Her Noise Archive 2010

Her
Noise
Archive
2010
SERIES
THREE:
SOUTH
LONDON
GALLERY
(SLG)
SUB­SERIES
1:
EXHIBITS
HN/3/1/1
ARCHIVE
HN/3/1/2
SECURITY
HN/3/1/3
MINIFLUX
HN/3/1/4
REVERSE
KARAOKE
HN/3/1/5
SONIC
BED
SUB­SERIES
2:
PERFORMANCES
HN/3/2/1
OPENING
NIGHT
HN/3/2/2
12
November
05
HN/3/2/3
19
November
05
HN/3/2/4
26
November
05
SUB­SERIES
3:
GALLERY
DOCUMENTATION
HN/3/3/
SUB­SERIES
4:
PRESS
&
PUBLICITY
HN/3/4/
1
Her
Noise
Archive
2010
Overview
of
Series
Three:
South
London
Gallery,
HN/3/1
Archive
came
to
life
through
these
happenings,
creating
environments
for
participation
and
inclusivity,
and
in
the
tradition
of
Live
Art,
remain
ephemeral,
what
remains
are
mostly
images
and
ideas.
Participants
of
the
get‐togethers
‘explored
the
relation
between
historical
acts,
ways
of
forming
collaborations,
and
ways
in
which
this
information
transforms
and
inspires
us
into
acting,
making
performances,
making
and
recording
sound’.
The
participants’
explored
concepts
of
archive
creation,
audio
letters,
zine
writing
and
film
screenings
and
on
the
meeting
of
the
26th
of
November
participants
improvised
Pauline
Oliveros’
‘We
Could’.
The
Her
Noise
program
culminated
in
a
five‐week
exhibition
at
the
South
London
Gallery
running
from
November
10th
to
December
18th
2005.
The
exhibition
consisted
of
installations
and
performances,
which
are
divided
into
the
sub‐series,
HN/3/1‐Exhibits
and
HN/3/2‐Performances.
Also
in
this
series
is
HN/3/3‐Gallery
Documentation
and
HN/3/4‐
Press
&
Publicity.
Sub­Series
One:
Exhibits,
HN/3/1
Electra
commissioned
all
five
installations
for
the
Her
Noise
program,
working
with
the
artists
through
concept
development,
sourcing
and
supplying
materials,
and
submitting
proposals
with
and
on
behalf
of
the
artists
to
fund
the
works.
The
Archive
was
funded
through
the
Feminist
Review
Trust,
Security
was
developed
with
support
of
the
Goethe
Institute,
MiniFlux
was
funded
through
the
Henry
Moore
Foundation,
Reverse
Karaoke
was
developed
with
Arts
Council
England
funding,
and
Sonic
Bed
was
funded
through
a
grant
from
Women
In
Music
(see
HN/2/2
for
details
of
applications).
Security,
HN/3/1/2
Security
was
the
installation
created
by
Christina
Kubisch
for
the
Her
Noise
exhibition
at
the
South
London
Gallery
in
which
‘visitors
were
invited
to
navigate
Kubisch's
maze
of
electrical
cables
containing
acoustic
translations
of
city
walks
gathered
from
security
systems
in
London,
Berlin,
Paris,
Madrid,
Taipei
and
Tokyo’.
(Kubisch
also
created
Electrical
Walk
for
the
Her
Noise
program,
occurring
concurrently
through
the
streets
of
Kensington,
see
HN/4/2).
Audio
excerpts,
images
and
the
floor
map
of
the
installation
space
at
the
South
London
Gallery
are
contained
here.
The
Archive,
HN/3/1/1
The
Archive
as
developed,
installed
and
performed
by
the
artist
Emma
Hedditch
presents
an
interesting
take
on
Performance
Art,
drawing
together
a
multitude
of
media
and
culminating
in
a
series
of
‘get‐togethers’
called
‘We’re
Alive,
Let’s
Meet’.
The
2
Her
Noise
Archive
2010
artwork.
Sound
checks
and
Gordon’s
backing
vocals,
mixing
desk
instructions,
equipment
settings
and
operation
manuals
as
well
as
the
tent
material
for
the
yurt,
fabric
samples
and
ink
stamps
made
available
for
the
design
of
the
record
covers
can
be
located
in
this
file.
MiniFlux,
HN/3/1/3
Hayley
Newman
was
commissioned
by
Electra
to
create
the
installation
Miniflux
that
researched
and
responded
to
the
Fuxus
art
of
1970’s
and
80’s.
MiniFlux
consisted
of
a
collection
of
over
1000
props
used
or
referenced
in
Fluxus
musical
scores,
made
into
roughly
worked
miniature
plasticine
models.
These
were
accompanied
by
a
printed
brochure
of
all
the
objects,
which
ranged
from
a
full
orchestra
and
an
elephant
to
a
tuba
and
a
piano.
(See
HN/4/5
for
Reverse
Karaoke
tours)
Sonic
Bed,
HN/3/1/5
Kaffe
Matthews’
Sonic
Bed,
the
first
in
a
series
that
she
has
since
continued,
is
a
large
wooden
tank
with
polished
wooden
sides,
containing
a
12
channel
sound
system
embedded
in
the
walls
and
mattress.
Visitors
to
the
installation
were
invited
to
lie
in
the
bed,
in
effect
invoking
strangers
to
get
into
bed
with
each
other.
Matthews
composed
specific
sound
works
for
the
piece
described
as,
‘4D
sound
pieces
[that]
vibrate
through
and
around
the
body.
The
music
is
architectural
but
temporal,
exploring
bioresonance
and
its
particular
combinations
of
frequencies.’
The
Sonic
Bed
represents
one
aspect
of
Matthews’
ongoing
research
into
‘Music
for
Bodies’
and
whilst
unfortunately
no
audio
documentation
of
this
event
remains,
Matthews’
developmental
processes
and
the
construction
of
the
bed
are
documented,
including
the
max/MSP
processing
used
in
the
composition.
Newman
was
also
commissioned
to
curate
an
evening
of
performance
art,
see
HN/3/2/4.
Reverse
Karaoke,
HN/3/1/4
Reverse
Karaoke,
was
a
collaborative
installation
by
Kim
Gordon
and
Jutta
Koether
that
consisted
of
a
painted
Yurt
style
tent
housing
a
lo‐fi
rehearsal
set‐up
with
guitar,
microphone,
bass,
and
drums
and
a
basic
PA
system.
Participants
were
invited
to
play
the
instruments
and
record
their
own
music
along
to
a
pre‐
recorded
vocal
track
of
Kim
Gordon's
voice
and
then
to
design
record
sleeves
for
each
of
the
2
CD
copies
that
were
made.
One
copy
of
the
CD
became
part
of
the
piece
itself
and
for
the
duration
of
the
exhibition
these
were
displayed
in
a
record
box,
The
other
CD
was
given
to
the
participant
to
take
home.
