OMNIA-Full line

Timeline
1984: Steve Church invents Telos 10, world ’s first DSP adaptive telephone hybrid,
and first DSP based product for radio broadcasting
1985: Telos Systems founded
1986: Frank Foti designs Vigilante audio processor at WHTZ, New York
1988: NBC uses Telos hybrids to cover Seoul Olympic Games
1988: Cutting Edge founded; Vigilante FM audio processor introduced
1989: Telos ONE Hybrid
1991: Cutting Edge Unity 2000 audio processor
1991: Telos develops multi-line DSP talk systems
1992: Cutting Edge merges with Telos Systems
1992: Telos develops Digital Dynamic Equalization adaptive hybrid EQ
1993: Zephyr fuses MPEG Layer 3 and ISDN technologies
1994: Zephyr wins Radio World “Cool Stuff“ Award
1995: Zephyr NET takes home “BE’s Pick Hit“ Award
1996: Telos introduces MP3 for real-time webcasting
1996: Zephyr used by major broadcasters during Atlanta Olympic Games
1996: Zephyr Xpress wins BE Radio “Pick Hit“ Award
1997: Cutting Edge debuts Omnia.fm Digital Audio Processor
1998: Omnia.am and Omnia.net
1999: Omnia-3 introduced for FM, AM and Internet processing
1999: Telos Series 2101 and TWOx12 pioneer use of ISDN for talk shows
1999: Omnia ToolVox digital microphone processor
2000: Omnia-6fm premieres; world’s first 96 kHz/24-bit broadcast audio processor
2001: SmartSurface networkable control system shown at NAB
2001: Zephyr Xstream introduces low-delay MPEG AAC-LD coding
2002: Omnia-4.5 audio processor for FM and AM introduced
2002: ProFiler automated program archiving
2002: Omnia.sg wins Radio World Reader’s Choice Award
2002: Zephyr Xport becomes first codec to use advanced aacPlus audio coding
2003: Livewire Audio-Over-Ethernet technology unveiled
2003: Omnia-6EX debuts with simultaneous FM,HD Radio,DAB processing
2003: Omnia/Crown develop Processing Card for Crown Transmitters
2004: Omnia-5EX,world’s first HD Radio processing for AM, debuts
2004: AXIA division of Telos is launched.
2004: First Livewire-connected studios built
2005: #1 Station in LA upgrades to Omnia, joins NYC’s #1
2005: Zephyr surpasses 12,000 mark in sales.
2005: Axia introduces Element
Radio World
Cool Stuff Award
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BE Radio Magazine
Pick Hit
Radio World Reader’s
Choice Award
Dear Reader,
You might have noticed that a couple of years ago, we added the tag “Audio | Networks” to
our logo. We are truly in the age of the network, and the tag reflects our view that broadcasters
have reason to be happy for this technology revolution. Just as 1975 was the dawn of the
computers-everywhere age, 1995 was the dawn of the networks-everywhere age. Given its
impact on daily life, it’s hard to believe that It was only ten years ago that the Netscape Web
browser appeared. Ten years ago, many of your stations were still using cart machines and
open reels. As PCs grew in power and fell in cost, they replaced tape. Now computer networks
are on a trajectory to take over station connection and routing functions.
Telos has always been about networks, starting with our first product, a digital interface to the
analog telephone network. When ISDN came along offering a digital connection to the Telco
network, we gave you the Zephyr codec. As testimony to the power of networks to enhance
broadcast operations, the Zephyr - with over 12,000 units in daily use around the world has become the most successful product in radio broadcasting’s digital era. Now, with IP
and Ethernet networks everywhere, we are bringing the benefits of these modern networking
technologies to your radio studios with our Axia family.
In the USA, HD Radio brings us into the digital age, and just in time to compete with all
the digital alternatives. We’re introducing a new Omnia made just for HD that sounds great
and has the diversity delay built-in. Perhaps the “killer-app” for HDFM is surround. Surround
systems are already in high-end cars and we need to be broadcasting to them. All the hometheater-in-a-box systems you see on consumer electronics shop floors should have HD surround
tuners in them – and many probably would if we were transmitting this signal today. Our Axia
networked studio components make discrete surround studios a practical cost-effective reality.
At NAB 2005, many of you saw and heard a complete surround signal chain from player to HD
receiver using Axia studio components, the impressive FhG/MPEG HD surround codec that we
support, and Omnia processing.
Not that we have forgotten analog FM. The Omnia processor is on-air at more than half of
the USA’s top 100 FM radio stations, as well as at hundreds of major broadcasters worldwide
such as the BBC, the NRJ Network, RTL Radio and the Korean Broadcasting System. The latest
enhancements, introduced in this catalog, improve upon Omnia’s already famous loud and
clean sound.
Within the broadcast equipment industry, there are some who prefer the tried-and-true. But
we prefer to help you prosper by taking advantage of the new. It has been our role for over 20
years.
—Steve Church, Founder and CEO
(on behalf of the amazing Telos/Omnia/Axia team who develop, build, sell, and support all the
cool stuff!)
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Axia: IP-Audio networks for broadcast studios.
Axia, a Telos company, is focused on helping
you build studio facilities to meet today’s
most demanding broadcasting applications.
Axia specializes in audio routing switchers,
digital mixing/processing engines and control
surfaces, as well as a wide range of other
devices used to condition, mix, and distribute
audio within the broadcast plant - with a
unique advantage: Every piece of Axia gear is
fully networked, including the audio!
Axia offers a variety of Ethernet networked
audio devices - think of these as “building
blocks” - that allow you to assemble different
applications for your radio studios. For
example, a couple of Livewire interface nodes,
connected together, can move a group of
audio signals over a CAT-5e/6 wire from one
room to another. Insert some fiber in between,
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and go across campus. Attach a few more
nodes and an Ethernet switch and you have a
distributed multi-room routing switcher. Plug
in a control surface and a mix engine and you
have a powerful networked broadcast console.
Now, plug your delivery system PC into that
same Ethernet switch and you can transfer
files, live audio, and associated data - all over
the very same net.
Axia simplifies, saves you money, gives
you choices, and prepares you for today’s
computer and data-centric studios because it
takes advantage of the latest developments
from the world of computer networking.
