28 silent one - AIDS Action Committee

Transcription

28 ● S I L E N T O N E
●
silent auction
one
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SOPHIA AINSLIE
Best Value II, 2004
Iris print
46 x 35”
American consumerism and the
resulting waste of mass produced
goods influence Sophia’s work. She
is adjunct faculty at School of the
Museum of Fine Arts, Northeastern
University, New England School of
Art and Design. Her art is included
in collection of Chelsea and
Westminster Hospital, London,
Gauteng Legislation, South Africa,
Gaborne National Museum,
Botswana.
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Donated by the artist
Frame donated by
Stanhope Framers, Inc.
$950
STEVE AISHMAN
Steve Aishman’s recent work deals with the relationship of
contemporary life and religious iconography, using daily rituals
to explore where icons have become everyday objects; but still
retaining visual power.
Morning Mandala, 2004
Chromogenic print
16 x 20”
Frame donated by Stanhope Framers, Inc.
$1,200
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MEG ALEXANDER
At once minimal and richly detailed, Alexander’s poetic
drawings rely on a strong belief in the power of singular
objects to convey complex meaning. The artist has been
exhibited at the Museum of Fine Arts, Boston, the ICA
at MECA, the Danforth Museum of Arts, and the
Fitchburg Art Museum.
ARTcetera
Arrow, 1999
Ink, gesso on board
6 x 35”
Courtesy of Allston Skirt Gallery
$800
SILENT ONE ●
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LAURIE ALPERT
For the past few years, Alpert has been combining
photography with printmaking techniques and gum
transfer. Her most recent work adapts these
techniques to sculptural book forms, fusing music
and abstracted forms from her environment. She is
on the faculty at Curry College and a member of EES
Arts and the Bromfield Art Gallery.
Untitled, 2002
Gum transfer
9 x 11”
$350
ROBERT AMESBURY
Robert Amesbury grew up
in Guam and studied art at
Harvard. His works are in many
private collections as well as
the Fogg Art Museum. Life
Under Glass is a simple study
of refracted toy specimens
cohabiting in a fishbowl.
LAURA ANDERSON
Laura Anderson is widely recognized
for her luminous paintings of
porches and chairs juxtaposed with
the surrounding landscape. Laura
states, she has “always been
fascinated with painting as a vehicle
by which she can transport herself
to another place.”
Life Under Glass, 2003
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Gouache on paper
12 x 12’
Courtesy of
The Boston Drawing Project
at Bernard Toale Gallery
Frame donated by
$750
Green Rocker, Red
Porch, 1998
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Acrylic, canvas
11 x 11”
Courtesy of Chase Gallery
$1,400
AN AUCTION TO BENEFIT AIDS ACTION COMMITTEE OF MASSACHUSETTS
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BERT ANTONIO
Kiss Me Quick
Kiss Me You Fool, 2000
Bert Antonio, a Philippine artist,
presents with his work a composition
of photographs, postcards, book
covers of the 1950’s, and abstract
drawings. He lives and works in
Boston and he has been showing at
Genovese/Sullivan Gallery since 1994.
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Mixed Media
18 x 12”
Courtesy of
Genovese/Sullivan Gallery
$800
ADRIA ARCH
Unwound, 2003
Unwound is part of an on-going series
exploring the nature of self. Arch is a
faculty member at Montserrat College of
Art and the Education Director of the
Arlington Center for the Arts. She will be
exhibiting recent work at the Bromfield
Art Gallery in November, 2005.
Acrylic and oil stick
20 x 16”
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Courtesy of
Bromfield Art Gallery
Frame donated by
$750
LARAINE ARMENTI
Laraine Armenti uses the intersection of food
and modern industry to explore her family
heritage and spiritual concerns. She is a
graduate of Rhode Island School of Design.
Cherry Peppers, Olive Oil, Garlic, 2004
Oil on linen
11 x 14”
$850
ARTcetera
SILENT ONE ●
Internal Affairs II, 1998
Oil on paper with oil stick
27 x 28”
TOBY ATLAS
Toby Atlas is a painter living and
working in Cambridge, MA. She
has been a fellow in the print
department of the Boston Public
Library, at numerous artists’
colonies, including Yaddo and
MacDowell, and her work is in
the collection of the Boston Public
Library, Museum of Fine Arts, and
the Worcester Art Museum.
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Frame donated by
$800
ELLEN BANKS
Ellen Banks, a former Boston
resident, taught for 22 years at the
School of the Museum of Fine Arts
and has exhibited widely in the area.
Now living in Brooklyn, she is
represented by the Spandau Gallery
in Berlin and exhibits regularly in the
New York area.
JOSEPH BARILLARO
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Untitled, 1992
Acrylic on handmade paper
Detail, one panel of 6-panel piece
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$2,000
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Joseph Barillaro is an
underground artist who
is just beginning to show
his work.
April Showers, 2004
Collage, paint
12’ x 37”
Courtesy of
Art Advisory/Boston
$850
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DEBORAH BARLOW
Barlow creates dimensionality through
layering and glazing. In 2003, she represented
the US in the Biennale Internazionale Dell’Arte
Contemporeana in Florence and previously
was artist-in-residence at Anam Cara in Ireland.
Shown locally through Lyman-Eyer Gallery in
Provincetown, she also exhibits in California,
Oregon, and Europe.
Mapuche, 2000
Mixed media on paper
38 x 50”
$3,000
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BRUCE A. BARRY
Bruce Barry is on the faculty of the
DeCordova Museum School. His
work was included in the 1999
DeCordova Annual Exhibition and in
2004’s “The Perfect Collection” at
the Fuller Craft Museum.
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THADDEUS BEAL
Beal’s most recent work reflects his
long held interest in such cerebral
subject matter as chaos theory and
fractal geometry. Beal was a
practicing attorney for over a decade
before beginning work as an artist.
