issue - Howard Rosen`s Blog
Transcription
issue - Howard Rosen`s Blog
BILLBOARD.BIZ/NEWSLETTER / EDITED BY MIKE STERN TEST, TEST, TEST, TEST. INSIDE SEPTEMBER 6, 2012 | PAGE 1 OF 9 Want Better Radio Spots? Stop Yelling And Start Relating Billboard adjusts the sales-to-airplay ratio on the Canadian Hot 100, Ali Slaight gives a lesson on chart success Simplewhile still in school, and Montreal's Suggestions High Dials come into their own. All this and more For No-Cost Far toonews often we failbe to reward charts, Marketing analysis and industry can foundbusinesses who choose to spend their precious marketing money on our stations. In>page 3 the image by clicking onto below. Marshall says. “It just sounds fake.” stead of taking the time to produce attention-getting, creative START WITH SOUND SOLUTIONS commercials for them, we trust the success of their advertisMarshall began her new job by requesting a number of spots from ing campaigns to one incredibly overworked, often barely Cumulus’ 114 production directors, and is planning to include Summer Of Sad trained production person the best ones in a library both Songs Ends At Top 40 who’s responsible for overproducers and sales people >page 3 seeing all the commercial can use for reference. produc t ion for a n ent i re She was pleasantly surcluster of stations. prised by the quality of the CLICK Secrets Of “It takes so much energy to spots—especially from the HERE An Adult Top 40 bring a new client to air and company’s smaller- and mePromo Person then, so often, we kill them dium-market stations—and >page 4 off in 30 this days with badly writis building a list of people On your mobile or PDA? Access story, breaking news copy,” says Dr. Greg Cyin the company whose work and 24/7 industry news byten typing mobile.billboard.biz naumon, president/creative stood out. “I’m really imin yourFlo mobile browser. Rida’s director of ROI Media, which pressed, and not just because ‘Whistle’ Blows Back To No. 1 specializes in direct-response I am on the payroll,” she says. On Hot 100 and endorsement advertising But she also identif ied Follow>page Billboard.biz 5 for radio and TV. several areas for improveCynaumon and veteran Both Cumulus Sound Solutions production manager Robin ment, starting with the numEditorial Contacts: Tomproduction/voice-over Roland and Wade Jessen tal- Marshall and ROI Media president/creative director Dr. Greg ber of commercials that yell TobyMac ent Robin Marsha l l (who Cynaumon say radio commercials would be more effective if at the audience, which are First SalesNotches Contact: Lee Annrecent Photoglo ly joined Cu mu lus they related to the audience instead of yelling at them. most prevalent among auto Billboard 200 Broadcasting as production dealer and nightclub spots. Leader >page 5 manager of Cumulus Sound Solutions, a new division inMarshall feels that shouting is a habit the industry desperately tended to serve as a commercial production resource for the needs to break. “People are already being yelled at by their bosses company’s radio properties) say that great radio spots talk to and kids. They don’t need the radio doing it too.” listeners instead of at them. She says producers should strive to be natural and avoid sound“So many spots sound like they are trying to convince you,” ing contrived. “The age of announcing is gone. The realistic kind BILLBOARD TOP 40 UPDATE of read is what’s in; the human approach, not the announcer.” Sounding natural can mean anything from not editing out every breath so conversation has a normal cadence to laughing in the middle of a spot. “If you are lucky enough to have someone who can really tell a story in 30 or 60 seconds when they laugh, giggle, pause or hiccup, it’s real.” It also means staying away from catchphrases, not repeating copy over and over, and not overdosing on sound effects MIKE STERN and production elements. Instead, Marshall suggests focusing EDITOR on when to turn down the volume on sound effects and even [email protected] using silence to accentuate important copy points. Another caveat: Avoid phone numbers. “Most people are not going to write down a number. They are going to listen for the site and go online. It’s just my opinion, but I’ve never agreed with putting phone numbers in spots since the Web became so prevalent.” Along with being natural, to create a truly great campaign, Marshall says spots have to be unique to grab the listener’s attention. “Normal or mundane won’t catch anybody’s ear anymore. They are numb to it.” To find inspiration Marshall looks at the websites of businesses that are similar to the one she’s building a spot for to get a feel for the industry. Then she sets out to create an emotional hook—something that tugs at the heart strings and makes the listener feel or want something. For example, instead of a Valentine’s Day spot for a f lorist that says, “You should buy a dozen roses,” it’s more moving to hear a women say, “I’d be happy if my husband brought me even one rose this year.” PAGE 2 OF 9 Interscope recording artist Zedd (right) recently stopped by Clear Channel dance/top 40 WKTU (103.5 KTU) New York to discuss his new single “Spectrum” with host Hollywood Hamilton. For example, at some point in time, nearly everyone has worried about being the victim of a crime. Cynaumon tapped into that when he was creating a spot for Lifelock, a service that protects people from identity theft. In the spot he told the story of a woman who not only had her identity stolen but unexpectedly wound up face to face with the thieves. “Everyone has had some anxiety about a crime or been in a place that made you nervous,” he says. “Once we tackled that, the advertising took off.” Of course not every product presents such an obvious shared experience to work