2013 - Festival du Cinéma Américain de Deauville

Transcription

PRESS KIT DEAUVILLE 2013
EDITORIAL ................................................................................................... 3
THE JURY  .................................................................................................... 4
THE RÉVÉLATION CARTIER JURY  ................................................................ 17
THE COMPETITION  .................................................................................... 23
PAST JURYS & WINNERS ............................................................................ 37
THE PREMIERES  ........................................................................................ 43
UNCLE SAM DOCUMENTARIES  .................................................................. 62
TRIBUTE  .................................................................................................... 67
CARTE BLANCHE ........................................................................................ 87
DEAUVILLE SEASON 4  ................................................................................ 89
FRANCO-AMERICAN MEETING  ................................................................ 100
TWEET ME IF YOU CAN ............................................................................ 105
THE PRIX MICHEL D’ORNANO  ................................................................. 106
LUCIEN BARRIÈRE LITERARY AWARD ....................................................... 109
PRACTICAL INFORMATION  ...................................................................... 112
THE FESTIVAL PARTNERS ......................................................................... 116
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PRESS RELATIONS for the DEAUVILLE AMERICAN FILM FESTIVAL
LE PUBLIC SYSTÈME CINÉMA Tel: +33 1 41 34 18 36 [email protected]
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EDITORIAL 
The Deauville American Film Festival continues to explore the life of heroes in
American society – those who inspire us, or those with whom we identify. The
movies in competition, the premieres and the documentaries portray heroes
who often seem weary and demotivated, yet who are still curious to
understand what they are going through, and in the course of their trials, seek
to confront themselves. That is the narrative theme of a great many of the
fiction films in this year’s line-up. In search of identity, the characters in
BEHIND THE CANDELABRA, BLUE JASMINE, WHITE HOUSE DOWN, RUSH or JOE
all bear out this idea.
The competition is also shot through with a quest for reference points, probing
the roots of rural America to find meaning in existence, and demonstrating that
having one’s feet in the soil can be as good as therapy.
The theme of heroes revealed in the selection could have been the inspiration
behind the choice of Vincent Lindon as president of the jury, a genuine herald
of this competition. But that wasn’t the case. It was, in fact, the result of a
shared wish on the part of the Festival’s organizers to have him as president for
the past three years, and Vincent’s desire to share with us his ardent passion
for American cinema. It is the first time that an actor has headed the jury, and
similarly, the first time an actress – Valérie Donzelli – will preside over the
Cartier Révélation jury.
We continue to take an interest in the wider world of the moving image,
through the documentary section and Deauville Season 4, the former affirming
the longevity of the genre and its high standards, the latter affirming the future
of original writing and the influence it can have on cinema.
The Festival is always keen to encourage debate through meaningful dialog and
fruitful exchanges, and this will be on offer in abundance through the Film
Corner, the masterclasses, the literary award, the Prix Michel d’Ornano, the
Nuits Américaines, and much more. As we like to say, cinema is always better
when we talk about it.
The many contemporary films on show should not let us forget the history of
this art and those who forged it. We will pay tribute to them in the shape of a
producer without whom the movies would not be what they are today, two
actors and an actress who have all played modern-day heroes, and for the first
time this year, Deauville Legend will provide the occasion to honor a
personality who has visited Deauville, or who has made an outstanding
contribution to cinema before they passed into celluloid legend.
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THE JURY 
VINCENT LINDON
Actor, screenwriter & director
Jury President
© Bruno Lévy
 SELECTED FILMOGRAPHY
Actor
2013
2012
2012
2011
2010
2010
2010
2008
2008
2007
2006
2006
2005
2005
2005
2004
2003
2001
2001
MEA CULPA by Fred Cavayé
AUGUSTINE by Alice Winocour
BASTARDS by Claire Denis
A FEW HOURS OF SPRING by Stéphane Brizé
ALL OUR DESIRES by Philippe Lioret
MOON CHILD by Delphine Gleize
PATER by Alain Cavalier
WELCOME de Philippe Lioret
MADEMOISELLE CHAMBON by Stéphane Brizé
ANYTHING FOR HER by Fred Cavaye
COULD THIS BE LOVE? by Pierre Jolivet
THOSE WHO REMAIN by Anne Le Ny
CHARLIE SAYS by Nicole Garcia
LA MOUSTACHE by Emmanuel Carrère
L’AVION by Cédric Kahn
LA CONFIANCE RÈGNE by Etienne Chatiliez
THE COST OF LIVING by Philippe Le Guay
FRIDAY NIGHT by Claire Denis
THE WARRIOR’S BROTHER by Pierre Jolivet
4
2001
2001
1999
1998
1998
1997
1997
1996
1995
1995
1995
1993
1992
1991
1990
1990
1989
1989
1988
1987
1986
1985
1985
1984
1984
1984
1983
DAY OFF by Pierre Jolivet
CHAOS by Coline Serreau
KEEP IT QUIET by Benoît Jacquot
MY LITTLE BUSINESS by Pierre Jolivet
THE SCHOOL OF FLESH by Benoît Jacquot
SEVENTH HEAVEN by Benoît Jacquot
PAPARAZZI by Alain Berberian
FRED by Pierre Jolivet
LES VICTIMES by Patrick Grandperret
LA BELLE VERTE by Coline Serreau
VITE STROZZATE by Ricky Tognazzi
LA CRISE by Coline Serreau
TOUT ÇA POUR ÇA by Claude Lelouch
LA BELLE HISTOIRE by Claude Lelouch
NETCHAIEV EST DE RETOUR by Jacques Deray
GASPARD AND ROBINSON by Tony Gatlif
C’EST LA VIE by Diane Kurys
THERE WERE DAYS... AND MOONS by Claude Lelouch
L’ETUDIANTE by Claude Pinoteau
A FEW DAYS WITH ME by Claude Sautet
A MAN IN LOVE by Diane Kurys
HALF MOON STREET by Bob Swaim
BETTY BLUE by Jean-Jacques Beinex
COPS HONOR by José Pinheiro
L’ADDITION by Denis Amar
OUR STORY by Bertrand Blier
THE HAWK by Paul Boujenah
Screenwriter
2013
LA BOURGEOISIE
1998
PAPARAZZI by Alain Berberian
Director
2001
CYRANO – short
During the Award Ceremony of the Deauville American Film Festival, two
Prizes are awarded by the Jury: THE GRAND PRIZE and THE JURY PRIZE.
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LOU DOILLON
Actress, composer & singer
©DR
2012
2011
2009
2009
2007
2006
2006
2005
2003
2002
2001
2000
1999
1998
1997
1987
A CHILD OF YOURS by Jacques Doillon
POLISSE by Maïwenn
BAZAR by Patricia Plattner
GIGOLA by Laure Charpentier
GO GO TALES by Stéphane Brizé
SISTERS by Douglas Buck
BOXES by Jane Birkin
LA VIDA PERRA DE JUANITA NARBONI by Farida Belyazid
THE HOUSE OF VOICES by Pascal Laugier
SUMMER THINGS by Michel Blanc
BLANCHE by Bernie Bonvoisin
FREAKY LOVE! by Jacques Doillon
MAMIROLLE by Brigitte Coscas
BAD COMPANY by Jean-Pierre Améris
TROP (PEU) D’AMOUR by Jacques Doillon
KUNG-FU MASTER by Agnès Varda
 DISCOGRAPHY
2012
PLACES
6
JEAN ECHENOZ
Writer & screenwriter
© DR
©DR
BIBLIOGRAPHY
2012
2010
2008
2006
2003
2001
1999
1997
1995
1992
1989
1988
1987
1983
1979
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DES ECLAIRS
COURIR
RAVEL
AU PIANO
JEROME LINDON
JE M’EN VAIS Prix Goncourt
UN AN
LES GRANDES BLONDES
NOUS TROIS
LAC
L’OCCUPATION DES SOLS
L’EQUIPEE MALAISE
CHEROKEE Prix Médicis
LE MERIDIEN DE GREENWICH
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HÉLÈNE FILLIÈRES
Actress & director
© Benni Valsson / Modds
Actress
2013
2011
2011
2010
2010
2009
2008
2006
2005
2005
2004
2003
2002
2002
2002
2001
2001
2001
2000
1999
1999
1999
1998
BASTARDS by Claire Denis
LES PAPAS DU DIMANCHE by Louis Becker
COMING HOME by Frédéric Videau
LES AMANTS by Nicolas Klotz
HIS MOTHER’S EYES by Thierry Klifa
THE WEDDING CAKE by Denys Granier-Deferre
LA GRANDE VIE by Emmanuel Salinger
GUILTY by Laetitia Masson
LADY CHATTERLEY by Pascale Ferran
CALL ME AGUSTINO by Christine Laurent
DE PARTICULIER A PARTICULIER by Brice Cauvin
LA FIN DU REGNE ANIMAL by Joël Brisse
FRANCE BOUTIQUE by Tonie Marshall
VARIETE FRANCAISE by Frédéric Videau
A MAN, A REAL ONE by Arnaud and Jean-Marie Larrieu
FRIDAY NIGHT by Claire Denis
SEASIDE by Julie Lopes-Curval
NEAREST TO HEAVEN by Tonie Marshall
A HELL OF A DAY by Marion Vernoux
SEASON’S BEATINGS by Danièle Thompson
TONTAINE AND TONTON by Tonie Marshall
OUCH by Sophie Fillières
MAYBE by Cédric Klapish
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1998
1998
1996
1996
1995
1994
LES KIDNAPPEURS by Graham Guit
VENUS BEAUTY INSTITUTE by Tonie Marshall
MORE by Pascal Bonitzer
PASSAGE A L'ACTE… by Francis Girod
ADULTERY: A USER’S GUIDE by Christine Pascal
GRANDE PETITE by Sophie Fillières
Director
2011
TIED
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XAVIER GIANNOLI
Director & screenwriter
©DR
2012
2008
2005
2004
2003
SUPERSTAR
IN THE BEGINNING
QUAND J’ÉTAIS CHANTEUR
UNE AVENTURE
EAGER BODIES
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FAMKE JANSSEN
Actress & director
© DR
Actress
2013
2013
2012
2011
2010
2008
2008
2008
2007
2007
2006
2005
2004
2004
2003
2001
2000
2000
2000
1999
1998
1998
1998
THE WOLVERINE by James Mangold
HANSEL AND GRETEL: WITCH HUNTERS by Tommy Wirkola
TAKEN 2 by Olivier Megaton
DOWN THE SHORE by Harold Guskin
THE CAMELEON by Jean-Paul Salomé
THE WACKNESS by Jonathan Levine
TAKEN by Pierre Morel
100 FEET by Eric Red
THE TEN by David Wain
TURN THE RIVER by Chris Eigeman
THE TREATMENT by Oren Rudavsky
X-MEN: THE LAST STAND by Brett Ratner
EULOGY by Michael Clancy
HIDE AND SEEK by John Polson
X2 by Bryan Singer
DON’T SAY A WORD by Gary Fleder
HOUSE ON HAUNTED HILL by William Malone
X-MEN by Bryan Singer
LOVE AND SEX by Valerie Breiman
CIRCUS by Rob Walker
ROUNDERS by John Dahl
DEEP RISING by Stephen Sommers
THE GINGERBREAD MAN by Robert Altman
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1998
1998
1998
1997
1995
1995
1995
THE FACULTY by Robert Rodriguez
THE ADVENTURES OF SEBASTIAN COLE by Tod Williams
CELEBRITY by Woody Allen
MONUMENT AVE. by Ted Demme
LORD OF ILLUSIONS by Clive Barker
GOLDEN EYE by Martin Campbell
CITY OF INDUSTRY by John Irvin
TV
MELROSE PLACE, ALLY McBEAL, ALIBI, THE FARM, NIP/TUCK
Director
2011 BRINGING UP BOBBY *
*also screenwriter and producer
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PIERRE LESCURE
© DR
Pierre Lescure is Director of the Théâtre Marigny in Paris. A graduate of the
Center for Journalist Training (CFJ), he has worked as a TV presenter, producer
and journalist for RTL, RMC, Antenne 2 (Les Enfants du Rock and head of news)
and Europe 1, before accompanying André Rousselet with the launch in 1984 of
France’s first pay TV channel, Canal Plus. He became head of the channel, then
managing director in 1986. He became President and CEO of the Canal Plus
group in 1994, a post he held until 2002. In 2008, Pierre Lescure was appointed
producer and director of operations of the Théâtre Marigny, where he took
over from Robert Hossein. He was a non-executive director of the company Le
Monde, sat on the board of Thomson (2002-2010), and is still a member of the
expert committee of the Technicolor Foundation for cinema heritage. He is a
non-executive director of Havas, of the Swiss group Kudelski, and of Spain’s
PrisaTV. He sits on the supervisory board of the group Lagardère.
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BRUNO NUYTTEN
Director & director of photography
© DR
Director
2002
2000
1992
1988
JIM, LA NUIT
PASSIONNÉMENT
ALBERT SOUFFRE
CAMILLE CLAUDEL
Director of photography
1986
MANON OF THE SPRING by Claude Berri
1986
JEAN DE FLORETTE by Claude Berri
1985
THE CHILDREN by Marguerite Duras
1985
DÉTECTIVE by Jean-Luc Godard
1984
FORT SAGANNE by Alain Corneau
1983
SO LONG, STOOGE by Claude Berri
1983
LIFE IS A BED OF ROSES by Alain Resnais
1983
THE PIRATE by Jacques Doillon
1982
INVITATION AU VOYAGE by Peter del Monte
1981
UN ASSASSIN QUI PASSE by Michel Vianey
1981
THE NIGHT THE SCREAMING STOPS by Andrzej Żuławski
1981
HOTEL AMERICA by André Téchiné
1981
THE GRILLING by Claude Miller
1980
BRUBAKER by Stuart Rosenberg
1979
ZOO ZÉRO by Alain Fleischer
1979
THE BRONTE SISTERS by André Téchiné
1979
FRENCH POSTCARDS by Willard Huyck
1978
L'EXERCICE DU POUVOIR by Philippe Galland
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1978
1977
1977
1976
1976
1976
1976
1976
1976
1975
1975
1974
1974
LIKE A TURTLE ON ITS BACK by Luc Béraud
LE CAMION by Marguerite Duras
AT NIGHT ALL CATS ARE CRAZY by Gérard Zingg
SON NOM DE VENISE DANS CALCUTTA DÉSERT by Marguerite Duras
MON CŒUR EST ROUGE by Michèle Rosier
LES VÉCÉS ÉTAIENT FERMÉS DE L'INTÉRIEUR by Patrice Leconte
THE MUSICIAN KILLER by Benoît Jacquot
THE BEST WAY TO WALK by Claude Miller
BAROCCO by André Téchiné
FRENCH PROVINCIAL by André Téchiné
INDIA SONG by Marguerite Duras
GOING PLACES by Bertrand Blier
WOMEN OF THE GANGES by Marguerite Duras
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REBECCA ZLOTOWSKI
© Shelby Duncan
Director
2013
GRAND CENTRAL
2010
DEAR PRUDENCE
Screenwriter
2013
GRAND CENTRAL
2011
JIMMY RIVIÈRE by Teddy Lussi-Modeste
2010
DEAR PRUDENCE
2008
AKA ANA by Antoine d’Agata
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THE RÉVÉLATION CARTIER JURY 
VALÉRIE DONZELLI President of the Jury
Actress, director & screenwriter
© DR
SELECTED FILMOGRAPHY
2011
HAND IN HAND
2010
DECLARATION OF WAR
2008
THE QUEEN OF HEARTS
Actress
2013
2012
2012
2011
2010
2010
2010
2010
2010
2010
2008
2006
2005
2005
2004
LES GRANDES ONDES by Lionel Baier
LE GRAND MÉCHANT LOUP by Nicolas & Bruno
OPIUM by Arielle Dombale
HAND IN HAND by Valérie Donzelli
DECLARATION OF WAR by Valérie Donzelli
UNE FEMME ATTEND by Elise Girard
BACHELOR DAYS ARE OVER by Katia Lewkowicz
L’ART DE SÉDUIRE by Guy Mazarguil
IRIS IN BLOOM by Valérie Mrejen
BELLEVILLE –TOKYO by Elise Girard
THE QUEEN OF HEARTS by Valérie Donzelli
THE UNTOUCHABLE by Benoît Jacquot
L’HOMME QUI RÊVAIT D’UN ENFANT by Delphine Gleize
7 YEARS by Jean-Pascal Hattu
LE PLUS BEAU JOUR DE MA VIE by Julie Lipinski
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2004
2004
2003
2002
2001
2000
ENTRE SES MAINS by Anne Fontaine
TIME HAS COME by Alain Giraudie
HANGING OFFENSE by Guillaume Nicloux
WHO KILLED BAMBI? by Gilles Marchand
TENDER SOULS by Thomas Bardinet
MARTHA MARTHA by Sandrine Veysset
The Revelation Jury rewards one of the Competition films for its innovative
qualities, presenting it with Le Prix de la Révélation Cartier at the awards
ceremony. By creating this trophy, Cartier has added its brand to Deauville and
thus confirms, in helping sponsor the American Film Festival, its passion for the
seventh art and its interest for America in films.
Las year, BEASTS OF THE SOUTHERN WILD by Benh Zeitlin was awarded.
