SEE GIRL RUN - Visit Films

ROBIN TUNNEY
ADAM SCOTT
JEREMY STRONG
SEE GIRL RUN
A film by Nate Meyer
2012 / USA / English / Comedy / 89 min / Arri Alexa / 2.35 / Dolby 5.1
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Press Contact:
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LOGLINE
A 30-something year-old woman travels to Maine to reconnect with her high school sweetheart
and possibly reignite her life.
SHORT SYNOPSIS
When Emmie starts to think that her current relationship isn’t enough, she can’t stop wondering
about her high school sweetheart, Jason, who continues to live in their quaint, coastal Maine
hometown, perpetually in pursuit of becoming a renowned artist. On a whim, Emmie treks up to
Maine to find Jason and discover if he could be what she needs to reignite her life.
LONG SYNOPSIS
Now in her mid-30’s, Emmie has lived in New York City for over a decade when she starts to get
that common tickle in her gut and question in her head: “Is this all there is for me?” She and her
husband Graham have no kids and their marriage is fine, but her Brooklyn dog daycare
business and life with a loving spouse aren’t enough to keep her from wondering “what if…?”
about her high school sweetheart, Jason, who continues to live in their quaint, coastal Maine
hometown,
perpetually
in
pursuit
of
becoming
a
renowned
artist.
Jason was, in high school, the perfect antidote to Emmie’s teenage anxiety. They had what felt
like an idyllic, youthful romance. And, technically, it never ended. There was no big fight or
cheating or dramatic breakup of any kind. Instead, as she remembers it, they simply came to a
point where they realized they needed to go separate ways. But this has left her all these years
without closure and has fostered overly romanticized memories of first love - uncomplicated and
pure - and the notion that in some way they are actually still together and he’s waiting for her.
On a whim, she treks up to Maine to find Jason and discover who he is now and if who they are
now could reignite her life. While there, she also confronts long gestating issues with her
parents just as her brother Brandon struggles with a more severe crisis of his own. As Brandon
responds when Emmie confesses she’s back in Maine to deal with some unfinished business,
“That’s what ‘home town’ means... this place is nothing but unfinished business.”
PRESS QUOTES
"What's lovely about See Girl Run is that it's a twist on the genre of the lost-love romance"
NPR
"A sensitive, no-cop-outs film about relationships and moments of truth"
The Hollywood Reporter
"One movie worth remembering from this year's mix a generous-spirited romantic dramedy"
Dallas Morning News
"Tunney and Scott are excellent"
IndieWire
FESTIVALS
SXSW Film Festival
Atlanta Film Festival
Florida Film Festival
Sarasota Film Festival
River Run Film Festival
Independent Film Festival Boston
DIRECTOR’S STATEMENT
What happens when life’s “what ifs” begin to overwhelm an appreciation for the wonders of what
life actually is?
See Girl Run explores the meaning and value of commitment from various angles: not simply
commitment in relationships but also to oneself in following one’s dreams, to the interpersonal
sacrifices such pursuits can lead to, to the families we create. These thoughts and feelings don’t
stem from any piousness or religious inclination. Simply, I am disheartened by an increasing
disregard for the importance and payoff of following through when times grow difficult or even
just less than perpetually exciting.
The constant state that so many people live in - that their lives are entitled to always be
romantically thrilling and “what if…” and “follow your dreams no matter what” - can be vital and
even noble but there is a point at which it can lead to narcissism and a breakdown in basic
human growth. At the same time, I wanted to wrestle with the fine line between admirably,
single-mindedly following one’s dreams on the one hand and the willingness to change, evolve
and grow in unexpected ways on the other.
There have been movies before that are about a restless person searching for what he or she
feels is lacking in life. My goal is to not only have the story be about that in its action, but to
thematically explore what that common conundrum is actually about - where does it come from
and why? What can a person do with it? What are the potential benefits and pitfalls associated
with it? All in an authentic depiction of the messiness, drama, humor, and complexity
associated with these powerful questions.
