annual report - Cleveland Museum of Art

Transcription

AN N UAL REPORT
January 1, 2005–June 30, 2006
AN N UAL REPORT
January 1, 2005–June 30, 2006
Cover: With a
coordinated museumwide effort, the entire
collection was
deinstalled during the
spring of 2005.
Above: Director-to-be
Timothy Rub addresses
the staff on the day of
his appointment in
January 2006.
2
4
Board of Trustees
5
Trustee Committees
6
Director
10
Chairman
12
President
14
Renovation and Expansion
20
Collections
54
Exhibitions
64
Performing Arts, Music, and Film
70
Community Support
108
Education and Public Programs
124
Staff
129
Financial Report
130
Treasurer
The Cleveland
Museum of Art
11150 East Boulevard
Cleveland, Ohio
44106-1797
Copyright © 2006
The Cleveland
Museum of Art
All rights reserved.
No part of this
publication may be
reproduced or
transmitted in any
form or by any
means, electronic or
mechanical, without
the prior written
permission of the
Cleveland Museum
of Art.
The Annual Report
was produced by
the External Affairs
division of the
Cleveland Museum
of Art.
Writing: Individual
departments plus
Gregory M. Donley
Editing: Barbara J.
Bradley and Kathleen
Mills
Design: Thomas H.
Barnard
Production: Charles
Szabla
Printing: Great Lakes
Integrated
The type is Bembo
and TheSans adapted
for this publication.
For photography
credits, see p. 128.
3
Board of Trustees
Officers
James T. Bartlett,
President
Michael J. Horvitz,
Chairman
Ellen Stirn Mavec,
Vice President
William R.
Robertson, Vice
President
Katharine Lee Reid,
Consulting Director
(until April 2006)
Timothy Rub,
Director (as of April
2006)
Janet G. Ashe,
Secretary and
Treasurer
Roberto A. Prcela,
Assistant Secretary of
the Board
Standing Trustees
Virginia N. Barbato
James T. Bartlett
James S. Berkman
Charles P. Bolton
Sarah S. Cutler
Helen Forbes-Fields
Robert W. Gillespie
George Gund III
Michael J. Horvitz
Charles S. Hyle
Anne Hollis Ireland
Adrienne Lash Jones
Susan Kaesgen
Robert M. Kaye
Nancy F. Keithley
Jeffrey D. Kelly
R. Steven Kestner
Alex Machaskee
William P. Madar
Ellen Stirn Mavec
S. Sterling
McMillan III
Rev. Dr. Otis Moss Jr.
Stephen E. Myers
Alfred M. Rankin Jr.
James A. Ratner
William R.
Robertson
Elliott L. Schlang
David M. Schneider
Mark Schwartz
Eugene Stevens
Ex Officio
Linda McGinty,
Womens Council
Timothy Rub,
2006)
4
Trustees Emeriti
Peter B. Lewis
Michael Sherwin
Richard T. Watson
Life Trustees
Elisabeth H.
Alexander
Quentin Alexander
Leigh Carter
James H. Dempsey Jr.
Mrs. Edward A.
Kilroy Jr.
Jon A. Lindseth
Mrs. Alfred M.
Rankin
Donna S. Reid
Edwin M. Roth
Frances P. Taft
Paul J. Vignos, M.D.
Alton W. Whitehouse
Dr. Norman
Zaworski
Theodore Roszak
(American, 1907–1981);
White and Steel Polars,
1945; painted wood,
steel, iron, and
Plexiglas; 271.8 x 40.6 x
40.6 cm; Leonard C.
Hanna Jr. Fund
2005.144.
Honorary Trustees
Mrs. Noah L. Butkin
Mrs. Ellen Wade
Chinn
Mrs. John Flower
Mrs. Robert I. Gale Jr.
Robert D. Gries
Ms. Agnes Gund
Mrs. John Hildt
Ward Kelley
Dr. Sherman E. Lee
Milton Maltz
Eleanor Bonnie
McCoy
John C. Morley
Mary Schiller Myers
Jane Nord
Mrs. R. Henry
Norweb Jr.
James S. Reid
Barbara S. Robinson
Viktor Schreckengost
Laura Siegal
Evan Hopkins Turner
Iris Wolstein
Trustee Committees
Standing
Committees
Collections
Elliott L. Schlang,
Chair
Virginia N. Barbato
Charles P. Bolton
George Gund III
Robert M. Kaye
Nancy F. Keithley
Ellen Stirn Mavec
Stephen E. Myers
Eugene Stevens
James T. Bartlett,
ex officio
Committee on
Trustees
William R.
Robertson, Chair
Sarah S. Cutler,
Co-Chair
Robert W. Gillespie
Anne Hollis Ireland
Ellen Stirn Mavec
Richard T. Watson
James T. Bartlett,
ex officio
Michael J. Horvitz,
ex officio
Compensation
James T. Bartlett,
Chair
William P. Madar
Michael J. Horvitz,
ex officio
Executive
James T. Bartlett,
Chair
Virginia N. Barbato
Sarah S. Cutler
Michael J. Horvitz
Anne Hollis Ireland
Adrienne Lash Jones
William P. Madar
Ellen Stirn Mavec
Elliott L. Schlang
Eugene Stevens
William R.
Robertson
Finance
William P. Madar,
Chair
Virginia N. Barbato
Robert M. Kaye
Nancy F. Keithley
R. Steven Kestner
Stephen E. Myers
William R.
Robertson
James T. Bartlett,
ex officio
Investment
Alfred M. Rankin Jr.,
Chair
Robert W. Gillespie
Michael J. Horvitz
Anne Hollis Ireland
S. Sterling
McMillan III
William R.
Robertson
Elliott L. Schlang
Richard T. Watson
James T. Bartlett,
ex officio
Advisory
Committees
Accessions Advisory
Elliott L. Schlang,
Chair
Elisabeth H.
Alexander
Quentin Alexander
Mrs. Noah L. Butkin
Helen Forbes Fields
Dorothy T. Hildt
Marguerite B.
Humphrey
Robert H. Jackson
Mrs. Edward A.
Kilroy Jr.
Jon A. Lindseth
Tamar Maltz
Mary Schiller Myers
Mrs. Alfred M.
Rankin
Edwin M. Roth
Mark Schwartz
Frances P. Taft
Paul J. Vignos Jr.,
M.D.
Iris Wolstein
Dr. Norman W.
Zaworski
James T. Bartlett,
ex officio
African American
Community Task
Force
Adrienne Lash Jones,
Chair
Montrie Rucker
Adams
June S. Antoine
Emma Benning
Albert Bright
Margot James
Copeland
James Crosby
Helen Forbes Fields
Giesele Greene, M.D.
Ms. Bert Laurelle G.
Holt
Bracy Lewis
Franklin Martin
The Reverend
Marvin McMickle
Grace Lee Mims
Steven A. Minter
Greg Reese
Dr. Lawrence
Simpson
Andrew Venable
James T. Bartlett,
ex officio
Education
Adrienne Lash Jones,
Chair
Virginia N. Barbato,
Co-Chair
James S. Berkman
Jeanette Grasselli
Brown
Leigh Carter
Sr. Maureen Doyle
Carol S. Franklin
Debra Guren
Mrs. Bert Laurelle G.
Holt
Susan W. MacDonald
S. Sterling
McMillan III
Frances P. Taft
Susan H. Turben
Paul J. Vignos Jr.,
M.D.
Sally H. Wertheim
James T. Bartlett,
ex officio
Exhibitions &
Marketing
Eugene Stevens,
Chair
Sarah S. Cutler
Charles S. Hyle
R. Steven Kestner
Susan Potter
David Ricanati
W. Allen Shapard
James T. Bartlett,
ex officio
Fine Arts Garden
Ruth Eppig,
Chairman
Elisabeth H.
Alexander
Terri Hamilton
Brown
Perrin Carpenter
Mrs. Ellen Wade
Chinn
Jennifer Coleman
Fluker
Mrs. Allen Ford
Mrs. Morley
Hitchcock
Brian Holley
John G. Michalko II
Donald Morrison
Natalie Saiklay
Clara D. Sherwin
Mrs. Charles Weller
Dr. Norman W.
Zaworski
James T. Bartlett,
ex officio
Information
Technology
Anne Hollis Ireland,
Chair
Sylvie Bon
Dr. Delos M.
Cosgrove III
Jennie S. Hwang
Trevor Jones
Joseph P. Keithley
Bruce V. Mavec
Richard T. Watson
James T. Bartlett,
ex officio
Ad Hoc Committees
Campaign Cabinet
Ellen Stirn Mavec,
Chair
James T. Bartlett
Sarah S. Cutler
Robert W. Gillespie
Michael J. Horvitz
William P. Madar
Donna S. Reid
Cleveland Museum
of Art Building
Oversight
Committee
Michael J. Horvitz,
Chair
James T. Bartlett
James A. Ratner
Donna S. Reid
Legislative Affairs
Jon A. Lindseth,
Chair
Charles P. Bolton
William P. Madar
Ellen Stirn Mavec
Donna S. Reid
Elliott L. Schlang
James T. Bartlett,
ex officio
5
From the Director
As even a cursory glance at this annual report will reveal, the past year at
the Cleveland Museum of Art has been, in a word, transformational. While
some might be skeptical about the merits of such a claim, in this case—and at
this time in the history of this institution—it is, I believe, entirely justified.
Consider the facts: more than 40,000 objects were moved during the
course of five months as we closed our galleries and reluctantly put our
world-renowned collection, in its entirety, in storage; fully half of our staff
relocated to temporary quarters in an office building in downtown
Cleveland; and, most significant, a renovation and expansion project
started that will, when completed, leave virtually no part of the museum
untouched.
While 2005-06—the period covered by this annual report—has not
been a time, as the saying goes, for the faint of heart, it has also brought
out the best in our staff, our trustees, and our community. To our many
members and friends we owe a debt of gratitude both for the patience they
have shown while the museum has been closed and for the enthusiasm
they have expressed for our ambitious capital project. To our trustees and
donors who have supported the first phase of this work, we are deeply
grateful for their generous contributions to an initiative that they believe is
vitally important not only to the future of this institution, but also to our
city and our region. Finally, we are especially thankful for the efforts of our
Timothy Rub is
introduced to the
staff of the
Cleveland Museum
of Art.
Curator of Prints Jane
Glaubinger greets the
new director while
Curator Emeritus Stan
Czuma looks on.
6
Tours continued—
with a few detours—
as galleries closed for
renovation.
staff throughout this entire process. Without their goodwill and determination, we could not have accomplished so much in such a short period.
Although the dominant theme of the past year has been the closing of
the museum to prepare for the beginning of our renovation and expansion, it should not go unremarked that an equally important focus of our
work was how we could continue to serve the Cleveland community during a time when our customary means of doing so—galleries, classrooms,
and the several wonderful performance spaces we have in Marcel Breuer’s
great 1971 addition to the museum—were closed to the public. Again,
much credit is due to our trustees, who encouraged us to find different
ways of making the museum accessible, and to our staff, who demonstrated a great deal of creativity in bringing the museum to the public in
many different venues in and around Cleveland. In the process we made
many new friends for the museum, forged new institutional partnerships,
and learned much more about the community—or, better yet, communities—that we serve.
Most notable among these efforts was the development of exhibitions
such as The Persistence of Geometry, a groundbreaking collaboration with
our sister institution MOCA Cleveland, and long-term loans to other
institutions such as the Allen Memorial Art Museum at Oberlin College.
They also included highly acclaimed performances in a number of differ7
ent spaces throughout the city as the VIVA! & Gala Around Town series
made a virtue of necessity and became nomadic, as it were, for the year.
Finally, the Education department maintained the museum’s rich traditions of community engagement by presenting many of its core programs
at schools and community centers.
All this work—some of it new, some of it the continuation of programming we would have otherwise presented at our home in University
Circle—was considered vitally important to the successful implementation
of a broad strategy that called for the museum to remain active and accessible even during the brief period of time (a little less than a year, from
December 2005 to October 2006) that our facility had to be closed to the
public in order to complete much-needed improvements to infrastructure
and the renovation of the Breuer building. What is more, it took place
against the backdrop of a range of activities such as the development of
exhibitions, the acquisition of new works of art, and research on the
collection that are and will always remain at the heart of our enterprise.
Once again, it is worth noting that we are at the beginning of a comprehensive effort to renovate our home in University Circle that will,
when it is completed in 2011, have achieved many important goals. First
and foremost, this project will provide a setting that is a worthy complement to our superb collection and much more space for its presentation
than was hitherto available for this purpose. It will also work much
more effectively, providing adequate facilities for the care and storage of
the collection, well-equipped working areas for our staff, and expanded
amenities for the public. Third, with new classrooms and distancelearning studios, a renovated auditorium, lecture hall, and recital hall,
a spacious new home for Ingalls Library, and an innovative center for
Parade the Circle
made its annual
appearance in June
2005 and again in
2006. Crowds and
marchers alike took
the construction in
stride.
In one of his first
official trips as
director, Timothy Rub
traveled to Beijing
for the opening of
From Monet to Picasso:
Masterworks from
the Cleveland Museum
of Art.
8
lifelong learning, it will enable us once again to place proper emphasis on
the educational mission of this institution, Finally, the superb design that
Rafael Viñoly has prepared for this project will enable the Cleveland
Museum of Art to serve—as any museum of this stature should—as one of
the principal destination points for visitors to our city and one of its finest
civic spaces, a place that every member of our community can look to
with pride and a sense of accomplishment.
Having come to Cleveland last April to assume my duties as the seventh director of this institution, I was struck by the palpable sense of
excitement that the start of our renovation and expansion had created.
It has been seen—quite rightly, in my opinion—not only as a necessary
step in the renewal of one of this country’s finest art museums but also as
an affirmation of a strong belief in the future of this city and the region
that it serves. It is a great time to be in Cleveland and at the Cleveland
Museum of Art.
Timothy Rub
Director and Chief Executive Officer
Studio classes
continued in the old
classrooms until the
summer of 2005.
With only peaceful
intentions, installation
crew member Hannah
Ries hoists a 16thcentury German
halberd as the Armor
Court is emptied of
works of art. Mark
McClintock holds a
piece of foam to
protect the top of the
display case as Evelyn
Hayes looks on.
9
From the Chairman
As the period of this report came to a close at the end of June, much had
been accomplished in the museum’s renovation and expansion project. In
the remodeled Breuer education wing, we could see bright and welcoming classrooms and facilities on the lower level. Upstairs, the library’s new
home, with a clerestory roof casting soft light on a new reading room, was
taking shape.
Outside, glass panels now frame in a new vestibule to provide direct
indoor access from the parking garage and brighten the entry into the
north lobby. The words “welcome” affixed to the glass in a dozen different languages reinforce the point. The transparency not only invites visitors in, but allows people standing inside the museum to see out into the
lovely Wade Oval park.
Meanwhile, construction on the new east wing already suggests the
shape of the addition and indicates to us all how glorious the new museum will be, with an expansive special exhibitions area on the lower level
and airy new spaces for the permanent collection above.
While the physical transformation of the museum is impressive, this
project is really about art and people—and how our museum can be the
best in the world at bringing them together. We firmly believe that the
connection between art and people has extraordinary potential to enhance
lives, and that is why we are so committed to carrying forward this ambitious project.
Seen from the roof of
the 1916 (south)
building, steel framing
and the construction
fence begin to suggest
the form of the new
east wing.
10
Riley Lewis, Jason Clark,
Jaysen Lewis, Bryan
Clark, and Nicholas
Witchey push open
the south doors during
the October 2005
groundbreaking
ceremony.
Housed in the last
galleries to close for
renovation, the
ancient Egyptian and
Roman collections
saw even more school
tours than usual in the
spring of 2005.
Our great museum adds measurable value to our region’s economic
life—between $40 million and $50 million of economic impact in a typical exhibition year, according to research done by the Cleveland Partnership for Arts and Culture. More importantly, however, the museum contributes in ways that are beyond measure, by enriching daily life and by
inspiring individuals to appreciate other times and cultures and explore
new horizons. Art can do things not possible by anything else.
While the museum’s great collection has been off view in Cleveland,
it has hardly been on holiday. Objects from our famed holdings have been
touring the world as ambassadors for our museum and our city. Not only
do the touring exhibitions allow new audiences around the world to see
our extraordinary works of art, they have also helped us strengthen important partnerships with the other great institutions with whom we have
shared our collections. These relationships will pave the way for fine exhibitions to come to Cleveland in the future.
On behalf of the museum’s many communities—from local citizens,
to regional visitors, to the international art community—I thank all of our
supporters for helping the Cleveland Museum of Art carry out its crucial
mission to collect, care for, and share great works of art with everyone.
Michael J. Horvitz
11
From the President
Once again we celebrate a year of enormous progress at the Cleveland
Museum of Art. As June ended we were well along in the construction
phase involving the original 1916 (south) building, the Breuer education
wing, the new parking garage, and now an east wing that is rising out of
the ground along East Boulevard. Since then we have been able to reopen
the museum on a limited basis to accommodate special events and present
the exciting and profoundly moving exhibition Barcelona & Modernity. In
the short span of months since our shutdown to accelerate the construction
process, we are back in business on home ground. Even though we are still
operating in limited space and amid construction, the reaction of our members and the general public has been electrifying. We really were missed.
In addition to the construction project, the museum has continued to
move forward with its capital campaign in exemplary fashion. We are very
pleased with the support we have received from our inner circle of friends
and are now working out the details of the next, more public phase of the
campaign. Meanwhile, we are deeply indebted to our members and trustees
for continuing their stellar contributions to the annual operating fund that
make possible the wide array of programs and services we offer to the community year after year. Thanks to your generosity, we continue to operate
The museum’s efforts
to give appropriate
attention to contemporary art found resourceful solutions, such
as the conversion of a
storage area into
Project 244. When the
expansion and renovation is complete, traveling exhibitions and the
permanent collection
alike will be presented
in attractive new
spaces with helpful
interpretive features.
12
David Abbott, director
of the George Gund
Foundation, discusses
the model of Rafael
Viñoly’s expanded
Cleveland Museum of
Art at a reception in the
museum’s north lobby.
in the black during a period when we are asking a broad audience to support our capital campaign, a very important element in our success.
One of the most significant changes during the past 18 months was
completing the search for our new director, Timothy Rub. Timothy
joined us last April as Katharine Lee Reid’s successor. As you know,
Katharine led the museum through a period of tumultuous change, including identifying Rafael Vinõly as our architect, designing a new museum, planning and initiating the capital-raising phase of our project, and
preparing the museum for a period of partial shutdown and construction.
At the same time, she continued working closely with the curators to produce several brilliant acquisitions and hire new curatorial talent, all the
while maintaining balanced budgets.
Timothy Rub joins us at an important if not critical moment. Already
he has shown the strong leadership skills and community outreach so vital
to keeping us on track as the building and capital campaign progress. We
are fortunate to have him at the helm; his considerable management experience and art background are just what we need. So far I can speak for
the board of trustees and the staff in saying he is a great pleasure to work
with and an inspired leader.
We are in an exciting time for the Cleveland Museum of Art, one of
the most forward-looking and energized periods in our history. I thank all
of you for your support and encouragement, and look forward to helping
shape our future as it unfolds in the months and years to come.
James T. Bartlett
13
renovation and expansion
The new lower-level
special exhibition area
takes shape during
the early summer of
2006.
14
Rafael Viñoly at the
October 2005
groundbreaking.
Literally hours after the Board of Trustees voted on March 7, 2005, to go
ahead with the first phase of the expansion and renovation project, art
handlers began removing works of art from the museum’s galleries. The
decision to close our facility for a brief period and keep the entire collection in the building complex was both mission-driven and economic.
While it might have been possible to store substantial portions of the collection at remote sites, the transportation of large numbers of works of art
would have posed unpredictable risks to their safety; furthermore, very
few storage facilities can meet the humidity, temperature, and security requirements to keep the collection safe. It became clear that the very best
place to store the collection during construction was within our own
walls, where climate control and security already met museum standards
and the movement of art would be minimal and as safe as possible.
Once that issue was settled, discussion turned to whether parts of the
collection could be kept on view during the completion of the project.
Renovation and construction around the 1971 Marcel Breuer building
entrance would necessitate closing the north doors for approximately six
months. During that time, intrepid visitors could have used the south entrance steps to the 1916 building, but this would have meant delaying the
start of the renovation of that structure until the fall of 2006 and its
completion until the fall of 2009. Additional complications arising from
the movement of our collection and staff within the building would have
resulted in an overall delay in the project completion date of about two
years had the museum elected to try to keep some of the galleries open
during the project. Those extra years of labor and the rising cost of materials would likely have added tens of millions of dollars to the total budget. Having already raised $116 million toward the $258 million project
budget, the Board of Trustees elected to minimize the time required to
complete the project and maximize the value of the investment they had
decided to make in renovating and expanding our facility.
Thus, with one eye on the well-being of the art and the other on the
budget, the museum elected to move the entire collection into the 1958
building and proceed immediately with renovations of the Breuer and
1916 buildings so that those spaces could reopen to the public as soon as
possible. Simultaneously, construction of the new east wing also began. As
the work is completed, the collections will be reinstalled in the renovated
15
Curator of Decorative
Art and Design
Stephen Harrison
(right) reviews
installation plans
with gallery design
specialists Elroy
Quenroe (left) and
John Klink (center) of
Quenroe Associates.
Director of Design and
Architecture Jeffrey
Strean explains the
arrangement of the
Asian collection using a
large-scale foam model
at the offices of
consulting architects
Collins Gordon Bostwick
in Cleveland.
16
and new spaces. To accommodate displaced staff (totaling nearly half of
the museum’s employees), the museum leased a floor of the Penton Media
Building on East 9th Street in downtown Cleveland, where many administrative functions will be based until the end of the building project.
After the board vote in March, the galleries were progressively closed
and the 1958 building rooms converted to storage areas, with the last of
the permanent collection galleries closing in June. That spring, construction began on a new central utility plant on the site of a former staff parking area. The new plant consolidates the utilities supplied to all existing
buildings as well as the new construction. The 1916 building underwent a
much-needed utility and wiring upgrade and asbestos abatement to bring
it up to current code requirements and ensure that it can function effectively for decades to come. In mid summer, preparations began for the
excavation of the new east wing. A groundbreaking ceremony on October 1 officially launched the new construction.
Portions of the galleries housing ancient and contemporary art in the
1958 and Breuer buildings were reconfigured to allow presentation of the
first NEO Show during the summer and then the Arts & Crafts exhibition
in the fall. In early January 2006 the museum closed to the public entirely
so that renovations in and around the north entrance could proceed.
Among those tasks was excavating just outside the entrance to lay utility
pipes to connect the new east wing and 1916 building to the central
utility plant. Meanwhile the heating, ventilation, and air-conditioning
equipment in the Breuer building was removed (much of it via crane
through the roof ) and replaced with an efficient new system. During the
summer months renovations began on the skylights on the roof of the
1916 building.
The Breuer building began to reopen in the summer of 2006, with
renovated classrooms and offices and significant improvements to the lecture and recital halls. (Gartner Auditorium is a separate project to be com-
pleted in 2008.) The change that will be most apparent to visitors is the
provision of an angular glass enclosure under the entrance canopy that creates a protected foyer for people coming in through the main entrance or,
when the additions to our parking garage are completed, entering through
a new tunnel that will connect the building and garage.
The progress that has been made in the 16 months since the Board of
Trustees voted to proceed is, by any measure, impressive, and it is now
possible not simply to envision the new museum, but to see it taking shape
before our eyes. When completed, the project will increase the museum’s
total size to 588,000 square feet, including new galleries, innovative education and interpretation facilities, greatly improved visitor amenities, and
a new set of gracious public spaces infused with air and light.
The degree of complex
advance planning
involved in the building
project is evident in the
carefully arranged stacks
of reinforcing rod to be
used in the construction
of the new east wing.
17
Groundbreaking
Mayor Jane Campbell
joins President James T.
Bartlett, Chairman
Michael J. Horvitz,
Consulting Director
Katharine Lee Reid, and
local schoolchildren in
the symbolic placing of
stones.
Area religious leaders
congregate before the
ceremony.
18
By noon on Saturday, October 1, 2005,
an eclectic crowd had gathered on the
south terrace for the official kickoff of
the museum’s transformation project.
Board President James Bartlett and
Chairman Michael Horvitz were there,
with other members of the Board of
Trustees, most of the senior staff, and
Consulting Director Katharine Lee Reid.
Project architect Rafael Viñoly visited
with Cleveland Mayor Jane Campbell,
Councilwoman Sabra Pierce Scott,
other government and community
representatives, and members of the
media. Gathered near the podium were
the members of the Greater Cleveland
Choral Chapter gospel choir and leaders
of half a dozen religious communities.
After remarks from James Bartlett
and Katharine Lee Reid, architect Rafael
Viñoly expressed his gratitude at being
able to work on the project. “The results
can be sublime. You’ve got one of the
great art collections in the world . . . in
one of the most spectacular pieces of
landscape architecture in this country.”
Each of the six religious leaders
then took a few minutes to offer a
blessing. “When we see a thing of
beauty,” said Rabbi Eric Bram, “we are
taught to bless it.” Imam Ramez
Islambouli counseled, “Let us embrace
the promise held out to us in our working, as well as in our dreaming.” Reverend Dr. Otis Moss noted the museum’s
role as “a place where all traditions
and cultures find common ground and
mutual respect. This is a cathedral of
excellence and it is every generation’s
job to help complete it.” Reverend
David Novak’s blessing affirmed each
person’s role in seeing and appreciating beauty. In a soft tenor voice,
Venkatachalapati Samuvrala sang a
Hindu blessing traditional for such
occasions, and then Lobsang Tendar
performed a Buddhist “Removal
of Obstacles” chant, his deep voice
mesmerizing the audience.
The symbolic laying of stones followed, with each of the leaders placing
a small marble block in a sand-filled
platform. Then a group of local children ascended the south steps and
opened the doors to the original building, its interior empty in preparation
for restoration. The assembled crowds
walked up the steps and entered the
building. From that moment until 4:00
that afternoon, people were free to
wander in and walk through to the
north entrance—one last look at these
beloved spaces until the restoration is
complete.
Visitors shared a variety of thoughts
about the project. Nine-year-old
Maggie Bour was looking forward to
the day the galleries would reopen.
“The part I’ll miss the most will be the
Asian art. But I just like art in general.
It’s fun to just go in there and let your
imagination go wild.”
The Reverend Dr. Otis
Moss Jr. talks with
architect Robert
Madison.
To architect Robert Madison, “What
is happening is that two strong architectural statements—the classical
original building and Breuer’s modern
addition—are finally being brought
together in a great resolution.” He
smiled and paused. “It’s a symphony
of glass and steel.”
The day included not
only formal ceremony,
but performances and
hands-on art
activities.
19
20
Collections
Intense effort went into moving the collection from the public galleries
to storage and into all of the complexities related to organizing traveling
exhibitions, yet these activities were only part of what the curatorial staff
accomplished during 2005 and 2006. All the while, the museum’s curators
continued their efforts to bring the finest works of art into the permanent
collection. The Theodore Roszak sculpture illustrated on page 4, for
example, a stunning modernist creation nearly nine feet tall, will stand as a
veritable exclamation point when the modern galleries reopen.
21
Grave Stele (Relief),
about 50 bc; Southern
Asia Minor, Pamphylia,
Hellenistic Greek;
marble; 73.6 x 42.5 cm;
Gift of James E. and
Elizabeth J. Ferrell
2005.52.
Previous pages: The
system for storing the
collection introduced
some interesting
neighbors to one
another. Here, Claes
Oldenburg’s giant
toothpaste tube rests
among medieval
armaments.
22
The Cleveland Museum of Art is widely admired for the scope and
quality of its acquisitions. During the past 18 months, we have lived up to
this reputation: works of art from around the globe and covering a broad
span of time entered the collection. From Pamphylia in Southern Asia
Minor came a striking example of Hellenistic marble sculpture, Grave Stele
(Relief) of about 50 BC. From our own hemisphere came three spectacular
gold nose ornaments made by the Moche people of ancient Peru around
AD 100–300, along with a half of a tunic, woven between AD 500 and
1000, that is among the finest tapestries ever created in the ancient Americas. From Europe and joining the medieval collection came two French
manuscript leaves—one from a book of hours from about 1415 by a follower of the Limbourg brothers (Netherlandish), part of a group donated
by Jeanne Miles Blackburn, and another from around 1467–70 illuminated
by Simon Marmion and depicting scenes from the life of St. Denis.
African Art acquired two important works from the 1800s during the
18-month period: an ivory figurine from the Lega people of the Demo-
cratic Republic of the Congo and a reliquary guardian figure created by
the Kota people of Gabon. Simultaneously, Asian Art acquired a ritual
wine vessel made in China around 1300 to 1100 BC, a complete Indian
manuscript depicting the life of Christ (dated 1602), and contemporary
works by Chinese artists Lí Huayi and Wucius Wong.
A major American painting entitled Go Down Death from 1934 by the
important African-American artist Aaron Douglas was a wonderful
addition to the museum’s collection of works by Harlem Renaissance
artists. European Painting and Sculpture, 1900–1945, added a symbolist
landscape of 1900 called Evening Mood—Lidingö by the Swedish artist
Eugène Jansson.
The museum continued to be active in the area of contemporary art.
Longtime supporter Agnes Gund donated Jim Hodges’s beautiful In Blue,
1996, Sean Scully’s Wall of Light Rose, 2003, and Cai Guo Qiang’s Pine
Forest and Wolf, 2005.
Strides in the area of photography were also made through the
purchase of Richard Avedon’s iconic portrait Ronald Fisher, Beekeeper,
Davis, California, May 9, 1981 and the gift of an entire portfolio of
photographs by Barbara Bosworth from trustee Mark Schwartz and his
wife, Bettina Katz.
Nose Ornament with
Serpents and Longnecked Birds, ad 100–
300; Central Andes,
Moche people; gold
alloy and silver; 7.6 x
13.9 cm; Severance and
Greta Millikin Purchase
Fund 2005.177.
Follower of the
Limbourg Brothers
(Netherlandish)
(France, Paris[?]); Leaf
from a Book of Hours:
St. Matthew, about
1415; ink, tempera, and
gold on vellum; 18.1 x
13 cm; The Jeanne
Miles Blackburn
Collection 2005.204.
23
Reliquary Guardian
Figure, 1800s; Gabon,
Kota people; wood and
metalwork; h. 61 cm;
Purchase from the J. H.
Wade Fund 2005.2.
The drawings collection added a fine watercolor landscape from 1888
by the Hudson River school painter Jasper F. Cropsey. Major prints by
Caspar David Friedrich (Footbridge with Cross before Trees at a River, about
1803), Emile Bernard (Breton Scenes, 1896), Max Beckmann (Group Portrait
Eden Bar, 1923), and Pablo Picasso (Faun Revealing a Sleeping Woman,
1936, from the Vollard Suite) were among the additions to the collection.
Of special note were 91 works by Gustave Baumann, a gift from his
daughter, Ann Baumann.
In the areas of Decorative Art and Textiles two exceptional examples
of 18th-century European design were added: a gilded overmantel mirror
from about 1745 attributed to the English designer Matthias Lock and a
pair of French bed hangings made of wool and silk needlework from
1710–20. A group of Toshiko Takaezu ceramics joined the collection of
contemporary decorative art.
During the year the curatorial area saw the departure of one curator
and the arrival of two others. Dr. Stanislaw J. Czuma retired as the
George P. Bickford Curator of Indian and Southeast Asian Art after 33
24
Jesus Asleep During a
Storm at Sea, plate 19
of Masinama (Life of
Christ) Manuscript;
dated 1602; India,
Allahabad, Mughal
period; ink, color, and
gold on paper; 26.3 x
15.7 cm; John L.
Severance Fund
2005.145.19.
Wine Vessel (Jia),
1300–1100 bc; China,
Shang dynasty;
bronze; h. 50.8 cm;
John L. Severance
Fund 2005.54.
years of distinguished service. Mark Cole, formerly curator of American
art at the Columbus Museum of Art, was appointed associate curator of
American painting and sculpture. Stephen G. Harrison joined the staff as
curator of decorative art and design. Before coming to Cleveland,
Harrison served in curatorial positions at the High Museum of Art in
Atlanta and the Dallas Museum of Art.
The Conservation department greeted Sari Uricheck, who had previously worked at the Metropolitan Museum of Art in New York, as associate conservator of objects, and Juliette Jacqmin, a graduate of the Institut
National du Patrimoine in Paris, who joined the staff as a Kress Fellow
in Objects Conservation. The department was extremely busy during the
18-month period, treating specific works of art as well as evaluating
numerous others that are part of the world tours of various collections.
One of the major accomplishments for Conservation was the completion of the survey of Chinese, Japanese, and Korean paintings. All information on the condition of these works of art was compiled and placed in
a database in the collections management system. This information pro-
25
Aaron Douglas
(American, 1899–1979);
Go Down Death, 1934;
oil on Masonite; 121.9 x
91.5 cm; John L.
26
Severance Fund and
Gift of Prof. and Mrs.
David C. Driskell
2005.181.
William Henry Fox
Talbot (British, 1800–
1877); Winter Trees
Reflected in a Pond,
1841–42; salted paper
print from calotype
negative; 16.4 x 19.1 cm;
Wade Fund 2006.4.
vided a quick assessment of which paintings could be used in the proposed
traveling exhibitions. Painting treatments that were completed by Marcia
Steele included Joseph Paelinck’s Self Portrait, John Rogers Cox’s Gray and
Gold, and Edgar Degas’s portrait of Stefania Primicile Carafa. The treatment of Mori Sosen’s Monkeys in a Cherry Tree and Monkeys on a Rock
Ledge progressed very well with the mounting silks and colors being selected by Jennifer Perry, in consultation with curator Anita Chung. Major
paper treatments completed by Moyna Stanton included Auguste Renoir’s
Mother and Child pastel, Giuseppe Vasi’s The Campo Vaccino engraving, and
22 watercolors from The World of Things by Kamisaka Sekka.
The museum’s image database also expanded, with nearly 9,000 additional images from the collection added to the website. Among many
other features, Collections Online allows visitors to create their own personal collections, an opportunity not lost on Lowery Stokes Sims, who
publicly credited this feature for helping her create and shape the exhibition The Persistence of Geometry. Collections Online received national recognition twice in 2006. First, the National Endowment for the Humanities selected the CMA website for inclusion in EDSITEment (http://
www.edsitement.neh.gov/) as “one of the best online resources for education in the humanities”; it also won a 2006 Muse Award from the
American Association of Museums. The number of individuals visiting the
website climbed to over three million, nearly twice the number recorded
the year before. The vast majority of those who viewed the CMA website
did so to view images and information on the collection.
Toshiko Takaezu
(American, b. 1922);
about 1990s; Gift of
the Artist. From left:
Alchemy Gold Moon;
stoneware; h. 69.9 cm,
diam. 69.5 cm;
2005.190. Black Moon;
stoneware; h. 52.1 cm,
diam. 57.8 cm; 2005.191.
Alchemy Gold; stoneware; h. 155.9 cm, diam.
68.3 cm; 2005.189.
Yellow Moon; porcelain;
h. 36.9 cm, diam. 26.4
cm; 2005.196. Tall White
Form; stoneware; h. 75.9
cm, diam. 38.1 cm;
2005.192. Cobalt Blue
Form; porcelain; h. 53.7
cm, diam. 26.4 cm;
2005.194. Tall Mauve
Form; stoneware; h.
64.5 cm, diam. 29.9 cm;
2005.193. Pink/White
Form; porcelain; h. 32.4
cm, diam. 19.1 cm;
2005.197. Purple Form;
porcelain; h. 37.8 cm,
diam. 21.6 cm; 2005.195.
27
Ingenuity Festival
New tech meets old
tech: visitors don
1950s-style 3D glasses
to experience a video
interactive piece.
Director of New Media
Initiatives Holly
Witchey explains the
museum’s interactive
exploration of Pablo
Picasso’s La Vie.
28
On Labor Day weekend in 2005, the
museum participated in the inaugural
Ingenuity Festival, a multifaceted event
in downtown Cleveland fusing art and
technology that involved hundreds of
artists and performers and attracted
more than 70,000 attendees.
The opening-night extravaganza,
Traffic Jam, was created by Robin
VanLear, artistic director of the
museum’s Community Arts department and longtime artistic director of
Parade the Circle. Museum members
had the opportunity to attend a special
preview reception the evening of the
opening ceremony. The museum temporarily occupied a storefront at the
corner of Euclid Avenue and East 6th
Street and assembled a multimedia
spectacle that included interactive and
interpretive technology, along with the
model of the new museum. Visitors
could view a 3D animation of the
museum’s medieval Table Fountain and
a hologram of the ancient Anatolian
Stargazer (subtitled 5,000-Year-Old
Woman), and they could interactively
explore Picasso’s Blue Period masterpiece La Vie. Families donned special
glasses to view the premiere of a 3D
video depicting a French writing desk
from the collection, which was
directed by noted local video artist and
filmmaker Kasumi. Some elements
of the CMA pavilion displays were
adapted from works in the concurrent
NEO Show at the museum and from
long-standing collaborations between
the museum’s Information Technology department, Case Western Reserve University, and the Cleveland
Institute of Art.
In 2006, the Community Arts department contributed a Chalk Festival
preview to the Ingenuity festivities for
that year, including kinetic music by
the Panic Steel Drum Ensemble and a
collaborative street painting by
Barbara Chira, Jesse Rhinehart, and
Jan Stickney, as well as a family interactive street-painting workshop.
MOCA Collaborations
The CMA pavilion at
Euclid and East 6th
Street was a focus of
activity throughout
the inaugural
Ingenuity Festival.
29
Acquisitions
Plank Mask, possibly early 1900s; Democratic
Republic of the Congo, Bembe people; wood
and pigment; h. 46 cm; Leonard C. Hanna Jr.
Fund 2006.116.
Figurine, 1800s;
Democratic Republic
of the Congo, Lega
people; ivory; h. 17.5
cm; Purchase from the
J. H. Wade Fund
2005.3.
Plank Mask, possibly
early 1900s; Democratic Republic of the
Congo, Bembe people;
wood and pigment;
h. 46 cm; Leonard C.
Hanna Jr. Fund
2006.116.
30
African Art
Figurine, 1800s; Democratic Republic of the
Congo, Lega people; ivory; h. 17.5 cm; Purchase from the J. H. Wade Fund 2005.3.
Hat, early 1900s; Democratic Republic of the
Congo, Lega people; cowrie shells, beads,
elephant tail, and cord; h. 55.9 cm; Norman
O. Stone and Ella A. Stone Memorial Fund
2005.56.
Reliquary Guardian Figure, 1800s; Gabon, Kota
people; wood and metalwork; h. 61 cm; Purchase from the J. H. Wade Fund 2005.2.
American Art
Aaron Douglas (American, 1899–1979); Go
Down Death, 1934; oil on Masonite; 121.9 x
91.5 cm; John L. Severance Fund and Gift of
Prof. and Mrs. David C. Driskell 2005.181.
Theodore Roszak (American, 1907–1981);
White and Steel Polars, 1945; painted wood,
steel, iron, and Plexiglas; 271.8 x 40.6 x 40.6
cm overall; Leonard C. Hanna Jr. Fund
2005.144.
Ancient Art
Grave Stele (Relief), about 50 BC; Southern Asia
Minor, Pamphylia, Hellenistic Greek; marble;
73.6 x 42.5 cm; Gift of James E. and Elizabeth
J. Ferrell 2005.52.
Woman’s Belt Hanger (Zone), about 725–675
BC; Greece, Geometric period; bronze; w.
32.5 cm; The Jane B. Tripp Charitable Lead
Annuity Trust 2006.5.
Half of a Sleeved Tunic,
ad 500–1000; Central
Andes, Wari or
Tiwanaku people;
single-interlocked
tapestry; cotton and
camelid fiber; 88.5 x
102 cm; J. H. Wade
Fund 2005.53. Detail
at far right.
Woman’s Belt Hanger
(Zone), about 725–675
BC; Greece, Geometric
period; bronze; w. 32.5
cm; The Jane B. Tripp
Charitable Lead
Annuity Trust 2006.5.
Art of the Ancient Americas
Fragment of a Mantle with Oculate Being, 200
BC–AD 1; Central Andes, Paracas people (possibly Carhua); double-cloth; cotton; 74.9 x
108 cm; Dudley P. Allen Fund 2005.19.
Half of a Sleeved Tunic, AD 500–1000; Central
Andes, Wari or Tiwanaku people; singleinterlocked tapestry; cotton and camelid fiber;
88.5 x 102 cm; J. H. Wade Fund 2005.53.
Mastiff Bat Vessel, AD 50–200; Central Andes,
Moche people; ceramic and slip; 18.4 x 17.7 x
15.6 cm; John L. Severance Fund 2005.6.
Nose Ornament with Human Head and Condors
Attacking Humans, AD 100–300; Central Andes,
Moche people; gold alloy; 9.5 x 16.5 x 1.6 cm;
Severance and Greta Millikin Purchase Fund
2005.175.
Nose Ornament with Serpents and Long-necked
Birds, AD 100–300; Central Andes, Moche
people; gold alloy and silver; 7.6 x 13.9 cm;
2005.177.
Nose Ornament with Decapitators and Human
Heads, AD 100–300; Central Andes, Moche
people; gold alloy and silver; 8.8 x 14 cm;
2005.176.
Panel from the End of a Sash, 700 BC–AD 1;
Central Andes, Paracas people (possibly
Carhua or Chucho); tapestry and plain weave;
cotton and camelid fiber; 26 x 16.3 cm;
Dudley P. Allen Fund 2005.18.
Textile Fragment with Frontal Deity Heads, Felines, and Interlace Pattern, 700–400 BC; Central
Andes, Paracas people (possibly Yauca Valley);
double-cloth with structural embroidery;
camelid fiber; 83.2 x 21.6 cm; Dudley P. Allen
Fund 2005.14.
Textile Fragment with Interlace Pattern, 700–400
BC; Central Andes, Paracas people (possibly
Yauca Valley); brocaded plain weave; cotton
and camelid fiber; 51.8 x 21.3 cm; Dudley P.
Allen Fund 2005.15.
Textile Fragment with Three Frontal Deities and
Interlace Pattern, 700–400 BC; Central Andes,
Paracas people (possibly Yauca Valley);
double-cloth with structural embroidery;
camelid fiber; 101.3 x 22.8 cm; Dudley P.
Allen Fund 2005.13.
Tunic with Double-headed Serpents, 700 BC–AD
1; Central Andes, Paracas people (possibly
Carhua); gauze; cotton; 136.5 x 65.4 cm;
Dudley P. Allen Fund 2005.17.
Tunic with Profile Animals and Checkerboards, 700
BC–AD 1; Central Andes, Paracas people; dyepatterned plain weave; cotton; 72.4 x 104.1
cm; Dudley P. Allen Fund 2005.16.
Other Pre-Columbian textiles are listed under
Textiles.
31
Wucius Wong (Wang
Wuxie, Chinese, b.
1936); Valley of the
Heart No. 9, 1998; ink
and color on paper; 94
x 213.4 cm; Alma
Kroeger Fund 2006.1.
Asian Art
Ewer: Changsha Ware, 800s; China, Hunan
province, Changsha kilns, Tang dynasty;
stoneware with green glaze and brown spots;
h. 29.2 cm, w. 19.8 cm, rim diam. 10.3 cm;
Edward L. Whittemore Fund 2005.57.
Hollow-legged Tripod (Li), late 2000–early 1000
BC; China, Inner Mongolia, lower stratum of
the Xiajiadian culture, Neolithic period; dark
gray earthenware; h. 22.9 cm, rim diam. 17
cm; Gift of Mr. and Mrs. Thomas French
2005.20.
Cai Guo Qiang
(Chinese, b. 1957);
Pine Forest and Wolf,
2005; exploded
gunpowder, fuse,
and burned paper
backed on wood; 4
panels, 230.2 x 77.6
cm each, 230.2 x
310.4 cm overall; Gift
of Agnes Gund
2006.134.a–d.
32
Wine Vessel (Jia), 1300–1100 BC; China, Shang
dynasty; bronze; h. 50.8 cm; John L. Severance
Fund 2005.54.
Lí Huayi (Chinese, b. 1948); Earth Landscape,
about 2004; ink and color on paper; 88.9 x
180.3 cm; Norman O. Stone and Ella A.
Stone Memorial Fund 2006.115.
Wucius Wong (Wang Wuxie, Chinese, b.
1936); Valley of the Heart No. 9, 1998; ink and
color on paper; 94 x 213.4 cm; Alma Kroeger
Fund 2006.1.
Sean Scully (American,
b. 1945); Wall of Light
Rose, 2003; oil on linen;
213.4 x 243.4 x 6.3 cm;
Gift of Agnes Gund
and Daniel Shapiro
2005.142.
Contemporary Art
Cai Guo Qiang (Chinese, b. 1957); Pine Forest
and Wolf, 2005; exploded gunpowder, fuse,
and burned paper backed on wood; 4 panels,
230.2 x 77.6 cm each, 230.2 x 310.4 cm overall; Gift of Agnes Gund 2006.134.a–d.
Jim Hodges (American, b. 1957); In Blue,
1996; silk flowers and thread; 396 x 259 cm
overall; Gift of Agnes Gund in honor of
Katharine Lee Reid 2005.140.
Hildur Ásgeirsdóttir Jónsson (Icelandic, b.
1963); Sand Storm, 2005; warp-faced plain
weave; silk, painted with dye before weaving;
198 x 104 cm overall; Robert A. Mann Fund
2005.146.
Benjamin Kinsley (American, b. 1982);
Gesichtsmusik, 2004; video and sound; 2:20
minutes; Gift of Robert M. Kaye 2005.141.
Martin Kline (American, b. 1961); Cleveland
Mural 2003, 2003; paintstick on canvas; 165.8
x 57.9 cm overall; Gift of Agnes Gund and
Daniel Shapiro 2005.62.
Steve McCallum (American, b. 1951); City
Skip, 1984; acrylic on canvas; 213.3 x 213.3
cm overall; Gift of Mr. and Mrs. Michael Striar
2005.154.
Sean Scully (American, b. 1945); Wall of Light
Rose, 2003; oil on linen; 213.4 x 243.4 x 6.3
cm; Gift of Agnes Gund and Daniel Shapiro
2005.142.
Decorative Art and Design
Rudy Autio (American, b. 1926); Cherry Hill,
1992; glazed stoneware; 53 x 54.6 x 37.5 cm;
Gift of Francine and Benson Pilloff 2005.188.
William Carlson (American, b. 1950);
Prägnanz, about 1990; glass and granite; 94.6 x
49.5 x 35.5 cm; Gift of Francine and Benson
Pilloff 2005.186.a–c.
Sydney Cash (American, b. 1941); Trifold,
about 1990; mixed media; 37.2 x 26.8 x 18.5
cm; Gift of Francine and Benson Pilloff
2005.184.
José Chardiet (American, b. Cuba, 1956);
Yellow Monster Vase, 1991; blown glass; h. 43
cm, diam. 34.5 cm; Gift of Francine and
Benson Pilloff 2005.183.
Designed by Charles Eames (American, 1907–
1978), manufactured by Herman Miller; Pair of
Chairs (LCW), designed 1946; plywood; 73.3
x 49.5 x 55.9 cm; Gift of Audra and George
Rose 2006.124–25.
Designed by Alexander Girard (American,
1907–1993), manufactured by Herman Miller;
Arm Chair and Ottoman, about 1967; upholstery, aluminum legs and supports; chair: 66 x
101.6 x 68.5 cm; ottoman: 43.1 x 71.1 x 41.9
cm; The Mary Spedding Milliken Memorial
Fund 2006.117.1–2.
Attributed to Matthias Lock (English, about
1710–1765); Overmantel Mirror, about 1745;
carved giltwood and glass; 78 x 186 cm; Purchase from the J. H. Wade Fund 2006.3.
33
Flora C. Mace (American, b. 1949) and Joey
Kirkpatrick (American, b. 1952); Pear, 1997;
blown glass; 68 x 36.9 cm; Gift of Francine
and Benson Pilloff 2005.182.
William Morris (American, b. 1957); Standing
Stone, 1989; mold-blown glass; 121.5 x 35.5 x
23 cm; Gift of Francine and Benson Pilloff
2005.185.
Stephen Powell (American, b. 1951); Radiant
Seat Jones, 1991; mold-blown glass; 84.8 x 56 x
19.2 cm; Gift of Francine and Benson Pilloff
2005.187.
Toshiko Takaezu (American, b. 1922); about
1990s; 9 objects; Gift of the Artist. Alchemy
Gold; stoneware; h. 155.9 cm, diam. 68.3 cm;
2005.189. Alchemy Gold Moon; stoneware; h.
69.9 cm, diam. 69.5 cm; 2005.190. Black
Moon; stoneware; h. 52.1 cm, diam. 57.8 cm;
2005.191. Cobalt Blue Form; porcelain; h. 53.7
cm, diam. 26.4 cm; 2005.194. Pink/White
Form; porcelain; h. 32.4 cm, diam. 19.1 cm;
2005.197. Purple Form; porcelain; h. 37.8 cm,
diam. 21.6 cm; 2005.195. Tall Mauve Form;
stoneware; h. 64.5 cm, diam. 29.9 cm;
2005.193. Tall White Form; stoneware; h. 75.9
cm, diam. 38.1 cm; 2005.192. Yellow Moon;
porcelain; h. 36.9 cm, diam. 26.4 cm;
2005.196.
34
Drawings
John White Abbott (British, 1763–1851); Near
New Bridge on the Dart Devon, 1800; watercolor; 17.9 x 26.9 cm; Gift of The Painting
and Drawing Society of the Cleveland Museum of Art 2005.200.
Gustave Baumann (American, b. Germany,
1881–1971); 25 works; Gift of Ann Baumann.
Aspens, about 1925; gouache; 29 x 36.5 cm;
2005.454. Aspens, about 1925; gouache over
graphite; 36.3 x 29 cm; 2005.455. Brown
County, 1909–16; gouache; 28.2 x 25.4 cm;
2005.456. Building, 1917; watercolor over
graphite; 35.5 x 44.3 cm; 2005.457. Church in
New Mexico in Landscape, about 1925; gouache;
28.1 x 29.2 cm; 2005.458. Church with Three
Bells, about 1925; pastel over graphite; 25.7 x
33.3 cm; 2005.459. Cliff Dwellings, about 1924;
gouache over graphite; 31.9 x 29.8 cm;
2006.460. Corn Dance, about 1924; gouache;
28 x 24.2 cm; 2005.461. Flowers in Blue and
Black Striped Vase, about 1915; gouache over
graphite; 45.8 x 32.2 cm; 2005.463. Flowers on
Black Striped Background, about 1915; gouache
over graphite; 41 x 29.5 cm; 2005.462. Grand
Canyon, about 1919; gouache; 33 x 28.4 cm;
2005.464. Hill with Trees, 1920; gouache; 28.2
x 25.5 cm; 2005.465. Hollyhock Garden, Santa
Fe, about 1920; gouache over graphite; 29.7 x
36.2 cm; 2005.466. House and Garden, 1917;
watercolor over graphite; 29.8 x 32.6 cm;
2005.467. Madison Square (recto), 1917, watercolor; Building (verso), graphite; 43.6 x 34.9
cm; 2005.468.a–b. Nashville, Brown County,
Indiana, 1909–16; gouache; 27.9 x 25.5 cm;
2005.469. Old Santa Fe, about 1924; pastel and
graphite; 17 x 18.8 cm; 2005.470. Pelican
Rookery #93, 1928; gouache over graphite;
37.2 x 31.3 cm; 2005.471. Pines Grand Cañon,
about 1920; gouache over graphite; 36.4 x 35.7
cm; 2005.472. Provincetown Docks, 1917;
gouache over graphite; 29.7 x 29.6 cm;
2005.473. Sanctuario Chimayo, about 1920;
gouache; 24.5 x 28.1 cm; 2005.474. Squash,
1906–16; gouache over graphite; 25.2 x 30.4
cm; 2005.475. Trampas, about 1920; pastel
over graphite; 14.4 x 18.7 cm; 2005.476. Tree
Stump, 1909–16; gouache; 22.2 x 23.4 cm;
2005.477. Two Trees, about 1924; gouache
over graphite; 36.5 x 33.5 cm; 2005.478.
Muirhead Bone (British, 1876–1953); 5 works;
1921; watercolor and graphite; Gift of Dr. and
Mrs. William L. Huffman. Entering Bergen; 11.2
x 25.2 cm; 2005.151. Entering Bergen; 9 x 25.2
cm; 2005.152. Entering Bergen; 14.9 x 25.3 cm;
2005.153. Noonday, Lake Roxen, Sweden; 25.4
x 35.6 cm; 2005.149. Storm Ending, Norwegian
Fjord; 25.2 x 35.2 cm; 2005.150.
David Cox (British, 1783–1859); On the
Thames, about 1830; watercolor; 19.8 x 27.1
cm; Gift of The Painting and Drawing Society
of the Cleveland Museum of Art 2005.201.
Jasper F. Cropsey (American, 1823–1900);
Landscape (Hastings-on-Hudson), 1888; watercolor over graphite; 39.5 x 57 cm; Partial Gift
of Harry and Nina Pollock and Mr. and Mrs.
Richard W. Whitehill Art Purchase Endowment Fund 2005.342.
Peter De Wint (British, 1784–1849); Neath
Abbey, about 1820; watercolor; 16 x 23.2 cm;
Gift of The Painting and Drawing Society of
the Cleveland Museum of Art 2005.198.
Jean Dubuffet (French, 1901–1985); Tree
(Arbre), 1964; pen and black ink; 33.4 x 24.9
cm; Gift of Louise S. Richards 2005.276.
Attributed to Matthias
Lock (English, about
1710–1765); Overmantel
Mirror, about 1745;
carved giltwood and
glass; 78 x 186 cm;
Wade Fund 2006.3.
David Cox (British,
1783–1859); On the
Thames, about 1830;
watercolor; 19.8 x 27.1
cm; Gift of The
Painting and Drawing
Society of the
Cleveland Museum of
Art 2005.201.
Henri Harpignies (French, 1819–1916);
Sorente, Bains de la Reine Jeanne; black and
white chalk; 21.7 x 28.5 cm; Gift of Louise S.
Richards 2005.284.
Mabel A. Hewit (American, 1903–1987); 3
works; Gift of Mr. and Mrs. William Jurey in
memory of Mabel A. Hewit. Sketchbook #1;
graphite, crayon, and chalk; 25.5 x 20 cm;
2005.343.a–jjjj. Sketchbook #2; graphite and
watercolor; 26 x 20 cm; 2005.344.a–nnnn.
Sketchbook #3; graphite, charcoal, and pastel;
23 x 18 cm; 2005.345.a–z.
Lee Hoffmann (American, 1923–2003); Fashion Design for Women’s Clothing; black chalk;
49.6 x 34 cm; Bequest of Lee K. Hoffmann
2005.66.
Eugène Isabey (French, 1803–1886); Studies of
Wood and Farm Implements; graphite; 21.5 x 14
Martin Kline (American, b. 1961); 3 works;
black paintstick; Gift of Agnes Gund and
David Shapiro. Cleveland Mural Drawing #1,
November 14, 2003, 2003; 104.3 x 66.2 cm;
2005.63. Cleveland Mural Drawing #2, November 15, 2003, 2003; 104.4 x 66 cm; 2005.64.
Cleveland Mural Drawing #3, November 16–17,
2003, 2003; 104 x 66 cm; 2005.65.
Dr. Thomas Monro (British, 1759–1833);
Landscape (recto); black chalk and gray wash;
Studies of Heads (verso); black chalk; 15.6 x 23
cm; Gift of Louise S. Richards 2005.300.a–b.
Michel Angelo Rooker (British, 1746–1801);
Inside the East End of Nettley Abbey, 1794;
graphite and gray wash; 23.5 x 30.2 cm; Gift
of The Painting and Drawing Society of the
Cleveland Museum of Art 2005.199.
George M. Ross (American, 1887–1994);
Industrial: Pouring Steel, 1946; watercolor; 55.4
x 38.3 cm; Gift of Judith Clark Fredrichs and
Ross Gordon Fredrichs 2005.67.
Paul B. Travis (American, 1891–1975); Standing Figure (recto), 1940; colored ink; Woman in
Landscape (verso); watercolor and gouache;
45.3 x 30 cm; Gift of Pamela Elizabeth Ward
in loving memory of her parents, William E.
and Evelyn Svec Ward 2005.120.a–b.
Jasper F. Cropsey
(American, 1823–
1900); Landscape
(Hastings-on-Hudson),
1888; watercolor over
graphite; 39.5 x 57 cm;
Partial Gift of Harry
and Nina Pollock and
Mr. and Mrs. Richard
W. Whitehill Art
Purchase Endowment
Fund 2005.342.
35
Eugène Jansson
(Swedish, 1862–
1915); Evening
Mood—Lidingö
(Aftonstämning—
Lidingö), 1900; oil on
canvas; 90.1 x 168.6
cm; Mr. and Mrs.
William H. Marlatt
Fund 2005.4.
European Painting and Sculpture,
1900–1945
Eugène Jansson (Swedish, 1862–1915); Evening
Mood—Lidingö (Aftonstämning—Lidingö), 1900;
oil on canvas; 90.1 x 168.6 cm; Mr. and Mrs.
William H. Marlatt Fund 2005.4.
