Autumn is a magical season in it`s ability to bring
Transcription
Autumn is a magical season in it`s ability to bring
Autumn is a magical season in it's ability to bring us indoors for cozy meals and quiet evenings, as well as harken us outdoors to visit pumpkin patches and apple farms while wrapped in it's cool crisp climate. Our autumn newsletter shares simple craft ideas, holiday projects and stories that we hope will inspire you to celebrate the best of this lovely season with your family and friends. KIMBERLY TAYLOR is a laughter-loving food photographer with a french bohemian industrial style who dreams of finding a way to live the french life on a little farm in the countryside outside of Seattle. MELAINE THOMPSON is a serial DIY'er. She has a weakness for tackling projects that others tell her she can't do. She loves to prove them wrong, saving money along the way, and inspiring others to abandon their fears and join in on the DIY fun! blog: kimberlytaylorimages.com/mimicharmante blog: mysweetsavannah.blogspot.com PA M G A RRI S O N is at heart a girl that loves to create. She plays with paper and paints, threads and fabric, photos and found objects. She loves using flea market finds when crafting, and the gathering of those treasures too! She tries to incorporate creativity into her daily life. AMY HANNA is a jewelry designer and author with a passion for antique objects. She is obsessed with searching for just the right elements to use in her revered art jewelry creations, as well as her mixed-media works. She believes special pieces are what make the final work significant and meaningful. blog: pamgarrison.typepad.com blog: amyhanna.typepad.com DARCY DEATON & KARA GARBER are two friends who love wrapping with wit. They love to stumble upon quirky finds in "out of the way places" & their passion is packaging and gifting. The gals run McMaster & Storm and Swan & Shears on Etsy, they stock everything from paper goods to ribbon, housewares to crafting tools and lots in between! TASHA MONTGOMERY loves to bake, paint and eat with her hands (just not in that order). She also enjoys dark chocolate & coffee with friends. Tasha is a graphic designer and creates hand-crafted invitations that celebrate life’s great moments. blog: mcmasterandstorm.blogspot.com blog: ampersandink.wordpress.com HOPE WALLACE KARNEY is known for mixing old elements with modern principles to create unique and whimsical designs for her greeting card line, Paper Relics. Her work has been featured in several national magazines, including Mary Engelbreit’s Home Companion and Country Living. Hope also has a love for art journaling and enjoys sharing her pages with others to inspire them to start a journal of their own. website: paperrelics.com 2 Mourning Jewelry Words & Photos by Amy Hanna HAVE Y OU H E A R D O F M OUR N I N G JE WE L RY ? Mourning jewelry is usually made from jet, enamel, vulcanite or woven hair worn in honor of a deceased loved one. This became fashionable after the death of Queen Victoria's beloved husband, Prince Albert in 1861. She was one of the most influential women in fashion during the Victorian era. After the death of her husband she went into mourning for the rest of her life which meant she only wore black clothing and mourning jewelry. Queen Victoria died in 1901, forty years after his death. The first material used to make mourning jewelry was jet onyx. Large deposits of black jet were found in Whitby, England. 4 The Whitby jet was expensive because it was very labor intensive it had to be worked and carved by hand and could crack easily when carved. This made it only available for the wealthy. Towards the end of the 19th century imitation jet was being produced from hardened rubber called vulcanite and a black glass called French Jet. This made mourning jewelry more accessible and affordable. Both substances could be easily moulded into different things such as beads, lockets and rings. Brooches that were moulded from vulcanite were commonly used to hold tin type photographs or woven pieces of hair from a loved one. The broaches were decorated with such things as flowers, hands or crosses on the front of them. During the Victorian era, women were expected to go into mourning 6 to 9 months for grandparents, 2 years for parents and 2 1/2 years for husbands. This meant