with. So to conquer a challenge like helping his client BuildDirect. com sell flooring, Cynaumon set out to understand everything about the target audience by discussing it in depth with his client. He says just knowing that the average site visitor is a 39-year-old female isn’t enough. Dig deeper: What does she drive? How many kids does she have? How does she dress? What does she do during the day? That type of detailed information is what can help reveal a shared experience. While the BuildDirect.com spot also returned to the emotion of anxiety (touching on the lack of customer service at big-box hardware stores and outdated flooring at liquidators), not every spot has to rely on paranoia—you can push a lot of other emotional buttons. For ShoeMint.com, a club where women can buy designer shoes at reduced prices, Cynaumon tapped into the emotions women experience when they find a perfect pair of shoes. The copy reflected the feeling women get when their right foot glides into the most elegant shoe they’ve ever tried on and how hard it is not to smile at that moment, an experience the type of customers who join ShoeMint can relate to. He notes that the copy specifically mentioned the woman’s right foot because the majority of people try on the right shoe first. While that may seem minor, attention “The age of announcing is gone. The realistic kind of read is what’s in; the human approach, not the announcer.” —ROBIN MARSHALL Of course one of the most powerful emotions to use is humor, “Often that’s what listeners will remember and associate with the advertiser. Look at most Super Bowl commercials—they are very humorous.” THEN TRY APPLYING ADCOLOGY Cynaumon, who holds a Ph.D in psychology, takes Marshall’s belief that ads need an emotional hook a step farther by focusing on what he calls shared experiences, feelings that nearly everyone in the audience can relate to. This is part of a practice he calls “adcology,” which, according to his website, is defined as “the total integration of advertising and psychology for the express purpose of decreasing consumer resistance while creating immediate action.” BILLBOARD TOP 40 UPDATE to such details can make a spot much more realistic. It’s also important to focus on the other senses. For ShoeMint that meant recreating the sounds of an upscale shoe store with classical music and muted female laughter; a very different soundscape than re-creating the feel of a mall store. “You could almost smell great leather when you heard it.” In the end though, he says the key to success is relating to the listener. “Don’t envision your audience as 18 million people. You’ll never hit anyone that way. Instead, focus on a person that is the absolute target. Envision one person and talk to her.” OUTSIDE INFLUENCES: THE VALUE OF CROSS-PROMOTING Each week in Outside Inf luences we’ll share a piece of advice you might not have seen because it’s from someone outside of the world of radio and records. In a recent interview with Entrepreneur, Allison O’Neill, owner of children’s retail shop Bundle, talked about how to promote without money. One tactic she suggested is teaming with complementary businesses to share space in each other’s email blasts. She says partnering with other businesses has definitely helped build awareness of Bundle. For radio stations that lack marketing budgets, O’Neill’s suggestion could be a no-cost road to increasing audience. Consider partnering with nonprofit organizations or advertisers to spread the word about your station. NEWS AND NOTES • Green Day is helping Nokia launch a music streaming service that gives con- • • • • sumers unlimited access to a catalog of more than 17 million songs. Billboard. biz reports that the band is creating special playlists to help launch the service and will play a special kickoff concert. Even though it’s called the 2050 tour Wiz Khalifa is actually playing more concert dates in 2012, according to a Billboard.com article. Tickets for the dates, which begin in mid-October, are being sold through Khalifa’s website. A little more than 60% of Americans feel that they will be the ones to decide when they leave their current job, a number that’s down 12% in recent months. According to a Rasmussen study, 20% of respondents feel it will be their boss’ decision that will lead to them exiting their position. Across a three-month period ending in July, an average of nearly 40% of all mobile subscribers accessed a social media platform from their device. That number is up from just over 30% in the same period last year, according to a Marketing Charts article. The 2012 Country Music Award nominations include a few familiar names for top 40 fans: Taylor Swift received three nominations, Kelly Clarkson is up for female vocalist of the year, and Snoop Lion (previously known as Snoop Dogg) made the list for “Roll Me Up and Smoke Me When I Die,” his collaboration with Willie Nelson, Kris Kristofferson and Jamey Johnson. See the entire list of nominees at Billboard.biz. When Ryan Seacrest visited his hometown of Atlanta last week, he made a surprise appearance at an Enrique Iglesias/Jennifer Lopez show to announce the launch of Power 96.1. The new Clear Channel mainstream top 40 outlet will, of course, carry his syndicated show. PAGE 3 OF 9 The CHRonicler THE FUN (WITHOUT THE .) MIGHT BE COMING BACK To paraphrase William Shakespeare, now is the summer of our discontent. Never has so much airtime been given to so many songs about people so miserable. Or so it seems. If the summer of 2012 proved anything, it was that top 40’s success isn’t dependent on party rocking. Rihanna spent her summer vacation looking for the other half she never found. Gotye, Maroon 5 and Katy RICH APPEL Perry wallowed in post-breakup agony or catharsis. [email