Jan/Feb/March 2013

Transcription

Jan/Feb/March 2013
Susan Melrath, “Blue Dog,” oil & encaustic on wood panel, 12 x 12 inches
Jaime Ellsworth, “Unleashed,” acrylic on canvas, 48 x 48 inches
TM
Simon Mace Gallery • Port Townsend, WA
“Critters” showing February 2 - April 1
Featuring Jaime Ellsworth, Susan Melrath,
Cheri O’Brien, and Thomas Rude
Volume 22
JANUARY • FEBRUARY • MARCH 2013 Number 1
w w w . a r t a c c e s s . c o m
THE MONTHLY GUIDE TO THE ARTS
Features
C
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N
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E
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S
FEATURES
Write of Way
The Greater Gift
…Mary Lou Sanelli
3
Lyle Silver: A Life in Art
Patricia Rovzar Gallery
…Saylor Jones
6
ART ACCESS
Volume
22
Number
1
Listings
VISUAL ART
Portland, OR
Anacortes, WA
Bainbridge Island, WA
Bellevue
Bellingham, WA
Edison, WA
Edmonds
Everett, WA
Issaquah
Kirkland, WA
La Conner
Mercer Island, WA
Port Townsend, WA
Poulsbo, WA
Seattle, WA
• Ballard
• Belltown
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• Downtown
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(888) 970-9991
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Box 4163, Seattle, WA 98194
April/May/June info is due March 10
No Exceptions! “Off with your head!”
Listing in Art Access is a paid service.
The charge for 60 word listing per month is
$35 or $39 with map placement, if available.
The Initial map placement fee is $28.
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Submission and payment are done online:
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2
Cheri O’Brien • “Diana, NW Goddess”
oil on panel, 36 x 24 inches
Simon Mace Gallery • Port Townsend, WA
“Your life is already artful — waiting,
just waiting, for you to make it art”
~Toni Morrison
American novelist
FRONT COVER:
(Top) Jaime Ellsworth • “Unleashed”
acrylic on canvas, 48 x 48 inches
(Bottom) Susan Melrath • “Blue Dog,”
oil & encaustic on wood Panel, 12 x 12 inches
Simon Mace Gallery • Port Townsend, WA
January 1 - February 1:
Winter Break: Closed
February 2 - April 1:
“Critters”
Featuring Jaime Ellsworth,
with Susan Melrath, Cheri O’Brien
and Thomas Rude
SIMON MACE GALLERY
236 Taylor Street, Port Townsend, WA
(360) 385-4433, Thurs-Mon: 11 A.M.-6 P.M.
Closed Tuesday & Wednesday
www.simonmacegallery.com
Publisher
Debbi Lester
S pec ia l
T h a n k s
Helen Johanson (Happy Birthday!), Greg Miller, Karen Stanton,
Gregory Hischak, Elizabeth Bryant, Reed Bargren, Alec Clayton,
Deloris Tarzan Ament, Sean Carman, Gwen Wilson, Cheryl H. Hahn,
Clare McLean, Ron Glowen, Susan Platt, Adriana Grant,
Katie Kurtz, Molly Rhodes, Milton Freewater, Molly Norris,
Rachella Anderson, David John Anderson, Kathy Cain,
Eleanor Pigman, Saylor Jones, Meg McHutchison,
Steve Freeborn & Tia Matthies, Erica Applewhite, Chris Mitchell,
Ron Turner, Mitchell Weitzman, Steve Freeborn & Tia Matthies,
Bill Frisell (Happy Birthday!) & Carole d’Inverno (Happy Birthday!),
Seattle Art Museum, Tacoma Art Museum, Schack Art Center,
Bellevue Arts Museum, Portland Art Museum,
Museum of Northwest Art, Henry Art Gallery, Frye Art Museum,
Doris Lester (Happy Birthday!), Teresa Cassady,
Joey Lester, & Danny Lester, Debbie & Richard Vancil,
Corbin (Happy Birthday!), Madeline, Parker, Cayden, & Ryan
www.artaccess.com © JAN • FEB • MARCH 2013
The Greater Gift
February means something else, to me anyway. First, I have a deep affection
for those sugary pastel hearts set out in crystal bowls all around the city. I pinch
one at a time, of course, but in my mind’s eye I see a woman scooping the entire
medley up and filling her pockets.
Who knows why we connect with some candies and not with others. Love is
really something, isn’t it?
Write of Way
New Year’s. It’s always a Big Deal. For a few days, it’s all anyone can talk
about. Next, it will be all about little red hearts. It all comes around so quickly.
Secondly, it makes me step back and question a few real things about love
between people, like who is there for you no matter what, who isn’t any longer
and, for the love of Pete, why not?
And I thought my fingers would fly over the keyboard with some sweet little
story about romantic love, a.k.a. my Larry. But, no.
Instead, another man fills my thoughts…
I visit my father annually on Long Island Sound, but he hasn’t returned to Seattle
since Larry and I married, referring to Puget Sound as “God’s country,” and that
is just about the highest compliment my father can extend.
On the morning of our wedding, the clouds we’d hoped would burn off only
swelled, the day becoming more and more May-like, restless, sprinkly, spring.
The kind of weather that can make pulling off a wedding on a shoestring budget
feel even more overwhelming. I was fidgety, worried that the clouds would turn
into a downpour or, even worse, drizzle all day.
My father took one look at me staring up at the sky, and a longer look at who
Larry and I were together, both of us a little frayed and scruffy to someone
from the more formal East Coast school of wedding appropriateness. And when
his eyes spanned the little wood-floored room we’d rented for our reception, a
schoolhouse in the tiny town of Dungeness on the Olympic Peninsula, he spied
the keg of beer in the corner.
He looked at me as if he might want to say something, but he never did. He just
crossed the room, stepped outside, closed the door behind him, got into his rental
car, and disappeared.
If it hadn’t been my wedding day, I might have found it disconcerting, even scary.
Instead, I could feel the sides of my cheeks expand into an even wider smile.
An hour later he was back, his arms around a case of liquor, plenty more where
that came from, until vodka, gin, scotch, and brandy bottles, plus every mixer
imaginable, were perfectly aligned next to the cake. “You think an Italian can
have a wedding without the real stuff?,” he asked.
But it wasn’t a question. And he winked after he said it, and that was unquestionably
the greater gift. I will remember the satisfied look his face until the day I die.
As a second present, bless him, he gave us enough money to, in his words, “get
started,” wisely neither too much as to make Larry uncomfortable, nor too little
to make me so, because an Italian father’s generosity is legendary and I’d grown
up with it, my legend, my superstar, my Valentine, my dad.
February. It’s all about love.
Mary Lou Sanelli
Sanelli’s latest book is Among Friends. She works as a writer and speaker.
For more information about her work, visit www.marylousanelli.com
www.artaccess.com © JAN • FEB • MARCH 2013
3
artist John Kiley stands
next to his glass artwork
Traver Gallery • Seattle, WA
artist Donald Fels
next to his artwork
Davidson Galleries
Seattle, WA
(L-R) “A Not So Still Life” director/cinematographer
Karen Stanton and artist Ginny Ruffner
Bainbridge Island, WA
artist Laura Sharp Wilson stands
next to her artwork
Abmeyer + Wood Fine Art • Seattle, WA
artist Jasmine Iona Brown
stands next to her painting
Gallery 110 • Seattle, WA
4
artist Bratsa Bonifacho
next to his painting
Foster/White Gallery • Seattle, WA
(L-R) beloveds/artists Joe Max Emminger and Julie
Paschkis stand next to their artworks
Grover/Thurston Gallery • Seattle, WA
artist Jessica Dodge
Room 104
artist Victoria
stands next to
Lisa Harris Gallery
artist Tania Kitchell stands next to her sculptures
James Harris Gallery • Seattle, WA
artist Mary Ann
next to her
James Harris Gallery
artist Kevin Wilson next to his encaustic painting
Room 104 • Seattle, WA
artist
next
Room
artist Karen Hackenberg next
to his painting
artist©
Ron
Ho stands
next• to
his jewelry2013 artist David R. Boxley
www.artaccess.com
JAN
• FEB
MARCH
Stonington Gallery
Bainbridge Arts & Crafts • Bainbridge Island, WA
Bainbridge Arts & Crafts • Bainbridge Island, WA
next to her art (L-R) artist Alan Fulle, Gypsy Mermaid
• Seattle, WA
Michelle Kaiser, and artist Jeff Mihalyo
Collins Pub • Seattle, WA
(L-R) artists Ries Niemi
and Allison Manch
Punch Gallery • Seattle, WA
Johnson
her paintings
• Seattle, WA
(L-R) Gallery owner Lisa Harris and artist
Ed Kamuda stand next to Kamuda’s artworks
Lisa Harris Gallery • Seattle, WA
Peters stands
painting
• Seattle, Washington
(L-R) beloveds/artists Carina del Rosario and
Romson Bustillo stand next to Bustillo’s print
Shift Collaborative Studio Gallery • Seattle, WA
David Kane stands
to his monoprints
104 • Seattle, WA
next to his sculpture
• Seattle, WA
artist Michael Zigmond
stands next to his painting
Patricia Rovzar Gallery • Seattle, WA
woodworker Robert Sprangler
next to his table and chairs
Northwest Woodworkers Gallery
Seattle, WA
artist Negar Farajiani stands next to her artwork
M.I.A. Gallery • Seattle, WA
artist Jenny Schmid stands next to her print
Davidson Galleries • Seattle, WA
Zanetka Kralova Gawronski stands
next to her artworks
Core Gallery • Seattle, WA
artist Shaun Peterson next
his sculpture
artist Tracy2013
Lang stands beneath her woodcuts
5
www.artaccess.com
©toJAN
• FEB • MARCH
Stonington Gallery • Seattle, WA
Collins Pub • Seattle, WA
“Lyle Silver: 60 Years in Art” exhibit at Rovzar Gallery • Seattle, Washington
Lyle Silver • “Pergola, Seattle,” oil bar, 12 x 9 inches • Patricia Rovzar Gallery • Seattle, WA
Lyle Silver: A Life in Art
Patricia Rovzar Gallery • Seattle, Washington
Patricia Rovzar, whose gallery has been
representing Lyle Silver since 1997, recalls
meeting the artist: “When he first came
to me for representation he was skillfully
immersed in working as a courtroom artist.
He was getting out of that mode and wanted
to focus on his fine art. Since I have been
representing him he has gone from
making pretty straightforward
landscapes to those that are a lot
more gestural and less refined, less
confined by the landscape itself.”
Rovzar says, she is “not calling this exhibit
a retrospective because we are not going
all the way back sixty years. Instead I am
calling it ‘A Life in Art.’”
Lyle Silver does make the world
seem fresh.
For instance, in an oil bar on board
painting entitled “5th Street Alley
in Winter,” cobalt and turquoise
blues churn atop snow while
a structure beyond could be
mistaken for a quilt built of colors.
The painting has an intimacy-inpublic feel of a Charles Burchfield,
a sense that you are waking from
a deep sleep to find this scene
materialize before your eyes.
Using traditional subject matter
has allowed viewers to trust Silver
enough to fall completely into
his abstract visions. In his most
loose renderings of figures, land
and cityscapes marigold yellows,
persimmon reds, lavenders, bottle
greens, deep browns, and cold
blue pigments hover in streaks and
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daubs like space aliens attempting to spell out
to their home planet what Earth has in store.
Lyle Silver • “At the Market,” oil bar, 40 x 32 inches
Patricia Rovzar Gallery • Seattle, WA
www.artaccess.com © JAN • FEB • MARCH 2013
The title aptly describes what Silver’s life
has been.
The artist had a studio loft in downtown
Seattle for 25 years where he and his wife
Lois, also a painter, hosted weekly drawing
sessions for artists. They lived there and
were fully immersed in the art community.
When that building came down he and Lois
moved into a big house where they were
able to have both of their studios – yet, they
continued hosting life drawing sessions in
the basement of Art Not Terminal Gallery for
another thirteen years, a location just around
the corner from their former loft space.
Of all the married Seattle-artist couples, Lyle
and Lois Silver’s works appear the most
similar. Rovzar believes it is partly
because of having studios in the same
house. “His wife is an integral part
of his process,” says Rovzar, “and he
with her. They are each others’ critics.