that they were not to leave their house without being covered from head to toe in black. Sometimes family's would not leave their homes for a week after the passing of a loved one in order to get black clothing made for their family. Another popular type of mourning jewelry was made from human hair called "hairwork". Hair is one of the only parts of the body which does survive after we part. Women in the US, could send the hair of their loved ones who had passed away to New York to have it braided into ornate chains used for necklaces bracelets or earrings. Women could also order patterns patterns through magazines to create different types of braided designs. During the civil war this became very popular. Hair could also be used to create small detailed art pieces. Wonderful ornate pieces of hairwork were made into pins which looked like small paintings. Rings and lockets containing woven hair were encased in glass and surrounded by pearls. The pearls represented tears. Some of the nicer pieces were engraved on the back. It is getting harder and harder to find beautiful Victorian mourning pieces. The level of detail and sophistication of these pieces that were once held so dear to a loved ones heart maintain a certain demand of respect from the person admiring it. I have a fondness for Victorian pieces. I find them very interesting and love the symbolism. As a jewelry designer I feel that it is the special momentos that make an amazing piece of jewelry and what is more special than a photo or token from a loved one. 5 Ma k e i t Autumn Wreath project & photos by: melaine thompson USHER IN AUTUMN WITH AN EASY TO MAKE FALL WREATH Gather freshly fallen medium to large colorful leaves on a dry day. Sugar maple leaves are ideal but any leaves with long stems will do. You will need approximately 3 full brown paper grocery sacks. Indoors, spread a large layer of newspaper on the floor. Lay leaves out without much overlap. Cover lightly with 2-3 layers of newspaper. The idea is to allow them to cure only slightly as they dry. Allow to dry completely {3-5 days}. They can then be layered in a grocery bag or cardboard box for keeping. Process more than you think you'll need. Fill the grooves of the wire frame completely with Spanish moss. Tie one end of the twine to frame and begin unwinding twine from ball clockwise around and around the frame about 1-2" apart until you go completely around. Then, repeat going counter- clockwise, creating x's on the front of the frame. They should be fairly close together as they are what you will be weaving the stems through. Begin applying leaves by weaving the supple stems in and out of the x's. If possible, weave each stem through two x's. All leaves should be going the same direction. Continue until the wreath is completely covered, making it as full as you can. dry area. The color will fade to brown, but remains beautiful. The one in these photos is from last year! SUPPL IE S WIRE WREATH FORM SPANISH MOSS REAL FALL LEAVES TWINE No glue is needed if your stems are long enough. If not, and they seem to be falling out, dab a little hot glue to hold. Looks lovely on a wall or hung in a window. If the back will be seen from the outside of the window be sure to have some Spanish moss on the back, too, to cover the wire frame. A bent paperclip can serve as a hanger. The wreath will look spectacular the first year, and can be kept indefinitely in a warm, Special thanks to my mother for teaching me how to create this DIY fall wreath project. 7 Poetic Pumpkins An Interview with Carol Smithback Souvenir recently sat down with Carol Smithback of Poetic Pumpkins and asked her to share the story behind her unique seasonal pumpkin business. Q: What inspired you to create engraved pumpkins? The first time I ever saw 'engraved pumpkins' was in Sharon Lovejoy's book, 'Sunflower Houses'. She had a watercolor of a pumpkin she had made for her son with his name on it and I thought it was the sweetest idea ever. Soon after that, Julie in my garden club engraved some pumpkins with the names of herbs on them and sold them at a group craft and plant sale. I think I bought them all and then pestered her for details on how exactly she had made them, which she generously provided. Q: How did you begin your business? How long have you been engraving pumpkins? I started