B I L L Y S H E E H A N

BEATSPOT MUSICAL INSTRUMENTS & ARTISTS MAGAZINE
BB714BS
B I L L Y
M A G A Z I N E
AUGUST | 2008
2008 10th Asian Beat
Grand Prix Winner
Vol.03
IRON BANANA
FREE
Interview
S H E E H
A
N
S I G N A T U R E
Artist Interview
BB714BS
Billy Sheehan is no stranger to the spotlight. From his days with Talas to headlining arenas with David
Lee Roth and his band Mr. Big he has thrilled audiences the world over with his bold performances
and highly evolved techniques. Constantly pushing his skills to new limits, he has changed the way
the bass guitar is played and taking rock bass playing to new heights. Billy’s relationship with Yamaha
is long. His close collaborations with Yamaha Guitar Development has produce a number of
signature models, the latest being the new BB714BS. The BB714BS represents a trip back to Billy’s
roots with Yamaha, revisiting his first Yamaha signature, which was a BB series bass.
http://www.global.yamaha.com/
APBSM003
Billy Sheehan
Zak Bond
Magi
(Bassist)
(Drummer)
POP SHUVIT
(Drummer)
... and other musicians!
New Model news
BB714BS
(Electric Bass)
DTXTREME III
(Electronic Drums)
AUDIOGRAM Series
(Audio I/F)
POCKETRAK 2G
(Pocket Recorder)
...and more!
BEATSPOT MAGAZINE CONTENTS
Vol.03
Artist Features
Musical Instruments
Interviews/Reports Artist Using Models
P05
RAFAEL BITTENCOURT
(Guitarist)
P09
ndoubtedly one of
Malaysia’s most
hardworking bands, Pop
Shuvit began making waves
in the local music scene in late
2001. Comprising of Moots (vocals),
JD (guitars), AJ (bass), Rudy
(drums) and UNO (turntables), the
band has had 4 successful releases
under their belt and rocked fans
throughout Asia notably in Japan,
Thailand and Singapore. Known for
their adrenaline packed live shows
and eclectic blend of hip hop and
rock, Pop Shuvit are being touted as
Asia’s leading Hip Hop Rock band.
P04
RGXA2
(RAFAEL BITTENCOURT)
P08
P15
P14
ZAK BOND
(Drummer)
DTXTREME III
(ZAK BOND)
P17
P16
P22
Electric Guitars
RGXA2
Electric Basses
BB714BS
ATTLTD II
Acoustic Guitars
L Series
Electronic Drums
DTXTREME III
Acoustic Drums
Tour Custom
Computer Based Music Production
KX Series
AUDIOGRAM Series
Pocket Recorder
POCKETRAK 2G
Portable PA System
STAGEPAS Series
Recent News
Latest Work. Freakshow Vol1: Tales of The Traveling Tunes (2007)
Official Support for My Chemical Romance Asian Tour (2007-2008)
Sunburst KL International Music Festival (2008)
Nominated for MTV Asia Awards (2008)
OP SHUVIT
U
Their debut album “Take & Shuvit”
broke new ground when their first
single “Skaters” Anthem’ was
released exclusively on the Internet
and became one of the most
downloaded local songs in
Malaysian music history. The hype and street buzz
from the track caught the ears of ESPN, who in turn
licensed the track for use in their Summer X-Games
broadcast that hit millions of households worldwide.
In 2003, Pop Shuvit released “Take it and Shuvit” in
Japan and became the first Malaysian band to hit the
music chart in Japan. The overwhelming support from
Japanese youth market ensured that all tracks of the
album charted the top 20 on the Tower Records sales
charts (even beating raprock luminaries like Linkin
Park) without any promotion to back the album.
Always one to go against the grain, the band released
a dance remix album and a hip hop EP in 2004 and
2006 respectively. The remix of their track
“Conversations” from the “Shuvit Remixes” dance CD
was hand picked by uber DJ Nick Warren for inclusion
in pioneering UK dance music label Global
Underground’s mix CD, Shanghai GU28 that peaked
at #19 on the UK TOP 40 Dance Album Charts.
Not resting on their laurels, Pop Shuvit’s eagerly
anticipated third album, aptly titled “Amped & Dangerous”
hit stores in Japan on 23 August 2006 with a later release
date being planned for the Malaysian market. The 12 song
set is a rollercoaster ride of crunching guitars, pounding
rhythms and funked out hip hop beats and rhymes.
BILLY SHEEHAN
(Bassist)
P11
ATTLTD II
(BILLY SHEEHAN)
P10
MAGI
(Drummer)
TOUR CUSTOM
( MAGI)
P28
P28
BILLY SHEEHAN
(Bassist)
BB714BS
(BILLY SHEEHAN)
04
04
08
08
09
10
11
14
14
16
16
18
18
19
20
20
21
21
Discography:
❚ Take It & Shuvit (2002-Malaysia) & (2003-Japan)
❚ Shuvit Remixes (2004) - Japan
❚ Here & Now (2005) - Malaysia & Japan
❚ All I Got - HIP HOP Collaboration EP (May 2006) - Japan
❚ Amped & Dangerous (August 2006) - Malaysia & Japan
Notable Gigs:
❚ Opening Act for Incubus Asian Tour, Kuala Lumpur (2004)
❚ Headliner for Asian X Games, Kuala Lumpur (2002-2006)
❚ Rock The World, Kuala Lumpur (2002 - 2005)
❚ Singapore X-Games (2002)
❚ Headlining show at Tokyo & Osaka, Japan (2005)
❚ Thai X-Games, Bangkok, Thailand (2005)
❚ Grand Pattaya International Music Festival, Thailand (2006)
❚ Closing Act at Anugerah ERA (2006)
Official website:
www.popshuvit.com
www.myspace.com/popshuvit
AKIHIRO TANAKA
(Guitarist)
LL36
(AKIHIRO TANAKA)
Special Columns
In this vol.3 magazine we prepared some columns
which are referring to the “SOUND”. Sometimes it
seems to be difficult to emulate the sound of artists or
to hear the sound of the instrument so it will be a good
reference.
Especially in the Rafael’s page, Rafael Bittencourt
himself has explained about use of equipment in
Angra’s song, this should be a great advice for players.
There’s also tablature score in the L series article. I
hope you would play that phrase in store or at your
home, and feel the sounds of Acoustic.
■ Rafael Bittencourt's Equipments setup
07
■ AKIHIRO's Special Technique
13
■ ASIAN BEAT -2008 Grand Final Report-
22
■ ASIAN BEAT 08-09
24
■ BEATSPOT Store
26
COVER FEATURES
POP SHUVIT
Specifications and appearance subject to change without notice.
All trademarks and registered trademarks are property of their respective owners.
BSM Vol.03 2008
03
CONTENTS
Electric Guitars
BSM Vol.03
RGXA2
Int
e
r
v
i
e
w
with
The conventional wisdom in building electric guitars has long been that the more
uniform and heavy the material, the better the sound. But not any more. Yamaha has
shattered this concept with an advanced technology called Alternative Internal
Resonance, or A.I.R. for short (patent pending). This revolutionary design approach
means that lightweight materials can at last deliver equivalent or superior tonal
characteristics compared to traditional materials. The result? A smarter and lighter
model with all of the sound quality you expect from a Yamaha.
Construction
Scale Length
Fingerboard
Radius
Body
Neck
Tuners
Bolt-on
25 1/4" (647.7mm)
Rosewood / 22 frets
13 3/4" (350mm)
A.I.R. Body
Maple
Cylindrical knob
Bridge
Pickups
Pickup Switch
Controls
Colors
A.I.R. Mounting System Bridge
Alnico humbucker X 2
3-position
Master Volume,
3-position Rotary Switch,
Pickup Indicator
White / Aircraft Gray, Jet Black
Original Pickups
Cylindrical Tuners
New alnico pickups have been specially
designed to match the characteristics of the
RGXA2 body. Smooth response from lows to
highs delivers outstanding clean tones as well
as hard distortion.
Innovative cylindrical tuners have been
implemented to achieve optimum balance with
the lightweight body. Their light, compact design
also contributes to the slim styling of the eyecatching head.
A.I.R. Mounting System Bridge
This Yamaha original system consists of a
specially designed lightweight bridge that transmits
string vibrations to the entire body through its
unique Tone Tubes. A smoother, non-obtrusive
playing surface offers enhanced playability.
Original Head Design
From the unique head support plate to the
string post cutouts, weight-reducing ideas can
be found throughout this stylish head design.
Pickup Selector System
This newly developed system uses high
intensity lights to indicate the active pickup,
clearly showing which high-output pickup you
have selected, even on the darkest stage.
Light Weight Wood
Sound Tubes
Alternative
Internal
Resonance
Light Weight & Rich Sound
The Secret of A.I.R. Technology – RGXA2
Lightweight material is sandwiched between harder, heavier wood on both the front and back surfaces of
the guitar’s body. Special ‘sound tubes’ pass through the body so that string vibrations normally resonating
only the guitar’s top are transmitted to the whole body. By exciting the entire body structure and shaping
the tone with the hard top and back, A.I.R. construction creates a full, powerful tone with distinctive
presence and body that is both totally usable and completely unique. Who said beauty was only skin deep?
BSM Vol.03 2008
04
Electric Guitar
White / Aircraft Gray
Jet Black
RAF
A
E
L
B
I
T
T
E
N
C
O
U
R
T
RGXA2
easy for you. Then you start to add
some hard moves and tricks that
challenge yourself to improve your
technique. It sounds a little obvious but
I've seen a lot of guitar players
spending lots of time on exercises that
aren't comfortable for them and the same amount of
time ignoring his own strong points. And, the best
person to evaluate whatever is comfortable on your
playing and what's not is you! For that you have to
exercise your ears more then your fingers. That's the
most important lesson that I've learned. And that will
surely save you a lot of useless time of practicing
without a focus that might lead you nowhere.