In
2005
Matthews
received
the
NESTA
Dreamtime
Fellowship
to
develop
her
project
Music
For
Bodies
and
subsequently
of
the
Electra
Her
Noise
commission,
Sonic
Bed
has
been
recreated
in
Shanghai,
Taipei,
Marfa
Texas,
Quebec
and
Stirling,
Scotland
and
Included
in
the
documentation
are
1495
recordings
created
by
participants
of
the
installation
with
their
accompanying
3
Her
Noise
Archive
2010
was
awarded
a
Distinction
in
Digital
Musics
at
Prix
Ars
Electronica,
2006.
See
also
HN/1/4/22
and
HN/1/3/13.
Sub­Series
Three:
Gallery
Documentation,
HN/3/3
This
sub‐series
contains
images
of
the
actual
South
London
Gallery
space
before
installation
and
images
of
the
process
of
installing
the
works
for
the
exhibition
and
a
plan
of
the
exhibition
space
indicating
the
allocation
of
space
for
each
exhibit.
Each
of
the
installations
are
documented
both
photographically
and
on
MiniDV.
Sub­Series
Two:
Performances,
HN/3/2
A
series
of
art
and
music
performances
took
place
throughout
the
duration
of
the
exhibition,
all
of
which
have
been
documented
on
to
both
MiniDv
and
recorded
as
.aiff
files.
The
opening
night
on
November
9th
saw
a
solo
performance
by
Jenny
Hoyston
from
Erase
Errata,
whilst
Kim
Gordon
and
Jutta
Koether
performed
in
the
Reverse
Karaoke
yurt
to
open
the
installation
to
the
public.
The
Her
Noise
curators,
Lina
Dzuverovic
and
Anne
Hilde
Neset,
also
performed
together
briefly
in
the
yurt,
which
can
be
seen
on
the
MiniDv
of
the
opening
night
(HN/3/2/1/03).
Sub­Series
Four:
Press
&
Publicity,
HN/3/4
The
Her
Noise
program
received
a
fair
amount
of
press
throughout
Europe.
The
press
covers
not
only
the
exhibition
at
the
South
London
Gallery,
but
also
the
satellite
events
that
occurred
as
part
of
the
program
including
Christina
Kubisch’s
Electrical
Walk,
Marina
Rosenfeld’s
Emotional
Orchestra
at
The
Tate
Modern
and
the
various
touring
destinations
of
Reverse
Karaoke.
There
are
diverse
responses
from
different
journalists
and
art
critics,
some
focusing
on
archiving
activity
and
community
building,
others
focusing
on
the
socio‐political
issues
raised
by
the
exhibition,
and
others
who
wonder
about
the
relevance
of
so
much
‘noise’.
There
were
three
scheduled
evenings
of
performances
after
the
opening
night
that
took
place
during
the
month
of
November
on
Saturdays
12th,
19th
and
26th.
Heather
Leigh
Murray
and
Christina
Carter
performed
on
the
12th.
The
19th
was
devoted
to
Riot
Grrl
performances
with
Ana
Da
Silva
of
The
Raincoats,
Tobi
Vail
fronting
Partyline,
and
Alison
Woolf
performing
with
both
Partyline
and
Spider
and
the
Webs.
The
third
and
final
evening
of
performances
on
the
26th
was
curated
and
hosted
by
Hayley
Newman,
and
was
titled,
Hayley
Newman:
A
Concert.
Newman
invited
The
Bohman
Brothers,
Bruce
Gilbert,
Margariti
Gluzberg
and
Anne
Bean
to
respond
to
her
installation
MiniFlux.
Newman
also
created
a
performance
titled,
Fashion.
4
CREATOR
DESCRIPTION
London-based artist Emma Hedditch set up a series of events to discuss and explore the relationships between historical acts, ways of forming collaborations, and
ways in which we perform and record sound. Hedditch's 'get togethers' took the form of weekly meetings, workshops and talks with guests including film maker
Vivienne Dick, Tobi Vail and Alison Wolfe (of riot grrrl bands: Bikini Kill and Bratmobile) and took the name of "We're Alive, Let's Meet!".
Hedditch also collaborated with the show's curators on compiling the Her Noise Archive which includes exclusive on camera interviews and concert footage with
artists including Pauline Oliveros, Maryanne Amacher, Diamanda Galas, Marina Rosenfeld, Thurston Moore, Kevin Blechdom, Kembra Pfahler, Kim Gordon, Lydia
Lunch, Peaches and many others filmed in the process of developing Her Noise with the intention of forming a research archive, all of which have now been
included in the CRiSAP Her Noise Archive.
We're Alive, Let's Meet! incorporated the following events:
Six Saturday 'get togethers' were led by Emma Hedditch with guests including: Lina Dzuverovic and Anne Hilde Neset, Her Noise curators; Tobi Vail and Alison
Wolfe, from riot grrrl bands Bikini Kill and Bratmobile; Amy Spencer, author of DIY: The Rise Of Lo-Fi Culture; film maker Vivienne Dick and films by Vivienne Dick
and Lis Rhodes; members of Creative Routes.
We're Alive, Let's Meet! also toured to Bergen Kunsthall, Norway, December 2006. See also HN/4/1/BERGEN & HN/2/1/2/hn_Bergen & HN/2/2/1
Emma Hedditch makes work based on the ethos of knowledge-sharing, participation and the 'can do' attitude of DIY culture. Hedditch examines existing
communities and works on projects that facilitate further collaboration. Predominantly, she uses video, conversation and live events as her practice, the final
product secondary to the experience and action of building something together.
FILE
HN/3/1/1/01
IMAGES
VARIOUS
Images taken during the installation at the SLG, including images credited to Holly Rose Wood.
ITEM
HN/3/1/1/02
HER NOISE
ARCHIVE
INFORMATION
EMMA
HEDDITCH Information for the use of the archive at the SLG.
ITEM
HN/3/1/1/03
TEXT FOR WALL
PANELS
EMMA
HEDDITCH Text for wall panels/ signage at SLG
Nov-05 55 images
jpg
Nov-05 1 item
.doc
2005 1 item
.doc
"We're Alive, Let's Meet!" was a series of 'get togethers' held each Saturday from 2 - 5pm at the South
London Gallery during the Her Noise exhibition. Using this time period as a starting point, participants
explored the relation between historical acts, ways of forming collaborations, and ways in which this
information transforms and inspires us into acting, making performances, making and recording sound
This was the first of six weekly 'get togthers' at which people could become involved and contribute to the
Her Noise Archive.
ITEM
HN/3/1/1/04
On this date, a small group met to discuss what they thought about building an archive of Women's
Experimental Music. Each person spoke about their own position. Katy came, she was involved in a self
published magazine in the 1980's in London called Shocking Pink. Su Ann Harvey talked about the Audio
Letter project she and Sharron Gannon ran in Seattle for 8 years, and both women gave materials to the
We're Alive, Let's
archive. There was a question about the role of the archive, and who is bringing together archives and who
Meet! Saturday 12 EMMA
November
HEDDITCH is in it. See also HN/2/3/018 & HN/1/6.