Indian and Southeast Asian Art
Dog, 1800s; India, Company school; 3 works;
ink and color on paper, with graphite inscription below; Gift of Pamela Elizabeth Ward in
loving memory of her parents, William E. and
Evelyn Svec Ward. 16.8 x 21.1 cm; 2005.73.
17.1 x 21.1 cm; 2005.74. 17 x 21.2 cm;
2005.75.
Caparisoned Elephant with a Mahout, dated 1761;
India, Rajasthan, Mewar school; ink and color
on paper; 20.6 x 21.4 cm; Gift of Dr. Norman
Zaworski 2005.202.
Devotional Painting (Female Figure), second half
of 1900s; Eastern India, Bihar State, Mithila or
Madhubani school; ink and color on paper;
and Evelyn Svec Ward 2005.79.
Head of a Young Man, 1800s; India, Company
school; ink with color and graphite (underdrawing) on paper; 7 x 7 cm; Gift of Pamela
Elizabeth Ward in loving memory of her
parents, William E. and Evelyn Svec Ward
2005.72.
Illustration to the Mahabharata, about 1800; India, Maharashtra, Paithan school; ink and color
on paper; 28.2 x 41.5 cm; Gift of Professor
Walter and Nesta Spink in honor of Stanislaw
Czuma 2005.68.
36
Large, Multi-armed Figure Facing Left; second half
36.5 x 26.9 cm; Gift of Pamela Elizabeth Ward
Large, Multi-armed Figure Facing Out; second half
Large Multi-armed Figure with Hearts in Margin;
second half of 1900s; Eastern India, Bihar State,
Mithila or Madhubani school; ink and color on
paper; 36.2 x 27 cm; Gift of Pamela Elizabeth
Ward in loving memory of her parents,
William E. and Evelyn Svec Ward 2005.86.
Masinama (Life of Christ) Manuscript, dated 1602;
India, Allahabad, Mughal period; 24 full-size
illustrations with 160 folios of text; ink, color,
and gold on paper; approximately 26 x 15 cm
each; John L. Severance Fund. Plate 1, The
Flowering of Aaron’s Rod; 2005.145.1. Plate 2,
Annunciation; 2005.145.2. Plate 3, Journey to
Bethlehem; 2005.145.3. Plate 4, The Inn at
Bethlehem; 2005.145.4. Plate 5, The Magi Follow
the Star; 2005.145.5. Plate 6, Magi Kneeling
before Christ; 2005.145.6. Plate 7, The Three
Wise Men Bow before Jesus; 2005.145.7. Plate 8,
Presentation in the Temple; 2005.145.8. Plate 9,
John the Baptist Recognizes Christ by the Appearance of a Dove; 2005.145.9. Plate 10, Mary
Magdelene at the Foot of Christ; 2005.145.10.
Plate 11, The Head of John the Baptist Presented to
Salome; 2005.145.11. Plate 12, Jesus in the Tun
Mountains near Nazareth Where He Chooses
Twelve of His Followers and Calls Them Apostles;
2005.145.12. Plate 13, The Marriage at Cana;
2005.145.13. Plate 14, Moses Prays for Deliverance from a Plague of Serpents; 2005.145.14. Plate
15, Angels Minister to Jesus; 2005.145.15. Plate
16, The Daughter of Jairus Being Brought Back to
Life by Christ; 2005.145.16. Plate 17, Jesus Entertained at the Pharisee’s House; 2005.145.17.
Plate 18, Elijah Fed by Ravens; 2005.145.18.
Plate 19, Jesus Asleep During a Storm at Sea;
2005.145.19. Plate 20, In Jerusalem the Scribes
and Pharisees Bring an Adulterous Woman before
Christ for Justice; 2005.145.20. Plate 21, Jesus in
the Temple; 2005.145.21. Plate 22, The Entry
into Jerusalem; 2005.145.22. Plate 23, The
Scourging of Jesus; 2005.145.23. Plate 24, Mary
Being Taken to a Place Where Girls Are Being
Prepared for Their Future; 2005.145.24.
Portrait of a Man, late 1700s; India, Pahari
school; ink and color on paper; 7.3 x 5.5 cm;
Gift of Pamela Elizabeth Ward in loving
memory of her parents, William E. and Evelyn
Svec Ward 2005.69.
Rider and Four-legged Bovine Creature in Mauve,
Chartreuse, and Black Palette, second half of
1900s; Eastern India, Bihar State, Mithila or
Rider and Four-legged Bovine Creature with Border
of Colored Squares, second half of 1900s; Eastern
India, Bihar State, Mithila or Madhubani
school; ink and color on paper; 41.5 x 26.5 cm;
Svec Ward 2005.81.
Rider and Four-legged Bovine Creature with Border
of Colored Squares, Purple, Orange, and Magenta
Palette with Inscription at Top and Bottom, second
half of 1900s; Eastern India, Bihar State,
paper; 51.8 x 34.3 cm; Gift of Pamela Elizabeth
Rider and Four-legged Creature with Floral Motif,
second half of 1900s; Eastern India, Bihar State,
paper; 40.7 x 26 cm; Gift of Pamela Elizabeth
Sketch of a Woman with an Elephant and Other
Animals on Reverse, 1700s; India, Pahari; ink
and color on paper; 12 x 11 cm; Gift of Pamela
Elizabeth Ward in loving memory of her
parents, William E. and Evelyn Svec Ward
2005.71.
Two Women, second half of 1700s; India, Jodhpur; ink and color on paper; 8.5 x 9.4 cm; Gift
of Pamela Elizabeth Ward in loving memory of
her parents, William E. and Evelyn Svec Ward
2005.70.
Two Women Facing Each Other, second half of
25.3 x 27.1 cm; Gift of Pamela Elizabeth Ward
Woman in Profile Facing Left, second half of
Woman with Two Children Playing Ball, second
half of 1900s; Eastern India, Bihar State,
paper; 27 x 23.3 cm; Gift of Pamela Elizabeth
Jamini Roy (Indian, 1882–1972); Krishna and
the Bull Nandi; gouache; 31.4 x 43.3 cm; Gift
of Pamela Elizabeth Ward in loving memory of
2005.76.
Attributed to Nainsukh (Indian, 1710–1778);
Two Elephants Fighting in a Courtyard before
Muhammad Shah, about 1730–40; ink
and color on paper; 62.5 x 42 cm; John L.
Severance Fund 2005.1.a–b.
Medieval Art
Leaf from a Book of Hours: Ape Hunting Wild
Boars, about 1500–1510; France, Paris or
Rouen; ink, tempera, and liquid gold on
vellum; 18.1 x 12.9 cm; The Jeanne Miles
Blackburn Collection 2006.13.a–b.
Leaf from a Book of Hours: Initial D, early 1400s;
England; ink, tempera, and gold on vellum;
15.2 x 11.4 cm; The Jeanne Miles Blackburn
Collection 2006.10.
Leaf from a Book of Hours: Initial D, about 1400;
France, probably Soissons; ink, tempera, and
gold on vellum; 15.5 x 11.5 cm; The Jeanne
Miles Blackburn Collection 2005.203.
Leaf from a Book of Hours: Initial V with Floral
Border, about 1460–1500; Austria(?) or
Bohemia(?); ink, tempera, and gold on vellum;
Collection 2006.12.
Leaf from a Book of Hours: The Raising of the
Cross, 1510–20; Germany, Nuremberg; tempera and liquid gold on vellum; 18.7 x 13.4
cm; The Jeanne Miles Blackburn Collection
2006.14.
Leaf from a Book of Hours: St. Bartholomew,
about 1440–60; Flanders, Bruges(?); ink, tempera, and gold on vellum; 12.5 x 8.5 cm; The
Jeanne Miles Blackburn Collection 2006.11.
Simon Marmion
(French, active in
Flanders, 1425–89);
Excised Leaf with
Scenes from the Life of
Saint Denis from the
Breviary of Charles the
Bold and Margaret of
York, about 1467–70;
ink, tempera, and gold
on vellum; 16 x 11.9 cm;
John L. Severance Fund
2005.55.
37
Leaf from a Psalter: Initial D with King David in
Prayer before an Altar and Christ in a Cloud,
about 1270–80; England, Oxford(?); ink, tempera, and gold on vellum; 17.9 x 13.5 cm; The
Leaf from a Psalter and Prayerbook: Initial E with
Ornamental Border Containing a Seated Satyr and
a Bird Eating Grapes, about 1524; North Germany, Hildesheim(?); ink, tempera, and liquid
gold on vellum; 16.6 x 13.5 cm; The Jeanne
Miles Blackburn Collection 2006.15.a–b.
Circle of Coëtivy Master (France, Paris); Leaf
from a Book of Hours: Angel Chasing a Devil,
about 1460; ink, tempera, and gold on vellum;
Collection 2005.206.a–b.
Circle or workshop of the Leber Group
(France, Paris); Leaf from a Latin Bible: Initial A
and Initial A: Judith Beheading Holofernes, about
1230–40; ink and tempera on vellum; 14.8 x
10.4 cm; The Jeanne Miles Blackburn Collection 2005.207.
Follower of the Limbourg Brothers (Netherlandish) (France, Paris[?]); Leaf from a Book of
Hours: St. Matthew, about 1415; ink, tempera,
and gold on vellum; 18.1 x 13 cm; The Jeanne
Miles Blackburn Collection 2005.204.
Charles Marville
(French, 1818–1879);
Opéra (Rostral Column),
about 1875; albumen
print from wet
collodion negative; 35.4
x 26.7 cm (mounted);
Purchase from the Karl
B. Goldfield Trust
2006.6.
38
Circle of Maître François (Central France);
Leaf from a Book of Hours: The Betrayal of Christ,
about 1470–85; ink, tempera, and gold on
vellum; 12.4 x 9.3 cm; The Jeanne Miles
Blackburn Collection 2005.208.
Simon Marmion (French, active in Flanders,
1425–89); Excised Leaf with Scenes from the Life
of Saint Denis from the Breviary of Charles the
Bold and Margaret of York, about 1467–70; ink,
tempera, and gold on vellum; 16 x 11.9 cm;
John L. Severance Fund 2005.55.
Workshop of Master of Guillebert de Mets
(Flemish); Leaf from a Book of Hours: Initial D
with Foliated Border, 1410–45; ink, tempera,
and gold on vellum; 12.7 x 8.4 cm; The
Seneca Master (Italian, active about 1307–25);
Medallion from the Border of a Latin Bible: The
Sixth Day of Creation, early 1300s; tempera on
vellum; diam. 7 cm; The Jeanne Miles
Blackburn Collection 2006.9.
Photography
Herbert Ascherman Jr. (American, b. 1947);
2001; 8 gelatin silver prints; Gift of the Artist.
Anna Arnold, Painter; 23.3 x 23.2 cm;
2005.106. Douglas Max Utter, Painter, 23.2 x
23.2 cm; 2005.102. Judith Saloman, Ceramicist;
23.3 x 23.2 cm; 2005.108. Mark Soppeland,
Sculptor; 23.3 x 23.2 cm; 2005.107. Phyllis
Seltzer, Painter; 23.3 x 23.2 cm; 2005.105.
Phyllis Sloane, Painter; 23.3 x 23.2 cm; 2005.12.
Rev. Albert Wagner, Painter; 23.3 x 23.2 cm;
2005.103. Virgie Patton, Painter; 23.2 x 23.3
cm; 2005.104.
Herbert Ascherman Jr.; Fred Schmidt, Sculptor,
2001; gelatin silver print; 22.8 x 22.8 cm; Gift
of Jane Glaubinger 2005.21.
Herbert Ascherman Jr.; 2001; 11 gelatin silver
prints; Gift of William S. Lipscomb in memory
of his father, James S. Lipscomb. Chris Pekoc,
Photographer; 23.3 x 23.3 cm; 2005.25. David
Davis, Sculptor; 23.3 x 23.3 cm; 2005.33. Don
Harvey, Work on Paper; 23.3 x 23.3 cm;
2005.27. George Fitzpatrick, Work on Paper;
23.3 x 23.3 cm; 2005.24. George Kozman,
Painter; 23.3 x 23.3 cm; 2005.30. Janice
Lessman-Moss, Fiber; 23.3 x 23.3 cm; 2005.28.
John Sargent, Painter; 23.3 x 23.3 cm; 2005.31.
Laurence Channing, Work on Paper; 23.2 x 23.2
cm; 2005.23. Malcolm Brown, Painter; 23.3 x
23.3 cm; 2005.22. Penny Rakoff, Photographer;
23.3 x 23.3 cm; 2005.29. Robert Thurmer,
Sculptor; 23.3 x 23.3 cm; 2005.32; Viktor
Schreckengost, Designer; 23.3 x 23.3 cm;
2005.26.
Herbert Ascherman Jr.; 2001; 4 gelatin silver
prints; John L. Severence Fund. H. Carroll
Cassil, Work on Paper, 23.2 x 23.2 cm; 2005.8.
John Clague, Sculptor; 23.3 x 23.3 cm; 2005.9.
John Pearson, Painter; 23.3 x 23.3 cm; 2005.10.
Joseph McCullough, Painter; 23.3 x 23.3 cm;
2005.11.
Richard Avedon (American, 1923–2004);
Ronald Fischer, Beekeeper, Davis, California, May
9, 1981, 1981, printed 1985; gelatin silver
print; 114.3 x 142.8 cm; Leonard C. Hanna Jr.
Fund 2005.143.
Henri Béchard (French, active 1869–1880s);
1870s; 2 albumen prints from wet collodion
negatives; Mr. and Mrs. Richard W. Whitehill
Art Purchase Endowment Fund. Thebes, The
Colossi of Memnon; 36 x 26.9 cm; 2006.119.
Thebes, Temple of the Ramesseum, Interior of the
Hypostyle Hall; 36 x 26.9 cm; 2006.118.
Barbara Bosworth (American, b. 1953);
printed 2004; 71 gelatin silver prints; Gift of
Mark Schwartz and Bettina Katz. Former National Champion American Elm, Kansas, 2001;
20.1 x 49.5 cm; 2006.59. National Champion
Aloe Yucca, Georgia, 2002; 24.5 x 20.1 cm;
2005.354. National Champion American Beech,
Ohio, 1990; 20.1 x 24 cm; 2006.46. National
Champion American Elm, Kansas, 1990; 20.1 x
49.6 cm; 2005.362. National Champion American Smoketree, Indiana, 2001; 24.9 x 59.4 cm;
2006.45. National Champion Blackjack Oak,
Georgia, 1999; 24.6 x 59.5 cm; 2005.361. National Champion Black Locust, New York, 1991;
Black Oak, Connecticut, 2001; 24.9 x 59.6 cm;
2005.378. National Champion Bur Oak, Kentucky, 1991; 20.1 x 40.4 cm; 2005.351. National Champion Butternut, Oregon, 1993; 19.9 x
24.7 cm; 2006.51. National Champion California
Buckeye, 2002; 20.1 x 24.7 cm; 2006.55. National Champion Chinkapin Oak, Kentucky,
2002; 24.9 x 59.7 cm; 2005.379. National
Champion Coast Redwood, California, 1994; 24.8
x 59.1 cm; 2005.367. National Champion Common Hackberry, Illinois, 2001; 24.8 x 39.3 cm;
2006.42.a–b. National Champion Common Pear,
Ohio, 2002; 24.7 x 58.8 cm; 2006.28. National
Champion Common Pear, Washington, 1994;
Darlington Oak, Georgia, 1999; 24.6 x 59.5 cm;
2005.348. National Champion Durand Oak,
Georgia, 1999; 25 x 59.4 cm; 2006.54. National
Champion Elliottia, Georgia, 2002; 24.9 x 59.4
cm; 2005.380. National Champion Emory Oak,
Arizona, 2001; 24.6 x 39.7 cm; 2005.374.a–b.
National Champion Fremont Cottonwood, Arizona, 2001; 24.8 x 59.5 cm; 2006.38. National
Champion Giant Sequoia, California, 1994; 24.7
x 39.2 cm; 2005.350. National Champion
Golden (White) Willow, Michigan, 1992; 24.6 x
39.3 cm; 2006.53.a–b. National Champion
Green Ash, Michigan, 1992; 24.6 x 59.4 cm;
2005.365. National Champion Gumbo-limbo,
Florida, 1995; 24.7 x 59.6 cm; 2005.370. National Champion Joshua-tree, California, 2002;
Longbeak Eucalyptus, Arizona, 2001; 24.8 x 59.4
cm; 2005.352. National Champion Mazzard
Cherry, Pennsylvania, 1994; 24.7 x 39.7 cm;
2005.368.a–b. National Champion Monterey
Cypress, California, 2002; 24.6 x 40 cm;
2006.34. National Champion Mountain Paper
Birch, Michigan, 1994; 20.1 x 24.7 cm;
2006.40. National Champion Northern Red Oak,
New York, 1990; 20.1 x 24.7 cm; 2005.358.
National Champion Northern Red Oak, New
York, 1991; 20.1 x 24.7 cm; 2005.359. National
Champion Ohio Buckeye, Ohio, 2004; 24.8 x
59.2 cm; 2005.364. National Champion Osageorange, Virginia, 2002; 24.7 x 59.4 cm;
2005.375. National Champion Pacific Madrone,
California, 1994; 20 x 49.4 cm; 2006.37.a.
National Champion Pacific Madrone, California,
1994; 20.1 x 24.7 cm; 2006.37.b. National
Champion Paper Birch, Maine, 1991; 30.1 x 59.4
cm; 2006.47. National Champion Pignut
Hickory, Georgia, 2002; 25 x 59.4 cm;
2005.381. National Champion Pitch Pine, New
Hampshire, 2003; 24.8 x 59.5 cm; 2006.32.
National Champion Plains Cottonwood, Colorado,
1991; 24.6 x 39.9 cm; 2005.377. National
Champion Pussy Willow, Rhode Island, 1992;
Red Mangrove, Florida, 1995; 24.9 x 59.5 cm;
2006.48. National Champion Royal Paulownia,
Indiana, 1991; 20.1 x 24.7 cm; 2006.29. National Champion Saguaro, Arizona, 2001; 24.8 x
59.5 cm; 2005.357. National Champion Sand
Live Oak, Florida, 2002; 24.8 x 58.8 cm;
2005.353. National Champion Scarlet Oak, Kentucky, 2002; 24.8 x 59.4 cm; 2006.57. National
Champion Scarlet Oak, Michigan, 1992; 24.8 x
59.4 cm; 2006.52. National Champion Siberian
Elm, Colorado, 25.1 x 59.5 cm; 2005.360. Na-
tional Champion Siberian Elm, Ohio, 2002; 24.7
x 59.5 cm; 2006.31. National Champion
Singleleaf Ash, Colorado, 2001; 24.7 x 59.3 cm;
2005.349. National Champion Sitka Spruce,
Oregon, 1993; 24.7 x 59.3 cm; 2006.27. National Champion Slippery Elm, Ohio, 2000; 24.7
x 59.5 cm; 2006.41. National Champion Slippery
Elm with Jeffrey, Ohio, 2002; 24.6 x 59.5 cm;
2005.347. National Champion Southern Redcedar,
Florida, 1994; 24.8 x 59.7 cm; 2006.39. National Champion Southern Red Oak, Georgia,
1999; 24.7 x 59.5 cm; 2006.30. National
Champion Strangler Fig, Florida, 1995; 25 x 59.5
cm; 2006.43. National Champion Sugarberry,
South Carolina, 1994; 25 x 59.5 cm; 2006.26.
National Champion Swamp White Oak, 2002; 25
x 59.5 cm; 2006.56. National Champion Sycamore, Kentucky, 2002; 24.8 x 59.5 cm;
2006.49. National Champion Sycamore with
Katie, Ohio, 1990; 24.6 x 40 cm; 2005.373.
National Champion Tuliptree Yellow-poplar, Virginia, 1992; 24.8 x 59.5 cm; 2006.44. National
Champion Turkey Oak, Georgia, 1994; 20.1 x
24.7 cm; 2005.369. National Champion Twowing Silverbell, Ohio, 2002; 25.1 x 59.2 cm;
2006.25. National Champion Valley Oak, California, 1994; 24.6 x 59.5 cm; 2005.371. National Champion Velvet Mesquite, Arizona, 2001;
Waterlocust, Pennsylvania, 2000; 24.4 x 59.5
cm; 2005.366. National Champion Weeping
Willow, Michigan, 1992; 24.7 x 39.6 cm;
2005.376. National Champion Western Larch,
Montana, 1996; 25.2 x 59.4 cm; 2006.58. National Champion Western Paper Birch, Washington, 1993; 24.7 x 59.5 cm; 2006.50. National
Champion Western Redcedar, Washington, 1993;
White Oak, Maryland, 1992; 24.5 x 59.5 cm;
2005.372.
Margaret Bourke-White (American, 1904–
1971); Heaped ore outside steel plant, brought by
shipping along Great Lakes, 1930; gelatin silver
print; 23.6 x 31.3 cm; Andrew R. and Martha
Holden Jennings Fund 2005.341.
Philip Brutz (American, b. 1962); 2005; 4
stereoscopic chromogenic transparencies; 5.1 x
5.1 cm; Gift of the Artist. Asbestos Abatement,
1916 Building; 2006.13.a. Ball of Rebar, Site
Preparation; 2006.129.a. Mechanical Room, 1916
Freight Elevator; 2006.131.a. Number 2 Fan
Room, 1916 Building; 2006.132.a.
Philip Brutz; 2005; 12 stereoscopic chromogenic transparencies; 5 x 5 cm; The Jane B.
Tripp Charitable Lead Annuity. Armor Court;
2006.102.a. Deinstallation of Renaissance Fireplace; 2006.105.a. Interior Garden Court;
2006.103.a. Looking at Art; 2006.111.a. Painting
Frames and Ironwork; 2006.107.a. Plaster Model
of the 1916 Building Made in 1912; 2006.109.a.
Skylights, 1916 Building; 2006.101.a. Stella;
2006.106.a. Tapestries and Renaissance Fireplace;
2006.104.a. Temporary Art; 2006.100.a. Temporary Art Storage; 2006.108.a. Temporary Art
Storage; 2006.110.a.
Linda Butler (American, b. 1947); 1994; 10
gelatin silver prints; The George Gund Foundation Collection in honor of David Bergholz,
39
Curator of Photography
Tom E. Hinson proudly
welcomes Richard
Avedon’s Ronald
Fischer, Beekeeper,
Davis, California, May 9,
1981 (Leonard C. Hanna
Jr. Fund 2005.143) from
the photographer’s
landmark series of
large-scale portraits, In
the American West.
The Cleveland Museum of Art. The Broadway
School of Music; 34.2 x 26.7 cm; 2005.211. The
Cleveland Museum of Art; 26 x 34.2 cm;
2005.209. The Cleveland Play House; 34.2 x
25.5 cm; 2005.218. The Crawford Auto-Aviation
Museum; 33.6 x 26.2 cm; 2005.217. The Sculpture Center; 34.6 x 26.4 cm; 2005.212. The
State Theatre; 34.4 x 27 cm; 2005.215. Severance
Hall; 26.6 x 34 cm; 2005.213. Severance Hall;
34.3 x 26.8 cm; 2005.214. Trinity Cathedral;
34.5 x 26.9 cm; 2005.216. The Western Reserve
Historical Society; 32.7 x 24 cm; 2005.210.
Linda Butler; 2005, printed 2006; 26 chromogenic process color prints; The Jane B.
Tripp Charitable Lead Annuity and Gift of the
Artist. 20th Century Paintings and Sculpture in
Temporary Storage; 26.7 x 33.3 cm; 2006.85.
Armor Court with Boxes; 48.4 x 57.2 cm;
2006.99. Armor Court with Rider and Horse;
34.3 x 26.2 cm; 2006.97. Deinstalled Noguchi;
47.6 x 38.2 cm; 2006.93. Deinstalling Stella;
26.2 x 31.9 cm; 2006.90. Detail of French
Marble Sculpture; 32.7 x 26.2 cm; 2006.89.
Detail of a Medieval Griffin; 26.2 x 30 cm;
2006.80. Detail, Noguchi Sculpture; 48.8 x 38.7
cm; 2006.92. Detail of Stella; 26.2 x 32.5 cm;
2006.91. Distant View Towards the Egyptian
Galleries; 60.9 x 58.5 cm; 2006.74. Egyptian
Sarcophagus in Storage; 26.2 x 33.7 cm; 2006.76.
40
European Sculpture in Storage; 38.2 x 45.9 cm;
2006.88. Garden Court Capitals with 1916
Newspaper; 26.2 x 32.6 cm; 2006.83. Greek
Bronze Draped; 39.8 x 38.2 cm; 2006.78. Greek
Bronze in the Interior Garden Court; 33.8 x 25.6
cm; 2006.77. Greek Bronze in Storage; 34.3 x
23.9 cm; 2006.79. Griffins in Storage; 26.2 x
32.7 cm; 2006.81. Japanese Guardians and Asian
Sculpture in Storage; 41.9 x 38.2 cm; 2006.87.
Looking at Art; 33.8 x 25.9 cm; 2006.94.
Mayan Stele; 26.2 x 32.7 cm; 2006.82. Medieval
Capital and Head of Buddha in Storage; 44.6 x
38.2 cm; 2006.96. Moving a Sarcophagus; 26.2 x
32.7 cm; 2006.75. Painting and Furniture Storage; 25.6 x 33.8 cm; 2006.86. Removing Saddle;
32.9 x 26.4 cm; 2006.98. Rolling Up a Tapestry;
18.2 x 48.8 cm; 2006.84. Segal Sculpture in
Storage; 23.3 x 33.8 cm; 2006.95.
Linda Connor (American, b. 1944); Boy Bathing, Angkor Thom, Cambodia, 2001; gelatin
silver print; 20.1 x 24.6 cm; Gift of Friends of
Photography; 2006.67.
Valdir Cruz (Brazilian, b. 1954); gelatin silver
prints, selenium toned; Gift of Mr. and Mrs.
Michael Striar. Guarapuava Series: Guarapuava,
Paraná, Brazil; 18 prints. 1991; 34.6 x 34.1 cm;
2005.89.1. 1991; 35 x 34.7 cm; 2005.89.2.
1990; 35 x 34.6 cm; 2005.89.4. 1990; 35 x
34.6 cm; 2005.89.5. 1990; 35.3 x 35.2 cm;
2005.89.7. 1990; 35.3 x 35.2 cm; 2005.89.8.
1990; 35.3 x 35.2 cm; 2005.89.9. 1990; 38.5 x
37.7 cm; 2005.89.10. 1992; 38 x 38 cm;
2005.89.11. 1992; 38.3 x 38.1 cm; 2005.89.12.
1992; 31.7 x 48 cm; 2005.89.13. 1990; 32.1 x
48 cm; 2005.89.14. 1990; 32.1 x 48 cm;
2005.89.15. 1990; 46.2 x 30.9 cm; 2005.89.16.
1990; 32.4 x 47.6 cm; 2005.89.17. 1990; 31.7
x 47.2 cm; 2005.89.18. 2002; 38.8 x 49.3 cm;
2005.89.19. 2002; 49 x 38.6 cm; 2005.89.20.
Guarapuava Series, 1990; 2 prints. Tropieros II,
Paraná, Brazil; 33.9 x 34.6 cm; 2005.89.3.
‘Tropieros Group,’ Guarapuava, Paraná, Brazil;
34 x 34.8 cm; 2005.89.6. Kaxinawa Series:
Brazil (Border with Peru), 1999; 3 prints. 47.9 x
32.2 cm; 2005.90.7. 32.3 x 48.4 cm;
2005.90.9. 32.3 x 48.7 cm; 2005.90.10.
Yanomami Series: Siapes Mountain Range, Upper
Orinco River, Venezuela; 8 prints. 1996; 48.2 x
32 cm; 2005.90.1. 1996; 32.2 48.4 cm;
2005.90.5. 1996; 32.2 x 48.4 cm; 2005.90.6.
1996; 31.7 x 47.5 cm; 2005.90.8. 1997; 32.3 x
48.2 cm; 2005.90.2. 1997; 32.1 x 47.9 cm;
2005.90.3. 1997; 19.1 x 48.5 cm; 2005.90.4.
1997; 48.1 x 32.2 cm; 2005.90.11.
William DeLappa (American, 1943–2006); The
Portraits of Violet and Al, about 1973; 28 gelatin
silver prints; Gift of the Artist. 1; 35.3 x 27.2
cm; 2005.93.1. 2; 35.3 x 27.2 cm; 2005.93.2.
3; 35.3 x 27.2 cm; 2005.93.3. 4; 27.3 x 34.9
cm; 2005.93.4. 5; 27.2 x 35.3 cm; 2005.93.5.
6; 27.3 x 35.1 cm; 2005.93.6. 7; 35 x 27.2 cm;
2005.93.7. 8; 27.3 x 35.3 cm; 2005.93.8. 9;
27.5 x 35.2 cm; 2005.93.9. 10; 27.3 x 35.2
cm; 2005.93.10. 11; 27.4 x 35.2 cm;
2005.93.11. 12; 27.4 x 35.2 cm; 2005.93.12.
13; 27.4 x 35.4 cm; 2005.93.13. 14; 27.3 x
35.3 cm; 2005.93.14. 15; 27.2 x 34.9 cm;
2005.93.15. 16; 35.3 x 27.3 cm; 2005.93.16.
17; 27.4 x 35.2 cm; 2005.93.17. 18; 27.4 x
35.3 cm; 2005.93.18. 19; 34.3 x 27.2 cm;
2005.93.19. 20; 27.2 x 34.9 cm; 2005.93.20.
21; 27.4 x 35.3 cm; 2005.93.21. 22; 27.4 x
35.3 cm; 2005.93.22. 23; 27.3 x 34.9 cm;
2005.93.23. 24; 27.4 x 35.2 cm; 2005.93.24.
25; 27.5 x 35.5 cm; 2005.93.25. 26; 27.4 x
36.4 cm; 2005.93.26. 27; 35.3 x 27.4 cm;
2005.93.27. 28; 27.3 x 34.9 cm; 2005.93.28.
Pierre Jean Delbarre (French, b. 1826, active
1860s); Auguste Vacquerie, about 1860;
albumenized salt print from a wet collodion
negative; 37.4 x 27.7 cm; A. W. Ellenberger
Sr. Memorial Endowment Fund 2005.59.
Burhan Dogançay (Turkish, b. 1929); 1986; 3
prints; Anonymous Gift. Bridge of Dreams #99,
printed 1999; platinum print; 24.5 x 16.2 cm;
2006.126. Bridge of Dreams #101, printed
1999; platinum print; 24.5 x 16.2 cm;
2006.127. Twin Towers, printed 2006; gelatin
silver print; 68.5 x 102.8 cm; 2006.128.
Kevin Jerome Everson (American, b. 1965)
and Michael Loderstedt (American, b. 1958);
Viaduct, 1992; gelatin silver print; 119.2 x
162.7 cm; Gift of Joan Tomkins and William
Busta 2005.94.
Roger Fenton (British, 1819–1869); Drawing
by Raphael Sanzio in the British Museum, 1856;
salted paper print from a wet collodion negative; 22.6 x 31.1 cm; The Sarah Stern Michael
Fund 2005.60.
Lee Friedlander (American, b. 1934);
Cleveland, OH, 2002, 2002, printed 2003;
gelatin silver print; 37.9 x 37.4 cm; Gift of
Friends of Photography and Jeffrey Fraenkel
and Frish Brandt 2005.49.
Simon Johan (Norweigan, b. 1973); Untitled
#102, 2001, printed 2004; chromogenic process color print; 112.7 x 112 cm; Gift of
Friends of Photography 2005.38.
Mark Klett (American, b. 1952) and Byron
Wolfe (American, b. 1967); Sentinel Dome
Connecting Three Views by Carleton Watkins,
2003, printed 2005; 53.4 x 166.2 cm; Gift of
William S. Lipscomb in memory of his father,
James S. Lipscomb 2006.63.
William Laven (American, b. 1957); AV8
Harrier, 2005; inkjet print, Roland carbon
pigment print with Hahnemuhle paper; 81.2 x
52.3 cm; Gift of Friends of Photography
2006.65.
Michael Loderstedt (American, b. 1958); View
of Waccamaw Neck, SC, Site of First European
Colonial Attempt in America (1526), 2004; chromogenic process color print; 101.6 x 126.7
cm; Gift of the Robert A. Mann Fund
2005.147.
Sal Lopes (American, b. 1943); Horse Spirits
#067 California, 1998, 1998; platinum print;
30.5 x 40.9 cm; Gift of Bob and Jane Herbst
2005.40.
Scott MacGregor (American, b. 1953); Young
Irish Girl in a Passing Window, 1978; chromogenic process color print; 22.6 x 34.3 cm;
Gift of Louise S. Richards 2005.295.
Charles Marville (French, 1818–1879); Opéra
(Rostral Column), about 1875; albumen print
from wet collodion negative; 35.4 x 26.7 cm
(mounted); Purchase from the Karl B.
Goldfield Trust 2006.6.
Philippe Mazaud (American, b. 1957); Solar
Road, 2002, printed 2005; gelatin silver print;
63.2 x 86.5 cm; Gift of Friends of Photography 2006.66.
Laura McPhee (American, b. 1958); Saree
Shop, Newmarket, Kolkta, India, 1998, printed
2005; chromogenic process color print; 75.8 x
95.7 cm; Gift of Friends of Photography
2006.64.
Susan Meiselas (American, b. 1948); First Day
of Popular Insurrection, Nicaragua, 1978, printed
2005; chromogenic process color print; 39.4 x
59.1 cm; Gift of the Julius L. Greenfield Photography Acquisition Fund in honor of his
grandson Harry Singer’s 50th birthday
2005.139.
Andrea Modica (American, b. 1960); Fountain,
Colorado, 2000, printed 2004; platinum/palladium print; 19 x 23.9 cm; Gift of Friends of
Photography 2005.50.
Andrew Moore (American, b. 1957); Green
Trucks, White Nights, Solovki, 2002; chromogenic process color print; 76.2 x 101.6 cm; Gift
of Friends of Photography 2006.68.
Pierre Petit (French, 1832–1909); Gustave
Doré, 1860; albumen print from wet collodion
negative; 25 x 19 cm; James Parmelee Fund
2005.58.
Nancy Rexroth (American, b. 1946); 1970; 2
gelatin silver prints; Gift of Friends of Photography. My Mother, Pennsville, OH; 10.3 x 10.5
cm; 2005.41. A Woman’s Bed, Logan, OH;
10.8 x 11.3 cm; 2005.42.
Brad Richman (American, b. 1971); Chicago,
Illinois, June 8, 1997, 1997, printed 2000; gelatin silver print; 45.6 x 57.9 cm; Gift of Linda
Butler, William Lipscomb, and Robert Mosher
2005.39.
Thomas Roma (American, b. 1950); 5 gelatin
silver prints; Gift of Friends of Photography.
Found in Brooklyn, Brooklyn, NY, 1986, printed
later; 24.4 x 32.6 cm; 2005.44. Found in Brooklyn, Brooklyn, NY, 1981, printed later; 21.9 x
32.3 cm; 2005.45. Found in Brooklyn, Brooklyn,
NY, 1986, printed later; 24.2 x 32.6 cm;
2005.46. Higher Ground, Brooklyn, NY, 1993,
printed later; 24.4 x 32.3 cm; 2005.47. Higher
Ground, Brooklyn, NY, 1993, printed later; 24.2
x 32 cm; 2005.48.
Thomas Roma; Higher Ground, Brooklyn, NY,
1993, printed later; gelatin silver print; 24.2 x
32 cm; Gift of Judith K. and S. Sterling
McMillan Photography Purchase Fund
2005.43.
Sebastiao Salgado (Brazilian, b. 1944); Churchgate Station, Bombay, India, 1995, printed 2005;
gelatin silver print; 29.5 x 43.9 cm; Gift of the
Julius L. Greenfield Memorial Photography
Fund 2005.51.
Carle Edwin Semon (American, 1877–1950);
Portrait of a Japanese Woman, first half of the
1900s; platinum print; 17.8 x 12.7 cm; John L.
Severance Fund 2005.7.
Joni Sternbach (American, b. 1953); Ocean
Details (99.01.11) #3, about 1999; platinum/
palladium print; 11.9 x 16.9 cm; Gift of the
Artist 2005.88.
Jock Sturges (American, b. 1947); 18 gelatin
silver prints; Gift of John M. Kimpel. Arianne,
Montalivet, France, 1990; 47.3 x 37.4 cm;
2005.219. Arianne, Montalivet, France, 1991;
47.4 x 37 cm; 2006.21. Brooke, Northern California, 1985; 48.3 x 37.8 cm; 2006.18. Cecile,
Montalivet, France, 1993; 48.2 x 38 cm;
2006.20. Cecile, Montalivet, France, 1993; 47.3 x
37.4 cm; 2006.23. Flore, Montcreson, France,
1991; 37.3 x 47.6 cm; 2005.220. Iris,
Montalivet, France, 1991; 37.4 x 47.3 cm;
2005.222. Lotte, Montalivet, France, 1997; 46.5
x 36.5 cm; 2005.224. Maia, Arles, France, 1990;
47.5 x 37.4 cm; 2006.17. Melanie, Vanessa, and
Tracey, Montalivet, France, 1994; 47.1 x 37 cm;
2005.223. Mike and Chicken, Northern California, 1993; 37.2 x 47.5 cm; 2006.16. Minna,
Northern California, 1981; 47.4 x 37.1 cm;
2006.19. Minna, Northern California, 1980; 48.5
x 37.2 cm; 2005.221. Minna, Northern California, 2000; 47.7 x 37.3 cm; 2005.227. Nadia
and Brigitte, Montalivet, France, 1998; 36.7 x
46.7 cm; 2005.225. Sara, Montalivet, France,
1998; 37 x 47.4 cm; 2005.226. Sarah, Northern
California, 1994; 48 x 36.7 cm; 2006.22. Scoil
Mhuire #39, County Galway, Ireland, 1996;
47.4 x 37.4 cm; 2006.24.
William Henry Fox Talbot (British, 1800–
1877); Winter Trees Reflected in a Pond, 1841–
42; salted paper print from calotype negative;
16.4 x 19.1 cm; Purchase from the J. H. Wade
Fund 2006.4.
Spencer Tunick (American, b. 1967); Ohio 4
(Museum of Contemporary Art Cleveland), 2004;
chromogenic process color print; 76.2 x 95.3
cm; Gift of Mark Schwartz and Bettina Katz
2005.346.
Joseph Vitone (American, b. 1954); printed
2005; 2 gelatin silver prints; Gift of the Artist.
Marjorie Angel with daughter, Rebecca Barile, on
Rebecca’s porch with flag, Akron, Ohio, 2003;
44.1 x 55.5 cm; 2005.92. Salvatore Vitone and
Grace Falitico, brother and sister, Stow, Ohio,
1999; 44 x 55.5 cm; 2005.91.
James Welling (American, b. 1951); 2004; 7
chromogenic process color prints; Gift of the
Artist. #1, 25.3 x 20.8 cm; 2005.96. #10, 25.2
x 20.1 cm; 2005.101. #17, 25 x 19.9 cm;
2005.99. #18, 25.3 x 20.2 cm; 2005.100. #19,
25.3 x 20.2 cm; 2005.98. #28, 25.3 x 20.1
cm; 2005.95. #31, 25.3 x 20.1 cm; 2005.97.
41
Max Beckmann
(German, 1884–1950);
Group Portrait Eden
Bar, 1923; woodcut;
49.5 x 49.5 cm;
Wade Fund 2006.112.
Prints
Anonymous (French); Roman Charity, 1542;
etching; 14.3 x 32.2 cm; Herbert p. 130, no.
24; Gift of Louise S. Richards 2005.261.
Anonymous (German); Solar System Surrounded
by Animals, 16th century; etching; 27 x 36.2
Sigmund Abeles (American, b. 1934); Toward
the End, published 1969; 14 prints; Gift of
Louise S. Richards. Afternoon Memories, 1966;
etching; 20 x 14.9 cm; McLean and Drake 70;
2005.258.4. Aged Rabbi, 1966; etching; 20 x
15 cm; McLean and Drake 72; 2005.258.6.
Colophon, 1969; 2005.258.14. Dedication Page:
Hands Folded, 1966; drypoint; 4 x 6.5 cm;
McLean and Drake 68; 2005.258.2. Earl, 1966;
etching; 19.8 x 15 cm; McLean and Drake 74;
2005.258.8. Frontispiece: Old Woman Eating
with Bowl and Spoon, 1966; etching; 5.4 x 10
cm; McLean and Drake 67; 2005.258.1. Loving
Older Couple, 1966; etching with chine collé;
20 x 14.9 cm; McLean and Drake 71;
2005.258.5. Muybridge Sitting, 1969; etching;
14.9 x 22.4 cm; McLean and Drake 76;
2005.258.10. My Father as Patient, 1966; etching; 14.8 x 20.3 cm; McLean and Drake 78;
2005.258.12. Reaching Out, 1966; etching and
engraving; 19.8 x 14.8 cm; McLean and Drake
73; 2005.258.7. Sleeping Woman at Diagonal,
1968; etching; 20.2 x 12.5 cm; McLean and
Drake 75; 2005.258.9. Snoring Bald Man, 1966;
etching; 20.3 x 14.7 cm; McLean and Drake
77; 2005.258.11. Stuart’s Grandmother, 1968;
42
etching; 15.2 x 13.6 cm; McLean and Drake
69; 2005.258.3. Woman Being Fed with Spoon,
1969; etching printed in brown; 20 x 14.9 cm;
McLean and Drake 78a; 2005.258.13.
Norman Ackroyd (British, b. 1938); Perimeter
Rainbow, 1970; color aquatint; 45.4 x 45.2 cm;
Stanley Anderson (British, 1884–1966); 5
prints; Gift of Carole W. and Charles B.
Rosenblatt. The Fallen Star, 1929; engraving;
18.2 x 21.6 cm; Hardie 129; 2005.382.
Hedgelaying, after 1932; engraving; 10.1 x 7.7
cm; 2005.383. A Mayfair Backwater: Crabb’s
Opponent, 1930; drypoint; 19.6 x 23.8 cm;
Hardie 132; 2005.384. Morning on the Seine,
1930; engraving; 17.7 x 24.3 cm; Hardie 133;
2005.385. Pan in Fulham, 1932; engraving;
18.7 x 19.2 cm; Hardie 143; 2005.386.
Appiani (Italian); Satyr, second half of 1900s;
softground etching; 13.8 x 8.3 cm; Gift of
Louise S. Richards 2005.262.
Umetaro Azechi ( Japanese, 1902–1999); Bird
and Mountaineer, 1957; color woodcut; 55.4 x
36.2 cm; Gift of friends of the Department of
Prints and Drawings in memory of William E.
Ward 2005.174.
Albert Winslow Barker (American, 1874–
1947); 2 lithographs; Gift of Louise S.
Richards. Mount Alverno Bridge; 17.5 x 12.1
cm; 2005.264. Tenant House; 11 x 15.2 cm;
2005.263.
Federico Barocci (Italian, about 1535–1612);
The Annunciation, about 1585; etching and
engraving; 43.8 x 31 cm; Pillsbury and
Richards 75; Purchase from the J. H. Wade
Fund 2005.178.
Gustave Baumann (American, b. Germany,
1881–1971); 65 color woodcuts; Gift of Ann
Baumann. Apple Blossoms, 1917; 24.4 x 28.8
cm; 2005.400. April, 1930; 33.2 x 32.9 cm;
2005.401. Arroya Chamisa, 1927, printed 1956;
24 x 28.5 cm; 2005.402. Aspen Red River,
1925; 28.5 x 28 cm; 2005.403. Aspen Summer,
1920, printed 1946; 24.1 x 28.8 cm; 2005.404.
Aspen Thicket, 1943; 27.6 x 24.6 cm; 2005.405.
Atalaya Peak or Talaya Peak, 1925, printed
1947; 24.1 x 28.4 cm; 2005.406. Autumnal
Glory, 1921, printed 1936; 33.3 x 32.9 cm;
2005.407. Big Day or Country Circus, 1909;
17.5 x 23.5 cm; 2005.408. Big Timber Upper
Pecos, 1924; 23.5 x 28.2 cm; 2005.409. Cedar
Grand Cañon, 1919; 33.1 x 33.2 cm; 2005.410.
Chicago Northwest or The Old Willow, 1908; 17
x 18.3 cm; 2005.411. Church Ranchos de Taos,
1919; 24.2 x 28.9 cm; 2005.412. Corn Dance
Santa Clara, 1924, printed after 1932; 15.2 x
19.3 cm; 2005.413. Desert Creatures, Desert
Rock Garden, Lava and White Sands, Black
Lava/White Sands, White Sand and Lava, or
Malpai and White Sands, 1951, printed 1967;
25.2 x 38.3 cm; 2005.414. Eagle Ceremony at
Tesque Pueblo, 1932; 16.5 x 16.4 cm; 2005.415.
El Santo (The Saint), 1919; 24.7 x 28.7 cm;
2005.416. Fifth Avenue, 1917; 33.8 x 28.2 cm;
2005.417. Fisherman Hut or Fishing Hut on the
North Shore, 1907; 18.1 x 18.2 cm; 2005.418.
Fox Lake Farmyard, 1907; 17.5 x 22.7 cm;
2005.419. Harvest Time Taos, 1945; 24.4 x 28.4
cm; 2005.420. Hidden Meaning, 1962; 30.6 x
32.7 cm; 2005.421. Hillside Woods, 1924; 27.1
x 24.6 cm; 2005.422. Idle Fleet (small), 1918,
printed 1926; 24.2 x 27.9 cm; 2005.423.
Malapai, 1927; 24 x 28.6 cm; 2005.425. Mending the Seine, 1917; 24.6 x 28.5 cm; 2005.426.
Nobody Is Home, 1948; 27.4 x 24.8 cm;
2005.427. October Night, 1919; 24.2 x 28.7 cm;
2005.428. Old Santa Fe, 1924, printed 1930;
15.3 x 19.5 cm; 2005.429. Pines Grand Canyon
or Pines Grand Cañon, 1920; 32.9 x 32.9 cm;
2005.430. Point Lobos (small), 1936; 20.6 x 20.9
cm; 2005.431. Rain, 1938; 20.7 x 20.8 cm;
2005.432. Redwood, 1934; 33 x 32.8 cm;
2005.433. Rio Pecos, 1920, printed 1937; 27.5
x 24.9 cm; 2005.434. Rose Farm, 1919; 24.1 x
28.8 cm; 2005.435. Salt Creek, 1919, printed
1927; 24.3 x 28.8 cm; 2005.436. San
Geronimo, 1924, printed after 1932; 18.2 x 15.2
cm; 2005.437. Sandia Mountains, 1921; 24.6 x
28.2 cm; 2005.438. Sequoia Forest, 1960; 32.8 x
33 cm; 2005.439. The Shoemaker, The Cobbler,
or Illustrator at Work, 1908, printed 1909; 18 x
23 cm; 2005.440. Singverin, 1909; 19.6 x 35
cm; 2005.441. South Water Street or Grain
Elevators, 1908; 22.3 x 14.7 cm; 2005.442.
Spring Freshet, 1915; 27.8 x 24.6 cm; 2005.443.
Spring New Mexico, 1924, printed 1936; 24 x
28.7 cm; 2005.444. Spring Seranade, 1927; 24.2
x 28.8 cm; 2005.445. Sycamore, 1915; 27.3 x
24.7 cm; 2005.446. Tares, 1952; 15.3 x 32 cm;
2005.447. Teatro Torito, 1931; 20.3 x 17.8 cm;
2005.448. Three Pines, 1925, printed 1956;
27.8 x 24.6 cm; 2005.449. Tulips, 1930; 33.1 x
32.5 cm; 2005.450. Waiting to be Counted,
1954, printed 1957; 32.5 x 41.6 cm; 2005.451.
Winter Corral, 1950, printed 1961; 38.4 x 32.7
cm; 2005.452. Woodland Meadows, 1917; 24.5
x 28.7 cm; 2005.453. Portfolio of 12 woodcuts. In the Hills O Brown, 1910, printed 1914.
At the Forge, The Blacksmith Shop, or The Forge,
23 x 33.6 cm; 2005.424.1. The Court House
Yard, 23 x 33.5 cm; 2005.424.2. The Door
Yards or A Backyard, 23.1 x 33.4 cm;
2005.424.3. In the Hills O Brown or In the Hills
of Indiana, 23.1 x 33.6 cm; 2005.424.4. Mathis
Alley, 23.2 x 33.6 cm; 2005.424.5. The Print
Shop, Brown County Democrat, County Print
Shop or Printing That Democrat, 22.8 x 33.4 cm;
2005.424.6. The Rug Weaver, 22.9 x 33.5 cm;
2005.424.7. The Swimmin Hole, The Suspension
Bridge, The Swimming Hole, The Swingin’ Bridge,
or The Swimmin Pool, 23.1 x 33.8 cm;
2005.424.8. Talking It Over or Clinching the
Argument, 23 x 33.3 cm; 2005.424.9. Town
Gossips, An Evening Chat, or Village Gossips,
23.2 x 33.4 cm; 2005.424.10. The Town of
Nashville, 23.2 x 33.6 cm; 2005.424.11. The
Wagon Builder, The Wagon Shop or The Wagon
Maker, 23 x 33.5 cm; 2005.424.12.
Max Beckmann (German, 1884–1950); Group
Portrait Eden Bar (Gruppenbildnis Edenbar), 1923;
woodcut; 49.5 x 49.5 cm; Hofmaier 277, state
II b/II b; Purchase from the J. H. Wade Fund
2006.112.
Stefano della Bella (Italian, 1610–1664);
Woman Seated on a Stool, about 1620s–30s,
etching, 15.4 x 13 cm, DeVesme/Massar 206,
Emile Bernard (French, 1868–1941); 1896; 6
lithographs printed on 3 sheets of paper; Purchase from the J. H. Wade Fund. Breton Scenes:
Title page (Les Bretonneries Page de titre); 31.4 x
24.7 cm; Morane 9; 2005.180.1.a; Breton
Scenes: The Return from the Pilgrimage (Les
Bretonneries: Le retour du pardon); 31.7 x 24.8
cm; Morane 10; 2005.180.1.b. Breton Women
Making Haystacks (Bretonnes faisant les foins);
25.7 x 32.8 cm; Morane 12; 2005.180.3.a;
Wedding in Bretagne (La noce en Bretagne); 24 x
30 cm; Morane 15; 2005.180.3.b. Cafe Concert
Singer (La chanteuse du café-concert), 1888; 28.8 x
23.1 cm; Morane 5, state II/II; 2005.180.2.a;
Breton Women Gathering in the Harvest (Bretonnes
faisant la moisson); 24.3 x 29.9 cm; Morane 16;
2005.180.2.b.
Christi Birchfield (American, b. 1983); Untitled, 2004; etching with graphite, ink, colored
pencil, and collage; 57.15 x 76.2 cm; Robert
A. Mann Fund 2005.148.
Abraham Blooteling (Dutch, 1640–1690);
Various Lions (Variae Leonum Icones) (after
Rubens); 4 etchings; Hollstein 103–6, state
III/III; Gift of Louise S. Richards. 14 x 18 cm;
2005.266.1. 13.9 x 18.2 cm; 2005.266.2. 13.3
x 17.7 cm; 2005.266.3. 14 x 17.8 cm;
2005.266.4.
Félix Bracquemond (French, 1833–1914); 25
prints; Gift of John Bonebrake. Alfonse Legros,
1861, printed 1875; 17.1 x 11.9 cm; Béraldi
73, state II/II; 2005.242. Baudelaire (after Emil
de Roy), 1869; etching and drypoint; 10.8 x
8.6 cm; Béraldi 11, state III/IV; 2005.248.
Charles Méryon, 1884; heliogravure after etching of 1853; 20.5 x 14.5 cm; Bouillon 77, state
IV/IV; 2005.256. Don Quichote (Don Quichotte)
(after Goya), 1860; etching in brown ink; 23.7
x 15.7; Béraldi 286, state II/II; 2005.250.
Erasmus (after Holbein), 1863; etching; 31.5 x
25.6 cm; Béraldi 39, state VIII/X; 2005.232.
The French Cock (Le Coq de France), 1893; etching; 33.3 x 23 cm; Delteil (L’Artiste) 11, state
I/II; 2005.244. Frontispiece for “New Works of
Champfleury, The Friends of Nature: Portrait de
Champfleury” (Frontispice pour “Oeuvres nouvelles
de Champfleury, Les Amis de la Nature: Portrait
de Champfleury”) (after Gustave Courbet),
1859; etching; 15.1 x 9.3; Bouillon 374, state
IV/IV; 2005.247. The Hare (Lièvre) (after A. de
Balleroy), 1865; softground etching and drypoint; 18 x 25.5 cm; Béraldi 277; 2005.249.
The Seine at Bas-Meudon with the Seguin and
Mottiaux Islands (La Seine au Bas-Meudon, avec
l’Ile Seguin et l’Ile des Mottiaux), 1868; etching;
16 x 23 cm; Béraldi 187, state IV/IV;
2005.255. The Large Rabbit (Jeannot Lapin),
1891, printed 1894; etching and drypoint; 24.2
x 34.3 cm; Delteil (L’Artiste) 9; 2005.235. The
Maidservant (La Servante) (after H. Leys), 1868;
etching; 25.8 x 15.5 cm; Béraldi 280, state
IV.I/IV.I.IIb; 2005.253. Moles (Les Taupes),
1854, printed 1866; etching; 27.2 x 20 cm;
Bouillon 134, state VI/VII; 2005.233. The Old
Cock (Le Vieux Coq), 1882; etching in brown
ink; 34.9 x 27 cm; Béraldi 222, state IV/V;
2005.245. The Pheasants (Les Faisans), 1899;
etching; 32.5 x 24.4 cm; 2005.243. Portrait of
Meyer Heine, 1860s; etching; 22 x 24.5 cm;
Béraldi 80, state III/III; 2005.239. The Raven
(Le corbeau), 1854; etching; 23.5 x 18.5 cm;
Bouillon 115, state V/VI; 2005.234. The Sea
(La Mer), 1905; etching; 39.5 x 27.3 cm;
2005.241. The Storks (Les Cigognes), 1865;
etching; 24.5 x 18.7 cm; Béraldi 179, state II/
II; 2005.252. The Table (La Table) (after H.
Leys), 1868; etching; 26 x 18.5 cm; Béraldi
280, state IV.IIb/IV.IIb; 2005.254. Teals
(Sarcelles), 1853, printed 1864; etching; 27.2 x
33 cm; Bouillon 111, state IV/V; 2005.237.
The Terrace of the Villa Brancas, 1876; etching
and engraving; 25.4 x 35.4; Béraldi 215, state
VIII/VIII; 2005.240. The Top of the Swing-door
(Le Haut d’un Battant de Porte), 1852, printed
1865; etching; 30.3 x 39.7 cm; Bouillon 110,
state VIII/X; 2005.238. The Unknown
(L’Inconnu), 1862; etching and drypoint; 18.9 x
32.4; Béraldi 174, state III/III; 2005.236. The
Vulture (Le Gypaete), 1904; etching; 36.4 x
26.5; Fonds français 493, state II/II; 2005.246.
Winter or Wolf in the Snow (Hiver or Le Loup
dans la neige) (Der wolf im Schnee), 1862, printed
1907; etching; 20.6 x 31.9 cm; Béraldi 180,
state V/V; 2005.251.
43
Caspar David Friedrich
(German, 1774–1840);
Footbridge with Cross
before Tree at a River,
about 1803; etching;
9.2 x 15.2 cm; Gift of
the Print Club of
Cleveland 2006.133.
Félix Bracquemond; Aspens on the Bank of the
Seine (Trembles au Bord de la Seine); etching and
drypoint; 10.2 x 15.2 cm; Béraldi 218, state II/
III; Gift of Louise S. Richards 2005.267.
Arthur Briscoe (British, 1873–1943); The
Anchor, 1930; etching; 17.7 x 16.2 cm; Hurst
268; in James Laver, A Complete Catalogue of
the Etchings and Drypoints of Arthur Briscoe
(1930); Gift of Carole W. and Charles B.
Rosenblatt 2005.172.
Jacques Callot (French, 1592–1635); The
Temptation of St. Anthony (second version) (La
Tentation de St. Antoine), 1635; etching; 31 x
45.8 cm; Lieure 1416, state II/V; Purchase
from the J. H. Wade Fund 2005.179.
Elizabeth Catlett (American, b. 1915); Man,
1975, printed 2003; 44.8 x 30 cm; The Print
Club of Cleveland Publication Number 83,
2005. Gift of the Print Club of Cleveland.
Woodcut and color linocut; 2005.36. Proof;
2005.34. BAT; 2005.35.
Edgar Chahine (French, b. Italy, 1874–1947);
4 prints; Gift of Carole W. and Charles B.
Rosenblatt. The Sardine Fishermen (Les
Sardinieres), 1931; etching; 21.7 x 31.8 cm;
Tabanelli 419, state III/III; 2005.390. Venice,
Baratteri Bridge (Venise Ponte dei Baratteri), 1923;
etching and drypoint; 32 x 21.9 cm; Tabanelli
375, state III/III; 2005.387. Venice, Fondamenta
dei Greci (Venise Fondamenta dei Greci), 1923;
etching and drypoint; 17.4 x 22 cm; Tabanelli
376; 2005.388. Venice, St. Mark Basilica (Venise
La Basilica di San Marco), 1923; etching and
drypoint; 31.9 x 21.9 cm; Tabanelli 378, state
II/II; 2005.389.
