catalogo toti 11 artisti

Transcription

FACTORY-ART GALLERY
MOMMSENSTRASSE, 27-BERLIN
factory-art.com
+49(0)30.31809794
2012 PROJECT BERLIN
TURN ON, TUNE IN!
06 September-05 October 2012
FACTORY-ART gallery
TURN ON, TUNE IN! pag. 1
FACTORY-ART GALLERY
factory-art.com
+49(0)30.31809794
FACTORY-ART gallery
2012 PROJECT BERLIN
TURN ON, TUNE IT
FACTORY-ART GALLERY
factory-art.com
+49(0)30.31809794
2012 PROJECT BERLIN
TURN ON, TUNE IT
SELECTED ARTISTS:
ROSEMARIE ALLERS-ar painting_pag. 04
AMARIE BERGMAN-au installation_pag. 09
DAN CROSBY-uk installation_pag. 12
JEYLINA EVER-fr sculpture_pag. 15
OZMO (GIONATA GESI)-it drawing_pag. 19
DALILA GONÇALVES-pt installation_pag. 24
ALEXANDER KOSNKOV-ru painting_pag. 28
CRAIG LAROTONDA-us painting_pag. 31
DANIEL PEŠTA- cz painting/video_pag.34
ANNE PLAISANCE-pl painting_pag. 37
NIELS SMITS VAN BURGST-nl painting_pag. 40
FACTORY-ART gallery
ROSEMARIE ALLERS - AR
Born in Buenos Aires, Argentina.
Throughout her youth she studies drawing, painting and
sculpture with sculptor Horacio Suarez, in Córdoba,
Argentina.
Later on she makes inroads into drama. She studies with
great masters in the National Conservatory of Scenic Art
in Buenos Aires.
She performs as theatre actress in Spanish and German
and goes on a theatrical tour in Latin-American countries.
This epoch leaves a significant imprint on the image of
her painting, to which at this time of her life she becomes
permanently devoted. She attends workshops of
noteworthy painters: Jorge Demirjián, Clelia Speroni and
Omar Tegaldo. She takes up studies of Art History and
Theory. Since 1988 she exhibits at important galleries and
cultural centres in Buenos Aires, Argentina and Uruguay.
In 1996 she begins her exhibition tours in Europe and
Asia: Participates as guest artist of Marlborough Gallery
representing Argentina in the «Montecarlo International
Contemporary Art Prize» in Monaco. Then continues with
a grand exhibition of her paintings in the Museum of Tokyo,
FACTORY-ART gallery
Japan, and also in the city of Fukuoca. Since 1998 she
proceeds on her tour over South America with exhibitions
in Chile, Brazil, and the USA. As of 1999 she exhibits in
important museums of various Argentine provinces. In
2001 she is asked to exhibit her works in Rome, at the
«Galleria L’Indicatore d’Arte Contemporanea» and in
Utrecht, Holland. In 2002 she exhibits at the Palais de
Glace in Buenos Aires, Argentina. In 2003 is asked by the
«Societé Imaginère» to exhibit at the Kulturhaus «Altes
Rathaus» in Potsdam, Germany. Upon this circumstance,
the Government of Potsdam invites again Rosemarie in
2004, due to her having given a present for the city her
painting «FALCON». The painting was considered by
the City Council as a link with the image of the Prussian
Eagle. Therefore, it was hung on a wall of the Government
House to remain there permanently “always in a place of
distinction” as promised by the Potsdam Government.
This is the first work of art that symbolises for them “a
feminine Prussian Eagle”.
In 2007 she participates in New York at the exhibition
called «Fuerza Argentinos» in SOHO 20 Chelsea Art
Gallery.
From 2008 to 2011 she continues with various exhibitions
in museums, galleries, and painting prizes in Buenos
Aires and other cities from Argentina.
Some of her works belong to several collectors in
Argentina, Uruguay, Japan, France, Italy, Chile, Colombia,
Belgium, Russia, Spain and Canada.
Solo Exhibitions
2012 Museo de Bellas Artes Argañaraz Alcorta.
Santiago del Estero, Argentina..
2011 Centro Cultural Recoleta. Buenos Aires, Argentina
MAC (Contemporary Art Museum of Salta). Salta,
Argentina
2010 Eric Adriaan van der Grijn Fellowship Association.
Buenos Aires, Argentina.
2009 Contemporary Art Museum. La Plata, Argentina.
BAC – British Art Centre. Buenos Aires, Argentina.
2008Thames Gallery. Buenos Aires,Argentina.
La Normandina, Gallery. Mar del Plata,Argentina.
2007 Ática, Art Gallery. Buenos Aires, Argentina.
2005 Centro Cultural Recoleta. Buenos Aires,
Argentina.
2003 Kulturhaus Altes Rathaus. Potsdam, Germany.
2002 National Art Gallery Palais de Glace. Buenos
Aires, Argentina.
2001 Galleria L’Indicatore d’Arte Contemporanea.
Rome, Italy.
Cervantes Institute. Utrecht, Holland. Bernardino
Rivadavia Cultural Center. Rosario, Argentina.
2000 Islas Malvinas Cultural Center. La Plata, Buenos
Aires, Argentina.
Museo Genaro Pérez. Córdoba,Argentina.
1999 Nexus. Art Gallery, Buenos Aires, Argentina.
National Library. Buenos Aires, Argentina.
Rosa Galisteo de Rodríguez Museum. Santa Fe. Argentina
1998 Contemporary Art Museum. Santiago de Chile, Chile
Emilio A. Caraffa Art Museum. Córdoba, Argentina.
Aramayo Art Gallery. Punta del Este, Uruguay.
1997 Striped House Museum of Art. Tokyo, Japan.
Fraternitas Foundation. Rosario, Argentina.
1996 Centro Cultural Recoleta. Buenos Aires, Argentina
1995 American Art Museum. Maldonado, Uruguay.
National Art Gallery Palais de Glace. Buenos Aires,
Argentina.
1993 Tema Art Gallery. Buenos Aires, Uruguay.
1991 Tema Art Gallery. Buenos Aires, Uruguay.
American Art Museum. Maldonado, Uruguay.
1990 Marienbad Art Gallery. Buenos Aires, Argentina.
Group Exhibitions
2012 Painting Price Avon Foundation. Buenos Aires,
Argentina.
Painting Price Belgrano University. Buenos Aires,
Argentina
2011 Painting Price Avon Foundation. Buenos Aires,
Argentina.
Raggio Museum. Buenos Aires, Argentina.
2010 INADI (National Institute for the Fight against
Discrimination). Buenos Aires. Argentina.
UNIART. Centro Cultural Borges. Buenos Aires,Argentina
Painting Price Belgrano University. Buenos Aires.
Argentina.
National Annual Price of Santa Fe, Rosa Galisteo de
Rodríguez Museum. Santa Fe. Argentina.
«Who Is Who, Second Mystery», Centro Cultural
Recoleta. Buenos Aires. Argentina.
2009 Centro Cultural Borges, «Soltanto Azzurro».
Buenos Aires. Argentina.
BA. XVIII Fair of Art Galleries. Buenos Aires. Argentina.
Biennale of painting TAG price. Buenos Aires. Argentina
Biennale of Rafaela. Museum of Arts Rafaela
Dr.Urbano Poggi. Rafaela, Santa Fe
Painting Price Belgrano University. Buenos Aires,
Argentina.
«We, the others», Centro Cultural Recoleta. Buenos
Aires. Argentina.
Painting Price Avon Foundation. Buenos Aires,
Argentina.
2008 Expotrastiendas. City of Buenos Aires Exhibition
Centre. Argentina.
Arte BA. XVII Fair of Art Galleries. Buenos Aires.
Argentina.
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LXXXV National Painting Price of Santa Fe, Provincial
Museum of Fine arts Rosa Galisteo de Rodríguez.
Santa Fe, Argentina.
Myths. Friends Association - Palais de Glace. Buenos
Aires, Argentina.
Divos & Divas. Gallery Transarte. Buenos Aires,
Argentina.
Transarte. Beneficial Exhibition - F.A.P.I. Buenos Aires,
Argentina.
2007 Fuerza Argentinos (Forward Argentines!).
SOHO20 Gallery. Chelsea, New York.
Manuel Belgrano Fine Arts City Council Hall. Buenos
Aires, Argentina.
Expotrastiendas. City of Buenos Aires Exhibition Centre.
Homenage to Juan Carlos Lasser. Palacio de las Artes.
Che Revolucionario. Homage Exhibition 40 years
anniversary of Che’s Assassination. Facultad de
Arquitectura, UBA. Buenos Aires, Argentina.