HER NOISE ARCHIVE 2010
5
1 Item, 2 x
12-Nov-05 .jpg
ADDITIONAL
COMMENTS
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This "We're Alive, Let's Meet!" session asked participants to contribute to a 'zine' for the Her Noise
exhibition, with past and present 'zine'-writers Tobi Vail, Alison Wolfe and Amy Spencer, author of DIY: The
Rise of Lo-Fi Culture and to share knowledge of 'zine' making and collecting.
Amy took all of the zines from the shelves and put them on the table in a big pile so it was easier for
people to read them. Amy also made delicious cakes so people could eat while reading. Many of the zines
were Amy's. People introduced themselves, some zine makers, some zine studiers there was a woman who
had been at the Women's library in the morning, Louise Caroline who is writing about 1980's feminist diy
culture, zines and Magazines. Ana and Gina from the Raincoats talked about their pop video's which Gina
had made, two of which were watched. See also HN/1/7/011.
Toby Vail talked about how she always makes zines but does not always show them to people. Victoria
Yeulet talked about how she likes to make very visual zines, in which the quality of the paper and the
image is very important. Isabel and Emma who make the High Horse talked about where they fit in, and
the importance of writing for them, and how they want to practice writing and not just to express their
personal lives, as some zines can.
ITEM
HN/3/1/1/05
We're Alive, Let's
Meet! Saturday 19 EMMA
The group devised a proposal to invite people to make a zine by the 17th of December, distributing all of
November
HEDDITCH the
zinessession
to all the
people Alive,
that contributed.
alsowho
HN/1/6.
For this
of "We're
Let's Meet!",See
people
were involved in improvised music and those
interested in sound production and distribution were invited to make recordings, with friends, or by inviting
others to begin new collaborations.
1 item, 5 x
19-Nov-05 .jpg
The theme involved thinking about improvisation to give some balance to the emphasis placed on music
economies, and the elevation of some people over others. The group read some of the Pauline Oliveros
pieces and did the exercise 'We Could...'
Pauline Oliveros - We Could (1980)
When a group is together, each person (after focus is established, or not) finishes a sentence beginning
with "WE COULD..." in as many ways as possible. Time could be limited, or open-ended. The sentences
could be recorded or not. The group could vote on subsequent action according to the sentences, or just
enjoy imagining what they could be doing.
During this afternoon 'get together' participants looked at some texts and recordings concerned with
improvisation and participants were asked to bring any materials and experiences that they would like to
share.
ITEM
HN/3/1/1/06
Some of the Women from the Emotional Orchestra went to this 'get together'. The Emotional Orchestra
being the name given by the artist Marina Rosenfeld to a project she devised, whereby she invites up to 30
women to participate in a 2 day workshop, playing all kinds of bowable instruments. The London workshop
took place at Tate Modern in late September 2005.
About 10 women attended the 'get together', they discussed a new project that they were keen to work on,
and played in the 'Reverse Karaoke' tent. Later they discussed how important improvising had become to
We're Alive, Let's
them, how it had changed the way they do and think about other things.
Meet! Saturday 26 EMMA
November
HEDDITCH See also HN/4/3, HN/1/7/016.
HER NOISE ARCHIVE 2010
6
26-Nov-05
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A film screening of Guerillere Talks (Vivienne Dick, 1978, 25mins) and Dresden Dynamo (Lis Rhodes, 1971,
10mins).
Using eight rolls of Kodak sound Super-8 film, Vivienne Dick profiles eight women, shot in real time and
without editing. The 'subjects' include Pat Place and Adele Bertei, former band members of the Contortions,
Lydia Lunch and Ikue Mori. Lis Rhodes film is the result of experiments with the application of Letraset and
Letratone onto clear film extending into that area of film, which is 'read' by optical sound equipment.
The film, Guerillere Talks was shown twice, with Vivienne Dick speaking of her time in New York in the late
70's.
Vivienne explained how making her film was a way of meeting people, especially the amazing women
making music at that time. She also explained how her films were shown in clubs alongside live music acts,
and this led to travelling with her work to many small film institutions in the US. The stills from the film are
of Ikue Mori and Adele Bertei with Nina Canal.
ITEM
HN/3/1/1/07
We're Alive, Let's
Meet! Saturday 3
December
EMMA
HEDDITCH Lis Rhodes film Dresden Dynamo, was later we screened in the main gallery on 16mm. A lot of people
/ VIVIENNE watched and listened to this wonderful film made by interfering with the optical sound strip on a piece of
film, and finely editing and reworking with layers of letraset and letratone. See also HERNOISE VHS
DICK
1 item, 5 x
3-Dec-05 .jpg
This image is made by Debi Withers from the "We're Alive, Let's Meet!" Saturday 10 December session, and
is her attempt to represent the sound she and some members of Creative Routes made during this 'get
together'. Members of Creative Routes presented work made with sound artists Isa Suarez and Melanie
Clifford as part of a workshop established for the Her Noise exhibition. Creative Routes is a survivor-led
interdisciplinary community arts organisation that aims to promote and celebrate the creativity and
individuality of survivors of the mental health system and of mental distress.
ITEM
HN/3/1/1/08
ITEM
HN/3/1/1/09
FILE
HN/3/1/1/10
FILE
HN/3/1/1/11
During this particular afternoon the group discussed the sound pieces that Creative Routes members made,
which were at the time made available on a cd from the South London Gallery. Isa and Melanie, proposed
EMMA
We're Alive, Let's HEDDITCH some workshop ideas from Pauline Oliveros book, Deep Listening: A Composers Sound Practice. The
exercise involved each person finding a sound and then bringing it back to the group, and eventually trying
Meet! Saturday 10 / DEBI
WITHERS to make the sound as a sort of improvised ensemble piece.
December
EMMA
HEDDITCH
& IRENE
REVELL
POSTERS
Handmade posters made for the archive at SLG
CATALOGUE
SUGGESTIONS
FOR HER NOISE
ARCHIVE
10-Dec-05 1 item
White A3
paper with
coloured
drawings
as in
image.
Nov-05
ELECTRA
ORIGINAL ARCHIVE CATALOGUE, Compiled after the exhibition.
2006 3 copies
A4
ELECTRA
Suggestion sheets were completed by visitors to the Archive during the exhibition at the South London
Gallery asking for recommendations and additions to the archive.
2005 22 pages
A4
HER NOISE ARCHIVE 2010
7
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HN/3/1/2/
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LENGTH
ADDITIONAL
COMMENTS
Berlin based artist Christina Kubisch has been developing 'electrical walks' which make audible the otherwise undetectable
sound waves generated by electromagnetic signals that surround us, coming from security systems, mobile phones, public
transport and computers.
Kubisch showed two works from this series in the Her Noise exhibition. The first, "Security", was installed at the South
London Gallery where visitors were invited to navigate Kubisch's maze of electrical cables containing acoustic translations
of city walks gathered from security systems in London, Berlin, Paris, Madrid, Taipei and Tokyo.
