajesh Pillai
Malayalam/116 min./Col.
VoLCano
(eLdFJaLL)
Dir. Runar Runarsson
Denmark/Iceland/2011/
99 min./Col.
(IC)
SOP : Spotlight on Poland
ACA : A Cut Above
MA &F-AW: Music Arts and Films - The American Way
: Indian Premier
IPR
IP F : Indian Panorama (Feature)
IP-NF : Indian Panorama (Non Feature)
*: without English subtitles
today’s engagement
- Team Members Of The
Bengali Film ‘Modhyoborti
Alinde’
Press conference
10.45 AM : Vikram Gokhale (Actor),
Sumitra Bhave (DirectorProducer), Sunil
Sukthankar (DirectorProducer) and Devika
Daftardar (Actor) -Indian Premiere-2011
‘Bharat Maaza Desh
Aahe’ (India is my
Country)
11.45 AM : Polish delegation
1.00 PM
: Michael Bennett
(Director- Matariki),
Milcho Manchevski
(Director- Mothers) and
Simon Kaijser Da Silva
(Director- Stockholm
East)
2.00 PM
: Kiran Yadnyopavit
(Director), Shital Bhatia
(Producer) and Sachin
Khedekar (Actor) -- Team
Members Of The Film
‘Taryanche Bait’
3.00 PM
: Krishno Kishore
Mukhopadhyay
(Director), Soma
Banerjee (Asst. Director)
and Nirmal Roy (Actor) -
3.45 PM
: Mohd. Salim (Producer),
Madhab Ramdas
(Director), Soorya
Krishnamoorthy (Script
Writer) and Parthipan
(Actor) -- Team Members
Of the film ‘Melvilasom’
oPen forUM
Venue
Time
: Inox Courtyard.
: 12.45 p.m.
Release of book “Pioneers
Of Indian Cinema”
authored by N. Gopal
Krishna by B. B. Nagpal.
Time
: 1.00 p.m.
Topic
: “Polish Cinema :
Nationaly and
Internationally”.
Speakers : Wieslaw Sanikewski –
filmmaker Leszek Dawid
-filmmaker Grazyna
Mulska – Producer
H. E. Prof Piotr
Klodkowski – Ambassador
Moderator : U. Radhakrishnan
ALL ARE WELCOME
PAGE 3_Layout 1 11/28/2011 10:12 PM Page 1
3
November 29 2011
SHAMSHER RAJ KAPOOR STILL LIVES ON
JYOTHI VENKATESH pays homage to the evergreen actor of Bollywood
I
t is quite strange but true that though I
have interviewed almost every Kapoor,
including the great Raj Kapoor and the
gentleman Shashi Kapoor, in my 39 years of
career as a film journalist, Shammi Kapoor is
one actor who I just could not pin down for
an interview. He flamboyant Shamsher Raj
Kapoor a.k.a Shammi Kapoor was made of
different stuff. When he passed away at 79,
the man who had almost pioneered the internet era in India almost two decades ago,
when it was in its nascent stages was actually
full of life.
The man who stole every one’s heart when
he sang Yahoo Chahein Koyi Mujhe Junglee
Kahen was mystical with his rudramanimala
but quite jovial at heart and liked to live life
king size. Though he was suffering from a
kidney ailment and had to make regular trips
three times a week to Mumbai’s Breach
Candy Hospital for his dialysis, Shammi
used to drive down to the suburbs in his care
to visit his friends and return to his house.
The actor with a never-say-die spirit used to
lament the loss of several people close to him
in his life, like his father Prithviraj Kapoor,
brother Raj Kapoor, his samdhi Manmohan
Desai, his first wife Geeta Bali etc and say,
“I have seen life. I have seen too many
deaths.”
My senior colleagues still talk about the
days when they used to barge in at his residence in town and he would prove to be an
My film BABOO BAND BAAJA has bagged 3
national awards & 6 Maharashtra State
awards -- Rajesh Pinjani
R
ajesh Pinjani was a film
critic with a prestigious
publication in Nagpur.
After having won 3 National
Awards and 6 Maharashtra
State Awards for his debut
making Marathi film BABOO
BAND BAAJA he has become
confident enough that now he
can make films of his own
choice so that he can narrate
stories close to human heart.
What made you turn into a
filmmaker from being a prolific journalist?
I thoroughly enjoyed my
stint as a journalist with the
Lokmat group in Nagpur. Then
in the year 2000 I attended an
audio visual event after which
I felt a slight attraction and inclination towards films. After I
attended a Short Film Festival
in 2003 in Nagpur where I saw
films like Udaan and Disha and
attended the Pune International
Film Festival (PIFF) where I
met several film directors, I
took an instant decision to don
the new avatar of a filmmaker.
