Jan/Feb/March 2013
Transcription
Jan/Feb/March 2013
Susan Melrath, “Blue Dog,” oil & encaustic on wood panel, 12 x 12 inches Jaime Ellsworth, “Unleashed,” acrylic on canvas, 48 x 48 inches TM Simon Mace Gallery • Port Townsend, WA “Critters” showing February 2 - April 1 Featuring Jaime Ellsworth, Susan Melrath, Cheri O’Brien, and Thomas Rude Volume 22 JANUARY • FEBRUARY • MARCH 2013 Number 1 w w w . a r t a c c e s s . c o m THE MONTHLY GUIDE TO THE ARTS Features C O N T E N T S FEATURES Write of Way The Greater Gift …Mary Lou Sanelli 3 Lyle Silver: A Life in Art Patricia Rovzar Gallery …Saylor Jones 6 ART ACCESS Volume 22 Number 1 Listings VISUAL ART Portland, OR Anacortes, WA Bainbridge Island, WA Bellevue Bellingham, WA Edison, WA Edmonds Everett, WA Issaquah Kirkland, WA La Conner Mercer Island, WA Port Townsend, WA Poulsbo, WA Seattle, WA • Ballard • Belltown • Capitol Hill • Columbia City • Downtown • Georgetown • Phinney Ridge • Pioneer Square • Queen Anne • SODO • South Lake Union • University District • West Seattle Shoreline Tacoma, WA Twisp Vashon Island 8 8 9 11 11 11 12 12 13 13 14 14 14 15 15 16 17 17 18 21 21 22 27 28 28 28 29 29 29 30 30 Maps MAPS Bainbridge Island Kirkland Seattle: • Belltown • Downtown • Pioneer Square 8 13 16 21 26 Art Access (888) 970-9991 [email protected] Box 4163, Seattle, WA 98194 April/May/June info is due March 10 No Exceptions! “Off with your head!” Listing in Art Access is a paid service. The charge for 60 word listing per month is $35 or $39 with map placement, if available. The Initial map placement fee is $28. Image(s) above the listing: $100 each. Limit 3. Submission and payment are done online: www.artaccess.com/submitprintad 2 Cheri O’Brien • “Diana, NW Goddess” oil on panel, 36 x 24 inches Simon Mace Gallery • Port Townsend, WA “Your life is already artful — waiting, just waiting, for you to make it art” ~Toni Morrison American novelist FRONT COVER: (Top) Jaime Ellsworth • “Unleashed” acrylic on canvas, 48 x 48 inches (Bottom) Susan Melrath • “Blue Dog,” oil & encaustic on wood Panel, 12 x 12 inches Simon Mace Gallery • Port Townsend, WA January 1 - February 1: Winter Break: Closed February 2 - April 1: “Critters” Featuring Jaime Ellsworth, with Susan Melrath, Cheri O’Brien and Thomas Rude SIMON MACE GALLERY 236 Taylor Street, Port Townsend, WA (360) 385-4433, Thurs-Mon: 11 A.M.-6 P.M. Closed Tuesday & Wednesday www.simonmacegallery.com Publisher Debbi Lester S pec ia l T h a n k s Helen Johanson (Happy Birthday!), Greg Miller, Karen Stanton, Gregory Hischak, Elizabeth Bryant, Reed Bargren, Alec Clayton, Deloris Tarzan Ament, Sean Carman, Gwen Wilson, Cheryl H. Hahn, Clare McLean, Ron Glowen, Susan Platt, Adriana Grant, Katie Kurtz, Molly Rhodes, Milton Freewater, Molly Norris, Rachella Anderson, David John Anderson, Kathy Cain, Eleanor Pigman, Saylor Jones, Meg McHutchison, Steve Freeborn & Tia Matthies, Erica Applewhite, Chris Mitchell, Ron Turner, Mitchell Weitzman, Steve Freeborn & Tia Matthies, Bill Frisell (Happy Birthday!) & Carole d’Inverno (Happy Birthday!), Seattle Art Museum, Tacoma Art Museum, Schack Art Center, Bellevue Arts Museum, Portland Art Museum, Museum of Northwest Art, Henry Art Gallery, Frye Art Museum, Doris Lester (Happy Birthday!), Teresa Cassady, Joey Lester, & Danny Lester, Debbie & Richard Vancil, Corbin (Happy Birthday!), Madeline, Parker, Cayden, & Ryan www.artaccess.com © JAN • FEB • MARCH 2013 The Greater Gift February means something else, to me anyway. First, I have a deep affection for those sugary pastel hearts set out in crystal bowls all around the city. I pinch one at a time, of course, but in my mind’s eye I see a woman scooping the entire medley up and filling her pockets. Who knows why we connect with some candies and not with others. Love is really something, isn’t it? Write of Way New Year’s. It’s always a Big Deal. For a few days, it’s all anyone can talk about. Next, it will be all about little red hearts. It all comes around so quickly. Secondly, it makes me step back and question a few real things about love between people, like who is there for you no matter what, who isn’t any longer and, for the love of Pete, why not? And I thought my fingers would fly over the keyboard with some sweet little story about romantic love, a.k.a. my Larry. But, no. Instead, another man fills my thoughts… I visit my father annually on Long Island Sound, but he hasn’t returned to Seattle since Larry and I married, referring to Puget Sound as “God’s country,” and that is just about the highest compliment my father can extend. On the morning of our wedding, the clouds we’d hoped would burn off only swelled, the day becoming more and more May-like, restless, sprinkly, spring. The kind of weather that can make pulling off a wedding on a shoestring budget feel even more overwhelming. I was fidgety, worried that the clouds would turn into a downpour or, even worse, drizzle all day. My father took one look at me staring up at the sky, and a longer look at who Larry and I were together, both of us a little frayed and scruffy to someone from the more formal East Coast school of wedding appropriateness. And when his eyes spanned the little wood-floored room we’d rented for our reception, a schoolhouse in the tiny town of Dungeness on the Olympic Peninsula, he spied the keg of beer in the corner. He looked at me as if he might want to say something, but he never did. He just crossed the room, stepped outside, closed the door behind him, got into his rental car, and disappeared. If it hadn’t been my wedding day, I might have found it disconcerting, even scary. Instead, I could feel the sides of my cheeks expand into an even wider smile. An hour later he was back, his arms around a case of liquor, plenty more where that came from, until vodka, gin, scotch, and brandy bottles, plus every mixer imaginable, were perfectly aligned next to the cake. “You think an Italian can have a wedding without the real stuff?,” he asked. But it wasn’t a question. And he winked after he said it, and that was unquestionably the greater gift. I will remember the satisfied look his face until the day I die. As a second present, bless him, he gave us enough money to, in his words, “get started,” wisely neither too much as to make Larry uncomfortable, nor too little to make me so, because an Italian father’s generosity is legendary and I’d grown up with it, my legend, my superstar, my Valentine, my dad. February. It’s all about love. Mary Lou Sanelli Sanelli’s latest book is Among Friends. She works as a writer and speaker. For more information about her work, visit www.marylousanelli.com www.artaccess.com © JAN • FEB • MARCH 2013 3 artist John Kiley stands next to his glass artwork Traver Gallery • Seattle, WA artist Donald Fels next to his artwork Davidson Galleries Seattle, WA (L-R) “A Not So Still Life” director/cinematographer Karen Stanton and artist Ginny Ruffner Bainbridge Island, WA artist Laura Sharp Wilson stands next to her artwork Abmeyer + Wood Fine Art • Seattle, WA artist Jasmine Iona Brown stands next to her painting Gallery 110 • Seattle, WA 4 artist Bratsa Bonifacho next to his painting Foster/White Gallery • Seattle, WA (L-R) beloveds/artists Joe Max Emminger and Julie Paschkis stand next to their artworks Grover/Thurston Gallery • Seattle, WA artist Jessica Dodge Room 104 artist Victoria stands next to Lisa Harris Gallery artist Tania Kitchell stands next to her sculptures James Harris Gallery • Seattle, WA artist Mary Ann next to her James Harris Gallery artist Kevin Wilson next to his encaustic painting Room 104 • Seattle, WA artist next Room artist Karen Hackenberg next to his painting artist© Ron Ho stands next• to his jewelry2013 artist David R. Boxley www.artaccess.com JAN • FEB MARCH Stonington Gallery Bainbridge Arts & Crafts • Bainbridge Island, WA Bainbridge Arts & Crafts • Bainbridge Island, WA next to her art (L-R) artist Alan Fulle, Gypsy Mermaid • Seattle, WA Michelle Kaiser, and artist Jeff Mihalyo Collins Pub • Seattle, WA (L-R) artists Ries Niemi and Allison Manch Punch Gallery • Seattle, WA Johnson her paintings • Seattle, WA (L-R) Gallery owner Lisa Harris and artist Ed Kamuda stand next to Kamuda’s artworks Lisa Harris Gallery • Seattle, WA Peters stands painting • Seattle, Washington (L-R) beloveds/artists Carina del Rosario and Romson Bustillo stand next to Bustillo’s print Shift Collaborative Studio Gallery • Seattle, WA David Kane stands to his monoprints 104 • Seattle, WA next to his sculpture • Seattle, WA artist Michael Zigmond stands next to his painting Patricia Rovzar Gallery • Seattle, WA woodworker Robert Sprangler next to his table and chairs Northwest Woodworkers Gallery Seattle, WA artist Negar Farajiani stands next to her artwork M.I.A. Gallery • Seattle, WA artist Jenny Schmid stands next to her print Davidson Galleries • Seattle, WA Zanetka Kralova Gawronski stands next to her artworks Core Gallery • Seattle, WA artist Shaun Peterson next his sculpture artist Tracy2013 Lang stands beneath her woodcuts 5 www.artaccess.com ©toJAN • FEB • MARCH Stonington Gallery • Seattle, WA Collins Pub • Seattle, WA “Lyle Silver: 60 Years in Art” exhibit at Rovzar Gallery • Seattle, Washington Lyle Silver • “Pergola, Seattle,” oil bar, 12 x 9 inches • Patricia Rovzar Gallery • Seattle, WA Lyle Silver: A Life in Art Patricia Rovzar Gallery • Seattle, Washington Patricia Rovzar, whose gallery has been representing Lyle Silver since 1997, recalls meeting the artist: “When he first came to me for representation he was skillfully immersed in working as a courtroom artist. He was getting out of that mode and wanted to focus on his fine art. Since I have been representing him he has gone from making pretty straightforward landscapes to those that are a lot more gestural and less refined, less confined by the landscape itself.” Rovzar says, she is “not calling this exhibit a retrospective because we are not going all the way back sixty years. Instead I am calling it ‘A Life in Art.’” Lyle Silver does make the world seem fresh. For instance, in an oil bar on board painting entitled “5th Street Alley in Winter,” cobalt and turquoise blues churn atop snow while a structure beyond could be mistaken for a quilt built of colors. The painting has an intimacy-inpublic feel of a Charles Burchfield, a sense that you are waking from a deep sleep to find this scene materialize before your eyes. Using traditional subject matter has allowed viewers to trust Silver enough to fall completely into his abstract visions. In his most loose renderings of figures, land and cityscapes marigold yellows, persimmon reds, lavenders, bottle greens, deep browns, and cold blue pigments hover in streaks and 6 daubs like space aliens attempting to spell out to their home planet what Earth has in store. Lyle Silver • “At the Market,” oil bar, 40 x 32 inches Patricia Rovzar Gallery • Seattle, WA www.artaccess.com © JAN • FEB • MARCH 2013 The title aptly describes what Silver’s life has been. The artist had a studio loft in downtown Seattle for 25 years where he and his wife Lois, also a painter, hosted weekly drawing sessions for artists. They lived there and were fully immersed in the art community. When that building came down he and Lois moved into a big house where they were able to have both of their studios – yet, they continued hosting life drawing sessions in the basement of Art Not Terminal Gallery for another thirteen years, a location just around the corner from their former loft