He is represented in many public
and private collections including the
Museum of Fine Arts, Boston.
ARTcetera
Open Field-31, 2003
Mixed media on panel
32 x 40”
Courtesy of OHT Gallery
$2,400
Journal Entry #121, 2000
Ceramic
Height: 15.5”
Courtesy of Clark Gallery,
Lincoln, MA
$900
SILENT ONE ●
MICHAEL BEATTY
Michael Beatty’s works on paper
trace the visual links between
structure and natural phenomena.
His work is included in the
collections of the DeCordova
Museum and the Fogg Art Museum.
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Nature/Logic VI, 2000
Mix media on paper
15 x 11”
Courtesy of
Barbara Krakow Gallery
Frame donated by
$900
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KEN BECK
Ken Beck is a Boston painter whose work explores the
relation between abstraction and realism in portraits of simple
forms and idiosyncratic objects that are transfigured through
painting into iconic presences. He is represented in numerous
public and private collections. Beck is Associate Professor of
Painting Drawing, and Liberal Arts at the Art Institute of
Boston at Lesley University.
Yellow Beach Hat, 2001
Oil on Canvas
11 x 14”
Courtesy of Gallery NAGA
$1,800
SUSAN JANE BELTON
Belton continues her consuming
exploration of the American ritual,
coffee-to-go. She collects the logoemblazoned, take-out coffee cups, and
lovingly renders studio portraits of these
contemporary icons. The recipient of
grants and fellowships, Belton exhibits
nationally. Her works are in collections
including Hood Museum, Boston Public
Library, and M.I.T.
We Are, To Serve, 2004
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Oil, paper
22 x 19”
in memory of Gary Kichline
Frame donated by
$1,600
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BREMNER BENEDICT
Between Here & There is from Bremner Benedict’s
Wanderlust series. Benedict uses her camera to create
a dialog between two images taken close in time at the
same location creating a new perspective. Her work is in
the collections of the Addison, the Fogg Art Museum, the
DeCordova Museum and Philadelphia Museum of Art.
Between Here and There, 2000-2004
Silver gelatin photograph
20 x 24”
Courtesy of Gallery Kayafas
$800
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JOEL BENJAMIN
In this continuing series, Joel W.
Benjamin mines the tension between
domination and submission and the
underlying homoerotic nature of
wrestling in American culture. This
photograph was one of a series
published in the international
photographic magazine, Blue.
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Wrestlers, 2001
Silver gelatin print
11 x 14”
Frame donated by
$600
STANLEY BIELEN
Philadelphia painter Stanley Bielen is a graduate of
the Pennsylvania Academy of the Fine Arts. Mr.
Bielen has work in collections that include Hirshorn
Museum and Sculpture Garden, the Pennsylvania
Academy of Fine Arts and numerous private and
corporate collections.
Ladi Apples, 2001
Oil on paper mounted on panel
7 x 8.5”
Courtesy of Pepper Gallery
$1,400
ARTcetera
SILENT ONE ●
CATHERINE BOWEN
Intimate works on panel employ
a direct template of her body as
a point of departure for Bowen to
explore tensions between absolute
and perceived symmetry. Faculty
at UMass Lowell and Excel
Williams, she is the recipient
of several awards, including
Chantanqua Scholarship and
Somerville Artists Award.
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Untitled (ss-s, shield
after press), 2004
Acrylic on panel
12 x 12”
Courtesy of the
Hera Gallery
$750
Medici Duke, 2003
LARRY BOWLING
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Collage with color
transparencies and
copper
12 x 12”
Larry Bowling’s works often make
visual references to art history and
personal symbology. They avoid
direct narrative and are intended as
meditations for the subconscious.
$750
DEBORAH BRIGHT
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In her photography, Deborah Bright focuses on the erotics of everyday objects.
She is a professor at the Rhode Island School of Design and her work is in the
collections of The Whitney Museum and The Fogg Art Museum.
Untitled, 2004
Archival Inkjet Print
11 x 17”
Courtesy of Bernard Toale Gallery
$500
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JUDITH BROWN
Boys Will Be
Boys, 2003
Judy teaches drawing and painting
at Montserrat College of Art. Though
best known as a painter showing her
landscapes at the Arden Gallery in Boston
(with solo exhibitions in 1996, 1999, and
2001) she continues to work and exhibit
in a range of media. These exhibitions
include the 8th Annual Photography
Exhibition of the RicePolak Gallery in
Provincetown, MA and Memories,
Reflections and Self, featuring her digital
work at HallSpace gallery in Boston. Hold
Still, a group show featuring mixed media
and digital work, opened in May 2003 at
StudioSoto in Boston and travelled to
Montserrat’s Carol Schlosberg Alumni
Gallery in the fall of 2003.
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DAVID LLOYD BROWN
Brown is a painter, educator, and
Coordinator for Graduate and Academic
Programs at the Museum of Fine Arts,
Boston. He uses templates as the
structure for a visual language system.
Sources include nature, the Fibonacci
sequence, Indonesian sculpture, Islamic
carpet design and European Baroque
and Rococo painting.
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MAGGI BROWN
Memorium is representative of Brown’s recent work in
which she has sectioned her surfaces, making spaces that
recede while complemented by spaces that demand
careful attention at the foreground. The allusion to written
text keeps the viewer suspended in the tension between
the literal and the abstract.
Memorium, 2001
Oilstick, paper
20.5 x 22”
Courtesy of Barbara Krakow Gallery
$1,200
ARTcetera
Mixed media
8 x 10”
Donated by
the artist
Frame donated
by Stanhope
Framers, Inc.
$825
REF #2000/10, 2000
Acrylic on paper
30 x 22”
Courtesy of The Boston Drawing
Project at The Bernard Toale Gallery
$1,100
SILENT ONE ●
AMBREEN BUTT
Untitled, from the series
“What is Past or Passing
or to Come”, 2003
Ambreen Butt received her MFA
from Mass Art in 1997. Recent
exhibitions include: Kunsthalle
Fridericianum, Kassal, Germany;
DeCordova Museum, MA; and
William Benton Museum of Art, CT.