They work separately but together
in their studio spaces and so are able
to draw on each other for artistic
nutrition. It’s kind of an interesting
balance – they both work with oil bar
and they both have developed different
techniques in terms of how they use
oil bar. And every once in awhile they
influence each other to the point that
you’re wondering, ‘is that Lois Silver
or Lyle Silver’?”
challenge such as Edgar Degas’ blindness
or Auguste Renoir’s paintbrush tied to his
arthritic hand. Yet, for some artists this
freedom is due to mental release, like in the
case of Lyle Silver.
Says Rovzar, “I think what happens [with
age] is that you care less about selling the
artwork as opposed to creating it. You come
full circle. I think that in Lyle’s heart of
hearts the looser was always the better. I
think he was always that way. But I think
he felt that in order to make a living at this
and become a commercial success he had to
paint what he thought people would embrace
and he didn’t think that people would
embrace the looseness of his larger pieces.
He found out that was untrue in the end.”
Silver got into using oil bars during his
courtroom drawing days – a profession
that his wife still partakes of. “We got
into oil bars because they are pretty
easy to pick up,” says the artist; “If
you had to go to the courtroom they
were pretty handy.”
The exhibit offers 25 or so sketches,
drawings and paintings that represent
a wide scope of the artist’s oeuvre,
including t h e l a rg e l a n d s c a p e s
depicting rural areas in Washington state.
When asked about the locations, Silver
said, “I’ve gone all over. Skagit Valley, Cle
Elum and the Willamette Valley. You know,
anywhere is okay.” On Gage Academy
of Fine Art’s website Silver is quoted as
saying, “Getting into the mountains from
the city is always awe inspiring; I never get
tired of it.”
These landscapes are often seen from the
point of view of the driver or passenger of
a car; the road is out ahead or a guard rail
peeks from a composition’s corner. They
also show visual echoes of one of Silver’s
influences, landscape painter Wolf Kahn.
It is fantastic when an artist lives long
enough to loosen all the way up. Sometimes
this looseness results from a physical
Lyle Silver • “8th Ave,” oil bar, 30 x 22 inches
Patricia Rovzar Gallery • Seattle, WA
When asked if he had any advice for young
artists, Silver replied, “Be focused. If you
want to be an artist you need to focus.
Keep working. Keep associating with other
artists. And keep looking, keep looking.”
Young artists, take heed.
Saylor Jones
Saylor Jones is a Northwest illustrator
and writer. To view her work, visit www.
saylorjones.com
“Lyle Silver: 60 Years in Art” is on view
January 3 through February 5 at Patricia
Rovzar Gallery, located at 1225 Second
Avenue in Seattle, Washington. The opening
reception is Thursday, January 3, from 6 to
8 P.M. For more information visit www.
rovzargallery.com.
www.artaccess.com © JAN • FEB • MARCH 2013
7
PORTLAND ART MUSEUM
1219 SW Park Avenue • (503) 226-2811
• Sun: 10 A.M.-5 P.M.; Tues, Weds, & Sat:
10 A.M.-5 P.M.; Thurs & Fri: 10 A.M.-8
P.M.; Closed Mondays • $15 Adults, $12
Seniors/Students. Free for children under
17 • www.portlandartmuseum.org
Carrie Mae Weems: Three Decades
of Photography & Video
Carrie Mae Weems is internationally
recognized for her powerful photographybased art that investigates issues of race,
gender, and societal class. Her work
provides complex pictures of humanity that
creates greater awareness and compassion
for difference. This exhibit presents over
200 photographs, videos, and installations
tracing the evolution of Weems’ career.
February 2-May 19.
WASHINGTON
ANACORTES
ANCHOR ART SPACE
216 Commercial Avenue, Anacortes
WA 9 8 2 2 1 • F r i - S u n : 1 2 - 5 P. M .
• [email protected] • www.
anchorartspace.org
Anchor is closed during the month of
January with the exception of two events
with Artist in Residence, Danielle Foushée.
Foushée creates large-scale installations
using rope, dyes, water and rock to address
the longing for control in the face of
uncertainty. View works-in-progress Friday,
January 4, 6-9 P.M. Open House & Artist
Talk: Sunday, January 20, 1-4 P.M.
Ghost
This show brings together the work
of photographers and video artists to
reflect on the human desire to record and
venerate our memories, exploring the ways
memory shapes who we are and who we
long to be. Featured artists include Bill
Finger, Ford Gilbreath, Michelle Alexis
Newman, Forrest Perrine, and Joe Rudko.
Reception: Friday, February 1, 6-9 P.M.
February 1-24.
Ours
This exhibit is about people taking
up their space, staking their claim, and
making themselves heard. In drawings,
collages, sculptures, videos, and
photographs, these artists strive to keep
the conversation going. Featuring works
by Rebecca Carlisle-Healy, Geneviève
Castrée , Julie Doucet, Liz Harris,
Ariana Jacob, Nikki McClure, Sarah
Meadows, Nadia Moss, and Sue Roberts.
Reception: Friday, March 1, 6-9 P.M.
SCOTT MILO GALLERY
420 Commercial Avenue (across from
the Majestic Hotel) • (360) 293-6938 •
Mon-Sat: 10:30 A.M.-4:30 P.M. and by
appointment • [email protected] •
www.scottmilo.com
This show features dynamic floral,
landscape, and seascape acrylic paintings
by Jennifer Bowman, photography by Dick
Garvey, Randy Dana, and Lewis Jones,
oils and pastels by Amanda Houston,
pastels and acrylics by Joel Brock, and
fused glass by Robin Larson. Scott Milo
Gallery always has new tables, jewelry, and
sculptures on view. Reception: Friday,
January 4, 6-9 P.M. Through January 29.
Presenting large, bold, nautical, and sea
bird oils by Lorna Libert of Bellingham.
Also showing abstract oils by Carole
Barrer, watercolors by Jan Gellatly,
photo encaustics by Kathy Hastings,
and watercolors by Keith Sorenson.
Reception: Friday, February 1 6-9 P.M.
with demonstration by Sandy Byers.
February 1-25.
Featuring pastels by Sandy Byers in
everyone’s favorite styles of landscapes,
seascapes, and farm animals. Also showing
are acrylics by Jacqui Beck, photographs by
Dick Garvey, watercolors and acrylics by
Eric Wiegardt, glass and metal sculptures
by Lin McJunkin, and oils by Donna
THE
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Sea
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BAINBRIDGE ART MUSEUM (future site)
BAINBRIDGE ARTS & CRAFTS
BLACKBIRD BAKERY
THE ISLAND GALLERY
ROBY KING GALLERY
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ry t
1.
2
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4.
5.
F er
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BJUNE
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WINSLOW WAY E.
FERNCLIFF
5
I S L A N D
HWY 305
City Hall
THE
PLAYHOUSE
THEATER BAINBRIDGE
ISLAND
HISTORICAL
MUSEUM
ERICKSEN AVE. NE.
B A I N B R I D G E
MADRONE
8
PORTLAND
MADISON AVE. N.
Bainbridge Island, WA Map
VISUAL ART
Portland, Oregon • Anacortes, Washington
OREGON
www.artaccess.com © JAN • FEB • MARCH 2013
i
WA
Ferry
Radtke. Reception: Friday, March 1 6-9
P.M. March 1-April 2.
Bainbridge Island, Washington
BAINBRIDGE ARTS & CRAFTS
151 Winslow Way E. • (206) 842-3132 • MonSat: 10 A.M.-6 P.M., Sun: 11 A.M.-5 P.M. •
[email protected] • www.bacart.org
Christopher Mathie deftly balances
light and dark, opaque and transparent
layers, transforming a specific place to a
personal point of view. Larry McCaffrey
brings an engineer’s skill and artist’s
invention to his contemporary sculpture.
Kay Walsh’s photographs invite the
viewer to share her singular vision of the
Washington coast. January 4-30.
Super Heroes
The gallery is awash with masks, capes,
and colorful long underwear in February.
Morgan Brig, Lynn Brunelle, Andy Caro,
Linda Costello, Megan Drew, Garth
Edwards, Denise Harris, Sandra Hurd,
M.J. Linford, Linnea Lundmark, Shane
Miller, and Deborah Peek. February 1-25.
Mixed Nuts
Local kids get a turn to be professional
artists in BAC’s “Mixed Nuts” show.
February 1-25.
Insights II:
Work by Artists with Disabilities
Building on last year’s popular “Insights”
show, BAC presents an exhibition of work
by accomplished local artists. March 1-25.
VISUAL ART
BAINBRIDGE ISLAND
BLACKBIRD BAKERY
210 Winslow Way East, Bainbridge Island,
WA • (206) 780-1322 • Daily: 7 A.M.-6 P.M.
[email protected] • www.
blackbirdbakery.com
The Blackbird Bakery highlights local
artwork and in a comfortable place to enjoy
unique quality pastries and desserts.
In January, Northwest artist Marc
Samuelsson shows “Taiko Ghosts.” This
work features “Stress Printing” technique
where photo images are overlaid over
original paintings multiple times generating
colorful flourishes of positive and negative
space. Subject matter ranges from local
Japanese Taiko Drummers and Calligraphers
to homeless people and graffiti in Seattle.
In February, “On Location” features
Marilynn Gottlieb’s unique mixed media
pieces that combine photography with repurposed materials, such as slide frames or
surplus circuit boards, to create pieces that are
collections of geographically themed images.
Pierr Morgan, longtime painter and
children’s book illustrator, uses gouache
and ink—and the kitchen sink—in a resist
technique; a favorite of hers for its rich
color and textural effects, where the happy
accident occurring from washing off each
piece under running water only encourages
Morgan’s imagination, resulting in this
whimsical collection of culinary delights.
Through March.
VIEW FROM WINSLOW WAY. COATES DESIGN, GRAPHIC CONCEPTS BY NBBJ.
OPENING SUMMER 2013
G E T I N V O LV E D | D O N AT E
Find out more at
www.biartmuseum.org
Find us on Facebook
www.artaccess.com © JAN • FEB • MARCH 2013
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John Wood • “Calligraphy,” photograph
Gallery at Grace • Bainbridge Island, WA
GALLERY AT GRACE
8595 Day Road E., Bainbridge Island,
WA • (206) 842-9997 • Tues-Fri: 9
A.M.-2 P.M., Sun: 8-11:30 A.M., and by
appointment • www.gracehere.org
Remember
John Wood is a seeker of beauty in
ordinary things and undiscovered places.
This exhibit of photographs looks at pieces
of wood, hunks of metal, old tires, canvas,
and sheets of plastic. He suggests you
enjoy each work for color, texture, and
form, without knowing what it is. Through
January.
Kelly Hume • Untitled, charcoal on paper
Gallery at Grace • Bainbridge Island, WA
Drawings
Kelly Hume is a Bainbridge Island
artist whose recent work depicts an older
generation in portrait and figurative work.
He uses charcoal and mixed media to
render the wistful subjects he finds in
nursing homes and hospitals. His drawings
have the feeling of recollection found in
photographs from the past and yet suggest
a possible future. February-March.
Carrie Goller • “Hood Canal,” encaustic
Island Gallery • Bainbridge Island, WA
ISLAND GALLERY
400 Winslow Way • (206) 780-9500 • TuesFri: 11 A.M.-6 P.M., Sat: 10 A.M.-5 P.M.,
Sun: 12-4 P.M. • [email protected] •
www.theislandgallery.net
Gallerywide Sale
Reception: First Friday, January 4, 6-8
P.M. Music to be announced. January 2-31.
Island Grown
Bainbridge Island native Carrie Goller,
inspired by Northwest scenes, presents her
first exhibition of encaustic and other mixed
media paintings. Artist Reception: First
Friday, February 1, 6-8 P.M. Music to be
announced. February 1-28.
ABC: Artisan Benches & Chairs
Northwest artists Nathan Christopher,
Al Rosen, Ted Scherrer, Donald Smith,
Bob Spangler, and Vintage Mid-Century
Modern master craftsmen. The perfect stand
alone art statements and companion pieces
for wood slab tables and desks. Artists
Reception: First Friday, March 1, 6-8
P.M. Music to be announced. March 1-29.
The
FOUR SWALLOWS
RESTAURANT
Listed Among:
Seattle’s Best Places,
NW’s Best Places &
NW’s Best Places to Kiss
Open for Dinner Tues - Sat 5:30 P.M.