Across town, Kubisch devised an Electrical Walk around Kensington in collaboration with the Goethe Institut. Visitors could
pick up the headphones at the Goethe Institut to discover the hidden soundscape of Kensington according to Kubisch's
specially developed map. Kubisch maintains that the technology of the future is invisible, inaudible, wireless, and it is
these hidden worlds that she seeks to make audible. See also HN/4/2, HN/2/1/2/artist_Christina Kubisch, HN/2/3/023.
About the Artist:
Christina Kubisch (b.1948) is a German composer and artist working with performances, video, sound installations, sound
sculptures and ultraviolet light. She has had numerous solo exhibitions internationally and participated in a large number
of events and group exhibitions such as Sonic Boom, The Hayward Gallery, London, Visual Sound, Mattress Factory,
Pittsburgh, Singuhr-Hšrgalerie, Berlin, and Sounding Spaces, ICC Tokyo. Her music has been released with various labels
such as Cramps Records, Edition RZ, Ampersand, Semishigure, Die Schachtel and Olof Bright.
ITEM
HN/3/1/2/01 AUDIO
ITEM
SECURITY
1 STEREO
HN/3/1/2/02 MIX
FILE
HN/3/1/2/03 IMAGES
FILE
CHRISTINA
KUBISCH
Two short audio excerpts from "Security" at the South London Gallery.
Nov-05 2 ITEMS
.aiff
GOOD
Stereo mix by Kubisch of sonic material collected and used in the
"Security" installation at the South London Gallery.
Nov-05 1 ITEM
CD-R - .aiff GOOD
Images of "Security" installation at South London Gallery.
Nov-05 2 images
.jpg
HN/3/1/2/04 IMAGES
CHRISTINA
KUBISCH
HOLLY
ROSE
WOOD
JOHNNY
VOLCANO
Images of "Security" installation at South London Gallery.
Nov-05 15 images
.jpg & .psd good
FILE
HN/3/1/2/05 IMAGES
ELECTRA
Images of "Security" installation at South London Gallery.
Nov-05 18 images
.jpg & .tif
GOOD
ITEM
CHRISTINA
KUBISCH
South
SLG FLOOR London
HN/3/1/2/06 PLAN
Gallery
.PDF
good
Floor plan of South London Gallery showing floor space for "Security"
installation.
HER NOISE ARCHIVE 2010
8
2005 1 ITEM
GOOD
01:29
01:22
Files originally
located on Emma
Hedditch's hard
drive.
Digital copy made
by H.Ingleton for
06:17 preservation.
HER NOISE/SLG/EXHIBITS/MINIFLUX
HN/3/1/3/
LEVEL
ITEM NO
TITLE
CREATOR
DESCRIPTION
DATE SPAN
EXTENT
FORMAT
CONDITION
COLOUR
The Electra commission "MiniFlux" consisted of a collection of over 1000 props used or referenced in Fluxus musical scores, made
into roughly worked miniature plasticine models by the artist Hayley Newman. These were accompanied by a printed brochure of all
the objects, which ranged from a full orchestra and an elephant to a tuba and a piano.
Hayley Newman has a long interest in Fluxus strategies, events and humor; in particular how everyday objects are used in
performance work. A Fluxus music score was a series of notes that freely allowed anyone to perform any kind of work from the
score. The reader could perform the work in a concert situation, at home or simply through their imagination. Many of these notated
performances require props, and it is these objects that the artist has presented in miniature plasticine representations.
"MiniFlux" encourages audiences to actively look and make connections between the list and the collection of plasticine sculptures.
The installation celebrates Fluxus' vitality and moves away from photographic documentation as the central object of performance
art. The installation functioned as a performance score in itself, providing the 'score' for new performances through Newman's
invitation to guest artists to devise performances using the objects. Invited artists Bohman Brothers, Bruce Gilbert and Margarita
Gluzberg performed new works which they devised in response to MiniFlux. See also HN/2/2/2/artist_Hayley Newman, HN/2/2/4/01
- 04 for application made by Electra for MiniFlux & HN/2/3/031.
About the Artist:
Hayley Newman has performed and exhibited widely and has had solo shows at Matt's Gallery, London, Ikon, Birmingham and the
Centre d'Art Contemporain, Geneva. Recent group exhibitions include Chronic Epoch, Beaconsfield, London and Live Culture, Tate
Modern, London.
FILE
HN/3/1/3/01
Hayley
Newman:
Fluxus Photos
Item
IMG_0296.JPG
Item
IMG_0297.JPG
Item
IMG_0299.JPG
Item
IMG_0303.JPG
Item
IMG_0304.JPG
Item
IMG_0307.JPG
Item
IMG_0311.JPG
Item
IMG_0312.JPG
Item
IMG_0315.JPG
Item
IMG_0322.JPG
Item
IMG_0331.JPG
Hayley
Newman
Hayley
Newman
Hayley
Newman
Hayley
Newman
Hayley
Newman
Hayley
Newman
Hayley
Newman
Hayley
Newman
Hayley
Newman
Hayley
Newman
Hayley
Newman
Hayley
Newman
1 disc
containing
2005 21 JPEGs
Images of plasticine objects for Her Noise exhibition
CD_R
good
colour
plasticine peg
1 item
JPEG
good
colour
pill, tape, brush
1 item
JPEG
good
colour
hammer
1 item
JPEG
good
colour
steel brush (?)
1 item
JPEG
good
colour
pill
1 item
JPEG
good
colour
peg &wires
1 item
JPEG
good
colour
list of objects
1 item
JPEG
good
colour
peg with top hat
1 item
JPEG
good
colour
nails
1 item
JPEG
good
colour
yellow trombone
1 item
JPEG
good
colour
blue, green ,yellow plasticine
1 item
JPEG
good
colour
HER NOISE ARCHIVE 2010
9
ADDITIONAL
COMMENTS
HER NOISE/SLG/EXHIBITS/MINIFLUX
HN/3/1/3/
LEVEL
ITEM NO
TITLE
CREATOR
Hayley
Newman
Hayley
IMG_0356.JPG Newman
Hayley
IMG_0363.JPG Newman
Hayley
IMG_0372.JPG Newman
Hayley
IMG_0376.JPG Newman
Hayley
IMG_0377.JPG Newman
Hayley
IMG_0380.IMG Newman
Hayley
IMG_0387.JPG Newman
Item
IMG_0353.JPG
Item
Item
Item
Item
Item
Item
Item
FILE
HN/3/1/3/02
FILE
HN/3/1/3/03
FILE
HN/3/1/3/04
item
HN/3/1/3/05
INSTALLATION
IMAGES
ELECTRA
HOLLY
IMAGES HOLLY ROSE
WOOD
ROSE WOOD
IMAGES
JOHNNY
JOHNNY
VOLCANO
VOLCANO
HAYLEY
NEWMAN
MINIFLUX
ELECTRA
DESCRIPTION
DATE SPAN
EXTENT
FORMAT
CONDITION
COLOUR
hammer, tongue, mallet(?)
1 item
JPEG
good
colour
peg with top hat
1 item
JPEG
good
colour
inside green vase(?)
