of tbe

A1ai'Uf t1u:t.zlu to..·
l!UCifKtem
e~e&#fJB
A1eL!J~~
$Uj81ie(/~
/Vao;nt ':batUdJ!Ua Jw.m-11~
J!ad but~ HoOt kad..... Rliadladad
($eniM!Jriuocdkm (J~) g f<ru;AI/O(J.d.
1) dkmt e(J(H!/;
2} fJJdoM. I iotOfe /l j~
I would like to
express my Interest
in obtaining future
copies of Shadows'
Edge.
I have read with
great Interest, 2
previous Issues
belonging to our
Senior Education
Officer and would
like to be able to
provide access to
some of the Info the
Issue contains to
some of our young
offenders myself
(instead of having
to steal Noel's)
Thank You
Cherrie- Welfare
Oberon C.C.
Dear Cherrie,
I have spoken to
our S.E.O Rita and
believe the necessary arrangements
have been made to
accommodate your
desire to obtain
future issues of
Shadows' Edge.
We hope that some of
the info is of use to
some of your inmates,
be they Young Offenders or not.
Thank You for the
interest and support.
Thank you for the copy of
Shadows' Edqe.
well, very
If reads
well and some of
!he arlides are particularly
impressive. Tell Melanie
!hall hope my horoscope
is correcl-1 could do wilh
The Editing Team,
Shadows' Edge.
a break perhaps. I will
pass the magazine on lo
the residents and staff.
'Dear ctlit{lr,
C:hank f/{//1 8{1 ,much /{It
sent/in{! me Shm/{lws'
8tl(!c.l/{lllntl it
th{lllrPII{Ihlfl interestin{l ~
a!JsPrbin(!. ${! much sP
that J sent the ':MemPirs
{/f.Mulawa" stPr(J tP all
m(J teachers whP wPrk in
ePrrectPina/ fentres, tP
rem/. C:he intimae(/ P/ her
stPrfl is a lessPn /Pr all P/
us wh{l enter a centre.
Our eves ~ attitudes have
been gpcnctl.
Regards
Cleo {ParFOmaffa
TFOnsitlonal Cenfpe)
To the editor,
I have really
enjoyed Shadows' Edge
magazine since
it's conception.
The really good
thing is that
the magazine,
Rqartls,
continues to
/Vina Waffler
Jnstitute ePrrectPna/ get better and
eentre (HankstPWn better. Keep it
C:A £T8)- J:iasPn Officer
up and I look
forward to the
next issue.
Very happy
reader.
3
Muid!fd
httVtt/88.
:Act/vltles wo11kl /Ike to telllfOII t~bo11t wltt~ts lttiffelttltg t~lftl wltt~t we ltt~ve ltotefH111f
got fldlflted for tltls lfedr. Mr Wljld Is now tlte Cllrreflt Senior Officer tit Acttvtt"ti?s
t~lfd ltt~s some new ldet~s, wltlclt lte will foe lmtlemeflttltg tiS tlte lfedr (Jrogresses.
Some cltt~nges tltt~t lfOH mtllf t~lret~dlf know t~bo11t; Is tltt~t we t~re now ftodllctltg tlte
fltotos wltlclt Wt111totefHIIIj steed llf tlte ret11r11 of lfOIIf tltotos to lfOII. Mr Wt111t~ms
.ltt~s foee11 ct~tclttltg llf 011 tlte fot~cklog. so dltlf tp~eni?s tit regt~rds to lfOHf tltotos, tlet~se
direct t~ll tp~estlons to Mr Wt111t~ms.
One tlttltg Is: flet~se ret~t/ lfOHr cofltmcts regt~rdtltg lfOIIf televisions ct~ref11lllj dB we
ltt~ve to conflsct~h Tv's for foret~cltes of cofltrt~cts. t~t tilt t~lt~rmtltg rt~h.
Mr smttlt Is now tit cltt~rge of tltmt~h televlslonltlre: t~gdtlt dltlf tp~estlons tlet~se feel
tree to dffrodclt lt!m Wttlt lfOHr troP!ems. '1o11 t~re t~ll t~sktltg t~boHt wltt~t Is ltt~(Jfelttltg
Wtt"lt tlte vtoeo Blfshms tit Wfj11tld11d t~lfd Dt~Wif De Lt~os t~ret~s. D11e to tlte tlgltt
fopt/get tltt~t tift's sect/011 ltt~s to Ofetdh, we dto not ltt~ve tlte f1111tltltg to ltt~ve tltese
mt~clttltlfes flx.ed Tlte vtoeos t~re cprrefltllj foetltg fefJdlret/ dB I tfjte·
for t~111fOH f;tness ft~lfdtlcs, we t~re flllflftltg circHtt" dlfd f/ex.lfollttfj dt~sses. If lfOII t~re
lflterestet/ fo11t ltt~ve 110 e><,Peni?nce flet~se d(JffOdclt 011e of tlte tltree officers for f'Ofer
t~tlvlce. We t~lso ltave tlte AeroP!cs dt~sses tltt~t r1111 o11 THesddlf t~lfd TltHrsddlf 3-5tm
t~ltd St~tllrddlf momtltgs f0:30t~m. 011 SHitddlf we offer Btltgo Wtt"lt some gret~t trlzes
to foe wo11.
c;o D.P Wnn::tma
:Act!Vttlea Ofllcer
4
AN OPEN LETTER
We gave life to you in
wonder and joy and
we loved you. We
still love you.
And yet we weep .. for
the way you have
become and for the
way we have become
in our sorrow and our
helplessness.
We weep for the days,
months and years that
we have lost you
knowing that you are
in no-ones care.
In some dark tormented place.
How many times we
have cleaned up the
mess, emptied the
urine-filled Coke
bottles, tripped over
the bongs and been
filled with disgust?
We want to give you
life again.
How many times are
we bullied, threatened, cajoled and
manipulated for
money?
How many stories
have we heard and
how often it is someone elses fault?
And there have been
times when we have
wished you dead to
make life easier - and
oh, the madness that
sets in.
How could we think
To Heroin addicts
and drus abusers
dfug addicts, you
have chosen that path
yourselves and we
have walked with
you.
like that?
Your pain is anaestheRocking back
tised, ours is lived.
edge.
and forth on a
The evil of addiction
We
hold on to ourbed holding our
is that it stops you
selves and our loyalty from living, from
womb feeling beto you knowing that it loving yourself, the
trayed and guilty.
is to us you will turn people around you
This is my child.
when the court hear- and they, in turn, are
we neglect our other
ing
comes closer or
children emotionally,
tested in their love for
you want to kick the
our partners and
you.
habit.
friends or we overWe wish you life and
burden them with talk So you want to be
the courage to be
and more talk and our clean.
alive and recognise
We are happy, exdepression about you
that today, we and
cited. Maybe this
and "what can we do
you are being the best
time, Please God.
to help you?" and
that we can be.
We find the money,
"where did we go
Give us some time to
encourage and motiwrong?"
be happy and at peace
vate, drive you to the with you.
We live lives of
doors of the rehab.
deceit and fear and
God be with you
(Can't wait to hear
humiliation knowing
always.
your laughter and
the stigma attatched
With Love.
share your news
to drug-users.
again.)
It is hard to stand up
(Name supplied but
We are told we have
and say what is real
withheld upon re"Yes, my son I daugh- to let you hit rockquest)
bottom before you
ter is a Heroin addict
will pick yourselves
and he lies and steals
Quoted in full
to maintain his habbit up.
an article
It is a place we get to from
and sometimes he
I
'
submitted to a
first.
gets angry and abulocal Sydney
We have loved you
sive and we need
and dreamed our
protection."
paperdreams for you.
We feel used and
"The Leader".
We wanted only what
afraid. If we say
was good and loving.
something, we may
We did not make you
push him over the
5
B~: Anne Keatino
,
SuMenl~a
stranoe soun~ ecbo00
tbrouob tbe forest. I
turne~ aroun~ to
see
tbat tbe trees tbat
line~ tbe patb I was
walkino alono were
cominp alive. I stumble~ tbrouob tbe ~eM
leaves an~ twios tbat
covere~ tbe san~~
patb but it was too
late. Tbe trees starte~
to close in on me
blockino tbe patG to
wbicb I neoooo to fP. to
oet to tbe riverbank.
In oosperation I
searcboo for an openino between tbe trees.
But tbere was none. It
was now pitcb black
witb not even tbe
faintest olimmer of
liobt from tbe moon
penetratino tbe treetors above. I startoo
to breatbe beavil~ as
sweat starte~ to run
~own ~ sbirt ~et I
coul~ not stop m~self
from sbiverino. At
first I tbouobt tbat tbis
must be tbe result of a
fear wellino up insioo
of me at tbe prospect
of beino lost in tbe
woo~s. Gra~uall~ I
felt a sliobt breeze,
bare[~ noticeable at
Qroun~ un~isturbe~
first but arowino
stronoer b~ tbe secon~. Tbe stronoer it
orew tbe more it
for centuries, aoainst
tbe bare skin of m~
cbeeks an~ forebea~.
It stuno painfull~
an~ I was force~ to
starte~ to feel like
someone breatbino
bebin~ me. I turne~
aroun~ an~ stare~
into tbe ink;g ~arkness.
Some ten feet in front
of me I imqoine~ I
coul~ see tbe outline of
tbe Evil Queens stone
carve~ coffin tbat sbe
was mummifioo an~
lai~ to rest in over
.3000 ~ears aoo. was
it ~ craze~ imaoination or was tbere a
fioure stan~ino bebin~
it?
I trie~ to
oet a orip on
m~se[f. I tol~ m~self
tbat tbere was no one
tbere. Tbat tbere coul~
be no one tbere. I was
tbe onl~ livino creature to enter tbe forest
since tbe ~a~ tbe burial
part~ ba~ come
tbrouob from tbe Evil
Queen's funeral. Yet
eve~wbere I looke~ I
coul~ see fioures. B~
now tbe breeze ba~
orown str0!1{] enouob tO
Whip up tbe san~ an~
~ust tbat la~ on tbe
now olowino ~iml~
tbrou(Jb tbe trees a~
amono tbe treetops.
Seven liabts in a pattern, wbicb seeme~
ver~ familiar. Yet I
coul~ not remember
wbere I ba~ seen tbem
before. Brief[~ tbe
liobts flare~ an~ tbe
forest was fille~ witb
an intense wbite olare.
I cou{~ see now tbat
tbe ~e{{ow stone coffin was uncbanoe~.
Tbere was no fioure
tbere or an~wbere
else in tbe forest.
Witb a sense of relief
place m~ arm across
m~ face in an attempt to sbiel~ m~
e~es an~ nose. But it
was no use. Tbe ~ust
an~ san~ was eve~
wbere. Fillino m~
moutb. Spillino
~own into m~ lunos
as I oaspe~ for
breatb. I ~roppe~ to
m~ knees bur~ino
m~ bea~ into m~
arms. Tben1 just as I steppe~ forwar~ to
tbe win~ ba~ starte~ look more close{~ at
witbout warnino, so tbe paintinos alono tbe
to it ba~ ~roppe~ an~ si~e of tbe coffin. I
finall~ went awa~. tben realise~, as I
For a few secon~s looke~ aroun~, tbat I
tbere was total si- ba~ been taken out of
lence. I wante~ to tbe forest an~ was
run but I was over- now in wbat seemoo to
come b~ fear aw un- be a burial cave.
able to move.
One b~ one tbe liobts
Tben it beoan - a beoan to Ricker an~ ~ie
low pitcbe~ bum - an~ ~et tbe cave sti{{
comino an~ ooino but remaine~ lit up. I
orowino stronoer looke~ at tbe painte~
eacb time it returnoo. fipures on tbe si~es of
I ~!rene~ m~ e~es aw tbe coffin. Tbe~
lifte~ m~ bea~. To looke~ as if tbe~ ba~
m~ suYfJrise a num- been put on to it a{ber of liobts were tbouob tbe coffin was
6
Y)ears olll. I
reacbell out to toucb
tbem but as I llill tbe
wbole of tbe coffin began to pulsate anll
glow1as tbouflb it was
coming to life. Beating - like tbat of a
living, breatbing being.
I stepp_ell back towarlls tbe entrance of
tbe cave but mY) foot
cauabt on a stone anll
I fell to tbe floor. Tbe
impact of tbe faU
knockell tbe breatb
out of me anll for a
few seconlls I laY)
gasping, quite unaware of tbe brigbt
oral1fJe glow tbat now
fiUell tbe cave.
GralluaUYJ tbe bumming sounll returnell1
increasing in pitcb1 so
tbat bY] now it was a
piercing sounll. Tben1
quite sullllenl~ it
stoppell1 to be replacell
bY) an uneartblYJ
wailing. I {i~ell mYJself to one arm anll
lookell up. Above me1
tbe {ill of tbe great
Evil Queen's coffin
was rising. Incb bY]
incb it rose until it
reacbell a beiabt of
about an arm lengtb
above its restingplace anll just boverell. smoke startell to
3000
pour out from insille
tbe coffin: a llense
wbite smoke, wbicb
unfur{ell over tbe
ellge anll llroppell to
tbe floor1 coiling itself
arounll mYJ le~s like
some great etbereal
snake. I pusbell m;yself backwarlls1 slipping anll slilling towarlls tbe entrance of
tbe cave, but tbere
was no escaping tbe
smoke. It was in mYJ
eY)es1 stil1f}ing tiU tbe
tears ran llown mYJ
cbeeks: It was in m;g
nose, 111 mYJ moutb1
forcing its waY) llown
to mY) lungs. Coughing anll retching I
llraggell¥JWself to »1YJ
feet anll lookell across
at tbe coffin. smoke
still pourell from it
but gralluaUYJ it
cbangell color. First
pinks, tben rell1 tben
crimson. A lleep ricb
crimson tbe color of
blooll. Again tbe
smoke grabbell tbe
backofmYJtbroatanll
I founll m~self bent
over, totallY) unable
to control mY) breatbing. It felt like tbe
insille ofmYJcbest was
burnina anll I knew
tbat unless I coulll fi{{
mY) lungs witb fresh
air I wou{ll soon pass
7
out for lack of OXYJgen. I ball to get out
Of tbe cave!
SullllenlYJ I bearll a
loull noise. I turnell
to see tbe cave entrance being closell in
bY] an enormous stone
lloor. In lles~ration
I bammell at tbe lloor.
It was no aooll. Tbe
lloor was so!ill anll not
about to bullge. Witb
a crY) of llespair I
turnell against tbe
cave waUs anll beaan
to searcb for anotber
waY) out.
It was tben I saw tbe
banll. At first it was
partlY] billllen bY] tbe
smoke tbat was coming up from insille tbe
coffin. At first I
tbougbt tbat mYJ
burning eY)es must be
plaY)ingatrickonme.