481 Madison • Bainbridge Island
(206) 842-3397
10
Kathe Fraga • “I Always Knew”
mixed media, 36 x 24 inches
ROBY KING GALLERIES
1 7 6 W i n s l o w W a y E . • (206) 8422063 • Tues-Sat: 10 A.M.-5:30 P.M. •
[email protected] • www.
robykinggalleries.com
New Year’s Gala Exhibition
Featuring all gallery artists. Celebrate
with some of the Northwest’s best painters,
www.artaccess.com © JAN • FEB • MARCH 2013
BELLINGHAM
Raenell Doyle • “Lovely in Red”
oil on canvas, 24 x 20 inches
Roby King Galleries • Bainbridge Island, WA
Committed to the beauty of classical
still life painting, Raenell Doyle’s graceful
compositions reflect a mastery of “the play
of light and shadow.” To this timeless quality,
she adds a rich variety in textural surfaces,
bone china, copper vessels, and tapestries.
Then combined with living forms of fruits
and flowers, Doyle creates intricate and
sumptuous paintings. March 1-30.
BELLEVUE
BELLEVUE ARTS MUSEUM
510 Bellevue Way NE • (425) 519-0770
• Tues-Sun: 11 A.M.-5 P.M., Free First
Friday: 11 A.M.-8 P.M. • $9 Adults, $7
Seniors and Students, Children Free under
6 • www.bellevuearts.org
BAM Biennial 2012:
High Fiber Diet
The second edition of BAM’s biennial
focuses on fiber, a thriving yet underexposed
media in contemporary art. Many works are
specifically created for this exhibition and
range from traditional to new expressions of
fiber art, offering a glimpse into how artists
continue to transform and re-invent fiber’s
already rich tradition in the Northwest.
Through February 24.
Nikki McClure:
Cutting Her Own Path, 1996-2012
This exhibit offers visitors a look
at Nikki McClure’s original papercut
artwork alongside her popular calendars,
books, posters, etc. This Olympia-based
artist creates compelling narratives, using
black paper and an X-acto knife, that show
WHATCOM MUSEUM
Old City Hall Building, 121 Prospect Street,
Thurs-Sat: 12-5 P.M. • (360) 778-8930 •
Lightcatcher Building, 250 Flora Street,
Weds, Fri, Sun: 12-5 P.M., Thurs: 12-8
P.M., Sat: 10 A.M.-5 P.M. • Admission:
$10 general, $8 student/senior/military, $4.50
children under 5 • www.whatcommuseum.org
Lightcatcher Building:
California Impressionism
Featuring a stunning collection of 50
paintings of light and landscapes from the
Irvine Museum. Through February 17.
Romantically Modern
Highlighting expressions of nature in the
Pacific Northwest. Through July 7.
Chicanitas
Showing 65 tiny but powerful paintings
from photo-realism to abstractions from the
Cheech Marin Collection. January 11March 24.
Jim Olson: Art in Architecture
Renowned Northwest architect Jim
Olson’s retrospective. March 3-June 9.
Bellevue • Bellingham • Edison, Washington
real people engaged in every day activities.
Through February 3.
Maneki Neko:
Japan’s Beckoning Cats
From Talisman to Pop Icon
Long-considered to be a good luck
charm, this exhibit features 155 cats, made
between the 19th-20th centuries, depicted
with an upright paw in the Japanese gesture
of beckoning. These enigmatically artful
felines express aspects of both historic
Japanese lore and contemporary pop
culture. February 22-August 4.
VISUAL ART
and kick off the New Year with a new work
of art! January 4-26.
French Wallpaper Series
Kathe Fraga brings bright new colors
to her canvases. Inspired by the 17th & 18th
century’s most popular “Chinoiserie” style,
these decorative panels of birds, flowers,
vines, and leaves graced the walls of grand
old Parisian mansions. Using a roughly
plastered surface and sanding between
painted layers conveys the time worn walls.
February 1-23.
E D I S O N
SMITH & VALLEE GALLERY
5742 Gilkey Avenue • (360) 766-6230 • WedsSun: 11 A.M.-5 P.M. • info@smithandvallee.
com • www.smithandvallee.com
In conjunction with the second annual
Edison Bird Festival, Smith & Vallee Gallery
is proud to curate a related exhibition of
artworks by local and regional artists.
February 2-24.
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Valerie Collymore • “Calm After The Storm,” 30 x 48 inches
E L I E R
C O L L Y M O R E
Impressionist Oil Paintings
from America and France
www.ValerieCollymore.com
www.artaccess.com © JAN • FEB • MARCH 2013
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VISUAL ART
Edmonds • Everett, Washington
Smith & Vallee Gallery listing continued…
EVERETT
In her second solo exhibition with
Smith & Vallee Gallery, Becky Fletcher
debuts a new body of work. Fletcher’s
paintings exemplify light and landscape
in the Northwest as she takes seemingly
simple forms and turns them into dramatic,
hyper-real, living compositions. Reception:
Saturday, March 2, 5-8 P.M. March 2-31.
E D M O N D S
EDMONDS ARTS FESTIVAL MUSEUM
& EDMONDS ARTS COMMISSION
Frances Anderson Center, 700 Main
Street, Edmonds, WA • (425) 771-0228 •
Mon-Fri: 9 A.M.-9 P.M., Sat: 10 A.M.-3
P.M. • [email protected] • www.
eaffoundation.org • www.ci.edmonds.wa.us/
ArtsCommission
In the EAFM:
Featuring the EAF Museum Collection.
Through January 30.
In the EAFM and EAC Case:
Partnership Exhibit
Presenting works purchased at annual
Festival Juried Galleries 1970 to present,
showcasing Northwest artists in paintings,
prints, drawings, photography, artisans work,
and sculpture.
In the Library:
Presenting the “Rust Series,” abstract
photographs by Jim Ballard. Through
January 30.
Visit [email protected]
for art opportunities/classes.
In the EAFM and EAC Case:
Partnership Exhibit
Showing the watercolor, oil, pastel, and
various printmaking technique works by
Catherine Gill. Preview her work at www.
catherinegill.com. February 5-March 13.
In the Library:
Sue Gill Rose shows her acrylic paintings
of the International District. February 1March 15.
In the EAFM and EAC Case:
Celebrating the Arts Commission Artists
This partnership exhibit features visual
artists who have served on the commission.
March 18-May 4.
In the Library:
Displaying colored pencil works by
Sheila Theodoratus. March 15-April 30.
For more information on programs and
artwork of Edmonds Arts Commission visit
www.edmondsartscommission.org
Lenarz Susan • “Twasser’s Rose Vase,” fiber art
Schack Art Center • Everett, WA
SCHACK ART CENTER
2921 Hoyt Avenue • (425) 259-5050
• Mon-Fri: 10 A.M.-6 P.M., Sat: 10
A . M . - 5 P . M . , S u n : 1 2 - 5 P. M . •
[email protected] • www.schack.org
Complex Threads
This collection of advanced student
work from the Gail Harker Creative Art
Center uses experimental materials to push
the boundaries of contemporary stitch and
textile art. January 10-February 16.
31st H’Arts Benefit Auction
Saturday, February 23, 5 P.M.
Everett Events Center
Mark your calendars for Snohomish
County’s largest art auction. More than 300
works of art donated by new artists and
familiar favorites. Get a sneak peak of the
live auction artwork in the H’Arts Preview
Exhibit on view February 5-21.
Bodine Danielle • “The Journey,”
mixed media, fiber, 31 x 10 x 8 inches,
photo by Michael Stadler
Schack Art Center • Everett, WA
Fiber Art
by Whidbey Island Surface Design
Explore the diverse media, creative
techniques, and visual traditions in this
exhibit of fiber surface design from artists
living and working on Whidbey Island,
Washington. March 7-April 5.
Get down with the get down!
210 WINSLOW WAY EAST • BAINBRIDGE ISLAND • WA • 98110
206 780 1322 • OPEN SEVEN DAYS
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www.artaccess.com © JAN • FEB • MARCH 2013
I S S A Q U A H
KIRKLAND
VISUAL ART
artEAST Art Center & Gallery • Issaquah, WA
ARTEAST ART CENTER
UP FRONT GALLERY
95 Front Street • (425) 392-3191 • TuesThurs: 11 A.M.-7:30 P.M., Fri-Sat: 11 A.M.8 P.M., Sun: 12-5 P.M. • [email protected] •
www.arteast.org
The artEAST non-profit art center offers
visual art classes, exhibitions, lectures
and community programs. The work of
more than 100 local and regional artists
is available in the gallery. This collection
represents masterful design and technique
in a wide range of mediums and prices.
artEAST’s classes are designed to create a
positive learning experience for the novice
or professional student.
Stitch
Interpretations of stitch concepts in a
variety of mediums. Works from artists of
the greater Puget Sound area are on display
and for purchase. Reception: Friday,
January 11, 6-8 P.M. All free to the public.
January 11-February 23.
Touch
This exhibit breaks the rules and invites
art to be experienced with the sense of
touch. A variety of mediums are represented
and tours for the visually impaired are
scheduled. Reception: Saturday, March
2, 6-8 P.M. All free to the public. March
2-April 6.
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KIRKLAND ARTS CENTER
620 Market Street • (425) 822-7161 •
Tues-Fri: 11 A.M.-6 P.M., Sat: 11 A.M.-5
P.M. Second Fridays until 8 P.M. • www.
kirklandartscenter.org • support@kirkland
artscenter.org
Urban Lake
A six months game of telephone played
amongst five artists using visual and nonverbal cues based on the concept of an
lake. A sixth artist uses sound
R K L A N D urban
to weave them together with a final
MARKET
tone. Curated by Shelly Leavens.
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January 11-February 23.
1ST STREET
Human+Nature
By our nature, we seek to
m a k e s e n s e o f t h e w o r l d . We
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our surroundings, and mold
MAIN STREET
new landscapes, leaving traces
KIRKLAND
of development and devastation
ARTWALK
SECOND THURSDAY
in our wake. “Human+Nature,”
6-9 P.M.
curated by Anna Braden, looks
at the intersections of humanity,
1. HOWARD/MANDVILLE GALLERY
d i s c o v e r y, a n d d i s a s t e r a s w e
2. KIRKLAND ARTS CENTER
explore and evaluate nature. March
3. PARKLANE GALLERY
1-April 6.
ART ACCESS © 2013
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REPRODUCTION OF MAP WITHOUT ART ACCESS' WRITTEN PERMISSION IS STRICTLY PROHIBITED.
www.artaccess.com © JAN • FEB • MARCH 2013
Kirkland, Washington Map
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HOWARD/MANDVILLE GALLERY
120 Park Lane, Suite D • (425) 8898212 • Mon-Fri: 10:30 A.M.-6 P.M.,
Sat: 10 A.M.-5 P.M., Sun: 12-5 P.M.
• [email protected] •
howardmandville.com
Close To Home
Featuring Northwest painters Alfred
Currier, Kim Matthews Wheaton, and
Romona Youngquist. These artists paint
scenes dear to our hearts, from the tulip fields
of the Skagit Valley, to the wide open spaces
of the Palouse, and rural country scenes
of the Oregon wine country. February
9-March 9.
Canadian artist Renato Mucccillo is
known for his atmospherically infused
landscapes of the rural lowlands, mountains,
and rivers near his home in British Columbia.
Reception: Sunday, March 24, 12-3 P.M.
March 24-April 14.
Issaquah • Kirkland, Washington
Alfred Currier • “Banding Together”
oil painting, 30 x 40 inches
Howard/Mandville Gallery • Kirkland, WA
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La Conner • Mercer Island • Port Townsend, Washington
VISUAL ART
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PARKLANE GALLERY
130 Park Lane • (425) 827-1462 • Tues-Sun:
11 A . M . - 7 P. M . F r i : 1 2 - 8 P. M . ,
Second Friday Art Walk 6-9 P.M. •
[email protected] • www.
parklanegallery.com
The gallery starts the year with its annual
exhibition in the style of the French Salon.
Art from forty artists hung wall to wall and
floor to ceiling. Through January.
February is the month for flights of fancy
with the Parklane Abstract Group’s “Second
Annual Exhibition of Abstract Paintings.”
Through February.
In March, John Cannon presents
oils on canvas while Larey McDaniel
shows photographs printed on aluminum.