1 item
JPEG
good
colour
array of objects
1 item
JPEG
good
colour
array of objects
1 item
JPEG
good
colour
nails, hammer, tongue
1 item
JPEG
good
colour
clarinet, yellow trombone
1 item
JPEG
good
colour
array of objects
1 item
JPEG
good
colour
Nov-05 25 items
JPEG
good
colour
PIANO
2005 3 ITEMS
JPEG
good
COLOUR
IMAGES AT SLG
2005 5 ITEMS
JPEG
good
B&W
Signage from SLG
2005 1 item
foam board good
Installation images from the South London Gallery.
HER NOISE ARCHIVE 2010
10
ADDITIONAL
COMMENTS
HER NOISE/SLG/EXHIBITS/REVERSE KARAOKE
HN/3/1/4/
LEVEL
ITEM NO
TITLE
CREATOR
DESCRIPTION
DATE SPAN
EXTENT
FORMAT
COLOUR
The Electra commission Reverse Karaoke, was a collaborative installation by Kim Gordon and Jutta Koether consisting of a painted Yurt style tent
housing a lo-fi rehearsal set-up with guitar, microphone, bass, and drums and a basic PA system. The visitor was invited to play the instruments and
record their own music along with a pre-recorded vocal track of Kim Gordon's voice. The track was recorded live by a sound engineer burning two CD
copies of the track, while the visitor(s) decorated two CD sleeves using materials in the gallery. One copy of the CD became part of the piece itself on
display in a record box, and the other the visitor took home.
Since 2005, Reverse Karaoke has toured to:
Magasin-CNAC, Grenoble, France, June - August 2006
MAK, Vienna, Austria, May 2007
Galleria Enrico Fornello, Prato, Italy, September - October 2007
LiFE, St Nazaire, France, June - September 2008
Museion, Bolzano, Italy, October 2008 - January 2009
Kunsthall Dusseldorf, Dusseldorf, Germany, January - May 2009
Malmo Kunsthall, Malmo, Sweden, May - September 2009
C2AM, Madrid, Spain, January - May 2010
See also HN/1/3/06, HN/1/3/28, HN/2/3/016, HN/3/4, HN/4/5.
About the Artists:
Kim Gordon is a founding member of acclaimed rock group Sonic Youth as well as being part of numerous side projects such as Free Kitten and
Mirror/Dash. Beside her music making she has an ongoing career in the art world. Her installations have been exhibited across the US, Japan and
Europe including solo exhibitions in New York's Reena Spaulings and Participant Inc Gallery, as well as showing work at the Gothenburg Biennale,
Gothenburg Kunsthalle and creating Club In The Shadow in collaboration with Jutta Koether at Kenny Schachter ConTEMPorary NYC. Gordon continues
to be involved in ongoing creative relationships with visual artists such as Dan Graham, Raymond Pettibon, Mike Kelley and Richard Prince.
Jutta Koether is a German born painter, performance artist, musician, writer and theoretician based in New York. She has had solo exhibitions across
Europe and the US including Thomas Erben Gallery, New York, Kölnischer Kunstverein, Cologne, and Akademie Der Bildenden Künste in Vienna as well
as partaking in numerous group shows internationally.
FILE
HN/3/1/4
ITEM
HN/3/1/4/01
REVERSE KARAOKE ELECTRA
Footage of Kim Gordon & Jutta Koether explaining how to use Reverse
Karaoke at SLG, and demonstration/performance between the two of
them in the yurt.
2005 1 ITEM
SUB-FILE
HN/3/1/4/02/1
ARCHIVED SONGS ELECTRA
SUB-FILE
HN/3/1/4/02/2
HE NOISE
SOUNDCHECK
ELECTRA
soundcheck & backing vocals used in reverse Karaoke for participants
at the installation to play along with. See also HN/3/1/4/013
.aif, .au,
Nov-05 453 items audacity files
SUB-FILE
HN/3/1/4/02/3
KIM BACKING
KIM GORDON
Kim Gordon's vocal track used in the installation. See also
HN/3/1/4/013.
Jun-09 2 items
.aiff
FILE
HN/3/1/4/03
COVERS
VARIOUS
Images of various hand-drawn covers made by participants of Reverse
Karaoke at South London Gallery. See also HN/3/1/4/013.
Nov-05 28 jpgs
JPG
IMAGES
HOLLY ROSE
WOOD • JOHNNY
VOLCANO
Images of installation at SLG & participants using the installation.
FILE
HN/3/1/4/04
HER NOISE ARCHIVE 2010
11
09/11/2005 17/12/2005
36 Files
MINI DV
Songs made by participants of 'Reverse Karaoke' at the South London
Gallery in 2005. See also HN/3/1/4/013.
COLOUR
.aiff
Nov-05 70 images jpg, psd
COLOUR
COLOUR/
B&W
ADDITIONAL
COMMENTS
HER NOISE/SLG/EXHIBITS/REVERSE KARAOKE
HN/3/1/4/
LEVEL
FILE
FILE
FILE
FILE
FILE
ITEM NO
TITLE
CREATOR
HN/3/1/4/05
PICS FOR REVERSE
KARAOKE
ELECTRA
HN/3/1/4/07
REVERSE KARAOKE
TENT (OR
AUTOMATIC MUSIC
TENT
JUTTA KOETHER
HN/3/1/4/08
REVERSE KARAOKE
MANUAL
ELECTRA
HN/3/1/4/09
HN/3/1/4/010
DESCRIPTION
Pictures of mixing desk & equipment setting for sound engineering
Reverse Karaoke.
EXTENT
FORMAT
2005 17 jpg
cd-r
2005 1 file
clear plastic
pale blue
snopake
polyfile.
Manual for the operation of the installation at south London Gallery
2005 1 file
4 x stapled
A4 pages. 2
copies.
REVERSE KARAOKE
TENT
DEVELOPMENT
NOTES
ELECTRA
Various notes, correspondences, diagrams, dimensions charting the
development of the tent
2005 1 file
HER NOISE: KIM
ELECTRA
Tent fabric samples, Turkoman Gers Yurt Hire quote, images of
different tents. Kim meeting agenda, budget 18/08/05, technical
issues, SLG plan specifically for placement of RK.
2005 1 file
loose A4
pages.
loose A4
pages,
colour
photocopies,
fabric
sample.
2005 1 file
loose A4
pages
2005 1 item
Jutta's stamp designs & fabric samples
file
HN/3/1/4/011
TEK & RENTALS
ELECTRA
Technical specifications, correspondences between Sherry Ostapovic &
Irene Revell. Kit lists from Turnkey, equipment rental quotation from
John Henry's.
ITEM
HN/3/1/4/012
R.K. BURT & CO
R.K. BURT & CO
Card samples for use as blank 12 inch record covers to be designed by
participants,
HN/3/1/4/013
Reverse Karaoke
Participant
recordings
Elelctra
1495 CD's recorded by participants of Reverse Karaoke at SLG and on
tour. Including 12" cover artwork.
