platige films - Another Day of Life

DIRECTED BY
RAÚL DE LA FUENTE & DAMIAN NENOW
A FILM BASED ON
RYSZARD KAPUŚCIŃSKI’S NOVEL
“JESZCZE DZIEŃ ŻYCIA” [ANOTHER DAY OF LIFE]
TABLE OF CONTENTS
B A S I C P R O J E C T I N F O R M A T I O N 3
S Y N O P S I S 4
D I R E C T O R ’ S N O T E 6
D I R E C T O R S ’ P R O F I L E S 1 1
P R O D U C E R I N F O R M A T I O N 1 4
C O - P R O D U C E R I N F O R M A T I O N 1 6
S A L E S A G E N T 2 0
P A R T N E R S 2 1
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BASIC PROJECT INFORMATION
TITLE LENGTH DIRECTED BY SCREENPLAY ORIGINAL FILM CONCEPT PRODUCTION CO-PRODUCTION GENRE BUDGET START OF PRODUCTION PLANNED END OF WORKS WEBSITE ANOTHER DAY OF LIFE ( JESZCZE DZIEŃ ŻYCIA )
80 min
Raúl de la Fuente ( Spain ), Damian Nenow ( P oland )
Raúl de la Fuente, Amaia Remírez, David Weber, Niall Johnson
Raúl de la Fuente & Amaia Remírez
Platige Films ( P oland )
Jarek Sawko, Ole Wendorff-Østergaard
Kanaki Films ( Spain )
Amaia Remírez, Raúl de la Fuente
Walking the Dog ( Belgium ) – Eric Goossens
Wüste Film ( Germany ) – Stefan Schubert
Animations Fabrik ( Germany ) – Joern Radel
Puppetworks ( Hungary ) – Frantisek Ambrus
full-length animated movie
EUR 6.1 million
August 2014
Q1 2017
www.anotherdayoflifefilm.com
PLATIGE FILMS
CONTACT
PLATIGE FILMS
[email protected]
www.platige.com
KANAKI FILMS
Amaia Remírez
[email protected]
+34 648 764 852
THE FILM UNDER THE HONORARY PATRONAGE OF THE UNITED NATIONS DEVELOPMENT PROGRAMME
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SYNOPSIS
Another Day of Life is a story of a reporter seeking the truth about war, who during a mortally
dangerous journey through Angola encounters situations and events forcing him to change his
attitude to work and life. The film’s action takes place during the three months Kapuściński
spent in this war-torn country in 1975.
PLATIGE FILMS
During the expedition, the reporter realizes that he is a witness to events, the meaning
of which requires him to go beyond the role of an observer. To recount the story of Angola,
he will have to undergo a deep transformation himself. Another Day of Life ( Jeszcze dzień
życia ), the book in which Kapuściński writes about his experience in Angola, bears witness
to his rebirth both as a writer and as a human being.
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DIRECTOR’S NOTE
Another Day of Life
THE PLOT
Another Day of Life is a movie based on the book written by legendary Polish war correspondent
Ryszard Kapuściński. It tells the story of a journalist, left to himself to write a feature story
on the civil war in Angola on the advent of its regaining independence in 1975.
Kapuściński is an idealist, a friend to lost causes and revolutions. Although he had been
to many front lines before, Angola was to change him forever. He was to get closer to the
realities of war; he was to discover that journalistic reporting was far too limiting for him;
he could dispatch his reports to the editor’s office by telex, yet his enormous imagination
and internal voice are ill-fitted to this message-limiting machine.
Kapuściński experienced a dangerous journey into the heart of darkness which changed
him forever. He left for Angola as a reporter to come back as a writer. He discovered that
the honest and idealistic world he was seeking does not exist in Africa… and so he created
it by means of a typewriter and became a writer of a world renown.
PLATIGE FILMS
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Another Day of Life
STYLE AND VISUAL PRESENTATION OF THE FILM
Another Day of Life is a film which will be produced as a stylized animation with fragments
of documentary photographs. We want to transport the audience to the war theatre, to the
front lines, have the viewers stand next to Kapuściński, in the place where their eyesight
is reduced to the foreground. What did Kapuściński feel during the war in Angola? Loneliness,
fear, madness, panic… Life or death.