Other solo and group shows
include: Worcester Art Museum,
Bernard Toale Gallery, and ICA, MA.
Recent awards include ICA’s Artist
Prize for Excellence in Art as a
Boston Artist 1999.
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Watercolor, ink, and pen
on handmade paper
12 x 9”
Courtesy of
Bernard Toale Gallery
$2,150
JOHN CALHOUN
In Calhoun’s recent paintings, he works
with images taken from photo-albums that
integrates family history, WWII related
events and the unavoidable self revelation
that occurs when discovering or interpreting
subject matter. Calhoun currently resides in
western Massachusetts and teaches at
Holyoke Community College and Rhode
Island School of Design.
Student, 2002
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Oil on Linen
16 X 12”
Courtesy of Gallery Katz
$800
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LANA CAPLAN
Using just one of the many 19th century photographic
processes Caplan has mastered, her tintypes focus on the
various stages of growth, death, and decay of living things.
Caplan is a graduate of Boston University and the recipient
of a Massachusetts Cultural Council grant.
Sea Horses, 2003
Tintype (3/5)
8 x 8”
$800
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CATHERINE CARTER
Scoop, 2000
Acrylic spray paint and
fabric collage on canvas
20 x 20”
My paintings explore my ongoing
interest in the patterns of calligraphic
shapes and textile weaves. In my
most recent series, I have severely
limited the painting process by
eliminating color and repeating loop
shapes in a variety of size and
arrangements. Despite these
restrictions, the series evokes a
spectrum of associations ranging
from elegant to playful.
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Courtesy of
Genovese/Sullivan Gallery
$800
LAURA CHASMAN
This series of portraits focuses on pre-teens – inspired by how
these young people look and how they express themselves.
Laura Chasman has received numerous awards, including The
Maud Morgan Prize in 2001. Her works are in the collections of
the Museum of Fine Arts, Boston Public Library, and Simmons
College.
Kenneth, 2000
Gouache on Bristol board
12 x 11”
$1,600
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JOHN CLAYTON
Plein air painter John Clayton creates an unexpected palette in
the colorist tradition, sun-drenched and dreamlike. Clayton’s
work can be found in Provincetown at the William-Scott
Gallery. He studied at Cape Cod School of Art in Provincetown,
and in New York at the Arts Students League and the National
Academy of Design. He has received two scholarship awards
from the Mrs. Robert Forbes Foundation, and an honorable
mention from the Academy of Fine Art exhibition in 1998.
Honeysuckle and Roses, 2003
Oil on board
16 x 20”
$1,350
ARTcetera
SILENT ONE ●
BENJAMIN COLLIER
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Benjamin’s current work illuminates compelling
biographies of people and places that appear frozen
in time. Fusing a formalist approach with modern
documentary styles, he focuses on imagery from
contemporary spaces bound in historical moments.
An old barbershop, locksmith, winery, submarine
and vintage baseball team are some of Benjamin’s
recent subjects.
“Wildroot” Edition 3/6, 2003
Digital Photography
24 x 36”
$1,050
LISA COSTANZO
In a series of self-portraits, Costanzo
transforms herself into the created
woman in the 1935 film “The Bride of
Frankenstein”. Assuming various
gestures and expressions, she exposes
the multiple personalities embodied
within her. Her works are included in
numerous private collections.
STEPHEN COYLE
Self-Portait/The Bride of
Frankenstein as “Vixen”, 2002
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Colored pencil, graphite and thread
15 x 20”
Courtesy of Clifford ● Smith Gallery
$800
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The focus of Coyle’s paintings is the objects
that surround him everyday: beds, roadways,
kitchen tables, cars, tricycles, and ironing
boards. His current series, Urban Pools, depicts
children in their element at play. Coyle’s work
has been exhibited at the Danforth Museum
and is in many private collections including
Arthur S. Goldberg.
Urban Pool I, 2003
Alkyd on Canvas
13 x 18”
$1,800
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JULIANN CYDYLO
Untitled, 2002
Cut paper
14 x 11”
In her new cut paper collages, Cydylo
incorporates antique papers, letters, and
ledger sheets, combined spontaneously to
investigate a range of formal possibilities
while also bringing together the artist’s
ongoing quest to link and layer the past
with the present.
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Courtesy of
Judy Ann Goldman Fine Art
$1,200
RUTH DANIELS
Composed with two layers of
vellum, this drawing is part of a
series in which superimposed
shapes coexist and interact in a
single plane. Daniels’ work is
included in corporate and private
collections.
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MICHAEL DAVID
Michael David is currently Chairman
of the Department of Fine Arts at
the Art Institute of Boston. David’s
work resides in numerous private
and public collections including the
Museum of Fine Arts, Boston,
Harvard’s Fogg Art Museum, and
the Boston Public Library.
ARTcetera
Townhouse, 1999
Monotype
20 x 16”
Frame donated by
$1,400
Twist 2 (detail), 2004
Grease pencil, mica, gel medium
on vellum
11 x 11”
Courtesy of Bernard Toale Gallery
$600
SILENT ONE ●
DEBORAH DAVIDSON
Deborah Davidson’s paintings
explore the connection between
visual art and text. Inspired by her
son’s language development as an
infant, Davidson began documenting
his early sounds and attempts at
language. The artist has developed a
series of personal hieroglyphs
rendered in a highly complex and
unusal palette. In this recent body of
work, she continues her interest in
the intersection of text and image,
and especially the evolution of the
image as an analogy, a shadow of
the text.