2006 Fuerza Argentinos (Forward Argentines!). Eric Adriaan
van der Grijn Fellowship Association. Buenos Aires.
Expotrastiendas (Back Room Export Exhibition). City of
Buenos Aires Exhibition Center.
2005 Pueblo Blanco Cultural Center. Art Centre of
Punta del Este, Uruguay.
Manuel Belgrano Fine Arts City Hall. Buenos Aires,
Argentina.
Guest Exhibitor at «Biennale Internazionale dell Arte
Contemporanea». Florence, Italy.
Aretha 2005 XIV Fair of Contemporary Art. Buenos
Aires, Argentina.
Expotrastiendas. Exhibition Centre of the City of
Buenos Aires. Buenos Aires, Argentina.
Winter Hall. Transarte Gallery. Buenos Aires Argentina.
2004 American Art Museum. Punta del Este, Uruguay.
Salón Nacional. National exhibition halls. Palais de
Glace. Buenos Aires, Argentina.
National Painting Price Avon. Centro Cultural Borges,
Expotrastiendas. Exhibition Centre of the City of
Buenos Aires. Buenos Aires, Argentina.
XIII BA Art Gallery Fair. Buenos Aires, Argentina.
2003 Arte BA 2003 XII Fair of Art Galleries. Buenos
Aires, Argentina.
Painting Price Universidad de Palermo. Buenos Aires,
Argentina.
National Museum of Fine Arts. Buenos Aires, Argentina.
Painting Price Universidad de Belgrano. Buenos Aires,
Argentina.
2002 Arte BA 2002 XI Fair of Art Galleries. Buenos
Aires, Argentina.
Expotrastienda. Centro Cultural Borges. Buenos Aires,
Argentina.
2001 Self Portrait. Centro Cultural Borges. Buenos
Aires, Argentina.
XXVIII Sulmona Price 2001 of International
Contemporary Art. Italy.
Expotrastienda. Centro Cultural Borges. Buenos Aires,
Argentina.
2000 Arte BA 2000 Fair of Art Galleries. Buenos Aires,
Argentina.
1998 XVIII National Salon of Paintings. Cordoba,
Argentina.
National Art Gallery Palais de Glace. Buenos Aires,
Argentina.
Contemporary Painting Exhibitions. Argentina
Consulate São Paulo, Brazil.
VIII Fair of Art Galleries Arte BA. Buenos Aires, Argentina.
Sara García Uriburu Art Gallery. Buenos Aires, Argentina.
Arte x Arte Art Gallery. Buenos Aires, Argentina.
1996 Emilio A. Caraffa Art Museum. Córdoba,
Argentina.
Painting Price Universidad del Salvador. Buenos Aires,
Argentina.
International poets x Argentina Painters Centro Cultural
Borges. Buenos Aires, Argentina.
Book of Body Art Paintings. Santiago de Chile, Chile.
Arte x Arte Art Gallery. Buenos Aires, Argentina.
1997 National Art Gallery Palais de Glace. Buenos
Aires, Argentina.
Prix International d´Art Contemporain. Montecarlo,
Monaco.
Erotic Art Exhibition, Centro Cultural Borges. Buenos
Aires, Argentina.
VI of Art Galléries ARTE BA. Buenos Aires, Argentina.
1996Art Miami International Art Exhibition. Florida, US.
Prix International d´Art Contemporain. Montecarlo,
Monaco.
Bibliography:
Treinta Años de Arte Argentino (Una visión parcial).
Fundación Pettoruti, Buenos Aires, 1997
Fermín Fevre
Japón y la Argentina. Historia de sus relaciones.
Sudamericana, Buenos Aires, 1997
José R. Sanchís Muñoz
ABC de las Artes Visuales en la Argentina. Artotal,
Buenos Aires, 2006 Osvaldo Svanascini
Centro cultural Recoleta «The Spirit of the Beehive».
1995 IV Women´s International Conference. Beijing,
China.
1994 Honorable Consejo Deliberante, Hall of
Exhibitions. Buenos Aires, Argentina.
Archimboldo Art Gallery. Buenos Aires, Argentina.
Winter Exhibition Rómulo Raggio Foundation. Buenos
Aires, Argentina.
National Salon of Plastic Art´s. Buenos Aires, Argentina.
1991 Fine Arts Museum. La Plata, Argentina.
Junto al Arte Salón. Buenos Aires, Argentina.
Alliance Française Salon. Buenos Aires, Argentina.
1990 Aramayo Art Gallery. Punta del Este, Uruguay.
1987 La Porte Ouverte Art Gallery. Buenos Aires,
Argentina.
FACTORY-ART gallery
Artsist statement
Painting overnight
My painting does not belong to the kind of works you can
look at peacefully. As a matter of fact, I’m not able to do it
that way. I am selfish in art, I work for myself.
In my theme there is a tumultuous relation between
men and women, both generally stereotyped. In this
fight between sexes underlies always confrontation,
harassment and subordination. They make up a powerful
erotism, not at all idyllic.
Sometimes understanding and love happens.
So, with ambition, “fighting overnight” I intend to
represent my characters , my rhythms, my painting,
following the previous idea I had.
Bud suddenly “my hand” knows more than myself –and
it was something else- Something I was not searching
at all.
…And I paint… and so rises my real painting. Finito.
Rosemarie Allers
Title: Tired of Buenos Aires, 2012
A woman turning down the symbol of Buenos Aires City:
the Obelisc.
Technique: Oil on canvas
size: 100 x 100 cm
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Title: Latin lover, 2011
An old man dispising a symbol of a powereless young
woman. Nevertheless, he needs her.
Technique: Oil on canvas
size: 150 x 150 cm
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Zeitlupe – Câmera lenta / 2 [slow time, slow motion]
Galeria Antonio Bandiera, Fortaleza Brazil
2005 Zeitlupe - Càmera lenta / 1 Stadtbibliothek,
Nürnberg Germany
2000 9th International Biennial Print & Drawing
Exhibition Taipei Fine Arts Museum, Taipei Taiwan
SELECTED AWARDS
2011 Finalist (Smoke Screen) Lettera From The Sky
experimental film festival coinciding with COP17,
Durban
2006 Finalist in Design A Door competition, hosted by
Rennie Marketing Systems, Westbank & Paterson
Group and mcfarlaneGreen Architecture + Design,and
sponsored by Woodward’s Redevelopment Group,
Vancouver
AMARIE BERGMAN - AU
SELECTED SOLO EXHIBITIONS
2012 The Rosy Crucifixion ParisCONCRET, Paris
2011 Quadrant Bearing Sydney Non Objective (SNO),
Sydney
2011 H, Factory 49, Sydney
2010 The Golden Eternity, Factory 49, Sydney
2009 C, ParisCONCRET, Paris
SELECTED GROUP EXHIBITIONS
2012 Annual Group ShowFactory 49, Sydney
2012 SNO Fundraiser Auction (show 81) SNO, Sydney
2012 Group print Show, Factory 49, Sydney
2011 Poste Concret ParisCONCRET, Paris
2011 Spatial Intervais, Factory 49, Sydney
2011 Night Visions IV Coconino Center for the Arts,
Flagstaff USA
2011 Galerie bij de Boeken, DRU Fabriek Cultural
Centre, Ulft
2010 Adaptive Actions (artistical intervention) Madrid
Abierto
2007 Community Art Grid Contemporary Art Gallery,
Vancouver
FACTORY-ART gallery
SELECTED INTERVIEWS
2010 Interview with Sand T. Kalloch, artSPACE
PUBLICATIONS
2011 Catalogue: H, Factory 49, Sydney
2010 Catalogue: The Golden Eternity Factory 49
Sydney
2010 Adaptive Actions Camp-Madrid Project in
collaboration with
Madrid Abierto Biennial
Lateral Leaming curated by Paul Butler;
published/produced by Vantage Art Projects, Vancouver
INVOLVEMENTS
2007-ongoing Art Reviewer
Whitehot Magazine of Contemporary Art and artUS
Artsist statement
The universe is radiant.
The conception of light began in stars. Originating the
code of light were hydrogen, helium and lithium. It was
this array, with various reaction sequences, that made
new elements of life possible in the early universe and
created the Milky Way galaxy. Not unlike letters in an
alphabet, chemical elements via astrophysics form a
language about starlight, and my fascination is realized
in several series, overall called Stellar Lingualumina.