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On the 2013 Jury, Valérie Donzelli will be accompanied by:
LAURENCE ARNÉ
Actress
SELECTED FILMOGRAPHY
2013
2012
2012
2012
2011
2010
2010
À COUP SÛR by Delphine De Vigan
DÉPRESSION ET DES POTES by Arnaud Lemort
MAIS QUI A RETUÉ PAMELA ROSE ? by Kad Merad & Olivier Baroux
BOWLING by Marie-Castille Mention-Schaar
UN JOUR MON PÈRE VIENDRA by Martin Valente
MOI, MICHEL G., MILLIARDAIRE, MAÎTRE DU MONDE by Stéphane Kazandjian
THE PERFECT DATE by Dominique Farrugia & Arnaud Lemort
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VINCENT LACOSTE
Actor
© DR
2013
2013
2013
2012
2011
2011
2011
2010
2010
2010
2010
2009
HIPPOCRATE by Thomas Lilti
FAIRE CONNAISSANCE AVEC LA FRANCE by Danielle Arbid
EDEN by Mia Hansen-Love
JACKY IN WOMEN’S KINGDOM by Riad Sattouf
CAMILLE REWINDS by Noémie Lvovsky
ASTERIX AND OBELIX: GOD SAVE BRITANNIA by Laurent Tirard
PLAY IT LIKE GODARD by Jonathan Zaccaï
SKYLAB by Julie Delpy
LOW COST by Maurice Barthélémy
AU BISTRO DU COIN by Charles Nemes
WOK THE KASBAH by Nicolas Benamou
THE FRENCH KISSERS by Riad Sattouf
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GÉRALDINE MAILLET
Writer, director & screenwriter
©DR
 BIBLIOGRAPHY
2012
2011
2009
2008
2006
2005
2003
2002
2001
2001
J’AI VÉCU DE VOUS ATTENDRE (Grasset)
IL FERAIT QUOI TARANTINO À MA PLACE ? (Grasset)
LE MONDE À SES PIEDS (Grasset)
FRENCH MANUCURE (Flammarion)
PRESQUE TOP MODEL (Flammarion)
ACOUPHÈNES (Flammarion)
PRIME TIME (Flammarion)
TROIS JOURS POUR RIEN (Balland)
UN AMOUREUX SILENCE (Flammarion)
INVERSION – theatre play
 FILMOGRAPHY
2012
2009
2007
AFTER
ONE LAST CIGARETTE short
UN CERTAIN REGARD short
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WOODKID
Director, composer & singer
© DR
 SELECTED FILMOGRAPHY (MUSIC VIDEOS)
2013
2012
2012
2012
2012
2011
2011
2011
2011
2010
2009
2008
WOODKID - I LOVE YOU
WOODKID - RUN BOY RUN
LANA DEL REY - BORN TO DIE
LANA DEL REY - BLUE JEANS
DRAKE feat. RIHANNA - TAKE CARE
WOODKID - IRON
MYSTERY JETS - DREAMING OF ANOTHER WORLD
THE SHOES - WASTIN TIME
TAYLOR SWIFT - BACK TO DECEMBER
KATY PERRY - TEENAGE DREAM
MOBY - MISTAKE
YELLE - CE JEU
 DISCOGRAPHY
2013
THE GOLDEN AGE
2012
RUN BOY RUN
2011
IRON
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THE COMPETITION 
This year, the Competition of the Deauville American Film Festival will offer a
line-up of 14 feature films,
A SINGLE SHOT by David M. Rosenthal
4th Film
CAST Sam Rockwell, Jeffrey Wright, William H. Macy, Jason Isaacs, Joe
Anderson, Ophelia Lovibond, Kelly Reilly, Heather Lind, Amy Sloan, Ted Levine
INTERNATIONAL SALES LOTUS ENTERTAINMENT
[email protected]
In the pale blue light of dawn, John Moon leaves his trailer along with his dog
and a shotgun. As he makes his way into the wooded mountains, he passes a
sign prohibiting hunting and fishing. He takes aim at a deer in a thicket and
misses once before raising his gun again. Shortly afterwards, a young woman
lies dying in the mud, and Moon finds a letter and a large sum of money. From
this point on, the hunter has become the hunted…
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ALL IS LOST by J.C. Chandor
2nd Film
CAST Robert Redford
FRENCH DISTRIBUTION Universal Pictures International France
PRESS RELATIONS Sylvie Forestier & Florence Debarbat
[email protected]
Deep into a solo voyage in the Indian Ocean, an unnamed man wakes to find
his thirty-nine-foot yacht taking on water after a collision with a shipping
container left floating on the high seas. With his navigation equipment and
radio disabled, the man sails unknowingly into the path of a violent storm.
Despite his success in patching the breached hull, his mariner’s intuition and a
strength that belies his age, the man barely survives the tempest. But with the
sun unrelenting, sharks circling and his meager supplies dwindling, the ever
resourceful sailor soon finds himself staring his mortality in the face.
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AIN’T THEM BODIES SAINTS by David Lowery
2nd Film
CAST Rooney Mara, Casey Affleck, Ben Foster, Keith Carradine
FRENCH DISTRIBUTION DIAPHANA DISTRIBUTION [email protected]
PRESS RELATIONS BOSSA NOVA Michel Burstein [email protected]
Bob and Ruth love each other, come hell or high water – and hell is a botched
robbery. The couple is caught in a shootout. Just before Bob is led away by the
police, Ruth tells him she is pregnant. From then on, Bob is fixated with the
idea of breaking out of jail and rejoining his wife and baby daughter. But when
he finally escapes, four years later, his dream is a far cry from reality.
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BLUE CAPRICE by Alexandre Moors
1st Film
CAST Isaiah Washington, Tequan Richmond, Tim Blake Nelson, Joey Lauren
Adams, Leo Fitzpatrick, Cassandra Freeman
PRODUCTION CONTACT INTRINSIC VALUE FILMS [email protected]
Lee, a teenage boy living on the Caribbean island of Antigua, is abandoned by
his single mother. Wandering the near-empty streets and beaches, he has an
encounter with John, a man who immediately establishes himself as a sort of
father-protector figure, helping the boy perfect his English and eventually
bringing him with him to the United States. John is a man of seething, although
he reserves his deepest hostility for his ex-wife who took out a restraining
order against him and their children. John subjects Lee to his violently anarchic
rants, ordering him to prove his love for him through criminal acts…
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BLUE RUIN by Jeremy Saulnier
2nd Film
CAST Macon Blair, Devin Ratray, Amy Hargreaves, Kevin Kolack, Eve Plumb,
David W. Thompson, Brent Werzner, Stacy Rock, Sidné Anderson
FRENCH DISTRIBUTION WILD SIDE in association with LE PACTE [email protected]
PRESS RELATIONS FESTIVAL PRESS OFFICE [email protected]
The quiet life of a mysterious beach bum is turned upside down by dreadful
news regarding a past tragedy. He sets off for his childhood home to carry out
an act of vengeance but proves an amateur assassin, finding himself in a brutal
fight to protect his estranged family.
27
BREATHE IN by Drake Doremus
5th Film
CAST Guy Pearce, Felicity Jones, Amy Ryan, Mackenzie Davis, Matthew
Daddario, Ben Shenkman, Ali Wentworth
INTERNATIONAL SALES QED FILM SALES [email protected]
As summer turns to fall, music teacher Keith Reynolds privately reminisces
about his days as a starving artist in the city. While his wife, Megan, and
daughter, Lauren, look forward to Lauren’s final year of high school, Keith clings
to those evenings he’s asked to sub as a cellist with a prestigious Manhattan
symphony. When Megan decides the family should host foreign exchange
student Sophie, the British high school senior soon rekindles an impetuous
aspect of Keith’s personality…
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FRUITVALE STATION by Ryan Coogler
1st Film
CAST Michael B. Jordan, Melonie Diaz, Octavia Spencer, Kevin Durand, Chad
Michael Murray, Ahna O’Reilly
FRENCH DISTRIBUTION ARP SÉLECTION [email protected]
PRESS RELATIONS BOSSA NOVA Michel Burstein [email protected]
On the morning of January 1st, 2009, 22-year-old Oscar Grant crosses paths
with police officers at Fruitvale Station, near San Francisco. This encounter will
bring an unknown man into the public spotlight. The film explores the 24 hours
prior to the event.
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LILY by Matt Creed
1st Film
CAST Amy Grantham, Simon Chaput, Rebecca Street, Lindsay Burdge, Gibby
Haynes, Benjamin Slater, Michael Hurrah, Conan McCarty
PRODUCTION CONTACT Up the River Films & Verisimilitude
[email protected]
As Lily finishes treatment for breast cancer, she focuses on life with newfound
clarity. Wandering through atmospheric New York City streets, she reevaluates
her relationship with her older boyfriend and her feelings about her longabsent father.
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NIGHT MOVES by Kelly Reichardt
5th Film
CAST Jesse Eisenberg, Dakota Fanning, Peter Sarsgaard
FRENCH DISTRIBUTION Ad Vitam Distribution
[email protected]
Three radical environmentalists, Josh, Dena and Harmon, come together to
execute the most spectacular direct action event of their lives: the explosion of
a hydroelectric dam, the very source and symbol of the energy-sucking,
resource-devouring industrial culture they despise…
31
THE RETRIEVAL by Chris Eska
2nd Film
CAST Ashton Sanders, Tishuan Scott, Keston John, Bill Oberst, Jr., Christine
Horn, Alfonso Freeman, Raven LeDeatte, Jonathan Brooks
PRODUCTION CONTACT DOKI-DOKI FILMS [email protected]
On the outskirts of the Civil War, a boy is sent north by a bounty hunter gang to
retrieve a wanted man...
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SWEETWATER by Logan & Noah Miller
2nd Film
CAST Ed Harris, January Jones, Jason Isaacs, Eduardo Noriega, Jason Aldean,
Stephen Root
FRENCH DISTRIBUTION POTEMKINE FILMS [email protected]
PRESS RELATIONS Laurence Granec and Karine Ménard
[email protected]
In the rugged landscape of New Mexico, Sarah, a former prostitute, finds out
that her husband has been savagely murdered by a religious fanatic.
Overwhelmed with sorrow, she goes on a crusade for revenge. Meanwhile, the
moody and marginal Sheriff Jackson comes to town…
33
SHORT TERM 12 by Destin Cretton
2nd Film
CAST Brie Larson, John Gallagher Jr., Kaitlyn Dever, Rami Malek, Keith Stanfield,
Kevin Hernandez, Melora Walters, Stephanie Beatriz, Lydia Du Veaux, Alex
Calloway, Frantz Turner
INTERNATIONAL SALES MEMENTO FILMS INTERNATIONAL [email protected]
Grace is a twenty-something supervisor at Short Term 12, a foster-care facility
for at-risk teenagers. She is passionate about her work and takes great care of
the kids, though she struggles with her own troubled past. When Jayden, a
gifted, restless, teenager arrives at the facility, Grace finds herself no longer
able to ignore her own difficulties…
34
STAND CLEAR OF THE CLOSING DOORS
by Sam Fleischner
2nd Film
CAST Jesus Sanchez-Velez, Andrea Suarez Paz, Azul Zorrilla, Tenoch Huerta
Mejía, Marsha Stephanie Blake
PRODUCTION CONTACT SEETHINK FILMS [email protected]
Autistic teen Ricky lives in Far Rockaway, Queens, and while his family struggles
with economic hardship, he faces the difficulties of fitting in at school. When he
is scolded for skipping class, he escapes into the subway, embarking on an
underground odyssey among the subway’s disparate denizens as his mother
wages an escalating search effort above ground. As the two parallel stories of
mother and son unfold, Hurricane Sandy closes in on the city.
35
WE ARE WHAT WE ARE by Jim Mickle
3rd Film
CAST Bill Sage, Ambyr Childers, Julia Garner, Jack Gore, Kelly McGillis, Michael
Parks, Wyatt Russell, Nick Damici
FRENCH DISTRIBUTION WILD SIDE in association avec LE PACTE [email protected]
PRESS RELATIONS Marie Queysanne & Charly Destombes [email protected]
In their small town, the Parkers are known for their discretion and
reclusiveness. Behind closed doors, the father, Frank, rules his family with a
firm severity. Following the brutal and unexpected death of their mother,
teenage daughters Iris and Rose need to start looking after their younger
brother Rory. Soon though, they must carry even more weight as they are
faced with new responsibilities. At their father's command, they must continue
a macabre ancestral tradition at all costs. But when a torrential storm hits the
region, the town's rivers overflow, and the local authorities start to uncover
clues that lead them closer to the Parker's terrible secret.
36
PAST JURYS & WINNERS
1995
THE JURY
Andreï Konchalovsky (President), Anouk Aimée (Vice-President), Yvan Attal, René Bonell, Elie
Chouraqui, Valérie Kapriski, Michael Lonsdale, Mathilda May, Claudie Ossard and Steven Zaillian
WINNERS
Grand Prize
CA TOURNE A MANHATTAN (Living in Oblivion) by Tom DiCillo
Jury Prize (tie)
DENISE AU TELEPHONE (Denise Calls Up) by Hal Salwen
LES FRERES MCMULLEN (The Brothers McMullen) by Edward Burns
1996
THE JURY
Charlotte Rampling (President), Sabine Azéma, René Cleitman, Dominique Farrugia, Charlotte
Gainsbourg, Chiara Mastroianni, Laura Morante, Ornella Muti, Melvil Poupaud and Alain Rocca
WINNERS
Grand Prize
IN ROUTE VERS MANHATTAN (The Daytrippers) by Greg Mottola
Jury Prize (tie)
BIENVENUE DANS L’AGE INGRAT (Welcome to the Dollhouse) by Todd Solondz
BOUND by the brothers Wachowski
1997
THE JURY
Sophie Marceau (President), Elodie Bouchez, Philippe Carcassonne, Etienne Chatiliez, Alain
Finkielkraut, John Hurt, Michèle Laroque, Inès Sastre, Nathalie Quintane and Lambert Wilson
WINNERS
Grand Prize
SUNDAY by Jonathan Nossiter
Jury Prize (tie)
IN COMPAGNIE DES HOMMES (In the Company of Men) by Neil LaBute
ULEE’S GOLD by Victor Nunez
1998
THE JURY
Jean-Paul Rappeneau (President), Michèle Halberstadt, Sandrine Kiberlain, Virginie Ledoyen, Russell
Banks, Maurice Bernart, Alessandro Gassman, Ewan McGregor, Liam Neeson, Eric Serra and Christian
Vincent
WINNERS
Grand Prize
NEXT STOP WONDERLAND by Brad Anderson
Jury Prize
HIGH ART by Lisa Cholodenko
1999
THE JURY
Régis Wargnier (President), Marie Gillain, Marie-France Pisier, Elsa Zylberstein, Jean-Hugues Anglade,
Humbert Balsan, Richard Berry, Gabriel Byrne, Jean-Pierre Dionnet and Michel Houellebecq
WINNERS
Grand Prize
DANS LA PEAU DE JOHN MALKOVICH (Being John Malkovich) by Spike Jonze
Jury Prize (tie)
LES FRERES FALLS (Twin Falls Idaho) by Michael and Mark Polish
37
GUINEVERE byAudrey Wells
International Critics Award
DANS LA PEAU DE JOHN MALKOVICH (Being John Malkovich) by Spike Jonze
2000
THE JURY
Neil Jordan (President), Clotilde Courau, Danièle Thompson, Marie Trintignant, Guillaume Canet,
Tchéky Karyo, Philippe Labro, Samuel Le Bihan, François Ozon and Vincent Perez
WINNERS
Grand Prize
GIRLFIGHT by Karyn Kusama
Jury Prize (tie)
LES INITIES (Boiler Room) by Ben Younger
MEMENTO by Christopher Nolan
MEMENTO by Christopher Nolan
2001
THE JURY
Jean-Jacques Annaud (President), Sandrine Bonnaire, Marion Cotillard, Arielle Dombasle, Gérard
Darmon, Jean-Pierre Jeunet, Darius Khondji, Benoît Poelvoorde and Gabriel Yared
WINNERS
Grand Prize
HEDWIG AND THE ANGRY INCH by John Cameron Mitchell
Jury Prize
GHOST WORLD by Terry Zwigoff
HEDWIG AND THE ANGRY INCH by John Cameron Mitchell
2002
THE JURY
Pierre Lescure (President), Chantal Akerman, Amira Casar, Irène Jacob, Julie Gayet, Richard Anconina,
Jean-Marc Barr, Charles Berling, Cédric Kahn and Bruno Wolkowitch
WINNERS
Grand Prize
LONG WAY HOME by Peter Sollett
Jury Prize (tie)
L.I.E. LONG ISLAND EXPRESSWAY by Michael Cuesta
PHOTO OBSESSION (One Hour Photo) by Mark Romanek
THE SAFETY OF OBJECTS by Rose Troche
2003
THE JURY
Roman Polanski (President), Claudia Cardinale, Ludivine Sagnier, Pawel Edelman, Jacques Fieschi, Sir
Ben Kingsley, Zbigniew Presner, Fernando Trueba and Tom Tykwer
WINNERS
Grand Prize
WHAT ALICE FOUND by A. Dean Bell
Jury Prize
THIRTEEN by Catherine Hardwicke
AMERICAN SPLENDOR by Shari Springer Berman and Robert Pulcini
38
2004
THE JURY
Claude Lelouch (President), Anouk Aimée, Marie-Josée Croze, Danièle Heymann, Diane Kurys, Jeanne
Labrune, Lio, Claudie Ossard, Bettina Rheims and Mathilde Seigner
WINNERS
Grand Prize
MARIA, PLEINE DE GRACE (Maria Full of Grace) by Joshua Marston
Jury Prize
THE WOODSMAN by Nicole Kassell
MARIA, PLEINE DE GRACE (Maria Full of Grace) by Joshua Marston
Prize for Best Screenplay
FINAL CUT (The Final Cut) by Omar Naim
2005
THE JURY
Alain Corneau (President), Dominique Blanc, Romane Bohringer, Rachida Brakni, Brigitte Roüan, Enki
Bilal, Christophe, Dominik Moll and Melvil Poupaud
WINNERS
Grand Prize
COLLISION (Crash) by Paul Haggis
Jury Prize (tie)
KEANE by Lodge Kerrigan
GIRLS IN AMERICA (On the Outs) by Lori Silverbush and Michael Skolnik
KEANE by Lodge Kerrigan
TRANSAMERICA by Duncan Tucker
2006
THE JURY
Nicole Garcia (President), Amira Casar, Emmanuelle Castro, Marthe Keller, Maurice Barthélémy,
Guillaume Canet, Julien Clerc, Antoine de Caunes and Philippe Djian
THE REVELATION JURY
Christophe Honoré (President), Lou Doillon, Audrey Marnay, Emilie Simon, Olivier Py and Gilles
Taurand
WINNERS
Grand Prize
LITTLE MISS SUNSHINE by Jonathan Dayton and Valérie Faris
Jury Prize
HALF NELSON by Ryan Fleck
Revelation Prize
HALF NELSON by Ryan Fleck
SHERRYBABY by Laurie Collyer
SHERRYBABY by Laurie Collyer
2007
THE JURY
André Téchiné (President), Odile Barski, Emilie Deleuze, Anouk Grinberg, Marie-France Pisier,
Yasmina Reza, Xavier Beauvois, Nicolas Cazalé and CharlElie Couture
THE REVELATION JURY
Gaël Morel (President), Clotilde Hesme, Olivia Magnani, Mélanie Thierry and Florian Zeller
WINNERS
Grand Prize
39
THE DEAD GIRL by Karen Moncrieff
Jury Prize
NEVER FOREVER by Gina Kim
Revelation Prize
ROCKET SCIENCE by Jeffrey Blitz
GRACE IS GONE by James C. Strouse
2008
THE JURY
Carole Bouquet (President), Ronit Elkabetz, Diane Fleri, Leonor Silveira, Edouard Baer, François
Damiens, Pierre Jolivet, Cédric Kahn, Cristian Mungiu and Dean Tavoularis
THE REVELATION JURY
Zoe Cassavetes (President), Léa Drucker, Ara Starck, Diastème and Jalil Lespert
WINNERS
Grand Prize
THE VISITOR by Tom McCarthy
Jury Prize
BALLAST by Lance Hammer
Revelation Prize
BALLAST by Lance Hammer
GARDENS OF THE NIGHT by Damian Harris
2009
THE JURY
Jean-Pierre Jeunet (President), Hiam Abbass, Emilie Dequenne, Deborah François, Sandrine Kiberlain,
Géraldine Pailhas, Dany Boon, Jean-Loup Dabadie, Patrice Leconte and Bruno Podalydès
THE REVELATION JURY
Maïwenn (President), Romane Bohringer, Aïssa Maïga, Louise Monot, Nicolas Fargues and Raphaël
WINNERS
Grand Prize
THE MESSENGER by Oren Moverman
Jury Prize (tie)
PRECIOUS by Lee Daniels
SIN NOMBRE by Cary Joji Fukunaga
Revelation Prize
HUMPDAY by Lynn Shelton
THE MESSENGER by Oren Moverman
2010
THE JURY
Emmanuelle Béart (President), Jeanne Balibar, Lucas Belvaux, Faouzi Bensaïdi, Christine Citti, Fabrice
du Welz, Nilda Fernandez, Tony Gatlif, Denis Lavant and Abderrahmane Sissako
THE REVELATION JURY
Manuel Pradal (President), Jonathan Lambert, Emma Luchini, Roxane Mesquida and Sébastien Thiery
WINNERS
Grand Prize
MOTHER AND CHILD by Rodrigo García
Jury Prize (tie)
WINTER’S BONE by Debra Granik
THE MYTH OF THE AMERICAN SLEEPOVER by David Robert Mitchell
Revelation Prize
JEWISH CONNECTION (Holy Rollers) by Kevin Asch
BURIED by Rodrigo Cortés
40
2011
THE JURY
Olivier Assayas (President), Nathalie Baye, Claire Denis, Nicolas Godin, Chiara Mastroianni, Angelin
Preljocaj, Jean Rolin and Bruno Todeschini
THE REVELATION JURY
Samuel Benchetrit (Président), Leïla Hatami, Sabrina Ouazani, Elisa Sednaoui and Benjamin Siskou
WINNERS
Grand Prize
TAKE SHELTER by Jeff Nichols
Jury Prize
THE DYNAMITER (SUMMERTIME) by Matthew Gordon
Revelation Prize
DETACHMENT by Tony Kaye
DETACHMENT by Tony Kaye
2012
THE JURY
Sandrine Bonnaire (President), Sami Bouajila, Clotilde Courau, Philippe Decouflé, Anaïs Demoustier,
Christophe Honoré, Joann Sfar, Florent Emilio Siri, Alice Taglioni
THE REVELATION JURY
Frédéric Beigbeder (President), Astrid Bergès-Frisbey, Mélanie Bernier, Ana Girardot, Félix Moati
WINNERS
Grand Prize
LES BÊTES DU SUD SAUVAGE (BEASTS OF THE SOUTHERN WILD) by Benh Zeitlin
Prize Jury
UNA NOCHE by Lucy Molloy
Revelation Prize
LES BÊTES DU SUD SAUVAGE (BEASTS OF THE SOUTHERN WILD) by Benh Zeitlin
THE WE AND THE I by Michel Gondry
41
THE AWARDS
During the Award Ceremony of the Deauville American Film Festival, two
Prizes are awarded by the Jury:
THE GRAND PRIZE I
THE JURY PRIZE I
During the same Award Ceremony, a Prize is also awarded by the Cartier
Revelation Jury:
THE CARTIER REVELATION PRIZE |
Cartier « griffe » Deauville…
The Deauville American Film Festival would like to thank Cartier for creating
and making the Festival trophies
During the same Award Ceremony, film critic and journalists award the
following Prize to one film selected in Competition:
THE INTERNATIONAL CRITICS’ PRIZE |
In 2013, the City of Deauville creates a new award:
THE DEAUVILLE AUDIENCE AWARD |
As a tribute to the audience’s long-standing attachment to the American Film
Festival, the City of Deauville has decided to use this 2013 edition to launch the
Deauville Audience Award. From now on, each spectator can share her or his
enthusiasm for a movie, and provide a director with an additional opportunity
to be recognized.