Reve
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Acrylic on vellum mounted
on wood panel
8 x 6 x 2”
Courtesy of
William Scott Gallery
$450
RACHEL DAYSON
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In her vividly colored works on paper, Rachel
Dayson reveals her sensuous mastery of color
combined with whimsical narratives. She
recently exhibited her works at Allston Skirt
Gallery in February 2004.
Community, 2002
Watercolor/gouache on paper
11 x 15”
$800
KATHERINE DESJARDINS
Katherine draws and redraws the
characters from a 1947 coloring
book, reinventing them and revealing
contradictions buried in the original
material. This recent series of works
has grown to include hundreds of
drawing – from one inch squares to
15 foot high wall drawings.
Untitled (Frolic), 2004
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Ink, acrylic, gesso
on paper
12 x 12”
Courtesy of The Boston
Drawing Project at the
Frame donated by
$850
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GARY DUEHR
Taken in Paris, this image is from “Soft
Cities”, which treats architecture and
street scenes as if they’re floating,
ghostly impressions. Duehr received an
artist grant in photography in 2003 from
the Massachusetts Cultural Council, and
past awards include the LEF Foundation
and Rockefeller Foundation
Mask, 2003
Pigment print, C-Photo
28 x 24”
Frame donated by
$750
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THOMAS DURAND
Thomas Durand’s decade-long monkey
sock doll series places these depression
era dolls in found and made landscapes that
evoke the human story. A graduate of the
Museum School of Fine Arts (1986), Thomas
is starting to show his work in the New
England area.
Beached, 2002
Black and white photograph
16 x 20”
$750
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DANIELLE DWYER
Dwyer continues to investigate imagery from
personal snapshots that evoke the loss of
innocence and illusion of safety in childhood.
Painted in a loose gestural manner, the work
embodies the fragility of reconciling these
psychological spaces. Her work has been
exhibited at the Allston Skirt Gallery, Gallery
at Green Street, and numerous group shows
in Boston and most recently at Mixture
Contemporary in Houston, Texas.
Charlotte’s Web, 2004
Oil on canvas
18 x 28”
$850
ARTcetera
SILENT ONE ●
MICHAEL EDER
Nature (Orange), 2003
Woodcut, monoprint on BFK paper
27 x 20”
Michael Eder studied painting at The
Rhode Island School of Design and
recently received his Masters at
Massachusetts College of Art. He
has exhibited in a wide range of
spaces, cities, and countries, and
has had a studio in Boston for 8
years. His abstract prints, large oils
and recent wall paintings derive from
a long-time study of Nature.
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Courtesy of Art Advisory/Boston
Frame Donated by
$650
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TODD ELLIOTT
Mr. Elliott combines images and objects
inherent to fast-food and gas station signs;
custom and race car graphics; and the Western
American landscape. “OPEN” is one of a series
of paintings using zero(s) as a foundation to
connect the vernacular with abstract imagery.
“OPEN”, 2004
Acrylic on Polycarbonate
18 x 30”
$1,800
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MARTY EPP
In an ongoing series of drawings and paintings, Epp uses
single words or short phrases as a drawn “mark” to activate
the picture’s surface. Epp has shown widely throughout New
England and recently in Cuba and France. She teaches in the
Museum School Continuing Education Program, the DeCordova
Museum School, and the Fine Arts Work Center.
Yummy, 2002
Oil on panel
24 x 24”
Courtesy of the Schoolhouse Gallery, Provincetown
$2,000
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LAURA EVANS
Sandwich Combo #20, 2002
Cast stone, grout, wire, wax
7 x 6 x 2”
Evan’s sandwich combo series
combines the appearance of
softness with edginess, while
exploring the tension between
togetherness and individuation.
Hew work was featured in 2003
at The Mills Gallery exhibition
“South Enders (2)” and in “Made
for Each Other” at Hall Space
Gallery in 2002.
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JEMISON FAUST
In her most recent mixed media
pieces, Faust works from photos of
ruins, excavations, and restoration
projects to rebuild an abstract
evocation of the original space.
She has been a member of the
Bromfield Art Gallery since 1990
and has shown her work in Rhode
Island, Boston, and New York.
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$1,000
Renovation #2, 2004
Mixed media on board
12 x 12”
Courtesy of
Bromfield Art Gallery
$500
TINA FEINGOLD
Feingold experiments with layers of
paint building transparencies with paint
to evoke mysterious states of spaces
and feelings. Her work was featured in
a one person show at the Allston Skirt
Gallery in September 2003.
ARTcetera
Dusk, 2002
Oil on canvas
14 x 11”
Courtesy of
Allston Skirt Gallery
$750
SILENT ONE ●
EDWARD FETTER
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Edward Fetter was the recipient of the 2003 Mass
Cultural Council Grant in Photography. He has a
BFA from Mass College of Art, a MFA from the San
Francisco Art Institute, and has work in the
Danforth Collections.
Golden State Park,
San Francisco, CA, 2001
Gelatin-silver print
9 x 13”
Courtesy of Kingston Gallery
Frame donated by
$800
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JIM FITTS
Jim’s photographs have been exhibited in numerous
solo and group exhibitions. He currently serves on
the board of Directors of the Photographic Resource
Center and the Board of Overseers of the Art
Institute of Boston. Recently he juried the exhibition
entitled “Photography Now” for the South Shore
Arts Center.
Lumpinee Park – Bangkok
Carbon Pigment Quadtone Inkjet Print
11 x 14”
Frame Donated by Stanhope Framers, Inc.
$550
KATHRYN FRUND
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With a strong connection to her past, Frund’s new
paintings continue to pose questions about the triangular
relationship between nature, science and spirituality;
specifically exploring the concepts of stewardship and
consumption. The result is a compelling and wellarticulated body of ethereal landscapes resonant with
symbolism.
