The European Experience
Transcription
The European Experience
The Rodin Gallery Rodin's Gates of Hell Arguably the most famous statue W hile Suzon, 1875 Auguste Rodin (1840-1917) was working for Carrier-Belleuse at his atelier, he sculpted this bust of Suzon. It was immensely popular, and many editions were sold. Rodin had unfortunately sold the rights for unlimited editions, which put his sculpture in every household, but very little money in his pocket. The Thinker, 1880 Eventually, Rodin began to Burghers of Calais, 1884 earn commissions. This was the age of monuments, and every city was commissioning monuments to commemorate its history. This is a smaller casting of a statue Rodin did for the city of Calais to celebrate their self-sacrificing burghers in the famous episode of Henry V and the Battle of Calais. This statue is based on the tale The Kiss, 1898 Head of a Young Girl from Dante's Inferno, and depicts Paolo and Francesca's first adulterous kiss aroused by the story of Lancelot and Guinevere. The lovers were condemned to be blown about by winds in hell, eternally together yet eternally apart. Upon close inspection, one can see the book that started all the trouble in Paolo's hand. Rodin's works began to take on a Rodin is considered the bridge between the romantics and the modernists. The stone is deliberately left raw in places, the figure just emerging from the material in a way that juxtaposes the delicacy of the face with the reality of the stone. in the world, The Thinker was intended to crown the Gates of Hell as Dante in full period garb. However, Rodin felt clothing dated his figure, and decided this powerful nude figure truly represented every man and became timeless.Today, what was once seen as a figure disparaging man for his powerlessness has now become a universal symbol of hope and belief in man's resourcefulness. The European Experience Self- Guided Tour Eternal Spring, 1881 romantic flair in his mid-life. These figures were originally supposed to represent Cupid and Psyche from mythology, but Rodin decided he wanted the statue to apply to all lovers, and so renamed it for the spring-like feeling people experience when they are freshly in love. "Mercury" Josiah Wedgwood The R.W. Norton Art Gallery 4747 Creswell Ave Shreveport, Louisiana 71106 318-865-4201 www.rwnaf.org The Tapestry Gallery w"It is art that makes life, makes Antoine Louis Barye (1795-1875), an interest, makes importance...and I know of no substitute whatever for the force and beauty of its process." --Henry James Lion Crushing a Serpent, 1832 The American History Gallery The Prisons 1761 16th C. Tapestry Josiah Wedgwood (1730-1795) was an celestial globe and a terrestrial globe dating to the 1600's are a part of our permanent collection. The celestial globe shows the stars in relation to earth and was one of the tools used to train explorers for navigation by the night sky. These globes were created by Matthaus Greuter (1566-1638) who used Dutch examples for the design of his globes. The Piranesi Corridor Giovanni Piranesi (1729-1778) loved innovator and genius when it came to pottery. Not only did he invent a new earthenware that impressed Queen Charlotte, thus its name Queen's Ware, but he also invented Jasperware, Parian Ware, Majolica, and perfected a technique for working with flaky basalt. Wedgwood made pottery available to all but the poorest in England and truly revolutionized the industry. Portland Vase, 1875 the Roman ruins that littered his native Italy. He had an eye for discerning the original architectural design of a Roman building, mostly leaning toward Gothic and Romantic interpretations. When he fell ill with a fever, he dreamed of The Prisons, a collection of 16 etchings made in 1761. These surreal visions influenced not only artists of his own time, including roommate Fancisco Goya, but generations of artists thereafter, including the surrealist M.C. Escher and the German Shepherdess with sheep Expressionists. The Tapestry Gallery These tapestries date to the 16th cen- tury and actually hung in a castle. They were commissioned by King Francois I of France, who was considered France's first Renaissance king. The cartoons were drawn by the Italian artist Giulio Romano (1499-1546), who was a student of Raphael, and woven by Flemish weaver Marc Cretif. They took 5 years to weave and depict scenes from the Second Punic War (218 to 201 BC). innovative sculptor, was the father of Les Animaliers, a movement of animal artists who rejected neoclassical academic standards and created naturalistic sculptures that blended Romanticism and realism. Though his perfectionism precluded his becoming commercially successful, his influence on followers made him one of the most influential artists of the 19th century. The Wedgwood Gallery A Celestial Globe 1636 The American Art History Gallery Mary Cassatt (1844-1926) was born in Mother and Daughter both wearing large hats Muletiers des Pyrenees, 1882 The Portrait and Genre Gallery The Portrait and Genre Gallery The Pink Lady Rosa Bonheur (1822-1899) was im- mensely successful with her paintings in the style of Les Animaliers. Her works were considered so realistic, people thought they could smell the animals and the earth. She studied animals at every opportunity and even kept a small menagerie in her sixth floor Parisian apartment. She was also the first woman to be presented with the French Legion of Honor for artistic achievement. Jules Pierre Mene (1810-1879) learned to work a foundry from his father, which was crucial to his success later in life. In 1837, he established his very own foundry to make sculptures in the tradition of Les Animaliers. Comfortable in a leather apron at the forge or in high society's smallest circles, he was exceedingly personable and incredibly popular. He was a huge commercial success, and his stamp was used in castings well after his death. The Huntsman, 1879 Alfred Stevens (1823-1906), a Belgian artist, was one of the favorites of the Paris Salon, receiving the status of hors concours which guaranteed his inclusion in every year's exhibition. Though he remained a mainstream artist focusing on painting fashionable women in upscale interiors, he was a friend of the Impressionists, and eventually incorporated many of their methods into his work, including broken brushwork, vivid color, and the use of Japanese motifs. The Bonheur Gallery The Bonheur Gallery C harles Jacque (1813-1894) was a member of the Barbizon School, a French art movement that brought Romantic principles to landscape painting. He focused on domestic animals and became known as the "Raphael of pigs." Inspired by the Forest of Fontainebleau, the Barbizon painters contradicted academic standards in several regards, believing that humble subjects were worthy of painting and that artists had the ability to recognize in nature that which is beautiful and fit for artistic treatment. Philadelphia, but spent most of her life in Paris. She was one of the original French Impressionists and extremely influential in the spread of Impressionism to America. Though Impressionism is often associated with landscapes, Cassatt was primarily a figurative artist best known for her paintings of mothers and children, usually completed in a single sitting. The European Gallery J acob van Ruisdael (1628-1682), House by a Road on a Wooded Slope, 1650 especially known for his cloudscapes, was one of the Dutch "Old Masters" and a contemporary of both Rubens and Rembrant. Prefiguring Romanticism, his works brought emotive power and individual expression to landscape painting and later inspired both Hudson River School and Barbizon painters. Currently, this is the oldest painting on display in the Gallery.