44
Allaert Claesz (Netherlandish, active 1520–55);
Fight among Eleven Warriors (after Pollaiuolo);
engraving; 4.6 x 15.8 cm; Hollstein 153; John
L. Severance Fund 2005.61.
Roland Clark (American, 1874–1957); 4
prints; Gift of Carole W. and Charles B.
Rosenblatt. Inbound, about 1937; etching and
drypoint; 16.2 x 11.4 cm; Ordeman p. 111; in
Roland Clark, Gunner’s Dawn (1937);
2005.392. The Morning Flight, about 1938;
drypoint; 28.7 x 22.1 cm; Ordeman p. 108;
2005.393. Open Water, 1928; drypoint; 37.7 x
30.3 cm; Ordeman p. 87; 2005.391.
Warrington Colescott (American, b. 1921);
Picasso at Mougins: The etchings, 2002; color
etching, aquatint, and softground etching; 45.1
x 60.6 cm; Gift of Carole W. and Charles B.
Rosenblatt 2005.394.
Adriaen Collaert (Flemish, about 1560–1618);
Otilia Bavara (after Maarten de Vos); engraving; 17.7 x 21.9 cm; Gift of Louise S. Richards
2005.268.
Hans Collaert II (Flemish, 1566–1628); Holy
Jerome (Sanctimonialis Hierosolymitana) (after
Maarten de Vos); engraving; 17.7 x 22.5 cm;
Alan Crane (American, 1901–1969); Farm by
the Sea; lithograph; 24.8 x 34.9 cm; Gift of
Cornelis van Dalen II (Dutch, 1638–about
1664); A Man with a Ham, Just Cut (after
Cornelis Bloemaert); engraving; 14.5 x 11.9
Georges Darcy (French, 20th century); Gold
and Colors (Or et Couleurs): Plates VI, IX, XI,
XII, XVI, XVII, XIX, about 1925; color
pochoir; 35.5 x 25.4 cm each; Education Art
Collection 2005.311–17.
Charles François Daubigny (French, 1817–
1878); The Winter Garden (Le Jardin d’Hiver),
1842–43; etching; 19.1 x 27.5 cm; Melot 46,
state III/IV; Gift of Louise S. Richards
2005.271.
Jennifer Dickson (Canadian, b. 1936); Tarot for
the Hanged Man, 1972; photo etching printed
in brown; 60.4 x 40 cm; Gift of Louise S.
Richards 2005.272.
Richard Diebenkorn (American, 1922–1993);
Seated Woman with Hands Crossed, 1965; lithograph printed in red; 64.2 x 48.8 cm; Gift of
Susan A. and Charles M. Young 2005.339.
Jim Dine (American, b. 1935); Four Kinds of
Pubic Hair, 1971; 4 etchings; Gift of Judith and
James A. Saks. 28.9 x 21.5 cm; Williams College 39; 2005.130.1. 29.1 x 21.4 cm; Williams
College 40; 2005.130.2. 29.3 x 21.7 cm; Williams College 41; 2005.130.3. 29.1 x 21.6 cm;
Williams College 42; 2005.130.4.
Marylyn Dintenfass (American, b. 1943); Good
and Plenty Solo 2, 2003; color monotype; 60.2
x 60.7 cm; Gift of John Driscoll 2005.399.
Piero Dorazio (Italian, b. 1927); 2 works; Gift
of Louise S. Richards. Two (Deux), 1965; drypoint; 26.4 x 15.6 cm; 2005.275. Untitled,
1962; etching and aquatint; 8.2 x 11.1 cm;
2005.274.
Yizhak Elyashiv (Israeli, b. 1964); Gift of the
Artist. Preparatory #1, 2003; engraved, embossed, and stamped steel plate, printed in
blue; 29.7 x 29.4 cm; 2005.109. Preparatory
#2, 2003; engraved, embossed, and stamped
steel plate, and 5 paper plates; 29.6 x 29.4 cm;
2005.110. Preparatory #3, 2003; 2 engraved,
embossed, and stamped steel plates, printed in
blue; 59.3 x 29.4 cm; 2005.111. Preparatory
#4, 2003; 2 engraved, embossed, and stamped
steel plates, and 4 paper plates; 59.3 x 29.4 cm;
2005.112. Preparatory #5, 2003; 2 engraved,
embossed, and stamped steel plates, and 18
paper plates; 59.3 x 29.4 cm; 2005.113. Preparatory #6, 2004; 2 engraved, embossed, and
stamped steel plates, and 19 paper plates; 59.3
x 29.4 cm; 2005.114.
Yizhak Elyashiv. Untitled (Section from a
“Handful of Grains Map”). The Print Club of
Cleveland Special Publication for 2005. Gift
of the Print Club of Cleveland. 2 engraved,
embossed, and stamped steel plates, and 17
printed paper plates. 2005; upper platemark:
29.6 x 29.5 cm; lower platemark: 29.7 x 29.4
cm; 2005.117. BAT, 2005; upper platemark:
29.6 x 29.5 cm; lower platemark: 29.7 x 29.5
cm; 2005.118. Preparatory #7, 2003; upper
platemark: 29.6 x 29.5 cm; lower platemark:
29.7 x 29.5 cm; 2005.119.
Stephen Fisher (American, b. 1954); Menagerie,
2005; aquatint; 35.2 x 38 cm; Gift of Sandra
and Gary Kaufman in honor of the Fine Print
Fair 2006.71.
Albert Flamen (Flemish, about 1620–after
1669); Fresh Water Fish, Part II: Epelanus,
L’Esplan; etching; Illustrated Bartsch 179; 10.4
x 17.7 cm, Gift of Louise S. Richards
2005.277.
Richard Florsheim (American, 1916–1979);
Night Storm, 1969; lithograph; 35.4 x 25 cm;
Cole 211; Bequest of Isadore Warshawsky
2005.347.
Caspar David Friedrich (German, 1774–1840);
Footbridge with Cross before Tree at a River (Steg
mit Brückenkreuz vor Baumgruppe am Fluss),
about 1803; etching; 9.2 x 15.2 cm; BörschSupan/Jähning 107; Gift of the Print Club of
Cleveland 2006.133.
Yoshisuke Funasaka ( Japanese, b. 1939); My
Space and My Dimension: No. 515, 1977; color
woodcut and lithograph; 52.7 x 71.2 cm; Gift
of Louise S. Richards 2005.278.
Robert Gaywood (British, 1650–about 1711);
Cecilia, Lady Killigrew; etching; Pennington
1449; 25 x 19.5 cm; Gift of Louise S. Richards
2005.279.
Henry J. Glintenkamp (American, 1887–
1946); Radio City Construction, 1932; wood
engraving; 17.7 x 12.7 cm; Gift of the Cleveland Museum of Art Ingalls Library 2005.115.
Francisco de Goya (Spanish, 1746–1828); The
Little Prisoner; etching; 10.6 x 8.4 cm; Harris
26, state III/IV; Gift of Louise S. Richards
2005.280.
Henri Guérard (French, 1846–1897); Dinner
Invitation (Dîner Dentu), about 1882; etching
and aquatint; 13.1 x 16.9 cm; Béraldi 3; Gift of
David Haberman (American, b. 1938); NOVA
Portfolio: Vanishing Species, 1973; relief intaglio;
48 x 57 cm; Gift of Louise S. Richards
2005.301.1.
Arnoud van Halen (called Aquila) (Dutch,
1673–1732); Self-Portrait; mezzotint; 25.2 x
17.4 cm; Gift of Louise S. Richards 2005.282.
Katsunori Hamanishi ( Japanese, b. 1949);
Combination-Curve No. 1; mezzotint; 59.6 x
Childe Hassam (American, 1859–1935);
Scuttle-Hole Pond, 1927; etching; 7.3 x 12.6
cm; Cortissoz 315; Gift of Louise S. Richards
2005.285.
Kawase Hasui ( Japanese, 1883–1957); Azuma
Gorge (Azuma kyø), 1943; color woodcut; 33.3
x 24.1 cm; Brown 470; Gift of Lt. Col.
Franklin D. Morrison and Norma T. Morrison
2005.479.
Joris Hoefnagel (Flemish, 1542–1601); Archetypes and Studies (Archetypa Studiaque) (after
Jacob Hoefnagel), 1592; 2 engravings; VignauWilberg edition I/VI; Anne Elizabeth Wilson
Memorial Fund. Death is the line that marks the
end of all (Part II, plate 5) (Mors ultima linea
rerum); 15.6 x 20.8 cm; 2006.121. What can
emerge in keeping with such a cavernous promise?
(Part IV, plate 2) (Quid dignum tanto feret hic
promissor hiatu?); 15.7 x 21.1 cm; 2006.122.
Wenceslaus Hollar (Bohemian, 1607–1677);
Muscarum Scarabeorum, vermiumque Variae Figure
& Formae: A Moth, Three Butterflies, and Two
Beetles, 1646; etching; 8.1 x 11.9 cm;
Pennington 2168, state I/III; Alma and Robert
D. Milne Fund 2006.120.
Winslow Homer (American, 1836–1910);
Waiting for a Bite, 1874; wood engraving; 23.1
x 35 cm; Beam 215; Gift of Louise S. Richards
2005.286.
Yun-Fei Ji (Chinese, b. 1963); Public Grain,
2004; color etching and aquatint on chine
collé; 71 x 62 cm; Gift of Judith and James A.
Saks 2005.257.
Johann Ulrich Krauss (German, 1655–1719);
L’Art Ancien Zurich: View in the Church of the
Franciscans, Barfüsser-Kirche (after Johann
Andreas Graf ), 1681; etching; Hollstein 266,
state II/III; 48.5 x 32.3 cm; Gift of Louise S.
Richards 2005.289.
Shigeki Kuroda ( Japanese, b. 1953); 2 etchings, aquatint, and roulette; Gift of Louise S.
Richards. K and B; 7.1 x 19.7 cm; 2005.290.
K 81; 18.1 x 9.9 cm; 2005.291.
Shigeki Kuroda. Untitled, 1981; etching; 10.5 x
29.5 cm; Gift of Pamela Elizabeth Ward in
loving memory of her parents, William E. and
Evelyn Svec Ward 2005.128.
Henri-Eugène Le Sidaner (French, 1862–
1939); The House in Moonlight (La Maison au
clair de lune), 1909; 3 lithographs; Gift of Louise
S. Richards. 22.8 x 15.8 cm; 2005.292. 22.9 x
15.8 cm; 2005.293. 22.6 x 16.1 cm; 2005.294.
Haku Maki ( Japanese, b. 1924); Poem 12–42;
embossed woodcut; 28 x 44.6 cm; Gift of
Pamela Elizabeth Ward in loving memory of
2005.122.
Albert Marquet (French, 1872–1947); Paris
1937, 1937; etching; 33.8 x 28.4 cm; Gift of
45
Federico Barocci (Italian,
about 1535–1612); The
Annunciation, about
1585; etching and
engraving; 43.8 x 31 cm;
Wade Fund 2005.178.
46
Naoko Matsubara (Canadian, b. Japan, 1937);
Boston Public Library, 1969; woodcut; 31 x 44
Winston Eugene McGee (American, b. 1924);
NOVA Portfolio: Untitled, 1973; lithograph;
40.8 x 57 cm; Gift of Louise S. Richards
2005.301.2.
Friedrich Meckseper (German, b. 1936); Still
Life, Plate 2, Pear (Nature morte, Blatt 2, Birne),
1974; color etching, aquatint, drypoint, and
roulette; 34 x 43.7 cm; Cramer 155; Gift of
Carole W. and Charles B. Rosenblatt
2005.395.
Claude Mellan (French, 1598–1688); HenrietteMarie of England, Duchess of Orleans (HenrietteMarie d’Angleterre, duchesse d’Orléans); 2 engravings; Gift of Louise S. Richards. 18.8 x 13.5
cm; Fonds français 184, state I; 2005.298. 14.2
x 10.5 cm; Fonds français 184, state III;
2005.299.
Leon Gordon Miller (American, 1917–1985);
NOVA Portfolio: Eclipse, 1973; screenprint;
30.4 x 30.5 cm; Gift of Louise S. Richards
2005.301.3.
Joan Mitchell (American, 1926–1992); Trees I,
1992; color lithograph (diptych); 144.9 x 104.6
cm and 144.7 x 104.8 cm; Alma and Robert
D. Milne Fund and Gift of Mary Ryan Gallery, Inc. 2005.138.
Clarence Morgan (American, b. 1950); Suite
#2, 2005; 3 color lithographs, etching, and
screenprint with chine collé; Gift of Deborah
G. and Kenneth S. Cohen. Faithful Manipulation; 25.4 x 25.4 cm; 2006.70.1. The Science of
Symmetry; 25.1 x 25.2 cm; 2006.70.2. Interrupted Universe; 25.4 x 25.5 cm; 2006.70.3.
Robert Allen Nelson (American, b. 1925);
NOVA Portfolio: Pirate Mouse Thinking, 1973;
lithograph, screenprint, collage, and graphite;
2005.301.4.
William Nicholson (British, 1872–1949); 4
color lithographs; Gift of John Bonebrake. “An
Almanac of Twelve Sports”: Cover, published
1897, postdated 1898; 32 x 25.8 cm; Campbell
33; 2005.228. “An Alphabet”: Cover, published
1897, postdated 1899; 31.3 x 25.8 cm;
Campbell 25; 2005.229. “The Square Book of
Animals”: Cover, published 1899, postdated
1900; 28.3 x 28.5 cm; Campbell 73; 2005.230.
“London Types”: Cover, published 1898; 33.8 x
29 cm; Campbell 53; 2005.231.
Maud Oakes (American, 1903–1990); Where
the Two Came to Their Father: A Navaho War
Ceremonial (after Jeff King), 1942–43; 7
screenprints; Gift of the Cleveland Museum of
Art Ingalls Library. Plate 1, Mountain around
Which Moving Was Done; 16.5 x 38;
2005.310.1. Plate 2, Sand Dune Monster, 21.3 x
46.4 cm; 2005.310.2. Plate 5, Sun’s House,
18.7 x 53.3 cm; 2005.310.5. Plate 8, Guessing
Tests; 39.2 x 55.9 cm; 2005.310.8. Plate 12,
Holy Ones Standing on Top of Holy Mountains,
30.4 x 48 cm; 2005.310.12. Plate 13, Twelve
Holy People; 28.3 x 56.6 cm; 2005.310.13. Plate
18, Big Wind Painting; 39.2 x 49.3 cm;
2005.310.18.
Maud Oakes. Where the Two Came to Their
Father: A Navaho War Ceremonial (after Jeff
King), 1942–43; 11 screenprints; Gift of Dr.
and Mrs. Thomas Munro. Plate 3, Rock that
Claps Together; 26.4 x 55.9 cm; 2005.310.3.
Plate 4, Across Water; 33.3 x 53.1 cm;
2005.310.4. Plate 6, Lightning Armor Houser; 41
x 54.3 cm; 2005.310.6. Plate 7, Concerning-theSkies Painting; 41.2 x 53 cm; 2005.310.7. Plate
9, Hot Spring; 33.8 x 54.2 cm; 2005.310.9.
Plate 10, Talking God Painting; 23.2 x 55.9 cm;
2005.310.10. Plate 11, Navajo Mountain; 25.5 x
23.1 cm; 2005.310.11. Plate 14, Earth and Sky;
35.4 x 56.6 cm; 2005.310.14. Plate 15, Big
Bear Painting; 33.4 x 42 cm; 2005.310.15. Plate
16, Big Snake Painting; 36.5 x 44.7 cm;
2005.310.16. Plate 17, Big Thunder Painting;
41.5 x 50.5 cm; 2005.310.17.
Pablo Picasso (Spanish, 1881–1973); Vollard
Suite: Faun Revealing a Sleeping Woman (Suite
Vollard: Faune dévoilant une Dormeuse), 1936;
etching and aquatint; 31.7 x 41.9 cm; Baer
609, state VI, B, a/VI, B, d; Leonard C.
Hanna Jr. Fund 2006.113.
Paulus Pontius (Flemish, 1603–1658);
Theodorus VanLonius (after Anthony van
Dyck); engraving; 24.8 x 17.6 cm; Wurzbach
94; Gift of Louise S. Richards 2005.302.
Jean-François Raffaelli (French, 1850–1924);
The Knifesharpener (Le Rémouleur), 1907; drypoint; 22 x 46.9 cm; Delteil 76, state I/III; Gift
of Elizabeth Carroll Shearer in memory of
Robert Lundie Shearer 2005.340.
Eegyvudluk Ragee (Canadian, 1920–1983);
Sea Spirit, 1965; stonecut; 31.1 x 42.6 cm; Gift
of Louise S. Richards 2005.288.
Johann Christian Reinhart (German, 1761–
1847); Heroic Landscapes (Heroische Landschaft); 6
etchings; Carole W. and Charles B. Rosenblatt
Endowment Fund. Cattle Crossing the River
(Die durch den Fluss ziehende Viehherde), 1795;
42.9 x 53.8 cm; Feuchtmayr A 76, state IV/IV;
2006.72.1. The Shepherd’s Dance on the Bridge
(Der Hirtentanz auf der Brücke), 1792; 28 x 35.8
cm; Feuchtmayr A 77, state V/V; 2006.72.2.
Landscape with the Temptation of Christ (Die
Landschaft mit der Versuchung Christi), 1799;
28.1 x 36.1 cm; Feuchtmayr A 78, state III/III;
2006.72.3. Landscape with Town and River (Die
Landschaft mit Stadt und Brücke), 1799; 27.9 x
36 cm; Feuchtmayr A 79, state IV/IV;
2006.72.4. The Satyr and the Nymph (Der Satyr
und die Nymphe), 1799; 21.3 x 29.5 cm;
Feuchtmayr A 80, state III/III; 2006.72.5.
Satyr Playing the Flute (Der flötende Satyr), 1795;
20.7 x 28.8 cm; Feuchtmayr A 81, state III/III;
2006.72.6.
Louis Rosenberg (American, 1890–1983);
Ontario Street Grading and Temporary Ramps
April 1929, 1929; etching; 19.3 x 29 cm; Gift
of Carole W. and Charles B. Rosenblatt
2005.116.
James Rosenquist (American, b. 1933); ½
Sunglass, Landing Net, Triangle, 1974; liftground
etching, drypoint, sandblasted mezzotint, and
photo transfer; 45.5 x 89.7 cm; Glenn 80; Gift
of Diane and Arthur Stupay 2005.398.
Theodore Roszak (American, 1907–1981);
Staten Island, 1934; color lithograph; 37 x 42.8
cm; Mr. and Mrs. Richard W. Whitehill Art
Purchase Endowment Fund 2006.7.
Judith Rothschild (American, 1921–1993);
Composition, 1946; color screenprint; 18.8 x 24
cm; Alma and Robert D. Milne Fund 2006.73.
Georges Rouault (French, 1871–1958); Reincarnations of Père Ubu: The Liberated Black Man
(Réincarnations du Père Ubu: Le Noir Libéré),
1928; heliogravure, etching, and aquatint; 21.1
x 29.7 cm; Chapon 15b/15b; Gift of Louise S.
Richards 2005.303.
Alison Saar (American, b. 1956); Kiss on a
Rope, 2001; color woodcut; Dr. Gerard and
Phyllis Seltzer Fund 2006.69.
Francis Sansom (British, active 1780s–1815)
(after Sydenham Edwards); The Botanical Magazine or Flower Garden Displayed; 7 engravings
with hand coloring; 20.1 x 11.6 cm; Gift of
The Cleveland Museum of Art Ingalls Library.
Plate 883, Euphorbia Petiolaris. Long-stalked
Spurge, 1805; 2005.332. Plate 892, Althaea
Flexuosa. Seringapatam A Hollyhock, 1805;
2005.333. Plate 929, Symphyum Asperrim.
Prickley Comfrey, 1806; 2005.334. Plate 931,
Phytolacca Decandra. Virginian Poke, 1806;
2005.335. Plate 933, Protea Mucronifolia. Daggerleaved Protea, 1806; 2005.336. Plate 944,
Dillwynia Glaberrima. Smooth-leaved Dillwynnia,
1806; 2005.337. Plate 966, Erica Elegans. Elegant Heath, 1806; 20.1 x 12.3 cm; 2005.338.
Richard Schneider (American, b. 1937);
NOVA Portfolio: Mustaka, 1973; screenprint;
2005.301.5.
Eugène Alain Séguy (French, 1890–1985);
Samarkand: 20 Compositions in the Oriental Taste
(Samarkande: 20 compositions dans le goût oriental): Plates 2, 7–13, 16–20, about 1914; color
pochoir; 35.2 x 26.1; Education Art Collection
2005.319–31.
Phyllis Seltzer (American, b. 1928); NOVA
Portfolio: Environment for a Topless Dancer; ozalid
on sepia mylar; 56.1 x 48.5 cm; Gift of Louise
S. Richards 2005.301.7.
Christoffel van Sichem II (Dutch, 1577–1658);
Portrait of Thomas Münzer, 1609; engraving;
17.3 x 12.6 cm; Wurzbach 22; Gift of Louise
S. Richards 2005.304.
Phyllis Sloane (American, b. 1921); NOVA
Portfolio: Nude, 1973; screenprint; 24.8 x 35.8
cm; Gift of Louise S. Richards 2005.301.8.
Mitsuaki Sora ( Japanese, b. 1933); 3 works;
Svec Ward. Untitled, 1971; woodcut; 46 x 31.5
cm; 2005.123. Untitled, 1970; color woodcut;
16.1 x 22.8 cm; 2005.125. Untitled, 1970; color
woodcut; 16 x 22.5 cm; 2005.126.
Steven Sorman (American, b. 1948); 60 works;
Gift of the artist in memory of Pegram
Harrison. as well i, 2001; lithograph and chine
collé colored by hand with paint; state I/III;
49.2 x 40.1 cm; 2005.161. as well ii, 2001;
lithograph and chine collé colored by hand
with paint; state II/III; 50.2 x 39 cm;
2005.162. as well iii, 2001; lithograph and
chine collé colored by hand with watercolor;
trial proof of state III/III; 49.6 x 39 cm;
2005.163. Bohemian Flats, 1993: 2 color woodcuts and engraving on chine collé; 76.2 x 56
cm; 2005.156; 76.1 x 56.3 cm; 2005.157. the
familiar planets, 2000: 2 photocopies, etching,
and chine collé; 30.3 x 13.9 cm; 2005.158.
24.8 x 12.5 cm; 2005.159. going back to look in
the mirror, 1982; lithograph, monotype, and
collage; 59.7 x 92.7 cm; 2005.165. half light
series, is was will be, 1991; 3 works. Color
mezzzotint and drypoint; state II/III; 100.2 x
81.2 cm; 2005.167. Mezzotint; trial proof of
state II/III; 100.1 x 81.1 cm; 2005.168.
Mezzotint; state III/III; 100.1 x 81.1 cm;
2005.169. Lessons from the Russian, 1999: book
with cover, title page, and 21 mezzotints and
color engraving; 29 x 20.3 cm; 2005.170.1–23.
one another, 2003; etching, aquatint, and bronzing; platemark a: 45.6 x 29.9 cm, platemark b:
15.1 x 11.3 cm; 2005.166. the singing bridge,
1980; color lithograph, linocut, woodcut,
etching, aquatint, and screenprint; 58.3 x 45.5
cm; 2005.164. These Stations (Next Page), 1990:
15 color lithographs and chine collé. Title Page;
76.7 x 56.2 cm; 2005.155.1. I; 77.3 x 56.6 cm;
2005.155.2. II; 76.8 x 56.8 cm; 2005.155.3.
III; 76.5 x 56.8 cm; 2005.155.4. IV; 76.6 x
56.2 cm; 2005.155.5. V; 76.6 x 56.2 cm;
2005.155.6. VI; 76.4 x 56.5 cm; 2005.155.7.
VII; 76.4 x 56.8 cm; 2005.155.8. VIII; 76.6 x
57 cm; 2005.155.9. IX; 76.5 x 56.5 cm;
2005.155.10. X; 76.8 x 56.6 cm; 2005.155.11.
XI; 76.2 x 56.6 cm; 2005.155.12. XII; 76.5 x
57 cm; 2005.155.13. XIII; 76.8 x 56.3 cm;
2005.155.14. XIV; 76.5 x 56.6 cm;
2005.155.15. Colophon; lithograph; 77 x 56.1
cm; 2005.155.16. usual sense, 1999; 5 etchings,
chine collé, and watercolor. i; 30.5 x 21.9 cm;
2005.157.1. ii; 29.8 x 21.9 cm; 2005.157.2. iii;
29.9 x 21.8 cm; 2005.157.3. iv; 30.2 x 21.9
cm; 2005.157.4. v; 30.6 x 21.8 cm;
2005.157.5. what this is, 1980; 5 color etchings
and aquatint. come in; 22.3 x 17.3 cm;
2005.160.1. sit down; 22.3 x 17.2 cm;
2005.160.2. eat; 22.4 x 17.2 cm; 2005.160.3.
rest; 22.5 x 17.2 cm; 2005.160.4. tell me; 22.3 x
17.2 cm; 2005.160.5.
Steven Sorman. for wont; 30 x 41.5 cm; The
Print Club of Cleveland Publication No. 84,
2006. Gift of the Print Club of Cleveland.
Etching and collage (woodcut on hand-painted
Japanese paper), 2004; 2006.61. BAT, 2002–4;
2006.60. Trial proof, 2003; 2006.62.
Marko Spalatin (American, b. Croatia, 1945);
Lumen Series: Slots, 1970; color screenprint;
46.2 x 38 cm; Wilfer p. 34; Gift of Louise S.
Richards 2005.305.
47
Needlework Bed
Hanging in the Bizarre
Style, 1710–20 (one of
two hangings);
France; tent and cross
stitch embroidery on
canvas; silk and wool;
279.5 x 82.5 cm;
Leonard C. Hanna Jr.
Fund 2006.2.2.
48
Gary Spinosa (American, b. 1925); NOVA
Portfolio: Dawn; etching and aquatint; 27 x 22.5
cm; Gift of Louise S. Richards 2005.301.6.
Benton Spruance (American, 1904–1967); The
People Work, 1937; 4 lithographs; Severance
and Greta Millikin Purchase Fund. Morning;
34.8 x 48 cm; Fine and Looney 141;
2006.114.1. Noon; 35.2 x 48 cm; Fine and
Looney 142; 2006.114.2. Evening; 34.6 x 48.2
cm; Fine and Looney 143; 2006.114.3. Night;
34.6 x 48.1 cm; Fine and Looney 144;
2006.114.4.
Herman van Swanevelt (Dutch, about 1600–
1655); Landscape with Satyrs; etching; 11.4 x
16.5 cm; Hollstein 29; Gift of Louise S.
Richards 2005.306.
Martin F. W. J. Szutter (American, b. 1938);
NOVA Portfolio: American Grandeur; photo
screenprint; 50.5 x 40.3 cm; Gift of Louise S.
Richards 2005.301.9.
Rufino Tamayo (Mexican, 1899–1991); Gift
of Pamela Elizabeth Ward in loving memory
of her parents, William E. and Evelyn Svec
Ward. Clock without Time (Reloj sin Tiempo),
1977; color relief print; 56 x 74.2 cm; Pereda
237; 2005.124. Two Faces (Dos Caras), 1973;
color lithograph; 56 x 76.3 cm; Pereda 155;
2005.127. Watermelons (Sandías), 1972; color
lithograph; 90 x 64.2 cm; Pereda 133;
2005.129.
Ryokei Tanaka ( Japanese, b. 1933); Big Tree,
1981; etching and aquatint; 26.7 x 34.6 cm;
Auguste H. Thomas (French, 20th century);
Forms and Colors (Formes et couleurs): Plate 2,
1921; color pochoir; 38.9 x 26.1 cm; Education Art Collection 2005.318.
Lill Tschudi (Swiss, b. 1911); Ski-Joring, 1937,
printed 1992, published 1995; linocut; 31.8 x
31.7 cm; Coppel LT 54; Gift of Carole W.
and Charles B. Rosenblatt 2005.396.
Antoni Waterloo (Dutch, 1609–1690); A
Gateway; etching; 15.6 x 20.5 cm; Hollstein
100, state II/II; Gift of Louise S. Richards
2005.308.
John Woodrow Wilson (American, b. 1922);
Father and Child, 1970; color lithograph; 50.2 x
Gen Yamaguchi ( Japanese, 1903–1976); Wok,
1957; color woodcut; 48.2 x 38.7 cm; Gift of
friends of the Department of Prints and Drawings in memory of William E. Ward 2005.173.
Gen Yamanaka ( Japanese, b. 1954); White
Night, 1990; color woodcut; 47 x 33.1 cm;
Svec Ward 2005.121.
Textiles
Set of Five Garments, 1200–1460s; Central
Andes, Chimú people; plain and gauze
weaves, weft brocading; cotton; Norman O.
Stone and Ella A. Stone Memorial Fund. Band
with Tassels; 306 x 5.5 cm; 2005.5.5. Loincloth;
244 x 90 cm; 2005.5.2. Mantle or Hanging; 142
x 270 cm; 2005.5.1. Padded Hat; 124.5 x 31.7
cm; 2005.5.4. Turban; 139.7 x 139.7 cm;
2005.5.3.
Fichu, about 1875–80; France or Belgium;
composite lace, machine-made netting (reseau), Brussels bobbin lace, and French needle
point lace; linen; 193 x 53.3 cm; Gift of Anne
E. Wardwell 2005.133.
Lace Fan, about 1860; Belgium; Brussels bobbin lace; linen; frame: mother-of-pearl and
ivory; 30.5 x 50.8 x 3.2 cm; Gift of Anne E.
Wardwell 2005.132.
Pair of Needlework Bed Hangings in the Bizarre
Style, 1710–20; France; tent and cross stitch
embroidery on canvas; silk and wool; 279.5 x
82.5 cm each; Leonard C. Hanna Jr. Fund
2006.2.1–2.
Venetian Lace Table Setting, 1930s; Italy,
Venice, probably the Burano Lace School;
needle lace; linen; Gift of Mr. and Mrs.
Richard Crile Garretson. 12 Doilies; 16.5 x
15.9 cm; 2005.37.4.1–12. 12 Monogrammed
Napkins; 33 x 69.8 cm; 2005.37.3.1–12. 12
Placemats; 38.1 x 51.8 cm; 2005.37.1.1–12.
Runner; 68.9 x 239.3 cm; 2005.37.2.
Woman’s Bridal Dress, late 1800s; China,
Qing dynasty; 3 objects; embroidery; silk and
gilt-metal thread; Gift of Elizabeth Wade
Sedgwick. Dragon Jacket; 104.2 x 153 cm;
2005.135.1. Pleated Skirt; 94.6 x 86.4 cm;
2005.135.2. Tabard; 11.8 x 73.7 cm;
2005.135.3.
James Bassler (American, b. 1933); Old Glory,
1992; tapestry weave with eccentric wefts;
linen, waxed; 180.4 x 317.5 cm; Gift of The
Textile Art Alliance 2005.131.
Jon Eric Riis (American, b. 1945); Hearts of
Gold, Male and Female #3, 2002; tapestry
weave; silk and gold metallic thread; display
dimensions: 80 cm shoulder to hem, 177.1 cm
sleeve end to sleeve end; woven dimensions:
160.6 x 177.1 cm; Gift of the Textile Art Alliance and Purchase from the Karl B. Goldfield
Trust 2006.123.1–2.
Evelyn Svec Ward (American, 1921–1989); 2
objects; Gift of Pamela Elizabeth Ward.
Ishidoro, 1977; needle-manipulated fiber; burlap, cotton thread, and wood base; 35.5 x 20.4
x 20.4 cm; 2005.136. Shard, 1981; looping and
knitting, shaped and stiffened; sisal, henequen,
ixtle, cotton, and linen thread; 152.4 x 147.3 x
26.7 cm; 2005.137.
Evelyn Svec Ward; Oaxaca Series, 1983; collage
and couching; ixtle and cotton thread, clay
beads (from Oaxaca), and cotton canvas; 25.4
x 20.32 cm; Gift of Janet Yost 2005.134.
Education Art Collection
Two Women Playing Instruments; Japan; color
woodcut; 25.4 x 30.5 cm; Gift of Lt. Col.
2005.1002.
Women Interior and Exterior; Japan; color woodcut; 25.4 x 30.5 cm; Gift of Lt. Col. Franklin
D. Morrison and Norma T. Morrison
2005.1001.
Women with Interior Screen; Japan; color woodcut; 25.4 x 30.5 cm; Gift of Lt. Col. Franklin
D. Morrison and Norma T. Morrison
2005.1003.
In the style of Ando Hiroshige ( Japanese,
1797–1858); Sudden Rain, 19th century; color
woodcut; 25.4 x 30.5 cm; Gift of Lt. Col.
2005.1000.
Padded Hat, 1200–
1460s; Central Andes,
Chimú people; plain
and gauze weaves,
weft brocading;
cotton; 124.5 x 31.7 cm;
Norman O. Stone and
Ella A. Stone Memorial
Fund 2005.5.4.
Other Pre-Columbian textiles are listed under
Art of the Ancient Americas.
49
The Jonah Marbles,
Early Christian
sculptures, ancient
Italian roof ornaments,
Egyptian coffin covers,
and Monet’s Water
Lilies all headed to new
quarters in temporary
storage areas.
50
Deinstallation
The museum expansion project has
occasioned many unprecedented moments, but the most striking may have
occurred during the complete and
rapid deinstallation of the collection.
For the first time in the museum’s history, every work of art in every gallery
was removed from its wall, pedestal,
or case so that the renovation and
construction could proceed. Work on
this monumental task began literally
minutes after the board of trustees
voted to approve the project on March
7, 2005.
Within days, selected galleries had
already been closed to provide staging
areas so that works of art could be
prepared for long-term storage. First
to close were the westernmost galleries containing European and American
art from the 18th century through the
present day. Then, from the middle of
March through early June, a few galleries closed about every two weeks,
until all that remained open were the
galleries of ancient art and those
spaces reserved for The NEO Show,
which ran from July into early September. In the autumn, the only galleries
open were those dedicated to the
Arts & Crafts exhibition. The museum
printed temporary maps showing
dates for gallery closures so that visitors could plan to see favorite works
before they went into storage.
The installation crew, supplemented by helpers from other parts of
the staff, carried out this monumental
and complex task on a very brisk
schedule. The Conservation department and Registrar’s Office monitored
and managed the entire process.
Special storage units were built ensuring the safety of the works of art as
well as their accessibility so they could
be moved for conservation work, lent
for traveling exhibitions, and—beginning in 2007—reinstalled in renovated
and new galleries right here.
51
Loans to Other
Institutions
Albuquerque Museum, New Mexico
El Alma de España (The Soul of Spain)
Albuquerque Museum; Salvador Dalí
Museum, Saint Petersburg, Florida
Picasso to Plensa: A Century of Art from Spain
Allen Memorial Art Museum, Oberlin
College, Ohio
Two paintings rotations
Allen Memorial Art Museum; The Museum of
Fine Arts, Houston
The Splendor of Ruins in French Landscape
Painting, 1640–1800
Beijing World Art Museum; Mori Arts
Center, Tokyo; Hangaram Art Center, Seoul;
Seoul Olympic Museum of Art; Vancouver
Art Gallery, Canada; Frist Center for the
Visual Arts, Nashville; Kimbell Art Museum,
Fort Worth
From Monet to Picasso: Modern Masters from the
Cleveland Museum of Art
The Butler Institute of American Art,
Trumbull County Branch, Howland, Ohio
Pierre Soulages: American Selections
Carnegie Museum of Art, Pittsburgh
Fierce Friends: Artists & Animals, 1750–1920
Cleveland Artists Foundation (organizer); Beck
Center for the Arts, Lakewood, Ohio
Edris Eckhardt: Visionary and Innovator in
American Studio Ceramics and Glass
Davenport Museum of Art, Iowa (organizer);
Figge Art Museum, Davenport; Tacoma Art
Museum, Washington
The Great American Thing: Modern Art and
National Identity, 1915–1935
Exhibitions International, New York
(organizer); Seattle Art Museum; Toledo
Museum of Art; Dallas Museum of Art;
Carnegie Museum of Art
Louis Comfort Tiffany: Artist for the Ages
The Fine Arts Museums of San Francisco,
California Palace of the Legion of Honor;
North Carolina Museum of Art, Raleigh; The
Monet in Normandy
Flint Institute of Arts, Michigan
To Be or Not to Be: 400 Years of Vanitas Painting
Fondation Beyeler, Riehen, Switzerland;
Kunstsammlung Nordhein-Westfalen,
Düsseldorf, Germany
Henri Matisse: Interiors with Women
Frances Lehman Loeb Art Center, Vassar
College, Poughkeepsie, New York; John and
Mable Ringling Museum of Art, Sarasota,
Florida; The Speed Art Museum, Louisville
Time and Transformation in Seventeenth-century
Dutch Art
Governor’s Residence Foundation, Bexley,
Ohio
Long-term loan
Joseph Motto (1892–1965): A Jazz Age Journey
from Cleveland to Florence
Hanna House, University Hospitals, Cleveland
Long-term loan
Cleveland Metroparks Zoo
Animals in Art: Clay Creatures by Viktor
Schreckengost
Helly Nahmad Gallery, New York
Fernand Léger Retrospective
The Cleveland Museum of Art (organizer) in
cooperation with the Réunion des Musées
Nationaux, Paris; Musée du Louvre, Paris; The
Art Institute of Chicago; The Metropolitan
Museum of Art, New York; Montreal
Museum of Fine Arts
Girodet: Romantic Rebel
The Columbus Museum of Art, Ohio
Bringing Modernism Home: Ohio Decorative Arts,
1890–1960
Renoir’s Women
Dallas Museum of Art; Renwick Gallery of the
National Museum of American Art,
Smithsonian Institution, Washington; Nevada
Museum of Art, Reno; The Wolfsonian–
Florida International University, Miami; The
Dixon Gallery and Gardens, Memphis
Modernism in American Silver: 20th-Century
Design
Imperial War Museum, London; National
Gallery of Ireland, Dublin
William Orpen: Politics, Sex and Death
J. Paul Getty Museum of Art, Los Angeles;
The Museum of Fine Arts, Houston
Courbet and the Modern Landscape
Kyoto National Museum
Soga Shohaku (1730–81)
The Metropolitan Museum of Art
Defining Yongle: Imperial Art in Early FifteenthCentury China
Fra Angelico
Max Ernst: A Retrospective
Peter Paul Rubens (1577–1640): The Drawings
The Metropolitan Museum of Art; Prague
Castle Picture Gallery, Czech Republic
Prague: The Crown of Bohemia
Michael C. Carlos Museum, Emory
University, Atlanta
Long-term loan
52
MOCA Cleveland
Drawn, Exposed, and Impressed: Recent Works on
Paper from the Cleveland Museum of Art
National Gallery of Art; The Museum of
Modern Art
Dada
The Persistence of Geometry: Form, Content, and
Culture in the Collection of the Cleveland Museum
of Art
National Gallery of Art; Musée Granet, Aixen-Provence
Cézanne in Provence
Transitions: Linda Butler and Philip Brutz
Photographs
Montreal Museum of Fine Arts, Quebec;
Centre de la Vielle de Charité, Marseilles,
France
Right Under the Sun: Painting in Provence from
Classicism to Modernism (1750–1920)
Musée d’Art et d’Histoire, Geneva; Musée
Rath, Geneva
Richard Wagner: Visions d’artistes. D’Auguste
Renoir à Anselm Kiefer
Museo Nacional Centro de Arte Reina Sofia,
Madrid
Juan Gris (1887–1927)
The Palace of the Planet King: Philip IV and
the Buen Retiro
Picasso: Tradición y Vanguardia
Museo Nazionale di San Matteo, Pisa
Cimabue a Pisa
Museo Thyssen-Bornemisza, Madrid; Palazzo
dei Diamanti, Ferrara, Italy
Corot. Nature, Emotion, Souvenir
Museum Het Valkhof, Nijmegen, The
Netherlands
Limbourg Brothers, Nijmegen Masters at the French
Court (1400–1416)
Museum of Fine Arts of St. Petersburg, Florida
Claude Monet and Modernist London
The Museum of Modern Art; Los Angeles
County Museum of Art; Musée d’Orsay, Paris
Cézanne and Pissarro: Making Modernism
National Gallery of Art, Washington
Bellini, Giorgione, Titian, and the Renaissance of
Venetian Painting
National Gallery of Art; The Art Institute of
Chicago
Toulouse-Lautrec and Montmartre
National Gallery of Art; The Art Institute of
Chicago; The Fine Arts Museums of San
Francisco, M. H de Young Museum
Charles Sheeler: Mediums and Messages
National Gallery of Art; Los Angeles County
Museum of Art; International Center of
Photography, New York
André Kertész
National Gallery of Canada, Ottawa
Leonardo, Michelangelo, and the Renaissance in
Florence
National Gallery, London; Museum of Fine
Arts, Boston; The Metropolitan Museum of
Art
Americans in Paris
National Museum of Western Art, Tokyo
Georges de la Tour
Royal Academy of Arts, London; Los Angeles
County Museum of Art
Master of Landscape: Jacob van Ruisdael’s
Paintings, Drawings and Etchings
Smart Museum of Art, University of Chicago;
Grey Art Gallery, New York University Art
Collection
Paper Museums: The Reproductive Print in Europe,
1500–1800
Staatsgalerie Stuttgart, Germany
The Discovery of Landscape: Netherlandish
Landscape Painting of the 16th and 17th Centuries
Städelsches Kunstinstitut und Städtische
Galerie, Frankfurt am Main, Germany
Egypt–Greece–Rome
National Museum of Western Art; Musée
d’Orsay
Rodin/Carrière: Interferences
Sterling and Francine Clark Art Institute,
Williamstown, Massachusetts; J. Paul Getty
Museum of Art
Jacques-Louis David: Empire to Exile
North Carolina Museum of Art
The Potter’s Eye: Art and Tradition in North
Carolina Pottery
Tate Modern, London; Galeries du Grand
Palais; National Gallery of Art
Jungles in Paris: The Paintings of Henri Rousseau
Oklahoma City Museum of Art
Artist as Narrator: Nineteenth-century Narrative
Art in England and France
Western Reserve Historical Society, Cleveland
Millionaires’ Row: The Legacy of Euclid Avenue
Tempests and Romantic Visionaries: Images of
Storms in European and American Art, 1750–
1950
Yale University Art Gallery, New Haven;
Hammer Museum, University of California,
Los Angeles
The Société Anonyme: Modernism for America
Patrimonio Nacional, Madrid (organizer);
Palacio Real de Madrid; Meadows Museum,
Southern Methodist University, Dallas
Juan van der Hamen y Léon and the Court of
Madrid
The Phillips Collection, Washington; Modern
Art Museum of Fort Worth; Cincinnati Art
Museum; The Metropolitan Museum of Art
Sean Scully: Wall of Light
Princeton University Art Museum, New
Jersey
Recarving China’s Past: The Art, Archaeology and
Architecture of the “Wu Family Shrines”
Réunion des Musées Nationaux (organizer);
Musée Adrien Dubouché, Limoges, France
Félix Bracquemond (1833–1914) et les Arts
Décoratifs Du Japonisme à l’Art Nouveau
Réunion des Musées Nationaux (organizer);
Galeries du Grand Palais, Paris; Neue
Nationalgalerie, Berlin
Genie et folie en Occident: Une histoire de la
mélancolie
Museum of Art, Rhode Island School of
Design, Providence
Edgar Degas: Six Friends at Dieppe
Rijksmuseum, Amsterdam (organizer); Van
Gogh Museum, Amsterdam
Rembrandt–Caravaggio
53
54
Exhibitions
Artist Wyna Liu of
Oberlin and a friend
examine Pupa, a
sculpture by Kate
Budd of the University
of Akron, on view in
The NEO Show.
In the 18 months from the first of January 2005 to the last day of June
2006, the museum went from presenting a traditional array of shows in
familiar galleries at 11150 East Boulevard to a truly worldwide program
that took exhibitions from the collection across town and across the globe.
The first major loan exhibition during the period was Masterworks from
The Phillips Collection, February 20 to May 29, 2005, bringing 59 celebrated European paintings from the 19th and early 20th centuries that
were collected by Duncan Phillips, founder and creator of the museum
that bears his name in Washington, D.C. In the installation here five
works by Van Gogh, Degas, Braque, and Odilon Redon hung adjacent to
similar compositions by the same artists from the collection of the Cleveland Museum of Art, providing a unique opportunity to compare these
remarkable pictures. The show had the distinction of being the last one to
be presented in the Breuer special exhibition gallery, which will become
the Lifelong Learning Center in the renovated education wing. From
October 16, 2005 to January 8, 2006, The Arts & Crafts Movement in Europe
and America, 1880–1920: Design for the Modern World was presented in a
temporary special exhibition space created in galleries 201–10, 239, and
241–42. At the turn of the last century, many artists and artisans in Great
Britain, Europe, and the United States sought to create a new, more expressive language of design based on handcraftsmanship, an honest use of
materials, and human scale. With more than 300 works of art, this exhibition celebrated the enormous influence the Arts and Crafts movement had
on design in the modern world. For a study gallery of the Arts & Crafts
show, the New Media department developed “The Attic,” an interactive
Visitors enjoy
Masterworks from The
Phillips Collection in
the spring of 2005.
55
that brought insight and fun to the exploration of Victorian-era art. A version of “The Attic” is available on the museum’s website.
Between those two loan exhibitions The NEO Show was presented
July 10 to September 4 in a sequence of galleries formerly dedicated to
contemporary art. As the term “NEO” suggests, this show was something
new and different, as well as centered on artists from northeast Ohio. A
juried exhibition of works, The NEO Show demonstrated that art of this
region holds its own nationally and internationally in terms of quality and
possesses its own distinctive spirit.
Quiet contemplation,
and not: The Arts &
Crafts exhibition
(right) invited a
peaceful stroll while
The NEO Show (below)
was anything but
tranquil, especially
Benjamin Kinsley’s
prize-winning video
Gesichtsmusik.
As the museum’s renovation and expansion project got under way, a
number of small spaces within the building complex saw their final employment as special exhibition galleries. From Leipzig: Works from the Ovitz
Family Collection, January 30–May 1, 2005, was Associate Curator of Contemporary Art Jeffrey Grove’s last exhibition before leaving to join the
modern and contemporary art department at Atlanta’s High Museum of
Art, and it was the last of the innovative Project 244 series of exhibitions.
From Leipzig presented the work of a group of artists—primarily painters—who studied at the Leipzig Academy in the 1990s. Michaël Borremans:
Hallucination and Reality filled the Project 244 space as well as the adjacent
galleries from May 22 to September 4. It was the Belgian artist’s first solo
museum exhibition in the United States. Meanwhile, Drawn with Light:
Pioneering French Photography from the Cleveland Museum of Art (complementing the Phillips Collection exhibition) was on view from February 26
to June 16 in galleries 103–105, the final show in the corridor gallery devoted to photography. The renovated and expanded museum will offer
improved dedicated spaces for the presentation of rotating exhibitions of
contemporary art and photography.
In January, the museum building closed entirely for six months and
the exhibition program refocused on outside venues. As part of an ongo-
56
Director Timothy Rub
and Curator of
Photography Tom E.
Hinson flank Lowery
Stokes Sims of the
Studio Museum in
Harlem, guest curator
for The Persistence of
Geometry at MOCA
Cleveland.
Director Timothy Rub,
President James
Bartlett, officials from
Chinese museums,
and other dignitaries
participate in a
ceremonial cutting of
ribbons to inaugurate
From Monet to Picasso
at the World Art
Museum in Beijing.
ing series of collaborations, the museum and MOCA Cleveland (which
exhibits art but does not collect) launched a joint exhibition program employing MOCA’s upper mezzanine gallery for a series of shows highlighting prints, drawings, and photographs from the CMA. The winter exhibition, Drawn, Exposed, and Impressed: Recent Works on Paper from the Cleveland Museum of Art ( January 20–May 7), was followed by Transitions:
Linda Butler and Philip Brutz Photographs ( June 9–August 20) in the summer of 2006. Then, in MOCA’s main galleries, The Persistence of Geometry:
Form, Content, and Culture in the Collection of the Cleveland Museum of Art
ran from June 9 to August 20. Guest curator Dr. Lowery Stokes Sims used
the permanent collection to examine how geometric structures and abstract visual vocabularies have communicated meaning throughout the
visual history of humankind. In the modern era, these forms served as vehicles for revolutionary distillations of form and narrative and as the foundations for conceptual and social models of new societal values.
The museum also collaborated with nontraditional partners to present
its collections in new light, with small presentations at Oberlin College’s
Allen Memorial Art Museum and at the Cleveland Metroparks Zoo.
Halfway around the world, Cleveland made a global step with the first
in a group of traveling exhibitions drawn from the collection whose presentation was made possible by the closure of galleries for the renovation
and expansion project. Opening to great fanfare in China, From Monet to
57
The director speaks
on television in the
galleries of the Beijing
World Art Museum.
In a pre-interview
briefing, the reporter
assured the director
that it would play to a
small audience—only
50 million.
Picasso: Masterworks from the Cleveland Museum of Art ran at the Beijing
World Art Museum from May 26 to August 27, 2006, gathering 60 of the
museum’s most acclaimed European paintings and sculptures from the late
19th and early 20th centuries. And Paris, New York, Chicago, and
Montreal enjoyed Romantic Rebel: Anne-Louis Girodet, which was organized by the Cleveland Museum of Art in cooperation with French museums and the Metropolitan Museum of Art in New York, but could not
be shown in Cleveland because of the construction schedule. This exhibition on this little-known French painter, a student of David, was the first
major monographic international exhibition of Girodet’s work.
At a crowded press
conference, World Art
Museum Registrar Min
Sun and CMA Paintings
Conservator Marcia
Steele examine Vincent
van Gogh’s The Large
Plane Trees as it is
uncrated.
58
World Tour
Long before the renovation and expansion project began, the curatorial
and exhibitions staff had been exploring ideas for using the project as an
opportunity to share the collection
with the wider world. “At first we
were planning to keep half our galleries open during construction,” recalls
Charles Venable, deputy director for
collections and programs, “but with
the board’s decision to close down
completely in March 2005, suddenly
the entire collection was available.”
As soon as the art world learned
that the galleries would be closed for a
while, colleagues from other museums began to call. “While we could
have opted to lend many works singly
or in small groups to many museums
around the world,” says Venable, “we
decided it made more sense to develop several exhibitions drawn from
the permanent collection and circulate
them. We organized tours that would
expose the collection to new audiences in Asian, European, and American cities, while bringing several of
these shows back to Cleveland so our
members could share in the excitement too.”
To Director of Exhibitions Heidi
Strean, trying to coordinate loan exhibitions around the evolving construction schedule was particularly challenging. “It was clear that the collection could yield numerous successful
exhibitions,” she says. “The problem
was we had to organize tours during
the time periods available before the
works had to be back in Cleveland for
installation in new galleries.” Those
logistical challenges were largely overcome, and before long a number of
local and international exhibitions
were planned. Close to home, The
Persistence of Geometry brought works
from the collection to MOCA Cleveland, which also featured shows from
the CMA photography collection.
Meanwhile, From Monet to Picasso:
Masterworks from the Cleveland Museum of Art set off for Beijing, Tokyo,
Seoul, Vancouver, Nashville, and Fort
Worth, with a scheduled stop in Cleveland in 2007. Sacred Gifts and Worldly
Treasures: Medieval Masterworks from
the Cleveland Museum of Art is scheduled to travel to the National Museum
of Bavaria in Munich and the J. Paul
Getty Museum in Los Angeles. Plans
for traveling exhibitions of highlights
from the Japanese collection and
Chinese paintings are also near
completion. In addition, numerous
loans of small groups of objects were
organized, with works visiting Oberlin
College, the Cleveland Metroparks
Zoo, MOCA Cleveland, the Maltz
Museum of Jewish Heritage, and the
Frick Collection in New York City.
To Venable, the initiative is about
more than sharing CMA works of art.
“We wanted to exhibit the very best
the collection has to offer, but on top
of that we also wanted to talk about
Cleveland as a city with amenities
such as a great orchestra and a great
art museum, to create a positive image. I think in the world right now
there’s not really a negative image of
Cleveland—it’s more that people just
don’t know much about the city at all.
Touring our great art as ambassadors
for the city is a wonderful way to raise
the city’s profile.”
Familiar face in a new
place: Renoir’s portrait
of Romaine Lacaux as
installed in the World
Art Museum galleries
(above) and on
promotional banners in
the streets of Beijing
(below).
59
Loan Exhibitions
The Phillips Collection
exhibition brought
about a reunion
between two versions
of a famous work by
van Gogh: Cleveland’s
Large Plane Trees (left)
and The Road Menders
60
(right) from
Washington. A tag on
the back of the Phillips
painting indicates
that it had visited
Cleveland before, in
1948, just before the
Phillips acquired it.
Masterworks from The Phillips
Collection
February 20–May 29, 2005
Masterworks from The Phillips Collection featured
77 celebrated European paintings from the
19th and early 20th centuries. Duncan Phillips
(1886–1966) spent more than 50 years assembling his collection of European and American
art, said to be among the best in private hands.
The centerpiece of the exhibition was Auguste
Renoir’s Luncheon of the Boating Party, a masterpiece that rarely travels outside Washington.
The show also included works by Georges
Braque, Paul Cézanne, Gustave Courbet,
Honoré Daumier, Edgar Degas, Vincent van
Gogh, Wassily Kandinsky, Paul Klee, Henri
Matisse, Claude Monet, and Pablo Picasso,
among others. Earlier works by El Greco,
Chardin, Delacroix, and Ingres added to this
examination of the evolution of modern art.
Works by van Gogh, Degas, Braque, and
Odilon Redon hung adjacent to similar compositions by the same artists from the Cleveland Museum of Art’s collection, providing a
unique opportunity for comparison. Curated
by Tom E. Hinson.
This exhibition was organized by The Phillips
Collection, Washington, D.C. Funding was
provided in part by the generous support of
the Cuyahoga County Board of Commissioners. Promotional support was provided by The
Plain Dealer, Cleveland Hopkins International
Airport, 107.3 The Wave, and 89.7 WKSU.
The Cleveland Museum of Art receives operating support from the Ohio Arts Council.
The NEO Show
July 10–September 4, 2005
As the name NEO suggests, this show was
new and different. A version of the museum’s
May Show, it consisted of works by artists from
northeast Ohio. Residents of ten counties—
Ashland, Ashtabula, Cuyahoga, Erie, Geauga,
Huron, Lake, Lorain, Mahoning, Medina,
Portage, Stark, Trumbull, and Wayne—were
eligible. Media included painting, sculpture,
design, video, installation, film, drawing, photography, printmaking, performance, decorative arts, and crafts. The jurors were Jane
Farver, director of the List Visual Arts Center
at MIT in Cambridge; Louis Grachos, director
of the Albright-Knox Art Gallery in Buffalo;
and Jeffrey Grove, CMA curator of contemporary art. During the run of the show, artists
gave public lectures about their works and the
jurors took part in a symposium that focused
on defining regionalism. Curated by Jeffrey
Grove.
This exhibition was free to everyone thanks to
Hahn Loeser + Parks LLP and other generous
donors. Artists’ prizes and the exhibition catalogue were made available through a generous
grant from Dominion. Additional support was
provided by the George Gund Foundation.
The exhibition was made possible through
collaboration with the Intermuseum Conservation Association. Promotional support provided by The Plain Dealer, 90.3 WCPN, and
RTA.
The Arts & Crafts Movement in Europe
and America, 1880–1920: Design for the
Modern World
October 16, 2005–January 8, 2006
At the turn of the previous century, many
artists and artisans in Great Britain, Europe, and
the United States sought to create a new,
more expressive language of design based on
handcraftsmanship, an honest use of materials,
and human scale. Their work developed in
sharp contrast to the mechanized production of
the Industrial Revolution and came to be
known as the Arts and Crafts movement. With
more than 300 works of art, this exhibition
celebrated the enormous influence the Arts and
Crafts movement had on design in the modern
world. Organized by the Los Angeles County
Museum of Art. Curated by Stephen Harrison.
This exhibition was organized by the Los
Angeles County Museum of Art and made
possible by Max Palevsky. This project was
supported in part by an award from the
National Endowment for the Arts, which believes that a great nation deserves great art. The
Cleveland showing was made possible through
the support of Chase. Promotional support was
provided by The Plain Dealer and 89.7 WKSU.
Romantic Rebel: Anne-Louis Girodet
Not on view in Cleveland
This exhibition was the first major monographic international exhibition of the work of
Anne-Louis Girodet-Trioson (1767–1824), one
of the earliest proponents of the Romantic
movement. He explored new subject matter,
including accounts of the New World and
contemporary interpretations of Celtic legends.
His most famous works, such as the Sleep of
Endymion, 1791, the Burial of Atala, 1808, and
the Riot of Cairo, 1810, strike a balance between the calmer neoclassicism of his master,
Jacques-Louis David (1748–1825), and a more
active, progressive style. The exhibition drew
from a variety of European and American collections, including the Musée du Louvre. The
tour for Romantic Rebel includes the Louvre,
Paris, September 19, 2005–January 2, 2006;
The Art Institute of Chicago, February 11–
April 30, 2006; The Metropolitan Museum of
Art, New York, May 22–August 27, 2006;
Musée des Beaux-Arts de Montréal, October
12, 2006–January 21, 2007. Curated by Sylvain
Bellenger.