space. Of all the married Seattle-artist couples, Lyle and Lois Silver’s works appear the most similar. Rovzar believes it is partly because of having studios in the same house. “His wife is an integral part of his process,” says Rovzar, “and he with her. They are each others’ critics. They work separately but together in their studio spaces and so are able to draw on each other for artistic nutrition. It’s kind of an interesting balance – they both work with oil bar and they both have developed different techniques in terms of how they use oil bar. And every once in awhile they influence each other to the point that you’re wondering, ‘is that Lois Silver or Lyle Silver’?” challenge such as Edgar Degas’ blindness or Auguste Renoir’s paintbrush tied to his arthritic hand. Yet, for some artists this freedom is due to mental release, like in the case of Lyle Silver. Says Rovzar, “I think what happens [with age] is that you care less about selling the artwork as opposed to creating it. You come full circle. I think that in Lyle’s heart of hearts the looser was always the better. I think he was always that way. But I think he felt that in order to make a living at this and become a commercial success he had to paint what he thought people would embrace and he didn’t think that people would embrace the looseness of his larger pieces. He found out that was untrue in the end.” Silver got into using oil bars during his courtroom drawing days – a profession that his wife still partakes of. “We got into oil bars because they are pretty easy to pick up,” says the artist; “If you had to go to the courtroom they were pretty handy.” The exhibit offers 25 or so sketches, drawings and paintings that represent a wide scope of the artist’s oeuvre, including t h e l a rg e l a n d s c a p e s depicting rural areas in Washington state. When asked about the locations, Silver said, “I’ve gone all over. Skagit Valley, Cle Elum and the Willamette Valley. You know, anywhere is okay.” On Gage Academy of Fine Art’s website Silver is quoted as saying, “Getting into the mountains from the city is always awe inspiring; I never get tired of it.” These landscapes are often seen from the point of view of the driver or passenger of a car; the road is out ahead or a guard rail peeks from a composition’s corner. They also show visual echoes of one of Silver’s influences, landscape painter Wolf Kahn. It is fantastic when an artist lives long enough to loosen all the way up. Sometimes this looseness results from a physical Lyle Silver • “8th Ave,” oil bar, 30 x 22 inches Patricia Rovzar Gallery • Seattle, WA When asked if he had any advice for young artists, Silver replied, “Be focused. If you want to be an artist you need to focus. Keep working. Keep associating with other artists. And keep looking, keep looking.” Young artists, take heed. Saylor Jones Saylor Jones is a Northwest illustrator and writer. To view her work, visit www. saylorjones.com “Lyle Silver: 60 Years in Art” is on view January 3 through February 5 at Patricia Rovzar Gallery, located at 1225 Second Avenue in Seattle, Washington. The opening reception is Thursday, January 3, from 6 to 8 P.M. For more information visit www. rovzargallery.com. www.artaccess.com © JAN • FEB • MARCH 2013 7 PORTLAND ART MUSEUM 1219 SW Park Avenue • (503) 226-2811 • Sun: 10 A.M.-5 P.M.; Tues, Weds, & Sat: 10 A.M.-5 P.M.; Thurs & Fri: 10 A.M.-8 P.M.; Closed Mondays • $15 Adults, $12 Seniors/Students. Free for children under 17 • www.portlandartmuseum.org Carrie Mae Weems: Three Decades of Photography & Video Carrie Mae Weems is internationally recognized for her powerful photographybased art that investigates issues of race, gender, and societal class. Her work provides complex pictures of humanity that creates greater awareness and compassion for difference. This exhibit presents over 200 photographs, videos, and installations tracing the evolution of Weems’ career. February 2-May 19. WASHINGTON ANACORTES ANCHOR ART SPACE 216 Commercial Avenue, Anacortes WA 9 8 2 2 1 • F r i - S u n : 1 2 - 5 P. M . • [email protected] • www. anchorartspace.org Anchor is closed during the month of January with the exception of two events with Artist in Residence, Danielle Foushée. Foushée creates large-scale installations using rope, dyes, water and rock to address the longing for control in the face of uncertainty. View works-in-progress Friday, January 4, 6-9 P.M. Open House & Artist Talk: Sunday, January 20, 1-4 P.M. Ghost This show brings together the work of photographers and video artists to reflect on the human desire to record and venerate our memories, exploring the ways memory shapes who we are and who we long to be. Featured artists include Bill Finger, Ford Gilbreath, Michelle Alexis Newman, Forrest Perrine, and Joe Rudko. Reception: Friday, February 1, 6-9 P.M. February 1-24. Ours This exhibit is about people taking up their space, staking their claim, and making themselves heard. In drawings, collages, sculptures, videos, and photographs, these artists strive to keep the conversation going. Featuring works by Rebecca Carlisle-Healy, Geneviève Castrée , Julie Doucet, Liz Harris, Ariana Jacob, Nikki McClure, Sarah Meadows, Nadia Moss, and Sue Roberts. Reception: Friday, March 1, 6-9 P.M. SCOTT MILO GALLERY 420 Commercial Avenue (across from the Majestic Hotel) • (360) 293-6938 • Mon-Sat: 10:30 A.M.-4:30 P.M. and by appointment • [email protected] • www.scottmilo.com This show features dynamic floral, landscape, and seascape acrylic paintings by Jennifer Bowman, photography by Dick Garvey, Randy Dana, and Lewis Jones, oils and pastels by Amanda Houston, pastels and acrylics by Joel Brock, and fused glass by Robin Larson. Scott Milo Gallery always has new tables, jewelry, and sculptures on view. Reception: Friday, January 4, 6-9 P.M. Through January 29. Presenting large, bold, nautical, and sea bird oils by Lorna Libert of Bellingham. Also showing abstract oils by Carole Barrer, watercolors by Jan Gellatly, photo encaustics by Kathy Hastings, and watercolors by Keith Sorenson. Reception: Friday, February 1 6-9 P.M. with demonstration by Sandy Byers. February 1-25. Featuring pastels by Sandy Byers in everyone’s favorite styles of landscapes, seascapes, and farm animals. Also showing are acrylics by Jacqui Beck, photographs by Dick Garvey, watercolors and acrylics by Eric Wiegardt, glass and metal sculptures by Lin McJunkin, and oils by Donna THE KIDIMU 4 1 YM OL i WASHINGTON DR ttle E ES N IV INFORMATION Sea i PIC BAINBRIDGE ART MUSEUM (future site) BAINBRIDGE ARTS & CRAFTS BLACKBIRD BAKERY THE ISLAND GALLERY ROBY KING GALLERY o ry t 1. 2 3. 4. 5. F er 2 BJUNE 3 WINSLOW WAY E. FERNCLIFF 5 I S L A N D HWY 305 City Hall THE PLAYHOUSE THEATER BAINBRIDGE ISLAND HISTORICAL MUSEUM ERICKSEN AVE. NE. B A I N B R I D G E MADRONE 8 PORTLAND MADISON AVE. N. Bainbridge Island, WA Map VISUAL ART Portland, Oregon • Anacortes, Washington OREGON www.artaccess.com © JAN • FEB • MARCH 2013 i WA Ferry Radtke. Reception: Friday, March 1 6-9 P.M. March 1-April 2. Bainbridge Island, Washington BAINBRIDGE ARTS & CRAFTS 151 Winslow Way E. • (206) 842-3132 • MonSat: 10 A.M.-6 P.M., Sun: 11 A.M.-5 P.M. • [email protected] • www.bacart.org Christopher Mathie deftly balances light and dark, opaque and transparent layers, transforming a specific place to a personal point of view. Larry McCaffrey brings an engineer’s skill and artist’s invention to his contemporary sculpture. Kay Walsh’s photographs invite the viewer to share her singular vision of the Washington coast. January 4-30. Super Heroes The gallery is awash with masks, capes, and colorful long underwear in February. Morgan Brig, Lynn Brunelle, Andy Caro, Linda Costello, Megan Drew, Garth Edwards, Denise Harris, Sandra Hurd, M.J. Linford, Linnea Lundmark, Shane Miller, and Deborah Peek. February 1-25. Mixed Nuts Local kids get a turn to be professional artists in BAC’s “Mixed Nuts” show. February 1-25. Insights II: Work by Artists with Disabilities Building on last year’s popular “Insights” show, BAC presents an exhibition of work by accomplished local artists. March 1-25. VISUAL ART BAINBRIDGE ISLAND BLACKBIRD BAKERY 210 Winslow Way East, Bainbridge Island, WA • (206) 780-1322 • Daily: 7 A.M.-6 P.M. [email protected] • www. blackbirdbakery.com The Blackbird Bakery highlights local artwork and in a comfortable place to enjoy unique quality pastries and desserts. In January, Northwest artist Marc Samuelsson shows “Taiko Ghosts.” This work features “Stress Printing” technique where photo images are overlaid over original paintings multiple times generating colorful flourishes of positive and negative space. Subject matter ranges from local Japanese Taiko Drummers and Calligraphers to homeless people and graffiti in Seattle. In February, “On Location” features Marilynn Gottlieb’s unique mixed media pieces that combine photography with repurposed materials, such as slide frames or surplus circuit boards, to create pieces that are collections of geographically themed images. Pierr Morgan, longtime painter and children’s book illustrator, uses gouache and ink—and the kitchen sink—in a resist technique; a favorite of hers for its rich color and textural effects, where the happy accident occurring from washing off each piece under running water only encourages Morgan’s imagination, resulting in this whimsical collection of culinary delights. Through March. VIEW FROM WINSLOW WAY. COATES DESIGN, GRAPHIC CONCEPTS BY NBBJ. OPENING SUMMER 2013 G E T I N V O LV E D | D O N AT E Find out more at www.biartmuseum.org Find us on Facebook www.artaccess.com © JAN • FEB • MARCH 2013 Follow us on Twitter 9 @biartmuseum John Wood • “Calligraphy,” photograph Gallery at Grace • Bainbridge Island, WA GALLERY AT GRACE 8595 Day Road E., Bainbridge Island, WA • (206) 842-9997 • Tues-Fri: 9 A.M.-2 P.M., Sun: 8-11:30 A.M., and by appointment • www.gracehere.org Remember John Wood is a seeker of beauty in ordinary things and undiscovered places. This exhibit of photographs looks at pieces of wood, hunks of metal, old tires, canvas, and sheets of plastic. He suggests you enjoy each work for color, texture, and form, without knowing what it is. Through January. Kelly Hume • Untitled, charcoal on paper Gallery at Grace • Bainbridge Island, WA Drawings Kelly Hume is a Bainbridge Island artist whose recent work depicts an older generation in portrait and figurative work. He uses charcoal and mixed media to render the wistful subjects he finds in nursing homes and hospitals. His drawings have the feeling of recollection found in photographs from the past and yet suggest a possible future. February-March. Carrie Goller • “Hood Canal,” encaustic Island Gallery • Bainbridge Island, WA ISLAND GALLERY 400 Winslow Way • (206) 780-9500 • TuesFri: 11 A.M.-6 P.M., Sat: 10 A.M.-5 P.M., Sun: 12-4 P.M. • [email protected] • www.theislandgallery.net Gallerywide Sale Reception: First Friday, January 4, 6-8 P.M. Music to be announced. January 2-31. Island Grown Bainbridge Island native Carrie Goller, inspired by Northwest scenes, presents her first exhibition of encaustic and other mixed media paintings. Artist Reception: First Friday, February 1, 6-8 P.M. Music to be announced. February 1-28. ABC: Artisan Benches & Chairs Northwest artists Nathan Christopher, Al Rosen, Ted Scherrer, Donald Smith, Bob Spangler, and Vintage Mid-Century Modern master craftsmen. The perfect stand alone art statements and companion pieces for wood slab tables and desks. Artists Reception: First Friday, March 1, 6-8 P.M. Music to be announced. March 1-29. The FOUR SWALLOWS RESTAURANT Listed Among: Seattle’s Best Places, NW’s Best Places & NW’s Best Places to Kiss Open for Dinner Tues - Sat 5:30 P.M. 481 Madison • Bainbridge Island (206) 842-3397 10 Kathe Fraga • “I Always Knew” mixed media, 36 x 24 inches ROBY KING GALLERIES 1 7 6 W i n s l o w W a y E . • (206) 8422063 • Tues-Sat: 10 A.M.