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Digital-dedicated design for achieving both high picture quality and compact size
Image clarity assured by digital-dedicated design
When you mount a lens designed for a 35mm film camera on a digital SLR
camera, you'll find that picture quality is degraded in peripheral areas and
that there is an increased tendency for ghosts and flares to occur. Flaring can
occur in the entire picture taken with a 35mm film camera lens, with
distortion increasing from the center to the periphery. A Four Thirds System
lens, on the other hand, captures a uniform, sharp image with minimal ghosts
and flares, and no distortion in the periphery.
Telecentricity for straight-line transmission of light
to the image sensor
Picture taken with a 35mm film
camera lens
Picture taken with a Four Thirds
System digital-dedicated lens
2 ZUIKO DIGITAL 14-54mm F2.8-3.5 Ⅱ lens at 14mm
(equivalent to 28mm of 35mm film camera lenses)
(Scheme)
Light rays
Image sensor
Image sensor
35mm film camera zoom lens at 28mm
(Scheme)
Light
rays
Image sensor
Image sensor
&
Four Thirds
Micro Four Thirds System
The image sensor in a digital camera can be compared to a “deep well”
because the light receptors for the RGB components are placed at the bottom
of partitioning walls installed to protect the receptors against diffused light
reflections, like the water surfaces at the bottom of multiple wells. To utilize
the light rays incident through the lens efficiently and guide them perpendicularly to the sensor surface, the lens should be capable of maintaining
telecentricity. However, lenses from the 35mm film camera era are very
susceptible to distortion and chromatic aberration due to oblique incidence of
light on the image sensor. The digital-dedicated Four Thirds System lenses
were created to solve this problem. With a mount diameter that exceeds the
sensor size with large headroom, resulting in telecentricity, these lenses offer
sharp, clear image reproduction throughout the image plane.
1 Difference between 35mm film camera lens and Four Thirds lens
Micro Four Thirds with Further Size Reduction
Optimized for digital photography to offer both
precision optical quality and compact size
The mirror box is a key component of SLR cameras. It enables subjects to be
viewed through a viewfinder, while providing assurance that what the
photographer sees conforms to reality. On the downside, however, the image
that the mirror shows us on the focusing screen is not identical to the one
imaged on the film or image sensor. In addition, the mirror is a major
contributing factor to camera size and weight.
Elimination of the mirror box in the Micro Four Thirds System has made it
possible to benefit from a more compact size and take advantage of movie
shooting capability, while maintaining the high picture quality of the class of
the Four Thirds System. The Micro Four Thirds System is a new standard of
mirrorless system camera, which dramatically expands the potential of
photography, taking it beyond even that made possible by previous SLR
cameras.
3 About 50% reduction of flange back thanks to mirrorless design
Four Thirds flange back
Micro Four Thirds flange back
Mirror box
Four Thirds System
Micro Four Thirds System
Optical design that enables further reduction in
size and future expandability
The elimination of the mirror box has made it possible to reduce the size of
3 and to reduce
the flange back by half relative to the Four Thirds System ■,
4
the lens mount diameter by about 6mm ■.
The flange back is an important picture quality factor that is associated with a
large number of properties such as the image sensor size and lens design. A
short flange back or back focus theoretically enhances the performance of
wide-angle lenses by adopting a symmetrical design in front of and behind
the lens, but negative effects can include distortion in the center as well as
peripheral areas.
With the Micro Four Thirds System standard, the balance between the
diagonal length of the image sensor and the lengths of the flange back and
back focus has been optimized to facilitate maximum flexibility in
5
design/production and performance of lenses in the future ■.
Image sensor
Micro Four Thirds lens mount
Four Thirds lens mount
4 6mm reduction of the mounts diameter
Four Thirds
Micro Four Thirds
Two additional signal pins to support comfortable Live View and movie shooting
5 Optical design expanding the scope of the lens development
◀Mount
Mount plane
Mount adapters allow a wide variety of lenses to be mounted
Micro Four Thirds cameras not only work with dedicated Micro Four Thirds
lenses, they can also accept any existing Four Thirds lens when an adapter is
used. As an added bonus, the short flange back makes it possible to use
classic lenses from the age of film, ensuring that you’ll be able to continue
putting your favorite lenses to good use.
Image
sensor
plane▶
◀Lens rear end
Flange back
Back focus
1
2
Micro Four Thirds
Wide Zoom
Lenses covering wide-angle focal lengths of less than 12mm (equivalent to 24mm of 35mm film camera lenses).
14-28mm (35mm equivalent)
Panasonic : LUMIX G VARIO
7-14mm F4.0 ASPH.
OLYMPUS : M.ZUIKO DIGITAL
ED 9-18mm F4.0-5.6
ED lens Aspherical lens
Max. dia. x Length = ̋70mm x ca. 83.1mm
Weight = 300g
DSA lens HR lens ED lens Aspherical lens
MSC
Max. dia. x Length = ̋56.5mm x 49.5mm (when retracted)
Weight = 155g Filter diameter = ̋52mm
Ultra-wide-angle, ultra-compact 14-28mm zoom lens
Ultra-wide-angle zoom with a wide angle of view
Taking full advantage of Micro Four
Thirds System’s short flange back, this
compact lens captures breathtaking
wide perspectives with an angle of view
of 114°.
This ultra-wide-angle zoom lens sets a
new standard in compact design. Ideal
for snapshots and landscape shooting.
▼M.ZUIKO DIGITAL ED 9-18mm F4.0-5.6 : 1/1000sec. F5.6
3
LUMIX G VARIO 7-14mm F4.0 ASPH. : 1/200sec. F5.6 ▶
4
Micro Four Thirds
Standard Zoom
Lenses covering focal lengths from semi-wide-angle between 12mm and 18mm (equivalent to between 24 and 36mm of 35mm film camera lenses) to telephoto.
12-32mm F3.5-5.6 ASPH. MEGA O.I.S.
Panasonic : LUMIX G X VARIO
12-35mm F2.8 ASPH. POWER O.I.S.
ED 12-40mm F2.8 PRO
ED lens Aspherical lens Optical Image Stabilizer (inside lens)
Max. dia. x Length = ̋55.5mm x ca.24mm (when retracted)
Weight = ca.70g Filter diameter = ̋37mm
UHR
UED lens UED lens Aspherical lens Optical Image Stabilizer (inside lens) Splash-/dust-proof
EDA lens DSA lens HD lens HR lens ED lens Aspherical lens MSC ZERO coating Splash-/dust-proof
Max. dia. x Length = ̋67.6mm x ca.73.8mm
Max. dia. x Length = ̋69.9mm x 84mm
Compact standard zoom lens with 24mm wide angle (35mm equivalent) capability
Compact, lightweight wide-angle zoom lens with full-range F2.8 brightness
Dustproof/Splashproof with bright F2.8 throughout the zoom range
A compact, lightweight lens ideal for use in
many different shooting situations, from
taking everyday snapshots to shooting a
group photo in a small room or capturing
scenic landscape while traveling.
With F2.8 throughout the zoom range, this lens
captures sharp, crisp images with high resolution
and contrast. Outstanding portability makes this
an excellent choice for everything from snapshots
and family photos to spectacular landscape shots.
With an aperture of F2.8 fixed throughout
the zoom range, this standard zoom lens
meets professional requirements for a
quality zoom lens that's compact,
lightweight, dustproof, and splashproof.
Kodak : PIXPRO SZ
ED 12-45mm F3.5-6.3 AF
ED 12-50mm F3.5-6.3 EZ
ED 14-42mm F3.5-5.6 EZ
Aspherical ED lens ED lens Aspherical lens
DSA lens HR lens ED lens Aspherical lens MSC Electronic zoom Splash-/dust-proof Macro mode
Super HR lens ED lens Aspherical lens
MSC Electronic zoom
Weight = ca.182.5g Filter diameter = ̋49mm
Max. dia. x Length = ̋57mm x 83mm
Max. dia. x Length = ̋60.6mm x 22.5mm (when retracted)
Standard zoom lens covering an ample focal range
Standard movie lens with electronic zoom mechanism
Motorized standard zoom lens boasts world’s thinnest profile*
Four aspherical lens elements and two
ED lens elements ensure low distortion
for a wide zoom range. A standard
zoom lens ideal for everyday use.
Electronic zoom mechanism enables
steady zooming at a constant rate. The
MSC mechanism is linear motor-driven
for faster and quieter AF control.
Incorporating a motorized zoom mechanism
in a slim profile that's just 22.5mm thick,
this standard zoom lens offers high
operability, while ensuring uniform, sharp
image quality throughout the image plane.
* As of January 29, 2014. Among standard 3x zoom lenses for mirrorless system cameras.
▼ LUMIX G X VARIO 12-35mm F2.8 ASPH. POWER O.I.S. : 1/1000sec. F6.3
5
6
◀ M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO : 1/250sec. F6.3
Micro Four Thirds
Standard Zoom
14-42mm F3.5-5.6ⅡR
Panasonic : LUMIX G X VARIO PZ
14-42mm F3.5-5.6 ASPH. POWER O.I.S.
14-42mm F3.5-5.6ⅡASPH. MEGA O.I.S.
Aspherical lens
ED lens Aspherical lens Optical Image Stabilizer (inside lens) Moterized zoom
MSC
Max. dia. x Length = ̋61.0mm x ca.26.8mm (when retracted)
Max. dia. x Length = ̋56.5mm x 50mm (when retracted)
Aspherical lens Optical Image Stabilizer (inside lens)
Max. dia. x Length = ̋56mm x ca.49mm
Standard zoom lens with compact size and light weight
World’s first* standard lens with built-in motorized zoom
Sophisticated design and reduced size/weight
With a compact size and light weight of
113 grams, this standard zoom lens is
optimized for daily use on the street, as
well as for portrait shooting. It incorporates
the MSC mechanism for fast, quiet AF.
The compact, lightweight retractable
mechanism improves portability of the camera,
while at the same time ensuring high contrast
all the way to the image periphery. The quiet
noise design is suitable for movie shooting.
The compact, lightweight design of this
lens lets you enjoy photography in a
wide range of situations, from
everyday snapshots to landscape and
portrait shooting.
* As of October 13, 2011. Among the digital SLR-dedicated lenses.
▲ LUMIX G VARIO 14-140mm F3.5-5.6 ASPH. POWER O.I.S. : 1/4000sec. F5.6
Panasonic : LUMIX G VARIO HD
Aspherical lens Optical Image Stabilizer (inside lens)
Compact, lightweight standard zoom lens
Sophisticated design and reduced size/weight
Full-time autofocusing capability in movie recording
With a wide focusing range of about
3.2x zoom ratio from wide-angle 28mm
(35mm equivalent), this lens ensures
exceptional shooting performance
under a wide range of conditions.
The compact, lightweight design and high
mobility of this powerful zoom makes it an
excellent choice for a wide range of
applications ranging from landscape and
portrait shooting to sport photography.
This HD lens is optimized for movie
recording. Its lightweight focus lens
element ensures high accuracy, while
its direct-drive linear motor facilitates
silent operation.
M.ZUIKO DIGITAL 14-42mm F3.5-5.6 ⅡR : 1/400sec. F11 ▼
ED 14-150mm F4.0-5.6
EDA lens DSA lens HR lens E-HR lens ED lens Aspherical lens
MSC
Compatible with wide-angle and telephoto, as well as macro
A slim zoom lens with an extended 10.7x zoom
range that covers all the focal lengths for wideroutinely used in wide-angle and telephoto shooting.
With a closest focusing distance of 0.5m throughout
the zoom range, close-up shooting is also possible.
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8
Micro Four Thirds
Telephoto Zoom
Lenses covering telescopic focal lengths of 100mm (equivalent to 200mm of 35mm film camera lenses) or more.