– How do you get inspiration for songwriting?
– In which point do you care about making the
ideal guitar sound?
– Could you tell us how to make up
"Rafael Sound" using A2?
I am very concerned about the guitar sound. It makes
a whole lot of a difference the sound you're playing
because the sound is directly related to the style and
the technique of a guitar player.
I am a fan of the vintage tube amplifiers. I like open,
warm-natural sounds. And I tried it on the Marshall
JCM800 and the JMP-1 pre-amplifier, also on the
orange channel of the Mesa Rectifier and on a Brunetti
that I've borrowed from Kiko (my guitar partner in
Angra) etc. But it performed the best on my Groove
Tube head and power amplifier. I like to have variety of
sounds on my gear, cause I usually create very soft
atmospheres that build into loud and epic parts. In my
new record I found the A2 to be very efficient for
creating many different sounds. It is also very useful
for dubbing a wild-distorted sound from another
channel. I have also a custom AES model that I call
the Dragon guitar which is a very heavy and loud
sounding guitar. And sometimes I added the Dragon
Guitar for the more powerful parts. The A2
is got a very distinctive and clear distortion
and they work perfectly together!
The art of playing is not a purely mechanical act. The
musician is playing every note in response to the last
one he just played. And in order for that action goes
fine you have to dive into the music, trying to reach a
kind of meditating state of mind. Your intuitive
mechanisms are alert, thus you should be able to
think while emptying your mind of undesired thoughts.
This is not an easy thing to do, to bring up things that
you learned and studied into a very intuitive and fluent
form of communication. Therefore, a bad sound
makes that process even harder. Sometimes it is
impossible to do a good performance on an annoying
or disturbing sound.
Either on live or recording situation, a good sound is
crucial for the good performance.
– Please introduce your sound system other
than guitar?
– What is the best way to enhance the A2 sound?
Well, I have different gear for different
situations. Not every time I'm able to bring
all my toys onstage. most of the time I need
to be practical and light-weighted. So I hook
my Yamaha guitars through a Boss GT-8 multi-effect
where I have some direct effects (distortions,
compression and Wha-wha) and I also can control my
rack. I'll send my signal to a JMP-1 where I can create
a lot of different sounds and volumes. Then I'll have an
Yamaha SPX-2000 looped with the JMP-1 for the
delays, some choruses and eventually some reverbs.
The final signal from the JMP-1 will be sent to a power
amplifier and cabinets that could be mine or from
some local promoter. I have my own signature model
for strings made by a Brazilian brand called NIG and I
like the sound of DiMArzio paffs and virtual paff pickups which I have on some of my guitars.
Well, I didn't make any sound modifications on my
RGXA2. I play it plain through the amplifier. The best
quality of this guitar is the big sound versatility. It is a
very dynamic guitar. It is got a very nice and warm
clean, then if you bring up a little more gain it is got a
nice crunchy sound and also a very open "Van Halen"
kind of distorted sound. It is very recommended to
versatile guitar players. To guys who like to study and
practice every kind of music, from jazz, pop or metal.
Some other guitars are very loud but they are very
limited when it comes to different ways of playing.
– Which songs in ANGRA are you using RGX A2?
On our last record I've recorded the rhythms and the
solos on "Out of this World" and "Braking Ties" with the
RGXA2. On live situations I've been using on songs
where I need different dynamics from clean to loud
volumes like on "Out of This World", Rebirth, Braking
Ties and others. I was very new to the RGXA2 when I
recorded Aurora Consurgens, so I was still discovering
ways of setting up that guitar. Now I'm playing with RGX
for almost three years and I am much more familiar with
its fine adjustments. And since, I'm finishing at this
moment the first record of my solo project, I've
recorded with the A2 almost on every song.
– What kind of practice would you recommend for
amateur player?
Firs of all, I recommend that the amateur player focus
whatever his is practicing on creating his own style.
Every professional player learns to enhance his
natural skills and to dissimulate his difficulties. So,
whenever you are studying you have to stick to those
moves that feel fluent on your hands creating a very
solid and stable ground where playing the guitar feels
Life in general is my main inspiration. I really like to
observe places and stuff that I'm living. The behavior
of people, how we interact with our daily duties etc.
I have a very personal and abstract impression of
elements in music (harmonies, intervals, melodies,
beats, rhythms etc). I relate the chords and sounds in
general to colors, places, emotions etc. So what I do
is: I create sound environments that in my perception
are related (on a very abstract way) to a specific
emotion or feeling. I like to observe patterns of
movements on things I'm observing. I love the sound
of silence, to watch muted TV, to just cancel the sound
of things and to absorb the pure movements of cars,
people, the wind, the washing of my hands etc. I wear
ear plugs most of the time and I try to think of rhythms,
melodies and harmonies in my head. So that became
an obsession for me. I'm also very alert to sounds and
that's why I need the ear plug in my ears. Every sound
captures my attention and it is hard to focus on the
music in my head.
Rafael’s
Equipments Setup
For Recording
1|
On the recording of Out of This World and
Breaking Ties I have used the following
setup:
1|
RGXA2 > (input) GT-8 > (output) > (input) Mesa
Boogie rectifier 2 (orange channel / vintage mode) >
4X12 Marshall Cabinets. On recording situations I’m
using the pedals mainly for overdrives and wah-wah
sounds. The delays and reverb come from the ProTools computer recording system.
Mesa Boogie Rectifier
A2
2|
On the recording of The Voice Commanding
You, Passing By and others:
2|
AES 920 > (input) GT-8 > (output) > (input) Mesa
Boogie rectifier 2 (orange channel / vintage mode) >
4X12 Marshall Cabinets.
– Please give a message to fan.
I'd like to thank for all the support and care that you've
always given me and that I think of you, my fans, all
the time. Whenever I'm composing or recording a
song I start to wish that you'd like it. I'm pursuing for
the best results all the time and It is for you that I
spend a lot of my time trying my best. So, it is very
exciting to get this nice feedback from you. Please feel
free to visit my website at www.rafaelbittencourt.com
O.D
Wah
Marshall
4 X 12 SP cabinet
Floor type Multi-Effects
AES920
– Please tell us about your schedule for this year.
I plan to release my solo project in
September. In Japan will be out by Victor
(JVC). Also Angra is planning to get back
together around the same period. So, I'll
probably be conciliating the touring of the
two bands. A very interesting thing about
my project is that most of the instruments
used on the recordings were Yamaha. And
Yamaha is the only brand able to provide the
gear and instruments for a whole
professional recording. A high end drum set,
five different models of professional basses, some
fretless basses and Upright Silent Bass, five different
models of electric guitars, keyboards, reference
speakers and also electric violins. So I can say that
this will be the first rock record that was done entirely
with Yamaha instruments and gear. This wasn't initially
meant to be like this. But, since I made lots of friends
with other Yamaha musicians I naturally started to call
them up to be part of my project. And the sound has
turned to be a reference for other players now.
C
O
M
P
For Live Performance
3|
For the live performance of songs such as
Out of This World, Breaking Ties, Rebirth,
No Pain for the Dead, Late Redemption,
Heroes of Sand and other songs that need
a nice clean and a distinctive distortion.
3|
Yamaha SPX2000
send
return
Marshall JMP-1
RGXA2 > (input) GT-8 (output)> (input) Marshall
JMP-1 (send) > input (input) YAMAHA SPX2000
(output) > (return) GT-8 (output)> (in) Marshall 9002
(out) power amplifier> 4X12 Marshall Cabinets.
4|
For the live performance of songs as The
Voice Commanding You, Salvation Suicide,
Ego Painted Grey, Waiting Silence, Angels
and Demons, Nova Era and others.
AES DRAGON > (input) GT-8 (output) > (input)
Marshall JMP-1 (send) > input (input) YAMAHA
SPX2000 (output) > (return) GT-8 (output) > (in)
Marshall 9002 (out) power amplifier > 4X12 Marshall
Cabinets.
Marshall 9002
A2
C
O
M
P
4|
O.D
Wah
Floor type Multi-Effects
Foot SW for JMP-1
Dragon
All the best to you
Rafael Bittencourt
RAFAEL
BITTENCOURT
Interview with
BSM Vol.03 2008
06
Electric Guitar
BSM Vol.03 2008
07
Electric Guitar
Marshall
4 X 12 SP cabinet
BSM Vol.03
Electric Basses BB714BS / ATTITUDE ATTLTDII
BB714BS
ATTLTDII
Billy Sheehan Signature Model
Billy Sheehan Signature Model
It's amazing how time flies: For more than 20 years, the BB Series
basses have been the first choice of great bass players like Nathan
East, Tony Kanal and Michael Anthony. And with each model that has
been added to the series over the years our designers have
succeeded again and again in producing exactly what musicians
want, as well as raising their own standards in the process. With the
motto “Back to the Future” we now pay tribute to this successful series
with completely reinvented new versions of the first BB basses.
Thanks to their perfectly shaped (bolt-on) necks the new BBs are
also extremely comfortable to play, and with a combination of highquality soap-bar / split-coil pickups, smart electronics and vintage
style hardware, they offer everything that even the most
demanding bass player could possibly ask for.
Billy
Sheehan
Pickups and Electronics
Both front and rear pickups are custom
made by DiMarzio and deliver
powerfully heavy bass tone with a solid
fundamental. Stereo output jacks
provide separate outputs for the front
and rear pickups. Mono output is also
possible. A high cut switch in the front
pickup tone control boosts bass output
from the front pickup.
Woofer pickup designed in
collaboration with YASH*
BB714BS
BB714BS
ATTLTDII
NEW
NEW
NEW
ATTLTDII
NEW
– Tell us why you love Yamaha gear?
One thing you like about BB714BS
and Attitude.