In addition, other series concentrate on architectural
site mapping, for example, Quadrant Bearing, paintings
and drawings formulated from an angle at Sydney Non
Objective, or pay homage to literary texts that have
metaphysical underpinnings, such as, The Golden
Eternity by Jack Kerouac and The Rosy Crucifixion
by Henry Miller. Through meticulous editing and/or
‘dissolving’ some of the language and filtering the
essence, the work inherently is minimal.
Essentially, I am translating a magnetic attraction to light
in both inner and outer space. This attraction merges
design elements into a minimalist’s ethos to produce
a graphic style of imagery. Thoughts and ideas about
simplicity are entertained along with geometry, equations
and the esoteric qualities of numbers and colours. I play
with visibility and invisibility. I know that light reveals
the dimensions of space, (usually) in silence and with
grace.
‘Since the various materials in the Universe are only
varying coefficients of vibration, we build in this way not
only intensities of a spiritual kind, but, who knows? New
bodies, metals, nebulae and stars.’
The true art then for me is finding ways to build and
transmit intense information about how light in space is
a connector and a transformer – a transformative energy
– and, factored by time, a unifying processor of continual
enlightenment.
Amarie Bergman
AMARIE BERGMAN - AU
Title: ESSENCE OF THE ETERNAL MATTER OF THE
MIND, 2010
“ …re-recognize the bliss you forgot, the emptiness and
essence and ecstasy of ever having been and ever to
be the golden eternity.”
ESSENCE OF THE ETERNAL MATTER OF THE MIND
takes its title directly from a phrase from verse 14 of
Jack Kerouac’s “The Scripture of the Golden Eternity”.
Emanating a fragrance redolent of sandalwood,
clove and cardamom, the black of its convex form,
in alchemical terms, signifies individuation. The work
epitomizes an interstice of enlightenment.
Technique: satin silk, plastic, tin, viscose, perfume
(Marrakech by Aesop)
Size: 13 mm diameter
FACTORY-ART gallery
AMARIE BERGMAN - AU
Title: NEXUS – One Little Resurrection 2012
“...in the mind, worlds unclassified, undenominated,
unassimilated, form, break, unite, dissolve and
harmonize ceaselessly.”
NEXUS – One Little Resurrection references and distills
Nexus, the last of three volumes that make up The
Rosy Crucifixion by Henry Miller. Localizing a seductive
perfume formulated with labdanum, frankincense and
mastic, the work is a moment of metaphoric coupling
where non-objective concreteness dovetails with the
invisible poetics of existence.
Technique: velvet, plastic, tin, perfume (Mystra by
Aesop)
Size: 13 mm diameter
FACTORY-ART gallery
2012, HESA inprint, Fake Blood/Foreign Body.
DAN CROSBY - UK
Born 1988, UK
Education.
2007-2010, First Class Honours, (BA Hons) Fine Art.
Manchester Metropolitan University
2005-2007, Triple Grade Distinctions, (BTEC Nat Dip)
Art and Design. Burnley College
Exhibitions.
2012, Kitsch, Broadwalk Art, Bristol.
2011, Transgression (Longlisted), Beers.Lambert
Contemporary, London.
2010, Christmas Day, Kraak Gallery, Manchester.
2010, Manchester Metropolitan Degree Show,
Manchester.
2010, Pop Tots, Kraak Gallery, Manchester.
2009, Judas Goat. Manchester Art Crawl, Service Point,
Manchester.
Publications and Awards.
2011, Microcommission Scheme, Cornerhouse,
Manchester. (www.microcommissions.org)
FACTORY-ART gallery
Artist Statement
“We consume and consume and puke, more than
fetishise the objects and information we use. We don’t
act inside or outside of consumer culture, entertainment,
or art culture, we consume and translate, we’re a byproduct of it.” Ryan Trecartin
“The (Grotesque) body swallows the world and is itself
swallowed by the world.” Mikhail Bakhtin
I believe that art should get lodged in the throat of its
audience, to make them think twice about what it is they
attempt to consume.
There is an idea of Inter-repulsion, a transgressive
paradigm which (according to Georges Bataille) outlines
the dualities between desire and filth, appropriation and
scatology, rejection and consumption.
My work concerns itself with the dichotomy between
the simulation of pornography and the simulation of a
utopian society.
The pieces I am proposing in particular attempts to
disrupt the symbolic order of meaning; a moment
where by rationality ends, providing no philosophical
speculation.
The sculpture transgresses its own confines, penetrating
external boundaries between itself and the world,
ceasing to ‘be itself’.
The sculpture is made up of purchased domestic
objects.
Keeping the work materially obvious to provide a lesson
in aesthetics, appropriation and scatology...(Scatology in
reference to George Batailles essay on ‘The use value of
D.A.F de Sade’).
‘’He (de Sade) understood too that our tastes are
motivated not by the intrinsic qualities of the object but
by the latters relationship with the subject.’’ - Simone De
Beauvoir, ‘Must we burn Sade’.
‘’A grotesque world in which only the inappropriate is
exaggerated is quantitatively large, but qualitatively it is
extremely poor, colourless and far from gay’’ - Makhail
Bahktin - ‘Rabelais and his world’.
Artists of reference:
Mike Kelley,
Paul McCarthy,
Nick Paparone,
Chapman Brothers,
Urs Fischer,
Ken Kagami,
Jeff Koons,
Dan Grosby
DAN CROSBY - UK
Title:Untitled (Fake Blood/Foreign Body), 2011
technique: Assemblage/appropriation Rubber hand,
wood, plunger base, plant pot
size: 8114 X 50 X 112 cm
FACTORY-ART gallery
DAN CROSBY - UK
Title: Untitled (Fake Blood//Foreign Body) 2011
technique: Assemblage/appropriation glass, joke eyes,
wooden pallet
size: 80 x 67 x 31 cm
FACTORY-ART gallery
JEYLINA EVER - FR
Born
January 1960 Saintes (France)
Education
Diplôme de l’Ecole Nationale supérieure des Beaux
Arts (France)
2012 From 1st September permanent exhibition at
“Underground Palace” 370 Adelphi St
Brooklyn, NY 11217-1486
May to July: “Boom T”, (Biennale d’Oeuvres Originales
Miniatures Toulouse), Lulu Mirettes Gallery, Toulouse,
France
February to march: “Trans Homo Sapiens”, exhibition
with performance. Lulu Mirettes Gallery, Toulouse,
France
2011 “Empreinte de l’art” With Monique Peytral. Prieuré
de Montignac (France)
Acquisition “The Little Prince” by FDAC (Departmental
Collection of Contemporary Art) Dordogne France
2010 “Corpus Circus” in collaboration with the
photographer “Emisphères” at Larith gallery, Chambéry,
France
FACTORY-ART gallery
Exposition d’art varié de l’association “Histoire d’Ajat”
from August 13th to 15th. Ajat city Dordogne France
Festival “Brin d’Air” from June 2nd to 6th . Chambéry
Savoie France
“Hors Courants” biennial of contemporary art exibition
from june 2 to july 23. Toulouse France
April 10th, performance art for Sandie Trash band
concert. Chapelle de la visitation Périgueux France
Solo exibition from 6 to 19 March, Gallery “Hors
Saison” Périgueux France
2009 “Festival de la recup”(organised by “tricycle
enchanté” Bourdeilles (Dordogne) France
The Mona Circus exhebition and instalation at home
Colective exhebition at Ajat ‘Dordogne) France
2008 The Mona Circus creation
2006/2007
Painter decorator for ZK Productions Company in
Montignac. (Dordogne)Invention of mineral
patina faithfully reproducing the walls and paintings in
caves such as Lascaux (Dordogne) and Ekain
(Spanish Basque Country).
2004/2005 Hype gallery exhibition, Palais de Tokyo
Paris
Mural “Les voisines” for city of Levallois-Perret (France)
2001 Set decorator for Grevin Museum Paris
1990/2000 Painter and Decorator for theater and opera.
Many realization sets for French television.
Some works:
Disneyland PARIS (fantasiland blacklight painting), Lido
de Paris ( c’est magique show),
“Je m’appelais Marie-Antoinette”, Palais des Sports de
Paris by Robert Hossein, In a team)
Director and set decorator on the “Cinéscénie” & “Le
grand Parcours” of Puy du fou (Vendée)
Set decorator on the “Cadre noir de Saumur show” at
Paris Bercy and Bruxelles
In collaboration with Yves Valente (designer of the Lido
de Paris, creating backdrops for the Arts
Festival in Shanghai...and Over ten years working in
the decoration of live performance which I do
not see the point in listing on this site.