Marked Narration I, 2004
Mixed media on board
11 x 11”
Donated by Kathryn Fund
$1,400
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ESTHER GARCIA EDER
Eder’s recent work is a series of 20 monoprints
titled “Archetypes”. They draw on the imagery
that has appeared in prints, oils, and watercolors
over the last 15 years. Born and educated in
Argentina, the colors and forms of her first
impressions still prevail in her current work. Her
work is included in the collections of the Rose
Museum, Brandeis; the Boston Public Library;
the Morrisey Library, UC Berkeley; and the
School of Art and Design, Savannah, Georgia.
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About Love, 2004
Monoprint oil on paper
24 x 20”
$750
DORE GARDNER
Dore Gardner teaches photography at the School of the
Museum of Fine Arts and Tufts University. El cerro de
campana is from the Nino Fidencio, A Heart Thrown
Open, published by Santa Fe: Museum of New Mexico
Press, 1992. Ms. Gardner’s work is collected by Boston
Public Library, Loyola University, DeCordova Museum,
and the Corcoran Gallery of Art.
El cerro de campagna, Espinazo, Nuevo Leon,
1987
Silver gelatin photograph
16 x 20”
$800
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MARGARET GERDING
Enchanting and intense paintings
depicting the expansive horizons,
isolated trees, serpentine rivers, and
soft velvet marshes found in New
England’s landscape. Softly
meditative, yet dramatically luminous
panoramas transport the viewer to a
place unaltered by human presence.
Colors of Treeline, 2002
Oil on panel
12 x 24”
Courtesy of Arden Gallery
$2,800
ARTcetera
SILENT ONE ●
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EILEEN GILLESPIE
Gillespie attended the University of
Pennsylvania and the Rhode Island School
of Design. She has had solo shows in
Maine and Boston and group shows
throughout the Northeast. Her work can be
found in numerous public and private
collections including the Boston Athenaeum
and Fidelity Investments.
Untitled #1 (Boston), 2002
Charcoal on paper
22 x 30”
$1,200
MITCH GLASSMAN
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The artist recently spent two months in the Middle East
engaging Israeli and Palestinian artists; demonstrating an
open system of written language which transcends territorial
identity. His works have been shown in numerous exhibits
and galleries and are in private collections in the U.S., China,
Israel, and Palestine. (www.mitchglassmanart.com)
The Poet and the Executioner, no. 5, 2003
Oil, oil crayon, graphite on 365 gsm paper
18.5 x 18.5”
Courtesy of the Harcus Gallery
$1,500
GREGORY GOMEZ
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Drawing on such diverse sources as ancient
pictographs and genetic sequencing, Gomez
creates an eclectic mix of geometric signs and
symbols. Subjecting the surface to an industrial
sandblaster, he reveals new meaning in the
combined imagery. He has taught at Wellesley
College and Wheelock College, and lives and
works in Newtonville, MA.
Native Chronology/E.R. Model, 2002
Gouache sandblasting on iris print
10 x 14”
$1,200
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ANDREW GUTHRIE
Putting on a wig is one thing. Putting on a wig, the color of which is
unlike any strand of hair, is another. Consider these themes within the
safety of your home. The artist received the Massachusetts Cultural
Council Photography Fellowship in 2003. Sample his work at
www.localidea.com.
Totem, 2004
3 joined frames, digital photography
28 x 10”
$800
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SCOTT HADFIELD
Early Spring, 2003
Oil on wood panel
32 x 24”
In his earlier works, Hadfield’s curvilinear
shapes were literally cut from the panel and
reassembled. Hadfield now depicts those
same shapes, but with subtle coloration and
with washes of color.
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Donated by the
artist/Barbara Krakow
Gallery
Courtesy of Barbara
Krakow Gallery
$2,000
LEIGH HALL
Leigh Hall’s photos capture the details and patterns of
everyday life in the city of Boston. Hall has a degree in
painting from the Massachusetts College of Art, and has
been working with digital photography for the past three
years. She is a member of the Atlantic Works Gallery in
East Boston.
Embrace, 2004
Digital Photo (Ink jet print)
12 x 16”
$600
ARTcetera
SILENT ONE ●
DECLAN HALPIN
Pieta, 2002
51
98
Acrylic and pencil on
aluminum
38 x 24 x 2”
Halpin’s unique interpretation of the Pieta
theme combines multiple layers of
fabricated aluminum with vivid acrylic color.
His 2004 schedule includes solo exhibitions
in New York City and Provincetown, MA.
Courtesy of Clark Gallery
$2,400
CHRISTOS HAMAWI
A rhododendron with buds ready to
burst: These “natural distractions”
provide me escape from the routine of
everyday life. Printed on acid free
Somerset Velvet 330gsm weight paper
with museum quality, archival inks.
Comes with signed Certificate of
Authenticity. www.bluebrickstudios.com
Awakening, 2002
99
Limited edition giclee print
17 x 13”
Courtesy of Legacy Gallery
$475
100
ANNE GILSON HANEY
Virtually self-taught, Anne Gilson Haney found the
inspiration for Open Here during time spent on Cape Cod.
Open Here, 2004
Acrylic on Board
12 x 12”
Courtesy of Mercury Gallery
$450
101
ARTHUR HARDIGG
Arthur Hardigg is interested in creating dramatic
spaces through the juxtaposition of figurative and
abstract forms. Arthur is a graduate of the School
of the Museum of Fine Arts. He has been a
member of the Bromfield Gallery since 1999.
102
TIMOTHY HARNEY
Timothy Harney has been showing his intense,
soulful portraits and vibrant landscape paintings
in the Boston area for over 20 years. Harney
attended UMASS, Amherst, and has shown
at the Museum of Fine Arts, Boston and
DeCordova Museum in Lincoln. He is a faculty
member at the DeCordova School and is
represented by Clark Gallery.
103
CONLEY HARRIS
This drawing is based on an 18th
Century Kishangargh (India) court
sketch in my collection and currently
on loan to the Boston Museum of
Fine Arts for an exhibition organized
by Joan Cummins, Asst. Curator of
Southeastern Asian and Indian Art.
