REICHA, Antoine (1770-1836): 2e

OTTO HAAS
September, 2013
THE TOURIST’S GALOP
1) ANSCHUEZ, Joseph Andreas (1772-1855): Walzes arranges pour le Piano-forte,
composes & dediées à Madame de Lezay-Marnesia par J.A. Anschuez. Nro: 4. à Bonn:
chez N. Simrock, [1810]. Score: 19 pp., oblong folio, engraved, plate number 701.
Disbound, sewn.
£175
Not in BL or SBB.
2) ARNOLD, Friedrich Wilhelm: “Sie sollen
ihn nicht haben!” Volksgesänge der deutschen
Männer und Frauen, gedichtet von Nic. Becker
und Julie Koelsch, in Musik gesetzt für eine
Singstimme jeden Umfanges mit Begleitung des
Pianoforte von F.W. Arnold und Jos. Klein.
Coeln: bei Eck & Comp., [ca. 1845]. Score: 7
pp., folio, lithographed by C. Eck. Sewn in blue
plain contemporary wrappers. Ornate title-page
printed in red and green.
£80
Not in BL or SBB.
3) [BACH, Johann Sebastian (1685-1750)] FORKEL, Johann Nicolaus (1749-1818):
Ueber Johann Sebastian Bachs Leben, Kunst und Kunstwerke. Fuer patriotische
Verehrer echter musikalischer Kunst von J.N. Forkel. Mit Bachs Bildniss und
Kupfertafeln. Leipzig: bey Hoffmeister und Kuehnel (Bureau de Musique), 1802. x, 69
pp., 3 plates, octavo. Original plain boards, front cover detached, backstrip worn away.
Excellent internally.
£2,400
First edition. Hirsch 2137. The first biography of J.S. Bach and a monument of
musicology. This book is the model for all later biographies of great composer as it is the
first scholarly biography in music history. Complete copies are extremely rare as many
lack the fine frontispiece engraved by Friedrich Wilhelm Nettling after the portrait of
Bach by Elias Gottlob Haussmann (1695-1774); the frontispiece is worded 'Sebastian
Bach' below the image, in between the words of which is an engraving of a full-length
male figure in classical robes (Apollo) playing a lyre, seated on a cloud, with radiant
beams encircling his head.
4) BEETHOVEN, Ludwig van
(1770-1827): Variations pour le
Piano-Forte, Composeés [sic] par
Louis van Beethoven. No. 9 [WoO
65]. à Mayence: chez Charles
Zulehner, [ca. 1807]. Score: 16 pp.,
folio, engraved, plate number 90.
Plain original card covers with
manuscript label.
£300
Kinsky-Halm p.513, second version.
Not in BL, COPAC or San José.
Collection complete des Oeuvres de
musique pour le Piano Forte,
composées par Louis van Beethoven,
Cahier VIII.
5) BERBIGUIER, Antoine Tranquille (1782-1838): Dix-huit Exercices ou Etudes
dans tous les Tons pour la Flûte, a fin de se former au Mécanisme de toutes les petites
Clefs, Extraits de la Méthode de T. Berbiguier. à Paris: Chez Janet & Cotelle, [1818?].
Score: 1 f. (title), pp.196-217, folio, engraved, plate number 1030. Sewn as issued, some
browning. Complete extract of the eighteen studies from a larger work and containing
pp.252-255 entitled “Solo ou exercice pour le double-coup de langue ordinaire”.
£60
6) BRAHMS, Johannes (1833-1897): Zwei Quartette für 2 Violinen, Bratsche und
Violoncell, seinem Freunde Dr. Theodor Billroth in Wien zugeeignet von Johannes
Brahms, Op. 51. Partitur. No. 1, C moll. In Berlin: N. Simrock, 1873. Score: 39 pp.,
octavo, lithographed, plate number 7378. Folded as issued, two slight chips to outer fold.
£100
First edition, second issue. McCorkle (Brahms) p. 210. Hofmann (Brahms) p. 107.