But as tbe smoke
clearell I saw it wrappi11fJ themselves
over tbe ellge of tbe
coffin - tbe clawing
fingers of tbe Evil
Queen's mummY)
coming to life. I
openell mYJ moutb to
scream but notbing
came out. I triell to
beat again on tbe
stone lloor in tbe vain
hope tbat someone
outsille migbt bear me
anll come to mYJ ail>.
MY) arms felt beavYJ
anll movell slowlY) as
1weigbtell llown bY)
chains. MY] fists
toucbell tbe lloor anll
a huge booming ecboell arounll tbe cave.
Again anll again tbe
crasbing sounll ecboell
rounll in mYJ beall until mY) beall ree{ell
with vibrations of it.
Spinning. Ecboeing.
wbirling. R.ounll anll
rounll until everYJtbing went black.
wben mYJ eYJeS flickell
open again I founll
mYJ_self looking up tbe
ceiling of mYJ Lincoln
Street apartment. In
a panic I sat up anll
lookell arounll. I
realisell tbat tbere
was no reason to be
afraill. Tbe borror of
tbe forest anll tbe
mummYJ'S cave was
notbing but a llream.
Or was it?
DaarAJ
Thar11 ig a girl in rny wing with a bad calli! of
0
VI!tbal dlarrhol!a" any guggl!gtiong on how WI!
can !!hut th11 bitch up?
Raady 2 Rurnbls
D11ar Rsady 2 Rurnbl11
Normally I would guggl!!!t "W.W.r:." tacticg,
But !!incl! l'v11 bssn tl!!!trictl!d by th11
"HII;RACHit~" I won't gay Jugt Do ltll!
(Wink wink) aiv11 ths bitch a roll of th11 tollst
pap11r, and t11ll hilt to wlps h11r rnouth I!VI!tY
tlrn11 !!hi! gtartg talking ghft. Hal
D11ar AJ
I produco a lot of wax in rny oarg and it !!l!l!fn!l
to bo affuctlng rny hoaring. What ill ths bl!!!t
way to dsal with it.
"What !!pl!llk up("
Dl!llr "what? ~psak up("
Do I look Ilks "Dr Quinn
Modiclna Wornon?" Do I
gound likl! your rnutha?
'wow', It dosgn't takl! 11 gsnfug to toll you to
cloan thogo flappy thlngg on tho gfdo of your
hsad. If thig don't work, thsrs'g gornothing
!!l!tiougly wrong and you might havo to chock
with Medical. I hop11 you can lip rsad, bocauge I want you to undsr!!tand rns wh11n l'rn
hauling your agg up to clsan your sarg,
D11arAJ
I've besn writing to a guy In another jail, Now
he'g g11ttlng out and wantg to vigit rno, but
l'vs !!Ott of gtrl!tchsd th11 truth about how I
look.
tl;tK...U
Dsar........... tttK???
Unugualalfag don't you think? Anyway
"Mfgg thang' I hops you didn't rnakl! out you
Wl!tl! 5'10, slirn "Ang11lina Jolls" look allkl!,
bi!CIIU!!I! if your tl!ally a !!hort stumpy crogg
"Danny Davito" and "Rogan no Arnold" look
alikl!........you b11tta coMidor [a) taking a
brown papst bag. If !!Cti!W!! agk you what
valuabls!l your Wl!ating at vigitg, gay "rny
vory-very-vsry valuabll! brown papsr bag! "hal
hal [b) Go to th11 vigft and pr!!tl!nd that thl!ts 1!l
two wornon In th11 jail with ths !!!Ifni! narnl!,
and you jugt happon to b11 ths wrong ons. But
you flaunt your !!hit out thers anyway ot [c)
You go out thsrl! and "cop it !lWI!et" t11ll ths
truth 11ith11r watch hill facs turn ftorn anticipation to di!lgugt or h11 could !!upri!ls 1you, Ho
might look likl! !!Ofnl! kinda wild bl!al:t tool
It'~: up to you.
D11ar AJ
I arn writing to a~:k for ~:orns advic11 on a
touchy gubjl!ct. I want to know how to handlo
8
THJ;:Rt;:! If you could !lee the facial ex~tell·
llionll I'm ~ulling you would be allhamed of
yout 11too~id 11!1!1.. AI tight the gitl hall 1111
wondetful ~etllonallty 11 (all you ~ut it) and
you'te atttacted to het. WHAT ll=...het
~et!lonality Wlllln't 110 wondetful? What
would you be left with? No loyalty, no
hone!lty, you'd ~tobably be left with 11 "dimwitted, bedho~~in', blowa!l!l[" Ha Hal Would
you !Ifill want 11 telatioh!lhi~? but !Iince
llhe'!l got 11uch 1111 wondetful ~llt!lonality
Well datlln' you've got youtllelf 11
bedho~~in' blowa!l!l[ But hey if you'te into
that kinda 11hit.. it'll yout call.
the llituation when 11 fallow inmate, whom I
wotk with, constanly goes to the !lctews
eithet telling them if flm doing my wotk
ot not ot to hand In conttaband, that tight·
fully 11hould be given to fallow lnmat!!ll fitllt.
!:he !leemll to be vety judgemental and quite
ftankly. who ill 11he to judge anyone?
Plealle adville.
l=tullttated and Angr-y
11
Deat l=tullttated and Angty
When !!he'll atound, 11tand in the middle of
the toom, take 11 dee~ bteath, click the heel !I of
yout volley!! g timell and chant the 11acted
wotdll:
"Bitch Be Gone11
"Bitch Be Gone11
Deat AJ,
And my que11tion ill'-lllliiiiiiWI
Thete'll thill gitl who hall a thing fot me,
Yeah !!he'll a nice gitland hall a wondetful
~etllonality[ You !II!!! I do like the gltland
would like thlng11 to be the way 11he want11
thlngll to be.
BUTH In what I've oblletved, I fuel 11he1!1 not
going to be totally hone11t with me, when It
come11 to bel ng loyal to oneanothet. !:0
11hould I ~toceed ot ~ut a hold on thh1gz~
!:igned !:ilent
11
Deat AJ,
Plealle hel~ me. I have boon tunning atound,
11hooting off my mouth to a fuw ~eo~le I
thought wete my ftiendll. They have now
gone and told all them othet llheifag the
thingg I have been !laying about them. One
ofthe 11heifag they told 1111id that 11he wanted
to !II!!! me, and I know It'll not to have a
cu~pa. What am I to do?.ftP.P!~
Motot mouth.
Deat Motot Mouth,
Well you've ~ut yout foot in yout mouth
haven't ya? Only thill time It'll not yout
foot you 11hould wottiod about[ Well wh11t can
I lillY to comfott you? Umm let' !I !11!1!.. !:ay
11 ~tayet?! Mm no..You'te gonna get yout
11!1!1 kicked! l11 that comfotting? I 11uggegt
you 11tatt going to tho gym and 11ha~e u~, ot
find a ~~~lltting ~atnet... Next time Ieee~ yo'
bully
u~.
Deat !:llent,
Ok, how can I ~ut
thi11?...!:TOP! RW
NU- UH! HALT! WAIT!
HOLD IT! DON'T [Vt;:N GO
9
Ps(JePHtsking &- Eookhinding
Cls~~e~ by Jesneffe
f c811 teach you how to 111ska beau#-(i.ft handmll/4
('a('aP, ('hoto atbu111~, books, caPd~, and ~tafionaf1J ~a~.
Co111a to ('a('aft'fflsking c~a~ on 7:ua~day~ fro141 8:2,08141 4:2,0('141 each wuk. 6nPotat6ducafion. J:if'~ wa kaPn to
('UI(' ('8('6-P u~ing the in~inkanlfoP, we than 111aka ouP own
~hem ofA5, A4, A2, and kaPn a fow ofhe,p wicky tachniqua~, ~uch ~double, couching (2 colou~), la111inafion
(('tf#ing the ('ic#wa into the ('8('6-P), 111aking caPd~, ~tatkm­
e-'1/ ~ah, afflJalo('a~ 811d walffflslty h811d binding books and
111aking beau#-(i.ft('hofo stbu111~ ofalit co/oup~ and fa~~.
sit tha~a thing~ 111aka gpeaf ('Pa~anh fop (s111ilia~ and friend~
{~aaing 8~ to you can 'f go ~ho('('ing fop ('Pa~anh) lJou can
111ska whatwaP youP cwa#vity co111as. Uf' with. the ~k~ you
kf:lpn inc~ c811 be taken with you back ounk.la and if
you w s111bitkm~ and kaan you C811 111ska csPd~ &- books and
~aft the-111 at cnlf't fflSPkah ate.
ffyou join the t:huP~day ('Pilftfflsking c~ with l<ata you can
kf:lpn Uno cuffing and sctuslty do youP own da~ign.to ('Pint
on the caPd~. EU~Wiz and 6ddy sPa ('Poducing ~o111a beau#-(i.ft caPd~, afflJalo('a~ and books. Natatk i~ ('Pinting the caPd~
and oPgani~ing ('f:lcksging Uf' the OPtUP~. So ifyou'd tika to
buy caPd~ and anvelo('a~ at $t.65c, WPi#ng ~ah {$6-SOc
books {$8) ('ka~a opde,p via Natatk oP Rita at
Elaxland 'Hou~a-6rlucafion.
'Ho('a to ~aa you on a 7:ua~dsy ~oon!
10
W(M1U!A1I
~ 0/1/ tUUf?
~'WIWJs--~
crt& - 3eni&weli
~{VU!I fiW//R/
fiJw fo; Jo; mlf Ufne;
s.ett1ed Uv tlJ'Ul
wiiJ, ~ wJup
~~
lVU!I as;
~t-- ai(IWfll
f1m/.
~
iluf~fw­
90111 S<MnelM7R/
ttp' /Ae; ~?
~as; t~uut{VU!I.
ai(IWfll
(lJ
~comiluf
~fo;see;~
r;gUCif
'0
t/unlt;~~
s.ett1ed as; '0
'Ot- would ikdii,~ lta-w-
wlt&~5 ~fo;
sew€!, it) S/ luuu}; fo;
CO-f'nR/
i.JAuv MY it; fo; s1taJw
tli'Ul~
tlJ'Ul fJ-<J/ a1t
/Ae; timf!;. ~
CJJU!- '0 would
fiJw fo; ik- wiiJ, mlf
crt&-~
~'Ot-~
{VU!Iio{)l~
wilt cau5el UuJ;
mlf fad ea.siR/v
~ wiiJ, mlf
~alt /Ae; Ufne;
matUf
tlJ'Ul tuW ~at;
tnal€st lVU!I 041/ re--
~#<Yv
~.
mmui tluut do.n)p
ai(IWfll.
C(,I!W
tu/;tkv,;~
/Ae;~~.
~4~
~~tli'Ul
CJ!et~~f=Ylo-
~w.ani;fo;
doosn)p~
wAtt
~~fo;/k,
~wiiJ,
~ciActurv-
celt tnal€st
sfanc,e,s; as; mine;,
siwuU~
fU!MI-'
tkv,; ceJk, #<Yv (lJ
wJud, MY~
tluut lwu/a;
'tUf1/
amah;,~
'Ot-
comiluftli'Ul~
~fad MY fad,
a1t /Ae; tiA'tw?
~~fo;~CMV
~
UJiil,;it;.
()rU!/
ai(IWfll
11
datne/ pe<P-
pk~~Uv
041/
d.atlwv Jnf!/, 4
CO-UI1M!/ 'O'tl fiJw fo;
ik- wiiJ, ~ Uv
ll.a.vww, tlJ'Ul
~
wluk, tluut lVU!I
s.ettled, wAtt tullsettk~? '0?
itJs--twt-~
do.n)p lMf ~it;.
'Wm
The
of
Simone
Thin. The girl was
painfully thin. She
was stretched out,
wearing a low,
halter-neck top,
revealing the
skeletal breast
plate underneath,
and a pair of
shorts, her frail
legs poking grotesquely out the
ends.
I flopped down at
the foot of the
bed, circling her
left ankle with one
hand, my fingers
considerably overlapping my thumb.
Sunken, glazedover eyes stared at
me. Their pupils
were contracted to
pin-points and if
she hadn't of
blinked, I would
have sworn she
was dead and had
been for a very
long time.
Her skin reminded
me of a cheap
bracelet i once
owned as a kid. It
was white but If
you held it up to
the light. then
cupped your
hands over It, It
glowed green. To
me, this was not
an image of good
health.
A joint was balancIng precariously
between the talons at the end of
one of her boney
wrists and In the
other, a wine
glass. It's Icecubes chinked as
it flutterd towards
her pallid lips, in
order to wash
down what I assumed to be vitamins. Lots and
lots of them, a
multi-colored,
multi-shaped
concoction of
goodness for her
reduced to nothIng, carcass-like
form.
"How long have
you been like
this?"
"Like what?" She
answered, turning
her body around
to look at what
was left of her
scrawny back-side.
"I like how thin I
am. Don wouldn't
love me if I got
fat."
I asked her where
Don was and she
set the wine glass
down before lay-
ing her head back,
in order to contemplate the question.
She was like this
for a long time. I
thought that she
had dozed off.
stoned from the
joint. I tapped her
foot, getting no
response. So I got
up and shook her
shoulders, my
fingers almost
touching on either
side of her pastey
skln,through the
space between her
collar bone. I
shook her lightly
at first. in fear of
snapping her arm
off, then with
more urgency
when her head
lolled to one side
and her body
followed suit.
landing
unsubstantiaily
upon the thick
bedspread.
I quickly chE~ckerY
to see if she was
brea.thing - she
wasn't. I reached
for the phone and
called 000. The
operator on the
other end of the
line instructed me
12
to start CPR, but I
took one long look
at Simone's
corpse and
couldn't bring
myself to place my
lips upon something that should
have been buried
a long time ago.
So I pretended. I
made, what I
believed to be, the
right sounds and
came back to the
receiver to announce my failure
at reviving her.
Then I sat back, lit
a cigarette,
and waited
patiently for the
ambulance to
arrive.
PniiiJl/dn Soup
:5 173SPN8 73UTTf.R_
1173SPN CXOA 81fTf.D
I CUP 8UqAR.
_2f.qq8
11.2 CUP MILK
I CUP 8/R. fLOUR.
Melt Plltter It! wwl. mix tit COCOt:l fOWdtr.
Add rest of titgredieflts tit order, miX!itg t~fter ~Jt~Cit
t~dditti;lf. Stir well
73t~J:e tit 1I'1X - 18a
Ct~J:e,. (gret~se ttit well) Cool: 50 mtits
Pt~ttlj Title: (gret~se t~lso) Cool:: -20 mtits
Hutter or marg
Onion
Pumpiin
(Jiticien stoci
1resh cream
Sante onions in butter, atftf clticien stoci
mttf pnmpldn. Bring to boil
until pumldn is soft. Using
ltantf mixer, blend until
smooth. Atftf cream antf
cool for further I o
mins. ScasPH tP taste.