Mural “Ice” for city of Saint-Mandé (France)
1982/1990 Solo Exhibitions
Périgueux (France)
Bordeaux (France)
Brive (France)
Selected Group Exhibitions
Paris(Reader digest Trocadero)
Dordogne (France) “Foule 89”
Paris (Salon de la Jeune Peinture)
Paris (Salon de la Jeune Création)
London / Berlin, somes group exibitions and
competition of painting and drawing
Official public order
Périgueux. Mural for “gour de l’arche” Library
Périgueux. Mural on lock wall
Saint Mandé. Mural on building “Ice”
Levallois-Perret. Mural on building, “Les voisines”
Louise Michel Metro station
Publications
Rosalie Tavernier ; « Manchmal musse man einfach
nur ans Meer fahren », éditions Thiele-Verlag, 2007
(photographies).
Marlen Hendry ; « Frauen sind Enge l », éditions
Thiele-Verlag, 2008 (photographies).
Rosalie Tavernier ; « Warum nicht einfach mal das
Weite suchen um das Glück zu finden »,
éditions Thiele-Verlag, 2009, (photographies).
French Magazine “actuel” For The USA/USSR artistic
chain.
dispersion of the objects that compose it, by the time
the bacteria. I’m transsexual, ancient escort girl, I faced
the same problems of identity, with the whole of this job
I am trying to reach the soul of the viewer, it forced him
to question himself, restoring it to its own ambiguity,
identity, philosophical and moral, and because it belongs
to humanity capable of the best and the worst player he
is. So the victim, offender or accomplice?
Jeylina Ever
JEYLINA EVER - FR
Artist statement
Following the deliberate destruction of all my creations
in the late 80s, in 2009, I resumed my art production
after a long period devoted to opera decors and show.
In 2004, between two decors ,was born the “Little Red
Book”. A work virtual and dynamic (changing), consists
of describing with photo manipulation, despite and
optimism of few survivors of “the Apocalypse”. Then,
of course, I had the desire to materialize the “Little Red
Book” I have therefore created the “Mona Circus”, and
dynamic physical work. I situate my work in a postapocalyptic world where all would be to rediscover,
explore, understand, I called my art “Trash-Romantic”.
I use only salvage. Mainly dolls old pre-1930 that
refers to toys found after the bombing, explosions,
crashes or natural disasters. Men has disappeared,
the object has survived. I associates insects, plant
seeds and / or mechanisms of clocks used symbols
of work, arduous, time passes, irreversibility. I recycle
every scrap of my own in the next work or waking up in
small reconstructed imaginary worlds. All my work is an
evolving entity and intended to be transformed by the
FACTORY-ART gallery
JEYLINA EVER - FR
Title: She clown, 2011
Female clown of the “Mona Circus”
technique: Mixed media
size: h 31 cm
FACTORY-ART gallery
JEYLINA EVER - FR
Title: The suspicious, 2011
Cashier of the “Mona Circus”
technique: Mixed media
size: 63 x 38 cm w10 cm
FACTORY-ART gallery
2005 Con altri occhi, la città vista dai giovani
artisti. Curata da Roberto Pinto e Katia Angelova,
Palazzo della Ragione, Milano.
2002 Gemine Muse – Museo Nazionale di San Matteo,
Pisa.
OZMO (GIONATA GESI) - IT
tGesi Gionata a.k.a. Ozmo , Born 1975, Pontedera,
Pisa (IT).
SOLO SHOWS
2012 Primo Piano d’Artista, Museo del 900, Milano
2010 The Last Movie, Gdańska Galeria Miejska 1,
Gdansk, Poland
2008 Ozmo Solo Show. Pure Evil Gallery, London, UK
2005 Ozmo & Abbominevole. Curated by Gianni
Romano. Galleria Astuni, Pietrasanta (LU)
MUSEUM GROUP SHOWS
2010 That’s all Folks! Curated by Michel Dewilde e
Jerome Jacobs Stadshallen, Bruges BE.
2008 Scala Mercalli. Il terremoto creativo della street art
italiana. Curata da Gianluca Marziani, Auditorium Parco
della Musica, Roma.
2007 Arte Italiana. 1968_2007. Pittura. Curata da
Vittorio Sgarbi. Palazzo Reale, Milano
Street Art Sweet Art. Dalla cultura hip hop alla
generazione Pop Up. Curata da Alessandro Riva. PAC
Padiglione di Arte Contemporanea, Milano
FACTORY-ART gallery
GROUP EXHIBTIONS
2011 Attack Festival, Foligno, Italy
2010 Go get your shine box. Brooklynite Gallery, New
York, USA.
XXL. ExtraExtraLarge Curata da Alberto Zanchetta.
Superstudio Più, Milano.
2009 European festival of monumental
painting. Gdansk, Poland
Upupa. Curato da Grazia De Palma. Bari.
Via Brick Lane. Brick Lane Gallery. London, UK
Once Were Writers. Festival della creatività. Fortezza
da Basso, Firenze.
In & Out. Fondazione Bandera per l’Arte. Busto Arsizio,
Varese.
2008 Arte Mas Festival. La Habana, Cuba.
Il drago di Giorgio. Curato da Viviana Siviero, Alberto
Zanchetta . Sovramonte
Street art village. Rigenerazione urbana e ribaltamento
culturale. Curato da Debora Di Gesaro. Campofelice di
Roccella (PA)
Pop Up Festival – Arte contemporanea nello spazio
urbano. Ancona
Arte Senza Tempo. Galleria Edieuropa, Roma
M.A.P. NO Gallery, Milano.
Freeshout Festival. Ex-macelli. Prato, Firenze.
2007 Me odio y yo quiero comprar. Curato da Ruben
Gutierrez. Galeria Enrique Guerrero, Mexico.
La Nuova Figurazione Italiana. Curato da Chiara
Canali. Fabbrica Borroni, Bollate (MI)
Street up. Curato da Alessandro Riva. Byblos Art
Gallery, Verona
2006 L’immagine sottile 01 Curato da Andrea Bruciati.
Galleria Comunale d’Arte Contemporanea, Monfalcone
Bunker o no bunker. Curato da Juan Pablo Macias.
Gallerie Ramis Barquet, Monterrey, Mexico.Stazione
Isola. CRAC, Cremona.
Media 06. Galleria d’Accursio, Bologna.
New Drawings. 1000Eventi, Milano.
Crisis. Curato da Ivan Quaroni. Galleria San Salvatore,
Modena.
Il Marmo e la Celluloide Curato da Marco Senaldi. La
Versiliana, Lucca.
Tracce di un seminario. Curato da Anna Daneri e
Roberto Pinto. Assab One Ex Gea, Milano.
2005 Con altri occhi. A cura di Roberto Pinto e Katia
Angelova, Palazzo della Ragione, Milano
Isola Art Center, Stecca degli Artigiani, Milano
Estetica della Resistenza Curato da Roberto Pinto and
Anna Daneri , Edificio a shed ex-Ticosa, Como
Dodici pittori italiani. Dieci anni dopo Curato da Luca
Beatrice. Galleria In Arco, AB+, Torino
The Urban Edge Show – P4 Via Pestalozzi, Milano
Present Future – Patrick Charpenel, Emma Dexter,
Massimiliano Gioni, Heike Munder, Rochelle Steiner
Artissima 12, Torino
Synapser #4 – Villa Serena, Bologna
2004 Now Underground – Milano Centrale Station,
Milano
Assab One – Ex Stabilimenti GEA, Milano
The Black Album – Curato da Luca Beatrice. Antonio
Colombo Arte Contemporanea, Milano
NO production – Antonio Colombo Arte
Contemporanea, Milano.
Questi Fantasmi – Curato da Kaufmann 1000Eventi,
Milano
Senza Freni – Curato da Marco Cingolani. Antonio
Colombo Arte Contemporanea, Milano
2003 Metamorfosi – Studio d’arte Cannaviello, Milano /
Associazione Culturale Immagini, Udine
ArteImpropria – Galleria Meravigli, Milano
2002 Pentotàl – Studio d’Arte Cannaviello, Milano
SPECIAL PROJECTS
2010 Attention! Border crossing! Padiglione Italiano alla
Moscow Young Biennial. Moscow, Russia.
2005 Emergency Biennial. A suite case from Paris to
Grozny. Curato da Evelyne Jouanno. Palais de Tokyo,
Paris, France / Various locations, Grozny, Cecenia.
1998 II Rassegna Biennale Giovani Artisti Italiani.
- Palazzo Lanfranchi, Pisa.
Writing performance. Fondazione Teseco per l’arte. Pisa
MONUMENTAL ART INTERVENTION
Beirut (Faqra), Lebanon
La Habana, Cuba
Gdansk, Poland
Tunisi, Tunisia
Milan, Italy
Rome, Italy
Ancona, Italy
Varese (Busto Arsizio), Italy
London, Uk
New York, U.S.A.