engraving a few pumpkins every year for family and friends. Some close friends of ours had a farm so I had access to a pumpkin patch. About 8 years ago I thought I should test the idea of making a few extra pumpkins to sell. I took some in to show Ron at Ron's Nursery in Grover Beach and he was so helpful in getting me started. He bought some to sell in his upscale store and encouraged me to keep making the pumpkins. The following year he even allowed me to come to the nursery and take custom orders in the early summer. This ended up being way too stressful as 50% of the crop rotted that year. So now I just do an assortment of sayings and words. Susan Branch was also very encouraging and I remember being so excited when she ordered some pumpkins for her little store which she had a few years ago right here in Arroyo Grande. The thing about pumpkins is they are heavy and bulky so you don't want to transport them too far or too many times. Q: When in the growing process do you engrave the pumpkins? The time frame for engraving varies from variety to variety. For the larger pumpkins I engrave them when they are about the size of a soccer ball and the skin in still pretty soft. At that point it is easy to engrave. As the skin thickens it becomes much more difficult. Q: What types of tools do you use to engrave? I sometimes use a regular ballpoint pen (the kind you can get at office max for $1.00 for a box of 12). I also have a top-secret special tool that is my favorite, but really you can use anything sharp, even a nail. 9 Q: Q: Q: What are your favorite words, sayings or phrases? It heals pretty quickly. In a week you will be able to see the scar starting and from there it takes a few weeks to completely ripen depending on the year. I don't count, but I am guessing about 200. You never end up with 100% perfect pumpkins. My best year ever was last year and that was about an 80% success rate. My worst year was less than 50%. That was not fun. I always make some spelling mistakes too. It's easy to do when you are standing on your head in a pumpkin patch. The most popular words are 'Blessings', 'Autumn' and 'Harvest'. I also like to do some with poetry or encouraging sayings on them. The funnest part about what I do is making a very personalized pumpkin for someone who is not expecting one ( and if it rots they are none the wiser). How long does the healing take after engraving? Q: How many acres does your pumpkin crop cover? I have about 1/3 of an acre planted in pumpkins. Q: What other vegetables have you experimented with engraving? I will try engraving any kind of squash, pumpkin or gourd. A lot of the varieties I engrave are actually squash, not pumpkins. The 'Grace' squash I sent you pictures of is actually a mini Hubbard squash. Something new I am trying this year. In the past I have had great success with Turk's Turban squash and butternut squash. 10 How many pumpkins do you engrave every year? By the way, I have to mention that I don't do the pumpkins all by myself. I have lots of friends and family that help me grow, harvest and sell them. My dear husband transports all of them for me, which is not a fun job. Q: Where can our readers purchase your pumpkins? I will have a booth at the Remnants of the Past Antique show in San Louis Obispo, this fall. This year it will be a two day show but I will only be there on Saturday. Q: Q: Last year I had a Cinderella pumpkin that was about 40 pounds, it was gorgeous. I still have the blog up for Old Willow Farm but I have been a very bad blogger and have not posted for a long time. What's the largest pumpkin you've engraved? Do you have a blog or website? I can be contacted at: [email protected]. Autumn Imprints Project & Photos by: Heather Bullard HARV EST N A P K I N S Here's a fun and inexpensive way to make unique harvest napkins for your autumn table. SUP P LI E S WAX PAPER 1. HAMMER AUTUMN LEAVES (darker ones work best) MUSLIN FABRIC (15" square per napkin) S TE P 1 First tear the muslin into 15" square pieces. The amount of fabric will depend on how many you will want to make. S TE P 2 Remove all the stems from the leaves and set aside. Next lay the leaf on a piece of wax paper and lay the corner of your napkin over the top. 2. S TE P 3 Take your hammer and tap over the top of the fabric starting with the outside portions of the leaves and working inward. Use your free hand to keep the fabric from slipping. S TE P 4 Once you have hammered the entire leaf, lift the corner of fabric making sure not to disturb the leaf and lay one of your stems as show. Then repeat the hammer process to finish off your napkin. 