Did you say networked audio?
“All Axia products are based on
Livewire, a pioneering technology
invented at Telos to convey lowdelay and high-reliability audio
over switched Ethernet.
With Livewire, a single Ethernet
cable carries real-time uncompressed digital audio, device control
messages, program associated data
and even routine network traffic.
An entire facility can be wired in
hours instead of weeks. Expanding
or modifying your system is simple,
thanks to Axia’s inherent scalability
and modularity.
The computer, phone, and home
entertainment industries expect
data, audio, video and telephone to
share a common network infrastructure. ‘Converged networks’ is what
they call this. Modern Ethernet has
been designed to enable these multimedia applications. With computers
so prominent in radio studios today,
as audio players, editors and storage
devices, why shouldn’t broadcasters
benefit as well?
As one example, Axia simplifies
studio infrastructure by eliminating sound cards. Windows PCs use
a software driver that emulates a
sound card, enabling delivery systems and editor’s software applications to pass audio directly to and
from the network using their usual
Ethernet connection.
If you find it hard to imagine computer networks replacing the entire
audio wiring infrastructure of the
radio plant, consider this: Not so
long ago, broadcasters could hardly
imagine PCs replacing cart machines. Now it’s difficult to find a
station still using carts. Networked
audio is now not only possible; it is
practical, inexpensive, reliable, flexible and scalable. The networked
studio has arrived.”
Axia products deliver 24/7 operation
in the most intense broadcast
environments. But just because
our devices are industrial-strength
doesn’t mean we compromised on
the details that make using our
products a pleasure for engineers
and operators alike. Have a look
at the front panel on an audio
adapter node and you’ll notice a
clever dual-duty display. Engineering
can use it for quick diagnostic and
configuration queries. The rest
of the time, the display provides
confidence metering of each input
and output.
You’ll really need to look twice
when you see the back of the
Mixing StudioEngine. This powerful
engine provides all the DSP mixing,
sweetening, and processing required
to support the SmartSurface
console. But why look twice?
Because all the connections into
and out of the StudioEngine are via
a single 1000Base-T Ethernet port.
The audio signals are distributed
via network to locations more
convenient to the audio sources and
destinations. One capable console.
One Ethernet connection. Sneaks up
on you, doesn’t it?
—Michael “Catfish” Dosch
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Networked Audio: Anywhere You Need It
Axia is amazingly scalable. Connect a few studios – or a hundred!
Every broadcaster needs to
move signals from one room
to another. Sometimes, it’s a
simple line selector that grabs
signals from news or production
to go to air. Sometimes it’s
distributing a program feed that
can be picked up and used by
multiple destinations. And in
some facilities, you need a fullup crosspoint routing switcher
that allows any source to feed
any destination. Because all Axia
IP audio devices are networked,
every system has inherent routing
capabilities. Those TDM routing
switchers others are trying to
pass off as “state of the art”,
could easily cost $50,000 for
even a modest facility and
well into six figures for larger
plants. Axia puts an end to that
nonsense!
Whether a few dozen signals or
thousands, Axia routing switchers
are more flexible, more scalable
and more cost-effective than any
alternative. Analog and digital
signals are merged seamlessly
and everything is carried over
standard Ethernet cable, saving
tons of money on cabling (and
the labor to install it). Plus there
is no extra cost to locate the
audio nodes where you need
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them. With old-style routers,
you either run thick cables to
a central mainframe or pay for
extra hardware to extend out
the audio connectors. With an
Axia distributed routing system,
you put the nodes wherever
you need them, keeping audio
cables short and consolidating all
digital traffic on convenient and
inexpensive standard network
cabling. Because it’s Ethernet
and IP-based, you can monitor
audio with any networked PC and
with an ordinary browser without
special hardware.
Meet some of the devices:
Axia audio nodes connect audio
to the studio network. The AES
node supplies eight digital AES3
inputs and eight outputs. The
Analog node provides eight
balanced stereo analog ins
and outs with “tweak-grade”
audio performance. And the
Microphone Node has eight
Phantom-powered mic inputs and
eight balanced stereo line-level
analog outputs.
The Router Selector Node
works like a traditional “X to Y”
switching router control head.
Scroll the list of available sources,
or use the eight programmable
“radio buttons” for instant access
to frequently-used sources.
The router selector has AES3
and analog I/O as well as a
headphone jack.
The Axia Network Audio Driver
for Windows® interface connects
PC audio directly to the network
without sound cards, via
Ethernet. It also provides GPIOlike start/stop and other control
functions over the same network.
It’s available with newer versions
of high-end audio delivery and
editing software applications
such as those from Enco,
Prophet, BE and others. Ask your
favorite delivery system software
company if their software is
Livewire-enabled.
For sophisticated facility-wide
routing applications, use the
Pathfinder PC routing control
software for centralized automated control, via IP, of every
Livewire node in your plant.
The Axia GPIO node has 40
opto-isolated logic inputs and
40 opto-isolated closure-type
outputs to provide traditional
machine logic and remote
control.
Axia iPlay PC software can be installed on any Windows® PC to listen
to networked audio; anyone in the facility can easily monitor any
IP-Audio stream. Engineers will love the ability to access any signal
from an ordinary PC. Used with PC speakers/soundcard, iPlay is a very
low cost convenient way to give monitoring capabilities to PDs, GMs
and sales staff.
The Axia IP-Audio Driver lets
PCs exchange digital audio
directly with Livewire networks
using their standard Ethernet
NIC - eliminating the need
for sound cards or expensive
outboard boxes. The IP-Audio
Driver installs on any Windows® PC, and works with
delivery systems, audio editors
and other applications that
support standard Windows
audio. The standard IP-Audio
Driver gives you one stereo
input and one stereo output.
Need more I/O? Multi-channel versions that provide up to
eight inputs and eight outputs
are available from Axia development partners; check out
www.AxiaAudio.com/partners/
for a complete list.
PathfinderPC Router Control Software provides complete control
of every Axia Node in your plant, allowing you to build and control
very sophisticated facility-wide routing applications. Pathfinder
can change between presets via manual selection (on a PC), on
a day-part schedule, or in response to an external trigger from
an automation system or other source. PathfinderPC can even be
programmed to sense problems, such as silence at a particular
audio port, and patch around it without user intervention.