In my work I focus on aspects of
simultaneous beauty and chaos
witnessed during travels across India.
ARTcetera
Garden Theater, 2002
35 x 24”
Courtesy of the
Bromfield Gallery
Frame donated by
$900
Train Man, 2002
Acrylic and mixed media
27.5 x 20”
$2,500
Visions and Whispers Near
the Step Well, 2004
Chalk pastel, watercolor drawing
41 x 30”
Donated by Howard Truelove
and the artist
Frame donated by
$3,800
SILENT ONE ●
53
104
PAMELA HAWKES
Hawkes’ photographs have received numerous
awards including those from the Photographic
Resource Center, Boston, the 21st Journal of
Contemporary Photography Award, 74th and
Philadelphia Print Club’s International Competition.
Her work is represented in many private and public
collections including that of the Addison Gallery
of American Art, the Boston Public Library, the
Museum of Fine Arts, Houston, and the Polaroid
Corporation.
Paper Hydrangeas, 2000
Toned silver print
19 x 23”
$1,150
GL HEEREN
Ars Longa, Vita Brevis
About a Boy, 2003
105
Oil on board
36 x 12”
Donated by Gina Heeren
Courtesy of my family
$800
HEATHER HOBLER-KEENE
106
In this series of drawings, I continue to use
the duplication and repetition of a few images.
I use them around the edge to explore the
influence of negative space on the frame.
Pink, 2003
Casein and ink on mylar
23 x 23”
$750
107
CHRISTINE HOLTZ
For the last six years, Christine Holtz & #8217’s
photography has focused on transforming our everchanging environment into an artifact for contemplation.
Using the common language of ubiquitous space to
create conceptual landscapes, her photographs facilitate
an interactive exploration of deeper, universal issues
regarding space, the existence of objectivity, and the
verisimilitude of popular culture.
Classroom, 2003
C-print
16 x 20”
$750
108
WILL HOWCROFT
In his latest series, Out of Season,
Will Howcroft continues to explore the
possibilities of studio still life. Although
these photographs are digitally printed,
they all begin with traditional chemical
film capture. With little digital
manipulation they are then printed on
archival watercolor paper. Howcroft is
co-founder of Clements/Howcroft
Photography in Boston. Collections
include the DeCordova Museum and
Fleet Bank.
109
DUTCH HUFF
Dutch Huff photographs our urban
exoskeleton as it has been altered by
everyday happenings: weather,
demolition, destruction. He finds
abstract beauty in these stressed
surfaces and detritus as evidenced in
this color print from his Strength in
Numbers series.
ARTcetera
Two Hearts, 2003
Pigmented dye inkjet print
22 x 17”
Frame donated by
$750
208 Flynn Avenue, #1, 2003
C-print on aluminum
24 x 16”
$750
SILENT ONE ●
55
110
SIDNEY HURWITZ
This print is part of a series done from the decks
of the Provincetown fishing fleet in the 1980’s.
Blue Deck, 1985
Watercolor, aquatint
11.5 x 16”
$750
PAUL INGLIS
111
Paul’s drawings have recently been
included in The Boston Drawing
Project and the Mills Gallery’s 18th
drawing show.
Fort Point Channel, 2003
Monotype
9 x 15.5”
Frame donated by
$800
ANTHONY JAMES
Eloquent and enigmatic abstract paintings,
luminous in form and energy, James’
paintings are quietly profound expressions
of color and light. His lyrical works are
windows into a non-narrative world where
a painting does not explain, it simply
expresses.
Haiku XXII, 2002
Acrylic on canvas
36 x 24”
112
$4,500
113
SPENCER JAMES
In his current work, James trades in
his usual found, weather-worn wood
surface for smooth new masonite and
merges his life drawings with paint and
oil stick. His drawings are currently
touring in the “Bad Touch” exhibit,
recently at the Rose Museum.
114
MONIQUE JOHANNET
Just Do What pollutes and
expands an art-making
vocabulary of the 60’s and 70’s,
so that words like prop and
lean mingle with words like
horrify and grieve. Johannet
exhibits throughout the U.S.
Her work is in the collection of
Fidelity Investments and
private collection in the U.S.
and Europe.
115
Courtesy of The Boston
Drawing Project at
$800
Just Do What, 2003
22 x 30”
Courtesy of
The Boston Drawing Project
at Bernard Toale Gallery
Frame donated by
$750
BRONLYN JONES
Bronlyn Jones’ spare, diagrammatic
graphite drawings have been
exhibited in Boston, New York, and
Philadelphia. Her work is included in
the collections of the Fogg Art
Museum, the Rose Art Museum,
Fidelity Investments, and private
collections throughout the United
States.
ARTcetera
Rear View, 2003
Acrylic and oil stick
on masonite
33 x 40”
After Mondrian, 2004
Graphite on paper
8 x 6.5”
Courtesy of
Barbara Krakow Gallery
$1,200
SILENT ONE ●
CHET JONES
Utility Shack, Long
Point II, 2003
Chet Jones is a Provincetown-based
painter. His work is process oriented--rooted in the observation and
interpretation of light, and the act of
painting itself. Jones has been painting
professionally since 1981. He majored in
art at Boston College, and attended art
school in Florence, Italy. In addition to
his many exhibitions on Cape Cod,
Jones’ work has been shown in New
York at the National Academy Museum.
His work is included in both public and
private collections throughout the
United States and Europe. Jones is
currently represented by the WilliamScott Gallery in Provincetown.
57
116
Oil on linen
13 x 13”
$1,400
Dieter Standing, 2002
PHILLIP JONES
Though Phillip Jones is known for his industrial and
architectural photography, he has been working with
live models for many years. Dieter is not a professional
model: the photographs in this series grew out of a
collaboration between photographer and model.