The exhibition was organized by The
Cleveland Museum of Art in cooperation with
the Réunion des Musées Nationaux, Paris, the
Musée du Louvre, Paris, and the Metropolitan
Museum of Art, New York. The exhibition
was made possible through the generous
support of the Isaacson Draper Foundation
and The Florence Gould Foundation. Major
funding was provided by the Getty Research
Institute and the Getty Grant Program.
Project 244
From Leipzig: Works from the Ovitz
Family Collection
January 30–May 1, 2005
This exhibition focused on the work of a
group of younger artists—primarily painters—
who studied at the Leipzig Academy in the
1990s and are rapidly gaining international
attention. Recalling the rise of the Neo-Geo
and New-Image movements in the 1980s or
the international explosion of young British
artists in the 1990s, the New Leipzig school
has made a profound impression on contemporary practice. The highly idiosyncratic and
forceful images of Tim Eitel, Martin Kobe,
Tilo Baumgärtel, Rosa Loy, Neo Rauch,
Matthias Weischer, Christoph Ruckhäberle,
and David Schnell are compelling. They organized their first group exhibition outside the
academy in December 2000, and each quickly
found gallery representation. In 2002 they
founded Galerie Liga in Berlin, a space they
operate as a collective and where they show
their work and that of other younger artists.
Curated by Jeffrey Grove.
Michaël Borremans: Hallucination and
Reality
May 22–September 4, 2005
Organized by the Kunstmuseum Basel,
Museum für Gegenwartskunst in collaboration
with the Cleveland Museum of Art and the
Stedelijk Museum voor Actuele Kunst, Ghent,
this exhibition was the first solo museum show
in the United States for Belgian artist Michaël
Borremans. The 65 works on view, created
since 1995, included small drawings and paintings on cardboard. Often annotated at their
edges with technical notations, wry musings,
and construction details, many of Borremans’s
drawings are “proposals” for public monuments that transform architectural platforms,
emotion and sentiment, and complex postwar
political ideologies into clever ruminations on
the human condition. Borremans’s work—
both satiric and sincere—comments humorously on middle-class restraint and the position
of the artist in contemporary society. Curated
by Jeffrey Grove.
Promotional support provided by Angle
Magazine.
61
PERMANENT
COLLECTION
EXHIBITIONS
Drawn with Light: Pioneering French
Photography from the Cleveland
Museum of Art
February 26–June 16, 2005
To complement the exhibition Masterworks
from The Phillips Collection, this exhibition presented selections from the museum’s holdings
in the area of early French photography: 32
works by such pictorially inventive and technically accomplished 19th- and early 20th-century photographers as Édouard Baldus, Gustave
Le Gray, Henri Le Secq, Nadar, Charles
Marville, Louis Robert, and Eugène Atget.
They turned their cameras to record reality—
common and everyday, natural and constructed. The photographs featured many of
the same subjects examined by the Phillips
Collection painters, such as portraiture, landscape, views of architecture, still life, and
genre. Curated by Tom E. Hinson.
CMA@ MOCA
Main galleries, MOCA Cleveland, 8501
Carnegie Avenue
Installation view of
The Persistence of
Geometry at MOCA
Cleveland.
62
The Persistence of Geometry: Form,
Content, and Culture in the Collection of
the Cleveland Museum of Art
June 9–August 20, 2006
Drawn from the collection by guest curator
Lowery Stokes Sims, president of the Studio
Museum in Harlem, this exhibition examined
how geometric structures and abstract visual
vocabularies have communicated meaning
throughout the visual history of humankind. In
the modern era, these forms served as vehicles
for revolutionary distillations of form and narrative and as the foundations for conceptual
and social models of new societal values. How
the paintings, sculptures, drawings, prints,
photographs, ceramics, textiles, utensils, and
furniture from historic and contemporary cultures were installed reflected the importance of
diversity and multiculturalism as prominent
theoretical modes over the last three decades.
By “repatterning” the usual methods of organizing ideas about art, the exhibition allowed
the viewer to recognize the centrality of cultures considered peripheral, and how cultures
influence and transform one another. Curated
by Tom E. Hinson.
This exhibition was organized by the Cleveland Museum of Art in collaboration with
MOCA Cleveland and was made possible
through generous grants from the Kulas Foundation and the John P. Murphy Foundation.
Additional support was provided by The
Contessa Gallery. The Cleveland Museum of
Art and MOCA Cleveland receive support
from the Ohio Arts Council. Promotional
support was provided by 90.3 WCPN.
CMA@ MOCA Mezzanine Series
Mezzanine Gallery, MOCA Cleveland, 8501
Carnegie Avenue
Guest curator
Lowery Stokes Sims
introduces her
exhibition, The
Persistence of
Geometry, at MOCA
Cleveland.
Drawn, Exposed, and Impressed:
Recent Works on Paper from the
January 20–May 7, 2006
Produced during the past decade, the drawings, photographs, and prints in Drawn, Exposed, and Impressed offered a brief survey of the
outstanding contemporary works on paper that
have significantly enhanced the collection.
Arranged in four thematic groups, the 17
works by 14 artists show varied individual
approaches under the broad classifications of
realism and abstraction. Each artist, whether
well known or just emerging, brings a fresh
vision and creative vitality to these traditional
categorizations. Curated by Jane Glaubinger,
Tom E. Hinson, and Heather Lemonedes.
Transitions: Linda Butler and Philip
Brutz Photographs
June 9–August 20, 2006
Transitions: Linda Butler and Philip Brutz Photographs recorded the relocation of nearly twothirds of the museum’s collection. Because of
the museum’s construction and renovation
project, 40,000 objects had to be moved from
the galleries and existing art-storage areas to
temporary locations. Butler and Brutz spent
countless hours recording this symphony of
removing and resettling. Color prints by Butler
and color stereoscopic transparencies by Brutz
provided rare behind-the-scenes glimpses of an
enormous, complex operation. Curated by
Tom E. Hinson.
CMA Traveling Exhibitions
From Monet to Picasso: Masterworks
from the Cleveland Museum of Art
Beijing World Art Museum, May 26–August
27, 2006; Mori Arts Center, Tokyo, September 9–November 26, 2006; Hangaram Art
Center, Seoul, December 22, 2006–March 28,
2007; Seoul Olympic Museum of Art, April 7–
May 20, 2007; Vancouver Art Gallery,
Canada, June 9–September 16, 2007; Frist
Center, Nashville, February 21–June 1, 2008;
Kimbell Art Museum, Fort Worth, June 22–
October 5, 2008.
This exhibition brings together a group of the
museum’s most acclaimed European works of
art from the late 19th and early 20th centuries:
paintings, sculpture, and works on paper by
Claude Monet, Edgar Degas, Pierre Auguste
Renoir, Paul Cézanne, Vincent van Gogh,
Paul Gauguin, Henri Matisse, and Pablo
Picasso. In addition, stellar works by lesserknown artists such as Albert Besnard and
Giovanni Segantini complement works by
their more well-known contemporaries. Together the works illuminate the breadth of
creativity in one of the most extraordinary
epochs in the history of art. Curated by
William H. Robinson in association with
Heather Lemonedes.
CMA@ The Zoo
Animals in Art: Clay Creatures by
Viktor Schreckengost
Cleveland Metroparks Zoo/Cleveland
Zoological Society, Zoo Exhibit Hall
April 29–August 13, 2006
The exhibition included seven objects by
Viktor Schreckengost depicting animals from
the museum’s collection, plus eight of the
zoo’s ceramic bird tiles. Curated by Stephen
Harrison.
CMA@ Oberlin: Rotations
Oberlin College, Allen Memorial Art Museum
Jacques-Louis David’s “Cupid and
Psyche”
January 31–April 2, 2006
From Monet to Picasso
generated newsworthy
moments during its run
in Beijing.
18th-century British Portraits and
Landscapes
April 4–June 4, 2006
63
64
Performing Arts,
Music, and Film
Established in early 2005, the department of Performing Arts, Music,
and Film faced an immediate challenge as Gartner Auditorium became
unavailable when renovation of the Breuer building began that summer.
Turning this challenge into an opportunity, the museum developed the
VIVA! & Gala Around Town concert series, visiting landmark performance
spaces throughout the city, including a number of historic houses of
worship. More than 27,000 people attended 18 concerts and events—
representing 12 different countries—at 14 venues around town. Most of
these performances were either Ohio or Cleveland debuts.
The season opened with an extraordinary six-week residency by three
Tibetan monks from the Namgyal Monastery who constructed a Kalachakra
sand mandala in the stunning rotunda of Cleveland City Hall, putting art
at the center of civic life. Other highlights included Le Mystère des Voix
Bulgares at the Shrine Church of St. Stanislaus in Slavic Village, the Kronos
Quartet’s visually stunning multimedia epic Sun Rings at the Masonic
Auditorium, two programs of music composed by Osvaldo Golijov at the
gorgeous Temple-Tifereth Israel and Severance Hall, and adaptations of
plays by Russian dramatists Nikolai Gogol and Anton Chekhov at Playhouse Square Center. The first professionally produced theater presentation
in the museum’s history, Swan Song + Confessions was directed by Director
of Performing Arts, Music, and Film Massoud Saidpour and featured
Cleveland theater luminaries Dorothy and Reuben Silver.
Le Mystère des Voix
Bulgares performed to
a packed house at their
March 2006 concert at
the Shrine Church of
St. Stanislaus in Slavic
Village.
Reuben Silver as
“Vasili” in Anton
Chekhov’s Swan Song
at Kennedy’s,
Playhouse Square
Center.
65
Nothing but sand:
the Kalachakra sand
mandala (six feet in
diameter) completed
by the three venerable
lamas from the
Namgyal Monastery
at Cleveland City Hall
during their six-week
residency.
The first months of 2005 witnessed the conclusion of the 25th anniversary of the Gala Music Series, the 7th annual VIVA! Festival of Performing
Arts, and Music of the Belle Époque (three performances presented in conjunction with the exhibition Masterworks from The Phillips Collection), with
highlights including the electrifying collaboration between violinist Nadja
Salerno-Sonnenberg and guitar virtuosos Sérgio and Odair Assad as well as
the enchanting performance by Çudamani: Dancers & Musicians of Bali.
Production continued on the series of recordings by Curator Emeritus
Karel Paukert performing on the McMyler Memorial Organ. Aubade:
Organ Music of Ohio Composers was released in November 2005 on the
Azica label, and production on Music from Prague was completed during
2006 for release in September. A CD of works by J. S. Bach is scheduled
for 2007. These recordings are especially significant as they capture a tonal
record of the instrument as it sounded before the renovation of Gartner
Auditorium began. The museum also made arrangements to house its collection of keyboard instruments at carefully selected institutions and residences, assuring proper attention to the instruments during the construction period.
Between January 2005 and June 2006, the Panorama Film Series
presented 102 different feature films (or feature-length programs of short
films) in 130 separate screenings. Fifty of the films were exclusive
66
Sand Mandala
When Gartner Auditorium closed for
renovation, the museum decided to
continue its Gala classical and VIVA!
world music concert offerings, taking
the opportunity to explore alternative
venues that included some of the city’s
musically and architecturally magnificent houses of worship as well as one
particularly important civic building.
The VIVA! & Gala Around Town series
opened at Cleveland City Hall with
Circle of Compassion: The Sand Mandala
Painting of Tibet, a six-week residency
(August 27 to October 8, 2005) by three
Tibetan monks from the Namgyal Monastery, the personal monastery of the
Dalai Lama of Tibet. The monks constructed a Kalachakra—the most artistically significant and sacred sand
mandala in Tibetan Buddhism—in city
hall’s stately rotunda. The presence of
symbolic Tibetan art within the city’s
political and civic nerve-center created
some extraordinary moments of audience interaction and fulfilled one of the
museum’s central missions: to bring
great art to everyone. After the monks
had painstakingly laid millions of grains
of colored sand to create the intricate
design, in a ritual closing ceremony
they swept it all away, scattering it into
the waters of Lake Erie to bless both the
environment and the community.
67
Cleveland premieres. This program was housed at the museum until
September 2005, when it took up temporary residency at Case Western
Reserve University’s Strosacker Auditorium (where screenings were cosponsored by the CWRU Film Society).
Special guests during this 18-month period included Cleveland
Heights filmmaker Laura Paglin appearing with three of her films:
Nightowls of Coventry, Shadow of the Swan, and No Umbrella: Election Day
in the City. Other guests included Dave Filipi of the Wexner Center in
Columbus, who presented two programs of rare baseball short films, and
Venerable Tenzin Thutop, one of the Buddhist monks from the Namgyal
Monastery, who answered questions after a September screening of
Werner Herzog’s documentary Wheel of Time. Five musicians provided
live piano or organ accompaniment to silent films in 2005: Dennis James
(Asphalt and The Iron Horse), Philip Carli (The Magician and The Crowd),
David Drazin (Tol’able David and Tramp, Tramp, Tramp), Sebastian Birch
(Variety and The Wedding March), and Joseph Rubin (Broken Blossoms).
Three Vietnam veterans spoke after the documentary Winter Soldier in
February 2006.
The film program also made unprecedented off-site appearances. In
March 2006, the museum sponsored six films at the 30th Cleveland International Film Festival at Tower City Cinemas. Another screening took
place at the Memphis Drive-In in May 2006, when “CMA@ The DriveIn” offered the 1968 Peter Bogdanovich film Targets (the climax of which
takes place at a drive-in theater). Between January and May 2005, Associate Director for Film John Ewing gave five illustrated talks in a monthly
series, “Masters of Modern Cinema,” spotlighting Abbas Kiarostami,
Michael Haneke, Aki Kaurismäki, Hou Hsiao-hsien, and Jean-Pierre and
Luc Dardenne. Ewing was also a regular guest on WCPN’s “Around
Noon” radio show during the 18-month period of this report.
Women of Çudamani
performed sacred
Balinese Rejang
dances in Gartner
Auditorium before it
closed for renovation.
68
Performing Arts,
Music, and Film
Gala Music Series
An Angel’s Voice: The Legend of Farinelli
performed by Rebel with Derek Lee Ragin,
countertenor; Concertante: Transfigured
Night; Defying Gravity: Nadja SalernoSonnenberg, violin, with Sérgio and Odair
Assad, guitar; One Voice, Three Contexts:
Christòpheren Nomura, baritone, with the
Cavani String Quartet, Modus Ensemble (Tim
Weiss, director), and pianist David Alpher; and
Romantic Fervor: The Peabody Trio with
Walter Van Dyk, narrator.
VIVA! & Gala Around Town
Circle of Compassion: The Sand Mandala
Painting of Tibet; Chanticleer: An Orchestra
of Voices; Gianmaria Testa; Osvaldo Golijov:
Musical Alchemy with St. Lawrence String
Quartet; Todd Palmer, clarinet, Cavani String
Quartet, and Tracy Rowell, bass; Astrid
Hadad: Provocative Acts; Marc-André
Hamelin, piano; Martin Haselböck, organ;
Korean Dance: Tradition and Creation;
Kronos Quartet in Terry Riley’s Sun Rings;
Roby Lakatos Ensemble; Le Mystère des Voix
Bulgares; Masterpieces of Russian Drama:
Swan Song + Confessions; Anne Akiko Meyers,
violin, and Rieko Aizawa, piano; Paco Peña
Flamenco Dance Company; Karel Paukert:
Noëls; Trio Joubran: The Art of Improvisation; Dawn Upshaw and Friends in Osvaldo
Golijov’s Ayre; and Vermeer String Quartet.
The Kronos Quartet
performed Sun Rings,
Terry Riley’s
sumptuous eveninglength multimedia
meditation on space
exploration, at the
Masonic Auditorium.
VIVA! Festival of Performing Arts
Mary Black; Çudamani: The Dancers and
Musicians of Bali; Guinga: Music from Brazil;
Mayte Martín and Bélen Maya: Flamenco de
Cámara; and Masters of Persian Music: M. R.
Shajarian, Hossein Alizadeh, Kayhan Kalhor,
and Homayoun Shajarian.
Music of the Belle Époque
“Music in Fashion: Paris 1920,” lecture/recital
by Dr. Mary Davis; The Music of Debussy and
Ravel with Ensemble Bilitis and Janus Trio;
Karel Paukert, organ.
Panorama Film Series
Series of note (2005). Outré: four extreme,
envelope-exploding modern entertainments;
Renoir Fils (and Films): seven films by Jean
Renoir, son of Impressionist painter Pierre
August Renoir; The Rest Is Silents: 18 programs of great silent films, the last movies
shown in Gartner Auditorium before it closed
for renovation; The Thrill Comedies of Harold
Lloyd: seven restored features and three shorts
by the silent screen’s beloved comic daredevil.
Individual films of note (2005). Asphalt, a restored 1929 German silent masterpiece, cosponsored by the Max Kade Center for German Studies at Case; Electric Edwardians: The
Films of Mitchell & Kenyon, a program of short
British “actuality” films made between 1900
and 1913; The House in the Woods, Maurice
Pialat’s seven-part, six-hour 1971 French television miniseries, presented in conjunction
with the Cleveland Institute of Art
Cinematheque; The Manhattan Short Film Festival, the world’s largest short-film festival, in
which viewers in Cleveland joined with viewers all over America to vote for the winner;
Memoirs of a Geisha, a special advance screening
courtesy of Sony Pictures; Star Spangled to
Death, Ken Jacobs’s seven-hour, four-part,
decades-in-the-making avant-garde epic, acclaimed by J. Hoberman in the Village Voice as
“the ultimate underground movie”; Watermarks, a portrait of seven champion Jewish
women swimmers, now in their 80s; and
Zelary, an Oscar-nominated Czech historical
drama.
Individual films of note (2006). The Call of
Cthulhu and Trapped by the Mormons, a double
feature of 21st-century silent horror films;
Henri Cartier-Bresson: The Impassioned Eye and
William Eggleston in the Real World, a photography double feature; A State of Mind, a rare
behind-the-scenes look at North Korea’s Mass
Games, the largest human spectacle on earth;
Street Fight, an Oscar-nominated documentary
feature; and Who Gets to Call It Art?, a portrait
of influential curator Henry Geldzahler.
Master Classes and Lectures
Christòpheren Nomura, master class at Cleveland Music School Settlement; St. Lawrence
String Quartet, master class at the Cleveland
Institute of Music; Paul Cox, “Crossing
Boundaries: Cross-Cultural Currents in the
Concert Hall”; Paul Cox and Dr. Mary Davis,
“The Influence of Antiquity in the Works of
Debussy”; Paul Cox and Dr. Mary Davis,
“Poetry in Motion: Poulenc’s Le Bal Masqué”;
Dana Gooley, “Transfigured Night”; Harold
Meltzer interviewed by Paul Cox; Steven
Plank, “The Legend of Farinelli.”
69
Community Support
As the museum began its historic transformation, patrons generously
showed their support for the institution, its programs, and its vision for the
future with gifts and commitments to the Campaign for the Cleveland
Museum of Art as well as to the annual operating fund.
The Board of Trustees voted to move forward with the $258 million
renovation and expansion project in March 2005, having raised $116.5
million. As of June 30, 2006, the museum has received more than $137
million in campaign commitments from 164 individuals, corporations,
foundations, and government agencies. Among these commitments are 27
pledges for $1 million or more, including 9 in excess of $5 million.
Annual support from these constituencies also continues at a strong
pace as donors from the Cleveland community and beyond have contributed more than $6.1 million in operating support over the 18-month
period covered by this report. Trustees, under the outstanding leadership
of President James T. Bartlett, gave a total of $1,006,681 of this amount.
Overall, individual annual fund contributions were $2,368,224.
Members at all giving levels continued their long-standing tradition of
loyal support during the initial stage of the museum’s renovation and expansion project. The number of member households currently stands at
more than 16,000. The number of patrons who have made deferred gifts to
the museum continues to grow, with 13 individuals expressing their intent
Christo and JeanneClaude not only spoke
to a large crowd at
Severance Hall, but
visited Valley Forge
High School in Parma
to talk with students
as part of the Museum
Ambassadors program.
Jim Bartlett talks with
Frannie Gale at the
Maltz Museum of
Jewish Heritage.
70
Susan Stevens Jaros,
director of development
and external affairs, and
Charles Venable, deputy
director for collections
and programs, flank
Raymond D. Nasher,
founder of the Nasher
Sculpture Center and
Garden in Dallas and
Duke University’s Nasher
Museum (the latter designed by Rafael Viñoly).
to provide for the museum through will commitments and another 12
donors supporting the museum through gift annuities. The Legacy Society, individuals who have made planned gifts to the museum, now exceeds 515 members.
Corporate support was also strong. Early leadership commitments to
the capital campaign outpaced all expectations, with only 10 northeast
Ohio companies giving almost $7 million. At the same time, more than
140 companies have donated a total of $835,900 to corporate membership
and exhibition and program sponsorships. Contributing to these and other
corporate fund-raising efforts was the newly formed Business Leadership
Council, chaired by trustees Jeffrey D. Kelly and Charles S. Hyle. The
council explores how the museum can more effectively engage greater
Cleveland’s corporate community and fosters such commitment. Among
the notable corporate gifts was one from Baker Hostetler to help celebrate
the return of traveling exhibitions to the museum in the fall of 2006. The
firm is the presenting sponsor of Barcelona & Modernity: Picasso, Gaudí,
Miró, Dalí. Its sponsorship recognizes the importance of the exhibition
and joyfully commemorates the shared anniversary of the firm and the
museum’s 90th year of operation. National City Bank gave $100,000, in
addition to its campaign commitment, to the museum’s collaborative initiative with the Cleveland Municipal School District to launch the Cleveland School of Architecture and Design this fall in the renovated John
Hay High School building. These funds allow the museum’s Education
department to play a leadership role in developing the school’s innovative
and interdisciplinary arts-based curriculum designed with the museum’s
encyclopedic permanent collection at its center.
Foundations and government grant-making agencies also were a critical source of support. The museum’s innovative efforts to engage and in-
71
spire its audience were strengthened and sustained through unrestricted
annual fund gifts of more than $450,000 from 26 foundations. At the same
time, grant makers from Cleveland and throughout the United States and
Europe provided exhibition and program-related support. Among these
commitments was that of the Institut Ramon Llull in Barcelona in support
of the Barcelona & Modernity exhibition catalogue and public programming
associated with the exhibition. The institute seeks to promote the Catalan
language and culture around the world. Closer to home, the Board of
Cuyahoga County Commissioners again selected the museum as an Arts
and Culture as Economic (ACE) Development grant recipient, awarding
$45,000 toward the comprehensive marketing and communications efforts
to usher in Barcelona & Modernity.
The museum received a $135,000 grant from American Masterpieces:
Visual Arts Touring, an initiative of the National Endowment for the
Arts. Four still-to-be-determined venues will host an exhibition drawn
from our collection of American photographs to chronicle nearly 100
years of the nation’s history. This important traveling exhibition will be
provided to presenting institutions at no cost. Generous gifts from the
Collacott Foundation and the Murch Foundation supported the dynamic
VIVA! & Gala Around Town performing arts and music series, and grants
from the John P. Murphy Foundation and the Kulas Foundation supported The Persistence of Geometry: Form, Content, and Culture in the
Collection of the Cleveland Museum of Art, an exhibition presented at MOCA
Cleveland.
As always, volunteers played a critical role in the life of the museum.
In all, 651 volunteers donated 63,773 hours not only at the museum, but
all over greater Cleveland and at the museum’s temporary downtown offices. A major group within that volunteer corps is the Womens Council
of the Cleveland Museum of Art, whose members logged in more than
Guests at the Arts &
Crafts Circles party
(left to right): Eugene
and Janet Blackstone,
Bob and Nicki
Gudbranson, and
Barbara Robinson.
Katharine Lee Reid
(center) chats with
her brother, Tom Lee,
and Jane Horvitz at
a reception for the
retiring director.
72
Sally Cutler and Ellen
Mavec at Katharine
Reid’s retirement
party.
20,000 hours. In their biggest single event of the 18-month period, the
Womens Council sponsored a lecture by Christo and Jeanne-Claude who
discussed their plans for Over the River, a draping of the Arkansas River in
Colorado. About 1,200 people attended the event, of which 300 or more
were students admitted at a special student rate. The following day, the
artists met with students at Valley Forge High School. Many of these
students were Museum Ambassadors, participants in a program of the
museum’s Audience Development department that convenes students
from nine high schools in the greater Cleveland area to meet once a
month to learn about art, museum careers, and philanthropic
activities. They spread their new knowledge into their communities,
schools, and families. All the ambassadors have been spreading the word
about the museum’s exciting expansion project. The program is partially
funded by the Womens Council, which also provides facilitators.
Collaborations with community partner organizations included support of Sankofa Fine Art’s Plus Expo; hands-on art activities during the
Berea Arts Festival in September 2005; and the Urban League’s Do the
Right Thing parent tribute and day of celebration for participating
students. The museum also created opportunities in the Hispanic/Latino
community with the implementation in 2005 of Cafe Bellas Artes, with
monthly sessions of music, poetry, and fellowship averaging 125 participants. The project grew in 2005 with the establishment of partnerships
with Cleveland State University and Lakeland Community College.
The Special Events department oversaw the popular Summer Evenings and Cool Fridays, and initiated a new kind of happy hour with
“CMA@ The House of Blues,” a series of talks by curators at the downtown Cleveland concert venue and eatery. The department also put on
many events linked to special exhibitions, including the Impressionist
Table, Monet’s Garden, and the Impressionist Hat Tea, all tied to the
Phillips Collection exhibition, as well as a surprise farewell party for
Katharine Lee Reid in summer 2005. Vibrant Fast Forward parties were
produced at the museum in February 2005 and then at the Cleveland Institute of Art in November. An all-day event organized with the Education department celebrated the groundbreaking in October, and special
parties were held for members at the Kronos Quartet concert in February
2006 and the Cleveland International Film Festival in March. A new series
of international tours visited China and Russia as well as sites in Western
Europe. In all, the department organized approximately 250 events, on
the museum grounds and around town, from small private luncheons to
public receptions for 1,500 people or more.
The Marketing department forged new partnerships and enhanced existing ones. The preferred hotel program, instituted in 2004, now includes
six hotels that provide packages, sell exhibition tickets, offer discount opportunities, and promote the museum. A 2005 program introduced
73
At the director’s
retirement reception,
Florence KZ Pollack
joins Martin Webb
and Charles Venable.
74
“Storytelling at Borders,” bringing Audience Development staff to several
Borders stores to conduct storytelling, complete with Art Crew characters
and photo opportunities. A partnership with the Cleveland Hopkins International Airport allows the museum to display, free of charge, posters of
works of art in the C concourse. Moving from planes to trains, the museum also instituted a new partnership with Cleveland’s Regional Transit
Authority called the “Red Line Tour,” wherein the RTA (also free of
charge) installed framed reproductions of 43 great works of art from the
collection in seven Red Line rapid stations. To promote the VIVA! & Gala
Around Town series, the Marketing department arranged a partnership with
Cuyahoga Community College to run free advertising on the college’s internal broadcast system, and the Performing Arts department chose certain
shows to target to the college crowd and offered deep discounts on tickets.
The Media Relations office publicized the wide range of exhibitions
and events at the museum and around the world, helping to keep the public abreast of the museum’s continued activity in presenting art and programs even as the renovation and expansion project created new challenges
and opportunities. Meanwhile, the Ticket Center relocated, with minimal
disruption, to the temporary Shaker Square location.
The Print Communications office imagined that the quantity of printed
matter might be somewhat reduced as the galleries closed, but the converse
proved to be true as the museum sought to ensure that its constituents
remained informed and understood the variety of off-site programs and
events that were being offered during the “dark” period of the six-month
Breuer building closure. Anticipating the shift in programming content as
the building project began, the Members Magazine was redesigned as of
January 2005 for greater editorial flexibility (and renamed Cleveland Art).
During the 18-month period, the department completed more than 700
projects, from business cards, print advertisements, invitations, and photo
shoots, to collaborating with the Publications department on the catalogue
for The Persistence of Geometry.
In the virtual realm, the External Affairs office helped the New Media
department shape the website features CMA Builds for the Future and A
Masterpiece in the Making, which brought visitors right into the museum’s
renovation and expansion project via photos of the museum in the past,
present, and future, a live webcam focused on the construction site, answers to frequently asked questions, a feature all about Rafael Viñoly, and
the opportunity to provide feedback on the project.
As many off-site programs got under way during the summer of 2005,
the museum launched the “CMA@” graphic program to consistently
identify concerts, films, classes, exhibitions, and other museum-sponsored
events that took place at sites around the city.
Top to bottom: Circles
members gather at
the Maltz Museum;
students make art at
the Shaker Square
studio; the Cleveland
Institute of Art hosts a
Fast Forward party.
CMA@
A resourceful adaptation of the
museum’s logo helped to signify the
dozens of Cleveland Museum of Art
programs that took place around the
greater Cleveland area while the renovation and expansion project made
“home base” temporarily unavailable.
The rich variety of programs and events
that resulted bore out the adage that
necessity is the mother of invention.
The VIVA! and Gala performance series
ventured out into some of the city’s
most beautiful (visually and acoustically) houses of worship and concert
halls, museum art classes and the store
took up temporary residence in a
Shaker Square retail space, works from
the museum collection visited nearby
institutions, and special events took
place in a variety of locations and
served diverse audiences.
Auditorium, and other wonderful
buildings, while the museum’s growing Hispanic audience came along as
Cafe Bellas Artes moved to Lakeland
Community College and other sites
around the city. The popular series of
Fast Forward parties continued at the
museum even as construction proceeded, and then ventured offsite for
vibrant events at the Cleveland Institute of Art and the Cleveland International Film Festival, attracting new,
predominantly younger audiences
with techno dance music and latenight hours.
In these ways and more, the closing
of the building provided an opportunity to bring the museum’s audience
to new locales or introduce the
museum itself to new people. The
“CMA@” symbol announced museumsponsored events all over the city.
Some of the events took groups of
museum supporters to new venues,
such as the Maltz Museum of Jewish
Heritage, site of a Circles reception.
Children and adults accustomed to
taking studio art classes at the museum traveled instead to the southwest quadrant of Shaker Square,
where art classes were offered in a
storefront that was temporarily available because of ongoing redevelopment in the historic shopping district.
Museum-sponsored concerts were
presented in Trinity Cathedral, the
Shrine Church of St. Stanislaus,
Temple-Tifereth Israel, the Masonic
75
Capital Giving
The following
individuals, corporations, and foundations
have made generous
donations to ongoing
capital projects from
January 1, 2005
through June 30, 2006.
Anonymous (3)
Emily A. Adams
AIA Cleveland
Elizabeth L.
Armington
Baker & Hostetler
Founders Trust
Baker Hostetler LLP
Mr. and Mrs. Randall
J. Barbato
Mr. and Mrs. James
T. Bartlett
James and McKey
Berkman
Mr. and Mrs. Glenn
M. Blair Jr.
Richard J. Blum and
Harriet L. Warm
Mrs. Lawrence
Blumenthal
Mr. and Mrs. Charles
P. Bolton
Helen and Albert
Borowitz
Eva L. and Joseph M.
Bruening Foundation
Muriel S. Butkin
Peter A. and Rita M.
Carfagna
Leigh and Mary
Carter
Charter One
Foundation
Katherine and Lee
Chilcote Foundation
Ellen Wade Chin
Dr. Alfred J.
Cianflocco and Mary
Anne Garvey
Cleveland Foundation
George W.
Codrington
Charitable
Foundation
The Helen C. Cole
Charitable Trust
Collacott Foundation
Mr. and Mrs. Robert
S. Costa
Alexander M. and
Sarah S. Cutler
Mr. and Mrs. David
A. Daberko
Mr. and Mrs. Peter
W. Danford
Pete and Margaret
Dobbins
Mr. and Mrs. John D.
Drinko
Jeffrey R. Dross
Eaton Corporation
Emerson Electric
Company
Mr. and Mrs. Robert
S. Friedman
GAR Foundation
Garden Club of
Cleveland
Mr. and Mrs. Robert
P. Gillespie
Mr. and Mrs. Robert
D. Gries
Mr. and Mrs. John E.
Guinness
Agnes Gund and
Daniel Shapiro
Ann and Graham
Gund
The George Gund
Foundation
George Gund III and
Iara Lee
Gordon and Llura
Gund Foundation
Elaine Grasselli
Hadden
Hahn Loeser + Parks
LLP
Ann S. Higgins
Dr. Gerhard
Hoffmann+ and Mrs.
Lee Hoffmann+
Arlene and Arthur S.
Holden Jr.
Constance HoldenSomers
Mr. and Mrs. Michael
J. Horvitz
Denis F. Hoynes, Jr.
Patience and George
M. Humphrey II
John Huntington Art
and Polytechnic Trust
Jochum-Moll
Foundation
The Kangesser
Foundation
Mr. and Mrs.
Sidmond J. Kaplan
Robert M. Kaye
Mr. and Mrs. Joseph
P. Keithley
Steven and Denise
Kestner
Key Foundation
Thea Klestadt
Mr. and Mrs. Stephen
J. Knerly Jr.
Arthur Kozlow
The Kresge
Foundation
The Kulas Foundation
Lorenzo S. Lalli, M.D.
Mr. and Mrs.
Fredrick S. Lamb
Mrs. Jack W. Lampl Jr.
The George R. and
Constance P. Lincoln
Family Foundation
Alex and Carol
Machaskee
The Maltz Family
Foundation
The Mandel
Foundation
Elizabeth Ring
Mather and William
Gwinn Mather Fund
S. Livingston Mather
Charitable Trust
Sarah Holden
McLaren
Mr. and Mrs. S.
Sterling McMillan III
The Mellen
Foundation
Dolly and Steve
Minter
+ deceased
76
The William A. and
Margaret N. Mitchell
Family
The John C. and Sally
S. Morley Family
Foundation
Dr. and Mrs. Roland
W. Moskowitz
Brian and Cynthia
Murphy
John P. Murphy
Foundation
Murlan and Margaret
Murphy Sr.
Ray and Katie
Murphy
The Musart Society
E. Myers
NACCO Industries,
Inc.
Lucia S. Nash
National City Bank
Hilda E. Nieman
Steven E. Nissen,
M.D., and Linda R.
Butler
State of Ohio
The Payne Fund
Pfizer Inc.
The Plain Dealer
Mr. and Mrs. Leon
M. Plevin
Mr. and Mrs. Alfred
M. Rankin Jr.
Mrs. Alfred M.
Rankin
Donna and James
Reid
Katharine and
Bryan Reid
Sarah P. and William
R. Robertson
Charles B. and Carole
W. Rosenblatt
Edwin M. Roth
Mr. and Mrs. Robert
C. Ruhl
Sage Cleveland
Foundation
Mr. and Mrs. Elliott
L. Schlang
Mr. and Mrs. David
M. Schneider
Dr. and Mrs. Stuart
B. Sears
The Sears-Swetland
Family Foundation
Mrs. Harry Setnik
Shaker Lakes Garden
Club
Shifrin Family
Foundation
Carl R. Siberski
Laura and Alvin A.
Siegal
The Kelvin and
Eleanor Smith
Foundation
Mr. and Mrs. Eugene
Stevens
Mr. and Mrs. Howard
F. Stirn
The Irving Sunshine
Family
Susan and John
Turben Foundation
U.S. Department of
Transportation
Nicholas J. Velloney+
T. Watson
Mr. and Mrs. Alton
W. Whitehouse Jr.
D. Whitmer
Dr. Norman W.
Zaworski
Mr. and Mrs. William
L. Ziegler
Donors of Works of Art
Anonymous Gift
Herbert Ascherman Jr.
The Jeanne Miles
Blackburn Collection
Ann Baumann
John Bonebrake
Philip Brutz
Linda Butler
Linda Butler, William
Lipscomb, and
Robert Mosher
Deborah G. and
Kenneth S. Cohen
William DeLappa
John Driscoll
Prof. and Mrs. David
C. Driskell
Yizhak Elyashiv
James E. and
Elizabeth J. Ferrell
Judith Clark Fredrichs
and Ross Gordon
Fredrichs
Mr. and Mrs. Thomas
French
Friends of
Photography
Friends of
Photography and
Jeffrey Fraenkel and
Frish Brandt
Friends of the
Department of Prints
and Drawings in
memory of William
E. Ward
Crile Garretson
Jane Glaubinger
Agnes Gund
Agnes Gund and
Daniel Shapiro
Agnes Gund in
honor of Katharine
Lee Reid
The George Gund
Foundation
Collection in honor
of David Bergholz,
The Cleveland
Museum of Art
Bob and Jane Herbst
Bequest of Lee K.
Hoffmann
Dr. and Mrs. William
L. Huffman
Jurey in memory of
Mabel A. Hewit
Sandra and Gary
Kaufman in honor of
the Fine Print Fair
Robert M. Kaye
John M. Kimpel
William S. Lipscomb
in memory of his
father, James S.
Lipscomb
Judith K. and S.
The Sarah Stern
Michael Fund
Lt. Col. Franklin D.
Morrison and Norma
T. Morrison
Paulette and Kurt
Olden and Michael
and Rita Striar in
memory of Dana
The Painting and
Drawing Society of
The Cleveland
Museum of Art
Francine and Benson
Pilloff
Harry and Nina
Pollock
The Print Club of
Cleveland
Louise S. Richards
Audra and George
Rose
Carole W. and
Charles B. Rosenblatt
Judith and James A.
Saks
Mark Schwartz and
Bettina Katz
Elizabeth Wade
Sedgwick
Elizabeth Carroll
Shearer in memory of
her husband Robert
Lundie Shearer
Steven Sorman in
memory of Pegram
Harrison
Professor Walter and
Nesta Spink in honor
of Stanislaw Czuma
Joni Sternbach
Striar
Diane and Arthur
Stupay
Toshiko Takaezu
The Textile Art
Alliance
Joan Tomkins and
William Busta
Joseph Vitone
Pamela Elizabeth
Ward in loving
memory of her
parents, William E.
and Evelyn Svec
Ward
Anne E. Wardwell
Bequest of Isadore
Warshawsky
Martin K. Webb and
Charles L. Venable
James Welling
Janet Yost
Susan A. and Charles
M. Young
Dr. Norman
Zaworski
Gustave Baumann
(American, b.
Germany, 1881–1971);
Brown County, 1909–
16; gouache; 28.2 x
25.4 cm; Gift of Ann
Baumann 2005.456.
77
Individual giving
Annual operating gifts
provide essential, unrestricted support that
enables the museum to
direct dollars where the
need is greatest. We
are particularly grateful
to our Donor Circles
members, Corporate
members, Annual Fund
donors, and Patron and
Contributing level
members. Thank you
for such an enduring
demonstration of support during the 18month period from
January 2005 to June
2006.
Circles Leadership
Committee
Leon M. Plevin, Chair
James T. Bartlett,
Founders Society Chair
Naomi Singer,
President’s Circle Chair
Lee Warshawsky,
Director’s Circle Chair
Richard E. Beeman
McKey Berkman
Suzanne Blaser
William R. Calfee
Deborah W. Cowan
Ruth Dancyger
Margaret and Pete
Dobbins
Barbara Galvin
Nicki and Robert N.
Gudbranson
Anne Higerd
Charlene Hyle
Donald M. Jack
Adrienne L. Jones
Candace M. Jones
Nancy F. Keithley
Giuliana Koch
Jon A. Lindseth
Randall D. Luke
Katherine Moroscak
Michael J. Peterman
Florence KZ Pollack
Fran and Frank
Porter Jr.
Barbara S. Robinson
Elliott L. Schlang
David L. Selman
W. Allen Shapard
Kate Stenson
Edith G. and William
W. Taft
Helen Tomlinson
Joyce B. Weidenkopf
Hannah S. Weil
Trudy Wiesenberger
John Zayac
Paula Zeisler
+ deceased
78
Operating Support
$25,000 or more
J. Barbato
Mr. and Mrs. James
T. Bartlett
Mr. and Mrs. Leigh
Carter
Alexander M. and
Sarah S. Cutler
Mr. and Mrs. Robert
W. Gillespie
Janice Hammond and
Edward Hemmelgarn
J. Horvitz
Robert M. Kaye and
Diane Upright
Mr. and Mrs. Joseph
P. Keithley
Iara Lee and George
Gund III
Peter B. Lewis
Mr. and Mrs. Alex
Machaskee
Amanda and William
P. Madar
Mr. and Mrs. Milton
Maltz
Barbara and Morton
Mandel
Mr. and Mrs. Bruce
V. Mavec
E. Myers
Mr. and Mrs. Alfred
M. Rankin Jr.
Mrs. Alfred M.
Rankin
Donna and James
Reid
R. Robertson
Mr. and Mrs. David
M. Schneider
Sherwin
Mr. and Mrs. Eugene
Stevens
$10,000 to $24,999
Mr. and Mrs. B.
Charles Ames
James and McKey
Berkman
Richard J. Blum and
Harriet L. Warm
P. Bolton
Mrs. Noah L. Butkin
R. Calfee
Mrs. Austin B. Chinn
Mrs. M. Roger Clapp
Mr. and Mrs. Gerald
A. Conway
Dr. and Mrs. Michael
D. Eppig
Dr. and Mrs. John
Flower
Charles D. and
Charlotte A. Fowler
Mr. and Mrs. Robert
D. Gries
Mr. and Mrs. David
H. Gunning
Dr. and Mrs. Shattuck
Wellman Hartwell Jr.
Mr.+ and Mrs. John
Hildt
Mrs. Harry Richard
Horvitz
Lillian L. Hudimac
Marguerite B.
Humphrey
Anne Hollis Ireland
James D. Ireland III
Mr. and Mrs. Robert
H. Jackson
Barbara Jacobs+
Mr. and Mrs. Dieter
Kaesgen
Mr. and Mrs. Edward
A. Kilroy Jr.
Mr. and Mrs. Stuart
F. Kline
Mr. and Mrs. Jon A.
Lindseth
Elizabeth McBride
C. McCoy Jr.
Mr. and Mrs. S.
Mr. and Mrs. Stanley
A. Meisel
Mr. and Mrs. Harold
S. Minoff
A. Mitchell
Mr. and Mrs. John C.
Morley
Mary Schiller Myers
Lucia S. Nash
Mr. and Mrs. Albert
B. Ratner
Andrew K. Rayburn
and Heather H. Guess
Barbara S. Robinson
Dr. and Mrs. Ronald
J. Ross
Edwin M. Roth
L. Schlang
Dr. and Mrs. Gerard
Seltzer
Laura and Alvin A.
Siegal
Mr. and Mrs. Edward
C. Smith
Mr. and Mrs. Steven
Spilman
Mr. and Mrs. John F.
Turben
Mr. and Mrs. David
Haber Warshawsky
T. Watson
D. Weller
$5,000 to $9,999
Anonymous (2)
Mr. and Mrs.
Quentin Alexander
Mr. and Mrs. Daniel
F. Austin
Mr. and Mrs. Paul S.
Brentlinger
Mr. and Mrs. Morton
Cohen
E. Conway
Mr. and Mrs. Robert
R. Cull
Lois J. Davis
Albert J. DeGulis
Dr. and Mrs. Richard
C. Distad
Pete and Margaret
Dobbins
Mrs. Morris Everett Sr.
Hubert L. Fairchild+
Mr. and Mrs.+ Allen
H. Ford
Mr. and Mrs. Robert
S. Friedman
Mrs. Robert I. Gale
Jr.
Joseph T. Gorman
C. Gridley
Mr. and Mrs. Robert
N. Gudbranson
Elaine Grasselli
Hadden
Mr. and Mrs. Henry
R. Hatch III
Mr. and Mrs. James J.
Heusinger
Elizabeth A. Holan
Mr. and Mrs. Arthur
S. Holden Jr.
Charles S. Hyle and
Charlene Hyle
Mr. and Mrs. Donald
M. Jack Jr.
Mr. and Mrs. Walter
E. Kalberer
Helen Kangesser
Mr. and Mrs. Douglas
A. Kern
Mr. and Mrs. Dennis
W. LaBarre
Mr. and Mrs. Arthur
J. Lafave Jr.
Mrs. Jack W. Lampl
Jr.
Toby Devan Lewis
Mr. and Mrs. Edward
A. Lozick
Betty C. Madden
Dr. Nancy-Clay
Marsteller
Mr. and Mrs. Joseph
B. Milgram Jr.
Mr. and Mrs. Eric T.
Nord
Mrs. R. Henry
Norweb Jr.
J. O’Neill Jr.
Henry Ott-Hansen
Mr. and Mrs. Leon
M. Plevin
Mr. and Mrs. Larry I.
Pollock
John White Abbott
(British, 1763–1851);
Near New Bridge on
the Dart Devon, 1800;
watercolor; 17.9 x 26.9
cm; Gift of The
Painting and Drawing
Society of the
Cleveland Museum of
Art 2005.200.
Dr. and Mrs. Louis
Rakita
Katharine and Bryan
Reid
Mrs. Leighton
Rosenthal+
Mr. and Mrs. James
A. Saks
Mr. and Mrs. Viktor
Schreckengost
Leonard S. Schwartz
and Charlotte R.
Kramer
Mark Schwartz and
Dr. Bettina Katz
Mr. and Mrs. Boake
A. Sells
Mr. and Mrs. David
L. Selman
John L. Selman
Richard A. Statesir
and Georganne
Vartorella
Mr. and Mrs.
Howard Fenno Stirn
Mr. and Mrs. Donald
W. Strang Jr.
Mr. and Mrs. Joseph
D. Sullivan
Dr. Paul J. Vignos Jr.
Mr. and Mrs. Loyal
W. Wilson
Iris Wolstein
Mrs. Paul
Wurzburger+
Dr. Norman W.
Zaworski
Mr. and Mrs.
Kenneth Zeisler
$2,500 to $4,999
Mr. and Mrs. Paul R.
Abbey
Mr. and Mrs. A.
Chace Anderson
Elizabeth L.
Armington
Mrs. Patrick H.
Beall+
Marcelle Bergman
William P. Blair III
Mr. and Mrs. Edward
B. Brandon
Mr. and Mrs. Glenn
R. Brown
Francis J. Callahan
Drs. William A.
Chilcote Jr. and
Barbara S. Kaplan
Dr. and Mrs. John
Collis
H. Coquillette
Deborah W. Cowan
Mrs. George N.
Daniels
Mr. and Mrs. Robert
P. Duvin
Scott Fine
Judith Gerson
Mrs. Charles Hickox
Ralph and Sarah
Horwitz
L. Huffman
Mr. and Mrs. B. Scott
Isquick
Drs. Morris and
Adrienne Jones
Katzenmeyer
Koch
Mr. and Mrs. Peter A.
Kuhn
Mr. and Mrs. Marvin
L. Lader
Mr. and Mrs. John N.
Lauer
Mr. and Mrs. Kurt
Liljedahl
Mr.+ and Mrs.
Robert A. Little
D. Luke
Susan W. MacDonald
Lester Theodore+
and Edith D. Miller
Mr. and Mrs. David
T. Morgenthaler
Mr. and Mrs. Thomas
W. Morris
Donald W. Morrison
Creighton B. Murch
and Janice A. Smith
Susan B. Murphy
Mr. and Mrs. Robert
D. Neary
Mrs. James Nelson
M. Osborne Jr.
Dr. and Mrs. Harry
W. Pollock
P. Price
Mr. and Mrs. Thomas
A. Quintrell
Mr. and Mrs. Paul J.
Schlather
Kim Sherwin
Mr. and Mrs. Edwin
Z. Singer
Mr. and Mrs. David
W. Sloan
Smeltz
Brit and Kate Stenson
W. Taft
Nelson S. Talbott
Mr. and Mrs. Neil
Thompson
Charles L. Venable
and Martin K. Webb
K. Wamelink
Dr. Steven Ward and
Dr. Barbara Brown
Nancy N. West
Shelby White
$1,000 to $2,499
Stanley and Hope
Adelstein
B. Ainsworth Jr.
Mr. and Mrs.
Theodore M. Alfred
Mr. and Mrs.
Norman W. Allison
Ruth M. Anderson
Dr. and Mrs. Albert
C. Antoine
Agnes M. Armstrong
Roma and George
Aronoff
Janet G. and Gregory
J. Ashe
Graham G. Ashmead
M.D.
Joseph Babin
Thomas J. Baechle
Mr. and Mrs. Henry
T. Barratt
Dennis Barrie and
Kathleen H. Coakley
Mr. and Mrs. C.
Bruce Beattie
E. Beeman
Dr. Nejad Behzadi
Mr. and Mrs. Jules
Belkin
Dr. Ronald and
Mrs. Diane Bell
Robert B. Benyo
Ted and Catherine
Biskind
Francis L. Blaschka
Mr. and Mrs. James
D. Blaser
Leon W. Blazey Jr.
Mrs. Lawrence
Blumenthal
Dr. and Mrs. Jeffrey
L. Blumer
Mr. and Mrs. James
C. Boland
Helen and Albert
Borowitz
Loretta and Jerome
Borstein
E. Boyatzis
James J. Branagan
Mr. and Mrs. John G.
Breen
Kenneth L. Brown
Mr. and Mrs. Henry
G. Brownell II
Cynthia and Robert
Bruml
Dr. and Mrs. Harvey
Buchanan
John F. Burke Jr. and
Nancy A. Fuerst
Linda R. Butler and
Steven E. Nissen,
M.D.
William E. and
Patricia A. Butler
Margaret Lang
Callinan
Mr. and Mrs. Harry
Carlson
Ruth Anna Carlson
and Albert Leonetti
Mr. and Mrs. Frank
H. Carpenter
Mr. and Mrs. Frank
B. Carr
Mr. and Mrs. Kevin
M. Carr
Maria and Laura Cashy
Mr. and Mrs. George
B. Chapman Jr.
Kimberly and George
B. Chapman III
79
Jean Dubuffet (French,
1901–1985); Tree, 1964;
pen and black ink; 33.4
x 24.9 cm; Gift of
Louise S. Richards
2005.276.
80
Corning Chisholm
Mr. and Mrs. Homer
D. W. Chisholm
Mr. and Mrs. Robert
W. Clark
Mr. and Mrs. Frederick
W. Clarke IV
Mr. and Mrs. Victor
J. Cohn
Richard A. and Diane
L. Collier
Mr. and Mrs. Robert
D. Conrad
Mr. and Mrs. Evan
R. Corns
Mr. and Mrs. Alfred
G. Corrado
Mr. and Mrs. Edward
G. Cowan
Mr. and Mrs. Thomas
W. Cristal
Patricia F. Cusick
Mrs. S. L. Dancyger
Dr. and Mrs. Robert
B. Daroff
Shirley B. Dawson
Drinko
Marian Drost
Mr. and Mrs. George
J. Dunn
Tamara Durn and
Rick Doody
Dr. and Mrs. Henry
Eisenberg
V. Epp
Dr. and Mrs. R.
Bennett Eppes
Mr. and Mrs. Donald
Esarove
Mrs. William H.
Evans
Mr. and Mrs. Warren
W. Farr Jr.
Dr. and Mrs. Aaron
E. Feldman
Mr. and Mrs. Lewis
Femec
Helen Forbes-Fields
and Darrell A. Fields
Lauren Fine
Mrs. Seth M. Fitchet
Mr. and Mrs. John
Fletcher
Mr. and Mrs.
Frederick Floyd
Mrs. George Foley
Mr. and Mrs. Earl R.
Franklin
Mr. and Mrs. John R.
Fraylick
David Fresco and
Katherine Offutt
Robert Friedman and
Elizabeth R.
MacGowan
Mr. and Mrs. Ted H.
Frost
Mr. and Mrs. Peter L.
Galvin
Stephen H. Gariepy
and Nancy Sin
Mr. and Mrs. Robert
J. Garon
Leah S. Gary
Alison W. Gee
Mr. and Mrs. David
Geyer
Matthew Gobec and
Doris Clinton-Gobec
Dr. and Mrs. Victor
M. Goldberg
Sally A. Good
Mr. and Mrs. Andrew
L. Green
Mr. and Mrs. James
B. Griswold
Mrs. Jerome Grover
Mr. and Mrs. Peter
Guren
Mr. and Dr. James R.
Hackney
H. Hahn
Mr. and Mrs. Robert
E. Harris
Mr. and Mrs. Robert
L. Hartford
Mr. and Mrs. Donald
F. Hastings
Mr. and Mrs.
Jonathan C. Hatch
Mr. and Mrs.
Kenneth F. Hegyes
Mr. and Mrs. Oliver
C. Henkel Jr.
Mr. and Mrs. John F.
Herrick
Margaret Stone
Hesslein
Mr. and Mrs. Jeffrey
J. Higerd
Edith F. Hirsch
R. Hollington
Dorothy Humel
Hovorka
Mr. and Mrs.
Norman Hyams
Mr. and Mrs. Robert
A. Immerman
Mr. and Mrs. E. Dale
Inkley
Dr. and Mrs. Scott R.
Inkley
Mr. and Mrs. Fred
Isenstadt
Mr. and Mrs. Stanley
T. Jaros
Mr. and Mrs. Edwin
T. Jeffery Jr.
Candace M. Jones
Mr. and Mrs.
Theodore T. Jones
Trevor and Jennie
Jones
William R. Joseph
and Sarah J. Sager
Dr. and Mrs. Donald
W. Junglas
Henri Pell Junod Jr.
Mr. and Mrs. Thomas
Fisher Kahn
Kaplan
Patricia Keating and
David Shick
Mr. and Mrs. John
Kelly
Hilary and Robert
Kendis
Susan and James
Kendis
Mr. and Mrs. Bruce
Kendrick
Mr. and Mrs. R.
Steven Kestner
Mr. and Mrs. Robert
J. Kichler
Ann F. Kiggen
Kenneth H. Kirtz
S. Kiser
J. Knerly Jr.
Mr. and Mrs. Stewart
Kohl
Mr. and Mrs. Alan M.
Krause
Dr. John T. Lai
E. Lamm
Mr. and Mrs. Samuel
H. Lamport
Mr. and Mrs. Robert
Larson
Dr. and Mrs. Stephen
F. Lau
Dr. and Mrs.
Sherman E. Lee
Mr. and Mrs. Morton
Q. Levin
Mrs. Sidney Lobe
Mr. and Mrs. Bruce
Loessin
D. Lundin
William MacDonald Jr.
Alan Markowitz,
M.D., and Cathy
Pollard
Dr. and Mrs. Sanford
E. Marovitz
Florence G. Marsh
Mrs. Walter A.
Marting
Charlotte M.
Masterson
Mr. and Mrs.
Alexander McAfee
Mr. and Mrs.+ Julien
L. McCall
Mrs. Frederick S.
McConnell Jr.
Mr. and Mrs.
Anthony R. Michel
Dr. and Mrs. Beno
Michel
Mr. and Mrs. John
M. Mino
Steve and Dolly Minter
Mr. and Mrs. A.
Malachi Mixon III
Leslie and Jennifer
Moeller
Mr. and Mrs. Dan T.
Moore III
Keith Morgan
J. Moroscak
J. Morse
Dr. and Mrs. Roland
W. Moskowitz
Mr. and Mrs. Patrick
S. Mullin
Helen M. Murway
Nestor
Mr. and Mrs. T. F.
Neubecker
Mr. and Mrs. Francis
Wynne Neville
Daurine Noll
Mr. and Mrs. Brad
Norrick
H. North Jr.
Mrs. Donald C.
Opatrny
Mr. and Mrs. Harvey
Oppmann
Mr. and Mrs. Jon H.
Outcalt
Bob and Trisha Pavey
B. Payne
J. Peterman
Mrs. Charles E. Petot
Jean Z. Piety
Florence KZ Pollack
Mr. and Mrs. Frank
H. Porter Jr.
Steve and Susan
Potter
Mr. and Mrs. John
Prim
Stanley M. Proctor
Cynthia E. Rallis
Cathy Randall
Bruce T. Rankin
G. Robertson
Jay F. Rockman and
Dr. Katherine
Rockman
W. Rosenblatt
Mr. and Mrs. Robert
J. Roth
Judge Betty Willis
Ruben and Professor
Alan Miles Ruben
Mr. and Mrs. Vaughn
P. Rubin
Florence Brewster
Rutter
Marjorie Bell Sachs
Clarine Saks
Barbara J. Samolis
Mr. and Mrs.
Raymond T. Sawyer
Linda M. Schlageter
John and Sally
Schulze
Adrian L. Scott
Mrs. David Seidenfeld
Mr. and Mrs. Oliver
E. Seikel
Dinah Seiver and
Thomas E. Foster
Mr. and Mrs. Ashok
Shendure
Dennis Sherwin
J. Sherwin
Mr. and Mrs. Joseph
Shrier
Gary and Evelyn
Siegel
Mr. and Mrs.
Lawrence N. Siegler
Mr. and Mrs. David
L. Simon
Dr. Marie A. Simon
and John Michael
Zayac
Phyllis Sloane
Gretchen D. Smith
Richey and Sandra
Smith
Mr. and Mrs. Jeffrey
H. Smythe
Katherine Solender
and Dr. William E.
Katzin
Patrick T. Soltis
Mrs. Donald H.
Spitz+
Dr. and Mrs.
Gottfried K. Spring
R. Thomas and Meg
Harris Stanton
Steigerwald
Mr. and Mrs. Leonard
Stein-Sapir
Dr. Timothy
Stephens
Mr. and Mrs.
Lawrence E. Stewart
Mr. and Mrs. Harry
H. Stone
Mrs. Sam Gaines
Stubbins
Mr. and Mrs. Arthur
M. Stupay
Sulak
Mr. and Mrs. Daniel
C. Sussen
Mary E. Suzor
Mr. and Mrs. Seth C.
Taft
Mr. and Mrs. W.