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SmartSurface:
Intelligent Studio Control
All Axia control surfaces are
designed to fully exploit
the power of the Networked
Studio.
Since Axia is a part of Telos,
you can imagine that phones
are done right! Every channel
automatically generates its
own mix-minus output for
phones and codecs - no more
fiddling with bus assignments.
A single button push readies
the system for off-air phone
recording.
A single RJ-45 and Cat 5e
cable connects the Axia
surface to the network.
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A part of the Axia system,
SmartSurface is a sophisticated
control surface designed for
modern radio operations. Working
with the Axia StudioEngine,
SmartSurface presents users with
an easy to understand interface
to control routing selections,
delivery system software, hybrids,
codecs and everything else in
your networked studio.
SmartSurface is configurable,
so you can store and recall
preferences for each user. Each
channel can quickly access any
audio source in your facility,
making it possible to run the
most complex shows with a
moderately-sized control surface.
All metering, clock, status
and options information is
displayed on an off-the-shelf
LCD monitor connected to
Element.
Element: Size Matters
You need flexibility, and the new
Element modular control surface
delivers! From 4 faders to 40, it’s
perfect for all your on-air, news
and production applications.
As part of the Axia family,
Element can be used as a simple
stand-alone console or as a powerful human interface for a multistudio IP-Audio networked facility.
Here’s everything you’ve been
craving for your sophisticated
radio operations. Plenty of
program and mix-minus outputs.
Equalization and microphone
processing. Totally seamless
integration with phone and codec
equipment. An advanced communication capability that goes way
beyond the usual Talkback functions. An SVGA LCD monitor for
an information-rich user display.
Programable-button modules for
custom control. Soundcard eliminating direct network connection
to delivery systems. There’s even
on-board headphone processing
by Omnia to satisfy talent when
off-air monitoring is not possible.
Element and its companion
Engine capably perform discrete
5.1 surround mixing, so you’re
prepared for anything the future
of digital radio might bring.
Element integrates intelligently
with phones, codecs and computer sources, with innovative
user features. For example,
this module combines phone
control and faders into one
intuitive interface.
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Omnia-6EX and 6EXi: The Best Gets Even Better
When we first introduced Omnia-6, it set
the industry pundits back on their heels.
96 kHz sampling/24-bit resolution? Very
cool! Five bands of AGC? Six bands of
limiting? Unheard of! So much power
it was amazing. As it turns out, the
powerful, musical, natural sound of
Omnia-6 was just what broadcasters
were waiting for. Omnia-6 became, and
remains, the in-demand processor at
major-market stations around the globe.
This left us with a challenge: How to
raise the bar?
Omnia-6EX met that challenge and
conquered it with new processing
enhancements which resulted in more
bass punch, more vocal clarity... even
more exciting and captivating than
the original. Omnia-6EX includes two
simultaneous audio processing paths, five
bands of AGC with a six-band distortioncontrolled limiter for FM and a precision
Look-Ahead limiter for DAB, HD Radio,
satellite or network streaming. And
Omnia-6EX provides listeners with the
full 20kHz audio bandwidth that digital
FM is capable of delivering.
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And now there’s the ultimate in Omnia
power: Omnia-6EXi.
Omnia-6EXi contains an integrated
Diversity Delay that helps HD Radio
broadcasters eliminate analog
connections to the HD exciter and
ensures independent analog and digital
program streams. And an exclusive new
LoIMD Clipper that actually suppresses
intermodulation distortion to deliver
audio that’s cleaner, clearer and more
detailed than ever - no matter how
aggressive your processing. (If you
already own an Omnia-6 or 6ex, don’t
worry - there’s a low-cost upgrade
available.)
All of which makes the world’s hottest
on-air audio machine even hotter. You’ll
hear Omnia processing on the #1 rated
stations in New York and Los Angeles.
As a matter of fact, the majority of the
top 100 highest-rated FM stations in
America have upgraded to Omnia in just
a few short years. So have the leading
stations in London, Paris, Rome, Berlin,
Amsterdam, Tokyo, Bejing as well as
principal stations throughout Canada,
Latin America, and the Middle East.
Omnia-5EX and 5EXi HD+FM:
Make The Competition Cry
Tough radio markets make fierce
competitors. That’s why we make
Omnia-5EX HD+FM, the energetic,
powerful, take-no-prisoners audio
processor for FM and HD Radio/
DAB. Like all Omnia EX processors,
you get two simultaneous audio
processing paths - one for FM, and
another for HD Radio, DAB, satellite,
or network streaming. After the
multiband limiting, audio is routed to
separate, dedicated output stages.
The FM section has Omnia’s critically
acclaimed final limiter; the HD/DAB
section has a precision look-ahead
final limiter with selectable frequency
response that goes all the way to
20kHz.
And for the ultimate HD Radio toolbox,
upgrade to Omnia-5EXi, with built-in
Omnia Diversity Delay and exclusive
new LoIMD Clipper that wipes up the
floor with intermodulation distortion,
even if you’re processing for loudness
that peels paint off the walls.
No matter what your transmission
method, Omnia-5EX and Omnia-5EXi
HD+FM provides what no other can:
the competition-crushing, marketdominating, accept-no-substitutes
Omnia sound sound so pure, clean and
compelling that it’s almost an unfair
advantage. Sound that grabs listeners
and locks them in. And your rivals?
What rivals?
Omnia: Committed to Broadcasting’s Future
We live in exciting times. Communications and computing technology have
changed the broadcast industry in
ways unimaginable just a few short
years ago. As the PC has dramatically
transformed how radio programs are
produced, so too has new transmission
technology resulted in DSB, HDTV,
DAB and HD Radio.
It is part of the Omnia tradition to
be on the cutting edge of technical
developments in order to maximize our
clients’ arsenal of competitive advantage.
Omnia-5EXi HD+FM features
96 kHz/24-bit sampling,
the industry’s best bass
enhancement controls, and
the same dual processing
structure for conventional and
digital FM found in Omnia6EXi. Three-way remote
control (IP over Ethernet,
dial-up or serial) gives instant
access to all the power you
need to craft your signature
sound - and crush your
competition. No wonder that
surveys show Omnia in use
on more than half of the 100
highest-rated FM stations in
the US – more than all the
other brands combined.