Yamaha has great quality control in
their manufacturing, so you always get
a consistently fine instrument. The new
BB714BS is a wonderful bass that
feels smooth and plays like a dream.
Hipshot “D” Tuner
The Hipshot tuner drops the “E” string
down a whole step to “D” with the flick is
a lever. A gear adjustment provides
precision tuning.
Neck
Billy’s BB714BS comes with a neck that is slim, trim,
and fast. The rosewood on maple neck is thinner and
trimmer than the Attitude bass and offers greater
playing comfort.
Model
Construction
Scale Length
Fingerboard
Radius
Frets
Body
Neck
Bridge
Pickups
Controls
Colors
Model
Construction
Scale Length
Fingerboard
Radius
Frets
Body
Neck
Bridge
Pickups
BB714BS
Bolt-on
34" (863.6mm)
Maple
10" (250mm)
21
Alder
Maple
Solid Brass
Woofer PU, Main PU
Woofer PU Volume,
Main PU Volume,
Master tone w/ Woofer PU Hi Cut Sw.
Black, Lava Red
BSM Vol.03 2008
Controls
Black
08
Electric Bass
Lava Red
Black
Lava Red
– Is there any favorite genre of music
you perform?
Not really. Though I like when there is
singing & harmony. I like most all
kinds of music.
– What is your favorite artist?
Too many to list. I have very many,
and my tastes change constantly.
In addition to the split pickup, the BB714BS carries a
specially designed double humbucker installed at the
neck position where it generates great low-end tone.
The front humbucker is wired through a push-pull
high-cut circuit that lets you choose between a
traditional “Attitude” neck pickup tone with high-end,
or a bass boosted ultralow 60’s sound.
*YASH=Yamaha Artist Services Hollywood
Special interview
Colors
ATTLTDII
Bolt-on
34" (863.6mm)
Maple
10" (250mm)
21
Alder
Maple
Solid Brass
DiMarzio WillPower
(neck, middle)
Front Volume, Front Tone,
Rear Volume,
Woofer High Cut Switch
Black, Lava Red
– When choosing instrument, what is
the most important point?
How well you like the way it feels in
your hands. It will be in your hands
for many hours, days, months, and
years–so that is important.
– Tell us about your latest activity and
future schedule. Also we would like
to know about your which are to be
held in future, Europe, Asia or Japan.
I have a new CD coming soon. It's
called "Holy Cow". Its my best yet,
and it includes some very special
guests. I'll be traveling all over the
world this year telling people about it,
as well as my new Yamaha Basses.
– One thing you care for the daily
practice?
I try to work every day on improving
my playing and learning more, as
well as writing & experimenting on
new ideas of songs, music, and bass
& guitar innovations. I'm always
working at it, but I love it so much, I
do not consider it to be "work".
– Please give advice to young
musician who want to be like you?
Get in a band & start performing.
Learn as many songs as you can.
Sing. Sing harmony with others.
Listen to everything you can.
Clinic tour schedule 2008
October
9 Shanghai China 10 Shanghai China
14
15
16
17
22 Singapore
Australia
Australia
Australia
Australia
23 Malaysia
25 Japan
26 Japan
19 Indonesia
BSM Vol.03 2008
09
October 20 Indonesia
21 Indonesia
Electric Bass
Acoustic Guitars
BSM Vol.03
L Series
L Series
A.R.E. Models
NEW
LJ36
LL Series
LJ26
Yamaha's Traditional Jumbo Body
Guitar. Rich volume, clear resonance
with the excellent projection, wide
dynamic range, well-balanced tone.
LL36
LS Series
With its compact body with full size
body thickness offers excellent volume
that cannot be found in a compact body.
LL26
LJ Series
This medium jumbo size is designed to
rest securely yet comfortably on the
guitarist's leg when seated.
High-end models are handcrafted and
feature our A.R.E (Acoustic Resonance
Enhancement) technology on tops
made of select materials. These are
hallmark instruments designed and
crafted especially for professionals.
LJ36 / LJ26
Body: Medium Jumbo Type
Top: Solid Engelmann Spruce A.R.E
Back & Sides: Solid Rosewood
Neck: Mahogany, Padauk (5ply)
LS36
LS26
LL36
LL26
This handcraft guitar features
the finest in craftsmanship
from its abalone binding,
snowflake and cat eye
position markers, to the all
lacquer finish.
This model offers a bit more
of a vintage look.
Ornaments have been left
off to reduce weight. Among
the “L” series guitars, this
simple design offers even
greater response.
Body: Jumbo Type
Top: Solid Engelmann Spruce A.R.E
Back & Sides: Solid Rosewood
Neck: Mahogany, Padauk (5ply)
LS36 / LS26
Body: Small Body Type
Top: Solid Engelmann Spruce A.R.E
Back & Sides: Solid Rosewood
Neck: Mahogany, Padauk (5ply)
Body: Jumbo Type
Top: Solid Engelmann Spruce A.R.E
Back & Sides: Solid Rosewood
Neck: Mahogany, Padauk (5ply)
A.R.E. (Acoustic Resonance Enhancement)
A.R.E. (Acoustic Resonance Enhancement) is an original wood reforming technology developed by Yamaha. Instruments made with woods
processed with this technology produce a tonal richness that is like vintage instruments that have been played for years. This technology is
currently applied to the tops on L Series 6 model acoustic guitars and LX Series 6 model acoustic-electric guitars.
BSM Vol.03 2008
10
Acoustic Guitar
Normal Guitar (Current L Series)
A.R.E. Guitar (New L Series with A.R.E.)
Enhance high range response
0
0
40
−40
60
−60
80
−120
0
100
0.1
0.2
120
0.3
Time [s]
0
10
5
Frequency [kHz]
15
Relative Level [dB]
The graphs shown below are from actual acoustic spectral measurements taken
under controlled conditions with a current L series guitar and a new L series guitar
with A.R.E.
Notice the enhanced low range sustain and improved high range attack on the
A.R.E. guitar. It is also clear that high range dissonance has a shorter delay after
the attack. This is hard proof that A.R.E. is effective at producing the desired
changes in the wood’s acoustic characteristics. These instruments have received
high marks from a great number of musicians.
• Patents already registered
Most of their evaluations are identical to
Japan Patent # 3562517
evaluations for guitars that have been played for
United States # US6667429 B2
years. Comments such as “excellent resonance”,
and other countries
“warm”, “mature”, “well settled”, and “clear” were
• Patents Pending
common terms used in the evaluations.
Europe (20 countries)
The following alterations lead to their corresponding acoustically ideal conditions.
• Enhanced low range sustain produces rich sound and thick tone.
• Increased high range response and decay produces a sharper tone and
simultaneously controls dissonance.
Relative Level [dB]
A.R.E technology uses precision controlled humidity and temperature to
manipulate the molecular properties of the wood into a more acoustically ideal
condition (similar to the molecular characteristics of woods in instruments that have
been played for years). The process is chemical free making it an environmentally
friendly process as well.
40
−40
−60
60
−120
0
80
100
0.1
0.2
120
0.3
140
Volume increases as the color changes
to red, and decreases as the color
changes to blue.
Time [s]
0
10
5
Frequency [kHz]
Enhanced low
(mid) range
sustain,
increased power
15
140
Increased high
range decay
AKIHIRO
TANAKA
Interview
Born in January 2, 1986 in Kyoto Japan.
Based in ancient city of Kyoto, Akihiro Tanaka is
working to expand his activities as a live solo artist
both in Japan and around the world. This up-andcoming guitarist has gained attention for his
emotional instrumental pieces. Participating in a
wide variety of competitions, many of which he has
won, he acclaimed not just for his technique, but for
tones and songs that stimulate the mind of the
listener, and for vivid, fun performances.
Tanaka’s first album was released in April of 2008.
BSM Vol.03 2008
11
Acoustic Guitar
Akihiro Tanaka Interview
Introduction to Song Names
1. Harukaze Strokes
s
n
o
i
t
i
s
o
p
om
C
Harukaze Strokes is an eight-beat strummed song. The word "harukaze"
is Japanese and means "spring wind". I wrote it to try to capture the
feeling of the cool, refreshing wind that blows here in spring. In terms of
playing, you should look out for the tap harmonics produced by tapping
frets with the right hand. Beautiful harmonics can be produced by
tapping the 12th and 19th frets in this way.
2. Juke Box
Q: When did you start playing the guitar?
Q: What type of player would you recommend the
L Series to?
When I was thirteen. I always liked music, even from
when I was a kid, but I had focused on playing the
piano. As soon as I heard the Japanese rock band
B'z, though, I totally immersed myself in the electric
guitar. I remember that at that time I couldn't wait to
become a skilled player like Tak Matsumoto of B'z, so
I used to practice for several hours every day. I used
to mimic his playing style, and I even copied his
stance (laughs).
I play an LS36, and I have a funny feeling that I will
have it close at hand even when I get old. The L Series
doesn't limit itself to any particular type of playing style. I
would recommend it to anyone – from the first-time
player to the professional guitarist who wants to choose
an instrument for a lifetime of use.
Q: What is the difference between A.R.E and older
L Series guitars when played?
Q: What made you switch to your current style of
playing?
I think the difference is very noticeable when the two
types are played and compared. First of all, the A.R.E
L Series guitar is louder, and both attack and
response are fast.
While I was playing electric guitar in a rock band, I
found myself drawn into instrumental music where the
guitar, and not the vocals, featured most prominently.
I wanted to try that type of music with my band, but as
we already had a singer, I couldn't really ask the other
members to play songs without any vocals. Around
that time, I became aware of solo acoustic guitar as a
style of playing through watching TV shows. In
particular, it was a solo guitarist named Kotaro Oshio
who grabbed my attention. Although playing alone,
he sounded as if he was performing all the parts of
the rock band together – drums, bass, guitar. I
knew that I wanted to master that style of playing,
and I started to look and learn.