How did you begin?
section of filmmakers out there
I was mainly inspired by my
mentor filmmaker Purushottam
Jadhav, an IAS officer, who not
only encouraged me but also
supported me in making my beginning as a short filmmaker by
making short films on issue
based subjects.
How was your journey from
making short films to making
your debut with Baboo Band
Baaja?
The transitional journey
from a short filmmaker to a
feature filmmaker was too
Milind Shinde in Baboo Band Baaja
Apart from watching films
in PIFF and meeting a cross
good to be true as I succeeded
in bagging 3 national awards
for my debut film Baboo Band
Baaja itself. I am overjoyed
that my film, which figured in
PIFF as well as Asian Film Festival, is also featuring in the ongoing 42nd IFFI Goa.
How did you think of making
Baboo Band Baaja?
One of my friend once suggested to me that if at all I am
really thinking of becoming a
filmmaker, I should make a beginning by making films based
on real life issues in Marathi. I
started looking out for a director. But even after 6 months
when I did not find one, I decided to direct it myself. Since
the subject of Brass Bandwallah’s life demanded extensive
research, it took me almost one
a half years to complete it. I
stayed in Kamthi near Nagpur
to study their lives. My brother
also helped me by collecting all
the newspaper clippings on
them.
Can you narrate the story of
Baboo Band Baaja in a nutshell?
It is a story about a man enacted by Milind Shinde who
plays a Band in a local area
Band group to eke out his living. He wants his son enacted
by Vivek Chabukswar also to
take up the same profession.
But there arises a conflict as his
wife enacted by Mitalee Jagtap
Varadkar wants him to pursue
his education.
It shows the irrepressible
surge to soar in life pitted
against the vicious grip of circumstances. Produced by Nita
Jadhav, Baboo Band Baaja has
bagged 3 National Awards including for Best Actress for
Mitalee Jagtap Varadkar &
Best Debut film of a director
for me. Not only this, it has
also bagged 6 Maharashtra
State Awards, besides the PIFF
award this year.
-Shaheen Raaj
impeccable host treating them to beer and a
sumptuous non vegetarian lunch, unlike the
stars of today who like to be inaccessible to
the media. Though way back in the 70’s, as a
cub reporter, I used to visit the sets where he
was shooting for his directorial venture
Bundlebaaz with Rajesh Khanna and Sulakshana Pandit, I was scared to talk to him and
chat with only Rajesh Khanna and Sulakshana.
Like what my friend and Shammi
Kapoor’s only son Aditya Raj Kapoor says
succinctly, “Shammiji did manage to do what
was considered impossible- uniting all the
Kapoors under one roof at one time”. Almost
every Kapoor was seen at the funeral, including his younger brother Shashi Kapoor,
nephews Randhir, Rishi and Rajeev, besides
his grand nieces Karisma and Kareena and
grand nephew Ranbir, besides Neetu and
Babita, who do not even see eye to eye.
Shamsher Raj Kapoor a.k.a Shammi
Kapoor is not dead. He will live on .From
Rail Ka Dibba to his last release Rock Star in
which he had acted alongside his grand
nephew Ranbir Kapoor, he will regale us forever.
FILM STUDENTS SAY IFFI HAS GIVEN THEM
A PLATFORM TO SHOWCASE TALENT
T. Suresh Kumar, Renu Sawant, Pranjal Dua & Tarun Rakesh
I
t was a good decision on the part
of the IFFI Director Shankar
Mohan to introduce a special section this year on Student Films. So to
express their views the faculty members Sandeep Chatterjee from the
Pune Film Institute of India, V. M.
Raviraj of M.G.R. Government
Film & TV Institute of Tamilnadu,
Subhadro
Chowdhury
of
Kolkatta,like besides students T.
Suresh Kumar, Renu Sawant, Pranjal Dua & Tarun Rakesh interacted
with the media.
The 3 faculty members from the
various institutes across India collectively expressed their opinion that
they were very happy that their student’s films like Karyukai.Inc,
Chuba, Thug Beram, Beauty, Falling
Awake, Airawat , Open Café, Ru
Cube, Tashi Delek , Fish, Karakku,
Mugari, Achupizhai & Patti - Naa
got an overwhelming response from
the media and the delegates, both Indian and foreign. They also expressed their wish that their students
will get more encouragement if like
earlier the national television started
showing their films on a regular basis
and it will be an added boost if the
private channels too followed suit.
Another outlet for showcasing these
films could be its inclusion in theatres before the commencement of
feature films.