7) BRAHMS, Johannes (1833-1897): Zwei Quartette für 2 Violinen, Bratsche und
Violoncell, seinem Freunde Dr. Theodor Billroth in Wien zugeeignet von Johannes
Brahms, Op. 51. Partitur. No. 2, A moll. In Berlin: N. Simrock, 1873. Score: 43 pp.,
octavo, engraved, plate number 7379. Folded as issued in publisher’s wrappers of which
the edges chipped and the outer fold reinforced with sellotape.
£160
First edition, first issue. McCorkle (Brahms) p. 210. Hofmann (Brahms) p. 107.
8) CAMIDGE, Matthew (1764-1844): Six Concertos for the Organ or Grand Piano
Forte, Composed & Dedicated with the greatest Respect to his much Esteemd [sic]
Friend William Shield Esqr. By Matthew Camidge, Op. 13. London: Printed & Sold by
Preston, [wm 1813]. Keyboard part: 1 f. (title), 35 pp., folio, engraved. Unstitched, outer
fold with paper reinforcement.
£225
First edition. RISM C575 citing just one copy.
9) [CATALOGUES], BREMNER, Robert (fl.1757- d. 1789): A Catalogue of Vocal &
Instrumental Music, Printed & Sold by R. Bremner opposite Somerset House strand,
London. London: R. Bremner, [ca. 1775]. Single sheet folio, engraved. Disbound. £150
The catalogue is printed in five columns comprising sections of music relating to
chamber music, single instrument music, Scots music, Treatises and English vocal music.
With a small clipping from a dealer’s catalogue of about 1950.
10) PLATTS, James (fl. ca. 1790-1834): Platts’s Popular and Original Dances for the
Piano Forte, Violin, &c.. London: Printed & sold at his Magazine for Harp Music, [inter
1816-1820]. 2 ff., affixed back to back.
£100
The catalogue is printed in five columns comprising the listings of the first four volumes,
up to the end of the first column on the second folio.
11) WELCKER, John (fl.1775-1780):
A Catalogue of Vocal and Instrumental
Music, printed & sold Wholesale &
Retail by John Welcker at his Music
and Instrument Warehouse, No. 10
Haye Market opposite the Opera
House, London. London: John
Welcker, [1778?]. Single sheet folio,
engraved. Sewing holes at margin.
Decoratively bordered title with
cherubs at head playing horns and
pipes.
£175
The catalogue is printed in four
columns comprising sections of music
relating to Keyboard music, Concertos,
Military music, Quartets, Trios, Duets,
Solos, English and Italian vocal music,
Minuets and Cottillons, and for the
Guitar.
12) CRAMER, Johann Baptist (1771-1858): Studio per il Piano Forte, Consisting of
Forty Two Exercises, Intended to facilitate the Progress of those who study that
Instrument, Composed and the leading fingers marked to each Passage By J.B. Cramer.
New Edition. Vol. [I]. London: Published by J.B. Cramer, Addison & Beale / S.
Chappell / F. T. Latour / Clementi & Co., [1828]. Score: 1 f. (title), 75 pp., oblong folio,
engraved by W. Coutts, plate number 638. Quarter leather, very worn and backstrip
partly missing, hinges weak, with marbled boards.
£90
13) FESCA, Friedrich Ernst (1789-1826): Grand Quatuor pour Deux Violons, Alto &
Violoncelle, composé et dedié a Monsieur Ign. Schuppanzigh par F.E. Fesca, Oeuv. 4me.
Vienne: chez S.A. Steiner & Comp., [1816]. Parts: 1 f. (title), 9, 8, 8, 8 pp., folio,
engraved, plate number S.et C.2473. Disbound.
£180
First edition. Not in BL.
14) GABLER, Christoph August (1767-1839): VI Allemandes, Composées et
arrangées pour le Piano-Forte par C.A. Gabler, Oeuvre 18, Cahier I. Leipsic: en
commission chez Breitkopf & Härtel, [ca. 1805]. Score: 6 pp., oblong quarto, engraved.