Panasonic: LUMIX G X VARIO
35-100mm F2.8 POWER O.I.S.
ED 40-150mm F4.0-5.6 R
Kodak : PIXPRO SZ
ED 42.5-160mm F3.9-5.9 AF
UED lens ED lens Optical Image Stabilizer (inside lens) Splash-/dust-proof
HR lens ED lens
MSC
Max. dia. x Length = ̋58.7mm x 80.4mm
Telephoto zoom lens featuring compact size, light weight, high image quality and dustproof/splashproof
Telephoto zoom lens lets you preserve great memories in grand images
Mid-telephoto lens offers a new type of photographic experience
The large F2.8 aperture enables high-speed
shutter release in sport and railroad photography,
as well as allowing you to take advantage of
various effects such as defocusing in portrait
shooting, as well as close-up shooting.
Featuring extremely high portability,
this lightweight telephoto zoom lens
employs an ED lens element to correct
color aberration and a circular iris to
render natural defocusing.
In spite of its compact size and light
weight, this telephoto lens covers a
wide range from mid-telephoto to full
telephoto.
Panasonic: LUMIX G VARIO
Panasonic : LUMIX G X VARIO PZ
45-200mm F4.0-5.6 MEGA O.I.S.
ED lens Aspherical lens Optical Image Stabilizer (inside lens) Moterized zoom
ED lens Optical Image Stabilizer (inside lens)
Max. dia. x Length = ̋61.6mm x ca.90mm
Ultra compact telephoto zoom lens with high optical performance
World’s first* telephoto lens with built-in motorized zoom
Telephoto zoom lens in a compact design
The UHR (Ultra High Refractive Index)
lens and 2 aspherical lenses achieve
uniform image depiction from the center
to the corners. Smooth, silent focusing
in both photo and video recording.
The multi-actuator flowing inner focus
mechanism enables this lens to offer
sharp, clear images in a compact,
lightweight design. Low-noise operation
makes it suitable for movie recording.
This lens employs a 13-group,
16-element configuration including
three ED lens elements. This design
effectively corrects aberrations to
achieve high picture quality.
UHR lens Aspherical lens Optical Image Stabilizer (inside lens)
* As of October 13, 2011. Among the digital SLR-dedicated lenses.
ED 75-300mm F4.8-6.7Ⅱ
100-300mm F4.0-5.6 MEGA O.I.S.
HR lens
Super ED lens
ED lens ZERO coating
MSC
Max. dia. x Length = ̋69mm x 116.5mm
ED lens Optical Image Stabilizer (inside lens)
Super-telephoto zoom captures dynamic images of distant subjects
600mm (35mm equivalent) super-telephoto zoom lens
The 600mm (35mm equivalent) super-telephoto zoom is
compact and lightweight enough for use in handheld shooting.
The ZERO coating on the lens surface adds eliminates
reflections and other distortions to ensure outstanding
results, even with pictures taken at a long distance.
With high-speed AF capability, this lens
brings distant subjects close at hand,
making it ideal for various applications
from shooting professional sports and
wild animals to a school sports day.
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10
◀ LUMIX G VARIO 100-300mm F4.0-5.6 MEGA O.I.S. : 1/20 sec. F7.1
Micro Four Thirds
Prime Wide
Wide-Angle, Single-Focal-Length Lenses for Wide-Angle with Focal Length below 20mm (40mm of 35mm equivalent).
16mm (35mm equivalent)
Panasonic :
LUMIX G FISHEYE 8mm F3.5
ED 12mm F2.0
Panasonic :
LUMIX G 14mm F2.5 ASPH.
ED lens
DSA lens Super HR lens ED lens Aspherical lens ZERO coating
Max. dia. x Length = ̋60.7mm(fixed hood section) x ca.51.7mm Weight = ca.165g Filter diameter = Front: Not mountable, Rear: Sheet filter holder 22mm x 22mm
World’s smallest, lightest* high-performance fisheye lens
High-grade snapshot lens with metallic finish
Wide-angle pancake lens with compact size and light weight
A diagonal angle of view of 180° and
short focal length lets you capture the
distortion and exaggerated perspective
that fisheye lenses are known for.
With a large aperture of F2.0 and a wide
angle of 24mm (35mm equivalent), this
lens offers high picture quality, while
boasting a more compact design
optimized for snapshot shooting.
The high brightness of this lens makes it
handy in daily use, from shooting vast
landscapes to compositions with wide
perspectives that take advantage of the
28mm wide angle (35mm equivalent).
17mm F1.8
17mm F2.8
Voigtländer :
NOKTON 17.5mm F0.95
* As of June 4, 2010. Among the AF-compatible fisheye
lenses for inter-changeable-lens type digital cameras.
DSA lens HR lens Aspherical lens ZERO coating
MSC
MSC
Aspherical lens
Aspherical lens
Aspherical lens Manual focus
High-grade F1.8 snapshot lens with metallic outer finish
Pancake lens that never misses a great shooting opportunity
F0.95, Wide-angle lens with fast aperture
Combining the brightness of an F1.8
open aperture and high Image quality in
a compact package, this lens is ideal
for snapshots. A snapshot focus
mechanism is also incorporated.
This wide-angle pancake lens features
a focal length suitable for a wide range
of applications, from snapshots and
portraits to landscapes and close-ups.
Wide angle lens of 35mm (35mm
equivalent) with F0.95 at wide open.
"Selective Aperture Control System"
allows you to set the lens precisely at
any aperture.
SIGMA :
SIGMA 19mm F2.8 DN
Aspherical lens
High-performance wide-angle lens, ideal for snapshots and indoor shooting
An ideal lens for casual snaps, as well
as for indoor photography which benefits
from its wide-angle of view. The superior
telecentric optical design improves
image quality throughout the frame.
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M.ZUIKO DIGITAL 17mm F1.8 : 1/200sec. F1.8 ▶
Micro Four Thirds
Prime Standard
Single-Focal-Length Lenses with Focal Lengths from 20-40mm (equivalent to 40-80mm of 35mm camera).
Panasonic :
LUMIX G 20mm F1.7ⅡASPH.
Voigtländer :
NOKTON 25mm F0.95
Panasonic : LEICA DG SUMMILUX
25mm F1.4 ASPH.
Aspherical lens
Manual focus
UHR lens
Aspherical lens
Max. dia. x Length = ̋63mm x ca.25.5mm
Compact, lightweight pancake lens with large aperture
F0.95, Standard lens with fast aperture
Single-focus lens with excellent brightness
The LUMIX G 20mm F1.7 ASPH pancake
lens features a large aperture, compact size
and light weight with a sophisticated new
design that has enabled both a reduction in
weight and an improvement in performance.
Standard lens of 50mm (35mm
equivalent) with F0.95 at wide open.
Full metal barrel and manual focusing
for high durability and reliable
operation.
A compact lens with high imaging
performance that features the soft,
beautiful defocusing effect that Leica
lenses are renowned for.
Max. dia. x Length = ̋63mm(fixed hood section) x ca.54.5mm
▼ SIGMA 30mm F2.8 DN : 1/80sec. F2.8
▲ LEICA DG SUMMILUX 25mm F1.4 ASPH. : 1/4000sec. F3.5
NOKTON 25mm F0.95 : 1/80sec. F0.95 ▼
25mm F1.8
Aspherical lens ZERO coating
MSC
A great starter lens that offers outstanding quality and ease of use
This large-aperture F1.8 lens is a good choice for
people who are new to single-focal length lenses.
Nine lens elements in seven groups are packed in
this compact, lightweight lens, ensuring excellent
optical performance from the open aperture.
SIGMA :
SIGMA 30mm F2.8 DN
Aspherical lens
High-performance standard lens, ideal for portraits and snapshots
Ideal for portraits and snapshots, this
high-performance standard lens features a n
inner focusing system that corrects any
fluctuations or aberrations to maintain image
quality regardless of the focusing position.
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Prime Telephoto
Micro Four Thirds
Single-Focal-Length Lenses for Telephoto Domain with Focal Lengths over 40mm (equivalent to 80mm of 35mm camera).
Voigtländer :
NOKTON 42.5mm F0.95
Panasonic : LEICA DG NOCTICRON
42.5mm F1.2 ASPH. POWER O.I.S
45mm F1.8
UHR lens ED lens Aspherical lens Optical Image Stabilizer (inside lens)
E-HR lens ZERO coating
Mid-telephoto lens with an ultralarge aperture
Mid-telephoto lens with F1.2 large aperture capable of expressing beautiful defocusing effect
Family portrait lens with beautiful defocusing capability
An angle of view of 85mm (35mm
equivalent) and a beautiful defocusing
effect produced by the ultra-fast F0.95
aperture make this lens ideal for
portrait photography.
A bright F1.2 open aperture and outstanding
imaging performance enforced by Leica's
rigorous optical standards make this
large-aperture, mid-telephoto lens a good
choice for portrait shooting.
The F1.8 brightness and shallow field
depth of this lens let anyone shoot
portraits in which soft, beautiful
background defocusing makes the
subject very prominent.
Manual focus
MSC
▲ SIGMA 60mm F2.8 DN : 1/200sec. F2.8
SIGMA :
SIGMA 60mm F2.8 DN
ED 75mm F1.8
Tokina :
Reflex 300mm F6.3 MF Macro
SLD glass Aspherical lens
HR lens ED lens ZERO coating
MSC
Reflex 300mm F6.3 MF Macro : 1/500sec. F6.3 ▼
Manual focus
High-performance telephoto lens featuring a natural feeling of perspective and beautiful defocus effects
High-grade portrait lens with highest picture quality
Palm-size super-telephoto lens with closest focusing distance of 0.8 meter
Featuring a natural feeling of perspective and
beautiful defocus effects, this lens allows the
photographer to zoom in on distant objects and
capture a single part of a subject. It brilliantly
realizes the photographer's intentions.
With the highest picture quality of all
M.ZUIKO DIGITAL lenses and an elegant
metallic finish, this lens is ideal for
studio portrait, stage and indoor sports
photography.
The use of reflex optics and reduction of
the overall lens length have resulted in a
lens with a previously unconceivable length
of 66mm, a maximum diameter of 66mm
and a weight of 298 grams.
▼ NOKTON 42.5mm F0.95 : 1/2000sec. F0.95
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Micro Four Thirds
Prime Macro
Macro Lenses That Support the Advantages of Single Focal Length Lenses.
Micro Four Thirds
Single-Focal-Length Lenses Designed for Enhanced Individual Performance.
3D
Panasonic: LEICA DG MACRO-ELMARIT
45mm F2.8 ASPH. MEGA O.I.S.
ED 60mm F2.8 Macro
Prime Others
Fieldscope
65mm (35mm equivalent)*
Panasonic :
LUMIX G 12.5mm F12
Kodak : PIXPRO SF
400mm F6.7 Fieldscope
HR lens E-HR lens ED lens ZERO coating
Weight = ca.45g Filter diameter = -
Weight = 640g Filter diameter = -
Outstanding image quality that Leica is known for
Nature Macro lens with dust-/splash-proofing capability
World’s first ** interchangeable 3D lens
Super-telephoto lens with focal length equivalent to 800mm on a 35mm camera lens
With imaging performance that meets
Leica’s demanding performance
evaluation criteria, this lens offers
consistently high contrast and
resolution.
1x macro lens featuring an inner focus
system that does not alter the lens
length. A focus limit switch is built in for
quicker focusing.
This easy-to-handle compact lens allows
instant 3D still-picture shooting with two
built-in optical systems. The left and right
images are shot without time lag so even a
moving subject is not distorted after synthesis.
Pull in a distant subject that you can’t
approach and shoot is as a close-up.
