Keira Knightley opens up – ever so slightly – about
Transcription
Keira Knightley opens up – ever so slightly – about
KEIRA KNIGHTLEY ST RE LU C TA N T her new film Never Let Me Go (she’s brilliant in it), it’s clear that Keira’s not about to break her non-sharing habit any time soon. It’s a consistency you have to admire. Just before I enter the room I hear a great big howl of laughter coming from Keira, 25. Sat in an armchair with her long limbs crossed – she’s beautiful – really beautiful – and dressed head-to-toe in Rodarte (a chic broderie anglaise blouse and blue printed skirt) with her sky-high Louboutins cast aside under her chair. She grabs my hand enthusiastically to say hi, compliments my blouse and notebook and happily chats away about the film. It’s only when you broach anything personal that her answers become vague, but she never loses her smile. I tell her she should be a politician in her next life. We haven’t seen much of Keira recently because, apart from a brief but well-received turn in the West End in 2009’s The Misanthrope, she’s been out of the limelight for a while. That’s set to change in 2011. She is currently starring in the West End along with Mad Men’s Elisabeth Moss in The Children’s Hour. And then there’s the brilliant Never Let Me Go, released on 11 February, which is based on literary heavyweight Kazuo Ishiguro’s unsettling bestselling novel, with a script by The Beach author, Alex Garland. In the film Keira plays Ruth, one part of a love triangle of childhood friends, comprising Carey Mulligan and Andrew Garfield. The villain of the piece, she delivers a brilliantly contained performance, always on the edge of emotion and utterly convincing. Indeed, it’s safe to say that Keira is shaping up to be one of the finest actresses of her generation. A Never Let Me Go is an incredible novel, had you read it before you were approached to do the film? No but when the script came through my door I thought, wow that’s extraordinary, then I read the book. I’ve read The Remains Of The Day by the same author and I loved it. Keira Knightley opens up – ever so slightly – about taking a year off and playing Scrabble aise the topic of Keira Knightley and you’ll get a decidedly mixed reaction. The majority agree that her talent is indisputably impressive – Elizabeth in 2005’s Pride And Prejudice and Cecilia in 2007’s Atonement are prime examples (she was nominated for a Golden Globe for each). But there’s a stubborn camp for which talent alone doesn’t quite win them over. You can blame a society where celebrity culture has bred such R extreme levels of intrusion that we’ve grown to feel we deserve a slice of a celebrity’s private life. So when an actress – like Keira – refuses to divulge the intricacies of her life, some feel a little short-changed. Not that she seems fazed by who this might put out. And rightly so. After all – we can’t remember being asked about our love lives during a professional meeting or job interview. When Stylist meets her at the Soho Hotel in London where she’s been holed up doing interviews all day for R WO R D S : A L I S O N TAY LO R P H OTO G R A P H Y: JA M E S W H I T E Ruth’s character is very jealous, can you be? I think jealousy is an emotion everybody can relate to. I’ve never met anyone who hasn’t experienced it at some time or another, which is why I was interested in her. She’s horrible. She’s got a lot of rage. You meet people like that and you don’t want to be near them, let alone try to understand them. Did you think of specific things in your life that you could relate it to? Sure, but nothing that I’m going to share! [Laughs] WE ALL HAVE BAGGY BLACK JUMPERS. WE DON’T HOWEVER LOOK LIKE THAT IN THEM You play it well, though, because ultimately you W W W. ST Y L I ST .C O.U K u 4 3 KEIRA KNIGHTLEY don’t hate her, you kind of sympathise with her… You think so? Well, it would’ve been very easy to hate her. You don’t forgive her but you do sympathise. Some people do great harm and I’m not convinced they should be forgiven. When was the last time you went out and got drunk? Last Saturday night. Where did you go? Obviously not going to tell you that! [Laughs]. Somewhere private that won’t be private anymore if I tell you. It was great fun though! Do you think girls are more likely to have complicated friendships? All friendships are complex. I think guys have the same thing, they’re just better at beating each other up and moving on to have a pint at the pub. Do you have a best friend? Yes, I’m going to keep her name out of it though because she wouldn’t appreciate her name in print! [Laughs]. What advice would you give to a young actress starting out now? I don’t know that I’ve got any advice. I think people do things in the way that they do. You could say don’t give up, you could say just keep going… KEIRA WITH CAREY MULLIGAN AND ANDREW GARFIELD IN THE HAUNTING NEVER LET ME GO What do you like to do when you hang out with your friends? Drink wine and chat. That’s about it. Go to art galleries, sometimes go to the