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Omnia-3FMt: Turbo Charge Your
Processing!
What you’ve heard is true: leading
broadcasters in the world’s most
competitive markets choose
Omnia. In the US alone, more
Top 100 stations use Omnia than
all other brands combined. Why?
Because only Omnia delivers the
loudness, clarity and punch that
listeners crave.
Omnia-3FM Turbo: Don’t be fooled
by the compact package - this
turbocharged Omnia packs power
enough to blow away processors
costing twice the price.
Omnia-3FMt comes with
features you might not see
in even the most expensive
processors. Like 48kHz
sampling, multi-band
processing, AES3 inputs
and outputs, optional
Ethernet remote control,
a removable PC Card that
makes it easy to share,
store and retrieve favorite
settings, and a flexible
daypart scheduler to help
you tailor your processing
to your specific needs.
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Omnia-3FM Turbo delivers threeband AGC plus a unique multiband
limiter with feedback configuration
for low and mid bands high bands,
and a unique feed-forward design
for the high band.
The result? The famous Omnia
Sound: large, warm low frequencies
with open, natural high end.
And with features like 48kHz
sampling, an integrated, neartheoretically-perfect digital stereo generator, three-band limited,
famous Omnia bass-management
controls, and an integrated composite clipper, you get unmatched
clarity and definition in critical
format applications, and loudness
to spare for competitive situations.
You can even upgrade your original
Omnia-3 to Turbo power - free of
charge.
Omnia-3FM Turbo. Turbocharge
your sound without overcharging
your bank account.
Omnia.sg:
Stand-Alone Digital Stereo Generator
Omnia.sg is a high-performance
digital stereo generator in a standalone box. Designed to permit a
single Omnia to process audio for a
network of stations, the SG allows
perfect overshoot-free encoding
at each transmission site. SG can
also be used to compliment your
existing audio processing, enabling
you to keep the on-air processor at
the studio (where it’s convenient)
while doing stereo generation
and composite clipping at the
transmitter for maximum loudness
and precision control.
Omnia.sg is modeled after the same
digital stereo generator used in
Omnia audio processors. It includes
a selectable composite clipper
for peak control and a baseband
protection filter for RDS and SCA
frequencies.
Omnia.sg can be used
with either analog or
digital program streams;
analog and digital
inputs (with separate
level adjustments) are
included as standard
equipment. Dual
independent SCA inputs
using standard BNC
connectors are provided,
as well as dual composite
outputs with individual
level adjustment.
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Omnia-5EX and Omnia-5EXi HD+AM: Make Your AM Roar
Over the years, Omnia has led the
industry with constant innovation.
We pioneered the first non-aliasing
precision digital clipper, the first
multiband look-ahead limiter, and
the first 96kHz, 24-bit broadcast
audio processors (to name just a
few). And now we’ve done it again
with the world’s first combination
processor for conventional and
digital AM broadcasts.
HD Radio, DRM, DAB call it what
you like, but most folks agree that
digital broadcasting could benefit
the AM band most of all, because
the fidelity improvement will be
so dramatic. So we took the dual
processing architecture from our
famous Omnia-6EX and united it
with all-new processing algorithms
that make your AM radio sound its
absolute best. The result? The only
processor that accommodates both
your analog and digital channels in
a single unit that easily integrates
with your HD Radio or DRM
encoder and transmitter.
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Omnia-5EX HD+AM has all the
tools on your wish list. For analog
broadcasts, there’s a 5-band limiter,
and an oversampled, distortioncontrolled clipper with selectable
frequency response for NRSC
or ITU standards. Omnia Bass
Management with up to 12dB of
adjustment range, and special low
frequency equalization for platemodulated transmitters. Processing
for the HD Radio/DRM side is
smooth and clean, thanks to our
precision Look-Ahead limiter.
And for complete HD Radio dial
domination, there’s the new Omnia5EXi HD+AM, with the same new
Omnia Diversity Delay and LoIMD
Clipper features found in the
market-leading Omnia-6EXi.
Analog or digital, you’ll find your
signal remarkably clean and clear,
with punch and presence that
makes AM radio come alive.
Digital AM on the horizon
“Digital broadcasting has the great
potential to change the landscape of
AM radio, because of the enormous
increase in quality that’s possible
versus analog. At Omnia, we’re
committed to offering broadcasters
cutting-edge products that let
them take advantage of this new
technology.
That’s why our EX-Series processors
feature tools that enable you to
upgrade your analog air chain today,
secure in the knowledge that you
are ready for tomorrow’s digital
broadcasts as well. With Omnia-5EX
HD+AM, you’re prepared to provide
an experience that will keep radio
interesting and relevant in a world
where the competition for listeners’
attention is overwhelming.”
— Frank Foti
Omnia-3am
Having a budget shouldn’t mean
you have to sound like it. Want
to invigorate your AM with the
powerful, dynamic Omnia Sound?
Omnia-3am gives AM broadcasters
the DSP processing power they
crave, with four bands of limiting,
mono or stereo operation, a
comprehensive filter set, and - just
like all Omnia processors - a flexible
PC Card based software
architecture lets you upgrade
with ease. Set, save and recall
presets instantly. Omnia-3am is
energetic and compelling, with such
solid, powerful bass and smooth,
natural high end that the announcers
sound like they’re practically in your
lap. The kind of sound that keeps the
PD happy and out of your office.
The sound that holds listeners and
increases TSL.
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Omnia A/X: Powerful Processing For Your PC
The biggest problem with
streaming audio is its sound:
swirling, gritty and muddy. But
by controlling dynamics and
spectral balance, a processor
placed in the signal chain
ahead of the encoder can work
wonders to create consistency,
enhance clarity and remove
audio grunge.
Omnia A/X software for
Windows® performs all
DSP processing calculations
natively, within the PC
processor, eliminating the
expense of special cards or
external devices. A/X provides
three bands of Automatic
Gain Control plus wideband
AGC, a distortion-free final
limiter, bass enhancement
and factory presets to simplify
setup. It integrating seamlessly
with Windows Media, Real,
MP3 streaming encoders and
audio production software
for full dynamics control of
webcasting, audio production
and audio-for video.