-5:30 P.M. • [email protected] • www. robykinggalleries.com New Year’s Gala Exhibition Featuring all gallery artists. Celebrate with some of the Northwest’s best painters, www.artaccess.com © JAN • FEB • MARCH 2013 BELLINGHAM Raenell Doyle • “Lovely in Red” oil on canvas, 24 x 20 inches Roby King Galleries • Bainbridge Island, WA Committed to the beauty of classical still life painting, Raenell Doyle’s graceful compositions reflect a mastery of “the play of light and shadow.” To this timeless quality, she adds a rich variety in textural surfaces, bone china, copper vessels, and tapestries. Then combined with living forms of fruits and flowers, Doyle creates intricate and sumptuous paintings. March 1-30. BELLEVUE BELLEVUE ARTS MUSEUM 510 Bellevue Way NE • (425) 519-0770 • Tues-Sun: 11 A.M.-5 P.M., Free First Friday: 11 A.M.-8 P.M. • $9 Adults, $7 Seniors and Students, Children Free under 6 • www.bellevuearts.org BAM Biennial 2012: High Fiber Diet The second edition of BAM’s biennial focuses on fiber, a thriving yet underexposed media in contemporary art. Many works are specifically created for this exhibition and range from traditional to new expressions of fiber art, offering a glimpse into how artists continue to transform and re-invent fiber’s already rich tradition in the Northwest. Through February 24. Nikki McClure: Cutting Her Own Path, 1996-2012 This exhibit offers visitors a look at Nikki McClure’s original papercut artwork alongside her popular calendars, books, posters, etc. This Olympia-based artist creates compelling narratives, using black paper and an X-acto knife, that show WHATCOM MUSEUM Old City Hall Building, 121 Prospect Street, Thurs-Sat: 12-5 P.M. • (360) 778-8930 • Lightcatcher Building, 250 Flora Street, Weds, Fri, Sun: 12-5 P.M., Thurs: 12-8 P.M., Sat: 10 A.M.-5 P.M. • Admission: $10 general, $8 student/senior/military, $4.50 children under 5 • www.whatcommuseum.org Lightcatcher Building: California Impressionism Featuring a stunning collection of 50 paintings of light and landscapes from the Irvine Museum. Through February 17. Romantically Modern Highlighting expressions of nature in the Pacific Northwest. Through July 7. Chicanitas Showing 65 tiny but powerful paintings from photo-realism to abstractions from the Cheech Marin Collection. January 11March 24. Jim Olson: Art in Architecture Renowned Northwest architect Jim Olson’s retrospective. March 3-June 9. Bellevue • Bellingham • Edison, Washington real people engaged in every day activities. Through February 3. Maneki Neko: Japan’s Beckoning Cats From Talisman to Pop Icon Long-considered to be a good luck charm, this exhibit features 155 cats, made between the 19th-20th centuries, depicted with an upright paw in the Japanese gesture of beckoning. These enigmatically artful felines express aspects of both historic Japanese lore and contemporary pop culture. February 22-August 4. VISUAL ART and kick off the New Year with a new work of art! January 4-26. French Wallpaper Series Kathe Fraga brings bright new colors to her canvases. Inspired by the 17th & 18th century’s most popular “Chinoiserie” style, these decorative panels of birds, flowers, vines, and leaves graced the walls of grand old Parisian mansions. Using a roughly plastered surface and sanding between painted layers conveys the time worn walls. February 1-23. E D I S O N SMITH & VALLEE GALLERY 5742 Gilkey Avenue • (360) 766-6230 • WedsSun: 11 A.M.-5 P.M. • info@smithandvallee. com • www.smithandvallee.com In conjunction with the second annual Edison Bird Festival, Smith & Vallee Gallery is proud to curate a related exhibition of artworks by local and regional artists. February 2-24. AT Valerie Collymore • “Calm After The Storm,” 30 x 48 inches E L I E R C O L L Y M O R E Impressionist Oil Paintings from America and France www.ValerieCollymore.com www.artaccess.com © JAN • FEB • MARCH 2013 11 VISUAL ART Edmonds • Everett, Washington Smith & Vallee Gallery listing continued… EVERETT In her second solo exhibition with Smith & Vallee Gallery, Becky Fletcher debuts a new body of work. Fletcher’s paintings exemplify light and landscape in the Northwest as she takes seemingly simple forms and turns them into dramatic, hyper-real, living compositions. Reception: Saturday, March 2, 5-8 P.M. March 2-31. E D M O N D S EDMONDS ARTS FESTIVAL MUSEUM & EDMONDS ARTS COMMISSION Frances Anderson Center, 700 Main Street, Edmonds, WA • (425) 771-0228 • Mon-Fri: 9 A.M.-9 P.M., Sat: 10 A.M.-3 P.M. • [email protected] • www. eaffoundation.org • www.ci.edmonds.wa.us/ ArtsCommission In the EAFM: Featuring the EAF Museum Collection. Through January 30. In the EAFM and EAC Case: Partnership Exhibit Presenting works purchased at annual Festival Juried Galleries 1970 to present, showcasing Northwest artists in paintings, prints, drawings, photography, artisans work, and sculpture. In the Library: Presenting the “Rust Series,” abstract photographs by Jim Ballard. Through January 30. Visit [email protected] for art opportunities/classes. In the EAFM and EAC Case: Partnership Exhibit Showing the watercolor, oil, pastel, and various printmaking technique works by Catherine Gill. Preview her work at www. catherinegill.com. February 5-March 13. In the Library: Sue Gill Rose shows her acrylic paintings of the International District. February 1March 15. In the EAFM and EAC Case: Celebrating the Arts Commission Artists This partnership exhibit features visual artists who have served on the commission. March 18-May 4. In the Library: Displaying colored pencil works by Sheila Theodoratus. March 15-April 30. For more information on programs and artwork of Edmonds Arts Commission visit www.edmondsartscommission.org Lenarz Susan • “Twasser’s Rose Vase,” fiber art Schack Art Center • Everett, WA SCHACK ART CENTER 2921 Hoyt Avenue • (425) 259-5050 • Mon-Fri: 10 A.M.-6 P.M., Sat: 10 A . M . - 5 P . M . , S u n : 1 2 - 5 P. M . • [email protected] • www.schack.org Complex Threads This collection of advanced student work from the Gail Harker Creative Art Center uses experimental materials to push the boundaries of contemporary stitch and textile art. January 10-February 16. 31st H’Arts Benefit Auction Saturday, February 23, 5 P.M. Everett Events Center Mark your calendars for Snohomish County’s largest art auction. More than 300 works of art donated by new artists and familiar favorites. Get a sneak peak of the live auction artwork in the H’Arts Preview Exhibit on view February 5-21. Bodine Danielle • “The Journey,” mixed media, fiber, 31 x 10 x 8 inches, photo by Michael Stadler Schack Art Center • Everett, WA Fiber Art by Whidbey Island Surface Design Explore the diverse media, creative techniques, and visual traditions in this exhibit of fiber surface design from artists living and working on Whidbey Island, Washington. March 7-April 5. Get down with the get down! 210 WINSLOW WAY EAST • BAINBRIDGE ISLAND • WA • 98110 206 780 1322 • OPEN SEVEN DAYS 12 www.artaccess.com © JAN • FEB • MARCH 2013 I S S A Q U A H KIRKLAND VISUAL ART artEAST Art Center & Gallery • Issaquah, WA ARTEAST ART CENTER UP FRONT GALLERY 95 Front Street • (425) 392-3191 • TuesThurs: 11 A.M.-7:30 P.M., Fri-Sat: 11 A.M.8 P.M., Sun: 12-5 P.M. • [email protected] • www.arteast.org The artEAST non-profit art center offers visual art classes, exhibitions, lectures and community programs. The work of more than 100 local and regional artists is available in the gallery. This collection represents masterful design and technique in a wide range of mediums and prices. artEAST’s classes are designed to create a positive learning experience for the novice or professional student. Stitch Interpretations of stitch concepts in a variety of mediums. Works from artists of the greater Puget Sound area are on display and for purchase. Reception: Friday, January 11, 6-8 P.M. All free to the public. January 11-February 23. Touch This exhibit breaks the rules and invites art to be experienced with the sense of touch. A variety of mediums are represented and tours for the visually impaired are scheduled. Reception: Saturday, March 2, 6-8 P.M. All free to the public. March 2-April 6. I NT WA R Y K LANE ST . L A 2ND AVE S ST AT E RA P E KIRKLAND AVENUE LAK 6TH AVENUE CE 5TH AVENUE KIRKLAND ARTS CENTER 620 Market Street • (425) 822-7161 • Tues-Fri: 11 A.M.-6 P.M., Sat: 11 A.M.-5 P.M. Second Fridays until 8 P.M. • www. kirklandartscenter.org • support@kirkland artscenter.org Urban Lake A six months game of telephone played amongst five artists using visual and nonverbal cues based on the concept of an lake. A sixth artist uses sound R K L A N D urban to weave them together with a final MARKET tone. Curated by Shelly Leavens. 2 January 11-February 23. 1ST STREET Human+Nature By our nature, we seek to m a k e s e n s e o f t h e w o r l d . We EET STR 1 forge expeditions, document 3 our surroundings, and mold MAIN STREET new landscapes, leaving traces KIRKLAND of development and devastation ARTWALK SECOND THURSDAY in our wake. “Human+Nature,” 6-9 P.M. curated by Anna Braden, looks at the intersections of humanity, 1. HOWARD/MANDVILLE GALLERY d i s c o v e r y, a n d d i s a s t e r a s w e 2. KIRKLAND ARTS CENTER explore and evaluate nature. March 3. PARKLANE GALLERY 1-April 6. ART ACCESS © 2013 N REPRODUCTION OF MAP WITHOUT ART ACCESS' WRITTEN PERMISSION IS STRICTLY PROHIBITED. www.artaccess.com © JAN • FEB • MARCH 2013 Kirkland, Washington Map K HOWARD/MANDVILLE GALLERY 120 Park Lane, Suite D • (425) 8898212 • Mon-Fri: 10:30 A.M.-6 P.M., Sat: 10 A.M.-5 P.M., Sun: 12-5 P.M. • [email protected] • howardmandville.com Close To Home Featuring Northwest painters Alfred Currier, Kim Matthews Wheaton, and Romona Youngquist. These artists paint scenes dear to our hearts, from the tulip fields of the Skagit Valley, to the wide open spaces of the Palouse, and rural country scenes of the Oregon wine country. February 9-March 9. Canadian artist Renato Mucccillo is known for his atmospherically infused landscapes of the rural lowlands, mountains, and rivers near his home in British Columbia. Reception: Sunday, March 24, 12-3 P.M. March 24-April 14. Issaquah • Kirkland, Washington Alfred Currier • “Banding Together” oil painting, 30 x 40 inches Howard/Mandville Gallery • Kirkland, WA 13 La Conner • Mercer Island • Port Townsend, Washington VISUAL ART 14 PARKLANE GALLERY 130 Park Lane • (425) 827-1462 • Tues-Sun: 11 A . M . - 7 P. M . F r i : 1 2 - 8 P. M . , Second Friday Art Walk 6-9 P.M. • [email protected] • www. parklanegallery.com The gallery starts the year with its annual exhibition in the style of the French Salon. Art from forty artists hung wall to wall and floor to ceiling. Through January. February is the month for flights of fancy with the Parklane Abstract Group’s “Second Annual Exhibition of Abstract Paintings.” Through February. In March, John Cannon presents oils on canvas while Larey McDaniel shows photographs printed on aluminum. Through March. Nature’s Kaleidoscope This show features wall hangings and framed fiber works by local fiber artist Susanne Foster. Reception: Thursday, March 7, 5-8 P.M. March 7-31. Small Format Show Upcoming in April is the “Small Format Art Show” which includes regional artists. Reception: Thursday, April 4, 5-8 P.M. April 4-27. Check www.MIVAL.org for participation information. P O R T T O W N S E N D LA CONNER MUSEUM OF NORTHWEST ART 121 South First St., PO Box 969, La Conner WA 98257 • Sun & Mon: 12-5 P.M., Tues-Sat: 10 A.M.