Hayden Thompson
Helen N. Tomlinson
Mr. and Mrs. Leonard
K. Tower
Mrs. George S. Traub
Mrs. Richard Barclay
Tullis
Brenda and Evan
Turner
Mr. and Mrs. Robert
F. Vail Jr.
Benton Spruance
(American, 1904–1967);
Night, 1937; lithograph;
34.6 x 48.1 cm;
Severance and Greta
Millikin Purchase Fund
2006.114.4.
81
Mr. and Mrs. Peter
van Dijk
Tinkham Veale II
Mrs. Daniel Verne
Mrs. Myron Viny
Mr. and Mrs. Paul J.
Volpe
A. Walsh
Doris H. and Russell
J. Warren
Mr. and Mrs. David
D. Watson
William B. Watterson
Mr. and Mrs. David
W. Weidenkopf
R. Weil
Anne W. Weinberg
Mr. and Mrs. Jerome
A. Weinberger
Mr. and Mrs. Alton
W. Whitehouse Jr.
Mrs. McKinley
Whittlesey
Mr. and Mrs. Steven
R. Wiesenberger
Ambassador Milton
A. Wolf+
Frances R. Zverina
$500 to $999
Nancy A. Adams
Mr. and Mrs. David
F. Adler
Mr. and Mrs. Thomas
W. Adler
Drs. Sawsan T. and
Ali Alhaddad
Mr. and Mrs. P.
Thomas Austin
Arthur W. Bayer Jr.
Mr. and Mrs. Eli C.
Becker
Dr. and Mrs. Robert
W. Bercaw
Mr. and Mrs. Don A.
Berlincourt
Mr. and Mrs.
Lawrence A.
Blaustein
Rabbi and Mrs.
Richard A. Block
Mr. and Mrs. Paul H.
Bodden
82
Lynn Boukalik
Mrs. Morris A.
Bradley II
Maureen A. Brennan
Elaine E. Brookes
Dr. and Mrs. Everett
C. Burgess
J. C. and Helen
Rankin Butler
C. Butler
Mary Ellen Cabbage
Mrs. Thomas F.
Campbell
George N. Chandler II
Kelly Chapman
Verlie P. Ciriello
Eileen Clancy
Darrell A. Clay
Richard R. Colbert
and Dr. Ellen D. Rie
Mr. and Mrs. Owen
M. Colligan
Mr. and Mrs. Robert
S. Colquhoun
Joy L. Comey
Mrs. Alfred R.
Cooper
Dr. and Mrs. Robert
C. Corn
Mr. and Mrs. Chester
F. Crone
R. Crowley
Mr. and Mrs. Robert
F. Dakin
Mr. and Mrs. Peter
W. Danford
Mr. and Mrs. Kent J.
Darragh
Dr. Ranajit K. Datta
Bruce B. Dayton
Mr. and Mrs. David
L. Deming
Dr. and Mrs. Paul E.
DiCorleto
Marilyn N. Doerr
Patricia A. Dolak
Edward Donnelly and
Mary Kay DeGrandis
Kim Gamellia
T. Garrett
Marjorie K. Garson
Mr. and Mrs. Lowell
K. Good
Dr. Kathleen S.
Grieser
Dr. and Mrs.
Laurence K. Groves
Guinness
Donald Gutierrez
Mr. and Mrs. David
P. Handke Jr.
Mrs. John D. Hansen
Lois and Jerry M.
Hawn
Dawn Haynes
Elizabeth A. Hecht
Dr. and Mrs. John H.
Hemann
Mr. and Mrs. Gerald
L. Herschman
Mr. and Mrs. John J.
Hetzer
Robert T. Hexter
Mrs. Roland S. Hill
Mr. and Mrs. Robert
M. Hosler Jr.
Mr. and Mrs.
Wilhelm Huber
Mr. and Mrs. Norbert
R. Jaworowski
Carl M. Jenks
Robert B. Jensen
M. Jones
Mary D. Joyce
Mr. and Mrs. Lowell
L. Kampfe
Mr. and Mrs. Gary
Kaufman
Mr. and Mrs. Eric J.
Klieber
Mrs. Clark W.
Knierman
Deborah L. Koerwitz
Dr. Ronald H.
Krasney
Rose Mary Kubik
Mr. and Mrs. Thomas
J. LaFond
G. Lann
Mr. and Mrs. Henry
G. Laub
Mr. and Mrs. Ray
Leach
Mr. and Mrs. Bertram
H. Lefkowich
Dr. Edith Lerner
Dr. and Mrs. Stephen
B. Levine
Doris Linge
Dr. and Mrs. Jack
Lissauer
Mr. and Mrs. Neil F.
Luria
Dr. Alvin and Lorrie
Magid
Alice D. Malone
A. Manuel
Kay S. Marshall
Nicole Visconsi
Mawby
McDonald
Linda L. Wagy
McGinty
Claire and Sandy
McMillan
Jean Palmer Messex
Mr. and Mrs. Angelo
S. Milicia
J. Mintz
Lloyd D. Moore
Thomas and
Katharine Morley
Dr. Joan R.
Mortimer
Lara and Sean Mullen
Richard J. Murway
Dr. Linn W. Newman
Mr. and Mrs. Stuart
Neye
Terry Novak
Mr. and Mrs. Daniel
B. Ornt
Dr. and Mrs. Chanho
Park
Mr. and Mrs. James
R. Pender
A. Pendry
Dr. and Mrs. Charles
A. Peter
Graham A. Peters
Judith A. Petraitis
Peter Pfouts+
Dr. and Mrs. Franklin
H. Plotkin
Elinor G. Polster
Linda A. Pontikos
Mr. and Mrs. Alan G.
Poorman
David W. Porter
Robert W. Price
Marie Quintana and
Robert Sikora
Dr. and Mrs. Mehdi
Razavi
Beth and David
Ricanati
Diane Rigney
Alice N. Robbins
Georgianna T.
Roberts
Mr. and Mrs. George
M. Rose
Mrs. Martin
Rosskamm
Mr. and Mrs. Robert
S. Rutledge
Mr. and Mrs. Ray E.
Saccany
Scott Sazima and
Kathy Kelly
Mr. and Mrs. Victor
J. Scaravilli
J. Schenkelberg
James R. Schutte
Dr. Susan W.
Schwartz
Mr. and Mrs. Thomas
W. Seabright
H. Shafer
Mr. and Mrs. Larry
M. Shane
Mr. and Mrs. David
B. Shifrin
Carsten Sierck and
Allen Shapard
Scott M. Simon
Stacy Singerman
David K. Smith
Mr. and Mrs. Mark
Smrekar
D. Springer
Omer F. Spurlock
Dr. and Mrs. Frank J.
Staub
Jack Stinedurf and
Lori Locke
Lanie Strassburger
Jeffrey and Heidi
Strean
Sandra S. Sullivan
Dr. Kenneth F.
Swanson
Mr. and Mrs. Henry
T. Tanaka
Mr. and Mrs. Robert
S. Targett
Mr. and Mrs.
Kenneth E. Taylor
Christopher O. Tracy
Mr. and Mrs. Sandip
Vasavada
Mr. and Mrs. John H.
Vinton
Honorable and Mrs.
William F. B. Vodrey
Mrs. James L.
Wamsley Jr.
Mr. and Mrs. James
W. G. Watson
Dr. and Mrs. Leslie T.
Webster Jr.
Steve B. Wheeler
Constance S. White,
M.D.
Mr. and Mrs.
Christopher Wick
Mrs. James A.
Winton
Lois Wolf
Robert M. Wolff and
Dr. Paula Silverman
Molly H. Young
Genevieve Zarnick
Mr. and Mrs. Scott
Zeilinger
A. Zellner
L. Ziegler
Special Projects,
Programming, and
Exhibition Support
Malcolm E. Kenney
Planned Giving
Planned Giving
Council
Stephen H. Gariepy,
Chair
Richard E. Beeman,
Vice Chair
Richard B.
Ainsworth Jr.
Thomas S. Allen
Gordon A. Anhold
James S. Aussem
P. Thomas Austin
Molly Balunek
Laurence A. Bartell
Gary B. Bilchik
Terry L. Bork
Herbert L. Braverman
David J. Brown
J. Donald Cairns
Peter H. Calfee
Angela G. Carlin
Peter J. Chudyk
Ronald B. Cohen
David E. Cook
Hedy T. Demsey
Rebecca H. Dent
Carina S. Diamond
Gary L. Dinner
Emily A. Drake
Heather Roulston
Ettinger
Georgia A. Froelich
Robert R. Galloway
James A. Goldsmith
Sally L. Gries
Ronald G. Gymer
Ellen E. Halfon
David P. Handke Jr.
Oliver C. Henkel Jr.
Kenneth G.
Hochman
Gregory T. Holtz
William J. Hyde
Brian J. Jereb
Mark A. Kikta
Stephen J. Knerly Jr.
James R. Komos
Roy A. Krall
Neil B. Kurit
Donald W. Laubacher
Robert K. Lease
Herbert B. Levine
Wayne D. Minich
M. Elizabeth
Monihan
Patrick S. Mullin
Joseph V. Pease Jr.
Andrew I. Press
Charles L. Ratner
Richard C. Renkert
Frank M. Rizzo
Sara K. Robechek
James D. Roseman
Patrick J. Saccogna
Bradley J. Schlang
Paul J. Schlather
Walter S. Schwartz
Gary S. Shamis
John F. Shelley
Roger L. Shumaker
Mark A. Skvoretz
John E. Smeltz
Richard T. Spotz Jr.
Mark F. Swary
Robert A. Valente
Missia H. Vaselaney
Catherine G. Veres
Gloria A. Walas
Richard T. Watson
Jeffry L. Weiler
Marcia J. Wexberg
Drew E. Wright
Alan E. Yanowitz
Gary A. Zwick
Legacy Society
The Cleveland Museum
of Art thanks the many
members of the Legacy
Society, including
those who wish to
remain anonymous, for
their generosity, kindness, and support.
Legacy Society members have included the
museum in their estate
plans or created endowment funds. These
planned gifts help
ensure the museum’s
future for generations
to come.
Anonymous
Martha Aarons
Mrs. Shuree Abrams
Carolyn Adelstein
Norman W. and
Helen T. Allison
Hazel M. Anchor
Herbert Ascherman
Jr.
Marjorie Weil
Aurbach+
Frances and Andrew
D. Babinsky
Doris Govan
Ballengee+
Laurence and Nancy
Bartell
James T. and Hanna
H. Bartlett Charitable
Trust
Norma E. Battes
Mrs. Matthew A.
Baxter+
Mr. and Mrs. Behm
Carolyn H. Bemis
Nancy Harris
Beresford
Dorothy A. and Don
A. Berlincourt
Mildred K. Bickel+
Valentine Bikerman+
Dr. Harold and Lillian
Bilsky
Catherine F. Paris
Biskind
Flora Blumenthal
Mr. and Mrs. Alfred
C. Body+
John C. Bonebrake
Helen and Albert
Borowitz
Ruth Gedeon Boza
Gracey Bradley
Louise Bradley
Mrs. Wilbert S.
Brewer+
Helen E. Brown+
Jeanette Grasselli
Brown and Glenn R.
Brown
Ronald and Isabelle
Brown+
Pauline and Clark
Evans Bruner+
Dr. and Mrs. Harvey
Buchanan
Rita Whearty
Buchanan
Fred and Linda
Buchler
Alexander W.
Budden
Sally M. Buesch
Honnie and Stanley
Busch
Pauline Bushman
Milan and Jeanne+
Busta
Barbara A. Chambers,
Ed.D.
Ellen Wade Chinn
Ray W. Clarke
Betsy Nebel Cohen
Karen M. and
Kenneth L. Conley
Martine V. Conway
and Gerald A.
Conway
Mr. and Mrs.
Kenneth Cooley
George B. Coombe+
Seneca Master (Italian,
active about 1307–25);
Medallion from the
Border of a Latin Bible:
The Sixth Day of
Creation, early 1300s;
tempera on vellum;
diam. 7 cm; The Jeanne
Miles Blackburn
Collection 2006.9.
+ deceased
83
Mrs. John (Louise)
Cooper
Robert and Reed
Costa
Vincent R. Crew
William S. Cumming
Ran K. Datta
Barbara Ann Davis
Bernice M. and
David E.+ Davis
Carol J. Davis
E. Barbara Davis
Margie K. Davis+
Helen+ and Al
DeGulis
Mrs. John B.
Dempsey+
Edna H. Doller+
Mark Dreger in
memory of Kelly
Dreger
Elizabeth Drinko
Mr. and Mrs. Robert
Duvin
Bernard and Sheila
Eckstein
Caroline Emeny+
Elaine S. Engeln
Edith Virginia
Enkler+
D. Eppig
Heather Ettinger
Eleanor Everett
Patricia J. Factor
Arline C. Failor+
Hubert L. Fairchild+
Jane Iglauer Fallon+
Frances Fangboner+
Elizabeth Ludwig
Fennell
S. Jay Ferrari
Mr. and Mrs. C. J.
Fiordalis
Marilyn L. Fisher
Maxeen and John
Flower
Virginia Foley
Richard Lee Francis
Edward L. Franke+
Mrs. Ralph I. Fried+
Leonard F. and
Catherine L. Fuller+
84
Barbara and Peter
Galvin
Mrs. Carl H.
Ganzenmueller
Phyllis Asquith Gary
James E. Gibbs, M.D.
James W. Gifford+
F. David Gill
Rocco Gioia
Gladys B. Goetz+
Leonard C. Gradeck
Ruth Thompson
Grandin
Elaine Harris Green
C. Gridley
Anne Groves
Mary T. Gruber+
Mr.+ and Mrs. David
L. Grund
Agnes Gund and
Daniel Shapiro
Graham Gund
Joseph E. Guttman+
Mr. and Mrs. James
C. Hageman+
Edward Halbe
Marvin G. Halber+
Virginia Halvorson+
James J. Hamilton
David A. Hardie and
Howard John Link+
Jane Hanson Harris+
Thomas and Joan
Hartshorne
D. J. Hassler
Masumi Hayashi+
Mr. and Mrs. Wade
Farley Helms
Dorothy P. Herron+
Rice Hershey
Dorothy Tremaine
Hildt
Mary C. Hill+
Tom Hinson and
Diana Tittle
Dr. Gerhard
Hoffmann and Mrs.
Lee Hoffmann+
Mr. and Mrs. Arthur
S. Holden Jr.
Dr. and Mrs. Ralph
F. Hollander+
Dr. Gertrude
Seymour Hornung+
J. Horvitz
Patience Cameron
Hoskins
Elizabeth A. Hosmer
Virginia Hubbell+
Laura A. Hugus+
Mr. and Mrs. George
M. Humphrey II
Carola B. Hunt
Grace Ellen Huntley+
Mary E. Huth+
Jarmila Hyncik+
Inkley
Edward F. and Mary
F. Intihar+
B. Scott Isquick
Donald M. Jack Jr.
Karen L. Jackson
Sharon Faith Jacobs
Robert J. Jergens
Tom L. Johnson+
Adrienne L. Jones,
M.D., and L. Morris
Jones, M.D.
Mr. and Mrs. E.
Bradley Jones
Virginia Jones+
Louis D. Kacalieff,
M.D.+
Etole and Julian
Kahan
Andrew Kahane
Audrey Regan
Kardos+
Aileen and Julian
Kassen
Mr. and Mrs. Joseph
F. Keithley+
Patricia Kelley
John Kelly
Bruce and Eleanor
Kendrick
Malcolm E. Kenney
Patricia Kenney
Lillian M. Kern+
Nancy H. Kiefer
Mr. and Mrs. Edward
A. Kilroy Jr.
Mary F. King+
Kenneth Kirtz
Mr. and Mrs. G.
Robert Klein+
Jay Robert Klein
Thea Klestadt+
Gina and Richard
Klym
Margery A. Kowalski
Mrs. Arthur Kozlow+
Helen A.+ and
Fredrick S. Lamb
Dr. Joan P. Lambros
Carolyn C. Lampl
Mrs. Samuel H.
Lamport
Mildred Lerch+
Roger J. Lerch
Maxine Goodman
Levin+
Ellen Levine+
Jon and Virginia
Lindseth
Tommy and Gill
LiPuma
Dr.+ and Mrs. Sidney
Lobe
Martin A. LoSchiavo
Mary Luetkemeyer
and Alfred Cahen
Nancy+ and Byron
Lutman
Carolyn White
MacNaughton+
Alice D. Malone
Jack N. Mandel
Robert A. Mann
Mr. and Mrs. Samuel
Mann
Karen Lee Marano
Kate M. Markert
Wilbur J. Markstrom
Dr. and Mrs. Sanford
E. Marovitz
Mr. and Mrs.
Anthony M.
Martincic
Isabel Marting+
Mr. and Mrs. Bruce
V. Mavec
Kathryn Arns May+
Malcolm L. McBride+
Mary W. and William
K. McClung
Eleanor Bonnie
McCoy
Marguerite H.
McGrath
Judith and Ted
McMillan
William W. and
Pamela M. McMillan
Elizabeth Briggs
Merry+
Robert and Laura
Messing
Ivan Mezi
Edith and Ted+
Miller
Mark J. Miller
Lynn Underwood
Minnich
Alice Mitchell
A. Mitchell
Mary B. Moon+
Beryl and Irv Moore
Geraldine M. Moose
Bessie Corso
Morgan+
Dr. Joan R.
Mortimer
Gordon K. Mott+
J. P. Mower+
Margaret and
Werner+ Mueller
Susan B. Murphy
Anthony C. Nassif,
M.D.
Egbert+ and Hilda+
Nieman
Mr. and Mrs. George
Oliva III
George Oliva Jr.
Marilyn B. Opatrny
Mrs. James M.
Osborne+
Aurel F. Ostendorf+
Frederick
Woodworth Pattison
Robert De Steacy
Paxton+
James Edward Peck+
Mrs. Rudolph J.
Pepke+
Mrs. A. Dean Perry+
Mr. and Mrs. Peter
Pfouts+
Emily M. Phillips
Florence KZ Pollack
Jean C. Price+
Lois S.+ and Stanley
M. Proctor
Dr. and Mrs. Frank
Rack+
M. Neal Rains
Mrs. Alfred M.
Rankin
Donna and James
Reid
Robert S. and Sylvia
K. Reitman
David Rollins+
James J. Roop
Audra L. and George
M. Rose
Jackie and Norton
Rose
Carole W. and
Dr. and Mrs. Ronald
J. Ross
Aurelie A. Sabol
Marjorie Bell Sachs
Mr. and Mrs. James
A. Saks
James Dalton
Saunders
Dr. Franklin+ and
Helen Charnes
Schaefer
James Scheid
Elliott L. and Gail C.
Schlang
A. Benedict
Schneider, M.D.+
Dina Schoonmaker
Bryan K. Schwegler
Elizabeth Wade
Sedgwick
Ralph and Roslyn
Seed
Dr. Gerard and
Phyllis Seltzer
Mrs. William H.
Shackleton
Larry and Margaret
Shaffer
Dr. and Mrs. Daniel J.
Shapiro
Elizabeth Carroll
Shearer
Dr. Walter Sheppe
Kathleen Burke
Sherwin+
Michael and Carol
Sherwin
Patricia and Asa+
Shiverick
Mr. and Mrs. Joseph
Shrier
Miriam, Stanley, and
Kenneth Shuler
Rosalind and Sidney
H. Silber+
Adele Z. and Daniel+
Silver
Dr. and Mrs. John A.
Sims
Naomi G. Singer
Alden and Ellen D.
Smith
Kathleen E. Smith+
Katherine Solender
and Dr. William E.
Katzin
Rochelle A. Solomon
Dr. and Mrs.
Gottfried K. Spring
Lia N. Staaf
Barbara J. Stanford
Lois C. and Thomas
G. Stauffer
Dr. Willard D. Steck
Saundra K. Stemen
Ester R. Stern+
Dr. Myron B. and
Helene Stern
Eleanor E. Stone+
Lois and Stanley M.
Stone
Zenta Sulcs+
The Irving Sunshine
Family
Karen K. Sutherland
Frances P. and Seth
Taft
Josephine+ and
Nelson Talbott
Susan and Andrew
Talton
Frank E. Taplin Jr.+
Charles H. Teare
Fred+ and Betty
Toguchi
Mrs. William C.
Treuhaft+
Mr.+ and Mrs.
Richard B. Tullis
Dorothy Ann Turick
Brenda and Evan
Turner
Mr. and Mrs. Robert
A. Urban
Mary Louise Vail+
Alice O. Vana+
Marshall A. Veigel
Elliot Veinerman
Catherine G. Veres
Dr. and Mrs.+ Paul J.
Vignos Jr.
William E. Ward+
Elizabeth H. and
David H.
Warshawsky
Isidore Warshawsky+
Wasmer Jr.
Mrs. Daniel T.
Weidenthal
Mr. and Mrs.
Frederick Weizman
Dr. Joyce West
Marcia J. Wexberg
and Kenneth D.
Singer
Marilyn J. White
Mr. and Mrs. Alton
W. Whitehouse Jr.
Hugh and Sherry
Whiting
Douglas Wick
Burt T. Williams
Mrs. Lewis C.
Williams
Mr. Meredith
Williams
Mr. and Mrs. Roy L.
Williams
Mary Jo Wise+
Lenora R. Wolf+
Nancy L. Wolpe
Donald F. Woodcock
Mrs. Paul
Wurzburger+
Helen Zmek+
Dr. William F.
Zornow+
Frances R. Zverina
Barbara Bosworth
(American, b. 1953);
National Champion
Darlington Oak,
Georgia, 1999, printed
2004; gelatin silver
print; 24.6 x 59.5 cm;
Gift of Mark Schwartz
and Bettina Katz
2005.348.
85
Named Endowment
Funds for Art
Purchase, Specific
Purpose, and
Operations
The following list salutes the individuals,
families, and organizations whose named
endowment funds for
art purchase, specific
purpose, and operations provide an assured source of income
for the museum and
serve as a lasting
legacy to their generosity and foresight.
Based on market value
as of June 30, 2006.
** new fund or activity
Endowment Funds
Art Purchase
$10,000,000 and
more
Bequest
H. Marlatt Fund
Severance A. and
Greta Millikin
$1,000,000 to
$6,999,999
Dorothea Wright
Hamilton
Andrew R. and
Martha Holden
Jennings
Alma Kroeger
in 2005–6
$400,000 to
$999,999
Delia E. Holden
Lillian M. Kern
Memorial Fund
Edwin R. and Harriet
Pelton Perkins
W. Whitehill
$250,000 to
$399,999
Edward L. Whittemore
Mastiff Bat Vessel, ad
50–200; Central
Andes, Moche people;
ceramic and slip; 18.4
x 17.7 x 15.6 cm; John L.
Severance Fund
2005.6.
86
$100,000 to
$249,999
Charlotte Ekker and
Charlotte Vanderveer
Hershey Family Fund
Louis Severance
Higgins
L. E. Holden
Louis D. Kacalieff,
M.D.
Alma and Robert
Milne
James A. Parmelee
W. Rosenblatt**
Jane B. Tripp
Anne Elizabeth
Wilson Fund
Up to $99,999
John Cook Memorial
Fund
A. W. Ellenberger Sr.
Ruthe and Heinz
Eppler
Julius L. Greenfield**
Maria J. and William
Aubrey Hall**
Lawrence Hitchcock
Tom L. Johnson
G. M. and J. R.
Kelly**
Mr. and Mrs. Roger J.
Lerch in memory of
Carl J. Lerch and
Winifred J. Lerch**
Mary Spedding
Milliken Memorial
Judith and James A.
Saks in memory of
Lynn and Dr. Joseph
Tomarkin**
Dr. Gerard and
Phyllis Seltzer
Elizabeth Carroll
Shearer
Nicholas J. Velloney
E. Ward
Endowment Funds
Specific Purpose
$1,000,000 and
more
Robert P. Bergman,
Curatorial Chair for
Medieval Art
Robert P. Bergman
Memorial Fund
Ernest L. and Louise
M. Gartner Fund
Andrew W. Mellon
Foundation
Andrew W. Mellon
Foundation Fund for
Publications and
Research
Reinberger
Foundation
John and Frances
Sherwin Fine Arts
Garden
The Paul J. and Edith
Ingalls Vignos Jr.
Curator of European
Painting
$500,000 to
$999,999
George P. Bickford,
Curatorial Chair for
Indian and Southeast
Asian Art
Rufus M. Ullman**
Nicholas J. Velloney**
Delia H. White
Anton and Rose
Zverina Music Fund
$250,000 to
$499,999
Mildred K. Bickel
The Noah L. Butkin
Fund
Ellen Wade Chinn
Harold T. Clark
Educational
Extension Fund
Marie K. and Hubert
L. Fairchild Fund**
The FUNd
Marianne Millikin
Hadden Fund
Malcolm E. Kenney
Special Exhibitions**
F. J. O’Neill
Rose E. Zverina**
$100,000 to
$249,999
Mr. and Mrs.
Matthew Andrews
Ronald and Isabelle
G. Brown
John and Helen Collis
Family
Dr. Gerhard and Mrs.
Lee K. Hoffmann**
L. E. Holden
Gertrude S. Hornung
Zane Bland Odenkirk
and Magdalena
Maillard Odenkirk
Charlotte F. J.
Vanderveer
Womens Council
Flower Fund**
Up to $99,999
Anonymous**
Lydia May Ames
Valentine Bikerman
Scholarship Fund**
Robert Blank Art
Scholarship Fund
Arthur, Asenath, and
Walter H. Blodgett
Memorial Fund
Kelly Dreger
Louise M. Dunn
Fund
Netta Faris
Fine Arts Garden
The Gallery Group**
Gilpin Scholarship
Fund of Karamu
House
Mr. and Mrs. James
C. Hageman in
memory of Mrs. Elta
Albaugh Schleiff
Charlotte L. Halas
Flora E. Hard
Memorial Fund
Guerdon Stearns
Holden
Dorothy Humel
Hovorka Musical Arts
Fund
Frank and Margaret
Hyncik Memorial
Fund
Inkley in memory of
Katharine Newcomer
Albertha T. Jennings
Musical Arts
Ellen Bonnie Mandel
Children’s Education
Fund
Robert A. Mann
Herman R. Marshall
Memorial
Malcolm Martin
Ethel Cable McCabe
Thomas Munro
Memorial Fund
S. Louise Pattison
Preservation and
Conservation of Asian
Paintings
Mr. and Mrs. Edd A.
Ruggles Memorial
Fund
Adolph Benedict and
Ila Roberts Schneider
Memorial Music
Fund
Charles Frederick
Schweinfurth
Scholarship
H. E. Weeks
Memorial for Art and
Architecture
Mary H. White
Dorothy H. Zak
Endowment Funds
Operating
$10,000,000 and
more
Bequest
Membership
Endowment
$1,000,000 to
$5,999,999
Dorothea Wright
Hamilton
Benjamin S. Hubbell
Family Fund
Andrew R. and
Martha Holden
Jennings
William G. Mather
Mr. and Mrs. James S.
Reid Jr.
Katherine Holden
Thayer
$500,000 to
$999,999
Charles R. and Emma
M. Berne Memorial
Fund
Roberta Holden Bole
Josephine P. and
Dorothy B. Everett
Charles W. Harkness
Louise H. and David
S. Ingalls
Alison Loren and
Leslie Burt Fund in
memory of Albert
and Doris Glaser
Margaret
Huntington Smith
McCarthy
F. J. O’Neill
Anna L. Vanderwerf
Memorial Fund
Mr. and Mrs.
Richard W.
Whitehill
Silvia and Justin
Zverina Fund in
memory of Lillie and
Adolph Wunderlich
$250,000 to
$499,999
George P. Bickford
Julia Cobb and
Benedict Crowell
Memorial Fund
Elizabeth G. Drinko
Richard B. and
Chaille H. Tullis
G. Garretson Wade
Lewis C. and Lydia
Williams
$100,000 to
$249,999
Quentin and
Elisabeth Alexander
Julia and James
Dempsey
Frances W. and
David S. Ingalls
Mr. and Mrs.
Edward A. Kilroy Jr.
Ada E. Koehler
Memorial
Mr. and Mrs.
William H. Marlatt
Fund
Estate of Malcolm L.
McBride
Ruth K.
McDonough
Laurence H. Norton
Helen G. and
A. Dean Perry
William B. Sanders
Margaret E. and
Frank E. Taplin Jr.
Paul J. and Edith
Ingalls Vignos
Alton and Helen
Whitehouse
Lewis B. and Helen
C. Williams
Up to $99,999
Walter H. Blodgett
Memorial Fund
Mr. and Mrs. Wilbert
S. Brewer
Noah and Muriel
Butkin
Julius Cahan
Mrs. Harold T. Clark
Memorial
Mary Elder Crawford
Nancy W. Danford
Bernard and Sheila
Eckstein
Adele C. and Howard
P. Eells Jr.
Eleanor and Morris
Everett
Elsa C. and Warren
C. Fargo
Robert I. Gale Jr. and
Frances W. Gale
Newman T. and Virginia
M. Halvorson**
Mr. and Mrs. Arthur
S. Holden Jr.
Ralph and Mildred
Hollander
J. Horvitz
James D. and
Cornelia W. Ireland
James Endowment**
Martin A. LoSchiavo**
Caroline
MacNaughton
Mr. and Mrs.
Severance A. Millikin
David and Dorothy
Morris Memorial
Mr. and Mrs. George
Oliva Jr.
Rudolph J. Pepke
Memorial
Mr. and Mrs. Alfred
M. Rankin
Mr. and Mrs. Louis
Rorimer Memorial**
Glenn C. Sheidler
Francis M. and
Margaret Halle
Sherwin
James N. and
Kathleen B. Sherwin
Jane B. Tripp
George Garretson
Wade Memorial
Worcester Reed and
Cornelia Blakemore
Warner Memorial
Paul D. and Odette
V. Wurzburger
Nose Ornament with
Human Head and
Condors Attacking
Humans, ad 100–300;
Central Andes, Moche
people; gold alloy; 9.5
x 16.5 x 1.6 cm;
Severance and Greta
Millikin Purchase Fund
2005.175.
87
Individual and
Contributing
Endowments for
General Operations
The following list
salutes the individuals,
families, and organizations whose named
membership endowment funds for operations provide an assured source of income
for the museum and
serve as a lasting
legacy to their generosity and foresight. Based
on cumulative giving as
of June 30, 2006.
**New fund or activity
in 2005–6
88
$25,000 to $49,999
Anonymous #5
Marie N. Agee
Walter Blodgett
Memorial
Myrta Jones Cannon
Howard Melville
Hanna III Memorial
Lawrence Hitchcock
Memorial
David H. Jacobs
Franny Tewksbury
and Ralph T. King
Memorial
G. Robert and Mary
Elizabeth Klein
Jack and Carolyn
Lampl
Patricia C. LeMaster
Memorial
Aline McDowell
Memorial
Mr. and Mrs. Eugene
R. Miles
Ralph J. Mueller
Memorial
Carl L. and Florence
B. Selden
John and Frances W.
Sherwin
Mr. and Mrs. Nelson
S. Talbott Fund in
memory of Mr. and
Mrs. Edwin Kirk
Large
Frank E. and Edith S.
Taplin Memorial
Mr. and Mrs. Thomas
V. H. Vail
Dr. William F.
Zornow
$10,000 to $24,999
Anonymous #3
Anonymous #9
Raymond Q. and
Elizabeth Riely
Armington
Barbara J. and
Matthew A. Baxter
Virginia R.
Billinghurst Memorial
Eleanor and Sevier
Bonnie
Frances Kelleher
Bradner
Linda Bole Brooks
Memorial
Louise Brown
Katherine Ward
Burrell
The Champney Fund
Harold T. Clark
Cleveland-Cliffs
Foundation
Phyllis G. and Jacob
D. Cox Jr. Memorial
Mrs. John B. Dempsey**
Estelle M. and Alton
C. Dustin Memorial
Pamela Humphrey
Firman
Mr. and Mrs. J.
Harrington Glidden
Edgar A. Hahn
Robert L. and Lois
M. Hays
Mr. and Mrs. George
M. Humphrey II
George M. and
Pamela S. Humphrey
Albert S. Ingalls
David S. Ingalls Jr.
Ruthalia Keim
Richard and Gina
Klym
Harley C. and
Elizabeth K. Lee
Helen S. Leisy
Memorial
Robert Arthur Mann
Samuel and Grace
Mann**
Judith K. and S.
Donna and Ruben
Mettler
Marilyn B. Opatrny
Aurel F. Ostendorf
S. V. Palda Memorial
Franklin and Helen
Elizabeth Rockefeller
Memorial
Daniel and Adele Z.
Silver
Chester D. Tripp
Atheline M. and John
S. Wilbur
Womens Council of
The Cleveland
Museum of Art
Susan Barber
Woodhill Memorial
Dr. and Mrs. E. K.
Zaworski Memorial
Up to $9,999
Anonymous #1
Anonymous #2
Anonymous #8
Anonymous #10
Frances Adams and
Mary E. Adams
Memorial
Walter S. and Mabel
Croston Adams
Alfred S. and Estelle
G. Andrews
Stella Minor Arntisdale
Eva M. Baker
Memorial
S. Prentiss Baldwin
Memorial
Mr. and Mrs. A.
Beverly Barksdale
Esther K. and Elmer
G. Beamer Foundation
Mr. and Mrs. Arnold
Bellowe
W. Dominick Benes
Memorial
George P. and Clara
G. Bickford
George T. Bishop
Memorial
Roberta Holden Bole
Memorial
Alfred M. and Palmyre
C. Bonhard Memorial
Helen and Albert
Borowitz
Alva Bradley Memorial
Mr. and Mrs. Morris
A. Bradley
Emma G. Brassington
Memorial
Arthur L. and
Virginia Brockway
Arthur D. and
Marion W. Brooks
Memorial
The Oliver and
Harriet G. Brooks
Memorial
Glenn and Jenny
Brown
Helen C. Brown
Ezra and Rose
Brudno Memorial
Polly S. and Clark E.
Bruner
Laura Merryweather
Burgess Memorial
Mr. and Mrs.
Courtney Burton
Alice Carothers
Memorial
Katherine Hodell
Chilcote Memorial
Alvah Stone and
Adele Corning
Chisolm Memorial
Kenneth L. and
Karen M. Conley
Charles E. Cooper
Delos and Anita
Cosgrove
Tina V. Cowgill
Mrs. Harry J.
Crawford
Harris Creech
Mary Elizabeth
Crawford Croxton
Nathan L. Dauby
Memorial
Bernice and David E.
Davis
Elaine Davis
Memorial
Helen and Albert
DeGulis
Elizabeth Brainard
Thomson Denison
Memorial
Edwin A. Dodd
Mr. and Mrs. John R.
Donnell
Daniel W. Dority
Memorial
Mr. and Mrs. Robert
P. Duvin
William Joseph
Eastman Memorial
Ella C. Edison
Maud Stager Eells and
Howard Parmelee
Mr. and Mrs.
Frederick L. Emeny
Sam W. and Florence
Taylor Emerson
D. Eppig
Alwin C. and
Charlotte F. Ernst
Memorial
Neil and Marian Evans
Mr. and Mrs. Harold
Fallon
Adolph J. and Esther
S. Farber Memorial
Paul Louis and Edith
Lehman Feiss
Memorial
James Edward Ferris
Memorial
C. J. and Elizabeth
Fiordalis
Royal and Pamela H.
Firman Jr.
Flesheim Foundation
Mr. and Mrs. Walter
L. Flory
Mary Eileen Fogarty
Kate L. Fontius
Memorial
Dr. and Mrs. Finley
M. K. Foster
I. T. Frary Memorial
Karen Freeman
Miriam and Harry M.
Friedman
Edward M. Fritz
Memorial
W. Yost Fulton
Frederick William
Gehring Memorial
Hulda B. Gehring
Myron E. and Rose
B. Glass
Mary G. and Frances
K. Glidden Memorial
George C. Gordon
Mr. and Mrs. Herbert
G. Goulder Memorial
Mr. and Mrs. Gary
Graffman
C. A. Grasselli
Memorial
Edward Grasselli
Memorial
Mr. and Mrs. Jerome
Gratry
John Adam Green
Martina D. Grenwis
C. Gridley
Mr. and Mrs. Frank
K. Griesinger
Frank J. and Anastasia
M. Grossman
Memorial**
Mrs. Ray J. Groves
Mr. and Mrs. David
L. Grund
Agnes Gund
Memorial
George Gund III,
Agnes Gund, Gordon
Gund, Graham de C.
Gund, Geoffrey de C.
Gund, and Louise L.
Gund
Mr. and Mrs. James C.
Hageman**
Georgia S. Haggerty
Bertha Halber
Eugene S. and
Blanche R. Halle
Memorial
Helen C. Halle
Salmon P. Halle
Memorial
Harold A. and
Claribel B. Hallstein
Florence A. Hamilton
Colburn Haskell
Memorial
Mr. and Mrs. Robert
Heller
Birdie B. Herzog
Memorial
Laurence A. and
Margarete S. Higgins
Eleanor Hilliard
Memorial
Mrs. J. Howard
Holan
Elinor Irwin Holden
Memorial
Allen C. and Louise
Q. Holmes
Helen Chisholm
Hord
Mr. and Mrs. Bird W.
Housum Memorial
Mrs. Gene C.
Hutchinson
Albert S. Ingalls Jr.
Memorial
Jane Taft Ingalls
Richard Inglis
Memorial
Inkley
Ireland Foundation
Paul F. and Lucretia
B. Ireland
Mr. and Mrs. Henry
L. Jackson
Ann J. and E. Bradley
Jones
Issac and Jennie B.
Joseph Memorial
Louis D. Kacalieff,
M.D.
I. Theodore Kahn
Mrs. I. Theodore Kahn
Samuel S. and
Dorothy D. Kates
Marie and John Kern
Memorial
Charles G. King III
Memorial
Mr. and Mrs. W.
Griffin King Jr.
Louise Delaney
Kiphuth Memorial
Jessie Effler Kneisel
Ella Konigslow
Elroy J. Kulas
Memorial
Dr. and Mrs. Victor
C. Laughlin
Caral Gimbel
Lebworth
Mr. and Mrs. Elmer
Lindseth
Dr. and Mrs. Sidney
Lobe
William A. Lowry
Mr. and Mrs. George
C. Lucas Memorial
Mr. and Mrs. John S.
Lucas
Marilyn Lurie
Memorial
Charlmer F. Lutz
Memorial
Hilda B. Lyman
Memorial
Isabel Marting
Grace Harman
Mather Memorial
Katherine L. Mather
Memorial
William G. and
Elizabeth R. Mather
Mike Matsko
Memorial
Ruth A. Matson
Kathryn Arns May
Clara Mayer
Memorial
William B. McAllister
Memorial
Malcolm L. and Lucia
McCurdy McBride
Ellen E. and Lewis A.
McCreary Memorial
Mr. and Mrs. S.
Sterling McMillan
Moselle Taylor Meals
Dr. and Mrs. Harvey
J. Mendelsohn
Frederick Metcalf
Memorial
H. Oothout Milliken
Memorial
Hugh K. Milliken
Memorial
Thomas S. and Marie
E. Milliken Memorial
Julia Severance
Millikin
Anna Willett Miter
and Harry Fancher
Memorial
Fanny Hanna Moore
Mrs. J. E. Morley
Mrs. Cox Morrill
Gordon K. Mott
Mr. and Mrs. Werner
D. Mueller
Jeanie C. Murray
Mary and Louis S.
Myers Foundation
Robert C. Norton
Harry D. and Blanche
E. Norvell
John O’Connor
Crispin and Kate
Oglebay Memorial
Mr. and Mrs. George
Oliva III
William M. O’Neill
Marion A. and
Amelia G. Parsons
Memorial
Mark Klett (American,
b. 1952) and Byron
Wolfe (American, b.
1967); Sentinel Dome
Connecting Three
Views by Carleton
Watkins, 2003, printed
2005; 53.4 x 166.2 cm;
Gift of William S.
Lipscomb in memory
of his father, James S.
Lipscomb 2006.63.
89
When the Phillips
Collection closed for
renovation, stars of its
collection toured the
nation in the exhibition
Masterworks from The
Phillips Collection (right),
which was in Cleveland
just as our own
collection was being
removed in preparation
for the renovation and
expansion project.
G.G.G. Peckham
Memorial
Mrs. Heaton
Pennington
Drake T. Perry
Mr. and Mrs. M. H.
Pierce
Mary B. S. Pollock
Mr. and Mrs. Henry
F. Pope
Eda Sherwin Prescott
John B. Putnam
Memorial
Frank J. and Rita M.
Rack
Lucille Ralls
Memorial
Robert S. and Sylvia
K. Reitman
James McElroy
Richardson Memorial
Lillian Rosenbaum
Memorial
Dr. and Mrs. Ronald
J. Ross
Walter Ross
Walter D. Sayle
Mrs. William Cramp
Scheetz Jr.
Else Schmelzer
Heinz Schneider
Ellen Schultz
Charles P. and Ella R.
Scovill Memorial
90
The Sears-Swetland
Foundation
Elizabeth and Ellery
Sedgwick
Mary H. Severance
Memorial
Samuel Paisley Shane
Memorial
Perin Shirley
Memorial
Vladimir G. and
Mary Kingsbury
Simkhovitch Memorial
Allard and Margaret
E. Smith
James A. and Elizabeth
B. D. Smith Memorial
Nathalie C. Spence
Memorial
Marion H. Spiller
Louis Stearn
Avery L. Sterner
Memorial
Nathalie B. Steuer
Memorial
Judith Helen and
Martha A. Stewart
Memorial
Mr. and Mrs. John
M. Stickney
Morris and Maxeen
Stone
Selina J. Sullivan
Memorial
Seth and Frances Taft
Farrand Taplin
Stan Thomas
Brenda and Evan
Turner
Joseph and Edwin
Upson Memorial
Mary Southworth
Upson
Samuel H. and
Bessie Shaw Urdang
Memorial
Dorothy T. Van
Loozen Memorial
Visible Language
George Garretson
Wade Memorial
Whitney and
Florence S. Warner
Memorial
Wasmer Jr.
Sada D. Watters
Memorial
Mrs. Daniel T.
Weidenthal
Mr. and Mrs. Robert
L. Weston
Roy M. Wheeler
Memorial
Kathleen F. Whidden
Memorial
Martha W. White
Miriam Norton
White
Roland W. White
Memorial
Walter C. White
Memorial
Mr. and Mrs. Hugh
R. Whiting
Wick
R. C. Williams
Captain and Mrs.
Thomas Wilson
Memorial
Boris Witzer Memorial
Elbert C. and
Henrietta S. Wixom
Memorial
J. D. Wright
Clara Gordon York
Wilbur H. and
Robert L. Zink
William H. and
Bertha S. Zink
Memorial
General Operating
Endowment
Contributors
Estate of David J.
Rollins
Yale—Class of 1951
Building
Endowment
Contributors
GAR Foundation
Trust Fund Income
for Art Purchase,
Specific Purpose,
and Operations
The following list
acknowledges the
individuals and families whose trusts
provided income
to the museum in
2005–6.
Art Purchase
Dudley P. Allen
Karl B. Goldfield
Severance and Greta
Millikin
John L. Severance
Norman O. Stone
and Ella A. Stone
Memorial
J. H. Wade
Specific Purpose
Hermon A. Kelley
Art Library
P. J. McMyler
Musical Endowment
Operating
Harry F. and Edna J.
Burmester
Caroline E. Coit
Helen C. Cole
Henry G. Dalton
General Endowment
Guerdon S. Holden
John Huntington Art
and Polytechnic Trust
Hinman B. Hurlbut
Horace Kelley Art
Foundation
William Curtis
Morton, Maud
Morton, and
Kathleen Morton
Elisabeth Severance
Prentiss
Katherine Holden
Thayer Fund #3
John Mason Walter
and Jeanne M. Walter
Memorial
William E. Ward
Corporate support
Business
Leadership Council
Charles S. Hyle,
Co-Chair, Key Bank
Jeffrey D. Kelly,
Co-Chair, National
City Corp.
Corporate Council
Paul Clark, National
City Corp.
James M. Dickey,
Accenture LLP
Celso R. Gilberti,
Gilberti Studio
International
Beth H. Hallisy,
Marcus Thomas
William Hamann,
Charter One
Financial
Oliver C. Henkel,
Thompson Hine
LLP
Conway G. Ivy,
The SherwinWilliams Company
Robert H. Jackson,
Kohrman Jackson &
Krantz
Roy E. Klein, Bank
One, N.A.
John C. Morley,
Evergreen Ventures
Patrick S. Mullin,
Deloitte & Touche
LLP
Brad Norrick, Marsh
USA, Inc.
David Osborne,
McCormack
Advisors
Elliott L. Schlang,
LJR Great Lakes
Lithograph
Richey Smith,
Richey Industries,
Inc.
Rich Stovsky,
Pricewaterhouse
Coopers
John Switzer,
KPMG LLP
Kevin Weiss
Operating Support
Corporate Sustainer
($25,000 or more)
Bank of America
IntelliNet
Corporation
NACCO Industries,
Inc.
Corporate Founder
($15,000 to
$24,999)
Baker Hostetler
Hahn Loeser + Parks
LLP
Corporate
Benefactor
($10,000 to
$14,999)
Giant Eagle, Inc.
Performance
Enterprises, Inc.
Corporate Patron
($5,000 to $9,999)
Accenture LLP
American Greetings
Corporation
Brush Engineered
Materials, Inc.
Charter One Bank
Chase
Christie’s
Cintas Corp.
Dominion
Foundation
Fifth Third Bank
GE Consumer
Products
Jones Day
Keithley Instruments,
Inc.
KPMG LLP
Lamson & Sessions
McMaster-Carr
Supply Company
MTD Products Inc.
Myers Industries, Inc.
Northern Trust Bank
Prince & Izant
Company
Reich & Tang Asset
Management LP
Rockwell
Automation
RPM International,
Inc.
The SherwinWilliams Company
Squire, Sanders &
Dempsey LLP
Wellington
Management
Company LLP
Corporate
Contributor ($3,000
to $4,999)
Central Business
Group
Deloitte & Touche
Ernst & Young LLP
Institutional Capital
Corporation
Lincoln Electric
Company
Macy’s
MAR-BAL,
Incorporated
Marous Development
LLC
Marsh USA, Inc.
Nordstrom
Northern Haserot
Co.
Panzica Construction
Company
Plain Dealer
Publishing Co.
Richey Industries,
Inc.
Thompson Hine LLP
Corporate Associate
($1,000 to $2,999)
Alliance Capital
Management
Applied Industrial
Technologies, Inc.
Argo-Tech
Corporation
ArvinMeritor
Blue Point Capital
Partners
Bonfoey Company
Bonne Bell
CBIZ, Inc.
The Chilcote
Company
Chubb Group of
Insurance Companies
City Architecture,
Inc.
Cleveland-Cliffs, Inc.
Cohen & Company
Collins Gordon
Bostwick Architects
Continental Airlines,
Inc.
DaimlerChrysler
Corporation Fund
Degussa Construction
Chemicals, Inc.
Dix & Eaton, Inc.
Dollar Bank
Edgepark Surgical
Inc.
Findley Davies Inc.
FirstEnergy
Ford Motor
Company
Gilberti Studio
International, LLC
Gorman-Lavelle
Corporation
Great Lakes
Integrated
Herbruck, Alder &
Company
Hitachi Medical
Systems America Inc.
IBM Corporation
International
Management Group
The J. M. Smucker
Company
Jo-Ann Stores, Inc.
Johnson Controls,
Inc.
Kinetico Incorporated
Kohrman Jackson &
Krantz P.L.L.
Landau Public
Relations
Linsalata Capital
Partners
Lubrizol Corporation
Luce, Smith & Scott,
Inc.
Luxottica Retail
Marcus Thomas
Margaret W. Wong
& Associates, Co.,
LPA
McCarthy, Lebit,
Crystal & Liffman
Co., LPA
Millcraft Group
Morgan Litho, Inc.
Mutual of America
Nordson Corporation
North Coast Energy,
Inc.
Noveon, Inc.
Ohio CAT
Ohio Savings Bank
Parker Hannifin
Corporation
Richard Fleischman
Architects, Inc.
Robert P. Madison
International, Inc.
SE Blueprint
Sebesta Blomberg
Associates
SIFCO Industries,
Inc.
STERIS Corporation
Strang Corporation
Vorys, Sater,
Seymour and Pease
Weston Hurd Fallon
Paisley & Howley
LLP
Special Projects,
Programs, and
Exhibitions
$100,000 or more
Baker Hostetler
National City Bank
$25,000 to $99,999
Chase
Dominion
Foundation
Hahn Loeser + Parks
LLP
$10,000 to $24,999
Charter One Bank
Jo-Ann Stores, Inc.
$2,000 to $9,999
Ford Motor
Company
Great Lakes Brewing
Company
Henkel Consumer
Adhesives
Margaret W. Wong
& Associates, Co.,
LPA
Target Stores
Under $2,000
Gallery Group, Inc.
Mutual of America
Passage Events
Corporate Donor
(under $1,000)
Commercial Alloys
Sales LTD.
The Davey Tree
Expert Company
Euclid Office Supply,
Inc.
Gould Electronics,
Inc.
The Hartford
The Hoffman Group
Ohio Envelope
Manufacturing Co.
Reliable Runners
91
Matching Gift Companies
Aetna Foundation, Inc.
Altria Group, Inc.
American Express
Foundation
Aon Foundation
BD Matching Gift
Program
The Black & Decker
Corporation
BP Foundation, Inc.
Caterpillar
Foundation
Chevron Matching
Gift Program
Computer Associates
International, Inc.
Corning Incorporated
Foundation
Degussa Construction
Chemicals Americas
Dominion Foundation
Eaton Corporation
Emerson Electric
Company
Energizer Charitable
Trust
Eric and Jane Nord
Foundation
ExxonMobil
Foundation
First Data Western
Union Foundation
At the Circles party for
The NEO Show guest
Cecily Kamps converses
with artists Brendan
Fitzgerald and Andrew
McEachern.
Linda Butler and Phillip
Brutz documented the
museum’s deinstallation process; their
photographs were on
view in the mezzanine
gallery at MOCA Cleveland. Here, visitors peer
through viewers to see
Brutz’s stereoscopic
images.
92
FirstEnergy
Foundation
FM Global Foundation
General Mills
Foundation
Goodrich Foundation
W. W. Grainger Inc.
H. J. Heinz Company
Foundation
Harris Bank
Foundation
IBM Corporation
The J. P. Morgan
Chase Foundation
Johnson & Johnson
Family of Companies
Key Foundation
The Lamson &
Sessions Foundation
LexisNexis Cares
The Lubrizol
Foundation
MassMutual Financial
Group
The May Department
Stores Company
Foundation
Mellon Financial
Corporation Fund
Merrill Lynch & Co.
Foundation, Inc.
NACCO Industries,
Inc.
National Starch
and Chemical
Foundation Inc.
Nordson
Corporation
The Pfizer
Foundation
Pitney Bowes Inc.
PPG Industries
Foundation
The Progressive
Insurance
Foundation
Rockwell
International
Corporation Trust
SBC Foundation
SBC Ohio
SBC Services, Inc.
The Stanley Works
Thrivent Financial
for Lutherans
UBS Foundation
USA
WellPoint
Foundation
West Community
Partnership Program
World Reach, Inc.
Foundation and
Government support
Operating Support
$150,000 or more
Ohio Arts Council
The Kelvin and
Eleanor Smith
Foundation
$25,000 to
$149,000
Helen Wade Greene
Charitable Trust
Sage Cleveland
Foundation
$10,000 to $24,999
George W. Codrington
Charitable Foundation
S. Livingston Mather
Charitable Trust
The Payne Fund
SCH Foundation
George Garretson
Wade Charitable
Trust #2
S. K. Wellman
Foundation
$5,000 to $9,999
Corinne L. Dodero
Trust for the Arts and
Sciences
The EWR Foundation
The Katherine Kenyon
Lippitt Foundation
The Murch
Foundation
Sedgwick Fund
Sherwick Fund
WCLV Foundation
$2,500 to $4,999
George M. and Pamela
S. Humphrey Fund
The Thomas Hoyt and
Katharine Brooks Jones
Family Foundation
John P. Murphy
Foundation
The Perkins
Lois C. and Thomas
G. Stauffer Foundation
$1,000 to $2,499
The Harry K. Fox
and Emma R. Fox
The Victor C.
Laughlin, M.D.,
Memorial Trust
The Charles J. and
Patricia Perry Nock
Fund
David and Inez Myers
Foundation
Special Projects,
Programming, and
Exhibition Support
$150,000 or more
Institute of Museum
and Library Services
U.S. Department of
Education
$25,000 to
$149,000
Cuyahoga County
Board of
Commissioners
Jimmy Dimora
Timothy F. Hagan
Peter Lawson Jones
The Kulas
Foundation
John P. Murphy
Foundation
National
Endowment for the
Arts
$10,000 to
$24,999
Andrews Foundation
The George Gund
Foundation
The Peter KruegerChristie’s
Foundation
Stocker Foundation
The Arts & Crafts
exhibition proved
popular mainly because
the objects on view
served useful purposes
in everyday life.
$5,000 to $9,999
The Human Fund
Laub Foundation
The Murch
Foundation
$1,000 to $4,999
Nathan L. and
Regina Herman
Charitable Fund
Ohio Humanities
Council
93
Tribute
Gifts in Honor of
. . . received from
Sylvia K. Adler,
90th birthday
Bernard D. Duber
Hanna and Jim Bartlett,
in appreciation of the
collection and expansion
plans
Ann S. Higgins
Anne Berk, milestone
birthday
Amy Berk
Andrew and Judy
Blazar and Family
Betsy and Sylvia
Blazar
Larry and Carol
Blazar
Dr. Marie Dellas
Lynn and Erv
Edelman
Dr. Bernie and
Linda Friedman
Karenruth and
Sandy Kravitz
Anclaire Oscar
Anne Berk, for her
tour of The Phillips
Collection
Renee Chelm
Mark Cole, Union
Club presentation
Moses Cleveland
Chapter of the
Daughters of the
American
Revolution
Mrs. David Crocker
Daphne Crocker
Barbara and Paul
Feinberg, special
anniversary
Jules and Judy Garel
Nina and James
Gibans, 50th wedding
anniversary
Ms. Emilie M.
Barnett
Carol and Ron Godes,
50th wedding
anniversary
Carolyn and Melvin
Grossman
Esther Hunt
Betsy and Ken Hegyes,
thank you
Dr. Alvin and Lorrie
Magid
A neon sculpture by
Jeff Chiplis welcomed
visitors to the NEO
Show.
94
Jack and Judy Kaufman,
50th wedding
anniversary
Lee and Theresa
Markowitz
Julie Keefer, 65th
birthday
Rosalyn and Henry
Frank
Mr. and Mrs. Joseph P.
Keithley, 30th wedding
anniversary
Lester Theodore+
and Edith D. Miller
James Koplow, birthday
Ruth Rose
Ellen and Bruce Mavec,
20th wedding
anniversary
Dr. Ronald and
Mrs. Diane Bell
William R. Joseph
and Sarah J. Sager
Kathy Moroscak,
friendship
Emily H. Brasfield
Dr. Steven E. Nissen
PPSI, Incorporated
Bryan Reid, birthday
Susan and Dieter
Kaesgen
David and Beth
Ricanati, Happy
Holidays
Employees of
American Greetings
W. Rosenblatt,
commemorating
granddaughter’s Bat
Mitzvah
Ms. Kate Richner
Timothy Rub,
21st Century Club
presentation
21st Century Club
Gail Schlang
Ted and Idarose
Luntz
Naomi Singer, birthday
Julia, Ryan, Greg,
Phil, and Ann Singer
Mr. and Mrs. Phillip
Singer
Kathy Mead Skerritt
John and Carol
Lukanc
Gerry Slack
Sarah Todd
Barbara Smeltz,
Merry Christmas
Andrew, Hannah,
Julie, and Jay Smeltz
Jack Turben,
70th birthday
Dr. Ronald and
Mrs. Diane Bell
Lee and David
Warshawsky, 40th
wedding anniversary
Iris and Tom Harvie
The Weil Family, in
appreciation of friendship
Mr. Cary Schmelzer
Ruth White
Judith and James A.
Saks
Gifts in Memory of
. . . from
Elias L. Abraham
Annette A. Jones
Dorothy Arons
Jan and Ron
Silverman and
Family
Valentine Bikerman
Mr. and Mrs. John
C. Angus
Mr. and Mrs. John
F. Baumann
Michael and Viola
A. Bickerman
Jane T. Blodgett
Mr. and Mrs.
Norman and Ann
Craig
Mark S. and Karen
S. Freudenberger
Hillcrest Art Guild
Jasper and Fern
Ingersoll
Jim and Anne
Kirkland and Family
Jennifer Y. B.
Martin
Ms. Mary V. Odom
Mrs. Dina
Schoonmaker
Jack and Doris
Simich
Mary Bittenbender
Mr. and Mrs.
William H.
Hoffmann
Myrn K. Philbrick
Harold Terry Clark,
Mary Sanders Clark,
and Marie Odenkirk
Clark
William Sanders
Clark
William DeLappa
Oliver H. Perry
Elementary School
Stanley Eigner
Ted and Idarose
Luntz
Edward Ellingham
Thomas W.
Armstrong
William J.
Beckwith Jr.
Julia and Patrick
Bernhardt
Charles Cardona and
Melinda Gordon
from Dreyfus
Institutional
Stephen M. Clark
Elizabeth Crow
Jean and Paul Fissel
Marcia Grout
Mr. Thomas R.