VUM.MV!!
1 cup sugar
2
aup• ,Sfd({tout
2 tC.f!.pm Cutkt
1 t/4 cup oil
4 eggs
,Salt
3/4 aup m.tff.
1
Q
aup fjtatd ahuu
cups se!j raising flour
1 lspoon baking powder
d(uC Cutkt into {tout and .dt,
3 cups grated carrot
add 1/2 aup of ahuu. d!dJ m.tff.
cinnamon or nutmeg
and mix to a oo{t dou;/'z. d(ofl
out on a flfjfztty (fou.d >Ut~
to 20mm. tfzl.a£. Cut wiil'z a >aoiU
aultn fPfau afo<e tofjd:i'zet on
a fjte.aud ttay. §fo.ze wiil'z a
{lf.fie m.tff., top wii:C. wnalninfJ
ahuu. !Bak at 220C {ot 10-12
combine sugar, oil and egg
add dry ingridienis
/old in carrots
. ,..P'P>:P
m.l!U ot unt;l fJO!Jm. Ctown.
cake lin, bake at180c
45-50 mins.
14
Letter
To The e:ol~tov/SV!C!ol­
ows e:oige Me~ge~z~vce,
l.{-povc bvows~vcg tVie
le~test ~ssue of tJC!
fLvce ve~g 1WC!S ~vctev­
esteol to fLvcoi tVie
C!vt~cle ovc VVLetVie~­
olovce. lvctevest soovc
tuvvceol to ol~sgust Cit
tVie covctevct of tVi~s
Civt~cle C!vcol ~ts VVL[s~vcfovVVLeol C!vcol VVL~s­
lect oi~vcg ~""fovVVLC!t~ovc. Lets get C! few
fe~cts stvCI~gVit Vieve.
Fkstl tJ VVLet Vi C! ol ovee
wiJ.s oievelo-peol o!uv[vcg tVie ::?.vcol wovlol
WC!v (1,940s) fov-piJ.~vc
vel~ef ovc tVie bCittle
fLelols of e:uvo-pe, ~t
WC!s vcevev ~vctevcoleol
fov -prolovcgeol use. It
~s vcot ~"" tV\e sCIVVLe
olrug grou-p CIS Vievo~vc
(VVLov-pVi etc.) wVi~cVi
~"" ~ts -pure fovVVLo-p~uVVL, ov ~f ovce
wCivcts to be -peoie~vct~c
tVie ViuVVLble -pop-ptj, ~s
fe~r less oiCIVVLC!g~vcg
(C!vcol tjes govce Me
tVie better oiC!tJS of
-p~vcR, vocR.s C!vcol blue
vcurses). MetVie~olovce
~S C! 1.00~ VVLC!V\. VVLC!oie
cVieVVL~cC!l! yes ~t
effects tVie SC!VVLe
rece-ptors ~"" tVie brC!~vc
Cis o-p~Cites o!o-tV!C!t's
vcot Cill ~t oloes, to
cLCiss tVie two togetVier
~s etjoR-e. Dovce oloes
vcot -pvoVVLote et
"VieetLtVi~er l~fest(JLe"-
YO VVt, VVt,. e
wVi(j becetuse vcot
OVI.l(j ~S ~t VIILOVe
Cioioi~ct~ve-tv(j u-p to
42Viv VIC!Lf-L~fe ovc
Vi~gV\ olose, but ~t
res~oies ~"" (j ouv
Hssue etvcol ovgetvcs,
bu~Loi~vcg u-p over
tlVVLe, wVI~Lst ole-plet-
o!~ffevevcce,
Viell (JOU
evevc vcool, tV\ at
feeL~vcg of "well
be~vcg"! As fortVie
Lll cR, of "se)(ua L
fuvcct~ovc~vcg" tV!Clt
wm be tVie leClst of
!:JOUV worv[es wV\evc
!:JOU VICivevc't Viaol a
sVi~t fov 3 weeR.s. A
vecevct stuol(j btJ tVIe
COVIILVIILUV\.~t(j VltC!ltVi
joR-evs fouvco! tVillt of
1.50 -peo-pLe wvw useo!
wVio Vie~ol useol olovce
for VVLove tV!Clvc1.2
VVLovctVis, 7.5"§ Vie~ol
soVVLe t(J-pe of bowel
-probLeVVL ve~vcg~vcg
froVVL -p~Les to wvccev!
Avcol (JOU WClvcR-evs ovc
tVie VVLeol~cC!L C!vcol D/A
tee~VVL Vle~ve tVIe vcerve
to Vie~vcol out -pos~tlve
-pe~vapVievvcC!L~a -pvoVVLote tVIe cve~-p,
(jtc!VI we'LL just VVLC!Re
!:JOU s~LL(j ~ol~ots "f'Cil:J
w~tVi (JOUY i-1eCILtVi ~f
vcot (JOUV L~fe! Avcol
wi-1 tJ? B-ew use we
olovc't g~ve VI toss ~f
"f'O~SOV\. (JOU C!ll - i-1e(j
WC!~t C! VVL[vcute
VVLC!tJbe tV!Clt's ti-1e
wVioLe ~oleCI. Fov ti-1ose
wVio g~ve C!vc(j creolevcce to ti-1e ·b~g
bvoti-1er" covcs-p~rllC(j
!:JOU wm RV\.OW ti-1e
be~stllvois (govevvvVVLtvct etc .... ) i-1llve
!:JOU weve tVIetJ we~ vet
!:JOU, L~qu~ol Villvcolcuffs avco! CilL, ~VVLC!g­
~vce ~f tVIetJ olec~oleol to
VVL~gVit
~vcg -prec~ous ~tetVVL~vc
C!vcol VVL~vcerCil stoves
SUCVl CIS CC!LC~UVIIL, tJC!
teetVI olvo-pp~vcg out! if
!:JOU Vletve ever
tV\ougVIt "sVI~t 1 feel
bC!oi WVl~Lst COVIIL~vcg
off tVIe geCir" !:JOU w~Ll
R-vcow C! bout ~t coVVL~vcg off tVIe olovce, (JOU
w~LL be so fucR,eol !:JOU
wovct evevc R,vcow
(JOUr fucR,eol IJ.vcol tv(j
&-2 weeR.s, vcot oiCttJS,
(JOU'LL be ruvcvc~vcg
for tV\ Cit s-poovc. ftevcce
tVie terVVL "oiee~tVi etvcol
VVLOC! vc"-" VVLetVi e~olovce,"
tveettVVLevct" tV! Cit VieL-ps
breiJ. R, voutlvces C! vcol
ViCib~ts "!:JOu've R,~ol­
ol~vcg e~vevc't (JC!/
evccoure~ges to Lee~ol C!
VVLOre bC!LC!vcceol L~fe­
St(jle-~VVL-proveol ol~et
C! vcol
better slee-p
"forget R,~olol~vcg (JOU
fucR-evs ewe M-p-p~vcg!" TvtJ evccouvetges -peo-ple to ee~t
VVLove sVi~t, e)(evc[se
Less, Vlevcce sleep et vcol
wVItJ, because tVie sVi~t
VVLC!ReS !:JOU SO -pC!tVietlc (avcol sL~gVItltj
olougVitJ), !:JOU olovc't
vcotlce tVIe bLoooltJ
15
be ~ol of llll us "users", ovce ol~vt(j be~tci-1
Clvcol tVIetJ woulol w~-pe
out tVie -po-puLC!tlovc ovc
o!ovce. ftevo~vc tr~C!Ls
C!re vcot just C!bout C!
fvee wVIe~cR,, i-1eLL tVie~v
o!o~vcg ~t fLvce ovev
seets. yes ~t·s C! -pevsovcC!l cVIoke g~vls,
but at least VVLaR-e ~t
C! fulltj ~vcfovVVLeol
ovce! As for tVIe govemVVLevct C!vcol ~ts
Vl(j"f'OCr~S(j r~gVit
o!owvc to ~ts lC!CRetJS
Wi-10 -prOVVLOte ~tS CYC!-p,
wVIo ViCive vcevev Vlaol C!
sViot but reCilltJ vceeol
ovce, for wVICit !:JOU
J.1C!Ve J.1arVVLeoi ~V\. SO
VVLC! ""!:J CI vcol V\eCI Leo! ~""
so few - f'l.{GK
yol.{!!
I've te~R,evc ti-1e tlVVLe to
w~te tVI~s vcot fov VVLe
but fov VVL!:J s~stevs
T.c; CivcoilSmtJ.B-,
wV\o's VleCivts flew,
C!Lovce ~"" ti-1e j o[vct,
O.D ovc tVIe olovce,
because 1 sCI[oi 1
woulol, because 1
veVVLeVVLber.
M.e:
"Ltscer ~'W is a Christian festival that
celebrates the resurrection of Jesus Christ. It
is one of the most
important hofu ~<QfS of
the Christian religion.
In most countries
r:Easter comes in early
spring. at the time when
green grass an~ warm
sunshine begin to push
as•~e winter. 'The story
of 'Easter comes from
the bible. 'The gospels
tell chat the bo~y of
Jesus ~isappeare~ from
his tomb on the chir~ ~'W
after his cruclfixion.
An angel appeare~ to
his followers an~
announce~ "he ls risen".
Christians everywhere
now celebrate 'Easter
with great rejoicing. In
many areas, chi~ren
collect can~y an~ chocolate bunnies an~ hunt
for colourful 'Easter
•l!!Js.
'&rrer ~o/s..
rAe V.ossrepresents
the crucifixion of Jesus
Christ. It has very
special meaning to
Christians as a symbol
of Christ's victory over
~eath. 'The cross often
appears as an 'Easter
symbol. '1'eople all over
the worl~ usualfu eat
hot cross buns ~uring
the 'Ea5ter season. 'Each
calc£ has a cross of icing
on it's cruse. 'The (;reeks
an~ the '1'ortuguese eat
a specialfu bake~. roun~
flat 'Easter loaf marke~
with a cross an~ ~eco­
rate~ with 'Ea•ter el!!JS.
7He ?vttD. 'The figure of
a lamb often symbolizes
Jesus. J:amb is one of
the tra~itional 'Easter
foo~s. an~ cookies an~
cakes shape~ like lambs
~ecorate tables at
'Easter time. 'The Jewish
sacrifice~ a lamb. calle~
a paschal lamb. ~urilllJ
their '1'assover fe•Uval.
'Earfu Christians
interrupte~ the sacrl{ice
of the lamb as a forecast of Christ's sacrifice
on the cross. 'They spoke
of Jesus as "'The J:amb
of Qo~. which taketh
·aw<Q{ the sins of the
wor~· (John 1:29)
~ can~les an~
bonfires mark 'Easter
celebrations in some
lanh. 'Roman Catholics
in some countries put
out all the lijjhts of
their churches on Qoo~
'fri~<W· On 'Easter eve
they make a new fire to
lijjht the main 'Easter
can~le. 'They use this
canUe to relijjht all the
can~les in the church.
'They then lijjht all their
can~les from great
'Easter can~les an~
carry them home where
they can be use~ on
special ~<Q(S. In many
parts of northern an~
central 'Europe. people
burn bonfires on the
hilltops. 'They then
gather aroun~ the
bonfires an~ sing
'Easter songs.
~represents
the
new life that returns to
nature about 'Easter
time. 'The custom of
exchanging eMs began in
ancient times. "Early
Christians :Mesopotamia Where first to use
coloure~ el!!JS. Chil~ren
tO~<Qf often fin~ chocolate •Ms or carMoar~
eMs fille~ with can~y
~ecoratlng the breakfast
table on 'Easter morning.
'8ab!tits. :Many chil~ren
believe chat an 'Easter
'?>unny brilllJs their
el!!JS. 'This belief probabfu comes from Qermany. One legen~ S<QfS
that a poor woman ~ye~
some el!!JS ~uring a
famine an~ hL~ them as a
gift for her chil~ren.
Just as the chi~ren
~iscovere~ the nest a bijj
rabbit leape~ aw<Q(. 'The
story sprea~ that the
rabbit ha~ brought the
el!!JS. In ancient 'ElJ!!Pt
rabbits symbolize~ the
birth an~ new life.
tlome ancient people saw
it as a symbol of the
moon. It m<Q{ later have
become an 'Easter
symbol because the moon
~etermines the ~ate of
'Easter.
Christians in many
parts of the wor~
celebrate 'Easter with
carniVals. masquera~es
an~ feasts. 'These
celebratitms each there
16
peak ofgaiety on tlhrove
'Tues~'W (pancakes ~<Qf)
more than 6 weeks
before 'Easter. On ash
"We~nes~'W (~<Qf after
Shrove 'Tues~<Qf) many
Christians start a
solemn ~<Qf. a 2 ~'W fast
an~ pr<Q{tr calle~ lent.
It recalls Christ's 40
~'W fast in the wi{~er­
ness. 'The last week of
lent calle~ hofu week.
hon<mrs the events of
the last week of Christ's
life on 'Earth. It begins
on palm 5un~<Q{ name~
for the palms that
people sprea~ before
Jesus as he entere~
Jerusalem in triumph.
On the 'Thurs~<Qf Df the
last week "f lent,
:Mauney. 'Thurs~'W
Christians recall Jesus's
last supper an~ the time
he wash~ his ~isciples
feet. 'They observe g.,.,~
'fn~<Qf. the ~'W Df
Christ's crucifixiDn.
'They spen~ hD{u 5atur~'W in anticipatiDn Df
'Easter 5un~<Q(. :Millions Df Christians in all
parts qf the worl~ unite
in their feelings Dfjoy in
the resurrection of
Jesus
vy
Ill
by lWeryot'\2-'
Chronic Luv
How can I explain the way I feel,
Silting around doing
t's like a heavy habit I'm being fo' real.
bugger all
U can make me happy, even sigh,
If I was lo sland on a hill I'd
whole heap of emotion all mixed inside ...
probably fall
I can't eva get enough,
off the edge so deep in
I don't wanna eva get enough of yo' bomb!hough!
biggy love,
Wanting lo be oul probably
Peaople go krayzie over that chronic shit
doing another rough!
buzz ...
lo support my habit and
Everythingz cool, what could go wrong?
fulfill my needs
The luv iz high, the feelingz damn
looking al the after scar
strong ...
from where il bleeds
Set adrift from me 2 you,
down my arm inlo a puddle
I'm feeling all good U grip on how I'm
another shot lowards my
doing you. . .