-5 P.M. • (360) 466-4446 • Members always free, adults $8, seniors $5, students $3, children under 12 free • www.museumofnwart.org Photographic portraits of 20 Northwest artists by Eduardo Calderón, audio and transcribed interviews conducted by Calderón, and works by the artists. Calderón interviewed a cross section of Northwest artists ranging in age, background, and mediums each uses to make art, and photographed the artists in their homes. January 12-March 13. Black and White Color Study from the Permanent Collection This color study presents black, a symbol for sophistication and authority, and white, purity and neutrality. The exhibition offers an atypical look at the Northwest palette from the diversity of artworks in the collection. January 12-March 13. M E R C E R I S L A N D MIVAL GALLERY 2836 - 78th Ave SE (between QFC & Baskin Robbins) • (206) 619-6276 • Thurs-Sat: 12-6 P.M, Sun: 12-4 P.M. Mercer Island Visual Arts League (MIVAL) was established in 1961. It represents over 100 local artists of all mediums and proudly opened its MIVAL Gallery in 2009 with 27 MIVAL founding artists. For 2013 the Gallery plans eight shows exhibiting art in all mediums, photography, jewelry, ceramics, fibers, print, oil, watercolor, recycled materials, glass, and sculptures. Emotion Commotion This exhibit includes new artists working in photography and ceramics, showing alongside returning 30 Gallery members. Reception: Thursday, January 3, 5-8 P.M. January 3-March 3. Linda Okazaki • “Night Journey,” watercolor Max Grover Gallery • Port Townsend, WA MAX GROVER GALLERY 630 Water Street (back of Sideshow Variety Store) • (360) 774-0663 • Open Daily: 11 A.M.-6 P.M. • maxgrovergallery@gmail. com • www.maxgrover.com Max Grover Gallery presents a twomonth retrospective by Linda Okazaki, “Night Visitor” in January and “Fire Inside The Heart” in February. These shows include key early works, groundbreaking recent paintings and rare limited edition archival prints. Okazaki’s powerful and distinctive narrative work is in the collections of the Washington State Arts Commission, Seattle Art Museum and numerous private collections from coast to coast. JanuaryFebruary. In March, presenting recent acrylic and collage paintings by Max Grover. Grover has once again drawn upon his own imagery and great graphic design for subject matter of this new work. “Writers write what they know, painters paint what they know,” suggests Grover. You are sure to discover much about his diverse interests and passion for collecting ephemera which he incorporates into the paintings. Through March. www.artaccess.com © JAN • FEB • MARCH 2013 P O U L S B O SIMON MACE GALLERY 236 Taylor Street • (360) 385-4433 • ThursMon: 11 A.M.-6 P.M. • christina@simonmace gallery.com • www.simonmacegallery.com Critters Re-opening February 2 after Winter Break in January with “Critters.” Featuring artist Jaime Ellsworth along with Susan Melrath, Cheri O’Brien, and Thomas Rude. Poulsbo • Seattle, Washington: Ballard Jaime Ellsworth • “Moonlight” oil on panel, 48 x 24 inches Simon Mace Gallery • Port Townsend, WA VERKSTED GALLERY 18937 Front Street • (360) 697-4470 • Daily: 10 A.M.-5:30 P.M. • info@verkstedgallery. com • www.verkstedgallery.com In January, featuring Norm Hix’s fine wood-turned bowls, vases, ornaments, tools and more, with a beautiful textural sensuality of the turned wood surface; Karen Ford’s handmade paper, books, and boxes; and Sherri Haynie’s tiny precious objects incorporated into collage, assemblage, diminutive mysteries in 2D and 3D. Through January. In February, presenting Mary Lynn Smalladen’s watercolors and calligraphy, with graceful and detailed writings to enhance her paintings and borders, both colorful and nearly transparent; and Kim Pinkerton’s functional fused glass art and pottery, like multi-colored pot melt plates, traditional fused and slumped glass items, and yarn pots. Through February. In March, showing Eileen Schneegas’s enamel designs, cloisonné, glass on metal wall art, brooches, earrings, switch plates, vitreous enamel on metal, in abstract form and popular themes likes dogs, flowers, and more. Through March. VISUAL ART Venture: To Take a Risk Juried Art Show by juror Robin Anderson, Director of the Port Angeles Fine Arts Center. Juror Lecture: Sunday, March 3, 1 P.M. Prospectus and submission information can be found online at http:// www.nortwindarts.org February 24 & 25. March 1-April 1. S E A T T L E • Ballard • Susan Melrath • “Dog Park” acrylic on canvas, 40 x 30 inches Simon Mace Gallery • Port Townsend, WA “Critters” is a two-month show designed to celebrate our furry friends and chase away the Winter doldrums. Gallery Walk: Saturday, February 2, 5:30-8 P.M. February 2-April 1. NORTHWIND ARTS CENTER 2409 Jefferson Street (near the Visitor’s Center) • (360) 379-1086 • Thurs-Mon: 12-5 P.M. • [email protected] • www. northwindarts.org The Figure Featuring sculpture and drawings by Maitland Hardyman; paintings by Elizabeth Jameson; and sculpture and drawings by Rita Kepner. Art Talk: Sunday, February 10, 1 P.M. lead by Rita Kepner who is joined by Maitland Hardyman and Centrum Arts Administer Mary Hilts. January 18-February 24. NORDIC HERITAGE MUSEUM 3014 NW 67th Street • (206) 789-5707 • Tues-Sat: 10 A.M.-4 P.M., Sun: 12-4 P.M. • [email protected] • www. nordicmuseum.org Bad Art? 1,000 Birch Board Pictures These mixed-media works on birch wood capture the memories and dreams of anonymous artists from Sweden and around the world. This is the largest collection of its kind, now in the United States for the first time. Art these works art? Kitsch? Or something more? Through March 3. The Impression of Roald Amundsen Roald Amundsen’s personal diary from his South Pole expedition of 1910-12 provided inspiration for this new exhibition of paintings and graphic works from three prominent Norwegian artists: Tore Hansen, Ulf Nilsen, and Håvard Vikhagen. January 18-March 3. List in Art Access for a mere $35 per month and reach 11,000 readers www.artaccess.com © JAN • FEB • MARCH 2013 15 • Belltown • ART/NOT TERMINAL 2045 Westlake • (206) 233-0680 • Main Gallery hours are Weds-Sat: 11 A.M.-6 P.M., Sun: 12-5 P.M. • Subterranean Room hours are Weds-Fri: 11 A.M.-6 P.M., Sat: 1-6 P.M., Sun: 1:30-5 P.M. • artnot.gallery@gmail. com • www.antgallery.org Main Gallery: Illustrious Characters Featuring mixed media paintings by Aubry Andersen. Through January. Subterranean Room: Year Twenty Four Group show of artwork by the Art/ Not Terminal Gallery Board of Directors W Seattle, Washington: Belltown ART ACCESS © 2013 REPRODUCTION OF MAP WITHOUT ART ACCESS'S WRITTEN PERMISSION IS STRICTLY PROHIBITED. E 3. NW WOODWORKERS GALLERY 4. WINSTON WACHTER FINE ART AD N NW WOODWORKERS GALLERY 2111 First Avenue • (206) 625-0542 • Tues-Fri: 10 A.M.-6 P.M., Sat & Sun: 10-5 P.M., Closed Mondays • [email protected] • www.nwwoodgallery.com Popcorn Bowl Movie Night Saturday, February 16, 5-7 P.M. A special event to benefit Y WA AVE T WAR S TE S E A T T L E SC IA • Y NN DE GIN ET VE HA RN VIR OR FIFT LEN RE A ST AVE AVE STE WE E ENU T AV ST. ARD NCH 3 BLA RTH AVE AVE ST FIR IOT ET TRE L S BEL E ET FOU ST R RD RY THI TE BAT OND SEC ELL Belltown Map AVE T EE STR CANLIS GLASS GALLERY + STUDIO 3131 Western Avenue, S u i t e 3 2 9 , ( i n t h e Northwest Work Lofts) • (206) 2 8 2 - 4 4 2 8 • We d s - F r i : 1 2 - 6 P. M . , Sat: 12-3 P.M. and by appointment • [email protected] • www.canlisglass.com Hand blown and sculpted glass art by Jean-Pierre (J.P.) Canlis. This 3500 square foot gallery and artist’s studio is an HARRISON B intimate look into his artwork, both E individual pieces, and large-scale JOHN STREET L installations. Most well known 2 4 L for modern large-scale “Bamboo,” DENNY WAY CA S CAD E T detailed “Wheat,” and “Raindrop O Chandelier” installations as well W as his individual “Ocean Studies” N with a clean, simple aesthetic. Artist studio open to the public. . V ERN L WAL J.P. Canlis • “Wheat Installation” hand pulled glass with lampwork, 48 x 59 x 7.5 inches Canlis Glass • Seattle, WA DEXTER AVE. N . VE ST WE VE N A ER AVE STT IOT WE ELL T R EE Y ST WAY CLA DENNY E ET 1 S TR R A D E C ET RE ST ET YE R A T B ES VIN A CAMERON 1. CANLIS GLASS 2. PATRICIA CAMERON 16 celebrating the 24th year of the collective. Reception: Saturday, January 5, 7-10 P.M. Through January. Art/Not Terminal features 4000 sq ft of premium downtown gallery space available for short term and long term rental. For more info email [email protected] Main Gallery: Photography Art Nouveau Showing art by Jonny Bean. Reception: Saturday, February 2, 7-10 P.M. Through February. Main Gallery: Group show highlighting the diverse talents of more than 40 artists. Reception: Saturday, March 2, 7-10 P.M. Now accepting exhibit bookings for the Subterranean Room, contact the Gallery. E. VISUAL ART PLANET ART 2811 NW 93rd Street • (206) 782-7455 • by appointment • [email protected] • www.planetart.us Planet Art is the studio of Alice Dubiel. Recently the studio has acquired an Alps press to create print editions and in the spring is offering workshops with Barbara Bruch and Alice Dubiel. Planet Art blog changes are coming soon as is www. thunderandlightningpress.us. March classes include “Thunder and Lightning Press,” a collagraph workshop, March 23 & 30, two consecutive Saturdays. First you’ll create plates, and then you’ll print, including chine collé. For more information and registration, see the Planet Art blog, http:// planetartnorthbeachstudio.blogspot.com. Coming in April, digital and mixed media printmaking workshop with Alice Dubiel, Spring open studio. Barbara Bruch studied with the late Glen Alps at UW and authenticated the legacy of his studio. For over 40 years, she has offered workshops in collagraph and other printmaking techniques. She is also available for private lessons. www.artaccess.com © JAN • FEB • MARCH 2013 PHOTO CENTER NORTHWEST 900 - 12th Avenue • (206) 720-7222 • MonThurs: 11 A.M.-10 P.M., Fri-Sun: 12 A.M.-8 P.M. • [email protected] • www.pcnw.org Revision Photo Center NW takes pride in working with instructors who are equally as passionate about teaching as they are about their own art careers. This faculty exhibition is a diverse showcase of contemporary photography by accomplished teaching artists. Reception: Thursday, January 10, 6-8 P.M. Artists’ Lectures: Thursday, January 10, 5-6 P.M. and Monday, January 14, 6-8 P.M. January 2-28. Out of the Shadows The work of Vivian Maier (1926-2009) first came to light in 2007 when boxes of abandoned prints, negatives and undeveloped film were sold at auction. Since, the work has been heralded by both critics and international publications alike and has been exhibited extensively. Reception: Friday, February 15, 6-8 P.M. February 1-March 28. Collecting art can be expensive, but it shouldn’t be. For that reason PCNW has created a benefit limited edition prints program, which brings you stellar, curated w o r k s a t a ff o r d a b l e p r i c e s . P C N W has amazing prints by Richard Renaldi, Jock Sturges, Henry Horenstein, among others. Prints are limited to an edition of 30 and range from $150-$250. Please visit pcnw.org/gallery/editions. SEATTLE RUSSIAN COMMUNITY CENTER 704 - 19th Avenue East • by appointment • http://seattlerussianart.blogspot.com Viktor Sirotin creates expressionistic paintings and bronze sculptures, inspired by the traditions of the ancient cultures of China, Egypt, and Greece. January 12-26. Sergei Kartashev shares his explorations in oil paintings from naïve to impressionistic. January 12-26. Akiko S. • “Footballer’s season” watercolor on Arches France, 11 x 14 inches U.S. Bank Broadway East • Seattle, WA U.S. BANK BROADWAY EAST 135 Broadway East • akikosdesigns@live. com • Mon-Fri: 10 A.M.