Through March.
Nature’s Kaleidoscope
This show features wall hangings and
framed fiber works by local fiber artist
Susanne Foster. Reception: Thursday,
March 7, 5-8 P.M. March 7-31.
Small Format Show
Upcoming in April is the “Small Format
Art Show” which includes regional artists.
Reception: Thursday, April 4, 5-8 P.M.
April 4-27. Check www.MIVAL.org for
participation information.
P O R T
T O W N S E N D
LA CONNER
MUSEUM OF NORTHWEST ART
121 South First St., PO Box 969, La
Conner WA 98257 • Sun & Mon: 12-5
P.M., Tues-Sat: 10 A.M.-5 P.M. • (360)
466-4446 • Members always free, adults
$8, seniors $5, students $3, children
under 12 free • www.museumofnwart.org
Photographic portraits of 20 Northwest
artists by Eduardo Calderón, audio
and transcribed interviews conducted by
Calderón, and works by the artists. Calderón
interviewed a cross section of Northwest
artists ranging in age, background, and
mediums each uses to make art, and
photographed the artists in their homes.
January 12-March 13.
Black and White Color Study
from the Permanent Collection
This color study presents black, a symbol
for sophistication and authority, and white,
purity and neutrality. The exhibition offers
an atypical look at the Northwest palette from
the diversity of artworks in the collection.
January 12-March 13.
M E R C E R
I S L A N D
MIVAL GALLERY
2836 - 78th Ave SE (between QFC & Baskin
Robbins) • (206) 619-6276 • Thurs-Sat: 12-6
P.M, Sun: 12-4 P.M.
Mercer Island Visual Arts League (MIVAL)
was established in 1961. It represents over
100 local artists of all mediums and proudly
opened its MIVAL Gallery in 2009 with
27 MIVAL founding artists. For 2013 the
Gallery plans eight shows exhibiting art
in all mediums, photography, jewelry,
ceramics, fibers, print, oil, watercolor,
recycled materials, glass, and sculptures.
Emotion Commotion
This exhibit includes new artists working
in photography and ceramics, showing
alongside returning 30 Gallery members.
Reception: Thursday, January 3, 5-8 P.M.
January 3-March 3.
Linda Okazaki • “Night Journey,” watercolor
Max Grover Gallery • Port Townsend, WA
MAX GROVER GALLERY
630 Water Street (back of Sideshow Variety
Store) • (360) 774-0663 • Open Daily: 11
A.M.-6 P.M. • maxgrovergallery@gmail.
com • www.maxgrover.com
Max Grover Gallery presents a twomonth retrospective by Linda Okazaki,
“Night Visitor” in January and “Fire Inside
The Heart” in February. These shows include
key early works, groundbreaking recent
paintings and rare limited edition archival
prints. Okazaki’s powerful and distinctive
narrative work is in the collections of
the Washington State Arts Commission,
Seattle Art Museum and numerous private
collections from coast to coast. JanuaryFebruary.
In March, presenting recent acrylic and
collage paintings by Max Grover. Grover
has once again drawn upon his own imagery
and great graphic design for subject matter
of this new work. “Writers write what
they know, painters paint what they
know,” suggests Grover. You are sure to
discover much about his diverse interests
and passion for collecting ephemera
which he incorporates into the paintings.
Through March.
www.artaccess.com © JAN • FEB • MARCH 2013
P O U L S B O
SIMON MACE GALLERY
236 Taylor Street • (360) 385-4433 • ThursMon: 11 A.M.-6 P.M. • christina@simonmace
gallery.com • www.simonmacegallery.com
Critters
Re-opening February 2 after Winter Break
in January with “Critters.” Featuring artist
Jaime Ellsworth along with Susan Melrath,
Cheri O’Brien, and Thomas Rude.
Poulsbo • Seattle, Washington: Ballard
Jaime Ellsworth • “Moonlight”
oil on panel, 48 x 24 inches
Simon Mace Gallery • Port Townsend, WA
VERKSTED GALLERY
18937 Front Street • (360) 697-4470 • Daily:
10 A.M.-5:30 P.M. • info@verkstedgallery.
com • www.verkstedgallery.com
In January, featuring Norm Hix’s fine
wood-turned bowls, vases, ornaments,
tools and more, with a beautiful textural
sensuality of the turned wood surface;
Karen Ford’s handmade paper, books,
and boxes; and Sherri Haynie’s tiny
precious objects incorporated into collage,
assemblage, diminutive mysteries in 2D and
3D. Through January.
In February, presenting Mary Lynn
Smalladen’s watercolors and calligraphy,
with graceful and detailed writings to
enhance her paintings and borders, both
colorful and nearly transparent; and Kim
Pinkerton’s functional fused glass art and
pottery, like multi-colored pot melt plates,
traditional fused and slumped glass items,
and yarn pots. Through February.
In March, showing Eileen Schneegas’s
enamel designs, cloisonné, glass on metal
wall art, brooches, earrings, switch plates,
vitreous enamel on metal, in abstract form
and popular themes likes dogs, flowers, and
more. Through March.
VISUAL ART
Venture: To Take a Risk
Juried Art Show by juror Robin
Anderson, Director of the Port Angeles
Fine Arts Center. Juror Lecture: Sunday,
March 3, 1 P.M. Prospectus and submission
information can be found online at http://
www.nortwindarts.org February 24 & 25.
March 1-April 1.
S E A T T L E
• Ballard •
Susan Melrath • “Dog Park”
acrylic on canvas, 40 x 30 inches
Simon Mace Gallery • Port Townsend, WA
“Critters” is a two-month show designed
to celebrate our furry friends and chase
away the Winter doldrums. Gallery Walk:
Saturday, February 2, 5:30-8 P.M.
February 2-April 1.
NORTHWIND ARTS CENTER
2409 Jefferson Street (near the Visitor’s
Center) • (360) 379-1086 • Thurs-Mon:
12-5 P.M. • [email protected] • www.
northwindarts.org
The Figure
Featuring sculpture and drawings
by Maitland Hardyman; paintings by
Elizabeth Jameson; and sculpture and
drawings by Rita Kepner. Art Talk:
Sunday, February 10, 1 P.M. lead by Rita
Kepner who is joined by Maitland Hardyman
and Centrum Arts Administer Mary Hilts.
January 18-February 24.
NORDIC HERITAGE MUSEUM
3014 NW 67th Street • (206) 789-5707
• Tues-Sat: 10 A.M.-4 P.M., Sun: 12-4
P.M. • [email protected] • www.
nordicmuseum.org
Bad Art? 1,000 Birch Board Pictures
These mixed-media works on birch
wood capture the memories and dreams of
anonymous artists from Sweden and around
the world. This is the largest collection of
its kind, now in the United States for the
first time. Art these works art? Kitsch? Or
something more? Through March 3.
The Impression of Roald Amundsen
Roald Amundsen’s personal diary
from his South Pole expedition of 1910-12
provided inspiration for this new exhibition
of paintings and graphic works from three
prominent Norwegian artists: Tore Hansen,
Ulf Nilsen, and Håvard Vikhagen. January
18-March 3.
List in Art Access
for a mere $35 per month
and reach 11,000 readers
www.artaccess.com © JAN • FEB • MARCH 2013
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• Belltown •
ART/NOT TERMINAL
2045 Westlake • (206) 233-0680 • Main Gallery
hours are Weds-Sat: 11 A.M.-6 P.M., Sun:
12-5 P.M. • Subterranean Room hours are
Weds-Fri: 11 A.M.-6 P.M., Sat: 1-6 P.M.,
Sun: 1:30-5 P.M. • artnot.gallery@gmail.
com • www.antgallery.org
Main Gallery:
Illustrious Characters
Featuring mixed media paintings by
Aubry Andersen. Through January.
Subterranean Room:
Year Twenty Four
Group show of artwork by the Art/
Not Terminal Gallery Board of Directors
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Seattle, Washington: Belltown
ART ACCESS © 2013
REPRODUCTION OF MAP WITHOUT ART ACCESS'S WRITTEN PERMISSION IS STRICTLY PROHIBITED.
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NW WOODWORKERS
GALLERY
2111 First Avenue • (206) 625-0542
• Tues-Fri: 10 A.M.-6 P.M., Sat &
Sun: 10-5 P.M., Closed Mondays
• [email protected] •
www.nwwoodgallery.com
Popcorn Bowl Movie Night
Saturday, February 16, 5-7 P.M.
A special event to benefit
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CANLIS GLASS GALLERY + STUDIO
3131 Western Avenue, S u i t e 3 2 9 , ( i n
t h e Northwest Work Lofts) • (206)
2 8 2 - 4 4 2 8 • We d s - F r i : 1 2 - 6 P. M . ,
Sat: 12-3 P.M. and by appointment •
[email protected] • www.canlisglass.com
Hand blown and sculpted glass art by
Jean-Pierre (J.P.) Canlis. This 3500 square
foot gallery and artist’s studio is an
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Artist studio open to the public.
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J.P. Canlis • “Wheat Installation”
hand pulled glass with lampwork, 48 x 59 x 7.5 inches
Canlis Glass • Seattle, WA
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celebrating the 24th year of the collective.
Reception: Saturday, January 5, 7-10 P.M.
Through January.
Art/Not Terminal features 4000 sq ft of
premium downtown gallery space available
for short term and long term rental. For more
info email [email protected]
Main Gallery:
Photography Art Nouveau
Showing art by Jonny Bean. Reception:
Saturday, February 2, 7-10 P.M. Through
February.
Main Gallery:
Group show highlighting the diverse
talents of more than 40 artists. Reception:
Saturday, March 2, 7-10 P.M.
Now accepting exhibit bookings for the
Subterranean Room, contact the Gallery.
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PLANET ART
2811 NW 93rd Street • (206) 782-7455 • by
appointment • [email protected] •
www.planetart.us
Planet Art is the studio of Alice Dubiel.
Recently the studio has acquired an Alps
press to create print editions and in the
spring is offering workshops with Barbara
Bruch and Alice Dubiel. Planet Art blog
changes are coming soon as is www.
thunderandlightningpress.us.
March classes include “Thunder and
Lightning Press,” a collagraph workshop,
March 23 & 30, two consecutive Saturdays.
First you’ll create plates, and then you’ll print,
including chine collé. For more information
and registration, see the Planet Art blog, http://
planetartnorthbeachstudio.blogspot.com.
Coming in April, digital and mixed media
printmaking workshop with Alice Dubiel,
Spring open studio.
Barbara Bruch studied with the late Glen
Alps at UW and authenticated the legacy
of his studio. For over 40 years, she has
offered workshops in collagraph and other
printmaking techniques. She is also available
for private lessons.
www.artaccess.com © JAN • FEB • MARCH 2013
PHOTO CENTER NORTHWEST
900 - 12th Avenue • (206) 720-7222 • MonThurs: 11 A.M.-10 P.M., Fri-Sun: 12 A.M.-8
P.M. • [email protected] • www.pcnw.org
Revision
Photo Center NW takes pride in working
with instructors who are equally as passionate
about teaching as they are about their
own art careers. This faculty exhibition
is a diverse showcase of contemporary
photography by accomplished teaching
artists. Reception: Thursday, January
10, 6-8 P.M. Artists’ Lectures: Thursday,
January 10, 5-6 P.M. and Monday, January
14, 6-8 P.M. January 2-28.
Out of the Shadows
The work of Vivian Maier (1926-2009)
first came to light in 2007 when boxes of
abandoned prints, negatives and undeveloped
film were sold at auction. Since, the work has
been heralded by both critics and international
publications alike and has been exhibited
extensively. Reception: Friday, February
15, 6-8 P.M. February 1-March 28.
Collecting art can be expensive, but it
shouldn’t be. For that reason PCNW
has created a benefit limited edition prints
program, which brings you stellar, curated
w o r k s a t a ff o r d a b l e p r i c e s . P C N W
has amazing prints by Richard Renaldi,
Jock Sturges, Henry Horenstein, among
others. Prints are limited to an edition of
30 and range from $150-$250. Please visit
pcnw.org/gallery/editions.
SEATTLE RUSSIAN
COMMUNITY CENTER
704 - 19th Avenue East • by appointment •
http://seattlerussianart.blogspot.com
Viktor Sirotin creates expressionistic
paintings and bronze sculptures, inspired
by the traditions of the ancient cultures of
China, Egypt, and Greece. January 12-26.