protected] Ellie Goulding broke big with a song about her fear of the dark. At least we had Flo Rida to “Whistle” past the graveyard. Like your CHRonicler, KHTT (K-Hits) Tulsa, Okla., PD Jet Black wonders why. Taking note also of the hits this summer from fun., Kelly Clarkson, Alex Clare and Jason Mraz, Black says: “This summer was different. Maybe [it’s] that many PDs are less guarded with music decisions than they used to be, because of the sheer number of ways our audience can access this stuff.” This is not to say that prior to 2012 and those other ways of accessing music, every warmweather song in power rotation was as bright as the summer sun. For some reason, summers in years ending in “2”—like this one—produce big hits that go against the grain. Ten summers GOTYE ago it was Nelly’s “Dilemma” and Avril Lavigne’s “Complicated.” In the summer of 1992, dance queen Madonna topped the chart with a ballad; summer ’82 gave us a breakup duet that must be on Gotye’s iPod: the Human League’s “Don’t You Want Me.” Going further back, the song that ruled the summer of 1972 featured its singer contemplating suicide (Gilbert O’Sullivan’s “Alone Again [Naturally]”). The good news is relief may be on the way in the form of a couple of video sensations from—no surprise lately—outside the United States. It’s also not a shock that YouTube leads this charge after what “Call Me Maybe” did to resuscitate music video as a springboard for top 40 success. One of these is “Gangnam Style” by Korean rapper Psy, who’s the main reason I’ll be watching tonight’s Video Music Awards (otherwise known as MTV’s one night a year to pretend it’s still the old MTV). If 103 million views of “Gangnam” or Scooter Braun having signed Psy won’t convince you, maybe the toughest judges there are at Teens React will. One of those kids said “Gangnam” “could be the new Dougie.” “Bom Bom,” the recent U.K. No. 1 single by Sam and the Womp, may also have import potential. Like “Gangnam,” it’s fun and unusual, and the PSY video is “out there.” If Train’s current hit can feature a mariachi band, then there’s room for this eight-piece combo that plays what can best be described as Balkan electro-ska. Either or both could brighten top 40 in the coming months if PDs heed Black’s advice: “Don’t be afraid of it if your audience is already consuming it.” •••• BILLBOARD TOP 40 UPDATE PAGE 4 OF 9 with Wendy Goodman (@WendyDG) format is dominating. by MIKE STERN l Sometimes we can get too hyper-focused on our format and forget to look at what’s happening outside the world of top 40 radio. But every once in a while it’s probably smart to peek over the fence and see what’s going on in the world of adult top 40. So when RCA Records promoted Wendy Goodman to VP of promotion for West Coast operations and adult music, it seemed like the right time to check in with her and get a fresh perspective on what’s going on in her world. Goodman has a long history in the business. She started with Maverick Records and C2/Columbia before joining RCA 12 years ago. She took over as VP of promotion for adult formats in 2006 and just recently added oversight for the West Coast. l 1 What are the biggest challenges the label is facing today? The product f low is continually at a high volume, so it is critical to continue to manage and strategize our releases. We all live in such a highly competitive environment, our goal is to give ourselves the best opportunity to be successful on the charts by ma- neuvering the schedule in a manner to win with our records. l 2 What’s one interesting trend you’re noticing at adults top 40 radio? Since you only asked for one, I must say how exciting it is to see the boost in ratings for hot AC radio. There are so many more markets now where the 3 What record did you have the most fun working this year? The most fun for me so far this year has been P!nk’s “Blow Me (One Last Kiss)” because I have been a real fan since the beginning of her career, so now it is a true honor to work her records. P!nk is obviously an incredible talent, but she is also unbelievably refreshing because of her openness and honesty. She also has one of the most magnetic personalities I have ever been around. I can’t wait for everyone to hear her upcoming album, The Truth About Love, coming out Sept. 18. 4 What’s the best way for l impactful way to communicate. Excitement and passion are best in the verbal form. Bolding and exclamation points in an email just don’t have the same effect. l 5 Tell us something that most people don’t know about you. I have an incredible baseball card collection from the ’70s and ’80s. I don’t necessarily know which are most valuable, but I have cards spanning most of the careers of players like Steve Garvey, George Brett, Pete Rose, Mike Schmidt, Reggie Jackson, Carl Yastrzemski, Fernando Valenzuela, Rod Carew and Ozzie Smith. l 6 Name one RCA artist that you predict is going to be big for adult top 40 this fall. Walk the Moon. •••• radio folks to communicate with you? There are obviously many ways to communicate today that are both instant and efficient—email, instant messenger, tex ting, Facebook, Twitter—but nothing beats a telephone call. A phone conversation remains the WALK THE MOON most authentic and OCTOBER 24-25, 2012 W HOLLYWOOD The ONE & ONLY place to network with the hottest music supervisors, composers, directors, songwriters and producers in the business. Purchase your ticket today and save! Use code BIZ12 to save $50. FilmAndTVMusicConference.com BILLBOARD TOP 40 UPDATE PAGE 5 OF 9 BULLET POINTS “Never” spends a third week at No. 1 on Hot Digital Songs with 253,000 downloads sold (down 18%). Despite its downturn, “Never” passes 1 million sold since its release (1.2 million). On Hot 100 Airplay, “Never” bounds 13-10 (71 