•
hfe full of muddle
'm searching fo' that buzz no time to fuss I walk the !own in search of
it around girl and let me feel yo' touch,
!he plains
Lifting off every pressure coz I don't
looking for a viclim lo play
wanna stress ya ...
my game
kipping every second heartbeat it's going Are you !he unlucky one lo
straight 2 my head,
be misled by me
Feeling every crush
from the drugs I've buill in
Quiet baby sit back enjoy the rush ....
myself so much greed
it's that feeling again they say it's from
I only think of myself in
above
everything I do
can't score that way unless it's chronic Please accept my apology
LUV:
as I never wanted lp hurl
To all my Booty Callz
IIl
18
Ill
[ ___ _
Ill
MtiLAWA C.!?I.Ms.
'
1\:
Ill
ROLL IN Off THE 8RU T$.
lih'VqiNf, Ot/T 8( t/NCL.Ch\1
NUDINq fOOD 8( Mt/Cii 8LUI'.
Tlitlf'n Mt!RJ).C!?$ 8( THI.CVW
ARMED ROBBE!?$ 8( DEALt!?$
lftr THU'n NOT ALL THAT
BAD
JUST LOST IN CCNft!SICN
Bur If OUR fAMIL!f.8 .CXCD'T
t/8
18 h'VOTH.CR 8TORif UNTOLD
for tlte ltt~ssels /11 onr lives
"JSv wltu's
dtuicc?"
tJ!WtllfS see/1 to h 10-fold
Onr eltiltlltood'z g011e, 11ot to
Jlitler was an
arsc/1(1/(,
.M11ss11Uni was a
prick
t:ltc Wllrftl is stiff
/1111 (lj tlictat11rs
Wlt11 tltinl< tltq;'rc
6/«ttin{l it
retnm
Wltere did we zerew nt- wltere
tM we go
No uNDtf?8Th'VD/Nfr fROM
PI(
fAMILI.C8
WmM?l
Lizt1
NO Tl?tiST IN NO P.Cf?8CN
T!itlf Jt/ST LIVE fOR THEIR
LIVW
h'VD Tlit!R LIV.C8 TH.tlf Jt/8T
LIVE
Tlitlf KUP COMINq BACK
8.CC#R/Tif B.CiiiND 8Af?8
To TALK TO THIER fR/tND8 Of
THEIR LlfWTifL.C
B/?AININq BOUT 1088 &
8/iCW/Nf, Off 8CA!?$.
f.AC!i CN.C liM A li/8TORif Of
JJA!WVWS 8( qR/tf
Cf/VINq t/8 ALL A qOGD REABCN
TO t/8.C DR#ft$ fOR RELIEf
If CNLif lf0/1 LI8Tt!V.CD BACK
LIJ'Iq Aqo
W!itN I TALK.tD Of Mlf ?ROBL.CAA$, t/PSUS 8( 80RR/YrV8
I M/qliT NOT Of eNDED t!PCN
THI8 SHIT PATH
I
Ill
WHO M'OW8 I COULD liAV.C
Btt!V A TOP ,WOB LAWiftR OR
h\1 OffiCE$ CLA11K,
OUR JJAifS ARE ALL Nt!MBtRED
OUR TIMW WILL ALL coMe
WHm we f!NALLif <?Nt uP
8( Wh'VT TO qo HOMe
Pleqge lfgten
I'm hare today to tall you you'te
~tacfoug
in my heart fg whete you afwayg
ate
watching evaty gte~ you taka
knowing loving you fg no mfgtaka
<!atlng fot you my ona and only
until you come along I will fuel
go lonely
dreamg ate filled with beautiful
emotioM
and you know I'm full of devotion
The dayg with you ate oo bubly
and to hold you all night ag
you'te go cuddly
Longing fot you to gaa
I've alwayg wantod you to ba with
ma
Plaago hold me tight and don't let
mago
~obbing ag you leave wanting
you to know
/love YOU
e.;
:::::
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19
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yMr min.{ wm't rest.
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tryi":J t• ~iw It everyt4i":J yM 'w ~·t
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Please forpive me mu precious dtild
lltaven't abandonediust left for a wltile
1or at tltis time of life !'111 feelinp quite sick
And in need of assistance renllu quite qlliek
Hut uou're in ptJtJd ltands tltere witlt uour prnn
Site's keepin' uou warm from nipltt until dawn
Site'/! nurture and tend 2 all uour needs
Wltile !'111 awau mendinp all mu wronp deeds
Hut one dau sMn please don't uou fear
We'll /Je /Jack 2-petlta and a/wags /Je near
And 2-petlta we'll start a new life npain
And uou will prow up 2 /Je mu /Jest friend
!Welte! Sclteers
Ill
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Mo ie & Book
J(eviews
...,.,..~~'""'
Me8&J9e in a Bottle
starrillg: Robin wright
Penl:lJ Kevin COstner,
Paul Newmat; RDbbie
sk» is fttllmg
Coltrane.
Tberesa Osborne (Robin
6JJ Si~neJJ sfoef~on
Starring: cuba
Wrigbt Penn), a biGoOOin9 ]nr1 Robert
vorceb newspaper
It is simpl;g impossible De Niro, cbarleze
researcber1 wbile
to put bown tbis latest Tberat; Michaela
jogging on tbe beacb one
Sibne;g sbelbon offer- Ra~ Haf
morning ricks up a
1
ing1 wbicb is fu_{{ of
Holbrook.
bottle wiib a letter
hower1 mone;g1.greeb1 Tbis movie is baseb on insibe. Reabing tbe
ust & corrupt10n.
tbe true stor:9 of carl letter sbe biscovers it
Tbe main cbaracter1 Brashear (cuba
bas been written b~ a
Dana Evans1 is a TV Goobing Jr) tbe first
grieving sailor, Garret
1
Blake
(Kevin Costner)
anchorwoman witb
African American to
great resolve anb
become a master Mver to bis beab wife. Tberesa
neebs to {inb ibe sailor
betermination. Being a in tbe US Nav;g. Tbe
anb
a~er some ver~
higbl;g investigative son of a sharecropper,
reporter, sbe biscovers Carl lets nothing stanb intense enquiries from
ber new~aper1 tbe pair
ber life is in banger as in tbe wa;g of bis
meet, ta anb a rosbe comes closer to
breams-not even a
mance begins between
some inbivibuals
crippli~ injur;g or
tbem. Tbere are obstalinkeb to a series ob
having is training
cles to tbis romance in
brutal murbers. T e officer, Bill;g Sunba;g
tbe form of Garret's
bunter soon becomes (Robert De Niro)
eccentric fatber (Paul
1
tbe bunteb. sbelbon
makin~ his life a living Newman) anb tberesa'a
skillfull;g maintains bell. C arlize Theron quir~ boss1 (Robbie
tbe suspense as reab- shines as bis ambitious Coltrane).
will tbe relationship
ers navigate tbe
wife, while De Niro
last? How bo tbe~ beal
twists anb tales of tbe anb Goobing make a
witb grief, letting go
plot. A brilliant page formibable team.
anb
startin~ over? Tbis
turner.
Great movie wortb a movie will eave a
watcb. Out of 5!'b
lump in ;gour tbroat1 so
-Lucy Klein
give it a big 4·
bave tbe tissues ban~.
The
- L~tte Vanoorsee
- Luc:9 Klein
21
24 Hours
6JJ Greg 1/es
Tbis ebge-of-;gourseat stor;g is well
wortb biting a few
nails for. A mabman
bas bevelofaeb tbe
~erfect" p an for
bnaprng tbe cbilbren o wealtb;g US
boctors for ransom.
wben be puts tbe
crime into action for
tbe fihb time, bowever1 be finbs himself
up against a
resourseful mother
betermineb to bo
an;gtbing to rescue
ber cbilb1 even if it
means sacrificin~ ber
own life. Tbe chi b
anb busbanb also
bave courage anb
imagination, bringing
unexpecteb twists
into a simp~ biabolical scheme at is
supposeb to be over
in .24 hours.
-Lucy Klein
6 SIZZLING
ALFRESCO SEX
SPOTS
1 The beach
3 The Pork
5 The backyard
Pros: Proximity to
nature. The Fresh
air, the shunshine,
the scent of flowers. Shelter, trees
and hedgers offer
protection From the
elements ond prying
eyes.
Cons: Proximity to
nature from wet
lawns to creepycrowlies.
Passers-by, people,
security or police
may stroll post.
Pros: Convenience
You're close to
everything you
might wont, rrom
chompone to cushions to COs. Proxlm1ty, creature comforts ore within
reach. Safety, your
at home, thus not
technically out in the
public, so It's unlikely you'd be
arrested even if
spotted (unless
you're on the balcony over hanging
the street, under o
spot light
screoming ..• )Cons:
It's unadventurous,
therfore not to
thrilling.
Pros: Romance. The
pounding waves,
beating sun ond
undulating dunes
really stir the libido.
Sun, It heats you up
ond Increases the
output of feel-good
hormones. Water
For Frolicking. Cons:
Sand, bring o blan4 The water
ket and ovlod windy Pros: The feel of
spots. Insects, use
water sooths, ond
non-toxic repellent.
lops around the
Passers-by, Sarongs
body, delighting the
make For quick
sensualist
cover. Lock of
The wet look. If It
safety at night, toke wasn't sexy, why
6 The lonewoy
o torch and ot least . would so many od
Pros: The convenone blanket (for the
Ience They're usually
campaigns feature
chill)
just around the
It? The float Foetor
corner. The thrill
makes lmpossoble
2 The Cor
there's o good
postions feasible,
chance someone will
Pros: Relative Secueven easy. Cons:
rity
walk by. Trash
Lock of lube, it con
foetor if you get off
get washed owoy,
you con drive owoy
on tacky, this Is
if you're discovered.
ovoid withdrawing
Comfort you're
Ideal. Cons: Discomcompletely. No
fort dirty, hard
weather proof. Thrill footing makes
street surfaces,
giving head and
foetor, recapturing
that teen passion is
other things difficult. rubbish bins. Our
port of the fun.
tip: Keep your
Cons: Lock of space.
on, and
Your ability to
it a standing
Lock of
spread out is reinm,nn•·"' dirt from
stricted. Identificaused condoms to
tion, that damn
stinking garbage,
licence-plate
the turn offs ore
number! The horn
and the hondbroke
try to ovoid them
oil costs.
lEGAl POStIf you're caught In
logronte, It could
be more than
embarrassing.
Under the summary offences Act
In NSW, and similor lows In other
ustrollan states
and Territories, It's
illegal to engage
In any behaviour
In public that
might offend a
"reasonable person". Which
means It's safe to
assume that such
a person could be
offended by the
sight of you havIng sexual intercourse or oral sex
utdoors, soy
legal advisers,
choose your spots
nd times wisely.
Check the area for
passers-by and
have a blanket
handy In case
you're sprung.
Nicotine Dreams
TheP/qyets
The conholler.
Selects the dre<~mer.
Oversees the dreom.
A color speciolist renowned for her vibront. ocid fl<Jshb<Jcks <Jnd
visu<Jis.
Everybody's F.vorite Mistress.
The cre<Jtor of wet dre<Jms.
Extr<Jcts people <Jnd pi<Jces from the dreomer's memory ond ploces
them throughout the dre<Jm for the others to find <Jnd pi<Jy with.
Apprentice to the Moster.
Prince of Dorkness.
Nightmore technici<Jn extr<Jordin<Jire.
Controcts himself out to other crews, so is not <JV<Jiloble <JII of the
time.
converging of minds, <JII troined in the ort of dreom moking. They ore sqttered
1;nrc:>uohout the world, hoving no n<Jtionolities <Jndno prejudice. They have never met
Dh\'Siclllv but cqn e<!sily identifY e<Jch other by their extr<~-sensory vibr<!tions <1ncl the
behind on unsuspecting minds. There 0 re m<1ny clre<!m crews simil<!r to this
They <JII c<~me together by ch<Jnce; c<!ll it F.te or simply <1 m<1tter of greot minds
necti'nc:l" through their 4wesome powers of ESP.
the first time,M<!ster Ceeie h<Js left it up to Little Wren to scope the world <111d
upoh il mincl th<Jt she feels is in need o( <1 little unconscious <!clventure. Just for
record let's c<1ll him John.
night time somewhere in the worlq; the crew <Jssembles in the mind-sp<!ce of the
M<J~;ter. They come in <JII sh<Jpes ond sizes; however they see fit to portr<Jy themselves <1t
time; depending on their mooqs. Kinkst<!r, 'l shiny, bl<1ck b<ill ofi<Jtex is first to
rrive on the scene <111cl obviously keen to pi<Jy, T<Jmehje, unsure whether or not to
the young <Jpprentice's judgement, h<Js her reserv<~tions. She h<ls chosen the form
<1 giont syringe in orclerto suck John's deepest, d<Jrkest secrets out of the V<!ults of his
mernorv. A wicked, Cheshire smile spre<Jd <~cross the width of Kinkstor's boll, she knows
is going to be <l good one <Jnd she is ple<~seq. Andl<1st up is Miss Melt who tumbles
in <l flurry of fluorescent-colorecl, fuzzy things <Jncl 'l big "Hello sweeties".
