SUPERMODEL VISIONARY PRISONER A FILM BY MARCEL GISLER

SUPERMODEL VISIONARY PRISONER
A FILM BY
MARCEL GISLER
FLORIAN BURKHARDT • HILDEGARD BURKHARDT • PETER J. BURKHARDT
GREGORY DAVID MAYO • URS ALTHAUS • URS KELLER • CLAUDIUS BURKHARDT • THEOPHIL BUTZ
PRODUCTION BERNARD LANG AG EXECUTIVE PRODUCERS ANNE-CATHERINE LANG / OLIVIER ZOBRIST SCRIPT MARCEL GISLER
CINEMATOGRAPHY PETER INDERGAND SCS STORY DEVELOPMENT JUTTA DOBERSTEIN / HERBERT SCHWARZE
HISTORICAL RESEARCH PHILIPP HOFSTETTER SOUND RETO STAMM / MARCO TEUFEN / CALEB MOSE
EDITOR THOMAS BACHMANN MUSIC BY BALDUIN SOUND DESIGN FELIX BUSSMANN SDS SOUNDDESIGN STUDIOS
COLORIST PATRICK LINDENMEYER ANDROMEDA FILM AG SUPPORT BY UBS KULTURSTIFTUNG
Picture Tree International GmbH | Zur Börse 12 | 10247 Berlin | Germany
Phone +49 (0) 30 4208 248 - 0 | Email [email protected]
www. picturetree-international.com
Electroboy
SUPERMODEL. VISIONARY. PRISONER.
DIRECTOR PRODUCTION
GENRE LENGTH
COUNTRY
SHOOTING
LOCATIONS
LANGUAGE Marcel Gisler
Langfilm
Documentary
113 min
Switzerland
Switzerland / USA / India / Germany
Swiss German / English
DIRECTOR
Marcel Gisler
Marcel Gisler, born in Altstätten/Switzerland in 1960,
studied Theater Studies and
Philosophy in Berlin. His feature
debut DAY THIEVES (1985)
was awarded a Silver Lion in
Locarno. Further award-winning
films include SLEEPLESS NIGHTS (1988), THE BLUE
HOUR (1992), FÖGI IS A BASTARD (1998) and ROSIE
(2013). Marcel Gisler is a lecturer in direction and script
development at DFFB Berlin.
SYNOPSIS
All rights reserved / Credits not contractual / Different territories
The Story of a Man Who Set Out to Conquer the World and Learned to Fear
You can get it if you really want. If this sentence applies to anyone, then most definitely to Florian Burkhardt who managed to
talk everyone around him out of their own goals and into achieving his.
ELECTROBOY tells the breathtaking true life story of a young man who leaves his claustrophobic Swiss surroundings for the
wide world in search of fame and recognition. In a series of success stories he reinvents himself time and again, changing settings and careers like other people change their shirts.
Yet Florian’s life on the fast track turns into an escape from his own biography, which finally catches up with him at full force.