COMMISSIONS
2010 Metroweb | Project per due tombini installati in
Zona Tortona.
L’opera di Ozmo è stata una dei best sellers nell’asta di
Christie’s a Milano.
2010 Absolut Vodka | Absolut Wallpaper 2.0 Milan /
Absolut Wallpaper 2.0 Rome. Wallpainting recensito dal
New York Times
2003 Nike | Lancio per le Nike Dunk, Six artisti per sei
città italiane ( con Microbo, Bo130, RobotInc,Plank,
Pavia). Catalogo ‘Nike Dunk Windows.
MUSEUM COLLECTIONS
Galleria Civica Monfalcone (Go)
Museo del 900, Milano
Fondazione Bandera per l’Arte Contemporanea, Varese
COLLECTIONS / COLLECTORS
Tony Salameh
Marino Golinelli + Paola Pavirani Golinelli
Cicci Mordiglia + Paolo Consolandi
FACTORY-ART gallery
LECTURES & TALKS
2009 Writers. Conversazioni con la Street Art’ Writers.
Street Art Talks Nuova Accademia di Belle Arti, Milan
2008 Arte Mas’ Casa de la Poesia , La Habana, Cuba
2007 Introduction to the exhibition Street Art, Sweet
Art. Guest speaker. Padiglione Arte Contemporanea,
Milan
2005 Il pubblico ci ama. Attitudini urbane nelle belle
arti’ M.A. Organizing and communicating Visual Arts ,
Accademia di Belle Arti di Brera, Milan.
BIBLIOGRAFIA
MONOGRAFIE
Milano: Guida Alternativa. Ozmo+
Abbominevole. Postmedia Books, Milano 2005.
CATALOGHI
That’s all Folks! Curated by Michel Dewilde e Jerome
Jacobs Stadshallen, Bruges BE. 2010
Upupa. A cura di Grazia De Palma. Stampa Sud, Bari.
2009
Street Art Village. A cura di Debora Di Gesaro. Skira,
Milano. in corso di pubblicazione (estate/autunno 2009)
Premio Terna 2008. Trasmettere energia: una metafora
contemporanea. A cura Gianluca Marziani, Francesco
Cascino. Silvano Editoriale, Cinisello Balsamo (MI) 2008
Scala Mercalli. Il terremoto creativo della street art
italiana. A cura di Gianluca Marziani, Davide Atomo
Tinelli. Drago Arts & Communication. Roma, 2008
The world is yours. Le parole più usate nella semiosfera
dell’arte contemporanea. A cura di Margherita Salmaso
e Chiara Zizioli. Catalogo SelfPublished. Mestrino (PD)
2008. pp.32-33
Arte Italiana. 1968_2007.Pittura. A cura di Vittorio
Sgarbi. Skira, Milano 2007. p.254
Street Art, Sweet Art. Dalla cultura hip hop alla
generazione Pop Up. A cura di Alessandro Riva. Skira,
Milano 2007. pp.138-141
La Nuova Figurazione Italiana. A cura di Chiara Canali.
Silvana Editoriale, Cinisello Balsamo (MI) 2007. pp.255
L’immagine sottile. A cura di Andrea Bruciati. Edizioni
GC.AC, Monfalcone (GO) 2007.
Allarmi2. Il cambio della guardia. A cura di AntoliniMangioni-Quaroni-Trabucco. Como, 2006 pp.92-93
Il marmo e la celluloide. Arte contemporanea e visioni
cinematografiche. A cura di Marco Senaldi. Silvana
Editoriale, Cinisello Balsamo (MI), 2006. pp.138-141
Estetica della resistenza. Corso superiore di arte visiva
Antonio Ratti. Nero Produzioni/Fondazione Antonio
Ratti, Como 2006. pp.7/14
Con altri occhi. A cura di Roberto Pinto e Katia
Angelova. Postmedia Books, Milano 2005.
12 Pittori Italiani Dieci Anni Dopo. A cura di Luca
Beatrice. Torino, 2005 Pp.15/18/22/26-29/76
Metamorfosi. La pittura oltre la fotografia. A cura di
Angelo Capasso. Studio Cannaviello. Milano, 2003.
pp.38-41
Pentotàl. Fuori la verità. A cura di Alessandra Galletta.
Studio Cannaviello. Milano, 2002. Pp.26-29
PUBBLICAZIONI
Pop Up. Arte contemporanea nello spazio urbano
– Panini International, Modena 2010.
Arte Contemporanea. Sette.Ambienti – Electa/
L’espresso, Milano 2008.
Street Logos. Tristan Manco – Thames & Hudson,
London 2004.
Uovo Special Issue. The Drawing collector’s Box. Ozmo
e Abbominevole.
PopUp. Ancona, 2008. Pubblicazione sull’evento.
Freeshout. Prato, 2008. Pubblicazione sull’evento.
FACTORY-ART gallery
Ozmo alias Gionata Gesi, demonstrates his spectacular
ability to use different techniques and style according to
the context he is working in, be in a public area, urban
setting or art gallery, As a street artist he has to come
up with original style, combining graphic design and
illustration(sticker and posters) with art history references
(in some of his painted murals). In his paintings, on the
other hand, the artist adopts two distincts approaches.
The first, based on free association, consists in a
post modern interpretation of visual sampling, which
in this case gives rise to an artistic babel, a chaotic
accumulation of cross-references and citation. His other
technique is based on selecting images generated by
entering a keyword into an internet search engine.He
then mixes and interprets these existing fragments in an
attempt to come up with new meanings.
In occasion of his last project in march 2012, for the
prestigious Museo del 900 of Milan, located in the
monumental heart of the City, called ‘Pre Giudizio
Universale’, he was acquired in the great collection of
the Museum itself , as the first italian so called ‘street
artist’ taking part in such a institutional context and
definetly consacrated to the mainstream art scene.
Title: Backflip, 2012
technique: Acrilycs on pvc, plotter print
size: 100x150 cm
FACTORY-ART gallery
Title: ArtReview 2006
technique: Acrilycs on pvc
size: 150x100 cm
FACTORY-ART gallery
Laboratório Irreversível (irreversible laboratory),
darkroom, Oporto
2009-Proscenio,Post-Ite, Artes em Partes, Oporto
2008-Tempus Fugit, Caroline Pagès Gallery, Lisbon
DALILA GONÇALVES - PT
Was born in Castelo de Paiva in 1982
Educational/Professional Qualification
PhD (frequency), art and design. Fine Arts -Oporto
2011 - “I ENCONTRO ARISTAS NOVOS CIDADE DA
CULTURA”, Santiago de Compostela, Spain
2010/2011 Internship (Scholarship by Portuguese
Culture Ministry - inov-art) with Ignasi Aballì (Barcelona)
2009 Masters Degree in Visual Arts Education (MA)
from College of Psychology and Education Sciences
University of Porto, Portugal.
2009 Specialised course in Artistic Interventions in
Public Spaces, Lusofona University, Oporto
2008 Gulbenkian Creativity and Artistic Creation
Programme-Photography course
2005 Degree in Painting from the Oporto School of Fine
Arts (FBAUP)
Ind ividual Exhibitions (selection)
2011-760.000 seconds, Caroline Pagès Gallery, Lisbon
2010-“lembro-me deste sítio de algum lugar” Sput&Nik,
Oporto
FACTORY-ART gallery
Public Space/ installations
2003 Circle, Poveiros Square– Oporto
2003 Gelo (Ice) 50º, El Carpio, Spain
2004 Zebra crossing, Espinho Beach – Portugal
2004 Fotovigilância, Poveiros Square – Oporto
2004 FotoMontagem, João I Square– Porto
2004 Proibição de Transportes Poluentes, Ave river
2004 Seta – Indicação, Igrejas do Concelho de Castelo
de Paiva
2004 Re-ordenar. Praça do João I; Av. dos Aliados
– Porto
2005 Exposição/ Apropriação do Espaço, Centro
Comercial Alexandre Herculano - Porto
2005 Eu, Foz do Douro, Porto
2005 Turismo Rural, Castelo de Paiva (Portugal)
2005 Identidade, Passos Manuel, Oporto
2005 Project “Superstições”, Castelo de Paiva
2006 Quem Pássaros Receia Milho Não Semeia. Praça
do João I – Porto
2008 Monumentos, Vila de Conde
Group E xhibitions (selection)
2012 “O coração, o centro do nosso universo” Coimbra University Hospital, Coimbra
Triennial of Contemporary Beauforto4 –Belgium
Just Mad Madrid, Art Fair (Spain), Lisbon
Sincronia - Sput&nik thewindow, Oporto
Co Efciência algumas variáveis, Sput&nik thewindow,
Oporto
Aproximações à Profundidade – Sala do Veado,
Museum of Natural History and Science, Lisbon
Jugada a 3 Bandas – Madrid
Guimarães/Berlim – Tourcoing (França)
Cinco Séculos de Desenho na Colecção da Faculdade
de Belas Artes da Universidade do Porto, Soares
dos Reis Museum,(Oporto)
2011 MUSAO, Vienna, Austria
O Livro e o Mundo, Santa Maria da Feira, Portugal
Guimarães_Arte Contemporânea 2011, Vila Flor
Cultural Centre & Laboratorio das Artes, Guimarães,
Portugal (cat)
A Quatro, IPSAR Gallery, Rome
2010 WATER CLOSET, LxFactory, Lisbon
Small is Beautiful, Caroline Pagès Gallery, Lisbon
Topologias, Casa da Galeria (house of gallery), Santo
Tirso.