Sergei Kartashev shares his explorations
in oil paintings from naïve to impressionistic.
January 12-26.
Akiko S. • “Footballer’s season”
watercolor on Arches France, 11 x 14 inches
U.S. Bank Broadway East • Seattle, WA
U.S. BANK BROADWAY EAST
135 Broadway East • akikosdesigns@live.
com • Mon-Fri: 10 A.M.-6 P.M., Sat: 10
A.M.-1 P.M.
Featuring a watercolor exhibition by
fabric designer Akiko S.
Seattle, Washington: Capitol Hill • Columbia City
• Capitol Hill •
Printmaker Tatyana Brown expresses
her philosophical musings, dreams, and
appreciation for nature through simplicity
and beauty of black and white woodblock
prints. January 12-26.
Exquisite paintings by Nikolay
Samoukov, done in the best traditional,
realistic manner with elegance and style.
February 9-23.
Elena Balekha’s watercolors flow freely
and showcase he imaginative use of the
medium. February 9-23.
Igor Gorban’s oil paintings, inspired
by Dutch and German painters of 16-17th
centuries. March 16-30.
Aleksey Ryzhkov gouache on paper,
from a point of view of a visitor who wonders
along the streets of Seattle. March 16-30.
Alexander Maltsev is well known
his trademark technique of creating three
dimensional surfaces in his elegant still lives
and performing musicians. March 16-30.
VISUAL ART
Coyote Central Youth Woodworking
pro grams. F e a t u r i n g A n n C o p p e l ’s
“Living Treasures” documentary of master
woodworker Evert Sodergren, generally
regarded as the “god-father” of Northwest
studio furniture. The public is invited to
meet and mingle with members of NWWG,
NWDC, BAM, and Coyote Central in a
fun social atmosphere. Information at www.
nwwoodgallery.com.
The 5th Annual
Rising Star Furniture Makers
Showcasing the Northwest’s next
generation of talented studio furniture
artists. A juried collection of fine furniture
and artisan design. NWWG cooperative’s
opening night reception for the makers and
public on Saturday, March 16, 4-7 P.M.
• Columbia City •
COLUMBIA CITY GALLERY
4864 Rainier Avenue S. • (206) 760-9843 •
Weds-Fri: 12-8 P.M., Sat & Sun: 10 A.M.-6
P.M. • www.columbiacitygallery.com
Main Gallery:
(un)stuck: mixed media collage
Featuring artwork by Dianne Bradley,
Christian Gollub, and Lita Kenyon.
January 16-March 3.
Guest Gallery:
Presenting work by the Puget Sound
Sumi Artists. January 16-March 3.
Main Gallery:
Place
Displaying artwork by Jacqui Beck,
Lori Duckstein, Eric Edgerton, and Kate
Harkins. March 6-April 21.
Guest Gallery:
Layers of Hijab
A youth exhibit. March 6-April 21.
www.artaccess.com © JAN • FEB • MARCH 2013
17
Seattle, Washington: Downtown
VISUAL ART
• Downtown Seattle •
Victor Hugo Zayas • “Grid #7”
oil on canvas, 72 x 72 inches
Abmeyer + Wood Fine Art • Seattle, WA
ABMEYER + WOOD FINE ART
1200 Second Avenue • (206) 628-9501 • TuesSat: 11 A.M.-5:30 P.M., Sun: 12-5 P.M., and
by appointment • [email protected]
• www.abmeyerwood.com
Grid
Victor Hugo Zayas has been making
his mark on the Los Angeles art scene
over the past 30 years. His works can also
be found in the collections of the Orange
County Museum of Art as well as numerous
museums in Mexico. This is Victor Hugo
Zayas first solo exhibition in Seattle.
Through January.
Emily Kane • “Mussel Monster,”
watercolor and ink, 8 x 10 inches
Art Stall Gallery • Pike Place Market / Seattle, WA
ART STALL GALLERY
97 Pike Street • (206) 623-7538 • Mon-Sat:
10 A.M.-6 P.M., Sundays through September
• www.artstallgallery.com
Located in “Pike Place Market: Seattle’s
own since 1907,” Art Stall is the landmark
gallery in the Pike Market.
Scapes of Seattle
Gallery artists use their paints and pastels
to journey by land, sea, and air around our
beautiful city. View Seattle’s panoramic
vistas and intimate corners in watercolor,
oil, acrylic, ink, and pastel on canvas and
paper. Join collectors world wide who own
an “Original” artwork. Though January.
18
Arlene Mraz • “In Mid Air,”
acryl skins collage, 24 x 18 inches
Art Stall Gallery • Pike Place Market / Seattle, WA
Pike Place Flowers
The 12 Gallery artists use paint, pastel,
paper, and canvas in the colors of the
rainbow to give Spring a push with images
of flowers that speak of love and friendship
to cherished ones in your life. Original art
speaks to heart and nourishes soul all year
long. Art Stall celebrates its 47th year
at Pike Market. Through February.
Up, Up, and Away
Helping to fulfill March’s promise “in
like a Lion,” the gallery artists make your
spirit soar with images that reach into the
sky. From birds to baseballs these delightful
images are sure to make your visit to Art
Stall Gallery an uplifting experience. Small
on space big on art for 47 years. Through
March.
CORNISH COLLEGE OF ARTS
1000 Lenora Street • 1 (800) 726-2787•
Mon-Fri: 12-5 P.M., Sat: 12-4 P.M. •
[email protected] • www.cornish.edu
Main Gallery, Floor 1:
Design Faculty Exhibition
This biennial exhibition features work
from Cornish’s Design Faculty. Outside
of the classroom, these educators are
professional artists and designers in their
own right, collectively displaying a diverse
set of conceptual and technical applications.
Reception: Friday, January 18, 5-8 P.M.
January 18-March 2.
www.artaccess.com © JAN • FEB • MARCH 2013
Alumni Gallery, Floor 3:
Flip
Featuring artwork by Mary Iverson.
March 18-May 25.
Kristi Zevenbergen • “Stargazer”
sterling silver, resin and found objects, 18 inch chain
Facere Jewelry Art Gallery • Downtown Seattle, WA
FACERE JEWELRY ART GALLERY
City Center, 1420 Fifth Ave #108 • (206)
624-6768 • Mon-Sat: 10 A.M.-6 P.M., Sun:
12-5 P.M. • www.facerejewelryart.com
• [email protected]
Featuring the work of Northwest,
national and international jewelry artists,
as well as exceptional antique and vintage
jewelry, Facere Jewelry Art Gallery has
been the place to find unique jewelry in
Seattle for over forty years. From found
objects and computer aided design to pure
gold and reverse-set diamonds, you are sure
to find a one-of-a-kind piece at Facere.
You are cordially invited to “Women
Working Words,” a contemporary art
exhibit featuring the literary jewelry and
material wordplay of twelve women artists.
Join Facere opening night for a lecture by
artists and readings from Facere owner
Karen Lorene’s new novel “Dancing with
Bear.” February 6-26.
white and yellow gold, platinum, palladium,
and titanium. Hansen’s designs feature
non-conflict diamonds, gemstones, and
recycled metals. Years of experience
are reflected in Goldmine’s unique designs
and impeccable craftsmanship. The store is
a workshop where jewelry customers
join in the creative process. Call about
Goldmine Design’s Open Studio events.
LISA HARRIS GALLERY
1922 Pike Place • (206) 443-3315 • MonSat: 10:30 A.M.-5:30 P.M., Sun: 11 A.M.-4
P.M. • [email protected] • www.
lisaharrisgallery.com
Fields and Figures
Karen Kosoglad’s signature meditative,
gestural figures rendered in acrylic and oils
accompany mixed-media works featuring
collage-elements that merge with painting
and drawing. The Seattle artist embraces
a manner of working that keeps the
image hovering between abstraction and
representation, painting from live models
and placing a new emphasis on landscape.
Opening: First Thursday, January 3,
6-8 P.M.
Recent Paintings
Tacoma native Emily Wood presents
new landscape paintings that reflect an
increasingly Fauvist attitude. Known for her
intensely hued, or “colorist” interpretations
of the West’s varied topography, she renders
scenes of mountain lakes, tree-lined ridges,
winding rivers, desert expanses, and
cultivated fields. Opening: First Thursday,
February 7, 6-8 P.M.
Like most of Royal Nebeker’s paintings
and monotypes, the “Spilled Dream Series”
is dreamlike with a focus on power and
relationships between individuals. The
artist, who also exhibits in Europe, is well
known for his virtuoso paint handling and
a narrative style that incorporates text and
collage. Opening: First Thursday, March
7, 6-8 P.M.
JEFFREY MOOSE GALLERY
1331 & 1333 - 5th Avenue • Rainier Square •
(206) 467-6951 • Mon-Fri: 10:30 A.M.-5 P.M.,
Sat: 12:30-5 P.M. • jmoose@jeffreymoose
gallery.com • www.jeffreymoosegallery.com
(206) 622-3333
1405 First Avenue • Seattle, Washington
Monday - Saturday 10 A.M. - 6 P.M.
GOLDMINE DESIGN
1405 First Avenue, Seattle • (206) 6223333 • Mon-Sat: 10 A.M. - 6 P.M,
Evenings and Sundays by appointment
• [email protected] •
www.goldminedesignjewelers.com
Artisan/owner Cindi Hansen offers
one-of-a-kind jewelry in fine metals: 18K
PATRICIA ROVZAR GALLERY
1225 SecondAvenue • (206) 223-0273 • MonSun: 11 A.M.-5 P.M.• mail@rovzargallery.
com • www.rovzargallery.com
60 Years of Art
This final exhibit pays tribute to Lyle
Silver whose career in the Northwest has
spanned 60 years and features drawings,
s k e t c h e s a n d p a i n t i n g s i n o i l b a r.
Reception: Thursday, January 3, 6-8
P.M. January 3-27.
Joseph Maruska’s oil on panel works
combine strong abstract forms with graceful
landscapes in a rich earthen palette. The
www.artaccess.com © JAN • FEB • MARCH 2013
19
Patricia Rovzar Gallery listing continued…
work often translates into cascading,
flowing bodies of water or a fragment of
atmospheric sky. Reception: Thursday,
February 7, 6-8 P.M. February 7-March 3.
Tal Walton’s luminous paintings are
structured with a logical and even spiritual
geometry which he believes to compose
our universe. Organizing his works in three
segments, Walton challenges the viewer
to see their past, present, and future lives.
Reception: Thursday, March 7, 6-8 P.M.
Heather Hargesheimer • “Landscape Study”
encaustic painting
SRG Gallery • Seattle, WA
SRG GALLERY
110 Union Street, Suite 300 • (206)
973-1700 • Mon-Fri: 9 A.M.-5 P.M. •
[email protected] • www.
srgpartnership.com
Artist/architect Heather Hargesheimer
explores abstract compositions built with
strong graphical relationships and layered
in rich colors. Inspired by nature and the
medium’s ability to suspend and transform,
she uses the process to add and subtract,
leaving depth, movement and textures.
These manipulations create paintings that
hold the memory of the concrete world.
December-January.
Bill Gaylord • “Psychonautic Portal,” mixed media
SRG Gallery • Seattle, WA
Bill Gaylord’s installations use mixedmedia repurposed cultural objects with
recycled consumer goods. Gaylord constructs
20
three dimensional collages that illustrate
stories of hero and villain characters
illuminating the future challenges of the
planet, man and the artist. He is a graduate
of Rhode Island School of Design, works
as an architect while collaborating with
artists, fashion designers, and performers.
February-March.
SEATTLE ART MUSEUM
1300 First Avenue • (206) 654-3100 •
Weds-Sun: 10 A.M.-5 P.M., Thurs & Fri: 10
A.M.-9 P.M. • www.seattleartmuseum.org •
[email protected]
Elles: Women Artists
from the Centre Pompidou, Paris
“Elles: Pompidou,” a landmark show
of more than 130 works of art made by 75
pioneering women artists from 1909 to 2007
offering a fresh perspective on a history of
modern and contemporary art. Through
January 13.
Elles: SAM Singular Works by
Seminal Women Artists
SAM presents a series of exhibitions in
the Modern and Contemporary Art Galleries
that build on, and react to “Elles: Pompidou.”