3. Kids will love helping with this project. You can take them on a walk in your neighborhood to find all kinds of different leaves. Each of your guests will get their very own special piece of fall. Another idea would be to use them as goodie bags and fill them with nuts or candies. It's such a simple way to decorate your table and celebrate the season with your family. 4. 12 Italian Meatball Soup Recipe & Photos by: Kimberly Taylor COZY UP TO FALL WITH A WARM & HEARTY SOUP steaming bowl of soup around a table filled with those you love. There is something about the end of summer and the coming of autumn that makes my heart sing. It is my favorite time of the year. The days begin to shorten, the nights become cooler, and we start to wear layers again. After a long hot summer, I love when everything begins to cool down again. The colors of autumn are so rich - the golden yellows, russet reds, and burnt oranges surround us. From the leaves on the trees that begin to fall to the pumpkins that have finally ripened, it is a wonderful cozy season filled with familiar comforts. One of our favorites is an Italian inspired meatball soup, adapted from one that Jamie Oliver has done in the past. I love the heartiness of it, as well as the fact that you can make it early and just rewarm it or do it last minute as it doesn't take all that long - if you use canned beans that is. As the recipe doesn't call for a lot of seasoning, feel free to season as you prefer. Preparing meals for my family here on the farm come autumn often includes soups and stews. Accompanied by a hearty bread and a fabulous fruit pie or crumble, it makes one of our favorite meals. When evenings turn cold it is nice to come in and warm up with a MEATBALLS: Enjoy! ITALIAN MEATBALL SOUP 1/2 lb. ground beef 1/2 lb. ground pork 1 finely chopped onion - small 3 cloves of garlic finely chopped 1/2 cup bread crumbs Mix all ingredients in a bowl well and form small balls. 2 Tbsp olive oil 1 onion chopped 4 sticks of celery chopped 1 large carrot chopped 1 leek chopped 2 bay leaves 3 Tbsp fresh thyme leaves 2 - 454g cans of whole stewed tomatoes - I like fire roasted 3 cups cooked white beans Add oil, onion, celery, carrots, and leeks into a soup pot. Saute until vegetables are softened and onions are just starting to turn golden. Add the bay and thyme leaves and 6 cups of water and bring to a boil. Reduce heat to a simmer, add the tomatoes and beans, and season with salt. When soup is simmering, add your meatballs. Simmer until meatballs are cooked through. Serve with grated parmesan on top. CHALKBOARD TREAT BASKETS Project & Photos by Heather Bullard F OLLOW O UR S I M P LE S T EP S T O C R E ATE Y O U R O W N S P O O K - TAC U L A R TRE ATS ! 1. Supplies: Peat Pots, Scissors, Hole Punch, Chalkboard Paint, Foam Paint Brush, Chalkpaint Pen or Chalk, Twine, Candy Treats 2. Cut out individual peat pots. 3. Paint exterior with 2 coats of chalkboard paint. Let dry. 4. Punch holes on 2 sides and attach twine handles. 5. Use chalkpaint pen or chalk to write names or phrases. 6. Fill with your favorite candy treats! 16 Old Fashioned Brag Book Project & Photos by Hope Karney LAST SUMMER I CAME ACROSS this wonderful brown toned antique photograph book at the Rose Bowl Flea Market. Inside the old photos have the best frames around them, and the photo corners are still holding fast the memories someone took the time to carefully add to the book. I thought it would be fun to remake the album in compact form (perfect for carrying around and sharing with others), adding fall photographs I love that hold stories I want to remember for years to come. SU P P L I E S Printed copies of the supplied PDF files Cardboard or matte board Fall photographs Black card stock cut to 4.5 by 6.5 inches (at least 8 pages) Photo Corners 2 - 6 Binder Rings Ribbon Binder Clips or Clothes Pins Hole punch or Crop-a-dile Scissors Adhesive White pen (optional) CRE AT E Y OU R O W N : Print out the cover images I made for you, the covers each measure approximately 5x7 inches. Cut out and adhere the covers to cardboard (I used the cardboard pieces I got holding my recent Amazon.com order in place in the box). To adhere, you can use whatever you prefer, I used double sided tape from holddearshop.com, but gel medium or paper glue would work well too, just wait for any wet adhesive to dry before continuing. 