Q: Do you use a pick? If so, what kind?
3. Fairy Tale
Q: What gauge do you use?
Normally, I don't use one, although I may when
performing with a band. I tend to use a drop-shaped,
imitation-tortoiseshell Yamaha pick – it's shaped a bit
like a mandolin pick. They're probably not even being
made anymore, but I really like them. Whenever I spot
them at music stores, I buy a lot. The pick itself is hard
(.040). Recently, I've become interested in thumb
picks and started practicing with them. I still have a
very long way to go, though… Also, I've heard good
things about a thumb pick called the Pro Pick, and
that's what I've been using.
Q: What is the key to fingerstyle? What do you
need to be careful of?
I think that the true charm of fingerstyle guitar is
realized when performing with the three parts – that
is, bass, rhythm, and melody – firmly in mind. The
performer must conjure up an image not of a single
guitarist, but of multiple, individual members of a
band. And in contrast to flatpicking, fingerstyle
provides many more ways to delicately control the
sound. Each one of the six strings sounds
different when played using a nail and using a
finger tip, so it's important to blend these to suit
the song being performed.
Q: What do you consider important in terms
of performing?
Q: What do you do to keep your nails in good
shape?
Performances that somehow excite people just by
listening to the music – that's what I'm striving for.
So, I need to be constantly excited by my own
performance. When playing an instrument, it goes
without saying that you should sound well and make
no mistakes, but good performances require quite a
bit more.
Q: What led you to start playing the L Series?
It started with meeting Hiroshi Sakurai – the designer
of the L Series – when I was 18. He had never heard
me play before, and was very impressed when he
did. On my part, I really loved the LL36 that I played
on that occasion. Since then, I have been regularly
requested to perform by Yamaha. Actually, when I
think back, Mr. Sakurai was simply visiting a music
store in my home town as part of a guitar promotion
fair, and if it wasn't for that chance meeting, I
wouldn't be where I am today.
The sound
seems to
be emanated
from
every
single part of the guitar. Harsh, unpleasant sounds
are gone from the high-frequency range, while lowfrequency sounds are solid and firmly rooted. You can
practically feel the guitar resonate right into your body,
so even though listeners can appreciate the great
sound, I think it is the player himself or herself who
will be able to recognize and enjoy the difference.
That's it in a nutshell – these guitars just feel great to
play. Like the feeling you get when you meet a soul
mate for the first time (laughs). I reckon it's very easy
to become great friends with this guitar.
Q: What do you like about the L Series in terms of
actual playing?
First of all, I really like the way it looks – it has a
certain aura. And the neck and body seem to perfectly
my body shape. More than anything else, L Series
guitars are easy to play, and I really like how the
sound is balanced. The A.R.T pickups are also
amazing. And I recently realized with some surprise
that my L Series guitars have rarely had problems like
a warped neck or body. With acoustic guitars, the
wood can easily loose its shape as a result of
humidity or other environmental factors, so anytime I
have to be careful. But I don't need to worry about this
with the L Series, though.
BSM Vol.03 2008
A light gauge (012 to 054).
I wrote Juke Box trying to recreate the sound of 70s or 80s disco. In this
song, a single acoustic guitar seems to produce the sound of the bass,
the drums, and the electric guitar! It's almost as if three guitars are
playing together. It's definitely a song worth practicing. It's definitely the
hardest song on the CD, but because it sounds so cool, I'd really
recommend giving it a go.
12
Acoustic Guitar
1. Harukaze Strokes
The key to this tune is to aim for the eight-beat sound of a complete band. So, instead of focusing
on guitar alone, we also need to be aware of bass and drums. Full strumming and bridge mutes
can also be used to add some variation to the performance dynamics. But the tap harmonics that
appear for the first time in the seventh bar are the highlight (Ex 1 and 2). In this bar, the middle
finger or index finger of the right hand is used to produce harmonics by tapping quickly on the 12th
fret (T.Harm.12) or the 19th fret (T.Harm.19). In this, the key point to getting beautiful harmonics by
tapping is to flick your wrist as if playing a percussion instrument.
2. Juke Box
In this funky little number, we recreate the 16-beat sound of a full band with drums, bass, and
guitar. To start, play the simple bass part alone (blue line from Ex 3), then add the distinctive funky
rhythm sound (orange line from Ex 3), and after that, practice also playing the melody (green line
from Ex 4). All this time, you need to keep playing 16-beat. Tap harmonics also make an
appearance in this song (red line from Ex 4). Be sure to fully kill the sound during rests, adding
some variation to produce a cool overall sound.
3. Fairy Tale
Just taking a relaxed, gentle approach is enough to master 90% of this song (laughs). Beyond
that, you'll need to make the melody, bass, and ornamentation clearly distinguishable from each
other. It is also important to bear in mind how the melody flows by singing in your head. And if you
can recreate the beautiful lingering sound that is so distinctive of Celtic tuning, your overall
performance will benefit greatly
Asian Beat web page.
mentioned here on the
been made available.
You can find the songs
self, sheet music has also
him
aka
Tan
hiro
Aki
ng
turi
fea
files
In addition to sound
these songs.
useful as you work with
We hope they will prove
ge:
ase visit the following pa
For more information, ple
co.jp
http://asianbeat.yamaha.
EX-1
Track 02
harukaze
strokes
I strengthen my natural nails with artificial nail
material usually used for nail art. To do this, I mix an
acrylic powder into a special adhesive, apply this
using a brush to my nails, which have been given an
undercoat, and then shape the material once it
hardens. I use three or four different types of special
nail file, starting with the roughest and then getting
smoother as the shape gets closer to what I need.
The last file gives the nail a shiny finish. Once this
material has been applied, it generally never comes
off by itself. Still, natural nails grow and change shape
as a result of performing. So, I use the nail files or
apply more material to make the required fixes.
EX-2
EX-3
Track 04
JUKE BOX
Q: How do your L Series guitars differ from
standard over-the-counter models in terms of
specifications, etc.?
There is no real difference. That said though, I've had
the output from the A.R.T pickups adjusted in order to
prevent the sound from getting too "picky" when palm
muting rapidly and had the action lowered to make the
guitar easier to play. My LLX26C, which subs for the
LSX36, also has a cutaway to make it easier to play
the higher notes. And both guitars have been fitted
with strap pins.
I wrote this song using Celtic tuning (DADGAD), which is often used for
guitar music in Ireland and in the north of Europe. Not only does it sound
beautiful, but this tuning has added appeal in that it makes holding
chords very easy for anyone. Specifically, the six strings are tuned to D,
A, D, G, A, D from low to high. That's not too hard to remember, right?
Description of Akihiro Tanaka’s Playing Technique
EX-4
Official Website
http://www.tanakaakihiro.com/
BSM Vol.03 2008
13
Acoustic Guitar
Interview with
Electronic Drums DTXTREME III
BSM Vol.03
– When did you start playing
drums?
NEW
Live
DTXTREME III brings the power, superior tone, and sensitivity of our most popular acoustic
drums to your fingertips for any live musical situation.
Recording
We combined superior sounds, sampling capability, and flexible connectivity into an easy
to navigate interface to give drummers the ultimate tool for creating music in the studio.
Practice
DTXTREME III makes practice fun and productive by giving you features that help you learn
any style, and allow you to track the accuracy of your playing.
– Zak Bond ("Z" below): When I was
nine or ten. My brother-in-law is
actually a drummer. He had this huge
drumset. So I saw it and I was like,
"Wow! Can I try?" I tried it one time
and that was it. I started going to his
house everyday. Every day! (laughs)
– When did you first think that you
wanted to be a professional
drummer?
Special Set
– Z: Everything really. I was raised in
everything. I started out working in
theatre production companies, so I
learned orchestra - orchestral music,
symphony stuff - and then I moved into
big band jazz and small combo jazz. I
also always had a funk/rock group when I
was in high school. We won talent shows
Born in New Jersey
, USA. Zak began pla
and that sort of thing. But it wasn't until I
ying drumset and orc
in 1989 and was aw
hestral percussion
arded Top National
was a little bit older, after high school, that
Jazz Soloist (drum
set) in 1994.
He started his career
I started getting deep into fusion and all
in Japan from 2003
and established his
that. I keep an open mind about Genres. I entertainment group cal
percussion
led "Groove Sonic"
in 2005. He maintains
career performing,
love listening to all music.
composing, record
an active
ing and teaching aro
und Tokyo Bay are
– What do you think of the sounds of
a.
DTXTREMEIII compared to acoustic
drums?
sampling and programming in my
home studio. So if I hear something interesting, I try to
– Z: I don't think there is much of a difference. And it's
go and get a good sample of it and dump it to USB. I
easier with the E-Drums, because I can tune or add
have a decent sound library now thanks to that. I'm
effects the way I like, and that's a big advantage for me.
putting the powerful sampling function
If I don't like my snare drum today, I don't have to carry
to use for my sessions.
three snare drums, I can just change the channel!
* The wiring of the drumkit shown in the photo has been omitted.
* The set does not include footpedals.
DTXT3 (Trigger Module)
HXR4LD (Rack System)
PCY135 (3Zone Cymbal Pad) x 2
PCY155 (3Zone Cymbal Pad) x 1
RHH135 (2Zone Hi-Hat Pad) x 1
KP125 (Kick Pad) x 1
CH750 x 2
DTT3KSP2 (Pad Set) includes:
TP120SD (3Zone Pad) x 1
TP100 (3Zone Pad) x 4
CH755
HS740A
– Do you use DTXTREMEIII for recording?
Standard Set
The Standard configuration is a more compact
version of DTXTREME III. By sharing the same
module, it retains all of the features but has a
smaller footprint for when space is at a premium.