Jacobson
Mr. and Mrs. J. L.
Jameson
Robert J. Kelly
Leo and Margo
Knight Jr.
Randy Kord
Karoline M. Krailo
National City
Corporation
National City
Private Client
Group Finance
Department
Mary Grace Pattison
Mrs. Roseanna
Petruzzelli
Mary Ann and
Michael Protzik
Dan and Amy
Reynolds
S. N. Phelps &
Company
Marvin and Suzanne
Stawicki
Paul Thomas, Ted
Tozer, and Todd
Householder of
National City
Mortgage Company
Theodore W. and F.
Sandra Tozer
Luann Vargo
Richard A. and
H. Sue Zackroff
Millie Fingerhut
Jan and Ron
Silverman and
Family
Marvin and Helen Fox
Lois Pearson
Roberts
Evelyn Galetovich
Dolores and Larry
Badar
Mary A. Edell
Sheila, Gary, and
Jandi Faulhammer
Horizon
Orthopedic,
Incorporated
Marion R. Lightner
Ed and Georgia
Pivcevich
Norman A. and
Sally A. Visich
Rebecca Uliss Goldsmith
Richard and Beverly
Cunningham
Mrs. Evelyn
Newman
Mrs. Ethel Paley
Lester T. Miller
Sally Conley
Jim and Elaine
Dauterman
Robert and Ann
Friedman
Marta and Don Jack
Helen Korach
Nancy Koven
Mrs. Jack W.
Lampl Jr.
Bruce Lilliston
Mr. and Mrs.
Stanley Meisel
William L. and
Joan H. Ziegler
Julia F. Mosier
Marian and Glenn
M. Blair Jr.
Elizabeth O. Palmer
Annette A. Jones
Lisa S. Sanfilippo
Robert Arthur Graham
Dr. Alan M. Corn
Robert Petrick
Pat Deno
Richard Haber
Robert and Ann
Friedman
Rick Phillips
Jan and Ron
Silverman and
Family
Wai-kam Ho
Mr. and Mrs. H.
Carroll Cassill
Nancy Ball Roudebush
Sarah Williams
Therese Kelly
Margaret and Edwin
Miller
Julian “Bud” Klein
Mrs. B. M.
Holdstein
Fred and Thea Klestadt
Linda Leach
Judith and James A.
Saks
Sidney Salkin
Sylvia K. Adler
Employees of the
American
Association for the
Advancement of
Science
Judy Dorfman Bass
and Stanley Bass
The Clandon
Neighborhood
Kathy and Jack
Gottlieb
Margot and Art
Hoicowitz
Don Robinson and
Sara Stein
Laurel and Irl Rubin
Ms. Diane A.
Stahler
The Sunshine Fund
Hans Schramek
Mr. Scott Kahn
Adalaide Smilanick
Mrs. Milton Berman
Paul B. Berman
Ellen Brown and
Jonathan Brown
Mrs. Wendy
Diamond
Kahn Kleinman,
LPA
Michael and Drue
Murman
Deborah and David
Shifrin
Drs. Beno Michel
and Nina Petroff
Michael Miller
Mildred Morrison
The Ratner School
Mrs. Deborah
Ratner Salzberg
Thomas J. Scanlon
Joan Shafran
Joseph Shafran
Mr. and Mrs.
Michael A. Shemo
Arline P. Siegelman
Daniel T.
Weidenthal, M.D.
William A. VanDuzer
Ms. Marilou Earle
Elizabeth Zweig
Mr. and Mrs. Irwin
J. Apple
Errol Brick
John H. Bundy
Honnie and Stanley
Busch
Mrs. Kathleen
Butler
Kent Clapp and the
Medical Mutual
of Ohio Executive
Staff
Mr. and Mrs.
Robert P. Duvin
Mrs. Alvin B. Fisher
Rina and Samuel
Frankel
The Gross Family
Stephen Hoffman
Mr. and Mrs. Fred
Isenstadt
Gary G. and
Deborah Wechsler
Kelm
Jewel Koletsky
Paula Krulak
Bruce W. Lang and
the shareholders of
Hausser + Taylor
LLC
David J. and Cindy
L. LaRue
M & J Shafran
Foundation
Alex Machaskee
95
Gifts to Ingalls Library
Individuals
Ann B. Abid
Louis V. Adrean
Margot Baldwin
Marianne Berardi
Steve Berger
John Black
Hillary Bober
Jack Perry Brown
Robert Delford
Brown
Rita Buchanan
Gary Bukovnik
Caryl Burtner
Bella Carmely
Laurence Channing
Robert Chase
Alan Chong
Melissa Cicetti
Mark Cole
Paul Cox
Stan Czuma
Christine E.
Edmonson
Shezza Edris
Lloyd Ellis
Jordi Falgàs
Deanna Bremer Fisher
Stephen Fliegel
Nina Gibans
Cristy Gilbert
Jane Glaubinger
Graham Grund
Marjorie Guthrie
John Hagood
Richard Hallock
Stephen Harrison
Henry Hawley
Sheila Hicks
Tom Hinson
Gloria Homolak
Martin Huberman
Phillip Iannarelli
Robert M. Kaye
William Kennedy
Ellen Landau
Sherman E. Lee
Louise Mackie
Lori Martin
Louella Mayer
96
Marsha Morrow
Stacie Murry
Terry Parmelee
Bruce W. Pepich
Constantine Petridis
John Popplestone
Cynthia Rallis
Clara Rankin
Jane Rehl
Katherine Rheinhardt
B. Rosenblatt
Rachel Rosenzweig
Barbara Roux
Kate Runde
Chika Sasaki
Aude Semat
Mary Simons
Nana Tamamoto
Bert Teunissen
Louise A. Tiemann
Esther Tiszavari
Georgina Toth
Charles L. Venable
David and Lee
Warshawsky
Ruth Weisberg
G. M. Wilson
Bettina Witteveen
Institutions and
Organizations
Acme Fine Art and
Design
Allan Stone Gallery
Ameringer Yohe
Fine Art
Amitabha Buddhist
Library
The Andy Warhol
Foundation for the
Visual Arts
Arte al Dia
International
The Art League of
Cincinnati
Anthony McCall
Associates, Inc.
Ban Garow
Contemporary Art
Gallery
Barbara Gladstone
Gallery
Centro Di
Christie’s Hong Kong
Ltd.
Cleveland Public
Library
Consulate General
of Switzerland
Courtauld Institute
of Art
D. K. Agencies (P)
Ltd.
Deutscher
Kunstverlag
Fine Arts Program
Fundacion Blasco de
Alagon
Fundació Orfeó
Català Palau de la
Música
Furniture History
Society
Galerie Camoin
Demachy
Galerie Eric Coatalem
Galerie Iris Wazzau
Galerie Jean François
Baroni
Galerie Maurice
Garnier
Galerie Schwind
Gesellschaft de
Keramikfreunde E.V.
Haystack Mountain
School of Crafts
Heribert Tenschert
Hirschl & Adler
Modern
Historical Society of
Clinton, Michigan
Hollis Taggart
Galleries
IFLA
Illinois Historical Art
Project
International
Research Center for
Japanese Studies
Irvin & Gormley, Inc.
Japan Society
(London, England)
Kang Collection
Katharina Rich
Perlow Gallery
The Khalili
Collections
Korean Consulate
General
Marie Walsh Sharpe
Art Foundation
Matthew Marks
Gallery
McLarty’s Choice
Michael Hoppen
Gallery LTD
Middle Eastern
Culture Center in
Japan
Mollerussa Mostra
d’Art Contemporani
Museo de Arte Iberico
“El Cigarralejo”
National Collage
Society
Nordic Institute for
Contemporary Art
Panmun Book
Company
Partridge Fine Arts
plc
Redfern Gallery
Regione Abruzzo
Rockrose Publishing
SALALM, Inc.
The Salvation Army
S. Franses Ltd.
Showtime Quilters
Guide & Directory
Spanierman Gallery
Spelman College
Museum of Fine Art
Stephen Daiter
Gallery
Susan Schulman,
Printseller
Thurgood Marshall
Scholarship Fund
U.S. General Services
Administration
Ubu Gallery
The Womens
Council of the
Cleveland Museum
of Art
William Reese
Company
Zwirner & Wirth
Benefactors
The Cleveland Museum
of Art recognizes the
cumulative giving of
individuals, corporations, and organizations. We extend our
deepest appreciation
to these generous
donors.
Patron Benefactor
($1,000,000 or
more)
Anonymous
The Andrew W.
Mellon Foundation
Mr. and Mrs. George
P. Bickford
Helen E. Brown
Mr. and Mrs. Noah
L. Butkin
The Cleveland
Foundation
Thomas L. Fawick
Mr. and Mrs.
Lawrence A.
Fleischman
The F. J. O’Neill
Charitable
Corporation
Mr. and Mrs. Ernest
L. Gartner
The George Gund
Foundation
Mr. and Mrs.
Alexander Ginn
Helen Wade Greene
Mr. and Mrs. James
C. Gruener
Agnes Gund
Dorothea Wright
Hamilton
Mrs. Leonard C.
Hanna
Mr. Stanley Hess
Dr. Gerhard
Hoffmann and Mrs.
Lee Hoffmann
Mrs. Liberty E.
Holden
Lois U. Horvitz
J. Horvitz
The HRH Family
Foundations
Virginia Hubbell
David S. Ingalls and
Family
Institute of Museum
and Library Services
Louise H. and David
S. Ingalls Foundation
Andrew R. and
Martha Holden
Jennings
The Kelvin and
Eleanor Smith
Foundation
Lila Wallace–Reader’s
Digest Fund
Mr. and Mrs. Milton
Maltz
H. Marlatt
The Mildred
Andrews Fund
Mr. and Mrs.
Severance A. Millikin
National City
National Endowment
for the Arts
State of Ohio
Ohio Arts Council
Georgia O’Keeffe
Mr. and Mrs. A.
Dean Perry
Elisabeth Severance
Prentiss
Mr. and Mrs. Alfred
M. Rankin
Reid Jr.
The Reinberger
Foundation
John L. Severance
Carol and Michael
Sherwin
Mr. and Mrs. Kelvin
Smith
Lockwood
Thompson
Whitehill
Mr. and Mrs. Paul D.
Wurzburger
Justin and Silvia
Zverina
Foundation
Benefactor
($500,000 to
$999,999)
Anonymous (2)
Hanna H. and James
T. Bartlett
BP America
Hon. Joseph P.
Carroll and Mrs.
Carroll
Ellen Wade Chinn
Alexander M. and
Sarah S. Cutler
The GAR
Foundation
Nelson Goodman
George Gund III and
Iara Lee
Hahn Loeser & Parks
LLP
Peter and Peggy
Horvitz
Powell Jones
Mr. and Mrs. Joseph
P. Keithley
Lillian M. Kern
KeyBank
Alma Kroeger
Amanda and William
P. Madar
Mr. and Mrs. Thomas
A. Mann
William G. Mather
Mr. and Mrs. Bruce
V. Mavec
National Endowment
for the Humanities
Mr. and Mrs. Eric T.
Nord
Mr. and Mrs. R.
Henry Norweb
Francis F. Prentiss
The Print Club of
Cleveland
PTS Foundation
Grace Rainey Rogers
SBC
Communications Inc.
Mr. and Mrs. David
M. Schneider
Mr. and Mrs. Ellery
Sedgwick Jr.
The Sherwick Fund
Elizabeth M. Skala
Squire Sanders &
Dempsey
United Technologies
Corporation
Dr. and Mrs. Paul J.
Vignos Jr.
Mrs. J. H. Wade
Womens Council of
the Cleveland
Museum of Art
Dr. Norman W.
Zaworski
Benefactor Fellow
($250,000 to
$499,999)
Anonymous (4)
Mr. and Mrs.
Quentin Alexander
Raymond Q. and
Elizabeth R.
Armington
Louis Dudley
Beaumont
Mike and Annie
Belkin
Emma R. Berne
Jeanne Miles
Blackburn
Emily E. and Dudley
S. Blossom Jr.
Leigh and Mary
Carter
Martha and Thomas
Carter
Mr. and Mrs. Warren
H. Corning
CVJ Corporation
Drinko
Robert H. Ellsworth
Josephine P. and
Dorothy Burnham
Everett
Marie and Hubert
Fairchild
Morton Glaser
Gladys B. Goetz
Mr. and Mrs. Graham
Gund
+ deceased
Mr. and Mrs. Arthur
S. Holden
Mr. and Mrs. James
D. Ireland III
The John P. Murphy
Foundation
The J. Paul Getty
Trust
Susan and Dieter
Kaesgen
Malcolm E. Kenney
The Kresge
Foundation
Muriel Kozlow
Helen A. and
Fredrick S. Lamb
Dr. and Mrs.
Sherman E. Lee
Peter B. Lewis
Mr. and Mrs. Jon A.
Lindseth
Mr. and Mrs. Thomas
LiPuma
Mrs. Lee W.
Lockwood
Rosemarie and
Leighton R. Longhi
The Louis D.
Beaumont
Foundation
Robert A. Mann
MBNA America
Systems
Elizabeth Briggs
Merry
Metropolitan Savings
Bank
Thomas P. Miller
India E. Minshall
Myers
NACCO Industries,
Inc.
Lucia S. Nash
Ohio SchoolNet
Commission
Mr. and Mrs. Frank
H. Porter
Leonna Prasse
Mildred Andrews
Putnam
Peter Putnam
R. Robertson
David Rollins
Alexandre P.
Rosenberg
Carole and Charles
Rosenblatt
Edwin Roth
Mark Schwartz and
Bettina Katz
The Sears-Swetland
Family Foundation
Mr. and Mrs. James
N. Sherwin
John and Frances M.
Sherwin
Mr. and Mrs. Alvin
A. Siegal
Nancy Baxter
Skallerup
Kathleen E. Smith
Mr. and Mrs.
Eugene Stevens
Katherine Holden
Thayer
Mrs. Chester D.
Tripp
Pamela Pratt
Auchincloss and
Garner Tullis
U.S. Department of
Commerce
Evelyn S. and
William E. Ward
William E. Ward
Katherine C. White
Mr. and Mrs. Lewis
C. Williams
Endowment
Benefactor
($100,00 to
$249,999)
Anonymous (2)
Dudley P. Allen
American Greetings
Corporation
AT&T Foundation
Baker & Hostetler
LLP
Bank One, N.A.
Mr. and Mrs.
Randall J. Barbato
Ann Bassett
Vernon W. Baxter
Maud K. Bell
Mildred K. Bickel
97
Elizabeth B. Blossom
Mrs. Benjamin P.
Bole
P. Bolton
The Britton Fund
Ronald and Isabelle
Brown
Mr. and Mrs. Willard
Brown
Ella Brummer
The Chubb
Corporation
Mrs. Harold T. Clark
The Cleveland Clinic
Foundation
Cleveland Society for
Contemporary Art
Helen C. Cole
Mildred Constantine
Mr. and Mrs.
Benedict Crowell
Henry G. Dalton
The David and Inez
Myers Foundation
Dorothy Dehner
Mr. and Mrs. James
H. Dempsey Jr.
Mrs. John B. Dempsey
Edna H. Doller
Dominion East Ohio
Zoann and Warren
Dusenbury
Louise Rorimer
Dushkin
Eaton Corporation
Edith Virginia Enkler
Elizabeth Firestone
Graham Foundation
Elizabeth Ring
Mather and William
Gwinn Mather Fund
E. Rhodes and Leona
B. Carpenter
Foundation
Ernst & Young LLP
Mr. and Mrs.
Raymond F. Evans
Eleanor and Morris
Everett
Jane Iglauer Fallon
The Family of Mrs.
Robert H. Bishop
98
Mr. and Mrs. James
E. Ferrell
Bruce Ferrini
FirstEnergy
The Florence Gould
Foundation
Maxeen and John
Flower
Hollis French
Robert and Ann
Friedman
Charles and
Marguerite C.
Galanie
Mr. and Mrs. Robert
I. Gale Jr.
George Garretson
Wade Charitable
Trust #2
The George W.
Codrington
Charitable
Foundation
The Giant Eagle
Foundation
Mr. and Mrs. Robert
W. Gillespie
William J. Gordon
Mr. and Mrs. Robert
T. Gow
Edward B. Greene
Ann and Richard
Gridley
Mr. and Mrs. Robert
D. Gries
Guinness
Musa Gustan
Carl E. Haas
The Hadden
Foundation
Mr. and Mrs. John
Hadden Sr.
Mrs. Salmon P. Halle
Mr. and Mrs.
Newman T.
Halvorson
Janice Hammond and
Edward Hemmelgarn
Mrs. Charles W.
Harkness
Mr. and Mrs. Edward
S. Harkness
Henry Hawley
Rudolf J. Heinemann
Henry Luce
Foundation, Inc.
The Hershey Family
Dorothy Hildt
Mr. and Mrs.
Lawrence Hitchcock
Michael Hoffman
Mr. and Mrs. James
Horner
Dr. Gertrude
Hornung
George M. and
Pamela S. Humphrey
Fund
Mr. and Mrs. George
M. Humphrey II
Mrs. Albert S. Ingalls
International Business
Machines Corp.
Mr. and Mrs. James
D. Ireland
Charles Isaacs and
Carol Nigro
Barbara Jacobs
Virginia Jones
Jurey
Louis D. Kacalieff,
M.D.
The Kangesser
Foundation
Robert M. Kaye
George S. Kendrick
Mr. and Mrs. Edward
A. Kilroy Jr.
Ralph Thrall King
Fred W. Koehler
Mr. and Mrs. Jack W.
Lampl Jr.
Harley C. Lee
F. Leisy
Mildred Lerch
Lucile and Robert H.
Gries Charity Fund
MacDonald
Caroline
Macnaughton
Morton and Barbara
Mandel
Stephan Mazoh
Mrs. Malcolm
McBride
Margaret H. S.
McCarthy
Eleanor Bonnie
McCoy
Mrs. Norman F.
McDonough
Judith K. and S.
Mrs. P. J. McMyler
Moselle Taylor Meals
The Mellen
Foundation
Mr. and Mrs. Edward
H. Merrin
Samuel Merrin
William Mathewson
Milliken
David and Lindsay
Morgenthaler
Sally S. and John C.
Morley
Barrie Morrison
Gordon K. Mott
The Murch
Foundation
Louis S. and Mary
Schiller Myers
Nordson Corporation
Mrs. R. Henry
Norweb Jr.
Mr. and Mrs. George
Oliva Jr.
Lillian and Derek
Ostergard
Park-Ohio Holdings
James Parmelee
Robert deSteacy
Paxton
Payne Fund, Inc.
James Edward Peck
Mrs. Rudolph J.
Pepke
Mary Witt Perkins
Mr. and Mrs. Alfred
M. Rankin Jr.
Mr. and Mrs. Max
Ratner
The Raymond John
Wean Foundation
Larry and Barbara S.
Robinson
Mr. and Mrs.
Albrecht Saalfield
Mr. and Mrs. James
A. Saks
Mr. and Mrs. Paul H.
Sampliner
The Samuel H. Kress
Foundation
The Samuel
Rosenthal
Foundation
Mr. and Mrs. Gilbert
P. Schafer
L. Schlang
Mr. and Mrs. Ralph
S. Schmitt
Ethelyne Seligman
Boake and Marian
Sells
Dr. Gerard and
Phyllis Seltzer
Mrs. John L.
Severance
Mr. and Mrs. Francis
M. Sherwin
John and Frances W.
Sherwin
Rabbi Daniel and
Adele Silver
The S. K. Wellman
Foundation
The S. Livingston
Mather Charitable
Trust
Phyllis Sloane
Mr. and Mrs. Howard
F. Stirn
Louise Hawley Stone
Norman W. and Ella
A. Stone
Susan and John
Turben Foundation
Mitsuru Tajima
Mr. and Mrs. Frank
E. Taplin Jr.
Mrs. Henry
Trenkamp Jr.
B. Tullis
Charlotte Vander
Veer
G. Garretson Wade
Mr. and Mrs. Jeptha
H. Wade III
Worcester R. Warner
Mrs. Worcester R.
Warner
Mr. and Mrs. David
Haber Warshawsky
T. Watson
Mr. and Mrs. Alton
W. Whitehouse Jr.
Mr. and Mrs. Lewis
B. Williams
Mary Jo Wise
Janette Wright
Benefactor
($50,000 to
$99,999)
Anonymous (3)
1525 Foundation
Charles Abel
Shuree Abrams
Accenture LLP
Robert H. Adams
Mrs. Frances Almirall
Amica Insurance
Mrs. and Mrs.
Matthew Andrews
Anton and Rose
Zverina Fund
Mr. and Mrs. Arnold
S. Askin
Lester P. and Marjorie
W. Aurbach
Mrs. S. Prentiss
Baldwin
Bank Leu AG
Theodore S. and
Marcella M. Bard
Dr. Ronald and
Diane Bell
Milena M.
Benesovsky
Berkman
BF Goodrich
Company/Tremco
Foundation
Richard J. Blum and
Harriet L. Warm
Ruth Blumka
Mrs. Chester C.
Bolton
Kathryn G. Bondy
John C. Bonebrake
Mr. and Mrs. Paul S.
Brentlinger
Mr. and Mrs. Wilbert
S. Brewer
Mrs. Carol Brewster
Dr. and Mrs. Jerald S.
Brodkey
Jeanette Grasselli
Brown and Glenn R.
Brown
Louise Ingalls Brown
Brush Engineered
Materials, Inc.
Edith Burrous
Margaret Uhl
Burrows
Julius Cahen
Mrs. Henry White
Cannon
Central National
Bank
Charter One Bank
Mr. and Mrs. M.
Roger Clapp
Mr. and Mrs. Harold
Terry Clark
Cleveland-Cliffs, Inc.
Mr. and Mrs. Ralph
M. Coe
Mr. and Mrs. Ralph
F. Colin
Stella M. Collins
Mrs. John Lyon
Collyer
Daniel S. Connelly
Mr. and Mrs. Gerald
A. Conway
George B. Coombe
Mrs. James W.
Corrigan
Alan Covell and K.
Pak-Covell
Mr. and Mrs. Wilbur
A. Cowett
Mr. and Mrs. Robert
R. Cull
David E. and Bernice
Sapirstein Davis
Helen+ and Albert J.
DeGulis
Frances F. Dickenson
C. Distad
William Dove
Dr. and Mrs. Paul G.
Ecker
Mr. and Mrs. Howard
P. Eells Jr.
Natasha Eilenberg
A. W. Ellenberger Sr.
Heinz Eppler
Joseph M. Erdelac
Mr. and Mrs.
Giuseppe Eskanazi
Dr. and Mrs. Warren
C. Fargo
The Family of
Elizabeth Ege
Freudenheim
Mr. and Mrs. Arthur
L. Feldman
Ferro Corporation
Pamela Humphrey
Firman
Allen H. Ford
Mrs. James Albert
Ford
The Ford Foundation
Ford Motor
Company
Forest City
Enterprises, Inc.
Mrs. Robert J.
Frackelton
Marian Sheidler
Gilbert
The Gilbert W. and
Louise Ireland
Humphrey
Foundation
Lucille F. Goldsmith
(Lady) Marie Louise
Gollan
Joseph T. Gorman
I. Goss
Josephine Grasselli
Mr. and Mrs. Gordon
Gund
Thomas M. Hague
Edgar A. Hahn
Maria Hall
Mrs. Howard M.
Hanna
Mr. and Mrs.
Osborne Hauge
Mr. and Mrs. Victor
Hauge
Ruth C. Heede
Sheila Hicks
Hiroshi Hirota
Liberty E. Holden
Dr. and Mrs. Ralph
F. Hollander
Mr. and Mrs. John H.
Hord
Dr. and Mrs. Roger
Y. K. Hsu
Mr. and Mrs.
Benjamin S. Hubbell
Jr.
Lillian L. Hudimac
Marguerite B.
Humphrey
Helen Humphreys
Huntington National
Bank
Jarmila Hyncik
David S. Ingalls Jr.
Inkley
Kate Ireland
Mr. and Mrs. R.
Livingston Ireland
Jack B. List
Testamentary Trust
Mr. and Mrs.
Raymond T. Jackson
The Japan
Foundation
Mr. and Mrs. Homer
H. Johnson
Jones Day
Dr. and Mrs. Donald
W. Junglas
Mr. and Mrs. Paul
Kaminsky
Harry D. Kendrick
A. Kern
Mrs. Ralph Thrall
King
Irene Kissell
R. P. Kitaj
Mr. and Mrs. G.
Robert Klein
Mr. and Mrs. J. J.
Klejman
Kotecki Monuments,
Inc.
KPMG LLP
William Krause
Mr. and Mrs. Dennis
W. LaBarre
Rogerio Lam
Mr. and Mrs. Oscar J.
Lange
The Laub Foundation
Mrs. Raymond E.
Lawrence
Mary B. Lee
Linden Trust
M. Litton
LTV Steel Company
Mr. and Mrs.
Theodore M. Luntz
Brian and Florence
Mahony
Mr. and Mrs. Paul
Mallon
Jack and Lilyan
Mandel
Joseph and Florence
Mandel
Samuel Mather
Mrs. William G.
Mather
Virginia Hosford
Mathis
Kathryn Arns May
Elizabeth McBride
McDonald
Investments
Aline McDowell
Dr. and Mrs. Ruben
F. Mettler
Dr. Leo Mildenberg
Mr. and Mrs. Eugene
R. Miles
Mr. and Mrs. Joseph
B. Milgram Jr.
Mr. and Mrs. Robert
D. Milne
Mr. and Mrs. Harold
S. Minoff
Mrs. Paul Moore
Nellie W. Morris
Dr. and Mrs. Thomas
Munro
Klaus F. Naumann
Mr. and Mrs. James
A. Nelson
David Z. Norton
Laurence H. Norton
The Norton-WhiteGale Trust
Earle W. Oglebay
Mr. and Mrs.
Frederick S. C. Perry
Dr. and Mrs. Harlan
R. Peterjohn
Hobson L. Pittman
Mr. and Mrs. Leon
M. Plevin
John and Mary
Preston
Mr. and Mrs. James
Ratner
Louise S. Richards
Mr. and Mrs. Thomas
R. Riley
RJF International
John D. Rockefeller
Jr.
Rockefeller III
Mr. and Mrs. James J.
Rorimer
Milton C. Rose
S. Roseman
Rosenberg and
Stiebel Inc.
Mr. and Mrs. J. King
Rosendale
Dr. and Mrs. Ronald
J. Ross
Gloria Ross
RPM, Inc.
Arthur Sachs
Mr. and Mrs. Maurice
Saltzman
Martha Bell Sanders
William B. Sanders
Dr. and Mrs. Robert
Schermer
Mr. and Mrs. Viktor
Schreckengost
Florence B. Selden
Isosuke Setsu
Takako and Iwao
Setsu
Sherwin-Williams
Company
Asa and Patricia
Shiverick
Morris Siegel
Mrs. Aye Simon
Mr. and Mrs. Edward
C. Smith
Mr. and Mrs. Steven
Spilman
A. Spring Jr.
Mr. and Mrs. Donald
W. Strang
Lillian and Henry
Steinberg
Mr. and Mrs. Oscar
H. Steiner
Frank Stella
Ester R. Stern
Mr. and Mrs. Donald
W. Strang
Mr. and Mrs. Seth C.
Taft
Mr. and Mrs. Nelson
S. Talbott
Textile Arts Club
Mr. and Mrs. Eugene
Victor Thaw
The Timken
Company
Mr. and Mrs. Paul
Tishman
Toshiba International
Foundation
C. Treuhaft
TRW Foundation
Brenda and Evan
Turner
Mr. and Mrs. Thomas
V. H. Vail
Mrs. Jacob W.
Vanderwerf
Mitzie Verne
Gertrude L. Vrana
Mildred E. Walker
Helen B. Warner
The Weatherhead
Foundation
D. Weller
Mr. and Mrs. Fred
White Jr.
Mrs. Windsor T.
White
Mr. and Mrs. Hugh
R. Whiting
Edward L.
Whittemore
Doris and Ed Wiener
Ralph L. Wilson
John Wise
Helen B. Zink
Helen Zmek
Tessim Zorach
Frances S. Zverina
99
The Attic
Developed as an
interactive component
of the Arts & Crafts
exhibition, “The Attic”
continued with a
life of its own as a
website. To see it, set
your browser to
www.museumattic.org.
100
The Arts & Crafts exhibition in the fall
of 2005 inspired the New Media department to develop an innovative
multimedia presentation, “The Attic.”
“We wanted to create something that
would be family-friendly,” recalls Director of New Media Holly Witchey,
“not so much a linear, scholarly treatment of Victorian-era interior furnishings, but something that would encourage people to explore. Many of
the works in the exhibition were
things people had lived with and used
in their daily lives, which gave us the
idea of an attic as a great place to
rummage around in and discover
wonderful and interesting things—a
nonfrightening attic.” The resulting
feature appeared in a special room of
the exhibition and is now available
online. Set your browser to
www.museumattic.org.
After selecting a particular object, a
visitor can choose from three basic activities: zoom in and examine details
at greater magnification; look through
a book full of information about the
object; and read a newspaper that ties
the object to major news stories from
the year it was made. A principal goal
was to put visitors in contact with
some of the background information
about the works of art a museum
accumulates. The “book” includes a
wealth of material: facts, images,
drawings, and maps from curatorial
files presented in a scrapbook manner;
Victorian slide shows that provide
slightly irreverent introductions to
major topics; and a quiz feature that
allows visitors to test their knowledge.
The intent is to give the visitor an attic
stuffed with fabulous objects and provide tools to learn about those objects
in a meaningful way. People will
stumble across new things all the
time, but also find familiar things,
thus reinforcing the idea that it’s okay
not to know everything. The fun is in
the adventure and the learning. The
approach incorporated both a seriousness of purpose and a sense of humor.
Contributors to the project included
CMA curators Stephen Harrison and
Charles Venable, Education department chief Marjorie Williams, Michael
Hilliard in the New Media department,
and Dana Cowan, a Ph.D. candidate in
the museum’s joint program with
Case Western Reserve University’s
department of Art History.
Rory Matthews, longtime CMA collaborator whose well-known projects
include the online presentation of the
Royal Collection in Britain and a DVD
exploration of the art of Joseph Cornell,
designed and produced the site.
The Cleveland Museum of Art
will, of course, add more doors to the
Attic in order to explore new topics,
but the long-range hope is that other
museums will soon create their own
doors, making www.museumattic.org
a rich collaborative resource for people
everywhere.
101
Affiliated
Organizations
The Womens Council,
one of the sponsors
for Parade the Circle in
2006, used their
parade entry to hint at
an event scheduled
for the fall—a concert
by the orchestra Pink
Martini.
102
Contemporary Art
Society
Board of Trustees
Robert H. Jackson,
President
Barbara Robinson,
Vice President
Sanford Fox,
Treasurer
Dian Disantis,
Secretary
Albert Albano
Robert Bostwick
Brenda Brown
Kathleen Coakley
Rosalie Cohen
Richard Ferris
Harriet Goldberg
John Katzenmeyer
Robert Kiwi
Ellen Landau
Beno Michel
Peta Moskowitz
Stephanie Wiles
Friends of African
and AfricanAmerican Art
Board of Trustees
Helen Forbes-Fields,
President
Franklin Martin,
Vice President
Alfred Bright,
Secretary
Gayle Goodwin
Smith, Treasurer
Charles Burkett Jr.
Cynthia Samples
Mark Cole, Museum
Advisor
Friends of
Photography
Board of Trustees
(2005)
Mark Schwartz,
President
Robert Herbst, Vice
President
Charles Burkett,
Treasurer
Katherine Solender,
Secretary
Laura Bidwell
Linda Butler
Jennie Jones
William Lipscomb
Nancy Stuart
Garie Waltzer
John Williams
Board of Trustees
(2006)
Robert Herbst,
President
Jennie Jones, Vice
President
Charles Burkett,
Treasurer
Katherine Solender,
Secretary
Linda Butler
Jennie Jones
Abby Klein
Deborah Pinter
Nancy Stuart
Michael Weil
John Williams
Tom Hinson,
Museum Advisor
Musart Society
Board of Trustees
Robert Schneider,
President
(as of June 2005)
Carolyn F. Wipper,
President
(until June 2005)
James Dickinson,
Esq., Secretary
Shattuck W.
Hartwell Jr.,
Advisory Trustee
Mrs. Alfred Rankin,
Advisory Trustee
A. Chace Anderson,
Treasurer
Virginia Belveal
Mary Davis
Samuel E. Henes
Walter Holtkamp Jr.
Eleanor Bonnie
McCoy
Toni S. Miller
Beverly Simmons
Charles H. Teare
Karel Paukert,
Curator Emeritus
Painting and
Drawing Society
Board of Trustees
(2005)
Tony Brant,
President
Albert DeGulis,
Treasurer
Carol Michel,
Secretary
Katherine Bolton
Peta Moskowitz
Anne Ames
Pat Brownell
Joan Fountain
Ann Gridley
Henry Ott-Hansen
Patricia Stillman
Nancy West
Board of Trustees
(2006)
Tony Brant,
President
Albert DeGulis,
Treasurer
Anne Ames
Patricia Ashton
Pat Brownell
Gertrude Chisholm
Joan Fountain
Ann Gridley
Henry Ott-Hansen
Patricia Stillman
Nancy West
Norman Zaworski
Mark Cole, Museum
Advisor
Heather Lemonedes,
Museum Advisor
William Robinson,
Museum Advisor
The Print Club of
Cleveland
Board of Trustees
Charles Rosenblatt,
President
Kenneth Hegyes,
Vice President
Henry Ott-Hansen,
Treasurer
Carol E. Bosley
Richard Cowan
Mary Kay DeGrandis
Carter Edman
Barbara Galvin
Mary Ann Garvey
Phyllis Gary
Robert Getscher
Jane Glaubinger
Pearl Hachen
Donald M. Jack Jr.
William Martin Jean
Irving Kushner
Gloria Plevin
M. Neal Rains
Joseph Russell
Larry Santon
Judith Sogg
Patricia Stillman
Allie Wallace
Lois Weiss
Trudy Wiesenberger
Nancy Wolpe
Textile Art Alliance
Board of Trustees
(2005)
June O’Neil,
President
Katherine Dunlevey,
Vice President
Kathryn Levy,
Assistant Treasurer
Judith Smith,
Recording Secretary
Christy Gray,
Communications
Coordinator
Mary LouAlexander
Charlotte Ballas
Julie Clemens
Jan Gibson
Catherine Keith
Sara Mack
Susan McNamara
Jean Sommer
Mary Ann Weber
Board of Trustees
(2006)
Katherine Dunlevey,
President
Martha Young, Vice
President
Catherine Keith,
Assistant Treasurer
Jan Gibson,
Recording Secretary
Catherine Lee,
Communications
Coordinator
Leslie Alperin
Charlotte Ballas
Mary Ann ConnBrody
Doris Hill
Karen HoffmanHinkle
Susan McNamara
Melissa O’Grady
Jean Sommer
Carlyn Yanda
Louise Mackie,
Museum Advisor
The Trideca Society
Board of Trustees
(2005 only)
Henry Hawley,
President
Judith Simon, Vice
President
Jean Caldwell,
Secretary
Barry Bradley,
Treasurer
Mark Bassett
Shirley Dawson
Cindy Marx
Stephen Ockner
Dean Zimmerman
Young Friends
Board of Directors
(2005 only)
Carter Edman,
President
Christopher Wick,
Vice President
Deborah Koerwitz,
Treasurer
Lauren WagnerSchmidt, Secretary
Michael Dunn
Robert Hauptman
Maureen Leech
Jennifer Wick
Clifford Wire
Convening the
Community
Advisory Council
Anita Brindza,
Co-Chair
Adrienne Jones,
Co-Chair
Mary Bounds
Christina M. Bruch
Joseph A. Calabrese
Jeri Chaikin
James Cody
Councilman Kevin
Conwell
Margot James
Copeland
Deborah Daberko
Theasha Danielly
Ella Fong
Miriam GonzalezLugo
Kathryn M. Hall
Latisha M. James
Durga Chandran
Jaipuri
Jazz Mandair
Franklin Martin
Joseph Meissner
Erica Merritt
Stanley Miller
Kathleen O’Brien
Maritza L. Perez
Councilwoman
Sabra Pierce-Scott
Greg Reese
Donna Reid
Gia Hoa Ryan
Mary Santiago
Emmett Saunders
Aref Shafik
Karon Shaiva
Janus Small
Lorraine Vega
Andrew Venable
Lorna Wisham
Mayor Martin
Zanotti
Councilman Matt
Zone
Museum
Associates
Dave Abbott
Tony Brant
Joanne Clark
Richard Clark
Charles Edelsberg
Leslie Edelsberg
Marvin Feldstein
Stephen Gariepy
Carol Geyer
David Geyer
Susan Hanna
Karen Hiller
William Hiller
Ralph Horwitz
Sarah Horwitz
Jennifer Leach
Ray Leach
Bruce Loessin
Susan Loessin
Alan Markowitz
Cathy Pollard
Cici Riley
Edward Riley Jr.
Jan Roller
Carole Rosenblatt
Charles Rosenblatt
John Shields
Laura Shields
Nancy Sin
Lee Warshawsky
Scott Westover
103
Museum
Ambassadors
Schools and Faculty
Bedford High
School, Dagmar
Clements
Cleveland School of
the Arts, Ms. Evan
Koehler
East High School,
Colette Dowling
Lincoln West High
School, Carolyn
Hope
Padua Franciscan
High School, Laurie
Strompfel and Mary
Remington
Shaker Heights High
School, Eileen
Blattner, Dr. Ronald
Morgan, Gerimae
Kleiman, Jasmene
Corbitt, David
Peterjohn, R. Jeffrey
Lewis, Ms. Freddie
Holman, and Renee
Larue
Shaw High School,
Irene Shinkle
Strongsville High
School, Ellen
Goodworth, Joanna
Pusti, Kristi Trussa,
and Terri Harbart
Valley Forge High
School, Andrea
Harchar, Karen
Fulop, and Mrs. Kim
Weber
Facilitators and
Volunteers
Adrienne Rasmus,
Chair
Ellen Bishko and
Diane Stupay,
Co-Chairs
Linda McGinty,
Womens Council
Thomasine Clark,
Project Coordinator
Gail Calfee
Elaine Gross
Margit Harris
Mary Ann
Katzenmeyer
Sandra Rueb
Gail Schlang
Karen Sethman
104
Master Ambassadors
April Audie, Valley
Forge
Elizabeth Bonthius,
Shaker
Lisa-Ann Cameron,
Shaw
Kayleigh Fitch,
Valley Forge
Melissa Garcia,
Bedford
James Kozich, Padua
Franciscan
Tyler Martin,
Strongsville
Kari Masevice,
Valley Forge
Javon Mottley, Shaw
Erin O’Connor,
Padua Franciscan
Marika Peplowski,
Cleveland School of
the Arts
Anna Ronis, Shaker
Jennifer Seda, Padua
Franciscan
Dan Shinkle, Shaker
Nathaniel Slany,
Strongsville
Wendy Teel,
Lincoln West
Nicholas Travarca,
Bedford
Kelsey Wagner,
Bedford
Erica Williams,
Bedford
Alexia Willmon,
Shaw
Alexandra Zoloty,
Valley Forge
Apprentice
Ambassadors
Stolina Qirjazi,
Intern, Strongsville
Loren Bates, Bedford
Brittany Boyd, East
Lindsay Brom, Padua
Franciscan
Kristen
Campobenedetto,
Padua Franciscan
Catherine CampbellMorrison, Shaker
Yesenia Castro,
Lincoln-West
Robert Crump,
Shaw
Shalimma Fadzl,
Bedford
Ivory Flowers,
Lincoln West
Deontay Foster,
Shaw
Tiffany Hall,
Cleveland School of
the Arts
Jennifer Hill, East
Theresa Hood, Shaw
Aamina Jenkins, East
Adrienne King,
Strongsville
Alexander Lubera,
Valley Forge
Sara Massey, Valley
Forge
Joe Radloff, Bedford
Sam Rutchick,
Shaker
Nicole Scheuer,
Strongsville
Adrienne Starr, Shaw
Paul Szeltner,
Strongsville
Jessica Tuma, Padua
Franciscan
Lauren Weinberger,
Shaker
Genita Whitley, East
Womens Council
of the Cleveland
Museum of Art
Officers
Linda McGinty,
Chair
Kate Stenson, First
Vice Chair
Sabrina Inkley,
Second Vice Chair
Christy
Bittenbender, Third
Vice Chair
Carolyn Horn,
Corresponding
Secretary
Margaret Wilson,
Assistant
Corresponding
Secretary
Ryn Clarke,
Recording Secretary
Dosie Rymond,
Assistant Recording
Secretar
Christine Norman,
Treasurer
Marianne
Bernadotte, Assistant
Treasurer
Standing/Special
Committees
Advocacy, Pat Plotkin
and Ellen Schermer
Archives, Carolyn
Shanklin
Benefit, Jennifer
Langston
Cleveland Collects/
Parade the Circle,
Helen Cherry
Circle Development,
Margie Sachs
Community Arts,
Zoe Tyler and
Dorothy Ceruti
Database/Roster,
Rooney Moy and
JoAnne Lake
Hospitality, Lois
Davis and Joan
Fitchet
Information Desk,
Joanne Cowan and
Sabrina Inkley
Lecture Series, Josie
Anderson and
Marianne Bernadotte
Membership
Department Liaison,
Louinia Mae
Whittlesly
Museum
Ambassadors,
Adrienne Rasmus,
Ellen Bishko, and
Diane Stupay
New Members, Pam
Isquick and Judy
Bourne
Newsletter, Lucia
Jezior and Debbie
Latson
Nominating, Edie
Taft and Donna Walsh
Orientation, Mary
Anne Liljedahl and
Thomasine Clark
Pedestal Arrangers,
Emily Mueller and
Dorie Farley
Photographers,
Margie Moskovitz
and Lucia Jezior
Provisionals, Margaret
Wilson
Prints/Drawing
Liaison, Dinny Bell
Product
Development, Lorelei
Stein-Sapir and
Ruthe Stone
Programs, Sally
Smith and Kate
Stenson
Ready Volunteers,
Melinda Holmes
Special Decorations,
Cathy Miller and
Jane Thomas
Study Groups, Peggy
Sloan and June
Nosan
Subscriptions/Capital
Campaign, Janet
Coquillette and Joan
Fountain
Trips, Lois Bialosky
and Nancy Goldberg
Youth Initiatives,
Gail Schlang
Museum Liaison,
Diane DeBevec
Docent Association
Officers
Robin Ritz,
President
Peter Dobbins and
Kate Stenson, Vice
Presidents
Erva Barton,
Corresponding
Secretary
Erwin A. Edleman
and Pat Markey,
Recording
Secretaries
Linda Friedman,
Treasurer
Joann M.
Broadbooks, Mary
McClung, Nancy
Mino, and Sue
Schloss, Membersat-Large
Docent Corps
Stephen Badman
Erva Barton
Sharon Bell
Anne Berk
Arlene Bialic
Jane A. Bondi
Joann M.
Broadbooks
Claire Brugnoletti
Gail B. Calfee
Ran Datta
Marie Dellas
Beth Desberg
Susan Deutsch
Peter Dobbins
Erwin A. Edelman
Joan S. Fletcher
Anne S. Frank
Mary Kate
Fredriksen
Linda Friedman
Gail S. Garon
Lowell K. Good
Kermit W.
Greeneisen
Marsha Gross
Joyce S. Hackbarth
Karen Hahn
Maya Hercbergs
J. Jackson III
Gwen Johnson
Joan E. Kohn
Joann Lafferty
Mary Anne Liljedahl
Sandra Littman
Diane Maher
Patricia Markey
Maguy Mavissakalian
George Frederic
McCann
Mary McClung
Nancy Mino
Helene Morse
William Ott
Anne C. Owens
Robin Ritz
Catherine Rose
Lourdes Sanchez
Susan Schloss
Sally Schwartz
Patricia
Simpfendorfer
Margaret Sloan
Saabrin Spangler
Jacqueline Spieler
Kate Stenson
Mary Ann StepkaWarner
Kathy Vilas
Ann Walling
Margaret W. Walton
Volunteers
Anne Adamson
Carolyn Adelstein
Catherine Alfred
Sara Allison
Jinai Amos
Bill Anderson
Josie Anderson
Lorraine Anderson
Scott Anderson
June Antoine
Carol Arnold
Don Arnold
Ann Austin
Stephen Badman
Margot Baldwin
Charlotte Ballas
Erva Barton
Cherie Bauer
Dee Beacham
Aerielle and Tom
Bedell
Nick Bedell
Ted Bedell
Dinny Bell
Sharon Bell
Emma Benning
Anne Berk
Marianne Bernadotte
Arlene Bialic
Lois Bialosky
Margie Biggar
Joanne Billiar
Dean Birchfield
Ellen and Fred
Bishko
Christy Bittenbender
Paige Blackburn
Dorothy Blaha
Suzanne Blaser
Phyllis Blau
Gert Bleisch
Susan Block
Lois Bluhm
Flora Blumenthal
Hilary Bober
Joyce Bock
Sandi Bohl
Muffy Boland
Jane Bondi
Elda Borroni
Judy Bourne
Karen and Butch
Bourquin
Doris Boxerbaum
Caroline Boylin
Ruth Boza
Kevaly Bozes
Barbara Bradley
Emily Brasfield
Joan and John
Brickley
Joann Broadbooks
Mebby Brown
Pat Brownell
Claire Brugnoletti
Rita Buchanan
Lenaia Burbank
Meg Burgess
Sally Burton
Pat Butler
Grace Bynum
Jean Caldwell
Gail Calfee
Lynn Cameron
Margaret Carpenter
Dana Carson
Morena Carter
Rita Cerne
Dorothy Ceruti
Ryan Chamberlain
Jennifer Chaykowski
Helen Cherry
Camille Chesley
Karen and Joseph
Chinnici
Diane Chou
Thomasine Clark
Kathryn Clarke
Lou Clay
Phyllis Cleary
Sue Clegg
Julie Clemens
Suzette Cohen
Margaret Collings
Esther Collins
Kathy Colquhoun
Lucille Conde
Marty Conway
Christine Coolik
Pat Coppedge
Janet Coquillette
Paula Corbin Bryant
Inez Corrado
Carol Costin
Mary Kay
Covington
Joanne Cowan
Eloise A. Coxe
Lois Crawford
Shirley and Al+
Culbertson
Phyllis Cunningham
Maria Cutler
CWRU “Case
AmeriCorp
Students”
CWRU “Case for
Community Day”
Sarah Czika
Deborah Daberko
Susan Dahm
Faye D’Amore
Mark Darden
Wyleane Darden
Ranajit Datta
Barbara Davis
Lois Davis
Kit DeFazio
Mary Kay DeGrandis
Rosemary Deioma
Marie Dellas
Linda DeMarco
Beth Desberg
Susan Deutsch
Bonnie Dick
Diane Dick
Pete Dobbins
Pat Dohoda
Patricia Dolak
Eleanor Donley
Kay Donovan
Molly Downing
Jeffrey Doyne
Cassandra Dracup
Katherine Dunlevey
Michael Dunn
Linda Easton
Erwin Edelman
Betsy Eells
Allie Eilers
Leatrice Emeruwa
Lee Ensign
Pam Esch
Leigh Fabens
Mary Louise Falkner
Doris Farley
Dorothy Farley
John Farley
Bonnie Femec
+ deceased
Keith Filip
Jamie and Ronald
Fish
Joan Fitchet
Joan Fletcher
Marcia Floyd
Mary Lou Foley
Caroline Folkman
Joan Fountain
Charlotte Fowler
Anne and Howard
Frank
Barbara Franklin
Judy Fredrichs
Mary Kate
Fredriksen
Susan and Leonard
Freed
Ann Friedman
Linda Friedman
Jean Gaede
Frances Gale
Liz Gallagher
Barbara Galvin
Mary Gardner
Gail Garon
Alicia Garr
Brooke Garratt
Jane Garrett
Marjorie Garrett
Mary Anne Garvey
Carey Gibbons
Jan Gibson
Nancy Gilbert
Ann Gillespie
Anne Ginn
Carol and Ronald
Godes
Nancy Goldberg
Lowell Good
Ann and Kermit
Greeneisen
Karen Gregg
Carolyn Griffen
Erika Gromosky
Elaine Gross
Marsha Gross
Graham Grund
Lois Guren
Pearl Hachen
Joyce Hackbarth
Karen Hahn
Haidi Haiss
Julia Haiss
Nola Haiss
105
Spectators at the 2006
Parade the Circle could
pose for a photo with
Armorman, a character
inspired by the
museum’s suit of halfarmor made in 1590 by
Pompeo della Cesa.
106
Theresa Haiss
Tiffany Hall
Rick Hamilton
Roberta Hardacre
Margit Harris
Phil Hart
Bill Hartshorn
Betsy and Kenneth
Hegyes
Lee Heinen
Bettyann Helms
Maya Hercbergs
Polly Hermann
Maryanne Hertzer
Martha Hickox
Dale Hilton
Ingrid Hoegner
Carol Holder
Melinda Holmes
Jann Holzman
Carolyn Horn
Jim Hubert
Steven Hubert
Denise Huck
Charles Hudson
Colleen Ialacci
Katherine Ingalls
Sabrina Inkley
Vicki Isphording
Pamela Isquick
Marta and Donald
Jack
James Jackson
John Jackson
Laurie Jacobs
Beth Jaworski
Megan Jaworski
Lucia Jezior
Gwendolyn Johnson
Amelia Joynes
Susan Kaesgen
Ann Kahn
Richard Karberg
Carolyn Karch
Dorothy Kasper
Wilma Kasper
Joan Kassan
Donna Kasunic
Barbara Kathman
Blanche and Dudley
Katz
Mary Ann
Katzenmeyer
Catherine Keith
Patricia Kelley
John Kelly
Jane Kern
Judith Kessler Smith
KeyBank
“Neighbors Make
the Difference”
Evelyn Kiefer
Katherine and Dicc
Klann
Robin Koch
Lois Koeckert
Joan Kohn
Phyllis Koons
Alex Kosenko
Elaine Koskie
Ann Koslow
Eden Kovacik
Kathleen Kovacik
Gwen Kraeff
Universe Krist
Margaret Krudy
Patricia Kuenzig
Peggy Kundtz
Julie Kurtock
Pilar LaBianca
Sally Lacombe
Joann Lafferty
JoAnne Lake
Carolyn Lampl
Kim Landsdowne
Joanne and Robert
Lane
Miranda Lange
Barbara Langlotz
Jennifer Langston
Kim Lansdowne
Debbie Latson
Bonnie Lau
Braden Lau
Julie Lau
Megan Lau
Michael Lau
Nancy Lavelle
Ginny Leonard
Freda Levenson
Sheila Levine
Kathryn Levy
Sue Lewis
Cathy Lewis-Wright
Debra Light
Mary Anne Liljedahl
Sandra Littman
Julie Lobo
Nan Lowerre
Idarose Luntz
Keith Lutz
Sara Mack
Lorrie Magid
Diane Maher
Carole Majewski
Pamela Maloney
Marvin Mandel
Janet Maranciak
Teri Markel
Patricia Markey
Audrey and Russell
Marxen
Sheila Matter
Maguy Mavissakalian
George McCann
Mary McClung
Eveline McElroy
Linda McGinty
Patricia McIlraith
Jacklynn McKenney
Judith McMillan
Dorothy McNulty
Reathel McWhorter
Carol Mealy
Cathy Mecaskey
Mary Merkel
Lorna Mierke
Betty Miller
Catherine Miller
Suzanne Miller
Nancy Mino
Dolly Minter
Rita Moore
Marie Morelli
Claire Morgan
June Morgan
Kathy Moroscak
Andrea Morris
Betsi Morris
Helene Morse
Marjorie Moskovitz
Rooney Moy
Mary Jo Mudgett
Emily Mueller
Lara Mullen
Janet Neary
Elise Newman
Christine Norman
June Nosan
Alyce Nunn
Lisa O’Brien
June O’Neil
Sandra Ong
Helen Orton
William Ott
Anne Owens
Becky Owens
Denese Pappas
Edward Parsons
Rita Pearlman
Ethel Pearson
Mary Ann Perry
Christine Pesch
Peg and Bill Petrovic
Nina Pettersson
Emily Phillips
Susan Pim
Alicia Pletnewski
Patricia Plotkin
Margaret Plumpton
Elinor Polster
Frankie Polster
Fran Porter
Mary Porter
Charlene Powers
Lisa Powers
Fillareta Qirjazi
Stolina Qirjazi
Ella Quintrell
Lynn Quintrell
Cathy Randall
Seema Rao
Adrienne Rasmus
Virginia Ratcliffe
Susan Rathbone
Howard Reinmuth
Mary Reynolds
Shirley Ann Ricketts
Robin Ritz
Georgianna Roberts
Erin Robinson
Rocky River High
School Fine Arts
Club
Claire Rogers
Monica Rogers
Thomas Rohweder
Vivian Rokfalusi
Catherine Rose
Carole Rosenblatt
Cindy Ross
Phyllis Ross
Mary Rossi
Lisa Roth
Sandra Rueb
Monica Rust
Mary Ryan
Dosie Rymond
Aurelie Sabol
Marjorie Sachs
Clarine Saks
Andrea Sander
Mitzi Sands
Ellen Schermer
Gail Schlang
Susan Schloss
Nancy Schneider
Barbara and Arnold
Schreibman
Karen Schumaker
Tracy Schwab
Sally Schwartz
Linda Sebok
Marian Sells
Karen Sethman
David Shack
Carolyn Shanklin
Jane Shapard
Marian Shaughnessy
David Shaw
Elizabeth Shearer
Laura Shields
Dorothy Shrier
Sue Sifritt
Patricia
Simpfendorfer
Marguerite Skorepa
Margaret Sloan
Barbara Smeltz
Charles Smick
Bille Smith
Janice Smith
Nan Smith
Sally Smith
Linda SmithRichardson
Malinda Smyth
Becky Smythe
Nancy Sneed
Jean Sommer
Sabrina Spangler
Diane Spelic
Jackie Spieler
Toula Spirtos
Sue Spring
Julie Stanger
Rosemary StanitzSkove
Shirley Steigman
Lorelei Stein-Sapir
Kate Stenson
Mary Ann StepkaWarner
Ruthe Stone
Diane Stupay
Mary Lane Sullivan
Mary Lou Sullivan
Nancy Swizynski
Edith Taft
Will Taft
May Targett
Sarah Taylor
Myra Tesluk
Jane Thomas
Martha Thompson
Julia Thornton
Jean Thorrat
Kimberly Tilley
Allison Tillinger
Melissa Titman
Diana Tittle
Ruth Toth
Kathleen Totter
Gail and Marty
Trembly
Mary Trevor
Pat Triggs
Kim Troy
Rob Tweddle
Zoe Tyler
Peter Udycz
University School
Senior Service Day
Beverly Vail
Barbara Van Dyke
Nona Vickers
Kathy Vilas
Deirdre Vodanoff
Annie Wainwright
Barbara Walker
Ann Walling
Donna Walsh
Hunter Walter
Margaret Walton
Marie Walzer
Ellie Ward
Raquel Wasserman
Mary Ann Weber
Lettie Webster
Hannah Weil
Eric Weinberger
Lois Weiss
Lisa Wells
Joyce WellsCorrigan
Suzanne Westbrook
Lori Whittington
Louinia Mae
Whittlesey
Ann Wieland
Betty Williams
Joan Wilson
Margaret Wilson
Marjorie Wilson
Monica Wilson
Nancy Wolpe
Bruce Woodward
Linda Woodward
Maggie Xu
Sana and Jean-Pierre
Yared
Renate Zeissler
Susan Ziegler
Interns
Gerald Abt
Julia Barber
Colleen Barni
Elsie Baron
Beth Baucum
Barbara Becker
Lisa Bergrin
Paula Blackman
Brad Blahnik
Carolyn Boebinger
Patrice Boyer
Kristen Bucher
Matthew
Charboneau
Sasha Chusid
Alexandra Collins
Dana Cowen
Reagan Duplisea
Alicia East
Brenna Elliott
Caroline Falivena
Matthew Fantone
Erica Fisher
Katherine Gundlach
Caroline Guscott
Dana Hardy
Lacey Harrington
Katherine Hartwyk
Hollie Hayes
James Horvath
Michael Jaskiw
Heather Johnson
Lori Karpinecz
Erin Kenney
SeJeong Kim
Alexandria Kotoch
Lisa Kren
Lauren Kuntzman
Bonnie Laessig
Julie Lafferty
Adam LaPorta
Christina Larson
Lorenza Macchi
Aimee Marcereau
Amy Marshalek
Lori Ann Martin
Jill Mendenhall
Thomas Mendenhall
Frank Miller
Tami Miller
Joanne Morse
Jennifer Napier
Elisabeth Narkin
Meghan Olis
Erin Perme
Christine Pesch
Jane Pierce
Ariel Pruitt
Myra Rasmussen
Sarah Ratner
Sarah Rey
Dartrell RonneyChapman
Lisa Roth
Samatha
Schidemantle
Ann Schorgl
Aimee Skinner
Holly Smigelski
Jessica Stork
Tyler Trolio
Ellie Ward
Alesha Washington
Meghan Williams
Emily Wilson
Lydia Yun
Meredith Zitron
107
After a brief
interruption when the
education wing
closed, studio classes
for young people
resumed at Shaker
Square.