Omnia-3net: Take Webcasts To The Next Level
The Omnia-3net is designed to
make the best of the Internet.
Omnia-3net incorporates special
processing algorithms that bring
smooth consistency to the
desktop listening environment.
It is designed in partnership with
the audio coding experts at Telos
to optimize quality and spectral
balance for even low bitrate
streams.
Omnia-3net works ahead of any
bit reduced audio coder to reduce
artifacts and improve the sound of
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the stream. Omnia-3net features
48kHz sampling, multiband
processing, digital I/O and a
removable PC card that makes it
easy to share, store and retrieve
favorite settings. A full-featured
remote PC application allows full
remote control of the processor
using serial or optional dial-up or
Ethernet connections.
Omnia-3net is also a viable
solution for DRM installations
where a single system processor is
needed.
Omnia CD: Master Your Universe
Broadcasters have known for years
that Omnia audio processors deliver
sound that’s stunningly clear, clean
and loud. So, with the recent trend
toward “hotter” music mastering, it
was no surprise when friends from
the recording industry asked us to
develop an Omnia to help mixing
engineers make loud, clean CD
masters.
Applying lessons learned in
broadcast processing, the Omnia
development team devised Omnia
CD, with a unique final limiter
especially suited to the needs of the
mastering environment. Using an
innovative proprietary method, this
system yields incredible perceived
loudness, but retains the punch
and clarity desired by producers
and engineers in the broadcast and
recording fields. Omnia CD also
provides ultra-precise peak control
for mastering at 0 dBfs.
So how does Omnia CD sound?
“Omnia CD has been a huge help
in mastering CDs and even difficult
soundtracks... I can’t imagine being
without it. Omnia CD has the ‘Three
C’s:’ clear, clean and cool,” says
Grammy-award winning engineer
Kirk Yano, owner of Planet To Planet
Studios, New York.
How Does It Work?
“In developing Omnia CD, we did
intensive research into the
methodology of studio mastering.
We quickly realized that studio
mastering in some ways resembled
broadcast audio processing: both
processes must adhere to a strict
peak level, and both use the
processing to create or preserve a
signature sound for their respective
medium. While the amount of
processing varies between these two,
the concepts are strikingly similar.
We also knew that the last few years
have seen a strong trend toward
cutting ‘hotter’ CDs. We’ve even
seen CDs that push the audio level
right to the 0dBfs point, making it
a self-imposed clipper of sorts, to
achieve what sounds like a ‘fuller’
effect to the character of the audio.
The downside is that extremely
high levels of aliasing distortion are
created from that clipping process.
So, after studying the technical
needs are for the mastering process,
we went back to the drawing board
and designed Omnia CD. This
processor is more than just a low
distortion peak limiter; it contains a
wide range of specialized processing
functions to allow mastering
engineers to fix the mix, tweak the
final EQ and create that desired
signature sound for their artist. And
Omnia CD lets you master right
up to the 0dBfs limit without the
annoying distortion caused by other
methods.”
—Frank Foti
More than just an audio
processor, Omnia CD has
so many unique tools and
algorithms inside that it may
be the only processor you’ll
need to master a recording.
Structurally speaking, there’s
an input Wideband AGC
circuit for initial level control,
five-band AGC, a bass and
stereo enhancement section,
a six-band dynamic peak
limiter section, and a nonaliasing, distortion controlled
final clipper to help achieve
the exact sound you’ve
imagined.
17
For Audio AE Ltd.
2 Dogs Digital Audio Inc
20/20 TV
4-M Communications
5471S/INY
A E Q Broadcast Int’l, Inc
A F Associates
AARP
ABC Radio Network
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Davis Broadcasting
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Dean Koenig
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KMVP
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KUER PO# 0000115462
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Kurtis Productions
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power help reduce equipment
inventory and setup time.
The Best Way From Here to Anywhere
20
Flexible, Economical, Easy To Use
There are three Zephyr Xstream models with capabilities
tailored to fit your need, but all Zephyr Xstream models
share these advanced features:
•
•
•
•
•
•
•
MPEG2 AAC (Advanced Audio Coding). This new
standard for audio coding permits true CD-quality
stereo transmission with a connection speed of just
128 kbps.
Low-Delay MPEG4 AAC-LD coding. Using AACLD, you’ll enjoy crystal-clear audio quality with
greatly reduced encoding delay for smooth, natural
bidirectional remotes.
Works with companion Zephyr Xport portable
codec to receive 15kHz audio using a POTS field
connection.
V.35 option allows connection to serial synchronous
data equipment for use with services such as
dedicated lines, Switched 56 or Satellite services.
A unique Dual Receive mode in MPEG Layer 3
allows reception of independent audio streams
arriving from two distant codecs – great for
bilingual broadcasts.
Auto Receive mode searches and determines the
correct decoder settings for the incoming audio
stream.
Advanced technology with low heat generation
means no cooling fan for silent operation.
Zephyr Xstream allows you
to transmit two-way 20kHz
stereo audio plus ancillary
data anywhere in the world
using a single ISDN circuit,
or 15 or 20kHz mono
audio on a single ISDN
“B” channel. With high
performance digital mixers
and Phantom mic power,
Zephyr Xstream MX and
MXP are complete remote
studios packed into a
single box. Four-input DSP
stereo mixer has dynamics
processing by Omnia. Four
independently adjustable
headphone outputs can
combine local audio with a
remote mix-minus feed.
21
Xport: The “Go Anywhere” Zephyr
Going on the road? At just seven
pounds (3.18 kg), the small,
light Zephyr Xport is the perfect
companion. At the heart of Zephyr
Xport is a custom DSP-based
modem, optimized for maximum
performance with audio codecs.
Exclusive Telos technology lets
Xport use a standard analog phone
line (or digital phone line, with the
optional ISDN interface) to connect
with any Zephyr Xstream ISDN
codec; a full-featured mixer with
mic and line inputs (and selectable
audio processing by Omnia)
completes the package.
With Zephyr Xport as part of your
remote system, your studio’s Zephyr
Xstream becomes a universal
codec. It connects with both Xport
and ISDN codecs saving money,
22
rack space, training time, telephone
lines, and conserving on console or
router audio inputs and mix-minus
outputs.