million, up 6%) in its fourth week. The ascent to the Hot 100 Airplay top 10 marks Swift’s fastest, besting her five-week climb with “Mine,” the lead single from her last studio album, Speak Now, in 2010. “Never,” Swift’s fifth Hot 100 Airplay top 10, previews her fourth studio set, Red, due Oct. 22. With the Hot 100 points gap between “Whistle” and “Never” slim, streaming helps decide the winner. While “Whistle” ranks at No. 2 on On-Demand Songs, “Never” has not yet been made available to subscription streaming services that also contribute to the Hot 100’s data sources. Thus, it does not yet rank on the OnDemand Songs streaming chart. by GARY TRUST, KEITH CAULFIELD Flo Rida’s ‘Whistle’ Returns To No. 1 On Hot 100 Flo Rida’s “Whistle” returns to the top of the Billboard Hot 100 for a second week at No. 1, pushing Taylor Swift’s “We Are Never Ever Getting Back Together” down to No. 2 after two weeks in charge. After first leading the Hot 100 three weeks ago, “Whistle” returns to the top perch, fueled by a 5-3 rise on Hot 100 Airplay (89 million, up 10%, according to Nielsen BDS). It slips 3-4 on Hot Dig- ital Songs (161,000, down 10%, according to Nielsen SoundScan) and holds at No. 2 on On-Demand Songs (751,000 on-demand streams, down 3%, according to BDS). “Whistle” wins a close race with Swift’s “Never,” as the former song decreases by just 1% in overall Hot 100 points and the latter slides by 11%. Once again, sales for “Never” drop, while the song’s radio airplay continues to surge. BIG MAC: For the first time since 1997, and only the third time ever, a Christian music album is No. 1 on the Billboard 200, as TobyMac scores his first leader with Eye on It, which bows with 69,000 copies, according to SoundScan. A Christian set had last led the Billboard 200 on Nov. 1, 1997, when LeAnn Rimes’ You Light Up My Life—Inspirational Songs spent its third and final week on top. Prior to Rimes’ reign, the only other Christian effort to crown the Billboard 200 was Bob Carlisle’s Butterf ly Kisses (Shades of Grace), which tallied a pair of weeks at No. 1 earlier in 1997, fueled by its hit title track. Although making his first trip to No. 1, TobyMac isn’t a stranger to the upper reaches of the Billboard 200, as Eye on It is his third top 10. As part of the trio dcTalk, he also charted five albums, including the No. 4-peaking Supernatural in 1998. Secular audiences might remember dcTalk best for its song “Between You and Me,” which reached No. 15 on Mainstream Top 40 in 1996. INDIE ALANIS: Alanis Morissette scores her sixth Billboard 200 top 10, as Havoc and Bright Lights enters at No. 5 (33,000). The set is the singer/songwriter’s first since leaving Maverick/Warner Bros. (where she had spent her entire U.S. career), as it was released through Collective Sounds via RED Distribution. First single “Guardian” reached No. 27 on Adult Top 40 and has sold 74,000 downloads, according to SoundScan. •••• TobyMac attacks. MAINSTREAM TOP 40 PANEL — 140 STATIONS Albany, N.Y. Albuquerque, N.M. Allentown, Pa. Atlanta Atlantic City, N.J. Augusta, Ga. Austin, Texas Bakersfield, Calif. Baltimore Beaumont, Texas Birmingham, Ala. Boise, Idaho Boston Buffalo, N.Y. Burlington, Vt. Canton, Ohio Charleston, S.C. Charleston, W. Va. Charlotte, N.C. Chattanooga, Tenn. Chicago Cincinnati Cleveland Colorado Springs, Colo. Columbia, S.C. Columbus, Ga. Columbus, Ohio Corpus Christi, Texas Dallas Des Moines, Iowa WFLY KDLW KKOB WAEB WWWQ WAYV WHHD KHFI KKXX WZFT KQXY WQEN KSAS WXKS CFLZ WKSE WXXX WDJQ WSSX WVSR WHQC WNKS WDOD WKSC WKFS WAKS KKMG WNOK WCGQ WNCI KKPN KHKS KLIF KKDM Detroit Louisville, Ky. WKQI WDZH WWCK WXKB WJFX WYKS WHTS WSNX WIXX WKSZ WMKS WKZL WERO WFBC WHKF WKSS KKHH KRBE WZYP WNOU WYOY WAPE WNWW WAEZ KMXV WWST KSMB WLAN WJIM KFRH KLAL KAMP KIIS WDJX Madison, Wis. WZEE Flint, Mich. Ft. Myers, Fla. Ft. Wayne, Ind. Gainesville, Fla. Grand Rapids, Mich. Green Bay, Wis. Greensboro, N.C. Greenville, N.C. Greenville, S.C. Harrisburg, Pa. Hartford, Conn. Houston Huntsville, Ala. Indianapolis Jackson, Miss. Jacksonville, Fla. Johnson City, Tenn. Kansas City Knoxville, Tenn. Lafayette, La. Lancaster, Pa. Lansing, Mich. Las Vegas Little Rock, Ark. Los Angeles McAllen, Texas Melbourne, Fla. Memphis Miami Milwaukee Minneapolis Modesto, Calif. Monmouth, N.J. Montgomery, Ala. Nashville Nassau-Suffolk, N.Y. New Bedford, Mass. New Haven, Conn. New Orleans New York Norfolk, Va. Oklahoma City Omaha, Neb. Orlando, Fla. Oxnard, Calif. Philadelphia Phoenix Pittsburgh Portland, Maine Portland, Ore. Providence, R.I. Raleigh, N.C. Reno, Nev. KVLY WAOA WFKS WHBQ WHYI WRNW WXSS KDWB KHOP WBBO WHHY WNFN WRVW WBLI WFHN WKCI WEZB WHTZ WXRK WVHT KJYO KQCH WXXL KFYV WIOQ WPST KMVA KZZP WKST WJBQ KBFF KKRZ WPRO WDCG KLCA KWYL Richmond, Va. Roanoke, Va. Rochester, N.Y. Sacramento, Calif. Saginaw, Mich. St. Louis Salt Lake City San Antonio, Texas San Diego San Francisco Santa Rosa, Calif. Savannah, Ga. Seattle Shreveport, La. Spokane, Wash. Springfield, Mo. Syracuse, N.Y. Tampa, Fla. Tucson, Ariz. Tulsa, Okla. Washington, D.C. West Palm Beach, Fla. Wichita, Kan. Wilkes Barre, Pa. Wilmington, Del. Youngstown, Ohio Sirius XM WRVQ WXLK WPXY KDND KHHM WIOG KSLZ KUDD KZHT KTFM KXXM KHTS KMVQ KREV KHTH KSXY WAEV KBKS KRUF KZBD KSPW WNTQ WFLZ WPOI KRQQ KHTT WIHT WLDI KZCH WBHT WKRZ WSTW WHOT HITS 1 20 on 20 BILLBOARD TOP 40 UPDATE PAGE 6 OF 9 SEPT 6 2012 ® TOP 40 AIRPLAY MOST ADDED™ MAINSTREAM TOP 40 WKS THIS LAST ON WEEK WEEK CHART TITLE Label TITLE Imprint/Label PLAYS Artist 1 l 3 25 GIVE YOUR HEART A BREAK Hollywood 2 2 26 LIGHTS Interscope 3 l 5 12 WHISTLE Atlantic 4 1 15 WIDE AWAKE Capitol TW Demi Lovato 10219 9 BLOW ME (ONE LAST KISS) RCA 6 4 21 TITANIUM Capitol 8 20 EVERYBODY TALKS IDJMG 14 7 ONE MORE NIGHT Interscope 12 10 GOOD TIME