TWO LAYERS OF NARRATION
The story in our film will be delivered on two levels of narration.
1. 1. ANIMATED NARRATION will play a double function. It will be used to recount historical
events transpiring in 1975 and convey the surrealist realities of the war in Angola. Additionally,
we will take advantage of the possibilities that animation gives in terms of shifting borders
between the real world and the imagination. We want viewers to be kept in suspense and
captivated, while asking themselves whether what is going on is happening in reality
or in Kapuściński’s mind. The animation will constitute 65 minutes of the entire film.
2.2. DOCUMENTARY NARRATION will supplement the story recounted by means of animation
in the likeness of a missing puzzle piece. The documentary will allow us to include the
memory of those who survived and will furnish the story with a layer of reality. Not through
interviews, but thanks to travelling to the places where the events of 1975 transpired and
contact with animated characters which our camera will imbue with life in 2014. The viewer
will embark on a film voyage to Angola, Cuba, and Portugal to meet Commandant Farrusco,
a white man who joined the rebels, Queiroz, a fighter journalist who travelled across Angola
with Kapuściński, and many other interesting characters the writer described in his book.
The documentary photographs supplement the history presented in the animation, contributing
to the realism, but above all else imbuing the work with EMOTIONS. The documentary part
is going to constitute 20 minutes of the entire film.
PLATIGE FILMS
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STYLING IN ANIMATION
3D techniques provide a huge styling potential.
WE CHOSE A CARTOON STYLE AS THE STYLING MODE. This manner of presenting similar
themes has proved to be most successful in our previous projects. Cartoon graphics, brimming
with graphical simplifications are perfectly fitted for illustrating this type of story. It furnishes
us with a huge arsenal of ‘play’ tools: manipulation of colors, shapes, level of detail, graphical
simplifications, etc. Moreover we employ a graphic convention that viewers can easily read
and accept from the very beginning of the film, and so their attention will not be distracted
by imperfections at the level of realism. The viewer will not be wondering if the water is sufficiently
blue or whether the transparent skin effect was simulated or not. The style itself will supplement
the story with the gritty and austere realism of war.
STYLE OF DOCUMENTARY PHOTOGRAPHS
Documentary photographs continue and supplement the story presented in the animation:
Kapuściński, Angola, the year 1975. True survivors, advanced in years, RECALL the pain and
despair they shared with our main protagonist – Kapuściński.
PLATIGE FILMS
Although we are working with real characters, we do our best to avoid the traditional visual
style of a documentary film. There are no interviews shot directly in front of the camera lens.
In 2014, we are going back to the script of war. We are recreating emotions with great care
for the photography: travel, shots of the car interior, aerial photographs.
Objective: a spectacular realistic image.
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SOUND AND MUSIC
Another Day of Life is a war film. Resorting to orchestral music, we seek a sound that would
bring a legendary and epic world closer. We will also use several 1970s hit songs to put
spectators in a suitable mood.
Raúl De La Fuente and Damian Nenow
PLATIGE FILMS
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DIRECTORS’ PROFILES
RAÚL DE LA FUENTE
DIRECTOR ( SPAIN )
Raúl de la Fuente is the scriptwriter and the responsible for the original idea for the film Another
day of life . As Ryszard Kapuściński, main character of the film, Raul de la Fuente has travelled
the world in search for stories, directing and writing the script for documentaries, spots,
short films and TV programs in India, Angola, Lapland, Sierra Leone, Algeria, Mongolia, Ethiopia,
Venezuela, Peru, Cuba, Bolivia, Guatemala, Ecuador, Russia, Kazakhstan, Poland, Rumania, USA,
Canada, Qatar, UK, Switzerland, New Caledonia, Haiti, Benin, Togo…
PLATIGE FILMS
In 2015, Raúl de la Fuente’s film Minerita was shortlisted for the 88th Oscars© Academy Awards
as Best Short Documentary Subject. The film won in 2014 the Goya Award, Spanish Cinema
Academy, for Best Short Documentary Film and it’s having an outstanding documentary career,
with over 140 selections since its release in October 2013 at international film festivals such
as IDFA ( Amsterdam ), the most important documentary film forum, or Clermont-Ferrand ( France ),
the best festival for short format, and was elected to represent Spain at the filmmakers
gathering organized by UNESCO-Golden Nights in Paris. Minerita has won 45 international
prizes so far and got theatrical exhibition in cinemas in Spain.