108
Education and
Public Programs
Three events in a three-month period—“Laying Foundations for the
Future” on October 1, 2005, the opening of CMA@ Shaker Square in
November, and the closing of the museum in January 2006—were seminal for education and public programs at the museum.
The department of Education and Public Programs was the organizing
agent for “Laying Foundations for the Future,” the official groundbreaking
ceremony for the museum’s renovation and expansion project. All-day
activities commemorated this watershed moment in the history of the
museum. Cleveland’s civic and religious leaders who attended the noon
ceremony included Mayor Jane Campbell, Rabbi Eric Baum, Imam
Ramez Islambouli, Rev. Dr. Otis Moss Jr., Rev. David Novak,
Venkatachalapati Samnuvrala, the Venerable Lobsang Tendar, and members of the Greater Cleveland Choral Chapter under the direction of
Richard J. Smith, in addition to museum trustees and architect Rafael
Viñoly. Family activities enlivened the Fine Arts Garden in the afternoon,
and the day ended with a rousing “Party under the Stars” in the outdoor
garden court. About 1,200 people attended the day-long program.
Off-site activities continued in the community while galleries and
classrooms in the museum closed and education staff and offices relocated
within the building. Most notably, a corner retail space on Shaker Square
became home to art classes and the Ticket Center from November 2005
The Winter Lights
Lantern Festival
brought magical
illumination to Wade
Oval in December
2005.
109
The 2005 Chalk
Festival enlivened the
south terrace.
Hands-on art activities
were part of the
museum's offerings
for the citywide
celebration of Martin
Luther King Jr. Day in
January 2005.
110
through the end of July 2006. In addition, most of the department—staff,
programs, the parade off-site workshop space, two distance learning studios, and the Education Art Collection of 18,000 objects—moved during
the summer months of 2005 as galleries and facilities in the Breuer wing
closed. With the closing of the Arts & Crafts exhibition in early January,
the entire museum was closed for six months so that renovations could
take place in and around the north entrance, but department activities
continued uninterrupted.
An expected drop in program attendance was counterbalanced by new
partnerships with community businesses, colleges, and libraries; overall,
attendance fell by only 21%, attributed entirely to the suspension of school
tours that had been taught in the permanent collection galleries. The strategic goal during the renovation of the education facilities has been to
maintain a vibrant presence in the community by emphasizing the outreach programs—Distance Learning, Art To Go, and Community Arts—
and creating new partnerships with other institutions.
The Distance Learning program, which presents interactive videoconferencing classes to K–12 audiences around the country, was one
of eight Cleveland projects to participate in the Community Wealth Ventures program, which assists nonprofits in realizing the entrepreneurial
opportunities of their programs so they can become financially selfsustaining. A resulting three-year business plan seeks to cover costs and
reach 50,000 students and teachers annually. In addition to the school-age
audience, the studios and staff created a semester-long class on nonWestern art for students at Bradley University in Peoria, Illinois, and will
continue to offer programs to university-level students.
Distance Learning
continued in a portion
of the building that was
relatively unaffected by
construction. Here,
Debbie Apple-Presser
talks about a painting
by Henri Matisse (right)
and Arielle Levine
(below, on monitor)
discusses a headdress
from the Ejagham
people while Tony
Fritzgerald (at the
controls) monitors the
session.
Data about the entire Art To Go collection of 18,000 objects was entered into Apelles, the museum’s collections management system, which
helped in the review of works of art by curators and consultants. In April,
Bruce Bernstein of the National Museum of the American Indian and
CMA staff including Susan Bergh, associate curator of the art of the ancient Americas, assessed the Native American ceramics and basketry; as a
result, some 160 objects were transferred into the permanent collection.
The education collection was moved into temporary storage during the
first phase of the expansion project. Yet docent teachers increased from
10 to 20 (thanks to an influx of gallery docents), four new suitcases were
developed, and an art car was acquired—all of which allowed increased
service to schools.
Teachers from the museum’s constituent schools were very accommodating in spring 2005 as galleries closed for the building project. Typically,
111
Art To Go
presentations brought
works from the
Education Art
Collection to schools
around the area.
112
more school tours are scheduled in May and June than during any other
months, but the museum’s docents were undeterred and showed considerable flexibility and commitment as they continued their service in creative new ways. Docents who did not assist in Art To Go taught special
exhibitions at the museum and at neighboring institutions including
MOCA Cleveland and the Maltz Museum of Jewish Heritage, as well as
introducing school groups to the sand mandala presentation at City Hall.
The school tour program participated in a study of Cleveland Municipal
School District (CMSD) classes that come to the museum as part of the
school tour programs at University Circle institutions. Conducted by the
Institute for Learning Innovation, the study will provide the basis for new
curricula.
Professional development opportunities for teachers continued at the
museum until June 2005, and thereafter at partner institutions. More
than 120 workshops were presented to more than 900 teachers.
Family and youth programs moved off-site during July 2005, with a
dozen events—most at area libraries—in the summer and fall; all programs
relocated to Shaker Square when that space was ready. New partnerships
built around adult classes were forged with Baldwin-Wallace East in
Beachwood and the Tri-C Cooperate College East in Warrensville
Heights. The Art & Fiction book club brought together Education and
Mask-making
workshops helped kick
off parade season in
April 2005 and again
in 2006.
Ingalls Library staff to offer discussions about the genre of art fiction. Art
appreciation classes on the history of art featured the museum’s collections
and special exhibitions. Thirteen lunchtime and after-work architectural
walking tours in Cleveland—and even one to Chicago—accented the
programming.
Partnerships with schools and teachers thrived. The 27-year Asianthemed collaboration with Shaker Heights and Beachwood high schools
became an outreach program with CMA staff teaching classes at the
schools. The $750,000 Freeman Foundation grant, now in its last year,
funded a student exchange with the Shanghai Foreign Language School in
China and Takatori High School in Japan. Simultaneously, the department
developed a new project with the CMSD, becoming the lead partner in
the creation of the School of Architecture and Design at the renovated
John Hay High School, which opened in the fall of 2006; the museum’s
collection and construction projects will become a learning laboratory.
The department also expanded its networks into the education communities by actively participating in professional organizations.
Community Arts, a major outreach arm during this pivotal time, continued its dynamic festivals, always the culmination of numerous off-site
studio programs. During the 18-month period, the off-site studio moved
to Columbus Road in the Flats for increased space and enhanced security.
Two parade seasons brought 100,000 spectators to the circle, and approximately 3,200 people from the community danced through the parades.
In 2006 the public parade studios were temporarily situated on the Case
campus. Parade staff and ensembles appeared at cultural institutions
throughout the city, most notably at the 2005 Ingenuity Festival, for
which Robin VanLear designed the opening ceremony. About 400 skateboarders and dancers performed to the premiere of a composition by
composer Greg D’Alessio, assisted by Paul Cox. Also at Ingenuity, the
CMA pavilion featured a fusion of art and technology where visitors could
view a 3D animation of the medieval Table Fountain and a hologram of
the Stone Age Stargazer or explore Picasso’s La Vie. Families donned special glasses to view the debut of a 3D video about the museum’s French
Writing Desk directed by noted local video artist and filmmaker Kasumi.
Education and Information Technology staff members also collaborated to
present a unique educational event, co-sponsored with MOCA Cleveland,
the Cleveland Institute of Art, Museum Computer Network, and Case
and co-chaired by CMA Chief Information Officer Len Steinbach: Understanding the New Dynamic: Art, Technology, and the Mind was a two-day
international symposium on the relationship of technology, new media,
art, and the brain in association with MOCA Cleveland’s All Digital
exhibition. Steinbach moderated the panel at a public program featuring
digital artists, museum educators, and cognitive scientists.
113
Major federal grants from the Institute of Museum and Library
Services (IMLS) and the U.S. Department of Education leveraged the
department’s work in the community. Through an IMLS grant—
$500,000 for two years—the museum forged partnerships with Cuyahoga
County Public Library branches in Mayfield Village and Maple Heights
using interactive videoconferencing equipment. Teen audiences participated in poetry workshops and slams, while adults learned about art and
the places where it was created in a lecture series titled Destinations in Art.
The Educators Academy explored the integration of CMA and library resources around themes of literacy, diversity, and technology.
The ETTA (Education through the Arts) grant from the Department
of Education provided $209,800 for research in planning program installa-
The Moonlady and
Her Husband, an
ensemble from the
Chinese Academy of
Cleveland, performed
an acrobatic dance
during the 2006
Parade the Circle.
114
tions for the Lifelong Learning Center, which is scheduled to open by
2010. Teacher workshops during the summer of 2005 identified possible
interdisciplinary, curricular-rich themes for the center, while staff visits
to children’s museums, science centers, and art museums in this country
and Europe provided valuable insight into the possibilities of immersive
interactive learning environments. Gallagher & Associates of Bethesda,
Maryland, worked with CMA staff in planning the design of the center.
The Lifelong Learning Center will be the final element in the Arts and
Education Center, whose mission is to help visitors of all ages and backgrounds find pleasure and meaning in art in general and in the museum’s
collection in particular.
Native North
American Transfers
A significant number
of works from the
Education Art Collection
were re-evaluated and
transferred to the
permanent collection.
Artist-archaeologist
Kenneth Chapman, a
key figure in Santa
Fe’s School of
American Research
(SAR), made many
drawings of motifs
from Indian pottery
like those shown here
Olla (Water Jar), 1850–
60; United States,
Southwest, Zuñi
Pueblo; ceramic, slip;
Gift of Amelia Elizabeth
White 1937.898.
(above and borders at
right). In 1922, SAR
sponsored the first
southwest Indian Fair,
the precursor of
today’s enormously
popular Santa Fe
Indian Market.
Since June 2005, the museum’s collection of Native North American art has
been impressively increased by the addition of some 225 baskets, ceramics,
textiles, and works on paper. All were
transferred from other areas within
the museum, most from an obscure
and intriguing collection tended by
the Education Department and a few
screenprints from Ingalls Library as
well. The transfers—identified with
the help of the outside expert consultants Dr. Laurie Webster (textiles) and
Dr. Bruce Bernstein (baskets, ceramics)—were prompted by the building
expansion project and the increased
gallery space that it will provide for
Native North American arts. The objects that remain in the Education Art
Collection will be put to use in the Art
To Go program, which takes art into
area schools.
The regions best represented by the
transferred objects are the Southwest
and the West. All 30 of the transferred
textiles are of Navajo, Pueblo, or
Basketry Food or
Serving Bowl
(Presentation Bowl),
1880–90; United
States, Great Basin,
Panamint-Shoshone;
plant fiber and
orange-shafted flicker
quills; diam. 49.5 cm;
Presented by William
Albert Price in
memory of Mrs.
William Albert Price
1917.482.
northern Mexican origin; Pueblo or ancestral Pueblo artists also created the
50 ceramics. They include 20 bowls of
New Mexico’s ancient Mimbres culture, painted with charming figures or
bold geometric designs, and a group
of graceful 19th-century Zuñi ollas
(water jars). Baskets range from very
large Apache jars to miraculously tiny
miniatures created by a Pomo
(California) weaver to demonstrate
her virtuoso skill. The works on paper
include watercolors by Julian Martínez
and Awa Tsireh (Alfonso Roybal) of
koshare (sacred clown) performances
at the San Ildefonso Pueblo, the Anglo
artist Kenneth Chapman’s many drawings of motifs on Pueblo pottery, and
several others.
Kenneth M. Chapman
(American, 1875–1968);
Drawings of Three
Designs from the
Pottery of the San
Ildefonso Pueblo, New
Mexico, before 1928;
top, h. 25.4 cm,
1928.47; middle (left),
h. 24.5 cm, 1928.66;
bottom, h. 25.4 cm,
1928.41; Educational
Purchase Fund.
115
School and Teacher Services
Art to Go and the Education Art Collection
Presentation topics. Ancient Americas: Art
from Mesoamerica; The Art of Writing: The
Origin of the Alphabet; Artists of Our Region;
China: Art and Technology; Classical Art:
Ancient Greece and Rome; Cool Knights:
Armor from the European Middle Ages and
Renaissance; Diego Rivera: A Mexican Hero
and His Culture; Early America: Artistry of a
Young Nation; Journey to Africa: Art from
Central and West Africa; Journey to Asia;
Journey to Japan: A Passport to Japanese Art;
Let’s Discover Egypt; Masks: Let’s Face It;
Materials and Techniques of the Artist;
The Museum Zoo: Animals in Art; Native
American Art: Clues from the Past; Oodles
and Oodles of Lines and Shapes; and Problem
Solving: What in the World?
CMSD participants. Almira Elementary,
Audubon Middle, Newton D. Baker
Elementary School for the Arts, Alexander
Graham Bell Elementary, Bethune Elementary, Brooklawn Elementary, Buckeye–
Woodland Elementary, Case Elementary,
Clark Elementary, Cleveland School of the
Creativity continued
at the Shaker Square
studio in early 2006.
116
Arts, Collinwood High School, Mary
Cranwood Elementary, Paul Dunbar Elementary, Euclid Park Elementary, Benjamin
Franklin Elementary, Robert Fulton
Elementary, Joseph Gallagher Elementary,
Glenville High School, Stephen Howe
Elementary, Robert H. Jamison Computech,
R. G. Jones Elementary, Kentucky Elementary, John F. Kennedy High School, Lincoln
West High School, Douglas MacArthur
Elementary, John Marshall High School,
McKinley Elementary, Mound Elementary,
Oliver Hazard Perry Elementary, Captain
Arthur Roth Elementary, Marion Seltzer
Elementary, Tremont Elementary, Charles A.
Mooney Elementary, Walton Elementary,
Watterson–Lake Elementary, and Waverly
Elementary.
Schools outside Cleveland. Agnon, All Saints
of St. John Vianney, Art House, Ascension,
Bryden Elementary, Canterbury Elementary,
Chagrin Falls Intermediate, Citizen’s Academy, Coventry Elementary, Direction for
Tomorrow Home School, Dike Montessori,
Fuchs Mizrahi School, Gates Mills Elementary,
Eleanor Gerson School, Hannah Gibbons
Elementary, Greenview Elementary,
Hathaway Brown, Hawken, Highland
Elementary, Holy Cross Elementary, Holy
Redeemer, Holy Trinity, Thomas Jefferson
Elementary, Lakewood Lutheran, Laurel,
Lutheran West High, Mayfield High School,
Mercer Elementary, Mt. Auburn, Parma
Heights Christian Academy, Parma High
School Able Learners, Onaway Elementary,
Oxford Elementary, Ratner School, Raymond
Elementary, Roxboro Elementary, Ruffing
Montessori, Shaker Heights High School,
St. Ann’s, St. Columkille, St. Gregory the
Great, St. Josephat, St. Mark’s School, St.
Michael Elementary, St. Robert Bellarmine,
St. Terese, University Settlement, University
School, Valley Forge High School, and
Woodbury Elementary.
Teachers Advisory Committee. Ellen Battle,
Carole Brown, Nancy Dvorak, Sue Foley,
Cindy Guertin, Kathy Heidleberg, Dale
Hilton, Christina Holtier, Phil Klienhentz,
Shannon Masterson, John Prim, Joan Querry,
Kitty Rose, Michael Starinsky, Betty Jo Scurei,
Sister Mary Francismarie Seiler, Jean Sommers,
and Sue Wilson.
Distance Learning
Class topics. A Is for Animal; A Is for Apple;
African Art: Secular and Supernatural; African
Masks; America’s Story through Art (5-part
series): America Emerging (1700s), America
Expanding (1801–61), America Transforming
(1861–1918), America Enduring (1913–45),
and America Diversifying (1945–2000); Ancient American Art: The Aztec and Their
Ancestors; Arms, Armor, and Simple Machines; Art and Science: Natural Dyes; Art and
Science: Photography (2-part series): How
Does a Camera Work? and What Makes a
Good Photograph?; The Art of Adornment;
Aztec, Maya, and More!; Contemporary Art;
Diversity, Neighborhoods, and Urban Issues;
Egyptomania (4-part series): Daily Life, Hieroglyphics, Mummification, Animals in Art;
Eye on the Moon; Form, Function, and Faith;
From Estruscan to Modern: A Panorama of
Italian Art; Gods and Heroes from Greece and
Rome; Gods and Heroes of India; Gods and
Heroes of the Maya; Harlem Renaissance;
Impressionism; Japanese Art: Humble and
Bold; Knights, Castles, and Kings; L’Art de
L’Afrique; Math Connections; Medieval Masterpieces; Modernism: Early 20th-Century Art;
Museum Careers; Native Americans and
Settlers: Encounters in Early Ohio History;
Professional Development: DL and Your
Curriculum; “Race” Is a Four-Letter Word;
Renaissance Painting: An Overview;
Scary Art: A Halloween Special; Survey of
Non-Western Art (13 university-level
videoconferences); Spanish Art; and Tessellation Exploration.
Communities served in the United States and
abroad. England: Pinner; Arkansas: Sterling;
Alabama: Huntsville; California: Quincy and
San Rafael; Colorado: Durango; Connecticut:
East Hartford; Florida: Fort Lauderdale and
Naples; Illinois: Chicago and Peoria; Indiana:
Bluffton, East Chicago, Gary, Indianapolis,
Lanesville, Nashville, Nineveh, Noblesville,
Petersburg, Shelbyville, Tell City, Williamsport,
and Zionsville; Kentucky: Frankfort; Louisiana: New Orleans; Massachusetts: Belchertown,
Concord, Dalton, Revere, Shelburne, and
South Deerfield; Maine: Raymond; Michigan:
Algonac, Alma, Bay City, Berrien Springs,
Bridgman, Canton, Corunna, Fraser, Fremont,
Galien, Gladwin, Grand Rapids, Holland,
Lapeer, Michigan City, New Buffalo, Owosso,
Roscommon, Saginaw, Spring Lake, St.
Joseph, Sterling Heights, Watervliet, West
Olive, and Zeeland; Minnesota: Cambridge;
Missouri: Osage Beach and Otterville; Mississippi: Hattiesburg; North Carolina: Durham
and Wallace; New Hampshire: Penacook;
New Jersey: Alloway, Camden, Galloway,
Hillsborough, Lincroft, Linden, Mays Landing,
Neptune, Sandy Hook, Sewell, Shamong,
Sicklerville, Wall, and Williamstown; New
York: Albany, Amsterdam, Ardsley, Bayport,
Belleville, Bethpage, Burnt Hills, Carle Place,
Cheektowaga, Copiague, Deer Park, East
Moriches, Eastchester, Elmira, Elmsford,
Farmingdale, Freeport, Garnerville, Glen
Head, Hamburg, Hampton Bays, Henrietta,
Hicksville, Horseheads, Irvington, Levittown,
Lido Beach, Massapequa, Merrick, Miller
Place, Mt. Morris, North Massapequa, New
York, Oceanside, Palmyra, Patchogue, Port
Jefferson Station, Rocky Point, Roslyn Heights,
Scarsdale, Schenectady, Scotia, Staten Island,
Valley Stream, West Hempstead, Wellsville,
West Nyack, White Plains, and Williamsville;
Ohio: Akron, Alliance, Ashtabula, Atwater,
Avon, Bartlett, Beachwood, Bellbrook,
Bellefontaine, Bellevue, Belmont, Berea,
Bluffton, Brunswick, Byesville, Cambridge,
Canal Fulton, Canton, Chagrin Falls,
Cincinnati, Cleveland, Columbus, Concord
Township, Crooksville, Dayton, Dennison,
Young artists learn
about silkscreen
printing.
Docent Kermit
Greeneisen answers
questions during a
school group tour of
the Asian galleries in
the spring of 2005.
Dresden, Elyria, Franklin, Fremont, Gates
Mills, Granville, Hamilton, Haviland, Ironton,
Jackson, Jamestown, Johnstown, Kent, Kirtland,
Lagrange, Lisbon, Little Hocking, Lorain,
Lyndhurst, Mason, Massillon, McDermott,
Mentor, Middlefield, Middletown, Minerva,
Newark, North Canton, North Ridgeville,
Oberlin, Painesville, Parma, Pepper Pike,
Perrysburg, Piketon, Poland, Proctorville,
Richfield, Rocky River, Sandusky, Shaker
Heights, Sheffield, Springfield, St. Clairsville,
Steubenville, Streetsboro, Strongsville,
Thornville, Tiffin, Tiro, Turin, Uhrichsville,
Vincent, Walnut Creek, Wickliffe, Youngstown, and Zanesville; Pennsylvania: Allentown, Bala Cynwyd, California, Catasauqua,
Easton, Emmaus, Erie, Fort Washington,
Glenside, Media, Milford, Old Forge, and
Pottstown; Tennessee: Chattanooga and Nashville; Texas: Amarillo, Arlington, Clarendon,
College Station, Copperas Cove, Corpus
Christi, Dallas, Godley, Houston, Lubbock,
Magnolia, Mansfield, Mont Belvieu, Quinlan,
Richardson, San Antonio, and Waco; Virginia:
Alexandria, Reston, and Wirtz; Washington:
Shelton and Skokomish Nation; Wisconsin:
Greendale, La Crosse, and Neenah.
Docent Program
School tour topics. All Creatures Great and
Small: Animals in Art; Children in Art;
American Art; Arts of the African Continent;
Arts of the Americas; Arts of the Renaissance
and Baroque Eras; Castles and Knights: An
Introduction to Life in the Middle Ages;
Discover a World of Great Art; Dressed for
Success; Egypt, Greece, and Rome; Face to
Face; From Anubis to Zeus: Myths and Stories
in Art; In the Footsteps of Buddha; Journey to
Asia; Landscape Escapes; Line, Shape, and
Color; Materials of the Artist: How Do They
Do That?; Modern and Contemporary Art;
Speak to the Arts: France; Speak to the Arts:
German; Speak to the Arts: Spain; and Sports
in Art.
School Tour Program
Students from Ohio counties and school districts. Allen: Lima City, Perry Local, and
Wapakoneta City; Ashland: Ashland City and
Crestview Local; Ashtabula: Grand Valley
Local and Jefferson Area Local; Butler: Cincinnati Archdiocese; Clark: Cincinnati Archdiocese; Cuyahoga: Bay Village City, Beachwood
City, Bedford City, Berea City, Brecksville–
Broadview Heights, Chagrin Falls Exempted
Village, Citizens Academy, Cleveland Catholic
Diocese, Cleveland Heights–University
Heights City, Cleveland Lutheran High
School, Cleveland Municipal, Cuyahoga
Heights Local, East Cleveland City, Euclid
City, Fairview Park City, Hope Academy
Cathedral Campus, the Intergenerational Jewish Education Center of Cleveland, Lakewood
City, Lutheran Schools of Ohio, Maple
Heights City, Mayfield City, North Olmsted
City, North Royalton City, Old Brooklyn
Montessori School, Olmsted Falls City, Orange City, Parma City, Polaris JV, Rocky
River City, Shaker Heights City, Solon City,
Strongsville City, Warrensville Heights City,
and Westlake City; Delaware: Delaware JV;
Erie: Berlin-Milan Local, Perkins Local, and
Vermilion Local; Franklin: Canal Winchester
Local, Columbus City, Columbus Diocese,
and Horizon Science Academy Columbus;
Geauga: Chardon Local, Cleveland Catholic
Diocese, Newbury Local, and West Geauga
Local; Guernsey: Cambridge City; Hamilton:
Cincinnati Archdiocese; Henry: Patrick Henry
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Local; Holmes: West Holmes Local; Huron:
Norwalk City and Western Reserve Local;
Jackson: Jackson City; Knox: Mount Vernon
City; Lake: Cleveland Catholic Diocese,
Kirtland Local, Painesville City Local, Painesville
Township Local, and Willoughby–Eastlake
City; Logan: Riverside Local; Lorain: Amherst
Exempted Village, Avon Lake City, Avon
Local, Columbia Local, Firelands Local,
Keystone Local, Lorain City, Midview Local,
North Ridgeville City, and Oberlin City;
Lucas: Springfield Local and Toledo City;
Mahoning: Austintown Local, Boardman
Local, Summit Academy–Youngstown,
Youngstown Community, and Youngstown
Diocese; Medina: Brunswick City, Highland
Local, Medina City, and Wadsworth City;
Montgomery: Cincinnati Archdiocese;
Morrow: Highland Local and Mount Gilead
Exempted Village; Muskingum: Zanesville
City; Ottawa: Danbury Local; Portage: Aurora
City, James A. Garfield Local, Kent City,
Ravenna City, and Waterloo Local; Richland:
Clear Fork Valley Local and Mansfield City;
Seneca: Tiffin City; Shelby: Sidney City; Stark:
Fairless Local, Lake Local, Marlington Local,
Minerva Local, North Canton City, and Perry
Local; Summit: Akron City, Cleveland Catholic Diocese, Manchester Local, Nordonia Hills
City, Revere Local, Springfield Local, StowMunroe Falls City, Tallmadge City, and
Twinsburg City; Trumbull: Brookfield Local,
Lakeview Local, McDonald Local, and Niles
City; Tuscarawas: Garaway Local, New
Philadelphia City, and Strasburg-Franklin
Local; Wayne: Chippewa Local, Green Local,
Orrville City, Rittman Exempted Village,
Southeast Local, and Wooster City; and
Wood: Otsego Local.
Students from other states and counties.
Kentucky: Madison; Maryland: Anne Arundel;
Michigan: Ingham, Jackson, Lapeer, and
Wayne; New Jersey: Morris; New York:
Allegany, Chautauqua, Crawford, Erie,
Franklin, Lawrence, and Mercer; and West
Virginia: Brooke.
Students from other countries and provinces.
Canada: Ontario.
Special Outreach Programs
Nia Coffeehouse collaboration with Cleveland
Heights Libraries.
House band: Vince Robinson and the Jazz
Poets.
Performers: Eddie Harris, Derrick James, Nick
Moore, Duane Morris, Chuck Orange, Greg
Pickett, and Vince Robinson.
Guest musician: violinist Wanda Sobieska.
Guest poets: Kelly Harris and Vince Robinson.
Family and Youth
Circle Sampler Camp
Cultural institutions: African American Museum, Cleveland Botanical Garden, Cleveland
Institute of Art (CIA), Cleveland Institute of
Music (CIM), Cleveland Museum of Art
(CMA), Cleveland Museum of Natural History (CMNH), Cleveland Play House,
HealthSpace Cleveland, MOCA Cleveland,
and Western Reserve Historical Society
(WRHS).
Instructors: Debbie Apple-Presser and Mary
Ryan.
Early Learning Initiative
Cultural institutions: Children’s Museum of
Cleveland, CIM, Cleveland Botanical Garden,
Cleveland Orchestra, Cleveland Play House,
CMA, CMNH, Nature Center at Shaker
Lakes, WRHS, and UCI.
Day care centers: Church of the Covenant,
Cleveland Sight Center, Cleveland Music
School Settlement (CMSS), Daniel Morgan,
Louis Pasteur, Karamu House, University
Hospitals Kindercare, and Wade Day Care
Center.
Instructor: Kate Hoffmeyer.
Future Connections
Cultural institutions: Case Western Reserve
University (Case), Children’s Museum of
Cleveland, CIA, CIM, Cleveland Botanical
Garden, Cleveland Play House, CMA,
CMNH, MOCA Cleveland, WRHS, and
UCI.
Business partners: Allen Bradley Company,
Cleveland Clinic Foundation, General Electric,
Hard Hatted Women, Jones Day, Judson Park
Retirement Community, and Ohio Savings
Bank.
Mentors: Dyane Hronek Hanslik and Arielle
Levine.
Museum Art Classes
Instructors: Candice Dangerfield, Pamela
Dodds, Dessi Ehrlich, Laura Ferrando, Jeanna
Forhan, Lisa Focaretto, Rich Garr, Justin
Garasz, Ashley Gerst, Kate Hoffmeyer, Shari
Jamison, Christie Klubnik, Arielle Levine,
Michaelle Marschall, Laura Marsh, Aileen
McKimm, Kiel Mills, Cliff Novak, Colleen
O’Malley, Carol Pressler, Alex Prudic-Dennis,
Shawn Prudic-Dennis, Mary Ryan, Pam Sika,
Jess Stork, Jaymi Zents, and Jenny Zito.
Administrative assistants: Sarah Biederman and
Mary Ryan.
Supervisors: Dyane Hronek Hanslik and
Nancy Prudic.
SLAM IT!
IMLS grant program collaboration with
MOCA Cleveland.
Band: Vince Robinson and the Jazz Poets.
Poet MCs: Kelly Harris and Michael Salinger.
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Youth slam poets: Asheley Lewis, Jonathon
Lykes, Mary Seats, and Anna Shvets.
Special guest poets: Eris Dyson (Zion), Kelly
Harris, Meredith Holmes (City of Cleveland
Heights Poet Laureate), Michelle “Shelly”
Rankins, Michael Salinger, Steven B. Smith,
and Kathy Ireland Walker-Smith.
IMLS poets/instructors: Kelly Harris, Vince
Robinson, Beth Ann Sadowski, Michael
Salinger, Steven B. Smith, and R. A.
Washington.
Festivals
Chalk Festival
Featured chalk artists: Anna Arnold, Augusto
Bordelois, Dan Cherney, Barbara Chira,
Wendy Mahon, Jesse Rhinehart, Story
Rhinehart, and Robin VanLear.
Musicians: Blues de Ville and Roberto
Ocasio’s Latin Jazz Project.
Participating groups: Firelands High (Oberlin),
Hershey Montessori Farm School (Huntsburg),
Hickory Ridge Elementary (Brunswick), Lake
Center Christian School (Hartville), North
Olmsted Schools, Riverside High (Painesville),
and Girl Scout Troop 1658 (Parma).
A Sparx Gallery Hop featured event.
Circle of Masks Festival
Artists: Wendy Mahon and Ian Petroni.
Movement performers: MorrisonDance and
Story Rhinehart Group.
Parade the Circle Celebration 2005
Guest artists: Pedro Adorno (Puerto Rico),
Amy Ballestad (Minnesota), Kelvin Keli Cadiz
(Trinidad and Tobago), Anne Cubberly
(Connecticut), Sharon Epperson (New York),
Ronald Guy (Trinidad and Tobago), Michael
Guy-James (Trinidad and Tobago), Brad
Harley (Canada), Oliver Hospedales (Trinidad
and Tobago), Ana Paula Jones (Brazil), Mary
Jo Nikolai (Minnesota), Nkhruma Potts
(Trinidad and Tobago), Rick Simon (Canada),
Cathy Vigo (Puerto Rico), and Rudolph
“Murphy” Winters (Trinidad and Tobago).
Artists and support staff: Debbie Apple-Presser,
Abby Baumgartner, Sue Berry, Philip Brutz,
Hector Castellanos-Lara, Kathy Colquhoun,
Michael Crouch, Kathy Curnow, Maureen
Dixon, Nan Eisenberg, Liza Goodell, Dyane
Hronek Hanslik, Taliesin Reid Haugh, D.
Scott Heiser, Vicki Isphording, Mark Jenks,
Barbara A. Kathman, Wendy Mahon, Julia
Pankhurst, Ian Petroni, Nancy Prudic, Jesse
Rhinehart, Story Rhinehart, Lizzie Roche,
Donna Spiegler, Jan Stickney, Chuck Supinski,
Gail Trembly, Robin VanLear, Bill Wade, and
Craig Woodson.
Poster: Jesse Rhinehart. T-shirt: Mark Jenks.
UCI member institution groups: Abington
Arms, the Children’s Museum of Cleveland,
Cleveland Public Library (CPL), CMA and the
Womens Council of the CMA, CMNH,
Featured artist Anna
Arnold works on her
drawing on the south
steps during the 2005
Chalk Festival.
CMSS, Judson Retirement Community,
Karamu House Inc., Lake View Cemetery,
Mount Zion Congregational Church, St.
Adalbert Church, the Sculpture Center.
Directors ensemble: Case (Edward M. Hundert,
president), CIM (David Cerone, president),
City of Cleveland ( Jane L. Campbell, mayor;
Patricia Britt, Ward 6 councilwoman; Kevin
Conwell, Ward 9 councilman), Cleveland
Hearing and Speech Center (Bernard P. Henri,
executive director), CMA (Katharine Lee
Reid, director, and James T. Bartlett, president) and the Womens Council of the CMA
(Linda McGinty, chair), CMNH (Bruce
Latimer, executive director), CPL (Andrew
Venable, director), Dunham Tavern Museum
(Garrit Wamelink, president), Epworth-Euclid
United Methodist Church (L. Chris Martin,
pastor), Judson Retirement Community
(Cynthia Dunn, president), Lake View Cemetery
(William L. Garrison, president and CEO),
MOCA Cleveland ( Jill Sndyer, executive
director), Mount Zion Congregational Church
(Paul Hobson Sadler Sr., pastor), Nature
Center at Shaker Lakes (Nancy King Smith,
executive director), the Sculpture Center
(Lisa Winstel, executive director), UCI (Terri
Hamilton Brown, president), University
Hospitals Health System ( Jeffrey C. Boutelle
Sr., vice president, Marketing and Communications), WRHS (Patrick H. Reymann,
president and CEO), and Young Audiences
of Greater Cleveland (Marsha Dobrzynski,
executive director).
Schools and education groups: Andrews School;
Citizens’ Academy; Cleveland Heights–
University Heights Schools: Canterbury
Elementary, Coventry Elementary, and Fairfax
Elementary; CMSD: Cleveland School of
the Arts and Charles Dickens Elementary;
CMSS Preschool and Day School; Cooperative Nursery School at Heights Christian
Church; Fairview Park Schools: Parkview
Intermediate; Hathaway Brown School; Holy
Name Elementary; Laurel School; Old Brooklyn Montessori School (2 groups); Peaceful
Children’s Montessori School; Positive
Education Program; St. Adalbert Enrichment
Program; Strongsville Schools: Chapman
Elementary; and University School.
Community groups: Abington Arms Art
Therapy Program; Art House; Art on Wheels,
Inc.; Arts Collinwood; Benjamin Rose Adult
Day Program; Bridgeway Inc./Denison Playhouse; Café Bellas Artes; Catholic Charities/
Hispanic Senior Center; Center for Families
and Children/RapArt; the Children’s Museum
of Cleveland; Chinese Academy of Cleveland;
Cleveland Heights–University Heights Public
Library; Cleveland Public Theatre Brick
City Players; CMNH Book Explorers; CPL;
Cuyahoga County Board of Mental Retardation and Developmental Disabilities; Families
with Children from China of Greater
Cleveland; Girl Scouts of Lake Erie Council
Junior Troop 598; Global Awareness Through
the Arts (& Sciences); Goodrich–Gannett
Neighborhood Center; Hessler Street Fair;
Jewish Big Brother/Big Sister Association;
Judson at University Circle; Julia de Burgos
Cultural Arts Center; Karamu House Inc.;
Lakeview Terrace Community Center; Mount
Zion Congregational Church UCC; Northeast
Ohio’s Own OooEeee Teen Talent Troupe;
Ohio City Bike Co-op Passport Project;
Pomerene Center for the Arts; Rainey Institute; Raízes da Tradição Institute (Brazil);
Sierra Club Inner City Outings; the Sculpture
Center; Thea Bowman Center; and Trinity
Commons.
Music and dance groups: Agua, Sol y Sereno
(Puerto Rico); Aphrodesiatics; Chris Hovan
and Friends; Cleveland School of the Arts
Student Dancers; Dahmia’s Turkish Dance;
Galiana Belly Dance; Inlet Dance Theatre;
Jerry Keller, Mal Barron, and Tim Miller
(Saxophoneville); Maravilhas; Mellow Harps
Steel Band; New Orleans Jazz Ensemble; Panic
Steel Ensemble; Pharaoh’s Daughters;
Polyrhythmics with Wall of Sound; Sisters in
Dance; Yeleni; and Yiddishe Cup.
Circle Village activities presenters: Children’s
Museum of Cleveland, CIA, CIM, Cleveland
Botanical Garden, Cleveland Hearing and
Speech Center, Cleveland Orchestra, CMA,
CMNH, CMSS, CPL, Dunham Tavern Museum, Epworth-Euclid United Methodist
Church, HealthSpace Cleveland, Karamu
House Inc., KinderCare, Lake View Cemetery, Montessori School at Holy Rosary,
MOCA Cleveland, Nature Center at Shaker
Lakes, Ohio College of Podiatric Medicine/
Cleveland Foot & Ankle Clinic, Puppetry
Guild of Northeastern Ohio, Ronald
McDonald House of Cleveland, Western Reserve Association for the Preservation and
Perpetuation of Storytelling (WRAPPS),
WRHS; Womens Council of the CMA, and
Young Audiences of Greater Cleveland.
Pole banner artists (new banners): CPL,
Langston Hughes Branch; Kate Hoffmeyer;
Vicki Isphording; Walt Wali Neil; Seema Rao;
Mary Ryan; Horizon Science Academy; and
CMA High School Museum Ambassadors
from Padua Franciscan, Shaw (East Cleveland
Schools), and Valley Forge (Parma Schools).
Sponsors: The Womens Council of the
Cleveland Museum of Art. Additional support
from the Ohio Arts Council; the Cleveland
Coca-Cola Bottling Company; Plidco; Target
Corp; the City of Cleveland, Jane L.
Campbell, Mayor; Cleveland City Council
members Patricia J. Britt, Ward 6, Sabra Pierce
Scott, Ward 8, and Kevin Conwell, Ward 9;
Cuyahoga County Board of Commissioners
Jimmy Dimora, Timothy F. Hagan, and Peter
Lawson Jones. Promotional support provided
by 89.7 WKSU, The Plain Dealer, and Northern
Ohio Live. Special thanks to Jo-Ann Stores,
Charlie’s Fabrics, and Distillata. Outreach
support from Young Friends of the Cleveland
Museum of Art.
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Abington Arms's “Crazy
Mixed-up Circus” from
2005 Parade the Circle.
First Living Expressions International
Conference
Held at Case. Presented by CMA Community
Arts department with Case and Raízes da
Tradição Institute (Brazil).
Presenters: Agua, Sol y Sereno, Puerto Rico
(Pedro Adorno, founder and director); the Arts
League of Michigan (Oliver Ragale Jr., president); Brazil (Leonardo Brant, vice-chairman,
International Network for Cultural Diversity;
Fábio de Sá Cesnik, lawyer and partner,
Cesnik, Quintino and Salinas; Ana Paula Jones,
founder and director, Raízes da Tradição
Institute; and Sergio Sá Leitão, assistant to the
minister of culture); the Cleveland Foundation
(Kathleen Cerveny, program director, Arts and
Cultural Programs and Initiatives); CMA
(Massoud Saidpour, director, Performing Arts,
Music, and Film; Robin VanLear, artistic
director, Community Arts; Marjorie Williams,
director, Education and Public Programs);
Cleveland State University (Donald Ramos,
department of history); Immigrant Worker
Project ( Jeff Stewart, director); Ingenuity
Festival ( James Levin, co-director); Ohio Arts
Council ( Jami Goldstein, communications
manager); and World Music Institute (Isabel
Soffer, associate director).
Performance: Panic Steel Ensemble.
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Winter Lights Lantern Festival
Environment of Lights installation artists:
Michael Guy-James, Mark Jenks, Wendy
Mahon, Jesse Rhinehart, Mark Sugiuchi,
Robin VanLear. Technical assistance: Michael
Guy-James, Carl Johnson. Puppets: Joshua
Brown, Melissa Gruca, Scott Heiser, Ian
Petroni, Bill Wade, Christopher Whitney.
Dancers: Meghan Haas, Story Rhinehart,
Lizzie Roche. Umbrella Dancers: Rebecca
Inman, Margret Ludlow, Leila Pelhan, Allison
Prucha.
Music: John Spuzzillo Percussion Group.
Guest lantern artists: Debbie Apple-Presser,
Hector Castellanos-Lara, Michael Guy-James,
Tim Haas, Wendy Mahon, Abby Maier, Ian
Petroni, Nancy Prudic, Story Rhinehart, and
Lizzie Roche.
Winter Lights lantern-making workshops at
Cleveland Botanical Garden.
CircleFest music: Hathaway Brown Bravuras.
Celebrity readers: Margaret Bernstein, Plain
Dealer; Gregory Johnson, the Urban League;
Kim Johnson, WZAK; and Mark Ribbins,
WNWV.
The Winter Lights Lantern Festival was supported by Cleveland Public Power.
Community Arts Appearances
Akron Children’s Hospital Opening;
Cleveland Botanical Garden WinterShow;
Cleveland Indians pre-game; Cleveland
Metroparks Zoo, Boo at the Zoo (8 days);
CMA Fast Forward at CIA; CMA Foundation
Day; CMA Summer Courtyard; Discover the
Lakefront at North Coast Harbor (11 appearances); El Dia de los Muertos; First United
Methodist Church; Ingenuity Festival; National City Bank Building; North Union
Farmers Market at Crocker Park (2 appearances); North Union Farmers Market at
Shaker Square (8 appearances); Ocasio Foundation at Lake Erie College; ParkWorks Discover the Lakefront at North Coast Harbor (2
appearances); Punderson State Park Corporate
Dinner; Sparx Street Beats (5 appearances);
Stan Hywet Hall and Gardens (2 days);
Tremont Arts and Cultural Festival (2 days);
UCI Fall for the Circle; University Circle
Scarecrows; UCI Wade Oval Wednesdays; and
Warehouse District Street Festival.
Circle of Masks Festival at Shaker Square
2006
Artists: Debbie Apple-Presser and Abby Maier.
Movement performers: MorrisonDance.
Parade the Circle 2006
Guest artists: Mauricio Alves (Brazil), Kelvin
Keli Cadiz (Trinidad and Tobago), Liza
Goodell (Pennsylvania), Ronald Guy (Trinidad
and Tobago), Michael Guy-James (Trinidad
and Tobago), Brad Harley (Canada), Ana Paula
Jones (Brazil), Nkhruma Potts (Trinidad and
Tobago), Myra Rasmussen (Oregon), Inskip
Rochford (Trinidad and Tobago), Rick Simon
(Canada), Kelvin “Zuzie” St. Rose (Trinidad
and Tobago), and Rudolph “Murphy” Winters
(Trinidad and Tobago).
Artists and support staff: Debbie Apple-Presser,
Abby Baumgartner, Sue Berry, Chris Auerbach
Brown, Hector Castellanos-Lara, Kathy
Colquhoun, Michael Crouch, Joe DeJarnette,
Maureen Dixon, Nan Eisenberg, Dyane
Hronek Hanslik, Taliesin Reid Haugh, D.
Scott Heiser, Vicki Isphording, Mark Jenks,
Carl Johnson, Buff Jozsa, Barbara A. Kathman,
Sheila Keller, Wendy Mahon, Abby Maier,
Julia Pankhurst, Ian Petroni, Nancy Prudic,
Jesse Rhinehart, Story Rhinehart, Lizzie
Roche, Donna Spiegler, Jan Stickney, Chuck
Supinski, Gail Trembly, Robin VanLear, Bill
Wade, and Craig Woodson.
Poster and T-shirt: Story Rhinehart.
UCI member institution groups: Abington
Arms, Benjamin Rose, the Children’s Museum
of Cleveland, CMA, CMNH, CMSS, CPL,
Judson at University Circle, Lake View Cemetery, Mount Zion Congregational Church,
and the Womens Council of the CMA.
Directors ensemble: Children’s Museum of
Cleveland ( Jeffrey A. Saxon, president and
executive director), Cleveland Hearing and
Speech Center (Bernard P. Henri, executive
director), CIA (David Deming, president),
CIM (David Cerone, president), CMA
(Timothy Rub, director, and James T. Bartlett,
president) and the Womens Council of the
CMA (Linda McGinty, chair), CMNH (Bruce
Latimer, executive director), CPL (Andrew
Venable, director), Cleveland Sight Center
(Michael E. Grady, director); Dunham Tavern
Museum (Marsha French, co-president),
Epworth-Euclid United Methodist Church
(L. Chris Martin, pastor), Judson Services Inc.
(Cynthia H. Dunn, president and CEO),
MOCA Cleveland ( Jill Snyder, executive director), Mount Zion Congregational Church
(Paul Hobson Sadler Sr., pastor), Musical Arts
Association ( James D. Ireland III, president),
Nature Center at Shaker Lakes (Steve Cadwell,
executive director), UCI (Chris Ronayne,
president, and R. Thomas Stanton, chairman),
WRHS (Patrick H. Reymann, president and
CEO), and Young Audiences of Greater
Cleveland (Marsha Dobrzynski, executive
director).
School and education groups: Bedford City
Schools: Carylwood Intermediate, Bedford
High; Brunswick High (3 groups); Citizens’
Academy; Cleveland Heights–University
Heights Schools: Coventry Elementary, Fairfax
Elementary, Cleveland Heights High Art Club;
CMSD Motivation Through Excellence Pro-
gram: Audubon, Mary M. Bethune, George
Washington Carver; CMSS Preschool and Day
School; CMA Museum Ambassadors from
Strongsville High, Valley Forge High (Parma
Schools), and Padua Franciscan High; Fairview
Park Schools: Parkview Intermediate Art Club;
Holy Name Elementary; Laurel School;
Mayfield Schools: Mayfield Middle; Old
Brooklyn Montessori School; Peaceful Children
Montessori School; St. Joseph Elementary;
Shaker Heights Schools: Woodbury Elementary; South Euclid–Lyndhurst Schools:
Ridgebury Elementary, Sunview Elementary;
Strongsville Schools: Chapman Elementary and
Strongsville High.
Community groups: Abington Arms Art
Therapy Program; Art House; Art on Wheels,
Inc.; Benjamin Rose; Broadway Project on
Public Art; Catholic Charities/Hispanic Senior
Center; Center for Families and Children/
RapArt; Cleveland Magazine; Cleveland Peace
Action; Concordia Care; The Children’s Museum of Cleveland; The Chinese Academy of
Cleveland; CMNH Book Explorers; Cleveland
Public Theatre Brick City Theatre; CPL;
Cuyahoga County Board of Mental Retardation and Developmental Disabilities (2 groups);
Daisy Scouts of East Cleveland; Despertar
Community Association (Brazil); Girl Scouts of
Lake Erie Council Troop 598; Global Awareness through the Arts (& Sciences); Golden
Ciphers; Goodrich-Gannett Neighborhood
Center; Great Lakes Theater Festival; Hessler
Street; Judson at University Circle; Lakeview
Terrace Community Center; Miguate (Mayan
Immigrants from Guatemala); Mount Zion
Congregational Church; Northeast Ohio’s
Own OooEeee Teen Talent Troupe; Ohio
City Bike Co-op Passport Project; Rainey
Institute; Raízes da Tradição Institute (Brazil);
Sierra Club Inner City Outings; University
Settlement; and Woodbury Road Neighbors.
Music and dance groups: 7 Mile Island;
Aquarela do Mundo; Brunswick High; Cheryl
and Cheryl; Chris Hovan and Friends; Gypsy
Soul; Hareem Shar’eem; Inlet Dance Theatre
Company and Student Dancers; Jerry Keller,
Mal Barron, Norman Tischler, and Tim Miller
(The Cleveland Saxtet); Panic Steel Ensemble;
Pharaoh’s Daughters; Polyrhythmics Featuring
Wall of Sound; and Sutphen School of Music at
Phillis Wheatley Association.
Circle Village activities presenters: Children’s
Museum of Cleveland, Cleveland Botanical
Garden, Cleveland Hearing and Speech Center,
CIA, CIM, CMA, CMNH, CMSS, Cleveland
Orchestra, Cleveland Play House, CPL,
Dunham Tavern Museum, Epworth-Euclid
United Methodist Church, Huntington
National Bank, Judson at University Circle,
Karamu House Inc., KinderCare, Lake View
Cemetery, MOCA Cleveland, Nature Center
at Shaker Lakes, Ohio College of Podiatric
Medicine/Cleveland Foot & Ankle Clinic,
Puppetry Guild of Northeastern Ohio, Ronald
McDonald House of Cleveland, WRAPPS,
WRHS, Womens Council of the CMA, and
Young Audiences of Greater Cleveland.
Parade the Circle
artistic director Robin
VanLear works on a
giant puppet head.
Pole banner artists (new banners): Brunswick
High, Cleveland Hearing and Speech Center,
Hawken School, Kate Hoffmeyer, Horizon
Science Academy, and New Life Community.
Sponsors: The Womens Council of the
Cleveland Museum of Art. Additional support
from the Ohio Arts Council; the Cleveland
Coca-Cola Bottling Company; the City of
Cleveland, Frank G. Jackson, mayor; Cleveland
City Council members Patricia J. Britt, Ward 6,
Sabra Pierce Scott, Ward 8, and Kevin
Conwell, Ward 9; Cuyahoga County Board of
Commissioners Jimmy Dimora, Timothy F.
Hagan, and Peter Lawson Jones; Huntington
National Bank; Case; and Plidco. Promotional
support provided by 89.7 WKSU and Cleveland
Magazine. Special thanks to Charlie’s Fabrics
and Distillata. Outreach support from Young
Friends of the Cleveland Museum of Art.
Community Arts Appearances
January–June 2006. Allen Memorial Art Museum Chalk Festival and Workshop (Oberlin),
Coventry Street Fair, Grand Prix of Cleveland
(2 days), Larchmere Street Festival, North
Union Farmers Market at Crocker Park, North
Union Farmers Market at Shaker Square (4
appearances), Meet Me at the Mall (2 appearances), Movie under the Stars, Orange High
School Spring Fair, ParkWorks, Sparx Street
Beats, and University Heights Memorial Day
Parade.
121
Adult Programs
A class on Chinese
ink brush painting
delighted adult
students.
Exhibition Programs
Dukes & Angels: Art from the Court of Burgundy
1364 –1419
Lecture: Colin Eisler, Robert Lehman Professor of Fine Arts, Institute of Fine Arts,
New York University, “Theatrical Illusion
and the Art of the Court of Burgundy, circa
1400.”
From Leipzig
Lectures: Saul Ostrow, CIA, “The Leipzig
School”; and Andrea Falcione Feldman,
curator, Ortiz Family Collection, “From
Leipzig.”
Masterworks from The Phillips Collection
Lectures: Jay Gates, director, the Phillips
Collection, “Renoir’s Luncheon of the Boating
Party and Beyond: Duncan Phillips as a Collector”; Richard R. Brettell, professor, University of Texas at Dallas, “The Unspoken
Rivalry between Collectors Duncan Phillips
and Albert Barnes”; Debra N. Mancoff, author and scholar, “Monet’s Garden”; Margaret E. Burgess, CMA, “Duncan Phillips
Paintings and CMA Comparisons”; and
Alexandra Leaf, independent scholar, “The
Impressionist Table.”
The NEO Show
Artist lecturers: Nina Barcellona, Elaine
Battles, Brian Benchek, John Beukemann,
Philip Brutz, Kathy Buszkiewicz, Shane
Carrico, Laurence Channing, Jeffry Chiplis,
Terry Clark, Blake Cook, Jeff Falsgraf, Mary
Lou Ferbert, George Fitzpatrick, Carol
Hummel, Benjamin Kinsley, Eva Kwong,
Jason Lee, Stephen Litchfield, Kathy Lynn,
Brigitte Martin, Andrew McAllister, Loren
Naji, Jeanne Reagan, Mark Reigelman,
Dante Rodriguez, and James Seward.
Visions of Japan: Prints and Paintings from
Cleveland Collections
Lecture: Mitzi Verne, collector, and Michael
Verne, director, the Verne Gallery, “Visions
of Japan: Personal Insights.”
Lecture course: Marjorie Williams, CMA,
“Visions of Japan.”
Demonstration: Paul Arnold, artist, Oberlin,
“Woodblock Printing Techniques.”
CMA@ MOCA
The Persistence of Geometry
It’s Geometric Family Day.
Transitions: Linda Butler and Philip Brutz
Lecturers: Linda Butler and Philip Brutz.
122
Lecture Series
Archaeological Institute of America Series
Kathleen Lynch, University of Cincinnati,
“Sex Sells, But Who’s Buying? Erotic Imagery
on Attic Vases”; Suzanne Richard, Gannon
University, “Khirbet Iskander ( Jordan):
A City in Collapse at the End of the Early
Bronze Age”; and Stuart Manning, University
of Toronto, “Origins of Minoan Palaces.”
The Annual John and Helen Collis Lecture
Dr. Helen C. Evans, curator for Byzantine art,
department of Medieval Art and the Cloisters,
the Metropolitan Museum of Art, “Art and
Empire—Byzantium: Faith and Power at The
Metropolitan Museum of Art.”
Other Lectures
Henry Adams, Case, “Thomas Eakins”;
Charlotte Vignon, CMA, “Collecting
18th-Century French Decorative Art during
the American Golden Age (1880–1930)”; and
Seema Rao, CMA, “The Art of Flora: Depiction of Flowers in Western and Eastern Art.”
Lecture Courses
Education department staff, “Art Appreciation
for Beginners: Egypt, Greece, Rome, Early
Christian and Byzantine, Romanesque,
Gothic, Italian Renaissance, Northern Renaissance, Baroque Italy and Spain, 18th-Century
France, and 19th-Century France,” “Destinations in Art History: The Taj Mahal and the
Emperors of India, Versailles, and Buddhist
Temples in Japan,” and “Art and Faith Lecture
Series: Hinduism, Buddhism, Christianity,
Islam, and Judaism”; Education department
staff and Ingalls Library staff, “The Art and
Fiction Book Club”; Stephen Fliegel, CMA,
and Rev. David A. Novak, pastor of Holy
Trinity Church, Lorain, “Faith and Power:
Meaning in Christian Art in the Middle Ages”;
Dale Hilton, CMA, “America’s Stories Lecture
Series”; Seema Rao, CMA, “Tibetan Art”;
and Michael St. Clair, CMA, “Architecture
Thursdays: The Architecture of Cleveland in
Walking Tours.”
Studio Courses
Education staff: Art Extravaganza Studio Open
House. Debbie Apple-Presser: Explorations in
Textiles; Stories in Your Life: Textile Scrolls;
Materials of the Artist: Egg Tempera and Gold
Leaf; and Pursemaking. Susan Gray Bé: Oil
Painting in the Galleries; Portraiture; Painting
in Oil; Still Life; Drawing for the Painter;
Seasonscapes; Composition in Oil; Drawing
and Painting from Life; and Botanical Arts
Classes. Emily Blaser: Jewelry. Robert Dasher:
Trompe L’Oeil. Charles Eiben: Basics of
Framing. Laura Ferrando: Art Sampler: Explorations for Beginners; Mosaics; and Weaving.
Dyane Hronek Hanslik: Watercolor. Kate
Hoffmeyer: How Do You Draw from the
Right Side of the Brain?; Relief Printmaking;
Printmaking; Drawing the Human Figure;
Introduction to Painting; and Introduction to
Drawing. Diane Klann: Calligraphy. George
Kozmon: Drawing the Figure. Mitzi Lai: Chinese Brush Painting and The Art of Chinese
Brush Painting—A Focus on Orchids. Arielle
Levine: Memory Books and Memorybooks
and Bookmaking. A. D. Peters: Oil Pastels.
Shresta Premnath: Digital Photography. Jesse
Rhinehart: Advanced Watercolor; Drawing;
Watercolor in the Evenings; and Beginning
Watercolor. Judy Smith: Quilting for Today.
Jaymi Zents: Papercrafting; Dollmaking; Beading; and Classical Figurative Sculpture.