18 Line up the covers and card stock pages, holding them together with your binder clips or clothespins and punch holes for the binder rings. I used 6, but you can use anywhere from 2 to 6. The more you use the sturdier the book will be. Assemble the book using the binder rings to hold it together. Adhere one of the label images to the front, noting “fall” and the year. Tie decorative ribbon on the rings. For the photographs themselves, you can print out the PDF I created for you, cut out the frames and adhere them to the top of your photographs, or, if you are savvy with image editing software like photoshop, you can open the PDF directly in there and add the frames to your photos before printing them. Add photographs on to the card stock pages using the photo corners. If you wish, use the white pen to make notes around each photo. 19 20 click here to visit our sponsors or Be Boo’d! Project and Photos by PAM GARRISON B O O O R B E BOO’D In our neighborhood, like many others throughout the country, we participate in the playful tradition of “BOOING” at Halloween time. If you’ve never heard of it, it’s a simple way to add a little tricking and treating to the Halloween happenings. To ‘BOO” someone, you simply leave a little, inexpensive but seasonally themed treat at their door, then ring the bell and run so that you stay anonymous and don’t get spotted! It is then their turn to BOO someone else. To keep from getting boo’d repeatedly, you set a sign by your doorstep or tied to your door that you’ve “BEEN BOO’D”. Pretty soon the entire neighborhood is involved in the fun. I N ST R U CTI O N S PRINT 2 COPIES OF THE BOO SIGN pdf, (one for you, and one for the person you are boo-ing, to make it easier for them to re-boo). If you don’t think they are familiar with the tradition, you can jot a note on the back stating they have 5 days to boo someone else by leaving a treat and sign at their door. The game catches on pretty quickly. CUT YOUR SET OF “BOO” AND “BEEN BOO’D” signs, embellish as you desire. Here we added a backing of orange cardstock and black paper trim. GATHER AND WRAP a little Halloween treat like candy, a paper lantern, stickers, candles, etc. INCLUDE THE “BOO” SIGN. We wrapped one end of ours around a skewer and glued it on so that we had a sign to stick in the bag of candy, but you could also choose to punch a hole in one end and tie on with colorful ribbon. TAKE THE KIDS to find a house that doesn’t have a “BEEN BOO’D” sign on the door, leave your treat, ring the bell and run! WHEN SOMEONE BOOS YOU, hang the “BEEN BOO’D” sign on your door. That’s all it takes to spread the fun! 23 Getaway Fall Flower WORKSHOP Words & Photos by Kara Garber and Darcy Deaton FAL L JA UN T T O VIS IT TH E “H ATTE R” Amy Hamilton’s Studio Granville, Ohio {Granville Millinery Company} www.granvillemillinerycompany.com We signed up for a workshop at Skipping Rock Farm, nestled in the hilly, verdant countryside of Ohio. Waking up early with our coffee in hand we headed out to take a class that uses age old techniques. Owner and hat-maker extraordinaire, Amy Hamilton greeted us and led us into her modern country studio. Down the rabbit hole we went... Amy’s Studio and farm is indeed tucked into the folds of hills, and nature’s glory surrounds. We felt a bit like Alice in Wonderland, as we sat down to create with the mad hatter, who, in fact isn’t mad, just madly in love creating a lost art in this mad world! Amy has found her place in this world by making the most beautiful hats and accessories any gal could ever want. We found ourselves so inspired by her talent, it gave us a sense of calmness and serenity as we sat in the company of this talented gal. Amy taught us & 6 other participants techniques to create a “hot house” flower using an antique flower iron which is used to press shape into the fabric. The 3 hour class was spent in a renovated horse barn that is Amy Hamilton’s studio. 