Projecto Colector, Cinema Medeia Films , shopping
Cidade do Porto, Oporto
Festival KAUNAS PHOTO, Lituânia
Espacio Atlantico, Vigo Art Fair (Spain), Lisbon
Options & Futures: Works from the PLMJ Collection
(News Acquisitions), Foundation Plmj Space, Lisbon.
2009 Projecto Colector, D. Diogo de Sousa Museum,
Braga, Portugal
Projecto Colector, House Museum Abel Salazar, Leça
do Balio, Portugal
Contemporary art “Arte Contemporânea na Garagem
da Vizinha”, Maia, Porugal.
2008 A arte dos oficios ou como a arte é um oficio
tambem, Foz Côa Cultural Centre, Vila Nova de Foz
Côa, Portugal
Aveiro Jovens Criadoes 2008, Galeria Paços do
Conselho, Aveiro, Portugal
Artlet - Arte Contemporânea, Rua do Almada, Oporto,
Portugal
Polvora Muse, Polvora Negra Museum, Fabrica da
Polvora de Barcarena, Portugal
2a Edição do Curso de Fotografia, Gulbenkian
Creativity and Artistic Creation Programme, Gulbenkian
Foundation, Lisbon (cat.)
2007 Fábrica Import/Export, Antiga Fábrica de
Curtumes, Guimarães (cat.)
Rumar a Mar Alto, Aveirense Theatre, Aveiro (cat.)
Jardim Aberto, curated by Filipa Oliveira, Gardens of
the Belém Presidential Palace, Lisbon(cat)
Good News, Plumba Gallery, Oporto
Dalila Gonçalves registo fotográfico/Ana Santos
desenho, Plumba Gallery, Oporto
Vila Nova de Cerveira Biennial (cat.)
2006 Anteciparte Prize Show, Páteo da Galé, Praça do
Comércio, Lisbon (cat.)
Jovens Criadores, Antiga fábrica TOBOM, Montijo (cat.)
10 Artistas Licenciados à Procura de Emprego,
DALILA GONÇALVES - PT
Calçada de Monchique, Oporto (cat.)
More or Less, Science and Industry Museum, Oporto
2005 Bluescreen, Palácio Gallery, Oporto (cat.)
Projecto Colectivo Casa Casais, Antiga Casa Casais,
Oporto
Projecto Interferência–Intervenções no Espaço Público,
Vila Nova de Cerveira Biennial (cat.)
Vila Verde Biennial (cat.)
2004 Jornadas de Intervenção Artística no Espaço
Urbano e Natural, El Carpio-Cordoba, Spain (cat.)
Prizes
2008 First prize in Photography, Aveiro Jovens
Criadores, Aveiro, Portugal
2005 Acquisition Prize, University of Oporto
Photography Prize, Art XXI Contest, Espinho
Collections
Faculty of Fine Arts Museum, University of Oporto;
PLMJ, IPSAR (Rome),Water Closet 7, Lx Factory,
Lisbon and private collections in Portugal, Spain and
France
FACTORY-ART gallery
Bibliography (seleccion)
http://www.designboom.com/weblog/cat/10/view/20503/
kneaded-memory-by-dalila-goncalves-atbeaufort04.
htm l
http://www.journal-du-design.fr/index.php/art/kneadedmemory-par-dalila-goncalves-au-beaufort0423312/
GAC 2011- Guimarães Contemporary Art, 2011
“#2_ 2010 Opções & Futuros- Obras da Colecção da
Fundação PLMJ” by Miguel Amado, 2010
Exposições do mês-Colectivas, by Sérgio Gomes da
Costa, in Time Out Porto, p. 50, August 2010
Punctum: “Fotografias da Colecção da Fundação
PLMJ” by Miguel Amado, 2009
“Tempus Fugit”, p. 20, in +(mais) Arquitectura, April
2008
Circulações, by Celso Martins, in ACTUAL-Expresso
supplement, p. 34, November 10, 2007
Actualizar a paisagem, by Maria do Mar Fazenda, in
L+Arte #42, p. 84, November 2007
17 artistas nos jardims do Palácio de Belém, by
Vanessa Rato, in Público-P2, p. 11, October 4, 2007
Apagar a forma, by Pedro Faro, in L+Arte #34, p. 4853, March 2007
Anteciparte-Os verdes anos, by Ricardo Duarte, in
Jornal de Letras, p. 8-9, December 6-19, 2006
Artist statement
From experimental play Dalila Gonçalves tests the
permeability of materials and processes of artistic
practice and daily life.
By using video, photography and installation she
conceives objects that do not always imply real
transformation of things but rather materializations of
subtle unexpected, ironic, absurd and metaphorical use
of matter. The subtlety of the information, the nature of
materials or the modus operandi chosen, play with the
very relation of “perception” and the idea of “evidence”.
These strange moments are, perhaps, the kind of border
between the physical reality and fiction which trigger the
mechanisms of feeling and thinking that give meaning to
art object.
I assess the hypothetical relationship established
between the sense a contemporary “vertiginous time”
and the time of production and artistic practice. Certainly,
as the life and art intermingle, as the artist belongs to
the world of universities, taxes, family and credit, as the
studios are no longer small islands, all that he produce
has, admittedly, something more of reflection and
mirror.
Dalila Gonçalves, 2012
DALILA GONÇALVES
Title: Amontoar em Carga e Descarga. (pile in Loading
and Unloading) 2012
black pens used by different people over a year
technique: installation
Size 20x140 cm
FACTORY-ART gallery
DALILA GONÇALVES
Title: (untitled), 2012
instalation with pencils (wooden of pencil separated from
graphite mine)
technique: installation
size: 40x300 cm
FACTORY-ART gallery
ALEXANDER KOSENKOV - RU
1959 Born in Ekimchan Amur region (The Russian Far
East).
1984 Studied at the studio of artist Natalia Chizhik in
Novosibirsk (until 1998).
1995 The first part in the exhibitions: «Hamburg score95». Gallery «Green Pyramid».
Since 2007 member of the «Free Culture» Society, St
Petersburg.
Since 2010 member of the Union of Russian Artists.
Personal and selected group exhibitions
2012 «Farewell to the Old World?», personal. Erarta
Galleries Zurich.
2012 «PRIMAVERA», personal. Gallery «2 Suvorov»,
Novokuznetsk.
2011 Personal. ERARTA Galleries ― TEN43 New York.
2011 «MAMA ROMA», Association named PetrovVodkin*. Novosibirsk.
2011 «Red Prospect», zonal exhibition. Museum of Art,
Novosibirsk.
2011 «Dudes on Chumikan», personal. Museum
of Contemporary Art and art galleries Erarta,
FACTORY-ART gallery
St.Petersburg.
2011 «Silver gate», personal. Gallery KINO, Moscow.
2010 International competition ArtPreview-2010
(winner), Gallery KINO, Moscow.
2009 «Altai drive», personal. Gallery «Banderol»,
Barnaul.
2009 «Siberian telescope», personal. Gallery Kadieff,
Helsinki (Finland).
2009 VI Novosibirsk International Biennale. Museum of
Art, Novosibirsk.
2009 «Ark», art project. Russian Cultural Centre,
Helsinki (Finland).
2009 «Siberia, dog, dot, ru», personal. Krasnoyarsk
Museum Center.
2008 «Siberia-Х», zonal exhibition. Museum of Art,
Novosibirsk.
2008. «Interior with skis», personal. Gallery «Siberian
masters», Novosibirsk.