Disbound, sewn.
£175
Not in BL, COPAC or SBB. RISM G7 citing two copies.
15) GALLIARD, John Ernest (ca. 1675-1747): The Hymn of Adam and Eve, out of the
Fifth Book of Milton’s Paradise-lost; Set to Musick by Mr. Galliard. [London: ca. 1735].
Vocal score: 1 f. (title), 30 pp., oblong quarto. Disbound, sewn, brown spot on final leaf.
Manuscript copy, in brown ink, on hand-ruled paper, being a copy of the first edition.
£250
Cantata for two voices.
16) GILDON, John: Le Coucou. A Divertimento, for the Harp, or Piano Forte,
Composed & Inscribed to Miss Emma Hodson, by J. Gildon, Op. 28. London: Printed by
Goulding, D’Almaine, Potter & Co., [wm 1811]. Score: 1 f. (title), 5 pp., folio, engraved.
Disbound.
£35
17) GLUCK, Christoph Willibald (1714-1787): The Overture to Iphigenie with the
Trio ['Que d'attraits'], Composed by The Chevalier Gluck & Arranged for the PianoForte by MR. Edelman. London: Printed by Longman and Broderip, [ca. 1785]. Score: 1
f.(title), 7 pp., folio, engraved. Disbound, sewn.
£125
RISM G2760 citing just two copies. BUC p. 386. The trio with an added treble part, in
score.
18) GLOVER, Stephen (1813-1870): Little Red Riding-Hood. Ballad by Charles
Jefferys. Sung by the Infant Marie. London: Jefferys, [1849]. Score: 1 f. (title), 9 pp.,
folio, engraved. Disbound, sewn, inner edge reinforced with old white paper tape.
Coloured pictorial title-page of Red Riding Hood, extreme edges a little chipped and
stained, upper outer corner excised without loss of text.
£35
Text by Charles Jefferys (1807-1865). Note: “As this ballad contains several melodies it
is suggested that portions may be delivered by different singers, much dramatic effect
may thus be given to it”.
19) GOW, Niel (1727-1807): A Second
Collection of Strathspey Reels, &c., With
a Bass for the Violoncello or
Harpsichord, Dedicated (By Permission)
to the Noblemen & Gentlemen of the
Caledonian Hunt By Neil Gow, at
Dunkeld. Edinr and London: Printed by
Corri, Dussek & Co., [1792?]. Score: 1 f.
(title), 36 pp., folio, engraved. Disbound,
sewn.
£240
RISM G3250. BUC p. 392. This imprint
not in BL.
20) HANDEL, George Frideric (1685-1759): A New Edition of Six Concertos For the
Harpsicord or Organ, Compo’s By MR. Handel [HWV 289-294]. London: Printed for H.
Wright, [ca. 1785]. Keyboard part: 48 pp., folio, engraved. Disbound, sewn.
£180
RISM H1215. BUC p. 441. Smith2 no.17 (pp. 227-228).
21) HAYDN, Joseph (1732-1809): Die Worte des Erloesers am Kreuze, in Musik gesezt
von Joseph Haydn [Hob. XX/2]. in Leipzig: Bey Breitkopf & Härtel, [1801]. Vocal
score: 2 ff. (title, introduction), 68 pp., large quarto, typeset. Publisher’s orange
decoratively bordered wrappers, backstrip worn, lower outer corner missing and of title.
Title-leaf with line engraved depiction of two angels.
£250
First edition of the vocal score. Hoboken vol. 2, p. 6. RISM H2519.
22) HAYDN, Joseph (1732-1809): The Celebrated Grand Overture, Composed by Sigr.
Hayden, Capitally adapted for the P: Forte or Harpsichord by Mr. Giordani [Hob. I/53].
Dublin: Publishd [sic] by Anne Lee, [probably 1783, but inter 1783-1788]. Score: 11 pp.,
folio, engraved. Disbound, sewn.
£250
Not in Hoboken, BUC, BL or COPAC. RISM H4259 citing just one copy (France).