117
Silver gelatin print
17.5 x 9”
Donated by Mercury Gallery
Courtesy of Mercury Gallery
$950
118
NICHOLAS KAHN & RICHARD SELESNICK
The Lunar Study is one of one hundred photographs and drawings
printed in an edition of 25 for Kahn/Selesnicks newest series “The
Apollo Prophesies”. The show features one continuous 36 ft long
panorama of an Edwardian 1960’s trip to the moon. The artists have
been collaborating for over 20 years and are in the collections of the
National Portrait Gallery, The Philadelphia Museum of Art and The Fogg
Art Museum among others. Aperture has published Scotlandfuturebog
and will be publishing City of Salt in 2004.
Lunar Study, 2004
Photograph
11 x 8”
Donated by the artists
$600
119
JANE KAMINE
Intrusion #16
Monotype
22 x 31
This series of monotypes is based on
the concept of intrusion, a system
being invaded by unwanted elements.
These intrusions are created by
multiple printed layers. Kamine has
an MSA from the University of
California, Berkley and has taught
visual arts in the MBA program at
Babson and MIT. Her work is in
corporate collections, including
Fidelity, Meditech, and the Druker
Co. (Atalier 505).
120
$750
MASAKO KAMIYA
Masako Kamiya creates complex paintings constructed of
thousands of tiny nodules of paint, one built upon another.
These fields of color shift and move, creating patterns and
illusions. Kamiya received an MFA from Massachusetts
College of Art and is now an assistant professor at
Montserrat College of Art.
Tuscania, 2003
Gouache on paper
20.5 x 16”
$800
121
JASON KARAKEHIAN
This lamp turns on and off by a toggle switch and has a very stable,
weighted base. It is excellent for your desk or table. You can see more
of Jason’s work at www.workinsteel.com.
Lamp #6, 2002
Steel, brass
30 x 10 x 10”
Donated by the artist in honor of Annahid (Mooshagian) Karakehian
$750
ARTcetera
SILENT ONE ●
CATHERINE KEHOE
Columbines, 2004
59
122
Oil on Wood
8 x 8”
Catherine Kehoe is best known for
her self-portraits. Her recent
paintings have focused on flower
imagery. Kehoe’s paintings record a
search for an essential structure that
exists beyond, but is revealed by,
changing conditions of light.
Courtesy of Howard
Yezerski Gallery
$1,200
123
LANCE KEIMIG
Lance Keimig photographs mainly at night, combining long
exposures with mixed light sources to create surreal and
other worldly effects. His photographs record time in a way
that cannot be perceived by the human eye. Keimig teaches
night photography at the Museum School in Boston, and the
New England School of Photography. His work is in the
collection of the Boston Athenaeum, the Art Complex
Museum, and numerous corporate collections.
Red Skies II, 2003
Color Photograph
19 x 19”
$850
JAMES KENNEDY
#37 is part of a series of drawings
completed while on a Macdowell
Fellowship last winter. James
Kennedy’s work has been exhibited
in Boston, Germany, and California.
#37, 2004
124
Colored pencil on paper
10 x 7”
Donated by James Kennedy
Frame donated by
$750
125
JUDY KERMIS BLOTNICK
Judy Kermis Blotnick is a graduate of Pratt Institute and the School
of the Museum of Fine Arts where she teaches. Her work questions
gender, identity and the packaging of the self via clothing and
possessions. She was a traveling scholar 2002 and has shown at the
MFA, the Mills Gallery and the Drawing Project at Bernard Toale Gallery.
Charmed, 2004
Gouache, graphite, ink
30 x 24”
$1,500
126
MAXINE KIM
Maxine Kim, a graduate of Brown University, currently lives
and works in Providence, RI. Light Me Up, from her latest
body of photographs, explores the relationships and the
physical tension as bodies touch and interact.
Light Me Up, #1/10, 2004
Gelatin silver photograph
24 x 25”
$1,100
127
DAVID KING
Temptation is one in a series of
self portraits, painted when the
artist was 15 and 16 years old.
As he faces the future and his
manhood, he is afraid and turns
away for a moment, but knows
the way is there and the lantern
is lit. Holding the light is a
woman, naked, pure and certain.
ARTcetera
Temptation, 2003
Acrylic on Wood
4’ x 2’ x 9”
Proceeds from this special donation
will benefit Aritists for Humanity
$1500
SILENT ONE ●
61
128
JAMES KINNY
James Kinny’s objective is to paint paint; to portray an emotional
expression. These intuitive paintings are never intended to be narrative,
but instead seek viewers to have their own experiences. Kinny has
worked and shown in the Boston area since the mid 1980’s and is
in public and private collections.
XII, 2003
Oil
22 x 18”
Donated by Richard Giglio
$3,000
129
MARY KOCOL
This photograph is part of Kocol’s toy camera work, whose
inconsistent focus makes for gentle distortions and dark corners. Her
pictures are included in the collections of the Museum of Modern Art,
the Victoria and Albert Museum, the San Francisco Museum of Art,
the Museum of Fine Arts, and the DeCordova Museum. She received
a Guggenheim Fellowship in 1993.
Water Lilies, Brooklyn Botanic Garden, 2000
Type C print
28 x 28”
$1,000
DANIELLE KRCMAR
Krcmar explores the metaphoric
potential in the forms of the bust.
Connection, distances, and
interactions between the heads
use visual images to speak of
emotional ones. She is a 2001
recipient of the Mass. Cultural
Council Grant in Sculpture. She
has taught at Brandeis, the SFMA,
and is currently artist in residence
at Babson College.