– Z: Now, from my house, I just use the DTXT3. I just
record through my computer and email it away and I'm
done. People don't know that it's electronics. They
have no idea. They think it's an acoustic drum set micd
up in a studio.
Artists
* The wiring of the drumkit shown in the photo has been omitted.
* The set does not include footpedals.
– What's your favorite function of DTXTREMEIII?
Akira Jimbo
Dave Weckl
DTXT3 (Trigger Module)
RS130 (Rack System)
DTT3KSTD1 (Pad Set) includes:
PCY135 (3Zone Cymbal Pad) x 1
PCY155 (3Zone Cymbal Pad) x 1
RHH135 (2Zone Hi-Hat Pad) x 1
KP125 (Kick Pad) x 1
CH750 x 1
SS662
DTT3KSTD2 (Pad Set) includes:
TP120SD (3Zone Pad) x 1
TP100 (3Zone Pad) x 3
CH755
HS650A
BSM Vol.03 2008
14
– Who would you recommend
DTXTREMEIII to?
– What style of music do you usually
play?
The Special configuration combines the innovative hex rack,
four toms, snare, three cymbals, hi-hat, and kick. The cymbal,
hi-hat, and kick pads have been refined to such a high degree
that they feel even more realistic. The pads bring out the
maximum capability of the module while the HEXRACK
delivers solid support. It’s a dramatic enhancement of
functionality that’ ll create serious grooves and help players
express themselves with more range than ever before.
DTT3KSP1 (Pad Set) includes:
my sampled sounds. So, I can do anything an
acoustic drum set can do, but I can do a lot
more, and people don't expect that. They think
this is going to be a typical drum sound, but
I'll program it to say a sound like "Wow" or
something, and people don't expect that.
– Z: When I was eleven I thought, "I
want to be a musician." So I told my
parents, and that was it. I've been a
musician one way or another my whole
life. I did my first gig when I was fifteen. I
was in an orchestra pit playing Timpani,
Glock, and Percussion. That sort of
thing. I just wanted to be a pro drummer.
Electronic Drum
John Robinson
Russ Miller
Tommy Aldridge
ely
a pro drummer is to fre
The essence of being
with the music,
e
tim
in
xes
fle
t
tha
articulate the sound
III
sts and feet. DTXTREME
beat by beat at the wri
finest players
’s
rld
wo
the
of
ion
nat
drumkit is the culmi
Get it.
expressive capability.
and their pursuit of new
drummer gods!
Seize the power of the
– Z: My favorite function is definitely sampling. I enjoy
– What is the difference between the
feel of leather and rubber skins?
– Z: For me, I like to practice for long
periods of time. Six to eight hours on a
non-show day, three to four on gig
days. So the rubber feels good when
practicing and playing out. If I play
acoustic drums for six hours, my
muscles feel fatigued. But after six hours on the
DTXT3, I still feel fresh. I can play longer because
there is great rebound. It's not a real drum feel - I think
it's a little different because there's more natural
rebound, which actually helped me understand even
more about not choking off the end of my stroke! So I
can play easier, faster, and more relaxed for a longer
period of time.
– I heard you sometimes played DTXTREMEIII on
your live show. How does the audience react?
– Z: People love it. Every time I use this live, people
come to me and say, "Wow! It's amazing. The mix was
great!" They love the sound out into the PA, and they
say that it's really cool that I don't use just typical drum
sounds. Many times I incorporate electronic sounds or
– Z: My young nephew, Justin, back in the
States wants one. He's in High School now.
He saw my video and he said he wants it!
He enjoys drumming just as much as I do. It
just looks really cool and the sound is so
natural that I'd recommend it to anybody.
Even people who aren't drummers because
they could program melodies or samples.
They could even learn how to play drums
with it. I think it's important for musicians to
learn how to play other instruments. It can
open you up to a different perspective.
– Could you give us some technical
advice for beginners?
– Z: I think the best technical advice is "Play
slow with a click". Play with a mirror. And,
watch your favorite drummers. Know who
your idol is and study - study their sound,
study their motion, how they move around. I think most
important is the sound, though. If the grip/technique
you're using is not comfortable or produces a bad
sound, then that's not good for you. You need the best
sound - your personal sound. So, having an idol
is good, but it's just as important to focus on
yourself. Look inside, how do you want to move,
how do you want to play? Find YOUR voice. I try
to be a very proficient technician. I like technique
and I take pride in honing my craft daily. I think it
takes just lots of smart and dedicated practice.
We can all improve.
– Please give a message to young drummers.
– Z: I love younger players. I think it's important
to keep going forward, to always focus on something
and to try to take it up a notch. Try to push music, as a
whole, to the next level so we can all benefit and enjoy
it more. I look forward to meeting the younger guys out
there. All you younger guys coming up are going to be
ten times better than me and everybody else around.
So work hard, keep
practicing, and enjoy.
Have some fun! I
think if you're not
having fun, then take
a step back. Enjoy the
music you create, and
share your gift with
the world.
Acoustic Drums
BSM Vol.03
Magi/rif
Tour Custom
I
N
T
E
R
V
Maple Shell and Rounder Bearing Edge Deliver Rich Tone
with Just the Right Amount of Sustain
– When choosing instruments, what is the most
important point?
Magi : Sound, of course. And it also has to be
simple and comfortable to use.
Sakura White
– Why did you start playing drums?
TC2F4
Magi : I started to play drums when I was 14
years old. At that time, I saw Tommy Lee on a
video. He played so powerful and did a great
performance. He played a simple beat, but it
sounded very different and special. I never saw
and heard any other drummers play like him.
He made himself to be an icon of Mötley Crüe.
He's my biggest influence!
■ Hardware
HS740A
SS840
CS845x3
CL945LB
DS840
FP8215
■ Shells
TBD822U
TFT816
TTT812U
TSD0846
*Cymbals are not included.
I like rock music so much and I realized that a
drummer is a heartbeat of the rhythm. Though
a drummer usually sits behind other players,
but if you play it with a good beat and do a
good performance, believe me, the audience
will see you as a phenomenal drummer.
All Shells 100% Maple*
All maple shells give the Tour Custom drums its
warm, bright tone. Shells are designed with a
60-degree R2 bearing edge that adds the tonal
depth found in vintage drums and just the right
amount of sustain. Finished with a high gloss
lacquer (all new colors) maximizes the sonic
potential of the maple shell creating drums that
sound and play great in any musical style.
– Tell us a brief story of how you became a
Yamaha artist.
Magi : Yamaha is a big company. Everyone
knows that Yamaha produces good music
instruments. And when Yamaha called me to
join them to be a Yamaha artist. I was very
surprised and excited! When I visited Yamaha
Music Indonesia, they warmly welcomed me.
* Bass drum hoops are made of Maple and Philippine Mahogany
COLOR FINISHES
Black Onyx (BKO)
Then I tried the Yamaha Tour Custom, played
the soft through the hard beat, and WOW! It
really had an awesome sound! I was telling my
self, “This is what I need!!”.
Ocean Blue (OCB)
– What are your configurations of Tour custom?
Sakura White (SAW)
Brown Sunburst (BRS)
Magi : I'm using 22 inch Kick, 14 inch Snare
and 12, 14, 16 inch Toms.
Tour Custom
Air-Seal
System
Hoop
Lug Lug Nut
Universal
Size (BD)
Triple Flange Hoop
All Maple
(Steel 1.6mm) Separate Lug
7-ply(BD)
(TT/FT)
6-Ply(PT/TT)
Wood Hoop(BD)
Shell
TT
FT
Recommended
H/W
Set Configuration
[Y.E.S.S.]
Bass Drum BD (20"-26") Bass Drum
Legs
(Front)
(Batter)
Remo UK
Ebony Power
Stroke 3 type
TT/FT
(Top)
TC2FS51
TC2FS5
TC2FS52
TC2F41
TC2F4
TC2F42
TC2T51
TC2T5
TC2T52
TT/FT All Round Tom
(Batter) Ball Clamp Holder
Remo UK
Remo UK
Remo UK
Clear Power Ambassador Ambassador Short
Rod
Clear
Clear
Stroke 3 type
Triple
Hole
TBD822U
TTT812U
TBD822U
TTT812U
TBD822U
TTT810U
Tour Custom
Standard
Size
Universal
Size
Power
Size
xDepth
Model No.
xDepth
Model No.
xDepth
Model No.
TFT816 TTT810U TH945B
TSD0846
TFT816
CL945LB
TSD0846
TTT812U TSD0846 CL945LB
TTT814
TH945B
HW870
HW870
HW870 CSAT924A
– Please describe the sounds of Tour Custom.
Magi : Yamaha Tour Custom has a good sound
and sustain. It's an easy tuning drum set. You
can find a good sound, no matter you play
high or low tunes.
– Who do you recommend Tour Custom to?
SPECIFICATIONS
Components
Diameter
Bass Drums
26"
Mounted Toms
24"
22"
20"
-
-
-
-
-
x17"
TBD824U
x17"
TBD822U
x17"
TBD820U
x15"
TBD818U
-
-
-
-
-
-
x14"
TTT816
12"
10"
8"
18"
16"
15"
14"
13"
-
-
-
x7"
TTT808J
-
-
-
-
-
-
-
x10"
TTT813U
x9"
TTT812U
x8"
TTT810U
-
-
-
-
-
-
-
x12"
TTT814
-
-
-
-
x16"
TFT818
x16"
TFT816
-
x14"
TFT814
-
16"
15"
-
-
-
BSM Vol.03 2008
16
Floor Toms
-
18"
14"
13"
Acoustic Drum
I
E
W
RIF is a famous rock band in Indonesia, and many fans be loving them. In every performance they can
attract thousands of youngsters, not only because of their good costume and performance, but also
because they are very “rock”. Their most successful album is “RAJA” which means “King”. where they
dreamt as if they were Kings. They feel when they were Kings, their live would be very fortunate, all of
their wish would be come true, get people’s admiration or maybe even fear. Wow…
Magi : Every drummer who wants to get a good
sound quality, especially for recording and live
performance. For a beginner who wants to be
pro, I recommend this Yamaha Tour Custom for
their equipment.