Interscope/Republic 10 9 14 WANT U BACK Epic 11 7 17 LET’S GO Ultra 12 l 13 8 AS LONG AS YOU LOVE ME IDJMG 13 10 20 PAYPHONE Interscope 14 l 16 3 WE ARE NEVER EVER GETTING BACK TOGETHER Republic Taylor Swift 5961 15 11 20 WHERE HAVE YOU BEEN IDJMG 16 l 17 l 18 l 17 11 SOME NIGHTS RRP 19 7 POUND THE ALARM Republic 21 12 TOO CLOSE Republic 19 18 19 SCREAM RCA 20 l 23 19 I WON’T GIVE UP RRP 21 20 7 SETTLE DOWN Interscope No Doubt 3415 22 l 23 l 24 l 25 6 DON’T WAKE ME UP RCA Chris Brown 3096 Chris Brown 24 R.I.P. Columbia David Guetta Featuring Sia 8665 15 15 Train 14 Bridgit Mendler 14 I CAN ONLY IMAGINE WhatAMusic/Astralwerks/Capitol David Guetta Feat. Chris Brown & Lil Wayne 13 NUMB RCA Usher 12 OneRepublic 12 READY OR NOT Hollywood Maroon 5 6838 Owl City & Carly Rae Jepsen 6794 Cher Lloyd 6561 FEEL AGAIN Mosley/Interscope Calvin Harris Featuring Ne-Yo 6348 Justin Bieber Featuring Big Sean 6296 BUILDING GAINERS Maroon 5 Featuring Wiz Khalifa 6020 TITLE Imprint/Label Rihanna 5768 fun. 5365 Nicki Minaj 4411 Usher 3640 12 DARK SIDE RCA 4 HELLO Epic 25 22 15 CHASING THE SUN IDJMG 26 l 27 l 28 l 29 l 30 l 31 l 32 l 28 3 50 WAYS TO SAY GOODBYE Columbia 29 4 I CAN ONLY IMAGINE Capitol David Guetta Featuring Chris Brown & Lil Wayne 1818 Train 2067 7 HEART SKIPS A BEAT Columbia 3 LET ME LOVE YOU (UNTIL YOU LEARN TO LOVE YOURSELF) IDJMG Ne-Yo 1657 30 10 BURN IT DOWN WarnerBros. 33 5 VEGAS GIRL Capitol Conor Maynard 1278 36 3 HOME Interscope Phillip Phillips 1044 33 34 11 SHE’S SO MEAN Atlantic 34 35 5 GET IT STARTED RCA 35 37 3 +234 +221 Pitbull Featuring Shakira 866 Big Time Rush 845 WINDOWS DOWN Columbia +210 GOOD TIME 604/SchoolBoy/Interscope/Republic Owl City & Carly Rae Jepsen +196 HELLO Epic Karmin +195 Chris Brown +193 Building Gainers reflects titles with the top increases in plays from Monday through Wednesday, as compared to the same period in the previous week, according to Nielsen BDS. INDICATOR HIGHLIGHTS NO. 1 ARTIST Title Label KATY PERRY WideAwake Capitol MOST ADDED l 37 l NEW FINALLY FOUND YOU Republic Enrique Iglesias Featuring Sammy Adams 791 NEW THE A TEAM Atlantic Ed Sheeran 693 ARTIST Title 38 NEW SAY SOMETHIN Republic Austin Mahone 627 ENRIQUE IGLESIAS Feat. SAMMY ADAMS FinallyFoundYou Grouplove 620 B.o.B Featuring Taylor Swift 589 39 31 18 TONGUE TIED Atlantic 40 40 14 BOTH OF US Atlantic ARTIST Title NEW AND ACTIVE GAIN 606 TW Label PLAYS +/– INDICATOR EXCLUSIVES TW LW ARTIST Title TOTAL ST. 48 33 l 33 MANIKA GoodGirls Wamaframa 519 12 40 39 38 SKYE STEVENS TakesAllNight RockSociety 345 -89 40 l - LEXROX GoAllIn Sweeetspot 294 55 - - SOPHIE GiveInToTheNight TakeOut 233 23 - - JEAN MORISSON Feat. NILE RODGERS Naughty NERV 228 63 Trey Songz Feat. T.I. 540 +180 525 +207 76 CAN’T STOP ME Robbins Afrojack & Shermanology 494 +9 82 MERCY G.O.O.D./Roc-A-Fella/DefJam/IDJMG Kanye West, Big Sean, Pusha T, 2 Chainz 406 +94 35 WORK HARD, PLAY HARD Rostrum/Atlantic/RRP Wiz Khalifa 399 +2 35 READY OR NOT Hollywood Bridgit Mendler 358 +186 38 R.I.P. RocNation/Columbia Rita Ora Feat. Tinie Tempah 273 +213 27 Usher 268 +187 33 Megan & Liz 266 +52 29 BAD FOR ME CollectiveSounds Label Republic GAIN +37 Zedd Feat. Matthew Koma NUMB RCA TAYLOR SWIFT WeAreNeverEverGettingBackTogether PLAYS 588 SPECTRUM Interscope 2 REASONS Songbook/Atlantic 21 Chris Wallace Artist REMEMBER WHEN (PUSH REWIND) ThinkSay Label NEW ST. Republic GREATEST GAINER Billboard’s Mainstream Top 40 chart ranks total weekly plays (for the week ending Sunday) on 140 stations, as monitored 24 hours a day, seven days a week by Nielsen BDS. Titles receive bullets if even or gaining in weekly plays. New and Active lists the top titles gaining in plays below the Mainstream Top 40 chart. © 2012, Prometheus Global Media, LLC and Nielsen BDS, Inc. All rights reserved. TITLE Imprint/Label +216 +203 Linkin Park 1636 990 +218 Train P!nk DON’T WAKE ME UP RCA Olly Murs Featuring Chiddy Bang 1814 matchbox twenty Nicki Minaj Alex Clare BLOW ME (ONE LAST KISS) RCA Karmin 2667 32 Maroon 5 Enrique Iglesias Feat. Sammy Adams TOO CLOSE UniversalIsland/Republic The Wanted 2089 27 ONE MORE NIGHT A&M/Octone/Interscope 50 WAYS TO SAY GOODBYE Columbia Kelly Clarkson 3057 GAIN +317 POUND THE ALARM YoungMoney/CashMoney/Republic Jason Mraz 3480 26 Artist AS LONG AS YOU LOVE ME SchoolBoy/RaymondBraun/Island/IDJMGJustin Bieber Feat. Big Sean FINALLY FOUND YOU Republic Alex Clare 4197 24 36 16 Karmin 50 WAYS TO SAY GOODBYE Columbia Neon Trees 8487 Ne-Yo Rita Ora Feat. Tinie Tempah HELLO Epic P!nk 8800 7 l 8 l 9 l 39 LET ME LOVE YOU (UNTIL YOU LEARN TO LOVE YOURSELF) Motown/IDJMG Katy Perry 9437 ADDS Enrique Iglesias Feat. Sammy Adams DON’T WAKE ME UP RCA Flo Rida 9687 6 Artist FINALLY FOUND YOU Republic Ellie Goulding 9746 5 l AIRPLAY MONITORED BY Billboard’s Top 40 Indicator chart, viewable in full via Nielsen BDS Music Tracking, ranks total weekly plays on 70 stations that report their playlists online. Indicator Exclusives lists the top titles on the Mainstream Top 40 Indicator chart (or gaining in plays below the chart) that have not yet appeared on the Nielsen BDS-monitored Mainstream Top 40 chart. PAGE 7 OF 9 1 l 2 2 16 1 FLORIDA(POEBOY/ATLANTIC) WE ARE NEVER EVER GETTING BACK TOGETHER 1 1 l 4 9 MORE NIGHT 11 ONE MAROON5(A&M/OCTONE/INTERSCOPE) 4 3 3 37 LIGHTS ELLIEGOULDING(CHERRYTREE/INTERSCOPE) 7 8 l 9 l 10 l 11 12 5 11 7 9 10 6 6 14 25 5 15 13 10 8 4 12 12 8 28 7 2 SOME NIGHTS EVERYBODY TALKS 1 NEONTREES(MERCURY/IDJMG) WIDE AWAKE GOOD TIME 28 CALL ME MAYBE 5 CARLYRAEJEPSEN(604/SCHOOLBOY/INTERSCOPE) BLOW ME (ONE LAST KISS) P!NK(RCA) 20 PAYPHONE MAROON5FEATURINGWIZKHALIFA(A&M/OCTONE/INTERSCOPE) 13 13 10 21 TITANIUM DAVIDGUETTAFEATURINGSIA(WHATAMUSIC/ASTRALWERKS/CAPITOL) 14 14 11 35 SOMEBODY THAT I USED TO KNOW GOTYEFEATURINGKIMBRA(SAMPLES‘N’SECONDS/FAIRFAX/REPUBLIC) 