42
THE PREMIERES 
Opening film
BEHIND THE CANDELABRA by Steven Soderbergh
CAST Michael Douglas, Matt Damon, Dan Aykroyd, Scott Bakula, Rob Lowe,
Tom Papa, Paul Reiser, Debbie Reynolds
FRENCH DISTRIBUTION ARP SELECTION [email protected]
PRESS RELATIONS Jean-Pierre Vincent [email protected]
Before Elvis, Elton John and Madonna, there was Liberace: virtuoso pianist,
outrageous entertainer and flamboyant star of stage and television. Liberace
lived lavishly and embraced a lifestyle of excess both on and off stage. In the
summer of 1977, handsome young stranger Scott Thorson walked into his
dressing room and, despite their age difference and seemingly different worlds,
the two embarked on a secretive five-year love affair…
43
Closing film
SNOWPIERCER by Bong Joon Ho
CAST Chris Evans, Song Kangho, Tilda Swinton, Jamie Bell, Octavia Spencer,
Ewen Bremner, Ko Asung, John Hurt et Ed Harris
FRENCH DISTRIBUTION WILD SIDE in association with LE PACTE
[email protected]
PRESS RELATIONS PRESS OFFICE OF THE FESTIVAL
[email protected]
In a new Ice Age where it’s been frozen for 17 years, Snowpiercer is the only
place for survivors. Climate change has frozen the entire planet. Those that
survived are riding a train that perpetually circles a track. The tail section is like
the slums filled with people who are cold and hungry, while the front section
contains the chosen ones.
44
BLUE JASMINE by Woody Allen
CAST Cate Blanchett, Alec Baldwin, Louis C.K., Bobby Cannavale, Andrew Dice
Clay, Sally Hawkins, Peter Sarsgaard, Michael Stuhlbarg, Tammy Blanchard,
Max Casella, Alden Ehrenreich
FRENCH DISTRIBUTION MARS DISTRIBUTION [email protected]
PRESS RELATIONS Jean-Pierre Vincent [email protected]
After everything in her life falls to pieces, including her marriage to wealthy
businessman Hal, elegant New York socialite Jasmine moves into her sister
Ginger’s modest apartment in San Francisco to try to pull herself back together
again.
45
JOE by David Gordon Green
CAST Nicolas Cage, Tye Sheridan, Ronnie Gene Blevins, Gary Poulter, Heather
Kafka, Sue Rock, Robert Johnson
FRENCH DISTRIBUTION WILD SIDE in association with LE PACTE [email protected]
PRESS RELATIONS Matilde Incerti & Jérémie Charrier [email protected]
In the dirty unruly world of small-town Texas, ex-convict Joe Ransom has tried
to put his dark past behind him and live a simple life. He works for a lumber
company by day, and drinks by night. But when fifteen-year-old Gary – a kid
trying to support his family – comes to town, desperate for work, Joe finds a
way to atone for his sins to finally be someone’s hero. As Joe tries to protect
Gary, the pair will take the twisting road to redemption in the hope for a better
life.
46
KILLING SEASON de Mark Steven Johnson
CAST John Travolta, Robert De Niro, Milo Ventimiglia, Elizabeth Olin
FRENCH DISTRIBUTION METROPOLITAN FILMEXPORT [email protected]
Deep in the Appalachian Mountains, a reclusive American military veteran and
a European tourist strike up an unlikely friendship. But when the tourist’s true
intentions come to light, what follows is a tense battle across some of
America’s most forbidding landscape proving the old adage: the purest form of
war is one-on-one.
47
LOVELACE by Rob Epstein & Jeffrey Friedman
CAST Amanda Seyfried, Peter Sarsgaard, Sharon Stone, Robert Patrick, Adam
Brody, Juno Temple, Chris Noth, Bobby Cannavale, Hank Azaria, Adam Brody
FRENCH DISTRIBUTION HELIOS FILMS [email protected]
PRESS RELATIONS MOONFLEET - Cédric Landemaine
[email protected]
In 1972 – before the Internet, before the porn explosion – Deep Throat was a
phenomenon: the first scripted pornographic theatrical feature film, featuring a
story, some jokes, and an unknown and unlikely star, Linda Lovelace. Escaping a
strict religious family, Linda discovered freedom and the high-life when she fell
for and married charismatic hustler Chuck Traynor. Fully inhabiting her new
identity, Linda became an enthusiastic spokesperson for sexual freedom and
uninhibited hedonism. Six years later she presented another, utterly
contradictory, narrative to the world – and herself as the survivor of a far
darker story…
48
LEE DANIELS’ THE BUTLER by Lee Daniels
CAST Forest Whitaker, Oprah Winfrey, Mariah Carey, John Cusack, Jane Fonda,
Cuba Gooding Jr., Terrence Howard, Minka Kelly, Lenny Kravitz, Melissa Leo,
James Marsden, David Oyelowo, Alex Pettyfer, Vanessa Redgrave, Alan
Rickman, Liev Schreiber, Robin Williams
FRENCH DISTRIBUTION METROPOLITAN FILMEXPORT
[email protected]
PRESS RELATIONS KINEMAFILM - François Frey & Olivia Malka
[email protected]
The true story of Cecil Gaines, a man who served as a butler to seven
Presidents in the White House for over thirty years. From this unique vantage
point, the film traces the dramatic changes that swept American society, from
the assassination of President John F. Kennedy and Martin Luther King to the
Civil Rights movement, from Vietnam war to the Watergate scandal and
beyond...
49
MARFA GIRL de Larry Clark
CAST Adam Mediano, Drake Burnette, Jeremy St. James, Mark Farley, Jessie
Tejada, Mercedes Maxwell, Jimmy Gonzales, Ulysses Lopez, Elizabeth Castro
PRESS RELATIONS Annie Maurette [email protected]
Cultures collide in Marfa, Texas (pop. 1,800) as small town American life
intersects with the international art world and swarms of border patrol agents
smothering the community, all the while Adam, a half-white, half-Hispanic
teenager, is just trying to navigate the sex, drugs, rock and roll, art, violence
and racism.
50
THE NECESSARY DEATH OF CHARLIE COUNTRYMAN
by Fredrik Bond
CAST Shia LaBeouf, Evan Rachel Wood, Mads Mikkelsen, Til Schweiger, Rupert
Grint, James Buckley, Vincent d’Onofrio, Melissa Leo, John Hurt
FRENCH DISTRIBUTION AVENTI DISTRIBUTION
[email protected]
PRESS RELATIONS MIAM - Blanche-Aurore Duault
[email protected]
While traveling abroad, Charlie Countryman falls for Gabi, a Romanian beauty
whose unreachable heart has its origins in Nigel, her violent, charismatic ex. As
the darkness of Gabi’s past increasingly envelops him, Charlie resolves to win
her heart, or die trying.
51
PAIN & GAIN by Michael Bay
CAST Mark Wahlberg, Dwayne Johnson, Anthony Mackie, Tony Shalhoub, Ed
Harris, Rob Corddry, Bar Paly, Ken Jeong, Rebel Wilson
FRENCH DISTRIBUTION PARAMOUNT PICTURES FRANCE
PRESS RELATIONS Muriel Kintziger [email protected]
In Miami, Daniel Lugo, a sports coach, would do anything to live the "American
dream" and enjoy as his wealthy clients what life offers best: luxury homes,
race cars and dream girls... To put the odds on his side, he devises a simple and
(almost) perfect plan: to kidnap one of his wealthy clients... and steal his life.
He teams up with his two impressionable and ambitious accomplices, Paul
Doyle and Adrian Doorbal.
52
PARKLAND by Peter Landesman
CAST James Badge Dale, Zac Efron, Jackie Earle Haley, Colin Hanks, David
Harbour, Marcia Gay Harden, Paul Giamatti, Ron Livingston, Jeremy Strong,
Billy Bob Thornton, Jacki Weaver, Tom Welling
FRENCH DISTRIBUTION METROPOLITAN FILMEXPORT
[email protected]
PRESS RELATIONS KINEMAFILM - François Frey & Olivia Malka
[email protected]
November 22, 1963 was a day that changed the world forever: when American
President John F. Kennedy was assassinated in Dallas, Texas. A handful of
ordinary individuals are suddenly thrust into extraordinary circumstances that
would change their lives: the young doctors and nurses at Parkland Hospital,
Dallas’ chief of Secret Service, an unwitting cameraman who captured what
became the most watched and examined film in history, the FBI agents who
nearly had the gunman within their grasp, Lee Harvey Oswald’s brother left to
deal with his shattered family, and JFK’s security team, all witnesses of the
President’s death and Vice President Lyndon Johnson’s rise to power over a
nation whose innocence was forever altered.
53
PLANES by Klay Hall
Kids special screening
FRENCH VOICES Fred Testot (Dusty), Leila Bekhti (Ishani), Mélissa Theuriau
(Rochelle)
FRENCH DISTRIBUTION THE WALT DISNEY COMPANY FRANCE
[email protected]
PRESS RELATIONS Floriane Mathieu [email protected]
Dusty is a bighearted daredevil farm plane with dreams of competing as a highflying air racer. But Dusty’s not exactly built for racing and he happens to be
afraid of heights. So he turns to a seasoned naval aviator who helps him qualify
to take on the defending champ of the race circuit. Dusty’s courage is put to
the ultimate test as he aims to reach heights he never dreamed possible, giving
a spellbound world the inspiration to soar...
54
SUNLIGHT JR. by Laurie Collyer
CAST Naomi Watts, Matt Dillon, Tess Harper, Norman Reedus, Antonio Corone,
Adrienne Lovette, Keith Hudson
INTERNATIONAL SALES HYDE PARK INTERNATIONAL
[email protected]
Melissa Winters works as a cashier at the local convenience store, Sunlight Jr.
She lives in a seedy motel with her boyfriend Richie, a former television
repairman who lives month to month on his government disability check,
spending most of it at a neighborhood tavern. When their lives take a sudden
turn in a new direction, they are forced even more so to examine the realities
of both their lives, and to face some tough choices about what lies in the
horizon.
55
THE FROZEN GROUND by Scott Walker
CAST Nicolas Cage, John Cusack, Vanessa Hudgens, Curtis ”50 Cent” Jackson,
Dean Norris, Radha Mitchell, Ryan O’Nan, Katherine LaNasa
FRENCH DISTRIBUTION SEVEN SEPT [email protected]
PRESS RELATIONS Sylvie Legrand [email protected]
Detective Jack Halcombe sets out to end the murderous rampage of Robert
Hansen, a respected family man but also a serial killer who for over twelve
years kidnapped and systematically abducted young women, and flew them
into the Alaskan wilderness to be hunted. When Cindy, one of his victims,
manages to escape, she reveals key information about the case and Halcombe
is finally able to trail the killer…
56
UPSTREAM COLOR by Shane Carruth
CAST Amy Seimetz, Shane Carruth, Andrew Sensenig, Thiago Martins, Kathy
Carruth, Meredith Burke, Andreon Watson, Ashton Miramontes, Myles McGee
INTERNATIONAL SALES VISIT FILMS [email protected]
A man and a woman are drawn together, entangled in the lifecycle of an
ageless organism. Identity becomes an illusion as they struggle to assemble the
loose fragments of wrecked lives.
57
VERY GOOD GIRLS by Naomi Foner
CAST Dakota Fanning, Elizabeth Olsen, Boyd Holbrook, Demi Moore, Richard
Dreyfuss, Ellen Barkin, Clark Gregg, Kiernan Shipka, Peter Sarsgaard
PRODUCTION CONTACT GROUNDSWELL PRODUCTIONS
[email protected]
In a cozy middle class corner of Brooklyn, Lilly Berger and Gerri Field embark on
their final summer together. Both good girls are inexperienced in life and love
but determined that this summer will mark their rite of passage into adulthood.
On one sweltering New York city-summer afternoon, the girls challenge each
other to a nude swim on a public beach. In the frantic rush away from their
adventure and caught up in their own delight, Gerri accidently rides her bike
into David, an artist. This handsome, enigmatic stranger quickly becomes the
object of both their affections…
58
THE WAIT by M. Blash
CAST Chloë Sevigny, Jena Malone, Luke Grimes, Devon Gearhart, Lana Elizabeth
Green
INTERNATIONAL SALES VISIT FILMS [email protected]
Two sisters decide to keep their recently deceased mother in their home after
being informed that she will come back to life. One sister believes the claim,
and the other staunchly opposes it until she encounters a chance at love, giving
her hope that anything, even resurrection, is possible…
59
WHITE HOUSE DOWN by Roland Emmerich
CAST Channing Tatum, Jamie Foxx, Jason Clarke, Joey King, Maggie Gyllenhaal
FRENCH DISTRIBUTION SONY PICTURES RELEASING FRANCE
PRESS RELATIONS Anne Lara [email protected]
Capitol Policeman John Cale has just been denied his dream job with the Secret
Service of protecting President James Sawyer. Not wanting to let down his little
girl with the news, he takes on a tour of the White House, when the complex is
overtaken by a heavily armed paramilitary group. Now, with the nation’s
government falling into chaos and time running out, it is up to Cale to save the
president, his daughter, and the country.
60
WRONG COPS by Quentin Dupieux
CAST Mark Burnham, Eric Judor, Steve Little, Marilyn Manson, Eric Wareheim,
Grace Zabriskie, Arden Myrin, Ray Wise, Steve Howey, Daniel Quinn
PRODUCTION CONTACT REALITISM FILMS [email protected]
FRENCH DISTRIBUTION UFO DISTRIBUTION [email protected]
PRESS RELATIONS BUREAU DE PRESSE DU FESTIVAL
[email protected]
From director Quentin Dupieux's laboratory comes a poetic tale revealing the
absurd life of a police squad in a nondescript future where crime has all but
been eradicated. Driven by the haunting sounds of Mr Oizo’s electronic music,
the film is also an off-beat comedic account of cops behaving badly.
61
UNCLE SAM DOCUMENTARIES 
DANCING IN JAFFA by Hilla Medalia
FRENCH DISTRIBUTION PRETTY PICTURES [email protected]
PRESS RELATIONS Laurence Granec and Karine Ménard
[email protected]
After decades abroad, acclaimed ballroom champion Pierre Dulaine returns to
his hometown of Jaffa where he was born in 1944. Nostalgic for the streets of
his youth but nervous about the strong current of racial animosity that now
serves as the norm, Pierre wants to fulfill his dream: for the Palestinian and
Jewish children to dance together, putting many of the children’s and their
families’ beliefs to the test.
62
INEQUALITY FOR ALL by Jacob Kornbluth
INTERNATIONAL SALES FILMS DISTRIBUTION [email protected]
Former Secretary of Labor under President Bill Clinton and current UC Berkeley
Professor Robert Reich has argued passionately that widening income
inequality poses one of the most severe threats to economy and democracy.
Asking how we got here and what happens if we don’t act, Reich dissect
countless issues with an uncanny ability to render complex principles
digestible.
63
OUR NIXON by Penny Lane
INTERNATIONAL SALES AUTLOOK FILMSALES GMBH [email protected]
Throughout Richard Nixon’s presidency, three of his top White House aides
obsessively documented their experiences with Super 8 home movie cameras.
They had no idea that a few years later they’d all be in prison. This unique and
personal visual record was seized by the FBI during the Watergate
investigation, then filed away and forgotten for almost forty years. This allarchival documentary presents those home movies for the first time, creating
an intimate and complex portrait of the Nixon presidency as never seen before.
64
SEDUCED AND ABANDONED by James Toback
INTERNATIONAL SALES HANWAY FILMS [email protected]
The film combines actor Alec Baldwin with director James Toback as they lead
us on a troublesome and often hilarious journey of raising financing for their
next feature film during the 2012 Cannes Film Festival.
Moving from director to financier to star actor, the two players provide us with
a unique look behind the curtain at the world’s biggest and most glamorous
film festival, shining a light on the bitter-sweet relationship filmmakers have
with this festival and the film business.