– Is there any favorite genre of music you
perform?
Magi : Hard rock and electronic rock. VIVE LE
ROCK!!
– Tell us about your latest activity and future
schedule.
Magi : In March 2008, I did a tour custom drum
clinic with Patty Balinas. It was so much fun!
Patty played jazz, fusion, pops, latin and I
played rock. there were so much differences,
between me and Patty, especially in style. We
were using the same instrument although we
played different style. That's also the answer for
the previous question, how Yamaha Tour
Custom can provide every drummer's needs.
Now, I'm still working for my band's (RIF) 6th
album and this is the first time I'm using
Yamaha Tour Custom drum set on recording.
And it sounds so rock!!!
– One thing you care for the daily practice.
Magi : Actually, I don't have any certain daily
practice with my drum set, but I always bring
my drum sticks and practice pad, in case I have
spare time to do some practice for my arm and
my wrist. And I like to play soccer. It helps to
strengthen my feet.
– Please give advice to young musicians who
want to be like you.
Magi : There's a lot of good drummers in the
world. Each of them comes up with good skills.
You can learn any kinds of skills you want, and
it's important … but the most important thing is
how to feel music with your mind, body and
soul. Just feel the beat and the rhythm flow to
your body, then you can feel the harmony. Try
something new!!
All of RIF members are using Yamaha
instruments;
MAGI (drums) Yamaha Tour Custom.
Teddy (bass) RBX4A2.
Ovy (guitar) RGXTT, RGXA2 and APX9.
Andy (vocal) Yamaha Silent Guitar SLG100S&N.
BSM Vol.03 2008
17
Acoustic Drum
BSM Vol.03
Computer Based Music Production KX Series / AUDIOGRAM Series
Providing not only a keyboard and MIDI controllers,
Yamaha's KX Series USB Keyboard Studios also
include Cubase AI4 – a DAW software product from
the Cubase range much loved by musicians and
engineers all over the world. And as Cubase AI4
bundles HALion One which is a VST instrument
offering stunning sound quality, a single KX Series
USB Keyboard Studio has all the tools you'll need
for advanced song creation. (fig.1)
NEW
❙ Songs easily created using the
advanced Phrase Factory arpeggiator
❙ Bundled with Cubase AI4
❙ Adjustable velocity curves enhance
playing of a wealth of sounds
❙ Increased productivity through
high-level integration with DAW
products
❙ Can be powered via USB
KX25
NEW
NEW
In addition to support for standard MIDI input, each
KX Series model also features a Phrase Factory
that can be used to automatically create phrases
and patterns in response to your playing. This
advanced arpeggiator includes 342 different types
of basic phrase covering a broad range of
instruments and genres, and when variations are
also taken into account, its capabilities for phrase
creation are practically limitless. As such, each KX
Series serves as a highly versatile tool
forcomposing and arranging songs. And it goes
without saying that these phrases can also be input
into your DAW for speedy construction of backing
tracks and the like. (fig.2) The Cubase AI4 "transport
panel" and that of many other DAW softwares can be
controlled directly from the KX Series, and in addition
to this, assignable encoder knobs provided on the
keyboard can be used instead of a mouse to control
multiple VST instrument and effect parameters. As a
result, you can work and play much more efficiently
and expressively. And although encoder knob settings
can be made directly via the keyboard, highly-detailed
assignment settings can also be made via a computer
running KX Editor – a free utility available for download
from the Yamaha website. (fig.3)
fig.1
High-performance mic preamps built into the audio interface can deliver
the phantom power required by condenser microphones, and with the flick
of a switch, the inputs can be setup to receive audio from high-impedance
instruments such as guitar and bass. Accordingly, you can easily realize a
fully-versatile solution for recording from practically any audio source.
The Audiogram6 also features 1-knob Compressors for even better
sounding recordings. Extremely easy to use, these compressors will
instantly banish the myth that compression is impossible to get right – in
fact, a single knob is all that's needed for anyone to add punch to a
rhythmic track, to smooth out the peaks for a more stable overall signal
level, and to adjust dynamics in many other ways.
fig.2
KX61
❙ Bundled with Cubase AI4
❙ One-knob compression makes it easy to achieve
a smooth, balanced sound (Audiogram6)
AUDIOGRAM 6
The Audiogram interface connects to your computer
via a USB cable and requires no installation of
drivers. For more advanced exchange of audio data,
furthermore, support is also provided for special
ASIO drivers.
fig.3
Using the HALion One VST
instrument included with Cubase AI4
together with MIDI data input from
the Phrase Factory arpeggiator built
into KX Series keyboards, you can
easily create convincing drums,
bass, keyboards, and many other
types of backing track. "Live" parts
can then be conveniently recorded
via the Audiogram audio interface. In
addition to the high-quality recording
of vocals and acoustic instruments
made possible by condenser
microphones, electric rhythm and
lead guitars can also be directly
connected for recording.
HS50M
Computer Based Music Production
❙ High-performance mic preamps for direct
connection with instruments such as
guitar and bass
fig.4
Song writing and Solo production
KX8
18
❙ Easy setup via USB
Thanks to its advanced audio engine, Cubase AI4 can be used to easily
produce high-quality recordings. The sound of
recorded audio can be optimized to a high level of
precision with built-in VST effects, and waveform
editing functions provide for convenient
adjustment and editing of recordings. (fig.4)
Using a single USB cable, you can connect your KX Series keyboard and computer quickly
and easily. What's more, as the keyboard incorporates a pair of MIDI IN and OUT
connectors, each KX Series USB Keyboard Studio can also be used as a MIDI interface,
playing the role of central device in a home music-production setup.
KX49
BSM Vol.03 2008
Easily setup by connecting to your computer via USB, each Audiogram
Series Computer Recording System makes recording an immediate and
pleasurable experience. Utilizing the bundled Cubase AI4 software
package, the Audiogram system can be put to use straight out of the box
to make high-quality recordings, to efficiently edit audio, and to perform a
wide range of other advanced audio-related operations.
MIC
Electric
Acoustic
Guitar
AUDIOGRAM 3
USB
Computer
(with Cubase AI4)
USB
KX25
AUDIOGRAM6
BSM Vol.03 2008
19
Computer Based Music Production
BSM Vol.03
Pocket Recorder
Portable PA System STAGEPAS 250M / 150M
POCKETRAK 2G
BSM Vol.03
Portable PA System
1.7 oz (49 grams):
lightweight and
pocket size.
Long-lasting
rechargeable
battery included
(19 hours consecutive
MP3 recording).
CUBASE AI software
included.
2 GB memory:
3 hours PCM recording
with tilt-up stereo
microphone.
Built-in speaker.
Direct USB 2.0
computer connection.
NEW
Lightweight, compact mobile recorder
capable of high-quality recording using built-in microphones
❙ Extremely portable at only 49 grams, including the battery
❙ 2 GB of built-in memory for extra high-quality or extra long recordings
❙ Integrated stereo microphone can be tilted-up for better positioning
❙ Direct computer connection using an integrated USB connector
❙ Built-in speaker for convenient reviewing of recorded audio
❙ Variable replay speed
❙ Comes bundled with the DAW software package Cubase AI4
❙ Supports MP3, Wav, WMA, DRM10, and many other replay formats
The POCKETRAK 2G is a portable
audio recorder featuring integrated
stereo microphones and 2 GB of
memory built-in. Extremely mobile at
only 49 grams, it is an ideal solution
for band rehearsals, song-writing
sessions, full-on recording, and a host
of other similar environments.
Recorded audio data can be easily
transferred to your computer via the USB
connecter integrated into the POCKETRAK
unit. What's more, the bundled DAW
software package Cubase AI can then be
used to directly edit sound files in order to
remove unwanted portions, to optimize
thevolume,andtoperform a comprehensive
array of other advanced tasks.
The built-in stereo microphones are not
only highly sensitive but can also be
tilted up to the best position for the
sound source being recorded. And with
an additional audio-input connector
also provided, you can connect your
favorite microphone to get just the
sound you want. Furthermore, the
POCKETRAK 2G also supports recording
of line-level stereo inputs.
A single AAA battery is all that's
needed to power the recorder, and the
eneloop battery that comes with the
POCKETRAK can even be charged from
your computer via the USB connector.
❙ Versatile 8-channel (150M) or 10-channel (250M) powered mixer for wide-ranging audio sources
❙ Detachable mixer unit with ultra lightweight design for extreme portability
❙ Built-in EQ and reverb provide added support for high-grade mixes
❙ Phantom power supply for condenser mics, compression, and limiting all built-in (250M)
❙ Optional BMS10A adaptors can be used to mount the mixer on a microphone stand for added convenience
❙ Connect an extra powered speaker via STEREO LINK OUT to realize a full-fledged PA system
The STAGEPAS Series provides a pair of compact PA systems featuring a mono
speaker and a powered mixer that can be mounted on the back of the speaker or
detached as the situation demands. Specifically, the STAGEPAS 150M delivers 150
W of output at a weight of 9.6 kg, while the STAGEPAS 250M delivers 250 W at a
best-in-class weight of only 13 kg. Thanks to the portability and ease-of-setup that
this affords, the STAGEPAS systems are the perfect PA solution for street
performances, music classrooms, and practice studios.
With two input channels for microphones, two-band EQ, and digital reverb all built
into the mixer unit, the STAGEPAS 150M/250M can be used without the need for
any external effects to adjust the sound of vocals, add reverberation, and balance
the mix in a host of different ways. In addition, the 250M features phantom power
for condenser microphones, which in combination with this model's built-in
compression and limiting functions, further expands the versatility of the system.