18 20 23 TOO CLOSE 17 18 22 GIVE YOUR HEART A BREAK 16 16 12 WANT U BACK 18 15 15 20 WHERE HAVE YOU BEEN 19 19 19 22 MERCY KANYEWEST,BIGSEAN,PUSHAT,2CHAINZ(G.O.O.D./ROC-A-FELLA/DEFJAM/IDJMG) l 21 l 22 l 23 l 24 l 20 22 15 l 16 l 17 20 23 17 8 JUSTINBIEBERFEATURINGBIGSEAN(SCHOOLBOY/RAYMONDBRAUN/ISLAND/IDJMG) 6 10 1 5 1 ALEXCLARE(UNIVERSALISLAND/REPUBLIC) 1 DEMILOVATO(HOLLYWOOD) 0 CHERLLOYD(SYCO/EPIC) RIHANNA(SRP/DEFJAM/IDJMG) 25 25 35 I WON’T GIVE UP 22 23 13 PONTOON 26 29 19 WANTED 25 21 21 17 LET’S GO HUNTERHAYES(ATLANTICNASHVILLE/WMN) CALVINHARRISFEATURINGNE-YO(ULTRA) 0 CERT. WEEKS ON CHT 2 WEEKS AGO LAST WEEK THIS WEEK 30 l 31 l 32 l 31 30 33 38 34 52 FUN.FEATURINGJANELLEMONAE(FUELEDBYRAMEN/RRP) 15 16 12 9 22 24 17 3 4 30 7 TAKE A LITTLE RIDE 12 8 50 WAYS TO SAY GOODBYE 32 CARRIEUNDERWOOD(19/ARISTANASHVILLE) JASONALDEAN(BROKENBOW) TRAIN(COLUMBIA) 33 30 24 19 34 32 31 29 STARSHIPS 35 l HEART ATTACK 39 42 22 9 USHER(RCA) NICKIMINAJ(YOUNGMONEY/CASHMONEY/REPUBLIC) 3 WILD ONES FLORIDAFEATURINGSIA(POEBOY/ATLANTIC) 5 35 TREYSONGZ(SONGBOOK/ATLANTIC) YOU CAME 38 38 40 34 GLAD THEWANTED(GLOBALTALENT/MERCURY/IDJMG) 1 1 9 SCREAM 37 5 BLOWN AWAY l 20 0 WE ARE YOUNG 7 8 LITTLEBIGTOWN(CAPITOLNASHVILLE) CHRISBROWN(RCA) 36 37 33 35 1 JASONMRAZ(ATLANTIC/RRP) 27 29 41 10 2 5 1 PHILLIPPHILLIPS(19/INTERSCOPE) 27 l 9 13 NICKIMINAJ(YOUNGMONEY/CASHMONEY/REPUBLIC) HOME 1 1 POUND THE ALARM 24 DON’T WAKE ME UP 2CHAINZFEATURINGDRAKE(DEFJAM/IDJMG) 28 27 27 37 8 OWLCITY&CARLYRAEJEPSEN(604/SCHOOLBOY/INTERSCOPE/REPUBLIC) ARTIST (Imprint/Label) 26 24 28 17 MAKES YOU BEAUTIFUL 29 28 26 29 WHAT ONEDIRECTION(SYCO/COLUMBIA) 2 KATYPERRY(CAPITOL) TITLE 2 6 SALES DATA COMPILED BY NO LIE 3 5 FUN.(FUELEDBYRAMEN/RRP) 11 9 1 TAYLORSWIFT(BIGMACHINE/REPUBLIC/REPUBLIC) AS LONG AS YOU LOVE ME PEAK POSITION ARTIST (Imprint/Label) 3 5 l 6 l 4 TITLE WHISTLE 2 AIRPLAY MONITORED BY HOT 100 CERT. WEEKS ON CHT ® 2 WEEKS AGO LAST WEEK THIS WEEK SEPT 6 2012 PEAK POSITION BILLBOARD TOP 40 UPDATE 3 HEY 42 48 13 HO THELUMINEERS(DUALTONE) 5 37 3 3 2 10 39 35 39 34 DRIVE BY 40 l SHE’S SO MEAN 40 41 36 32 19 WORK HARD, PLAY HARD 17 42 l 43 l 44 l 45 l 8 POP THAT 42 9 2 REASONS 43 TIME IS LOVE 44 53 49 10 48 61 45 54 46 53 23 TRAIN(COLUMBIA) MATCHBOXTWENTY(EMBLEM/ATLANTIC) WIZKHALIFA(ROSTRUM/ATLANTIC/RRP) FRENCHMONTANAFEATURINGRICKROSS,DRAKE,LILWAYNE(BADBOY/INTERSCOPE) TREYSONGZFEATURINGT.I.(SONGBOOK/ATLANTIC) JOSHTURNER(MCANASHVILLE) AND ANGELS 51 65 16 COWBOYS DUSTINLYNCH(BROKENBOW) 45 46 41 36 16 COME OVER 47 l DARK SIDE 42 48 43 43 12 OVER 43 49 47 44 37 STRONGER (WHAT DOESN’T KILL YOU) 50 49 50 22 LITTLE TALKS 50 45 11 KENNYCHESNEY(BLUECHAIR/COLUMBIANASHVILLE) KELLYCLARKSON(19/RCA) BLAKESHELTON(WARNERBROS.NASHVILLE/WMN) KELLYCLARKSON(19/RCA) OFMONSTERSANDMEN(SKRIMSLEHFLAEKJARAS1/REPUBLIC) 0 23 1 49 The Billboard Hot 100 ranks the week’s most popular songs across all genres, ranked by radio airplay audience impressions as measured by Nielsen BDS, sales data as measured by Nielsen SoundScan and streaming data aggregated by Nielsen BDS. © 2012, Prometheus Global Media, LLC and Nielsen BDS, Inc. All rights reserved. TOP 40 INDICATOR PANEL — 70 STATIONS Abilene, Texas Alexandria, La. Amarillo, Texas Billings, Mont. Bloomington, Ill. KORQ KQID KXSS KRSQ WBNQ WWHX Bryan-College Station, Texas KNDE Carbondale, Ill. WCIL Casper, Wyo. KTRS Cedar Rapids, Iowa KZIA Champaign, Ill. WQQB Charlottesville, Va. WHTE Concord (Lakes Region), N.H. WJYY Cookeville, Tenn. WGIC Dothan, Ala. WKMX Duluth, Minn. KDWZ Elmira, N.Y. WNKI Erie, Pa. WRTS Evansville, Ind. WSTO Fairbanks, Alaska KWLF Fargo, N.D. WDAY Florence, Ala. WMSR Florence, S.C. WJMX Ft. Smith, Ark. KISR Grand Forks, N.D. Grand Island-Kearney, Neb. Hagerstown, Md. Hamptons, N.Y. Harrisonburg, Va. Hot Springs, Ark. Hudson Valley, N.Y. Huntington, W. Va. Idaho Falls, Idaho Ithaca, N.Y. Joplin, Mo. Lebanon, N.H. Lincoln, Neb. Little Rock, Ark. Logan, Utah Lubbock, Texas Medford, Ore. Meridian, Miss. Monroe, La. Morgantown, W. Va. Moscow, Idaho Myrtle Beach, S.C. Odessa, Texas KKXL KZGF KQKY WNUZ WBEA WQPO KLAZ WSPK WKEE KFTZ WFIZ KSYN WZRT KFRX KHTE KVFX KZII KIFS WJDQ KNOE WVAQ KZFN WWXM KCRS Panama City, Fla. St. Cloud, Minn. Salina, Kan. San Angelo, Texas San Juan, P.R. Sioux Falls, S.D. South Bend, Ind. Tallahassee, Fla. Terre Haute, Ind. Traverse City, Mich. Tri-Cities, Wash. Tupelo, Miss. Utica, N.Y. Waco, Texas Wausau, Wis. Wichita Falls, Texas Wilmington, N.C. Yakima, Wash. Music Choice Network WILN KCLD KACZ KJCK KIXY WTOK KKCK WNDV WHTF WMGI WJZQ WKHQ KUJ WWKZ WSKS KWTX WIFC KNIN WAZO KFFM HIT LIST RADIO DISNEY BILLBOARD TOP 40 UPDATE 7 8 l 6 9 3 WHISTLE 1 1 2 l 2 3 4 4 3 5 5 14 KEITHURBAN WHY YA WANNA 12 JANAKRAMER 6 l 8 I WON’T GIVE UP 23 JASONMRAZ 2 REASONS 9 TREYSONGZFEAT.T.I. 8 l WANT U BACK 10 FLORIDA BLOW ME (ONE LAST KISS) 9 P!NK 28 26 11 CHERLLOYD WHAT MAKES YOU BEAUTIFUL 29 27 25 ONEDIRECTION EVERYBODY TALKS 16 NEONTREES WHERE HAVE YOU BEEN 19 RIHANNA l 31 38 l 32 36 l 33 37 l 34 41 l 35 44 l PAYPHONE 4 20 MAROON5FEAT.WIZKHALIFA GIVE YOUR HEART A BREAK 8 18 DEMILOVATO 7 l SOMEBODY THAT I USED TO KNOW 30 45 4 DON’T WAKE ME UP CHRISBROWN FOR YOU 6 7 TAKE A LITTLE RIDE 36 30 28 FUN.FEAT.JANELLEMONAE GLAD YOU CAME 37 35 32 THEWANTED ONE MORE NIGHT 6 MAROON5 LET’S GO 14 11 16 CALVINHARRISFEAT.NE-YO STARSHIPS 38 32 29 NICKIMINAJ STRONGER (WHAT DOESN’T KILL YOU) 39 33 34 KELLYCLARKSON 15 17 l 16 15 l 17 14 l 18 24 l AS LONG AS YOU LOVE ME 7 JUSTINBIEBERFEAT.BIGSEAN GOOD TIME 9 OWLCITY&CARLYRAEJEPSEN SOME NIGHTS l NO LIE 21 19 12 2CHAINZFEAT.DRAKE PONTOON 22 20 8 LITTLEBIGTOWN l 23 28 l 24 29 l 44 48 l 5 LIGHTS 26 ELLIEGOULDING WHISTLE 2 9 FLORIDA 3 l 4 4 3 5 6 l 7 l SOME NIGHTS 26 FUN. CALL ME MAYBE 26 CARLYRAEJEPSEN SOMEBODY THAT I USED TO KNOW 5 26 GOTYEFEAT.KIMBRA AS LONG AS YOU LOVE ME 9 7 