This super-telephoto lens is ideal for
bird watching.
MSC Splash-/dust-proof
* When the aspect ratio is set at 16:9 with DMC-GH2.
** As of September 21, 2010. Among the interchangeable lenses for digital SLR cameras.
▼ LEICA DG MACRO-ELMARIT 45mm F2.8 ASPH. MEGA O.I.S. : 1/200sec. F2.8
Scheduled for release
Development announcement: To be released in 2015 or later.
17
Development announcement: To be released in 2014
Development announcement: To be released in 2015 or later.
ED 7-14mm F2.8 PRO
ED 40-150mm F2.8 PRO
ED 300mm F4.0 PRO
Compact, high-performance wide-angle zoom lens
with dustproof/splashproof
Compact, high-performance telephoto zoom lens
Compact, high-performance super-telephoto lens
The first wide-angle zoom lens in the M.ZUIKO PRO series
ensures sharp, uniform imaging throughout the image plane to
the peripheries. This lens epitomizes ZUIKO QUALITY.
Featuring dust and splash-proofing capability designed to withstand the rigors of
professional use, this is the first telephoto zoom lens in the M.ZUIKO PRO series
of high-performance lenses. Release is planned in the latter half of 2014.
The first single-focal-length lens in the M.ZUIKO PRO series.
With a focal length of 600mm (35mm equivalent), this is a
compact, high-performance super-telephoto lens.
Schneider Kreuznach :
Super-Angulon 14mm F2.0 MFT 28mm (35mm equivalent)
Xenon 30mm F1.4 MFT 60mm (35mm equivalent)
Makro-Symmar 60mm F2.4 MFT 120mm (35mm equivalent)
Kowa :
KOWA PROMINAR 8.5mm F2.8 MFT 17mm (35mm equivalent)
KOWA PROMINAR 12mm F1.8 MFT 24mm (35mm equivalent)
KOWA PROMINAR 25mm F1.8 MFT 50mm (35mm equivalent)
Schneider Kreuznach opens up new perspectives for discerning photographers with Micro Four Thirds System
Super wide angle (Model type f=8.5mm) and very little distortion
New optical design specially developed for Micro Four Thirds system. The bright fixed focal length
provides very high resolution across the entire image area. High-quality aluminum casing and sturdy
precision mechanism designed and made in Germany.
With over 60 years of technical experience and expertise in optics, Kowa is proud to present the
next generation of crystal clear, super wide angle, fixed length lenses.
18
Four Thirds
Wide Zoom
Lenses covering wide-angle focal lengths of less than 12mm (equivalent to 24mm of 35mm film camera lenses).
OLYMPUS : ZUIKO DIGITAL
ED 7-14mm F4.0
ED 9-18mm F4.0-5.6
11-22mm F2.8-3.5
ED glass moulded aspherical lens Super ED lens ED lens Aspherical lens Splash-/dust-proof
ED glass moulded aspherical lens DSA lens Aspherical lens
Aspherical lens Splash-/dust-proof
Weight = 275g Filter diameter = φ72mm
Weight = 485g Filter diameter = φ72mm
Ultra-wide-angle zoom lens with an angle of view of 114°
Ultra-wide-angle zoom lens with lightweight, compact design
Wide zoom boasting bright F2.8-3.5 aperture
Designed to capture the most
mind-boggling perspectives, this lens
incorporates large-aperture lens
elements with aspherical surfaces on
both sides to minimize distortion.
Thanks to the incorporation of a DSA lens
element, this superb ultra-wide-angle zoom lens
combines an 18-36mm (35mm equivalent)
focal length with an compact design of 73mm
overall length and a light weight with of 275g.
With its superb image quality, this
compact, lightweight wide-angle zoom
lens is perfect for capturing the all-round
feeling of the great outdoors or for making
a small room seem more spacious.
▼ZUIKO DIGITAL ED 7-14mm F4.0 : 6.0sec. F5.6
19
ZUIKO DIGITAL ED 7-14mm F4.0 : 1/1000sec. F6.3 ▶
20
Four Thirds
Standard Zoom
ED 12-60mm F2.8-4.0 SWD
ED 14-35mm F2.0 SWD
ED 14-42mm F3.5-5.6
Four Thirds
Telephoto Zoom
Lenses covering telescopic focal lengths of 100mm (equivalent to 200mm of 35mm film camera lenses) or more.
ED 35-100mm F2.0
ED 40-150mm F4.0-5.6
ED 50-200mm F2.8-3.5 SWD
ED glass moulded aspherical lens Super ED lens ED lens Aspherical lens Supersonic wave drive (SWD) Splash-/dust-proof
ED glass moulded aspherical lens ED lens Aspherical lens Supersonic wave drive (SWD) Splash-/dust-proof
Super ED lens ED lens Splash-/dust-proof
ED lens
ED lens Supersonic wave drive(SWD) Splash-/dust-proof
Max. dia. x Length = ̋96.5mm x 213.5mm Weight = 1,650g (w/o tripod
adapter / tripod adapter: 150g) Filter diameter = ̋77mm
Max. dia. x Length = ̋86.5mm x 157mm Weight = 995g (w/o tripod
High-quality 5x standard zoom with fast AF
F2.0 standard zoom lens with outstanding brightness
Standard zoom with high image quality and compact size
Excellent defocusing effect throughout the zoom range
300mm lens elements in a short 72mm body
Super-telephoto zoom lens with large aperture, high image quality and fast AF
High-performance standard zoom lens that features
the fast SWD autofocusing system and covers a
wide-angle shooting equivalent to 24mm (35mm
equivalent) lens. This lens also allows users to shoot
from as close as 25cm throughout the zoom range.
This large-aperture standard zoom lens
boasts a high imaging performance and
brightness of F2.0 throughout the zoom
range. It incorporates a mechanicallyinterlocked manual focusing mechanism.
This 3x standard zoom lens features a light
weight of 190g and closest focusing
distance of only 25cm. The circular aperture
diaphragm that enables beautiful defocusing
is one of the big advantages of this lens.
The large open depth of field value of
this lens makes it ideal for shooting
portraits and nature scenes, as well as
for indoor sports that need high shutter
speeds.
This telephoto zoom lens implements a
300mm equivalent telephoto lens in a
barrel that measures 72mm. The
closest focusing distance is as short as
90cm throughout the zoom range.
With SWD technology for fast AF, this
lens boasts an AF speed that is approx.
twice as fast as the previous model. The
minimum focusing distance is only 1.2m
throughout the zoom range.
Panasonic : LEICA D VARIO-ELMARIT
Panasonic : LEICA D VARIO-ELMAR
14-54mm F2.8-3.5Ⅱ
ED 70-300mm F4.0-5.6
ED 90-250mm F2.8
Aspherical lens
Aspherical lens Splash-/dust-proof
ED lens
ED lens Splash-/dust-proof
Weight = 3,270g (with tripod adapter) Filter diameter = ̋105mm
Standard zoom with Leica’s acclaimed imaging capabilities
Standard zoom with superb expressive capabilities worth the name of Leica
High-performance zoom lens with High-Speed Imager AF compatibility
Compact super-telephoto zoom lens with handheld shooting capability
Coverage up to 500mm
The "LEICA D" lenses are the first interchangeable
lenses for D-SLR cameras developed by Leica
Camera AG in collaboration with Panasonic. This
lens incorporates the MEGA O.I.S., which is a
gyro-type optical image stabilizer.
Including two aspherical lenses and two
ED lens elements, this lens boasts superb
performance, minimizing aberrations to
produce an image with high contrast and
sharpness to the periphery.
This lens boasts High-Speed Imager AF
support and a circular aperture
mechanism for higher imaging
performance. It also offers excellent
close-up shooting capability.
With high mobility, this 600mm (35mm
equivalent) super-telephoto zoom lens is
ideal for handheld shooting. A single lens
allows you to experience the worlds of
both super-telephoto and macro.
An aperture of F2.8 throughout the zoom
range provides uncompromised imaging
performance that is particularly apparent
in such demanding applications as nature
photography or shooting indoor sports.
LEICA D VARIO-ELMAR 14-50mm F3.8-5.6 ASPH. MEGA O.I.S. : 1/320sec. F10.0 ▼
Panasonic : LEICA D VARIO-ELMAR
ED 18-180mm F3.5-6.3
ED lens Aspherical lens Supersonic wave moter (XS) Optical Image Stabilizer (inside lens)
First high-power telephoto zoom lens in the LEICA D series
Standard 10x zoom lens with remarkable cost efficiency
This lens achieves high contrast, highresolution imaging throughout the zoom
range. The focusing drive employs a
supersonic wave motor with the XS
technology for smooth, accurate autofocusing.
Ideal for just about any photographic
situation and extremely versatile and mobile,
this high-power zoom lens is a cost-effective
choice for photographers who want
maximum flexibility and performance.
21
22
Four Thirds
Prime
Four Thirds
Lenses with the unique characteristics and performance made possible by single focal lengths.
Prime
Lenses with the unique characteristics and performance made possible by single focal lengths.
16mm (35mm equivalent) : Diagonal fisheye lens
50mm (35mm equivalent) : Standard lens
50mm (35mm equivalent) : Standard lens
300mm (35mm equivalent) : Telephoto lens
600mm (35mm equivalent) : Super-telephoto lens
ED 8mm F3.5 Fisheye
Panasonic : LEICA D SUMMILUX
25mm F1.4 ASPH.
25mm F2.8
OLYMPUS：ZUIKO DIGITAL
ED 150mm F2.0
OLYMPUS：ZUIKO DIGITAL
ED 300mm F2.8
Super ED lens ED lens Aspherical lens
Aspherical lens
Super ED lens ED lens Splash-/dust-proof
ED lens Splash-/dust-proof Built-to-order manufacturing
Max. dia. x Length = ̋100mm x 150mm Weight = 1,465g (w/o tripod
Max. dia. x Length = ̋127mm x 285mm Weight = 3,290g (with tripod
adapter) Drop-in filter diameter = ̋43mm, Front filter diameter = ̋112mm
Fisheye lens featuring a deformation effect
Large-aperture standard lens with aperture ring equipped, achieving F1.4
Pancake-type lens that’s 23.5mm long and weighs 95g
300mm in a compact lens 15cm long
Experience a whole new dimension of brightness and picture quality
This high-performance fisheye lens has a
diagonal angle of view of 180°, enabling ultra
close-up photography from as close as 2cm
from the lens front, delivering exaggerated
perspectives and a deformation effect.
This lens, which features 10 lens elements in 9
groups, including one aspherical lens, combines
outstanding F1.4 brightness at maximum
aperture with exceptional imaging performance
thanks to high resolution and high contrast.
This pancake-type lens combines crisp imaging
performance with a compact, lightweight
design that exploits all the advantages of the
Four Thirds System. In addition, it employs a
circular aperture diaphragm.
One Super ED and one ED lens element
provide almost perfect compensation to
minimize the axial chromatic aberration
common with telephoto-type lenses.
Available only on a made-to-order basis, this superb,
carefully crafted large-aperture, super-telephoto lens
delivers imaging performance that simply outclasses
anything you've ever seen. Three ED lens elements
eliminate chromatic aberration to the limit.
ZUIKO DIGITAL ED 300mm F2.8 : 1/1250sec. F5.0 ▼
70mm (35mm equivalent) : Macro lens
100mm (35mm equivalent) : Macro lens
35mm F3.5 Macro
ED 50mm F2.0 Macro
Universal lens with high cost efficiency
Medium-telephoto macro lens with excellent resolution and contrast
At only 165g, this ultra-lightweight
macro lens is capable of 1x
magnification (equivalent to 2x of
35mm film camera lenses) without the
help of any attachments.