The four students gave an insight
about their films apart from being
thankful to the festival director
Shankar Mohan for offering them the
prestigious platform to showcase
their talents in front of the eminent
filmmakers who are attending the ongoing International Film Festival of
India.
-- S. R.
Tanu Rai, Shankar Mohan, Husain Sheikh, Nana Patekar and Tigmanshu Dhulia at
the presentation ceremony of the film Shagird at Inox.
PAGE 4_Layout 1 11/28/2011 10:10 PM Page 1
4
November 29 2011
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ifùuh us gseysV dh eka dk jksy
fd;k gSA gseysV dh eka csgn
laosnu”khy vkSj vkd’kZd FkhaA
ifùuh us ^deZ;ksxh* esa ml pfj=
dks lkdkj dj fn;k gSA ifùuh
us crk;k fd og ey;kye ugha
tkurh FkhaA iwjs ,d eghus rd
esgur djds mUgksua s ey;kye dk
mPpkj.k Bhd fd;kA mlds ckn
gh fQYe “kq# gqbZA mUgksaus crk;k
fd gseysV dh eka dh Hkwfedk
muds thou ds vPNs fdjnkjksa esa
gSA fQYe ds funsZ”kd oh-dsizdk”k us crk;k fd ^gseysV*
“ksDlfi;j dh lcls tfVy d`fr
ekuh tkrh gSA mls fQYekafdr
djus esa dkQh esgur djuh iM+hA
ifùuh us crk;k fd ;|fi
muds laokn Mc fd, x, gSa]
ysfdu ,fDVax ds oDr ey;kye
ds Mk;ykWx ds vFkZ dks vkRelkr
djds eSaus vfHkO;fDr nhA mUgksaus
crk;k fd dsjy esa “kwfVax ds
nkSjku mUgksaus cgqr vPNk eglwl
fd;kA dsjy dh lqanjrk us mUgsa
eksg fy;kA ifùuh us dgk fd
b¶+Qh esa “kks ds nkSjku gkmlQqy
FkkA blls eq>s ,d ckj fQj
LØhu ij vkus dh izsj.kk feyhA
b¶+Qh ds funs”kd “kadj eksgu ds lkFk jsM dkisZV ij ^Mw ;w ukWV
fcykax* ds funsZ”kd Lianu cSuthZ vkSj vfHkus=h :i yhuk ckslA
ysfdu ,slk eSa rHkh d:axh tc
eq>s ^deZ;ksxh* tSlk jksy feysA
ifùuh us dgk fd b¶+Qh esa bl
ckj Hkkjh psat vk;k gSA blls ;g
QsfLVoy nqfu;k esa vkSj Hkh
ikWiqyj gksxkA bl ckj dk b¶+Qh
“kkunkj gSA
&lqjs”k “kekZ
lkmaM ds tknwxj fQYeksa ds fy, meM+s n”kZd
jlwy iwdqêh
ft
l edln dks /;ku esa
j[k dj dHkh b¶+Qh esa
^Hkkjrh; iSuksjek* [kaM
dh “kq#vkr dh xbZ Fkh og ;gka 42osa
b¶+Qh esa dke;kc gksrk gqvk lkQ utj
vk jgk gSA bl [kaM dh fQYeksa ds fy,
ns”k Hkj ls vk, izfrfuf/k;ksa ds vykok
cM+h rknkn esa fons”kh esgekuksa esa Hkh
mRlqdrk fn[k jgh gSA 28 uoacj dks
fn[kkbZ xbZ fQYeksa esa ls b”kkuh dsnŸkk dh vaxzsth esa cuh ukWu&Qhpj
fQYe ^n eqlyeku* 1927 ls psUubZ ls
fudy jgs blh uke ds ,d ,sls
bafM;u iSuksjek
^Ly
eMkWx feysfu;j* ds fy, vkWLdj
tSlk izfr’Br lEeku ik pqds e”kgwj
lkmaM bathfu;j jlwy iwdqêh dh
b¶+Qh esa vk;ksftr ekLVj Dykl [kpk[kp Hkjs gkWy esa
lEiUu gqbZA b¶+Qh funs”kd “kadj eksgu us mudk
Lokxr fd;kA eap ij jlwy ds lkFk ^xka/kh ekbZ Qknj*
cuk pqds fQYe funsZ”kd fQjkst vCckl [kku Hkh Fks
