Nashville Arts Magazine | October 2O1O | 1 - Janel Maher
Transcription
Nashville Arts Magazine | October 2O1O | 1 - Janel Maher
Nashville Arts Magazine | October 2O1O | 1 Brent and Janel Maher The Long and Winding Road by Currie Alexander Powers It had to go from the main road through a half-mile of sweeping pastures to their new farmhouse. Janel Maher did not want a straight road. Her artistic nature wanted something curving, winding, not going directly from point A to point B but allowing you to take in the beauty of the tall trees, the waving grass, the rolling hills—make the journey a little bit more interesting. Brent Maher trusted the instincts of his wife of forty-plus years. So he followed behind, sitting on his tractor as she walked slowly with her arms outstretched, wheeling and turning to plot their course. They needed a driveway. A long driveway. It’s a perfect metaphor. She could see the path they should take, and he trusted and believed in her enough to follow. That’s the stuff of a great marriage. Brent Maher is a musician’s musician, a producer’s producer, a songwriter’s songwriter. He engineered “Proud Mary” for Ike and Tina Turner, discovered a mother-daughter duo and nurtured them into The Judds, wrote their biggest hits and produced all of their multi-Grammy-winning records, and has written enough hit songs to earn over thirty ASCAP and NSAI awards. He is now CEO of Moraine Music Group, an independent publishing company whose stable includes many of Nashville’s top songwriters who have provided hit songs for the Dixie Chicks, Sara Evans, Tim McGraw, Alan Jackson, and Garth Brooks. This is a man who lives and breathes music. Janel Maher is a sculptor whose beautifully detailed horses grace the homes of collectors and art lovers the world over. Her work has even been used commercially; she was commissioned to create Chariot of Fire, the life-size, winged horse for Nashville’s Thoroughbred Motorcars. “Brent bought me my first horse for a hundred and twenty-five bucks in Las Vegas,” Janel says. The horse, who lived to be an astonishing thirty-two years old, “really started the whole thing.” Janel’s early passion for horses has shaped her lifelong pursuit of capturing their heart and soul in clay and bronze. “I want the viewer not to see cold metal, but a subject that breathes life.” As evidence of that passion, she is currently going through a creative blitz and has nine sculptures on the go. This is a woman who lives and breathes sculpture. She works with her hands. He works with his ears. Creativity is the blood of their lives. They weave in and out of each other’s worlds like a single thread, yet value their individuality. They go their own way each day, Janel to her artist’s studio, Brent to his music studio, but their paths are always intersecting, fueled by mutual admiration and a profound understanding of what the other does. “He has a good eye,” Janel says. “And I have a good ear.” Janel is greatly inspired by music, and her source is always close at hand. Her sculpture Catch a Good Tail Wind was inspired by the Kevin Welch song “Early Summer Rain,” which came to her Photo: Anthony Scarlati 38 | October 2O1O | Nashville Arts Magazine Nashville Arts Magazine | October 2O1O | 39 ” confidence that I could do what I wanted to do. We’ve never lost respect for each other.” They are so well suited to each other there seems nothing random about their union, as if the fates had it planned from the day each was born. Yet, oddly enough, they met on a blind date in high school. That is proof of the faith they have, not only in each other, but in the course their lives were to take. They also have a keen sense of when to lean in with advice for each other and often encourage each other to “let go.” “She’ll be laboring over letting go of the clay,” Brent says, “and I’ll have been looking at it for days saying, ‘It’s perfect! It’s perfect!’ And I’ll be fussing over a mix, making little adjustments, no one would ever be able to tell the difference, and she’ll tell me ‘It sounds great! Put it to bed.’” So what is the key to a successful creative relationship? “There’s nothing I’d rather do than talk about Janel’s art,” Brent says. “I go to art shows. I pedal the metal! I talk about Janel.” Janel is equally comfortable in Brent’s world. “She fits right in,” Brent says. They have a tremendous amount of respect for each other. “Janel has always empowered me to try and fulfill what my dream was early on,” Brent says. “Janel made me feel, ‘well of course it’s what you should be doing.’” And for Janel, from Brent she has “always felt Given what they do, it’s not surprising that the environment they have built is a creative one, rich with inspiration, but also freedom with no restraints. “I don’t feel pressure in sculpting,” Janel says. “And when Brent goes to work, he’s not thinking he has to please me.” They also give each other plenty of space. “I never peek over her shoulder,” Brent says. “And if she sees me pick up a yellow notepad and wander off somewhere, she knows Photo: Anthony Scarlati “ Janel can visualize a finished piece before her hands ever touch the clay, and I can hear a finished record before a single note has been played. through Brent’s publishing company, for whom Welch writes. Brent is inspired by literature, particularly the works of Ian Fleming, but he is also a great observer of nature, allowing it to “inspire an emotion” for a song. For that, he only has to look to Janel; she captures nature in her hands every day as she coaxes the muscle and sinew of a horse from the clay. She works with her hands. He works with his ears. Creativity is the blood of their lives. I have an idea of how to finish up a verse and doesn’t interrupt and say, ‘Well, dinner is like—dry.’ And I can tell if she’s really locking in on something.” Further proof of the creative environment they have built, and the products of a perfect union, are their two children, Dianna, who runs Moraine Music, and Brian, a hit songwriter. “What’s really great,” Brent says, “is that both of us not only found our soulmate, we were both given the opportunity to pursue our true being. We comment all the time about how blessed we are. Janel has always been my center point. Always.” Photo: Anthony Scarlati 40 | October 2O1O | Nashville Arts Magazine Photo: Anthony Scarlati Janel says it more simply. After more than forty years together, “we still enjoy each other’s company.” www.janelmaher.com www.morainemusic.com Nashville Arts Magazine | October 2O1O | 41