2007 «Hamburg score-2006». Museum of Art,
Novosibirsk.
2007 «Gouache 2 O». Gallery of the Generations Fund,
Khanty-Mansiysk.
2006 «Letters from Novo, letters to Novo»,
Kunststation Kleinsassen, Fulda (Germany).
2006 «Gorbunki are landing», Association named
Petrov-Vodkin*. Krasnoyarsk.
2005 «DIALOG No 2», personal. Galerie Stricker,
Aachen (Germany).
2005 «Niurka», personal. Gallery CHERNOFF,
Novosibirsk.
2004 «Fall back», Association named Petrov-Vodkin*.
Gallery P-10, St.Petersburg.
2002 «Tengri-Umai 2002», Art Festival. Kosteev’s
Museum, Almaty (Kazakhstan).
2000 «The joy of being», Association named PetrovVodkin*. Museum of Art, Tomsk.
1999 I Novosibirsk International Biennale. Museum of
Art, Novosibirsk.
1998 Personal exhibition. Gallery House of Scientists,
Novosibirsk (Akademgorodok)
1998-2004 «Unknown Russia». Exhibition of 12
Siberian artists. Leuven, Ghent, Overayze, Hasselt,
Tienen, Antwerp, Karlsruhe (Belgium).
The works are in collections
Museum of Contemporary Art «Erarta», St.Petersburg;
State Museum «Tsarskoe Collection», St.Petersburg;
Museum of Nonconformist Art, St.Petersburg;
Novosibirsk State Art Museum;
Tomsk Regional Museum of Art;
Novokuznetsk Art Museum
Krasnoyarsk Museum Center;
Gallery House of Scientists, Novosibirsk
(Akademgorodok).
In private collections.
*) Association of Free Artists named «Bathing the Red
Horse» of Petrov-Vodkin»
Artist statement
The nature of my painting is based on a dense and
resonant mixing French art and Russian avant-garde
art, the poetics of «Jack of Diamonds» on the free
picturesque St. Petersburg romantic expressionism. It
is very important to create a special tension between
the emphasis prosaic subjects of the paintings and the
color and compositional energy, which should occur on
the canvas. I do not do copying landscape or still life.
For me, it is important to see the space-time, to create
a self-contained world-in-themselves, to tell a story. It
is always present, even in plotless works. To do this,
looking at daily life, which otherwise seem mundane
and boring, see the archetypal features of the world, to
detect plastic formulas and color harmony, to find formal
and semantic rhythms, to create a local story common
themes of life in a given Euclidean space. And then there
is a particular attraction life dark and bright patches of
color on the canvas, and the interaction of divergent
lines, which are due to my own «non-Euclidicity» easily
and naturally can intersect at infinity, even though their
apparent parallelism of the original ...
Alexander Kosenkov
Title: Barge in Paris city, 2012
technique: oil on canvas
size: 80x80 cm
FACTORY-ART gallery
Title: Botanical garden, 2012
size: 80x100 cm
FACTORY-ART gallery
striking nightmare visions, breathtaking idealizations,
and haunting prophecies of human error’s toll.
Painter:
Develop artwork from preliminary drawings to final
acrylic or oil paint on wood or canvas.
Sculptor:
Learned mask making and sculpture process when
studying in Italy; assemblage pieces are created from
found objects.
CRAIG LAROTONDA - US
EDUCATION:
Bachelor of Fine Arts (BFA) Illustration SUNY at
Buffalo, 1992
Understudy with Alan Cober,Jerry Pinkney, and Kathy
Howell
WORK EXPERIENCE:
Professional Illustrator
1992 – Present
Work directly with art directors/clients/publications
from concept tocompletion of all illustrations. Provide
multiple preliminary sketches and final artwork for
deadline sensitive assignments.
Created illustrations for Time Magazine, Universal
Pictures, New York Times, LA Times, The Washington
Post, etc.
Illustration award winner:
Society of Illustrators (New York & Los Angeles),
Communication Arts Magazine and Print Magazine.
Artist 1990 – Present
Painter, Sculptor, Curator and Gallery Owner
Across the mediums of painting, collage, sculpture, and
found-object assemblages, my creations range from
FACTORY-ART gallery
Participated in Solo and Group
exhibitions in Los Angeles, New York, Detroit, Santa
Monica, Santa Fe, Philadelphia, Atlanta, Palm Springs,
Buffalo, Scotsdale, San Francisco and Paris.
Triptych painting appeared in the Academy Award
winning movie “Traffic.”
Curator and Gallery Owner:
Curated several group shows in San Francisco and
owner of Revelation Studios and Gallery.
Art Instructor 1992 – Present
Teacher (Buffalo, NY):
Taught art at Campus East Elementary, the Friendship
House and the Jewish Community Center; teaching
method was hands-on instruction with demonstrations
of drawing and painting.
Workshop Instructor (San Francisco, CA):
Taught six to eight week workshops at the Independent
Artist Movement; Sessions: “Venetian Mask Making”,
“The Art of Business: How to Promote Yourself as an
Artist”, “Intro to 2D Composition”, and “Open Studio
Figure Drawing”.
Guest Lecturer
Participated in the Visiting Artist Series
at Fredonia State, the University of
Kansas and the Fashion Institute of
Technology in NYC. Gave 60 minute
presentations to students on being a
working artist and illustrator.
Artist statement
My figurative works are introspective and meditative
interpretations of the human condition imbued with
a sense of time. My source of inspiration is the
dichotomy of existence; the brutality and the beauty;
the subconscious and conscious; the spiritual and the
physical.
Working in acrylic and oil paint, collage, and sculpture/
found-object assemblages, my creations range from
striking nightmare visions, breathtaking idealizations,
and haunting prophecies of human error’s toll.
My artwork explores the unspeakable nature of
consciousness and the experience of life and death.
Craig LaRotonda 2009
Title: Machines of Grace: Baby, 2012
A painting inspired by the future of humanity and the
inevitable development of human robot hybrids I call
“Robosapiens”
technique: Acrylic on wood
size: 25x25
FACTORY-ART gallery
Title: When Darkness Falls, 2011
This is a painting inspired by old postcard images of the
legendary Krampus
technique: Acrylic and graphite on wood
size: 40x51
FACTORY-ART gallery
DANIEL PEŠTA - CZ
Daniel Pešta was born in Prague in 1959.
During the Communist regime he moved outside the
official artistic and social circles. He changed his jobs
often in order to be able to dedicate his spare time to
his free artistic creations. Later he worked in the field of
applied graphic art, especially poster design, which he
had studied at the Václav Hollar Art College. After 1989
he designed a series of album covers for a classicalmusic publisher.
He engaged himself in graphic
arrangements of catalogues, receiving awards for book
and poster design.
In his free creations Pešta systematically develops in his
own unmistakable style. He dedicates himself primarily
to drawing and painting, in time he begins to experiment
with a wide variety of natural materials, such as wood,
paper, wax and leather.
In 1998 and 2000 he introduces his work at his
own exhibitions in New York. These study journeys
are the milestone for the author’s creative work and
subsequently bear fruit fully manifesting themselves
in 2003, when he moves away from painting and
FACTORY-ART gallery
begins to create with transparent acrylic materials,
working with photographs. He seals his older rolled-up
pictures into tightly-shaped columns, giving rise to the
“Genetic Codes” and a series of “dark assemblages”, he
implements conceptual projects, he films videoart. On
the front elevation of the Felix Nussbaum Museum in
the German town of Osnabrück he places a display of
a dimensional neon work. In museums of contemporary
art in Prague, Osnabrück and Solingen he presents
conceptualised projects on the theme of masks and
concrete figures. After a prolonged pause he partially
returns to painting.
Pešta’s works are exempt from aesthetic kitsch, often
hovering on the edge of raw naturalism. In the majority
of cases they reflect the social and political situation.
His masterful psychological analysis of the individual
or society at large impedes any pathos whatsoever.
The genesis of his works is subordinated to a precise
preparation, he progressively works on their final form
over a number of years.
Daniel Pešta has shown his work at dozens of oneman exhibitions in both Europe and America. He is
represented in important museums and collections, he
attends biennales of contemporary art. He is a member
of the Mánes SVU Association, he lives and works in
Prague and Frankfurt am Main.