-6 P.M., Sat: 10 A.M.-1 P.M. Featuring a watercolor exhibition by fabric designer Akiko S. Seattle, Washington: Capitol Hill • Columbia City • Capitol Hill • Printmaker Tatyana Brown expresses her philosophical musings, dreams, and appreciation for nature through simplicity and beauty of black and white woodblock prints. January 12-26. Exquisite paintings by Nikolay Samoukov, done in the best traditional, realistic manner with elegance and style. February 9-23. Elena Balekha’s watercolors flow freely and showcase he imaginative use of the medium. February 9-23. Igor Gorban’s oil paintings, inspired by Dutch and German painters of 16-17th centuries. March 16-30. Aleksey Ryzhkov gouache on paper, from a point of view of a visitor who wonders along the streets of Seattle. March 16-30. Alexander Maltsev is well known his trademark technique of creating three dimensional surfaces in his elegant still lives and performing musicians. March 16-30. VISUAL ART Coyote Central Youth Woodworking pro grams. F e a t u r i n g A n n C o p p e l ’s “Living Treasures” documentary of master woodworker Evert Sodergren, generally regarded as the “god-father” of Northwest studio furniture. The public is invited to meet and mingle with members of NWWG, NWDC, BAM, and Coyote Central in a fun social atmosphere. Information at www. nwwoodgallery.com. The 5th Annual Rising Star Furniture Makers Showcasing the Northwest’s next generation of talented studio furniture artists. A juried collection of fine furniture and artisan design. NWWG cooperative’s opening night reception for the makers and public on Saturday, March 16, 4-7 P.M. • Columbia City • COLUMBIA CITY GALLERY 4864 Rainier Avenue S. • (206) 760-9843 • Weds-Fri: 12-8 P.M., Sat & Sun: 10 A.M.-6 P.M. • www.columbiacitygallery.com Main Gallery: (un)stuck: mixed media collage Featuring artwork by Dianne Bradley, Christian Gollub, and Lita Kenyon. January 16-March 3. Guest Gallery: Presenting work by the Puget Sound Sumi Artists. January 16-March 3. Main Gallery: Place Displaying artwork by Jacqui Beck, Lori Duckstein, Eric Edgerton, and Kate Harkins. March 6-April 21. Guest Gallery: Layers of Hijab A youth exhibit. March 6-April 21. www.artaccess.com © JAN • FEB • MARCH 2013 17 Seattle, Washington: Downtown VISUAL ART • Downtown Seattle • Victor Hugo Zayas • “Grid #7” oil on canvas, 72 x 72 inches Abmeyer + Wood Fine Art • Seattle, WA ABMEYER + WOOD FINE ART 1200 Second Avenue • (206) 628-9501 • TuesSat: 11 A.M.-5:30 P.M., Sun: 12-5 P.M., and by appointment • [email protected] • www.abmeyerwood.com Grid Victor Hugo Zayas has been making his mark on the Los Angeles art scene over the past 30 years. His works can also be found in the collections of the Orange County Museum of Art as well as numerous museums in Mexico. This is Victor Hugo Zayas first solo exhibition in Seattle. Through January. Emily Kane • “Mussel Monster,” watercolor and ink, 8 x 10 inches Art Stall Gallery • Pike Place Market / Seattle, WA ART STALL GALLERY 97 Pike Street • (206) 623-7538 • Mon-Sat: 10 A.M.-6 P.M., Sundays through September • www.artstallgallery.com Located in “Pike Place Market: Seattle’s own since 1907,” Art Stall is the landmark gallery in the Pike Market. Scapes of Seattle Gallery artists use their paints and pastels to journey by land, sea, and air around our beautiful city. View Seattle’s panoramic vistas and intimate corners in watercolor, oil, acrylic, ink, and pastel on canvas and paper. Join collectors world wide who own an “Original” artwork. Though January. 18 Arlene Mraz • “In Mid Air,” acryl skins collage, 24 x 18 inches Art Stall Gallery • Pike Place Market / Seattle, WA Pike Place Flowers The 12 Gallery artists use paint, pastel, paper, and canvas in the colors of the rainbow to give Spring a push with images of flowers that speak of love and friendship to cherished ones in your life. Original art speaks to heart and nourishes soul all year long. Art Stall celebrates its 47th year at Pike Market. Through February. Up, Up, and Away Helping to fulfill March’s promise “in like a Lion,” the gallery artists make your spirit soar with images that reach into the sky. From birds to baseballs these delightful images are sure to make your visit to Art Stall Gallery an uplifting experience. Small on space big on art for 47 years. Through March. CORNISH COLLEGE OF ARTS 1000 Lenora Street • 1 (800) 726-2787• Mon-Fri: 12-5 P.M., Sat: 12-4 P.M. • [email protected] • www.cornish.edu Main Gallery, Floor 1: Design Faculty Exhibition This biennial exhibition features work from Cornish’s Design Faculty. Outside of the classroom, these educators are professional artists and designers in their own right, collectively displaying a diverse set of conceptual and technical applications. Reception: Friday, January 18, 5-8 P.M. January 18-March 2. www.artaccess.com © JAN • FEB • MARCH 2013 Alumni Gallery, Floor 3: Flip Featuring artwork by Mary Iverson. March 18-May 25. Kristi Zevenbergen • “Stargazer” sterling silver, resin and found objects, 18 inch chain Facere Jewelry Art Gallery • Downtown Seattle, WA FACERE JEWELRY ART GALLERY City Center, 1420 Fifth Ave #108 • (206) 624-6768 • Mon-Sat: 10 A.M.-6 P.M., Sun: 12-5 P.M. • www.facerejewelryart.com • [email protected] Featuring the work of Northwest, national and international jewelry artists, as well as exceptional antique and vintage jewelry, Facere Jewelry Art Gallery has been the place to find unique jewelry in Seattle for over forty years. From found objects and computer aided design to pure gold and reverse-set diamonds, you are sure to find a one-of-a-kind piece at Facere. You are cordially invited to “Women Working Words,” a contemporary art exhibit featuring the literary jewelry and material wordplay of twelve women artists. Join Facere opening night for a lecture by artists and readings from Facere owner Karen Lorene’s new novel “Dancing with Bear.” February 6-26. white and yellow gold, platinum, palladium, and titanium. Hansen’s designs feature non-conflict diamonds, gemstones, and recycled metals. Years of experience are reflected in Goldmine’s unique designs and impeccable craftsmanship. The store is a workshop where jewelry customers join in the creative process. Call about Goldmine Design’s Open Studio events. LISA HARRIS GALLERY 1922 Pike Place • (206) 443-3315 • MonSat: 10:30 A.M.-5:30 P.M., Sun: 11 A.M.-4 P.M. • [email protected] • www. lisaharrisgallery.com Fields and Figures Karen Kosoglad’s signature meditative, gestural figures rendered in acrylic and oils accompany mixed-media works featuring collage-elements that merge with painting and drawing. The Seattle artist embraces a manner of working that keeps the image hovering between abstraction and representation, painting from live models and placing a new emphasis on landscape. Opening: First Thursday, January 3, 6-8 P.M. Recent Paintings Tacoma native Emily Wood presents new landscape paintings that reflect an increasingly Fauvist attitude. Known for her intensely hued, or “colorist” interpretations of the West’s varied topography, she renders scenes of mountain lakes, tree-lined ridges, winding rivers, desert expanses, and cultivated fields. Opening: First Thursday, February 7, 6-8 P.M. Like most of Royal Nebeker’s paintings and monotypes, the “Spilled Dream Series” is dreamlike with a focus on power and relationships between individuals. The artist, who also exhibits in Europe, is well known for his virtuoso paint handling and a narrative style that incorporates text and collage. Opening: First Thursday, March 7, 6-8 P.M. JEFFREY MOOSE GALLERY 1331 & 1333 - 5th Avenue • Rainier Square • (206) 467-6951 • Mon-Fri: 10:30 A.M.-5 P.M., Sat: 12:30-5 P.M. • jmoose@jeffreymoose gallery.com • www.jeffreymoosegallery.com (206) 622-3333 1405 First Avenue • Seattle, Washington Monday - Saturday 10 A.M. - 6 P.M. GOLDMINE DESIGN 1405 First Avenue, Seattle • (206) 6223333 • Mon-Sat: 10 A.M. - 6 P.M, Evenings and Sundays by appointment • [email protected] • www.goldminedesignjewelers.com Artisan/owner Cindi Hansen offers one-of-a-kind jewelry in fine metals: 18K PATRICIA ROVZAR GALLERY 1225 SecondAvenue • (206) 223-0273 • MonSun: 11 A.M.-5 P.M.• mail@rovzargallery. com • www.rovzargallery.com 60 Years of Art This final exhibit pays tribute to Lyle Silver whose career in the Northwest has spanned 60 years and features drawings, s k e t c h e s a n d p a i n t i n g s i n o i l b a r. Reception: Thursday, January 3, 6-8 P.M. January 3-27. Joseph Maruska’s oil on panel works combine strong abstract forms with graceful landscapes in a rich earthen palette. The www.artaccess.com © JAN • FEB • MARCH 2013 19 Patricia Rovzar Gallery listing continued… work often translates into cascading, flowing bodies of water or a fragment of atmospheric sky. Reception: Thursday, February 7, 6-8 P.M. February 7-March 3. Tal Walton’s luminous paintings are structured with a logical and even spiritual geometry which he believes to compose our universe. Organizing his works in three segments, Walton challenges the viewer to see their past, present, and future lives. Reception: Thursday, March 7, 6-8 P.M. Heather Hargesheimer • “Landscape Study” encaustic painting SRG Gallery • Seattle, WA SRG GALLERY 110 Union Street, Suite 300 • (206) 973-1700 • Mon-Fri: 9 A.M.-5 P.M. • [email protected] • www. srgpartnership.com Artist/architect Heather Hargesheimer explores abstract compositions built with strong graphical relationships and layered in rich colors. Inspired by nature and the medium’s ability to suspend and transform, she uses the process to add and subtract, leaving depth, movement and textures. These manipulations create paintings that hold the memory of the concrete world. December-January. Bill Gaylord • “Psychonautic Portal,” mixed media SRG Gallery • Seattle, WA Bill Gaylord’s installations use mixedmedia repurposed cultural objects with recycled consumer goods. Gaylord constructs 20 three dimensional collages that illustrate stories of hero and villain characters illuminating the future challenges of the planet, man and the artist. He is a graduate of Rhode Island School of Design, works as an architect while collaborating with artists, fashion designers, and performers. February-March. SEATTLE ART MUSEUM 1300 First Avenue • (206) 654-3100 • Weds-Sun: 10 A.M.-5 P.M., Thurs & Fri: 10 A.M.