File
DATE SPAN
FILE
HN/3/1/4/014
REVERSE KARAOKE KIM GORDON
STAMPS
JUTTA KOETHER
These stamps were designed by Kim and Jutta for use by participants
of the Reverse Karaoke installation at the South London Gallery. The
stamps are to be used in designing the cover art of the cd that is
produced in the tent.
ITEM
HN/3/1/4/014
REVERSE KARAOKE KIM GORDON
YURT MATERIAL
JUTTA KOETHER
This material was used as the cover for the yurt tent used in the
Reverse Karaoke installation.
HER NOISE ARCHIVE 2010
12
2005-2010
1495
2005 4 items
2005-2010
CD, 12" card
4 rubber ink
stamps
fabric
COLOUR
colour
ADDITIONAL
COMMENTS
HER NOISE/SLG/EXHIBITS/SONIC BED
HN/3/1/5/
LEVEL
ITEM NO
TITLE
CREATOR
DESCRIPTION
DATE SPAN
EXTENT
FORMAT
CONDITION
The Electra commission Sonic Bed is a purpose built wooden structure that accommodates a specially designed composition. The bed is a
large wooden tank with polished wooden sides, the visitor lies within the wooden walls that house speakers, and lies on top of the sub
woofers embedded in the mattress.
While lying on Kaffe Matthews's Sonic Bed the visitor becomes physically affected by a spectrum of sound vibrations shifting underneath
and around them. The 12 channel sound system immersed in the bed plays a specially constructed sound work, vibrating through and
moving around the visitor. Subtle and dynamic, at times beyond hearing, the composition uses the architectural map of the human body
and frequencies it is tuned to as its score. Sonic Bed plays music that is felt rather than necessarily heard.
Sonic Bed opens up an experience with music that is primarily physical, a constructed 4D sound pieces vibrate through and around the
body. The music is architectural but temporal, exploring bioresonance and its particular combinations of frequencies.
About the Artist:
A classically trained violinist, Kaffe Matthews is a composer and a sound artist based in London. She is as a leading figure and pioneer in
the field of electronic improvisation and live composition. In 2005 Matthews received the NESTA Dreamtime Fellowship to develop her
project Music For Bodies and subsequently of the Electra Her Noise commission, Sonic Bed has been recreated in Shanghai, Taipei, Marfa
Texas, Quebec and Stirling, Scotland and was awarded a Distinction in Digital Musics at Prix Ars Electronica, 2006. See also HN/1/3/13,
HN/2/2/02/03, HN/2/3/029, HN/2/2/4/03, HN/1/4/22 & http://www.musicforbodies.net/wiki/SonicBedLondon.
FILE
HN/3/1/5
ITEM
HN/3/1/5/01
SONIC BED
DOCUMENT
SUB-FILE
HN/3/1/5/02
IMAGES
KAFFE MATTHEWS •
JOHNNY VOLCANO
Preliminary images from Matthews including plan for building
of bed, and images from installation at SLG.
ITEM
HN/3/1/5/03
SONIC BED
LONDON
KAFFE
MATTHEWS//MADA
DVD OF ARS 2 MOVIE. Disc contains incomplete work- only
rough title page of what dvd should be.
KAFFE MATTHEWS
Documentation of making of the sonic bed & people using it.
2005 1 item
DVD
2005 14 images
psd, jpg,
tiff
HER NOISE ARCHIVE 2010
13
Sep-06 1 item
dvd
average,
digital copy
made
incomplete
work
LENGTH
COLOUR
FILE
SUBFILE
SUBFILE
ITEM
HN/3/2/1
HN/3/2/1/01
HN/3/2/1/02
HN/3/2/1/03
OPENING
NIGHT
AUDIO
IMAGES
ELECTRA
The opening night consisted of a scheduled solo performance by
Jenny Hoyton of Erase Errata. Kim Gordon & Jutta Koether as well as
Lina Dzuverovic & Anne Hilde Neset also paired up to perform briefly
in participation with the Reverse Karaoke installation.
9-Nov-05
ELECTRA
Recordings from the opening night performance of Kim Gordon, Jutta
Koether and Jenny Hoyton in the Reverse Karaoke yurt at the South
London Gallery.
9-Nov-2005 316 items
310 x .au,
3x
audacity
file, 3 x
.wavs
ELECTRA
Images from the opening of the Her Noise exhibition at the South
London Gallery, including images credited to Holly Rose Wood &
Johhny Volcano
9-Nov-2005 49 images
.jpg
HER NOISE
1,2
ELECTRA
The opening night on November 9th saw a solo performance by Jenny
Hoyton from Erase Errata, whilst Kim Gordon and Jutta Koether
performed in the Reverse Karaoke yurt to open the installation to the
public. The Her Noise curators, Lina Dzuverovic and Anne Hilde Neset,
also performed together briefly in the yurt. This footage shows each
of the installations and documents the opening evening.
2005 2 MINIDV
good
good
MINIDV
"Heather Leigh Murray's early work as one half of the Ash Castles On The Ghost Coast duo was spectacularly
disobedient, combining an instinctive feel for non-idiomatic improvisation with the reification of various psychedelic
states in sound and a feral understanding of the concept of extended technique. But it was her work with Charalambides
and her duo with Christina Carter, Scorces, that really put her name on the map, playing on Charalambides heaviest side
to date, the monolithic Joy Shapes, while inventing some of the most instrumentally barren yet emotionally weighty
music ever to sail on electric strings over a bunch of amazing Scorces sides. Her solo work combines the No Wave
brutality of early Teenage Jesus with the sanctified strings of Washington Phillips and the vocal energies of Patty Waters
while her work with Taurpis Tula alongside David Keenan and Alex Neilson re-directs her abilities in a cranky avantgarage direction. Her last solo album, Devil If You Can Hear Me, was one of the most high-wire reconciliations of songforms and total musical freedoms while her forthcoming double LP with Scorces on Not Not Fun sounds like the real
heavy meta." (http://www.volcanictongue.com/columns/show/14)
"Christina Carter first joined Tom Carter and Kyle Silfer in an unnamed trio in 1991 that became a duo called
Charalambides. That group went on to become a singular entity that has constantly defined itself by gripping music and
an operation outside the parameters of the music industry. Beginning with self-released cassettes, then moving on to
the Siltbreeze label in 1993, Charalambides garnered attention from those in the know with their unique mix of noise,
gospel, folk and blues." (http://www.kranky.net/artists/carterc.html)
FILE
HN/3/2/2
12
November
05
Heather Leigh Murray and Christina Carter each played a live set live in the Reverse Karaoke yurt for the first Saturday
performance during the Her Noise programme at the South London Gallery.