Versatile 10-channel
and 250M-watt
Class D Powered Mixer
As part of a larger PA system, the STAGEPAS 150M/250M can be put to use as a
convenient monitoring sub-system. Players of more than one keyboard or other
instrument can, for example, use the STAGEPAS mixer to mix all instrument
outputs, output their mix to the main mixer via ST SUB OUT, and use the
STAGEPAS speaker for monitoring purposes. Click assign switches are also
included, and these can be used to independently route a metronome or drummachine monitor output in cases where the performance must be synchronized
with external instruments. Furthermore, the mixer unit can be conveniently
mounted on a microphone stand using an optional adaptor for easy access to
controls during performances.
The STEREO LINK OUT can be used to expand the system in many ways, such as
adding an MSR-series powered speaker (sold separately) for monitoring in stereo
or setting up a full-fledged PA system. Furthermore, the system's speaker can be
oriented in the normal upright position, placed inclined-upwards on its side, or
mounted on a speaker stand in order to best suit the performance environment.
Flexible 8-channel and
150M-watt
Class D Powered Mixer
In terms of recording format, audio can
be saved as CD-quality Wave files (.wav)
or as one of four different types of MP3.
Up to 284 hours of recording is possible in
LP Mono mode, providing excellent
support for meetings, events, and other
environments where extended recording is
required. In Manual mode, the recording
level can be freely adjusted to one of 31
different settings; alternatively, the Automatic
Level Control (ALC) function can be used to
automatically set the best recording volume
for the target sound source.
Actual size
BSM Vol.03 2008
20
Pocket Recorder
BSM Vol.03 2008
21
Portable PA System
Asian Beat
Grand Prix
BAND
INTERVIEW
Iron Banana
How do you feel to be the champion of Asian Beat?
Michael: This means we have realized one of our dreams. We still
have more objectives to be achieved in the future. We will accomplish
them step-by-step.
J.Black: To win the Championship of Asian Beat is the realization
of our first dream, but it is by no means the last one. Music will
always be our love. We will maintain the spirit of creativity, and
hope that there will be more performance opportunities.
Calvin: Yamaha Asian Beat has a long history, and it is also a big
indexical event. We were looking forward to standing on this stage for
a long time, and we were fully confident that we would be able to
give a good performance. Of course, we are really happy to be the
winner of Asian Beat.
Kenny: We appreciate that Yamaha has provided such a stage for all
the musicians who love the Band performances. We’re very moved.
Brian: We really have good luck. In fact, each band participating in
the Beat is very strong, but as a result of our focus, constant effort
and practice before the Beat, we were able to win the competition.
– When did Iron Banana start as a band?
Calvin: Iron Banana was formed in April 2007, Hard Rock is our
music style; what’s more, we often weld other different styles of music
elements into our music.
– Why did you choose such a name?
Calvin: It is because we all know that Taiwan's bananas are the
finest in the world, and we hope we can become a world-famous
band in Taiwan some day. We strive to create good music, and
“Iron” represents our strong will that cannot be defeated. In our
music, you can find out that the "Rock" is our attitude to life.
– How do you compose the songs?
Calvin: The title of the song created for the Asian Beat is "Get
Burn", which is a story describing a man who deeply indulged in a
quagmire of desire without consciousness and lost himself in the
end. In this song, the beginning is just a few fragments of chords;
the song came into being after our brain storming.
– Please tell us your goals?
Michael: At present, the biggest hope is to release an album and
win the Golden Melody Awards.
Kenny: Replace MAY DAY… Ha!!
Brain: Continue to play rock!!
Calvin: Participate in the Monster of Rock, Rock-am-Ring,
Download, Ozzy Festival…, and other famous international music
events.
J: Launch a concert on a large scale.
Vocalist : Michael Likk
Lead Guitarist : J.Black
Guitarist2 : Calvin.C (leader)
Bassist : Kenny Chen
Drummer : Brian Cole
Asian Beat Grand Final
NATHAN EAST – INTERVIEW –
PATTI BALLINAS – INTERVIEW –
The Yamaha Taiwan branch was honored to serve as
the host country's role in the planning of the entire trip of
the Asian Beat. Bands from Singapore, Malaysia, the
Philippines, Indonesia, India, Hong Kong, Mongolia and
Taiwan appeared in the 10th Asian Beat and shared
their music in this great event.
– What was your impression on the “Asian Beat”?
– What was your impression on the band competition
event “Asian Beat”?
Yamaha’s head office in Japan invited the Jazz master
world-class superstar bassist, Nathan East and Spanish
drummer Patti Ballinas to perform prior to the March 9th
Asian Beat and serve as judges for the event.
– As a judge of the “Asian Beat”, how did you see the
participants of the “Asian Beat”?
On March 9, the day of the Asian Beat, the audience
was allowed to enter the venue at 15:30, and in less
than an hour it was crowded with about 800 people,
proof of the enthusiasm and support of the Asian Beat
from the young friends. The Beat started with the
ensemble of Nathan and Patti, whose superb
performances immediately excited the entire audience.
In addition to Nathan and Patti, the organizers also
arranged for the Mexican band, Ataraxia, the Japanese
Band, Sooners, and Wang Hongen, a singer from
Taiwan to play live, so that the audience could witness
the charisma of the musicians. The well-known music
producer, Mr. Wang Zhiping, Mr. Huang Zhongyue and
Ms. Huang Yunling were also invited to serve as judges
for the great event together with Nathan and Patti.
Sliver, the band from India mixed with a variety of
musical elements, was the first band that stirred
audience with their rock'n'roll. They were followed by
Saywhale, a Singapore Band, and the audience was
caught up in the vocalist’s gentle and tender voice. Shy
Kick Apple, a Band from Taiwan, presented the
audience with a very special performance of an
interesting combination of flutes and little trumpets. The
fourth band was Bulsara from Mongolia. The members
with different personalities showed their charm with
rock’n’roll. Followed by that was NACLS, a band from
the Philippines, with their touching song “See You
Tomorrow.” Next was Iron Banana, a Taiwanese band.
The unbelievable vocalist was given high praise by the
judges and won a warm applause from the audience.
Both Detik from Indonesia and AISUNAM from Malaysia
also ignited the audience's feelings and imaginations by
using the elements of rock music. The last band was
Empty Tomb from Hong Kong, which presented the rock
lyric song “Everything.” The 10th Asia Beat concluded
successfully with the performances by Ataraxia,
Sooners, and Wang Hongen.
The champion winner of this Asian Beat was the
Taiwanese band Iron Banana, who received great
acclaim from the audience. Hong Kong's Empty Tomb
ranked second and third was AISUNAM from Malaysia.
I think the Asian Beat is a great idea to get the young Asian
musicians involved in a competitive endeavor and discover
new talent. It is a positive event for the entire community
and gives young adults something creative to focus their
energies on.
I enjoyed the various range of talent associated with the
participants. Each group was unique and had a lot to offer.
From their music to stage presence and appearance it was
all very interesting!
– You held clinic after the “Asian Beat”, please tell us
impressive story during the tour, if there was any.
I was impressed with the attention to detail by the company
presenting the clinic. The posters and advertising really
helped to promote a good turnout and all the countries I
visited did a great job at presenting the clinics.
It was enjoyable for me to sample the different foods of
each region. The night market in Taipei was a lot of fun and
all the representatives were very hospitable! I enjoyed the
foot massage .... I think ... OUCH!!!
I was very impressed with the Asian Beat finals
Competition...it's an amazing event, full of great energy,
fantastic bands from all over Asia ... it's a fantastic competition!
– As a judge of the “Asian Beat”, how did you see the
participants of the “Asian Beat”?
I was very honored to be a judge at the competition and the
participants were all amazing in their own way. Every band
had something very special.
– You held clinic after the “Asian Beat” in Indonesia and
Singapore, was there any impressive story during the tour?
My clinics went so well in Indonesia and Singapore....in one
clinic (Surubaya) there were 1000 people approximately!
I met a little girl in Jakarta called J.P. who is playing drums
and is only 8 years old. She is great!! And I think she will be
a future drumming star for Indonesia!! I loved doing clinics
in Indonesia and Singapore. The people were wonderful.
–When choosing instrument, what is the most
important point?
For me, the feel and sound are important. Then the look.
I think the most important point when choosing drums is
that you choose the sound that is suitable for your kind of
music. so it's good to try some out before making the
decision. It's also very important to think of quality and
something that will last you a long time.
– Tell us about your latest activities and schedule.
– Tell us about your latest activities and future schedule.
Fourplay will release a new CD titled "ENERGY" on
September 23, 2008 on our new label Heads Up
International. I will be performing at the Montreux Jazz
Festival in Switzerland on July 14, 2008 for Quincy Jones
75th Birthday celebration concert.
My latest activities have been playing concerts with
different bands in Spain, Russia, and Turkey ... I will also be
participating in the three "Yamaha Groove All Stars" events
in Mexico in July, August and September of this year.
Fourplay will perform at the Tokyo Jazz Festival on August
31, 2008.
I think it is important to practice as it's the only way to better
your technique and skills on the drums. It doesn't need many
hours a day...just 1 or 2 hours is ok according to your possibilities.
– When choosing instrument, what is the most
important point?
– A thing a bass player needs to care for the daily
practice?
Listen to your favorite recordings and play along with them.
Also, there are many practice exercises available to keep
the fingers warmed up.
– Please give a piece of advice to young musicians
who want to be like you?
It takes a lot of consistent hard work and focus to have a
strong career in music. So many players want to be
successful but you need dedication and persistence and
mostly to enjoy what you do so that through the good times
or bad, you never stop living and loving it!
– One thing you care for the daily practice?