JUSTINBIEBERFEAT.BIGSEAN 8 MERCY 8 6 19 KANYEWEST,BIGSEAN,PUSHAT,2CHAINZ WE ARE YOUNG 26 FUN.FEAT.JANELLEMONAE 9 7 PAYPHONE 19 MAROON5FEAT.WIZKHALIFA 10 10 l 6 GOOD TIME OWLCITY&CARLYRAEJEPSEN 11 19 l 12 14 l WKS ON CHART LAST WEEK THIS WEEK LAST WEEK 2 WKS ON CHART THIS WEEK 1 4 POUND THE ALARM NICKIMINAJ WKS ON CHART LAST WEEK THIS WEEK WKS ON CHART 5 l 36 54 l CRUISE 4 FLORIDAGEORGIALINE WHAT MAKES YOU BEAUTIFUL 37 36 29 ONEDIRECTION 38 l NEW THRIFT SHOP MACKLEMORE&RYANLEWISFEAT.WANZ LOVIN’ YOU IS FUN 22 l 23 l EASTONCORBIN NEW NEW FEEL AGAIN ONEREPUBLIC BATTLE SCARS LUPEFIASCO&GUYSEBASTIAN PAYPHONE 24 18 20 MAROON5FEAT.WIZKHALIFA DON’T WAKE ME UP 25 25 9 CHRISBROWN l ® EURO DIGITAL SONGS ONE MORE NIGHT NO LIE 16 13 14 2CHAINZFEAT.DRAKE LITTLE TALKS 17 15 19 OFMONSTERSANDMEN HO HEY 8 THELUMINEERS WANT U BACK 7 CHERLLOYD 20 I WON’T GIVE UP JASONMRAZ GANGNAM STYLE 2 PSY 50 48 19 SCREAM USHER 49 74 l HITS OF THE WORLD HITS ARTIST MAROON5 COME OVER 47 44 16 KENNYCHESNEY SNAP BACKS & TATTOOS 48 47 12 DRIICKYGRAHAM Billboard’s Hot Digital Songs chart ranks the week’s most downloaded songs across all genres, ranked by sales data as compiled by Nielsen SoundScan. © 2012, Prometheus Global Media, LLC and Nielsen BDS, Inc. All rights reserved. TITLE l 20 23 l 13 11 NO LIE 34 34 17 2CHAINZFEAT.DRAKE HARD TO LOVE 35 38 13 LEEBRICE STARSHIPS 45 45 29 NICKIMINAJ TRUCK YEAH 46 42 9 TIMMCGRAW WIDE AWAKE 14 12 12 KATYPERRY EVERYBODY TALKS 15 17 14 NEONTREES 19 16 TOO CLOSE 24 ALEXCLARE BLOW ME (ONE LAST KISS) 12 12 9 P!NK 11 14 l 33 30 WIDE AWAKE 20 16 15 KATYPERRY TITANIUM 21 21 20 DAVIDGUETTAFEAT.SIA TOO CLOSE 14 ALEXCLARE TITANIUM 13 11 16 DAVIDGUETTAFEAT.SIA 18 18 l WANT U BACK 12 CHERLLOYD CALL ME MAYBE 28 CARLYRAEJEPSEN l MIGUEL ON DEMAND SONGS 1 9 I WILL WAIT 4 MUMFORD&SONS POP THAT 6 FRENCHMONTANAFEAT.RICKROSS,DRAKE,LILWAYNE ADORN AIRPLAY MONITORED BY ARTIST 32 27 DRIVE BY The Billboard Hot 100 Airplay chart ranks the week’s most popular songs across all genres, ranked by radio airplay audience impressions as measured by Nielsen BDS. © 2012, Prometheus Global Media, LLC and Nielsen BDS, Inc. All rights reserved. TITLE AS LONG AS YOU LOVE ME 9 JUSTINBIEBERFEAT.BIGSEAN EVERYBODY TALKS 10 25 NEONTREES 6 WHERE HAVE YOU BEEN 43 41 19 RIHANNA COWBOYS AND ANGELS 44 46 10 DUSTINLYNCH NODOUBT TREYSONGZ HO HEY 13 THELUMINEERS GIVE YOUR HEART A BREAK 31 28 22 DEMILOVATO BLOWN AWAY 18 17 10 CARRIEUNDERWOOD WANTED 19 22 19 HUNTERHAYES 50 47 7 SETTLE DOWN 25 25 20 HEART ATTACK 29 26 SHE’S SO MEAN 8 MATCHBOXTWENTY TAKE A LITTLE RIDE 7 JASONALDEAN LITTLE TALKS 41 35 10 OFMONSTERSANDMEN WORK HARD, PLAY HARD 42 39 19 WIZKHALIFA COME OVER 48 39 15 KENNYCHESNEY BAG OF MONEY 49 43 9 WALE TIME IS LOVE 22 JOSHTURNER WANTED 8 HUNTERHAYES l 28 32 l LIGHTS 16 13 31 ELLIEGOULDING 50 WAYS TO SAY GOODBYE 17 20 7 TRAIN 45 40 31 TRAIN AMEN 46 46 8 MEEKMILLFEAT.DRAKE 47 58 l SOME NIGHTS 20 FUN. WHISTLE 16 FLORIDA ARTIST 26 23 22 KANYEWEST,BIGSEAN,PUSHAT,2CHAINZ SOMEBODY THAT I USED TO KNOW 27 24 34 GOTYEFEAT.KIMBRA l l COWBOYS AND ANGELS 5 3 TAYLORSWIFT ONE MORE NIGHT 9 MAROON5 TITLE MERCY LET’S GO 39 31 15 CALVINHARRISFEAT.NE-YO DARK SIDE 40 37 8 KELLYCLARKSON 10 DUSTINLYNCH WILD ONES 43 42 29 FLORIDAFEAT.SIA MERCY 19 18 19 KANYEWEST,BIGSEAN,PUSHAT,2CHAINZ TOO CLOSE 20 23 7 ALEXCLARE WE ARE NEVER EVER GETTING BACK TOGETHER I WON’T GIVE UP 14 19 35 JASONMRAZ PONTOON 15 15 15 LITTLEBIGTOWN ANGEL EYES 40 31 14 LOVEANDTHEFT LEMME SEE 41 34 15 USHERFEAT.RICKROSS 42 51 l 8 FUN. POUND THE ALARM 6 NICKIMINAJ ARTIST 30 29 l 10 7 JASONALDEAN WE ARE YOUNG TITLE GOOD TIME 10 OWLCITY&CARLYRAEJEPSEN HOME 11 PHILLIPPHILLIPS 9 11 10 30 GOTYEFEAT.KIMBRA CALL ME MAYBE 12 12 23 CARLYRAEJEPSEN 13 16 l LAST WEEK THIS WEEK WKS ON CHART LAST WEEK THIS WEEK 26 22 12 BLAKESHELTON SCREAM 27 21 19 USHER 19 ELLIEGOULDING WIDE AWAKE 15 KATYPERRY TITANIUM 17 DAVIDGUETTAFEAT.SIA WE ARE NEVER EVER GETTING BACK TOGETHER 10 13 4 TAYLORSWIFT 9 ARTIST CANADA 1 14 WINGS 1 2 WE ARE NEVER EVER GETTING BACK TOGETHER 1 BOM BOM 2 1 GOOD TIME 4 GOOD TIME 3 3 ONE MORE NIGHT 4 3 ONE DAY / RECKONING SONG 4 6 SOME NIGHTS 5 2 HOW WE DO (PARTY) 5 5 KISS YOU INSIDE OUT HARDER THAN YOU THINK 6 7 BLOW ME (ONE LAST KISS) 7 4 WIDE AWAKE 2 3 6 (NIELSEN SOUNDSCAN INTERNATIONAL) SEPTEMBER 15, 2012 LITTLE MIX SYCO SAM AND THE WOMP STIFF/ONE MORE TUNE OWL CITY & CARLY RAE JEPSEN 604/SCHOOLBOY ASAF AVIDAN & THE MOJOS FOUR RITA ORA ROC NATION NEW PUBLIC ENEMY SLAM JAMZ (NIELSEN SOUNDSCAN/BDS) SEPTEMBER 15, 2012 TAYLOR SWIFT BIG MACHINE OWL CITY & CARLY RAE JEPSEN 604/REPUBLIC MAROON 5 A&M/OCTONE FUN. FUELED BY RAMEN HEDLEY UNIVERSAL P!NK RCA 7 8 CALL ME MAYBE 8 7 SPECTRUM (SAY MY NAME) 8 8 WHISTLE 17 LITTLE TALKS 9 10 LIGHTS 5 READ ALL ABOUT IT, PT. III 10 9 PAYPHONE 9 10 CARLY RAE JEPSEN 604/SCHOOLBOY FLORENCE + THE MACHINE ISLAND OF MONSTERS AND MEN SKRIMSL EHF LAEKJARAS 1 EMELI SANDE VIRGIN GE BILLBOARD CANADIAN HOT 100 LAST WEEK 6 5 TITLE OVER LIGHTS THIS WEEK l 4 l 5 l 3 ARTIST HOT DIGITAL SONGS LAST WEEK 2 TITLE ® THIS WEEK 2 HOT 100 AIRPLAY SALES DATA COMPILED BY LAST WEEK 1 AIRPLAY MONITORED BY THIS WEEK 1 WKS ON CHART LAST WEEK THIS WEEK ® PAGE 8 OF 9 KATY PERRY CAPITOL FLO RIDA POE BOY/ATLANTIC ELLIE GOULDING POLYDOR MAROON 5 FT. WIZ KHALIFA A&M/OCTONE Billboard’s On-Demand Songs chart ranks the top on-demand play requests and plays from unlimited listener-controlled radio channels on leading music subscription services. © 2012, Prometheus Global Media, LLC and Nielsen BDS, Inc. All rights reserved. CANADA BILLBOARD CANADIAN HOT 100 KOREA BILLBOARD KOREA K-POP HOT 100 AU BILLBOARD TOP 40 UPDATE PAGE 9 OF 9 SALES DATA COMPILED BY 1 SLAUGHTERHOUSE SHADY/INTERSCOPE017038/IGA(10.98) 1 — 2 4 3 2 4 VARIOUS ARTISTS 1 ALANIS MORISSETTE 7 2 1 8 l 9 l 2 2 l Chapter V 1 NOW 43 1 Havoc And Bright Lights 5 Overexposed 2 Based On A T.R.U. Story 1 UNIVERSAL/EMI/SONYMUSIC63536/CAPITOL(18.98) 5 10 MAROON A&M/OCTONE016896/IGA(14.98) 2 CHAINZ 3 DEFJAM017299*/IDJMG(12.98) Blown Away 12 28 FUN. FUELEDBYRAMEN 528048*(11.98) Some Nights 11 8 80 ADELE XL44699*/COLUMBIA(11.98) 21 LUMINEERS 15 16 22 THE DUALTONE1608*(13.98) 7 DIRECTION 25 ONE SYCO92491/COLUMBIA(11.98) 13 6 BIEBER 11 JUSTIN SCHOOLBOY/RAYMONDBRAUN/ISLAND016934/IDJMG(13.98) 14 8 15 l 3 NEW 5 RICK ROSS 1 CIRCA SURVIVE 16 16 9 8 17 — 2 DJ KHALED 1 1 Believe 1 1 Kiss The Ring 4 WETHEBEST/YOUNGMONEY/CASHMONEY017314/REPUBLIC(13.98) Tailgates & Tanlines MONSTERS AND MEN My Head Is An Animal 19 18 26 22 OF SKRIMSLEHFLAEKJARAS1016690*/REPUBLIC(11.98) 20 l 68 — 39 CHRIS TOMLIN SIXSTEPS/SPARROW93444/EMICMG(17.98) And If Our God Is For Us... PARK 21 23 25 10 LINKIN MACHINESHOP531345/WARNERBROS.