Ultimately, countless stories are about infidelity. Among other things, See Girl Run is a story
about fidelity. Nate Meyer / 2012
ABOUT THE PRODUCTION
During a successful festival run throughout 2007 with his debut feature film Pretty in the Face
(premiering in Narrative Feature Competition at South by Southwest), director/writer Nate Meyer
wrote several screenplays in order to be prepared to follow up with a second film. He completed
the script for See Girl Run in 2008 and sent it to friend and filmmaking colleague David Gordon
Green (director of Pineapple Express, George Washington, and All the Real Girls) for feedback.
Green immediately committed to help Meyer bring the movie to fruition, eventually becoming an
Executive Producer alongside Lisa Muskat (Compliance, The Sitter, Man Push Cart). Of the
various scripts Meyer had completed, See Girl Run’s themes, ideas and characters were closest
to his heart and inspired a determination to put together the best creative team possible and
make the movie happen.
Over the course of the next couple of years, while Meyer continued to develop additional
projects, spec and for-hire, he and Green focused on finding the right cast for the three lead
roles. With a confident story in hand, it was clear that the most crucial component to making the
film work would be getting the great performances that are critical for the story’s characters.
Meyer puts a premium on working with actors, himself having followed his undergraduate
filmmaking studies with a Master of Arts in acting. With both Pretty in the Face and now See Girl
Run, he strives for the kind of character-driven, authentic, dramatic stories that inspire his
artistic life.
Meyer wanted to cast the lead role of Emmie with someone skilled and empathic enough to
bring this complicated character to life. Further, he sought a somewhat unexpected choice for
whom the role would provide a showcase of different qualities than audiences might normally
expect. Green had known Robin Tunney and had a feeling she would jump at the chance to sink
her teeth into a role with shades to offer in contrast to the primarily cop roles she had been
playing in recent years on television hits The Mentalist and Prison Break. Immediately upon
reading See Girl Run and getting acquainted with Meyer’s vision for the project, Tunney
committed fully to the role and to figuring out how to fit it into her extensive, hectic television
shooting schedule.
The role of Jason required an actor nimble enough to exude boyish charm while maintaining the
grounded quality of someone passionately committed to his life pursuits. Adam Scott’s deft,
comic chops displayed in Step Brothers, Party Down and Parks and Recreation, combined with
his powerful dramatic turn in the Sundance hit The Vicious Kind, proved his mix of acting gifts
made him the perfect choice for Jason. Scott got the script and was intrigued by a role he felt he
hadn’t played before.
Perhaps the trickiest role in the movie, Brandon threatened to be the greatest casting challenge.
At the urging of Executive Producers David Gordon Green and Lisa Muskat, Meyer attended an
off-Broadway Adam Rapp play from this Hallway Trilogy to acquaint himself with an actor they
admired: Jeremy Strong. Strong’s layered, vulnerable performance made him excellent for
Brandon and he himself was both excited and intimidated by the role. (Incidentally, a week after
being cast in See Girl Run, Steven Spielberg cast Strong in his film Lincoln to shoot later in the
year.) Casting director Jessica Kelly then helped round out a cast of stellar veteran actors
including Josh Hamilton, William Sadler and Marylouise Burke.
Meyer had been developing a different project under the guidance of experienced producer
Derrick Tseng (Life During Wartime, Choke, The Ten, Snow Angels), who came onboard along
with fellow producer Jesse Sweet. Jeremy Saulnier, whose recent
cinematography in the films Putty Hill and Septien had received wide-ranging kudos, joined as
the Director of Photography and worked with Meyer for months devising the seamless, richly
detailed visual scheme through location scouting, storyboarding, studying visual references and
choosing to shoot with the then new Arri Alexa. Editor Jane Rizzo (also editor of the recent
Sundance sensation Compliance) was hired before production began in order to have a leg up
once post production commenced.
With five days of shooting in Brooklyn followed by fourteen days of shooting in Portland, South
Portland and Damariscotta, Maine, the producers hired some of the production team from the
valuable, experienced crew in the Maine area and traveled them down for a short period in
Brooklyn and, likewise, took the others that were NYC-based northward to enjoy hard work
along with the bountiful delights distinctive to southern Maine. The month of May 2011 proved to
be just the right period to get the film in the can.