Ma:ster Ceeje t<Jkes them through the <lirw<Jves to where John h<ls begun snoring
cor>ter>tlv. His mind sucks them in hungrily- so much so th<Jt the crew <lre momenrily <JI<!rmecl. Moybe this W<lS wh<1t <~ttrocted Little Wren in the first pl<!ce, the F.ct th<Jt
W<!S so eosy. M<iybe it W<!S <l tr<lpl After 'l few minutes of feeling her woy <~round,
'M>·'t"' Ceeje decided th<1t <JII wos ok, ond they <~II set to work.
am~~hieextr<~cts the
first thing she comes <Jcross- stors. John's he<lcl is full of them!
spl<!shes them with color ond softens the edges until they resemble <l huge
of multi-colored, psychedelic flowers th<lt flo<lt from the ceiling of John's grey
matter. Kinkst<Jr <1nd Wren c<Jtch them <1ncl stretch them, mol cling them into skimpy
for T<Jmehje's dr<!wn-out (o( John's memory) femmes to we4r. He h<ls cert<!inly
the ple<~sure of quite <1 few be<~uties in his time. M<Jster Ceeje <1nd Kinky put them
23
I orouncl them wos so thick thot the D~eom Ploye~ coulcln't b~eok th~ough, oncl out.
they we~e oil t~oppecl, thei~ next pion of ottock wos to hicle, wotch whot W<IS going
oncl figu~e out wh<~t to clo in o~cle~ to get out of John's ho~~icl minq. So they took
one roocl, which le<~cl owoy from the o~e<~ ond hopefully to <1 pl<~ce of s<~nctuo~·
~o<~d twisted its W<IY through <1 d<~~k ond spooky fo~est befo~e eventu<~lly winding its
b<ick to the woter's edge, whe~e they sow o boot <~t the end of <1 ~ickety jetty. As the
huddled close togethe~ ond focused thei~ minds outwa~ds looking fo~ Dexte~,
kst<i~ <~nd Melt went to investig<~te. Hoff w<~y <~long the c~umbling wood, Melt
stoppect. "Did you see thotll think the~e's someone on the boot."
g~<ibbecl Melt by the bock of his ove~olls. She W<IS sh<~king, "I'm scq~ed <~nd I
like this <~t <ill. Let's go bock to the othe~."
they ~<in, o huge, beoSt of <I m<!n imme~geq f~om inside the boot <!nd sped toW<!~S
ksta~ and Melt. It was the uncle! And just like a d~e<~m, they couldn't move their
fitst enough. Mossive honds a~mo~ed in chain-metal, butche~'s gauntlets sn<~tchecl
Kinksta~'s hai~ ond d~agged he~ kicking and screoming b<1ck to the boot Melt t~ied in
W~estfing with his big finge~s to get her f~ee but WoS no match for this gross excuse
4 hum4n being and W<IS th~own like o ~<lg into the ~ive~. In the bo4t, the uncle held
boot on Kinkst<~~'s throat <IS he st4ned the engine <1nd sped off
The othe~ we~e wel14wa~e of the scuffle going on 4 hund~ecl mete~ 4w4y but thei~
ission was to find Dexte~, which they did! The tr<~nsmission w<~s cloudy and Dexter h<1d
h<1rd time comprehending wh<~t W<IS going on, but he knew that it w4s the girls ond he
they were in some kind oftrouble. He put out an urgent SOS to <~II the crews he'd
business with in the past, <1nd they in tum did the s4me for him until the gi~ls
eventuolly [ocqtecl.
the shon time it took for Dexter to get to John, Tomehje h<1d d~<lgged Melt out of
river ond Ceeje hod gone to the rescue of Kinkst<~r. Kinkstar, being the smooth
'""'>>fco>she is, tronsformecl herselfb<~ck to her l<1tex b<~ll<lnd slipped out from under
uncle's boot. He gr<~bbed he~ <lgoin oncl squeezed; she <~ltered he~ sh<~pe, <1nd m<~n­
to escope from his clutches og<lin before re<~~ing up large~ th<1n life <~nd sl<~pping
diny, son of o bitch so hord he fell, squeoling like 4 gi~l, into the river. Ceeje c4ught
with he~ [ust as she wos turning the bo4t around <1nd they he<1ded b<ick to the jetty in
sile11ce. Kinkst<~r's throot <~nd h<1lfher fitce was imp~inted with deep crimson blotcheshe~ string of pearls we~e gone.
B<1ck on semi-d~ l<1nd, the otherthree were hiding in some bushes funher up the wad.
were using wh<1t wos left oftheir combined energies to focus on Dexte~. Moste~
<1nd Kinkst<l~ <1m bled slowly up the din ro<~d tow<~rds the othe~ -they we~e
.exrl;;w>~:eq too.
low thud filled the <1ir, m<~king it vibr4te oll<lround them. It W<IS the thud, thud, thud
<1 1200cc H4rley D<~vidson engine- Dexter w0s coming ... Not on a H<1rley- in a
beat-up, piece of shit Fiat with two of the heads blown out of the motor, wind shield
that smeared _goop backwa~ds and forwards across the gl<~ss and a p<~ir of white,
dice hanging from the rea~ view mirro~.
chicks! In a bit of st~ife aye/ D'y<~ wann<l ~ide outto this shit hole o~ whotl" Meet
Dexte~: bi9, cuddly, gl4sses <1nd 4 smile <IS cute <IS a bug's ea~. No one eve~ knew ifthis
the fil1=<1de th<1t he pon~ayed o~ if it was just the w4y he is. The girl's loved him to
1
"It W<IS p~etty yucko gettin9 th~ough <1ll th<1t t<l~, bette~ th<~n any O<IP I've eve~
up with. An' it's no wonde~ you got <ill fucked up 'n' shit- this dude's 9ot <l
bloody nicotine P<ltch on- thosethin9s <~re kille~! Jump in."
Mel<~nie
25
English- Russell
Miss Melt throws in a disco ball and laser lights and as the girls wiggle,
becomes <!roused. Evety body is hoving <1 gre<1t time until T<!mehje stumbles <~cross
memoty; <1 whole string of memories, which <1re more cl<1rk <1ncl disturbing th<1n she's
seen before. She tries to withclr<~w but they hold her there as they force their way
the syringe, which is her celestial body. Images of pain and death! T<!mehje's
scre<1ms stop the others cle<1cl in theirtr<!cks, even the cl<lncing qisco bunnies stop
tum their pretty fuces skyw<!tcl to see wh<1t <!II the fuss is <~bout
<1re in <1 setting oil too f<1mili<1rto John- <1 pl<1ce he h<1cl thought W<IS locked <IW<IY in
-his uncle's rusty, old sh<1ck, on the edge of <1 fetid river. John's mind jerks <1ncl
writhes between the sheets <IS Miss Melt p<Jints the scene from murky brown to
blues <1ncl ot<lnges of morning. John's memoty of this pi<Jce is n<!sty! The crew
smell the stench from the river getting worse <IS Miss Melt's colors slowly fuclecl.
spl<1shecl more on but it W<IS <IS though the cl<rkness <1ncl filth W<!S e<!ting them up. She
never come <!cross <1 problem like this before, <1ncl r<!ising her fuzzy, little h<1ncls,
to the M<1ster for help.
¥\a~;terCeeje b<1rkecl out orc!ersleft, right <Inc! center, "T<!mehje, we need <1 new scene ...
lnVitmnc~. just m<1ke it h<1ppy! Wren, get up here with me! Kinkst<!r, get riel of these girls!"
won ch<!nge! I'm stuck... I'm ttying everything but I e<~n't even gr<Jsp <l memoty,
<1ll too slippety... Help me Ceeje!"
girls, bail out This show is offici<lly over!"
Nit·hru1t
Dexter on h<Jncl, the girl's hac! no control over the im<Jges, which oozecllike
over the withering I<Jnclse<~pe. They <Ill tumecl to le<1ve John's mine! but one by
cliscoverecl how impossible it w<ls. The tar, the S<!me substonce the rivet W<IS mode of.
cootecl the ceiling, milking its scum drip ominously onto the girls below. It W<!S too
for the crew to penett<!te. They grouped together <ltlcl m<1n<1geq to squeeze the l<1st
sickly substonce out ofT<Jmehje before she g<!ve up the guise of her syringe <ltlcl
forthe less complie<~tecl vision ofhertrue self. where she proceeded to throw up
tiolentlv into <I' short bush.
T<!mehje so vulner<Jble, the others olso dropped their fucqqes. It w<!slike the ultisense of bonding for the crew, <1ncl even though they were in the midst of extreme
jan.cer. seeing eoch other for the first time g<lVe them oil <1 W<lrm <1ncl fuzzy feeling like
cl never felt before. T<!mehje w<!s stocky with the <1rms <1ncl thighs of <1 wrestler, but
fuce, surrounded by <1 mop ofbl<1ck h<1it, W<IS pretty <1ncl kind. She W<IS we<1ring <1 robe
the kind boxers we<Jr <1ncl h<lcl two big curlers <Jt the front of her he<Jd, which m<Jde
seem fr<lil (or m<lybeth<lt W<!S just how she looked ofter <1 good rolph). M<tster Ceeje,
olq wom<n who stood <!bout four foot t<1ll with <1 m<!ssive, silvety-white bee-hive,
<1 bi<Jck <1nd gold, 161h Centuty gown, <Jnd held <1 c<!t-o-nine-t<ils in her pudgy, little
. The Kinkst<!r W<IS t<!ll<lnd eleg<1nt, dressed conserv<ltively in <1 fine, lt<1li<1n suit <1ncl <1
of pe<!tls wr<!pped tightly <!round her thro<!t. Miss Melt W<lS just <1 kid. 'She' W<!S
<1 'He'; <1 little bl<lck elude, we<Jring <J p<lir of p<Jint-spi<Jttered, cut off <lt the knees
ovelt<lllsth<Jt were held up by <J buckle over his left shoulder. They <lll tumeq <trounc:l to
with <tstonishment <Jt Little Wren. She w<Js <1 fetus, flo<Jting in the <lit, inside <J
~ubble, which W<IS her mother's womb.
ile the crew W<IS busy sussing e<Jch other out, the disco bunnies were tufning to qec<Jy,
limbs fulling to the ground <JS they m<1cle their w<Jy into the river. John's memoty of
<lS young femme fut<1ls w<Js over-riqden by the q<rk h<ppenings of his uncle's e<~bin.
is where John h<d brought them <tfter dinner <1nq q<ncing. And this is where, one by
they h<l£1 been r<lpeq, tortured, <lncl fin<JIIy sl<1in by the brut<ll h<Jncls of his uncle.
let's <JII up <1nd out of here!" M<ster Ceeje W<IS the first on the move. The scunge
24
jvkes jvkes jvkes
~nefim i{f"''1; 1M ~A-} fit is runnin'
Muun~ th-e. J~re.st whe-n he. C.Pit1-e.S A-c.fi'SS Aqi;A-tfe.wM is in the.?:~uss ~utti~
"f.
h,~wl,i~tjA-n e.Mrlt1-11USJ"~nt. 9~rA-f{e.
9irA-Jte.f" ilt1-flure.s th;. rA-PPit. "Wh.tt ~"
ttuu wA-nt tu ~" ~ru~sf C.l1/t1-e. A-lm' A-n~
run qA-itlf. with.lt1-t. inste.A-~."
MP1fel{, 9irA-f{e. stu?s ruttin' h.is juint A-n~
juins Mr ~A-}"bit in h.is e.xursic.e., fut the.
?A-fr h-A-s unttt fun runni~ frr A- fow
lfl,~nute.s wftl.n the.tt C.l1/t1-e. A-c.ri'SS A-n e.tt.}'_fi.A-nt ~ui~ tims uf c.uc.A-im. Mr ~A-PPit
?i!'.e.s ul' "''A-in: "I.te.fh.A-nt, e.te.?h.A-nt.
wh.tt lf._u ~uu ~" ~ru,sf &u~t1-e. run with. us
inste~!
:Sure. e.nuu'h., the. e.te.?h.A-nt stur A-n~
juins the. twu runne-rs. The. triu srint fur
A- c.uu1'te.uj1c.ilult1-t.tre.s, A-n~ sum c.u~t1-e.
A-c.rm A- t~un pre.fMin' tu Slt1-Uke. A- c.rA-C-1<.
ViA-t. ".l.iun, tiun." c.rie.s the. rA-ffit. "Wh.tt
~u ttuu ~" ~ru,sf &u~t1-t. run with. us inste.il4_."
The. 'fiq c.M te.ts uut A-lt1-i,h.ttt ruM A-n~
te.A-rs the. rA-}}it tu Slt1-itM.re.e.ns.
"1M" the. 'irA-ffe. A-n~ the. e.te.?h.A-nt c.~."
wfi.'J ~i~ "'J.UU (u tfi.Mf A-tt M WM trtti~
tu ~U WM he.tp f111U uutf"
"PA-It1-n Mr ~A-'fofitf" ruA-rs the. tiun.
"'ffe.'s A-lWA-tt_S lt1-A-'k.in' 1t1-e. run Muun~
the. fure.st w'he.n he.'5m Sfe.e.~f''
A-lt1-A-n wA-t'k.s u! tu A- WU/fl,A-n in the.
PM. "]!.xc.use.lt1-t. 'he. SA-tts, "I'~t1- ~11in' AsurVe."'f. Wuut~ "'J.PU ste.e.1' with. A-lt1-A-n ttuu
~i~n't'k.nuwfor $t~t1-ittun fuc.'k.sf"
The. Wlllt1-A-n 1t1-utts the. J!f11f11Sitiun 1111e.rj11r
A-lt1-inute., A-n~ the. S~t1-~te.s.
"tje.s" she. re.rtie.s "I w11ut~ ste.e.p with. ""
lt1-A-n I ~i~n 't 1c.J. n11wj~~r A- 1t1-ittim fuc.'k.s. "
The.~t1-A-n nue{s. "Inte:re.sti~ .• wuutt{ tt"u
ste.e.1' with.~t1-t.f~r !Od". Insutte.~ tfJ
W(!lt1-A-n snurts, "~/ c.uurse. n11tf" she. c.rie.s.
"'ff-IIW C.IIUt~ ttiiU e.Ve.n M'k. Suc.fl. A- tfl.i11-Jf"
"We.tt we.'Ve. A-lre.~tt e.stA-}tishe.~ th-A-t
"'JIIU Me. A-wh.ure.," Iii re.J'tis. "1{11w I'~t1- just
fi,""''tin' uve.rthe. ric.e.."
Wh-A-t is h.A-i"1 11n the. 11utsie{e., 1t1-uist 11n
the. insie{e. A-ni( h.M~ tu 'e.t intd
A-C.IIC.IInut!
9~'~-"1 ~M~ 1'1- qfwstt"1. 1/(lic.e. rme. niqkt
5Mf~n,, "Cluitf-JPUrj(lfr, se.tt fj(IUrfwus~,
tl'l-'k.e.f-JPUr ftl-(111-tf-J 1'1-n~ ff(l t(ILM V~M.
'ffe. i1.Mrt~ t~ 1/(lic.t e.Vt"'j ni'h-tj11r 1'1ftl,!mth-, !?utjiMttf-J ~i~ M tM. vPiu instruc.te.~.
1
r\-5 $(1(1n M ~ 1f11t t~ J'tl'l-nt t~ v11ic.e.
51'1-ie{, "911 t11 t/U rPUte.ttt tp.,frte." W~n ~
'(It thi.rt, t~ v11ic.t sl'l-i~ "Put p.,tt 1-f(IUr
ftl,(lntfj (In 17," 9M1f 11frtfjt~. T~C.r(IUJ'itr
spun t~ wM.it. rM J,p.,U t~n~~ 11n L.t.
1'~ 'fwsttf-J 1/(lic.e. 51'1-ie{, "l>u,e.r!"
wh-M's t~ ~iffre.nc.e. !?e.twun ""'wh-ite.
11nim, p., Pri1Wn 11ni11n p.,~ p., twe.tve. inc.hftnisi'
1{11th-i~ - t~f-J p.,tt hin' 1'1- te.M t(l 1'1\il(lftl-1'1-n 5 tf-Je.·
27
Koori
News
Getting Together
Every Thursday and Friday a group of us Koori girls get together with our teacher Cath to
advance our skills in numeracy and literacy. Our groups together are sometimes a good
laugh for us girls but on the other hand can be very serious. We talk about a lot of things
when we are together ranging from our culture to our Maths exercises! We also learn a
lot from each other. Our aim in the group is to help our fellow Koori girls with their time in
gaol an to show them .that there are people in this place who care.