26 That in itself was fuel for the day & days to come! Her studio contained inspiration in every nook & cranny. Shelves filled with wood hat molds, ribbon stacked by palette and an apothecary jar filled with silver sewing scissors. A large vintage “cubby hole” cabinet was filled with different materials and textures arranged by color tones; from brighter colors to moody, rich fall hues of golden brown, sepia & black. The introduction to “flower irons” to create our flowers was the most intriguing part of this art. The nibs on the flower iron helped us to shape and give life to flat cut out patterns of silk. We used our hands and minds to create. Expanding ones learning of new things is always timeless just like the flowers we created. FOR MORE INFORMATION ON AMY’S FLOWER MAKING WORKSHOPS VISIT: www.granvillemillinerycompany.com/skippingro ckfarmflowermakingworkshop.html WANT ONE OF AMY’S STUNNING FINISHED FLOWERS? www.granvillemillinerycompany.com/accessori es.html Visit our etsy shop to purchase the flower iron, includes basic instructions. September October November BIRTHSTONE: Sapphire BIRTHSTONE: Opal BIRTHSTONE: Topaz FLOWER: Morning Glory FLOWERS: Calendula FLOWERS: Chrysanthemum { DID Y O U K NOW ? } { D ID YOU KNOW ? } { DI D YOU K N O W ? } First Labor Day celebrated as a legal public holiday, September 3, 1894. First "Model T" Ford put on the market, October 1, 1908. First Continental Congress assembled in Philadelphia, September 5, 1774. First double-decked steamboat, the Washington, arrived at New Orleans, October 7, 1816. First regular radio broadcasts began, over station KDKA in Pittsburgh, November 2, 1920. Russians launched first rocket to the moon, September 12, 1959. Constitution of the United States signed, September 17, 1787. Publick Occurrences, first newspaper, appeared in September 25, 1690. American Boston, Columbus landed in America, October 12, 1492. First general court in New England held, Boston, October 19, 1630. U.S.S. Constitution, better known as Old Ironsides, launched, October 21, 1797. First intercollegiate football game in United States, Rutgers v. Princeton, at Rutgers, November 6, 1869. First transpacific air-mail flight began, November 22, 1935. First national Thanksgiving Day in United States proclaimed by President George Washington, November 26, 1789. FAV ORI T E QU OTE S FAVOR I T E QUOT ES FAVOR I T E Q U O T ES What we want is to see the child in pursuit of knowledge, and not knowledge in pursuit of the child. —George Bernard Shaw Bittersweet October. The mellow, messy, leaf-kicking, perfect pause between the opposing miseries of summer and winter. —Carol Bishop Hipps There is a harmony in autumn, and a luster in its sky, which through the summer is not heard or seen, as if it could not be, as if it had not been! ~Percy Bysshe Shelley The one red leaf, the last of its clan, that dances as often as dance it can, hanging so light, and hanging so high, on the topmost twig that looks up at the sky. —Samuel Taylor Coleridge Education is what remains after one has forgotten what one has learned in school. —Albert Einstein October gave a party; The leaves by hundreds came - the Chestnuts, Oaks, and Maples, and leaves of every name. The Sunshine spread a carpet, and everything was grand, Miss Weather led the dancing, Professor Wind the band. —George Cooper "No warmth, no cheerfulness, no healthful ease, No comfortable feel in any member No shade, no shine, no butterflies, no bees, No fruits, no flowers, no leaves, no birds November!" —Thomas Hood Autumn is a second spring when every leaf is a flower. —Albert Camus L UN A R C A L E ND A R LU NAR C AL ENDAR L UNAR CALEN D A R SEPT—4-waxing-cresent, 12-full moon, 20-waxing-cresent, 27-new moon OCT—3--waxing-cresent, 11-full moon, 19-waxing-cresent, 26-new moon NOV—2-waxing cresent, 10-full moon, 18-waxing cresent, 25-new moon Delicious autumn! My very soul is wedded to it, and if I were a bird I would fly about the earth seeking the successive autumns. —George Eliot Home for the Holidays Our special Winter issue will be filled with holiday crafts, decorations and recipes to share with your friends & family. The Winter Gazette will be delivered to your inbox the first week of November. WOULD YOU LIKE TO Advertise WITH US? RESERVE YOUR SPOT LIMITED SPACE AVAILABLE with: LIVE LINK & PRINT AD To receive rates and availability contact: Tasha [email protected]