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His first feature film Nömadak TX was the most awarded Spanish documentary film
at international film festivals in 2007 ( 17 prizes and more than 150 festivals ). Released
in 2006 at San Sebastian International Film Festival, got the CICAE Award, ( Confédération
Internationale des Cinemas D’Art et d’Essai ). With this film Raul de la Fuente got the Best
Young Director Award at Guadalajara International Film Festival, México, 2007. The film was
produced for the Spanish Public Television TVE. Nömadak TX was shot in India, Algeria, Lapland,
Morocco and Mongolia.
In 2012, Raúl de la Fuente was Nominee for the Goya in Best Short Film for Black Virgin, a short
film about how sex is for Mozambican women.
During 2013, the United Nations Development Program, UNDP Haiti, commissioned him
a documentary trilogy about the country, culminating in the request for a new feature
documentary, I Am Haiti. That same year, Raul de la Fuente directed in Mozambique the
documentary film A Luta Continua, selected in several Film Festivals such as PUKAÑAWI
in Bolivia or A Film For Peace in Italy.
I Am Haiti, was premiered at the 62nd Edition of the San Sebastian International Film Festival
and was screened as the opening film at Zinemaldia.Cat, Barcelona. It has been awarded
at the BioBioCine International Film Festival in Chile, FENACO in Peru and the the Social
Impact Media Awards in Los Angeles, USA, it has been included in their prestigious catalogue
“Travelling Series”. In 2015 the film was awarded as Best Documentary at the International
Film Festival of Santa Cruz in Bolivia.
PLATIGE FILMS
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DAMIAN NENOW
DIRECTOR ( P OLAND )
Animation director and Team Leader at Platige Image.
Graduate of the Leon Schiller National Higher School of Film, Television and Theatre in Lodz.
He directed three original short animations: The Aim (2005), Wielka Ucieczka ( T he Great Escape )
(2006) and Paths of Hate (2010). All these works were well-received at international festivals.
The last of them, Paths of Hate, was screened at more than 90 international festivals. It won
25 awards. The following are worth mentioning amongst the most important: honorary mention
of the Jury at the Annecy International Animation Film Festival, the Jury Award at the SIGGRAPH 2011
Computer Animation Festival, award for the best animated film and the Jury award at the ComicCon IIFF. The film was also included in the group of ten films competing for an Oscar nomination.
Damian Nenow has been cooperating with Platige Image since 2005. He is a co-creator of numerous
projects, from commercials to special artistic projects. He has also conducted the works of the
layout team formed within Platige Image since last year. He is also responsible for editing such
movies as Kinematograf ( T he Kinematograph ) ( directed by Tomek Bagiński ) and Animowana
historia Polski ( T he Animated History of Poland ) ( directed by Tomek Bagiński ).
PLATIGE FILMS
In 2011 he directed Miasto ruin ( City of Ruins ) – an animated documentary showing Warsaw
in the spring of 1945. The film was produced for the Warsaw Rising Museum. The film garnered
substantial interest worldwide; it was screened at the Moscow International Film Festival. It was
also appreciated by the American Visual Effect Society, which nominated the production to it VES
Award in 2011. The second of the special projects directed by Nenow – Move your imagination:
Nature – is a short animation created for the needs of a campaign promoting Polish tourism at the
largest tourism industry event – the ITB fair in Berlin. The film produced for the Polish Tourist
Organization was screened during the fair opening ceremony in 2011.
In 2013, Damian Nenow directed a spot entitled Głód jest tyranem ( Hunger is a Tyrant ) created
in the frames of the United Nation’s campaign Zero Hunger Challenge.