Solo Exhibitions (selection)
2012 Prague, Artinbox (with Suzanne Pastor)
2012 Solingen, Art Museum, Gravitation Zero
2011 Osnabrück, Felix Nussbaum House Museum of
Modern Art, Levitation
2010 Prague, MuMo, Museum Montanelli, Levitation
2010 Düsseldorf, Galerie Maier-Hahn
2007 Prague, Acropolis, Sweet Home
2005 Berlin, Galerie Palais am Festungsgraben (with
Václav Bláha)
2005 Frankfurt am Main, Kunsthalle (with Václav Bláha)
2002 Prague, Crityics’ Gallery (Galerie Kritiků), White Zone
1998 New York, Montserrat Gallery
2000 New York, Montserrat Gallery
1995 Cheltenham, Axion Gallery
1993 Prague, Karolinum
Joint Exhibitions (selection)
2012 Osnabrück, Maria Maria, Felix Nussbaum House
2011 Prague, Artinbox, The Art of Giving Birth
2010 Solingen Museum, Francisco de Goya - Vision of
Symptoms and Hope
2009 Prague Biennale 4
2007 Klatovy, Statues for Baroque Niches (with
Vojtěch Míča)
2007 Prague Biennale 3
2006 Berlín, Galerie Palais am Festungsgraben
Awards
2009 Prague, The Most Beautiful Book of the Year,
nomination in the catalogue category
2002 Prague, The Most Beautiful Book of the Year,
prize awarded in the bibliophille category
2001 Florence Biennale 3, prize awarded in the new
media category
1990 Mexico City Biennale 1, prize awarded in the
Political Poster category
Representation in collections (selection)
Felix Nussbaum House Museum of Modern Art,
Osnabrück, Germany
Art Museum Solingen, Collection of Persecuted Art,
Solingen, Germany
MuMo, Museum Montanelli, Prague, Czech Republic
Michael Hayden collection, Geelong, Australia
Museum F. (Statues for a Baroque Niche, Klatovy,
Czech Republic
National Museum of Posters, Mexico City
DANIEL PEŠTA - CZ
Title:Separation from Twenty Families, 2011
Author has violently removed one individual from 20
randomly chosen historical family portraits. This refers
to the division of family units by totalitarian regimes or
the hand of unfavorable destiny.
technique: mixed media
size: image 25x25 cm
FACTORY-ART gallery
DANIEL PEŠTA - CZ
http://www.youtube.com/watch?v=J-BDSfQkMDY&feature=player_embedded
Title:Seven Sins, 2010
Videoart divided into seven days. Every evening an
anonymous man washes the tale of the day he has lived
through off his own face.
technique: videoart
size: 8’02”
FACTORY-ART gallery
Individual Exhibitions:
-June 2011: Individual Exhibition at the Zpap Gallery “
la vie en rose”, Warsaw, Poland
-May 2012: “Caprices” Individual Exhibition, Van Gogh
Gallery, BOK, Warsaw, Poland
ANNE PLAISANCE - PL
The Warsaw based artist, Anne Plaisance, is a free and
passionate personality.
Freedom in means (collages, sketches, travel diaries,
watercolor paintings, oil canvas, sculptures, installations,
pieces of writing, photos and video), as well as freedom
in subjects (women and society, memories, consumption
society criticism, etc..).
Under the apparent aesthetic of her artworks, the
brutality of the message, by contrast, is frapping and
questioning the viewer (for ex. “In Memoriam”, “the tears
collection”, “the draft”, “the maison close diary”..). Her art
is like and iron fist in a velvet glove.
Her works can be found in private collections in France,
Great Britain, Belgium and Poland. She’s member of
the “Positiveart” and “Young at Art” artistic groups and
became in 2011 a member of ZPAP (National Polish
Artist’s Association).
FACTORY-ART gallery
Collective Exhibitions:
-August 2011: “Reality from the past” Positiveart
Collective Exhibition during the Festival Warsaw of
Singer, Warsaw, Poland
-December 2011: “At the world’s crossroads” Collective
Exhibition at the Zpap Gallery, Warsaw, Poland
-March 2012: “New Opening” Collective Exhibition for
the ZPAP Centenery, Warsaw, Poland
-May 2012: Women” Collective exhibition during the
Museum night, Pracownia Otwarta, Warsaw, Poland
-June 2012: “Young at Art” Collective exhibition, ZPAP,
Warsaw, Poland
-June 2012: “Far and nearby travelling” Positive art
Collective Photography Exhibition at the Zpap Gallery,
Warsaw, Poland
Arte povera cycle:
The “arte povera” cycle is simply criticism of our
society, based on consumption, which, taking in a more
revolutionary sense, is consuming our own children.
Trade marks as Louis Vuitton, recognizable all around
the world by consumers (we are not citizens any more
but consumers...), is an adaptation, like of many other
things, of their dreams and desires – closely guarded
by hordes of advertising, marketing & pr specialists.
This very symbol became synonymous with wealth and
social status. But what will it mean in a 100 years. Are
poignant symbols from our past still meaningful to us
today?
The “arte povera” cycle was presented the first time
during the individual exhibition “caprices” in Warsaw.
As in previous exhibitions, Anne Plaisance poses the
essential question, the answer to which lies entirely
within ourselves.
Artist Statement:
Simplicity is the ultimate sophistication. (Leonardo da
Vinci)
ANNE PLAISANCE - PL
Title: l’esquisse 2.0., 2012
original painted in acrylics, oil, stripes of louis vuiiton
bag, paper
technique: digigraphie epson-print on paper (100 pi
size:100x70 cm
FACTORY-ART gallery
ANNE PLAISANCE - PL
Title: la cicatrice, 2012
a painting from arte-povera cycle, a consumption
criticism of our society, that has blindfolded us.
technique: oil, pins, louis vuitton bag stripe, on
size: 50x35 cm
FACTORY-ART gallery
NIELS SMITS VAN BURGST - NL
Education
Royal Academy, the Hague 1993
awards
AKKU Art Price 2011
Van Ommeren de Voogt Price 2007
exhibitions
2012 -’the Dorian Project’ , SeccondGuest/Ana Cristea
Gallery , New York
-’anything might happen today’, solo-exposition, Zic
Zerp Gallery, Rotterdam
-summerexhibition, Gemeentemuseum, the Hague
-KunstRai Artfair, Amsterdam, Zic Zerp Gallery
-Slick Artfair, Brussel, Zic Zerp Gallery
-Paviljoen Rotterdam Artfair, Zic Zerp Gallery
-’Hans Sonneberg’s choice’, Zic Zerp Galerie,
Rotterdam
2011 -’midsummernights dream’, Zic Zerp Gallery,
Rotterdam
-’chosen anonymously’, summerexhibition,
Gemeentemuseum, the Hague
FACTORY-ART gallery
-’Eelder eden’, Museum de Buitenplaats, Eelde
-’portraits’, solo-exhibition, Pulchri Studio, the Hague
2009 -Art Rotterdam Artfair, Witzenhausengallery
-Queerulanten, Pulchri studio, the Hague
-XXLart, Grote Kerk, Veere
2008 -’stars on canvas’,van Abbe museum, Eindhoven
-’stars on canvas’,institute for image and sounds,
Hilversum
-’stars on canvas’,Gemeente museum, the Hague
-’my first solo’, solo-exposition, showroom M.A.M.A,
Rotterdam
-Realism Amsterdam Artfair, Mebius Gallery
-Mebius Gallery, Noordhorn
2007 -Mebius Gallery, Noordhorn
-De Waker Gallery, Laag Keppel
-Najaarssalon, Pulchri Studio, the Hague
-Kunstzaal van Heijningen, the Hague
2006 -solo-exhibition, Licht&ruimte, Abcoude
-solo-exhibition, Pulchri Studio, Den Haag
2005 -Peter Pappot Art dealer, Amsterdam
2004 -Diligentia, the Hague
2003 -solo-exhibition, Pulchri Studio, the Hague
2002 -Artist in residence at project ‘de Strip’ by Jeanne
van Heeswijk, museum Boijmans van Beuningen and
showroom M.A.M.A.
2001 -opera ‘Oscar & Philip’, multimedia-project in
collaboration with R.Knuistingh Neven en P.Swanborn
atDoelen, Rotterdam
2000 -solo-exhibition, Pulchri Studio, the Hague
1999 -Project ‘paintings at an exhibition’, Rotterdam
1998 -Fay Lucas gallery, 50 Kensington church street ,
London
1997 -’try out 2’, showroom M.A.M.A, Rotterdam
collections
collection Carla&Hugo Brown
Leeuwenburgh collection
Mebius-Kamstra collection
Title: rabies party, 2012
size: 40 x 60 cm
FACTORY-ART gallery
Title: snackflash, 2011
size: 70 x 50 cm
FACTORY-ART gallery

catalogo toti 11 artisti

Transcription

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