We are currently in the process of developing an Aboriginal Womens Committee at Mulawa which will be in the best interest of:
..J
Young offenders
..J
Support network
..J
Resources
..J
Rules and Regulations of Corrective Services
..J
Unity
This group also hopes to make it easier for the Koori girls to know what the womens' gaol
system has to offer such as:
"
Education courses available eg.( programs that can lead to further
education or employment )
..J
Relby House eg.( Welfare , D&A & Psyche)
Our teachers' name is Cath she is a Murray (Queensland) and she takes the time out each
week to come and share with us girls her knowledge on Aboriginal culture as well as the
things we all hate doing eg. Mathsl Cath is a very easy going lady who (whether she likes
it or not) means something to us girls. Cath is also helping us tackle issues such as :
..J
Domestic Violence
..J
Self Esteem
..J
Confidence
if you are interested In learning about these certain issues, please feel free to talk to any
one of the girls involved in the group. Or if you can't get a hold of any of the girls come
along to one of our classes which are on Thursday and Friday 9:30-12:30 at Blaxland.
From L to R: Tracy Silva, Lynda Rich,
::.aJmanw1a Button, Melissa Riley and front
row Is teacher Cath and Kellie Esposito
28
A Juv~E~que«~e-wel4'p~cw01M'\.Cl/-to-cv ~ offr{¥w.
the, 3 queM:''-"'""W ~were-:"
l) What"do-yowthiMJ<,ofY~ girW~he¥e-for "cvd.<;ty i.wthe.-gaoV' t&!M"What" i.t'!.
2) Vo-yowthiMJ<,that"wprowCNW~~~t'h#couldJve-hilped-yowcwcvjwv~?
3) What"cwe-~ofthe.-~yowwouU;i;po1Mtoutt"o-the.-g-W4-ctbot.d;"luw~t"o-be-he¥e-7
~cw"' ~of the.- t:l+"14WIW!" w"' re.ceVved-..
~7
l) I thiMJ<, i.t'!- cv ~
d.e.t!we4'\t cw tortg.- cw
~~
2)CouU;l;'v"'~
~ OviWctUt 1"\C't
wort'fl,~he¥"'
u~
';5p'ttw !Jce,t;'hW
1) I thiMJ<, i.t'!- aw
ruyt+V"'~
ctbot.d;"~
~~
2) Yey,
l)I thiMJ<, i.t'IL be-
~yow-U{e;
~q l.owiW yow~
u~
1)W~ M't7
GOOtiL€1ql1Wi£.t1,ce,(o' them;
a.4o- !fWtWthemt 0!4'll
2) I'1t11 1"\C't .IW"e'
3) "11-w~ the.= o v e r of
gir 'the.bi:t~~hew
IM'l{t;W- the.- zy~ w
01'\ICI/ l.ot" ~
What-the.-
~.liew
2)No3)Umr tne.-"'w
re<tt.ow{OOd. officer!"
M't work.ero~~ Not'l-v
~~J..wymo'
..
d.lf{twe4'lt
atmofphe¥e; bifffliW
~ Ko~M'"£e.- ~ecp~
yowjtM.t" don! fuel<;
witliA
L~'Butl.e.r
'
~~hew
!-CW"'
.!lew
the.-~~w
i.w~yow.
J~
1) I thiMJ<, i.t'IL be-
~~~
1M" what" i.t'!- ~
2)Yey,~I
1)Y~w,
woul.dJv"' $tOpped-tothiMJ<, befor-e-I
woul.dJve.- ~ toc:k.ed,.
PIW~
'3rt'!- very lort.eo/,
yow~yow- clot"he4-
t;'hWwouU;l;
,!how themtwhat
wouU;i; N:tpp<WV if~
eo;s-of~IW.II
2)N(A
3)I~iM$
Seg.ro;
A~Cel4,
~~=~
themtoff
ofcri.!neo.
ASI G<WICOf"
- •
1) It'!-cv~~
to- .!how
G'!- what"
i.t'!"cUlt ctbot.d;" if the.~to-1-W"'the.-
Ufe.- of creme.- em
2)1-l'o/beA
3)"11-w .ltY£ctvl.e.w, the.-
l.ocJc, l.q> ~ no-
yould.-luweoto-wea.r
the.- clot"he4-provLde.d.(or yow
N~
if I
wcw
.!howr~tthe.- -v"'~
peccy of the.- plAce:
A4o-cw~cwi
WCWVII't" ~t&t:i;dk,
t"o-ruytO"I'I.e'that"
wouU;l;te.!L IW!/~
w 1"\C't W" 7x:ui.<
3) I wouU;i;{ir~
,!how themt i¥ld<M;.-
t"'WVII~~o; ~
I wouU;i; a40- h<;w"'
officer!"t:i;dk,to-the.g-W4-~be- meaw
t&themt~at"
Y~ the.- WOI""W!-
cw"'a.l.mo¢ ~OW"
(r~Iw
,!how themt~
ea.rw. I would.- a.4ote:l.Lthemthew Jwwd.tt wro-~plcc.ctW
~we)frx.ye; WledVcaL em
Naom.VVoww
i.t'!-cv~
~
~q~o;
~the.-dA.ffirtWtee/
betweew~~
U:ttl.eo
wome.wc:tct"~~~
OVIW,k ~cUlt the.~~
l) I thiMJ<,ttwouU;i;
~I'UI1U!Or,l:
j..wy.
yow-~
u~
1) It'!-
a:Ut:t:::::/
the.-
t'hW wro-
/,et'"~of
~W£th,~w-
they wouU;l; hwW
that" i.t'!" 1"\C't Cl/ CXM41p·
~e-qJ~
2) No; 1"\C't~i:t
wcwpl.ct.ce.<L i.w{nm:t
oflne/the.-M.y I wcw
borw.
3)"11-w lo.cJc, (.w OfUW
$«.CJv i.w~what"
~ Wa.i"lt:"t&dc-
IWI[orced.- cwthe.-
~ p~i.wwhat"
tt w~ deWe-.
CWCI/~~
~ofi:t~
tWtee/for~
~hew~
wome.w i.w we-yow
k.itow, yow litilV luw"'
2) No-
that"~
3)Iw~'t"
S"lwwowc
"K.ol.thryrlt
29
~~
2) Caw't" t:t+14WIW
I'\.IWIW bee-vt-tfuw"'
3) Yowca.w~"'"'
g-Wvor b- ~oo.,
l) No; I thiMJ<, i:t
COtA1d.- come- acrow
2) M'o/be-
p1.oLce-ro- be; Low of
Low oftree--
W~ccm.<l<
!eAf~i.wh<;w-
; &IW!/ i:t dce1.w't"
fa.rni.o/,
heUt
yecJ.,
3) Shew themt what"
i.t'!- ~to- 1-W"'yowUfe.- i.w~ w£th,
yow- {Y'e.edcmv~
(rOtW yov-~c:::;r~outthat"
• w
.-ea.uty ~t'h#w
whe¥"' yow d.ovv't"
1WeM~V
be-cv~e-qJIW!r
3)It'!-Mt"cv~
~
2)Shity~
1) I thiMJ<, i.t'IL b-
~ d.ep~ow
the.- office+o"o~~ h<;w~
~
l) Yey, I 00/:.(.elv"' i:t
wouU;l;be- "'~
k.itow that" yow h<;w"'
officer.!~ ~
to-~for e-very
u~
to-worlv~te.!L
themt hew f"J1MCh. yow
~ cw"' ~m:
2)N(A
3) It" 4fl!t" what" i:t
~
u~
2) It"wouU;i;how"'
hilped- IW!/t& 1M"
what" i.t'!- Ulce.:
3) h<;w~to-1-W"'i.w
~q hi-put" (.w Un.e.-
~cweo~what"
officer!"~~
~ nutJ<e, .!W'"'~
1) Y~w,
1) I thiMJ<, i.t'!- cv
~~ l.et"themt
!M"that"j~ wCl/ l.ot"
d.lf{twe4'ltto-whe¥eo
(re.edom.l No- Li{e4 No{r.<Xureo i.wthe.- zy.lte+n<
u~
~ WIWe- 1"\C't .lhowr~t
1) Y~w, ofccw-~
2) NeNIW bee-vt-t&
Jw.y
3) La® of dMty of
ca-re; by ~ofthe.-
/,et'"~of~
Arltl4tr~
~the.-dva.r~cw
wweo~whe.ruwer
u~
by: ;,.I:Jf.0' v·~
~Ly~'Ridv
'
tiealth
~
ueaub'
t:llmPIIed
,.
Sll
Is the
wu.-e llf bad
b.-eath'l In
.-a.-e t:ases It
t:an lndlt:ate
swmat:h Pl"llb•
lems. but usn·
allY It t:llmes
fnlm the
mlluth. due w
dental det:aY.
aum dlseade.
flloo stut:k
btweenthe
teeth. a di"Y.
mllutho ()I" ex•
t:esslve
badel1aladhtb'
lln the wunae
(llften t:aused
bY a sinus lll"
thl"llat lnfoc•
tllln). Lut:kiiY.
YllU t:an blast
YllUI" dl"atllln
b.-eath• he.-e's
h()'W w ambush
OOllUn
[[[~Vllid mlluth
l"lnses with Wll
mut:h alt:llhd.
as theY t:ause
the mlluth w
di"Y llnt and
smell mlll"e.
[[[~vdd stent:h
·lndudna
flllldS like llD•
illn and aal"llt:.
alsll. the hu·
man blldY Is
.-eaiiY unable
w dlaest sllme
elements llf
daii"Y Pmd•
;.,h•••
um.whlt:h
t:lluld make
smellY breath
Wllne.
[[[llrush YllUI"
wnaue as well
as YllUI" teeth.
[[[If the smell
dllesn't till
awaY. It's time
w all see YllUI"
dentist. Vel"•
slstent lll"al
lldllUI" t:an be
t:aused by aum
disease lll"
Wllth det:aY.
whlt:h llDIY
theY t:an fix.
Yllu dlln't fd·
lllW thiS
l"llutlne•••y()u'll
end uP with
Plaque build
UPo Whit:h
leads w aum
disease. Un•
treated. this
t:an lead w
pel"llldllntal
disease. and
subsequent
teeth lllss.
leavinu YllU
with the name
"uummY bear'.
want a bette.ext:use'l.
tiULTti"'
"Tread sllftiY•
brushlnu {()()
C3UM§
hal"dwean
f().fr. StePS dllwnthe
w lll"al hYGine: wllth's ham
enamel sui"•
SteP ()De:
fat:e. leadlnu
llrush twlt:e
w
stained.
dailY w fluht
supel"•sensltlve
Plaque. SteP
twll: f'lllSS dallY teeth.
w remllve anY *t3entle st:rub•
ben· may
debmthatis
need
a
dinSIIDSI f()
ha.-del"•bl"ls•
teeth. SteP
tied
brush. If
th.-ee: 111nse
nllt. stlt:k with
with an anti·
Sllft. w me•
bat:tel"lal
mllnthwash w dlum·bl"lstled
brushen.
blast remain•
*lillw lllna w
ina bat:tel"la•
bi"USh• TW()
SteP fllUn See
a dentist evei"Y minutes. twlt:e
six mllnths. If dallY (atte.-
~(lUI"
J
30
beflll"e bed).
•Make su.-e w •
brush In a dun·
Ia.- mlltllln lln all
surtat:es.
•~ pea-sized•
blllb ()f f()()th•
paste Is all YllU
need• the
brushinu Is
whats lmPlll"•
tant.
*J1eplat:e YllUI"•
Wllthbrush
evei"Y three
mllnths (lln ave.-.
aue. ~ustralians
t:hanue thei.brush eve.-,
elaht mllnths·
eeeuw!J ~vdd
bat:tel"la bl"eed·
lnu amunds and
update%.
Msll thiS Is a tiP
flll" When YllUI"
llubide. t:hew
suaal"less aum%
this will PI"OOUt:e
ext:ess saliva.
whlt:h am as an
alkaline w the
adds In Plaque
that lead w
Wllth det:aY.
tnktn from CICP
QUICK TEASER!compiledbyNaomi
ACROSS
1)United States of .......
5) Fireanns
6) 24hr period
8) Post by internet
11) Toss, throw
13) Beginning
16) Found at Easter
19) Dogs wag this
20)Throwup
21) Collision
23) Steam, mist
24)Convent, monastery
26) Prehistoric bones
27) Unusual, wierd
28) Beef, lamb
31
DOWN
1) To be living
2) Hallucinogenic drug
3) Get on hands and knees
4) March, April and ...... .
7) In the past, long.... .
9) Wifes title
10) Cooking fat
12) Mystical creature
14) Tiny branches
15) Children, young
16) Additional
17) Beatie, Ringo ..... .
18) Add or subract
21) Found on fanns
22) Cut in two
25) Work shoe
p .S. I howe- "" YleW
pe<M'of p~ ...
8RIN(ji/t!JN Ill
I
I
I
~
--·
.
.
-·
----q.~..·
-..:f.......
-.... Sayings & Quotations
·.
:j
~
-~
"' Too bad all the people who know how to run a country are busy driving cabs cir
cutting hair.
"'When you have nothing to say, say nothing.
"' Study the past if you want to divine the future.
PG,~v~ornlm"-lnt
•'
-.......
in a capital society are but committies of the rich to manage the
affairs of the captialist class.
"'All charming people have something to conceal, usually their fatal dependence on
the appreciation of others.
..
•
•
"'In order to be a good liar, one must have a good memory .
* He who allows themselves to be insulted deserves to be.
* I think, therefore I am.
..
a woman has forgiven her partner, she must not reheat his sins for break- ,.
fast.
;::.
"' Nobody is forgotten when it is convinient to remember them.
..
--
-----
--
-
* Never complain - Never explain.
* I am free of all predjuice, I hate everyone equally.
.-•
"' There are no limits to human ingratitude.
"' If you can actually count your money you are not really a rich person.
* A busy person never thinks of their stomach, a lazy person is always
hungry.
• "' I am always prepared to recognise that there can be two points of view ... mine
and one that is probably wrong.
......
-•
I
..
-
t:;_.
...
33
•
/
Compiled by Lucy ~
..::;;-::- , ~ '
...:;:::;-
~--:::::--~-
... -
....
~
To the B side
girls & Butler,
Wsup! Wsup!
Not long to go
now, just 2
weeks!
Missing you all
like crazy
Take care and
love you heaps
Laura and Ang
Z)-&M~
9'.-:./;F A-H _de MUI
~ 9'..ta£,
~~~~
.. ~~. 'ID~
~
.
~~
:Kt/ZZtll!OoT.lL
I'm m!ss!T.l' yg ~r!. elo~
dey just wgso't t~oou~.
Cgo't ww!t to jo!T.l you
gt thtl ftlT.lT.lY ftl1!1».
1""<'1 you ht~tipS,
'Ms!