This lens uses an ED lens element to
eliminate chromatic aberrations. It is
conveniently suitable for both macro
shooting and portrait photography.
▼ LEICA D SUMMILUX 25mm F1.4 ASPH. : 1/400sec. F1.4
23
24
OLYMPUS
Panasonic
Zuiko Quality epitomizes the highest standard of quality – a standard that can
only be achieved by lens design technology that exploits ultrahigh-precision polishing
technology, advanced aspherical surface forming technology, and precise assembling
technology. Only lenses that meet or surpass the standards set at the Tatsuno Plant,
the home of the original Zuiko lenses, can be marketed under the brand names
Zuiko Digital or M.Zuiko Digital.
【
Designed for users who demand the best, these lenses incorporate
the most advanced optical technology and meet the most rigorous quality standards
Y Yaw
5-axis Image Stabilization
②
①② : Angular displacement (pitch/yaw)
General shift that needs to be corrected
when using telephoto lens
③④ : Translational displacement
Shift that needs to be corrected in macro shooting
⑤ : Optical axis rotation (rolling)
Shift that needs to be corrected in long-time exposure
③
X
①
X
Horizontal shiftt
Pitch
⑤
Z
Rollingg
Y ④
Vertical shift
Magnet
Magnetic yoke
A magnet is
mounted on the
yoke to more
efficiently apply
a magnetic field
to the coil.
Coil
DSA lens power scheme
】
Picture quality is determined by the lens, and to make sure the lens always performs
at its best without compromise, Olympus incorporated its advanced image
stabilization system into the body of the camera itself, rather than into the lens
Lens, image sensor and image processing engine – optimizing the balance between
these three elements is the key to achieving the highest picture quality. The lens is
especially important as it collects the light at the beginning; that is, it captures the
source image with which all the other elements must work. That being the case, we
considered it critical that nothing impair the optical performance of the lens and so
decided to build the image stabilization mechanism inside the camera, rather than in
the lens. The built-in image stabilization mechanism compensates for camera shake by
shifting the image sensor in response to any movement. This design allows the lens to
exhibit its maximum performance, while at the same time allowing the size and weight
to be reduced as image stabilization technology does not need to be incorporated.
Focusing lens
The coil is mounted
on this frame to
displace the focusing
lens.
Extreme variation in thickness between the lens
center and periphery produces very strong
negative power.
【
With their outstanding imaging capabilities,
Lumix and Leica lens technologies deliver superb picture quality
This new lens series takes a huge leap forward in imaging performance, expanding
the potential of photography and boldly challenging the limits of Image rendering, It
delivers sharp, corner-to-corner contrast and features a Nano Surface Coating to
reduce ghosts and flaring to an absolute minimum. It also produces images with
crisp textures and incredible transparency.
Aspherical Lenses
The developed linear motor drive makes focusing faster and quieter than before. A
linear motor in which the coil is moved linearly by electromagnetic force drives the
focusing unit at a high speed of 50 mm/sec., while position detection is performed
12,000 times a second, enabling the subject's position to be accurately pinpointed
to the order of µm. The new mechanism drives the coil directly without using a gear,
making autofocusing both quieter and faster than before.
Large-aperture DSA lens processing technology unique to Olympus
Nano Surface Coating
The DSA (Dual Super Aspherical) lens has aspherical surfaces on both sides and is
capable of correcting aberrations. Because the thickness of the lens varies
significantly between the center and the periphery, it is extremely difficult to
fabricate. Only Olympus possesses processing technology sophisticated enough to
fabricate this type of lens, making this a
technology unique to Olympus. It is this
technology that makes it possible for Olympus to
offer lenses that are at once extremely compact
Example of wide-angle zoom lens with DSA element
and capable of providing high picture quality.
9-18mm F4.0-5.6
The Nano Surface Coating was developed originally by Panasonic. By forming a thin
film with an ultra-fine nano-level structure and a super-low refractive index on the
lens surface. Panasonic has achieved a dramatic reduction in the amount of light
reflection over the entire visible light range (from 380 to 780nm). This significantly
decreases ghosts and flaring and renders pure, clear
images. This advanced coating technology is highly
acclaimed by the camera and lens industry.
Linear motor-driven MSC (Movie & Still Compatible) mechanism
achieves faster, quieter AF
】
LUMIX G X lens
To assure superior image quality while reducing size and weight, each LUMIX
G/LEICA DG lens features a number of aspherical lenses that effectively prevent
lens aberrations, such as spherical or distortion aberration. Each aspherical lens has
the effect of several spherical lenses, so a higher magnification ratio can be
achieved with fewer lenses. The result is smaller overall size and weight. Aspherical
lenses are extremely difficult to produce, however, because they demand high
dimensional accuracy. In the past this restricted the applicable lens shapes and
materials, but Panasonic has made great strides in this area. Our Yamagata Plant
began developing cutting-edge production technologies for molded lenses early on,
and today the plant manufactures a wide variety of lenses, including concave
lenses that have a large difference in thickness and measure a mere 0.3mm at the
thinnest part. The aspherical lenses with superb image rendering ability produced
at this plant are now in widespread use.
motor-driven focusing unit
Lens frame
Supplying electric
power through the coil
produces the force to
drive it linearly.
25
The magnet forms
Linear
a magnetic field on
the coil. The drive force
is produced by the action
of the magnetic field from
the coil and the electric
field of the coil.
Great Lenses Make Great Cameras.
Multi-coating
Nano-surface coating
Reflected light
Reflected light
Lens
Lens
26
SIGMA
【
Voigtländer
A new system for a new era. Introducing Sigma’s all-new DN series of lenses
-the ultimate lenses for mirrorless interchangeable lens cameras
】
Sigma’s innovation-renewed!
Brass bayonet mount
With their compact bodies and diverse range of designs, mirrorless
interchangeable lens cameras have been evolving in their own unique way. To
achieve a lens system ideally suited to the cameras of the new era, Sigma has
redoubled its innovation efforts to create a high- performance wide-angle lens
for mirrorless interchangeable lens cameras that is more polished and refined
than ever before. In order to maximize the performance of mirrorless cameras,
this lens takes advantage of the most advanced optical technology to achieve
expressive performance worthy of Sigma's Art line.
This lens incorporates a brass bayonet mount which features both high
accuracy and extended durability. A special treatment to reinforce the mount's
strength has been applied to the surface, giving it greater strength and making
it highly resistant to long-term use.
A lens design ideal for
a mirrorless interchangeable lens camera
The simple shape of the focus ring, varying textures that distinguish each part
of the lens, the use of metal on almost all external areas of the lens, the
unibody design of the hood -- all of these elements add up to a lens design
that is ideal for mirrorless interchangeable lens cameras. In addition,
photographers have the choice of black or silver to match their favorite
equipment.
Evaluated with Sigma's own “A1” MTF measuring system
We've now developed our own A1* proprietary MTF (modulation transfer
function) measuring system using 46-megapixel Foveon direct image sensors.
Applying this system, we check each lens in our new lines at our Aizu factory,
our sole production site. Even previously undetectable high-frequency details
are now within the scope of our quality control inspections, allowing us to
deliver consistently high lens performance. *A1：Aizu 1
“Made in Japan”
All Sigma's manufacturing plant, everything right down to molds and parts is
carried out under an integrated production system. We are now one of the very
few manufacturers whose products are solely “made in Japan”. We like to
think our products are somehow imbued with the essence of our homeland,
blessed as it is with clean air and water, and focused, hard-working people.
We pride ourselves on the authentic quality of Sigma products, born of a
marriage between highly attuned expertise and intelligent, advanced
technology. Our sophisticated products have satisfied professionals and lovers
of photography all over the world, because our manufacturing is based on
genuine craftsmanship, underpinned by the passion and pride of our experts.
【 The “Lichtriesen” of Voigtländer – Nokton series】
Three of the Voigtländer lenses are specifically designed for use on Micro Four Thirds-cameras. They are real stars
– the "Lichtriesen" of Voigtländer – the Nokton F0.95/17.5mm, the Nokton F0.95/25mm and the Nokton F0.95/42.5mm
Serving as a so-called "standard lens", the Nokton F0.95/25mm provides pictures that correspond to the angle of view of the human eye.
Aperture is critical to the impression that people receive from a photograph.
The extremely fast F0.95 aperture makes it easy for you to capture stunning,
crystal-clear images under virtually any conditions.
By using a shallow depth of field, you can create a series of different impression from the same scene.
The superb bokeh of the Nokton makes the subject stand out for extraordinary overall results.
Video- and film-making enthusiasts will be especially impressed
by the selective aperture control system featured on Nokton Micro Four Thirds-lenses.
This enables smooth, stepless and noiseless changing of the aperture.
NOKTON 17.5mm F0.95
Another highlight of both lenses is the very short closest focusing distance.
At macro setting, coupled with the fast aperture, this gives you tremendous scope for image design.
With their large, fast aperture, these lenses are extremely bright,
making them able to operate very effectively in low light.
With a Nokton lens, you'll suddenly find yourself seeking out difficult lighting conditions
such as those at dawn or under heavy clouds, so that you can capture beautiful atmospheric images.
NOKTON 25mm F0.95
The outstanding manufacturing quality of these lenses puts them
at the top of their class in every respect.
A smooth turning focus ring and click-response aperture ring
reflect the high precision of our manufacturing process.
NOKTON 42.5mm F0.95
27
28
Kenko Tokina
Tamron
Actual Size
【 Tokina expands the new option of “lightness” 】
Tokina decided to participate in the Micro Four Thirds System for one very simple reason. The small image sensor and shorter flange back of the Micro Four Thirds
System offer a tremendous advantage in optical design. This makes it possible to develop new lenses completely different from conventional ones.
“What kind of lens will users of Micro Four Thirds cameras most appreciate?”
Tokina's answer to this question – “a lens that offers characteristics matching those of the camera body” – is based on the deep understanding and knowledge it
has gained over its many years as a dedicated lens manufacturer.
Reflex 300mm F6.3 MF Macro (Manual Focus)
Super-telephoto lens that fits in the palm of your hand
Manual focusing for maximum accuracy
The Reflex 300mm F6.3 MF Macro lens employs Reflex optics to reduce the
overall length of the lens by reflecting light with a mirror. The result is
previously inconceivable – a compact lens with a length of 66mm, maximum
diameter of 66mm, and weight of 298g.
Tokina chose not to provide this lens with AF because of the large focusing
rotation angle from ∞ to the closest focusing distance of 0.8 m and of the
requirement for very precise focusing with some very narrow angles of view,
4°8’ at 300mm, for example. Consequently, we decided that manual operation
would make focusing more accurate and allow users to feel the “joy of
photography.” Nevertheless, this lens incorporates a distance encoder just like
AF lenses so it is capable of interfacing with the camera to provide distance
information.
High-precision mirror and aluminium enhanced-reflection mirror coating
The key to Reflex optics is the surface accuracy of the mirror, so this lens
employs a mirror polished with OSCAR-type low-speed grinding to provide a
high accuracy equivalent to the test plate glass (Newton gauge). In addition, the
aluminum reflection film is treated with special processing to improve the
reflection index of the reflection mirror.
A genuine Tamron lens
especially for your Micro Four Thirds camera.
Micro Four Thirds users now can have
the same high expectations as every Tamron user.
100%
Closest focusing distance of 0.8m
The Reflex 300mm F6.3 MF Macro lens is not only a super-telephoto lens. It
can also approach subjects to a closest focusing distance of 0.8 meters and
shoot pictures with a macro magnification of 1:2. This telephoto macro lens is
capable of macro shooting while reserving a working distance.