ELECTRA
HER NOISE ARCHIVE 2010
14
05:00,
20:20,
05:06
COLOUR
ADDITIONAL
COMMENTS
COLOUR
DESCRIPTION
LENGTH
CREATOR
CONDITION
TITLE
FORMAT
ITEM NO
EXTENT
LEVEL
DATE SPAN
HER NOISE/SLG/PERFORMANCES
HN/3/2/
ITEM
HN/3/2/2/01
HER NOISE
SLG
ELECTRA
SUBFILE
HN/3/2/2/02
SUBFILE
HN/3/2/2/03
CHRISTINA
CARTER
JPG/ CC
EMMA
FLYER
HEDDITCH
HOLLY
ROSE
HEATHER
WOOD/
LEIGH
JOHNNY
MURRAY
VOLCANO
SUBFILE
HN/3/2/2/04
CHRISHEA
TH
ELECTRA
FILE
ITEM
ITEM
ITEM
SUBFILE
SUBFILE
HN/3/2/3
19
November
05
Video of performances by Heather Leigh Murray & Christina Carter
live at the South London Gallery.
Flyer/poster for Christina Carter & Heather Leigh Murray performance
at the South London Gallery.
Images of Heather Leigh Murray's & Christina Carter's Her Noise
performance in the yurt at the South London Gallery.
Audio recordings of performances of both Christina Carter & Heather
Leigh Murray.
12-Nov-05 2 MINI DV MINI DV
2005 CD-R
2 files: 8
12-Nov-05 jpgs
2 x .aup
(audacity)
928 x .au
12-Nov-05 2 x .wav
ADDITIONAL
COMMENTS
COLOUR
DESCRIPTION
LENGTH
CREATOR
CONDITION
TITLE
FORMAT
ITEM NO
EXTENT
LEVEL
DATE SPAN
HER NOISE/SLG/PERFORMANCES
HN/3/2/
GOOD
COLOUR
3 x .psd
good
Digital copies
made by
H.Ingleton for
COLOUR preservation.
Digital jpg
good
colour
.aup, .au,
.wav
good
November the 19th saw the second scheduled evening of
performances by "Ana Da Silva" of The Raincoats fame, "Partyline",
fronted by Tobi Vail from the "Go Team" & "Bikini Kill" & Alison Wolf
performing with "Spider & the Webs" and "Partyline". This night was
dubbed, "the riot grrrl" night.
ELECTRA
ELECTRA
Ana Da Silva, from "legendary experimental post-punk Rough Trade
band The Raincoats" performs in the Reverse Karaoke yurt for the
second Saturday's performance during the program at the SLG. In
collaboration with the Bakery Collective.
19-Nov-05 1 ITEM
MINI DV
GOOD
See also
HN/2/1/1/06/Spid
35:00:00 COLOUR er and the Webs
ELECTRA
Tobi Vail, Riot Grrrl instigator, previously drummer for the Go Team,
member of Bikini Kill, currently fronting Spider & the Webs,
performing for the second Saturday of the Her Noise SLG programme.
19-Nov-05 1 ITEM
MINI DV
GOOD
36:00:00 COLOUR
GOOD
33:00:00 COLOUR
good
32:04
33:32
33:56
good
HN/3/2/3/01
ANA DA
SILVA ETC
HN/3/2/3/02
TOBI
VAILS
BAND
HN/3/2/3/03
RIOT GIRL
EVENING
ELECTRA
Alison Wolfe formerly of Bratmobile, a "cultural activist", involved in
the US Riot Grrrl movement of the '90's, performs with Partyline &
Spider & the Webs.
HN/3/2/3/04
AUDIO
ELECTRA
Audio recordings of each of the live performances by Ana Da Silva,
Partyline and Spider & the Webs.
19-Nov-05 1 ITEM
MINI DV
1008 x .au
(audacity
data files)
3 x .aup, 3 .aup, .au,
.wav
19-Nov-05 x .wav
HN/3/2/3/05
IMAGES
ELECTRA
Images of Ana Da Silva, Partyline & Spider & the Webs.
19-Nov-05 6 x .jpg
HER NOISE ARCHIVE 2010
15
.jpg
FILE
ITEM
ITEM
SUBFILE
HN/3/2/4
26
NOVEMBER
05
ELECTRA
The third in the series of Saturday night concerts during the Her
Noise exhibition was titled, "Hayley Newman: A Concert". Hayley
invited the artists, The Bohman Brothers, Bruce Gilbert, Margarita
Gluzberg and Anne Bean to respond musically/sonically to her
installation, "Miniflux".
HN/3/2/4/01
HAYLEY
NEWMAN,
"A
CONCERT"
part 1
ELECTRA
Artists & performers were asked to respond to the list of objects
compiled by Newman from Fluxus scores: 1. Hayley Newman,
'Fashion' 2. Bohman Brothers "The Year of Living Dangerously".
26-Nov-05 1 ITEM
MINI DV
GOOD
COLOUR
HN/3/2/4/02
HAYLEY
NEWMAN,
"A
CONCERT"
part 2
ELECTRA
Artists & performers were asked to respond to the list of objects
compiled by Newman from Fluxus scores: 3. Margarita Gluzberg 4.
Bruce Gilbert "The Light" 5. Anne Bean "From a to a and back again".
26-Nov-05 1 ITEM
MINI DV
GOOD
40:00:00 COLOUR
HN/3/2/4/03
Hayley
Newman_A
concert
images
ELECTRA
Images from the third Saturday night of performances, "Hayley
Hewman: A Concert". Anne Bean, Bruce Gilbert, Bohman Brothers,
Hayley Newman, Margarita Gluzberg.
26-Nov-05 11 .jpg
.jpg
good
HER NOISE ARCHIVE 2010
16
COLOUR
ADDITIONAL
COMMENTS
COLOUR
DESCRIPTION
LENGTH
CREATOR
CONDITION
TITLE
FORMAT
ITEM NO
EXTENT
LEVEL
DATE SPAN
HER NOISE/SLG/PERFORMANCES
HN/3/2/
HER NOISE/SLG/GALLERY DOCUMENTATION/
HN/3/3/
LEVEL
ITEM NO
TITLE
SUB-FILE
HN/3/3/1
SLG IMAGES
SUB-FILE
CREATOR
DESCRIPTION
SOUTH LONDON Images of the South London Gallery
GALLERY
spaces prior to installation.
DATE SPAN
EXTENT
FORMAT
CONDITION
COLOUR
ADDITIONAL COMMENTS
2005 17 .jpg
.jpg
GOOD
COLOUR
See also HN/2/1/2/hn_Install
ELECTRA
Images of the pack-in and set up of
the Her Noise exhibition at the South
London Gallery.
Nov-05 36 .jpg
.jpg
GOOD
COLOUR
See also HN/2/1/2/hn_Install
ELECTRA
Lina Dzuverovic films and
commentates a walk through of the
installations in the exhibition.
Dec-05 1 item
MINI DV
GOOD
See also HN/2/1/2/hn_Install
HN/3/3/2
SLG SET UP
ITEM
HN/3/3/3
HER NOISE
WALKTHROUGH
DEC 2005
ITEM
HN/3/3/4
SOUTH LONDON Plan of the gallery and it's exhibition
SLG GALLERY PLAN GALLERY
spaces.