-9 P.M. • www.seattleartmuseum.org • [email protected] Elles: Women Artists from the Centre Pompidou, Paris “Elles: Pompidou,” a landmark show of more than 130 works of art made by 75 pioneering women artists from 1909 to 2007 offering a fresh perspective on a history of modern and contemporary art. Through January 13. Elles: SAM Singular Works by Seminal Women Artists SAM presents a series of exhibitions in the Modern and Contemporary Art Galleries that build on, and react to “Elles: Pompidou.” Through diverse media, these installations remind us of the achievements that were often hard fought for in a cultural landscape not always welcoming to women. Through February 17. Rembrandt, Van Dyck, Gainsborough: Treasures of Kenwood House, London Showcasing a selection of approximately 50 masterpieces of Old Master paintings, this exhibit includes major works by Gainsborough, Hals, Rembrandt, Reynolds, Romney, Turner, Van Dyck, and many others. Among other treasures, the exhibition provides a rare opportunity to see Rembrandt’s late “Self-Portrait (1665),” which has never left Europe before. February 14-May 19. TRAVER GALLERY 110 Union Street, Second Floor • (206) 587-6501 • Tues-Fri: 10 A.M.-6 P.M., Sat: 10 A.M.-5 P.M., Sun: 125 P.M. • i n f o @ t r a v e rg a l l e r y. c o m • www.travergallery.com Traver Gallery shows selections from among its extensive stable of established and emerging sculptors, painters, and contemporary artists working in various media. For more than 30 years, the Traver Gallery has served as a theater for the visual arts, showing the work of artists who demonstrate commitment to creating original, compelling, and innovative art. January 3March 3. On the heels of her 2012 residency at Tacoma’s Museum of Glass, Amie McNeel presents an exhibition of works combining glass and steel. McNeel is a professor at the University of Washington in the Art www.artaccess.com © JAN • FEB • MARCH 2013 Hardgrave, Gillian Theobald, and Claude L. Utley, who have shared studio space in close proximity to each other during the past five years. This exhibit explores individuality and proximity in the artistic process. January 24-April 4. • Georgetown • Ned Mueller • “Gloucester Harbor” oil on linen, 11 x 14 inches Puget Sound Group of Northwest Painters The Seattle Design Center • Georgetown / Seattle, WA PUGET SOUND GROUP OF NORTHWEST PAINTERS @ THE SEATTLE DESIGN CENTER 5701 Sixth Avenue South, Suite 209 • (425) 985-6279 • Mon-Fri: 9 A.M.-5 P.M. • [email protected] • www. psgart.org Puget Sound Group of Northwest Painters Exhibition of fine art and sculpture by some of the leading artists in the Puget Sound region, representing an 83 year old tradition, for the enjoyment of the viewing public. Louise Durocher • “Ginger,” Plexiglas, 14 x 8.5 inches Washington State Convention Center • Seattle, WA WASHINGTON STATE CONVENTION CENTER 800 Convention Place • (206) 695-5000 • Daily: 5:30 A.M.-10 P.M. • [email protected] • www.5after5.wordpress.com Evolutionary: 5 After 5 This first joint exhibition of visual artists Sue Danielson, Louise Durocher, Robert • Phinney Ridge • FRANCINE SEDERS GALLERY 6701 Greenwood Avenue North • (206) 782-0355 • Tues-Sat: 11 A.M.-5 P.M., Sun: 1-5 P.M. • [email protected] • www.sedersgallery.com Carolyn Staley INIA G VIR Lisa Harris OLIVE ERN ST WE POST ALLEY E LAC EP PIK RT WA STE PINE STREET WAState Convention Center Follow Pike to 8th Street Art Stall PIKE STREET Facere SRG Gallery Traver Gallery Seattle Art Museum Patricia Rovzar Gallery SENECA SECOND AVENUE WESTERN AVENUE Goldmine Design FIRST AVENUE • Gallery UNION Jeffrey Moose Gallery Downtown Seattle Map Gallery Mack ERN EST DO WNTO WN • SEA TTLE Seattle, Washington: Georgetown • Phinney Ridge VETRI GLASS 1404 First Avenue • (206) 667-9608 • Mon-Sat: 10 A.M.-6 P.M., Sun: 12-5 P.M. • [email protected] • www.vetriglass.com Vetri is the nation’s foremost exhibitor of innovative new work in glass. Located one block south of historic Pike Place Market. Vetri is proud to showcase emerging talent in glass art, as well as production work by internationally renowned artists such as Dale Chihuly, Preston Singletary, and Bertil Vallien. Representing over 100 artists, offering something for everyone at accessible prices. VISUAL ART Department’s 3D4M Program. March 7-31. Concurrently Vashon-based Mark Bennion shows his signature meditative paintings and steel sculpture. UNIVERSITY SAM Gallery Abmeyer + Wood Fine Art Alley ART ACCESS © 2013 FIFTH THIR SIXTH A SPRING FOURTH A www.artaccess.com © JAN • FEB • MARCH 2013 21 Main Gallery: Selah Showing small drawings and oils on panel works by Lauri Chambers. January 4-27. Upstairs Gallery: Portraits Featuring photographs of jazz musicians by Eduardo Calderón. January 4-27. Main Gallery: Presenting charcoal drawings by Pat DeCaro. February 1-March 3. Upstairs Gallery: Displaying wood constructions by Marc Wenet. February 1-March 3. Main Gallery: Showing Robert Dozono’s mixed media on wood artworks with recycled material and large watercolor drawings. This is the first exhibition of Portland artist and teacher Robert Dozono in Seattle. March 8-31. exploration, the expansion of community and the exchange of ideas through art. Art exhibited reflects the diversity of influences s h a p i n g t h e Seattle community and contemporary global culture. ArtXchange Gallery presents rotating exhibitions by local and international artists, as well as displays of functional work and sculptural lighting. CAFE PALOMA “Seattle’s Mediterranean Bistro” 93 Yesler Way • (206) 405-1920 • MonSat: 9 A.M.-5:30 P.M., Dinner: Thurs-Sat: 6-9:30 P.M. • Open for First Thursday Art Walk • www.cafepaloma.com Seattle based photographer Donna Moyer shows her images from Los Angeles, Madrid, and Paris. Through January. • Pioneer Square • VISUAL ART Seattle, Washington: Pioneer Square Francine Seders Gallery listing continued… Scott Travis • “Pale Rider,” etching Collins Pub • Pioneer Square / Seattle, WA Sharika • “Woman with Pear” oil on canvas, 60 x 48 inches ArtForte • Pioneer Square / Seattle, WA ARTFORTE GALLERY & STUDIO 307 Occidental Avenue S. • (206) 748-0187 • Mon-Sat: 11 A.M-5 P.M., Sun: 12-5 P.M. • [email protected] • www.artforte.com Inner Glow Group show highlighting works by Rhonda Hill, Valerie Stuart, and J. P. Charles Walsh. Reception: Thursday, January 3, 5-9 P.M. Blush In February, featuring artist Sharika. Reception: Thursday, February 7, 5-9 P.M. Space and Time Presenting a group show with works by A. Dale Nally and Valerie Stuart. Reception: Thursday, March 7, 5-9 P.M. THE COLLINS PUB 526 Second Avenue • (206) 623-1016 • Daily: 11:30 A.M.-2 A.M. • www.thecollinspub.com Print Objects Showing nautically themed work by Sean Smoot, exploring the definitions of plate, print, and paper. January 1-February 2. The prints and drawings of Scott Travis investigate how the animal kingdom is portrayed within the context of mythology. February 4-March 30. Snapshot Through the illusory eyes of Polaroid film, Seattle instant photographer Cory Verellen shares his vision of reality through photography. February 4-March 30. ARTXCHANGE GALLERY 512 First Avenue South • (206) 839-0377 • Tues-Sat: 11 A.M.-5:30 P.M. or by appointment, First Thursday: 11 A.M.-8 P.M. • [email protected] • www.artxchange.org ArtXchange Gallery is a contemporary intercultural art gallery that inspires cultural 22 www.artaccess.com © JAN • FEB • MARCH 2013 CORE 117 Prefontaine Place South • (206) 467-4444 • Weds-Sat: 12-6 P.M. • [email protected] • www.coregallery.org Urban Artworks As part of Core’s mission to support under-represented groups and foster greater art appreciation in the Seattle area, “Urban Artworks” showcases work from both teaching artists and youth employees— focusing on crime and social justice. Reception: Thursday, January 3, 6-9 P.M. January 3-26. Love, Angst, and Other Signs of Life Scott Mayberry’s pop surrealistic paintings investigate the tension between passionate surrender and the institutions built to protect us from freedom. Reception: Thursday, February 7, 6-9 P.M. January 30-February 23. Re-Vision Showing new work in concrete and mixed media by Therese Kunzi-Clark. Reception: Thursday, February 7, 6-9 P.M. January 30-February 23. Kuirejo Salato: A Healthy Kitchen New furniture by David Carriere presents an alternative to all those boxes. 4 Yards: Recordings and Meditations New work by John Smither on panel, canvas, paper, and TV. Reception: Thursday, March 7, 6-9 P.M. February 27-March 30. DAVIDSON GALLERIES 313 Occidental Avenue South • (206) 6241324 • Tues-Sat: 10 A.M.-5:30 P.M. or by appointment • www.davidsongalleries.com • [email protected] Presenting photographs of Norman Durkee and “The Dutch Landscape” show of works by Grietje Postma. January 3February 2. Presenting multi-media works by Stephen Talasnik including contemporary prints, collage, sculpture and video. February 7March 2. New Prints A contemporary exhibition of large scale etchings by Jenny Robinson featuring abandoned industrial sites. February 7March 2. New Works on Paper This new body of work by Dion Zwiriner investigates the space between representation and abstraction, using the Northwest landscape as inspiration. Also on view are recent drawings and sculpture by J.D. Perkins. March 7-28. FOSTER/WHITE GALLERY 220 Third Avenue South • (206) 622-2833 • Tues-Sat: 10A.M.-6 P.M. • seattle@fosterwhite. com • www.fosterwhite.com Eternalism Fresh with excitement from her most recent book release, Bobbie Burgers’ exhibition, “Eternalism,” explores time, place, light, and the ever shifting point of view of the artist. All aspects of life change with each moment, and Burgers embraces these transitions with the elegant fluidity of her bouquets. January 3-31. Whole Cloth and Mirrors Seattle native James Martin has been sharing the stories of his outlandish mind for decades. His paintings host a range of characters, from Morris Graves and Picasso, to a truck driving lion and a spaceship flying cowboy. Will a potato be the star of the show? Once can never guess. February 7-28. Il Giardino Jamie Evrard’s florals push towards abstraction, as she aims to capture the changes in our world and less the tangible objects before her. March 7-30. Madrone C a m e r o n A n n e M a s o n ’s s e r i e s “Madrone” honors the Madrone trees which line Puget Sound’s shores. Their vibrant colors and layered depth are captured in carefully dyed, stitched, and constructed textile sculptures. March 7-30. Betty Sapp Ragan • “Boxed” hand colored photo collage, 36.25 x 38.75 inches Gallery 110 • Pioneer Square / Seattle, WA GALLERY 110 110 Third Avenue South • (206) 624-9336 • Weds-Sat: 12-5 P.M. or by appointment • [email protected] • gallery110.com Looking Up Mixed media artist Betty Sapp Ragan creates large, hand colored photo collages using Pre-Modern architectural decoration as a basis for developing her artwork. Ragan’s collages invite the viewer to experience the craft of architectural decoration of earlier days combined with embedded contemporary portraits. First Thursday Reception: January 3, 6-8 P.M. January 3-26. 