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PRODUCER INFORMATION
PLATIGE FILMS
Platige Films sp. z o.o. is a daughter company of Platige Image S.A., established to run film
productions. Platige Image S.A. is an award-winning Polish post-production studio. It specializes
in creating computer graphics, 3D animation, realization of digital special effects, and composition
of images for production of commercials and feature films.
The studio released several hundred TV commercials, program openings, video clips, and
produced special effects for Polish and foreign award-winning films. The Studio engages
in the production of animated films and special projects. It produced Tomek Bagiński’s films:
KATEDRA [The Cathedral] – an Oscar nominee, and SZTUKA SPADANIA ( The Fallen Art ) – the
winner of the BAFTA award, as well as ARKA ( the ARK ) by Grzegorz Jonkajtys, shown at the
Cannes festival competition.
Platige Image also creates films promoting Polish history and culture – ANIMOWANA HISTORIA
POLSKI ( The Animated History of Poland ) ( directed by Tomek Bagiński, 2010 ), MIASTO RUIN
[City of Ruins] ( directed by Damian Nenow, 2010 ), JANA MATEJKI BITWA POD GRUNWALDEM
W 3D ( Jan Matejko’s Battle of Grunwald in 3D ) ( narrated by Rafał Kidziński, 2010 ).
PLATIGE FILMS
The Studio extends its operations to producing the so-called special projects, including the
visualization of Krzysztof Penderecki’s concert entitled Siedem Bram Jerozolimy [Seven Gates
of Jerusalem], crowning the world-famous composer’s 75th birthday, as well as films prepared for
such institutions as the Polish Agency for Enterprise Development ( PARP ), the Warsaw Rising
Museum, the National Museum in Warsaw, or the National Centre for Culture.
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KANAKI FILMS
SPAIN
KANAKI FILMS is a Spanish company originating from the Basque Country. The main area of its
operations covers production of feature and documentary films for international markets. It was
established by the award-winning director Raúl de la Fuente and producer Amaia Remírez.
In 2015, their film Minerita was shortlisted for the 88 th Oscars© Academy Awards as Best
Short Documentary Subject. The film won in 2014 the Goya Award, Spanish Cinema Academy, for
Best Short Documentary Film and it’s having an outstanding documentary career with over 140
selections and 40 awards since its release in October 2013.
Kanaki Films produced the short film Black Virgin in 2012 and was nominated for the Goya
Awards in the Short Documentary category. In 2013, Kanaki Films produced in Mozambique the
documentary film A Luta Continua, selected in several Film Festivals such as PUKAÑAWI in Bolivia
or A Film For Peace in Italy. In 2014 the company premiered the feature documentary I Am Haiti
at the 62nd Edition of the San Sebastian International Film Festival. The film has been awarded
at the BioBioCine International Film Festival in Chile, FENACO in Peru and the the Social Impact
Media Awards in Los Angeles, USA, where it has been included in their prestigious catalogue
“Travelling Series”. In 2015 the film was awarded as Best Documentary at the International Film
Festival of Santa Cruz in Bolivia.
The company has a vast experience in shooting in foreign and developing countries. It has shot
documentaries in Lapland, Sierra Leone, Algeria, Mongolia, Ethiopia, Venezuela, Peru, Cuba, Bolivia,
Guatemala, Ecuador, Russia, Kazakhstan, Poland, Rumania, USA, Canada, UK, Switzerland, New
Caledonia, Haiti, Morocco. The company combines creative projects with assignments from
international institutions.
PLATIGE FILMS
Another Day of Life has the support of the Spanish Cinema Institute ( ICAA ), Basque Government,
Navarre Government, Eurimages, Televisión Española, EiTB and Canal+.
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CO-PRODUCER INFORMATION
WÜSTE FILM
GERMANY
WÜSTE FILM was established in Hamburg in 1989. It is currently managed by Stefan
Schubert.