ftudh fQYe ds lkmaM fMtkbuj jlwy gh FksA fQjkst
us dgk fd jlwy ,d ,sls lkmaM fMtkbuj gSa tks viuh
dyk ls fdlh Hkh n`”; dks thoar cuk nsrs gSaA mudh
/ofu ;kstuk fdlh Hkh “kkWV dks bruk T;knk jpukRed
cuk nsrh gS fd og vkSj Hkh izHkkoh gks tkrk gSA
ckn esa jlwy us crk;k fd LØhu ij lkmaM fMtkbu
djus esa og fdu ckrksa dk [;ky j[krs gSa vkSj dSls
LØhu ij lkmaM ds }kjk laosnukRedrk iSnk djrs gSaA
jlwy us dgk fd eSa fotqvy ds vFkZ dks foLrkj nsus
vkSj mlesa xgjkbZ iSnk djus ds fy, lkmaM fMtkbu
djrk gwAa jpukRed lkmaM gesa fiDpj best ds vanj
ys tkrk gSA jlwy us dgk fd flusek esa Vkbe vkSj Lisl]
nksuksa dks lkmaM ls izHkkoh cuk;k tk ldrk gSA n`”; ds
vanj beks”kuy daVsaV Mkyus esa Hkh lkmaM cgqr cM+h
Hkwfedk fuHkkrk gSA eafnj ds fotqvy ds lkFk vxj ?kaVk
/ofu Hkh gks rks og vkSj Hkh izHkkoh gks tkrk gSA
jlwy us dgk fd ,d csgrj lkmaM fjdkWfMZLV ml
le; viuh jpukRedrk dk lcls vf/kd ifjp; nsrk
gS tc dksbZ izlx
a ,d Lisl ls nwljs vkSj nwljs ls rhljs
Lisl esa tkrk gSA
viuh bu ckrksa dks jlwy us viuh fQYe ^LyeMkWx
feysfu;j* vkSj ^xka/kh ekbZ Qknj* ds dbZ n`”;ksa ds vk/kkj
ij le>k;kA
jlwy us ,Q-Vh-Vh-vkbZ iq.ks ls fMIyksek ysus ds ckn
yack la?k’kZ fd;k gSA mudk dguk gS fd lkmaM DokfyVh vxj csgrj u gks rks fQYe viuk izHkko NksM+us
&lq- “kesa cqjh rjg vlQy jgrh gSA
v[kckj dh nqfu;k esa >kadrh gS tks
rc ls vkt rd gkFk ls fy[kk tkrk
gSA mnwZ fdrkcr dks lgstus esa tqVk
gS ;g v[kckjA ,drk diwj dh cukbZ
fdj.k ;Kksiohr funsZf”kr ejkBh fQYe
^rkj~;kaps csV* NksVh tsc vkSj cM+s liuksa
dh cgqr gh ekfeZd dgkuh gSA ,d
firk vius “kjkjrh csVs ls “krZ yxkrk
gS fd vxj og d{kk esa vOoy vk;k
rks og mls eqacbZ ds ,d QkbZo LVkj
gksVy esa Bgjk,xkA vc csVk tqVk gS
i<+kbZ esa vkSj firk tqVk gS iSls ds
bartke esAa bl ds fy, og [kksVs jkLrs
viukus ls Hkh ugha pwdrkA ij ckn esa
mls vglkl gksrk gS fd ;g jkLrk
xyr gSA mldk csVk Hkh bls le>rk
2
?kwerk vkbuk
gSA lfpu [ksMsdj ds lkFk nksuksa
cky&dykdkjksa dh mEnk ,fDVax dh
bl fQYe esa te dj rkjhQ gqbZA
frXeka”kq /kwfy;k dh fgUnh fQYe
^”kkfxnZ* balku ds Hkhrj dh [krjukd
reUukvksa dks lkeus ykrh gSA bl
fQYe ds “kks ds nkSjku vfHkusrk ukuk
ikVsdj Hkh ekStnw FksA ^VªSfQd* tSlh csgrjhu ey;kye fQYe ds vykok ;qok
fuekZrk fyfLVu LVhQu dh ,d vkSj
ey;kye fQYe ^pIik dqfj’kq* Hkh
iSuksjek esa gSA lehj rkfgj funsZf”kr
;g fQYe fj”rksa esa vkus okys cnyko
dks fn[kkrh gSA dy “kke 6 cts vkbZukWDl&2 esa nks yach xSj&Qhpj fQYesa
&nhid
,d lkFk fn[kkbZ xbZAa
xksok dh mHkjrh izfrHkk,a
009 esa b¶+Qh esa “kq# fd;k x;k ^NksVk flusek* [kaM
bl ckj Hkh viuk [kklk egRo cuk, gq, gSA
dyk&laLd`fr dks lgstus ds mís”; ls cus xksok ds