65
TWENTY FEET FROM STARDOM by Morgan Neville
FRENCH DISTRIBUTION MARS DISTRIBUTION [email protected]
PRESS RELATIONS Laurette Monconduit and Jean Marc Feytout
[email protected]
This film shines a spotlight on the untold true story of the backup singers
behind some of the greatest musical legends of the 21st century and is both a
tribute to the unsung voices who brought shape and style to popular music and
a reflection on the conflicts, sacrifices and rewards of a career spent
harmonizing with others. These gifted artists span a range of styles, genres and
eras of popular music, but each has a uniquely fascinating and personal story to
share of life spent in the shadows of superstardom.
It’s their time to shine…
66
TRIBUTE 
DEAUVILLE LEGEND
The continued desire to affirm the historical importance of American
cinematographic heritage has prompted Deauville to pay tribute each year to
a movie legend having left their stamp on cinema, and who honored us with
their presence.
Danny Kaye
Actor
©DR
Danny Kaye was born David Daniel Kaminsky on January 18, 1913 in Brooklyn,
New York. (His actual year of birth was 1911, but the birthday he celebrated
was 1913). The son of an immigrant Russian tailor, his parents spoke Yiddish
and Russian at home and he started “entertaining” when he was about five,
singing and dancing at three-day Jewish weddings. He was a high school
dropout who specialized in pole vaulting and playing hookey.
His official debut in show business began as a “tummeler” at summer resorts in
the Catskill Mountains. “Tummeling” meant clowning around anywhere, at all
hours, for the entertainment of the guests. Further afield, he toured the Far
East in 1934 and since most audiences didn’t speak English, he developed the
signature “Danny Kaye” style of artful communication, a pantomime of body
language and gymnastic face that could express every emotion.
1939 was a year that would change his life. At an audition in a Broadway loft,
he met Sylvia Fine. They eloped in 1940. She was an integral and intimate part
of Danny Kaye’s stardom. A gifted pianist, lyricist and composer, she wrote
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most of his material for nightclubs, stage and film, and worked throughout his
career, often behind the scenes, as editor and producer. Her credits include
two Oscar nominations for best song and in 1979, she won a Peabody for the
first of three specials she produced, created, wrote, and hosted on PBS,
Musical Comedy Tonight.
As president of the Danny Kaye and Sylvia Fine Kaye Foundation, their
daughter, Dena, is dedicated to continuing her father’s legacy of helping
people around the world.
Danny Kaye first caught the world’s attention in 1941 with a small role in Moss
Hart’s Broadway show, Lady in the Dark. From this platform, Kaye jumped to
star status in his next Broadway appearance, Cole Porter’s Let’s Face It. In 1943,
he made a longer jump to Hollywood, under contract to Samuel Goldwyn. In his
first starring role, he appeared the year after in Elliott Nugent’s UP IN ARMS,
opposite Dinah Shore.
Danny Kaye became an international star with his SRO performances at The
London Palladium.
The early 50s was a fertile time for Danny Kaye, with such definitive films as
Walter Lang’s ON THE RIVIERA (1951), Charles Vidor’s HANS CHRISTIAN
ANDERSEN (1952), Melvin Frank & Norman Panama’s KNOCK ON WOOD (1954)
and his sold-out, one-man shows in New York. In 1952 he hosted the 24th
Academy Awards. Kaye made the timeless film, Michael Curtiz’s WHITE
CHRISTMAS, with Bing Crosby in 1954, a year that opened a new chapter in his
life when he became UNICEF’s first Goodwill Ambassador.
In 1955 he received an honorary Oscar, relating to the documentary,
ASSIGNMENT CHILDREN, about his work around the world with UNICEF. In
1956, he was privileged to star in one of legendary Edward R. Murrow’s SEE IT
NOW SPECIALS. THE SECRET LIFE OF DANNY KAYE won a Peabody Award and
focused largely on his role for UNICEF. “Children are the world’s most valuable
natural resource,” Kaye said. “All you have to do is hold out a hand and
embrace a child and you will have a lifelong ally.”
In the late 50s, before joining the world of television, he made two successful
movies: Peter Glenville’s ME AND THE COLONEL (1958) and Melville
Shavelson’s THE FIVE PENNIES (1959).
The Danny Kaye most familiar to audiences made his foray into television
entertainment in 1960 in the first of three An Evening with Danny Kaye
specials. In 1963, Kaye began his own, Emmy-winning weekly variety hour on
CBS.
He returned to Broadway in 1970 as Noah in Two by Two, with music by
Richard Rogers. Though he injured his leg and hip, he still performed every
night—from a wheelchair.
Kaye’s television appearances included Pinocchio, Peter Pan, The Twilight Zone,
The Muppet Show and The Cosby Show. The Emmy-winning special, Look-in at
the Met, from the Metropolitan Opera, explained opera to children.
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In 1979, Kaye celebrated his 25th anniversary as UNICEF’s first Goodwill
Ambassador, and made The Guinness Book of Records by piloting a private jet
to 65 cities in the U.S. and Canada in 5 days, stopping at each city’s airport to
greet thousands of UNICEF volunteers for Halloween’s Trick or Treat campaign.
When Danny Kaye died on March 3, 1987, not only had he lived the American
Dream, he had lived a bucketful of dreams. He stood for excellence in his
profession, had reached a level of intellectual, artistic and humanitarian
achievement attained by few individuals. The son of immigrant parents,
product of the streets of New York, ambassador of laughter to an entire world
and Pied Piper to its children, Kaye was an authentic giant of his times.
As part of this tribute on September 4th, which his daughter Dena Kaye will
attend, a selection of three films with Danny Kaye will be screened.
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1944
1945
1946
1947
1948
1949
1951
1952
1954
1954
1956
1958
1958
1959
1961
1963
1969
UP IN ARMS by Elliott Nugent
WONDER MAN by H. Bruce Humberstone
THE KID FROM BROOKLYN by Norman Z. McLeod
THE SECRET LIFE OF WALTER MITTY by Norman Z. McLeod
A SONG IS BORN by Howard Hawks
THE INSPECTOR GENERAL by Henry Koster
ON THE RIVIERA by Walter Lang
HANS CHRISTIAN ANDERSEN by Charles Vidor
KNOCK ON WOOD by Melvin Frank & Norman Panama
WHITE CHRISTMAS by Michael Curtiz
THE COURT JESTER by Melvin Frank & Norman Panama
MERRY ANDREW by Michael Kidd
ME AND THE COLONEL by Peter Glenville
THE FIVE PENNIES by Melville Shavelson
ON THE DOUBLE by Melville Shavelson
THE MAN FROM THE DINERS’ CLUB by Frank Tashlin
THE MADWOMAN OF CHAILLOT by Bryan Forbes & John Huston
In collaboration with La Cinémathèque Française.
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TRIBUTE 
Cate Blanchett
Actress
©Justin Smith
Cate Blanchett is a graduate of the Australian National Institute of Dramatic Art
and holds Honorary Doctorates of Letters from the University of New South
Wales and the University of Sydney.
She won an Academy Award for her portrayal of Katharine Hepburn in Martin
Scorsese’s 2004 Howard Hughes biopic THE AVIATOR for which she also won
BAFTA and Screen Actors Guild (SAG) Awards and received a Golden Globe
nomination. In 2008, Blanchett was nominated for two Oscars, as Best Actress
for Shekhar Kapur’s ELIZABETH: The Golden Age and as Best Supporting Actress
for Todd Haynes’ I’M NOT THERE making her only the fifth actor in Academy
history to be nominated in both acting categories in the same year.
Additionally, she received dual SAG and BAFTA Award nominations, for Best
Actress and Best Supporting Actress respectively, for ELIZABETH: THE GOLDEN
AGE and I’M NOT THERE. For the latter, she also won a Golden Globe Award, an
Independent Spirit Award, several critics groups’ awards, and the Volpi Cup for
Best Actress at the 2007 Venice Film Festival.
She earned her first Oscar nomination and won BAFTA, Golden Globe Award
and London Film Critics Circle Awards for her portrayal of Queen Elizabeth I in
Shekhar Kapur’s ELIZABETH (1998). She also received Oscar, Golden Globe and
SAG Award nominations for her performance in Richard Eyre’s NOTES ON A
SCANDAL (2006). Additionally, Blanchett has earned Golden Globe nominations
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for Best Actress for the title role in Joel Schumacher’s VERONICA GUERIN
(2003) and her work in Barry Levinson’s BANDITS (2001) and, earlier, another
BAFTA Award nomination for her performance in Anthony Minghella’s THE
TALENTED MR. RIPLEY (1999).
Blanchett originated the role of Galadriel in Peter Jackson’s THE LORD OF THE
RINGS Trilogy and reprised her role in the recent THE HOBBIT: AN UNEXPECTED
JOURNEY (2012). Additional film credits include Joe Wright’s HANNA (2011);
Ridley Scott’s ROBIN HOOD (2010); David Fincher’s THE CURIOUS CASE OF
BENJAMIN BUTTON (2008); Steven Spielberg’s blockbuster INDIANA JONES and
THE KINGDOM OF THE CRYSTAL SKULL (2008); Steven Soderbergh’s THE GOOD
GERMAN (2006); Alejandro González Iñárritu’s BABEL (2006).
Among her other film credits are Rowan Woods’ LITTLE FISH (2005); Wes
Anderson’s THE LIFE AQUATIC with Steve Zissou (2004); Jim Jarmusch’s Coffee
and Cigarettes (2003), earning an Independent Spirit Award nomination; Ron
Howard’s THE MISSING (2003); Gillian Armstrong’s CHARLOTTE GRAY (2001);
Lasse Hallström’s THE SHIPPING NEWS (2001); Sam Raimi’s THE GIFT (2000);
Sally Potter’s THE MAN WHO CRIED (2000); Mike Newell’s PUSHING TIN (1999);
Oliver Parker’s AN IDEAL HUSBAND (1999); Bruce Beresford’s PARADISE ROAD
(1997); Cherie Nowlan’s THANK GOD HE MET LIZZIE (1997), for which she won
both the Australian Academy of Cinema and Television Arts (AACTA) and the
Sydney Film Critics Awards for Best Supporting Actress; and Gillian Armstrong’s
OSCAR AND LUCINDA (1997), for which she also earned an AFI nomination for
Best Actress.
Blanchett has worked extensively on the stage in Australia and abroad. For the
past five years, she has been the co-Artistic Director and co-CEO of Sydney
Theatre Company (STC) alongside Andrew Upton. Blanchett’s roles on stage
include Hedda Gabler for which she won the Ibsen Centennial Award,
Helpmann Award and the MO Award for Best Actress; Richard II in the
celebrated STC production of The Wars of The Roses; Blanche Du Bois in
Tennessee Williams’ A Streetcar Named Desire which travelled to much acclaim
from Sydney to Washington and New York (her performance was considered
the ‘performance of the year’ by The New York Times) and for which she
received the Helen Hayes Award for Outstanding Actress in a non-resident
production; Yelena in Anton Chekhov’s Uncle Vanya, in a new adaptation by
Andrew Upton, which toured to Washington in 2011 and New York in 2012 to
great critical acclaim and for which she received the Helpmann Award for Best
Female Actor in a Play and the Helen Hayes Award for Outstanding Actress in a
non-resident production; and Lotte in Botho Strauss’ Gross und Klein, which
toured extensively throughout Europe in 2012 and was part of the London
Cultural Olympiad, and for which she received the Helpmann Award for Best
Female Actor in a Play. She is currently performing opposite Isabelle Huppert in
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STC’s production of Jean Genet’s The Maids, directed by Benedict Andrews and
co-adapted by Andrew Upton and Benedict Andrews.
She has been awarded the Centenary Medal for Service to Australian Society
through Acting and in 2007 she was named one of Time Magazine’s 100 Most
Influential People. In 2012, she was awarded the Chevalier de l’Ordre des Arts
and des Lettres by the French Minister for Culture, in recognition of her
significant contributions to the arts. She has also received a star on the
Hollywood Walk of Fame.
In 2008, she co-Chaired the creative stream of the Prime Minister of Australia’s
National 2020 Summit. She is a patron of the Sydney Film Festival and an
ambassador for the Australian Conservation Foundation and the Australian Film
Institute.
Blanchett will appear soon in Woody Allen’s BLUE JASMINE, presented this year
at the Deauville American Film Festival, and George Clooney’s THE
MONUMENTS MEN. Later this year, she will begin production in London on
Disney's live-action CINDERELLA as well as John Hillcoat’s 999. She has also
completed production on two untitled Terrence Malick films with pending
release dates. In 2014, she will star in David Mamet’s film KESTREL followed by
the Todd Haynes’ film CAROL, based on the Patrica Highsmith novel The Price
of Salt.
The tribute to Cate Blanchett, in her presence, will be held on Saturday,
August 31, followed by the premiere of BLUE JASMINE, the new Woody
Allen’s film.
Actress
2013
2013
2012
2011
2011
2010
2008
2008
2007
2007
2007
THE TURNING by Jonathan auf der Heide, Tony Ayres…
BLUE JASMINE by Woody Allen
THE HOBBIT: AN UNEXPECTED JOURNEY by Peter Jackson
HANNA by Joe Wright
THE LAST TIME I SAW MICHAEL GREGG by Steven Soderbergh
ROBIN HOOD by Ridley Scott
THE CURIOUS CASE OF BENJAMIN BUTTON by David Fincher
INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULL
by Steven Spielberg
I’M NOT THERE by Todd Haynes
HOT FUZZ by Edgar Wright
ELIZABETH: GOLDEN AGE by Shekhar Kapur
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2006
2006
2006
2005
2004
2004
2003
2003
2003
2003
2002
2002
2001
2001
2001
2001
2000
2000
1999
1999
1999
1998
1997
1997
1997
1994
THE GOOD GERMAN by Steven Soderbergh
NOTES ON A SCANDAL by Richard Eyre
BABEL by Alejandro González Iñárritu
LITTLE FISH by Rowan Woods
THE LIFE AQUATIC WITH STEVE ZISSOU by Wes Anderson
THE AVIATOR by Martin Scorsese
THE MISSING by Ron Howard
THE LORD OF THE RINGS: THE RETURN OF THE KING by Peter Jackson
COFFEE AND CIGARETTES by Jim Jarmusch - COUSINS episode
VERONICA GUERIN by Joel Schumacher
THE LORD OF THE RINGS: THE TWO TOWERS by Peter Jackson
HEAVEN by Tom Tykwer
THE SHIPPING NEWS by Lasse Hallström
THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING
by Peter Jackson
CHARLOTTE GRAY by Gillian Armstrong
BANDITS by Barry Levinson
THE GIFT by Sam Raimi
THE MAN WHO CRIED by Sally Potter
PUSHING TIN by Mike Newell
THE TALENTED MR RIPLEY by Anthony Minghella
AN IDEAL HUSBAND by Oliver Parker
ELIZABETH by Shekhar Kapur
THANK GOD HE MET LIZZIE by Cherie Nowlan
PARADISE ROAD by Bruce Beresford
OSCAR AND LUCINDA by Gillian Armstrong
POLICE RESCUE by Michael Carson
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TRIBUTE 
Nicolas Cage
Actor & director
© DR
The son of comparative literature professor August Coppola (a brother of
director Francis Ford Coppola) and dancer/choreographer Joy Vogelsang, Cage
changed his name early in his career to make his own reputation, succeeding
brilliantly with a host of classic, quirky roles by the late 1980s.
Cage was raised in Long Beach, California, and lived there until his family
moved to San Francisco when he was 12. Cage began acting at age 15 when he
enrolled in San Francisco's American Conservatory Theater. He later moved to
Los Angeles and while still a high school student, landed a role in the television
film The Best of Times. He made his feature film debut in FAST TIMES AT
RIDGEMONT HIGH in 1982 and truly broke through in RUMBLE FISH (1984) by
his uncle Francis Coppola with whom he teamed back in 1984 for THE COTTON
CLUB. The same year, his portrayal of a tormented Vietnam vet in BIRDY first
established him as a serious actor. Directed by Alan Parker, BIRDY won the Jury
Prize at the Cannes Film Festival. From then on, Cage started multiplying roles.
He played in PEGGY SUE GOT MARRIED (1986), his third film under the
direction of Coppola, RAISING ARIZONA (1987) by Joel Coen, MOONSTRUCK
(1987) by Norman Jewison, for which he received a Golden Globe nomination
for Best Actor, VAMPIRE’S KISS (1988) by Robert Bieman and David Lynch's
WILD AT HEART, in which Cage starred opposite Laura Dern, and which won the
Palme d'Or at the 1990 Cannes Film Festival. His memorable performance as an
alcoholic drinking himself to death in Mike Figgis' acclaimed drama LEAVING
LAS VEGAS earned Cage an Academy Award, a Golden Globe Award and Best
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Actor awards from the New York Film Critics Circle, the Los Angeles Film Critics
Association, the Chicago Film Critics and the National Board of Review.
During the 90’s, and among the biggest hits of his filmography, Cage was the
lead role in countless successful action-packed films: THE ROCK (1996) by
Michael Bay, CON AIR (1997) by Simon West, respectively first and second of
the seven films with producer jerry Bruckheimer, FACE/OFF (1997) by John
Woo, opposite John Travolta, SNAKE EYES (1998) by Brian De Palma, BRINGING
OUT THE DEAD (1999) by Martin Scorsese, and GONE IN SIXTY SECONDS (2000)
by Dominic Sena.
In 2002, Cage further solidified his leading man status when he received
Academy Award, Golden Globe, Screen Actors Guild and British Academy of
Film and Television Arts (BAFTA) nominations for his dual role as twin brothers
Charlie and Donald Kaufman in Spike Jonze's quirky comedy, ADAPTATION.. The
same year, he made his feature film directorial debut with SONNY, world
premiere at the Deauville Film Festival, and his production company, Saturn
Films, produced the drama THE LIFE OF DAVID GALE by Alan Parker.
In the 2000’s, Cage kept on portraying eclectic characters: fearless adventurer
in NATIONAL TREASURE (2004) by Jon Turteltaub, and the sequel National
Treasure: BOOK OF SECRETS (2007), merchant of death in LORD OF WAR by
Andrew Niccol, witness of history and miracle survivor in WORLD TRADE
CENTER (2006) by Oliver Stone or stunter-rider from Hell in GHOST RIDER
(2007), policeman looking for redemption in Werner Herzog’s THE BAD
LIEUTENANT : PORT OF CALL – NEW ORLEANS (2009) or father-figure superhero
in KICK-ASS by Matthew Vaughn.
The tribute to Nicolas Cage, in his presence, will be held on Monday,
September 2, followed by the premiere of JOE by David Gordon Green, who
will introduce the film on stage. The Festival will also present a premiere of
SUSPECT by Scott Walker, with Nicolas Cage.