2005 1 item
pdf
GOOD
See also HN/2/1/2/hn_Install
ITEM
HN/3/3/5
MARCUS LEITH
INSTALLATION
SHOTS
MARCUS LEITH
Images of all installations from the
exhibition at the South London
Gallery.
2005 2 ITEM
2 x cd-r
good
digital copies made by H. Ingleton.
ITEM
HN/3/3/6
HN PHOTOS
VARIOUS
Images from the South London Gallery
2005 1 item
1 x c-r
good
FILE
HN/3/3/7
HER NOISE 1, 2, 3
ELECTRA
Documentation
2005 3 items
3 x mini dv good
HER NOISE ARCHIVE 2010
17
see also HN/4/6/01- Tate 3- shares
same mini dv
HER NOISE//SLG/PRESS PUBLICITY
HN/3/4/
LEVEL
item
ITEM NO
HN/3/4/01
TITLE
SUB-TITLE
CREATOR
DESCRIPTION
DATE SPAN
EXTENT
FORMAT
CONDITION
Brakete kvinnfolk
pa Landmark
Bergens Tidende
Page 39, Kultur section: article on Her Noise with image of Kembra
Pfahler
Her Noise: Kim Gordon, Emma Hedditch, Christina Kubisch, Kaffe
Matthews, Hayley Newman
10 November18 December 22 A3
pages
2005
photocopied
fair
A3
b&w
Dec 7-14 2005
magazine
good
colour
30-Nov-06
newspaper
slightly creased
& torn
COLOUR
colour
file
HN/3/4/02
Press Cuttings
Collected by Irene
Revell
item
HN/3/4/03
Time Out London.
No.1842
Martin Herbert
(journalist)
Review of Her Noise exhibition at SLG p. 48
Louise Grey
(journalist)
Review of Kaffe Matthews' Sonic Bed as recipient of £4,000 fund.
Also mention of Electra & Her Noise.
b&w
Article initially focuses on Kim Gordon and moves into Electra & Her November 12Noise exhibition
18 2005
brochure
newspaper
magazine
supplement
good
Morgan Falconer
(journalist)
good
colour
p.23 Lupe NunezFernandez. P.105
Sarah Thornton
page 23, "The Month ahead". Page 105 "The Next Generation",
Lina Dzuverovic included in curators for "Perfect Partner" & "Her
Noise"
Nov-05 2 copies
magazine
good
colour
Mar-05
magazine
good
colour
magazine
good
colour
magazine
good
colour
Nov-05
magazine
good
colour
Oct-05
good
colour
good
colour
good
colour
HN/3/4/05
Women in Music:
Commissioning
Fund News
The Knowledge,
"A Woman's
supplement of The Right to be
Times.
Heard"
item
HN/3/4/06
Art Review. Vol
LVIII
item
HN/3/4/07
Blow Up.82
"Eyes Wide Shut" Daniela Cascella
Italian review of Her Noise exhibition, interview with Lina
Dzuverovic, pages 120-121
item
HN/2/4/08
Art Review,
International
Edition V3N12
"Future Greats"
Brief review of Emma Hedditch
Dec/Jan 2006
item
HN/3/4/09
Bolz: Art, Design, "Inner-City
Fashion, Culture: 7 Undercurrents"
Amie Casper
Christina Kubisch's Electrical Walks reviewed, including as part of
Her Noise exhibition.
?
item
HN/3/4/010
The Wire, issue
261
Louise Grey
Review of Emotional Orchestra at London Tate Modern as part of
Her Noise in 2005. Page 88
item
HN/3/4/011
The Wire, issue
260
Advertisement for Her Noise at SLG. Page 89.
The Guardian-G2
Quiet Please
Review of Her Noise exhibition at SLG, including work of all artists
involved. Pages 18-20
Tuesday
15/11/2005
magazine
newspaper
magazine
supplement
The Guardian-G2
Culture criticism:
What was that all
about?
Responses from 3 members of the public who visited to exhibition
Wednesday
16/11/2005
newspaper
magazine
supplement
item
item
item
item
HN/3/4/04
HN/3/4/012
HN/3/4/013
On Location
Adrian Searle
HER NOISE ARCHIVE 2010
18
Autumn 2003
A4
brochure
(2 copies)
2 copies
HER NOISE//SLG/PRESS PUBLICITY
HN/3/4/
LEVEL
ITEM NO
TITLE
SUB-TITLE
CREATOR
DESCRIPTION
item
HN/3/4/014
Contemporary:
issue 82
Reviews
Katie Kitamura
Review discussing each of the works through a lens of archiving
activity and community building. Page 69/70
item
HN/3/4/015
Arthur
Reviews: Bull
Tongue
Byron Coley &
Thurston Moore
Brief review, page 47
Serena Davies
Round-up of contemporary sound art's big names including Bill
Fontana, Jem Finer, David Toop, Christian Marclay among others.
Sound art exhibitions, "Sonic Boom", "Shhh", NVA organisation
(Glasgow). Discussion with Lina Dzuverovic about intersection of
art and music and preparations for Her Noise exhibition at SLG.
Page 16, Arts
item
HN/3/4/016
The Daily
Telegraph- Arts
"Listen- it's the
sound of new
art"
DATE SPAN
EXTENT
FORMAT
CONDITION
COLOUR
2006
magazine
good
colour
Mar-06
magazine
slightly worn,
pages faded
b&w
newspaper
pages yellowing
b&w
and curling
magazine
good
colour
magazine
good
colour
15-Jun-05
item
HN/3/4/017
MAP, Issue 5
Her Noise
Neil Cooper
Comprehensive review addressing the sociopolitical issues raised
by the exhibition, each artists work and accompanying
performances. Offers interesting insights for extending the archive.
Pages 50-51
Spring 2006
item
HN/3/4/018
MAP, Issue 5
"Kim Gordon"
Cedar Lewisohn
Profile of Kim Gordon in conjunction with her "work that appeared
in Tate Modern's Her Noise exhibition 2005". Page 64
item
HN/3/4/019
The Wire, issue268 Bitstream
compiled by The
Trawler
Mention of Matthews' Sonic Bed winning Award of Distinction at Ars
Electronica 2006, as part of Her Noise exhibition.
Jun-06
magazine
good
colour
item
HN/3/4/020
Cross Platform:
The Wire, issue268 Jutta Koether
Lina Dzuverovic
Article reviewing Koether's creative career from beginnings in
Cologne to her current practice based in New York, with her
painting as intrinsic to an expanded practice.
Jun-06
magazine
good
colour
item
HN/3/4/021
"The raw and the
The Wire, issue268 kooked"
Nick Cain
Article and interview with each Sonic Youth band member. Gordon's
contribution to Her Noise mentioned page 36. Pages 32-39.
Jun-06
magazine
good
colour
item
HN/3/4/022
The Guardian- The Previewguide
exhibitions
Short review mentioning Kim Gordon, Kaffe Matthews & Hayley
Newman. Page 36
newspaper
mini-guide
good
colour
Jessica Lack
HER NOISE ARCHIVE 2010
19
spring 2006
November, 511 2005