From the beginning of its existence, WÜSTE FILM Hamburg and its sister companies in Cologne
and Berlin have produced more than 40 feature films of all genres, among them such works
as: Forgotten ( 2 012 ) directed by Alex Schmidt ( the official selection at the 69 th Film Festival
in Venice ), Alive and Ticking ( 2 011 ) directed by Andi Rogenhagen ( the International Film
Festival in Shanghai ), Die Tür [The Door] ( 2 009 ) directed by Anno Saul ( the Silver Melies
Award at the Brussels International Fantastic Film Festival ), Emmas Glück [Emma’s Bliss]
( 2 006 ) directed by Sven Taddicken ( the official selection at the International Film Festival
in San Sebastian ), Gegen die Wand ( Head-On ) ( 2 004 ) directed by Faith Akin ( the EFA Award
for the best European film, Deutscher Filmpreis Award for the best film, Goya Award for
the best foreign film ), Kurz und schmerzlos ( Short Sharp Shock ) ( 1 999 ) directed by Fatih
Akin ( the Brown Leopard Award for the best actor at the 51 st Locarno Film Festival ), and
Wasteland ( 1 997 ) directed by Andrea Schwartz ( the award for the best documentary film
at the International Documentary Film Festival Amsterdam and at the Hot Docs Canadian
International Documentary Festival ).
Other films co-produced by WÜSTE FILM include Flammen & Citronen ( Flame & Citron ), a work
by Ole Christian Madsen ( 2 008 ), completed in co-production with Denmark and subsidized
from the Council of Europe’s EURIMAGES – European Cinema Support Fund.
PLATIGE FILMS
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WALKING THE DOG
BELGIUM
WALKING THE DOG is an independent animation studio established in 1999 by a duo of producers,
Anton Roebbeen and Erica Goossens, who thanks to the success of their earlier films ( L ittle
Big One and Trix ) launched their own operations focusing on the production of full-length
animated films which present a huge artistic challenge. The company’s headquarters and
studio are located in the center of Brussels, at C-Mine in Genk.
Today, Walking The Dog can boast the completion of a number of projects in the capacity
of a co-producer and as an independent animation studio.
The company began to gain a world-wide recognition thanks to such full-length Oscar-nominated
films as: Les triplettes de Belleville ( T he Triplets of Belleville ) from 2013 ( directed by Sylvain
Chomet ) and Tom Moore’s The Secret of Kells from 2009.
Another great success was The Day of the Crows ( 2 012 ), directed by J.C. Dessaint ( the
first screening at the Cannes festival in 2012 ). The following year, the studio participated
in co-producing Pinocchio ( Enzo D’Alo ), nominated for the EFA Award in the best full-length
animated film category in 2013. It was the first full-length 2D animated film in the studio’s
history produced without the use of paper, but created fully with the use of the latest digital
technologies. The same technique was used in the work on The Congress by Ari Folman
( the film won the EFA Award for the full-length animated film, it was shown at Quinzainerealisateurs in Cannes in 2013 ).
The Walking The Dog studio has become specialized not only in traditional 2D animation, but
in the production of CGI films, as well. Un Monstre a Paris ( A Monster in Paris ) from 2011,
directed by Bilbo Bergeron ( a film nominated to the César Award and awarded at LAAF ) was the
studio’s first co-production with Europacorp. Both companies also co-operated at producing
Jack and the Cuckoo Clock Heart ( Mathias Malzieu and Stéphane Berla ). The film was first
screened in February 2014 and it was nominated in the Generation Kplus category at the
Film Festival in Berlin in the same year.
At present, Walking The Dog has engaged in production of the film entitled Richard the Stork .
This full-length stereoscopic animated movie will be co-produced with partners from Germany,
Norway, Luxembourg, and Belgium.
PLATIGE FILMS
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ANIMATIONS FABRIK
GERMANY
AF is a one-stop visual effects and animation production house based in Hamburg, Germany,
operational since May 2000.
In our studio we offer a wide range of services backed by more than a decade of experience.
With a very strong background in feature films and character animation, we continuously
expand our skills and look for new challenges.
Every project is something special and comes with it's very own requirements; we treat them
all with the passion they deserve.
Our creative services span from concept creation to full production. Talented in-house
artists and a large pool of freelancers allow us to fluently assemble the perfect team for
every project. We will also offer support and advice in early stages of project development
with great pleasure.