2013
2013
2013
2012
2011
2011
2011
2011
2010
2010
2009
2009
THE FROZEN GROUND by Scott Walker
THE CROODS by Kirk De Micco & Chris Sanders
JOE by David Gordon Green
STOLEN by Simon West
SEEKING JUSTICE by Roger Donaldson
SEASON OF THE WITCH by Dominic Sena
DRIVE ANGRY by Patrick Lussier
GHOST RIDER: SPRIT OF VENGEANCE by Mark Neveldine & Brian Taylor
THE SORCERER’S APPRENTICE by Jon Turteltaub
KICK-ASS by Matthew Vaughn
KNOWING by Alex Proyas
G-FORCE by Hoyt Yeatman - voice
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2009
2009
2008
2007
2007
2007
2007
2006
2006
2006
2005
2005
2004
2003
2002
2002
2002
2001
2001
2000
2000
1999
1999
1998
1998
1997
1997
1996
1995
1995
1994
1994
1994
1993
1993
1993
1992
1991
1990
1990
1989
1989
1988
1987
BAD LIEUTENANT: PORT OF CALL - NEW ORLEANS by Werner Herzog
ASTRO BOY by David Bowers - voice
BANGKOK DANGEROUS by Oxide & Danny Pang
NEXT by Lee Tamahori
GRINDHOUSE by Robert Rodriguez
GHOST RIDER by Mark Steven Johnson
NATIONAL TREASURE: BOOK OF SECRETS by Jon Turteltaub
WORLD TRADE CENTER by Oliver Stone
THE WICKER MAN by Neil LaBute
THE ANT BULLY by John A. Davis - voix
THE WEATHER MAN by Gore Verbinski
LORD OF WAR by Andrew Niccol
NATIONAL TREASURE by Jon Turteltaub
MATCHSTICK MEN by Ridley Scott
WINDTALKERS by John Woo
SONNY by Nicolas Cage
ADAPTATION by Spike Jonze
CHRISTMAS CAROL: THE MOVIE by Jimmy T. Murakami - voix
CAPTAIN CORELLI’S MANDOLIN by John Madden
THE FAMILY MAN by Brett Ratner
GONE IN 60 SECONDS by Dominic Sena
BRINGING OUT THE DEAD by Martin Scorsese
8MM by Joel Schumacher
SNAKE EYES by Brian De Palma
CITY OF ANGELS by Brad Silberling
FACE/OFF by John Woo
CON AIR by Simon West
THE ROCK by Michael Bay
LEAVING LAS VEGAS by Mike Figgis
KISS OF DEATH by Barbet Schroeder
GUARDING TESS by Hugh Wilson
IT COULD HAPPEN TO YOU by Andrew Bergman
TRAPPED IN PARADISE by George Gallo
RED ROCK WEST by John Dale
DEADFALL by Christopher Coppola
AMOS & ANDREW by E. Max Frye
HONEYMOON IN VEGAS by Andrew Bergman
ZANDALEE by Sam Pillsbury
WILD AT HEART by David Lynch
FIRE BIRDS by David Green
NEVER ON TUESDAY by Adam Rifkin
TEMPO DI UCCIDERE by Giuliano Montaldo
VAMPIRE’S KISS by Robert Bierman
MOONSTRUCK by Norman Jewison
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1987
1986
1986
1984
1984
1984
1983
1983
1982
RAISING ARIZONA by Joel Coen
PEGGY SUE GOT MARRIED by Francis Ford Coppola
THE BOY IN BLUE by Charles Jarrott
RACING WITH THE MOON by Richard Benjamin
THE COTTON CLUB by Francis Ford Coppola
BIRDY by Alan Parker
VALLEY GIRL by Martha Coolidge
RUMBLEFISH by Francis Ford Coppola
FAST TIMES AT RIDGEMONT HIGH by Amy Heckerling
78
TRIBUTE 
Larry Clark
Director, screenwriter and photographer
© Sébastien Bossi
Born in 1943 in Tulsa (Oklahoma, USA), Larry Clark learned the art of
photography at an early age. He started out assisting his mother, herself a
photographer, specializing in photos of infants. With a keen interest in
underground movements and the blossoming subculture of the 1960s, he
began to photograph suburban America and its disaffected, drug-taking youth
in his home town. He came to critical attention in 1971 with the photo
documentary book Tulsa, composed of self-portraits and photos of his friends
living on the fringes of society.
His subsequent books – Teenage Lust, centered on a Porto Rican hustler in New
York, and The Perfect Childhood featuring photos of naked teenagers and press
cuttings about youths guilty of killings – both feature an unflinching, almostanthropological vision of his contemporaries and youth in particular.
His work has been exhibited in museums around the world, including MOMA,
the Whitney, and the Guggenheim in New York, as well as the Museum of
Contemporary Art in Los Angeles and the Museum of Modern Art in Paris,
which dedicated a major retrospective to him in 2010.
Martin Scorsese and Gus Van Sant acknowledged the influence of Larry Clark’s
work on their respective films TAXI DRIVER and DRUGSTORE COWBOY, and it
was their encouragement which led him to direct his first movie, KIDS, in 1995.
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Based on a script from Harmony Korine (GUMMO, SPRING BREAKERS), the film
painted an uncompromising portrait of a group of New York teens, involving
sex and substance abuse in the era of HIV. The film caused controversy at the
Sundance Festival, where it premiered.
He followed up with ANOTHER DAY IN PARADISE (1998) – a road movie starring
James Woods, Melanie Griffith and the young Vincent Kartheiser – then BULLY
(2001), inspired by a true story, and which again explored the world of
teenagers and the visceral link with violence.
In parallel, Larry Clark made the TV-movie Teenage Caveman in 2001, an HBO
commission, and published Punk Picasso, a sort of autobiographical scrapbook
tracing his turbulent past.
KEN PARK (2002), again directed from a script by Harmony Korine, was
censored in Australia, the UK, France and the United States, where the film is
still banned and unreleased today.
With WASSUP ROCKERS (2005), he adopted an almost documentary style to
follow the tribulations of a group of skaters upsetting the palm-lined streets of
Beverly Hills.
In 2012, Larry Clark decided to distribute his latest film, MARFA GIRL, via his
own website: www.larryclark.com. The movie won the Best Film Award at the
Rome International Festival.
During summer 2013, he began shooting THE SMELL OF US in Paris, his first film
in French.
 FILMOGRAPHY
2013
2012
2005
2002
2001
1998
THE SMELL OF US (currently shooting in Paris)
MARFA GIRL*
WASSUP ROCKERS*
KEN PARK*
BULLY
ANOTHER DAY IN PARADISE
1995
KIDS*
* also screenwriter
As part of the tribute to Larry Clark on Thursday September 5th, in his
presence, the Festival will screen all his films.
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TRIBUTE 
Gale Anne HURD
Producer
© DR
Gale Anne Hurd is one of the entertainment industry's most esteemed
producers of Academy Award-winning films and Emmy Award-winning
programs that shatter box office and ratings records. By continually selecting
daring material, championing technological innovations, and remaining handson in her approach, Hurd has carved out a leading position in the previously
male-dominated world of the blockbuster, and become a recognized creator of
iconic cultural touchstones.
After a successful rise from Roger Corman's executive assistant to head of
marketing at New World Pictures, Hurd's production career launched when she
produced and co-wrote James Cameron’s THE TERMINATOR (1984). This
success was quickly followed by James Cameron’s ALIENS (1986), which
received seven nominations and two Academy Awards, and the Academy
Award-winning films James Cameron’s THE ABYSS (1989), TERMINATOR 2:
JUDGMENT DAY (1991) and Stephen Hopkins’ THE GHOST AND THE DARKNESS
(1996). Additional feature credits include the Academy Award nominated
Michael Bay’s ARMAGEDDON (1998), Louis Leterrier’s THE INCREDIBLE HULK
(2008), Karyn Kusama’s ÆON FLUX (2005), Jonathan Hensleigh’s THE PUNISHER
(2004), Andrew Fleming’s DICK (1999), and Neal Jimenez and Michael
Steinberg’s THE WATERDANCE (1992), which won the Independent Spirit
Award for Best First Feature, and the Audience and Screenplay Awards at the
Sundance Film Festival.
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When Hurd decided to enter into the world of television, she did so with a
bang. Hurd’s record-breaking AMC series, The Walking Dead, currently reigns
as the most-watched scripted drama since 2010, beating all broadcast and
cable series, and is the number one television series among Adults 18-49. With
over 12 million viewers, the show will return for a fourth season and has been
honored by the American Film Institute in both 2010 and 2012 as a “Top 10” TV
program. With the success of The Walking Dead, Hurd now acts as a Consulting
Producer on AMC’s spinoff talk show, Talking Dead (2013).
Hurd also serves as an officer of the Producers Guild of America (PGA) and a
Governor on the Board of the Academy of Motion Picture Arts and Sciences.
Hurd's company, Valhalla Entertainment, has an overall deal with Universal
Cable Productions to develop new television and digital series.
Her indie film, Naomi Foner’s VERY GOOD GIRLS (2013), premiered at this
year’s Sundance Film Festival and is selected at the Deauville American Film
Festival.
The tribute to Gale Anne Hurd will be held on Tuesday, September 3rd
2013
2013
2011
2010
2010
2010
2009
2008
2008
2007
2005
2005
2004
2003
2003
2002
2002
2002
1999
1999
1998
1998
1997
VERY GOOD GIRLS by Naomi Foner *
TALKING DEAD (TV series) - 16 episodes *
LAST MAN STANDING by Ernest R. Dickerson *
THE WALKING DEAD (TV series) - 35 episodes *
THE WRONGED MAN by Tom McLoughlin - TV *
CHOCTAW CODE TALKERS by Valerie Red-Horse - documentary
THE PIRATE CODE: REAL PIRATES by Kathryn Taylor - documentary*
PUNISHER: WAR ZONE by Lexi Alexander
THE INCREDIBLE HULK by Louis Leterrier
WELCOME TO THE JUNGLE by Jonathan Hensleigh - Vidéo (video)
BREADWINNERS by Michael Lange - TV *
AEON FLUX by Karyn Kusama
THE PUNISHER by Jonathan Hensleigh
TERMINATOR 3: RISE OF THE MACHINES
by Jonathan Mostow *
HULK by Ang Lee
TRUE WHISPERS by Valerie Red-Horse - documentary
CLOCKSTOPPERS by Jonathan Frakes
ADVENTURE INC (TV series) - 21 épisodes *
VIRUS by John Bruno
DICK by Adrew Fleming
DEAD MAN ON CAMPUS by Alan Cohn
ARMAGEDDON by Michael Bay
THE RELIC by Peter Hyams
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1997
1997
1996
1995
1994
1994
1994
1992
1992
1991
1991
1990
1990
1989
1988
1988
1986
1984
1981
DANTE’S PEAK by Roger Donaldson
SWITCHBACK by Jeb Stuart
THE GHOST AND THE DARKNESS by Stephen Hopkins
SUGARTIME by John N. Smith - TV *
WITCH HUNT by Paul Schrader - TV
SAFE PASSAGE by Robert Allan Ackerman
NO ESCAPE by Martin Campbell
THE WATERDANCE by Neal Jimenez & Michael Steinberg
RAISING CAIN by Brian De Palma
TERMINATOR 2: JUDGMENT DAY by James Cameron *
CAST A DEADLY SPELL by Martin Campbell - TV
TREMORS by Ron Underwood *
DOWNTOWN by Richard Benjamin *
THE ABYSS by James Cameron
BAD DREAMS by Andrew Fleming
ALIEN NATION by Graham Baker
ALIENS by James Cameron
THE TERMINATOR by James Cameron
SMOKEY BITES THE DUST by Charles B. Griffith
*executive producer
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TRIBUTE 
John Travolta
Actor
© Rav Holly
John Travolta earned his first Oscar and Golden Globe nominations in 1978 for
his role in the blockbuster SATURDAY NIGHT FEVER directed by John Badham,
which launched the disco phenomenon in the 1970s. He went on to star in the
big-screen version of the long-running musical GREASE by Randal Kleiser (1978)
and the wildly successful URBAN COWBOY by James Bridges (1980) which also
influenced trends in popular culture. Additional film credits include the Brian
De Palma thrillers CARRIE (1976) and BLOW OUT (1981) as well as Amy
Heckerling’s hit comedy LOOK WHO’S TALKING (1989) and Nora Ephron’s comic
hit MICHAEL (1996). Travolta starred in John Turteltaub’s PHENOMENON
(1996) and took an equally distinctive turn as an action star in John Woo’s topgrossing BROKEN ARROW (1996) opposite Christian Slater, and classic
FACE/OFF (1997) opposite Nicolas Cage. He also starred in Simon West’s THE
GENERAL’S DAUGHTER (1999), co-starring Madeline Stowe. In 2005, Travolta
reprised the role of ultra-cool Chili Palmer in Barry Sonnenfeld’s GET SHORTY
(1995) in the sequel BE COOL by F. Gary Gray (2005). In addition, he starred
opposite Scarlett Johansson in the independent feature film A LOVE SONG FOR
BOBBY LONG by Shainee Gabel (2004), which was screened at the Venice Film
Festival, where both Travolta and the films won rave reviews. In February 2011,
he was honored by Europe’s leading weekly program magazine Hörzu, with the
prestigious Golden Camera Award for “International Best Actor” in Berlin,
Germany.
Travolta earned another Academy Award nomination for his riveting portrayal
of a philosophical hit-man in Quentin Tarantino’s PULP FICTION (1994). He also
received BAFTA and Golden Globe nominations for this highly acclaimed role
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and was named Best Actor by the Los Angeles Film Critics Association, among
other distinguished awards.
He garnered further praise as a Mafioso-turned-movie producer in the comedy
sensation GET SHORTY (1995), winning the Golden Globe Award for Best Actor
in a Motion Picture, Musical or Comedy. In 1998, Travolta was honored by the
BAFTAs with the Britannia Award: and in that same year he received the
Lifetime Achievement Award at the Chicago Film Festival. He also won the
prestigious Alan J. Pakula Award from the US Broadcast Critics Association for
his performance in A CIVIL ACTION (1998), based on the best-selling book and
directed by Steve Zaillian. He was nominated again for a Golden Globe for his
performance in PRIMARY COLORS (1998), directed by Mike Nichols and costarring Emma Thompson and Billy Bob Thornton, and in 2008, he received his
fourth Golden Globe nomination for his role as Edna Turnblad in the big-screen,
Adam Shankman’s box-office hit HAIRSPRAY. As a result of this performance,
the Chicago Film Critics and the Santa Barbara Film Festival decided to
recognize Travolta with a Lifetime Achievement Award for his role.
Travolta was most recently seen in Tony Scott’s THE TAKING OF PELHAM 123
(2009), Pierre Morel’s FROM PARIS WITH LOVE (2010) and in the Oliver Stonedirected movie, SAVAGES, based on Don Winslow’s best-selling crime novel and
presented at the 2012 Deauville American Film Festival.
By honoring John Travolta on Friday, September 6, the Deauville American
Film Festival is bringing the spotlight on the aristocracy of talent, carried into
the firmament. This star is a legend who has played some mythical movie
roles. While some movies owe their success to their director, what would
SATURDAY NIGHT FEVER, BLOW OUT, HAIRSPRAY, FACE/OFF or PULP FICTION
have been without John Travolta?
2013 KILLING SEASON by Mark Steven Johnson
2012 SAVAGES by Oliver Stone
2010 FROM PARIS WITH LOVE by Pierre Morel
2009 THE TAKING OF PELHAM 123 by Tony Scott
2009 OLD DOGS by Walt Becker
2007 WILD HOGS by Walt Becker
2007 HAIRSPRAY by Adam Shankman
2006 LONELY HEARTS by Todd Robinson
2005 BE COOL by F. Gary Gray
2004 THE PUNISHER by Jonathan Hensleigh
2004 LADDER 49 by Jay Russell
2004 A LOVE SONG FOR BOBBY LONG by Shainee Gabel
2003 BASIC by John McTiernan
2001 SWORDFISH by Dominic Sena
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2001 DOMESTIC DISTURBANCE by Harold Becker
2000 LUCKY NUMBERS by Nora Ephron
2000 BATTLEFIELD EARTH by Roger Christian
1999 THE GENERAL’S DAUGHTER by Simon West
1998 THE THIN RED LINE by Terrence Malick
1998 PRIMARY COLORS by Mike Nichols
1998 A CIVIL ACTION by Steven Zaillian
1997 SHE’S SO LOVELY by Nick Cassavetes
1997 MAD CITY by Costa-Gavras
1997 FACE/OFF by John Woo
1996 PHENOMENON by John Turteltaub
1996 MICHAEL by Nora Ephron
1996 BROKEN ARROW by John Woo
1995 WHITE MAN’S BURDEN by Desmond Nakano
1995 GET SHORTY by Barry Sonnenfeld
1994 PULP FICTION by Quentin Tarantino
1993 LOOK WHO’S TALKING NOW by Tom Ropelewski
1992 BORIS AND NATASHA by Charles Martin Smith
1991 SHOUT by Jeffrey Hornaday
1991 EYES OF AN ANGEL by Robert Harmon
1991 CHAINS OF GOLD by Rod Holcomb
1990 LOOK WHO’S TALKING TOO by Amy Heckerling
1989 THE EXPERTS by Dave Thomas
1989 LOOK WHO’S TALKING by Amy Heckerling
1985 PERFECT by James Bridges
1983 TWO OF A KIND by John Herzfeld
1983 STAYING ALIVE by Sylvester Stallone
1981 BLOW OUT by Brian De Palma
1980 URBAN COWBOY by James Bridges
1978 MOMENT BY MOMENT by Jane Wagner
1978 GREASE by Randal Kleiser
1977 SATURDAY NIGHT FEVER by John Badham
1976 CARRIE by Brian De Palma
1975 THE DEVIL’S RAIN by Robert Fuest
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CARTE BLANCHE 
Since 2011, the Festival has given Carte Blanche to figures from the world of
arts and letters to share their movie preferences - their personal America through a selection of films of their choice.
After the first two editions presented by fashion designers, the Festival is this
year delighted to offer Carte Blanche to the French electronic music duo
© Kim Chapiron
“In music as in cinema, the Americans have a science of entertainment which
we really love, both for its substance and its style. We leapt at the chance to
program this Carte Blanche to share our unabashed passion for the kind of
cinema we grew up with, choosing examples of this entertainment form which
forged our imaginations as children, then as teenagers in the 1980/90s.”
Gaspard Augé & Xavier de Rosnay
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Ten years ago, the strident beats of “We Are Your Friends” put the spotlight on
Justice, a young French duo signed to the label that Pedro Winter had just
launched, Ed Banger. The album which followed, “✝”, condensed staccato
electro with disco flourishes and the energy of heavy metal. Singles like
“D.A.N.C.E”, “Stress” and “Phantom” and their accompanying videos allowed
Justice to take over the mantle of the French Touch in electro music of the
1990s with its filtered disco loops.
From 2007, following their first album, Justice went on the live circuit with an
arena tour taking in a series of festivals and concert venues around the planet.
This initial encounter with a live audience was the opportunity for the group to
develop a stage show that became more grandiose with every date. The wall of
old Marshall amps placed at the front of the stage, the huge cross, the
lightshow, and the Justice sound which was totally overhauled for live
performance.
In 2012, the tour which followed the release of their second album, “Audio,
Video, Disco”, took them from Australia to the Unites States, Europe, Asia and
South America. The duo are equally at home on the main stage of major rock
festivals (Coachella, Lollapalooza, Les Eurockéennes, Les Vieilles Charrues, etc.)
and electro gatherings (Ultra, Sonar, Melt, etc.), staging around 100 concerts
which has allowed them to hone their performance. As soon as the first notes
of “Genesis” are heard, the crowd is off on a sonic rollercoaster for an hourand-a-half of the duo’s tracks pumped up into megamixes and accompanied by
a frenetic lightshow.