23) HAYDN, Joseph (1732-1809):
Grande Sestetto per due Violini, due
Viole, Violoncello primo e
Violoncello secondo o contra Basso,
ridotto d’una Sinfonia del célèbre
Maestro Gius. Hayden [Hob. I/53].
A Vienna: Nel Magazino C.R. priv.
Stamperia chimica [1808]. Parts: 6,
6, 6, 5, 6, 5 pp., folio, lithographed,
plate number 663. Folded as issued,
outer fol of cello second (with title)
reinforced.
£250
Hoboken vol. 1, p. 227. Not in BL
or COPAC. RISM H4133.
24) HUMMEL, Johann Nepomuk (1778-1837): Taenze für Zwey Violinen und Bass
mit Viola ad libitum, componirt für den Apollo Saal von J.N. Hummel, fürstl.
Esterhazyschem Concertmeister von ihm selbst arrangirt. No. [1]. Wien und Pesth: Im
Kunst und Industrie Comptoir, [1810?]. Parts: 1 f. (title), 10, 10, 10 pp., folio, engraved,
plate number 610. Disbound, with old marbled paper backstrip reinforcements, some
staining.
£175
Op.27 Zimmershied p. 51. From just after the first edition which appeared in February.
25) HUMMEL, Johann Nepomuk (1778-1837): Ballet Hongrois suivi du Qtto. des
Nègres dans Paul et Virginie. Musique Composée et Arrangée Pour le Piano par J.N.
Hummel, Oeuv. 23. A Paris: Chez Richault, [1823?]. Score: 1 f. (title), 10 pp., folio,
engraved, plate number 698R. Disbound. Signed by the publisher.
£80
Not in BnF. This edition not listed in Zimmershied.
26) KALKBRENNER, Friedrich Wilhelm Michael (1785-1849): Variations
Brillantes, avec Introduction et Finale Sur la Marche de l’Opéra du Franc Chasseur,
Musique de Carl Marie de Weber. Composées Pour le Forte-Piano et Dédiées à Miss
Courtoy par Frédéric Kalkbrenner, Opéra 71. A Paris: chez Ignace Pleyel, [1824?].
Score: 1 f. (title), 15 pp., folio, engraved, plate number 1672. Green leather, gilt, some
browning and general wear.
Bound with: Introduction et Rondeau Brillant pour le Piano avec Acct. d’Orchestre (ad
libitum), Dédiés à Son Excellence Monsieur le Comte Appony, Ambassadeur de S.M.
l’Empereur d’Autriche, etc, par F. Kalkbrenner, Opéra 101. Piano solo. A Paris: chez I.
Pleyel & Cie., [1830]. Score: 1 f. (title), 17 pp., plate number 2594.
£80
Neither work in BL.
27) KELZ, Johann Friedrich (1786-1862):
Introduction u. Fuge f r ei Violinen, Bratsche
und Violoncello ber den amen: FESCA,
componirt und dem Freunden und Verehrern des
verstorbenen Grosherzogl. Badenschen
Concertmeisters Herrn Friedrich Ernst Fesca
zugeeignet von J.F. Kelz, Op. 108. In Berlin: In
Commission bei T. Trautwein, [1828]. Score: 15
pp., octavo; parts: 3, 2, 2, 2 pp., folio, engraved,
plate number 206. Folded as issued, some light
browning and dust-staining.
£225
A musical representation of the notes F E♭ C A
follows Fesca on the title-page.
28) LEOPOLD, Bernardo: The Tourist’s Galop.
Composed by B. Leopold. Glasgow: Swan & Pentland,
[1869]. Score: 1 f. (title), 5 pp., folio. Chromolithographed pictorial title-page centre depiction of a
boat sailing through caves, with blue and gilt lettering
surround.
£35
29) LOUET, Alexandre (1753-1817): Variétés Lyriques: Journal, dédié aux Amateurs,
Composé de Sonates de Piano-forte, de Romances et d'ariettes. Paroles françoises [sic]
et italiennes, avec Accompagnement par MR. Louet, Oeuvre 10. A Paris: chez Mr.