A proprietary asset management system forms the backbone of our production pipeline and
allows us to easily keep the overview in complex projects, regardless of how many hundred
shots required.
A large number of work stations for 3D and compositing, plugged into a bold render farm,
let us tackle even the most ambitious projects in advertising, as also for television series
and feature films.
For animation requiring natural movements and fast results we possess our own, highly
mobile motion capture system.
Several editing and grading suites connected to a 3D capable cinema provide a comfortable
environment to work closely with our clients. PLATIGE FILMS
We have won several honours and awards for our work:
• Winner of the ADC – Art Directors Club – Award, Germany for the Cinemaxx Power Drill
• Best Children’s Film Awards for Captain Bluebear and Laura’s Star,
• Animago Production Award and the Bronze Lion, Cannes, for the Mercedes “Embryo” spot,
• Silver World Medal at the New York Festival for the TV series “Little Dodo”,
• And the Silver Swiss ADC Award for the ZVV spot.
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PUPPETWORKS
HUNGARY
Puppetworks Animation Studio is a Budapest-based digital animation studio. Founded
in 2009 by a team of highly-talented Hungarian 3D artists, Puppetworks has grown into
an international studio of over 100 artists from 12 different countries dedicated to creating
high-quality 3D media.
Since its inception, Puppetworks has become renowned for the striking visual content it has
produced for feature films, television, games, advertising and integrated media. To date,
the studio has completed over 50 animated projects with the bulk of these projects being
associated with names such as BBDO, Eset, Ubisoft, Microsoft and Riot Games.
More recently, Puppetworks has begun to develop its own ideas into transmedia concepts with
the studio's primary focus being the family genre. The first of these concepts to be realized
is “The Tale of Momonga,” an animated feature project currently in the pre-production and
funding stage.
PLATIGE FILMS
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SALES AGENT
INDIE SALES
INDIE SALES is an international company with offices in Paris and Madrid, established
in 2013 to handle film sales and engage in the international co-production of films. It was
set up by Nicolas Eschbach – an experienced sales agent and producer Eric Névé.
A combination of professional experience and knowledge of the film market gives INDIE
SALES a solid position on the existing film distribution market.
NICOLAS ESCHBACH ran the sales department in TF1 International, he worked on the most
important French films which achieved international success: Olivier Dahan’s La môme ( L a
Vie en Rose ) or Jean-Paul Salomé’s Arsène Lupin ( A dventures of Arsene Lupin ). His experience
also includes the work on such films as: Todd Haynes’s Far from Heaven, featuring Julianne
Moore, Take This Waltz directed by Sarah Polley, Michele Placido’s Romanzo Criminale , and
Bertrand Tavernier’s In the Electric Mist .
ERIC NÉVÉ, a co-founder of INDIE SALES, is a producer known for his ability to discover and
develop young talented directors, such as Jan Kounen Doberman, Olivier Dahan Le petit poucet
( Tom Thumb ), Romain Gavras Our Day Will Come , Kim Chapiron Sheitan. He was a producer
of international blockbusters: Les femmes de l'ombre ( F emale Agents ) directed by Jean-Paul
Salomé and featuring Sophie Marceau, and Frédéric Schoendoerffer’s Agents secrets ( Secret
Agents ) and Truands ( P aris Lockdown ).
PLATIGE FILMS
CONTACT
Eleanor Coleman
e c o le m a n @ in die s ale s . e u
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STATE AGENCIES
INVESTORS AND TV STATIONS
SALES AGENT AND DISTRIBUTION
HONORARY PATRONAGE
ANOTHER DAY OF LIFE | partners | 21
PLATIGE FILMS
UL. RACŁAWICKA 99
02-634 WARSZAWA
+ 48 22 844 64 74
+ 48 22 898 29 01
[email protected]
w w w.platige.com
KANAKI FILMS
ARTIKUTZA PLAZA 4, BAJO 2
20015 SAN SEBASTIÁN
+34 648 764 852
[email protected]
w w w.kanakifilms.com