3rd Annual Juried Exhibition Juror Luis Croquer’s choice of new work for this year’s exhibition demonstrates an intrinsic alliance among artists. Gallery 110 provides dynamic opportunities to established and emerging professional artists in Seattle’s gallery district, Pioneer Square. Art Walk Opening: Thursday, February 7, 6-8 P.M. Artist Reception: www.artaccess.com © JAN • FEB • MARCH 2013 23 Gallery 110 listing continued… Saturday, February 9; 5-8 P.M., with Juror presentation at 6 P.M. February 7-March 2. Unnatural Selection Roger Schurtleff art features rediscovered creatures, both dangerous and awkwardly beautiful. The field research begins and the documentation is starting. First Thursday Artwalk Opening: March 7, 6-8 P.M. March 7-30. GALLERY4CULTURE 101 Prefontaine Place South • (206) 2968674 • Mon-Fri: 9-5 P.M., First Thursdays: 6-8 P.M. Closed weekends and holidays • www.4culture.org Images, objects, and video works reveal a pivotal moment of insight in Stephen Sewell’s art practice. Weaving personal experience with public histories, the artist exposes the failure to accurately convey meaning through zealously collected images and objects. There are contradictions inherent in attempting to reconstruct history from objects not originally intended to serve as an accurate record of experience. Through January. Anthony Sonnenberg and Rodrigo Valenzuela present a series of video projections, photographs and sculptures that try to shed light on the process of discovering the truth about who we truly are. Knowing oneself is elusive; ideas of the self are multi-layered and contradictory. There is a constant negotiation between past and future; fantasy and reality; potential and limitations. Through February. Lost This latest work in Mark Miller‘s ongoing fifteen year project that uses found film as the catalyst for his painting. Appropriating imagery from a found disposable camera, these paintings are based on random shots (likely) taken by kids on a road trip. Oddly framed snippets of passing landscape provide unpredictable, but welcome challenges for this Seattlebased painter. Through March. GLASSHOUSE STUDIO 311 Occidental S. • (206) 682-9939 • Mon-Sat: 10 A.M.-5 P.M., Sun: 11 A.M.4 P.M., First Thursday: 10 A.M.-8 P.M. • [email protected] • www. glasshouse-studio.com Glasshouse Studio is Seattle’s oldest glassblowing studio showcasing a wide range of glass and custom lights with an emphasis on Northwest artists. Open every day they provide the unique opportunity to watch the glassblowing process from start to finish. List in Art Access for a mere $35 per month and reach 11,000 readers 24 GROVER/THURSTON GALLERY 319 Third Avenue South • (206) 2230816 • Tues-Sat: 11 A.M.-5 P.M., and by appointment • [email protected] • www.groverthurston.com Gallery Artists January 3-February 3. In March featuring artworks by Deborah Bell and Kenna Moser. March 7-30. HANSON/SCOTT GALLERY 121 Prefontaine Place South, Tashiro Kaplan Building • (858) 361-5385 • Weds-Sat: 11 A.M.-5 P.M., First Thursdays 5-8 P.M. • [email protected] • www. hansonscottgallery.com Worship in Wax Come see Patricia Baldwin Seggebruch’s art that includes experimental encaustic techniques. Seggebruch is a well known encaustic teacher and has written two books. Also on view are the “Alice Series” by Claudia Zimmerman and the “Tea Series” by Angela Bandurka. Lucid Suffused with light, Barbara De Pirro’s exhibit spans all mediums including sculpture, installation, and painting. Submerged in the interplay between light & shadow, she translates each, interconnecting her inner world into reality. First Thursday Art Walk: February 7. 5-8 P.M. Reception and Artist Talk: Saturday, February 23, 5-7 P.M. February 6-March 30. Joseph Lavely • “Against the Lord of Wills” oil on canvas, 80 x 60 inches Joseph Lavely Studio/Gallery Pioneer Square / Seattle, WA JOSEPH LAVELY STUDIO/GALLERY Tashiro Kaplan Building, 306 S. Washington Street, #102 • (206) 679-7641 • First Thursdays: 5:30-8 P.M., Fri-Sat: 12-5 P.M., and by appointment • josephlavely@gmail. com • www.josephlavely.com Mid-Career Retrospective The acclaimed, large-scale oil paintings of Joseph Lavely are on exhibit including iconic works such as “A Fly’s Wing,” “Against the Lord of Wills,” and “Raising Them.” January 1-February 1. www.artaccess.com © JAN • FEB • MARCH 2013 Everglades Power Lines Charcoal drawings by Karen Sandy. January 1-31. powder-coated steel sculptural forms. First Thursday Reception: March 7, 5-8 P.M. Through March 30. RAGAZZI’S FLYING SHUTTLE 607 First Avenue • (206) 343-9762 • Mon-Sat: 10:30 A.M.-6 P.M., call for Sunday hours • flyingshuttleinc@qwestoffice.net • www. ragazzisflyingshuttle.com Since 1982 this has been Seattle’s venue for contemporary woven apparel, an incredible selection of novelty scarves, and unique wearable items. This independent store features a large collection of Northwest and nationally recognized jewelers and textile artisans. Ragazzi’s Flying Shuttle also offers affordable, easy care clothing lines for work and travel. Lyle Carbajal • “Lucky” mixed media on wood, 48 x 48 inches Joseph Lavely Studio/Gallery Pioneer Square / Seattle, WA Urban Primitives Lyle Carbajal, known for his brut work, returns from a long sojourn through Latvia and Europe. New paintings presented are based on his recent experiences. Joseph Lavely exhibits his large canvases in which archetypal characters wrestle with adversaries, engage in mystic rituals, tangle in primordial dance. Reception: February, 8, 5:30-8:30 P.M. February 7-March 2. Living in a Myth: 8 Years in Japan Exhibiting works reflecting the Joseph Lavely’s rich experiences living at the foot of Mt Fuji. The works incorporate gods and goddesses, stone statuary, festivals, and vistas of the port city of Numazu. March 7-30. PUNCH GALLERY 119 Prefontaine Place S. • (206) 6211 9 4 5 • T h u r s - S a t : 1 2 - 5 P. M . o r b y appointment • [email protected] • www.punchgallery.org Mason Dixon A multi-media installation by Justin Colt Beckman based on and inspired by the Civil War. More dramatization than reenactment, and featuring lots of whiskey and gunpowder. First Thursday Reception: January 3, 5-8 P.M. Through February 2. Cracked Prospects Broken and floating ice shelves. Broken metaphors and dreams. The large semi abstract paintings in “Cracked Prospects” by Cynthia Camlin look out at ruins of ideas of landscape. First Thursday Reception: February 7, 5-8 P.M. Through March 2. New Work! Once again, Howard Barlow impresss us with some wicked cool art. This exhibition showcases his newest body of work, likely manifesting itself as either mixed-media drawings or else gun-riddled, P. Williams • “Untitled Plane” watercolor and ink, 11 x 14 inches Room 104 • Pioneer Square / Seattle, WA ROOM 104 306 S. Washington Street, #104 • (206) 9538104 • Weds-Sat: 10:30 A.M.-5:30 P.M. • [email protected] • www. room104gallery.com Cluster F*** A site-specific Installation with related paintings by P. Williams of Long Beach, California. Williams gives us a “tornado” of whirling airplanes, referring with dark humor to life’s worst-case scenarios. First Thursday Reception: January 3, 5-8 P.M. Through February 16. Adele Eustis • “Untitled in Gold Green” oil on canvas, 40 x 20 inches Room 104 • Pioneer Square / Seattle, WA Adele Eustis and Edie Whitsett Adele Eustis’ draws, paints, and builds structures that reference nests, the potency www.artaccess.com © JAN • FEB • MARCH 2013 25 E AV Pr ef o 10 nta in 9 5 e 16 20 13 15 19 18 V 3 4 H 5T E NU VE HA E RT NU VE DA IR E NU VE DA 17 U FO 1 N CO SE N RY ER CH TH Seattle, Washington: Pioneer Square Map 21 14 8 2 11 7 12 6 3 CenturyLink Field 1. ‘57 Biscayne 2. ArtForte 3. ArtXchange 4. Cafe Paloma 5. Core 6. Davidson Galleries 7. Flury & Company 8. Foster/White Gallery 9. Gallery 110 10. Gallery 4 Culture 11. Glasshouse Studio 12. Grover/Thurston Gallery 13. Hanson/Scott Gallery 14. Greg Kucera Gallery 15. Joseph Lavely Studio 16. Punch Gallery 17. Ragazzi Flying Shuttle 18. Room 104 19. Shift Studio 20. Soil 21. Women Painters of WA ART ACCESS ACCESS © © 2013 2010 ART REPRODUCTION OF ART ACCESS MAP WITHOUT PERMISSION IS STRICTLY PROHIBITED. 26 www.artaccess.com © JAN • FEB • MARCH 2013 Room 104 listing continued… Jane Mayer • “Golden Wetlands” oil on canvas, 20 x 30 inches Women Painters of WA • Pioneer Square / Seattle, WA WOMEN PAINTERS OF WASHINGTON GALLERY Columbia Center, 701 - 5th Avenue, Suite 310 • (206) 624-0543 • Mon-Fri: 11 A.M.-4 P.M. • www.womenpainters.com Celebration Wo m e n P a i n t e r s o f Wa s h i n g t o n celebrates over 80 years promoting the individual growth for the female artist. With “Celebration!,” a new traveling exhibition, WPW continues this tradition by presenting • Queen Anne • Judith Larson • “Ziba,” oil on canvas Fountainhead Gallery • Seattle, WA Seattle, Washington: Queen Anne SHIFT COLLABORATIVE STUDIO Tashiro-Kaplan Arts Complex. #105, 306 S. Washington • Fri-Sat: 12-5 P.M., First Thursday: 6-9 P.M., or by appointment • [email protected] • www.shiftstudio.org New Work by Shift Members In January 2013 artists from Shift Collaborative Studio continue their annual exploration of the theme “shift,” presenting work by current and new members that engage a wide range of questions and creative concerns. Featuring original work in a variety of media and showcasing the shifting practices. January 3-February 2. Observation and Apprehension Dawn P. Endean says of her art, “My work is inspired by nature and informed by my studies in archaeology/biology. I am fascinated by organic structures viewed on both micro and macro levels. My work seeks to explore the world as seen through the lens of scientific inquiry and to portray the poetic mystery.” February 7-March 2. Unblocked This exhibition by Ed McCarthy and Carmi Weingrod presents wood, steel sculpture, prints, and print constructions. March 7-30. high quality artwork by its members, that travels throughout the state through July 2013. Barbara Matilsky, curator of the Whatcom Museum, is the juror for this prestigious exhibition. Reception: Thursday, January 10, 11 A.M.-2 P.M. January 8-February 22. Anthology Wo m e n P a i n t e r s o f Wa s h i n g t o n members explore their own interpretations of their chosen subject. Landscape, still life, figure and abstract come to life in a variety of mediums—oil, watercolor, acrylic, and more. Come visit this diverse and stimulating show. February 26-May 31. VISUAL ART of which may lie in evoking feelings of comfort, security and refuge. Eustis uses color, line, light and texture to imply the delicate, precious, and evolving nature of place. Edie Whitsett’s love of ancient imagery and the Madonna image, especially in Easter Orthodox icons, inspired her to paint a series of her own encaustic “icons.” Opening: Thursday, February 21. First Thursday Reception: March 7, 5-8 P.M. Through March 30. FOUNTAINHEAD GALLERY 625 W. McGraw Street • (206) 285-4467 • Thurs-Fri: 11 A.M.-6 P.M., Sat & Sun: 125 P.M. • [email protected] • www.fountainheadgallery.com U y e n Tr a n G j e r d e c r e a t e s a n expressionist style of figure paintings often containing a hint of fantasy, surrealism or magical feeling. Reception: Saturday, January 5, 5-7 P.M. January 3-27. Emotional, surreal, quiet, narrative, dreamy views of light, approaching abstract, light-infused, ethereal. These words describe Bergen Rose’s landscapes as they reflect aspects of humanity that are often invisible. Reception: Saturday, January 5, 5-7 P.M. January 3-27. Born out of awe for our natural world, D. Jordan Parietti’s work seeks to explore still moments in the landscape and celebrate quiet ways we bring nature home. Reception: Saturday, February 2, 5-7 P.M. January 31-February 24. Hamid Zavareei’s paintings depict desire and yearning to experience freedom as in a dream where we transcend boundaries inherent in earthly existence. Reception: Saturday, February 2, 5-7 P.M. January 31-February 24. Sharon Kingston explores Rilke’s poem “Entering” regarding the mystery of life creating abstract oil landscape www.artaccess.com © JAN • FEB • MARCH 2013 27 paintings filled with sensory and subjective allure. Reception: Saturday, March 2, 5-7 P.M. with music by guitarist Omar Torrez. February 28-March 24. Judith Larsen’s oil portraits honor the courage and dedication of female journalists who paid the ultimate price in the line of duty. Reception: Saturday, March 2, 5-7 P.M. February 28-March 24. • SODO • Cathy M. Woo Studio • SODO / Seattle, WA CATHY WOO ART STUDIO Sunny Arms Artists Studios, 707 South Snoqualmie Street #1A • [email protected] • www.cathymwoo.com • Studio visits by appointment, please call (206) 250-9123. Solo Show in February 2012 at Mind Unwind Gallery in West Seattle. For more info see: www.mindunwind.org • South Lake Union • VISUAL ART Seattle, Washington: SODO • South Lake Union • University District Fountainhead listing continued… artist Trimpin in his studio Winston Wächter Fine Art • Seattle, WA WINSTON WÄCHTER FINE ART 203 N. Dexter Ave. • (206) 652-5855 • Mon-S at: 1 0 A . M . - 5 P. M . and b y appointment • www.winstonwachter.com • [email protected] Klavier-Stucke (Piano Pieces) Winston Wächter Fine Art is pleased to present a sound and art installation by local artist Trimpin. See, hear, and experience this exhibition. January 15-February 28. 