<lM~oJ~·
~=
To llf!f Pi!IP!f Mhd.
Keet lfOHf ltead Hf i!llfd
stdlf strolfg, love !fOil
diWdlfS !fOIIf t/IZ. J'd.Z
Joz
K.P
We BOTH KNEW THIS DAY
WOULD COME, WERE YOU
WOULD HAVE TO GO,
TAKE WITH YOU A PIECe
oF MY HEART. I'm GOING
TO MISS YOU
e
!OVERY-
THING ABOUT YOU, I
TRilASURE YOUR FRIENDSHIP , LOVE
e
CHERISH OUR
TIME TOGETHER. I'LL HOLD
To TV!e 'Pt;1ckwge Det;1~
idli\,g.s;,
Ali\,vl so tVie bClttle
COI/\,Hii\,L-te.S...MCl!j ti1e
force be w~tVi !jOL-t Cl~~.
we ~ove !jOL-t,
T-'Pot .§. Q.ueel!\, 'E.
~~~.
~A'~
To my dearest friends
at Emus'
WHEN YOU LEAVE YOU
To Wiggles,
Thanks for sticking
b1,1 me, and being a
good friend.
Love vou alwavs.
~~AI~
~/Mde
CLOSE OUR MANY HAPPY
YESTERDAYS WHERE NOT A
PAY WENT BY WE DIDN'T
LAUGH AND I'LL LOOK
FORWARD TO THe MANY
WONDeRFUL TOMORROWS
WE •LL SHARE TOGETHER,
Robbo & Leevi
Roula & Thomas
Soky, llsha & Shakita
& Jade and lzak at the
TC
Please know even
though I'm not there
!hold you all close to
my heart.
SKIES .MAY SHATTER
MOUNTAINS MAY
DIVIDE & OCEANS
MAY RUN DRY
BUT MY FREINDSHIP
FOR YOU ALL WILL
NEVER DIE
Remembering many
happy yesterdays
D'Amico
~NOW YOU'LL ALWAYS BE
ON MY MIND
eIN MY
DREAMS,
TJ)
To Joe
I miss qa,
mq babq,
am lhinkinq of qa.
Take OOPe of qouPself fpom
me
34
'JAILBREAK'
2SER I 107.3fm
; 'Jailbreak' is a program
· focussing on prison <in~
health issues for prisone!'S, ex-prisoners, rnenqs, 1il
I
·
an~ supporte!'S
prison reform.
!
I Copies of interviews are
' <Jvoilable- $4.00 For 3
progroms. (Prlsone!'S - i
free) Contact PRAID i
lj project, CRC Justice I
!I Support, 174 George St, I
I. Brooclwoy, NSW, 2007. :
li Phone: (02)9288 8702 II
1
,I
1
II
i
II
I';
I
I
'
I
I """"'..,.
I
!
a frexone
It depends upon the
appelite, nausea,causing
individual as fo whether
vomiting and abdominal
if will work.
1
If IJOU re
pain, constipation and
anxiety.
not read4 fo give up
don 'I mess with if
otherwise it will fuck
It is a hard
Nal!rexone is usually
programme to work
administered for up fo
through. The pro-
10 da4s after defoxifi-
gramme usuall4 lasfs
cahon. (You must defox
about one ljear,
firs! otherwise you go
Naltrexone is mainl4
info severe withdrawal).
used for opiod
Believe me those with-
dependanclj but can
drawals are fucking
also be used for alcohol
bad! You will feel
dependanCIJ as well.
chronicalllj sick. You
IJOU up.
enough lo !rack down
!he fucker who sold if fo
you- bat in low! Also
understand !here is no
miracle cure , so alo! of
support is needed as
well as regular counselling.
should also know that if
you have a shot on
How nalfrexone works
nal!rexone you could
is, if blocks the effects of
overdose.
heroin or other opiods
shot of nallrexone if will
fo the brain. The fable!
really fuck you up,
lasts
24-72 hours
If you have a
sending you info inslanl
If you are
depending on the dose.
withdrawal.
Usualllj IJOU sfarf with
supporting a large habit
a quarter of the tablet
if can kill you inslan!ly!
and work up fo a full
Like, if you are unfor-
!able!, People have
tunate enough lo live
complained
of side
through the inslanl
effects, those being :
withdrawals wi!houf
Depression, sleep
medication, after about
disturbances headaches,
24-48 hrs of intensive
loss of energlj and
care you 'II be straight
35
Naltrexone does not
have a physical
dependance.
If you don't wanlto
give up for yourself you
never will. Do it for
yourself no-one else.
P.S AJways use
exfreme care!
with
..... . . . . . ········ . . . . -·· . . . . . ". . . .
··-·····-- I
·····~-~.
I
I
I
,, ...
36
TI-l~ RUL~~
The
~fMALf always
makes Tllf RULfS.
The RULfS lite always subject to change without ~tiot notice.
No MALf can ~ossibly know all Tllf RULfS.
If the {fMALf sus~ects the male to know all Tllf RULfS
she must immediately change some ot all Tllf RULfS.
The ~!;:MAL!;: is nevet wtnng.
If the {fMALf is wtnng, it is due to a misundetstanding which
was the ditect tesult of something the MALf did ot said wtong.
The MALf must a~ologise immediately fot causing the misundetstanding.
The MALf must nevet change his mind without the ex~tess wtitten com:ent of ffMALf.
The ffMALf has evety tight to be angry ot u~set at any time.
The MALf must temain calm at all times, unless the ~fMALf wants him to be angty andlot u~set.
The ffMALf must, undet no citcumstances, set the MALf to know whethet ot not
she wants him to be angry ot u~set.
The MALf Is ex~ected to mind tead at all times.
The MAN who doesn't abide by the tules, can't take the heat, lacks backbone, is 11 wim~.
Any attem~t by the MALf to document the tules could tesult in bodily hatm.
If the ffMALf has P.M.~, all the tules may be null and void.
The ffMALf is teady when she is teady.
The MALf must be teady at all times.
37
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38
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;[
)
fharawal eamp
by Theresa eollins
In February this
year, and for the
first time, a 6 day
camp was held
for Koori inmates
at Tharawal.
The group consisted of 3 girls
from Mulawa and
11 from Emu
Plains. And not
forgetting the
staff who gave us
plenty of space
and showed us
that they trusted
in us, that we
could be trusted:
Laetrice, Roger,
Viv Rapo, Pat,
Tammy,
2 Parramatta
Custodials and
MacDiamond
from
Emu's.Aithough
it was designed
with the aim for
girls to learn
more about Aboriginal culture,
the camp also
included 2 nonindigenous girls,
which was great.
The site was on
Aboriginal land,
where they had
their own council
and were able to
offer people
work.
The converted
trams that we
stayed in were
really comfortable and had
everything we
needed.
The specific programs organised
for the girls (and
staff) for each of
the 6 days,
focussed on
Aboriginal issues, which ineluded: cultural
awareness, bush
medicine, traditiona! foods and
tools and how to
build campfires.
We also made
clapsticks, learnt
about the meanings and history
of Aboriginal
paintings, carvings, rock paintings, screen
printing and observed traditiona! songs and
dances. We even
carved an Emu
egg!
There was also
the important
lesson of know39
ing that It's possible to enjoy life
naturally.
Apart from all the
learning, we also
had lots of recreational time
with swimming in
the open surf,
the lake, spa and
pool, sat around
the campfire and
were waited on
by professional
chefs 3 times a
day. We didn't
want to come
home!!
We also realized
that we could
communicate
with the officers,
as we saw different sides not
only of them but
of ourselves
aswell.
On a whole, the
experience was
really impressive
with some of the
highlights being:
that I had the
opportunity to
learn so much
more about the
culture, watchin£
the dancing and
the digeridoo
playing.
The workers In
this camp can
assist Aboriginal
women by giving
you housing,
help you to find a
job and by giving
general community support.
Phone/Fax:
0246831375
To give you a
better perspective of our great
time away, there
are pictures on
page 40:
a) Cooling down
in the lake
b) Our hosts
c) Friends for
ever
d) One happy
group
e) A splash in the
pool Wow!
f) Man's best
friend
g) Tharawal Paradise!
~B-Ct?HS FO~
ALLJUST TO c®HT VOU ST.A~THVoooo
VEGeTABLe TEMPURA
1Capsicum, cut into thick strips
I Zucchini, cut into long strips
8 Large mushrooms, halved
MUFRNS
i 3/4 CIA.:PS S.R. fLOUR
Broccoli and Cauliflower bits
i/2. TS:PN lSAI<.I NL( :PO\Iv'I>E'R
3/4 CIA.P SIA.L(AR
Pumpkin, cut to 5mm strips
3/4 CIA.P MILl<.
Carrots, cut into I em strips
3 TlSLE' SPNS ME'LTB> lSIA.TTE'R
i
*Anlj other vegetables lJOU desire*
e.:c;c;
Bane,
Acici C!LL together Ci~Aci ~MJx. weLL but cio ~ADt
bee~t or aver vvctx..
?LC!c.e ~""'weLL gree~seci vvcuffi.""' tYC!tJS.
'!SCI ize iS'OC-=00C for iS-2.0 vvct~AS or UV\-HL
goLcieV\- brOWV\-.
(Acici ow"' ex.trC!s to vvctx. tf req u~reci te:
C.C!Yrott, lSCIV\-CIV\-Ci, c.Vioc. b~ts.)
150g plain flour
lfeaspoon baking powder
1egg yolk
350m/ ice cold water
Dipping Sauce
3 tablespoons sugar
3 tablespoons light soy sauce
225m/ chicken stock
TQfUSPAGHfW SAUCf
1/2 feaspoon crushed ginger
2 onions, diced
2 cloves garlic, minced
vegetable oil
g large tomatoes, diced
2 capsicums, diced
~ approx. large mushrooms, sliced
1carrot, grated or diced
1cup water
1bay leaf
1packtlt extra firm tofu, cubed
g tablespoons vegetable oil
1tablespoon soy sauce
*T chopped eM/; ;{desired*
To make the batter, sift the flour and baking
powder into a bowl. Mix the egg yolk with the
water, then gradually add to the flour mixture,
beating until smooth.
To make the sauce, gently heat the ingredients
together in a pan; keep warm.
Half-fill a wok or deep pan with oil. Once hot,
In a large pot, saute onions and garlic In oil for five
minutes.
Add tomatoes, capsicum, mushrooms and carrot, and
saute another g.4. minutes.
Add water, bey leaf, tofu, vegetable oil end soy sauce.
Cover and bring to a boil,
Reduce heat and simmer for 1 hour, slitting occasionally.
dip the vegetables into the batter and fry in the
oil until lightly golden, about 1 minute. Drain
on kitchen paper and serve immediately with the
dipping sauce.
13
I
'\
U/k+t we~ tnla tlze /zea;d o/- a~' we
dee~,~'~' tune, tlze
eallik r:uzd ~ eid.e mtlze ~ ·
d. U/iliw+d ~' /kJze co.u1J. k
r:uzd /kJze ~ k ~·
#.(J.
#.(J.
11Ut.e ~<we.~ ltedp!d. U/lt- ifO«' rvzadice ltedp!d, ~~<we. r:uzd
~wdt ~fM,akwttime.
MtwJjui~ ~ JvJai ~· ?4~~ rxmledL. Jt Joe&,~ co&t~irJ.~VU
~~· e~~~ ~r:uuJ'fO«'wdtm.ak111-<UUf~~·
UJe aLL need~~ ~ r:uzd lAue tr;.~Je/.ieue m. 1afuwt ~ m
on/Hd,/,at;te>M, tlze ~ o1- w.lt.a.t u <Jf!#«.J rm m tlze ~ ~, u ~ r:uzd Mi at
alL a/M.tli.a.ct.
Htil1.ad.e u Mi ir;. ~ 1m w.aie4,, 1/ze Htil1.ad.e u ir;. ~ 1m tlze ~ eallik, dwe/1../#trf r1eep4. milt~~ r:uzd ~~ ~
U/~, ~~rxmk/omvJ~attlze~dlut, tlze~
~ ~' tlze ~ o/- a~· U/e can cel.e.lwzk tlze ~ tltat aM~ m tk.ae
~~·
Peace u aLL~ ~U - m tlze I<J.Oldd., m
~, r:uzd udt/un ~U - m !U!4 ~ r:uzd
!U!4 ~· ()~'tee we kaMt ir;./oudt tltu
we wdt k k.eal.ed r:uzd ~·
U Mi a mai.te4 o/- /adiz., d U a mai.te4
rvzadice.
41
sense sometbin9
strange happening bere.
wb~ is it tbat tbe
9overnor never gets to
see blu.e~s tbat we fill
in17 wb~ ~oes tbe
miai\leman alwaJJS take
it u.pon bimselfl~erself
to stop tbem7 wben it
sa~s to tbe oovernor1 it
I
probabl~ is..
A11011
lr~all~ ca1111ot s~~ a
tms;ht future f11 this
jail, with all thofe
movemmts to occur
"Stas;e l to DaW11s"
ac DaW11s Is a
much b~tter area to
live 111 tha11 stas;e l ..
Stas;e l has most!~
l out6 , How ls this
a11 111ce11tlve to
behave? the 11ew
s;ove11or a11other
toolt at what she Is
proposl115 to bo.
It's not fllit that
~1!0~11! on tl!mand
should havo to ~ay ths
victims com~snsation
lsvy. S!o fllt it has cost
m9 ovst $250 and
that's bMidss ths filet
that thsts at!! tJO
victims as a tl!sult of
tho ctimss, which I
alledgedly committed!
Msl
A11011.
VJ'Ily ..!b tilt t-vbmtn
in VJ'yn..!JtnJJ ~b
t-vbrl<, e-viltn P.y ri:rM
it silMt..! P.t "' ~ilbi~t!­
Anm
Why is it an issue
for the lifestyle
girls to come out
for sports and
recreation, as
they were assured they would
be able to.
1think that the
medical staff need
more training,
including learning
people skills. More
importantly they
need to understand
that '2 panadols'
don't fix everything.
Anon
Wyndana inmates
mustn't be mixed with
Dawns Inmates, cos
we are Innocent till
proven guilty.
J-1..0 wannabe
C:ltis flail SilK!!!
An()n
TVie vL~eos tVietJ get
for ~.ts Me bloodtJ
-poXtJ! Arevvt we ,
~M.e14 ..,tto be geth"'g
..,ew rele[;lses O"-ce [;!
wee~? we ~M.Cl tl be
crLV~.-ts (well "-Ot [;Ill of
us) "B!A.T-ple[;lse cto..,•t
L"'sult our L"'tellLge..,ce! sto-p Lt wLt!-1
t!1e "B/G grClde "-0"-se..,se Lt•s "-Ot fu"-"'ti
[;1"-!jV\A.OYe!