Bligny, [1791?]. Score: 12 pp., oblong folio, engraved by M. Vanglenne. Disbound.
Bordered title-page.
£325
RISM cites only Oeuvres 7 and 9. Not in BL or BnF. Comprising Sonata XIV in D
major, Andante de la Simphonie d’Hayden (La Reine de France), Duo de la Cosa rara
(‘Pace caro mio sposo’).
30) MAFFRE, J.: A New Set of
Quadrilles, for the Piano Forte,
Composed, Arranged & Dedicated With
Permission to Miss Linwood by J. Maffre,
Leader to His Grace the Duke of
Rutland’s Band. Leicester: Published and
Sold by the Author, [wm 1825]. Score: 1
f. (title), 7 pp., folio, engraved. Disbound,
sewn. Signed by the composer.
£75
The quadrilles are names La Viotti, La
Beethoven, La Pieltin, La Charmante, La
Maffre and the Leicester Waltz.
31) MARTINI, Johann Paul Aegidius (1741-1816): Overture to Henry IV, Arranged
for Two Performers on the Piano Forte or Harpsichord by M. Martini. London: Printed
by Longman and Broderip, [ca. 1790]. Score: 1 f. (title), 17 pp., folio, engraved.
Disbound, sewn.
£75
RISM M1084 citing just one copy. Not in BUC.
32) [MENUHIN, Yehudi (1916-1999)],
GERARDIN, Marthe Antoine (18841968): Yehudi Menuhin, Dec. 4. 1929,
Amsterdam. Marthe Antoine Gérardin,
Amstel Hotel. Amsterdam: 4 December,
1929. 327 x 239 mm. Single sheet of cream
coloured paper. Superb pencil drawing of
the famous violinist at the age of thirteen,
depicting his head and shoulders in profile;
signed by the artist.
£1,200
33) [MINUET]: Dodici Minuetti novissimi A Doi Stromenti. Dal Vari Virtuosi. A
Paris: Chez Bignon, 1776. Score: 13 pp., oblong octavo, engraved. Sewn as issued. £350
Not in RISM or BUC, BL or BnF. Comprising two minuets each by Antonio Nazari (a
pupil of Tartini), Baldassare Galuppi (1706-1785), Gaetano Pugnani (1731-1798),
Angiola Colona, Luwig Wenzel Lachnith (1746-1820) and Santo Trento (ca. 1691-after
1766).
34) MORANDI, Pietro (1745-1815): Sinfonia con Violini, Viola, Oboe, Corni, e Bass
o, Del Sigr. Pietro Morandi. [Italy: ca. 1775]. Parts for oboes, horns and basso: 1, 1, 1,
1, 2 ff., oblong quarto, folded as produced. Manuscript copy (“Per uso del Illmo. Sig. D.
Franco. Grilli”), in brown ink, on 10-stave paper, the oboe parts in a different but
contemporary hand. Symphony in three movements (Allegro – Andante – Allegro) in Bflat major.
£475
The Italian OPAC lists several manuscripts by Morandi but not a symphony; RISM
Series A cites Morandi’s published symphony in D major but not one in E-flat. A
seemingly unique, albeit incomplete, source.
35) MOZART, Wolfgang Amadeus (1756-1791): 2 Sonaten f r’s Pianoforte auf 4
Hände von W.A. Mozart. Zwanzigstes Heft [KV 497, 594]. Wien: bei S.A. Steiner und
Comp., [1818]. Score: 1 f. (title), 53 pp., oblong folio, engraved, plate number S: u: C:
2720. Plain card covers with cloth backstrip.
£80
Saemmtliche Werke für das Clavier mit und ohne Begleitung von W.A. Mozart, 20tes
Heft. Comprising a piano duet arrangement of the Adagio & Allegro for a mechanical
clock and the piano duet sonata in F major, KV 497.