75%
50%
25%
0%
0mm
2mm
4mm
6mm
8mm
10mm
Distance from image center
S 20 lines/mm
S 60 lines/mm
29
M 20 lines/mm
M 60 lines/mm
30
Kodak
Blackmagic Design
【 HD Lens Combines KODAK's Heritage of Quality With The Latest Optical Technology 】
ED Lens and Aspherical Lens
To control chromatic aberration, ED glass lenses are now incorporated even in the
standard KODAK PIXPRO Lens. In combination with an aspherical lens, which
effectively compensates for lens distortion and aspherical aberration, the
PIXPRO lens can obtain clear high-resolution pictures with high contrast and
reduced color blurring throughout the zoom range.
【 New style of movie recording made possible by the Blackmagic design 】
Blackmagic Pocket Cinema Camera
The world’s smallest super wide dynamic range Super 16 digital film camera!
Introducing the pocket sized Super 16 digital film camera that's small enough to keep with you at all times, so you'll never miss a shot! You get true digital film
1080HD images with 13 stops of dynamic range, Super 16 sensor, RAW and ProRes™ recording, built in SD card recorder and the flexibility of an active Micro
Four Thirds lens mount, all miniaturized into an extremely tiny size!
Super Wide Dynamic Range
Special coating ensures superior color reproduction
Advanced technology and rigorous production management minimize the any
variability between each layer of coating to assure consistent, reliable response.
By reducing redundant reflections from the lens surface and lens barrel, the
multi-layer coating ensures excellent color reproduction with virtually no flares or
ghosts.
The secret to cinematic digital film quality images is capturing every detail with
super wide dynamic range. Unlike regular video or DSLR cameras that are limited
to video quality, the Blackmagic Pocket Cinema Camera is a true high end digital
film camera and captures an incredible 13 stops of dynamic range. That means
you simultaneously capture the brightest highlights and the darkest shadows all
at the same time into the recorded file! For extreme high end work, you can
record full 12 bit CinemaDNG RAW files so you get incredible creative range in
DaVinci Resolve color correction for that amazing cinematic film look!
Micro Four Thirds Lens Mount
Adoption of stand-alone small-size lightweight sealed construction
Featuring an active Micro Four Thirds lens mount with electronic control, you can
set iris and auto focus all on command! There's an amazing range of Micro Four
Thirds lenses to choose from, or with the Super16 size sensor you can use lens
adapters for virtually any lens mount available such as PL mount and Super16
cinema lenses!
Thanks to optimized glass lens construction enables control over the moving
dimensions of the focus lens, KODAK PIXPRO Lens features a miniaturized lens
design and faster focus time. A micromini stepping motor assures smooth,
efficient zooming, while the stand-alone sealed construction minimizes AF noise
from video filming, prevents sound leakage, and helps keep out dirt, dust, and
other foreign material.
DSLR
RAW Wide Dynamic Range
31
After Grading
32
C in e m a S y s t e m
Compact Super 16 Digital Film Camera
Digital Film Camera
Pocket Cinema Camera
Blackmagic Cinema Camera MFT
A digital film camera that you always take with you!
Blackmagic Cinema Camera with Micro Four Thirds mount
Introducing the pocket sized Super 16 digital film camera that's small enough to keep with you at all
times, so you'll never miss a shot!
Get true digital film images with feature film style 13 stops of dynamic range, Super 16 sensor size,
high quality lossless CinemaDNG RAW and Apple ProRes™ recording, built in SD card recorder
and the flexibility of an active Micro Four Thirds lens mount, all packed into an incredibly tiny size!
The active Micro Four Thirds mount provides electronic lens control, which helps to keep the
camera small in size and importantly lets you use the largest possible range of lenses. You can use
native Micro Four Thirds lenses, commonly available adapters for EF and PL or 16mm cine mount
lenses.
The award winning Blackmagic Cinema Camera is one of the world’s finest digital film cameras.
The Blackmagic Cinema Camera features an amazing 2.5K image sensor with a wide 13 stops of
dynamic range for a true digital film camera. You get a built-in SSD recorder, popular open
standard uncompressed 12-bit RAW, compressed DNxHD and ProRes file formats, a passive Micro
Four Thirds mount for manually operated lenses and adapters, LCD touchscreen monitoring plus
metadata entry, all packed into an exciting hand held design!
* Lenses compliant with the Micro Four Thirds System standard can be mounted on this camera.
Some functions may be restricted. Please check with the camera manufacturer for details.
* Lenses compliant with the Micro Four Thirds System standard can be mounted on this camera.
Some functions may be restricted. Please check with the camera manufacturer for details.
Memorycard Camera Recorder
AG-AF105A
Professional High-Definition
4k Camera Head
Lens Accessory
Tilt / Shift Lens Control System
AH-4413
HORSEMAN TS-pro
Cine-Lens
Compact Prime CP.2 / Compact Zoom CZ.2
Lens Lineup
A professional HD camera/recorder equipped
with a Micro Four Thirds mount
that will unleash the your film-making creativity
Super high-quality movie camera head with
QFHD (3840 x 2160) resolution and
Micro Four Thirds System compatibility
Proven on large-format cameras, Horseman's
tilt mechanism is now compatible
with the Micro Four Thirds System
Bringing the full expressive force of Micro Four Thirds to the
field of professional video, this camcorder can record hours of
high-quality HD video including 1080/60p and features
VARICAM variable frame rate. The body design, control
system and system interfaces have been designed exclusively
for video production.
This super high-quality movie camera head incorporates a
8.9-megapixel CMOS image sensor. The 4k image captured
with the AH-4413 is supplied to the AP-4414 camera
processing unit for conversion into an SDI DUAL LINK signal
(1080/59.94p) before being output.
The HORSEMAN TS-Pro tilt/shift lens control system enables
tilt shooting with an ordinary lens. When used with a Micro
Four Thirds System-compliant camera, this mechanism can
expand the selection of lenses available thanks to its image
circle design.
* Lenses compliant with the Micro Four Thirds System standard can be mounted on
this camera. Some functions may be restricted. Please check with the camera
manufacturer for details.
* Lenses compliant with the Micro Four Thirds System standard can be mounted on
this camera. Some functions may be restricted. Please check with the camera
*These products can be mounted on cameras compliant with the Micro Four Thirds
System standard. Some functions may be restricted. Please check with the camera
33
Super Wide Angle
Standard
Super Speed
Compact Prime CP.2 15mm/T2.9
Wide Angle
Compact Prime CP.2
Distagon T* 28mm/T2.1
Compact Prime CP.2
Planar T* 85mm/T2.1
Tele
Compact Prime CP.2 100mm/T2.1 CF**
Macro
Compact Prime CP.2 50mm/T2.1 Makro
Zoom
Compact Zoom CZ.2 15-30mm/T2.9 Planned for release
Compact Zoom CZ.2 28-80mm/T2.9
Compact Zoom CZ.2 70-200mm/T2.9
The legendary Carl Zeiss has decided to include Micro Four Thirds System compatibility in its new-generation high-quality cine-lenses
Carl Zeiss's new-generation Compact Prime CP.2 Series of high-quality cine-lenses are widely used in mobile-critical news reporting, as well as in movie productions.
Used by professionals worldwide, the lens models used with camera/recorders incorporating industry-standard 2/3" sensors have already demonstrated excellent performance and mobility.
*These lenses can be mounted on cameras compliant with the Micro Four Thirds System standard. Some functions may be restricted. Please check with the camera manufacturer for details. ** CF: Close focus capability
34
Cap Lens / Converter Lens
for Micro Four Thirds
Body Cap Lens
Adapter System
Four Thirds Adapter
OLYMPUS : Fisheye Body Cap Lens BCL-0980（9mm F8.0 Fisheye）
OLYMPUS : Body Cap Lens BCL-1580（15mm F8.0）
OLYMPUS : Four Thirds Adapter MMF-3
Panasonic : DMW-MA1
Ultra-thin cap lens that gives you an ultra-wide-angle fisheye view of 140°.
The simplified MF lever enables easy one-touch pan-focus and close-up
shooting. Available in two colors.
Only 9mm thick, this lens can be used as both a body cap and as a
pan-focus lens for ready-when-you-are snapshot changing. Available in
four colors.
Mount adapter to enable a Four Thirds lens to be mounted on a Micro
Four Thirds lens mount.
Mount adapter to enable a Four Thirds lens to be mounted on a Micro
Four Thirds lens mount.
* When using the image stabilization mechanism built into the camera, set the focal length to
9mm or 8mm if the 9mm setting is not available.
* Focus adjustment is possible by rotating the MF lever manually. Autofocusing is not available.
* Communication function with the body not available. (Exif data not provided.)
* When using the image stabilization mechanism built into the camera, set the focal length to
15mm or 16mm if the 15mm setting is not available.
* Focus adjustment is possible by rotating the MF lever manually. Autofocusing is not available.
* Communication function with the body not available. (Exif data not provided.)
Splash-/dust-proof
Classic Lens Adapter
Converter Lens
OLYMPUS : Fisheye Converter FCON-P01
Panasonic : Fisheye Conversion Lens DMW-GFC1
When attached to the M.ZUIKO DIGITAL 14-42mm F3.5-5.6 R lens (set to
the wide-angle end of 14mm), enables fisheye photography that offers an
optimum deformation effect with an angle of view of 120°.
Features 120° angle of view. Allows you to shoot unique images with the
curved fisheye effect. Just attach it to the front of the lens to take
advantage of this extraordinary and impressive effect.
* Attachable to M.ZUIKO DIGITAL 14-42mm F3.5-5.6 ,M.ZUIKO DIGITAL 14-42mm F3.5-5.6 R
* Use at the wide-angle end (focal length 14mm) is recommended.
* The decorative ring cannot be used in combination with this lens.
* Attachable to LUMIX G X VARIO PZ 14-42mm F3.5-5.6 ASPH. POWER O.I.S. and LUMIX G
14mm F2.5 ASPH. with the included Adaptor Ring.
OLYMPUS : Wide Converter WCON-P01
Panasonic : Wide Conversion Lens DMW-GWC1
When attached to the M.ZUIKO DIGITAL 14-42mm F3.5-5.6 R lens (set to
the wide-angle end of 14mm), this converter makes it possible to shoot
wide-angle pictures with a focal length of 11mm (equivalent to 22mm of
35mm film cameras).
This wide-angle converter makes it possible to capture a larger area in the
frame, without interfering with the optical performance of the optical lens
to which it is attached. Useful in enhancing the depth of the image by
broadening the landscape or the background.
* Attachable to M.ZUIKO DIGITAL 14-42mm F3.5-5.6 ,M.ZUIKO DIGITAL 14-42mm F3.5-5.6 R
* Use at the wide-angle end (focal length 14mm) is recommended.
* The decorative ring cannot be used in combination with this lens.
* Magnification: 0.79x
OLYMPUS : Macro Converter MCON-P02
Panasonic : Macro Conversion Lens DMW-GMC1
A macro converter lens attachable to seven different M.ZUIKO DIGITAL
lenses to enable macro shooting
This converter enables imaging of fine details that may not be clearly
visible when viewed with the naked eye. Useful for shooting things such as
small objects with finely detailed decorative engravings of small flowers.
* Attachable to M.ZUIKO DIGITAL 14-42mm F3.5-5.6 ,M.ZUIKO DIGITAL 14-42mm F3.5-5.6 R,
M.ZUIKO DIGITAL ED 14-42mm F3.5-5.6 EZ, M.ZUIKO DIGITAL 45mm F1.8,
(The included Step-up Ring is required for use with the four lenses listed above.)
M.ZUIKO DIGITAL 25mm F1.8, M.ZUIKO DIGITAL 17mm F1.8, M.ZUIKO DIGITAL ED 12mm F2.0
* Do not attach the macro converter to an inapplicable lens. Doing so could damage the lens.