Through diverse media, these installations
remind us of the achievements that were
often hard fought for in a cultural landscape
not always welcoming to women. Through
February 17.
Rembrandt, Van Dyck, Gainsborough:
Treasures of Kenwood House, London
Showcasing a selection of approximately
50 masterpieces of Old Master paintings,
this exhibit includes major works by
Gainsborough, Hals, Rembrandt,
Reynolds, Romney, Turner, Van Dyck,
and many others. Among other treasures,
the exhibition provides a rare opportunity to
see Rembrandt’s late “Self-Portrait (1665),”
which has never left Europe before.
February 14-May 19.
TRAVER GALLERY
110 Union Street, Second Floor •
(206) 587-6501 • Tues-Fri: 10 A.M.-6
P.M., Sat: 10 A.M.-5 P.M., Sun: 125 P.M. • i n f o @ t r a v e rg a l l e r y. c o m
• www.travergallery.com
Traver Gallery shows selections from
among its extensive stable of established
and emerging sculptors, painters, and
contemporary artists working in various
media. For more than 30 years, the Traver
Gallery has served as a theater for the
visual arts, showing the work of artists who
demonstrate commitment to creating original,
compelling, and innovative art. January 3March 3.
On the heels of her 2012 residency at
Tacoma’s Museum of Glass, Amie McNeel
presents an exhibition of works combining
glass and steel. McNeel is a professor at
the University of Washington in the Art
www.artaccess.com © JAN • FEB • MARCH 2013
Hardgrave, Gillian Theobald, and Claude
L. Utley, who have shared studio space
in close proximity to each other during
the past five years. This exhibit explores
individuality and proximity in the artistic
process. January 24-April 4.
• Georgetown •
Ned Mueller • “Gloucester Harbor”
oil on linen, 11 x 14 inches
Puget Sound Group of Northwest Painters
The Seattle Design Center • Georgetown / Seattle, WA
PUGET SOUND GROUP
OF NORTHWEST PAINTERS
@ THE SEATTLE DESIGN CENTER
5701 Sixth Avenue South, Suite 209 •
(425) 985-6279 • Mon-Fri: 9 A.M.-5 P.M.
• [email protected] • www.
psgart.org
Puget Sound Group
of Northwest Painters
Exhibition of fine art and sculpture by
some of the leading artists in the Puget Sound
region, representing an 83 year old tradition,
for the enjoyment of the viewing public.
Louise Durocher • “Ginger,” Plexiglas, 14 x 8.5 inches
Washington State Convention Center • Seattle, WA
WASHINGTON STATE
CONVENTION CENTER
800 Convention Place • (206) 695-5000 •
Daily: 5:30 A.M.-10 P.M. • [email protected]
• www.5after5.wordpress.com
Evolutionary: 5 After 5
This first joint exhibition of visual artists
Sue Danielson, Louise Durocher, Robert
• Phinney Ridge •
FRANCINE SEDERS GALLERY
6701 Greenwood Avenue North • (206)
782-0355 • Tues-Sat: 11 A.M.-5 P.M., Sun:
1-5 P.M. • [email protected] •
www.sedersgallery.com
Carolyn Staley
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SRG Gallery
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Seattle
Art
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Patricia
Rovzar
Gallery
SENECA
SECOND AVENUE
WESTERN AVENUE
Goldmine
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Seattle, Washington: Georgetown • Phinney Ridge
VETRI GLASS
1404 First Avenue • (206) 667-9608 •
Mon-Sat: 10 A.M.-6 P.M., Sun: 12-5 P.M. •
[email protected] • www.vetriglass.com
Vetri is the nation’s foremost exhibitor of
innovative new work in glass. Located one
block south of historic Pike Place Market.
Vetri is proud to showcase emerging talent
in glass art, as well as production work by
internationally renowned artists such as Dale
Chihuly, Preston Singletary, and Bertil
Vallien. Representing over 100 artists, offering
something for everyone at accessible prices.
VISUAL ART
Department’s 3D4M Program. March 7-31.
Concurrently Vashon-based Mark Bennion
shows his signature meditative paintings
and steel sculpture.
UNIVERSITY
SAM
Gallery
Abmeyer
+ Wood
Fine Art
Alley
ART ACCESS © 2013
FIFTH
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SIXTH A
SPRING
FOURTH A
www.artaccess.com © JAN • FEB • MARCH 2013
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Main Gallery:
Selah
Showing small drawings and oils on panel
works by Lauri Chambers. January 4-27.
Upstairs Gallery:
Portraits
Featuring photographs of jazz musicians
by Eduardo Calderón. January 4-27.
Main Gallery:
Presenting charcoal drawings by Pat
DeCaro. February 1-March 3.
Upstairs Gallery:
Displaying wood constructions by
Marc Wenet. February 1-March 3.
Main Gallery:
Showing Robert Dozono’s mixed
media on wood artworks with recycled
material and large watercolor drawings.
This is the first exhibition of Portland artist
and teacher Robert Dozono in Seattle.
March 8-31.
exploration, the expansion of community
and the exchange of ideas through art. Art
exhibited reflects the diversity of influences
s h a p i n g t h e Seattle community and
contemporary global culture. ArtXchange
Gallery presents rotating exhibitions by local
and international artists, as well as displays
of functional work and sculptural lighting.
CAFE PALOMA
“Seattle’s Mediterranean Bistro”
93 Yesler Way • (206) 405-1920 • MonSat: 9 A.M.-5:30 P.M., Dinner: Thurs-Sat:
6-9:30 P.M. • Open for First Thursday Art
Walk • www.cafepaloma.com
Seattle based photographer Donna
Moyer shows her images from Los Angeles,
Madrid, and Paris. Through January.
• Pioneer Square •
VISUAL ART
Seattle, Washington: Pioneer Square
Francine Seders Gallery listing continued…
Scott Travis • “Pale Rider,” etching
Collins Pub • Pioneer Square / Seattle, WA
Sharika • “Woman with Pear”
oil on canvas, 60 x 48 inches
ArtForte • Pioneer Square / Seattle, WA
ARTFORTE GALLERY & STUDIO
307 Occidental Avenue S. • (206) 748-0187
• Mon-Sat: 11 A.M-5 P.M., Sun: 12-5 P.M. •
[email protected] • www.artforte.com
Inner Glow
Group show highlighting works by
Rhonda Hill, Valerie Stuart, and J. P.
Charles Walsh. Reception: Thursday,
January 3, 5-9 P.M.
Blush
In February, featuring artist Sharika.
Reception: Thursday, February 7, 5-9 P.M.
Space and Time
Presenting a group show with works
by A. Dale Nally and Valerie Stuart.
Reception: Thursday, March 7, 5-9 P.M.
THE COLLINS PUB
526 Second Avenue • (206) 623-1016 • Daily:
11:30 A.M.-2 A.M. • www.thecollinspub.com
Print Objects
Showing nautically themed work by Sean
Smoot, exploring the definitions of plate,
print, and paper. January 1-February 2.
The prints and drawings of Scott Travis
investigate how the animal kingdom is
portrayed within the context of mythology.
February 4-March 30.
Snapshot
Through the illusory eyes of Polaroid
film, Seattle instant photographer Cory
Verellen shares his vision of reality through
photography. February 4-March 30.
ARTXCHANGE GALLERY
512 First Avenue South • (206) 839-0377
• Tues-Sat: 11 A.M.-5:30 P.M. or by
appointment, First Thursday: 11 A.M.-8 P.M. •
[email protected] • www.artxchange.org
ArtXchange Gallery is a contemporary
intercultural art gallery that inspires cultural
22
www.artaccess.com © JAN • FEB • MARCH 2013
CORE
117 Prefontaine Place South • (206) 467-4444
• Weds-Sat: 12-6 P.M. • [email protected]
• www.coregallery.org
Urban Artworks
As part of Core’s mission to support
under-represented groups and foster greater
art appreciation in the Seattle area, “Urban
Artworks” showcases work from both
teaching artists and youth employees—
focusing on crime and social justice.
Reception: Thursday, January 3, 6-9 P.M.
January 3-26.
Love, Angst, and Other Signs of Life
Scott Mayberry’s pop surrealistic
paintings investigate the tension between
passionate surrender and the institutions
built to protect us from freedom. Reception:
Thursday, February 7, 6-9 P.M. January
30-February 23.
Re-Vision
Showing new work in concrete and mixed
media by Therese Kunzi-Clark. Reception:
Thursday, February 7, 6-9 P.M. January
30-February 23.
Kuirejo Salato: A Healthy Kitchen
New furniture by David Carriere
presents an alternative to all those boxes.
4 Yards: Recordings and Meditations
New work by John Smither on
panel, canvas, paper, and TV. Reception:
Thursday, March 7, 6-9 P.M. February
27-March 30.
DAVIDSON GALLERIES
313 Occidental Avenue South • (206) 6241324 • Tues-Sat: 10 A.M.-5:30 P.M. or by
appointment • www.davidsongalleries.com
• [email protected]
Presenting photographs of Norman
Durkee and “The Dutch Landscape” show
of works by Grietje Postma. January 3February 2.
Presenting multi-media works by Stephen
Talasnik including contemporary prints,
collage, sculpture and video. February 7March 2.
New Prints
A contemporary exhibition of large scale
etchings by Jenny Robinson featuring
abandoned industrial sites. February 7March 2.
New Works on Paper
This new body of work by Dion
Zwiriner investigates the space between
representation and abstraction, using the
Northwest landscape as inspiration. Also on
view are recent drawings and sculpture by
J.D. Perkins. March 7-28.
FOSTER/WHITE GALLERY
220 Third Avenue South • (206) 622-2833 •
Tues-Sat: 10A.M.-6 P.M. • seattle@fosterwhite.
com • www.fosterwhite.com
Eternalism
Fresh with excitement from her most
recent book release, Bobbie Burgers’
exhibition, “Eternalism,” explores time,
place, light, and the ever shifting point of
view of the artist. All aspects of life change
with each moment, and Burgers embraces
these transitions with the elegant fluidity of
her bouquets. January 3-31.
Whole Cloth and Mirrors
Seattle native James Martin has been
sharing the stories of his outlandish mind
for decades. His paintings host a range of
characters, from Morris Graves and Picasso,
to a truck driving lion and a spaceship flying
cowboy. Will a potato be the star of the show?
Once can never guess. February 7-28.
Il Giardino
Jamie Evrard’s florals push towards
abstraction, as she aims to capture the
changes in our world and less the tangible
objects before her. March 7-30.
Madrone
C a m e r o n A n n e M a s o n ’s s e r i e s
“Madrone” honors the Madrone trees which
line Puget Sound’s shores. Their vibrant
colors and layered depth are captured in
carefully dyed, stitched, and constructed
textile sculptures. March 7-30.
Betty Sapp Ragan • “Boxed”
hand colored photo collage, 36.25 x 38.75 inches
Gallery 110 • Pioneer Square / Seattle, WA
GALLERY 110
110 Third Avenue South • (206) 624-9336
• Weds-Sat: 12-5 P.M. or by appointment
• [email protected] • gallery110.com
Looking Up
Mixed media artist Betty Sapp Ragan
creates large, hand colored photo collages
using Pre-Modern architectural decoration as
a basis for developing her artwork. Ragan’s
collages invite the viewer to experience the
craft of architectural decoration of earlier
days combined with embedded contemporary
portraits. First Thursday Reception:
January 3, 6-8 P.M. January 3-26.
3rd Annual Juried Exhibition
Juror Luis Croquer’s choice of new
work for this year’s exhibition demonstrates
an intrinsic alliance among artists. Gallery
110 provides dynamic opportunities to
established and emerging professional
artists in Seattle’s gallery district, Pioneer
Square. Art Walk Opening: Thursday,
February 7, 6-8 P.M. Artist Reception:
www.artaccess.com © JAN • FEB • MARCH 2013
23
Gallery 110 listing continued…
Saturday, February 9; 5-8 P.M., with
Juror presentation at 6 P.M. February
7-March 2.
Unnatural Selection
Roger Schurtleff art features
rediscovered creatures, both dangerous and
awkwardly beautiful. The field research
begins and the documentation is starting.
First Thursday Artwalk Opening: March
7, 6-8 P.M. March 7-30.