ekaMoh ,aVjVsueSaV xzqi ds bl dne dks dkQh ljkgk
tk jgk gSA bl xzqi ls tqM+s t+su y[kkuh crkrs gSa fd
yksxksa esa VsysaV gS ysfdu mls lkeus ykus dk dksbZ
IysVQkWeZ ugha gSA gekjk ;g ^NksVk flusek lSaVj* ,slk
gh ,d IysVQkWeZ gS tks ;gka dh LFkkuh; izfrHkkvksa dks
izksRlkfgr dj jgk gSA vkbZukWDl ds lkeus okyh fcfYMax
esa 25 uoacj ls 1 fnlacj rd jkstkuk “kke lk<+s rhu
cts ls 7 cts rd ^NksVk flusek* ds rgr xksok dh
izfrHkkvksa dh cukbZ “kkVZ&fQYesa fn[kkbZ tk jgh gSaA cM+h
fQYeksa ds “kksj esa dkQh dqN lkFkZd dgus dh bl
&nhid
dksf”k”k dks utjvankt er dhft,A
50 lky ls b¶+Qh ds ukxfjd
fQ
Yeksa ds tkus&ekus tkudkj ih-ds- uk;j 42osa
b¶+Qh esa vk, gq, gSAa yacs le; rd iq.ks fQYe
vkdkZbOl ds funs”kd jgs
Jh uk;j lu~ 61 ls fu;fer
:i ls b¶+Qh esa vk jgs gSa]
fQYesa ns[k jgs gSaA 1965 ds
ckn 1991 rd vkWfQl ds
Lrj ij og b¶+Qh ls tqM+s
jgsA mUgksaus bafM;u iSuksjek
dh fdrkc dk laiknu fd;k
gSA 1965 esa b¶+Qh dk Msyh
cqysfVu Hkh fudky pqds gSaA
rc ;g Nirk ugha Fkk cfYd lkbDyksLVkby fudkyk
tkrk FkkA mudk dguk gS fd b¶+Qh esa vk;k cnyko
Lokxr ;ksX; gSA og dgrs gSa fd b¶+Qh esa T;knk ls
T;knk ;qokvksa dh f”kjdr vPNk y{k.k gSaA Jh uk;j
dk lq>ko gS fd izfr;ksfxrk dh fQYeksa ds p;u ds
fy, fofHkUu ns”kksa esa ,d izfrfuf/k eaMy tkuk pkfg,A
blls vkSj csgrj fQYeksa dk p;u gks ldsxkA
fQYe laLd`fr&fpafrr cklq nk
81
lky ds funsZ”kd cklq pVthZ vkt Hkh mrus
gh lfØ; gSaA b¶+Qh
esa Hkkx ysus ds fy, xksok
vk, gq, cklq nk dks lgt
gh vkbukWDl esa ns[kk tk
ldrk gSA og ^,aFkksuh xksUlkfYol* fQYe ns[k dj fudys
Fks vkSj mldh rkjhQ dj jgs
FksA mUgsa fQYe blfy,
vPNh yxh D;ksafd og
ftanxh ds HkkoukRed izlaxksa
dks xgjkbZ ls vfHkO;Dr djrh gSA mUgksaus dgk fd
b¶+Qh bl lky fcYdqy u, jax esa gSA vusd vPNh
ckrsa gqbZ gSaA blls fQYe laLd`fr fodflr gksxh] blesa
eq>s lansg ugha gSA fQYe laLd`fr fodflr djus dh
ftEesnkjh gekjh gSA
iatkch esa fQYe cuk,xh izhfr >afx;kuh
Edited by: Jyothi Venkatesh on behalf of IFFI Secretariat, Ministry of Information & Broadcasting, New Delhi
Hindi Editor: Suresh Sharma, Co-ordinator: Tanu Rai, Deputy Director and Jagjit Singh Bindra
Asst. Editor: Satinder Mohan, Photographer : S Kumar, Printed at: Herald Publication Pvt. Ltd. Verna, Goa
v
nkdkjk ls fuekZ=h cuh izhfr
>afx;kuh dk dguk gS fd
mudh fQYe ^lgh /ka/ks xyr
cans* ds b¶+Qh esa pqus tkus ls mUgsa csgn
[kq”kh gqbZ gSA izhfr dk dguk gS fd
LØhu ds NwVus dk mUgsa vQlksl gSA
ysfdu vPNh fQYe dk izkM
s ~;l
w j cuuk
Hkh egRoiw.kZ ckr gSA izhfr fgUnh ds
vykok nwljh Hkkjrh; Hkk’kkvksa esa Hkh fQYesa
cukuk pkgrh gSaA izhfr tYn gh ,d
iatkch fQYe cukus dh lksp jgh gSaA
nqvk