How Kirk Voclain profits with high school seniors
Transcription
How Kirk Voclain profits with high school seniors
All images ©Kirk Voclain WINNING How Kirk Voclain profits with high school seniors FORMULA BY KARIN LEPERI Reprinted from October 2013 Professional Photographer magazine with permission. Copyright ©Professional Photographers of America • www.ppmag.com There is nothing as fickle or trendy as the senior high school photography market. Ask Kirk Voclain, M.Photog.Cr. A self-described comic, he imparts a light-heartedness and laughter in his communications with teenagers. Anything too serious interferes with his ability to relate to the subject, he says. That’s important since his signature look balances Reprinted from October 2013 Professional Photographer magazine with permission. Copyright ©Professional Photographers of America • www.ppmag.com light, composition, color, props, and posing to bring out each subject’s unique character. Combine that with branding, marketing, and learning to shoot less for more money, and you have Voclain’s winning formula for how to be successful in a competitive market. Voclain says being successful in photography, especially senior portraiture, requires more than technical proficiency. It takes an understanding of branding yourself and your products, marketing that is consistent with your intended audience, knowing your customers, and, of course, harnessing the power of light. He’s mapped out his finely honed workflow with step-by-step instructions for fellow photographers to implement his system in their studios. BRAND IT Voclain uses his distinct logo to help set Kirk school senior portraits—as brand building. different, they are saying they don’t want to Voclain Photography apart from the compe- In marketing for seniors, you have to show a look like everyone else. That is the challenge tition. “I use that logo on all of my signage, distinction, but you don’t want to do the of seniors. Be different, be unique, and they business cards, and website,” he says. He also same thing too much or too often. “When a will reward you with profits,” Voclain says. credits his recognition in a specialty—high high school senior says they want something SEE THE LIGHT “When I see other photographers’ work in my area, it appears that they simply do not understand lighting,” says Voclain. “To me, the reason I understand light so well is because I’m an old film guy. I still think like film in that I set up the image, I set up the lights, I set up the pose, I set up the expression. I set it all up and when it’s right, only then do I pull the trigger. This means that I focus on my subject more and I make sure everything is right. I control the situation instead of the situation controlling me. It sets me apart from my competition. And as you probably know, that is what high school seniors want: They want different!” BOTTOM-LINE PROFITS With a sales average of just under $2,000 per subject and photographing some 100 seniors a year, Voclain says he’s earning a nice living. 100 • www.ppmag.com Reprinted from October 2013 Professional Photographer magazine with permission. Copyright ©Professional Photographers of America • www.ppmag.com To get such a high sales average, he says it which they naturally want to buy. When images, all perfectly retouched because you helps to be partnered with trusted vendors. faced with parents in a quandary over which had the time to do it? I always show the sen- For Voclain it’s H&H Color Lab. “They shots to select, he tells them to get all of the iors their images on the back of the camera offer so many different products and serv- poses in an album. Sales go up again. or on an iPad using a CamRanger. This allows ices, and all those products like cell phone “I only do six images in each outfit. Thus, me to handle objections while I am photo- covers, albums, specialty cards, purses, a four-outfit shoot for me is 24 images. I’m graphing instead of afterward during the bags, and metal prints are things that bring not showing hundreds of images. This allows sales session.” The result is maximized sales. up your average. A parent may be coming a parent to literally buy them all. Can you imag- to you anticipating that they are going to ine what happens when you show someone 100 TRENDING NOW spend a few hundred dollars. But then you or 200 or more images? They can’t have all “The trend that I see is that seniors want less hit them with all the cool products and just of that, so they start deleting, and they delete and less traditional prints,” says Voclain. like that, your average starts going up and more and more, cutting deeper and deeper Instead, he says, they are looking for apps, up and up,” says Voclain. into your profits. Finally, you are left with only cards, license plates, and covers for their cell a few images, and sales suffer,” says Voclain. phones and iPads. Though parents still pre- “But what if you only show them a few fer traditional portraits and prints, Voclain Voclain attributes his success to creating images that people have never seen before, “When a high school senior says they want something different, they are saying they don’t want to look like everyone else. That is the challenge of seniors. Be different, be unique, and they will reward you with profits.” adjusts by offering cool products to keep seniors onboard. “As I walk through a tradeshow for product ideas, I automatically add $100 to the price in my head, as this is how I will price it for my it be something additional that seniors want. customers. No matter if the price is $25 or If the answers are positive, I add the product to $250, I add $100 and I ask myself if this prod- my line and I do my best to sell it to every sen- uct will take away from existing sales or will ior I photograph from that point on, ” he says. “Say this new widget is going to cost me $59 and I sell it for $159. And say I photo- FORMULAIC SUCCESS graph 100 seniors this year. That means As he describes it, Kirk Voclain’s formula for success is simple: 1. Brand yourself and your product. 2. Market to your customers through social media, Facebook, YouTube, Twitter, and whatever else may be trending. Maximize interactions with the subject and promote your chosen products—including photos, videos, and trendy gadgets—to all seniors. 3. Be unique. Distinguish yourself from your competition. 4. Know your customer before you shoot. Handle objections during the shooting session instead of at the sales meeting. 5. Shoot less and make more money. You have to understand light and how to maximize each shot for the look you want. This comes through achieving technical proficiency. 6. Partner with product providers to reach high sales averages. 7. Be easy to find on the Internet and through various social media. that now I have an extra $10,000 in my 104 • www.ppmag.com pocket based on $100 profit times 100 seniors. If I do that with three or four products every year, I average just under $2,000 for every senior I photograph.” And that makes for a comfortable living. n Kirk Voclain’s portfolio is at kvphoto.com, and his photography instruction is at pro4um.com (requires paid membership). Karin Leperi is a writer and photographer living in New Mexico.