:PolltJCl"-"-Cl?! G[;llClV!.-tLt!:J_)[;l"-e?! Ciet R.eCll!
A"-D"-
Really Concerned
I'm sicK and' tired'1
liearing girfs
wliinging about otlier
girfs wlio get some·
tliing or obtain a
6enifit or sometliing
_positive, fiKe extra
pecia( visits or a
ylioneca«. Can't you
just 6e fii!)J_p!Jfor tlie
_person, tliejact tfiat
tliey got a bonus? I
a{ways liear tliings
ilKe liow dld' slie get
42
tliatjob? wlio dld' slie
give '9' to on(y get 3
ear(y CocK ins, wlien
usua((y everyone efse
wou(tf get 7, or 1
course anyone efse
wou(d've gotten ti_p_ped'
is anotlierfavourite.
Come on glrfs we aff
Know tlie inconsistency
in tliis_p(ace-6ut d'on't
even start me on tliat
one. It's not tlie in·
matesfauCt, just tlie
jucKed' '9' system. It's
been ilKe tliisfor tfie
_past 10 years tliat I
Know rf. and' it d'oesn't
CooK ilKe it's getting
any better. !f you d'on 't
llKe it d'on 't come liere!
Anon
•
uick
UIZ
6. aeqis n-
11. hecfop v
A: flashy
A: lapse in judgement
A: to curse
A: stingy
B: flowery
B: protection
B: bully
B: hellish
C: fiery
C: seniority
C:disown
C: uncompromising
D: flabby
D: eternily
D: injure
D: clirly
2. panic n-
7. baochanal n -
12. ai'Cichnid n -
17. naPCissislic adj -
A: pain
A: drunken party
A: pimple
A: indecisive
B: relief
B: gradualion ceremony
B: ferlile land
B: very sleepy
C: mess
C: backache remedy
C: spider
C: very vain
D: fear
D: victory parade
D: complex design
D: just
18. thanatology n sfudg of
I. flo""l adj -
adj -
adj -
-
16. sfyqian
adj -
A: pililess
A: wrinkly
13. cupidity n A: thankfulness
B: reckless
B: quirky
B: ignorance
A: insects
C: changeable
C: quarrelsome
C: abundance
B: death
D: metallic
D: mischievious
D: desire
C: ouler space
3. mePCuPial
8. puckish
D: word origins
9, nectaP n-
14. mnemonic adj -
A: happy
A: pearl necklace
A: memory
19. chimePical n -
B: drugged
B: silk scarf
B: speech
A: nervous
C: foul-smelling
C: tasty beverage
C: hearing
B: unpredictable
D: citrus fruit
D: sigh!
C: unforgettable
4, haiCijOn
adj -
D: beneficial
D: imaginary
5. muse vA: to laugh
10. cyclopean
A: wise
adj -
15. pantheon n -
I
A: burning chemical
20. zephq• n -
B: create music
C: howl
B: giganlic
B: fancy !rousers
A: breeze
C: wealthy
C: lofty place
B:dog
D: think deeply
D: repelilious
D: safe shelter
C: horse
D: tornado
Answen On fYexl Page •••••
43
•
uick
UIZ
Answers
B. Proleclion;
1. floral- B. Flower~; as,
6. aeqis -
10. c~lopeon - B. Giganlic;
16. sf~ian - B.
the wallpaper had a bright
sponsorship; as, under the
huge; as, the cgc/opean lesl
Hellish; dark and
Uoi'O/ patlern. f/oPO, ancien\
aegis of the juvenile
cricket average of Don Brad-
gloom~. Stgx, a river in
Roman goddess of flowers
proleclion scheme, Aegis,
man. Cgc/opes, a race of
Hades.
and spring.
the shield or breaslplale of
lierce, one-e~ed giants.
the Greek god Zeus,
2. panic- D. Fear;
17. narcissislic - C.
11. hector- B. To bull~;
Ver~ vain; self-lovinq;
widespread terror; as, an
7. bacchanal- A
lhrealen. Hecfor, Trojan leader
as, the naPcissisfic
outbreak of Ebola led lo
Drunken pari~; org~; as,
slain b~ Achilles and porlra~ed
aclress preened for the
panic in the small village.
complaints lo the police
as a bragging menace in some
photographers. Narcis-
dramas.
sus, a ~oulh who fell in
Pan, friqhlening Greek god broke up the bacchanal
Bacchus, Roman god of
of nalure.
wine.
3, mercurioal - C.
love wilh his own
12. arachnid - C. Spider or
refleclion.
other insed; as, some arachnids
Changeable; fickle; erralic;
8. puckish- D.
have dead!~ slings. Arachne, a
18. fhanafoloq~ - B.
as, the decisions made b~
Mischievious; prankish.
maiden changed inlo a spider
Stud~ of death and
b~ the Roman goddess
Minerva.
d~ing. Tt.anatos,
Greek figure represent-
the coach were mePCUPica/ al Puck, a \rick-loving sprile
best. MePCu•g, Roman god or fair~.
of traders, travellers and
thieves.
4. hak~on - A Happ~;
peaceful. Ha/cgon, lurned
b~ the Greek gods inlo a
seabird thai could calm the
waves and wind.
5. muse- D. To think
deep!~; ponder; as,
Ra~mond Carver's short
stories made her muse about
her own wriling lalenl.
Muses, nine Gree.k
goddesses of the arls.
ing death.
9. neclaP - C. T asl~
13, cupidif~- D. Slronq
beverage; sweel liquid; as,
desire. Cupid, Roman god of
19. chimerical- D.
apple juice is necfar lo a
love.
lmaqinarq; unreal; as,
lhirsl~ child. Nectar, drink
of the qods.
alcohohsm can cause
14. mnemonic- A Pertaining
to memory; as, "fm:e II •ts a
chimePica/ visions.
mnemonic for the music notes
breathing monsler \hal
on the spaces of a lreble clef.
was pari serpent, pari
Mnemosgne, Greek goddes of
lion and pari goal.
ChimePO, a fire-
memorL:J.
20. zeph~r - A Soft
breeze; as, the storm
~ pc•nlhEon - C. Loft~
as, Maria Callas and
tapered off lo a zephgr.
Zephgrus, genial
Joan Sutherland are in the
Greek god of the wesl
pantheon of opera singers.
wind.
Pantheon, lemple for gods.
44
AT A DlSTADCE.
The sur; sf..or;e
t:.rigUly in the t:.lue
su~~er sky.
The t:.reeze WSIS
coul.J t:.ut touof..e.J
hi~ gently or; his
s~ootf.. white skin,
his t:.lue eyes Spcllrkle.J when the
gol.len rS~ys of the
sur; rejecte.! off his
irus it gS~ve hi~ S\1>
ir;Moent t:.ut shJJ 131
.levihsf.. kin.! of
i~l>ressior; or; his
fS~oe. He WSIS
oleS~r; sf..S~ven, You
ooul.J see Mt ~uof..
hS~ir woulJ f..S~ve
growr; there if it
WSIS Jet to. Little
wrinkles OSI~e an.!
went arounJ his
~outf.. SlnJ eyes
when f..e S!>oke,
constantly ~aking
s~aJl t:.ut Mhoeat:.le fS~oiS~l exl>ressions. Hs fir~ly
tor;eJ sf..oul.lers
ghster;e.l with oil to
~Sitof.. the rest of
his torso which
was at:.sort:.ing the
heS~t to ~;ioely tSin is
fir~ !.o.Jy. When
JOOJ~Jr;o at his t:.oJy
l Mhoe.J he f..a.J
little ):.ut hgf..t
t:.reasts which
shgf..t]y twitcf..eJ
when f..e raise.! his
han.! to wil>e the
.lrol>lets of sweat
rolling .!own the
si.les of his fS~oe.
l cant see the .Ji~­
l>les that l kMw
are or; his t:.uttooks
only a faint outlir;e
of the hgf..t pcllir
sf..S~~>e curves of his
of..ed. Hs long
legs are twiste.J in
a l>eculiar way
un.ler the chair t:.ut
l oar; shJl see the
hr;es of the ~uscle
in his flexeJ
carves. OOOH,
you startle.! ~e
ju~1>ing out of that
.!rea~ into reality
as he l>ulle.J ~e
close an.! kisse.l
~e, slowly l slil>
into aMther.
Written ),y
Kelly Casf..el
JUVf.NIL.E. .E.DUC:A TloN
P~RAM
I was as/:;ed b!f mlf friettd Traq If I
011ld 11/:;e to tartlcltate /11 a trogram tltat
WOII!d lte/fflllltf ltelf some 1f01111g girls /11 tire
j!MI111e)11St/ce SlfStem.
/, mlfSe/f tlt/11/:; fltat tit;$ f'Ogram We ltave
/11 ml11d for tltese 'Ifasmal girls wo11ld f;e of
great belfifit for tltese !fOHifg girls. f11st to
see gtTOI for tire dalf mf!ltt deter tltem (rom
comi11g ltere.
Wttlt be;itg t1tro11glt tltej!JVBI1ile S!fStem
mlfse!f I /:;11ow wltat some of tltese 1f01111g
girls WOI!Id be tlttit/:;1itg abo11t a tlace 11/:;e
tltl's, a11d all ;f bas!Calltf ;$ ;$, 'fear of tire
1111/:;11oW11'. A11d tlt;itgs 11/:;e 'lfea/f, we calf
f;italltf ltave a smo/:;e tit teace', b11t Wltlf 11ot
sltow tltese girls tltat a11 ad11lt gaol ;$ 11ot
abo11t ltav;itg a smo/:;e w1te11 we walft to a11d
;f ;$ dot more ltarder tlta11 a fl!vetttle Detetttiol1 Celftre.
I also believe tltat ;fa trogram 11/:;e
tit;$ was ;it flace /fears ago w1te11 I was at
Ifasmar, tlte11 malfbe I W011Id11't be wltere I
am todalf Ma!fbe tit;$ trogram w;ll ltelf
tltese 1fOHI1g girls, malfbe ;f wo11't b11t tire
fBOfle ;ifvolved ;it tit;$ trogram !feed tit;$
clta11ce to trlf a11d ltelf, beca11se eve11 ;fIt
stot's)Hst o11e or two girls we ltave made a
dltlere~tce.
At tire momelft we are ;it tire tla11111itg
stages of trlf;itg to get tit;$ trogmm llf
a11d r1111111itg a11d ltoteMitf ;f tJ/1 goes to tlal1
;f will be a ltaff811titg tlt;itg. If 11ot tlte~t at
I&Tst tire fBOfle ;ifvolved ;it tltt$ attemtt
ltave tried to ma/:;e a dltlere~tce a11d tltat
wltat ;t ;$ r&TIItf all a/loHt. ..ma/:;titg a dltlerBifce.
Tlta11/:; If011
L1f11da R.iclt.
45
for tho&e who tale fife too
&eriow&f~ o o o
the wb~~l'lS. Co~~l'let the wbo~e set.
A dey Without ~Ur.Jsblr.ll'l is ~lke, oi~t.
em the other btmd, you"'e ~ot diiTereot tm~,ers.·..­
I just ~ot ~ost lr.l tbou~t. It W@S Ur.Jtm!Li~~r tmif;oey.
'1:2.7 pereeot ot ~~~ st~tisties ~~re m~de up oo the $pot.
90 pereeot of ~~ers ~we the rl'lst ~ h~d oml'l.
I fee~ Uke Im dw~oP@~~y p~~rked lr.l ~ pm~~e~ Ur.JWerse.
'You bll\'!e the ~t to rem~lr.l s!Leot. .flDyt;blr.l~ you sey wm he misquoted, tbeo used
~~t~lr.lst you.
9. I wooder bo-w mueb deeper the oee~o wou~d he Without $f>OP~I'lS.
10. }rook if you ~~e pe~ee ~od quiet.
11. R.ememher b§~f tbl'l peoprl'l you koow ~~re herow 11\'!ert~~e.
12. 'Despite the eost ot ~wlr.l~. bll\'!e you ootieed bo-w popur~~r if; remt~lr.ls'?
1:!. Xotb~ is wo~-proof to ~ t~~ted fooL
1'1:. Atheism is ~ ooo-propbet or~iZ~oo.
15. J{e who rt~u~s ~~st tblr.lks s~owest.
1G. 'D~essioo is mere~y ~o~er without eotbuswsm.
17. F.~~l'lS mey so~~r. hut we~~e~s doo't ~et sueked lr.lto jets eo~lr.les.
18. i'hl'l e~~rry hird mey ~l'lt the worm, hut the seeood mouse ~ets tbl'l ebee~e.
19. I lr.lteod to rwe for~er-so t~r so ~ood.
20. 'Borrow mooey ~om 11 pl'l~simist-tbey doo't e~peet if; h11ek
21. It 'B~~rhie is so popur~~r. wby do you bll\'!e to huy her Meods'?
22.'My mlr.ld iS rJke ~ steer tr~p-!Lre~r ir.l ;{7 ~t~ti'JS.
23. ~upporl h~eterw-tbey t~re the oo~y eu~ture some peop~ bl!\'!e.
2'±. Wbeo ~eryt;b~'s eomlr.l~ your wcy, you're lr.l the Wroo~ ~~De ~od ~olr.l~ the wroo~
wey.
25. If ~t first you doo't sueeeed, destroy t~~~ ~ideoee tb~t you tried.
2G. f.ll;perieoee is sometblr.l~ you doo't ~et uom just @tter you oeed it.
27. Xo ooe is ~isteolr.l~ Ur.Jm you mt~ke ~ mist~ke.
28. The s~erity ot the iteb is Jwerse~ proporlioP@~ to the ~hi~ity to re~eb it.
29.'You o~er re~~~Y ~em to swe~~r UPm you ~m to drwe.
~0. The proh~ With the ~l'lPe poor is there tbt~t is oo ~ifesll\'!ers.
n A dl'lt~r eooseieoee is usu~tty 11 s~ of 11 h~d memoey.
~2. ~t ~ oe-w e~~r for your spouse-it'~~ he ~ ~relit trt~dl'l.
;{il. L~e mey he Hmd hut mmw~e is ~ re~t eye-opemer.
~'±. If 11t first you doo't sueeeed, theo sk;ydwlr.l~ iso't tor you.
1.
2.
il.
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7.
8.
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48
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51
----'-
it Hello. Welcome to the psychiatric Hotline.
II If you are obsessive-compulsive. please press 1 repeatedly.
it If you are co-dependent. please ask someone to press 2.
II If you have multiple personalities. please press 3.4.5,and 6.
It If you are paranoid- delusional. we know who you are and what you want.
Just stay on the line so we can trace the call.
tl If you are schizophrenic. listen carefully and a little voice will
tell you which number to press.
tl If you are manic-depressive. it doesn't matter which number you press.
No-one will answer.
~appy
:EiaStero o