The main thing is to also play with other musicians as much
as possible.
– Please give advice to young musicians who want to
be like you?
My advice to young musicians is always to try to learn as
much as you can from great drummers ... then apply what
you have learned to your own style and say what YOU feel
on the instrument. And when you play with musicians in a
band try to remember you are all a TEAM... so you must
play like a team player (listening to the others...and not just
to your own playing)... This is very important. The key to
becoming a professional drummer is Dedication to your
learning process, Musicianship, Love for your
instrument...and being a Team player.
Note 1: MAY DAY is one of the most famous bands in Taiwan.
Note 2: Golden Melody Awards is an annual music event held in Taiwan, which gives
the greatest possible recognition for the awards winners among musicians in Taiwan.
BSM Vol.03 2008
22
ASIAN BEAT
ASIAN BEAT
BSM Vol.03
BSM Vol.03 2008
23
ASIAN BEAT
The best music
in Asia starts here...
What is Asian Beat?
ASIAN BEAT GRAND FINAL 08-09
in HONG KONG (tentative)
"Asian Beat" is one of the biggest amateur band contests held
throughout many regions in Asia. It starts out from qualifying
rounds in participating countries and regions. Each winner at
national or regional finals can proceed onto the Grand Final,
where they will perform together on the same stage and
compete to be the top of amateur bands in Asia.
Yamaha Corporation started this event as "Band Alert" in
1998, renamed to "Asian Beat" in 2001 and marked 10th
anniversary last year. In the past years, worldwide famous
players were the judges such as Nathan East, Wes Borland,
Tommy Aldridge and Billy Sheehan. For further information,
you can take a look at the history on the website.
The 11th Asian Beat competition will be held from 2008 to
2009. Information on the participating countries/regions
and the Grand Final will be updated on the web.
Please do not miss a chance to be the next Asian Beat Champion.
Best of luck!
Qualifications for Entry
❙ Participating bands should consist of 2 to 12 persons with musical instrument performance
❙ Only an original song is acceptable
❙ Performance time can not exceed 6 minutes
❙ Detailed information is announced in the Asian Beat Official Website
Comments from JD (POP SHUVIT) Former Participant of Asian Beat
The Beginning of POP SHUVIT
We formed in December 2000, as a bunch of people who knew each other mutually
through other friends. Rudy, AJ and myself, took part in Yamaha Band Alert( ex. Asian Beat)
playing in an experimental fusion rock band called Watered Down, and we won 2nd runners
up that year. Right after that, we met Moots! Who had an idea of forming a band which
fused the elements of hip-hop and rock? DJ Uno was the last member to join the band.
Message to participants
Amateur is just a state of mind. When you think professional and act professional,
you are professional, even though you might still be playing to friends or small
crowds. You have to be business-minded as well, because too many musicians
overlook the importance of good business management values. Lastly, practice,
practice, practice and never stop pushing your personal musical boundaries.
ASIAN BEAT 08-09
BSM Vol.03 2008
24
ASIAN BEAT
BSM Vol.03 2008
BSM Vol.03
25
ASIAN BEAT
Malaysia
BEATSPOT in The Curve Grand Opening March, 11th, 2007
The first BEATSPOT
My team and I are proud to be part of the 1st
BEATSPOT Combo Store in the World.
At BEATSPOT, aspiring musicians, customers and
visitors are all welcome to try our ready-to-play
instruments in a pleasant
and "cool" showroom
environment. Our goal is
to provide excellent &
professional customer
service that touch the
hearts & souls of aspiring
musicians. We look
forward to referral sales.
by Chong Shiew Pei,
Shop manager
A Warm Welcome to the World of Yamaha Music
The first Yamaha BEATSPOT stores are now open and operating in Malaysia and Thailand, with more to come
around Asia in the near future. Be sure to drop by and check out our lineup, right up to the finest we offer: guitars,
basses, drums, keyboards, recording and live sound gear ... everything you need to make great music! And if
you’re a beginner or need to brush up your technique, there’s also the BEATSPOT Music School on site.
BEATSPOT (The Curve)
THE CURVE
Full-line combo products in new showroom.
BEATSPOT (SIAM PARAGON)
991 ROOM 457-8 SIAM
PARAGON CENTER 4TH FLOOR
RAMA 1 RD., PATUMWAN
BANGKOK 10330 THAILAND
Tel : +66-2129-4305-6
Fax : +66-2129-4504
BEATSPOT is our new showroom that contains
full-line combo products focusing on Professional
models. Following the concept: Touch the Real
Pro, we recommend customers to touch, test
and play until they satisfied find their right
instruments. We also have professional staff who
to give customers information and recommendation.
We believe BEATSPOT is the best choice for those
who need special music instrument for himself.
Malaysia
HIGHWAY
SPRINT
MID VALLEY
Lot 216, 216A, 217 & 217A,
2nd Floor, The Curve,
No. 6, Jalan PJU 7/3, Mutiara
Damansara,
47801 Petaling Jaya.
BEATSPOT in Midvalley Megamall Grand Opening August, 5th, 2007
We are located on the 2nd Floor, North Court in
one of the busiest shopping mall in Malaysia
called the Mid-Valley Megamall. At our store we
have a wide range of guitars & basses cater for
just about anyone. Amplifiers, synthesizer & drum
are all set-up and ready to be play on. Just pick
up a guitar or a pair of drum stick and you are
ready to play. On occasion our professional staff
may even join you for a
few songs.
BEATSPOT Mid-Valley is
the place for all music
lovers. Drop by and you
might find what you are
looking for and also might
bump into some of
Malaysia top musician.
by Peter Leow,
Branch Head
A combo musical instrument store complete
with a range of pro audio gear.
BEATSPOT (Fortune Town)
3rd Floor, Fortune Town,
Room 81-84,
Ratchadapisek Road,
Dindeang,
Bangkok. 10320 Thailand
Tel : +66-2642-1286
Fax : +66-2248-5632
BSM Vol.03 2008
26
BEATSPOT
Yamaha is so punctilious in creating high quality
product to serve customer's need. Our
BEATSPOT @ Fortune town is the first showroom
which brings combo musical instruments together
in one place. We
are highly confident
that musicians who
are looking for
excellent reliable
instruments will fulfill
their need there.
Our store is manned by professional sales
personnel, with in depth knowledge in the
products. We carry a full range in Yamaha
combo product to cater to various needs. Our
customers vary from students to young hip
crowd, to professional musicians, to pure
hobbyists. We are located at the heart of Kuala
Lumpur with convenient public transport and
ample parking space. Not to mention great food
at your finger tips!
by C. H. Chang, Staff
BEATSPOT (Mid Valley)
HIGHWAY
THE CURVE
SPRINT HIGHWAY
SPRINT
with our Combo professional products. Every
model can be touch and all customer will be
serviced by specialist as our showroom concept
“Touch The Real Pro”
From MD, Mr. Sangchai Maeteatanakul
One Big Family at Curve
The drummer's name is Kristin Jackson, born on 4
Jan 2000, living in Kajang. She has joined Yamaha
Curve Jan '08 as a beginner. She is now learning
in Yamaha Curve together with her 3 brothers and
father. Her father & 2 brothers on drums, another
brother on electric guitar.
Tel : +60-3-77253426
Fax : +60-3-77254119
BEATSPOT in Fortune Town Grand Opening June, 1st, 2007
There are many channels offered to our customers
when they would like to access to Yamaha
products. For example, we provide new information
for customers through various kinds of media and
expand many kinds of showrooms and service
centers, so that customers can access to Yamaha
at their convenience and
receive good service. One
of our means to reach
customers is "Yamaha
BEATSPOT" with its
definition "Be more than a
showroom and above a
service center" and with its
new concept which touches
the heart of customers.
They can get real experience
Puttin myself as a customer, walking into Beatspot
showroom is a total new experience and
environment for a music shop. The most important
thing is – letting the customer/client to 'feel' the
'sound' of Yamaha products. Rock on 'Beatspot'.
by Tommy
The newest BEATSPOT store with plenty to
offer for beginners as well as pros.
DAMANSARA
Thailand
Since the first Yamaha "BEATSPOT" shop are warmly
welcome by customers, we opened the second
BEATSPOT in the heart of business area of Bangkok,
Siam Paragon. The shop still remain in concept of
"Touch the Real Pro" Musician can select instruments
by testing and getting experience with Yamaha
products that concern about quality and customer
satisfaction. By the
way, Siam Paragon
is very popular
department store
that is located in
downtown and
always have
150,000 people
coming everyday.
DAMANSARA
BEATSPOT in SIAM PARAGON Grand Opening March, 16th, 2008
CENTRAL
KUALA LUMPUR
LEBUH
PERSEKUTUAN
JALAN SYED PUTRA
LEBUH RAYA
Thailand
LEBUH RAYA
SPRINT HIGHWAY
New Curve Staff
I think Beatspot is a wise move as it allows people
/musicians to feel Yamaha instruments. By this
way, the quality and the sound of Yamaha products
are widely spread. Hehehe Yamaha Rocks!
by Shah
CENTRAL
KUALA LUMPUR
MID VALLEY
LEBUH
PERSEKUTUAN
JALAN SYED PUTRA
Lot S-018 & S-019, 2nd Floor,
North Court, Mid Valley The
Megamall, Mid Valley City,
Lingkaran Syed Putra, 59200
Kuala Lumpur.
One of the few music stores in Malaysia where
you can just pick up a guitar and get ready to rock
and roll!! All of our instruments are in tune and
ready to bring you closer to your 'musical bliss'.
Come to our store, be a BEATSPOT member and
enjoy special discount store wide!
by R. M. Faliq, Staff
Tel : +60-3-22872682
Fax : +60-3-22872693
BEATSPOT Store
BSM Vol.03
BSM Vol.03 2008
27
BEATSPOT