“Our clients are astonished at
how good a Zephyr Xport can
make a POTS connection sound”,
comments Telos Support Supervisor,
David Jablonski. Our partnership
with Coding Technologies resulted
in the use of ground-breaking
aacPlus coding with Spectral Band
Replication to deliver stunning
reproduction of voice, music or
both - 15kHz broadcast audio from
any standard phone line to your
studio. And when ISDN is available,
Zephyr Xport features your choice
of MPEG4 AAC-LD low-delay coding
for near-instantaneous broadcastquality bidirectional communication
and G.722 for third-party codec
connectivity.
How Does It Work?
“We developed custom modem
technology for Zephyr Xport that
takes advantage of the telephone
network’s ability to cross-connect
analog and digital phone lines. It’s
the same principle Telos uses in our
TWOx12 and Series 2101 ISDN
talkshow systems.
In the field, you can connect your
Zephyr Xport to POTS (Plain Old
Telephone Service) analog lines.
Since the majority of the public
switched telephone network is now
completely digital, the POTS call
from a Zephyr Xport is converted
from analog to digital at the nearest
Telco Central Office. It then
continues on it’s digital path all the
way to the studio, allowing you to
connect with your Zephyr Xstream
at the studio using the same ISDN
line you already have. And of course,
Xport can connect to an ISDN line
in the field as well. The end result
is that Xport saves you the cost of
extra receive codecs, extra phone
lines and extra studio infrastructure
while expanding your remote
connection options.
Zephyr Xport sounds fantastic.
The aacPlus method improves the
efficiency of the codec: aacPlus,
the combination of MPEG’s AAC
(Advanced Audio Coding) and SBR
(Spectral Band Replication). This
method improves the efficiency of
the codec by 30% over “plain” AAC –
which, itself, is 30% more efficient
than Layer 3.
You’ll also enjoy significantly more
stable connections than with
ordinary POTS codecs, thanks to
the ISDN link at the studio end of
the call. Our custom DSP-based
modem is optimized for stability and
audio transmission, whereas some
codecs use off-the-shelf modems
better suited for data transmission.
This technology results in rock-solid
connections that codecs limited to
pure analog transmission simply
can’t provide.”
— Rolf Taylor
Zephyr Xport is the
ultimate portable codec.
Custom Telos modem
technology enables
transmission over POTS or
ISDN lines; a mixer section
with Mic & Line inputs
reduces your equipment
needs. A MIX control lets
you blend IFB audio with
send audio for headphone
and PA feeds. Ethernet
port allows you to feed
PCM audio directly into
Xport from any Windows®
based computer or control
it remotely using any
standard Web browser.
23
As You Like It
Telos offers a variety of control surface options featuring Telos’ exclusive
Status Symbols to easily observe the status of each caller at a glance. The
Desktop Director, offers a comprehensive approach, with built-in handset
and speakerphone. Units can easily be switched between “Talent” (on-air
line control) and “Producer” (screener) modes.
Call Controller
telephone for call screening and
studio telephone operation. Simply
connect the Call Controller to the
TWOx12 or 2101, plug in any compatible analog telephone and you’re
on your way.
The choice is yours: in addition to our Desktop Director,
we offer many options.
The new Call Controller
economically offers similar
functionality in a compact
space. It connects to a POTS
telephone of your choice, for
screener or studio telephone
operation, supporting both
Talent or Producer modes.
The Console Director offers a
compact line control solution
for Talent-mode operation.
The new Telos Call Controller; a
simplified and cost effective option
for call screening and on-air control.
The Call Controller connects to the
TWOx12 or the 2101 in the same
way as the Desktop Director. It uses
an external, user provided,
Desktop Director
Exclusive Telos Desktop
Directors (sophisticated, yet easyto-use, control stations) make
fast-paced prodution a snap. And
caller management has never been
simpler, thanks to Telos Status
Symbols, clear, easy to read graphical icons that convey line and caller
status at a glance.
Desktop Director helps you screen
calls quickly and efficiently using
deluxe features like the built-in
handset, speakerphone or optional
headset. Hosts receive immediate
24
Like all Telos control options for
the TWOx12 or 2101, the Call
Controller has large buttons and
intuitive Status Symbols to keep
track of line and hybrid status, and
whether a caller has been screened.
Convenient keyboard shortcuts
may be used to switch between
on-air control, and screener modes.
There are additional keyboard
short-cuts permit full support of the
TWOx12’s, new version 3.0 split
modes (dual studios).
information about line availability,
on-hold and ready-for-air queue
status from intuitive, graphical
Status Symbol icons. An extended
version can control up to 24 lines
or 4 hybrids.
Console Director
During a fast-paced talk
show, the callers should
always be at the center of
the operator’s attention.
Telos console and turret
mounted accessory controllers put control right at the
talent’s fingertips, and most
of the functions found on
our Telos Switch Consoles
and Desktop Directors are
right there, ready for action.
A variety of models handle
12 or 24 phone lines.
The electronics and switch
packages used in these
controllers are also available
as a kit, without the metal
front panel, for customized
mounting.
Panels are available for
selected console models
from Pacific Research &
Engineering and other
manufacturers; get in
contact with your favorite
console manufacturer for
information about drop-in
panel availability for your
specific console.
Complete Talk Show Management
Telos Assistant Producer, our computer talkshow management system for
Windows®. Assistant Producer completes your Telos multi-line talk show
system with easy-to-use client/server
call screener software by providing a
vital real-time link between producers and talent. Assistant Producer
simultaneously manages callers and
maintains constant communications
between the studio and control room,
enabling producers to provide talent
with information on each caller, send
messages, and control the status of
multiple telephone lines.
Assistant Producer helps producers
and talent cope with today’s fastpaced talkshow environment by
displaying a wealth of information,
such as call status, caller name, city
of origin and other notes, making
communication between the producer
and talent seamless. When used with
talkshow systems utilizing digital
phone lines, Assistant Producer
provides Caller ID information as well.
Telos understands
networking. Use Assistant
Producer to help produce
your shows via IP using
your LAN or WAN.