* Cannot be used in combination with a protection filter or automatic opening lens cap
OLYMPUS : OM Adapter MF-2
Panasonic : DMW-MA3R
Mount adapter to enable an Olympus OM system lens to be mounted
on a Micro Four Thirds lens mount.
Mount adapter to enable an R-mount lens of Leica Camera AG to be
mounted on a Micro Four Thirds lens mount.
* Only a limited number of OM system lenses can be used with this adapter.
Manufacture of the OM system lenses has been discontinued.
For details, visit the website of Olympus Imaging Corp.
Panasonic : DMW-MA2M
Voigtländer : F Micro Four Thirds Adapter
Mount adapter to enable an M-mount lens of Leica Camera AG to be
mounted on a Micro Four Thirds lens mount.
Mount adapter to enable a Voigtländer Ai-S-mount lens or Carl Zeiss
ZF and ZF.2-mount lens to be mounted on a Micro Four Thirds lens
mount.
Voigtländer : VM Micro Four Thirds Adapter
Mount adapter to enable a Voigtländer VM-mount lens, Carl Zeiss
ZM-mount lens or Voigtländer L-mount lens (in combination with an
optional M-Bayonet Adapter Ring) to be mounted on a Micro Four
Thirds lens mount.
Other Lens Adapter
* Maximum image magnification: 0.35x
(With LUMIX G X VARIO PZ 14-42mm F3.5-5.6 ASPH. POWER O.I.S., at Tele end)
BORG : Camera Mount 5011
BORG : Camera Mount DX 5012
Adapter for connecting the BORG to a Micro Four Thirds System mount.
Adapter for connecting the BORG to a Micro Four Thirds System mount.
Features high precision and a simplified rotation device.
* For details on lens combinations, visit the website of the product manufacturer.
Kenko : Extension Tube Set
Panasonic : Tele Conversion Lens DMW-GTC1
Designed to fit in between the camera body and interchangeable lens, an
extension tube is an intermediate ring that enables close-up photography when
mounted. This set includes two rings – one 10mm long and one 16mm long.
This converter lets you shoot a telephoto image, while maintaining the
optical performance of the optical lens to which it is attached. When the
converter is attached to the LUMIX G X VARIO PZ 14-42mm F3.5-5.6
ASPH. POWER O.I.S., the combination can be used as a 168mm
telephoto lens with up to 2X magnification at the telephoto end.
* Manual focusing is recommended.
* The total combined length of the rings must be shorter than the focal length of the lens.
* The photographing magnification is variable depending on the master lens.
* For details on the lens combination, visit the website of the product manufacturer.
Micro Four Thirds System-Compatible Field Telephoto Lens Sets
BORG : DigiBorg 67FL (BK) Telephoto Lens Set A
DigiBorg 71FL (BK) Telephoto Lens Set
* Attachable to LUMIX G X VARIO PZ 14-42mm F3.5-5.6 ASPH. POWER O.I.S. when the lens is at
tele-end with the included Adaptor Ring.
Converter Lens
Micro Four Thirds and flowlight lens
The 67FL is a high-performance telephoto lens set featuring a 300mm, F4.5 flowlight lens, while the 71FL
features a 400mm, F5.6 flowlight lens. The simple configuration of two lens elements in two groups
achieves excellent resolution, contrast and transparency. If you want to differentiate yourself from your
rivals, the answer is BORG.
for Four Thirds
OLYMPUS : ZUIKO DIGITAL 2x Teleconverter EC-20
OLYMPUS : ZUIKO DIGITAL 1.4x Teleconverter EC-14
Doubles the focal length of the master lens.
Extends the focal length of the master lens by 1.4x.
* The effective F-number of attached lens drops by 2 steps.
* For restrictions on AF/MF modes, see specifications on page 38.
* Before using the EC-20, be sure to update the camera firmware to the latest version to assure
optimum focusing accuracy. For details, visit the website of the product manufacturer.
* The effective F-number of attached lens drops by 1 step.
* For restrictions on AF/MF modes, see specifications on page 38.
* Before using the EC-14, be sure to update the camera firmware to the latest version to assure
optimum focusing accuracy. For details, visit the website of the product manufacturer.
Splash-/dust-proof
Splash-/dust-proof
Classic Lens Adapter
OLYMPUS : Extension Tube EX-25
for Four Thirds
OLYMPUS : OM Adapter MF-1
This is an intermediate ring that enables close-up photography when mounted
between the camera body and an interchangeable lens.
Splash-/dust-proof
Mount adapter to enable an Olympus OM system lens to be mounted
on a Four Thirds lens mount.
* Manual focusing is recommended.
* Image magnification is variable depending on the master lens.
* Only a limited number of OM system lenses can be used with this adapter.
Manufacture of the OM system lenses has been discontinued.
For details, visit the website of Olympus Imaging Corp.
Cap
Manufacturer
Splash-/
Dust-Proof
Lens Construction
Elements - Groups
Lens Rear Cap
-
5-4
3-3
3-3
2-2
Diameter(φ) x Length
(mm / in.)
̋56×12.8 / ̋2.2×0.5
̋56×9 / ̋2.2×0.35
̋62×38 / ̋2.44×1.5
̋62×30.5 / ̋2.44×1.2
Weight
(g / oz.)
OLYMPUS
30 / 1.1
22 / 0.8
112 / 4.0
85 / 3.0
LR-2
LR-2
LR-3
LR-3
LC-62C
LC-62C
-
2-1
3-3
3-3
3-2
6-4
-
̋53×15.1 / ̋2.09×0.59 (with step-up ring)
̋ca.60.5×ca.28.4 / ̋ca.2.4×ca.1.1
̋ca.60.5×ca.28 / ̋ca.2.4×ca.1.1
̋ca.53.5×ca.24.2 / ̋ca.2.1×ca.1.0
̋ca.53.5×ca.47.4 / ̋ca.2.1×ca.1.9
̋57×10 / ̋2.24×0.39 : ̋57×16 / ̋2.24×0.63
52 / 1.8 (with step-up ring)
ca.77 / ca.2.7
ca.70 / ca.2.5
ca.46 / ca.1.6
ca.81 / ca.2.9
48 / 1.7 : 70 / 2.5
LR-4
Available
Available
Available
Available
-
LC-53
Available
Available
Available
Available
-
Manufacturer
Splash-/
Dust-Proof
Lens Construction
Elements - Groups
(mm / in.)
Weight
(g / oz.)
Lens Rear Cap
Lens Front Cap
OLYMPUS
OLYMPUS
OLYMPUS
Yes
Yes
Yes
7-5
6-5
-
̋68×41 / ̋2.68×1.61
̋68×22 / ̋2.68×0.87
̋68×25 / ̋2.68×0.98
225 / 7.9
170 / 6.0
150 / 5.3
LR-1
LR-1
LR-1
BC-1
BC-1
BC-1
Macro Converter MCON-P02
Fisheye Conversion Lens DMW-GFC1
Wide Conversion Lens DMW-GWC1
Macro Conversion Lens DMW-GMC1
Tele Conversion Lens DMW-GTC1
Extension Tube Set
OLYMPUS
OLYMPUS
OLYMPUS
OLYMPUS
Panasonic
Panasonic
Panasonic
Panasonic
Kenko Tokina
Lens Front Cap
ZUIKO DIGITAL 2x Teleconverter EC-20
ZUIKO DIGITAL 1.4x Teleconverter EC-14
Extension Tube EX-25
35
Lens
Four Thirds Adapter MMF-3
DMW-MA1
OM Adapter MF-2
DMW-MA2M
DMW-MA3R
VM Micro Four Thirds Adapter
F Micro Four Thirds Adapter
Camera Mount 5011
Camera Mount 5012
for Four Thirds
Lens
Adapter
Converter
Lens
Fisheye Body Cap Lens BCL-0980（9mm F8.0 Fisheye）
Body Cap Lens BCL-1580（15mm F8.0）
Fisheye Converter FCON-P01
Wide Converter WCON-P01
Manufacturer
Splash-/
Dust-Proof
Lens Construction
Elements - Groups
(mm / in.)
Weight
(g / oz.)
Lens Rear Cap
Lens Front Cap
OLYMPUS
Panasonic
OLYMPUS
Panasonic
Panasonic
Cosina
Cosina
Yes
-
-
̋65×19.5 / ̋2.6×0.77
̋ca.71×ca.24 / ̋ca.2.8×ca.0.94
̋62×26.5 / ̋2.44×1.0
̋ca.61×ca.13 / ̋ca.2.4×ca.0.51
̋ca.67×ca.33 / ̋ca.2.64×ca.1.3
̋56×13 / ̋2.2×0.51
̋60×32 / ̋2.36×1.26
42 / 1.5
ca.87 / ca.3.1
78 / 2.8
ca.60 / ca.2.1
ca.90 / ca.3.2
45 / 1.6
88 / 3.1
LR-2
-
BC-1
-
BORG
BORG
-
-
̋60×10 / ̋2.36×0.39
̋60×10 / ̋2.36×0.39
20 / 0.7
20 / 0.7
-
-
Manufacturer
Splash-/
Dust-Proof
Lens Construction
Elements - Groups
(mm / in.)
Weight
(g / oz.)
Lens Rear Cap
Lens Front Cap
OLYMPUS
-
-
̋62×7.5 / ̋2.68×0.3
50 / 1.8
-
-
for Four Thirds
Lens
OM Adapter MF-1
36
SPECIFICATIONS
Lens
Manufacturer
35mm Equivalent Splash-/
Focal length
Dust-Proof
Wide Zoom
Standard Zoom
LUMIX G VARIO 7-14mm F4.0 ASPH.
M.ZUIKO DIGITAL ED 9-18mm F4.0-5.6
Panasonic
OLYMPUS
14-28mm
18-36mm
LUMIX G VARIO 12-32mm F3.5-5.6 ASPH. MEGA O.I.S
Panasonic
LUMIX G X VARIO 12-35mm F2.8 ASPH. POWER O.I.S.
M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO
KODAK PIXPRO SZ ED 12-45mm F3.5-6.3 AF
Panasonic
OLYMPUS
KODAK
M.ZUIKO DIGITAL ED 12-50mm F3.5-6.3 EZ
M. ZUIKO DIGITAL ED 14-42mm F3.5-5.6 EZ
M.ZUIKO DIGITAL 14-42mm F3.5-5.6 ⅡR
Motorized
zoom
Angle of View
Number of Blades
Minimum
Aperture
Closest Focusing
Distance (m / in.)
Maximum Image
Magnification
(35mm equivalent)
Filter Size
(mm)
(mm / in.)
Weight
(g / oz.)