Leaving the cautious, production-savvy NYC area for the welcoming, enthusiastic Portland,
Maine environment in many ways mirrored Emmie’s journey in the film. Ever since shooting
Pretty in the Face, Meyer had been looking forward to getting back to that one-of-a-kind part of
the country so rarely depicted in film. The community of crew, local acting talent, businesses
and locations were overwhelmingly accommodating and overjoyed to be a part of the endeavor.
Meyer took great pleasure in reconnecting with some of the local filmmakers he had met years
earlier on his first film and was able to cast some of the local talent from that experience for
several roles in See Girl Run. The crew from NYC spent every nonproduction moment making
the most of what Portland has to offer, regularly indulging in both lobster-eating and local
microbrew drinking contests.
After production, Meyer and Rizzo immediately began the edit, then worked through the sound
design and mix with Michael Suarez and the elegant original score with Joseph Stephens. The
entire See Girl Run team is thrilled to make its World Premiere at SXSW 2012 and Nate Meyer,
in particular, is proud to return home to the festival where his first film was initially brought into
the world.
ABOUT THE CAST
ROBIN TUNNEY (“Emmie”)
Robin Tunney established herself as an award winning actress in a series of independent films
and has gone on to become a popular fixture in movies and television while never straying too
far from her indie roots.
Tunney currently stars in the CBS hit show "The Mentalist" opposite Simon Baker. In its third
season, the show follows Patrick Jane, a mentalist turned private investigator who uses his
skills to help the police. Tunney plays Teresa Lisbon, a Senior Agent and Patrick's partner. In
2009, the show won a People Choice Award for 'Favorite New Drama' as well as a Television
Critics Association nomination for 'Outstanding New Program of the Year.'
Tunney’s first film was the teen cult classic EMPIRE RECORDS which featured an up and
coming cast including Renee Zellweger and Liv Tyler. She followed that up with her first lead in
Andrew Fleming's hit THE CRAFT which co-starred Fairuza Balk and Neve Campbell. In an
attempt to escape the teen genre, Tunney followed the film up with Bob Gosse's critically
acclaimed independent feature NIAGARA, NIAGARA. Her performance as a young woman
suffering from Tourette's syndrome garnered her the Volpe Cup for Best Actress at the 1997
Venice International film festival, along with a Spirit Award nomination for Best Actress.
Throughout the course of her career Tunney has balanced working in big studio fare, such as
Martin Campbell's VERTICAL LIMIT and the Arnold Schwarzenegger vehicle END OF DAYS
with smaller independent favorites such as Finn Taylor's CHERISH opposite Tim Blake Nelson,
Alan Rudolph's THE SECRET LIFE OF DENTISTS opposite Hope Davis and Campbell Scott
and Guillermo Arriaga’s THE BURNING PLAIN opposite Charlize Theron and Kim Basinger. In
2005, Tunney starred in the Fox television hit “Prison Break” opposite Wentworth Miller. In
2006, she also co-starred as Leonore Lemon in Allan Coulter's critically praised
HOLLYWOODLAND opposite Diane Lane, Adrien Brody, and Ben Affleck. That same year,
Tunney won best actress at Boston Film Festival for her performance in the independent film
OPEN WINDOW also starring Joel Edgerton, Elliott Gould and Cybill Shepherd.
ADAM SCOTT (“Jason”)
Adam Scott is best known for his roles as Henry Pollard in the Starz comedy series “Party
Down” and as Ben Wyatt in the NBC comedy “Parks and Recreation”.
One of his earliest roles was in HELLRAISER: BLOODLINE. He has appeared in several
feature films, including WHO LOVES THE SUN, MONSTER-IN-LAW, THE AVIATOR,
TORQUE, HIGH CRIMES, STAR TREK: FIRST CONTACT, THE LESSER EVIL and played Will
Ferrell's biological brother Derek in STEP BROTHERS, as well as Josh in the dot-com drama
AUGUST. Scott played a supporting role in Alexandre Aja's remake PIRANHA 3-D and also
played Jeremy in LEAP YEAR. More recent films include OUR IDIOT BROTHER, THE
VICIOUS KIND (for which Scott won several film festival awards) and PASSENGER SIDE.