Summary of Attendance, 2005–6
Total Attendance, Museum
334,234
Education and Public Programs
Community Arts
Chalk Festival
Circle of Masks
Community Arts (off-site events)
Parade the Circle Celebration
Winter Lights Lantern Festival
Total
School and Teacher Services
Art To Go
Distance Learning
Docent-led groups (children)
Freeman grant
IMLS grant teacher programs
Monitored drawing
School studio programs
Self-guided groups (children)
Staff-guided groups (children)
Teacher Resource Center
Teacher Resource Center (off-site)
Total
4,000
1,250
134,840
103,000
11,000
254,090
8,535
28,129
23,781
840
47
169
1,826
11,369
2,792
409
341
78,238
Family and Youth Programs
Community outreach programs
Family workshops
High school programs
Martin Luther King Jr. Day
Museum Art Classes
SLAM IT! (IMLS program)
Special youth programs
Total
958
930
174*
2,103
4,377*
46
699*
9,587
For Adults
Case audit classes for members
Case classes
Docent-led groups
Docent-led gallery talks
Docent-led highlights tours
Lifelong learning programs
Public lectures
Recorded tours
Self-guided groups
Staff-guided groups
Staff-led gallery talks
Studio classes
Total
666*
7,254*
1,096
1,612
1,549
388*
1,456
1,160
2,252
6,853
1,684
6,978*
32,948
Grand Total, Education
374,863
Performing Arts, Music, and Film
Gala Music Series
Master classes and lectures
Music of the Belle Époque
Panorama Film Series
VIVA! & Gala Around Town
VIVA! Festival of Performing Arts
Total
Grand Total
2,683
311
325
5,495
27,373
3,261
39,448
414,311
Ingalls Library
Website
1,466,762 visits
Top three requested items, in order: image
collection, book collection, and May Show
database
Book Library
Cataloging
Books cataloged
9,411 titles in 9,557 items
includes books, serials, electronic resources,
microforms, scores, and video and audio
recordings, in Roman and CJK scripts
Volume count as of
June 30, 2006
325,743 titles
in 418,743 volumes
Book repairs
2,721
Headings added to ArtNACO
135
Acquisitions
Books ordered
Books received
Gifts received
Exchanges received
Public Services
Staff use
Nonstaff users registered
Book circulation
Museum staff
Case
Members
Other researchers
Books shelved
5,171
8,651
1,811
1,051
2,260
3,898
32,652
19,977
10,161
768
1,746
43,774
Reference questions answered
including 614 e-mail questions
Website questions answered
Books handled via courier run
Interlibrary loans
284 as borrower, 1,329 as lender
1,905
121
4,825
1,613
Serials
Total serial titles
3,086
Current subscriptions and memberships 1,151
New subscriptions
31
Current serials gifts and exchanges
480
Total serial issues received
7,175
Total serials holdings
53,754
Volumes bound
4,342
SCIPIO (Sales Catalog Index Project
Input Online)
Sales catalogs received and
records added
Total records in online system
2,918
84,993
Image Library
Images downloaded from catalog
(since 1/1/2006)
1,645
Images scanned for patrons/
CMA faculty
9,560
BackStage digitization project
83,990
Image plus data
56,850
Image only
27,140
CMA image catalog and storage facilities
Records in Zoph (images) only
178,188
Records online in Re:Discovery
(cataloged data and metadata)
229,482
Acquisitions
Digital images purchased
Cataloging
Entered
Cataloged
852
5,029
16,219
Archives
Records accessioned
502 cubic feet
Records processed
50 cubic feet
Plus 65 drawers of architectural drawings,
approximately 6,000 drawings
Total holdings
as of June 30, 2006
2,323 cubic feet
Plus 65 drawers of architectural drawings
and electronic records
Finding aids/box lists prepared
Record schedules implemented
Reference questions answered
Museum staff
Public
15
14
314
203
111
*reflects multi-attendance
123
Staff
Director’s Office
Katharine Lee Reid,
Consulting Director
(until April 2006)
Timothy Rub,
2006)
Roberto Prcela,
Assistant Secretary of
the Board
Judy Bennington,
Executive Assistant
Administration
Janet Ashe, Deputy
Director of
Administration and
Treasurer
Cindy Ross,
Executive Assistant
Design and
Architecture
Division
Jeffrey Strean,
Director of Design
and Architecture
Andrew Gutierrez,
Exhibition Designer
Amy Draves,
Administrative
Assistant
Design
JoAnn Dickey,
Graphic Designer
Terra Pileski,
Production Designer
Mary Thomas,
Production
Designer*
Installation
Jeff Falsgraf, Chief of
Installation
Joseph R. Blaser Jr.,
Lead Technician,
Permanent
Collection
Robin Roth,
Graphics Technician
Gerald L. Smith+
Carpenter/Museum
Technician
Robin Presley,
Facilities Painter
Philip Brutz,
Installation
Technician
* part-time
+ deceased
124
Mark McClintock,
Installation
Technician
Hannah Ries,
Installation
Technician
Dante Rodriguez,
Installation
Technician*
Operations Division
Facilities
Thomas Catalioti,
Director of Facilities
Tonya Shaffer,
Assistant to the
Facilities Manager
Bern Ninteenofive,
General Helper
Construction Services
Mark Unick,
Foreman,
Construction
Services
Dominique Halley,
Construction
Services Technician
Engineering
Joseph Z. Jamrus,
Engineering
Supervisor
Anthony Lee,
Facilities Technician
Frank Babudar,
Engineer
Thomas J. Cari,
Engineer
Anthony Ceo,
Engineer
Fred E. Sanders,
Engineer
Ibn Taylor, Engineer
Building Services
Joe Savage, Building
Services Supervisor
Shawn Burns,
General Cleaner
LaTonya Cozart,
General Cleaner
Susan Evan, General
Cleaner
Brian Ferguson,
General Cleaner
Brian Fields, General
Cleaner
Rebecca Harrison,
General Cleaner
Deanna Miller,
General Cleaner
Bobby Shoulders,
General Cleaner
John Weems,
General Cleaner
Cynthia Wiggins,
General Cleaner
Monica Wiggins,
General Cleaner
Avila Winston,
General Cleaner
Grounds
Thomas Hornberger,
Grounds Supervisor
Ronald L. Crosby,
Group Leader/
Groundskeeper
Allen C. Jesunas,
Grounds Assistant
Lott Crosby,
Groundskeeper
William Foster,
Groundskeeper
Joseph L. Hrovat,
Groundskeeper
John Sawicki,
Groundskeeper
Protection Services
Peter Mroczkiewicz,
Director of
Protection Services
Carol Camloh,
Coordinator
Jeff Cahill, Manager
Salvador Gonzalez,
Manager
Carolyn M. Ivanye,
Manager
Jaime Juarez,
Manager
Frederick D. Martin
Jr., Manager
Steven Witalis,
Manager
William McGee,
Electronic Security
Coordinator
Robert Andrews,
Supervisor
James Donovan,
Supervisor
Ken Haffner,
Supervisor
Eugene Irwin,
Supervisor
Carol Meyers,
Supervisor
David Setny,
Supervisor
Kamilia Abadier,
Guard
Frank Cacciacarro,
Guard
Mervin Clary, Guard
Dexter Davis, Guard
Charles Ellis, Guard
Michael Evans,
Guard
Leonard Gipson Jr.,
Guard
Alexander Gulkin,
Guard
Clifford Hicks,
Guard
Louris Malaty, Guard
James McNamara,
Guard
Salwa Melek, Guard
Teresa Najarro,
Guard
Dezso Novota,
Guard
Timothy Roach,
Guard
Abram Shneyder,
Guard
Reginald Sturdivant,
Guard
Martin Tkac Jr.,
Guard
Alexander Verni,
Guard
Janet Voss, Guard
George Youssef,
Guard
Alton Avery, Night
Watch Person
Vincent D’Amico,
Night Watch Person
Lawrence Fitch,
Night Watch Person
Lee Hebebrand,
Night Watch Person
Leonard Kile, Night
Watch Person
Dwayne Kirkland,
Night Watch Person
David Robbins,
Night Watch Person
John Somogyi,
Night Watch Person
John Williams, Night
Watch Person
Carey Yancey, Night
Watch Person
Museum Store
Catherine Surratt,
Manager, Retail and
Merchandising
John Baburek,
Buyer/Product
Developer
Dedeja Tsiranany,
Office Coordinator/
Retail Analyst
Hedvig Novota,
Senior Assistant
Manager
Rachel Coon, Sales
Assistant*
Tony Shields, Sales
Assistant*
Renee Suich,
Warehouse
Supervisor
Distribution Services
Wanda Ankrom,
Supervisor
Kimberly Grice,
Associate
Michael Meredith,
Assistant Supervisor
of Shipping and
Receiving
Finance Division
Accounting
Ed Bauer, Assistant
Treasurer and
Controller
Russ Klimczuk,
Manager of Financial
Planning
Kimberly Cerar,
Assistant Controller
Amy Banko,
Construction/
Development
Accountant
Christine Hoge,
Endowment
Accountant
Karen Pinson,
Accounts Receivable
Specialist
Patricia Wilson,
Payroll Coordinator
Moving the entire
collection allowed the
photography studio
its first opportunity to
rephotograph many
masterworks of the
collection using its
state-of-the-art digital
imaging system.
Human Resources
Division
Sharon Reaves,
Director of Human
Resources
Sara Allison, Human
Resources
Administrator
Carla Petersen,
Benefits Specialist
Heather Weisenseel,
Human Resources
Administrator*
Collections and
Programs
Charles Venable,
Ph.D., Deputy
Director for
Collections and
Programs
Lynn Cameron,
Executive Assistant
Conservation
Division
D. Bruce Christman,
Chief Conservator
Marcia C. Steele,
Conservator of
Paintings
Jennifer Perry,
Associate Conservator
of Asian Paintings*
Robin Hanson,
of Textiles
Beth Wolfe, Textile
Conservation
Technician
Moyna Stanton,
Paper Conservator
Sari Uricheck,
of Objects
James George,
Preparator
Joan Neubecker,
Preparator
Jennifer French,
Mellon Fellow,
Objects Conservation
Juliette Jacqmin, Kress
Fellow, Objects
Conservation
Judy Devere, Senior
Assistant (retired
September 2005)
Katarina
Kirchenbauer, Senior
Assistant
Curatorial Division
African Art
Constantine Petridis,
Ph.D., Associate
Curator of African
Art
Lisa Simmons,
Curatorial Assistant
Ancient Art
Michael Bennett,
Ph.D., Curator of
Greek and Roman
Art
David Smart, Ph.D.,
Art of the Ancient
Americas
Susan E. Bergh,
Ph.D., Associate
Curator of Art of the
Ancient Americas
Lisa Simmons,
Asian Art
Stanislaw J. Czuma,
Ph.D., The George P.
Bickford Curator of
Indian and Southeast
Asian Art (retired
November 2005)
Anita Chung, Ph.D.,
Associate Curator of
Chinese Art
Nancy Grossman,
Contemporary Art and
Photography
Tom E. Hinson,
Curator of
Photography
Robin Koch,
Decorative Art and
Design
Stephen Harrison,
Curator of Decorative
Art and Design
Carol A. Ciulla,
European and
American Art
William H.
Robinson, Ph.D.,
Curator of Modern
European Art
Mark Cole, Ph.D.,
Associate Curator of
American Painting
and Sculpture
Jordi Falgàs,
Cleveland Fellow for
Modern Art
Anthony Morris,
Research Assistant
June de Phillips,
Medieval Art
Holger Klein, Ph.D.,
The Robert P.
Bergman Curator of
Medieval Art
Stephen N. Fliegel,
Curator of Medieval
Art
Elizabeth Saluk,
Prints and Drawings
Jane Glaubinger,
Ph.D., Curator of
Prints
Heather Lemonedes,
Ph.D., Assistant
Curator of Prints and
Drawings
Joan Brickley,
Textiles and Islamic Art
Louise W. Mackie,
Curator of Textiles
and Islamic Art
Deirdre Vodanoff,
125
Collections Care
Division
Exhibition Office
Heidi Domine Strean,
Director of
Exhibitions
Morena Carter,
Exhibitions
Coordinator
Ruth Weible,
Exhibitions Assistant
Ingalls Library and
Archives
Library
Elizabeth A. Lantz,
Director of Library
and Archives
Elizabeth Berke,
Administrative
Assistant
Louis Adrean,
Associate Librarian for
Reader and
Circulation Services
Christine Edmonson,
Reference/
Interlibrary Loan
Librarian
Ken Burington,
Library Assistant*
Shezza Edris, Library
Assistant*
Jennifer Smith,
Library Assistant
Jennifer Vickers,
Circulation Assistant
Helen F. Carter,
Assistant Librarian for
Acquisitions
Nearly half of the
museum staff relocated
to the Penton Media
Building in downtown
Cleveland as the building project got under
way. Here, Robin Koch,
curatorial assistant in
Contemporary Art and
Photography, works
in the curatorial area
of the temporary office
space.
126
Tyler Trolio, Gifts
and Exchanges
Assistant*
Marsha Morrow,
Acquisitions Assistant
Frederick FriedmanRomell, Systems
Librarian and Interim
Image Librarian
Steven Szatmary,
Systems Librarian*
Maria C. Downey,
Serials Librarian
Michael Becroft,
Serials Assistant
Lori Thorrat,
Associate Librarian for
Bibliographic Access
Christine Bardwell,
Library Technician*
Violet Ryder, Library
Technician*
Joanna Maniglia,
Cataloger*
Stacie A. Murry,
Cataloging Assistant
Melanie Seal,
Cataloger
Sara Jane Pearman,
Image Librarian
(retired October
2005)
Becky Bristol, Image
Manager
William Kennedy,
Image Cataloger
Erin Robinson,
Image Cataloger*
Archives
Leslie Cade, Archivist
and Records Manager
Hillary Bober,
Assistant Archivist
Photographic and
Digital Imaging Services
Howard T. Agriesti,
Chief Photographer
Gary Kirchenbauer,
Associate
Photographer
David Brichford,
Photo and Digital
Imaging Technician
Bruce Shewitz,
Assistant Manager
Publications
Laurence Channing,
Director of
Publications
Barbara J. Bradley,
Senior Editor
Jane Takac Panza,
Editor
Registrar’s Office
Mary Suzor, Chief
Registrar
Gretchen Shie Miller,
Associate Registrar
for Loans
Bridget Weber,
Assistant Registrar
Kathleen Kornell,
Rights and
Reproductions
Coordinator
Jennifer Qualiotto,
Assistant Registrar*
Jeanette Saunders,
Assistant Registrar*
Andrea S. Bour,
Assistant Registrar for
Collections
Information*
Kristen Bucher,
Department
Assistant*
Larry Sisson, Packing
Specialist
Education and
Public Programs
Division
Marjorie Williams,
Director of Education
and Public Programs
Kathleen Colquhoun,
Special Projects
Coordinator
Jinai Amos,
Administrative
Assistant
Art To Go
Michael Starinsky,
Associate Director,
Education Art
Collection
Alicia Hudson Garr,
Assistant Director, Art
To Go
Karen Bourquin,
Assistant, Art To Go*
Mary Kate
Frederiksen,
Instructor, Art To
Go*
Community Arts
Robin VanLear,
Artistic Director,
Community Arts
Nan Eisenberg,
Coordinator,
Community Arts
Gail Trembly,
Assistant, Community
Arts
Community Outreach
Cavana I. O.
Faithwalker, Assistant
Director, Community
Outreach
Distance Learning
Dale Hilton,
Director, Distance
Learning
David Shaw, Director
of Technical
Operations, Distance
Learning
Arielle Levine,
Distance Learning
Instructor
Lenaia Burbank,
Distance Learning
Scheduler*
Docent Program
Barbara A. Kathman,
Assistant Director,
Docent Program
Jennie Devaney,
Assistant*
Exhibition and Adult
Programs
Joellen DeOreo,
Associate Director,
Exhibition and Adult
Programs
Shannon Masterson,
Associate Director,
Exhibition and
Teacher Programs
Seema Rao,
Coordinator, Special
Education Programs
Michael St. Clair,
Department Head,
AV Services
Les Vince, AV
Assistant
Timothy Harry, AV
Assistant*
Family and Youth
Dyane Hronek
Hanslik, Assistant
Director, Family and
Youth Programs
Mary Ryan,
Assistant*
School and Teacher
Services
Claire Lee Rogers,
Associate Director,
School and Teacher
Services
Karen Gregg,
Scheduling
Administrator
Katherine Klann,
Assistant*
Teacher Resource Center
Mary Ann Popovich,
Assistant Director,
Teacher Resource
Center (retired
December 2005)*
Anthony Fritzgerald,
IMLS Technical
Assistant*
Performing Arts,
Music, and Film
Division
Massoud Saidpour,
Director, Performing
Arts, Music, and Film
John Ewing,
Associate Director,
Film
Jeremy Shubrook,
Manager, Office and
Production
Michael McKay,
Assistant Manager,
Office Operations
Caren Babich,
Administrative
Assistant
Development and
External Affairs
Susan Jaros, Deputy
Director of
Development and
External Affairs
Jacqueline Kelling,
Campaign
Coordinator and
Division Manager
Linda Goldstein,
Executive Assistant
Development
Division
Development
Jack Stinedurf,
Director of
Development
Liz Irwin,
Administrative
Assistant
Amy Martin,
Associate Director,
Individual Giving
Jennifer Porter,
Individual Giving
Manager
Biserka Mikleus,
Individual Giving
Coordinator
Katherine McNally,
Development
Assistant
Kathleen Branscomb,
Planned Giving
Coordinator
Patricia J. Butler,
Support Services
Administrator
Karen Wellman,
Development
Assistant
Cindy Naegele,
Associate Director,
Development Services
Ali Lombardo,
Research Associate
Joan O’Brien,
Associate Director,
Grants and
Government
Relations
Rachel Rosenzweig,
Ph.D., Foundation
Relations
Coordinator
Membership
Mary Wheelock,
Associate Director,
Membership
Tom Denk, Senior
Membership Assistant
Maureen Kelly,
John Kelly,
External Affairs
Division
Donna Brock,
Director of External
Affairs
Robine Andrako,
Assistant
Marketing
Rebecca Murphy,
Associate Director,
Marketing
Nina Arrowood,
Marketing Associate
Thomas H. Barnard
III, Senior Graphic
Designer
Gregory M. Donley,
Senior Writer/
Designer, External
Affairs
Charles Szabla,
Production Manager
Mel Horvath, Printer
Blaine Stojkov, Press
Operator
Communications
Rob Bruder, Media
Relations
Coordinator
Jill Mendenhall,
Media Relations
Coordinator
Guest and Member
Services
John Alan, Manager,
Guest and Member
Services
Beverly Essinger,
Ticket Center
Assistant Supervisor
Gina DeSantis, Ticket
Agent*
Douglas Dear, Ticket
Agent*
Patricia Dolak, Ticket
Agent*
John C. Dunigan,
Ticket Agent*
Susan Flickinger,
Ticket Agent*
Martha Jacoby,
Ticket Agent*
Faye Grinage,
Switchboard
Operator
Outreach and Audience
Development
Cathy Lewis-Wright,
Associate Director,
Audience
Development
Lisa Roth, Outreach
Assistant*
Constituent
Relations Division
Karen Carr, Director
of Constituent
Relations, Protocol,
and Events
Special Events
John Royak, Food
Service Manager
Ann Koslow,
Manager, Special
Events
Eliza Parkin, Senior
Special Events
Coordinator
Hunter Walter,
Assistant Manager,
Conference and
Special Events
Martha Lattie,
Affiliate Group
Coordinator
Margaret Day,
Administrative
Assistant
Volunteer Initiatives
Diane De Bevec,
Associate Director,
Volunteer Initiatives
Liz Pim, Volunteer
Placement Manager
Information
Technology
Leonard Steinbach,
Chief Information
Officer
Judy Fredrichs, IT
Department
Administrator
Information Services
Douglas Hiwiller,
Information
Technology Manager
Robert Hlad, Systems
Coordinator
Allison Hegedus,
User Support
Specialist
Marvin Richardson,
User Support
Specialist
New Media Intiatives
Holly Witchey,
Ph.D., Director of
New Media
Initiatives
Michael Hilliard,
Assistant Manager,
New Media
Initiatives
Network Services
Tom Hood, Network
Manager
Robert Nuhn,
Assistant Network
Manager
Department Support
Dave Andrews,
Department Support
Specialist
(Administration)
Linda Wetzel,
Department Support
Specialist
(Development/
External Affairs and
Education)
127
Statuary from around
the museum grounds
set up camp on a hill
overlooking Doan Brook.
Works of art in the collection were
photographed by museum photographers
Howard Agriesti and Gary Kirchenbauer; these
photographs are copyright by the Cleveland
Museum of Art. The works of art themselves
may be protected by copyright in the United
States or abroad and may not be reproduced
in any form or medium without permission
from the copyright holders. The following
photographers are acknowledged: Howard
Agriesti: pp. 1, 2, 6 (both), 16 (bottom), 50
(top), 51 (top), 64, 65, 66, 68, 71, 125; David
Brichford: back cover and pp. 8, 9 (top), 10
(both), 11 (bottom), 12 (top), 14, 17, 18 (both),
19 (lower right), 29 (top), 55, 56 (top), 67
(top), 75 (center), 90, 100 (top), 102, 108, 110
(bottom), 113, 116, 117 (top), 119, 120, 123;
Philip Brutz: pp. 109, 114, 121; Anita Chung:
pp. 58 (top), 59 (top); Eric Clark: p. 106;
128
Distance Learning staff: p. 111 (top); Greg
Donley: pp. 7, 11 (top), 12 (bottom), 15, 16
(top), 19 (top and lower left), 40, 50–51
(bottom), 60 (both), 126, 128; Sue Foley: p.
112; Barbara A. Kathman: p. 117 (bottom);
Rory Matthews: pp. 100 (bottom), 101; Frank
Miller: pp. 19 (center), 28 (both), 29 (bottom),
67 (bottom, both), 110 (top); Robert A.
Muller: pp. 13, 54, 56 (bottom), 57 (top), 62,
63 (top), 70 (bottom), 72 (both), 73, 74, 75
(top and bottom), 92 (both), 93, 94; © Zoran
Orlic: p. 69; Seema Rao: p. 122; Adrienne
Rasmus: p. 70 (top); Larry Sisson: pp. 58
(bottom), 59 (bottom); Michael Starinsky: p.
115 (top left); Les Vince: front cover and pp. 9
(bottom), 20–21, 51 (center), 111 (center);
courtesy World Art Museum, Beijing: pp. 8
(bottom), 57 (bottom), 63 (bottom).
Financial Report
Year Ended June 30, 2006, and Six Months Ended June 30, 2005
129
TREASURER
Since our last annual report, which covered the calendar year 2004, two
significant financial events have occurred for the Cleveland Museum of Art.
First, in 2005 we converted to a June 30 fiscal year-end, which will
allow us to align ourselves more closely with other institutions in the art
museum world. This conversion resulted in the issuance of statements
consisting of a six-month stub period for the period ending June 30, 2005.
Our financial results for June 30, 2005 were negative due to one-time
charges related to the renovation and expansion of the building, including
the write-off of assets not fully depreciated at the start of the project,
certain expenses related to the debt offering, and severance for retired or
severed employees. Excluding these one-time charges of approximately
$2.4 million, the deficit would be approximately $450,000 for the six
months, which was anticipated because of timing differences. To give you
some comparative data on an annual basis, in the five-year Summary of
Key Financial Data (see p. 131) we have included unaudited 12-month
results from June 30, 2005. Excluding the one-time expenses, the museum
would have had a positive result for the 12-month period. Audited
comparative financial statements will again be available at year-end
June 30, 2007.
Second, in October 2006 the museum issued $90 million in taxexempt bonds through the Cleveland-Cuyahoga County Port Authority
for its expansion and renovation project using Nat City Investments, Inc.
and KeyBanc Capital Markets as underwriters for the bonds. For this debt
offering the museum underwent a review by Standard and Poor’s.
Standard and Poor’s recognized the financial strength of the museum by
issuing an AAA rating in connection with the bond issue, the highest
rating an institution can receive. In connection with the $90 million
Cultural Facility Revenue Bonds, the museum entered into an 8-year
floating-to-fixed rate swap. The swap is intended to limit the museum’s
interest rate exposure during construction.
The financial picture at June 30, 2006 remains strong with a balanced
operating budget and solid investment performance within the endowment, net of withdrawals.
Janet G. Ashe
Deputy Director of Administration and Treasurer
130
Revenues
Investments—general
and specific purpose 71.5%
Individual, corporate,
and government gifts
and grants 25.7%
Programs and
miscellaneous 2.8%
Operating Expenditures
Design, building, and
depreciation 26.7%
Membership and
development 17.8%
Curatorial, conservation,
and programs 33.2%
Administrative and
retirees 22.3%
Summary of Key Financial Data
(in thousands)
Investment
Charitable perpetual trusts
Total
Audited year
ended June 30
2006
$ 402,671.6
323,698.5
726,370.1
Art purchases
4,748.3
Unrestricted revenue and support
29,481.3
Operating expenses
29,479.7
Excess (deficiency) of operating revenue and
support over operating expenses
1.6
Less one-time expenses
Comparative annualized operating position
excluding one-time charge
1.6
Five-year average (excluding one-time charge) $ 139.4
Unaudited
12 months
ended June 30
2005
$ 382,052.4
302,479.0
684,531.4
6,820.1
32,430.7
34,223.5
(1,792.8)
2,390.0 A
597.2
Audited years
ended December 31
2004
2003
$ 388,322.3
$ 368,099.9
307,080.2
289,775.5
695,402.5
657,875.4
2002
$ 316,259.8
249,369.2
565,629.0
13,878.6
31,607.9
31,584.9
8,404.7
33,904.6
33,850.0
14,003.0
33,678.9
33,658.4
23.0
54.6
20.5
23.0
54.6
20.5
A. Includes one-time charges for building construction, severance
131
Report of Independent Auditors
We have audited the accompanying statements of financial position of the
Cleveland Museum of Art (the Museum) as of June 30, 2006 and 2005,
and the related statements of activities and cash flows for the year ended
June 30, 2006, and six months ended June 30, 2005. These financial
statements are the responsibility of the Museum’s management. Our
responsibility is to express an opinion on these financial statements based
on our audits.
We conducted our audits in accordance with auditing standards
generally accepted in the United States. Those standards require that we
plan and perform the audit to obtain reasonable assurance about whether
the financial statements are free of material misstatement. We were not
engaged to perform an audit of the Museum’s internal control over
financial reporting. Our audits included consideration of internal control
over financial reporting as a basis for designing audit procedures that are
appropriate in the circumstances, but not for the purpose of expressing an
opinion on the effectiveness of the Museum’s internal control over
financial reporting. Accordingly, we express no such opinion. An audit
also includes examining, on a test basis, evidence supporting the amounts
and disclosures in the financial statements, assessing the accounting
principles used and significant estimates made by management, and
evaluating the overall financial statement presentation. We believe that
our audits provide a reasonable basis for our opinion.
In our opinion, the financial statements referred to above present
fairly, in all material respects, the financial position of the Museum as of
June 30, 2006 and 2005, and the changes in its net assets and its cash flows
for the year ended June 30, 2006 and six months ended June 30, 2005, in
conformity with accounting principles generally accepted in the United
States.
November 1, 2006
132
Statements of Financial Position
Assets
Current assets:
Cash and cash equivalents
Short-term investments
Funds held by bond trustees
Accounts receivable
Inventories
Other current assets
Total current assets
Investments
June 30, 2006
June 30, 2005
$
$
3,347,921
26,749,248
32,231,871
399,430
220,763
49,075,284
112,024,517
5,153,423
1,580,948
139,056
266,043
53,010,865
60,150,335
402,671,629
382,052,362
Less accumulated depreciation
Total buildings and equipment – net
41,470,755
13,875,258
79,774,186
135,120,199
36,751,197
98,369,002
34,247,718
13,246,205
28,665,680
76,159,603
34,488,429
41,671,174
Other assets:
Deferred issuance costs – net
Pledges receivable
Other
Total other assets
985,127
323,698,463
25,547,379
2,621,113
352,852,082
305,479,045
30,886,065
604,324
336,969,434
$965,917,230
$ 820,843,305
June 30, 2006
June 30, 2005
Buildings and equipment:
Buildings and improvements
Equipment
Construction-in-progress
Total assets
Liabilities and net assets
Current liabilities:
Accounts payable and accrued expenses
Short-term borrowings
Deferred revenue
Other current liabilities
Total current liabilities
Long-term debt
Other liabilities:
Accrued postretirement medical benefits
Other
Total liabilities
Net assets:
Unrestricted
Temporarily restricted
Permanently restricted
Total net assets
Total liabilities and net assets
See notes to financial statements.
$ 12,166,648
1,146,558
47,567,023
60,880,229
$
4,879,484
10,000,000
382,847
51,553,266
66,815,597
90,000,000
5,256,711
1,955,350
7,212,061
158,092,290
5,391,180
1,663,878
7,055,058
73,870,655
180,244,347
284,137,873
343,442,720
807,824,940
$965,917,230
171,449,196
250,300,152
325,223,302
746,972,650
$ 820,843,305
133
Statement of Activities
Year Ended June 30, 2006
Temporarily
Restricted
Unrestricted
Revenues and support
Contributions and memberships
$ 3,438,897
Trust fund revenues
$ 3,138,748
Gifts from independent dedicated trusts:
John Huntington Art and Polytechnic Trust
4,629,167
Horace Kelley Art Foundation
340,000
Grants
591,152
Program revenues
553,372
Special events
489,793
Other
411,290
Stores, café, parking, and products
691,691
Grants and gifts for specific capital expenditures
Investment return designated for current operations
12,309,890
Net assets released from restrictions used for operations
2,887,296
Total revenues and support
29,481,296
Expenses
Curatorial, conservation, and registrar
Design and security expenses
Education, library, and extensions
Publications, printing, and photography
Membership services
Development, special events, and visitor services
Administration
Specific building repairs and maintenance
Depreciation
Total expenses
Excess of revenues and support over expenses
before changes in net assets
Other changes in net assets
Trust revenue designated for art purchases
Investment return designated for art purchases
Proceeds from the sale of art objects
Net assets released from restrictions used to fund
acquisition of art objects
Expenditures for the acquisition of art objects
Gifts, contributions, and other changes
Investment return after amounts designated
Change in fair value of derivative instrument
Change in fair value of charitable perpetual trusts
Cumulative effect of change in accounting principle
Increase in net assets
Net assets at beginning of year
Net assets at end of year
134
Permanently
Restricted
$
$
178,986
4,748,300
(4,748,300)
91,622
7,358,762
1,820,971
3,438,897
3,317,734
4,629,167
340,000
743,654
553,372
489,793
1,445,430
691,691
13,224,067
13,340,025
152,502
1,034,140
13,224,067
1,030,135
(2,887,296)
12,732,534
42,213,830
4,544,953
5,751,185
4,362,155
576,142
330,713
4,755,459
6,367,302
76,854
929,970
1,784,922
29,479,655
1,641
Total
4,544,953
5,751,185
4,362,155
576,142
330,713
4,755,459
6,367,302
76,854
929,970
1,784,922
29,479,655
12,732,534
12,734,175
4,867,654
2,605,053
415,800
4,867,654
2,605,053
415,800
(4,748,300)
1,055,891
16,909,089
$ 18,219,418
(477,845)
(4,748,300)
1,147,513
24,267,851
1,820,971
18,219,418
(477,845)
8,795,151
171,449,196
33,837,721
250,300,152
18,219,418
325,223,302
60,852,290
746,972,650
$180,244,347
$284,137,873
$ 343,442,720
$ 807,824,940
Statement of Activities
Six Months Ended June 30, 2005
Temporarily
Restricted
Unrestricted
Revenues and support
Contributions and memberships
$ 1,213,516
Trust fund revenues
1,534,441
Gifts from independent dedicated trusts:
John Huntington Art and Polytechnic Trust
2,525,000
Horace Kelley Art Foundation
215,000
Grants
973,173
Program revenues
236,249
Special events
64,711
Other
234,415
1,024,249
Grants and gifts for specific capital expenditures
6,118,372
Net assets released from restrictions used for operations
1,172,003
Total revenues and support
15,311,129
Expenses
Curatorial, conservation, and registrar
Design and security expenses
Education, library, and extensions
Membership services
Development, special events, and visitor services
Administration
Depreciation
Loss on disposal of fixed assets
Total expenses
(Deficiency) excess of revenues and support over
expenses before other changes in net assets
Other changes in net assets
Trust revenue designated for art purchases
Net assets released from restrictions used to fund
acquisition of art objects
Expenditures for the acquisition of art objects
Gifts, contributions, and other changes
Investment (loss) after amounts designated
(Decrease) increase in net assets
Net assets at January 1, 2005
Net assets at June 30, 2005
Permanently
Restricted
$
$
87,264
2,791,938
(2,791,938)
( 17,949)
(4,035,378)
202,172
49,790
11,728,463
365,628
(1,172,003)
11,261,314
26,572,443
3,664,777
3,192,829
2,254,947
328,954
139,355
2,281,030
3,571,067
788,334
1,050,250
952,121
18,223,664
11,261,314
8,348,779
2,337,225
3,950,000
2,337,225
3,950,000
(2,791,938)
464,174
(2,078,476)
$
(6,965,862)
178,415,058
$ 171,449,196
1,213,516
1,621,705
2,525,000
215,000
1,175,345
236,249
64,711
284,205
1,024,249
11,728,463
6,484,000
3,664,777
3,192,829
2,254,947
328,954
139,355
2,281,030
3,571,067
788,334
1,050,250
952,121
18,223,664
(2,912,535)
Total
13,142,299
237,157,853
$ 250,300,152
(1,601,180)
(1,601,180)
326,824,482
$ 325,223,302
(2,791,938)
446,225
(6,113,854)
(1,601,180)
4,575,257
742,397,393
$ 746,972,650
135
Statements of Cash Flows
Year Ended
June 30, 2006
Reconciliation of change in net assets to net cash
used in operating activities
Increase in net assets
Adjustments to reconcile increase in net assets to
cash provided by (used in) operating activities:
Depreciation
Change in fair value of derivative instrument
Cumulative effect of change in accounting principle
Loss on disposal of fixed assets
Net realized and unrealized gains on long-term investments
Changes provided by (used in) operating assets and liabilities:
(Increase) decrease in accounts receivable
Decrease in inventories and other current assets
Decrease (increase) in pledges receivable
(Increase) decrease in other assets
Increase (decrease) in accounts payable and accrued expenses
Increase in deferred revenue
(Decrease) in other current liabilities
(Decrease) increase in accrued postretirement
medical benefits
Increase in other liabilities
Net cash provided by (used in) operating activities
$ 60,852,290
136
4,575,257
1,050,250
(36,021,786)
952,121
(2,335,567)
(260,374)
3,980,861
5,338,686
(195,818)
7,287,164
763,711
(3,986,243)
232,359
1,945,326
(6,999,911)
195,816
(6,152,079)
227,836
(2,429,560)
(134,469)
291,472
$ 38,357,291
75,124
740,186
(7,922,842)
$
90,000,000
(985,127)
(10,000,000)
79,014,873
(1,250,000)
(1,250,000)
(5,285,865)
(1,580,948)
(58,960,596)
(25,168,300)
(32,231,871)
(18,219,418)
19,936,004
(4,533,485)
(119,177,666)
1,601,180
10,616,676
(2,011,098)
3,339,945
(1,805,502)
5,153,423
(5,832,897)
10,986,320
Net (decrease) in cash and cash equivalents
Cash and cash equivalents at beginning of year
Cash and cash equivalents at end of year
$
1,784,923
(1,820,971)
477,845
Financing activities
Proceeds from long-term debt
Amortization of deferred issuance costs
Payments on short-term borrowings
Net cash provided by (used in) financing activities
Investing activities
Purchases of buildings and equipment
(Increase) in short-term investments
(Increase) in investments held by trustee
(Increase) decrease in fair value of charitable perpetual trusts
Proceeds from sales and maturities of investments
Purchases of investments
Net cash (used in) provided by investing activities
Six Months Ended
June 30, 2005
$
3,347,921
$
5,153,423
Notes to Financial Statements
1. Organization
The Cleveland Museum of Art (the Museum)
maintains in the City of Cleveland a museum
of art of the widest scope for the benefit of the
public.
2. Significant
Accounting Policies
Change in Year-End
The Museum’s year-end changed from December 31 to June 30 starting June 30, 2005.
As a result, the financial statements reflect the
year ended June 30, 2006, and the six-month
period ended on June 30, 2005. The conversion to a fiscal calendar brings the Museum in
line with other cultural institutions and enables
the Museum to budget educational programs to
coincide with the traditional school calendar. It
also provides flexibility for the Museum to
adjust expenditures, if necessary, based on calendar year-end contributions that comprise a
significant portion of yearly contributed revenue. Twelve-month comparative financials
will be available beginning with the June 30,
2007 financial statements.
Use of Estimates
The preparation of financial statements in conformity with accounting principles generally
accepted in the United States requires management to make estimates and assumptions that
affect the amounts reported in the financial
statements and accompanying notes. Actual
results could differ from those estimates.
Temporarily and Permanently Restricted Net Assets
Temporarily restricted net assets are used to
differentiate resources, the use of which is
restricted by donors or grantors to a specific
time period or for a specific purpose, from
resources on which no restrictions have been
placed or that arise from the general operations
of the Museum. Temporarily restricted gifts,
grants, and bequests are recorded as additions
to temporarily restricted net assets in the period
received. When restricted net assets are expended for their stipulated purpose or time
restriction expires, temporarily restricted net
assets become unrestricted net assets and are
reported in the statements of activities as net
assets released from restrictions. For temporarily
restricted net assets used for major capital
projects, the Museum records the additions to
temporarily restricted net assets and then
records a reclassification to unrestricted net
assets as net assets released from restrictions for
an amount equal to annual depreciation. There
were no such reclassifications in the 2006 or
2005 statements of activities.
Permanently restricted net assets consist of
amounts held in perpetuity or for terms designated by donors. Earnings on investments,
unless restricted by donors of the permanently
restricted net assets, are included in unrestricted
revenues and other changes in net assets. Restricted earnings are classified as temporarily
Year Ended June 30, 2006, and
Six Months Ended June 30, 2005
restricted net assets until amounts are expended
in accordance with the donors’ specifications.
Art Collection
The Museum’s collections are made up of art
objects and artifacts of historical significance
that are held for educational, research, scientific, and curatorial purposes. Each of the items
is cataloged, preserved, and cared for, and
activities verifying their existence and assessing
their condition are performed continuously.
Purchases for the collection are recorded as
expenditures for the acquisition of art objects
in the statements of activities in the year in
which the objects are acquired. Proceeds from
the deaccession of art objects are recorded as
temporarily restricted net assets and are restricted to the acquisition of other art objects.
In keeping with standard museum practice, the
collections, which were acquired via purchases
and contributions, are not recognized as assets
on the statements of financial position.
Cash Equivalents
Cash equivalents are highly liquid investments
with a maturity of three months or less when
purchased. Cash equivalents are measured at
fair value in the statements of financial position
and exclude amounts restricted or designated
for long-term purposes.
Inventories
Inventories consist of merchandise available for
sale and are stated at the lower of average cost
or market.
Investment Income
Investment income, including realized gains
(losses), is added to (deducted from) the appropriate unrestricted or temporarily restricted net
assets. Unrealized gains (losses) are added to
(deducted from) the applicable unrestricted,
temporarily, or permanently restricted net
assets.
Financial Instruments
The carrying values of accounts receivable,
accounts payable, accrued expenses, and shortterm borrowings are reasonable estimates of
their fair value due to the short-term nature of
these financial instruments.
Donated Services
No amounts have been reflected in the financial statements for donated services. The Museum pays for most services requiring specific
expertise. However, many individuals volunteer their time and perform a variety of tasks
that assist the Museum with various programs.
137
Special Exhibitions
Other current assets and deferred revenue include expenditures and revenues in connection
with the development of special exhibitions.
Revenues and expenses are recognized pro rata
over the life of the exhibition. Revenues include such items as corporate and individual
sponsorships. The expenditures generally include such items as research, travel, insurance,
transportation, and other costs related to the
development and installation of the exhibition.
Contributions
Unconditional pledges to give cash, marketable
securities, and other assets are reported at fair
value and discounted to present value at the
date the pledge is made to the extent estimated
to be collectible by the Museum. Conditional
promises to give and indications of intentions to
give are not recognized until the condition is
satisfied. Pledges received with donor restrictions that limit the use of the donated assets are
reported as either temporarily or permanently
restricted support, or other changes in net assets
if designated for long-term investment. When a
donor restriction expires, that is, when a stipulated time restriction ends or purpose restriction
is accomplished, temporarily restricted net assets
are reclassified to unrestricted net assets and
reported in the statements of activities as net
assets released from restrictions.
Pledges due:
In less than one year
In one to five years
Greater than five years
Present value discount on pledges
(3.25% –5.38% discount rate)
Other Current Assets and Liabilities
Other current assets and liabilities at June 30,
2006 and 2005, include $47.6 million and $51.6
million, respectively, of collateral investments
related to securities lending whereby certain
securities in the Museum’s portfolio were
loaned to other institutions generally for a short
period of time. The Museum receives as collateral the market value of securities borrowed
plus a premium approximating 2% of the market value of those securities. In accordance with
Statement of Financial Accounting Standards
(SFAS) No. 140, Accounting for Transfers and
Servicing of Financial Assets and Extinguishment of
Liabilities, the Museum recorded the collateral
received as both a current asset and a current
liability since the Museum is obligated to return
the collateral upon the return of the borrowed
securities. Also included in other current assets
are deferred exhibition expenses of $0.9 million
and $0.4 million, grants and other receivables of
$0.3 million and $0.7 million, and prepaid expenses of $0.3 million as of June 30, 2006 and
2005, respectively.
Asset Retirement Obligations
Asset retirement obligations (ARO) are legal
obligations associated with the retirement of
long-lived assets. These liabilities are initially
recorded at fair value and the related asset reJune 30, 2006
June 30, 2005
$
$
4,023,558
19,903,059
7,361,049
31,287,666
(5,740,287)
$ 25,547,379
Buildings and Equipment
Buildings and equipment are carried at cost.
Expenditures that substantially increase the
useful lives of existing assets are capitalized.
Routine maintenance and repairs are expensed
as incurred. Depreciation is computed by the
straight-line method using the estimated useful
lives of the assets. Buildings and improvements
are assigned a useful life of up to forty years.
Equipment is assigned a useful life ranging from
three to five years. Interest cost incurred on
borrowed funds during the period of construction of capital assets is capitalized as a component of the cost of acquiring those assets.
The Museum is undertaking a major construction, renovation, and expansion project. In
total, approximately $77.8 million and $26.4
million have been expended and included in
construction-in-progress related to the expansion and renovation project at June 30, 2006
and 2005, respectively. In connection with this
project, the Museum identified certain buildings and equipment that will no longer be used.
The net book value of these assets of $952,121
was recorded as a loss on disposal of fixed assets
in the statement of activities for the six months
ended June 30, 2005.
138
6,378,480
22,063,629
8,060,752
36,502,861
(5,616,796)
$ 30,886,065
tirement costs are capitalized by increasing the
carrying amount of the related assets by the
same amount as the liability. Asset retirement
costs are depreciated over the useful lives of the
related assets. Subsequent to initial recognition,
the Museum records year-to-year changes in
the ARO liability resulting from the passage of
time and revisions to either the timing or the
amount of the original estimate of undiscounted
cash flows.
Derivative Instruments and Hedge Activities
The Museum follows SFAS No. 133, Accounting
for Derivative Instruments and Hedging Activities,
which was amended by SFAS No. 138, Accounting for Certain Derivative Instruments and
Hedging Activities, to account for its derivative
instruments. FAS No. 133 requires the Museum to recognize its derivative instruments as
either an asset or liability in the statement of
financial position at fair value. The gain or loss
on the derivative instrument is recognized in
the statement of activities in the period of
change.
3. Temporarily
Restricted Net
Assets
Temporarily restricted net assets are
available for the
following purposes:
4. Permanently
Restricted Net
Assets
Permanently restricted
net assets are amounts
held in perpetuity, or
for terms designated
by donors, the income
from which is expendable to support the
following purposes:
5. Net Assets
Released from
Restrictions
Net assets were
released from restrictions by incurring
expenses or making
capital expenditures
satisfying the restricted purposes as
follows:
June 30, 2006
$181,960,459
June 30, 2005
$ 164,209,933
16,179,861
4,027,713
2,078,214
4,723,490
3,787,719
65,688,414
3,144,151
2,547,852
10,794,249
3,760,628
2,148,297
4,470,324
3,598,829
55,938,619
2,715,338
2,663,935
Total temporarily restricted net assets
$284,137,873
$ 250,300,152
Purchase of art
Specific operating activities
General operating activities
June 30, 2006
$116,661,201
5,018,741
221,762,778
June 30, 2005
$ 107,237,716
4,765,544
213,220,042
Total permanently restricted net assets
$343,442,720
$ 325,223,302
Year Ended
June 30, 2006
Six Months Ended
June 30, 2005
Acquisition of art
Specific operating activities:
Curatorial and conservation
Education and extensions
Library
Musical programming
Buildings, grounds, and protection services
Fine Arts Garden
Sundry
Acquisition of art
$
4,748,300
$
2,791,938
$
1,256,144
685,997
61,358
186,717
595,001
21,195
80,884
$
946,497
51,044
31,203
59,288
57,867
26,104
Net assets released from restrictions used for operations $
2,887,296
$
1,172,003
Specific operating activities:
Curatorial and conservation
Education and extensions
Library
Musical programming
Fine Arts Garden
Sundry
Buildings, repair, and maintenance
139
6. Investments
and Charitable
Perpetual Trusts
The fair value of Museum investments is based
on quoted market prices, except for other
investments, primarily limited partnerships or
limited liability corporations (i.e., alternative
investments), for which fair value is estimated
in an unquoted market. Fair value of alternative investments is generally determined by
principal market makers or an investment
manager of the individual investment fund,
including audited financial statements of the
alternative investments. Generally, fair value of
alternative investments reflects net contributions to the investee and an ownership share of
realized and unrealized investment income and
expenses.
Alternative investments include certain interests in absolute return (hedge funds), private
equity, or fixed income depending on the legal
structure, and investment strategy of the underlying manager. The Museum invests in
limited partnerships and commingled vehicles,
some of which employ traditional strategies
(long only) in readily marketable securities
(liquid equities or bonds traded on exchanges)
and others of which employ less traditional
strategies (long and short equity or fixed income, event driven, macro, relative value, and
arbitrage strategies) that may include the use of
options, futures, and other derivative instruments. Because alternative investments are not
readily marketable, their estimated fair value is
subject to uncertainty and therefore may differ
from the value that would have been used had
a ready market for such investments existed.
Such difference could be material.
The Museum is the sole income beneficiary of
several charitable perpetual trusts and a partial
income beneficiary of other charitable perpetual trusts. Because the trusts are not controlled by the Museum, the assets are classified
as permanently restricted net assets. The charitable perpetual trusts are presented at the fair
value of the Museum’s portion of the underlying trust assets. The change in the fair value of
the charitable perpetual trusts is classified as a
change in permanently restricted net assets
within the statements of activities.
Museum investments consist of the following:
June 30, 2006
$ 6,254,585
47,057,607
238,046,695
111,312,742
402,671,629
323,698,463
June 30, 2005
$ 3,929,956
49,218,575
238,026,611
90,877,220
382,052,362
305,479,045
$726,370,092
$ 687,531,407
Year ended June 30, 2006
Dividends and interest
Realized and unrealized gains net of
realized and unrealized losses
Investment return
Unrestricted
$ 2,016,165
Temporarily
Restricted
$ 2,174,978
17,652,487
18,369,299
Investment income after amounts designated
$
7,358,762
$
968,291
Cash and cash equivalents
Bonds and combined bond funds
Stocks and combined stock funds
Alternative investments
The following summarizes returns from
the Museum’s investments and charitable perpetual trusts
and the related classifications in the statements of activities.
Six months ended June 30, 2005
Dividends and interest
Realized and unrealized gains net of
realized and unrealized losses
Investment return
Investment (loss) after amounts designated
140
19,668,652
(12,309,890)
20,544,277
(1,030,135)
(2,605,053)
$ 16,909,089
$
Permanently
Restricted
$ 18,219,418
18,219,418
$ 18,219,418
1,016,287
1,114,703
1,220,864
2,082,994
(6,118,372)
2,237,151
(365,627)
(3,950,000)
$ (4,035,378)
$ (2,078,476)
$
(1,601,180)
(1,601,180)
$
(1,601,180)
The Museum uses the spending rule concept in
making distributions from its investments. In
doing so, the Museum takes into account the
distributions from the charitable perpetual trusts.
Under this method, a portion of its investment
earnings is recorded as unrestricted revenue.
The amount of investment income used by the
Museum for its operations and purchases of art
is calculated using a spending rate of between
4.5% to 5.5% of the market value of the investments for the prior 20-quarter average ended
March 31, 2005 for fiscal year ended June 30,
2006 and September 30, 2004 for the fiscal year
ended June 30, 2005, as adjusted (subject to
certain limitations) for inflation and additional
contributions. For fiscal 2006 and 2005, the
calculations resulted in an annual spending rate
of 5.0%. Investment returns in excess of (less
than) amounts designated for current operations
are classified as other changes in net assets in the
statements of activities.
7. Benefit Plans
Weighted-average
assumptions are as
follows:
The Museum converted from a contributory
defined benefit pension plan for eligible employees to a noncontributory defined benefit
pension plan (the Plan) on January 1, 2002.
Eligible participants in the Plan on December
31, 2001 were given the option of continuing
to contribute to the Plan. For those employees
not making this election, their accumulated
benefit was converted to the noncontributory
defined benefit plan. For either contributing or
noncontributing participants, benefits under
the Plan are based on years of service and the
final five-year average compensation. It is the
policy of the Museum to fund with an insurance company at least the minimum amounts
required by the Employee Retirement Income
Security Act. Plan assets are invested in group
annuity contracts.
The Museum uses December 31 as the measurement date for the Plan. The following
table sets forth the actuarial present value of
benefit obligations and aggregate funded status
of the Plan:
Projected benefit obligation
Fair value of plan assets
Underfunded status of the plan
Unrecognized prior service cost
Unrecognized net actuarial loss (gain)
June 30, 2006
$ (22,163,299)
21,589,528
(573,771)
113,040
610,033
June 30, 2005
$ (22,312,669)
22,252,106
(60,563)
165,035
(150,986)
Prepaid (accrued) pension cost in statements
of financial position
$
$
Accumulated benefit obligation
$ 20,059,336
$ 20,121,328
Discount—liability
Discount— cost
Expected rate of return on plan assets
Compensation growth rate
June 30, 2006
6.25%
5.75%
7.00%
3.00%
June 30, 2005
5.75%
6.00%
7.00%
3.00%
The assumptions used in the actuarial valuations
were established by the Museum in conjunction with its actuary. The weighted-average
rates of increase in compensation were established based upon the Museum’s long-term
internal compensation plans. The expected
long-term weighted-average rate of return on
149,302
(46,514)
plan assets was established using the Museum’s
target asset allocation for equity and fixed
income and the historical average rates of return
for equity and fixed income adjusted by an assessment of possible future influences that could
cause the returns to trail long-term patterns.
141
The following information is provided
for the defined benefit
plan of the Museum
for:
Year Ended
June 30, 2006
Components of net periodic benefit cost:
Service cost
Interest cost
Expected return on plan assets
Amortization of prior service cost
Employer contributions
Employee contributions
Benefits paid
Actual (loss) return on plan assets
$
682,046
1,250,773
(1,535,288)
51,995
$
449,526
$
645,342
84,575
1,223,914
(168,581)
Six Months Ended
June 30, 2005
$
310,275
616,689
(757,147)
25,998
$
195,815
$
51,136
523,918
787,117
The Plan invests in an unallocated immediate
participation guarantee group annuity contract
with John Hancock Life Insurance Company
(the Insurer). The Insurer credits the Plan’s
deposits that are intended to provide future
benefits to present employees to an account
that is invested with other assets of the Insurer.
The account is credited with its share of
the Insurer’s actual investment income. The
actual asset allocations by asset category are
as follows:
Debt securities
Equity securities
Real estate
Other
Total
In August 2005, the Museum made a payment
to the Plan totaling $195,816 related to the
pension expense for the first six months of
2005. The Museum expects to make a contribution of $481,356 to the Plan in 2006.
Benefit payments over the next five fiscal years
are estimated as follows: 2007 – $1,179,079;
2008 – $1,204,741; 2009 – $1,213,185;
2010 – $1,278,023; 2011 – $1,317,541; and
in the aggregate for the five years thereafter is
$7,186,468.
In addition, effective January 1, 2002 the
Museum initiated a 401(k) savings plan. The
Museum matches employee contributions at
a rate of 50% of the first 4% of total compensation. The Museum’s contributions to the
401(k) plan were $175,478 and $88,879 for the
year ended June 30, 2006 and the six months
ended June 30, 2005, respectively.
142
June 30, 2006
94%
2
2
2
June 30, 2005
94%
2
2
2
100%
100%
8. Postretirement
Medical Benefits
The Museum provides health care benefits
upon retirement to certain employees meeting
eligibility requirements as of December 31,
2001, and contractually required additions. No
other employees are eligible to receive these
postretirement heath care benefits. The
Museum’s policy is to fund the annual costs of
these benefits from unrestricted net assets of
the Museum.
The following information is provided for the
Museum’s postretirement medical benefits:
June 30, 2006
$ 4,783,686
June 30, 2005
$ 5,604,373
Underfunded status of the plan
$ (4,783,686)
$ (5,604,373)
(Accrued) postretirement medical benefits in
statements of financial position
$ (5,256,711)
$ (5,391,180)
Benefit obligation
Fair value of plan assets
The discount rate used in determining the
accumulated postretirement benefit obligation
was 6.25% and 5.5% at June 30, 2006 and
2005, respectively. The health care cost trend
rate used is 12.0% for fiscal year 2006 declining
to 5.5% by 2014. A one-percentage-point
increase or decrease in the health care cost
trend rate would have increased or decreased
the fiscal 2006 service and interest costs in total
by $26,800 and $23,700, respectively.
Year Ended
June 30, 2006
Components of net periodic benefit cost
recognized in the statements of activities:
Interest cost
Amortization of prior service cost
Six Months Ended
June 30, 2005
$
294,991
(26,230)
$
149,786
(13,115)
$
268,761
$
136,671
Employer contributions
Employee contributions
$
403,229
18,075
$
193,401
17,045
Benefits paid
$
421,304
$
210,446
The gross benefits expected to be paid in each
year for the fiscal years 2007-2011 are
$483,175, $500,408, $515,532, $523,653, and
$528,011, respectively. The anticipated benefits to be paid in the five years 2012-2016 are
$2,437,202. The Medicare Part D subsidy
reduced the postretirement medical benefit
obligation by $266,000 in fiscal 2006 and reduces the payments by approximately $70,000
on average beginning in fiscal 2006. Beginning
in January 2007, the Museum will no longer
offer prescription drug coverage to Medicare
eligible retirees. The effect of this change is not
yet determined or recorded in the financial
statements.
143
9. Financing
Arrangements and
Long-term
Obligations
Short-term Financing Arrangements
At June 30, 2005, the Museum had
$10,000,000 of short-term borrowings outstanding under a line of credit and two demand notes with various banks. The Museum
did not have any short-term borrowings at
June 30, 2006. Interest rates on the London
Interbank Offering Rate (LIBOR) based loans
range from 3.49% to 4.58% and 2.86% to
4.16% at June 30, 2006 and 2005, respectively.
Operating Lease
In fiscal 2005, the Museum entered into a
three-year operating lease for office space, with
an option for an additional two years. Total
rental expense for the year-end June 30, 2006,
and the six months ended June 30, 2005, was
$402,690 and $26,650, respectively. Minimum
operating lease payments for each of the next
two fiscal years are approximately $330,000.
Cultural Facility Revenue Bonds
In October 2005, pursuant to certain agreements between the Museum and the ClevelandCuyahoga Port Authority, the ClevelandCuyahoga Port Authority issued $90 million in
variable rate, tax exempt Cultural Facility
Revenue Bonds (The Cleveland Museum of
Art Project) (the Bonds), Series 2005, payable
October 1, 2040. The proceeds of the Bonds
will be used to finance the Museum’s construction, renovation and expansion project.
The Bonds were issued in four series: (i) the
Series A Bonds in the principal amount of
$30,000,000, (ii) the Series B Bonds in the
principal amount of $20,000,000, (iii) the
Series C Bonds in the principal amount of
$20,000,000, and (iv) the Series D Bonds in
the principal amount of $20,000,000. The
Bonds have adjustable methods of interest rate
determination and interest payment dates, and
were in weekly variable rate mode on June 30,
2006 bearing interest at 3.97% (range from
2.6% to 3.98% during the year ended June 30,
2006).
While the Cultural Facility Revenue Bonds
are not a direct indebtedness of the Museum,
10. Income Taxes
The Museum is a nonprofit organization and is
exempt from federal income taxes on related
income under Section 501(c)(3) of the Internal
Revenue Code.
11. Impact of
Recently Issued
Accounting
Standard
In March 2005, the Financial Accounting Standards Board (FASB) issued Interpretation No.
47, Accounting for Conditional Asset Retirement
Obligations (FIN 47), which clarifies the term
“conditional asset retirement obligation” as
used in FASB Statement No. 143, Accounting for
Asset Retirement Obligations. FIN 47 clarifies that
an entity is required to recognize a liability for
the fair value of a conditional asset retirement
obligation if a settlement date and fair value of
the liability can be reasonably estimated.
144
the loan agreement with the ClevelandCuyahoga Port Authority obligates the Museum to make payments equal to the principal
of and premium, if any, and interest on the
respective Bonds, whether at maturity, upon
acceleration, or upon redemption. Bond
Service Charges due on the Bonds will be
required to be made by the Museum as loan
payments under the agreement. Interest only
payments are required to be made until
October 1, 2036.
Unamortized financing costs are amortized
over the period the obligation is outstanding
using the bonds outstanding method.
Interest Rate Swap
In connection with the $90,000,000 Cultural
Facility Revenue Bonds, the Museum entered
into a floating-to-fixed rate swap. The swap
consists of a $90 million 8-year floating-tofixed rate swap whereby the Museum pays a
fixed rate of 3.341% and receives 70% of
1-month LIBOR. The nominal amount of the
swap will begin to decline on July 1, 2008 and
will continue to decline until maturity on
January 1, 2014. This derivative instrument is
not designated as a hedging instrument. At
June 30, 2006, the fair value of the swap agreement, based on mid-market levels as of the
close of business that day, was $1,820,971 due
from the counterparty and has been recorded
in other assets on the statements of financial
position. The change in fair value of the swap
agreement is recorded in other changes in net
assets on the statement of activities. Net interest cost incurred under the swap agreement
was $55,187 for fiscal 2006 and was capitalized
as an addition to construction-in-progress.
Interest
Interest paid was approximately $2.3 million
and $153,000 in fiscal 2006 and for the six
months ended June 30, 2005, respectively.
Capitalized interest was approximately $1.2
million in fiscal 2006, net of interest income
earned on the investment of bond proceeds of
$1.5 million.
The Museum adopted FIN 47 in fiscal 2006
and recorded an ARO liability of $477,845 as
of June 30, 2006 for known and identifiable
abatement issues related to future construction
projects. Upon implementing FIN 47, the
Museum recorded a $477,845 charge at June
30, 2006, which is reported as a cumulative
effect of change in accounting principle in the
fiscal 2006 statement of activities.

annual report - Cleveland Museum of Art

Transcription

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