With two advanced digital
hybrids and intuitive
Status Symbols icons,
TWOx12 makes fastpaced production and
high-quality conferencing
a snap. The system can
be expanded to support
as many as eight control
surfaces. You can even
split the TWOx12’s hybrids
for use in two studios
simultaneously. Lines can
be assigned for use in
either or both studios as
desired.
25
The Most Popular Talkshow Systems on the Planet
TWOx12: Great Talk Shows Digital Or Analog
26
Telos TWOx12 is the self-contained
12-line broadcast phone system
with two all-digital hybrids for
high-quality conferencing. It
features Telos’ legendary Adaptive
Cancellation and Digital Dynamic
Equalization technology, as well as
an exceptionally advanced autonulling capability to make callers
sound next-room clear.
process in your studio). Use it now
with POTS lines; use it with digital
phone lines when you’re ready. You
can even split the TWOx12 into
two systems for use in two studios
simultaneously. To help make your
talk shows smooth, fast and easy,
we’ve equipped TWOx12 with
tons of special features to make
producers’ and talents’ lives easier.
TWOx12 is the world’s only
broadcast telephone system that
works with digital or analog Telco
lines, or a combination of both.
TWOx12 plugs right into ISDN BRI
phone lines, taking advantage of
the decreased noise and distortion,
better audio levels, and clearer
caller audio that only a digital
connection can provide (as well
as eliminating the Telco A/D–D/A
Like our exclusive Status Symbols™
visual call management system that
shows line and caller status at a
glance, and special functions that
cancel feedback in open speaker
applications. Use TWOx12 with
Assistant Producer call screening
software to produce your talk
shows via IP using your LAN or
WAN. Analog and AES/EBU audio
connections are standard.
2101: For Multiple Stations
Multiple stations or studios? Shared
lines? No problem! The Telos Series
2101 is the world’s only broadcast
phone system specifically designed
to meet the challenges of a large,
interconnected, broadcast plant.
Series 2101 plugs directly into the
digital telephone network ISDN or T1
lines to intelligently share and route
up to 120 incoming lines across as
many as 32 studios. Series 2101 gives
you the flexibility to control any show
from any studio. Its “hub-and-spoke”
architecture lets you allocate phone
lines at a moment’s notice to the
studios where you need them most
- no punch blocks, no patch bays, no
hassles.
Standard configuration allows for up
to 12 incoming lines and 2 hybrids
per studio; options let you expand
capacity up to 24 lines or 4 hybrids
per studio. And talk show producers
love Series 2101 for its fast, intuitive
control of lines and callers using
friendly, icon-based Status Symbols™
call management. Thanks to its
flexible, scalable architecture, Series
2101 is the most powerful broadcast
telephone management system ever
developed. Series 2101 is also the
best-sounding talk show system
you’ve ever heard. Caller audio is
consistently loud and crystal clear,
thanks to high-performance phone
technology from Telos - the company
that pioneered digital hybrids.
Your telephone segments
will enjoy unprecedented
caller clarity thanks to
sophisticated Digital Signal
Processing algorithms and
a pure digital connection
to the telephone network.
Series 2101 connects
and coordinates up to
120 digital phone lines
and distributes them to
multiple studios. Desktop
Director control stations
feature easy-to-read
graphic icons called Status
Symbols™ that convey
precise information at a
glance. Assistant Producer
software provides fast,
efficient call screening
over your LAN or any IP
network, and includes
built-in Caller ID display.
27
ONE-x-Six: Six Lines, No Waiting
Looking for a no-hassle solution
that will let you get callers on the
air fast? Let us suggest the Telos
ONE-x-Six, the perfect multi-line
talkshow system for use with up
to six analog phone lines. ONE-xSix contains a high-quality Telos
ONE digital hybrid with Adaptive
Cancellation for clean, clear,
caller audio and uncontaminated
announcer audio. With ONE-x-Six,
successful talk shows sound great,
are easy to produce, and won’t cost
a fortune.
Self-contained and simple to use,
ONE-x-Six provides clean, quiet,
and reliable switching of up to six
telephone lines. At the heart of
28
the system is our Telos ONE digital
hybrid telephone interface, with its
well-earned reputation for superior
performance in thousands of
installations worldwide. The Telos
ONE-x-Six is extremely easy to
install and configure, so you’ll have
callers on the air in no time. Simply
plug in analog phone lines using
standard RJ-11 plugs; audio I/O is
via standard XLR connectors, and
there’s a program-on-hold input
to keep on-hold callers involved.
Go ahead and compare: you’ll
find that only ONE-x-Six offers
this combination of performance,
features, and simple installation at
a price well within the reach of most
any radio station.
What’s Inside
With the ONE-x-Six, successful talk
shows sound great, are easy to
produce, and won’t cost a fortune. At
the heart of the system is our Telos
ONE digital hybrid, the most reliable
all-digital auto-nulling hybrid in the
industry. The hybrid automatically
and continuously adapts to each
new call, which means that very
pure caller audio appears at the
output without announcer audio
contamination.
You’ll also find controls to maximize
control of your show, like a selectable
override function that reduces the
caller level by about 8dB to give
talent’s voice more presence when
both host and caller are talking. And
there are unique acoustic ducker
functions that reduce feedback when
used with open monitor speakers.
And you can add a second Telos ONE
hybrid for even better conferencing if
desired.
For line selection and conferencing,
the Telos Switch Console provides
fast, intuitive control. For call
screening, you can use any standard,
single-line telephone. The basic
ONE-x-Six can be expanded with the
addition of a second Switch Console;
Assistant Producer call screening
software is also available in a version
for ONE-x-Six users.
ONE-x-Six has become
the industry standard
for reliable, easy-touse multiline broadcast
phone systems. Works
with up to six POTS lines
to provide fast, intuitive
control of contests, talk
shows or morning-show
environments. Optional
Assistant Producer call
screening software lets
producers easily screen
shows using any LAN or
WAN connection.
29
100 Delta Digital Hybrid:
Advanced Features
Our best POTS telephone interface, the Delta uses advanced DSP
to achieve natural sounding, twoway conversation even on difficult
analog telephone lines.
The Delta becomes the heart of a
multiline POTS talkshow system
when combined with Telos multiline controllers for 1A2 and POTS
line direct connection.