(18.98) 22 17 23 l 24 l 25 l 11 NEW 7 KIDZ BOP KIDS 1 TAMIA RAZOR&TIE89283(18.98) PLUS115070(15.98) 47 37 12 USHER RCA97176(11.98) 39 34 3 Beautiful Surprise 23 Looking 4 Myself 1 Fortune RCA96055(11.98) MEGAN NICOLE 3 UNSIGNED BOYCE AVENUE 33 37 65 3PEACE 32 35 ALICIA KEYS 34 36 40 RCA COLDPLAY 35 38 89 CAPITOL l DEMI LOVATO 37 25 83 HOLLYWOOD BRUNO MARS 38 39 82 ELEKTRA l NICKI MINAJ 16 16 93 YOUNGMONEY/CASHMONEY/REPUBLIC WIZ KHALIFA 17 18 90 ROSTRUM/ATLANTIC l 18 24 l 19 19 l DAVID GUETTA 93 WHATAMUSIC/ASTRALWERKS/CAPITOL CIMORELLI 41 REPUBLIC MUSE 8 HELIUM-3/WARNERBROS. BRITNEY SPEARS 21 21 90 RCA 20 4 17 Kidz Bop 22 FLO RIDA 30 33 27 POEBOY/ATLANTIC AVRIL LAVIGNE 31 34 91 EPIC l CARLY RAE JEPSEN 14 17 11 604/SCHOOLBOY/INTERSCOPE LINKIN PARK 15 23 93 MACHINESHOP/WARNERBROS. 6 1 JENNIFER LOPEZ 79 ISLAND/IDJMG ADELE 83 XL/COLUMBIA 12 14 93 SONYMUSICLATIN/EPIC MILEY CYRUS 13 15 22 HOLLYWOOD 2 Living Things CHRIS BROWN 9 1 RIHANNA 6 93 SRP/DEFJAM/IDJMG KATY PERRY 7 93 CAPITOL SHAKIRA 15 1 ROAR/SOUTHERNGROUND/ATLANTIC530382/AG(18.98) LIL WAYNE 92 CASHMONEY/REPUBLIC GOTYE 29 28 11 SAMPLES‘N’SECONDS/FAIRFAX/REPUBLIC l 1 Uncaged l 28 31 l PITBULL 10 10 91 MR.305/FAMOUSARTIST/POLOGROUNDS/SONYMUSICLATIN/RCA USHER LADY GAGA 36 42 84 RCA 11 13 93 STREAMLINE/KONLIVE/INTERSCOPE 1 Up All Night Violent Waves BRYAN 18 22 19 56 LUKE CAPITOLNASHVILLE70412(16.98) 1 IMPRINT/LABEL 26 9 YG TAYLOR SWIFT 3 93 BIGMACHINE ONE DIRECTION 2 43 SYCO/COLUMBIA 7 l 8 11 l 9 12 l ARTIST KURT HUGO SCHNEIDER 5 UNSIGNED MAROON 5 27 29 32 A&M/OCTONE PSY JUSTIN BIEBER 5 93 SCHOOLBOY/RAYMONDBRAUN/ISLAND/IDJMG SKRILLEX 8 61 BIGBEAT/OWSLA/ATLANTIC 6 11 MAYBACH/SLIP-N-SLIDE/DEFJAM016343/IDJMG(18.98) ZAC BROWN BAND 4 9 God Forgives, I Don’t CIRCASURVIVE001*(12.98) 4 l 5 l 3 The Lumineers 12 10 5 0 3 IMPRINT/LABEL WKS ON CHART Welcome To: Our House ARTIST LAST WEEK 4 SOCIAL 50 THIS WEEK 1 SONGBOOK/ATLANTIC532404/AG(18.98) COLLECTIVESOUNDS018(15.98) PEAK POSITION 1 UNDERWOOD 21 17 18 CARRIE 19/ARISTANASHVILLE98094/SMN(11.98) 10 12 11 l 1 FOREFRONT06732/EMICMG(14.98) 3 5 WKS ON CHART NEW 6 LAST WEEK TOBYMAC CERT. WEEKS ON CHT 1 6 Eye On It Title IMPRINT & NUMBER / DISTRIBUTING LABEL (PRICE) NEW NEW ® ARTIST TREY SONGZ 5 l 200 THIS WEEK l 2 l 1 ® 2 WEEKS AGO LAST WEEK THIS WEEK THE DATA PROVIDED BY LMFAO 70 PARTYROCK/WILL.I.AM/CHERRYTREE/INTERSCOPE MICHAEL JACKSON RE-ENTRY 39 44 l 40 l 41 l RE-ENTRY MJJ/EPIC CHRISTINA GRIMMIE UNSIGNED P!NK 42 43 57 RCA MATTYB 43 40 22 UNSIGNED YOUR FAVORITE MARTIAN 21 YOURFAVORITEMARTIAN ARIANA GRANDE 45 30 9 UNIVERSAL 44 49 l MEEK MILL 2 MAYBACH/WARNERBROS. DRAKE 47 41 91 YOUNGMONEY/CASHMONEY/REPUBLIC 46 32 EMINEM 22 22 93 WEB/SHADY/AFTERMATH/INTERSCOPE SELENA GOMEZ 23 27 93 HOLLYWOOD l CHRIS BROWN 24 20 91 RCA 25 26 92 BEYONCE JUSTIN TIMBERLAKE 48 46 73 RCA MICHEL TELO 49 47 18 PANTANNAL/RGE./SONYMUSICLATIN 50 l PARKWOOD/COLUMBIA RE-ENTRY LINDSEY STIRLING UNSIGNED Billboard’s Social 50 chart ranks the most active artists on the world’s leading social networking sites. Artists’ popularity is determined by a formula blending their weekly additions of friends/fans/followers along with artist page views and weekly song plays, as measured by Next Big Sound. © 2012, Prometheus Global Media, LLC and Nielsen BDS, Inc. All rights reserved. 1 The Billboard 200 ranks the week’s top-selling albums across all genres, ranked by sales data as compiled by Nielsen SoundScan. © 2012, Prometheus Global Media, LLC and Nielsen BDS, Inc. All rights reserved. MARKET WATCH 35000000 A Weekly National Music Sales Report 30000000 Weekly Album Sales (Million Units) Weekly Unit Sales 30 ALBUMS This Week 25 Last Week 2011 2012 20 Change This Week Last Year 15 Change DIGITAL TRACKS ALBUMS* 20000000 4,904,000 2,069,000 5,037,000 1,999,000 15000000 -2.6% 3.5% 10000000 6,652,000 2,279,000 -26.3%5000000 -9.2% 22,590,000 23,511,000 -3.9% 22,425,000 0.7% *Digital album sales are also counted within album sales. 10 0 J F M A M J J A S O For week ending Sept. 2, 2012. Figures are rounded. Compiled from a national sample of retail store and rack sales reports collected and provided by Notes: 2011 OVERALL UNIT SALES Albums Digital Tracks Store Singles Total Albums w/TEA* 206,571,000 868,331,000 1,754,000 1,076,656,000 293,404,100 2012 CHANGE 35000000 30000000 -4.4% 197,424,000 916,305,000 5.5% 25000000 2,366,000 34.9% 20000000 1,116,095,000 3.7% 15000000 -1.5% 289,054,500 *Includes track equivalent album sales (TEA) with 10 track downloads equivalent to one album sale. 10000000 SALES BY ALBUM FORMAT 4.9M 5 0 Year-To-Date 25000000 DIGITAL Year-Over-Year Album CURRENT ALBUM SALES N D J ’11 ’12 Sales 109.8 million 96.6 million CATALOG ALBUM SALES 1. Select bar chart template (solid arrow). ’11 96.8 million 2. Select Object:Graph:Data from the menu. ’12 100.8 million CD Digital Vinyl Other 137,366,000 66,706,000 2,457,000 42,000 5000000 117,978,000 -14.1% 76,560,000 0 14.8% 2,814,000 14.5% 71,000 69.0%