JEREMY STRONG (“Brandon”)
Jeremy Strong recently wrapped Steven Spielberg's LINCOLN with Daniel Day Lewis. Other
films include the upcoming ROBOT AND FRANK opposite Frank Langella and Susan
Sarandon, THE ROMANTICS, THE MESSENGER, THE HAPPENING and HUMBOLDT
COUNTY. Recent stage work includes Adam Rapp's “Hallway Trilogy” Off-Broadway, “The
Coward” at Lincoln Center and “A Man For All Seasons” on Broadway.
WILLIAM SADLER (“Marty”)
William Sadler has starred in such feature films as THE SHAWSHANK REDEMPTION, THE
GREEN MILE, THE MIST and DIE HARD 2. He has had an extraordinary acting career in
motion pictures, television, and on Broadway.
Sadler can currently be seen in the films MAN ON A LEDGE with Sam Worthington, and BEING
FLYNN with Robert De Niro. Recently completed indie films include FUTURE WEATHER with
Amy Madigan, GREETINGS FROM TIM BUCKLEY, and FRANK THE BASTARD. William
Sadler’s other film credits include: AUGUST RUSH, EAGLE EYE, KINSEY, THE LAST DAY
OF SUMMER, THE HILLS RUN RED, RUSH, HARD TO KILL, BILL & TED’S BOGUS
JOURNEY, THE HOT SPOT, ROCKET MAN, TRESPASS, DISTURBING BEHAVIOR,
WITNESS PROTECTION, and BATTLE OF SHAKER HEIGHTS.
Sadler’s wide range of TV credits includes the famous Marine Col. Chesty Puller in the award
winning HBO mini-series “The Pacific”, the inimitable Gino Fish in Tom Selleck’s “Jesse Stone”
series of TV movies as well as John McGarrett (Steve’s dad) in the hit CBS series
“Hawaii Five-O”. He starred for three years as Sheriff Jim Valenti in the WB series “Roswell”,
and over the years has also appeared in “Fringe”, “White Collar”, “Chase”, “Deep Space
Nine”, “Three Rivers”, “Mercy”, “Criminal Minds”, “Medium”, “Traveler”, “Wonderfalls”, “CSI”,
and “Law and Order”.
JOSH HAMILTON (“Graham”)
Josh Hamilton's films include the upcoming SOMETHING IN THE WATER, THE STARE and
I’M COMING OVER. Past films include J.EDGAR, MARGARET, AWAY WE GO,
OUTSOURCED, DIGGERS, BROKEN ENGLISH, THE F WORD, ALIVE, KICKING AND
SCREAMING, WITH HONORS, THE HOUSE OF YES, FREAK TALKS ABOUT SEX, THE
WAIT and ONLINE. He has appeared on television in "Louie", “Mercy,” "The 60's", "The Good
Wife", and “Absolutely Fabulous.” New York theater credits include “The Cherry Orchard,”
“Three Sisters,” “A Lie of the Mind,” “The Bridge Project” directed by Sam Mendes, “Things We
Want”, “The Coast of Utopia”, “Hurlyburly”, “Proof ,” “This is our Youth,” “The Waverly Gallery,”
“The Cider House Rules,” “As Bees in Honey Drown,” “Suburbia,” and “Women and Wallace.”
MARYLOUISE BURKE (“Evelyn”)
Marylouise Burke has appeared in such films as SIDEWAYS, A PRAIRIE HOME COMPANION,
DOGS, MONA LISA SMILE, MEET JOE BLACK, ONE TRUE THING, I LOVE YOU PHILLIP
MORRIS, RABBIT HOLE, THE BAXTER, IRA AND ABBY, a feather-filled cameo in DOUBT,
THAT’S WHAT SHE SAID, and SLEEPWALK WITH ME. Her TV appearances include “30
Rock,” “Fringe,” the recurring role of Lotte in HBO’s “Hung,” “Law & Order” and “Law and Order:
SVU." Onstage, she performed in “Into the Woods” and “Is He Dead” on Broadway, and has
originated roles in the debut productions of a host of new plays – receiving a Drama Desk
Award for “Fuddy Meers” and a Drama Desk Nomination for “Kimberly Akimbo” Off-Broadway,
and a Backstage West Garland Award for the South Coast Rep production of “Kimberly
Akimbo”.