Newlyweds, 2004
130
Cement, nylon
Courtesy of Gallery @ Green Street
$1,100
131
DAVID KUPFERMAN
Kupferman’s Yagya Series refers to Vedic Indian
ceremonies that restore synchrony between the
individual and the cosmos. He recently had solo
shows at the Cape MFA, the Danforth Museum, and
the Judi Rotenberg Gallery. He is in a dozen museum
collections including the DeCordova, Naples, BPL,
Davis and MFA-Springfield. He is a grant recipient
from the Pollock-Krasner, Gottlieb and Rauschenberg
foundations.
Yagya (ceremony), 1995
Acrylic on paper
26 x 35”
Donated by David & Beth Kupferman
Courtesy of the Judi Rotenberg Gallery, Boston
$1,500
132
MARY LANG
Mary Lang’s recent photographs are not of actual
trees or clouds, but their reflections in water or
ice. Inverting the reflection describes a landscape
which may not exist in reality but which feels
more true to Lang’s experience. She will be in
the DeCordova Annual Exhibition, 2004. Her work
is in the collections of the DeCordova Museum,
Fogg Museum, and the Museum of Fine Arts.
Flowed Meadow II
Early spring, 2003
C-Print
15 x 22”
$800
133
JUDITH LARSEN
Wrapping the figure with imagery from a wide
variety of sources, Larsen continues her exploration
of the human form. Her photographs, with the
softness of drawings, invite multiple levels of
interpretation. She earned an MFA from the School
of the Museum of Fine Arts and her work is in
several public and private collections.
Inversion 3, 2003
Iris print on paper
17 x 21”
$900
ARTcetera
SILENT ONE ●
63
134
PEIK LARSEN
Larsen focuses on mood, energy and light, as well as
the more formal issues of form, color, and space, as
he strikes an intuitive balance between the figurative
and the abstract in his work. He taught at Harvard
University for many years, and lives and works in
Cambridge.
Red Yew, 2003
11 x 12”
Monotype
$950
JEAN LARSON
Employing translucent washes of
oil paint on wooden panels, Jean
Larson creates a poetic world of
pure color, spiritual light and soft
emotion. Larson draws inspiration
from the enchanting landscapes and
wild flower gardens surrounding her
remote home in Southern France.
Automne en France I, 2002
135
Oil on panel
30 x 24”
$3,400
MARYELLEN LATAS
136
This piece combines sensuous
materiality in its use of lead foil with
the hard edge geometry created by
the repetitive use of the squire.
Latas is represented in numerous
public and private collections in the
U.S. and in Europe.
Untitled #1998-62, 1998
Lead, 23kt gold leaf, gold size
on baltic birch
12 x 36 x 2”
$2,800
137
JAMES LEITCH
Paintings depict scenes in and
around Boston of old industrial and
abandoned landscapes –areas often
overlooked and ignored which are
slowly fading away.
Edison Plant, So. Boston MA,
2003
Oil on panel
9 x 14”
Courtesy of Art Advisory/Boston
$700
138
JULIE LEVESQUE
In her recent work, Julie Levesque
has explored the hidden reality of
normalcy in families and society. This
print is from Levesque’s installation
“Trespass”. She attended
Massachusetts College of Art and
SUNY, New Paltz. Julie Levesque
has shown at the Mills Galley, the
New Art Center in Newton, and is
represented by Clark Gallery.
139
MARILYN LEVIN
Known for her rich colors and surfaces, Levin’s
recent work has a spiritual quality. Her works are
included in the collections of the San Francisco
Museum of Modern Art, the Rose Art Museum,
and Harvard University. She teaches in the
Tufts/Museum School Program.
Somewhere Between the Moon
& New York City, 2003
Oil on Canvas
12 x 10”
Courtesy of Toomey-Tourell Gallery, San Francisco
$1,200
ARTcetera
Immense Fence, #2/10
2003
Iris print
44 x 33”
Frame donated by
Stanhope Framers, Inc
$800
SILENT ONE ●
MARJA LIANKO
This image comes from a series of
doll paintings in symbolic situations.
Marja Lianko has exhibited her work
widely and received several grants
and fellowships. Her work is included
in the collections of the Museum of
Fine Arts, the Fogg Museum, the
DeCordova Museum, and numerous
corporate, university, and private
collections.
Falling, 2001
Acrylic and mixed media on
panel
15 x 12”
65
140
$1,200
SID LIMITZ
141
Photographer/filmmaker, Sid Limitz
continues to travel throughout the United
States in search of THE AMERICAN
PHENOMENON. He has shown his work
at the ICA, Photographic Resource Center,
Museum of Fine Arts, The Boston Public
Library, and ARTcetera 2002.
www.limitz.com.
Hollywood, 2001,2001
Digital print from original slide
16 x 20”
Courtesy of sidlimitz.com
$1500
SANDY LITCHFIELD
142
Sandy’s work is derived from her experience of
place in nature. She was recently selected for the
2004 DeCordova Annual Exhibition. Her drawings
are in the Boston Drawing Project, Pierogi 2000,
and the Drawing Center’s Viewing Program in
New York.
Lake Life, 2003
Watercolor and collage on paper
14 x 18”
Courtesy of The Boston Drawing Project
at the Bernard Toale Gallery.
$600
143
EVIE LOVETT
Evie Lovett’s fascination with changes in personality
brought about by “dress up” or masquerade, led her
to Backstage at the Rainbow Cattle Co., Drag Queens
in Vermont. Documenting the transformation of the
“Average Joe” to the flamboyant and sequined diva, we
find Miss Kitty Rawhide and Mama, Rainbow Cattle Co.,
#22, in mid illusion.
Rainbow Cattle Co., #22, 2003
Silver gelatin photo
14 x 14”
$500
144
MICHAEL LYNCH
Michael Lynch lives and works in Boston and Provincetown.
His latest works are inspired by Herman Melville’s Moby
Dick, the illustrations of Rockwell Kent and his own
cetacean dreams.
Winthrop I, 2000
Gelatin silverprint
$825
ARTcetera

28 silent one - AIDS Action Committee

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