36) OGINSKY, Michel (1765-1833): Vier National Polonaisen für das Piano-Forte
componirt vom Grafen Oginsky. Wien: bey A. Diabelli et Comp., [1822?]. Score: 7 pp.,
oblong folio, engraved, plate number C. et D. No. 784. Disbound, sewn.
£80
Not in BL.
37) OUSELEY, Frederick Arthur Gore (1825-1889): War, Wine & Harmony. A
Twelve part song, composed by The Revd Sir F.A.G. Ouseley Bart. [Tenbury: ca. 1885].
Score: 1 f. (title), 14 pp., folio. Folded as issued, outer fold separated.
£25
The three SATB groups are split into “Warriors”, “Minstrels” and “Bacchanals”.
38) PEROTTI, Giovanni Domenico (1761-1825): Io vi lascio, e in tale istante. Scena,
e Rondò del Sigr. Gio. Domenico Perotti Accademico, Filarmonico di Bologna. [Italy]:
1789. Score: 8 ff., oblong quarto, sewn as produced. Manuscript copy (“Per uso di
Costanza Mauri”), in brown ink, on 10-stave paper.
£350
Perotti “studied with Fioroni in Milan before 1779 and with Martini and Mattei in
Bologna in late 1780 and early 1781. In March 1781 he was admitted to the Accademia
Filarmonica there and from sometime later that year until his death was maestro di
cappella at Vercelli Cathedral. Despite this rather insular career he had several operas
performed, two at important theatres: Agesilao re di Sparta at the Teatro Argentina,
Rome (1789), and La vittima della propria vendetta at La Fenice, Venice (1808). Two
other opera scores are in the Dresden Landesbibliothek: Zemira e Gandarte (Alessandria,
1787) and Bianca di Melfi” (New Grove Online).
39) PROBST, Charles (): Quatuor brilliant pour 2 Violons, Viola, et Violoncelle,
compose et dédié à Monsieur Louis Spohr par son Eléve Charles Probst, Oeuv. 1. à
Leipsic: Chez Breitkopf & Härtel, [1818?]. Parts: 11, 6, 6, 6 pp., folio, engraved, plate
number 2712. Folded as issued.
£220
Not in BL, COPAC or SBB. We have been unable to find the composer indexed in
Grove, MGG, Eitner, Fétis or Clive Brown’s critical biography of Spohr.
40) REICHA, Antoine (1770-1836): 2e. Quintette, Op. 88. [Versailles?: ca. 1830].
Score: 12 ff., oblong folio. Stitched in plain blue wrappers. Neat manuscript, in black
ink, on 16-stave paper in the hand of M. Mathieu: “mis en partition et copié par M.
Mathieu, ex-maitre de Chapelle de St Louis à Versailles, certifié Mathieu fils”.
£450
The quintets, Op. 88, for flute, oboe, clarinet, bassoon and horn were composed in the
period 1811-17 and first published in 1817 in Paris. Jean-Baptiste Mathieu (1762-1847)
was Maître de Chapelle at Versailles Cathedral for thirty years.
41) SACCHINI, Antonio (1730-1786): Ouverture, Arier og Duetter af Arvire og
Eveline. Klaveerudtog. Kiobenhavn: Tryst og forlagt af S. Sonnichsen, [1799?]. Vocal
score: 1 f. (title), 34 pp., oblong folio, typeset. Limp marbled covers with calf backstrip,
generally used. Old paper label with manuscript title to front cover.
£250
RISM S91 citing three copies (Denmark, Sweden).
42) SALTER, Philip (d.1834): Kyrie Eleeson & Creed / P Salter. [Exeter?: ca. 1820].
Vocal score: 12 pp., oblong folio, sewn in plain wrappers. Manuscript, in black in, on
12-stave paper; watermarked paper of 1812. Scored for SATB and organ, in E-flat
major.
£150
Ownership note by James Martin “Given him by Mr Salter, March 8, 1823”. There is a
white tablet monument to the lay vicar Philip Salter in Exeter Cathedral.