AUBREY DOLLAR (“Becky”)
Aubrey Dollar has appeared in such films as PRIME, FAILURE TO LAUNCH, HARD LUCK,
STEPPING UP, BACKSEAT TV and in series regular roles on the FOX drama "Point Pleasant"
and the ABC series "Women's Murder Club." Dollar created the role of Marina Cooper on CBS's
daytime drama "Guiding Light". Theater credits include: “Completeness”, “Juvenilia”
(Playwrights Horizons), “Bottom of the World” (Atlantic Theater Company), “The Mistakes
Madeline Made” (Yale Rep), “Orange Lemon Egg Canary” (PS 122), as well as many
productions at Boston University, where she studied. TV guest spots include: "The Good Wife",
"Ugly Betty", "Person of Interest", "Blue Bloods", "Cupid", "Going to California".
ABOUT THE FILMMAKERS
NATE MEYER (Director / Writer, Producer)
Nate Meyer made his feature film debut as director, writer and producer of PRETTY IN THE
FACE, which played festivals around the world, including South by Southwest, Athens Film
Festival, Montreal Festival du nouveau cinema and many others. It won multiple awards
including the Grand Jury Award and Best Screenwriting Award at the Nantucket Film Festival.
He studied filmmaking at the North Carolina School of the Arts and has a Master’s degree in
Acting from Antioch University and The New Actors Workshop, founded and taught by Mike
Nichols, Paul Sills and George Morrison.
DERRICK TSENG (Producer)
Derrick Tseng has been involved in N Y film and television production for over 20 years, first as
union lighting technician, then as 1st A D and production manager, later as line producer and
producer.
Tseng has produced, among other projects, Todd Solondz’s DARK HORSE, LIFE DURING
WAR TIME and PALINDROMES and Comedy Central’s STELLA. He has co-produced or line
produced numerous feature films, including Adrienne Shelly’s SUDDEN MANHATTAN, Kevin
Smith's CHASING AMY, Brad Anderson's HAPPY ACCIDENTS, Peter Lauer's CRY BABY
LANE, Patrick Stettner’s THE BUSINESS OF STRANGERS, Bertha Pan’s FACE, David Gordon
Green’s ALL THE REAL GIRLS and SNOW ANGELS, Fenton Bailey and Randy Barbato’s
PARTY MONSTER Steve Buscemi’s LONESOME JIM, Robert Altman’s TANNER ON
TANNER, David Wain’s THE TEN, and Clark Gregg’s CHOKE.
JESSE SWEET (Producer)
Jesse Sweet is a veteran documentary producer, director and writer with credits for PBS, HBO
and ABC. He specializes in character-driven portraits of thought-provoking subjects. He
produced and directed three episodes of the upcoming PBS series “Finding Your Roots.”
Hosted by Henry Louis Gates, Jr., the shows piece together the lost family histories of Samuel
Jackson, Barbara Walters, John Legend and Condoleezza Rice. Before that he produced, wrote
and directed the first two hours of “This Emotional Life”, a NOVA special exploring the science
of happiness, directed two episodes in the PBS series “African American Lives” and produced
segments for NOVA Science Now and HBO’s “The Iceman Confesses: Secrets of a Mafia
Hitman.” He is currently in production on a pair of independent documentaries on borderline
personality disorder and a charter school struggling in one of New York’s most under-served
communities. Jesse studied philosophy and film studies at Dartmouth College.
DAVID GORDON GREEN (Executive Producer)
David Gordon Green garnered the Best First Film Award from the New York Film Critics Circle
and the Discovery Award at the Toronto International Film Festival with his directorial debut,
GEORGE WASHINGTON. The film also landed on the annual top 10 lists of Roger Ebert, the
New York Times, and Time Magazine.