Lens Rear Cap
(): Optional
Lens Front Cap
(): Optional
Lens Hood
(): Optional
16 - 12
12 - 8
114°- 75°
100°- 62°
7(Circular aperture diaphragm)
22
22
0.25 / 9.84
0.25 / 9.84
0.2 / 7.87(at 12-20mm of focal length)
0.25 / 9.84
0.2 / 7.87
0.35 / 13.78
0.08x(0.15x)
0.10x(0.20x)
52
̋70×ca.83.1 / ̋2.76×ca.3.27
̋56.5×49.5 / ̋2.22×1.95(when retracted)
̋55.5×ca.24 / ̋2.19×ca.0.94
(when retracted)
̋67.6×ca.73.8 / ̋2.66×ca.2.91
̋69.9×84 / ̋2.74×3.31
̋58.1×63 / ̋2.29×2.48
ca.300 / ca.10.58
155 / 5.5
Available (DMR-LRC1)
LR-2
Available
LC-52C
(LH-55B)
ca.70 / ca.2.47
Available (DMR-LFC37)
-
ca.305 / ca.10.76
382 / 13.47
ca.182.5 / 6.44
LR-2
LR-BK01
LC-62D
LC-BK01
Available
LH-66
-
Image
Lens Construction
Stabilizer* Elements - Groups
-
-
-
24-64mm
-
-
Yes
8-7
84°- 37°
22
24-70mm
24-80mm
24-90mm
Yes
Yes
-
-
Yes
-
14 - 9
14 - 9
11 - 9
84°- 34°
84°- 30°
88.2°- 28.8°
7
22
22
22
OLYMPUS
24-100mm
Yes
Yes
-
10 - 9
84°- 24°
22
OLYMPUS
28-84mm
-
Yes
-
8-7
75°- 29°
22
0.35 / 13.78(Normal mode)
0.2 / 7.87(Macro mode)
0.2 / 7.87(at 14mm of focal length)
0.25 / 9.84(at 42mm of focal length)*1
22
OLYMPUS
28-84mm
-
-
-
8-7
75°- 29°
0.13x(0.26x)
37
0.17x(0.34x)
0.30x(0.60x)
0.045x(0.08x)
58
62
49
0.36x(0.72x)
(Macro mode)
52
̋57×83 / ̋2.24×3.27
212 / 7.48
LR-2
LC-52C
（LH-55B / LH-55C）
0.23x(0.46x)
37
̋60.6×22.5 / ̋2.38×0.89
(when retracted)
93 / 3.27
LR-2
LC-37B（LC-37C）
-
37
̋56.5×50 / ̋2.22×1.97
(when retracted)
113 / 4.0
LR-2
LC-37B
（LH-40)
0.17x(0.34x)
37
̋61×ca.26.8 / ̋2.40×ca.1.06
(when retracted)
ca.95 / ca.3.4
-
0.17x(0.34x)
46
̋56×ca.49 / ̋2.20×ca.1.93
ca.110 / ca.3.88
Available
0.17x(0.34x)
52
̋60×ca.60 / ̋2.36×ca.2.36
ca.195 / ca.6.88
Available
0.25x(0.5x)
58
̋67×ca.75 / ̋2.63×ca.2.95
ca.265 / ca.9.35
Available
0.2x(0.4x)
0.24x(0.48x)
0.1x(0.2x)
62
58
58
̋70×ca.84 / ̋2.76×ca.3.31
̋63.5×83 / ̋2.50×3.27
̋67.4×ca.99.9 / ̋2.66×ca.3.93
ca.460 / ca.16.2
260 / 9.2
ca.360 / ca.12.7
LR-2
LC-58E
Available
(LH-61C)
Available
(LH-61D)
0.19x(0.38x)
Telephoto Zoom
LUMIX G X VARIO PZ 14-42mm F3.5-5.6 ASPH. POWER O.I.S.
Panasonic
28-84mm
-
Yes
Yes
9-8
75°- 29°
22
LUMIX G VARIO 14-42mm F3.5-5.6 Ⅱ ASPH. MEGA O.I.S
Panasonic
28-84mm
-
-
Yes
9-8
75°- 29°
22
LUMIX G VARIO 14-45mm F3.5-5.6 ASPH. MEGA O.I.S.
Panasonic
28-90mm
-
-
Yes
12 - 9
75°- 27°
22
LUMIX G VARIO 14-140mm F3.5-5.6 ASPH. POWER O.I.S
Panasonic
28-280mm
-
-
Yes
14 - 12
75°- 8.8°
22
LUMIX G VARIO HD 14-140mm F4.0-5.8 ASPH. MEGA O.I.S.
M.ZUIKO DIGITAL ED 14-150mm F4.0-5.6
LUMIX G X VARIO 35-100mm F2.8 POWER O.I.S.
Panasonic
OLYMPUS
Panasonic
28-280mm
28-300mm
70-200mm
Yes
-
Yes
Yes
17 - 13
15 - 11
18 - 13
75°- 8.8°
75°- 8.2°
34°- 12°
22
22
22
0.3 / 11.81
0.5 / 19.69
0.5 / 19.69
0.85 / 33.46
M.ZUIKO DIGITAL ED 40-150mm F4.0-5.6 R
OLYMPUS
80-300mm
-
-
-
13 - 10
30°- 8.2°
22
0.9 / 35.43
0.16x(0.32x)
58
̋63.5×83 / ̋2.50×3.27
190 / 6.7
LR-2
LC-58E
KODAK
85-320mm
-
-
-
15 - 10
29°- 7.9°
7
22
1.0 / 39.4
0.042x(0.08x)
49
̋58.7×80.4 / ̋2.31×3.17
205 / 7.23
LR-BK01
LC-BK01
-
LUMIX G VARIO 45-150mm F4.0-5.6 ASPH. MEGA O.I.S.
Panasonic
90-300mm
-
-
Yes
12 - 9
27°- 8.2°
22
0.9 / 35.43
0.17x(0.35x)
52
̋62×ca.73 / ̋2.44×ca.2.87
ca.200 / ca.7.05
Available
LUMIX G X VARIO PZ 45-175mm F4.0-5.6 ASPH. POWER O.I.S
Panasonic
90-350mm
-
Yes
Yes
14 - 10
27°- 7.1°
22
0.9 / 35.43
0.2x(0.4x)
46
̋61.6×ca.90 / ̋2.43×ca.3.54
ca.210 / ca.7.41
Available
LUMIX G VARIO 45-200mm F4.0-5.6 MEGA O.I.S.
Panasonic
90-400mm
-
-
Yes
16 - 13
27°- 6.2°
22
0.19x(0.38x)
52
̋70×ca.100 / ̋2.76×ca.3.94
ca.380 / ca.13.4
Available
M.ZUIKO DIGITAL ED 75-300mm F4.8-6.7 Ⅱ
OLYMPUS
150-600mm
-
-
-
18 - 13
16°- 4.1°
22
0.18x(0.36x)
58
̋69×116.5 / ̋2.72×4.59
423 / 14.92
LR-2
LC-58E
(LH-61E)
LUMIX G VARIO 100-300mm F4.0-5.6 MEGA O.I.S.
LUMIX G FISHEYE 8mm F3.5
M.ZUIKO DIGITAL ED 12mm F2.0
LUMIX G 14mm F2.5 ASPH.
Panasonic
Panasonic
OLYMPUS
Panasonic
200-600mm
16mm
24mm
28mm
-
-
Yes
-
17 - 12
10 - 9
11 - 8
6-5
12°- 4.1°
180°
84°
75°
22
22
22
22
1.0 / 39.4
0.9 / 35.43(at 75mm of focal length)
1.5 / 59.06(except 75mm of focal length)
1.5 / 59.06
0.1 / 3.96
0.2 / 7.87
0.18 / 7.09
0.21x(0.42x)
0.2x(0.4x)
0.08x(0.16x)
0.1x(0.2x)
67
22x22
46
46
̋73.6×ca.126 / ̋2.90×ca.4.96
̋60.7×ca.51.7 / ̋2.39×ca.2.04
̋56×43 / ̋2.20×1.69
̋55.5×ca.20.5 / ̋2.19×ca.0.81
ca.520 / ca.18.3
ca.165 / ca.5.82
130 / 4.6
ca.55 / ca.1.9
LR-2
Available (DMW-LFC67)
Available
LC-46 (LC-48)
Available
(LH-48)
（LH-48B）
KODAK PIXPRO SZ ED 42.5-160mm F3.9-5.9 AF
M.ZUIKO DIGITAL 17mm F1.8
OLYMPUS
34mm
-
-
-
9-6
65°
22
0.25 / 9.84
0.08x(0.16x)
46
̋57.5×35.5 / ̋2.26×1.40
120 / 4.23
LR-2
LC-46
OLYMPUS
34mm
-
-
-
6-4
65°
22
0.2 / 7.87
0.11x(0.22x)
37
̋57×22 / ̋2.24×0.87
71 / 2.5
LR-2
LC-37B
-
NOKTON 17.5mm F0.95
Voigtländer
35mm
-
-
-
13 - 9
64.6°
10
16
0.15 / 5.91
0.25x(0.50x)
58
̋63.4×80.0 / ̋2.50×3.15
540 / 19.0
Available
Available
Available
LH520-03
SIGMA
38mm
-
-
-
8-6
59.3°
22
0.2 / 7.87
0.14x(0.27x)
46
̋60.8×45.7 / ̋2.39×1.80
150 / 5.29
LCR Ⅱ
LCF Ⅲ 46
LUMIX G 20mm F1.7 Ⅱ ASPH.
Panasonic
40mm
-
-
-
7-5
57°
16
0.2 / 7.87
0.13x(0.25x)
46
̋63×ca.25.5 / ̋2.48×ca.1.00
ca.87 / ca.3.07
-
NOKTON 25mm F0.95
LEICA DG SUMMILUX 25mm F1.4 ASPH.
Voigtländer
Panasonic
50mm
50mm
-
-
-
11 - 8
9-7
47.3°
47°
10
16
16
0.17 / 6.69
0.3 / 11.81
0.26x(0.52x)
0.11x（0.22x)
52
46
̋58.4×70 / ̋2.30×3.76
̋63×ca.54.5 / ̋2.48×ca.2.15
410 / 14.5
ca.200 / ca.7.05
Available
Available
Available
Available
M. ZUIKO DIGITAL 25mm F1.8
OLYMPUS
50mm
-
-
-
9-7
47°
22
0.25 / 9.84
0.12x(0.24x)
46
̋57.8×42 / ̋2.28×1.65
137 /4.83
LR-2
LC-46
LH-49B
SIGMA 19mm F2.8 DN
Prime
SIGMA
60mm
-
-
-
7-5
39.6°
22
0.3 / 11.81
0.12x(0.24x)
46
̋60.8×40.5 / ̋2.39×1.59
140 / 4.99
LCR Ⅱ
LCF Ⅲ 46
LH520-03
NOKTON 42.5mm F0.95
LEICA DG NOCTICRON 42.5mm F1.2 ASPH. POWER O.I.S
Voigtländer
Panasonic
85mm
85mm
-
-
Yes
11 - 8
14 - 11
30.5°
29°
10
16
16
0.23 / 9.06
0.5 / 19.69
0.25x(0.50x)
0.1x(0.2x)
58
67
̋64.3×74.6 / ̋2.53×2.94
̋74×ca.76.8 / ̋2.91×ca.3.02
571 / 20.14
ca.425 / ca.15.0
Available
Available
Available
Available
OLYMPUS
90mm
-
-
-
9-8
27°
22
0.5 / 19.69
0.11x(0.22x)
37
̋56×46 / ̋2.20×1.81
116 / 4.1
LR-2
LC-37B
（LH-40B）
SIGMA
120mm
-
-
-
8-6
20.4°
22
0.5 / 19.69
0.14x(0.28x)
46
̋60.8×55.5 / ̋2.39×2.19
190 / 6.7
LCR Ⅱ
LCF Ⅲ 46
LH520-03
OLYMPUS
150mm
-
-
-
10 - 9
16°
22
0.84 / 33.07
0.1x(0.2x)
58
̋64×69 / ̋2.52×2.72
305 / 10.76
LR-2
LC-58E（LC-61）
（LH-61F）
Kenko Tokina
Panasonic
OLYMPUS
Panasonic
KODAK
600mm
90mm
120mm
65mm*2
800mm
Yes
-
-
Yes
-
7-3
14 - 10
13 - 10
4 - 3 (x2)
5-3
4°8′
27°
20°
37°*2
6.2°
0.8 / 31.49
0.15 / 5.91(FULL) 0.5 / 19.69(LIMIT)
0.19 / 7.48
0.6 / 23.62
9.0 / 384.33
0.5x(1.0x)
1.0x(2.0x)
1.0x(2.0x)
0.02x（0.1x）*2
0.005x(0.01x)
55
46
46
-
̋66×66 / ̋2.60×2.60
̋63×ca.62.5 / ̋2.48×ca.2.46
̋56×82 / ̋2.20×3.23
̋57×ca.20.5 / ̋2.24×ca.0.81
̋70×ca.292 / ̋2.56×ca.11.50
298 / 10.51
ca.225 / ca.7.94
185 / 6.53
ca.45 / ca.1.59
640 / 22.58
Available
LR-2
LR-BK01
Available
LC-46
Available
LC-BK03
BH-552
Available
（LH-49）
-
SIGMA 30mm F2.8 DN
SIGMA 60mm F2.8 DN
M.ZUIKO DIGITAL ED 75mm F1.8
LEICA DG MACRO-ELMARIT 45mm F2.8 ASPH. MEGA O.I.S.