GALLERY4CULTURE
101 Prefontaine Place South • (206) 2968674 • Mon-Fri: 9-5 P.M., First Thursdays:
6-8 P.M. Closed weekends and holidays •
www.4culture.org
Images, objects, and video works reveal
a pivotal moment of insight in Stephen
Sewell’s art practice. Weaving personal
experience with public histories, the artist
exposes the failure to accurately convey
meaning through zealously collected
images and objects. There are contradictions
inherent in attempting to reconstruct history
from objects not originally intended to
serve as an accurate record of experience.
Through January.
Anthony Sonnenberg and Rodrigo
Valenzuela present a series of video
projections, photographs and sculptures
that try to shed light on the process of
discovering the truth about who we truly
are. Knowing oneself is elusive; ideas of
the self are multi-layered and contradictory.
There is a constant negotiation between past
and future; fantasy and reality; potential
and limitations. Through February.
Lost
This latest work in Mark Miller‘s
ongoing fifteen year project that uses
found film as the catalyst for his painting.
Appropriating imagery from a found
disposable camera, these paintings are
based on random shots (likely) taken by
kids on a road trip. Oddly framed snippets
of passing landscape provide unpredictable,
but welcome challenges for this Seattlebased painter. Through March.
GLASSHOUSE STUDIO
311 Occidental S. • (206) 682-9939 •
Mon-Sat: 10 A.M.-5 P.M., Sun: 11 A.M.4 P.M., First Thursday: 10 A.M.-8 P.M. •
[email protected] • www.
glasshouse-studio.com
Glasshouse Studio is Seattle’s oldest
glassblowing studio showcasing a wide range
of glass and custom lights with an emphasis
on Northwest artists. Open every day they
provide the unique opportunity to watch the
glassblowing process from start to finish.
List in Art Access
for a mere $35 per month
and reach 11,000 readers
24
GROVER/THURSTON GALLERY
319 Third Avenue South • (206) 2230816 • Tues-Sat: 11 A.M.-5 P.M., and by
appointment • [email protected] •
www.groverthurston.com
Gallery Artists
January 3-February 3.
In March featuring artworks by Deborah
Bell and Kenna Moser. March 7-30.
HANSON/SCOTT GALLERY
121 Prefontaine Place South, Tashiro Kaplan
Building • (858) 361-5385 • Weds-Sat: 11
A.M.-5 P.M., First Thursdays 5-8 P.M. •
[email protected] • www.
hansonscottgallery.com
Worship in Wax
Come see Patricia Baldwin Seggebruch’s
art that includes experimental encaustic
techniques. Seggebruch is a well known
encaustic teacher and has written two books.
Also on view are the “Alice Series” by
Claudia Zimmerman and the “Tea Series”
by Angela Bandurka.
Lucid
Suffused with light, Barbara De Pirro’s
exhibit spans all mediums including sculpture,
installation, and painting. Submerged in
the interplay between light & shadow, she
translates each, interconnecting her inner
world into reality. First Thursday Art Walk:
February 7. 5-8 P.M. Reception and Artist
Talk: Saturday, February 23, 5-7 P.M.
February 6-March 30.
Joseph Lavely • “Against the Lord of Wills”
oil on canvas, 80 x 60 inches
Joseph Lavely Studio/Gallery
Pioneer Square / Seattle, WA
JOSEPH LAVELY STUDIO/GALLERY
Tashiro Kaplan Building, 306 S. Washington
Street, #102 • (206) 679-7641 • First
Thursdays: 5:30-8 P.M., Fri-Sat: 12-5 P.M.,
and by appointment • josephlavely@gmail.
com • www.josephlavely.com
Mid-Career Retrospective
The acclaimed, large-scale oil paintings
of Joseph Lavely are on exhibit including
iconic works such as “A Fly’s Wing,”
“Against the Lord of Wills,” and “Raising
Them.” January 1-February 1.
www.artaccess.com © JAN • FEB • MARCH 2013
Everglades Power Lines
Charcoal drawings by Karen Sandy.
January 1-31.
powder-coated steel sculptural forms. First
Thursday Reception: March 7, 5-8 P.M.
Through March 30.
RAGAZZI’S FLYING SHUTTLE
607 First Avenue • (206) 343-9762 • Mon-Sat:
10:30 A.M.-6 P.M., call for Sunday hours •
flyingshuttleinc@qwestoffice.net • www.
ragazzisflyingshuttle.com
Since 1982 this has been Seattle’s venue
for contemporary woven apparel, an incredible
selection of novelty scarves, and unique
wearable items. This independent store features
a large collection of Northwest and nationally
recognized jewelers and textile artisans.
Ragazzi’s Flying Shuttle also offers affordable,
easy care clothing lines for work and travel.
Lyle Carbajal • “Lucky”
mixed media on wood, 48 x 48 inches
Joseph Lavely Studio/Gallery
Pioneer Square / Seattle, WA
Urban Primitives
Lyle Carbajal, known for his brut
work, returns from a long sojourn through
Latvia and Europe. New paintings presented
are based on his recent experiences. Joseph
Lavely exhibits his large canvases in
which archetypal characters wrestle with
adversaries, engage in mystic rituals, tangle
in primordial dance. Reception: February,
8, 5:30-8:30 P.M. February 7-March 2.
Living in a Myth: 8 Years in Japan
Exhibiting works reflecting the Joseph
Lavely’s rich experiences living at the foot
of Mt Fuji. The works incorporate gods and
goddesses, stone statuary, festivals, and vistas
of the port city of Numazu. March 7-30.
PUNCH GALLERY
119 Prefontaine Place S. • (206) 6211 9 4 5 • T h u r s - S a t : 1 2 - 5 P. M . o r b y
appointment • [email protected] •
www.punchgallery.org
Mason Dixon
A multi-media installation by Justin
Colt Beckman based on and inspired
by the Civil War. More dramatization
than reenactment, and featuring lots of
whiskey and gunpowder. First Thursday
Reception: January 3, 5-8 P.M. Through
February 2.
Cracked Prospects
Broken and floating ice shelves.
Broken metaphors and dreams. The
large semi abstract paintings in “Cracked
Prospects” by Cynthia Camlin look out at
ruins of ideas of landscape. First Thursday
Reception: February 7, 5-8 P.M. Through
March 2.
New Work!
Once again, Howard Barlow impresss
us with some wicked cool art. This
exhibition showcases his newest body of
work, likely manifesting itself as either
mixed-media drawings or else gun-riddled,
P. Williams • “Untitled Plane”
watercolor and ink, 11 x 14 inches
Room 104 • Pioneer Square / Seattle, WA
ROOM 104
306 S. Washington Street, #104 • (206) 9538104 • Weds-Sat: 10:30 A.M.-5:30 P.M. •
[email protected] • www.
room104gallery.com
Cluster F***
A site-specific Installation with related
paintings by P. Williams of Long Beach,
California. Williams gives us a “tornado”
of whirling airplanes, referring with dark
humor to life’s worst-case scenarios. First
Thursday Reception: January 3, 5-8 P.M.
Through February 16.
Adele Eustis • “Untitled in Gold Green”
oil on canvas, 40 x 20 inches
Room 104 • Pioneer Square / Seattle, WA
Adele Eustis and Edie Whitsett
Adele Eustis’ draws, paints, and builds
structures that reference nests, the potency
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CenturyLink
Field
1. ‘57 Biscayne
2. ArtForte
3. ArtXchange
4. Cafe Paloma
5. Core
6. Davidson Galleries
7. Flury & Company
8. Foster/White Gallery
9. Gallery 110
10. Gallery 4 Culture
11. Glasshouse Studio
12. Grover/Thurston Gallery
13. Hanson/Scott Gallery
14. Greg Kucera Gallery
15. Joseph Lavely Studio
16. Punch Gallery
17. Ragazzi Flying Shuttle
18. Room 104
19. Shift Studio
20. Soil
21. Women Painters of WA
ART ACCESS
ACCESS ©
© 2013
2010
ART
REPRODUCTION OF ART ACCESS MAP WITHOUT PERMISSION IS STRICTLY PROHIBITED.
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www.artaccess.com © JAN • FEB • MARCH 2013
Room 104 listing continued…
Jane Mayer • “Golden Wetlands”
oil on canvas, 20 x 30 inches
Women Painters of WA • Pioneer Square / Seattle, WA
WOMEN PAINTERS
OF WASHINGTON GALLERY
Columbia Center, 701 - 5th Avenue,
Suite 310 • (206) 624-0543 • Mon-Fri: 11
A.M.-4 P.M. • www.womenpainters.com
Celebration
Wo m e n P a i n t e r s o f Wa s h i n g t o n
celebrates over 80 years promoting the
individual growth for the female artist. With
“Celebration!,” a new traveling exhibition,
WPW continues this tradition by presenting
• Queen Anne •
Judith Larson • “Ziba,” oil on canvas
Fountainhead Gallery • Seattle, WA
Seattle, Washington: Queen Anne
SHIFT COLLABORATIVE STUDIO
Tashiro-Kaplan Arts Complex. #105,
306 S. Washington • Fri-Sat: 12-5 P.M.,
First Thursday: 6-9 P.M., or by appointment •
[email protected] • www.shiftstudio.org
New Work by Shift Members
In January 2013 artists from Shift
Collaborative Studio continue their annual
exploration of the theme “shift,” presenting
work by current and new members that
engage a wide range of questions and
creative concerns. Featuring original work
in a variety of media and showcasing the
shifting practices. January 3-February 2.
Observation and Apprehension
Dawn P. Endean says of her art, “My
work is inspired by nature and informed
by my studies in archaeology/biology. I
am fascinated by organic structures viewed
on both micro and macro levels. My work
seeks to explore the world as seen through
the lens of scientific inquiry and to portray
the poetic mystery.” February 7-March 2.
Unblocked
This exhibition by Ed McCarthy and
Carmi Weingrod presents wood, steel
sculpture, prints, and print constructions.
March 7-30.
high quality artwork by its members,
that travels throughout the state through
July 2013. Barbara Matilsky, curator of
the Whatcom Museum, is the juror for
this prestigious exhibition. Reception:
Thursday, January 10, 11 A.M.-2 P.M.
January 8-February 22.
Anthology
Wo m e n P a i n t e r s o f Wa s h i n g t o n
members explore their own interpretations
of their chosen subject. Landscape, still life,
figure and abstract come to life in a variety
of mediums—oil, watercolor, acrylic,
and more. Come visit this diverse and
stimulating show. February 26-May 31.
VISUAL ART
of which may lie in evoking feelings of
comfort, security and refuge. Eustis uses
color, line, light and texture to imply the
delicate, precious, and evolving nature
of place. Edie Whitsett’s love of ancient
imagery and the Madonna image, especially
in Easter Orthodox icons, inspired her to
paint a series of her own encaustic “icons.”
Opening: Thursday, February 21. First
Thursday Reception: March 7, 5-8 P.M.
Through March 30.
FOUNTAINHEAD GALLERY
625 W. McGraw Street • (206) 285-4467 •
Thurs-Fri: 11 A.M.-6 P.M., Sat & Sun: 125 P.M. • [email protected] •
www.fountainheadgallery.com
U y e n Tr a n G j e r d e c r e a t e s a n
expressionist style of figure paintings often
containing a hint of fantasy, surrealism
or magical feeling. Reception: Saturday,
January 5, 5-7 P.M. January 3-27.
Emotional, surreal, quiet, narrative,
dreamy views of light, approaching abstract,
light-infused, ethereal. These words describe
Bergen Rose’s landscapes as they reflect
aspects of humanity that are often invisible.
Reception: Saturday, January 5, 5-7 P.M.
January 3-27.
Born out of awe for our natural world,
D. Jordan Parietti’s work seeks to explore
still moments in the landscape and celebrate
quiet ways we bring nature home. Reception:
Saturday, February 2, 5-7 P.M. January
31-February 24.
Hamid Zavareei’s paintings depict
desire and yearning to experience freedom
as in a dream where we transcend boundaries
inherent in earthly existence. Reception:
Saturday, February 2, 5-7 P.M. January
31-February 24.
Sharon Kingston explores Rilke’s
poem “Entering” regarding the mystery
of life creating abstract oil landscape
www.artaccess.com © JAN • FEB • MARCH 2013
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paintings filled with sensory and subjective
allure. Reception: Saturday, March
2, 5-7 P.M. with music by guitarist
Omar Torrez. February 28-March 24.