theatre. We just hang out. The Duchess, so it’s a lot less work on my part, which has been great. How is working in the West End? With theatre the live audience is a wake-up call. Even if you’re tired, you suddenly switch on. But with film it’s there forever if you f**k up! When you see a moment like that, you know you were tired and not on your A-game, it’s the worst f**king feeling in the world. Was it fun working with Carey again? You first meet when you filmed Pride And Prejudice… Yes, it was lovely. Pride And Prejudice was extraordinary for me because I’d never worked with anyone my own age before. Carey and I were both 19 and it was the first time on set I’d ever had girls who liked the same things that I did. Working with her again we were able to bring our history to it. You’ve also done a few short films recently, including Steve [directed by Would you do anything differently? There were some choices that I didn’t enjoy but no it’s all a process of experiences. life but I will say I’ve been really lucky with the directors I’ve worked with. How to answer the question without answering the question! The Coco Mademoiselle ad, directed by Atonement’s Joe Wright, is excellent – was that fun to make? Yes it was great. We’ve just done another one and it’s brilliant. With the first one I think we were all a bit worried because we didn’t know if it was going to sell well and it was taking over this enormous thing. It was quite frightening! But the latest one, because we went in with the same team we had a really lovely time. Looking at the decisions you’ve made, what ranks up there up with the best? That’s a huge question. I’ve no idea. I took a year off [between 2007 and 2008]. I don’t know if it was the best decision but it was a good one. How did it benefit you? It was just a bit of a rest! A long rest! “I’m really bad at Scrabble. But I’m dyslexic so a dyslexic playing Scrabble is always quite funny” What did you do to let off steam? Played Scrabble! Andrew and Carey played and I was really sh*t so I sat and watched and tried to learn from them. now ex-boyfriend Rupert Friend who she split up with recently]… Because it’s completely creative, you’re never going to earn any money out of it. I do this because I love it but the selling of it is really quite difficult. Scrabble has a nasty habit of making people feel stupid… Well I’m dyslexic so a dyslexic playing Scrabble is always quite funny! You’ve got a couple of films about to come out this year [romantic drama Last Night and David Cronenberg’s A Dangerous Method] but it feels like we haven’t seen you for a while… It probably seems like I’ve been really busy but I haven’t played a lead since Will you be you promoting Steve? No. It’s at The London Film Festival but I think I could get my own screening at home if I wanted to. [Laughs]. What was it like working with Rupert? I obviously don’t talk about my private How would you describe your style? I don’t have any. Well, I’m scruffy. Do you enjoy getting ready for carpet events, though? As long as I do it rarely, then I enjoy it. It’s always nice to have an occasion to wear a silly frock and get dolled up but I’m not really that sort of person. I was exhausted. I think there’s a point where you can just keep going and you’re a bit of a zombie or say no and take a step back. What’s been your favourite redcarpet dress? An amazing sparkling dress for the Venice Film Festival for Atonement. It was nothing like I’d normally wear and I felt like a princess. Did you travel? I literally did nothing I have to give interviews about, which is such a relief! So I’m going to leave it at that. What do you like to do to let your hair down? I just like to hang out with mates, drink wine, eat good food and watch movies. Keira is in The Children’s Hour at the Comedy Theatre until 2 April. Never Let Me Go is released 11 February KAZUO ISHIGURO’S MUST-READ NOVELS A PA L E V I EW O F HILL S (1982) In his acclaimed debut, Ishiguro tells the moving story of Etsuko, a Japanese woman living in London who is attempting to come to terms with her daughter’s suicide. A N A RT I S T O F T H E F LOAT I NG WO R L D ( 198 6) This intimate, beautifully crafted character sketch is narrated by Masuji Ono, an ageing painter, who looks back on his life and how his once great reputation has faltered. THE REMAINS OF T H E DAY ( 198 9) An insightful, often humorous and moving story of a butler in post-World War II England who has dedicated his life to his profession. It was made into a 1993 film starring Emma Thompson. W I N V I P T I C K E T S T O S E E K E I R A’ S N E W P L AY A T S T Y L I S T. C O . U K 4 4 u W W W. ST Y L I ST .C O.U K N E V E R L ET M E G O (2 0 0 5) This story depicts the moving love triangle of Kathy, Tommy and Ruth, clones who are living their lives in a prolonged limbo, waiting for the call to donate their organs. PHOTOGRAPHY: JAM ES WHITE / TRUNKARCHIVE .CO M The Booker Prize-winning British author of Never Let Me Go has 29 years of great fiction behind him, here are his highlights