Exhibition Resource Pack
Transcription
Exhibition Resource Pack
Exhibition Resource Pack Andrea Büttner 12 April 16 June 2013 Left: Andrea Büttner.Tent (psychedelic), detail, 2012. Woodcut. Photo © Andy Keates Above: Andrea Büttner, Grids, 2012. Woodcuts. Photo © Andy Keates About this Pack About the Artist This pack has been designed to provide background information about the artist and their exhibition at MK Gallery. Andrea Büttner was born in Stuttgart, Germany in 1972. She studied a Masters degree in art history and philosophy at Humboldt University, Berlin and recently completed a doctorate on the subject of art and shame at the Royal College of Art, London. Andrea has exhibited internationally and in the UK, and was selected for the Max Mara Art Prize for Women, Whitechapel Gallery in 2010. It includes a short introduction to the artist and her work, including key themes, related artists and movements, along with suggestions for ways to approach the work with students. For more information about our schools, colleges & universities programme, please contact: Hannah Gaunt: Learning Coordinator T: 01908 558 305 E: [email protected] W: www.mkgallery.org/education www.mkgallery.org Visit the Artist’s website: http://www.andreabuettner.com/ About the Work Through traditional craft techniques such as woodcut printing and glass painting, as well as drawing, performance, film, sculpture and sound work Andrea Büttner explores the interconnected themes of poverty, shame and value. In her woodcuts she uses simple abstract shapes and child-like drawings with symbolic imagery to communicate her ideas. In the Cube Gallery we find Kabul Portfolio, a series of small woodcuts which introduce key themes and images that reoccur throughout her work ‘such as ‘the shrouded figure’, ‘the donkey’ and ‘the beggar’. Additionally, we are introduced here to the reoccurring shape of the oval, which is connected to her fascination with the life and stories of St. Francis of Assisi, who famously rejected his wealth and lived a life of poverty that became almost legendary. On one occasion St. Francis decided to highlight the common problem that the beggars who asked for bread would often receive stones instead from uncaring passers-by, so he turned the situation around and began begging for pebbles! Therefore the image of a pebble, represented by the simple oval shape, is repeated throughout Andreas work. Alongside this one wall of the gallery space is taken over by blue panels of stretched fabric, part of a larger series of ‘fabric paintings’ in which the artist selects materials from workers uniforms or overalls to create large blocks of colour in the space. MK Gallery 900 Midsummer Blvd Milton Keynes MK9 3QA [email protected] www.mkgallery.org T 01908 676 900 Tuesday - Friday 12pm – 8pm Saturday 11am– 8pm Sunday 11am – 5pm About the Work Andrea Büttner, Benches, 2011 -2013. Wood, plastic crates, handwoven fabric. Photo © Andy Keates Word Definitions Modernism - A type of artwork which developed in the early 20th century and which rejected traditional techniques, styles and ideas. Woodcut printing - A traditional printing method in which a block of wood is carved or cut into using sharp tools. The block is then covered in a layer of ink and paper is placed on top. The paper only picks up ink in the places that have not been carved away, leaving those areas as a white line or image. Abstract - Artwork which does not clearly show an object, scene or person from real life, but is instead made up of colour, shapes and texture. Sculpture - Usually this is artwork which has been made using 3D materials, such as clay, metal or wood, but could also mean artwork which has been made using objects. Installation - Art which uses sculpture or objects in a space to create an experience for the viewer. In the Middle Gallery, visitors are invited contemplate the artwork and sit on benches made from plastic crates and wooden planks with colourful handmade cushions. In the film work Little Sisters Andrea talks to a sisterhood of nuns who work in a small amusement park near Rome - the nun’s answer questions relating to happiness and spiritually as they ride rollercoaster’s and fish for prizes. The Long Gallery contains woodcut prints, photographs and installation artwork. Along the far wall the Tent series of large woodblock prints explore the simple shape of a camping tent, whilst also using it as a symbol for a nomadic, simple way of life. Alongside these is a collection of five large prints depicting a mesh of criss-cross patterns that reference the abstract style of many modernist painters, but which could also depict a fence or a stainedglass window. Andrea makes many of these large woodblock prints using power-tools to cut into the wood and create expressive marks. Four tables with coloured table-cloths display objects and images that have influenced Andrea’s work and which collectively illustrate many of the central themes. Resting on the tables is a collection of what appears to be natural objects; small rocks and twigs. Upon closer inspection we see that they are bronze casts, which