28 • University District • HENRY ART GALLERY 15th Avenue NE & NE 41st Street • (206) 543-2280 • Weds, Sat, and Sun: 11 A.M.-4 P.M.; Thurs & Fri: 11 A.M.-9 P.M.; Closed: Mon, Tues • $10 general admission, $6 Seniors (62+), Free to Henry Art Gallery Members, U.W. students, faculty, and staff with ID, and children age 13 and younger • info@henryart. org • www.henryart.org Now Here is also Nowhere: Part II The second installment of our two-part exhibition is a meditation and a non-linear account of how, in making artworks about ideas and intangible concepts, artists question and destabilize the nature of the object and remind us to question and address how the mind, body, and soul are central to artistic practice. January-April. Out [o] Fashion Photography: Embracing Beauty Through the themes of idealized beauty, the unfashionable body, the gendered image, and photography as memory, “Out [o] Fashion Photography: Embracing Beauty” challenges conventional perspectives on beauty and reveals that the camera remains a powerful device for exploring how we see others and view ourselves. March-August. New Exhibitions: Harris and Lewis Shacks, Sean Scully. February-June. The Dousing. February-May. “A Compendium of Ideas” by Paul Laffoley. Spring. Ongoing Exhibitions: Pipilotti Rist’s immersive projection “A la belle étoile.” October-March. “Like a Valentine: The Art of Jeffry Mitchell” is a retrospective of Jeffry Mitchell’s work. Through January. JACK STRAW NEW MEDIA GALLERY 4261 Roosevelt Way NE • (206) 634-0919 • Mon-Fri: 9 A.M.-5 P.M. • [email protected] • www.jackstraw.org Amber Cortes: Signal to Noise: Imagined Frequencies of Radiophonic Space Four imagined radio stations are to be transmitted from four different radios, each station a testament to how free form radio space can be re-imagined, re-purposed, and revitalized. Reception: Friday, January 25, 7 P.M. Artist Talk: Friday, February 15, 7 P.M. January 25 - March 8. Lost Long A long distance love affair with a western landscape recounts days together, imagines reunions, and tries to make real what is distant. With this new installation, Ruth Marie Tomlinson explores the horizontal space of rural Montana. Reception: Friday, March 15, 7 P.M. March 15-May. www.artaccess.com © JAN • FEB • MARCH 2013 THE ART STOP 940 Broadway • (253) 274-1630 • TuesFri: 9:30 A.M.-8 P.M., Sat: 9:30 A.M.4:30 P.M., Third Thursdays 9:30 A.M.8 P.M. • [email protected] • www. artstoptacoma.com Established in 1996, The Art Stop features fine, handmade American craft, representing artists from the Pacific Northwest as well as artists from around the country. With a special interest in ceramics, the gallery showcases a variety of media including jewelry, wood, glass, and fibers. Showing artist noted Northwest ceramist Ken Stevens. January-February 23. Mesolini Glass Studio returns to Tacoma with its fabulous functional fused glass. February 21-March 23. Upcoming in April, join The Art Stop for the Arfs & Craft! For more information, visit www.artstoptacoma.com. S H O R E L I N E SHORELINE COMMUNITY COLLEGE C o l l e g e A r t G a l l e r y, B u i l d i n g (1000), 16101 Greenwood Avenue N. • (206) 546-4101 x4433 • Mon-Fri: 9 A.M.-4:30 P.M. • nniblack@shoreline. e d u • w w w. s h o r e l i n e . e d u / g a l l e r y A Beautiful Day in Paradise Fred Holcomb’s paintings recall the realist tradition of nineteenth century painters like George Catlin and Carl Bodmer, whose work helped create the ideology of the American Dream. Holcomb’s paintings, however, depict a landscape observed from the traveling car—a landscape passed by rather than passed through. Reception: Saturday, January 12, 5-7 P.M. January 7-February 1. Views Ann Chadwick Reid’s cut black paper silhouettes reflect the tensions created by t. 6th S could or vying perceptions of howS land should be used. Her work addresses the struggle in her rural community to see existing landscape as pristine environment, a valley for farming or an opportunity for t. S suburban S 7th S e. Av y Wa T A C S Yakima A Street Pacific Ave. N 2. Proctor Art Gallery 3 Union Station THIRD THURSDAY ARTWALK (Self-Guided Tour) 5-8 P.M. I 1. The Art Stop The Art Stop Broadway S 21st St. N. 25th St. N. 25th St. Commerce St. S 13th St Market St. N. Washington St. N. Adams St. 2 A S 11th St Court D N. Proctor St. N. 26th St. M 1 NORTH END MAP 13th St. N. 27th St. O 2. Proctor Art Gallery 3. Tacoma Art Museum 3. Tacoma Art Museum ART ACCESS © 2011 www.artaccess.com © written JAN • FEB • MARCH 2013 prohibited Reproduction without Art Access’ permission is strictly Tacoma, Washington Map S 9th St. Fawcett Ave. T A PROCTOR ART GALLERY 3811 N. 26th Street • (253) 759-4238 • Mon-Sat: 10 A.M.-6 P.M., Sun: 11 A.M.5 P.M., Third Thursday for Art Walk until 8 P.M. • [email protected] • www. proctorartgallery.com January features versatile artist Carolyn Burt with Old City her new detailed black and white Hall scratch board engravings and chalk pastel 7th St. drawings exhibited. You will also find some West Seattle • Shoreline • Tacoma, Washington T A C O M A VISUAL ART growth. Reception: Thursday, February 7, 3:30-4:30 P.M. February 4-March 1. Black and White In her profession as a mental health counselor and in her 30 year passion for ceramic, Judith McCarthy celebrates contrasts. Her exquisitely crafted ceramic vessels in porcelain and raku are variations on the theme of black and white, and, as in her profession, she explores the endless possibilities. Reception: Saturday, March 2, 5-7 P.M. • West Seattle • ARTSWEST PLAYHOUSE & GALLERY 4711 California Ave. SW • (206) 938-0339 • Tues-Sat: 12-7 P.M. • susannabl@artswest. org • www.artswest.org In the Mind and on the Street This three-person exhibition features paintings by Justin Behnken, photographs by Fabienne Rideti, and mixed media work by Ryan Doran. Reception & Artist Talk: Thursday, January 10, 6-7:30 P.M. Through February 9. Supplemental Geology Presenting work by Tamara Stephas, Stacey Neumiller, Mary Molyneaux, Patty Haller, and Patri O’Connor. Reception & Artist Talk: Thursday, March 14, 6-7:30 P.M. February 12-April 6. 29 VISUAL ART Twisp • Vashon Island, Washington Proctor Art Gallery listing continued… of her acrylic paintings on display. Don’t forget to join us for Proctor Art Gallery’s 4th Year Anniversary Celebration on Saturday, January 26, from 2-6 P.M. with door prizes, refreshments, entertainment, and surprises. In February, watercolorists Andrea Greenfield and Bonnie Cargol are shown. Greenfield’s tropical birds, florals, and whimsical moon and fairies are sure to delight your senses. Cargol’s realistic and highly detailed landscapes transport your mind to tranquil surroundings and soothe the soul. Check out Proctor Art Gallery’s website for details on the Proctor District Chocolate Fest activities and PAG sweetheart gifts! In March, Gary LaTurner’s exhibit of figure life drawings and paintings are featured. LaTurner brings a blend of the abstract and impressionism which captures the essence of his subjects. LaTurner has won numerous awards. Sharon Crocetti, also featured, specializes in realistic portraiture and life drawings using conté crayon, chalk, and charcoal, as well as oils. TACOMA ART MUSEUM 1701 Pacific Avenue, Tacoma, WA • (253) 272-4258 • Weds-Sun: 10 A.M.-5 P.M., Thursdays 10 A.M.-8 P.M., Free Third Thursdays: 5-8 P.M. • Open Memorial Day, Independence Day, and Labor Day • Adults $10; Military, Students, & Seniors (65+) $8, Family $25 (2 adults & up to 4 children under 18), Children ages 5 and younger are free • www.TacomaArtMuseum.org Memories and Meditations The first U.S. retrospective of Michael Kenna’s photography in more than 20 years, the exhibition explores his ongoing investigations of special locations around the world. His signature style evokes a sense of timelessness that underscores the intimate connections of history and geography. Organized by Tacoma Art Museum. Through March 24. Andy Warhol’s Flowers for Tacoma Flowers for Tacoma exemplifies the nature of pop art, where something commonplace—like a flower—is transformed into art. Exhibition highlights include Andy Warhol’s audacious floral proposal for the Tacoma Dome, as well as paintings, studio photographs, and almost a dozen screen prints from his vibrant “Flower” series. Through February 10. Best of the Northwest: Selected Paintings from the Collection Ranging in date from the 1930s to today, these selections from Tacoma Art Museum’s collection reveal abiding interests in the figure, the Northwest landscape, the vocabularies of abstraction, and how approaches to those themes have changed by artist and time period. Through March. T W I S P CONFLUENCE GALLERY AND ART CENTER 104 Glover St. • (509) 997-2787 • Weds-Sat: 11 A.M.-6 P.M. • info@confluencegallery. com • www.confluencegallery.com Anonymous Featuring unsigned, 10 x 10 inch works, selling for $100. This exhibit offers artists a level playing field with art being judged more on merit than name recognition. “Anonymous” opens doors to emerging artists and novice collectors as well as flourishing artists and patrons. Opening & Reception: January 12, 4-8 P.M. January 12-March 15. VASHON ISLAND VASHON ALLIED ARTS GALLERY 19704 Vashon Hwy. SW, in the historic Odd Fellows Hall (located two lights from the Northend ferry) • (206) 463-5131 • MonFri: 10 A.M.-6 P.M., Sat: 12-5 P.M. • www. vashonalliedarts.org Vashon artist Ken Judd uses recycled materials to breathe new life into dead wood with his “antique pop art.” Seattle artist Linda Horsely combines thin layers of oil paint, figure drawing, and ribbons of time to connect people and nature in her work. Opening: Friday, January 4, 6-9 P.M. Karen Frank’s brilliant “rustscapes” derived from human and natural beach elements culminate in abstract realism. Kenneth Susynski’s mixed media and oil paintings offer pastoral abstractions, montages of old and new paintings, reassembled to create fresh land/cityscapes. Opening: Friday, February 1, 6-9 P.M. Coinciding with their Arts & Humanities lecture, slated for March 24, well known glass artists Sabrina Knowles and Jenny Pohlman show their sculptural mixed media works in this rare exhibition. Knowles and Pohlman are joined by several emerging artists. Opening: Friday, March 1, 6-9 P.M. Artist Online Premium Profile for $10 per month includes: • Artist Directory Images • Listing in Artist Directory • Ability to list exhibitions w w w. a r t a c c e s s . c o m http://www.artaccess.com 30 www.artaccess.com © JAN • FEB • MARCH 2013 www.artaccess.com © JAN • FEB • MARCH 2013 31 32 www.artaccess.com © JAN • FEB • MARCH 2013