Judith Larsen’s oil portraits honor the
courage and dedication of female journalists
who paid the ultimate price in the line of
duty. Reception: Saturday, March 2, 5-7
P.M. February 28-March 24.
• SODO •
Cathy M. Woo Studio • SODO / Seattle, WA
CATHY WOO ART STUDIO
Sunny Arms Artists Studios, 707 South
Snoqualmie Street #1A • [email protected]
• www.cathymwoo.com • Studio visits by
appointment, please call (206) 250-9123.
Solo Show in February 2012 at Mind
Unwind Gallery in West Seattle. For more
info see: www.mindunwind.org
• South Lake Union •
VISUAL ART
Seattle, Washington: SODO • South Lake Union • University District
Fountainhead listing continued…
artist Trimpin in his studio
Winston Wächter Fine Art • Seattle, WA
WINSTON WÄCHTER FINE ART
203 N. Dexter Ave. • (206) 652-5855 •
Mon-S at: 1 0 A . M . - 5 P. M . and b y
appointment • www.winstonwachter.com •
[email protected]
Klavier-Stucke (Piano Pieces)
Winston Wächter Fine Art is pleased to
present a sound and art installation by local
artist Trimpin. See, hear, and experience this
exhibition. January 15-February 28.
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• University District •
HENRY ART GALLERY
15th Avenue NE & NE 41st Street • (206)
543-2280 • Weds, Sat, and Sun: 11 A.M.-4
P.M.; Thurs & Fri: 11 A.M.-9 P.M.; Closed:
Mon, Tues • $10 general admission, $6 Seniors
(62+), Free to Henry Art Gallery Members,
U.W. students, faculty, and staff with ID, and
children age 13 and younger • info@henryart.
org • www.henryart.org
Now Here is also Nowhere: Part II
The second installment of our two-part
exhibition is a meditation and a non-linear
account of how, in making artworks about
ideas and intangible concepts, artists question
and destabilize the nature of the object and
remind us to question and address how the
mind, body, and soul are central to artistic
practice. January-April.
Out [o] Fashion Photography:
Embracing Beauty
Through the themes of idealized beauty,
the unfashionable body, the gendered image,
and photography as memory, “Out [o] Fashion
Photography: Embracing Beauty” challenges
conventional perspectives on beauty and
reveals that the camera remains a powerful
device for exploring how we see others and
view ourselves. March-August.
New Exhibitions:
Harris and Lewis Shacks, Sean Scully.
February-June.
The Dousing. February-May.
“A Compendium of Ideas” by Paul
Laffoley. Spring.
Ongoing Exhibitions:
Pipilotti Rist’s immersive projection “A
la belle étoile.” October-March.
“Like a Valentine: The Art of Jeffry
Mitchell” is a retrospective of Jeffry
Mitchell’s work. Through January.
JACK STRAW NEW MEDIA GALLERY
4261 Roosevelt Way NE • (206) 634-0919 •
Mon-Fri: 9 A.M.-5 P.M. • [email protected]
• www.jackstraw.org
Amber Cortes: Signal to Noise:
Imagined Frequencies
of Radiophonic Space
Four imagined radio stations are to be
transmitted from four different radios, each
station a testament to how free form radio
space can be re-imagined, re-purposed, and
revitalized. Reception: Friday, January 25,
7 P.M. Artist Talk: Friday, February 15, 7
P.M. January 25 - March 8.
Lost Long
A long distance love affair with a western
landscape recounts days together, imagines
reunions, and tries to make real what is distant.
With this new installation, Ruth Marie
Tomlinson explores the horizontal space of
rural Montana. Reception: Friday, March
15, 7 P.M. March 15-May.
www.artaccess.com © JAN • FEB • MARCH 2013
THE ART STOP
940 Broadway • (253) 274-1630 • TuesFri: 9:30 A.M.-8 P.M., Sat: 9:30 A.M.4:30 P.M., Third Thursdays 9:30 A.M.8 P.M. • [email protected] • www.
artstoptacoma.com
Established in 1996, The Art Stop
features fine, handmade American craft,
representing artists from the Pacific
Northwest as well as artists from around the
country. With a special interest in ceramics,
the gallery showcases a variety of media
including jewelry, wood, glass, and fibers.
Showing artist noted Northwest ceramist
Ken Stevens. January-February 23.
Mesolini Glass Studio returns to
Tacoma with its fabulous functional fused
glass. February 21-March 23.
Upcoming in April, join The Art Stop for
the Arfs & Craft! For more information,
visit www.artstoptacoma.com.
S H O R E L I N E
SHORELINE COMMUNITY COLLEGE
C o l l e g e A r t G a l l e r y, B u i l d i n g
(1000), 16101 Greenwood Avenue N.
• (206) 546-4101 x4433 • Mon-Fri: 9
A.M.-4:30 P.M. • nniblack@shoreline.
e d u • w w w. s h o r e l i n e . e d u / g a l l e r y
A Beautiful Day in Paradise
Fred Holcomb’s paintings recall the
realist tradition of nineteenth century
painters like George Catlin and Carl Bodmer,
whose work helped create the ideology of
the American Dream. Holcomb’s paintings,
however, depict a landscape observed from
the traveling car—a landscape passed by
rather than passed through. Reception:
Saturday, January 12, 5-7 P.M. January
7-February 1.
Views
Ann Chadwick Reid’s cut black paper
silhouettes reflect the tensions created by
t.
6th S could or
vying perceptions of howS land
should be used. Her work addresses the
struggle in her rural community to see existing
landscape as pristine environment, a valley
for farming or
an opportunity
for
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THIRD
THURSDAY
ARTWALK
(Self-Guided Tour)
5-8 P.M.
I
1. The Art Stop
The Art Stop
Broadway
S 21st St. N. 25th St.
N. 25th St.
Commerce St.
S 13th St
Market St.
N. Washington St.
N. Adams St.
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13th St.
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2. Proctor Art Gallery
3. Tacoma Art Museum
3. Tacoma Art Museum
ART ACCESS © 2011
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© written
JAN • FEB
• MARCH
2013 prohibited
Reproduction
without Art Access’
permission
is strictly
Tacoma, Washington Map
S 9th St.
Fawcett Ave.
T A
PROCTOR ART GALLERY
3811 N. 26th Street • (253) 759-4238 •
Mon-Sat: 10 A.M.-6 P.M., Sun: 11 A.M.5 P.M., Third Thursday for Art Walk until
8 P.M. • [email protected] • www.
proctorartgallery.com
January features versatile artist Carolyn
Burt with
Old City her new detailed black and white
Hall
scratch board engravings and chalk pastel
7th St.
drawings exhibited. You will also find some
West Seattle • Shoreline • Tacoma, Washington
T A C O M A
VISUAL ART
growth. Reception: Thursday, February
7, 3:30-4:30 P.M. February 4-March 1.
Black and White
In her profession as a mental health
counselor and in her 30 year passion for
ceramic, Judith McCarthy celebrates
contrasts. Her exquisitely crafted ceramic
vessels in porcelain and raku are variations
on the theme of black and white, and, as
in her profession, she explores the endless
possibilities. Reception: Saturday, March
2, 5-7 P.M.
• West Seattle •
ARTSWEST PLAYHOUSE & GALLERY
4711 California Ave. SW • (206) 938-0339 •
Tues-Sat: 12-7 P.M. • susannabl@artswest.
org • www.artswest.org
In the Mind and on the Street
This three-person exhibition features
paintings by Justin Behnken, photographs
by Fabienne Rideti, and mixed media
work by Ryan Doran. Reception & Artist
Talk: Thursday, January 10, 6-7:30 P.M.
Through February 9.
Supplemental Geology
Presenting work by Tamara Stephas,
Stacey Neumiller, Mary Molyneaux, Patty
Haller, and Patri O’Connor. Reception &
Artist Talk: Thursday, March 14, 6-7:30
P.M. February 12-April 6.
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VISUAL ART
Twisp • Vashon Island, Washington
Proctor Art Gallery listing continued…
of her acrylic paintings on display. Don’t
forget to join us for Proctor Art Gallery’s 4th
Year Anniversary Celebration on Saturday,
January 26, from 2-6 P.M. with door prizes,
refreshments, entertainment, and surprises.
In February, watercolorists Andrea
Greenfield and Bonnie Cargol are shown.
Greenfield’s tropical birds, florals, and
whimsical moon and fairies are sure to delight
your senses. Cargol’s realistic and highly
detailed landscapes transport your mind to
tranquil surroundings and soothe the soul.
Check out Proctor Art Gallery’s website
for details on the Proctor District Chocolate
Fest activities and PAG sweetheart gifts!
In March, Gary LaTurner’s exhibit
of figure life drawings and paintings are
featured. LaTurner brings a blend of the
abstract and impressionism which captures
the essence of his subjects. LaTurner has
won numerous awards. Sharon Crocetti,
also featured, specializes in realistic
portraiture and life drawings using conté
crayon, chalk, and charcoal, as well as oils.
TACOMA ART MUSEUM
1701 Pacific Avenue, Tacoma, WA • (253)
272-4258 • Weds-Sun: 10 A.M.-5 P.M.,
Thursdays 10 A.M.-8 P.M., Free Third
Thursdays: 5-8 P.M. • Open Memorial Day,
Independence Day, and Labor Day • Adults
$10; Military, Students, & Seniors (65+) $8,
Family $25 (2 adults & up to 4 children under
18), Children ages 5 and younger are free •
www.TacomaArtMuseum.org
Memories and Meditations
The first U.S. retrospective of Michael
Kenna’s photography in more than 20
years, the exhibition explores his ongoing
investigations of special locations around
the world. His signature style evokes a
sense of timelessness that underscores
the intimate connections of history and
geography. Organized by Tacoma Art
Museum. Through March 24.
Andy Warhol’s Flowers for Tacoma
Flowers for Tacoma exemplifies
the nature of pop art, where something
commonplace—like a flower—is transformed
into art. Exhibition highlights include Andy
Warhol’s audacious floral proposal for the
Tacoma Dome, as well as paintings, studio
photographs, and almost a dozen screen
prints from his vibrant “Flower” series.
Through February 10.
Best of the Northwest:
Selected Paintings from the Collection
Ranging in date from the 1930s to
today, these selections from Tacoma Art
Museum’s collection reveal abiding interests
in the figure, the Northwest landscape,
the vocabularies of abstraction, and how
approaches to those themes have changed by
artist and time period. Through March.
T W I S P
CONFLUENCE GALLERY
AND ART CENTER
104 Glover St. • (509) 997-2787 • Weds-Sat:
11 A.M.-6 P.M. • info@confluencegallery.
com • www.confluencegallery.com
Anonymous
Featuring unsigned, 10 x 10 inch works,
selling for $100. This exhibit offers artists
a level playing field with art being judged
more on merit than name recognition.
“Anonymous” opens doors to emerging
artists and novice collectors as well as
flourishing artists and patrons. Opening &
Reception: January 12, 4-8 P.M. January
12-March 15.
VASHON ISLAND
VASHON ALLIED ARTS GALLERY
19704 Vashon Hwy. SW, in the historic Odd
Fellows Hall (located two lights from the
Northend ferry) • (206) 463-5131 • MonFri: 10 A.M.-6 P.M., Sat: 12-5 P.M. • www.
vashonalliedarts.org
Vashon artist Ken Judd uses recycled
materials to breathe new life into dead wood
with his “antique pop art.” Seattle artist
Linda Horsely combines thin layers of oil
paint, figure drawing, and ribbons of time
to connect people and nature in her work.
Opening: Friday, January 4, 6-9 P.M.
Karen Frank’s brilliant “rustscapes”
derived from human and natural beach
elements culminate in abstract realism.
Kenneth Susynski’s mixed media and
oil paintings offer pastoral abstractions,
montages of old and new paintings,
reassembled to create fresh land/cityscapes.
Opening: Friday, February 1, 6-9 P.M.
Coinciding with their Arts & Humanities
lecture, slated for March 24, well known glass
artists Sabrina Knowles and Jenny Pohlman
show their sculptural mixed media works in
this rare exhibition. Knowles and Pohlman are
joined by several emerging artists. Opening:
Friday, March 1, 6-9 P.M.
Artist Online Premium Profile
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