were created from moulds of zebra droppings and straw. By casting worthless natural products in bronze, Andrea is demonstrating how our understanding of value can change. Key influences and related artists: Arte Povera Piero Manzoni Chris Offili Sister Corita Kent St. Francis of Assisi Dieter Roth Kazimir Malevich HAP Grieshaber Explore Left: Installation view in the Long Gallery Above: Andrea Büttner, Untitled (cardboard object on bronze shelf), 2012. Cardboard house won at Lunapark Ostia and cast bronze. Photo © Andy Keates In the Cube Gallery There is a series of small woodcut prints; can you name any images that seem to be in more than one picture? Can you find which pictures are of natural or man-made objects? In the Middle Gallery The gallery has a big bench in it for visitors to sit on, which the artist has made using simple materials. Why do you think the artist might want visitors to sit down in this space? Some of the pictures have people in them, what are they doing? There is a film projected on one wall, can you tell what is happening in it? Does there seem to be a story? What are the people in the film talking about? What are the colours like in these pictures? Why do you think Andrea has chosen these colours? There are some ‘slides’ projected on the wall too, what are these images of? One wall is completely covered in blue fabric, why do you think the artist has done this? Does it make the room feel different? Would this change if the fabric was a different colour? In the Foyer The artist has balanced a TV screen on the floor against the wall here; it is showing a slideshow of images - what can you see? Further on we find a single chair in the corner, why might the artist have put it there? Is it connected with any other artwork we have seen already in this exhibition? The cushions are very colourful, do you think the artist chose these colours and patterns on purpose? Are there any other objects that we can see in the space that might be related to the film? In the Long Gallery Another bench is in this space, how is it different from the other benches we have seen? Nearby are some photographs, what is happening in these images? What do the clothes of the people and style of the photographs tell us about when they might have been taken? Some of the large woodcuts in the space have a criss-cross pattern on them, what does this remind you of? What are the colours like in these pictures? There are some tables in the middle of the space, with coloured table cloths on - what else can you see on the tables? What are the pictures of? There are some objects on the table too; can you guess what they are? If you look really closely, do they look any different? What material might they be made of? There is a TV hidden under the table - what is happening in the film? Why do you think the artist has filmed this? Some of the large woodcut prints are part of a ‘Tent’ series, where the artist has drawn tents of different shapes and sizes. Can you tell which ones these are? Why do you think the artist might have chosen to draw tents? Are the pictures similar or different to each other? Create Left: Andrea Büttner, Dancing Nuns, 2007. Woodcut. Photo © Andy Keates Above: Andrea Büttner, (Left) Breadpebble, 2010. Woodcut. (Right) Tent (Igloo), 2012. Woodcut. Photo © MK Gallery Activities for in the classroom Psychedelic Tent Materials: Thick A3 paper or card, Oil pastels/crayons in a range of colours, wooden cocktail sticks, printed images of tents or houses for inspiration. 1. Using the oil pastels cover your paper in a multi-coloured layer. Make sure you colour right up to the edges and don’t leave any gaps. You can use any colours for this layer, except black. 2. Now completely colour over the layer you have just done using the black oil pastel. 3. Choose an image of a tent or a house, and think about the lines and simple shape you can see. 4. Using the wooden stick, draw your tent or house on the paper by scraping away the top layer of oil pastel to reveal the colours underneath. Vegetable block-printing Materials: Potatoes, carrots, and green beans (or similar vegetables) sliced into manageable sizes, acrylic paint in a range of colours. 1. On a spare sheet of paper, experiment with what marks you can make by printing from the surfaces of the different vegetables. Use the potatoes to make circle shapes or thick lines, use the carrots to make thinner marks, the green beans to make very thin lines. 2. Now think about a pattern or picture that you would like to create using simple shapes and lines. You might want to make a criss-cross pattern or stripes like the cushions in the exhibition. What colours does Andrea Büttner use to make her images really stand out? 3. Use the vegetables to make your final picture, no brushes allowed! Colour in a donkey Use the printable colouring sheet to decorate your own donkey. Link: http://coloring-pages.printablesheet.com/donkey-coloring-page/ Exhibition Supporters The exhibition is generously supported by Pro Helvetia, the Stanley Thomas Johnson Foundation, Swiss Cultural Fund in Britain and the Embassy of Switzerland