With the album “Access All Arenas”, recorded during their concert in the
Roman amphitheater in Nîmes in July 2012, Justice provides a taste of a tour
which stretched over almost a year, and uses it to revisit the best of 10 years of
existence and three albums (“✝”, “A Cross The Universe” and “Audio, Video,
Disco”), conveying all the effervescence and energy of their live shows.
Gaspard Augé and Xavier de Rosnay will attend Deauville on September 4th
to present 3 films as part of their Carte Blanche selection.
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DEAUVILLE SEASON 4 
DEAUVILLE SEASON 4 will once again feature TV series and their creators
during the festival’s closing weekend. The line-up includes many PREMIERES,
EXCLUSIVE SERIES and MEETINGS on the theme of writing. The programming
of Deauville Season 4 sets out to confront, analyze and explore the various links
between
European
writing
and
its
US
counterpart.
 MASTERCLASS VINCE GILLIGAN
creator of BREAKING BAD
© Frank Ockenfels 3/AMC
After inviting renowned screenwriters such as David Chase (creator of The
Sopranos), Clyde Phillips (showrunner* for the first four seasons of Dexter),
Tom Fontana (creator of Oz and Borgias) and Shawn Ryan (The Shield), the
Deauville American Film Festival and Deauville Season 4 are this year
delighted to be hosting an exceptional masterclass from American director,
producer and screenwriter Vince Gilligan.
Born in 1967 in Richmond (Virginia, USA) and raised in Farmville and
Chesterfield, Vince Gilligan is a graduate of the esteemed Tisch School of the
Arts at the University of New York. During his studies, he wrote Home Fries, for
which he received the prestigious Virginia Governor’s Screenwriting Award in
1989 and which would be made a decade later by Dean Parisot, starring Drew
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Barrymore and Luke Wilson. During the same period, he wrote Wilder Napalm,
made in 1993 by Glenn Gordon Caron. This story of two pyromaniac brothers
attracted the attention of screenwriter Chris Carter, who invited Vince Gilligan
to join the group of screenwriters working on the cult series The X-Files. The
Soft Light episode (season two, episode 23) marked the start of a fruitful
collaboration that would lead him to producing and/or writing 143 episodes of
the series.
The X-Files entered the annals of US TV series, with spectacular ratings,
growing from an average of 14 to 20 million viewers per episode, and garnering
record audience figures for certain episodes, including season four, episode 12
which was watched by 29.9 million viewers in the US. From 1993 to 2002, nine
seasons of the series screened, with 202 43-minute episodes. It won five
Golden Globes including Best Drama Series in 1995, 1997 and 1998; 16 Emmy
Awards; and almost 50 other international awards.
Gilligan went on to drive the X-Files spin-off, The Lone Gunmen, which, despite
the quality of the show, was cancelled after one season in 2001.
While demand for his writing skills was limited, Gilligan spent his time devising
humorous ways of making a living, including working as a mobile drug dealer,
traveling across the USA in an RV. This provided the inspiration for Breaking
Bad and the preliminary sketches for the character of Walter White.
Given the cautious approach of the TV networks, Gilligan was contacted by
AMC, an American cable channel newly involved in the content creation
process following in the bold footsteps of HBO and Showtime. Breaking Bad,
Mad Men and The Walking Dead all enjoyed very successful debuts on the
channel.
The black humor of Breaking Bad, its off-beat tone and violent writing have
been met with growing international audience and critical acclaim. The series
has won four Golden Globes, seven Emmy Awards and many other honors,
including the Writers’ Guild Award for Best Series in 2008, 2012 and 2013. With
this series, Vince Gilligan has confirmed his unique writing talent and found his
place among the most powerful and influential showrunners of the moment.
The masterclass will be moderated by Olivier Joyard from the French weekly
newspaper Les Inrockuptibles on Saturday September 7th
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Screenwriter
2008-2013 | BREAKING BAD (TV series)
2008 | HANCOCK by Peter Berg
2007 | FLY ON THE WALL by Will Ferell
2006 | NIGHT STALKER by Daniel Sackheim (TV series)
2002 | LOS ANGELES: DIVISION HOMICIDE (TV series)
2001 | THE LONE GUNMEN (TV series)
1998 | HOME FRIES by Dean Parisot
1995-2002 | THE X-FILES (TV series)
1993 | WILDER NAPALM by Gleen Gordon Caron
Producer
2008-2013 | BREAKING BAD (TV series)
2001 | THE LONE GUNMEN (TV series)
1998 | HOME FRIES by Dean Parisot
1999 | HARSH REALM (TV series)
1995-2002 | THE X-FILES (TV series)
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 PREMIERE: THE CURSE OF EDGAR
From 1960 to 1963, the presidency of John F. Kennedy embodied everything
that the long-standing head of the FBI detested. J. Edgar Hoover saw his
traditionalist, Protestant and conservative vision threatened by the Kennedy
clan’s version of a free, Catholic, colorful America.
Clyde Tolson, Hoover’s right-hand man and lover, was the last survivor of this
bitter power-struggle in the highest offices. Over 90 minutes, between fiction
and archive footage, this insider witness reveals all about Hoover and his
political strategy, and manages to penetrate as never before the enigmatic
personality of Edgar, a man consumed by his demons at the most critical
moment in his extraordinary career.
CREATION Marc Dugain
DIRECTION Marc Dugain in collaboration with Véronique Lagoarde-Ségot
PRODUCTION Fabrice Coat-Program 33
SCREENWRITING Marc Dugain based on his novel La Malédiction d’Edgar (Éd. Gallimard)
CAST Brian Cox, Anthony Higgins, Finlay Robertson, Michael Reynolds, Keith Hill
DIFFUSION Planète+ (France)
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 PREMIERE: BATES MOTEL
SEASON 1 I EPISODES FIRST YOU DREAM, THEN YOU DIE & NICE TOWN YOU
PICKED, NORMA…
Bates Motel © 2013 NBCUniversal. All rights reserved
Following the mysterious death of her husband, Norma Bates decides to leave
Arizona for the little town of White Pine Bay in Oregon. With her son Norman,
aged 17, she hopes to start over and buys an old, abandoned motel and its
adjacent mansion. The mother and son have a deeply ambiguous relationship,
but a series of tragic events will bring them even closer as they share a dark
secret…
CREATED BY Anthony Cipriano
DIRECTOR Tucker Gates
PRODUCTION Carlton Cuse & Kerry Ehrin Universal Television
WRITER Anthony Cipriano
CAST Vera Farmiga, Freddie Highmore
BROADCASTER A&E Network (US) & SyFy, 13ème Rue (France)
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 PREMIERE: THE FOLLOWING
SEASON 1 I EPISODES PILOT & CHAPTER TWO
Joe Carroll, a diabolical serial killer, uses technology to create a sect of serial
killers, all connected as part of a network despite being spread across the
United States. The former FBI agent Ryan Hardy tracked down and captured
Carroll in the past, even writing a book about him. He knows how the killer’s
mind works, and finds himself forced to return to service...
CREATED BY Kevin Williamson
DIRECTOR Marcos Siega
PRODUCTION Kevin Williamson, Warner Bros. Television
WRITER Kevin Williamson
CAST Kevin Bacon, James Purefoy, Natalie Zea, Valorie Curry
BROADCASTER FOX (US) & TF1 (France)
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 PREMIERE: ONCE UPON A TIME
SEASON 2 I EPISODES BROKEN & WE ARE BOTH
© ABC STUDIOS
There is a town in Maine where all the characters from the fairytales of our
childhood are trapped between two worlds… The curse lifted, the inhabitants
finally recover their memory and all the magic of their fairytale world invades
Storybrooke. But magic means spells and dark powers. The bold Emma Swan
and her courageous son Henry find themselves swept up in a whole other
journey. Snow White, Beauty, Little Red Riding Hood and Jiminy Cricket are all
ready to take on Regina, the evil queen, who is more powerful than ever.
Through mystery and enchantment, but also dangers and perils, magic
becomes reality in the second season that sees some new fairytale characters
enter the fray, such as Sleeping Beauty and Captain Hook.
CREATED BY Adam Horowitz & Edward Kitsis
DIRECTORS Mark Mylod, Greg Beeman
PRODUCTION Edward Kitsis & ABC Studios
WRITERS Adam Horowitz, Edward Kitsis
CAST Jennifer Morrison, Ginnifer Goodwin, Lana Parrilla, Robert Carlyle
BROADCASTER ABC (US) & M6 (France)
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 CONFERENCE:
THE FATAL CHARM OF THE SERIAL KILLER
Friday, September 6 - 2.30pm
The Festival is pleased to be hosting the Identities and Cultures Research
Group of the University of Le Havre (GRIC) to provide a platform for the
scientific and educational expertise of the academic research world, and
make it accessible to a wider audience.
As DEXTER is coming to a close and HANNIBAL is just starting, we will explore
these stories and characters that cast such fascination despite their horror.
Like Joe Carroll in THE FOLLOWING, serial killers have their own disciples.
They are part of a narrative heritage, and are each adapted to a storyline that
they attempt to control and fashion. What are the narrative and reflective
mechanisms of these stories with their plot twists? What is their cultural
significance?
The Festival is delighted to welcome the following academics:
SYLVAINE BATAILLE (Lecturer, University of Rouen) is the author of several
articles about series (BATTLESTAR GALACTICA, ROME, SONS OF ANARCHY), and
co-wrote the second issue of the review TV/Series.
MARJOLAINE BOUTET (Lecturer, University of Picardie) is the author of Séries
Télé pour les Nuls (First, 2009); Sériescopie: Guide Thématique des Séries
Télévisées (Ellipses, 2011, with P. Sérisier and J. Bassaget); Cold Case: la
Mélodie du Passé (PUF, 2013); and also writes columns for Phosphore and
Today in English.
SARAH HATCHUEL (Professor, University of Le Havre) is head of the Identities
and Cultures Research Group. She is the author of Lost: Fiction Vitale (PUF,
2013) and with Monica Michlin is co-writing a book on dreams in TV series
(Rouge Profond, 2014). She co-directs the review TV/Series (tvseries.univlehavre.fr).
ARIANE HUDELET (Lecturer, University Paris Diderot) co-directs the review
TV/Series, of which she also edited the first issue. She is the author of works on
adaptation and articles about TV series (THE WIRE, TREME, the issue of credits).
MONICA MICHLIN (Lecturer, University Paris-Sorbonne) co-edited the issue
entitled “Les Pièges des Nouvelles Séries Télévisées Américaines” of the review
GRAAT online (2009), and has published articles on the serial structure in
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audiovisual works, pilots of contemporary series, American “presidential”
series, and the “queering” of the codes of series in THE WIRE and QUEER AS
FOLK.
SHANNON WELLS-LASSAGNE (Lecturer, University of Bretagne Sud) is the
author of the book Étudier l'Adaptation Filmique (with Laurent Mellet, Presses
Universitaires de Rennes). She has written articles on series including THE
OFFICE, GAME OF THRONES, TRUE BLOOD, CASTLE and COMMUNITY.
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 THE ROUND TABLE
FROM PAGE TO SCREEN, THE GENRE IN
QUESTION
Saturday, September 7 – 10: 30am
Building on the success of the three previous editions, Deauville Season 4 this
year continues its exploration of screenwriting mechanisms through a round
table which will compare the working methods of writers for the small and
big screens.
This year, authors, screenwriters of feature films and writers for TV series will
examine the crossovers between their different styles of writing: from page
to screen, from big to small screen, from documentary to fiction, from one
genre to another.
Their different points of view, esthetics and intentions promise a rich dialog.
Moderated by STÉPHANE FOENKINOS, this discussion will bring together:
MARC DUGAIN
French novelist born in Senegal, he drew inspiration from his childhood,
especially his maternal grandfather who fought in WW1, to write his first novel
published in 1998, The Officers’ Ward. The novel was a bestseller and was
adapted as a movie in 2001 by the director François Dupeyron. With AN
ORDINARY EXECUTION, he adapted his own work for the cinema in 2009, based
on the first part of his eponymous novel. He also directed an adaptation of part
of his novel The Curse of Edgar in the form of a documented fiction.
FABRICE GOBERT
He began his career as a director for television. Switching between drama
series and documentaries, he worked on the documentary series for Arte,
Lettre à un jeune cinéaste, and directed several episodes of the series Âge
sensible for France 2. After the well-received short film CAMILLE, he directed
his first feature film, LIGHTS OUT, selected for the Cannes sidebar Un Certain
Regard in 2010. The film attracted the attention of Canal + and the production
company Haut et Court, who hired Gobert to direct the supernatural series The
Returned, an unprecedented critical and popular hit.
ÉRIC OVERMYER
American screenwriter, producer, and showrunner, he has also written for the
stage, notably the play On the Verge which has been widely performed in
English-speaking territories. He mainly works in movies and TV, as both
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producer and screenwriter. He has written episodes of Homicide, created by
David Simon, who also called on him to write for the fourth season of the hit
series The Wire. Their collaboration gave rise to the HBO series Treme, which is
set in post-Hurricane Katrina New Orleans.
FRANK SPOTNITZ
American screenwriter, producer, and showrunner, he is best-known for his
work on series such as The X-Files, or more recently Hunted. He co-wrote 40
episodes of The X-Files for TV, and was the producer and co-writer of two
feature films adapted from the series (The X-Files in 1998 and X-Files: I Want to
Believe in 2008). He is currently writing a series adapted from the
TRANSPORTER hit movie franchise, and is writing and coproducing an
adaptation of Philip K. Dick’s The Man in the High Castle for Ridley Scott.
* STÉPHANE FOENKINOS has worked as casting director on around 60 movies.
His credits as screenwriter include co-writing the series Vénus & Apollon (2009)
for Arte, and Hard 2 (2011) for Canal +. Along with his brother, the novelist
David Foenkinos, he directed the feature film DELICACY adapted from David’s
novel, LA DÉLICATESSE, starring Audrey Tautou and François Damiens.
Deauville Season 4 is supported by:
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FRANCO-AMERICAN MEETING 
Monday September 2 - 3:30pm
Always eager to enrich dialog between movie professionals, and buoyed by
the success of the two previous editions, the Deauville American Film Festival
is once again partnering with the Producers Guild of America (PGA) and
France’s Association of Cinema Producers (APC), in collaboration with the Île
de France Film Commission for the third Franco-American Meeting.
nd
2 France-American round table, 2 September 2012, featuring Alain Attal, Paula Wagner and Eric Altmayer /
© Robin Petillault
 INNOVATION vs. CREATIVITY?
The digital revolution affects, impacts upon and transforms all facets of
filmmaking, from a film’s conception, its writing, the scale of its ambition
through to its distribution and consumption by the audience. It has also
prompted every section of the industry to question what it does, and how this
is changing. Two decades after it began, can we today measure the real impact
of this revolution on the movie production process? Does the growth in
distribution platforms indeed open the way for new financing models? And
have technological changes facilitated the emergence of new areas for
creation, capable of meeting the needs of filmmakers, whether producers or
directors?
These questions and others will be tackled by Gale Anne Hurd, Thomas
Anargyros and Marc Missonnier in an effort to get to grips with the new
challenges facing cinematographic production. (Le Film français)
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TRIBUTE TO GALE ANNE HURD
The Deauville American Film Festival will pay tribute to the US producer Gale
Anne Hurd, saluting her audacious work throughout a visionary career that
includes seminal hits such as ALIENS, THE WALKING DEAD, THE ABYSS and THE
TERMINATOR.
in partnership with:
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DEAUVILLE AMERICAN FILM CORNER 
A dedicated space for sellers and buyers to discover and (re)consider the best
of current US movie production.
The Deauville American Film Festival and the CINANDO Video Library are
reteaming for another edition of the DEAUVILLE AMERICAN FILM CORNER,
initiated in 2011 and designed to encourage acquisitions of “made in USA”
movies. Part of the line-up of the 39th edition, as well as certain new films for
which French rights are available and which drew our attention during the
selection process, will be presented in this professional space exclusively
reserved for buyers and sellers.
The Festival is thereby reaffirming its wish to act as place of culture, where
the acquisition of films is part of the artistic economy.
At the end of the Festival, subscribers to the Cinando.com platform can watch
or rewatch all or part of the line-up of the 39th edition, and potentially acquire
one of the films screened. This was the case in previous years for THE
DYNAMITER (Summertime) by Matthew Gordon and UNA NOCHE by Lucy
Mulloy, Grand Jury Prize in 2012, both securing French deals thanks to the
DEAUVILLE AMERICAN FILM CORNER.
In collaboration with:
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 MASTERCLASS
STEVEN SODERBERGH
Saturday, August 31st - 12:30 pm
In conjunction with the screening of his latest film, BEHIND THE
CANDELABRA, director Steven Soderbergh will be giving a filmmaking
masterclass, hosted by director & screenwriter Nicolas Saada (ESPION(S),
2009).
Steven Soderbergh follows in the footsteps of Darren Aronofsky, Neil LaBute,
James Foley, Edward Burns, Scott McGehee, David Siegel, Jonathan Nossiter,
Charlie Kaufman, Andy Garcia, Terry Gilliam, Roger Avary and last year, William
Friedkin.
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 MASTERCLASS
BEASTS OF THE SOUTHERN WILD
Thursday, September 5 - 5:30 pm
The Festival is delighted to program an exceptional masterclass given by
Christopher Vogler, who will provide a filmic analysis of BEASTS OF THE
SOUTHERN WILD by Benh Zeitlin, which won the Grand Prize at Deauville
American Film Festival last year.
The American expert in narrative Christopher Vogler will use his expertise on
the heroic figure to question the codes of this enigmatic, vibrant and moving
film. His reading will attempt to reveal the links between the film and an
astonishing, primitive mythology that is peculiar to American culture.
According to him, “BEASTS OF THE SOUTHERN WILD is a film that brings people
together, provoking strong reactions and defying narrative conventions through
its dreamlike style. Is it a fable, a work of magical neo-realism, a modern myth,
whether reflective or primitive, or a representation of the subconscious?”
Christopher Vogler is a regular advisor to Hollywood studios for major US
productions, and an internationally renowned professor of film. His bestseller
The Writer’s Journey investigates modern storytelling through the prism of the
narrative structures of mythology. His analysis has become a reference in
movie and TV production and his work is included in several academic
programs in cinema and literature. He contributed to the writing of Disney
films like THE LION KING and ALADDIN, worked with David Fincher on FIGHT
CLUB, Terrence Malick on THE THIN RED LINE, and with Darren Aronofsky on
THE WRESTLER and his next film, NOAH.
The ESRA group is the largest private training organization in France in the field of cinema and television. Since
it was founded in 1972, the group has trained more than 4,000 working professionals.
It comprises the film and TV school ESRA, the sound engineers’ school ISTS, and the ESRA 3D school of
animated film. Since 2007, ESRA has offered an optional fourth year in New York. The school offers professional
master’s degrees in screenwriting and production, as well as initiation internships in the audiovisual sector
under the JUNIOR scheme.
The group, which has premises in Paris, Nice and Rennes, also includes a department of further training.
The program for the fourth year in New York involves professors from various prestigious film schools such as
Columbia, Tish School and the New School for Drama.
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TWEET ME IF YOU CAN
Friday, September 6 - 5.00 pm
For the first time at the Deauville American Film Festival an analysis and
comparative study of the use of social networks by the top of French and
American actors at the box-office will be presented.