Other film credits include: ALL THE REAL GIRLS, UNDERTOW, SNOW ANGELS, ONEAPPLE
EXPRESS, YOUR HIGHNESS, THE SITTER and the HBO series “Eastbound and Down”. He
is also the creator of the new animated MTV series “Good Vibes.”
LISA MUSKAT (Executive Producer)
Lisa Muskat met Nate Meyer while teaching at the North Carolina School of the Arts. Lisa has
continued to work with many of the incredibly talented and prolific filmmakers she met there,
including David Gordon Green, (GEORGE WASHINGTON, THE SITTER), Craig Zobel
(COMPLIANCE), cinematographers Tim Orr and Adam Stone, production designer Richard
Wright, sound mixer Chris Gebert and (SEE GIRL RUN) editor Jane Rizzo. She has also
worked with directors Gary Hawkins (THE ROUGH SOUTH OF LARRY BROWN), Ramin
Bahrani (MAN PUSH CART, CHOP SHOP), Jeff Nichols (SHOTGUN STORIES). Lisa also
produced Arielle Javitch’s beautiful (LOOK, STRANGER) and Todd Rohal’s next adventure,
(NATURE CALLS). Lisa has two other movies presenting at SxSW 2012, COMPLIANCE and
NATURE CALLS.
JEREMY SAULNIER (Director of Photography)
Jeremy Saulnier studied film at NYU and braves the corporate world to finance his independent
film habit. Recent cinematography credits include PUTTY HILL, SEPTIEN, IN OUR NATURE,
and his third collaboration with director Matt Porterfield, I USED TO BE DARKER. Jeremy’s
directorial debut, MURDER PARTY was embraced by several festival programmers and dozens
of weirdos. He is currently prepping his sophomore effort.
JANE RIZZO (Editor)
Jane Rizzo is an editor of both fiction and documentary films. Her credits include the awardwinning films GREAT WORLD OF SOUND, HOW TO EAT YOUR WATERMELON IN WHITE
COMPANY(AND ENJOY IT) and ROAD, along with FRONTRUNNERS, THE SENATORS’
BARGAIN (HBO),HENRY MAY LONG and SILVER JEW, which have screened at film festivals
around the world. She also edited numerous documentaries for PBS (American Masters,
Frontline) and MTV.
She recently completed editing COMPLIANCE, which premiered at Sundance 2012 and will be
distributed later this year by Magnolia. She's currently in post-production on REVENGE OF THE
MEKONS, a documentary about the critically revered British band.
JOSEPH STEPHENS (Composer)
Joseph Stephens is an East Coast based multi-instrumentalist, film score composer, and
songwriter. This is his third visit to SXSW as composer, attending previously in 2009 with Jody
Hill's OBSERVE AND REPORT for Warner Bros. and 2011 with Todd Rohal's CATECHISM
CATALCYSM for IFC. He is also composer for the HBO series “Eastbound and Down” and is
currently scoring the third season. His cat's name is Fabreezio.
JESSICA KELLY (Casting Director)
Jessica Kelly and Suzanne Smith Crowley are NY based casting directors. They have cast over
a hundred films. They most recently cast Jason Reitman's YOUNG ADULT, the ABC series
“Pan Am,” Julie Delpy's 2 DAYS IN NEW YORK, Josh Radnor's LIBERAL ARTS and the
upcoming independent films IN OUR NATURE, LOLA VERSUS, THE ENGLISH TEACHER and
THE LONGEST WEEK. Other notable credits include: THE WRESTLER, PRECIOUS,
BROOKLYN’S FINEST, SHAKESPEARE IN LOVE, GOOD WILL HUNTING and THE CEDAR
HOUSE RULES.