Has better transhybrid loss (that
is, minimum send audio leaking
through the hybrid to its output)
than the Telos ONE, sophisticated
adjustable AGC for consistent output level, DDEQ (Digital Dynamic
Equalization) to automatically optimize caller spectral balance, and
adjustable caller override control.
Telos TWO: Advanced ISDN Hybrid
The Telos TWO dual ISDN Hybrid
offers maximum phone audio quality because it takes advantage of
ISDN digital phone lines for the
cleanest possible connection to the
Telco network. Connects directly to
BRI S or U ISDN phone lines. Includes two advanced digital hybrids
with independent AGC, dynamic
EQ, and caller override. Both AES3
and analog input/output are
standard.
30
Telos ONE Digital Hybrid:
Proven Performance
The world’s most affordable autonulling DSP hybrid for POTS phone
lines, the Telos ONE is the ideal
solution for nearly any telephone
interface application. The Telos
ONE uses Adaptive Cancellation
technology to optimize audio from
each new call.
The Telos ONE+ONE comes in
several versions to meet your
specific needs. There’s a rackmount
single hybrid suitable for studio
applications, a compact portable
“modem case” version, and the
ONE+ONE, a dual hybrid with a
built-in mix minus matrix.
No matter which version you choose,
all Telos ONE models are equipped
with advanced auto-nulling features
and sophisticated AGC on input and
output audio, and can be equipped
with optional auto-answer capability
to help streamline studio operations.
ONE Modem Case: Ready
For Anything!
Telos Link: The Intercom
Audio Solution
The Link is designed to connect twowire intercom systems to telephone
lines.
With the Link in your remote truck,
your two-wire intercom can be extended to anywhere via a normal telephone line. Use another Link at the
other end to connect two intercoms.
Or a Telos One hybrid at the other
end to connect to a 4-wire system.
Digital auto-nulling hybrids on both
the telephone and intercom audio
paths allow gain to be inserted in the
send and receive paths, while maintaining natural, full-duplex operation.
An interface for RTS, ClearCom and
other two-wire intercom systems is
built in so that you can connect the
Link to your intercom system just as if
it were another station; a front panel
knob selects intercom channels.
Telos 100 Delta and
ONE hybrids can be used
as the heart of a multicaller talkshow system.
Coupled with Telos 1A2 or
Direct Interface multi-line
control modules, you can
build scalable systems to
support as many as 30
incoming POTS phone
lines. Add Telos Switch
Consoles and Assistant
Producer software as
needed to create a
complete customized
broadcast phone package.
31
Telos Profiler: Multi-Channel,
Multi Streaming, Audio Archiving
Telos ProFiler is the efficient, setand-forget way to automatically log
your radio station’s program audio.
Forget tape decks and expensive
logging hardware - ProFiler runs
on a standard Windows 2000 or
XP PC to produce time-stamped
audio archives you can listen to on
standard MP3 players.
Each ProFiler package includes
a Telos audio card with pro-level
balanced audio inputs and buffered
parallel closure inputs that you can
use either as a start/stop trigger,
or to let an active microphone
trigger a high-quality capture
32
mode. The starter kit lets you log a
single stereo or two mono streams;
add more audio cards to capture
as many as eight mono streams
simultaneously.
ProFiler is ideal for stations required
by law to log program content, and
since you can also listen to “live”
audio over IP as it’s being logged,
it’s great for program consultants
or group PDs. Production Directors
and morning show producers will
love the integrated audio browser
that lets them tag segments and
export them as WAV files for further
editing.
MPEG Technology From Telos
Telos was the first in the world to
license and use MP3, so we know
this tech cold. Our software and
hardware MP3 products are the
result of close cooperation with FhG,
MP3’s inventor, and our many years
of experience making professionalgrade MP3 work for our clients.
Telos products ensure that bitreduced audio sounds its best. With
point-to point or point-to multipoint
streaming encoders, decoders, AAC
and MP3 encoding software, Telos
brings you a comprehensive suite
of professional tools for your coded
audio.
Zephyr Xstream
The world’s most popular ISDN
codecs are also perfect for LAN and
WAN IP streaming applications.
Has a range of standard MPEG coding options: MPEG Layer 3 and AAC,
for indistinguishable source-from-input at only 128 kbps. Fully remotable
via Ethernet. Both analog and AES3
input/output.
Telos Knows Audio Coding
We know its strengths and weaknesses. We also recognized the next logical step
beyond MP3 when it became available, namely MPEG AAC. The Xstream was built
around AAC, while still offering G.722, Layer 2, and MP3, for the utmost compatibility
with older technology. AAC offers broadcasters and audio professionals the following
advantages:
• Independent testing confirms that AAC is the best-sounding pure
perceptual codec yet developed
• 30% more powerful than MP3, means better quality or lower bit rates
• Better cascadability. Ready for HD-radio and DRM
• AAC-LD, the low delay variant, offers MP3 quality with 70% less delay
• aacPlus adds spectral band replication, giving Zephyr Xstream the
ability to receive the best quality audio in the industry via a POTS
connection from a companion Xport
• aacPlus is 30% more efficient than AAC alone
33
For further details about our products and a list of our dealers worldwide,
please feel free to visit our company websites:
telos-systems.com
omniaaudio.com
axiaaudio.com
Our Customer Support experts are at your service. You can reach them by
telephone at +1 216.241.7225, Monday through Friday from 9 AM to 6
PM Eastern Time (GMT -5), or by e-mail 24/7 at support@telos-systems.
com.
Again, we thank you. The entire Telos - Omnia - Axia staff is dedicated to
your service and satisfaction.
34
TelosSystems.com
OmniaAudio.com
AxiaAudio.com
Telos Systems / Omnia Audio / Axia Audio • 2101 Superior Avenue, Cleveland, OH 44114, USA • +1.216.241.7225
Telos Systems /Omnia /Axia Europe • Johannistr. 6, D 85354, Freising, Germany • +49.8161.42467
All content © 2005 TLS Corp. Telos, Omnia, Axia, associated product names and all logos and images™ TLS Corp. “Windows”, HD Radio, Pathfinder PC,
ENCO Systems Inc., Prophet, Broadcast Electronics and “aacPlus” are trademarks of their respective owners,
which are not associated or affiliated with TLS Corp.
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