A study proposed and presented by:
In collaboration with:
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THE PRIX MICHEL D’ORNANO 
During the Award Ceremony of the Deauville American Film Festival, an
international Jury composed of Anglo-Saxon journalists, chaired by JeanGuillaume d’Ornano, will award the 2013 Prix Michel d’Ornano to the film:
ME, MYSELF AND MUM!
by Guillaume Gallienne
CAST Guillaume Gallienne, André Marcon, Françoise Fabian, Nanou Garcia,
Diane Krüger, Reda Kateb
FRENCH DISTRIBUTION GAUMONT [email protected]
PRESS RELATIONS Tony ARNOUX [email protected]
“My earliest memory of my mother dates from when I was four or five: she
called my two brothers and me to the table saying, "Boys, Guillaume, dinner!"
and the last time I spoke to her on the phone, she hung up saying, "Take care,
my big girl." And, well, between the two there were quite a few
misunderstandings”. (Guillaume)
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 Guillaume Gallienne entered the Comédie-Française in 1998, where he
performed Marivaux, Feydeau, Shakespeare, Molière... He has also been
seen on television and in such films as Sofia Coppola's MARIE-ANTOINETTE
and Danièle Thompson's FAUTEUILS D'ORCHESTRE. In 2008 he appeared in
the play ME MYSELF AND MUM, for which he won several awards and which
he is adapting for his filmmaking debut.
Created in 1991 by the member companies of the Motion Picture Association
and dedicated to the memory of Michel d’Ornano (former minister, mayor of
Deauville and co-founder of the Deauville American Film Festival), the Prix
Michel d’Ornano grants a first French film in order to help support its
recognition, promotion and exportation.
The Prix Michel d’Ornano is supported by the Franco-American Cultural Fund.
Founded by the SACEM and the two professional guilds in the United States
representing original creative artists working in the film and television industry
- the Directors Guild of America (DGA) and the Writers Guild of America (WGA)
- and then joined by the Motion Picture Association, the Franco-American
Cultural Fund is designed to promote original cinematography on both sides
of the Atlantic, to encourage up-and-coming young talents and foster
dialogue between professionals in the industry in both countries.
3,000 Euros will be granted to the awarded director Guillaume Gallienne,
3,000 Euros to the film producers and 10,000 Euros to French distributor
Gaumont to help promoting the film.
The film will be presented as a premiere on September 7th
Press relations - Prix Michel d’Ornano
LE PUBLIC SYSTEME CINEMA [email protected]
Press relations - Franco-American Cultural Fund
Vanessa JERROM & Claire VORGER [email protected]
PAST AWARD WINNERS
2012 HOLD BACK by Rachid Djaïdani
2011 17 GIRLS by Delphine & Muriel Coulin
2010 ANGÈLE AND TONY by Alix Delaporte
2009 SILENT VOICES by Léa Fehner
2008 JOHNNY MAD DOG by Jean-Stéphane Sauvaire
2007 LA VIE D’ARTISTE by Marc Fitoussi
2006 BLAME IT ON FIDEL by Julie Gavras
2005 LITTLE JERUSALEM by Karin Albou
2004 A COMMON THREAD by Eléonore Faucher
2003 SINCE OTAR LEFT by Julie Bertucelli
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2002
2001
2000
1999
1998
HYPNOTIZED AND HYSTERICAL - HAIRSTYLIST WANTED by Claude Duty
PRETTY THINGS by Gilles Paquet-Brenner
LE SECRET by Virginie Wagon
HOMETOWN BLUE by Stéphane Brizé
TAKE 2 by Siegfried
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LUCIEN BARRIÈRE LITERARY AWARD 
Composed of Frédéric Beigbeder (writer, editor and journalist), Adélaïde de
Clermont-Tonnerre (journalist and writer), François Forestier (writer and
journalist), André Halimi (journalist, writer and director), Jean-Claude Lamy
(journalist and writer), Eric Neuhoff (journalist and writer) and Gonzague Saint
Bris (journalist and writer), the Jury of the Lucien Barrière Literary Award,
during the Deauville American Film Festival, awards the 2013 prize to: CANADA
by Richard Ford (published in France by Les Editions de l’olivier and translated
by Josée Kamoun).
THE NOVEL I CANADA
Great Falls, Montana, 1960. Dell Parsons is 15 when his parents carry out a
hold-up, in the desperate hope of paying off a threatening creditor. But the
heist fails, his parents are arrested, and Dell finds himself faced with a choice
between running away or life in an orphanage. He decides to flee, crossing the
Canadian border into Saskatchewan. There he is taken in by Remlinger, a man
who makes him his apprentice and factotum. Remlinger is a libertarian”, a
believer in total individual freedom, who lives according to his own laws whilst
organizing hunts.
Canada is the tale of these years of apprenticeship against a magnificent
backdrop of nature, amongst men for whom only brute force counts, which is
underlined by a savagely violent final episode. Years later, Dell, now a
university professor, looks back on those years which marked him for life.
This novel of exceptional power and beauty will remind fans of Richard Ford of
his earlier book published in France by Éditions de l’Olivier in 1991, Wildlife.
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THE AUTHOR I RICHARD FORD
Born in 1944 in Jackson, Mississippi, Richard
Ford is a major figure of contemporary
American literature. After publishing two
novels in 1976 and 1981 (A Piece of My Heart
and The Ultimate Good Luck), he temporarily
abandoned writing and dedicated himself to
journalism for the US magazine Inside Sports.
The Sportswriter (published in France by
Éditions de l’Olivier, 1999), a caustic satire on
the American middle-classes, won him wider
acclaim. It was also the first tome of an
ambitious literary project built around the
character of Frank Bascombe, who would
appear in two more of his novels. The first of
these was in 1995 in Independence Day, a
broad sweep combining personal history with
the political history of the United States, and
which won the Pen/Faulkner Award and the
Pulitzer Prize in 1996. Then Lay of the Land
(2006) closed the cycle based on Bascombe,
this character who some compare to John
Updike’s Rabbit, and who reflects 30 years of
American life.
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PAST LITERARY AWARDS
2012
2011
2010
2009
2008
2007
2006
2005
2004
2003
2002
2001
2000
1998
PAS SIDNEY POITIER by Percival Everett
MINUIT DANS UNE VIE PARFAITE by Michael Collins
BLONDE by Joyce Carol Oates
AND QUE LE VASTE MONDE POURSUIVE SA COURSE FOLLE
by Colum McCann
MARILYN AND JFK by François Forestier
LA BELLE VIE by Jay McInerney
HENRI OU HENRY, LE ROMAN DE MON PERE by Didier Decoin
SANCTUARY V by Budd Schulberg
DE MARQUETTE A VERACRUZ by Jim Harrison
RIEN NE VA PLUS by Douglas Kennedy
LE BAISER by Danielle Steel
BIG JANE by Michael Cimino
ET SI C’ETAIT VRAI by Marc Lévy
TU M’APPARTIENS by Mary Higgins Clark
PRESS RELATIONS - EDITIONS DE L’OLIVIER
Aurélie Lacroix – Tel : +33 (0)1 41 48 84 71
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PRACTICAL INFORMATION 
WELCOME DESK, INFORMATION POINT & TICKET SALES
Centre International de Deauville (C.I.D.)
Les Planches - 1 avenue Lucien Barrière 14801 DEAUVILLE
Tel: +33 (0)2 31 14 14 14 [email protected]
Facebook Deauville American Film Festival / Twitter #Deauville2013
OPENING HOURS
Welcome desk – Information point – Accreditations – Pass sales
Friday 30 August / 3pm-7pm
Saturday 31 August to Sunday 8 September / 9am or 30 minutes before the
day’s first screening to 7pm or 30 minutes before the day’s final screening
FESTIVAL LOCATIONS
Theaters
C.I.D. / Auditorium Michel d’Ornano / 1,497 seats - 1 avenue Lucien Barrière /
Tel: +33 (0)2 31 14 14 14
C.I.D. / Salle Lexington / 220 seats – For masterclasses only – Free access –
Priority will given to holders of accreditations and festival passes
Cinéma du Casino / 460 seats - Rue Edmond Blanc / Tel: +33 (0)2 31 88 07 09
Morny Club / 271 seats - 23 rue du Général de Gaulle / Tel: +33 (0)8 92 68 72 7
Other locations:
Les Terrasses du Festival
At the very heart of the Festival, in the official tent and at the Bar du Festival!
Photocalls and press conferences: on the terrace behind the C.I.D. on the
beachfront. Times are listed in the Screenings Program.
The Festival Bar
Take a moment to relax or to chat!
From Saturday 31 August to Saturday 7 September / 10am – 6pm
Sunday 8 September: 10am – 1pm
SCREENINGS
All screenings are open to the general public unless otherwise specified in the
Screenings Program.
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Blue Screenings: During the day in the three theaters and in the evenings at the
Casino and the Morny Club / Simply show your pass or accreditation at the
entrance to the theater.
Red Screenings: Evening screenings at the C.I.D. / Entrance for ticket holders
only, tickets can be obtained beforehand and should be presented at the
entrance to the C.I.D.
Access for Blue and Red Screenings is the same for those with professional
accreditations and Festival Passes.
Follow the signs – during the day and at evening screenings – for Pass or
Accreditations at the entrance to each theater.
FESTIVAL PASS INFO
The Festival Pass costs 150 euros
Students under the age of 26 / the unemployed* can benefit from a reduced price of 100
euros.
Valid from Saturday 31 August to Sunday 8 September in all Festival theaters.
Festival Passes contain the holder’s photograph, are strictly nominative and
cannot be refunded after purchase.
They provide access to all Blue Screenings as listed in the Screenings Program.
They should be presented at the entrance to the theater.
To attend red evening screenings at the C.I.D., holders must also have a ticket,
to be collected prior to the screening (see the Red Screenings Tickets section).
Festival Pass holders are entitled to a free copy of the official Festival Catalog.
For an additional one euro, Festival Pass holders can also attend all screenings
in the Les Nuits Américaines program.
* Upon presentation of valid proof
Day Pass / 30 euros
Students under the age of 26 / the unemployed* can benefit from a reduced price of 12
euros.
The Day Pass offers access to all screenings in any one day (from Saturday 1
September to Sunday 9 September inclusive), in all Festival theaters.
Day Passes are strictly nominative and cannot be refunded after purchase.
They provide access to all Blue Screenings in any one day as listed in the
Screenings Program. They should be presented at the entrance to the theater.
To attend red evening screenings at the C.I.D., holders must also have a ticket,
to be collected prior to the screening (see the Red Screenings Tickets section).
For an additional one euro, Day Pass holders can also attend all screenings in
the Les Nuits Américaines program.
* Upon presentation of valid proof
113
Les Nuits Américaines Pass / 10 euros
Special price: for one euro, with the purchase of any other Pass.
These passes are strictly nominative and cannot be refunded after purchase.
They should be presented at the entrance to the Morny Club for access to all
screenings that are part of the Nuits Américaines Program where there are
seats available.
The official catalogue / 10 euros
The Festival poster / 5 euros
The official catalogue + the Festival poster / 12 euros
For sale at the welcome desk of the C.I.D. and at the Deauville Tourist Office
WHERE TO BUY
Before the Festival:
At the reception of the C.I.D. / Deauville Tourist Office
Reservations can be made online at:
www.fnac.com
www.ticketnet.com
www.billetreduc.com
During the Festival:
Welcome desk & Pass sales at the main entrance of the C.I.D.
RED SCREENINGS TICKETS & LAST MINUTE
Tickets are compulsory for all Red Screenings that take place in the evening at
the C.I.D.
Tickets are available from the Kiosque at Les Terrasses du Festival:
Friday 30 August at 6pm
From Saturday 31 August to Saturday 7 September at 2pm
No tickets are available from the Festival offices.
Tickets must be obtained each day for that evening’s Red Screening and must
be presented at the entrance to the C.I.D.
When no tickets are left, some Last Minute tickets may be made available.
Last Minute ticket holders can join the Last Minute queue for admission to the
theater a few minutes before the start of the screening, if there are any unfilled
seats.
Last Minute tickets may also be distributed at the C.I.D. at the end of the
screening preceding the Red Screening.
A Last Minute ticket does not guarantee access to the theater.
114
ACCREDITATIONS (for professionals only)
Accreditations are reserved for film and TV industry professionals who submit
their request by email only, by Friday 17 August 2013, and for Festival guests.
After this date, and during the Festival, any accreditation requests will be
charged a fee of 30 euros, payable on collection.
Accreditations can be collected at the Accreditation Desks at the C.I.D. by the
main entrance.
Opening hours
Friday 30 August / 3pm to 7pm
From Saturday 31 August to Sunday 8 September / 30 minutes before the start
of the day’s first screening in the program or 9am to 7pm, or 30 minutes before
the start of the last screening each day.
Please bring ID and a proof of professional status when collecting
accreditations.
Accreditations are personal, nominative and non-refundable.
During the Festival, they give access to all screening locations (C.I.D., Casino
Cinema, Morny Club), to all Blue Screenings during the daytime and to Red
Screenings in the evenings at the C.I.D. upon presentation of a Red Screenings
Ticket for the selected screening (see SCREENINGS and RED SCREENINGS
TICKETS).
FOOD & ACCOMMODATION
Le Bar du Festival
Saturday 31 August to Saturday 7 September / 10am to 6pm
Sunday 8 September: 10am to 1pm
For further information, go to www.deauville.org
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THE FESTIVAL PARTNERS 
LUCIEN BARRIERE HÔTELS & CASINOS
AIR FRANCE
CARTIER
DESSANGE PARIS
EURONEWS
FRANCE TELEVISIONS
INTERCITES SNCF
KAUFMAN & BROAD
LA CINEMATHÈQUE FRANÇAISE
LVT
MOËT HENNESSY DIAGEO
NUMERICABLE
RADIO FRANCE
RENAULT
VILLE DE DEAUVILLE
ALSO SUPPORTED BY 
ALLOCINÉ
AMBASSADE DES ETATS UNIS D’AMERIQUE
APC
CINANDO
FILM FRANCAIS
FONDS CULTUREL FRANCO AMERICAIN - DGA, MPA, SACEM, WGAW
GANT
ÎLE DE FRANCE FILM COMMISSION
PGA
SACD
VANITY FAIR
VARIETY
20 MINUTES
116
19th July 2013
39th American Film Festival in Deauville
The 39th American Film Festival will be held on the Deauville boardwalk from 30th August to 8th
September 2013.
Once again, and ever since it was first held in Normandy, Lucien Barrière Hôtels & Casinos will be
hosting this wonderful festival from the other side of the Atlantic. There will be a film screening room
for the world’s greatest film industry to inspire the public’s imagination. Screenings will cover period
dramas and films of contemporary life and the future. The festival will celebrate the dreams of the
movie industry and those of its stars.
The American Dream seen through American films.
Films to move us deeply
Naturally we will be moved even more this year with the festival’s spectacular opening feature of a
preview open to the general public of Behind the Candelabra, the magnificent film directed by Steven
Soderbergh starring Michael Douglas and Matt Damon.
39th year of proud partnership
Being a sponsor means taking the time and care to provide the best support requiring constant
patience and active participation at all times. Which is why this long-standing partnership that has
run for 39 years and is still going strong, means so much.
Lucien Barrière Hôtels & Casinos is proud to team up with this wonderful festival that rounds off the
summer like a director puts the finishing touches to a well filmed scene.
Lucien Barrière Hôtels & Casinos sponsors the Arts & Culture
Being a sponsor to the Film Industry is not just about providing services: it is a deliberate, long-term
investment and the result of many years work, making it one of Lucien Barrière Hôtels & Casinos’
annual events to rank alongside the French Film Awards (les César) and the Cannes, Deauville &
Dinard film festivals (covering the British, Asian & American works). Not forgetting the Diane &
Lucien Barrière Foundation annual awards that promote worth-while first works from young writers
and directors for the stage or screen.
For nearly 40 years now, the annual American Film Festival in Deauville has also been a stage where
new young American directors can be introduced and raise their profile.
This 39th Festival in Deauville will be like the previous, number one on the curiosity chart and a
precious time for all film lovers!
117
About Lucien Barrière Hotels & Casinos
Lucien Barrière Hotels & Casinos is the commercial brand that operates hotels and casinos of two
separate entities: Groupe Lucien Barrière (GLB) and Société Fermière du Casino Municipal de Cannes
(SFCMC.)
For nearly a century, Lucien Barrière Hotels & Casinos has developed unique top of the range leisure
offers. Offers which are based on our core values: professional excellence, quality of service and the
French art de vivre.
The Group includes 39 casinos, 17 luxury hotels, more than 130 restaurants and bars, including the
famous Fouquet’s in Paris, hosts more than 3000 shows and entertainment events throughout the
year and has more than 7 000 employees.
Lucien Barrière Hôtels et Casinos Deauville - Trouville Press Contacts
Nathalie Sénécal - +33 (0)2 31 14 31 41 - [email protected]
Baptiste Jamet - +33 (0)2 31 14 31 92 - [email protected]
Follow us on Facebook:
http://www.facebook.com/hotelsbarriere and http://www.facebook.com/casinosbarriere
Download vidoes: www.lucienbarriere-photo.com
www.lucienbarriere.com
118
Roissy, 23 July 2013
Air France Partner of the 39th Deauville American Film Festival
From 30 August to 8 September 2013, Air France will be an official partner of the 39th Deauville
American Film Festival. To mark the event, the Company will propose a selection of movies screened
on board its long-haul flights during the festival.
In all cabin classes, all Air France passengers have access to a rich and varied entertainment offering
brought to them on an individual screen. In all, there are some 600 hours of programmes available,
including 85 to 125 full-length movies and a juke-box of 200 to 300 CDs with around 3,000 music
titles. Every month, the Company adds new features to its in-flight entertainment programme,
including a selection of the latest American movies along with a renewal of the classics.
Enjoy a movie as soon as you board the aircraft
Air France is placing entertainment at the heart of the trip for customers on its long-haul routes. Since
July 2013, the Company has been offering passengers the opportunity to enjoy their movie and the
rest of the in-flight entertainment offer as soon as they board to when they arrive at their destination.
This way, customers on average benefit from an additional hour of in-flight entertainment,
independently of the take-off, landing and taxiing phases. This innovation is part of Air France’s
ambition to offer its customers new services.
This system is available on 19 long-haul aircraft, including the entire Airbus A380 fleet and certain
Boeing 777-300 and 747-400s. The system will ultimately equip the entire Air France long-haul fleet.
11 destinations in the United States
Air France serves 11 U.S. destinations on departure from Paris-Charles de Gaulle: Atlanta, Boston, Chicago,
Detroit, Houston, Los Angeles, Miami, Minneapolis*, New York, San Francisco and Washington.
Moreover, Air France and KLM operate with their partners Delta and Alitalia the largest transatlantic joint-venture
with over 250 daily flights representing 24% of global transatlantic capacity and generating revenue of 12 billion
dollars in 2012. This joint-venture offers customers the benefits of a vast network, numerous frequencies,
competitive fares and a streamlined service on transatlantic routes.