CAST AND CREW
EMMIE BARKER
JASON BARRISTER
BRANDON CAREY
MARTY CAREY
BECKY
GRANDMA EVELYN
GRAHAM BARKER
GAIL CAREY
BOB BARRISTER
KYLE
TAMI
ALICIA
DENILO
JACK
DEL
MOTEL CLERK #1
MOTEL CLERK #2
SHANNON
RUSS
FLORIST
HAIRDRESSER
JP
DELIVERY MAN
COCKTAIL WAITRESS
INTERVIEWEE #1
INTERVIEWEE #2
INTERVIEWEE #3
BALKI
Robin Tunney
Adam Scott
Jeremy Strong
William Sadler
Aubrey Dollar
Marylouise Burke
Josh Hamilton
Maureen Butler
Larry Pine
Jonathan Guimont
Meagan Moses
Stephanie Andujar
Reza Salazar
Charles Techman
Miles Doleac
Moira Driscoll
David Butler
Casey Turner
Brendon Bates
Sally Wood
Bess Welden
Devin Guimont
Rommel Genciana
Kim Sprague
Marisa Ronca
Jilian Gersten
Jennie Eng
Rufus
written and directed by
Nate Meyer
produced by
Jesse Sweet
Derrick Tseng
Nate Meyer
executive producers
David Gordon Green
Lisa Muskat
director of photography
Jeremy Saulnier
production designer
Devoe Yates
editor
Jane Rizzo
costume designer
Stephani Lewis
original music
Joseph Stephens
casting director
Jessica Kelly
associate producer
Ben Kahn
original artwork
Josh Taylor
Production Manager
Amanda Hannan
First Assistant Director
Ben Kahn
Second Assistant Director
Jason Reif
Art Director
Randy Gambill
Asst.Costume Designers
Rachel Dainer-Best
Crickett Cote
1st Assistant Camera
2nd Assistant Camera
David Regan
Brittni Moore
Steadicam Operator
Robert Fiske
Sound mixer
Boom operator
Robert Sylvain
Tim Morin
Production Coordinator
Emily Bernhard
Script supervisor
Jean-Paul Chreky
Gaffer
Key Grip (Maine)
Key Grip (Brooklyn)
Best Boy Electrician
Rommel Genciana
Kevin Bacon
Alexander Engel
Dave Palestine
Best Boy Grips
Joel Osgood
David Kavanaugh
Joseph Brunette
Julian Kapadia
Luke Delahanty
Zach Warsavage
Paul J. Dadowski
Grips
Production Assistants
Carmen Caceres
Ashley “Crickett” Cote
Jared Given
Rashaan Kearse
Renata Daoud
Dave Lovejoy
Sean Martin
Andrea Nilosek
Corey Rich
Thomas Castellanos
Mike Savasuk
Jennifer Taxel
Andrea C. Spencer
Autumn Crook
Seth Gass
Intern
James Daw
Post Production Supervisor
Sound re-recording mixer
Sound editor / Foley Recordist
Assistant Editor
Colorist
Vfx Artist
Title design
Devoe Yates
Michael Suarez
Mark Amicucci
Vincent F. Welch
Tom Poole
Daniel Tamman
Jonathan Notaro
Still photographers
Aaron Flacke
Jaxon Woods
Mira Zaki
Digital Intermediate provided by
Colorist
DI Producer
Digital Conform
DI Technologist
Color Assistant
Head of Production
Account Executive
CO3 Executive Producer
Company3
Tom Poole
Marie Deleon
John Diesso
Liam Ford
Drew Geary
Marcelo Gandola
David Feldman
Stefan Sonnenfeld
Music Supervisor
Original Music
Cello
Violin
Upright Bass
Accordion
Piano, Keys, Ukulele,
Drums and Percussion
Devoe Yates
Joseph Stephens
John Cloer
Jane Hart Brendle
Ron Brendle
Rodney Lanier
Joseph Stephens
“Donkey”
Written by David Wingo
Performed by Ola Podrida
Record Label - Western Vinyl
Published by Pinto Barnigo Songs (BMI)
"Ride It"
Written by William J. Fuller
Performed by Tha Vill
Courtesy of Got Vill Publishing
www.myspace.com/thavill
"If You Ain't Gonna Leave Me"
Written by Drew Mintz, Anthony Aquilino, Bill Dvorak and Dominic Turi
Performed by GunFight!
Courtesy of GunFight!