M.ZUIKO DIGITAL ED 60mm F2.8 Macro
LUMIX G 12.5mm F12
KODAK PIXPRO SF 400mm F6.7 Fieldscope
None(Reflex type)
22
22
Fixed diaphragm
12(Fixed)
Fixed diaphragm
6.7
* Since Olympus incorporates image stabilizers in the bodies of its cameras, image stabilization is available with any lens. (Corresponding models: OLYMPUS OM-D series, OLYMPUS PEN series)
Lens
レンズ名
Wide Zoom
Standard Zoom
Telephoto Zoom
Macro
Prime
ZUIKO DIGITAL ED 7-14mm F4.0
ZUIKO DIGITAL ED 9-18mm F4.0-5.6
ZUIKO DIGITAL 11-22mm F2.8-3.5
ZUIKO DIGITAL ED 12-60mm F2.8-4.0 SWD
ZUIKO DIGITAL ED 14-35mm F2.0 SWD
LEICA D VARIO-ELMARIT 14-50mm F2.8-3.5 ASPH. MEGA O.I.S.
LEICA D VARIO-ELMAR 14-50mm F3.8-5.6 ASPH. MEGA O.I.S.
ZUIKO DIGITAL 14-54mm F2.8-3.5 Ⅱ
LEICA D VARIO-ELMAR 14-150mm F3.5-5.6 ASPH. MEGA O.I.S.
ZUIKO DIGITAL ED 50-200mm F2.8-3.5 SWD
ZUIKO DIGITAL 35mm F3.5 Macro
ZUIKO DIGITAL ED 50mm F2.0 Macro
ZUIKO DIGITAL ED 8mm F3.5 Fisheye
LEICA D SUMMILUX 25mm F1.4 ASPH.
ZUIKO DIGITAL 25mm F2.8
ZUIKO DIGITAL ED 150mm F2.0
ZUIKO DIGITAL ED 300mm F2.8
Manufacturer
OLYMPUS
OLYMPUS
OLYMPUS
OLYMPUS
OLYMPUS
OLYMPUS
Panasonic
Panasonic
OLYMPUS
Panasonic
OLYMPUS
OLYMPUS
OLYMPUS
OLYMPUS
OLYMPUS
OLYMPUS
OLYMPUS
OLYMPUS
OLYMPUS
Panasonic
OLYMPUS
OLYMPUS
OLYMPUS
35mm Equivalent Splash-/
Focal length
Dust-Proof
14-28mm
18-36mm
22-44mm
24-120mm
28-70mm
28-84mm
28-100mm
28-100mm
28-108mm
28-300mm
36-360mm
70-200mm
80-300mm
100-400mm
140-600mm
180-500mm
70mm
100mm
16mm
50mm
50mm
300mm
600mm
Yes
Yes
Yes
Yes
Yes
Yes
Yes
Yes
Yes
Yes
Yes
Yes
Motorized
zoom
Yes
Yes
Yes
Yes
-
Lens Construction
Image
Stabilizer* Elements - Groups
Yes
Yes
Yes
-
18 - 12
13 - 9
12 - 10
14 - 10
18 - 17
10 - 8
16 - 12
15 - 11
15 - 11
15 - 11
15 - 13
21 - 18
12 - 9
16 - 15
14 - 10
17 - 12
6-6
11 - 10
10 - 6
10 - 9
5-4
11 - 9
13 - 11
Angle of View
Number of Blades
Minimum
Aperture
Closest Focusing
Distance (m / in.)
Maximum Image
Magnification
(35mm equivalent)
Filter Size
(mm)
(mm / in.)
Weight
(g / oz.)
Lens Rear Cap
(): Optional
Lens Front Cap
(): Optional
Lens Hood
(): Optional
114°- 75°
100°- 62°
89°- 53°
84°- 20°
75°- 34°
75°- 29°
75°- 24°
75°- 24°
75°- 23°
75°- 8.2°
62°- 6.9°
34°- 12°
30°- 8.2°
24°- 6.2°
18°- 4.1°
14°- 5.0°
34°
24°
180°
47°
47°
8.2°
4.1°
7
7
7
7
7
7
9
22
22
22
22
22
22
22
22
22
22
22
22
22
22
22
22
22
22
22
16
22
22
22
0.25 / 9.84
0.25 / 9.84
0.28 / 11.02
0.25 / 9.84
0.35 / 13.78
0.25 / 9.84
0.29 / 11.42
0.29 / 11.42
0.22 / 8.66
0.5 / 19.69
0.45 / 17.72
1.4 / 55.12
0.9 / 35.43
1.2 / 47.24
0.96 / 37.8(MF) 1.2 / 47.24(AF)
2.5 / 98.43
0.146 / 5.75
0.24 / 9.45
0.135 / 5.31
0.38 / 14.96
0.2 / 7.87
1.4 / 55.12
2.4 / 94.46
0.11x(0.22x)
0.12x(0.24x)
0.13x(0.26x)
0.28x(0.56x)
0.12x(0.24x)
0.19x(0.38x)
0.16x(0.32x)
0.21x(0.42x)
0.26x(0.52x)
0.18x(0.36x)
0.23x(0.46x)
0.09x(0.18x)
0.14x(0.28x)
0.21x(0.42x)
0.50x(1.00x)
0.08x(0.16x)
1.00x(2.00x)
0.52x(1.04x)
0.22x(0.44x)
0.09x(0.17x)
0.19x(0.38x)
0.13x(0.26x)
0.15x(0.30x)
72
72
72
77
58
72
67
67
72
62
77
58
67
58
105
52
52
62
43
82
4type(Built-in 43）*3
̋86.5×119.5 / ̋3.41×4.70
̋79.5×73 / ̋3.13×2.84
̋75×92.5 / ̋2.95×3.64
̋79.5×98.5 / ̋3.13×3.88
̋86×123 / ̋3.39×4.84
̋65.5×61 / ̋2.58×2.4
̋78.1×ca.97.4 / ̋3.07×ca.3.83
̋74×ca.93 / ̋2.91×ca.3.66
̋74.5×88.5 / ̋2.89×3.48
̋78.5×ca.90.4 / ̋3.09×ca.3.56
̋78×84.5 / ̋3.07×3.33
̋96.5×213.5 / ̋3.80×8.41
̋65.5×72 / ̋2.58×2.83
̋86.5×157 / ̋3.41×6.18
̋80×127.5 / ̋3.15×5.02
̋124×276 / ̋4.88×10.87
̋71×53 / ̋2.80×2.09
̋71×61.5 / ̋2.80×2.42
̋79×77 / ̋3.11×3.03
̋77.7×ca.75 / ̋3.06×ca.2.95
̋64×23.5 / ̋2.52×0.93
̋100×150 / ̋3.94×5.91
̋127×285 / ̋5.00×11.22
780 / 27.5
275 / 9.7
485 / 17.1
575 / 20.3
900 / 31.7
190 / 6.7
ca.490 / ca.17.3
ca.434 / ca.15.3
440 / 15.5
ca.535 / ca.18.9
435 / 15.3
1,650 / 58.2*4
220 / 7.8
995 / 32.5*4
615 / 21.7
3,270 / 115.3
165 / 5.8
300 / 10.6
485 / 17.1
ca.510 / ca.18.0
95 / 3.4
1,465 / 51.7*4
3,290 / 116.0
LR-1
LR-1
LR-1
LR-1
LR-1
LR-1
VFC4185
VFC4185
LR-1
VFC4185
LR-1
LR-1
LR-1
LR-1
LR-1
LR-1
LR-1
LR-1
LR-1
VFC4185
LR-1
LR-1
LR-1
LC-87
LC-72B
LC-72B
LC-72B
LC-77
LC-58C
VYF3089
VYF3160
LC-67B
VYF3089
LC-62B
LC-77
LC-58C
LC-67B
LC-58C
LC-140
LC-52B
LC-52B
LC-74
VYF3147
LC-43B
LC-82
LC-140
Built in
LH-75C
LH-75
LH-75B
LH-82B
LH-61C
VYC0949
VYC0972
LH-70D
VYC0975
LH-65
LH-82
LH-61D
LH-70C
LH-61E
LH-120B
LH-55
Built in
VYC0959
(LH-43)
LH-89
LH-120
Compatibility
EC-20
Yes*5
Yes*5
Yes*6
Yes*5
Yes
Yes*5
Yes*5
Yes*5
Yes*6
Yes*5
Yes*5
Yes
Yes*5
Yes*6
Yes*5
Yes
Yes*5
Yes
Yes*5
Yes
Yes
Yes
EC-14
Yes
Yes*5
Yes
Yes
Yes
Yes*5
Yes
Yes*5
Yes
Yes*5
Yes*5
Yes
Yes*5
Yes
Yes*5
Yes
Yes
Yes
Yes
Yes
Yes
Yes
Compatibility
EX-25
Yes*5
Yes*5
Yes*5
Yes*5
Yes*5
Yes*5
Yes*5
Yes*5
Yes*5
Yes*5
Yes
Yes*5
Yes*5
Yes*5
DMW-MA1
Yes* 7
Yes* 7
Yes* 7
Yes* 7
Yes* 7
Yes* 7*8
Yes* 7
Yes
Yes* 7
Yes
Yes* 7
Yes* 7*9
Yes* 7*8
Yes* 7
Yes* 7*8
Yes* 7
Yes* 7*9
Yes* 7
Yes* 7
Yes* 7*8
Yes* 7*8
Yes* 7
Yes* 7
MMF-3
Yes*10
Yes
Yes*10
Yes*10
Yes*10
Yes*11
Yes*10
Yes
Yes
Yes
Yes*10
Yes*10
Yes*11
Yes*10
Yes*11
Yes*10
Yes*10
Yes*10
Yes*10
Yes*11
Yes
Yes*10
Yes*10
* Since Olympus incorporates image stabilizers in the bodies of its cameras, image stabilization is available with any lens. (Corresponding models: OLYMPUS OM-D series, OLYMPUS PEN series)
・The compression level of product photographs shown in this catalog varies. Check the above tables for actual sizes.
・Specifications and design are subject to change without notice.
*1: 0.29 in certain focal length range. *2: When setting the aspect ratio to 16:9 with DMS-GH2. *3: Dedicated 43mm drop-in filters (including clear, ND4, ND8 and circular polarizing filters). The front filter diameter is 112mm. *4: Weight without the tripod adapter. *5: Only manual focusing is available. *6: Autofocusing is only available at the center distance-measuring point of the viewfinder. *7: The vertical-hold detect function is not available with the DMC-G1, DMC-GF1 or DMC-GH1.
*8: Autofocusing is available when the firmware is updated. *9: It is recommended to update the lens firmware to Ver. 1.2 or later. *10: Focusing may be difficult due to incompatibility with the High-Speed Imager AF. In this case, it is recommended to use the "S-AF + MF" mode. *11: The latest-version firmware for the lens is compatible with the High-Speed Imager AF so focusing is easier.
37
38

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