*seasonal destination operated until 1 September 2013
Air France Press Office: + 33 (0)1 41 56 56 00 - corporate.airfrance.com - Twitter: @AFnewsroom
119
Deauville American Film Festival
from 30 August to 8 September 2013
39th edition
Villa Cartier, tribute to Paris, city of light
Cartier and 7TH Art, a passionate love story immortalised by the greatest stars
of cinema, a tale that goes hand in hand with eternity...
A Love Story that Cartier will once again celebrate this year, as partner to the
Deauville American Film Festival.
For the 8th consecutive year, the jeweller will express its love for the silver
screen by awarding the Cartier Revelation Prize at the Festival’s closing
ceremony. Like every year, the Cartier jury will present the prize to the most
innovative and creative film of the official selection. Cartier’s jewellery expertise
will be called upon for the creation of all the winners’ trophies.
This year and during all the duration of the Festival, Cartier illuminates Paris and pays
her a tribute within its Villa : its bars , its parties, its rooftops , its cobblestones, its
culture , its lifestyle, its cooking…
A ”Villa Cartier” which will welcome actors, producers, film directors,…mixing together
in our Parisian bar and lounge …everything with touches “so Cartier”
Paris is in a party mood for a totally “Paris Nouvelle Vague” vibe, signed by the
jewellers of Kings”.
This year, through this unique event, Cartier once again reaffirms its commitment to
the support of creation and culture.
Composition of the Cartier 2013 revelation jury:
President: Valérie Donzelli
Accompanied by Laurence Arne, Vincent Lacoste, Geraldine Maillet, Woodkid.
Press department :
Patricia Schiffbauer 01 58 18 10 18 / Laetitia Safar 01 58 18 10 50 / Marion
Clayeux 01 58 18 10 49
120
OFFICIAL PARTNER
DESSANGE, AT THE HEART OF
THE AMERICAN FILM INDUSTRY!
DESSANGE AND CINEMA, A LONG-LASTING LOVE AFFAIR!
Official partner to the biggest international film festivals, DESSANGE is proud to
associate its name to the 39th edition of the Deauville American Film Festival.
For twelve years, actors and jury members have all been taken care of by our
DESSANGE studio hairstylists throughout this mythic event.
Last year, numerous celebrities benefited from their expertise: Alice Taglioni, Ana
Girardot, Clotilde Courau, Sandrine Bonnaire, Aure Atika, Daphné Burki, Anaïs
Demoustier,
Dolores Chaplin, Alysson Paradis, Marina Hands, Mylène Japanoï,
Mélanie Bernier…
Find all the festival photos at
dessange.com and on the IPhone-IPad app
Pictures available at dessange-international.com in the press section.
DESSANGE International press office
39 avenue Franklin Roosevelt Paris 8ème
Laëtitia Villain : +33 (0)1 53 83 99 19 - [email protected]
121
Euronews is delighted to share its enthusiasm for the 39th
American Film Festival 2013 in Deauville.
The American Film Festival on Euronews
Find daily international news about the 7th art on Euronews’ antenna, on
mobile apps and euronews.com live or VOD. Previews, theatrical releases,
interviews... Euronews covers those who make news of the 7th art, and for
the third consecutive year, the American Film Festival of Deauville.
The magazine "Cinema", dedicated to the American Film Festival in
Deauville is broadcasted on Euronews all through the Festival and is available at the same time on all Euronews
digital VOD platforms.
About Euronews
First information channel watched in Europe with 8,000,000 daily viewers, Euronews deals with global news
continuously. With 400 journalists from more than 30 nationalities, the channel is available 24h/24 in 13 editions
(German, English, Arabic, Spanish, French, Greek, Hungarian, Italian, Persian, Portuguese, Russian, Turkish and
Ukrainian).
Real independent Media Hub, Euronews reports events with a unique perspective and provides a factual analysis
of news stories. Euronews has always fought to deliver fair and true information, without embellishment or
artifice; among others No comment stands for a landmark news program.
Launched in 1993 from Lyon, Euronews channel is received by 400 million homes in 155 countries and offers a
full range of products (websites, mobile applications, connected TV, radio ...).
www.euronews.com
Euronews Contact
Astrid Hugentobler / Partnerships Officer
Tel. +33 (0)674 99 16 06 / [email protected]
Grégoire Olivero de Rubiana / Director of External Relations
Tel. +33 (0) 660 693 034 / [email protected]
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France Télévisions, a partner to the
Deauville American Film Festival
France Télévisions is pleased to be involved for the second consecutive year in the 39th
issue of the Deauville American Film Festival, which continues to give room and space to
independent cinema and new talents… This year too, the Festival offers a set of conferences
to cinema-lovers, schools, and those who study films.
From Friday, August 30 to Sunday, September 8, France 2 and France 3 will devote special
moments in their news broadcasting and France 3 Basse-Normandie will offer in addition
numerous reports throughout the Festival.
Moreover, the news team of Culturebox, the digital platform of the Group entirely dedicated
to culture will go behind the scenes of the Festival, with interviews with actors, directors,
organisers… And lastly, a live tweet will be launched and nurtured by all of the journalists of
France Télévisions to keep up to date with the latest news.
France Télévisions, 1st broadcaster amongst the free to access channels
Since two years, France Télévisions gives a richer editorial content and greater visibility to
the cinema through new appointments:
- La Grande Soirée Cinéma, hosted by Frédéric Taddéi every Thursday on France 3 and Le
Cinéma de minuit
- The Sunday evening on France 4 with three films, including Ciné 1D, the only appointment
in the French Audiovisual Landscape dedicated to independent film, and the Wednesday
evening in prime time
- The evening Ciné Mix on France Ô,
- Le film du dimanche soir on France 2 and Le Ciné-Club
- Histoires courtes on France 2 and Libre court on France 3 : both of them dedicated to short
films.
France Télévisions, 1st investor amongst the free to access channels
France Télévisions, a major partner of the cinema and first investor amongst the free to
access channels, supports through its subsidiaries France 2 and France 3 Cinéma some
sixty films each year : short or feature films, documentaries, animated films, first movies or
films of established filmmakers.
In 2013, the group's support for filmmaking was rewarded with notably La Vie d’Adèle by
Abdellatif Kechiche, Les Adieux à la reine by Benoît Jacquot, Mauvaise fille by Patrick Mille,
Amour by Michael Haneke, The Artist by Michel Hazanavicius, De rouille et d’os by Jacques
Audiard, Ernest et Célestine by Benjamin Renner, Vincent Patar and Stéphane Aubier, Le
passé by Asghar Farhadi, Les garçons et Guillaume, à table ! by Guillaume Galienne…
Clearly, France Télévisions
is the 1st partner of French cinema
Press contact :
Jessy Daniac : 01 56 22 67 09
Emma Meguerditchian : 01 56 22 56 46
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INTERCITÉS, OFFICIAL PARTNER
OF THE 39th DEAUVILLE AMERICAN
FILM FESTIVAL.
For the 5th consecutive year, INTERCITÉS is the official partner of the Deauville Film Festival
and takes all the festival-goers to the heart of the city all along the event.
INTERCITÉS : THE NEW DYNAMICS
OF A NATIONAL TRANSPORT SERVICE
Through the INTERCITÉS day and night offers, SNCF
facilitates the interregional flows and reaffirms how
important it is to capitalize on the second French railway
network.
As a major actor in long distance rail travels, INTERCITÉS
provides quality trains heading towards more than 300
destinations, at affordable prices starting from 15€(*).
FACT FIGURES FOR
INTERCITÉS:
37 lines all over France
A network of 345 cities and 21
regions served by 325 trains per
day on average
 36 millions travellers per year and
around 11 million on the
Normandy lines


INTERCITÉS FACILITATES THE JOURNEYS TO DEAUVILLE
With an average of 7 round trips per day leaving from Paris St Lazare station (including 3
nonstop trains and 4 with a connection at Lisieux) INTERCITÉS takes you to
Trouville/Deauville in 2h.
INTERCITÉS is committed to offering best value fares to all travellers between Paris and
Trouville/Deauville.
For the occasional travellers :
 Get tickets at a preferetial rate starting from 15€(*) providing that you book your
travel early enough.
 Buy « Loisir Weekend » tickets and get up to 35%(*) off adult fares providing that
you book a round trip ticket for a weekend stay including Saturday night.
 With the INTERCITÉS mini-groupe offer made for groups up to 6 people, you can
travel to Trouville/Deauville at a guaranteed price of 10€(*) for the 2nd class and
15€(*) for the 1st class, from the 3rd to the 6th traveller.
For the frequent travellers :
 With the Jeune, Week-end and Senior rail cards, you can benefit at least a 25%(*)
discount on adult fares on all trains, even for last minute booking and 50%(*) off if
you travel off-peak.
INTERCITÉS LIKES DEAUVILLE AND WISHES YOU A GREAT FESTIVAL.
(*) Offers subject to conditions, see conditions on www.intercites.sncf.com
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For the tenth year, Kaufman & Broad is the official partner of the Deauville Film festival.
This long-standing partnership has come about for several reasons.
Kaufman & Broad was formed in 1957 in Los Angeles, the city embodying both the US film
industry and the American dream.
For more than 40 years in France, Kaufman & Broad has introduced, in its houses and
apartments, new notions of space and light that have become benchmarks of comfort and
well-being.
More than 80,000 families have thus been able to live in the home that they have dreamed of.
Today, Kaufman & Broad is active in the largest and most sought-after French towns.
We, also, are builders of dreams.
Press Contact
Delphine Peyrat – WISE CONSEIL
06 38 81 40 00
[email protected]
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LVT-Paris and LVT-New York have supported American film at Deauville for many years.
Over 20 years ago, LVT invented laser subtitling for 35mm prints. Today, LVT has focused
all its skill and experience on digital cinema, in collaboration with Digimage.
Press Contact:
Denis AUBOYER, Président
www.lvt.fr
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TASTING MOËT & CHANDON
AT THE DEAUVILLE AMERICAN FILM FESTIVAL
***
July 2013 - This year, Moët Imperial will be tasted during the highlights of the festival’s 39th
edition.
For over ten years, Moët & Chandon has accompanied the Deauville American Film Festival – the
opportunity for the House to honor the American talent during the Festival’s unforgettable parties.
Thanks to these cinematic meetings, actors and actresses, professionals and amateurs share a flute of
Moët Imperial in tasting areas specially designed for the occasion.
MOMENTS OF TASTING TO CELEBRATE THESE DAYS’ HIGHLIGHTS
The festives will toast on Friday, August 30, 2013, at the gala dinner following the opening projection.
The following days, the terraces of the Casino Royal Barrière will host a daily cocktail celebrating the
highlights of the 2013 edition. Many other institutions in Deauville will also feature the world's most
loved champagne.
At the end of the press conference, actors and actresses will share a flute of champagne in the VIP
lounge and will – as is the tradition – sign a Methuselah of Moët & Chandon. The opportunity for the
rewarded talents to enjoy a flute of Moët Imperial, in tribute to their reward from Normandy.
About Moët & Chandon tasting experiences
Moët & Chandon shares the magic of champagne with the world, offering a range of unique wines for every occasion, mood and palate, from
the iconic Moët Impérial to the Grand Vintage Collection. It is the champagne of success and glamour since 1743, renowned for its
achievements, firsts and legendary pioneering spirit.
Press Contacts :
Moët & Chandon
Julie Poiraud
T: +33(0)1.58.97.67.58
[email protected]
ELAN pour Moët & Chandon
Line Crieloue
T: +33(0)1.40.89.96.35
[email protected]
127
On the footsteps of Johnnie Walker…
The vision and ambition of the Walker family has been inspired by progress and great achievements
for almost two centuries, turning a modest company into a global and successful business. The art of
blending created by John Walker is carried on by generations of Walkers, with knowledge and
passion.
Undeniably rich and smooth, Johnnie Walker blends, and mostly BLACK LABEL, are acclaimed as
masterpieces of blending craftsmanship. Built on roots from the four corners of Scotland, the brand’s
legacy is as diverse as these areas that create one of the richest stories of all kinds.
The Walker establishment has always demonstrated a pioneering spirit. Since 1870, the Brand identity
is created: oblique label and square bottle. But it’s only in 1909, when the Red Label was launched,
that the Dandy or The Striding Man was drawn, a caricature of its founder, John Walker. This
Gentleman embodies the brand spirit: the pioneering spirit, success, dynamism
The Man Who Walked Around The World.
Proud of its origins and codes, Johnnie Walker asked the famous actor Robert Carlyle, born and raised
in Scotland, to discuss the entire story of Johnnie Walker in one sequence shot, walking through a
Scottish landscape in a 6 minutes commercial broadcast worldwide.
This movie, shot near Loch Doyne (Perthshire) reveals the brand’s heritage but it also reveals how
close the brand is to the world of cinematographic art.
For this reason, Johnnie Walker is very pleased to meet you each evening on the terrace of the Casino
Royal Barrière and also in every places of the city for this 38th American Film Festival.
Keep Walking.
PR contact MHD – Johnnie Walker:
Séverine Morisseau
00 33 (0) 1 41 88 33 69
[email protected]
128
Paris, July 11st 2013
Radio France, proud partner of Deauville American Film Festival
from August 30th to September 8th 2013
All the radios of Radio France are the permanent relays of the Silver Screen, devoting more
than 20 hours of weekly coverage of the latest movies and news. They support cinema in all
of its modes of expression, with next to 130 partnerships per year, but also exhibitions, and
coverage of most of the festivals. The seven radios of the group, completing each other,
express their eclecticism and commitment to public service, thus making Radio France the
leading media about cinema.
Joining the greatest cinema events, France Inter, France Bleu Normandie and France Culture
are bringing the 39th Deauville American Film Festival live to their listeners. Throughout the
festival, the antennas will hold programs, reports and interviews, all from the Radio France
studio installed in the “Norman courtyard” of the Hotel Normandy Barrière.
Get all the info on radiofrance.fr
Radio France is the leading French public radio, with its seven radio stations available on all media (France Inter, France Info, France
Bleu, France Culture, France Musique, Fip and Le Mouv '), almost 14 million daily listeners and a network both national and local.
This is also the reference in information and culture throughout France, due to quality programs and the activities of its four musical
groups (the National Orchestra of France, the Philharmonic Orchestra, the Choir and the Children Choir of Radio France). In all of its
activities, Radio France combines cultural demand and compliance with the general public, in agreement with its educational and social mission.
Press contacts:
Véronique Brachet – 01 56 40 22 97– [email protected]
Aurélie Devos –01 56 40 16 15–[email protected]
129
RENAULT, OFFICIAL PARTNER OF 39TH DEAUVILLE AMERICAN
FILM FESTIVAL
Renault, a faithful partner of the Deauville American Film Festival, is partnering the
event for the 14th consecutive year. This year’s festival will be held from Friday August
30 to Sunday September 8, 2013.
Renault Latitude and Grand Espace Initiale will be escorting US movie stars and the
members of the jury to the feet of the red carpet.
Renault and film: a love story dating back over 110 years
Automotive pioneer Louis Renault was one of the first industrialists to see cinema as a new
tool for communicating on his products. In Boulogne-Billancourt, west of Paris, the studios of
the Lumière brothers were located just a few streets away from his workshops. This
closeness engendered a unique relationship that has made Renault a preferred partner to
actors and directors. Today, more than 200 TV and movie productions are filmed each year
with a special fleet of 40 Renault vehicles.
In addition to its long-standing commitments to TV and cinema production, Renault
also partners the biggest movie festivals and awards ceremonies, including Cannes, the
Césars, Deauville, Alpe d’Huez, Marrakesh, London and many more across Europe.
Renault and the Deauville Festival: a 14-year partnership
Renault has been the exclusive automotive partner to the Deauville Film Festival for 14
consecutive years. Renault Latitude and Espace – now entirely familiar with the red-carpet
world – will from August 30 to September 8, 2013 be escorting the leading lights in US
cinema and the members of the jury, chaired this year by French actor Vincent Lindon.
Renault is also taking advantage of the event to present its latest products to the celluloid
stars. The brand’s new SUV, Renault Captur, will move into the spotlight in a fleet of three
vehicles. And following on from 2012, the French carmaker will also be electrifying the
festival nights with a fleet of Twizy and ZOE models.
Renault is proud to uphold the values of the Deauville Film Festival, which every year
seeks to reveal new, talented directors representing independent US cinema. Renault is
also benefiting from the growing awareness of the Deauville Festival, now the second
biggest in France in terms of media impact, behind Cannes, and the only film event in
the world to screen movies 24/7 for ten days – to the delight of the public!
Press contact: Renault Press +33 (0)1 76 84 63 36
Websites: www.media.renault.com - www.renault.com
Follow us on: @Renault_live
130
Since 1949, year of the brand creation, Gant’s core values are founded on the
spiritual heritage of the East coast American way of life.
Many celebrities from the USA have become throughout the seasons followers of the
emblematic brand which is a synonymous of the unique, chic and casual way of life.
That is thus quite naturally that Gant, which allies subtly European elegance with the
American casual style from its origins, goes with the 39th edition of the American film
festival of Deauville.
For the film festival, from the 30th of August to the 8th of September, Gant creates an
exclusive collection which matches the festival for men and women, in a pop-up store
located in the heart of the official festival Village.
It is a tremendous opportunity for Gant to be associated to an internationally
renowned cultural event and to show to the film industry and to the public presented
during those eight days its American roots.
www.gant.com
PRESS CONTACT GANT France
PIETRI Publicis Consultants – Olivier JOSSERAND
(+33) 1 53 70 27 27 – [email protected]
131
Press Release
July 2013
20 Minutes supports the 39th Deauville American Film Festival
Since the creation of 20 Minutes, Cinema is one of the first
roles of the Culture section in the newspaper as on all the
digital channels, 20 Minutes renews for the fifth
consecutive year to support American Film Festival
Deauville, for 30 August to 8 September. With 4.3 million
daily readers of which 77% of moviegoers (One source
AudiPresse 2012), the editorial team will cover the event in
“20 Minutes”, throughout the Festival. In addition to that,
slide shows, interviews, lives and exclusive news will be
available everyday on www.20minutes.fr.
Press contacts:
Anne Baron
01 72 74 53 80 – [email protected]
Nathalie Desaix
[email protected]
About 20 Minutes and 20minutes.fr
(1)
Created in March 2002, 20 Minutes is the most red national newspaper with about 4 353 000 daily readers.
(2)
20minutes.fr has noted more than 5,3 million visitors in april 2013. About its mobile application, 20 Minutes reached
(3)
10,8 million of visits in Mai and 102 million pages accessed . Regarding tablets, the 20 Minutes App gathers more than 2
(4)
million connexions and more than 20 million of pages are accessed .
Since 2012, 20 Minutes is the leading news-press company with 12,9 million monthly readers(print, web, mobile, tablet). In
(1**)
other words, 1 Inhabitant out of 4
is exposed to 20 Minutes in France.
50% of 20 Minutes France SAS is held by Schibsted, one of the largest Scandinavian media groups, and by the Sipa Ouestst
France group (Publisher of the 1 paying French newspaper).
(1)
Etude AudiPresse ONE 2012 – *LNM 15 + ** Ind. Brand Global 30j – (2) Médiamétrie NielsenNetRatings (avril 2013) – (3) OJD Mobile (mai 2013) - (4) OJD Tablettes (mai 2013)
132

2013 - Festival du Cinéma Américain de Deauville

Transcription

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