43) SARTI, Giuseppe (1729-1802): Recivo. è Cavatina, Lungi da te ben mio Del Sig.
Giuseppe Sarti. [Italy: ca. 1790]. Score: 6 ff., oblong quarto, sewn as issued.
Manuscript copy, in brown in, on 10-stave paper. Scores for strings (including two
violas), bass and voice (written in soprano clef); watermark of three crescent moons and
various initial letters.
£250
According to the Ufficio Repertorio di Fondi Musicali there are ten early manuscript
sources of this aria held in Italian libraries and all each refers to Sarti’s Le gelosie villane;
however, this aria does not appear in any scores of the opera and it is likely that Sarti
composed it for the singer Luigi Marchesi when he appeared in Russia in 1785-1787.
From 1784 Sarti worked as court composer in St Petersburg.
44) SCHUBERT, Franz (1797-1828): Grosses Quartett (D-moll) für 2 Violinen, Viola
und Violoncell von Franz Schubert, Op. posth. Neue Ausgabe, Revidirt, genau
bezeichnet und herausgegeben von Ferdinand David. Partitur. [D 810]. Leipzig:
Bartholf Senff, [1867]. Score: 1 f. (title), 63 pp., octavo, engraved, plate number 583.
Publisher’s wrappers, head and foot of backstrip a little torn.
£80
Edited by Ferdinand David (1810-1873).
45) SCHUBERT, Franz (1797-1828): Serenade (Ständchen) med Accompagnement for
Pianoforte elle Guitarre af Franz Schubert. [D 921]. Kjöbenhavn: Forlagt af P.W.
Olsen, [1858]. Score: 5 pp., folio, engraved. Sewn. Decoratively bordered title-page.
Water-stained.
£20
German and Danish text.
46) STRAVINSKY, Igor (18821971): Rossignol. Conte lyrique en
trios actes de I/. Strawinsky et S.
Mitousoll d’après Andersen.
Traduction française de M.D.
Calvocoressi. Réduction pour chant et
piano par l’auteur. Berlin, Moscou:
Édition Russe de Musique, 1914.
Vocal score: 93 pp., folio, plate number
R.M.V.241. Publisher’s wrappers,
edges a little worn, small stain at ower
edge, head and foot of backstrip
missing.
£2,000
Inscribed “Pour Monsieur H. Prunières
sympathique souvenir de l’auteur, Paris
9/II 1920”.
47) VERDI, Giuseppe (1813-1901). Lo
Spazzacamino. Romanza con accomp. di pianoforte. Poesia di S.M. Paggioni. Musica de
Giuseppe Verdi. Milano: presso Francesco
Lucca, [1846]. Score: 1 f. (title), 6 pp., folio,
engraved, plate number A5643A. Disbound.
Decorative title-page. Text in Italian and
German (“Der Rauchfangkehrer”).
£125
Hopkinson (Verdi) 22B.
48) [VIOLIN]: Raccolta di Valtz ed altri balli da sala per Violino solo, Con accto. di 2o
Violino e Basso. Milano: Presso Fr. Lucca, [1829]. Parts: 3, 1 f. (title), 3, 3pp., octavo,
engraved, plate number 214. Sewn together, light water-staining. The first violin part
contains nos 1, 13 and 3 [i.e. missing 2 and 4, and with plate number 214 215 on p. 2].
£150
49) WEBER, Carl Maria von (1786-1826): Ouverture de l’Opera Abu Hassan,
Composèe [sic] et arrange [sic] pour le Piano-Forte par C.M. von Weber. Bonn &
Cologne: chez N. Simrock, [1819]. Score: 7 pp., oblong folio, engraved, plate number
1661. Disbound, sewn, dusty.
£50
50) WELLESZ, Egon Joseph (1885-1974): String Quartet No. 5, Op. 60. Miniature
Score. London, Leipzig: Schott & Co., [1948]. Score: 1 f. (title), 25 pp., small octavo,
plate number S&C.5370. Publisher’s wrappers.
£20
First edition.
List compiled by Colin Coleman